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"unclenching" poems
“A groan of tedium escapes me, startling the fearful Is this a test? It has to be, otherwise I can't go on. Haven't written a word in three and a half years. Time to take the broom out to this shallow grave” Middlesteps ~~~~(|)~~~~ For deep is the fear, coated in thickening veneer of might-be-bravery, the weight, Oh, the weight! of that writing utensil that both bears and bares all, an uncomfortable unconscious, uncontrollable surrender that sweeps down upon us, when first we seek the unwieldy unwinding of our proactive fist of a first step, the unclenching, the open face palm, seeing our lifeline’s revelation, the shame, the lines we thought that faded away, upended, open ended, that the worst un-finishing, but here I am, my taking, the baby steps of Middlesteps, only looking back to forwards for permission, a new looking inward forward! we confesses, beg for our own forgiveness for ourselves, the years of summary silence , at last! unveiled and unbound, this first step stinks of tremors, poems never writ up, but on our mouths and fingertips yet memorized as IF they were bespoke this return, “startling the fearful,” a provocation to the mirrored images caked on my disheartened body, goes lightly noticed, but not by me! daily, I ask the bay and the sky, the animals, the query lives in almost each of my scripts, Where is Shelter? today the answer is not an apparition, but the question is rephrased, not where! but when the answer is now apparent, for the seed planted, this is for you, watering the seed, feeding the shoot, that I know too well, for asked and I answer, everyday…
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Sep 24, 2023
Sep 24, 2023 at 11:53 AM UTC
EnTitled: Middlesteps: “Startling the Fearful”
“A groan of tedium escapes me, startling the fearful Is this a test? It has to be, otherwise I can't go on. Haven't written a word in three and a half years. Time to take the broom out to this shallow grave” Middlesteps ~~~~(|)~~~~ For deep is the fear, coated in thickening veneer of might-be-bravery, the weight, Oh, the weight! of that writing utensil that both bears and bares all, an uncomfortable unconscious, uncontrollable surrender that sweeps down upon us, when first we seek the unwieldy unwinding of our proactive fist of a first step, the unclenching, the open face palm, seeing our lifeline’s revelation, the shame, the lines we thought that faded away, upended, open ended, that the worst un-finishing, but here I am, my taking, the baby steps of Middlesteps, only looking back to forwards for permission, a new looking inward forward! we confesses, beg for our own forgiveness for ourselves, the years of summary silence , at last! unveiled and unbound, this first step stinks of tremors, poems never writ up, but on our mouths and fingertips yet memorized as IF they were bespoke this return, “startling the fearful,” a provocation to the mirrored images caked on my disheartened body, goes lightly noticed, but not by me! daily, I ask the bay and the sky, the animals, the query lives in almost each of my scripts, Where is Shelter? today the answer is not an apparition, but the question is rephrased, not where! but when the answer is now apparent, for the seed planted, this is for you, watering the seed, feeding the shoot, that I know too well, for asked and I answer, everyday…
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50
when day breaks and brazen stands the sun as if to say, it is day, the storm has passed once more you lay in a pool of soft sand, a whisper of what once was fists clenching and unclenching silence so deafening you ache it feels so unpleasant, this ease comfort was not meant for you, where do you even place yourself in a scene meant for someone else? you make suffering your home the cold tiles a cornerstone but the suffering has ended in spite of you of all your pleas to stay in a race for survival trotting on battered rubble-bound roads and despite it all you are safe and free the sun lapses in providing warmth but never stills and neither have you before now and yet happiness does not creep in, nor does it knock nor barges or in wanders you are left empty in a filled space almost to the point of combustion and this is how you shall stay shivering, the rays hurling themselves at any surface besides you fruitless, the suffering meant so very little besides all that you knew empty, just as the space next to you
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Nov 15, 2023
Nov 15, 2023 at 1:27 PM UTC
without me
Their violence. Their fire. Their beauty. Their clenching, unclenching. Their bedlam. Their silence. Their toes squirming in their shoes. Their sobs. Their seventy-mile-an-hour fury. Their eyes. Their glimmer. Their construction paper dreams. Their insecurities. Their melanin. Their rapture. Their forgiveness. Their twisted-up mouths. Their screaming. Their laughter. Their spoiled innocence. Their decent. Their wilderness of wit. Their barbed future. Their ineloquence. Their noise. Their stretching limbs. Their vigor. Their hair spurting out of their scalps. Their secrets echoing and singing through low-ceilinged halls. Their desire. Their chipped orange fingernail polish. Their belly aches. Their misspelled crayon messages. Their ghosts. Their audacity. Their fear. Their braids. Their arms tight around each other. Their torn jeans. Their longing. Their possibility. Their harpoon words. Their blood. Their bursting hearts. Their walls. Their art. Their endlessness. Their airplane arms and their shrieking and their streaming outside into the yellow ache of a sinking sun. Their rhythm. Their nonsense. Their hands cupped around their mouths. Their reverberation. Their chapped lips. Their love. Them.
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Mar 18, 2015
Mar 18, 2015 at 5:08 PM UTC
FOR LITTLE GIRLS WHO CARRY THE UNIVERSE
To the kid in the hallway telling his friend "Maybe you need a **** whistle." And to her response, a sarcastic "Matt, **** jokes aren't funny." You're **** right they aren't Tell me, how is anyone forcing themself onto another person funny? How are the I don't want tos when her "no" couldn't scream loud enough funny? How are the ****** thighs and bruised hips funny? How is the waking up in the middle of the night How are the flashbacks and her wailing funny? How is the seven year-old who had so much anxiety she'd tear her hair out Or a sixteen year-old who kept eyeliner and a kitchen knife side by side in her purse funny? It's about as funny as a slaughterhouse full of pigs taunting the other pigs And telling them their approaching doomsday is amusing. I dug my key into the palm of my hand like a knife when I heard this jeer Clenching and unclenching a fist Because I knew if I did not That hand would go right through your faces. You do not know the impact of your words You see, for a survivor Jokes about ****** assault are triggers. They bring back every memory Which becomes a stinging tear behind an eyeball Fighting not to emerge from its home. When I say something Classically I am being "too sensitive" Just as I was "too sensitive" When he told me to get on top of him And I said no So much courage mustered up in a little body I could have moved mountains that day I could have been my own goddess At seven years old But he did not care He was bigger than me And he imposed that will onto my body Reducing my childlike frame to the size of a fly Being swatted by the paw of a lion. I will not be silent So when you tell a **** joke and I am in earshot Do not expect me to laugh Because there is nothing funny about a slaughterhouse.
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Nov 21, 2014
Nov 21, 2014 at 10:29 AM UTC
Slaughterhouse
To the kid in the hallway telling his friend "Maybe you need a **** whistle." And to her response, a sarcastic "Matt, **** jokes aren't funny." You're **** right they aren't Tell me, how is anyone forcing themself onto another person funny? How are the I don't want tos when her "no" couldn't scream loud enough funny? How are the ****** thighs and bruised hips funny? How is the waking up in the middle of the night How are the flashbacks and her wailing funny? How is the seven year-old who had so much anxiety she'd tear her hair out Or a sixteen year-old who kept eyeliner and a kitchen knife side by side in her purse funny? It's about as funny as a slaughterhouse full of pigs taunting the other pigs And telling them their approaching doomsday is amusing. I dug my key into the palm of my hand like a knife when I heard this jeer Clenching and unclenching a fist Because I knew if I did not That hand would go right through your faces. You do not know the impact of your words You see, for a survivor Jokes about ****** assault are triggers. They bring back every memory Which becomes a stinging tear behind an eyeball Fighting not to emerge from its home. When I say something Classically I am being "too sensitive" Just as I was "too sensitive" When he told me to get on top of him And I said no So much courage mustered up in a little body I could have moved mountains that day I could have been my own goddess At seven years old But he did not care He was bigger than me And he imposed that will onto my body Reducing my childlike frame to the size of a fly Being swatted by the paw of a lion. I will not be silent So when you tell a **** joke and I am in earshot Do not expect me to laugh Because there is nothing funny about a slaughterhouse.
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42
Mellow,/ good riddance,/ no lyrical sides/ their call, heaven/ fall,/ with cigarette word- lapping,/ boat too close to the wall/ circumcising by verbals done/ up dying,/ Child us a sandbox of sense/ stretching holding/ out on a ghostly hand/ We are the walls/ place Poetry finds acute vivid lining/ verses, our eyes meshing/ hole unclenching/ Killing lectures about it, how dictionarising/ And Le Clézio’s wing alive/ abide/ Taking flight/ ~
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Sep 1, 2020
Sep 1, 2020 at 7:11 AM UTC
Lilac/Core/Fastening
funny to think I have been so caLm and together amidst the greater untogetherness of my life the laughing audience in my head cackling at the laughable audience following my cracking if it were set in sides of a scale I'd be afeared to watch it balance mayhap some creature of diRe would erupt in a tangle of talons that's what I'm afraid of after all, that I am the pungent void that consumes the eyes that glide low in the grass and rise up with hate and ****** the teeth that bite with unclenching malevolence bite biTe BITE YOUR WEAK ******* FLESH AND SNAP YOUR WORTHLESS PILE OF BONES SNAP SNAP SNAP CRACKLE CRACK DON'T YOU EVER COME BaCK HURt YOuR neGLiGeNT sOULs wITH thE PaIN yOu alloWed to hIM to iNFLict On me... but dEath still coils a leaf slowly to the ground even for such thiNgs
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Oct 12, 2014
Oct 12, 2014 at 11:44 PM UTC
smitten
Whose dreary face now becomes warmth – an ash turning into a single drop of water I love and I have – and I know that when she looks she does not. Nothing moves the bird of her dawn but her. Proletariats sing of steel in the night and I deaden within their homes. Whose dreary face now becomes the steady light on the porch – a thigh, or a river, turning into a single gasp of song. I love and I have – and I know that when she sings she does not. Her silence moves the moon deep within its womb and annuls. Each moment in her shoes, she is absent, and I taste the pale death of her precise waist, her sharp tongue having me curved when enough was said when empty was sure. I know whose face I am talking to, but knows not what day has escaped me. The possible: to bring her so small in my hand, and invent her this fate, to be unclenching like water and virile like stone. I know the singular act of her likeness is born out of my lack: there is a spring-clean image traipsing the water. I must chase where it streams, and its origins not my own. The city borders us two as we are demanded by the daily: the smell of a home shoals me a satiny sob. Still the marvelous sky, a knife, if not referring to me, the cut lily that is the Sun. Whose dreary face now becomes a store, commerce, becomes the silver of hills, becomes the gray assault of an old cathedral, becomes the surety of a transaction and then becomes wind chiming through cities. Becomes inquiry between I love and I have – becomes dearth and is proud. Nothing will stop the train arriving: when thirsty for a glimpse like mine a fountain or a singular wave from an opened window, she passes – and does not look for me.
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Jun 9, 2016
Jun 9, 2016 at 3:21 AM UTC
Song
Whose dreary face now becomes warmth – an ash turning into a single drop of water I love and I have – and I know that when she looks she does not. Nothing moves the bird of her dawn but her. Proletariats sing of steel in the night and I deaden within their homes. Whose dreary face now becomes the steady light on the porch – a thigh, or a river, turning into a single gasp of song. I love and I have – and I know that when she sings she does not. Her silence moves the moon deep within its womb and annuls. Each moment in her shoes, she is absent, and I taste the pale death of her precise waist, her sharp tongue having me curved when enough was said when empty was sure. I know whose face I am talking to, but knows not what day has escaped me. The possible: to bring her so small in my hand, and invent her this fate, to be unclenching like water and virile like stone. I know the singular act of her likeness is born out of my lack: there is a spring-clean image traipsing the water. I must chase where it streams, and its origins not my own. The city borders us two as we are demanded by the daily: the smell of a home shoals me a satiny sob. Still the marvelous sky, a knife, if not referring to me, the cut lily that is the Sun. Whose dreary face now becomes a store, commerce, becomes the silver of hills, becomes the gray assault of an old cathedral, becomes the surety of a transaction and then becomes wind chiming through cities. Becomes inquiry between I love and I have – becomes dearth and is proud. Nothing will stop the train arriving: when thirsty for a glimpse like mine a fountain or a singular wave from an opened window, she passes – and does not look for me.
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31
She speaks with her hands. Long, elegant fingers - pulling, twisting, curling. Soft and strong - an artist's hands; their uses unlimited. Her hands clasped so intimately with my own - clenching and unclenching; she directs our motion. Her back arches as I tighten my grip on her thighs and breath in her scent. She tastes of honey and sunlight and something bitter that is so indefinably her, I never tire of it. Her hands fist in the sheets and I am gone; yielding completely. She tells me it's my lips. She places kisses along my collar bone and trails them down towards my breast and stares up through her bangs to watch my lips. She tells me there's a silence in my smile that contents her. Parting my flesh her fingers etch truths into my skin. I am lost in the imagery of her words. A chorus of sweet nonsense passes between us and I breath it in, allowing it to spur me towards completion. I feel the harshness of her breath in my ribs and the trembling of her body as we ride out the waves. She buries her face in my neck and smiles. I am content, wrapped securely in the silence that creates her. Our story, written in the sheets - tomorrows laundry.
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Aug 9, 2011
Aug 9, 2011 at 6:48 PM UTC
Flecks of blue . . .
this unruly night is macadamized on the wall, whit its bare-knuckled steel mangled to a ferruginous glaze of rust. the dismal kiss of       cold on the unclenching fist of the dark is irretrievable in the grass, soon, glass-faces will break as my simian jaw was once shattered by a scuffle in the twilight-bells       of recess.   it is like the night dances and in awe, struck by some rude awakening, we sit forever   emptied of beauties. even the flesh rouses to startle the reared relation    of calla – its hot-flush widespread of petals   thought I am given always, an intone of forgetfulness.    such pure lunges and gyrations – we all have spaces to cross latching us in total placeness like     black hooks impinging voices to a shriek,   yet surely they go off wandering in sunsets waning in the formless crepuscular, waiting the night   to pour stringencies,        small-breathed furies futile         like arsenic.
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Dec 17, 2015
Dec 17, 2015 at 10:51 PM UTC
Arsenic
I had that good good muscle ache take me down to easy town Kind of night 3am rolled around all cranky and late but willing That's the way these hills, these hour glass valleys Keep time I'm wearing red, hoping for a charge Raging bull going in for the slick slit **** Right there. Always tasting like a new adventure Each touch feeling like home Blood rushes to flushed cheeks Just... a... little... more Gold coin electric pulse scatter on the cobble stone streets of my soul I can feel each cold edge bounce and echo Ting Ting Ting Body clenching and unclenching in tune Mouths fused, wet with honey Sweet with a sting I cannot get enough of this running A hunger beyond thirst, for this love
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Sep 5, 2014
Sep 5, 2014 at 1:02 PM UTC
The Bull and The Gypsy
slighted fingertips withdrawing from a near-fatal embrace how does it feel? to brush precariously at the edge of something infinitely beautiful; to find the void greeting you instead. curled at waist height or tied to the belt loops of jeans or smushed into pockets, balled up waiting for  another chance to extend again. there in the throes of night unclenching, reclenching fists lay, wondering will the next time will be different and how will it feel?
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Nov 18, 2020
Nov 18, 2020 at 6:43 PM UTC
we are only here in a moment of contact.
I think that the hardest part of moving on is letting go I used to believe that they were synonymous boy, was I wrong I've moved on plenty of times with plenty of people but I never truly let go of him I was afraid that if I loosened my grip and really let go, I would never hold on to anyone again (which I know now to be utterly false) So, I again loved and lost and loved and lost but now I am faced with the same familiar dilemma of coordinating my demands with my extrinsic muscles and unclenching my fists that I have so tightly latched onto you (I just can't seem to let this one go) -
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Oct 26, 2015
Oct 26, 2015 at 4:53 AM UTC
a lesson or an exception
Hot breath, fog on the window. Hands on the glass frame Holding on, Pain, shame! A silent tear slides down rounded cheek Leaked down from a clear blue pool of Innocence and sincerity and strength. Questions flying throughc clouded mind, Emotion held with in a sigh. Smile brightly, laugh out loud. Sleeves pulled down, wristbands wary Waiting for the shock and dismay For the rejection and harsh words. Bring on the hurt... Emotional pain is ten times worse Than anything else. Muscles tense and waiting, Yearning for redemption. Back tight, jaws clamped. Eyes piercing against the bland mask That hides all. Lips ready to quiver or Fake words of comforting empathy. Voice waiting for its cue To laugh and chase away any type of doubt. Hands, clenching and unclenching, Showing more emotion than anything. Finger nails digging into palms Leaving bright red crescent marks. Feet sluggishly sliding from destination to destination. Will it ever stop raining? Will the sun ever shine?
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Mar 25, 2011
Mar 25, 2011 at 7:28 PM UTC
Just A Normal Day
It is not weak to yield nor is it courageous to rely on subterfuge Speaking your inner truth comes from daring to brave eye rolls shaking of heads and mouths that smile yet form cruel sentences all the same You'll bleed dripping perspiration oozing all the love you cannot find Just when it seems as if the sun is obscured by clouds you get to your feet tense muscles unclenching utterly at the mercy of all the light you are just now starting to see. -Esther L. Krenzin- -Roguesong-
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May 15, 2019
May 15, 2019 at 10:41 AM UTC
Daring to Brave
My mouth cracked and bent emptied; Pulled taut, my dam against the light. I still don’t know why, but down the stairs I went, with thirst as my excuse (although, I suppose I was thirsty) I left almost everything upstairs in bed: My arms and legs wrapped warm under misty sheets, my teeth and torso unclenching in sleep. All I needed to see was an eye and shivers— An eye to see Grandma sleep, An eye to see her husband’s paintings guard the room; Shivers at those paintings and knowing her from then on.
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Mar 22, 2011
Mar 22, 2011 at 1:45 PM UTC
Untitled
I'll peer through the flaxen strand    of night with your color that excites, and think myself the blue pither of fire   or a flummoxed stone left unturned. it's not the rapture of a knowledgeable    beast or the common grip    of the eye's gift for unsparing detail. it's the way the queen moves to all     corners unclenching a fold of sidereal, and then like a child with almond eyes   spruced up, spritzed this morning's   incandescent dye, the lapping of strange tides revealing     fish with dreams of brine or that one moment when you had    at first light, the hot flush of coming       into, recognizing insatiable appetite,   whistling its overdue intent and the detritus         we try to hide when we had that virginal moment of    once and  never looking back       at mirrors.
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Feb 20, 2016
Feb 20, 2016 at 3:00 AM UTC
Hot Flush
The air is thick with tension Limpid red rimmed eyes, ready for waterworks at a moment’s notice Hands repeatedly Clenching and unclenching Feet drumming Lips pursed, turning white Stomach clenched Wound up Like a spring Permeating sense of foreboding ... As the teacher hands out our history test
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Sep 14, 2018
Sep 14, 2018 at 10:53 AM UTC
Tension
A teardrop      escapes slowly meandering   down the slope of her tear-soaked face A sigh      barely audible hanging on her lips   gets swept away by a cold autumn wind A stray      lock of hair dangling unnoticed   as her eyes focus beyond the horizon A fist      Unclenching hangs by her side   as anger fades and resilience takes root
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Jun 2, 2016
Jun 2, 2016 at 3:03 PM UTC
E~motion
You feel stories are always unsolicited. You do not want them. You want to feel the agony of the moment – all the more the electricity of it. A moment mottled by rain this ordinary Thursday afternoon, or the dust eloping in the wind as we drove past 50 in the middle of the night, you telling me I do not clean my car thoroughly, like that of a lady’s. You feel stories pose no importance. Say, at the edge of our seats or at the jagged lip of a cliff – you would dare say jump, alone, unwound, unfettered, resolute, obvious and available in truancy, out of incalculable fear of existing – you took the plunge and claimed it’s all the same. Apertures frantic with dazed visions of fondness. Vertical leap, cutting through the vague sky. Keeping some sense of freedom, yet we are not as free as we think. You do not want a story. You do not buy its thrills. You chortle at the idea of lasting things because they have hands that are clenched and frenzied. They brand. They are territorial. You are no territory. You are an island, adrift somewhere, breathing on its own in between penumbras of want and coasts of dread. You feel characters do not change scripts. They change how you say things. Say, when he told you were needed, and I told you that you insist your forceful importance – you felt the need to dab into the air and spire through the thickness of the dark, flamboyant with the color of freedom, you said, pale as a dove, I am free. Finally, the man might have left somewhere without you knowing it, and just as you are unclenching your wings, you project your pace into the sky like an unseen margin in the invisibility of all invisibilities – it is impossible to look away. You felt stories are not needed. You wanted experience. The end of a dull knife, the sound of a .45 shot into the sky as the police circle the filthy streets of Quezon City. You in your Chuck Taylors, running, looking for some tough nook to hide in – omen of another rain in sight. You remembered when you first bathed in rain and laughed a laugh so impossible with high notes and shrills – you laughed away like you were not coming back, because there is no need for a story. Now left to wondering in the vastness of the room before me, was it something to be believed? A broken orchestra enters with its surrendering music and everything is ended. I fell asleep, still dreaming of running away.
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Mar 25, 2016
Mar 25, 2016 at 12:33 AM UTC
Noir
You feel stories are always unsolicited. You do not want them. You want to feel the agony of the moment – all the more the electricity of it. A moment mottled by rain this ordinary Thursday afternoon, or the dust eloping in the wind as we drove past 50 in the middle of the night, you telling me I do not clean my car thoroughly, like that of a lady’s. You feel stories pose no importance. Say, at the edge of our seats or at the jagged lip of a cliff – you would dare say jump, alone, unwound, unfettered, resolute, obvious and available in truancy, out of incalculable fear of existing – you took the plunge and claimed it’s all the same. Apertures frantic with dazed visions of fondness. Vertical leap, cutting through the vague sky. Keeping some sense of freedom, yet we are not as free as we think. You do not want a story. You do not buy its thrills. You chortle at the idea of lasting things because they have hands that are clenched and frenzied. They brand. They are territorial. You are no territory. You are an island, adrift somewhere, breathing on its own in between penumbras of want and coasts of dread. You feel characters do not change scripts. They change how you say things. Say, when he told you were needed, and I told you that you insist your forceful importance – you felt the need to dab into the air and spire through the thickness of the dark, flamboyant with the color of freedom, you said, pale as a dove, I am free. Finally, the man might have left somewhere without you knowing it, and just as you are unclenching your wings, you project your pace into the sky like an unseen margin in the invisibility of all invisibilities – it is impossible to look away. You felt stories are not needed. You wanted experience. The end of a dull knife, the sound of a .45 shot into the sky as the police circle the filthy streets of Quezon City. You in your Chuck Taylors, running, looking for some tough nook to hide in – omen of another rain in sight. You remembered when you first bathed in rain and laughed a laugh so impossible with high notes and shrills – you laughed away like you were not coming back, because there is no need for a story. Now left to wondering in the vastness of the room before me, was it something to be believed? A broken orchestra enters with its surrendering music and everything is ended. I fell asleep, still dreaming of running away.
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12
# There are cries that come like weather— loud, sudden, gone before they finish saying what needed to be said. And then there are the others. The ones that wait for years to find a home safe enough to be heard. Tonight, it wasn’t just a song that broke you— it was the quiet after the song ended, the part where someone stayed. No questions or fixing. Just presence, while you folded into the sound of your own heart finally unclenching. You didn’t cry because you were weak. You cried because you were ready to stop pretending it didn’t matter. And the silence that followed wasn’t empty— it was full of everything you never got to say. So let this be the night you remember not what shattered, *but who stayed long enough to help you gather the pieces.* #
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Jun 18, 2025
Jun 18, 2025 at 9:16 PM UTC
The Cry That Stayed
We, as poets we fear the tangible our fingers have lost the ability to touch, to feel from nights spent clutching our pens from unclenching our fists from peeling our fingertips away from the ones we cannot afford to lose. From pressing the familiar lines of our palms together while looking up past the cracked ceiling up past the cloud that Darius calls God We, as poets, do not believe in a heaven, for Purgatory is so sweet
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Sep 6, 2014
Sep 6, 2014 at 12:05 PM UTC
As poets
Your lips find my very weak spot And I tingle Does this make ashamed or should it? I do not know yet I cluster myself together to give you more Then the blackness settles as the euphoria momentarily blinds us Our other senses of the world suddenly unknown to us as only the clenching and unclenching of our bodies is what we know Our knowledge suddenly becomes limited And we can only speak words of "you" "I" and "love" Bodies were not made to express this length of work and I am sure we indefinately destroyed ours, but we do not seem to mind as we push through Hips connect and eyes roll as creatures from celtic and godly realms rejoice at the meeting of our minds,souls and bodies They speak confused as to how such a connection can even be humanistic or even possible You and I unaware of this attention, carry on and heave but for us it is not an unpleasant sound but one that let's us know the end is yet to come.
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Oct 2, 2015
Oct 2, 2015 at 3:53 PM UTC
Untitled
The art of letting go is not as easy as unclenching your fists feeling the weight of burden slipping through your fingertips The sweet release of not caring is not something I’m familiar with or know I carry this feeling inside of me and for some reason I can’t let it go.
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Sep 9, 2018
Sep 9, 2018 at 10:02 PM UTC
Letting go
your head is always in front of mine you are the view blocking the moon i feel my knees unlocking, spine unclenching to dive into the cycles of your hair before i was intimate with all i had lovers in bean sprouts, molluscks, damp winds my days were humid with things I could see i woke this morning under a red pillow an arm heavy just below rib cage a leg strewn across unlocked knee caps i decided not to gasp rather, i did not know how to gasp carbon, in every single element somehow i am screaming at you for hiding how did i get here?
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Jan 26, 2017
Jan 26, 2017 at 9:15 PM UTC
a love too close