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Dorothy A Mar 2012
The tired, old cliché –life is short—is probably more accurate than I would care to admit. With wry amusement, I have to admit that overused saying can be quite a joke to me, for I’ve heard it said way too many times, quite at the level of nauseam. Often times, I think the opposite, that life can be pretty **** long when you are not satisfied with it.

I am now at the age which I once thought was getting old, just having another unwanted birthday recently, turning forty-seven last month. As a girl, I thought anyone who had reached the age of forty was practically decrepit. Well, perhaps not, but it might as well have been that way. Forty wasn’t flirty. Forty wasn’t fun. It was far from a desirable age to be, but at least it seemed a million years off.

Surely now, life is far from over for me. Yet I must admit that I am feeling that my youth is slowly slipping away, like sand between my hands that is impossible to hold onto forever. Fifty is over the horizon for me, and I can sense its approach with a bit of unease and trepidation.

It is amazing. Many people still tell me that I am young, but even in my thirties I sensed that middle age was creeping up on me. And now I really am wondering when my middle age status will officially come to an end and old age will replace it—just exactly what number that is anyway. If I doubled up my age now, it would be ninety-four, so my age bracket cannot be as “middle” as it once was.

When we are children, we often cannot wait until we are old enough, old enough to drive when we turn sixteen, old enough to vote when we turn eighteen, as well as old enough to graduate from all those years of school drudgery, and old enough to drink when we turn twenty-one. I can certainly add the lesser milestones—when we are old enough to no longer require a babysitter, when we are old enough to date, when girls are old enough to wear make-up, or dye their hair. Those benefits of adulthood seem to validate our importance in life, nothing we can experience firsthand as a rightful privilege before then.

Many kids can’t wait to be doing all the grown-up things, as if time cannot go fast enough for them, as if that precious stage of life should simply race by like a comet, and life would somehow continue on as before, seemingly as invincible as it ever did in youth. Yet, for many people, after finally surpassing those important ages and stages, they often look back and are amazed at how the years seemed to have just flown by, rushed on in like a “thief in the night” and overtook their lives. And they then begin to realize that they are mortal and life is not invincible, after all.

I am one of them.

When I was a girl, I did not have an urgent sense of the clock, certainly not the need to hurry up to morph into an adult, quite content to remain in my snug, little cocoon of imaginary prepubescent bliss. It seemed like getting to the next phase in life would take forever, or so I wanted it to be that way. In my dread of wondering what I would do once I was grown. I really was in no hurry to face the future head on.  I pretty much feared those new expectations and leaving the security of a sheltered, childhood, a haven of a well-known comfort zone, for sure, even though a generally unhappy one.

Change was much too scary for me, even if it could have been change for the good.

At the age I am now, I surely enjoy the respects that come with the rites of passage into adulthood, a status that I, nor anybody, could truly have as a child. I can assert myself without looking like an impudent, snot-nosed kid—a pint sized know-it-all—one who couldn’t impress anybody with sophistication no matter how much I tried. Now, I can grow into an intelligent woman, ever growing with the passing of age, perhaps a late bloomer with my assertiveness and confidence. Hopefully, more and more each day, I am surrendering the fight in the battle of self-negativity, slowly obtaining a sense of satisfaction in my own skin.

I have often been mistaken as much younger than my actual age. The baby face that I once had seems to be loosing its softness, a very youthful softness that I once disliked but now wish to reclaim. I certainly have mixed feelings about being older, glad to be done with the fearful awkwardness of growing up, now that I look back to see it for what it was, but sometimes missing that girl that once existed, one who wanted to enjoy being more of what she truly had.

All in all, I’d much rather be where I am right this very moment, for it is all that I truly can stake as my claim. Yet I think of the middle age that I am in right now as a precarious age.

As the years go by, our society seems ever more youth obsessed, far more than I was a child. Plastic surgeries are so common place, and Botox is the new fountain of youth. Anti-aging creams, retinol, age defying make-up—many women, including myself, want to indulge in their promises for wrinkle-free skin. Whether it is home remedies or laboratory designed methods, whatever way we can find to make our appearance more pleasing, and certainly younger, is a tantalizing hope for those of us who are middle aged females.

Is fifty really the new thirty? I’d love to think so, but I just cannot get myself to believe that.

Just ask my aches and pains if you want to know my true opinion.

Middle age women are now supposed to be attractive to younger men, as if it is our day for a walk in the sun. Men have been in the older position—often much older position—since surely time began. But we ladies get the label of “cougar”, an somewhat unflattering name that speaks of stalking and pouncing, of being able to rip someone apart with claws like razors, conquer them and then devour them. There is Cougar Town on television that seems to celebrate this phenomenon as something fun and carefree, but I still think that it is generally looked at as something peculiar and wrong.

Hugh Hefner can have women young enough to be his granddaughters, and it might be offensive to many, but he can still get pats on the back and thumbs up for his lifestyle. Way to go, Hef! Yet when it comes to Demi Moore married to Ashton Kutcher, a man fifteen years younger than her, it is a different story. Many aren’t surprised that they are divorcing. Talking heads on television have pointed out, with the big age difference between them, that their relationship was doomed from the start. Other talking heads have pointed out the double standard and the unfairness placed on such judgment, realizing that it probably would not be this way if the man was fifteen years older.

Yes, right now I have middle age as my experience, and that is exactly where I feel in life—positioned in the middle between two major life stages. And they are two stages that I don’t think commands any respect—childhood and old age.      

I’ve been to my share of nursing homes. I helped to care for my father, as he lived and died in one. I had to endure my mother’s five month stay in a nursing home while she recovered from major surgery. I have volunteered my time in hospice, making my travels in some nursing home visitations. So I have seen, firsthand, the hardship of what it means to be elderly, of what it means to feel like a burden, of what it means to lose one’s abilities that one has always taken for granted.  I’ve often witnessed the despair and the languishing away from growing feeble in body and mind.
There is no easy cure for old age. No amount of Botox can alleviate the problems. No change seems available in sight for the ones who have lost their way, or have few people that can care for them, or are willing to care for them.  

I think time should just slow down again for me—as it seemed to be in my girlhood.

I am in no hurry to leave middle age.
Eliana Feb 2014
This connection
is not a tangible thing
by its nature, technological,
yet it seems we have
entered some shared place
where I can almost
touch you.

This place
is not a joyous one
by its nature, sweet
yet also bitter as we have
come so close but no nearer
and the comparison
is unflattering.
For B.H., because some nights typing *hug* just doesn't cut it.
Mahalea Isis May 2014
Fighting back tears, it pains me to hear
The word that always lingers throughout my thoughts
The word that makes me cringe in sadness
The reason I don't wear dresses that are strapless
The reason I could never be an actress

My confidence is lacking, the word is attacking and hijacking
My mental and suddenly I'm adapting
To the rage burning in my heart like everlasting matches
It burns me to say it, but I say it all the time
To remind myself of why I will always have to lie
Cause when people ask me questions, I always say I'm fine
Even though I want to lie in the puddle where I cried
And drown myself slowly, but not necessarily die
Just come back alive, more beautiful this time

Pressured by society and everybody by me
That being pretty is the goal cause in the real world no one will lie to me
Nowadays a girls dream is to be able to drop jaws
Be admired and complimented and leave people staring in awe
Be stunning, not even perfect, but have minimal flaws
Why do insults flow easily and no one thinks it's wrong?

Ugly
The word unflattering itself
And us as insecure, are disgusted with ourselves
And sometimes we break down in the mirror yelling for help
Cause who is truly happy when they wish to be someone else?

Ugly
Scars lacing our bodies
Speaking loud enough when our thoughts get a bit foggy
People stare at these memories and tell us we're crazy
It decorates the pain like a poisonous pastry

Ugly
Why is it that we constantly hear
This word that some might consider their biggest fear
It's embarrassing, degrading, it weakens us deeply
I wear all black and walk through the hallways discreetly
I want no one to notice who I am anymore
I have locked my true self behind bars and steel doors
Cause I have a secret wish that one day maybe I could be adored
But my reflection isn't the reason that I am so destroyed

It's ugly
That word has broken me down
That I cry anytime there isn't anyone around
And it's amazing to see how many people are self conscious
Over this word which in itself is monstrous and obnoxious
Nowadays I wonder if anyone has a conscience
Cause if they did, why would they continuously spread all this nonsense?
You can't brush it off like its stupid and it isn't constant
And like it doesn't turn people from confident to rotten

Ugly
One day hopefully, I'll break out of this mindset
Cause it's kept me from doing things which I now seem to regret
It's kept me from happiness and the feeling of tranquility
And dragged me to the hell where lies depression and hostility
And now I long for a day where it will all happen so suddenly
I will look at my reflection and will say

"I'm not ugly."
Wrote this a couple weeks ago and sadly I'm still struggling with my insecure and confidence issues, as I have been for years. It's difficult always being self conscious but I don't know how to change. It's a constant battle within in myself. But oh well.
Janek Kentigern Oct 2016
Sadness
it's strong stuff...
I've had so much I can't walk
without falling
I can't talk
without stalling
And slurring
Can't think
without blurring the lines
between problems
and mere actualities.
Lacking the faculties
to sort factual reality
from the masochistic fantasies
that lurk at the back of me;
Passively, I watch them attacking me
ransacking stacks of ****
that once brought me happiness
laughing mirthlessly, cursing the birth of me,
tormenting, caressing,
augmenting the worst of me,
Cementing self pity, bitterly nursing the urge
to revel in misery. Rolling in muck
and mire of recent history,
desiring nothing.
In anger I pander to these base demands,
Mistaking mere sickness
For something more grand
Avowing the charge of my own propaganda,
Allowing this world that I loved
to be slandered
Cowed
My friends are pulled down to an
unflattering angle. From here they appear
(no matter how dear)
to be traitors and thieves,
with knives up their sleeves.
I'll believe every lie my sick mind can conceive.

Don't give me the keys
'cos I'll drive off a cliff
Don't give me a pen
Cos I'll only write this
There's nothing unique in the words that I speak,
and this piece is nothing but
cliches,
mixed metaphors you've met before
similes sing of sick malaise.
Tongue out of cheek,
Dazed.
I'm released from policing
my verse,
Sad soul knows no quality Control,
As the heart beats crazily, I proofread lazily
sentimentally, hazily.
Without a **** to give
I chuck away the voice that says
“Don't write if it ain't great.”.

Days achieving nothing
but self inflicted *******
Gouging self-inflicted chasms
between loved ones and I,
apoplectic rage in spasms,
fits of fleeting normality
Bridge defeat, despair and insanity.
Weaponised hatred for all of humanity.
A small inconvenience
becomes a calamity.
Then revert to intertia perverted by vanity.

Next, corner a companion and
complain away the pain and drain your glass again and again without restraint

Explain the ways that your to blame, oh the shame the shame,
Dissect regrets, reflect until you've bored yourself to death,
(let alone the poor sod who kindly nods and slyly checks their watch, before they stammer out excuses,
Hints which I'm too hammered and useless to hear,
Too wrecked to check myself. They've done their duty as a mate, but remember,
steer clear of the fate,
Of getting ****** down into the vortex, of depression and regrets.
We've all got our problems. He's out of cigarettes.)
Whilst here I  reading aloud
still sore texts, to detect traces of affection.

Sad ****, sad drunk, alone again,
Get my coat, forget my phone. The inconvenience provides some light relief,
From the background grief.
Now tomorrow's replete with distraction s and tasks to complete.
The horizons' brightened with the prospect of splashing some some cash, and so much to choose!
Afternoons busy spent perusing reviews,
Megapixels, memory, which brand do I trust?
But I know I'm just
buying time,
Before the consumption high subsides
and I'm back with this background mosquito pitch whine saying "maybe I'm better off dead".
Bite you lip, hold on, its temporary. and whilst it feels scary, remember
Your not sick, you're not dying, your just heartbroken,
trying to move on, and maybe occasionally crying.
And that's healthy.
The weeping ain't that bad,
It's the cold light of day. It's the misguided logic. That's says "you had the best time of your life, now you've lost it,
All that was worth having,
Is behind you, and may I remind you,
You ain't getting younger, it's starting to show,
And times flowing towards the end, the time you spent on earth was wasted, getting wasted, not facing life head on and you'll never change. It's not strange that she's found someone better"
etc etc

You've been here before and each time it gets better. If you could write a letter to your younger self you could share a wealth of knowledge about Dealing with horrors from within.
Emotions invade us, but we can repel them. But you have to embrace them before you expel them.
So whilst it's not fine yet
And whilst I still pine, yeah, I'm resigned for the time being,
seeing the bigger picture.
And we're designed to recover then remove the stitches. No plans go without hitches. At last, whilst they might not go as fast as we like,
In the night take respite cos
Like the drunken high, and this ******* Hangover
This too shall pass
And one day you'll wake up sober.
Kiz May 2019
Smooth, strong, deep, therapeutic.
Hands playing on my skin like a virtuoso pianist.
Stroking, kneading, pressing.

With every stroke, his hands melt my stress.
Sooth my pains, physical and mental.
My anxiety fades. My mind rests.
Stroking, kneading, pressing.

His hands are sensual.
His eyes are closed, so his hands move on their own.
No distractions. Just natural. Instinctive.
Stroking, kneading, pressing.

I’m open and vulnerable, self conscious.
But his hands even sooth my flaws, and imperfections.
Press against places I keep covered.
Unflattering angles I would rather keep hidden,
But somehow his hands seem to find beauty even in that.
Stroking, kneading, pressing.

Dang....the hour is up.
ordained Dec 2014
Bloodstained sweatshirt with no recollection of how it got there, or who's it was.
Hands nervous and gentle, assured and rough, sitting terribly low on my hips.
Street lights an unflattering amber on our pale skin, illuminating his eager eyes and my perpetually self-conscious ones.
The sweet scent of teenage boy clung to him in the best possible way.
These are the details of the first time he kissed me, the push of the domino.
Since that night, with the neighbors' swing set alone as a witness and the brave frailty of a fall night's cold, I have been hooked. Trapped, spellbound, moonstruck, indelibly in lust with him.
My back against a concrete wall, hands roaming and tickling the valorous strip of skin that really should be covered by my shirt.
Lips on mine, hip bones digging into mine, hurried and heavenly. This was our last kiss.
It was not tender, like the first one. But I was still too enraptured to worry about a **** thing, and he still had the upper hand.
I do not know if we will get to re-do our last kiss, but god do I hope we do.
Dorothy A Dec 2014
I think of her often, for thoughts are all I have—not a single memory. She died before I was the age of two.

From what little that I heard, there was little reason to view her in a good light, but now I can see something admirable about her.  After all, this woman endured so much, and the odds seemed stacked against her. Incredibly, between the ages of eleven and sixteen—at least five times—this poor Lithuanian girl crossed the Atlantic in attempts to get into America. Twice, she was turned away. Some may not have had high regard for her, including her own son—my father—but I can see a heroic nature, a survivor, through and through. Just a toddler when she died, I missed out in knowing her. Throughout the years, I really had only gathered bits and pieces of information while trying to know better about her. It has been like constructing puzzle in which the pieces fit here and there, but the gaps are too big to cover.

This woman that I write about is my paternal grandmother. Out of all my grandparents, her story is the one that stands apart, an amazing, heart wrenching and most thought provoking portrait. Evoking emotions of anger, sadness and sympathy, I find it a rich tale of a poor woman.

This has been in the works for quite a while now—in my head, that is. I pictured what I wanted to say, the words playing out in my mind.  What a story it is, too, a tremendous one of sorrow and struggle, of need for love and acceptance, of perseverance and strength of the human spirit. Yet things get complicated when they come from my mind to the page, as I try translating my vision down into words. Before long, like a snake, hesitation surely comes slithering through, as it quickly snuck its way within, fueling my fear, a fear of disapproval and rejection by two people who are now dead and have been for some time—my father and my grandmother.  

And while writing, I imagine what my audience thinks—critics in my head abounding before I even finish. Well, I am the first to stand in line for that.  It’s kind of scary relating such things. I am not sure I am doing the story any justice.  I’m not sure I’ve captured the essence of it well.    

And who would want to read this anyway? Is it too long and of no significance to anybody but myself? I have my doubts. Celebrities do this all the time, and people just eat that stuff up.  I think we all just want to relate to what others have to say about themselves. But it does bare you—your thoughts, your secrets, your soul, —and it feels a bit unnerving, to say the least.  

So, naturally, I still drag my feet. If she were here right in front of me right now, what would my grandmother think? Would she throw the papers in an old fashioned stove—in the fire—as she angrily did to my father’s flowers?  I can only imagine my father as a child—in an impoverished scene that I only have sketchy knowledge of—with his young heart being crushed and shamed, his sign of affection and desire to please his mother, drastically rejected. In return for his small token of love, my father’s mother was furious that her boy spent a few coins on something perceived as useless, a waste of good money. Away like trash, they went. Like the flower story, would my father be ashamed and angry that I revealed some family history for others to read, stuff that he would rather have kept quiet?

This is why I am mentioning no names. Nothing is sugar coated—it is what it is—often not very pretty. Yet this is not intended as an exposé or a smudge on any family members. A slam on my father and grandmother is surely not my intent—far from it.  Rather, it is my offering of affection. It is my little bouquet of flowers to a history that includes me as a part of it.

Like those flowers of long ago, I’ve so wanted to scrap this story in the garbage. Often seeming like a knotted mass of yarn, I have had to work and work to get a smooth flow.  Like a sculptor, I wanted a fine piece of clay to emerge into form, but the chunks, lumps and bumps just frustrate me to no end.

It’s complicated to relate it all. It is revelation about my father’s origins which hold no real pride for him.  There was much pain and shame associated with his mother’s mental illness, his distant father, his broken home and lack of a solid, safe family structure, his constant poverty and fight for survival—the list goes on and on  As I unravel this tale, I continue to fight with the many tangles. As I try to find the face, I feel that my sculpted story is left wanting. So I continue to chip away.

Dishonoring? Embarrassing? I hope it this tale is not.  I envision an admirable purpose instead of the pain and the shame, redeeming the pride that was lost. My father’s origins are mine, too, and they help me to know myself better, and my father—to build that better, more complete puzzle of my grandmother.

Much of what I heard was unflattering terms. From a young age, I knew she was mentally ill. But what did that mean anyway?  Well, to my father she was crazy and nuts, not a good mother. No, she wasn’t mother of the year. Clearly, she had a temper and was known to instigate fights—with her husband, with one of her sisters. When my young father was physically disciplined it was by her, and it was probably quite harsh. If I didn’t like her, it was due to all that I heard. And when I had problems with my father, who had a bad temper, too, I probably felt that the apple didn’t fall very far from the tree.  

But in spite of all the remarks, I grew to have great sympathy for my grandmother. It makes me wonder how mistreated she was as a child.  My father deemed her as neglectful, not in tune to her children’s needs. It is obvious to me that she was in lack, herself.

So what was she really like? I very much wanted to understand her, to be able to relate with her. I don’t know—perhaps, it is because I root for the underdog.  Often, I felt like one, too. And Lithuania is the perfect underdog, under the thumb of Russian rule until much recently.  Perhaps, it was because my dad’s dislike for where he came from made me all that more interested to discover what his roots were all about.  

History often repeats itself—what has shaped my father had a strong influence on me. Like my father, I grew angry and bitter from the upbringing I had. Getting a similar brunt of problematic parenting made for a tough go of things.  I could have easy said, “Who gives a ****?” I could have been thoroughly disgusted about my dad’s old baggage that I had to handle—all the wreckage of rage and shame that became dumped into the next generation.  I evolved from a more sensitive, inquisitive child to one who battled between the feelings of hate and love, painfully clawing my way out of the emotional garbage and with the terrible stench of it.  

Thankfully, the war is over. I am enjoying the peace.  
  
With insight, I grew to understand my father, to accept what he was—capable of good and bad. I can relate quite well in that sense, for I made plenty of mistakes that I wish that I could do differently, ones that hurt others as well as me.  I could not deny that, in my dad, there was a wounded man who could not really figure that out—not until he was much older. I saw a man who was remorseful, and humbled by his costly mistakes. I was able to heal from some of my wounds with that forgiving perspective, though it was not easy and did not come overnight.

Unlike my dad, I’m surely a talker and I ask questions, perhaps my father’s worst nightmare in that sense——he had to have at least one child who always wanted to know things about him and who he came from. That means both sides of my family. Perhaps, I was born that way, with a tremendous sense of wonder. Curiosity always got me, and I am much too hungry to remain clueless about my more secretive father.

Maybe that’s good. Maybe it’s bad. It involves risk which can lead to a boatload of hurt. Where do we come from? What were your parents like? What were your grandparents like? When where they born? When did they die? Do you have any pictures?  Can you go any further than them?  Sometimes, the answers aren’t what you want to hear.  

It’s nice to belong to something, to somebody. It isn’t always possible or realistic to relate to one’s family, I wanted to belong. Not just to my mom’s side did I want to identify—I wanted to fully belong—to both sides.

My mom and dad both had common backgrounds, both coming from poverty and chaos. The fallout from my mother’s unstable father created a similar unease within her childhood home. Yet her family actually seemed like it existed. I knew all of my mother’s seven younger sisters and five younger brothers, as well as all nineteen cousins. We used to visit mom’s parents in Detroit fairly often. My best knowledge of life in this unfamiliar, yet close by, city—my native city—arose through this connection. I heard stories of grandmother’s German immigrant parents and learned of my grandfather’s Polish and Prussian roots, part of his family’s rise from poverty to wealth—to poverty once more.

Born in the latter part of the nineteenth century, my father’s parents were much older than my mom’s. Impoverished Lithuanian immigrants, my dad’s parents surely wanted to be Americans. My grandmother really had to fight to even be on American soil, and my grandfather sought out citizenship and became naturalized. I have likely seen them both, but had no relationship at all. I heard that my dad’s mom came over our house for Thanksgiving dinner—a rare visit—and she died not long after.

My grandfather died the following year, when I was closer to three. Possibly having a primitive, early memory of this man, I am told my dad had him over the house once.  I have a vague recollection of sneaking into the living room, when I was supposed to be in bed, and got a smack on my behind from my dad, crying in protest as I walked past an older man starring at me. But I’ll never know for sure if that is even a real memory.

Since my grandfather was a supporter of the Communist party—a big taboo in those days with the McCarthy era and the Cold War—my dad was mortified and afraid to mention it.  I doubt I’ll ever know much about this grandfather. My father found only one photo of him in his wallet while trying to claim belongings from his flat after the man died. My father eventually gave it to me, and I was shocked by one of the most bizarre photos I ever had seen. In it, my dad’s father was photographed with a woman that my father cannot identify, but the likeness between her and me is so uncanny. I look more like this woman than I do my own mother, but I cannot say if she is even related. My dad knew almost nothing about his father’s family except that he came from a big one back in Lithuania.

Family must have been like foreign word to my father. I can see why. Since boyhood, my dad lived apart from his dad, and they became more strangers than father and son. My dad even admitted that he hardly understood his own father because of his thick, Lithuanian accent. My dad’s background still remains more like shadows in the dim light.  I don’t clearly remember my father’s older brother— out of the two that he had—because I only saw him three or four times. Since my father cut ties with his younger brother, I hadn’t laid eyes on him. Not even a picture was available. When my estranged uncle called on the phone to try to talk to my dad, I would speak to him, instead. One to be sympathetic, I never got why my dad wouldn’t bother with his brother, though the call usually involved asking for money. I was pretty much told that he was a no-good ***, plenty to keep me fairly leery of him. His first wife kicked my uncle out.  Most of his six sons—just as unknown as their father was to me—wanted nothing to do with him. No doubt, the guy was an odd and deeply tormented man, yet we both wanted to meet one day. If I remember one thing he said, that was it, and I agreed. This did seem unlikely, for I didn’t want to stir up the hornet’s nest, not creating more friction than there was.

Years later, that wish came true. One day my dad did get a picture of his brother from the older brother. Much later on—several months after my dad died—I was able to meet this troubled man when he was dying in the hospital and had tubes down his throat. unable to speak to me any more.  

My mom was my source in finding out about my grandmother, but she knew little.  She admits she didn’t know what to say to her mother-in-law, being young and not very savvy when it came to making conversation. What she remembered about my grandmother was that she was very quiet and often stared out from the position of an obscure woman in a room full of people. My mom thought her “spooky”. My mom recalls that my dad said that she smoked down her cigarettes the nub, burning and blackening the tips of her fingers.  She even might have started a small fire in her sister’s waste basket with a burning cigarette.

There is one thing that sticks out that my mother recalls that is sweet. What my grandmother asked my mother shows her humanity: “Do you love my son? “ It shows a woman who has genuine feelings, has desires, and caring. I could see the love that she had for my father when I heard that she brought his boots to school in bad weather, and he was embarrassed by the look of her—rolled down socks and an old fur coat.  I doubt, though, he ever heard the words of “I love you”, as my father did not say these things to his children.

Near the end of his life, when my father was getting dementia, I knew the time was short for us to talk and now was the moment to ask questions. “I know so little about your childhood”, I told him. He said there was nothing worth mentioning, and when I probed him a bit, he told me, “We were the lowest of the low”. It saddens me that the pain was still very much there.

What my parents couldn’t or didn’t tell me, I learned from a few other relatives. I called up my dad’s cousin—who lives in Las Vegas—with plenty of apprehension, never having met her, and not knowing if she’d want to talk with me. Slowly, I sensed her grow from suspicious of my intent to warming up to me a bit. She said she liked my father, but “he could have been nicer to his mother”. This cousin told me that he avoided her a lot, and she felt my grandmother was aware. My dad’s younger brother did, too, I am told. My mom related to me that once when my grandmother would knock on their door back in their flat in Detroit, in their early years of marriage, my dad told her not answer the door to prevent her visit.

If it wasn’t for this cousin’s mother, my grandmother’s sister, as well as two of her daughters, the poor woman would have been quite lonely—though I’m sure loneliness defined her. I am glad they took an extra interest in my grandmother. They would take her out for coffee or have her over.  This sister “felt sorry for her”, the Las Vegas cousin told me.  I’m glad, but she “felt sorry for her? I hope it was more than that.

Considering all what she went through, I am wondering what went through my grandmother’s head. Did this woman ever feel loved? If she did, it must have been like a glass of water in a desert.

Another of my dad’s cousins, from another sister of my grandmother’s, helped me out. Her family stories filled in some gaps, but what she couldn’t tell me records did. The records seemed to prove the stories correct, as some family stories can be more fiction than fact.

I did my own research, as well as get records from others, and finally hired a genealogist. I verified that my grandmother was born in 1892 in a village in Lithuania, not ever knowing the exact date. Loss began early in her life, as her father died of small pox when she was four months old. He was twenty six, and he wasn’t even married a year. Records show this bit of oral history to be almost spot-on.  My parents made a single visit to my grandmother’s youngest sister, and this great aunt told me that my grandmother lost her father at six months old. My dad never knew his real grandfather died, thinking his youngest aunt had a different father. He was surprised to find out that his mother was the one set apart from the others.

So my great grandmother was left a widow with a baby to care for all on her own. This would have been bad for both, so this gr
Grandmother, may you feel the warmth of God's embrace now, and hope you can know that I care and you DO matter.
Medhina Khanal May 2015
The smashed ribs, the swollen legs
The state of heart every time the ground shakes
The endless tears, the unflattering fears
The subdued feelings, the impotent states
and I realize how helpless I am
As everything vanished within seconds

The cracked hopes, the buried dreams
The unbearable truths, the painful screams
The broken fantasies, the shattered desires
The situation where no one admires
Tried to stop, I tired to evade
Then I realize how helpless I am
as everything vanished within seconds
PrttyBrd May 2015
For the very first time
I trusted freely
Loved universally
Spoke in open truths
I believed a heart
And words that moved me
When my cracks grew large
And my flaws were unflattering
Words bit into flesh
Backed across the line of beauty
Where distance its kinder
Than reality
When all perception is clouded clear
For the very first time
I trusted freely
and I learned quickly
As I am
I will not be loved
32215
Anna Vigue Oct 2013
trying to write
trying to think
the kids won't stop chatting
please get me a drink
from the deepest fount
of knowledge and peace
I would swim deeper down
to muffle the sound
reactions in check
DOWN -- hit the deck
I will not engage
your unflattering gaze
now sit down to eat
ahhhh this peace is a treat
Edward Coles Oct 2013
it’s windy i think,
at least the windows are rattling.

the men in hard hats,
yellow motes off in the distance
and their jackets the colour
of poison,

they scale the façade
of the contralateral building.

they’re speaking, yelling,
probably catcalling, singing
their ugly songs on cherry pickers
like some crowned nest
of wagtails.

it’s early i think,
though the lights are always on.

they’re fluorescent, staining,
unflattering colouration, rinse
your skin to poverty,
to jaundice.

i’m here because of pills
i’m here because school is out,
i’m here because i’m tired
and i’m here because of you.

flowers sit at the side,
already dry upon purchase.

gifted awkwardly;
do we give flowers to a man?
a boy in sheets, foolish drunkard,
balloons with helium
to lift my spirits.

its lonely i think,
though it’s filled with people.

wristcutter, lupus, chemo
all thrown into one.
we’re what’s left post-production,
left to sit in an outlet store;

buy me for half-price
or else half an hour of company.

i’m the young one,
nurses scan me with motherly eyes,
the radiator warmth,
their rounded bosoms,
‘you remind me of someone’.

at twelve to three, she washes me,
asks me to lift my *****
so she can get at the two-day grime
of indolence.

it’s sad here i think,
at least the television is boring.

daytime ghosts and broken families
make my bedsheets gain weight;
even the balloon sags
in heavy misery,
nothing is mine.

sleep comes in fits
and starts in blankness.

it ends with my questioning
of where the dream began
and where hope had perished.

you haven’t come,
i knew that you wouldn't.

it’s hard to blame you,
what with my post-use pinings
long after you’d given up
and the way i act familiar
after treating you like a stranger.

i long to leave here,
so much the windows are rattling.

i’m here because i am
i’m here because of my job,
i’m here because i’m tired
i’m tired because of you.
samasati Jun 2013
I know what it’s like to be heartbroken too

it feels like a bomb

like the flowers that have been eaten alive by aphids

always sitting with you, uncomfortable,

a notch tighter on your belt loop after a heavy meal

or someone taking an unflattering picture of you and posting it all over the internet

you are ugly to yourself now,
and quiet because of it

I lost my clarity after I ran up the hill and rolled down it, clumsily with joy

it must have fallen out of my pocket or dripped out of my eye sockets
as they teared up from the pollen

I ask myself

what is true?

but it’s harder here, when I can’t be certain if there’s a ghost hanging around in my frontal lobe or if it’s just the pulsating fear of being kicked to the curb

that’s what being heartbroken is like -

always feeling like you’re being kicked to the curb for no good reason

it’s like,
what’s the point of getting up in the morning? I’ll make breakfast and then somebody will hurt me again

the point is
learning how to decipher the difference between apathy and acceptance

you’ll get there

redemption doesn’t count or feel at all rewarding if everything is easy
Shafira Mar 2014
We are just like this poetry
unflattering
unappealing
unappreciated

unfinis—


March 15th 2014, 1:15 a.m.
Ember Evanescent Feb 2015
I never really thought I’d see you again, to be honest.

I feel a little underdressed for the occasion.

There you are, wearing the same Hypocrisy you have worn for years and have seriously outgrown, but you wear it still.

Then here I am, in nothing but a worn out grudge, but hey, I tried to dress it up a little with some bitterness.

I think you and I were a little too similar, actually. Maybe that’s why we fell apart, because we were just too alike. That’s one of my scarier thoughts, but definitely not the scariest.

It isn’t an impossible theory, I guess. Though I think maybe it was more like we were two different sides of the same coin, but even if that’s true, we were a coin spinning out of control, cast off, and tossed, but not away, we were tossed into a wishing well, in the hopes that maybe the water could wash away the damage. I look through the waters we wished on every day, wondering if I’ll see you through the distorted, but transparent fluid that runs through our veins like poison because even if the ink of our promises that we wrote out on flesh, as  a binding contract found its way into those dark waters of our wishing well, even it could not be as toxic as that deadly liquid we doused our loyalty in, because it was made out of wishes, and though water shouldn’t be considered equivalent to venom, never underestimate just how lethal it is, because nothing is more poisonous than something that appears pure, but is just the opposite, and truthfully, that is all you proved yourself to be.

I look through those poisoned waters made of liquid wishes and tears, but I never see you there.

Your black eyeliner was quite a change from last time I saw you, because the last year, all you did was line your eyes with Pride and Pettiness, well I’ll watch you fade off into the shadows until you become one because I don’t care anymore.

I’ll raise my hand and spread my fingers to bid you farewell so I don’t need to speak because I can’t, I’m busy choking on fire, and the smoke is leaving its trail so that if you ever want to find me, you will just need to follow the trail of ashes so that I may slam the door in your face, facing up to the fact that sometimes, even if you don’t let it go, you can stop getting involved with the burden of the past, because it’s been passed on far too many generations of different versions of myself each year.

I’m starting a new chapter, and you just don’t deserve a role in it, so when I spread those fingers, maybe the cobwebs I couldn’t bring myself to sweep away will finally blow away in the wind. The wind that is nothing but a draft coming in through the door you left open when you left just to linger in my doorway for months, well I hope I slammed your fingers in the doorframe when I finally shut it on you. You’re still waiting in the window though, naturally.

Well, my Pain and yours are a couple shades off, and I’m sort of sick of matching you anyway, so I’ll draw the curtains too, because that’s the only way to let in natural light, when the artificial lamps are outside and the candles and burning suns are indoors, away from you, after all, how could anything bright exist near someone who exudes so much forced darkness such as you?

Well, I don’t match you anymore, and thank God for that, because I certainly would look even worse than you already do dressed in that color of Hypocrisy, and just keep in mind, even though I’m wearing these grudges trimmed with bitterness, and even though that might be a pretty unflattering look for someone like me, whose very skin is woven out of Broken shards, it’s only an accessory to remind me not to forget. I wear Memories, even though you gave them to me, even though we made the together, I still like them so sure I’ll wear them, but that doesn’t really matter, because with the burdens on my wrist, I can still wear Hope.

And you never, ever will.

So maybe I’m not underdressed for this little occasion, I’m just wearing something a little out of fashion, but Hope is comfy, and I like it so that’s fine by me.
so yeah...
This is about a Broken Frienship FYI
Stefanie Meade Apr 2014
I walk past the old woman
who wears unflattering red lipstick,
vivid as cartoon blood,
and jeweled chopsticks in her hair.
We meet haunted eyes,
full of defiant sorrows.

The pudgy little girl streaks past,
pigtails askew, sandals mismatched
by herself or a harried mother
she is either running to, or away from.

The boy with the closed face,
like a letter that no one opens
for fear of what it might hold,
reaches for the same book I am reaching for.
We smile at one another, surprised.

Such small things bring recognition.
We are the same inside.
We are all fighting something.
KM Jones Jul 2010
The sad reality is… she wouldn't have wanted herself either.

114. The scale didn't lie. She stripped and faced the reflection. Skin and bones. *Skin and bones?
She was all eyes. Bloodshot eyes. All eyeballs and rib-bones. An unflattering description to match an unflattering perception.

Starved for love.

The truth was… She knew she was doing this to herself. What she didn't know was how to stop. 18 hours. She had 18 hours of control. And then, there were the dreams.

"I'm not hungry, really."

She was learning that the term "broken hearted" was, unfortunately, not always metaphorical.
July 23, 2010- From third person diary entries
judy smith Apr 2017
Presumably the next big thing will be soles — socks with holes. Or maybe zits — pants with zips.

It’s made me wonder what else is ahead for us this season, so I headed to the mall to find out.

Topshop proclaims the return of triple denim (noooo!), the corset and coats worn as dresses. The latter should be worn undone to the waist and half falling off in order to “create a cold-shoulder silhouette”. Doesn’t make such sense during a Melbourne winter, I must say.

Topshop also has a very worrying item called a “monochrome gingham flute tie sleeve top”, which looks to me very much like a chequered table napkin worn backwards with ribbons at the elbows keeping the sleeves on. I’ll pass on that one.

Over at H&M;, winter’s “new mood” is all about “sustainable style” containing recycled materials. That means a simple flannel top is reborn as “conscious fashion” and a blue worker-style singlet becomes a “lyocell vest top”.

What would they call hi-vis? Apparently, the fash pack call it “haute reflecture”. Yes, really.

Most concerning is a shirt with “trumpet sleeves” so wide they’d need a separate seat at a restaurant. Even then they would end up dipping into the dinner of the person sitting at the next table. It may help you work out what to order, but it’s not likely to win you any friends.

At Zara it’s all about a “limited edition ballet dress” that will look perfect under a “moto jacket” Did they forget the r? Or are they too cool for correct spelling?

There is also something very strange called “over-the-knee high-heel sock boots”, which are $100. Give them to someone you loathe this Easter.

Zara also wants us to wear “Mum-fit jeans with side stripes”, which will no doubt just draw more unwelcome attention to the dreaded maternal hips. Who needs that?

They also have a velvet sack-style dress with a drawstring at the mid-thigh. It’s the style that doesn’t discriminate — it’s guaranteed to look unflattering on everyone.

So what other trends should we be running away from this season? Fashion insiders tell me “street-chic utilitarianism” is all the rage. That seems to involve wearing a flak jacket 10 sizes too big in a rotting-flesh colour paired with floral leggings with built-in shoes.

There’s also “new shirting”, which looks to me like the same thing as “old shirting” but has the added disadvantage of being just about to fall off your shoulders at the most inopportune time.

Trust me, you don’t need that and you don’t need an ironic-slogan T-shirt that tells the world “This was not a gift” or “This is a white T-shirt”.

I am also quite interested to know that “bra out” is apparently a trend and I wonder if that means I should stop tucking my daggy mum-bra straps into my tops.

Now, as someone who spent most of Wednesday this week at work with a large shop store label hanging out of the back of my skirt, I’m obviously not a huge fashionista.

But even I can see that never before has there been such a gap between clothes the fashion-conscious labels are promoting and everyday pieces we actually want to wear. You know, clothes that are well priced, well made, last more than a few seasons and aren’t made by five-year-old Bangladeshi orphans.

THERE’S no doubt something very weird is going on when there’s a waiting list for Yves Saint Laurent’s $10,000 jewelled boots and jewellery made of real succulents is being tipped as the next big thing. But really, who wants to have to remember to water their earrings?

Wandering around Zara this week (from where I bought the $89 skirt I forgot to take the label off), I was interested to see sale racks packed with off-the-shoulder tops, summer denim and lots of body suits. When are they going to learn women don’t want press studs up their privates?

I know that in fashion everything new is old anyway and that’s what really concerns me.

I’ve been around long enough to remember all the best worst fashion disasters such as pooh-catcher pants, velour tracksuits, trucker hats and platform sneakers.

Frankly, there are some items that don’t deserve to be wheeled out again. They include leg warmers — because your ankles don’t get cold when you work out, do they? And let’s not revisit male crop tops, because a hairy muffin top is something we don’t need to see.

Back to jindows. Just because Topshop tells us they’re “globally trending in the denim space”, it doesn’t mean you need a pair.

Remember. You didn’t need jeggings, coatigans, skorts or flatforms. And you sure as hell don’t need jindows.Read more at:http://www.marieaustralia.com/cocktail-dresses | www.marieaustralia.com/bridesmaid-dresses
Margo Mar 2013
everything seems copied and pasted
everything seems done before
the fear of finally saying you love me
when i’ve heard it a thousand times and more
romantic dinners at romantic restaurants
romantic walks romantic breaks
dressing up in cheap lingerie
sitting on your wanton face

everything seems copied and pasted
all the good and all the bad
whispered words of tender undoing
bitter fights that drive me mad
stress filled dinners at stress filled restaurants
stress filled walks stress filled breaks
dressing down in unflattering pyjamas
pushing away your angry face

everything seems copied and pasted
something old nothing new
everything borrowed
Jared Eli Oct 2013
She's wearing these long, bright red rainboots
On the sunniest of days
As if she's afraid that if she doesn't
She'll fade away and disappear forever
"You won't!" I want to shout to her
"You'll never fade away
Because you are the most beautiful thing
That has ever been permitted to stay in this world
To pass before my eyes
To smile... perhaps in my general direction..."
But she doesn't hear me
She is lost in her own analysis
Of the shifting clouds
The little whisps of whimsical water vapors
I see her spin slightly
Gazing up at their shapeless shapes
Her lips mouthing words that I cannot hear
For I am a coward and do not approach
O, What I would give to speak with her
For even the most slight of seconds
About even the most trivial thing in the universe
But alas, it was not meant to be
I walk slowly down the street
Past the cacophonous roaring of
The motor cars
As unflattering as they are to the ear
So she is beautiful
I arrive at the corner
The smell of tar and gasoline rise
From the steaming asphalt
I turn
And she is there
She is there and she is sitting
She is sitting on her bike right there
She is on her bike and I see her as I turn
"Hello" she says
She smiles as she says hello
I search for the words
To tell her how
She has owned my heart
Since the moment I laid eyes on her
"Ayeii" I say as the light changes
She giggles and rides away
"Hello I love you"
But it's too late
She can't hear me
I walk across the intersection
And continue my long walk back home
Filled with the hope that maybe it will happen again
Maybe I'll see her again
Maybe...
Classy J Nov 2016
Inveigled, tangled, mangled, strangled, scrambled, dismantled, trampled, got caught by the deceitful vandal, should have known the moment I blew out my candle. So easily swayed, thought I was strong willed, but now I find myself once again walking in the shade. Sometimes I fell like I'm a human grenade, after all I am a renegade, downgraded by the world that treats my people like they a mermaid. Saturated society focusing on the wrong things, politicians so corrupt they don't even really attempt to hide their strings. Manipulating mind games that got me twisted, impersonating someone I’m not, mocking me for being gifted. Sadistic fiends making me feel so simplistic, saying my goals are unrealistic. Tilted, jilted, wilted, tempted into being wicked; how can I see the world clearly when I came into it tinted. Never fitted in, a man whose kindness was boiled away from being fed up and let out the evil buried within. This is just apart of the Diablo’s masquerade, to put me through the barren terrain, and when I feel like I’m almost through it; another barricade blocks me.

Hesitant, irrelevant, inelegant, how can you possibly be a benefit? Two steps forward, just to go two steps back, sorry this isn't the salsa jack. The only thing I hope for is to go onward and not falter too much, the only thing I hope for is to go northward and not need a doctor's medication as a crutch. There is a little Diablo in everyone, even if you own a Durango man, you aint fooling anyone. Just because you have nice things, and are able to buy diamond rings, doesn't mean anything. How is that green treating yaw? Sure it may help goldiggers sleep with yaw, but after awhile you realize that the green is like picking the smallest straw. For glory to those who are poor and meek, for they will inherit the earth, maybe you should think twice before preying on the weak. It is easier for a horse to go through the eye of a needle than it is for rich people, so though you may have it good now, just wait for the sequel. This is just apart of the Diablo’s masquerade, to put me through the barren terrain, and when I feel like I’m almost through it; another barricade blocks me.

Going up just to go down, you’re a knucklehead, might as well call you Charlie Brown. Good grief, what a relief it is to hear such a positive belief. Goodness me, I should've seen, that I shouldn't act as me, because what I do and say is deemed unclean. Let me fix my tiny flaws while your flaws take up half the galaxy, such is the blasphemy and hypocrisy of this society. Slandering, bantering, meandering, modified and manufactured gatherings; that are no more than unflattering. Keep on pandering to what is hip; keep pampering your car so you can let it whip. Don't cut that red tape, keep censorship, remain primal apes, let yourself stay a slave to dictatorship. It's time to wake up, it's time to leap up, take off that make-up, this is no time to cake up or clean up what has already blown up.  You can **** the man, but not the idea, you can ban it all you want, but it's bound to come out like diarrhea. This is just apart of the Diablo’s masquerade, to put me through the barren terrain, and when I feel like I’m almost through it; another barricade blocks me.

(Outro) But nothing can keep me from reaching my goals. You can knock me down, but I will get back up each time. I will no longer stay confined to the Diablo’s masquerade. I am done playing games. This is my life. This is my time to see change. This is my time to stay strange. This is my time, my moment, and I will own it.
Anais Vionet May 2023
Was I maudlin over our breakup? For a minute.

If I think of you now, it’s like a slideshow of unflattering images.

At the time, my breakup buddies reminded me you were a bad
choice - like a brand of deodorant that gave me a rash or fashionable shoes that chafed, even after they were stretched.

“Ruca,” my girlfriends would say, “you’re shootin-terrible, they’re a million pork-swords in the sea.”

Finally, I pulled the trigger - double-tapped us.

At first, reminders of you, those siren whispers of nostalgia, were everywhere - like the moon - which, I just had to live with.

You passed from memory though, that’s how memory works. Events fade, like last week’s chemistry test, or yesterday’s lunch.

Now, if someone asks me, “Hey, remember, what’s his name, your big love from high school?”
I say “Nope.”

I chose to laugh, dance - and shoot birds at the moon.
BLT Marriam Webster word of the day challenge: Maudlin: “exaggerated sadness”

Slang:
breakup buddies = friends who help you get over a breakup
ruca = girlfriend
shootin terrible = on a losing streak, not doing well, making bad choices
Pork-swords = come on, think about it - it’s funny.
Ghazal Jun 2012
Mommy, it’s late night; I want you to stop talking,
And drift off to peace as we sleep in our bed.
Then for a while I’ll wait for you to turn to the other side
So I can take my hand under the covers
And touch myself.

It’s not easy being me the whole day.
Hiding behind unflattering clothes, books, unkempt hair,
The other girl living inside of me tries to come out from here and there,
So I need to keep her tamed by
Telling her that I love her too.

She’s black, evil, and beautiful.
I know you wouldn’t approve
Of her existence inside your little girl,
But believe me, she’s the only real part of my fake world
And I need to be one with her each night
Only then will tomorrow morning feel alright.

I’ll touch myself in pursuit of the moment
When everything but pure pleasure, will be forgotten.
I’ll chase that instant; it’ll taunt me and tease
Then I’ll finally reach out to its heavenly release.

I’ll hug myself, exhausted and weak,
She will softly lull me to sleep,
The two of us, closely intertwined,
My black and my white.
And in the morning, as your darling,
I’ll start the day over,
Smiling with the thought of the secret lover
Who waits for me under the covers.
Loosely inspired by that one scene from Black Swan... It had disturbed/affected me a lot. So I wrote this without caring for any sort of rhyme scheme or whatever.. I just wrote!
Red May 2014
Why mom?
Why is it that I always have to rebuild my confidence when i'm around you

Mothers are supposed to empower their daughters
and help them to love themselves for who they are

I shouldn't be hearing that my favorite clothes are unflattering
or that you're giving me "constructive criticism" on my makeup

Why do you always ask me first when i worked out last
or if i've lost weight

why is it that i have to ask my boyfriend to pump up my self esteem
because i think i'm overweight

why do i have to convince myself that i'm beautiful
when deep down i still don't really believe it

Most of all why are you trying to morph me into this woman like you

I don't want your "modern" *******
and my **** is big and fat
men love it and so do i

so **** your modern clothes
I'm wearing high waisted shorts

because my *** looks fan-*******-tastic
Christine Aug 2010
I kind of want to delete everything
Because maybe then I could forget who I am
But with my luck it'd make me forget who you are too.

I need to believe that I'm good enough
But rereads make me think the opposite
And words in bed are too dangerous to believe.

You see something in me
And apparently I'm blind to it.
I've been trying-your words don't scare me as much these days
But I think I might be showing it more.
I guess I trust you, is all.

You scared me, bad.
Or I scared myself.
All I know is I had to retreat.
It wasn't intentional
Without defense mechanisms, war would be much faster.

Maybe it's a cycle.
I'm not sure which is the starter, my writing or my self esteem
But they both seem to fall terribly every few weeks.

The limelight is unflattering to everyone
Because lime green is such a horrible color.
I think it's the worst on me.

I don't think you can realize how big of a deal it is for me.
I don't know what I'm so afraid of
But nothing you say seems to help.
I still freeze
I still petrify.
It still makes me want to run away.
Mahdiya Patel Jul 2016
The universe has favored me .
I have pride in such a gift
Like the earths milky ways and thousands of colliding stars have fought against each other creating such a disturbance
You are a disguising piece of such a beautiful collision
And you have taught me how to love

Maybe it was god who punished me
In giving me pride in such a gift
Like you are the most ruined creation
But I have found pride in the spaces of your fingertips
He had gifted you to me as a sin
A sin that would flow from my lips
And settle as lust in my eyes
A sin that draws in attention without trying
A wreck that was made to never give

But I have disregarded all the burning buildings and I have chosen to see you for your mess
In your collision of colour and insecurity I have found what was made to fit me

Me ?
A born , disturbance
Just like you.
Full of insecurity and an unflattering mixture of hues.
Martin Narrod May 2016
We're weathering this unbecoming world of words. In the womby vortex of disgusting speech. We're not the movement in which your mouth commoves in disgusting misuse and hellacious abuse. Shame on you! We're already sickened by your pageantry and similar symbolism, simile, and pedantic matters of the hand. Someone should have stopped you. Your shoes don't fit and are rather unflattering. We're well rested Reader's of the greater digest and your context is unsuitably off. We've noted this recipe of disasterous dactyls and abhorrent lines that masquerade limerick like a proverb when it ought not be an idiom. We're weary to walk in your idiot-dom, your startlingly stark choice of anti-matter, and material of unsettling misuse so indigestibally obtuse. She says you've manufactured passages with verbose tapestries of word laxatives. We're unimpressed by how many fuxks you've given. Lessons like these are earned not given, not learned but lived. We're not meant to cure your ails, only forward your adjectives, and collect your mail.
E Oct 2020
You are quick to question but
Occupy cisheteronormativity mindlessly
Unprepared for queer identities

Assuming I lack knowing of myself
Reshuffling the same deck of cards
Engaging in a play of poker with hatred

Subjected to foul treatment
The words you spat
Unsolicited and unflattering
Chasing my mind endlessly
Kidnapping me hostage

I have been coated in sweltering biohazards
Nevermore to find protection and healing

To see another day seems impossible
If my own blood casts me away
Malevolence becoming motherly
Eliminating my mental health
,

Its those who think they are greater
Trailblazing a performative show
Sabotaging an already discriminated space

To go another day with your words
Itching down into my skin
****** becoming friendly
Envisioning how I'd feel left alone


From the moment you open your mouth
Orchestrating emotions like a ballad
Reconsolidating the toxic bond with binary

Can't seem to wake you up
Having to constantly do the work for you
And what am I left with
Naive justification and selfish excuses
Gravitate your energy into doing better
Exploitation is your entertainment
You are stuck in time, it's time for change. A thought I had in my head as I found myself frustrated that my younger sibling is being told the same unhelpful words towards her identity. Its 2020 and she needs a better experience than I did.
The primary defining feature
of modern American diplomacy
is that we can somehow afford
to ensure the total concealment
of any unflattering information,
and, moreover, we can afford
the concealment of said concealment.
For the most part.

That aside,
whether through misaction or inaction,
we're still ruthless and unhumanitarian;
it's almost as if
we just want to eliminate
any and all
healthy competition.

Es *******es gibt nichts neu unter der Sonne.
It seems there's nothing new under the Sun.
The US Gov't is talking **** on Turkey for imprisoning 73 Journalists. Maybe they're upset because it isn't we who are breaking our rules.
The US Gov't is talking **** on China for "suppressing the voice of the people," not so dissimilar from Occupy Wall Street's paramilitary welcoming committee.

Strange how that works...
Colin Kohlsmith Feb 2010
Sometimes the facts
Just hit you in the face
And all is silent
Even the accusations
Of your detractors
As in horror
You realize the truth
The sobering, humbling
Honest-to-goodness truth
It kinds of stuns
And sickens you
For awhile
As you realize
The advice
Was not an attack
But an observation
Of behaviours
Of which you were not aware
You see
You chose to smash the mirror
That portrayed
Such an unflattering image
It never occurred to you
That they
Whoever they were
Were right
Kat Apr 2018
Steps for Life:
1. Wake up and brush your teeth twice and use mouthwash.
    Make sure your teeth are pearly white.
    Floss so your teeth don't rot with grim.
2. Drop in some eyedrops,
    so no one can see that you cried.
3. Choose your clothes.
    Don't choose something that isn't name brand.
    Don't choose something that's ugly or unflattering.
    Wear your waist trainer so that your waist can be thin and your
    stomach is flat.
4. Get your makeup together.
    Wear the right color eyeshadow, make sure your lashes long enough,
    make sure you choose the right color to match your outfit.
5. Pick the right shoes.
    Choose the heels that are in season.
    It doesn't matter if they aren't comfortable you have to wear them to
    be cool.
6. Go to school
    Go to school and suffer.
    Hang out with the popular kids.
    Be rude to other girls and criticize them for not having the money to
    afford clothes like yours.
7. Come home.
    Lift a few weights to keep your arms thin.
    Swallow a nasty concoction and have dinner so you can rid of it.
8. Repeat for the rest of your life because you won't ever be good enough.

To a girl, why is life about the size of your thighs?
The thinness of your waist.
The color of your eyes,
The color of your skin.
The flatness of your stomach
The shape of your jaw.
The length of your legs.
The way you walk and whether or not you fall.

They hid the pain.
Because pain is beauty.
And beauty was all that matters.
The biggest goal is to be popular but to be popular you have to be liked.
No one likes an unattractive girl.
No one likes a girl who isn't pretty.

To be popular, to awesome to other people, to be cool,
You have to make yourself suffer from the pain that is beauty.
You can't eat anything you want if you do you'll gain weight and you'll be fat.
You can't eat all 3 meals because you'll get fat. Instead, you have to eat a bit for some energy but then force it all back up because too much food will ruin your flat stomach and no one likes a girl who's fat.

You can't eat certain foods because it's messy and people see your face being a mess than say goodbye to your popularity because no one likes a messy girl.
You can't join certain clubs and you can't get straight A's. This is because no one likes a brainiac girl or all the other fantastic words.
You can't wear sweatpants if you aren't required too. Sweatpants aren't flattering and if no one likes you then neither should you.

You will suffer in silence
Because everyone thinks that you're fine.
You have to follow a strict diet or else your popularity will die.
No will see the cuts on your thighs because that's the only place they won't show.
You can cut your shoulders, your wrist or stomach but people will see and think of you as a depressed emo and no one wants to be seen with that freak.

Society has girls be trapped in a box where they follow the same horrible routine.
Inspirational people say that the box is paper and you can just break it to be free.
If the box is paper why am I so weak?
Why can't I break it?
Those inspirational people are wrong.
The box isn't paper.
It's stone.
*DISCLAIMER* This poem could be triggering
Arlo Disarray Jan 2017
desperation is an unflattering look,
don't wear it out of the house
if you want all the pretty people outside to look at you
the same way you look at them

it's a cold world
no place to defrost my frozen fingertips
instead, I just keep breaking off little chips
and small bits
hoping one day the sun will show itself to me again

calculations and numbers constantly dance around on my brain
I can feel them tickling my cerebellum
trying to make me remember everything
but I've lost so much, it's just not there anymore

the wind keeps kissing my eyelids when I try to push against it,
but I'm too tired
and although it would be worth the effort to try
I'm just not strong enough
Marjorie Jeanne Aug 2016
Trapping myself in the bathroom
Because its the only time that I can cry
Nobody will assume
Leaving happy but oh, its just a lie

Lying down on my bed
While staring blankly on the walls
So many thoughts running inside my head
Will end up crying like its a waterfall

My heart never stopped shattering
Every hour and every minute of every day
This feeling is really unflattering
Can i just leave and go away?

I don't know what to do anymore
Can my feelings go away with the shore
So that at the end of the day
Finally I can say, I'm okay
JC Lucas Apr 2016
I've tried portaiture,
but for some old reason
I find it hard
to eulogize the living.

And when I do try,
the details just never seem
to fit right,
it's too much
or not enough
or just plain inaccurate,
from a few steps back.

I'll paint your actions, alright
'cause I can watch those happen
start to finish,
but I wouldn't pretend to be good enough
to encapsulate a whole person
-all that transient multicolor light under your halo-
with my petty vain jabber,
my incomplete vocabulary
of unflattering grunts-

take it as a compliment.

— The End —