Ndikhumbula ezontsuku sihleli kunye sithandana,Kwaku mnandi ngezontsuku Sthandwa Sam,kwa Ku ngekh'onenzondo nanqala komnye,yayi luthando lwentliziyo ne mincili phakathi kwam nawe.

Ubundithanda,ndikuthanda, suke wangen'umtyholi phakathi kwam nawe,labhubhuzel'ibhabhathane kweyakhw'ingqondo,wandishiya ndisakuthanda Sthandwa Sam,wandishiya ndili lolo Themba lam.

Bendikukhonzile,ndiku thembile.Bendisithi soze thina sohlulwe na kukufa! Kanti ndiyazikhohlisa.Nanga awokugqibela,uzuhlale uyazi ndiyakudinga.Ngaphandle kwakho ndililolo.

Buya Sthandwa Sam ndiya kukhumbula! Buya Themba lam ndiyakudinga! Obam ubu doda bemka mhla kumka Wena! Buya Sthandwa Sam uzolungis'ikhaya liyadilika!Buya Sthandwa Sam uzobuyis'obam ubudoda!!

Ngiyazi awungibuzanga
Ngiyazi phoqa ukukuhlebela
ngalolu daba olungathi shuu
Nayi.....
Leli jokwe ngilikhethisiwe. Kepha
hhayi ngamandla egendlovu iyangena. Angizitakuli obisini
njengempukane kodwa kuyasho,
ngiziqhelisile kokuningi, ngeqa
ngama buqamama ngomfudlazana.
Ngaketha ukufunana namanzi
acwebileyo. Kwasala inhliziyo
ibalisa, ithi hhawu mfo ka Phakathi
Usho ukuthi lomuzi wethu usuyohlala
unqhunu kanje, kungesena sphalala
esihlekisana naso nenhliziyo yaso"

Hhawu Mpangazitha waze wasibulala siphila, mina Nhliziyo kanye nabafowethu Imizwa siyakhala, buka
nje uhleli uwedwa ubhalana naloludaba olungathi shuu. Ubulalisa
thina ngalesiyasitha sethu Umzwangedwa. Khuluna iqiniso Duma dumane owaduma ezizweni, usho ukuthi awukulangazeleli ukumoyizela kwesi phalaphala. Phela
wena usese yisoka lamanyala ubu dume ukutshakadula nezindoni zamanzi kuphela o Nandi no Dudu.
Uzama ukungitshela ukuthi njengamanje awubuhlungu ngalokhu"

Hhayi bo Nhliziyo mana ngodlame, ufuna ngithi kahle kahle. Phela sisonke kulolu hambho thizeni lwethu. Akekho esingamthanda
ngaphandle kokuthanda thina
sodwa esizinze kulomzimbha.
Ake siyeke ukusukela inyoka
isemgodini.

Hhawu mfo ka Kunu ufanisa uthando
nenyoka, ngaliphi kodwa. Hhayi kodwa ngiyalibona iphuzu lakho,
kokubili kunobuthi.

Ngiyabonga Nhliziyo ngincede ke mfo ka baba ukhumbhuza
abafowenu Imizwa ngaleli jokwe, nobungozi okumele sihlale silugadile.

Ngiyakuzwa Hhawu lweMpisi, mzukulu ka maShenge no Ndlangamandla, thole lakwa Mthabela. Wena othi gazi
emaNtungweni nakwa Malinga.
Mjaji, Ngwane. Madlokovu
Duma ndumane owaduma ezizweni.

Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from France and from London.
But I was there.
I was there in 1968.
I was there at the first Can show in Cologne.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the Internet seekers who can tell me every member of every good group from 1962 to 1978.
I'm losing my edge.
To all the kids in Tokyo and Berlin.
I'm losing my edge to the art-school Brooklynites in little jackets and borrowed nostalgia for the unremembered eighties.
But I'm losing my edge.
I'm losing my edge, but I was there.
I was there.
But I was there.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1974 at the first Suicide practices in a loft in New York City.
I was working on the ***** sounds with much patience.
I was there when Captain Beefheart started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Daft Punk to the rock kids.
I played it at CBGB's.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
I used to work in the record store.
I had everything before anyone.
I was there in the Paradise Garage DJ booth with Larry Levan.
I was there in Jamaica during the great sound clashes.
I woke up naked on the beach in Ibiza in 1988.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody. Every great song by the Beach Boys. All the underground hits. All the Modern Lovers tracks. I heard you have a vinyl of every Niagra record on German import. I heard that you have a white label of every seminal Detroit techno hit - 1985, '86, '87. I heard that you have a CD compilation of every good '60s cut and another box set from the '70s.
I hear you're buying a synthesizer and an arpeggiator and are throwing your computer out the window because you want to make something real. You want to make a Yaz record.
I hear that you and your band have sold your guitars and bought turntables.
I hear that you and your band have sold your turntables and bought guitars.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records? This Heat, Pere Ubu, Outsiders, Nation of Ulysses, Mars, The Trojans, The Black Dice, Todd Terry, the Germs, Section 25, Althea and Donna, ****** Harrassment, a-ha, Pere Ubu, Dorothy Ashby, PIL, the Fania All-Stars, the Bar-Kays, the Human League, the Normal, Lou Reed, Scott Walker, Monks, Niagra,
Joy Division, Lower 48, the Association, Sun Ra,
Scientists, Royal Trux, 10cc,
Eric B. and Rakim, Index, Basic Channel, Soulsonic Force ("just hit me"!), Juan Atkins, David Axelrod, Electric Prunes, Gil! Scott! Heron!, the Slits, Faust, Mantronix, Pharaoh Sanders and the Fire Engines, the Swans, the Soft Cell, the Sonics, the Sonics, the Sonics, the Sonics.
You don't know what you really want
You don't know what you really want
You don't know what you really want
You don't know what you really want
You don't know what you really want
You don't know what you really want
You don't know what you really want
You don't know what you really want
You don't know what you really want
You don't know what you really want
You don't know what you really want
You don't know what you really want
You don't know what you really want
You don't know what you really want
You don't know what you really want

The roots of Dada are in the vanguard
of the pre-war. The term anti-art,
a precursor of Dada, was coined by Marcel
Duchamp around 1913 to characterize works
that defy accepted definitions of art. Cubism
and the development of collage and abstract
art inform the detachment
of the movement from the limitations
of reality and convention. The work of French
poets, Italian Futurists and German Expressionists
would influence Dada's rejection of the close
correlation between words and meaning. Works
such as Ubu Roi 1896 by Alfred Jarry, and ballet
Parade 1916-17 by Erik Satie would also be
characterized as proto-dadaist works.
The principles of Dada's movement
were first compiled in the Dada Manifesto
by Hugo Ball in 1916. The Dadaist movement
included public meetings, demonstrations
and publication of literary / art magazines; Passionate
coverage of art, politics and culture were topics
that were often discussed in a variety of media.
The key figures of the movement were Hugo Ball,
Marcel Duchamp, Emmy Hennings, Hans Arp,
Sophie Taeuber-Arp, Raoul Hausmann,
Hannah Höch, Johannes Baader, Tristan Tzara,
Francis Picabia, Huelsenbeck, George Grosz,
John Heartfield, Man Ray, Beatrice Wood,
Kurt Schwitters, Hans Richter, Max Ernst
and Elsa von Freytag-Loringhoven
among others. The movement influenced later
styles such as avant-garde and downtown musical
movements, and groups that included surrealism,
nouveau réalisme, pop art and Fluxus.
The development of a rattle classification system
became a topical issue, since the new experimental
techniques found by many of them revealed
that everything cannot be elementary. These discoveries
made Wolfgang Pauli shout: "If I predict it, I will go
to the botanist". Advises the students Enrico Fermi
and León Rederman. "If I could remember the name
of these particles, I would be a botanist," who was
at the forefront of many of these developments,
including these new Nobel Prize systems, including
Luis Alvarez. The construction of the hammer
as a limited condition of fewer sections will organize
your "zoo".                                                 Some of the first meson proposals, such as Enrico Fermi, Chen-Ning Yang in 1949
and Sakata in 1956, were successful, but they could
not compensate and could not explain all Dada.
The Gel-Man-Nishijima formula developed
by Murray Gel-Man and Kazuhiko Nishijima
led to an eight-way classification invented
by Gel-Man in 1961 with important independent
contributions from Yuval Ne'eman. Organize HIS (3)
Expression of multiples of approximately the same
mass, octave and Dickle due to strong interaction.
Smaller mass differences associated with the quantum
number of flavors that do not appear to be a strong
interaction. The Gel-Man-Okubo tissue formulated
the quantification of these small differences in mass
between the multichannel members, controlled
by the distribution of the explicit symmetry of SU
(3). A basic bidirectional member, B-baryon spin-3/2,
was an important predictor of this classification.
Gel-Man received the Nobel Prize for Physics
approximately eight times in 1969, after having
been discovered in experiments at the National
Laboratory, Brookhaven. Finally, in 1964, Gel-Man
and George Zweig independently received What is
The Image Encoding? Eight times they made a start-up
and made the underlying scheme unpredictable
and possibly unobservable, and the classification
was more simply encoded into a narrow economic
structure in eight ways. The differences in the Hadron
mass were associated with different masses of quark
components. It takes about 10 years for unexpected
nature and physical reality. These quarks are understood
in more detail (seen Quarks). Unlike intuition,
it cannot be considered in isolation from the birth
of color, the forms with other quarks are a complete
hero and provide a lot of indirect information about
the game captured. Instead, quarks help define
quantum chromodynamics, a basic theory that fully
describes powerful interactions. And now it is understood
that the eighth shape is the result of three light symmetrical
flavors.

It is believed that advanced civilization
techniques have emerged that allow
for tight curves, such as the distortions
of space and time. Complete the possibility
of traveling. This is a document that examines
this possibility, in other words. The violation
of causality in the final zone is not the final
curvature of the space-time feature. There
is no powerful Cauchy medium that does not
consist of closed land of incomplete production.
The geometric size measurements can be used
to determine the increase in the Lorentz area,
which will increase the closed geodesy. However...

Move Ubu, you subcutaneous fool.

There's no place for you here.

When there's work to be done you're always by my side,

But only in a way that inconveniences everyone involved.

You're like that ex that keeps on calling when I have moved on.

Clingy, annoying, and unwanted.

Thats not to say that you're never wanted.

You are quite cute and give great handshakes.

But all I ask is that you stop licking the clean dishes when I am unloading the dishwasher.