a human tool, a drawing pencil, shedding snakeskin cells as
lead from no. 2 pencil

am **** and blood, skin and hairless,
all-to-come-to-go,
return retuned, at their own chosen speed,
gen of regeneration of disrupted oils and heavenly blessings,
morning cracks and orifices, filling and emptying obediently,
to the tidings of the grieving gravity of my moon’s decisions
that govern the lunatic cycle

you may kiss me with all your heart unto a robust welcoming,
scorn with spittle and deem unfit,
I know the difference and it is inconsequential

see me as combustible or flat, airless and empty,
as a new or a two day old leaking birthday balloon, or a haiku
that makes the reader gasp for the reasoning for breathing

think of me as a meme who responds to the touch of
your nippled forefinger, but my powers are unlisted,
therefore unlimited

for I am neither cyber or cypher though aesthetically they
appear as parts of my humanity, a human machine
forever reprogramming to new stimuli sensating,
the temperature of your breath, the many odors of you
as inputs that bear newborn children notions in
my chested gas chambers, the belligerent bellum bellies of my brain

my digital describe in thousands of computers do hide,
but to comprehend the interacting calculations that are
my constancy and my inconsistencies, you must make a tour
if you are awake between midnight and dawn when from
wells the visions, the fluids - the words are drawn

they, the residuals of a man’s ******* with
other humans, kin akin, and the thriving discourse between l,
man and parental gods of invisible powers, that offers insanity
as a viable solution, to cracking the codex human DNA
in the vial labelled Medusa

Who else?

Take the dead Christ to my chamber,
The Christ I brought from Rome;
Over all the tossing ocean,
He has reached his western home;
Bear him as in procession,
And lay him solemnly
Where, through weary night and morning,
He shall bear me company.

The name I bear is other
Than that I bore by birth,
And I've given life to children
Who'll grow and dwell on earth;
But the time comes swiftly towards me
(Nor do I bid it stay),
When the dead Christ will be more to me
Than all I hold to-day.

Lay the dead Christ beside me,
Oh, press him on my heart,
I would hold him long and painfully
Till the weary tears should start;
Till the divine contagion
Heal me of self and sin,
And the cold weight press wholly down
The pulse that chokes within.

Reproof and frost, they fret me,
Towards the free, the sunny lands,
From the chaos of existence
I stretch these feeble hands;
And, penitential, kneeling,
Pray God would not be wroth,
Who gave not the strength of feeling,
And strength of labor both.

Thou'rt but a wooden carving,
Defaced of worms, and old;
Yet more to me thou couldst not be
Wert thou all wrapt in gold,
Like the gem-bedizened baby
Which, at the Twelth-day noon,
They show from the Ara Coeli's steps,
To a merry dancing tune.

I ask of thee no wonders,
No changing white or red;
I dream not thou art living,
I love and prize thee dead.
That salutary deadness
I seek, through want and pain,
From which God's own high power can bid
Our virtue rise again.

it the new year, and only into February have i finally returned to my modus operandi... which was? well... it was the pre-Christmas period in the supermarket, and 1 litre bottles of whiskey were on offer, marked down from £19 to £15^, so it was usually that, a bottle of coke, and a bottle of beer and walking home straight away... perching myself on the windowsill, watching youtube channels of uninspired people talking about being inspired... it was never going to work... i was bound to experience a writer's block... but as of today... it's back to my original "strategy"... (a) drinking expensive alcohol can be depressing, well, it actually is depressing... i don't mean drinking cocktails in some urban hot-spot... by expensive i mean something akin to Jim or Jack... that's expensive... in comparison to high commissioner, it is expensive... so having said that: it's the effect of alcohol in relation to the effect of alcohol in other people: that has to become expensive... a van gogh moment... say: writing a poem or "poem" (depending on the levels of your pedantry). (b) the modus operandi... going to a Sri Lankan offlice... buying three canned beers, a 70cl bottle of whiskey... and going for a walk with the beers... head clearing... and yes: rain or shine, winter or summer... out there... looking into suburban houses, with some people asleep, others still watching television... men at their roadworks posts... taxi drivers returning home... in general the motorway insomnia... it's good to return to my seemingly lost and forgotten ways.

^the most annoying thing about buying a computer in Poland for a mere £100 is that the keyboard isn't what it "should" be... i have no £ within shift+3... and the ditto marks are not at shift+2, but at ****+@... so yes, i have to copy+paste it from the public space of... the internet - and this is where computers become equivalent to a piano... sure, there's the black and white keys... by black i mean shift+.

it can begin with as little as,
well... it will quiete a lot to begin with...
bilingualism
       is more complex than stating
your polymath ability to learn
    7 languages... evidenly one is superior
to the other, in that bilingualism
can be regarded as something akin
to digging trenches...
     what i mean is that
psychiatric terms can be poetic,
   for example schizoid (split) phren (mind)
         is brimming with metaphors...
Brautigan, Burroughs, Bukowski...
      all of them were labelled as such...
i can't quiet understand it as anything
other than a metaphor,
     but in cases of genuine ordeal
with the symptoms, it's anything but that.
the American linguistic notation:
      [oz-moh-sis, os-]....
the British linguistic tradition:
                                 /ɒzˈməʊsɪs; ɒs-/ -
and this is my linguistic notation:
     \ o(h)-ßmo(h)-sis / -
    by the way... most denote the (h)
                        as '... i.e. o'-
   frankly... i like to laugh and sigh...
because?
                   well, it's what happens when
you originate with a language that has
diacritical marks, and inherit a language
where diacritical marks are completely absent...
   i and j do not really count...
   even though it's evident that i begins as ι...
   so it's there: foreced almost... with a diacritical
marking...
   oh yeah: i forgot to mention the word...
osmosis* -
                       hardly anyone says that word
with the first s being soft...
       hence what english did to the world
and globalised it, so unto english the world must
give an answer, and given that english
is a language written without clear,
educational distinctions, a blank canvas
in terms of diacritical markings...
   i guess we can start to see how we can write
english, once again, with a "world view"
incorporating as many deviant examples as possible...
   a bit like bird-watching, or what darwinism
is in reverse, as ****-centric and beyond this:
nothing... so that's a german example having
a say in this example...
            and it really begun simple...
   and this is how the slavs differ...
    žiž      (well, given the ι already has a mark)
        that ι already has a mark,
southern slavs differ from northen slavs
in that they couldn't mingle the too together...
  so-half a caron on the zzzz / snooze (ź)...
      or how lazily we call it sleep, or snoring...
imagine all that effort into the onomatopoeia
of a woof! or a meow! and indeed:
probably the wise choice to call it zzzzz and sleep...
and leave the snoring to the harp
   (snoring in Polish? hrapanie...
the verb? hrapać)...
              the southern slavs will not spot this,
and if that's the case that žiž could be written
by a Yugol... it wouldn't be written by a Pole...
             and given that ž = ź
it just shows you that the southern Slavs's excess
is a complete disrespect / automaton stance
            concerning i...
  the Russians are Greco-Slavs... don't know...
  if they were introduced to the Latin alphabet first
they wouldn't be a competing super-power
  with their pseudo-Grecian alphabet (Cyrillic) -
   and thank god... no good, no evil...
     it would be a bit too much...
        like th
     at question is usually asked:
why do bad things happen to good people?
well... why do good things happen to bad people?
back to ž = ź
   and there's Hegel... castrated with his i = i / i am i...
well, i can see that...
          plain and simple... no wonder Marxism came
from Hegel... dumber than a hammer...
  and the subsequent nailing in of nails into coffins...

no. 1
(evil bladder, evil bladder! hence the interludes...
but hey! it's a collage)

... and this promenade in the night and rain,
really has a kabbalistic beginning,
well... kabbalistic meaning: you've really become
ridiculous with your numerology -
numerology is the lazy way to upkeep mysticism...
  i can't see it as anything more than indolence...
i begun this meditation
with two letters...              z           &             ι
and that later gave me the variations
                         the Libra is heavier on the z side
i know, but that's for now...
i.e.
                                               ι
                                                     (i)
                              &

               z
(ž    
            ß     ź)

that's how it looks right now, it's good that
i didn't mention ż so far....
so unto the examples...
      a southern slav will write ži... (ž= ź)
but a northern slav will not...
    e.g. ziemia (earth)
         ziemniak (potato)
   ziarno (grain)
    zima (winter)...
             and only in this particular combination...
(this has to be more interesting than numerology,
i.e. not substituting letters for numbers
   i.e. 1 = a, j, s, / 2 = b, k, t / 3 = c, l, u
ergo 3,848 = hello using something called
a decimal base 10 arithmetic... i don't know)...
     as other diacritical acute insertions
    also prove to be the case, respecting
the enforced diacritical mark above the ι,
esp. when there's a squeeze...
    ściema (faking it)
                 nagość (nakedness)...
  this is language slowed down from its
supposed everyday quick usage...
               i'm looking for a word when
the squeezed snooze (ź) appears as it does...
       http://tinyurl.com/zvur8qb
well.. może = maybe (Goran)
   write morze = maybe, and you get
the orthographic nazis onto you...
                 it's an aesthetic that has transcended
aesthetic in that it has become as rigid
as a rubric, or a "universal" appreciation of
                  Michelangelo rather than a Damien Hirst
shark in a plastic aquarium...
     and given it's a diacritical mark on
the last possible alphabetical letter: how
hard if not now to find a suitable word?
       it's really hard to find a ź example
once you realise that z+i are so coupled...
   you only realise at first the alpha-
                  / beginning of conjuring an example
that doesn't really arrive...
       such is the ź example given that z+i are
so entwined...
                   i could easily write the caron z
   and the roman enforced diacritical marking over
iota easily... ži...
                           but i can't... the Pandora is
hovering above my head, and i can't think of
a word with ź in it... given that i'm only thinking
of an alpha- / beginning the word with a zi
                       that's equivalent to ź
should no i be present within such close proximity...
       zakon (monestary)
                 zagoń (round-up,
                           the pronoun is self-evident...
        contained within the word, and it's gender-neutral,
   and if the pronoun is not the bothersome bit...
then it's the latter instructions of: those sheep...
    aport! / fetch... you can say that word (zagoń)
in your sleep, and you wouldn't need to be in a place
where there are sheep, or sheep that need to be rounded-up).

interlude no. 2 - no comment.

      well...
  it's no mere accident that when i go on
this little walks with beer that i find the odd thing
lying on the pavement...
  today? a rain-soaked joanna cannon
book, the trouble with goats and sheep...
and yes, i finally found a Polish word that provides
an example of ź...
      before the enforced diacritical ι
                              the acute above the z disappears...
given zielony (green)...
              but after the enfroced diacritical mark
over i... acute symbol has a tendency to appear
like a necessitated after-tea mint...
     e.g. kraszewski's god's wrath, page 158
(ludowa swpółdzielnia widawniczna edition, 1973 a.d.)...
znaleźli - they found...
      zło - evil...
                  źli- evil ones...
                          and it is such a rarity to find!
  a bit like a narcissus flower in a field of wheat!
     or a jasmine concentrated to a perfume...
             whiffing about its airs against the tennis with
the wind...

i wish they might call this:
    against the cantos' fascination with the chinese
ideogram...
or... thanks for using emoticons...
   language had to retaliate against the :) and :(
                    hieroglymphs of the digital pyramid...

interlude no. 3 - still no comment

also known as the Libra and the pivot

                                               ι
                                                     (i)
                              Δ

               z
(ž    
            ß     ź)
  
   and yes _____________ the sea-saw...
humanism can really compete with the science,
if it get its act together...

    and since the Greeks already adopted
adding diacritical marks to their beautiful alphabet...
i wonder how θ will fare
   when i write the word thought (θought),
and subsequently write the word:
   weather....       oh **** on me! it's an acute θ!
that magically turns into a V!
   weaver...
                 and saying that: only one consonant
made it to a vowel status of a grapheme æ / œ...
first to come was ß... the grapheme of s and z...
   a bit of chemistry goes a long way... chiral
as a pair of siamese twins, those two are
(you can put on a cockney accent saying that
sentence, yes, you can, i say so)....
  well... it's complicated because you're not german
and german to you is like quasi-Zulu...
ß looks like β (beta)... but it's a grapheme...
an sz that never actually meet... or entwine
like a and e might in æ...
   which makes it very difficult to follow...
just like the grapheme i wish to invent for
       TH  
                         namely that it's akin to  PH...
φilosoφy.... θou(gh)t....
                        g(h)ost...
                 ­                                look how pretty
it looks though: the ****'s F doing here?
     this an **** or a a ******* or a happily
married couple, or what?
    Φ and Θ.... almost looks like a keyhole
with a key lodged in it, and then turned...
horizontal in... reaction of unlocking the lock
mediatory with Θ and then back out into Φ...
             i.e. Φ + I = Θ = Φ + I + ...an open door...

interlude no. 4: this Russian chic at uni really
loved the doors... we watched a movie together
about them... with val kilmer playing
the dead man key role...
  is that door enough for you honey?
                       you got the шock and ßakes?

and if i mention hekhalot rabatai?
or the talmud, or the sefer yetzirah,
                              the bahir and the zohar?
twelth century and thirteenth century rabbis...
      will i also hear of the two Adams
of Eden, the (alpeh) fffא and the (ayin) fff
                    alpeh is a tame ******, feminine,
the mystery is not in the siamese H
   of the tetragrammaton, but in the aleph and the ayin...
    clearly i can't write ayin down without
semite d'uh on the digital canvas...
           writin left to right doesn't do much
justice... unless i write ye י‎,                                                            
f­ff.
ffff   fff        ע                  י‎
...pfי‎                         ­                  י...
there... you should really look at
the behaviour of ayin in the digital form,
the ****** wont't budge! you have to tell him
of the yodh to get off his *** and
make way for a pregnant lady...
        and since this is the 21st century...
i'd like to say: i'd like to write
a pentagrammaton.... yep...
a pentragrammaton... the ayin is gay,
and alpeh is a heterosexual...
     but the pentragrammaton now concentrates
on vav - or a vw beetle... v = w = ł...
       that's the moment you realise
that western linguistic mentioned o' not as
o(h) but as ' = yod...
         bad move... it's no silent (y)...
obviously this can exist in a non-pentragrammatorn
relation...
                            עואי­

One evening when the lights were still
bright  and shiney bawballs that dangled
and  had once clung on for dear life,
now started to fall .
one by one  .
then the elphs and the nymphs  !   ,
one and all .
they knew the end had begun. .
The pixies fled to the four corners of the wood  ,
along with the fairys who were upto no good !
For even the angel who sat on the tree
saw from far away what was to be ,
the creeping darkness on this twelth night opened its mouth to swollow
them whole !

so The Angel spread her wings of light
and devised a plan for only one could
be queen of this land .


And so the night put up a fight
as the harpie stole souls that were
not hers by right ,

before she was vanquest by  her hand
and sent back to never never land
and when the centaur and spinx
had fled the kind angel said
whos next ?
And so the clown that slumped against a tree just laughted and laughed,
then when his head fell off
he laughted even more ,
even though his head was on the floor .
Then when his arms fell off he laughted some more .
Untill his insides split and everything ended
up on the floor .,
and so he laughted some more .
So mother said put your toys away that tree has to come down today .

today is the twelth
and i wonder if
that had any effect on you at all.
or if you even looked at calendar.
because you're all i've thought about.
at my cousin's wedding
i had to go in the restroom
to hide away my tears.
and i got a stuffed animal.
her name is sage.
but murphy is much softer.
and i miss him
almost as much as i miss you.

He lit up a cigarette.
His worries and problems haunted him.
He could never forget.
His indescressions were eating him.
His smile ever present.
He tried his hardest to be polite.
There was a strange presence
In his apartment that Autumn night.
The cigarette burned;
It would be his last one he decided.
He felt like dirt,
The fault of the colleagues he hated.
He adjusted his tie,
Combed his thinning middle-aged hair,
Wiped his tired eyes
And headed up the flight of stairs.

The first step is the hardest;
The first cut is the deepest;
The last smoke is the foulest.

He stops on the twelth step
and looks around.
Every direction is a long
way down.
Blackness behind him;
Blackness in front.
Everywhere is dark when
you're hiding from hurt.

The night is cold and beautiful.
Peaceful.
He doesn't say a word.
He doesn't sob or sigh.
He just walks to the edge;
And falls.

Refugees are better than animals.
Still so much dislike?

the first time a boy cheated on me
I felt the earth ripped out from underneath my feet

the second time a boy cheated on me
I cried into my pillow and couldn't for the life of me fall asleep

the third time a boy cheated on me
I let my mother hold me
which I never do

the fourth time a boy cheated on me
my friends all told me you should do it too

the fifth time a boy cheated on me
I slept curled in a ball for days and days

the sixth time a boy cheated on me
he promised emma, its just a phase

the seventh time a boy cheated on me
I heard the line boys will be boys

the eighth time a boy cheated on me
I punched my closet door until my sister yelled
whats that noise

the ninth time a boy cheated on me
I drank until I felt the ***** racing through my veins

the tenth time a boy cheated on me
I traced my wrists with razors
down like high way lanes

the eleventh time a boy cheated on me
he said at least she isn't fat

the twelth time a boy cheated on me
I said no
**** that

the first time he cheated on me
I felt the earth ripped out from underneath my feet

the second time he cheated on me
I cried into my pillow and couldn't for the life of me fall asleep

the third time he cheated on me
I let my mother hold me
which I never do

the fourth time he cheated on me
my friends told me you should do it too

the fifth time he cheated on me
I slept curled in a ball for days and days

the sixth time he cheated on me
he promised emma, its just a phase

the seventh time he cheated on me
I heard the line boys will be boys

the eighth time he cheated on me
I punched my closet door until my sister yelled
whats that noise

the ninth time he cheated on me
I drank until I felt the ***** racing through my veins

the tenth time he cheated on me
I traced my wrists with razors
down like high way lanes

the eleventh time he cheated on me
he said at least she isn't fat

the twelth time he cheated on me
I said no
**** that

Is it not ironic that millions and millions of American
heterosexual teenagers more than over a half century
ago fell in love under the spell of Johnny Mathis's
love songs? I was one of them, and today I begin each
day listening to him sing his magical songs on YouTube
while I drink two cups of coffee with milk (ratio: 1: 1)
to wake up. I, like most of you, have spent much of
my free time listening to enchanting love songs. Someone
once asked me if I had a hobby. I paused for a few
moments, then replied, ""Yes, I do have a hobby. My
hobby is collecting beauty--beautiful music, beautiful
memories, beautiful sunsets, and the like." I think the
best single singer of my lifetime, male or female, is
Johnny Mathis, who is still alive and performing as
I write this. Remember "Chances Are," "The Twelth
of Never," "Wonderful, Wonderful" among countless
others? The irony of which I spoke? Johnny is gay.

Copyright 2020 Tod Howard Hawks

It took my over 30 years to discover Johnny Mathis's recording of UNBREAK MY HEART. I had been a big fan of his in the the late 50s and early 60s. I, like millions of other teenagers then, had fallen in love under the spell of his beautiful singing. My favorite songs were CHANCES ARE and THE TWELTH OF NEVER. I begin every morning now listening to his musical magic on YouTube. Why do I comment on Mathis' UNBREAK MY HEART? Because my sense is that Mathis emotionally enters the song as he sings it. This results in a transcendental experience, which one rarely has either in listening to a song or in viewing a painting or in reading a poem or in experiencing any other kind of artistic endeavor. It is virtually unique for anyone, and that is why I wanted to share it with all of you.

Copyright 2020 Tod Howard Hawks

Be not afraid of greatness.
Some are born great.
Some achieve greatness.
And some have greatness ****** upon them.

                      - Malvolio
                    "Twelth Night"