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"umbilicus" poems
Off that landspit of stony mouth-plugs, Eyes rolled by white sticks, Ears cupping the sea's incoherences, You house your unnerving head -- God-ball, Lens of mercies, Your stooges Plying their wild cells in my keel's shadow, Pushing by like hearts, Red stigmata at the very center, Riding the rip tide to the nearest point of departure, Dragging their Jesus hair. Did I escape, I wonder? My mind winds to you Old barnacled umbilicus, Atlantic cable, Keeping itself, it seems, in a state of miraculous repair. In any case, you are always there, Tremulous breath at the end of my line, Curve of water upleaping To my water rod, dazzling and grateful, Touching and ******* I didn't call you. I didn't call you at all. Nevertheless, nevertheless You steamed to me over the sea, Fat and red, a placenta Paralyzing the kicking lovers. Cobra light Squeezing the breath from the blood bells Of the fuchsia. I could draw no breath, Dead and moneyless, Overexposed, like an X-ray. Who do you think you are? A Communion wafer? Blubbery Mary? I shall take no bite of your body, Bottle in which I live, Ghastly Vatican. I am sick to death of hot salt. Green as eunuchs, your wishes Hiss at my sins. Off, off, eely tentacle! There is nothing between us.
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19.4k
Medusa
Navel serves any purpose? she finds my obsession curious; fifteen versions of her enamoring umbilicus, in my canvas, give answers.
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Feb 2, 2012
Feb 2, 2012 at 7:15 AM UTC
a navel gazer hits back
there is love in laughter and laughter in love timeless longing in hearts dreaming of eons past when cosmos were new lost through millennia still tethered to you by spiritual umbilicus feeding the soul nourishing the heart while paying a toll for passing through time your blood in my veins unsettled in heartbeats still calling your name a name unrecognized through these earthly ears for I knew you as many throughout timeless years though tied in this body two souls bound by love found and completed through cosmos above
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Jun 17, 2014
Jun 17, 2014 at 8:09 PM UTC
macrocosm ad infinitum
thus do learn how to tolerate the blow of wings of the most inflammable flesh after the successful sacrifice of the student-hostel jumping into the peacock-foams how dangerously is changing the total travel-route of the nail-polish in the high tide of the coconut-kernel that conquers the world today the water-pigeon gets pain only by the flute made of palm-leaf can’t be written the pleasure-trip in boat of the injured-knee night-queen that is deposited heavily on the collar of the village-moonlight even-then the gramophone would be playing on even-then the courageous pheasant would proceed further to throw towards the squirrel a dinner-sleep then all the daughters in disguise of birds certainly may come out from within the salted mosquito-net burning open-ground in their  eyes even after   the small boats of the fig leaves                       would slip from the chorus song of the roses then they are to be pulled forward to the river-bed of the late afternoon to make them understand again that such Xerox-centre which can ignore its metallic-birth does not grow even now  on either side of this muddy road so look at to see how the  epenthesis of the screwpine-leaf withdraws her beak from the old dome and pours all new mathematics into the compact-disc stitched with the back of the sea-tortoise if that’s not real how in the left and right such evil-company of the oxygen would creep if the next part of this commentary resumes from the umbilicus cavity of the x-mass would the blood-sugar of the water-plankton be rising continuously look there again the feather of colour that is in her adolescence   touches the cold magnet of her gamut to disperse the cherry orchards now if the doors of this brown triangle be got open you can see on the screen one by one the projection of the apex-points of the red-palash and in the night-texture of the kathakali-kathak they are supplying continuously   small sun-shines in poly-packs
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Sep 13, 2010
Sep 13, 2010 at 5:34 PM UTC
a poem regarding evil-company
thus do learn how to tolerate the blow of wings of the most inflammable flesh after the successful sacrifice of the student-hostel jumping into the peacock-foams how dangerously is changing the total travel-route of the nail-polish in the high tide of the coconut-kernel that conquers the world today the water-pigeon gets pain only by the flute made of palm-leaf can’t be written the pleasure-trip in boat of the injured-knee night-queen that is deposited heavily on the collar of the village-moonlight even-then the gramophone would be playing on even-then the courageous pheasant would proceed further to throw towards the squirrel a dinner-sleep then all the daughters in disguise of birds certainly may come out from within the salted mosquito-net burning open-ground in their  eyes even after   the small boats of the fig leaves                       would slip from the chorus song of the roses then they are to be pulled forward to the river-bed of the late afternoon to make them understand again that such Xerox-centre which can ignore its metallic-birth does not grow even now  on either side of this muddy road so look at to see how the  epenthesis of the screwpine-leaf withdraws her beak from the old dome and pours all new mathematics into the compact-disc stitched with the back of the sea-tortoise if that’s not real how in the left and right such evil-company of the oxygen would creep if the next part of this commentary resumes from the umbilicus cavity of the x-mass would the blood-sugar of the water-plankton be rising continuously look there again the feather of colour that is in her adolescence   touches the cold magnet of her gamut to disperse the cherry orchards now if the doors of this brown triangle be got open you can see on the screen one by one the projection of the apex-points of the red-palash and in the night-texture of the kathakali-kathak they are supplying continuously   small sun-shines in poly-packs
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49
between the umbilicus of limbo, and the theater of cruelty the rational world remains a derelict void welcome are hallucinations abolishing reason that give meaning to blood shot gazing walls beyond  the limits of sanity where madness can not be opposed in a world of tug a war aberrations a lyric breathed voice shoots through nerve membranes while marching an infantry of squat shadows and false memories    that move like flames  in a vacant lot of burning violets she goes hungry a snake head eats its tail in graves scattered voice and speechless tongues arteries pulse vermillion naked and wanton waiting to be pierced for schitzo's release in a lyric of dreads desire a tidal force lifts a dirigible of hell in a fountain of blood while Jesus has a cheeseburger moonstruck in torn ******* a spreading bride dissolves hoop-armed around a formless shadow hallucinating her beloved killer foot stones kiss …. https://www.bing.com/videos/search?q=carl+jung&&view=detail&mid=19CC0D7663DBC03C91B219CC0D7663DBC03C91B2&&FORM=VDRVRV
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Jun 19, 2020
Jun 19, 2020 at 7:56 AM UTC
*Ritual of Endings
kurukshetra grey but iridescent with the glory of all dreams combined some omphalos of lusciousness still pumps an umbilicus of sates to broadening skies, parhelion whims
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Apr 2, 2013
Apr 2, 2013 at 11:41 PM UTC
beginning of a poem
your arousal fantasy is a catch for me comes in sound waves enters my head from the right ear but no action required I say just observe so I pull it up a bit - the activated tip in the crypt - from the line beneath towards the umbilicus spread - the well calculated as if instantly phononized insanity validating vibrational ascendancy- along the void and render all the whatever patiently in less than a moment lest the mind won’t interfere amid balancing the belly I half the remaining equally push one lump towards the zenith another vis-a-vis the right feet so it finds a correct exit while especially the toe tip beside the small one is affected to be the immediate target of delete I shut personal sensations of ‘I don’t like it’ so that I can dump with a pure desire to return to sender as is required as much as earth receives air insists for its ascending part an accuracy of might a simultaneous rush of flow a cause of cranial vertigo lasting less than a moment on the right quasi ready to squad the head but No - I fight not fighting means slavery at your side whereas your side exists not without that foxy fight hidden under smarty pants just a mystified puff-gloom intensifies but gets shot in one bite ready to gobble the pretender which I am not and flushes oh the so lonely oh the so broken hearted transforms to a flatus-cloud heads up and up en route the dark skies full of angry-clouds oh my brrrrrrgghhhh even they take it not hurriedly move aside an irregularly contoured eloquent ******   ethereal space shapes softly along the cotton like subtlety pliantly tight so you can pass while I happily look up to sing the Oh Lovey-Dovey See! You also have some use Finally and Yes! The sun shines for us most beautifully diminishing your blues through the enchanting blue of the patchy
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Mar 5, 2015
Mar 5, 2015 at 3:19 PM UTC
I shot your blues through the patchy
your arousal fantasy is a catch for me comes in sound waves enters my head from the right ear but no action required I say just observe so I pull it up a bit - the activated tip in the crypt - from the line beneath towards the umbilicus spread - the well calculated as if instantly phononized insanity validating vibrational ascendancy- along the void and render all the whatever patiently in less than a moment lest the mind won’t interfere amid balancing the belly I half the remaining equally push one lump towards the zenith another vis-a-vis the right feet so it finds a correct exit while especially the toe tip beside the small one is affected to be the immediate target of delete I shut personal sensations of ‘I don’t like it’ so that I can dump with a pure desire to return to sender as is required as much as earth receives air insists for its ascending part an accuracy of might a simultaneous rush of flow a cause of cranial vertigo lasting less than a moment on the right quasi ready to squad the head but No - I fight not fighting means slavery at your side whereas your side exists not without that foxy fight hidden under smarty pants just a mystified puff-gloom intensifies but gets shot in one bite ready to gobble the pretender which I am not and flushes oh the so lonely oh the so broken hearted transforms to a flatus-cloud heads up and up en route the dark skies full of angry-clouds oh my brrrrrrgghhhh even they take it not hurriedly move aside an irregularly contoured eloquent ******   ethereal space shapes softly along the cotton like subtlety pliantly tight so you can pass while I happily look up to sing the Oh Lovey-Dovey See! You also have some use Finally and Yes! The sun shines for us most beautifully diminishing your blues through the enchanting blue of the patchy
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92
After the birth, this blue I feel, I wear it like a robe tied around me. its edges hang beyond floor length Trailing behind and around me, Laid out for your posterity. I touch the still moist umbilical cord spiral it, leave it to dry. I want to cry when I touch it I am becoming me again, just me. Now there is a you and a me I look at you little one your perfection Delicate fingers and toes Pink complexion, gentle hair I know you are a miracle, and I cry. Your umbilicus fell off today. Your belly button is your own now. I witness you unfolding into this time, limbs filling out into every new now, My ****** expanded for you And now it shrinks down everyday. My ******* a river of milk flowing To meet your hunger, I hold you to my heart And I love you, Every breath, Every finger, Every toe Every look and sound you make, Every second-- I pour forth with love for you How will our time Be together Will I listen well, Will you show me well?-- You still see the invisible umbilicuses tracing back through every birth to the original Mother To the Great Oneness Every you, and every me Connected to the Source To the Breath of Life Now---- I can see this blue I wear As the ocean around me And I can feel the waves washing me, washing me, washing me.
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Jan 26, 2019
Jan 26, 2019 at 8:45 PM UTC
Umbilicus Blues
Ihinabi ko sa bukana ng payong ang ulan. This is to believe that sheltering may not always be, or simply perhaps an undertaking of weakness. A radical strangeness aspires to be bold. I may not be able to transcend its nakedness. . This is to deny the common verity that in the communal of water, shade fails a transliteration. We cannot be forever in hiding. Our smallness reveals our flowers. Our unmentioned stirrings. (A spire of technicolor through the lens of apertures. It starts to rain in Pasay.) . I see children swift-bodied in the streets. I hear the sublime song of a defunct tractor. Once in its vitality, Earth was its derelict. How did it come to be that when I peer into the openness, light slouches into form, conjuring an image: your face, hiding amongst the crowd? . This is to recognize the potential of dwindles. Its vertigo that it tries to protect. Its height that it tries to conquer. Its fall that it tries to eschew. What if bones are just homes to tiny little currents and that the way our body assumes the stance of jackknife, simply a foreboding? . Itinabi ko sa sukal ng araw ang payong. This is to perceive that all light lifts away from the dark, my heart always falling into its hands. Morning opens your face like delicate streets, pulverizing fog into chamomile. Silence is endemic. *Makati *buoys overseer reconnaissance of obvious beatings. Revealing a long line of ligatures -- umbilicus of wires. Serenades of futility. Our useless meanderings. . The depth of Sunlight finally turns primeval stone. That is our defeat -- all our darkness put to trial. I am tense with the finality: she will become parasol and I, the weather past moonlight waxing.
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Feb 26, 2016
Feb 26, 2016 at 8:38 PM UTC
Martina's Parasols
Ihinabi ko sa bukana ng payong ang ulan. This is to believe that sheltering may not always be, or simply perhaps an undertaking of weakness. A radical strangeness aspires to be bold. I may not be able to transcend its nakedness. . This is to deny the common verity that in the communal of water, shade fails a transliteration. We cannot be forever in hiding. Our smallness reveals our flowers. Our unmentioned stirrings. (A spire of technicolor through the lens of apertures. It starts to rain in Pasay.) . I see children swift-bodied in the streets. I hear the sublime song of a defunct tractor. Once in its vitality, Earth was its derelict. How did it come to be that when I peer into the openness, light slouches into form, conjuring an image: your face, hiding amongst the crowd? . This is to recognize the potential of dwindles. Its vertigo that it tries to protect. Its height that it tries to conquer. Its fall that it tries to eschew. What if bones are just homes to tiny little currents and that the way our body assumes the stance of jackknife, simply a foreboding? . Itinabi ko sa sukal ng araw ang payong. This is to perceive that all light lifts away from the dark, my heart always falling into its hands. Morning opens your face like delicate streets, pulverizing fog into chamomile. Silence is endemic. *Makati *buoys overseer reconnaissance of obvious beatings. Revealing a long line of ligatures -- umbilicus of wires. Serenades of futility. Our useless meanderings. . The depth of Sunlight finally turns primeval stone. That is our defeat -- all our darkness put to trial. I am tense with the finality: she will become parasol and I, the weather past moonlight waxing.
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13
quite drunk in this evening tender with rue – there is a gentle hand that whirls against the bougainvillea. things remain to be constantly in the tranquil as I am not yet shaken in my fragile frame – the leaves rustle in the 19 degree cold moon, the beer bottles emptied, stacked beside the receptacles. she and I could be dead, and it took me 3 years to know this: there is a photograph of her thrown somewhere behind scraps of metal, caged there, like a jailbird in a jailhouse, screaming blue against redness. I had love, and love died. you neither flinch nor move at the very slight of me, passing over the porch of your reading. the thing that once moved now festers with stillness, and so many vibrant explosions begin in the sky and there is nothing discernible in her abject eyes. I remember driving past your home in front of a little, quaint house and I swore that the even your voice speaks to me in evenings full with the thought of never knowing you again. you are so real like the horse that grazes the field underneath umbilicus of power-lines, yet so fake and feigned like the truth that tries to assess itself , crawling mazy back into my drunken arms like a child startled speaking a thousand things I have already no use for. sometimes the sun is like a house on fire. sometimes the simmer of onion smells like ****** most of the time, the look on my face, half-drunk and half-believing, looks like a night distilled and fractured by voices. I will never ask for your hands to touch, I will never ask for you body to make heat, I will never ask for your footsteps to chime in grave music: I have my own defeats to keep me that way: toppled and scrounging for light. let me be. I have seen many warfares and not a single shot of a rifle has broken me into the man that I once was. I drive back to you and it is never the same: it is banal to say that you have yourself and I have my own, deep in study. let us drive back to roads whetted with kisses and from there, start to disentangle like leaves from boughs deep in December.
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Dec 18, 2015
Dec 18, 2015 at 7:03 AM UTC
Deep In December
quite drunk in this evening tender with rue – there is a gentle hand that whirls against the bougainvillea. things remain to be constantly in the tranquil as I am not yet shaken in my fragile frame – the leaves rustle in the 19 degree cold moon, the beer bottles emptied, stacked beside the receptacles. she and I could be dead, and it took me 3 years to know this: there is a photograph of her thrown somewhere behind scraps of metal, caged there, like a jailbird in a jailhouse, screaming blue against redness. I had love, and love died. you neither flinch nor move at the very slight of me, passing over the porch of your reading. the thing that once moved now festers with stillness, and so many vibrant explosions begin in the sky and there is nothing discernible in her abject eyes. I remember driving past your home in front of a little, quaint house and I swore that the even your voice speaks to me in evenings full with the thought of never knowing you again. you are so real like the horse that grazes the field underneath umbilicus of power-lines, yet so fake and feigned like the truth that tries to assess itself , crawling mazy back into my drunken arms like a child startled speaking a thousand things I have already no use for. sometimes the sun is like a house on fire. sometimes the simmer of onion smells like ****** most of the time, the look on my face, half-drunk and half-believing, looks like a night distilled and fractured by voices. I will never ask for your hands to touch, I will never ask for you body to make heat, I will never ask for your footsteps to chime in grave music: I have my own defeats to keep me that way: toppled and scrounging for light. let me be. I have seen many warfares and not a single shot of a rifle has broken me into the man that I once was. I drive back to you and it is never the same: it is banal to say that you have yourself and I have my own, deep in study. let us drive back to roads whetted with kisses and from there, start to disentangle like leaves from boughs deep in December.
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45
Break me into chasm then let the love pour in— flower into deep well— stem the umbilicus of what you could say you knew of me— the privilege of living inside your own head— and me, something made of sand, a wink— something of one of many lives ago, though how well you knew me— as did he— how well they saw me— and maybe no one did. We were lovers in a past life. And now I am obscure as lost Atlantis, origin of the fairy tale— fragile as gossamer and the Holy Grail.
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Oct 30, 2019
Oct 30, 2019 at 7:49 PM UTC
Atlantis
*The way we love is deep ocean rolling into the depths parts unknown quickened reanimating as her hips sway in my mind to a melodious Adagio and every day, when we talk she unravels like the threads of a scanty dress more exposed our souls held in a steady grip caressed at first like nested fledglings open mouths begging blood bells weeping liquefied swallowing each others souls like bears eat up-leaping salmon pink tongues frothy saliva blood and runny roe sacks loves hungry mouth merciless a ***** head a brute storming her ***** sweet fluttering nightingale singing the high notes she opened like queen snake pierced to the core royal lady weeping lost in heaven and then cut off we hang up the phone left longing for more words and butter kisses, eating butter kisses mixed with whisper cocktails a sea of fire that singe and burn our love a flaming pink cloud puff brains like cheese melts mouths like powder fizz our feet and thighs flexed and scorched by lurid desire and if it gets murky if the fog blinds us we hold a tender stretch of vastness and endless lighted torches as the lifeline pulls through a pulsing chord Umbilicus binding hearts by threads of light and crimson plush fused by cosmic fires white hollowing parched sockets pumping out epiphanies in beaten silken swords bursting full of faith spines like temple columns i am free to love her as trees cradle monarchs both of us children of the heavens she dark lover yielding in lustful throngs as we thrill in the realm of the senses like dancing flowers in sprinkles of dew and light as love blushes and shimmers up around us like rhythms of a thousand kissing eyes undulating penetrates sinews and the body electric like winged Venus when two souls love each other unbreakable yet obstructed by oceans and continents a colossal brood of lands while beneath shrug tectonic groans our love air and fire while flesh remains un-thawed by proximities neglect panes of ice waiting waiting waiting *
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Sep 24, 2016
Sep 24, 2016 at 1:26 PM UTC
Proximities Neglect
*The way we love is deep ocean rolling into the depths parts unknown quickened reanimating as her hips sway in my mind to a melodious Adagio and every day, when we talk she unravels like the threads of a scanty dress more exposed our souls held in a steady grip caressed at first like nested fledglings open mouths begging blood bells weeping liquefied swallowing each others souls like bears eat up-leaping salmon pink tongues frothy saliva blood and runny roe sacks loves hungry mouth merciless a ***** head a brute storming her ***** sweet fluttering nightingale singing the high notes she opened like queen snake pierced to the core royal lady weeping lost in heaven and then cut off we hang up the phone left longing for more words and butter kisses, eating butter kisses mixed with whisper cocktails a sea of fire that singe and burn our love a flaming pink cloud puff brains like cheese melts mouths like powder fizz our feet and thighs flexed and scorched by lurid desire and if it gets murky if the fog blinds us we hold a tender stretch of vastness and endless lighted torches as the lifeline pulls through a pulsing chord Umbilicus binding hearts by threads of light and crimson plush fused by cosmic fires white hollowing parched sockets pumping out epiphanies in beaten silken swords bursting full of faith spines like temple columns i am free to love her as trees cradle monarchs both of us children of the heavens she dark lover yielding in lustful throngs as we thrill in the realm of the senses like dancing flowers in sprinkles of dew and light as love blushes and shimmers up around us like rhythms of a thousand kissing eyes undulating penetrates sinews and the body electric like winged Venus when two souls love each other unbreakable yet obstructed by oceans and continents a colossal brood of lands while beneath shrug tectonic groans our love air and fire while flesh remains un-thawed by proximities neglect panes of ice waiting waiting waiting *
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110
Of all the body's in and outie places the daffiest part has got to be the umbilicus, how sillycus to have the mother straw embedded so very far from the face's ******* lippicus.
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Feb 3, 2011
Feb 3, 2011 at 10:27 AM UTC
Of all the body's - in and outie places
who shall then dare dream the Sun to be a flower or a new, keen city higher than steeples and umbilicus of wires disavowed streets and herds of proletariats? and if so then it shall be a flower who picks itself from the unmoving Earth then what steady light will it bring? who will join it in its revelry and who shall be brave with trembling hands to hold it in hand taut like loves divined and forever is spring and forever is winter endless with ephemeral whiteness and bells are a-ringing and clouds are twitching so as to sail where nobody has ever visited always it is Spring and in my hand is the Sun or the florid aureole burning in my palm and the moon is my love whose night is carefully a fraction of flower placing an inch of sleep in my body, always it is lovely
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Jan 11, 2016
Jan 11, 2016 at 7:24 AM UTC
Always It Is Spring
Help me shatter this day. Our bodies make transitions unbearable. All of us here hiding secrets. By design, we are silent. It takes me days to fully sing.                  We think walls are our doing, bridges our undeniable shame.   There are things following me: the bird soaring, another one flat on    the roof, and the other atrill on umbilicus of powerlines.   This day is composition – let this day atonal. From where I sit,   daily pursuits key in difficulties – eyes closed deep but not aslumber,   are purblind: gauge me in this order: feel the world scabrous like Braille. In a world of continuing   breakage, what is there to hold together.                 If not, a debris pattern. A held rigor in suffering – there is that   crisp, sweet taste in the air again like some air winding out of ***   Look at me through dappled windows as reflection of an oncoming storm.     Help me splinter this day. Placate my tremor of, and fasten me dearly set beyond the grooves of this day. I teach myself a coruscating example – to reach for   and break. To stop you climbing, plodding your way to a conclusion,    waylaid you in your place and summoned your fiddling of chance – the duration is lined by obeisance towards an endorsed situation issued, not accrued.                   We are somewhat conveying this burden to equal our weight. Must we   be afloat, what hoists our rebellion? What must we be        to endure,    to witness these wondrous beatings ballast our gravities,           no warning of, and against reliance. Is our being here what we determine.
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May 25, 2016
May 25, 2016 at 12:13 AM UTC
Under the brow of this day
Help me shatter this day. Our bodies make transitions unbearable. All of us here hiding secrets. By design, we are silent. It takes me days to fully sing.                  We think walls are our doing, bridges our undeniable shame.   There are things following me: the bird soaring, another one flat on    the roof, and the other atrill on umbilicus of powerlines.   This day is composition – let this day atonal. From where I sit,   daily pursuits key in difficulties – eyes closed deep but not aslumber,   are purblind: gauge me in this order: feel the world scabrous like Braille. In a world of continuing   breakage, what is there to hold together.                 If not, a debris pattern. A held rigor in suffering – there is that   crisp, sweet taste in the air again like some air winding out of ***   Look at me through dappled windows as reflection of an oncoming storm.     Help me splinter this day. Placate my tremor of, and fasten me dearly set beyond the grooves of this day. I teach myself a coruscating example – to reach for   and break. To stop you climbing, plodding your way to a conclusion,    waylaid you in your place and summoned your fiddling of chance – the duration is lined by obeisance towards an endorsed situation issued, not accrued.                   We are somewhat conveying this burden to equal our weight. Must we   be afloat, what hoists our rebellion? What must we be        to endure,    to witness these wondrous beatings ballast our gravities,           no warning of, and against reliance. Is our being here what we determine.
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22
you will only look for which road i have passed, with girth of oceans startled to hip-curve, bow-legged darling hiding behind pretense of rose frailty. when words ripen, they fall. from vaudeville of fools to silence in all its exactness, i take my place amongst people in stations, machines adorning rotundas, courtyards to a flourish of twilight-bells, the men with retinas spry behind cloaks of smoke— plain, **** drunkenness assaults the billion-blooded sea, each line fraught with inebriation: a god is borrowed with what light fruits from a slow nature, quick to burst and torturously maimed in stride. fated to arrive at one morning — being in total placeness and making merry once again, the dreary face waiting at the portico of days collected. when these words start to wind-hover, a string of birds will appear clearer, mounting umbilicus of lines. as in hounds shear the metastasizing dark, going back to chagrined kens, i make truth out of the tragedy: trace the source of this stream and find my trampled body, floating with the sandalwood. when the still, clenched hand clock-punches, make real the insignia of my arrival: words start with limbs to cross this scalped Earth which moves suddenly naked, leaning in, gropes you in stillness, resuscitating the moon from the working of insolvencies we rear in derelicts of days. drags it closely to ends — left trundling in woe's wearisome vessel. and if in this newly thatched home it screams, let this voice deftly shred so i may once more lie straight to your half-illuminated faces, a call i only hear.
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Dec 4, 2015
Dec 4, 2015 at 10:02 PM UTC
Clock-Punch
you will only look for which road i have passed, with girth of oceans startled to hip-curve, bow-legged darling hiding behind pretense of rose frailty. when words ripen, they fall. from vaudeville of fools to silence in all its exactness, i take my place amongst people in stations, machines adorning rotundas, courtyards to a flourish of twilight-bells, the men with retinas spry behind cloaks of smoke— plain, **** drunkenness assaults the billion-blooded sea, each line fraught with inebriation: a god is borrowed with what light fruits from a slow nature, quick to burst and torturously maimed in stride. fated to arrive at one morning — being in total placeness and making merry once again, the dreary face waiting at the portico of days collected. when these words start to wind-hover, a string of birds will appear clearer, mounting umbilicus of lines. as in hounds shear the metastasizing dark, going back to chagrined kens, i make truth out of the tragedy: trace the source of this stream and find my trampled body, floating with the sandalwood. when the still, clenched hand clock-punches, make real the insignia of my arrival: words start with limbs to cross this scalped Earth which moves suddenly naked, leaning in, gropes you in stillness, resuscitating the moon from the working of insolvencies we rear in derelicts of days. drags it closely to ends — left trundling in woe's wearisome vessel. and if in this newly thatched home it screams, let this voice deftly shred so i may once more lie straight to your half-illuminated faces, a call i only hear.
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40
And my love, when do we talk of wilderness and daisy blooms? The snakeskin― twirls, and I watch the wriggling night moving away. I swallow the empty words. They are not heavy and no concoction. The body and desires. I have let then slip away, my dreams, my knocks. Against the dying of blueberries in your eyes, I will not wash the stains. The curve of umbilicus still remembers the dazzling fall.
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Dec 15, 2016
Dec 15, 2016 at 8:20 PM UTC
Dragging The Clouds
i dreamt of you last night you of little existence your tiny body moved within me an umbilicus of desperate hope a miracle of revelation i dreamt of you last night i pray it was a premonition
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Oct 15, 2020
Oct 15, 2020 at 2:40 AM UTC
premonition (the life we created)
you trace your finger along my stomach umbilicus to sternum but that finger might as well be a knife allowing you to open me so you can carefully pry apart my ribcage with your demeaning hands ive let you in unwillingly you're seeing parts of me that God intended for us to keep hidden from others your eyes are opened to what ive kept inside the knots and the butterflies and the cracks and the broken pieces of me my ribs are shelves collecting those knots and butterflies and cracks and broken pieces of me displaying them like antiquities each separated by empty space that i prayed you'd fill but all you do is stare unsatisfied and when you're finished you sew me back together with lashes of shame and disgust all i wanted was to please you to see you show any type of empathy or interest in who i really am but you don't why would you? you taught me to truly hate myself and guided me there with a book hand written in cursive illustrated and inspired by that vicious tongue of yours ive caged all of my demons in hopes that ill be good enough but i never am i never will be so i might as well set them free and see what comes of it and what comes of you and me
0
Nov 16, 2014
Nov 16, 2014 at 7:08 PM UTC
lost & found
Happiness exists between us Like oxygen I can’t see it But it is there Like an umbilicus It connects us Like a circle It has no beginning And no end Happiness exists between us Without you I couldn’t be happy Even the islands Are surrounded by sea And the earth joins the sky And the sky encircles the moon I could never be happy just on my own So its you That I send my happiness to I couldn’t be happy without you Nor could I be sad In fact I couldn’t be human without you No matter what you do I will be glad
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Jul 28, 2016
Jul 28, 2016 at 4:35 PM UTC
Between us
We strive to be first on land, run off into the end of our discoveries, then jump. I am an ascendant. Derived from none. The wide spaces between us bleeds into open waters. Salt has scarred the umbilicus and feeds me no more. I breathe the tides. They recall their dead and wash them of sins. They call to me to join them .
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May 7, 2017
May 7, 2017 at 9:45 AM UTC
Descendants of the Sea
it happened this morning the air ripe with contention. the unsustainable weather with its impertinent grip on the bell-hand, no light could shed the shadows unbeheld (umbilicus of steel, remotely the        dense crowd letting each other     go, searching out fringes of moon.) days and their forlorn bannerets, from farewells wrought     into the world by a steady hand  i say to all:  labyrinths with no hint     of darkness (stillnesses immensely froth out,    searing the islands of eyes) the turning wave of the sea      slants into the mountains, so we shrivel   whatever is left of our implacable themes,   i have here, my heart as clear as a rose's      geography, thorns the clarion of trifles.
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Jan 1, 2016
Jan 1, 2016 at 3:01 AM UTC
The New Year