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"twould" poems
In the blue sky just a few specks of gray In the evening of a beautiful day Though last night it rained and more rain on the way And that more rain is needed 'twould be fair to say On a gum tree in the park the white backed magpie sing He sings all year round from the Summer to Spring But in late Winter and Spring he even sings at night So nice to hear him piping in the moonlight Spring it is with us and Summer is near And beautiful weather for the time of year Such beauty the poets and the artists inspire Of talking of Nature could one ever tire Her green of September Mother Nature wear And the perfumes of blossoms in the evening air.
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Apr 25, 2010
Apr 25, 2010 at 5:54 PM UTC
A Beautiful Day
Those happy Morris dancers make for a happy sight They wear bright scarlet ribbons and their shirts and trousers white, They clash their sticks whilst dancing and you hear the timbers ring Though 'twould seem that Morris dancing is not a female thing. I've never seen a female Morris dancer I stand corrected if I'm wrong It has it's roots in England and to England it belong And I hope that Morris dancing will not go the way of rhyme That in a changing World it won't lose out to time. They brought their culture with them from England far away A culture perhaps fading like many of the old cultures are today With the old dances of Europe I see a link somewhere And sad to hear that Morris dancers are now becoming rare. At the Dandenong Ranges festival east of Melbourne they perform every year And after in the ***** tent they laugh as they drink their beer, They brought a thing of beauty when they brought their dancing here And to those marvellous Morris dancers let us raise our glass of cheer. Morris dancing vary from English Village to Village or so I have been told Though the times they are a changing and fading are the ways of old But those marvellous Morris dancers may they dance forever more In the sunshine of Australia far from England's rainy shore.
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Aug 10, 2010
Aug 10, 2010 at 6:17 PM UTC
Those Marvellous Morris Dancers
1712 A Pit—but Heaven over it— And Heaven beside, and Heaven abroad, And yet a Pit— With Heaven over it. To stir would be to slip— To look would be to drop— To dream—to sap the Prop That holds my chances up. Ah! Pit! With Heaven over it! The depth is all my thought— I dare not ask my feet— ’Twould start us where we sit So straight you’d scarce suspect It was a Pit—with fathoms under it— Its Circuit just the same. Seed—summer—tomb— Whose Doom to whom?
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A Pit—but Heaven over it—
I cannot write a sonnet; it's too hard To put such barriers around my brain And thus I find my efforts often marred Although I rephrase again and again I cannot write a sonnet though I try Through day and night; through winter, into spring And even though I have no reason why A ten-syllable line my thoughts won't bring But now I wonder just what is so great About this iambic pentameter? And am almost resigned that it's my fate That from the sonnet form I should defer Yet, having spent so long in search of one 'Twould be a shame if it should not be done
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May 12, 2010
May 12, 2010 at 5:46 AM UTC
In Pursuit of The Sonnet
*'Twould do any young person well to step into the muddy boots of a farmer for a spell . *** a field the whole day through , milk an ornery goat , pick a row of okra or two .. Clean a hog pen , run the dogs at the crack of Dawn , build baskets and set tomato plants in the hot Georgia Sun .. Pick your meal in the morning and eat it at dinner , cut firewood in the dead of Winter . It would most assuredly do a teenager well , yes it would*
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Jan 17, 2016
Jan 17, 2016 at 8:49 PM UTC
A Mattock Over a Cell Phone
ALTHOUGH I can see him still. The freckled man who goes To a grey place on a hill In grey Connemara clothes At dawn to cast his flies, It's long since I began To call up to the eyes This wise and simple man. All day I'd looked in the face What I had hoped 'twould be To write for my own race And the reality; The living men that I hate, The dead man that I loved, The craven man in his seat, The insolent unreproved, And no knave brought to book Who has won a drunken cheer, The witty man and his joke Aimed at the commonest ear, The clever man who cries The catch-cries of the clown, The beating down of the wise And great Art beaten down. Maybe a twelvemonth since Suddenly I began, In scorn of this audience, Imagining a man, And his sun-freckled face, And grey Connemara cloth, Climbing up to a place Where stone is dark under froth, And the down-turn of his wrist When the flies drop in the stream; A man who does not exist, A man who is but a dream; And cried, "Before I am old I shall have written him one poem maybe as cold And passionate as the dawn.'
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The Fisherman
She's preparing her heart to be broken And why should she not? Is this not the norm? These beautiful words so softly spoken Or should she just let go and be reborn Too late into an unknown world she stepped The fear is still there but she can't care now Edge of the horizon, ready, she leapt It is too late with this she makes a vow To fight would be madness 'twould be a sin Regardless it is worth it to let go Finally feel the happiness within Take these four walls down and let the love grow Now despite her fear there's no turning back God forbid she's wrong, her heart may turn black
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Nov 3, 2012
Nov 3, 2012 at 9:40 AM UTC
Afraid
223 I Came to buy a smile—today— But just a single smile— The smallest one upon your face Will suit me just as well— The one that no one else would miss It shone so very small— I’m pleading at the “counter”—sir— Could you afford to sell— I’ve Diamonds—on my fingers— You know what Diamonds are? I’ve Rubies—live the Evening Blood— And Topaz—like the star! ’Twould be “a Bargain” for a Jew! Say—may I have it—Sir?
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I Came to buy a smile—today
behold mine guilt be carved 'pon this furrowed brow plainly writ for all to see i pray thee now speak softly fair an' sweet an' brook no lie to pass thine ruby lips those serpent fangs venom filled 'twould pierce an' wi' their poison still this wounded heart that lay bleeding lost an' dreaming far beneath... where mid-night forest darkly flows this raging torrent swiftly feeds black rivers writhing coldly thru my soul as faceless voices darkly speak urging chaos mindless screams nightshades tearing rending eat the broken pieces of this wounded heart that lay bleeding lost an' dreaming far beneath... where the sun is but a myth deep within this dark abyss an' the moon faithless fades from memory alas speak softly fair an' sweet release me from this dark abyss that lay bleeding lost an' dreaming at thy feet . . Pic Poem http://oi60.tinypic.com/29kvqs8.jpg . .
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Feb 25, 2017
Feb 25, 2017 at 4:23 PM UTC
At Thy Feet
In Xanadu did Kubla Khan A stately pleasure-dome decree: Where Alph, the sacred river, ran Through caverns measureless to man Down to a sunless sea. So twice five miles of fertile ground With walls and towers were girdled round: And there were gardens bright with sinuous rills, Where blossomed many an incense-bearing tree; And here were forests ancient as the hills, Enfolding sunny spots of greenery. But oh! that deep romantic chasm which slanted Down the green hill athwart a cedarn cover! A savage place! as holy and enchanted As e’er beneath a waning moon was haunted By woman wailing for her demon-lover! And from this chasm, with ceaseless turmoil seething, As if this earth in fast thick pants were breathing, A mighty fountain momently was forced: Amid whose swift half-intermitted burst Huge fragments vaulted like rebounding hail, Or chaffy grain beneath the thresher’s flail: And ’mid these dancing rocks at once and ever It flung up momently the sacred river. Five miles meandering with a mazy motion Through wood and dale the sacred river ran, Then reached the caverns measureless to man, And sank in tumult to a lifeless ocean: And ’mid this tumult Kubla heard from far Ancestral voices prophesying war! The shadow of the dome of pleasure Floated midway on the waves; Where was heard the mingled measure From the fountain and the caves. It was a miracle of rare device, A sunny pleasure-dome with caves of ice! A damsel with a dulcimer In a vision once I saw: It was an Abyssinian maid, And on her dulcimer she played, Singing of Mount Abora. Could I revive within me Her symphony and song, To such a deep delight ’twould win me That with music loud and long I would build that dome in air, That sunny dome! those caves of ice! And all who heard should see them there, And all should cry, Beware! Beware! His flashing eyes, his floating hair! Weave a circle round him thrice, And close your eyes with holy dread, For he on honey-dew hath fed And drunk the milk of Paradise.
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Kubla Khan
In Xanadu did Kubla Khan A stately pleasure-dome decree: Where Alph, the sacred river, ran Through caverns measureless to man Down to a sunless sea. So twice five miles of fertile ground With walls and towers were girdled round: And there were gardens bright with sinuous rills, Where blossomed many an incense-bearing tree; And here were forests ancient as the hills, Enfolding sunny spots of greenery. But oh! that deep romantic chasm which slanted Down the green hill athwart a cedarn cover! A savage place! as holy and enchanted As e’er beneath a waning moon was haunted By woman wailing for her demon-lover! And from this chasm, with ceaseless turmoil seething, As if this earth in fast thick pants were breathing, A mighty fountain momently was forced: Amid whose swift half-intermitted burst Huge fragments vaulted like rebounding hail, Or chaffy grain beneath the thresher’s flail: And ’mid these dancing rocks at once and ever It flung up momently the sacred river. Five miles meandering with a mazy motion Through wood and dale the sacred river ran, Then reached the caverns measureless to man, And sank in tumult to a lifeless ocean: And ’mid this tumult Kubla heard from far Ancestral voices prophesying war! The shadow of the dome of pleasure Floated midway on the waves; Where was heard the mingled measure From the fountain and the caves. It was a miracle of rare device, A sunny pleasure-dome with caves of ice! A damsel with a dulcimer In a vision once I saw: It was an Abyssinian maid, And on her dulcimer she played, Singing of Mount Abora. Could I revive within me Her symphony and song, To such a deep delight ’twould win me That with music loud and long I would build that dome in air, That sunny dome! those caves of ice! And all who heard should see them there, And all should cry, Beware! Beware! His flashing eyes, his floating hair! Weave a circle round him thrice, And close your eyes with holy dread, For he on honey-dew hath fed And drunk the milk of Paradise.
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815 The Luxury to apprehend The Luxury ’twould be To look at Thee a single time An Epicure of Me In whatsoever Presence makes Till for a further Food I scarcely recollect to starve So first am I supplied— The Luxury to meditate The Luxury it was To banguet on thy Countenance A Sumptuousness bestows On plainer Days, whose Table far As Certainty can see Is laden with a single Crumb The Consciousness of Thee.
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The Luxury to apprehend
443 I tie my Hat—I crease my Shawl— Life’s little duties do—precisely— As the very least Were infinite—to me— I put new Blossoms in the Glass— And throw the old—away— I push a petal from my gown That anchored there—I weigh The time ’twill be till six o’clock I have so much to do— And yet—Existence—some way back— Stopped—struck—my tickling—through— We cannot put Ourself away As a completed Man Or Woman—When the Errand’s done We came to Flesh—upon— There may be—Miles on Miles of Nought— Of Action—sicker far— To simulate—is stinging work— To cover what we are From Science—and from Surgery— Too Telescopic Eyes To bear on us unshaded— For their—sake—not for Ours— ’Twould start them— We—could tremble— But since we got a Bomb— And held it in our ***** Nay—Hold it—it is calm— Therefore—we do life’s labor— Though life’s Reward—be done— With scrupulous exactness— To hold our Senses—on—
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I tie my Hat—I crease my Shawl
576 I prayed, at first, a little Girl, Because they told me to— But stopped, when qualified to guess How prayer would feel—to me— If I believed God looked around, Each time my Childish eye Fixed full, and steady, on his own In Childish honesty— And told him what I’d like, today, And parts of his far plan That baffled me— The mingled side Of his Divinity— And often since, in Danger, I count the force ’twould be To have a God so strong as that To hold my life for me Till I could take the Balance That tips so frequent, now, It takes me all the while to poise— And then—it doesn’t stay—
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I prayed, at first, a little Girl
I That fawn-skin-dappled hair of hers, And the blue eye Dear and dewy, And that infantine fresh air of hers! II To think men cannot take you, Sweet, And enfold you, Ay, and hold you, And so keep you what they make you, Sweet! III You like us for a glance, you know— For a word’s sake, Or a sword’s sake, All’s the same, whate’er the chance, you know. IV And in turn we make you ours, we say— You and youth too, Eyes and mouth too, All the face composed of flowers, we say. V All’s our own, to make the most of, Sweet— Sing and say for, Watch and pray for, Keep a secret or go boast of, Sweet. VI But for loving, why, you would not, Sweet, Though we prayed you, Paid you, brayed you In a mortar—for you could not, Sweet. VII So, we leave the sweet face fondly there— Be its beauty Its sole duty! Let all hope of grace beyond, lie there! VIII And while the face lies quiet there, Who shall wonder That I ponder A conclusion? I will try it there. IX As,—why must one, for the love forgone, Scout mere liking? Thunder-striking Earth,—the heaven, we looked above for, gone! X Why with beauty, needs there money be— Love with liking? Crush the fly-king In his gauze, because no honey bee? XI May not liking be so simple-sweet, If love grew there ’Twould undo there All that breaks the cheek to dimples sweet? XII Is the creature too imperfect, say? Would you mend it And so end it? Since not all addition perfects aye! XIII Or is it of its kind, perhaps, Just perfection— Whence, rejection Of a grace not to its mind, perhaps? XIV Shall we burn up, tread that face at once Into tinder And so hinder Sparks from kindling all the place at once? XV Or else kiss away one’s soul on her? Your love-fancies!— A sick man sees Truer, when his hot eyes roll on her! XVI Thus the craftsman thinks to grace the rose,— Plucks a mould-flower For his gold flower, Uses fine things that efface the rose. XVII Rosy rubies make its cup more rose, Precious metals Ape the petals,— Last, some old king locks it up, morose! XVIII Then, how grace a rose? I know a way! Leave it rather. Must you gather? Smell, kiss, wear it—at last, throw away!
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A Pretty Woman
I That fawn-skin-dappled hair of hers, And the blue eye Dear and dewy, And that infantine fresh air of hers! II To think men cannot take you, Sweet, And enfold you, Ay, and hold you, And so keep you what they make you, Sweet! III You like us for a glance, you know— For a word’s sake, Or a sword’s sake, All’s the same, whate’er the chance, you know. IV And in turn we make you ours, we say— You and youth too, Eyes and mouth too, All the face composed of flowers, we say. V All’s our own, to make the most of, Sweet— Sing and say for, Watch and pray for, Keep a secret or go boast of, Sweet. VI But for loving, why, you would not, Sweet, Though we prayed you, Paid you, brayed you In a mortar—for you could not, Sweet. VII So, we leave the sweet face fondly there— Be its beauty Its sole duty! Let all hope of grace beyond, lie there! VIII And while the face lies quiet there, Who shall wonder That I ponder A conclusion? I will try it there. IX As,—why must one, for the love forgone, Scout mere liking? Thunder-striking Earth,—the heaven, we looked above for, gone! X Why with beauty, needs there money be— Love with liking? Crush the fly-king In his gauze, because no honey bee? XI May not liking be so simple-sweet, If love grew there ’Twould undo there All that breaks the cheek to dimples sweet? XII Is the creature too imperfect, say? Would you mend it And so end it? Since not all addition perfects aye! XIII Or is it of its kind, perhaps, Just perfection— Whence, rejection Of a grace not to its mind, perhaps? XIV Shall we burn up, tread that face at once Into tinder And so hinder Sparks from kindling all the place at once? XV Or else kiss away one’s soul on her? Your love-fancies!— A sick man sees Truer, when his hot eyes roll on her! XVI Thus the craftsman thinks to grace the rose,— Plucks a mould-flower For his gold flower, Uses fine things that efface the rose. XVII Rosy rubies make its cup more rose, Precious metals Ape the petals,— Last, some old king locks it up, morose! XVIII Then, how grace a rose? I know a way! Leave it rather. Must you gather? Smell, kiss, wear it—at last, throw away!
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I much admire, I must admit, The man who robs a Bank; It takes a lot of guts and grit, For lack of which I thank The gods: a chap 'twould make of me You wouldn't ask to tea. I do not mean a burglar cove Who climbs into a house, From room to room flash-lit to rove As quiet as a mouse; Ah no, in Crime he cannot rank With him who robs a Bank. Who seemeth not to care a whoop For danger at its height; Who handles what is known as 'soup,' And dandles dynamite: Unto a bloke who can do that I doff my bowler hat. I think he is the kind of stuff To be a mighty man In battlefield,--aye, brave enough The Cross Victorian To win and rise to high command, A hero in the land. What General with all his swank Has guts enough to rob a Bank!
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Bank Robber
She stumbled across the streets, with low light streams. Casting a glimpse to the rustling leaves, fearing a soul's hail, for 'twould free her long-harbored wail. Her white shroud floating back like a spectre unleashed, her feeble hands holding tight to the shovel in need; on she went digging, with all her strength beaming, waiting not for a second to breathe. A ditch no less than a bottomless pit, was what she endeavored to achieve in the late night sleep to abandon her setback grief.
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Jun 25, 2016
Jun 25, 2016 at 9:35 PM UTC
Burying grief
I never see that prettiest thing-- A cherry bough gone white with Spring-- But what I think, "How gay 'twould be To hang me from a flowering tree."
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Cherry White
On Wenlock Edge the wood's in trouble; His forest fleece the Wrekin heaves; The gale, it plies the saplings double, And thick on Severn snow the leaves. 'Twould blow like this through holt and hanger When Uricon the city stood: 'Tis the old wind in the old anger, But then it threshed another wood. Then, 'twas before my time, the Roman At yonder heaving hill would stare: The blood that warms an English yeoman, The thoughts that hurt him, they were there. There, like the wind through woods in riot, Through him the gale of life blew high; The tree of man was never quiet: Then 'twas the Roman, now 'tis I. The gale, it plies the saplings double, It blows so hard, 'twill soon be gone: To-day the Roman and his trouble Are ashes under Uricon.
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A Shropshire Lad XXXI: On Wenlock Edge the wood's in trouble
I get home. tired and hungry and so sick of school shoulders slouch with comfort, crossing the threshold between the public and my home. It's snack time. open the fridge and what do I find? what marvelous things, upon which to dine? a leg of chicken and a big *** of beans, say what you will, moms can be queens I chop up an onion splash! in the pan a dollop of oil [extra ****** man] add half a pepper, minus its seeds yum! I think I know what this needs A large pinch of cumin, a whole chicken leg and so many beans, if beer twould be keg then add some turmeric for fusion and flair splash of red wine, kids: we're almost there! I check in the freezer and Yes! I was right! almost a dozen tortillas in sight. I take out two, cuz they're pretty big I yodel with pleasure, as if at a shindig warm up the flatbreadz, and pile it on all of that chicken and beans and herbs from the lawn get in my tummy, get in there so fast that I dont realize I'm eating until I'm holding the last.
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Jan 6, 2011
Jan 6, 2011 at 8:23 PM UTC
Thursday Afternoon Snack
Spot of my youth! whose hoary branches sigh, Swept by the breeze that fans thy cloudless sky; Where now alone I muse, who oft have trod, With those I loved, thy soft and verdant sod; With those who, scatter’d far, perchance deplore, Like me, the happy scenes they knew before: Oh! as I trace again thy winding hill, Mine eyes admire, my heart adores thee still, Thou drooping Elm! beneath whose boughs I lay, And frequent mus’d the twilight hours away; Where, as they once were wont, my limbs recline, But, ah! without the thoughts which then were mine: How do thy branches, moaning to the blast, Invite the ***** to recall the past, And seem to whisper, as they gently swell, “Take, while thou canst, a lingering, last farewell!” When Fate shall chill, at length, this fever’d breast, And calm its cares and passions into rest, Oft have I thought, ’twould soothe my dying hour,— If aught may soothe, when Life resigns her power,— To know some humbler grave, some narrow cell, Would hide my ***** where it lov’d to dwell; With this fond dream, methinks ’twere sweet to die— And here it linger’d, here my heart might lie; Here might I sleep where all my hopes arose, Scene of my youth, and couch of my repose; For ever stretch’d beneath this mantling shade, Press’d by the turf where once my childhood play’d; Wrapt by the soil that veils the spot I lov’d, Mix’d with the earth o’er which my footsteps mov’d; Blest by the tongues that charm’d my youthful ear, Mourn’d by the few my soul acknowledged here; Deplor’d by those in early days allied, And unremember’d by the world beside.
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Lines Written Beneath An Elm In The Churchyard Of Harrow
Spot of my youth! whose hoary branches sigh, Swept by the breeze that fans thy cloudless sky; Where now alone I muse, who oft have trod, With those I loved, thy soft and verdant sod; With those who, scatter’d far, perchance deplore, Like me, the happy scenes they knew before: Oh! as I trace again thy winding hill, Mine eyes admire, my heart adores thee still, Thou drooping Elm! beneath whose boughs I lay, And frequent mus’d the twilight hours away; Where, as they once were wont, my limbs recline, But, ah! without the thoughts which then were mine: How do thy branches, moaning to the blast, Invite the ***** to recall the past, And seem to whisper, as they gently swell, “Take, while thou canst, a lingering, last farewell!” When Fate shall chill, at length, this fever’d breast, And calm its cares and passions into rest, Oft have I thought, ’twould soothe my dying hour,— If aught may soothe, when Life resigns her power,— To know some humbler grave, some narrow cell, Would hide my ***** where it lov’d to dwell; With this fond dream, methinks ’twere sweet to die— And here it linger’d, here my heart might lie; Here might I sleep where all my hopes arose, Scene of my youth, and couch of my repose; For ever stretch’d beneath this mantling shade, Press’d by the turf where once my childhood play’d; Wrapt by the soil that veils the spot I lov’d, Mix’d with the earth o’er which my footsteps mov’d; Blest by the tongues that charm’d my youthful ear, Mourn’d by the few my soul acknowledged here; Deplor’d by those in early days allied, And unremember’d by the world beside.
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372 I know lives, I could miss Without a Misery— Others—whose instant’s wanting— Would be Eternity— The last—a scanty Number— ’Twould scarcely fill a Two— The first—a Gnat’s Horizon Could easily outgrow—
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I know lives, I could miss
1487 The Savior must have been A docile Gentleman— To come so far so cold a Day For little Fellowmen— The Road to Bethlehem Since He and I were Boys Was leveled, but for that ’twould be A rugged billion Miles—
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The Savior must have been
Hath thou seen Queen Mab to-day? in that bitter carriage, with her dreams          Forwarding to the cursèd fray with unhallowed thoughts, or so ’twould seem          And creeping under willow’s bough ’pon rotting leaves and sick’ning scents          Of fretting unborn babes and now she peddles with a marred intent          With foreign faeries in the leaves who show broken wares and scattered souls          They hide amongst the dripping reeds while dying rays reflect on shoals          And here, on the last hour of light mab cursed the world into the night.
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Apr 25, 2014
Apr 25, 2014 at 5:07 AM UTC
Madness
1409 Could mortal lip divine The undeveloped Freight Of a delivered syllable ’Twould crumble with the weight.
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Could mortal lip divine
If you're really good I might let you see them, that is, if I can find the pointy-toed knitted pink preemie booties some coworker's wife gave my parents.... (sonnet #MMMMMMCXX) Suppose I'm but a nymph whose sprite in frail Excuse wars, tangled by long cherished thence Auld loves, and sorrows which I canna hence Shrug off.  My father aye, and brothers hail Me as so oddly wont to in betrayl Don effervescence, whiles griefs own my sense Of whither, glad to see this warm eye whence These yellowed fields bask, dead, as if'd avail. I dabble in the thought of Death as twere, Like twould thus ransom me from here, though blue Skies whisper to my soul of yonder fer All that.  Yea, I hate aught, but love each too. Or praps I hate myself cuz joy is poor And crimnal, left a prisner, whence I rue. 01Feb17b
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Feb 2, 2017
Feb 2, 2017 at 10:18 PM UTC
Pity My Pink Keebler Elf Booties Don't Still Fit...