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"unformed" poems
How this **** fable instructs And mocks! Here's the parody of that moral mousetrap Set in the proverbs stitched on samplers Approving chased girls who get them to a tree And put on bark's nun-black Habit which deflects All amorous arrows. For to sheathe the ****** shape In a scabbard of wood baffles pursuers, Whether goat-thighed or god-haloed. Ever since that first Daphne Switched her incomparable back For a bay-tree hide, respect's Twined to her hard limbs like ivy: the puritan lip Cries: 'Celebrate Syrinx whose demurs Won her the frog-colored skin, pale pith and watery Bed of a reed. Look: Pine-needle armor protects Pitys from Pan's assault! And though age drop Their leafy crowns, their fame soars, Eclipsing Eva, Cleo and Helen of Troy: For which of those would speak For a fashion that constricts White bodies in a wooden girdle, root to top Unfaced, unformed, the nipple-flowers Shrouded to suckle darkness? Only they Who keep cool and holy make A sanctum to attract Green virgins, consecrating limb and lip To chastity's service: like prophets, like preachers, They descant on the serene and seraphic beauty Of virgins for virginity's sake.' Be certain some such pact's Been struck to keep all glory in the grip Of ugly spinsters and barren sirs As you etch on the inner window of your eye This ****** on her rack: She, ripe and unplucked, 's Lain splayed too long in the tortuous boughs: overripe Now, dour-faced, her fingers Stiff as twigs, her body woodenly Askew, she'll ache and wake Though doomsday bud. Neglect's Given her lips that lemon-tasting droop: Untongued, all beauty's bright juice sours. Tree-twist will ape this gross anatomy Till irony's bough break.
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****** In A Tree
How this **** fable instructs And mocks! Here's the parody of that moral mousetrap Set in the proverbs stitched on samplers Approving chased girls who get them to a tree And put on bark's nun-black Habit which deflects All amorous arrows. For to sheathe the ****** shape In a scabbard of wood baffles pursuers, Whether goat-thighed or god-haloed. Ever since that first Daphne Switched her incomparable back For a bay-tree hide, respect's Twined to her hard limbs like ivy: the puritan lip Cries: 'Celebrate Syrinx whose demurs Won her the frog-colored skin, pale pith and watery Bed of a reed. Look: Pine-needle armor protects Pitys from Pan's assault! And though age drop Their leafy crowns, their fame soars, Eclipsing Eva, Cleo and Helen of Troy: For which of those would speak For a fashion that constricts White bodies in a wooden girdle, root to top Unfaced, unformed, the nipple-flowers Shrouded to suckle darkness? Only they Who keep cool and holy make A sanctum to attract Green virgins, consecrating limb and lip To chastity's service: like prophets, like preachers, They descant on the serene and seraphic beauty Of virgins for virginity's sake.' Be certain some such pact's Been struck to keep all glory in the grip Of ugly spinsters and barren sirs As you etch on the inner window of your eye This ****** on her rack: She, ripe and unplucked, 's Lain splayed too long in the tortuous boughs: overripe Now, dour-faced, her fingers Stiff as twigs, her body woodenly Askew, she'll ache and wake Though doomsday bud. Neglect's Given her lips that lemon-tasting droop: Untongued, all beauty's bright juice sours. Tree-twist will ape this gross anatomy Till irony's bough break.
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45
For the first time in his life, he was speechless not a word to say A thought unformed, a bell not rang silently staring, mouth agape at the woman who made him think in different ways For the first time in her life, she was speechless to the woman who told her she was beautiful in so many different ways she was speechless to the friends she had made unable to formulate words, chatterbox broken, a record skipping Like any other time in his life, he was speechless, not a word to say, unforced words to people he'd never known to people who don't care until he's online, with his fair share. Like any other time in her life, she was speechless, but no, not on paper, her words flowed like a rushing river but only on paper to be unseen but to her.
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Jan 6, 2015
Jan 6, 2015 at 12:45 AM UTC
Speechless
a gift for Aladdin Aures H from his 3rd follower... <>><<> the inescapable need, unformed firmament inquiring; am I capable? the impulse palpable, the urge to urgent, to gorge and disgorge? instead of morning prayers, precomposed and ordered, morning poem plucked from morning fog, gusted breezes, early-on, newborn sun rays, progeny of disheveled skies words fused, in irregular sizes, senses censured by drowsy eyes, but the chest beating arrhythmia means bursts of free verses superimposed on reluctant eyelids, jigsaw puzzlement be re-conformed and the first poem of the day, emerges from the intersection of mind, pale dreams, and the first is special till the neu morrow, when fresh bursts explode inward to windward, and the first is just yesterday's mesh of hash, once formidable, now last, pinned, yellowing, purely a **descendant of the recent, but always, ancient past*^
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Jun 19, 2025
Jun 19, 2025 at 3:13 PM UTC
The Poem Writes Me
when I dream I dream in the colors of the being yet unformed wide eyes shut a pseudo-dormant parasite feeding off of my mother, still. I dream of oily ashes, still staining the arms- ulna, radius reaching towards the empty sky. For what did they burn? black on white. shades of gray. the man in the turban stepping from my closet— the bees swarming from his mouth. Before my body was ten years old I knew sadness— it seeped into my soul and I could not speak. For what did I ache?
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Jun 24, 2010
Jun 24, 2010 at 4:21 PM UTC
blindness
from the plains drawings of smudging hands and the palms of warriors whose caves glittered in symbolic otherlands flowing into yesteryears with shifting tones abstracting melodies awry in the songs of language growing, from the blood of worldly pains and passionscapes of grounded glees which surge in transtemporal veins, to the gifting of a poem; cosmic movements ever novel in the constant flux of fleshy presence follow us in meaning— every dot and cursive plane, carries more than caligraphic feeling beneath the graphing of our patient, formal, brainy gestures (often blind to fools in Spring and better fates of wholly kissing lovers over flower-oaths) whose blindness in such sightly feeling, graph so many moments black: syntax, manner, unformed poems of wisdom’s grandeur; stifled in the academic dust. 9:30 pm above: praise gone awry. 12:52 pm still, this universe expresses its possibility through this minute verbia; prolix trivia swinging by the inquiries of existential mania and the hope of solid, open value. 1:29 am
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Jun 18, 2012
Jun 18, 2012 at 2:52 PM UTC
symbolic otherlands
Moist and monochrome, clouds are gathering On a Sunday afternoon. Look up idly from my browsing, at the building 'cross the pool Winds picks up, the monsoon breezes Lick at the curtains twelve floors up On the terrace, woman standing Arms outstretched, grasp the rail Legs stressed back, footloose in sandal Lightly muscled, slightly formed Kimono slips from lighted shoulder, designer ****** strawberry brown Fabric glides across the hip-line Revealing all to me below Wearing nothing on the landing Hint of shadow, ***** mound. From the sliding doors behind her Steps a man not quite unseen Waist encircled in one movement, undergarment stripped away Rigid stillness then the thrusting Tension mounting at the breath Woman gasps the O shape forming Through her silent, varnished lips Mahler moaning on the ITunes Waves are forming, silent sound Thrusting, busting, flexing, ******* arching back crescendo reached Sun comes out, just at that moment Roads diverging in the wood Disconnecting, and uncoupling Might and maybe should and aught Trembling fingers, taught in temper Blink the eye and pop the top Shaking hands that hold the taper, to the unformed smoking spliff **** the wreaths in, breathe the thought out Bottle clinks across the teeth Unbelieving, unconcealing Unrelieving, unreleased
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Jan 10, 2013
Jan 10, 2013 at 4:38 AM UTC
Not Quite Unseen
enthroned above the kingdom of desire hardly born... a chestnut of wane fire stealing metronomes from garden gnomes shunning the gimme of asking for nothing. your breaks mend iris slivers sleep in dungarees of dross and stale glass sick lemurs. dancing in the Cherokee of sublime Dementia dueling rhapsodies of function utterly bereft of form .... unformed.
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Oct 10, 2011
Oct 10, 2011 at 11:44 PM UTC
Shunning The Gimme
These words, floating to the surface, come from amongst an ocean of others. Sleeping, ripening, unformed, swimming in darkness, some rising into green, translucent waters. Titles, remembered images, voices of loved ones, colours, scents, secret moments never spoken aloud. More, and more still, residing, unseen, unheard, unknown beneath this iceberg of words.
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Dec 20, 2015
Dec 20, 2015 at 4:30 PM UTC
The Iceberg Poem
Moist and monochrome, clouds are gathering On a Sunday afternoon. Look up idly from my browsing, at the building 'cross the pool Winds picks up, the monsoon breezes Lick at the curtains twelve floors up On the terrace, woman standing Arms outstretched, grasp the rail Legs stressed back, footloose in sandal Lightly muscled, slightly formed Kimono slips from lighted shoulder, designer ****** strawberry brown Fabric glides across the hip-line Revealing all to me below Wearing nothing on the landing Hint of shadow, ***** mound. From the sliding doors behind her Steps a man not quite unseen Waist encircled in one movement, undergarment stripped away Rigid stillness then the thrusting Tension mounting at the breath Woman gasps the O shape forming Through her silent, varnished lips Mahler moaning on the ITunes Waves are forming, silent sound Thrusting, busting, flexing, ******* arching back crescendo reached Sun comes out, just at that moment Roads diverging in the wood Disconnecting, and uncoupling Might and maybe, aught and should Trembling  fingers, taught in temper Blink the eye and pop the top Shaking hands that hold the taper, to the unformed smoking spliff **** the wreaths in, breathe the thought out Bottle clinks across the teeth Unbelieving, unconcealing Unrelieving, unreleased
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Apr 23, 2013
Apr 23, 2013 at 6:15 AM UTC
Not Quite Unseen
My story is filled with blotted ink from the tears that so freely fell Ensnared behind my closed mouth words form and then rebel Hands bleed with the need to write but the pen has long been dry Sometimes I wonder if it has always been a lie Then what is this that flows through my veins? Forged from silver held back by chains I do not see blood only unformed murmurs Mere fragments of the thoughts buried beneath the armor And if you tore me open all you will ever find Is blank paper torn pages and ink run dry. -Esther L. Krenzin- -Roguesong-
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Dec 4, 2018
Dec 4, 2018 at 2:54 PM UTC
Blotted Ink
It’s like crying in the rain Being drowned out by the rest of the world’s woes. A voice yearning to be heard But can’t utter a single word . . . it’s too young. Too young for a world so old. Facing the brunt beginning of our future We’re just the runts of the pack. Aware of the all the deluded foolishness Amidst this crazy circus Trying to put a stop to the ruthlessness And erase the selfishness We only have a “futile” esophagus. Old beliefs, but new fashion Knowledge is dangerous to those who have it, And all the youth who have it Are shunned . . . because youthful thoughts are unformed views. “Useful” thoughts come from a view That is so high up and extremely corrupt It makes the change seem distant. And discouragement from the encouragement Is the exact thing that’s sought. Take a stand and make all the old beliefs rot It’s time for the new fashion: A youthful mind and fruitful esophagus.
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Oct 22, 2012
Oct 22, 2012 at 2:02 PM UTC
A Fruitful Esophagus
At the sacred heart of the profane Utterly forsaken in the tranquility of exile An Unformed prisoner emanates... Prowling dead space and blue skies As if they were the hearts of Men ~ At the center Of the Unmade A Leviathan sleeps dreaming of Truth. Roaming the Confines Of Paradise Sequestered in the throng Of our savage lives- Witness to our Miracles ! This One Strides Through the Parthenon Of our Ruin A Rook amid our vapid fictions - Savoring the daily wisdoms That Delight In our Surprise. At the naked heart Of the cloaked Soul Utterly untarnished, by the ashes Of our distant fires... The Unexpected - Dominates Reality Immune to our convictions The Banished One Is Lord. It takes no shape imagined and remains Beyond the nimbus of our Theories. Unadorned.
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Feb 5, 2013
Feb 5, 2013 at 11:57 PM UTC
At the Sacred Heart Of the Profane
Unburden my heart With soft words or hard Unseen unformed words Like clay in a jar What can my soul spring But fountains of dreams From the depth of divine What will my muse bring Unburden my heart And set my mined free Untainted by memories Of the hell I have seen...
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Apr 29, 2015
Apr 29, 2015 at 3:03 PM UTC
UNBURDEN MY HEART
Sleeping in the palm of unformed, time, reading the almanac, of the coldness of, moon, the first section is, an achromatic afternoon, the setting sun, arranged the gloaming, in the last line of, a familiar paragraph, the footprints, awake at the end of, the avenue, the page turned, stamped with deep, soliloquy, and it’s said that, the illustrations on the cover, are the unfinished snow of, last year.
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Feb 12, 2015
Feb 12, 2015 at 3:48 AM UTC
A moonlit night
About 4 years into the friendship, or whatever it had by that stage become, during a chat on our Internet **** preferences over badly-filtered Americanos in the UCD student cafe, I said to her " I think I enjoyed our friendship more when we used to get coffee and just laugh for twenty minutes. " And after a half second of unusual silence from her, those pools of ever-renewing blue eyes of hers almost incisions into my consciousness, I added" That was pretty unique." And then I laughed unbound, and she almost shrugged and definitely smirked as if to say "this is where I am now, it took some time for me to realise but it's where I've always been." Unapologetic, as only she could seem to be. And it was, like any tryst, fling or abandoned half-romance is, utterly unique. Half on the way to becoming something we were going to hang on to and definitely regret and half-stopped, sulking out of a puddle, dead damp weight created by the differences we made ourselves for the other to behold and dismantle. The immediate was meant for us, first the attraction, then the disgust, then the despair, then the cursing off, then round to the intrigue all over again. She remained the great question mark of my undergraduate years. Heartaches after her were equally demeaning, but far more easily explained. You know you've found someone irreplaceable when they tell things you really shouldn't know, things shoved up in boxes for years, things too unformed to be really caught sounding out, in the moments after your first kiss. And every clever undergraduate will tell you how negative all connotations of "irreplaceable" are. And yet these are the backhanded good graces, the immeasurable gifts that memory serves I wear this like a wound I can find wry mirth at the very sight of, I have learned all this from her without her ever intending These memories are indented in a music box with an imitation sacred heart all mine distempered by the candid lines of a girl who never wanted religion, divulged somewhere in our seat of learning.
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Oct 16, 2016
Oct 16, 2016 at 7:32 PM UTC
She Was Eve When We Were Awkward
About 4 years into the friendship, or whatever it had by that stage become, during a chat on our Internet **** preferences over badly-filtered Americanos in the UCD student cafe, I said to her " I think I enjoyed our friendship more when we used to get coffee and just laugh for twenty minutes. " And after a half second of unusual silence from her, those pools of ever-renewing blue eyes of hers almost incisions into my consciousness, I added" That was pretty unique." And then I laughed unbound, and she almost shrugged and definitely smirked as if to say "this is where I am now, it took some time for me to realise but it's where I've always been." Unapologetic, as only she could seem to be. And it was, like any tryst, fling or abandoned half-romance is, utterly unique. Half on the way to becoming something we were going to hang on to and definitely regret and half-stopped, sulking out of a puddle, dead damp weight created by the differences we made ourselves for the other to behold and dismantle. The immediate was meant for us, first the attraction, then the disgust, then the despair, then the cursing off, then round to the intrigue all over again. She remained the great question mark of my undergraduate years. Heartaches after her were equally demeaning, but far more easily explained. You know you've found someone irreplaceable when they tell things you really shouldn't know, things shoved up in boxes for years, things too unformed to be really caught sounding out, in the moments after your first kiss. And every clever undergraduate will tell you how negative all connotations of "irreplaceable" are. And yet these are the backhanded good graces, the immeasurable gifts that memory serves I wear this like a wound I can find wry mirth at the very sight of, I have learned all this from her without her ever intending These memories are indented in a music box with an imitation sacred heart all mine distempered by the candid lines of a girl who never wanted religion, divulged somewhere in our seat of learning.
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26
I found myself creeping along the wallpaper Jane intensly studying my movements from a rotting wooden bed only the walls aren't peeling and stained and yellowish but of the purest ivory instead I felt as if I could breach some unformed truth among the mountains and valleys of common architecture and this would be an untold secret between she and I as this truth is hidden from minds accompanying stricture
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Feb 22, 2011
Feb 22, 2011 at 1:39 PM UTC
wallpaper
I know this woman well from the curl of days each day I write a love letter to life I strive to allow anything as it is unfolds emerges aliveness deadness blindness foolishness fright ignite the gloaming of thought the expiration date for the hade of dreams I welcome every pain with a smile, white hair and a glass of wine this kind of love nested in the voicelessness of uncanny zoons hues tunes lagoons in the silence of soles when you step so carrefully not to disturb the unformed truths pain love, neighbours in the flow of synonyms they taught myself to me - the density of ribs the depth of skin the electricity of muscles the tautology of heart the logorrhea of thought the temptation of beauty moon is to blame it hid its unforseen tales inside the blueprints of songs under the skin
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Feb 13, 2023
Feb 13, 2023 at 5:57 PM UTC
love letter
Scream and shout, kick the ground, fall apart crying I hate the world, it isn't fair, hold my heart from breaking My life stretches way too far into a fog I can't see through No one's fault you don't understand but you don't have a clue Stop thinking stop thinking my mind keeps on racing Not words it's all emotions like I just can't stop feeling Endless accusations left unformed drive me insane I'll be alright but this moment now all I think about is pain
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Dec 24, 2018
Dec 24, 2018 at 1:41 AM UTC
scream
I suffocate my brain with gin. Again. I'm seashores and tin. I bend. Proximity alert. The priest becomes megaphone. Spilling my guts when the circuit breaks. Privacy. Harmony. Quickly decode the differences. Hollow bones. Betsow a vision. I ask to receive. I feel the answers. Too light to break this Earth's atmosphere. Too late. Behold,my vision. The infant sleep of Mother Earth. A great extinction. A man is born with grey in his heart. His thoughts unformed. A ridge of her leaking core. A beach with sterilizing water. Meeting and leaving. A pool of molten glass. A lake of cold translucent glass. A rock to fracture the truth. A crack forms. A club is pulled from there. Echo. Echo. Echo.
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Nov 21, 2016
Nov 21, 2016 at 9:37 PM UTC
Walt Disney World
lets release unnecessary tension i am not surprised that you arrived here we all reach this shore eventually and we can only remain indefinitely so come now we must speak freely and release the ego’s defenses now is a respite from mind as life is blind and fire is destructive unless you learn to contain it for then it transforms into radiant virtue like a serpent and a vulture intertwined a flame that never yields i speak of a thousand rivers who each have the power to heal you let's swim naked in amazement and wonder let's contain the cosmos in our smiles let's adventure on the path of sacred warriors and breathe beauty from our noses slip slide along the coast line life is like a zip line and its fine if you smack into a cliffside cause you'll get a brand new set of fingerprints i am a complex sentence i am an unformed question you are the iris’ extension you are bliss you are lifting up my world and i am peeking under your carpet i swear i had lost my mind but you found it reclining on the couch i swore that there were no more secrets and you revealed my insecurity life is a queen and in fragmented dreams she keeps me clean as a star
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Oct 10, 2018
Oct 10, 2018 at 3:32 PM UTC
fragmented beings
Fri Feb 10 8:12 AM “As artists, we are exposed to a heavy level of scrutiny, mostly from ourselves,” adds Villarini-Velez. “At times we might be insecure when a choreographer asks us to do something that takes us away from our usual, classical vocabulary. I felt like some of my peers who aren’t exposed to this movement would feel insecure at times, but nonetheless, rise up to the challenge of exploring new levels of artistry. It’s easy to rely on our usual bag of tricks, but I enjoy the risks of detaching from what looks good and moving in a way that feels good. It’s our responsibility to rise to these challenges and expand our artistic horizons.”(1) <> guilty. as charged. so, incorporating new words, differing styles. do what does not come naturally. “detach from what looks good, moving in a way that feels good” make radicalization your ethos make new-for-you your eponym. give your name to what you create, a mere signature insufficient, it is not part of the work! taste the wet words upon tongue and lips, let the saliva linkage be to the following morseling phrase, the mouth sac moist be where verbal embryos are birthed. hear them spoke in your voice, but, silently, in your mind, and yet, speak-say them inside with the shocking thunderous force of a newborn’s first cry. and when you read them assembled, weep with pleasure, relieved, this, your child, looks exactly like no one, with but trace elemental traits of you. but it is all yours, sinew and cell, fiber and skin, drawn unformed, ejected from the intramural hollows of the body, then and only then, mark them at last as truly mine..
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Mar 23, 2023
Mar 23, 2023 at 2:05 PM UTC
Bag o’Tricks:
Fri Feb 10 8:12 AM “As artists, we are exposed to a heavy level of scrutiny, mostly from ourselves,” adds Villarini-Velez. “At times we might be insecure when a choreographer asks us to do something that takes us away from our usual, classical vocabulary. I felt like some of my peers who aren’t exposed to this movement would feel insecure at times, but nonetheless, rise up to the challenge of exploring new levels of artistry. It’s easy to rely on our usual bag of tricks, but I enjoy the risks of detaching from what looks good and moving in a way that feels good. It’s our responsibility to rise to these challenges and expand our artistic horizons.”(1) <> guilty. as charged. so, incorporating new words, differing styles. do what does not come naturally. “detach from what looks good, moving in a way that feels good” make radicalization your ethos make new-for-you your eponym. give your name to what you create, a mere signature insufficient, it is not part of the work! taste the wet words upon tongue and lips, let the saliva linkage be to the following morseling phrase, the mouth sac moist be where verbal embryos are birthed. hear them spoke in your voice, but, silently, in your mind, and yet, speak-say them inside with the shocking thunderous force of a newborn’s first cry. and when you read them assembled, weep with pleasure, relieved, this, your child, looks exactly like no one, with but trace elemental traits of you. but it is all yours, sinew and cell, fiber and skin, drawn unformed, ejected from the intramural hollows of the body, then and only then, mark them at last as truly mine..
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27
Words unformed stuck in her throat Dry as a first communion host She tried to push them past her lips They slid back down In a fevered putrid torrent All the things she could not say Trapped inside her mottled mouth Beneath her swelling tongue An angry cloud of hornets Again again again they stung All the words unspoken An abscess ripe with pus Throbbing in her throat Every breath a battle An emotional death rattle.
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Jun 23, 2014
Jun 23, 2014 at 9:55 PM UTC
Choking
My three year old daughter Bubbling with laughter Sang to me a sweet song In a long ago summer. Fresh washed and brushed blond hair, A pair, of bright white shoes With heel and unformed soul combined To give this girl in new blue dress And eagerness for lucid life A twirling grace, that framed her Face with swirling curls, which spoke Of innocence to win the race By perfect form and fortune born Of a pure and guiltless mind. Remind me; despite my tender care, That this fair and loving child Was an embryonic wild and wanton woman, Whose finite measured days of fun The sun disdainfully allowed to run; Whilst guileless beauty, golden, turning, Passed the infant hours of learning Unaware that time had planned A moving of the hour hand, To end the promise Of this fresh faced start In pain the coming rain would surely bring, Filling these growing years with knowing tears To slowly stain this new and true blessed heart, And force; this singer, and her long departed song, A long; long way apart. © James Rainsford 2010
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Mar 3, 2011
Mar 3, 2011 at 2:09 AM UTC
To my daughter for a day remembered
I haven’t written for a while; my mind seems dulled: perhaps the dark days and nights of Winter have suppressed my inspiration, thrown my Muses back into the shadows where they huddle and wait for the light to return. I haven’t written for a while; those thoughts I have remain unformed, a phrase here, a para-rhyme there but, like my Muses, prefer the shadows cast by these short Winter days and long, dark nights. I haven’t written for a while until today when I drew back the shades and saw the Spring sun rising high in the sky casting light and warmth; my Muses joyfully returned from their dark place and those disconnected thoughts joined with them to write the words now forming on this page ...
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May 10, 2013
May 10, 2013 at 2:39 PM UTC
I haven’t written for a while ...