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Mateuš Conrad May 2020
. h'america is as much an ideology as is... islam... this... the best... pig-farmed english you could somehow... not teach... not have mustered from a slav... a pseudo-russian... inconvenience ego... contender? satellite pawn: your... *****-slave yugoslav bourbon... excavations of: the lost flood of mongolian: tribe-folk... the pakistani with the surname: khan... your peoples... prior... no-guilt... island strapped... peruvian conquistadors... or... better strapped... less the cerveza folk... more... the belittled sort of: sorting folk... blah blah...

it's honestly hard to write anything -
when one is still... shell-shocked...
fromwhat could be cited as a devil's decade:
13 years...
                 from the age of 21
through to: aged 34...
            one of those relationship remainders...
we both got into smoking...
well... she was well ahead of me
in the cigarette domain...

       no... however i will attire the event...
whatever verbiage...
it doesn't allow a "justice" to trickle down...
it just so happens that i want
to listen to some depeche mode...
and not some tool / porcupine tree...

13 years of smoking... from the nadir of
40 a day... locotomotive breath...
iron on the tongue... phelgm pancakes
harked in the morning from
a tobacco "hangover"...

                  oscilating around 20 per day...
for some time...
and all it took was a week... 10 days...
and i'm still in possession of 3 cigarettes...
and those two i reserve for the end
of the day ritual...
    smoking the first is like:
finding oneself with a belly-full of
a child of gravity...
otherwise: gravity... unless falling...
to look up at the stars and the moon
and the sea: it's something you don't
exactly feel with two feet strapped
to the orb... no movement of
the tectonic plates...
sometimes with *******...
index and middle... of the left hand...
pushed under the right arm-pit...
to feel the pulse of the arteries...

i hardly think this is a call for celebration...
13 years can disappear like...
nothing even took place...
to substitute the habbit with...
reading... playing video games?
nibbling on carrots... nuts...
or just... waiting for the tide to recede...
and for a sea of patience to come
with tomorrow's tide...

all that... and none of it...
at the end of the day... the two cigarettes
are like a metaphor fo crack *******
or syringe strapping imitation
leech...
        clear thinking: or therefore none...
no spaghetti muddles...
at best: imitation of biting into ice...
or... stretching a rubber-band until...
well: you can't feel it about to snap...
since it snaps...

                 a second gravity...
                all concentrated in the stomach...
and esp. when the legs have not been
"properly" used up...
but remain tight-and-fidgety with goosebumps
when the ****** of tobacco lines the nerves...

i don't know why i can't celebrate this...
it's such a private event... such an exslusivity...
after all... in linear fashion:
to experience speed... a concentrated
exploration of space... within a hyper-dictum
of time...
        in a linear way...
but a second gravity: without falling?
but otherwise whirling in the stomach?

a devil's decade: 13 years...
              3 more... otherwise a dozen...
which is only 1 more...
the devil's dozen...
          simon peter, andrew, james, john, philip,
bartholomew, matthew, thomas,
james son of alphaeus, simon the zealot,
judas son of james and judas iscariot...
count hey-zeus out of the equation...
                                               there's paul...

and that's what eminem does...
when rapping... on white h'america?
changes the subject - a personal tirade over...
somehow i too link certain aspects...
13 years of...

this... oh so mediocre...
           because: clearly... i don't know what
to make of it...
                 thank god i retained those
two cigarettes at the end of the day...
than have been hooked on nicorette chewing
gum / patches...
                or the usual "a.a." support...
support: "support":
         help yourself: by every single
and no dead or alive guru...
            
                i really don't have anything
to write...
                 i'm walking away from
a 13 years of tobacco addiction...
   and what i'm really thinking about...
the first thirsts of cold-turkey are long gone...
it's been under a week...
over a week... whatever...

             what i'm really thinking about...
well...
   how would it feel like...
to farm animals...
                  how does it feel to... pet animals...
a completely different dynamic...
after all... a farmer would own...
petting-worth animals...
like a cat... for... catching mice...
or a dog... to... warden... sphynx...
cerberus... watch-over the property...
how some would make the dogs
so ferocious... that a chain would
sometimes not be withstanding
to the ferocity of the barking...

           eh... it's slightly off-putting...
to pet animals...
when you're being given a factory
edit of the original moo!
  or snorkling in knee-deep-**** and mud
and rotten potatoes of pork...
i don't mind... the end product
is what interests me...
the **** is silk? tapeworm ****?!
or there-abouts...
       but... it's so much different...
when you... farm animals...
     lucky for me... my... somewhat...
immediate family still owned a farm...
and chickens in the yard...
oh yeah... catching a chicken is one thing...
amnesia of the chicken shack...
catch one... sure thing...
then with axe onto the stump...
head sticks to the stump...
last traces of life while the eyes roll back
and the tongue protrudes from the beak...
while... all the other chickens gather...
and start drinking the blood...

a bit like the two tiers of people...
some people must feel inclined to become
these... sociopathic farmers...
there are the humans you herd...
there are the humans you pet...
the ones you pet will probably find about
you herding them...
and rebel... since... you're not...
some gargantuan: ****** obvious...
miracle of a god descent... crown, pomp...
circumstance... all that was borrowed
from god... in splendour... heavens!
lo! behold... versailles was built!

the future charles III of england...
started 8pm today... on classic.fm with his own show...
i tuned in for a minute or two to hear
his voice...
      i do hope that when ol' lizzie is dead...
he doesn't cower... he dons! he dons the title:
charles the third!
  i ****** well hope... he doesn't become...
no... he can't become: george VII...
formerly known as charles: the prince of wales!
he has to be! charles the third!
he has waited this long!
he has to retain his name!

but that's the beauty of the monarchy...
it's so ******* pompous and omnipresent...
it doesn't hide... in... secular... grey-matter
of deep-state... there are just too many tiers
of power... even though... there's only symbolism...
but a reverence for it: nonetheless!
grey-matter of shadow-people in grey suits!
blinking: for god's sake! blinking black-holes
of hush hush: what was once...
the aristocracy... that's too replaced with...
the burden of crazed-loon bureaucracy!

i've quit smoking... well... "quit"...
2 cigarettes from 20 a day... circa...
  is much better than a nicorette patch...
         or some: pepperspray tasting chewing gum...
it's not a cigar... if you were asking...

but the original idea...
    farming animals...
             petting animals...
                    dogs... the ideal pets...
i'm sorry... i can't put on a leash or a muzzle...
a chihuahua can bite like a piranha...
i don't see the excuses needed to comfort
people afraid of big dogs... alsatians...
dobermans... that's the freedom allowed with cats...
if you get a chance to build their characters...
they will tend to take a dump in your
neighbour's garden...
yes... me... following sherlock feline...
with a black plastic bag and *****...
permission to... be allowed entry into your garden?
or are you... going to trebuchet that ****
back onto my lawn?

dogs or "petting" tarantulas? serpents?
the idea of petting went out of the window...
when... people started to fathom the...
what adjective?! to pet a ******* tarantula...
yes... me... running to the shop that sells
tarantulas... with caption: free tow-twos...
how about you keep that freak-****
in the jungle with all those gimp-suit sexed-up
antics... and i... get to...
farm a chicken... i get to... farm a pig?

no... of course no... although...
who couldn't be teased with latex jill and her
spider annex: library of "misdeeds"
for the library of: hard-ons...

now that you mentioned it... sure... i have a...
pressing concern... how to not...
over-cook pork...
see... pork is a bit like pasta...
you can serve it undercooked like beef...
but... it's also like chicken...
and beef... combined... you don't want
to serve it... overcooked...
only barbarians are fond of well-done beef...
probably arab...
    they only stomach well-done steaks
or minced beef...
they have no palette for tartare steaks...
too much inbreeding with stinking lamb
does the trick...
whatever they might say of pork...
the aesthetic meat... leather too... shoes and belts...
lamb? for the slaughter?
eh... stinking puritanical meat worthy
of teacher 'ebrew and righteous son:
mecca ibn sudan.

because... ha ha... it's one thing being racist...
you know... detailing the physiognomy
differences between blacks and whites...
choccies and porky pies...
and the cinnamon people in between...
that's one thing...
it's like everyone was asleep...
the whites were racist...
the only people... ever...
but that's one thing...
   i find it harder to digest...
there's no name for it...
  kosher-ism... halal-ism?
         to be... more racist than racist...
almost a vegan / vegetarian taming...
   someone is being critical... of what you eat...
i imagine... malcom x being given a free
pass as a black totem in mecca...
shot dead... when converted... because...
still shuffled pork on the sly...

beside skin deep: please leavde your leather
shoes and belts... lace
beside the concept / concern for the mosque...
racism: morphed into an ideological
manifest...
for a while... let us leave thse
turban and tent dwelling folk
with their newly acquired riches
to the ***** of:
if i am to prepare lamb meat...
i treat it liky chilly...
the meat... stinks of something beside...
death... innocence prescribed...

           you are told... wrong...
when ingesting the fruit of eden... somewhat...
these nomads of quasi-sikh turbans
for the women: the niqab girdle-grooms...
their wetted-appetites:
unable to satiate gyrocentrism leftovers...
and... pass from the living...
toward the theatre of the would be alive...
less the circumcised mess: misantrophes...

it's one thing to be chockie...
another to be porky-pink'ish...
     but what you eat?
that's... somehow... off-putting?
    puritan with some crab-meat
in this numbed jaw?
no one the persians rebelled against
the camel-jockey prescription of:
words only... no images...
pasta squiggles of phonetic encoding...
arabic... tironian a posteriori notations...
then again: one could argue:
tironian a priori notations...

shrimp-**** and eyes that would
resemble... at best... squinting from too much
sun... and at worst... ******* on a lemon...
12" of **** and the twelve-pounder
juicing worth of ***...
her ***...
                for me to comment
on the mongol horde esque libido of
the fellow woman of my race...
no... the islamic idea of a heavenly harem...
mind you: it would satisfy her:
if she was to be crowned the juggling act
of three: at least one to compete with
the da vinci sodomites...

to be told you can't eat something...
i'm already a bad joke as:
"bweetish" as it comes...
tucked away with the afro-saxon...
the anglo-slav...
                 you just have those lips
that look like full-bloom best:
imitation: floral patterns of a ******...
best equipped for *******...
i swim: you sink...
you run... i start an arithmetic of catching
my breath...
the cinnamon people are...
if they are equipped with a polytheism
of the raj... and are saved with
culinary ambitions...
"we'd" call them the blue indians...
and that's also: to mind...
their elder: sanskrit...
              पअरउत
र - or how the englishman lost the trill:
rattle-snake R: for rolling...
when he... became: the nuanced... keeper...
vanguard... of the Raj...
perhaps... the anthropomorphic genesis
in africa: givenz zee apulus... apex: gorrilolulz...
but... the sribbles and *******?
india the basin... akapit: paragraph:
the tear of sri lanka...

i.e. so much for me succumbing to the anglican:
we'z all wo'z allz: ex afri-ka'ka'kazia...

oh sure... sure... we... the sensible:
secular post-christians of the protestant wealth
of the west...
happy to afford the dumbed-down
congregations of the newly conscripted...
believers of africa and south h'america...
carrot dangling: run donkey! run!
one of your own: a pope! a cardinal!
poland is still running on that...
remark of... the passing of power...
the first pope to be given status of... saint...
john paul II the saint of:
kissing airport tarmac...

             and then of course...
the hyped intricacy of the orthodox branch
of the bureau of hierogylphics and
synonymous litanies...
          the events of the baltic sea:
would never be...
the sort of ****-show...
that... the events of the mediterranean sea...
hell... the events of the black sea...
christianity isn't merely dumb...
it's just... over-hyped...
               the pork the pork... the pork!
who would require...
a criticism of pork and pig and ms. porky
to suit... alliance...
no matter... i'm on the cusp of quitting
smoking...

we can caricature our physiognomy...
but... how do you... caricature...
what you eat... your... sustenance?
you, black... have a pillow for a nose...
me, white... have a death's lack of...
           i don't have a nose...
i have... a death's clench sucker...
       i have a pinch nose...
        so much for over-inflated lips...
and... my missing... elongated...
myth elves: the protruding ears...
like: no body...

                 current / the currency of
the now h'america... and the immediacy
of nostalgia: as a history: moving forward /
anywhere but back...
nietzsche opened up a nostalgia for ancient
greece...
  h'americans... opening up... a nostalgia...
for 1950s h'america...
how can you write a future history...
from a stand-point / stand-off...
of nostalgia...
this... immediacy of nostalgia...
who's who and who isn't citing...
a richard brautigan... or... a frank o'hara?!
because: there's the sucker and no punch
for the next verse of...
****'s sake... walt whitman?!
o captain! my... john keating...
                 no... it's not about glorifying
the original intent... mr. president...
the english teacher...
mr.! thomas! bunce!

               how can any history be written...
when there's... a nostalgia: impediment...
the hsitory of an immediacy
lacklutered by a past...
the past: however framed...
before... the dead are allowed to
turn and grovel in their graves...
i have 'ere... my gobble-whick of...
pretending: no shadows will
ever exist... at noon...
scrathing... timidy bed-fellows...
loitering squat...

we are to grovel for the cousin
imps and apes of: first born:
english born... navajo...
     tortilla...
the old fling of england...
and the spanish...
             the conquistadors...
loose nouns dog **** flinging applause:
i fall asleep in a bed:
i welcome the new day...
most... egregious (archaic)...

  these western lands...
mmm... they're not very much akin
to our flavour...
that they dictate... refurbishment...
unless it's para-english...
alter- proto- welsh...
  kashubian... masovian...
silesian...
                    kres...
                    
ei hhynnal coch.. and it:
pronouns neutral: does... ****-wit...
gender-fluid-retardo: perfecto...

and i too wish i had...
themes of crusader songs...
but... i have none...
these that i marked...
teutonic knights of no order...
       barbarossa being pickled...
livonians... prussians...
lithuanians...
                    i'm sorry...
that i'm too far away from
you to return to europe
from your: hubris...
             in crafting... the...
                conscripts: shikhs...
ask the russians! ask the rush-******-whips!
agony of a tongue: beside their own!
the post-colonial powers
return!
the post-colonial powers! make a return!
so much for those of us...
not having... a colonial past!
are we to pay for... such...
benevolent gracing
of gratitude from the people
"made"... under... colonial... rule?!
from the perspective of the strong...
why... am i... expected to treat
these care-bears with...
the right: equipped
manchester shovel?

          you spike my drink
or am i... to... simply...
take the right, godly ****...
into all the urns...
the rest of you are to drink from?

i see my forehead glee: akin to my elbow...
and i call that phenomenon:
something benevolent of *****....
yep... not s'unni... but... shyte...
****.. persian: rebellion of camel-jockey...
****'ite... macron i...
dot's the worthy due: guillotine...
echo of the baltic sea...
we somehow: managed...
to lessen the romance...
unlike the english...
the romans conquered:
romanced the ******...
the vikings conquered...
romanced the ******...
the mongols never made it...
nor the huns..
so much for "brexit":
with your lineage of currency...
and your status as an island...

glory! vistory! ******* and all!
because: best felt!
in... places... akin to... devon!
a londoner will abhor someone...
with origins in the vicinity of bristol...
like... because...
there's no other?

n'ah... this night is pretty much worth
all the other nights...
it's worth sleeping...
it's not worth... whatever: leftover...
"worth" of...
this... this "apparent"...
yep... leftover... be...
something for the worth of yale
h'american... or...
dignitary president...
              officiated cul de sac executive orders...
it's... such an anglo-saxon fetish for...
*** beside the boudoir...
    dodo, lilac... gimp... latex...
      dickens...
                  liberty at:
i feign to allow myself to have... lapsed...
in what? good question...
even i... do not... attempt to baron
myself: over;
pithy... not pity... me...
you god-sucker...
******* ******* son's of eire...
me good-son...
    term me: years! under...
the tsarina! *******...
new yawn-ker...
       big mouth... no new bullseye...
the same old manchester...
the same ol'...
porky pies...
the same ol' chimneys and:
love's all... at cul de sac:
southend... porky pie munch:
luvvie: ol' guv.

yem: yup... ol' groove.. zzz-tizzle...
smart bruiser:
geezer with a sneeze pops up
at random places and jokes...
retards... lobotomy cruiser...
rhymes like... a cockey...
prior... to... tourettes... the lost...
the last... and what's:
the remains of...
the always... last...
and the worst... told... chalk of joke.
se relationship remainders...
we both got into smoking...
well... she was well ahead of me
in the cigarette domain...

       no... however i will attire the event...
whatever verbiage...
it doesn't allow a "justice" to trickle down...
it just so happens that i want
to listen to some depeche mode...
and not some tool / porcupine tree...

13 years of smoking... from the nadir of
40 a day... locotomotive breath...
iron on the tongue... phelgm pancakes
harked in the morning from
a tobacco "hangover"...

                  oscilating around 20 per day...
for some time...
and all it took was a week... 10 days...
and i'm still in possession of 3 cigarettes...
and those two i reserve for the end
of the day ritual...
    smoking the first is like:
finding oneself with a belly-full of
a child of gravity...
otherwise: gravity... unless falling...
to look up at the stars and the moon
and the sea: it's something you don't
exactly feel with two feet strapped
to the orb... no movement of
the tectonic plates...
sometimes with *******...
index and middle... of the left hand...
pushed under the right arm-pit...
to feel the pulse of the arteries...

i hardly think this is a call for celebration...
13 years can disappear like...
nothing even took place...
to substitute the habbit with...
reading... playing video games?
nibbling on carrots... nuts...
or just... waiting for the tide to recede...
and for a sea of patience to come
with tomorrow's tide...

all that... and none of it...
at the end of the day... the two cigarettes
are like a metaphor fo crack *******
or syringe strapping imitation
leech...
        clear thinking: or therefore none...
no spaghetti muddles...
at best: imitation of biting into ice...
or... stretching a rubber-band until...
well: you can't feel it about to snap...
since it snaps...

                 a second gravity...
                all concentrated in the stomach...
and esp. when the legs have not been
"properly" used up...
but remain tight-and-fidgety with goosebumps
when the ****** of tobacco lines the nerves...

i don't know why i can't celebrate this...
it's such a private event... such an exslusivity...
after all... in linear fashion:
to experience speed... a concentrated
exploration of space... within a hyper-dictum
of time...
        in a linear way...
but a second gravity: without falling?
but otherwise whirling in the stomach?

a devil's decade: 13 years...
              3 more... otherwise a dozen...
which is only 1 more...
the devil's dozen...
          simon peter, andrew, james, john, philip,
bartholomew, matthew, thomas,
james son of alphaeus, simon the zealot,
judas son of james and judas iscariot...
count hey-zeus out of the equation...
                                               there's paul...

and that's what eminem does...
when rapping... on white h'america?
changes the subject - a personal tirade over...
somehow i too link certain aspects...
13 years of...

this... oh so mediocre...
           because: clearly... i don't know what
to make of it...
                 thank god i retained those
two cigarettes at the end of the day...
than have been hooked on nicorette chewing
gum / patches...
                or the usual "a.a." support...
support: "support":
         help yourself: by every single
and no dead or alive guru...
            
                i really don't have anything
to write...
                 i'm walking away from
a 13 years of tobacco addiction...
   and what i'm really thinking about...
the first thirsts of cold-turkey are long gone...
it's been under a week...
over a week... whatever...

             what i'm really thinking about...
well...
   how would it feel like...
to farm animals...
                  how does it feel to... pet animals...
a completely different dynamic...
after all... a farmer would own...
petting-worth animals...
like a cat... for... catching mice...
or a dog... to... warden... sphynx...
cerberus... watch-over the property...
how some would make the dogs
so ferocious... that a chain would
sometimes not be withstanding
to the ferocity of the barking...

           eh... it's slightly off-putting...
to pet animals...
when you're being given a factory
edit of the original moo!
  or snorkling in knee-deep-**** and mud
and rotten potatoes of pork...
i don't mind... the end product
is what interests me...
the **** is silk? tapeworm ****?!
or there-abouts...
       but... it's so much different...
when you... farm animals...
     lucky for me... my... somewhat...
immediate family still owned a farm...
and chickens in the yard...
oh yeah... catching a chicken is one thing...
amnesia of the chicken shack...
catch one... sure thing...
then with axe onto the stump...
head sticks to the stump...
last traces of life while the eyes roll back
and the tongue protrudes from the beak...
while... all the other chickens gather...
and start drinking the blood...

a bit like the two tiers of people...
some people must feel inclined to become
these... sociopathic farmers...
there are the humans you herd...
there are the humans you pet...
the ones you pet will probably find about
you herding them...
and rebel... since... you're not...
some gargantuan: ****** obvious...
miracle of a god descent... crown, pomp...
circumstance... all that was borrowed
from god... in splendour... heavens!
lo! behold... versailles was built!

the future charles III of england...
started 8pm today... on classic.fm with his own show...
i tuned in for a minute or two to hear
his voice...
      i do hope that when ol' lizzie is dead...
he doesn't cower... he dons! he dons the title:
charles the third!
  i ****** well hope... he doesn't become...
no... he can't become: george VII...
formerly known as charles: the prince of wales!
he has to be! charles the third!
he has waited this long!
he has to retain his name!

but that's the beauty of the monarchy...
it's so ******* pompous and omnipresent...
it doesn't hide... in... secular... grey-matter
of deep-state... there are just too many tiers
of power... even though... there's only symbolism...
but a reverence for it: nonetheless!
grey-matter of shadow-people in grey suits!
blinking: for god's sake! blinking black-holes
of hush hush: what was once...
the aristocracy... that's too replaced with...
the burden of crazed-loon bureaucracy!

i've quit smoking... well... "quit"...
2 cigarettes from 20 a day... circa...
  is much better than a nicorette patch...
         or some: pepperspray tasting chewing gum...
it's not a cigar... if you were asking...

but the original idea...
    farming animals...
             petting animals...
                    dogs... the ideal pets...
i'm sorry... i can't put on a leash or a muzzle...
a chihuahua can bite like a piranha...
i don't see the excuses needed to comfort
people afraid of big dogs... alsatians...
dobermans... that's the freedom allowed with cats...
if you get a chance to build their characters...
they will tend to take a dump in your
neighbour's garden...
yes... me... following sherlock feline...
with a black plastic bag and *****...
permission to... be allowed entry into your garden?
or are you... going to trebuchet that ****
back onto my lawn?

dogs or "petting" tarantulas? serpents?
the idea of petting went out of the window...
when... people started to fathom the...
what adjective?! to pet a ******* tarantula...
yes... me... running to the shop that sells
tarantulas... with caption: free tow-twos...
how about you keep that freak-****
in the jungle with all those gimp-suit sexed-up
antics... and i... get to...
farm a chicken... i get to... farm a pig?

no... of course no... although...
who couldn't be teased with latex jill and her
spider annex: library of "misdeeds"
for the library of: hard-ons...

now that you mentioned it... sure... i have a...
pressing concern... how to not...
over-cook pork...
see... pork is a bit like pasta...
you can serve it undercooked like beef...
but... it's also like chicken...
and beef... combined... you don't want
to serve it... overcooked...
only barbarians are fond of well-done beef...
probably arab...
    they only stomach well-done steaks
or minced beef...
they have no palette for tartare steaks...
too much inbreeding with stinking lamb
does the trick...
whatever they might say of pork...
the aesthetic meat... leather too... shoes and belts...
lamb? for the slaughter?
eh... stinking puritanical meat worthy
of teacher 'ebrew and righteous son:
mecca ibn sudan.

because... ha ha... it's one thing being racist...
you know... detailing the physiognomy
differences between blacks and whites...
choccies and porky pies...
and the cinnamon people in between...
that's one thing...
it's like everyone was asleep...
the whites were racist...
the only people... ever...
but that's one thing...
   i find it harder to digest...
there's no name for it...
  kosher-ism... halal-ism?
         to be... more racist than racist...
almost a vegan / vegetarian taming...
   someone is being critical... of what you eat...
i imagine... malcom x being given a free
pass as a black totem in mecca...
shot dead... when converted... because...
still shuffled pork on the sly...

beside skin deep: please leavde your leather
shoes and belts... lace
beside the concept / concern for the mosque...
racism: morphed into an ideological
manifest...
for a while... let us leave thse
turban and tent dwelling folk
with their newly acquired riches
to the ***** of:
if i am to prepare lamb meat...
i treat it liky chilly...
the meat... stinks of something beside...
death... innocence prescribed...

           you are told... wrong...
when ingesting the fruit of eden... somewhat...
these nomads of quasi-sikh turbans
for the women: the niqab girdle-grooms...
their wetted-appetites:
unable to satiate gyrocentrism leftovers...
and... pass from the living...
toward the theatre of the would be alive...
less the circumcised mess: misantrophes...

it's one thing to be chockie...
another to be porky-pink'ish...
     but what you eat?
that's... somehow... off-putting?
    puritan with some crab-meat
in this numbed jaw?
no one the persians rebelled against
the camel-jockey prescription of:
words only... no images...
pasta squiggles of phonetic encoding...
arabic... tironian a posteriori notations...
then again: one could argue:
tironian a priori notations...

shrimp-**** and eyes that would
resemble... at best... squinting from too much
sun... and at worst... ******* on a lemon...
12" of **** and the twelve-pounder
juicing worth of ***...
her ***...
                for me to comment
on the mongol horde esque libido of
the fellow woman of my race...
no... the islamic idea of a heavenly harem...
mind you: it would satisfy her:
if she was to be crowned the juggling act
of three: at least one to compete with
the da vinci sodomites...

to be told you can't eat something...
i'm already a bad joke as:
"bweetish" as it comes...
tucked away with the afro-saxon...
the anglo-slav...
                 you just have those lips
that look like full-bloom best:
imitation: floral patterns of a ******...
best equipped for *******...
i swim: you sink...
you run... i start an arithmetic of catching
my breath...
the cinnamon people are...
if they are equipped with a polytheism
of the raj... and are saved with
culinary ambitions...
"we'd" call them the blue indians...
and that's also: to mind...
their elder: sanskrit...
              पअरउत
र - or how the englishman lost the trill:
rattle-snake R: for rolling...
when he... became: the nuanced... keeper...
vanguard... of the Raj...
perhaps... the anthropomorphic genesis
in africa: givenz zee apulus... apex: gorrilolulz...
but... the sribbles and *******?
india the basin... akapit: paragraph:
the tear of sri lanka...

i.e. so much for me succumbing to the anglican:
we'z all wo'z allz: ex afri-ka'ka'kazia...

oh sure... sure... we... the sensible:
secular post-christians of the protestant wealth
of the west...
happy to afford the dumbed-down
congregations of the newly conscripted...
believers of africa and south h'america...
carrot dangling: run donkey! run!
one of your own: a pope! a cardinal!
poland is still running on that...
remark of... the passing of power...
the first pope to be given status of... saint...
john paul II the saint of:
kissing airport tarmac...

             and then of course...
the hyped intricacy of the orthodox branch
of the bureau of hierogylphics and
synonymous litanies...
          the events of the baltic sea:
would never be...
the sort of ****-show...
that... the events of the mediterranean sea...
hell... the events of the black sea...
christianity isn't merely dumb...
it's just... over-hyped...
               the pork the pork... the pork!
who would require...
a criticism of pork and pig and ms. porky
to suit... alliance...
no matter... i'm on the cusp of quitting
smoking...

we can caricature our physiognomy...
but... how do you... caricature...
what you eat... your... sustenance?
you, black... have a pillow for a nose...
me, white... have a death's lack of...
           i don't have a nose...
i have... a death's clench sucker...
       i have a pinch nose...
        so much for over-inflated lips...
and... my missing... elongated...
myth elves: the protruding ears...
like: no body...

                 current / the currency of
the now h'america... and the immediacy
of nostalgia: as a history: moving forward /
anywhere but back...
nietzsche opened up a nostalgia for ancient
greece...
  h'americans... opening up... a nostalgia...
for 1950s h'america...
how can you write a future history...
from a stand-point / stand-off...
of nostalgia...
this... immediacy of nostalgia...
who's who and who isn't citing...
a richard brautigan... or... a frank o'hara?!
because: there's the sucker and no punch
for the next verse of...
****'s sake... walt whitman?!
o captain! my... john keating...
                 no... it's not about glorifying
the original intent... mr. president...
the english teacher...
mr.! thomas! bunce!

               how can any history be written...
when there's... a nostalgia: impediment...
the hsitory of an immediacy
lacklutered by a past...
the past: however framed...
before... the dead are allowed to
turn and grovel in their graves...
i have 'ere... my gobble-whick of...
pretending: no shadows will
ever exist... at noon...
scrathing... timidy bed-fellows...
loitering squat...

we are to grovel for the cousin
imps and apes of: first born:
english born... navajo...
     tortilla...
the old fling of england...
and the spanish...
             the conquistadors...
loose nouns dog **** flinging applause:
i fall asleep in a bed:
i welcome the new day...
most... egregious (archaic)...

  these western lands...
mmm... they're not very much akin
to our flavour...
that they dictate... refurbishment...
unless it's para-english...
alter- proto- welsh...
  kashubian... masovian...
silesian...
                    kres...
             ­       
ei hhynnal coch.. and it:
pronouns neutral: does... ****-wit...
gender-fluid-retardo: perfecto...

and i too wish i had...
themes of crusader songs...
but... i have none...
these that i marked...
teutonic knights of no order...
       barbarossa being pickled...
livonians... prussians...
lithuanians...
                    i'm sorry...
that i'm too far away from
you to return to europe
from your: hubris...
             in crafting... the...
                conscripts: shikhs...
ask the russians! ask the rush-******-whips!
agony of a tongue: beside their own!
the post-colonial powers
return!
the post-colonial powers! make a return!
so much for those of us...
not having... a colonial past!
are we to pay for... such...
benevolent gracing
of gratitude from the people
"made"... under... colonial... rule?!
from the perspective of the strong...
why... am i... expected to treat
these care-bears with...
the right: equipped
manchester shovel?

          you spike my drink
or am i... to... simply...
take the right, godly ****...
into all the urns...
the rest of you are to drink from?

i see my forehead glee: akin to my elbow...
and i call that phenomenon:
something benevolent of *****....
yep... not s'unni... but... shyte...
****.. persian: rebellion of camel-jockey...
****'ite... macron i...
dot's the worthy due: guillotine...
echo of the baltic sea...
we somehow: managed...
to lessen the romance...
unlike the english...
the romans conquered:
romanced the ******...
the vikings conquered...
romanced the ******...
the mongols never made it...
nor the huns..
so much for "brexit":
with your lineage of currency...
and your status as an island...

glory! vistory! ******* and all!
because: best felt!
in... places... akin to... devon!
a londoner will abhor someone...
with origins in the vicinity of bristol...
like... because...
there's no other?

n'ah... this night is pretty much worth
all the other nights...
it's worth sleeping...
it's not worth... whatever: leftover...
"worth" of...
this... this "apparent"...
yep... leftover... be...
something for the worth of yale
h'american... or...
dignitary president...
              officiated cul de sac executive orders...
it's... such an anglo-saxon fetish for...
*** beside the boudoir...
    dodo, lilac... gimp... latex...
      dickens...
                  liberty at:
i feign to allow myself to have... lapsed...
in what? good question...
even i... do not... attempt to baron
myself: over.
I.

the emperor
sleeps in a palace of porphyry
which was a million years building
he takes the air in a howdah
of jasper beneath saffron
umbrellas
upon an elephant
twelve foot high
behind whose ear
sits always a crowned
king twir-
ling an
ankus of
ebony
the fountains of the emperor’s
palace run sunlight and
moonlight and the emperor’s
elephant is a thousand years old

the harem of
the emperor
is carpeted with
gold cloth
from the
ceiling(one
diamond timid
with nesting incense)
fifty
marble
pillars
slipped from immeasurable
height,fall,fifty,silent

in the incense is tangled a cool moon
there are thrice-three-hundred
doors carven of chalcedony and
before every door a naked
****** watches
on their heads turbans of a hundred
colours
in their hands scimitars like windy torches
each
is
blacker than oblivion

the ladies
of the emperor’s
harem are queens
of all the earth and the rings
upon their hands are from mines
a mile deep
but the body of
the queen of queens is
more transparent
than water,she is softer than birds

                2.

when the emperor is very
amorous he reclines upon
the couch of couches and
beckons     with
the little
finger of his left
hand
then the
thrice-three-hundredth
door is opened by the tallest
****** and the queen
of queens comes
forth
ankles
musical with large pearls
kingdoms in her ears
at the feet of
the emperor a cithern-
player squats with
quiveringgold
body
behind
the emperor ten
elected warriors with
bodies of lazy jade
and twitching
eyelids
finger
their
unquiet
spears

the queen of queens is dancing

her subtle
body weaving
insinuating upon the gold cloth
incessantly creates patterns of sudden
lust
her
stealing body ex-
pending gathering pouring upon itself     stiffenS
to a
white thorn
of desire

the taut neck of the citharede wags
in the dust the ghastly warriors
amber with lust breathe
together      the emperor,exerting
himself among his pillows throws
jewels at the queen of queens and
white money upon her nakedness
he
nods
          and all
depart through the bruised air aflutter with pearls

                3.

they are
alone
he beckons,she rises she
stands
a moment
in the passion of the fifty
pillars
listening

while the queens of all the
earth writhe upon deep rugs
There are who lord it o'er their fellow-men
With most prevailing tinsel: who unpen
Their baaing vanities, to browse away
The comfortable green and juicy hay
From human pastures; or, O torturing fact!
Who, through an idiot blink, will see unpack'd
Fire-branded foxes to sear up and singe
Our gold and ripe-ear'd hopes. With not one tinge
Of sanctuary splendour, not a sight
Able to face an owl's, they still are dight
By the blear-eyed nations in empurpled vests,
And crowns, and turbans. With unladen *******,
Save of blown self-applause, they proudly mount
To their spirit's perch, their being's high account,
Their tiptop nothings, their dull skies, their thrones--
Amid the fierce intoxicating tones
Of trumpets, shoutings, and belabour'd drums,
And sudden cannon. Ah! how all this hums,
In wakeful ears, like uproar past and gone--
Like thunder clouds that spake to Babylon,
And set those old Chaldeans to their tasks.--
Are then regalities all gilded masks?
No, there are throned seats unscalable
But by a patient wing, a constant spell,
Or by ethereal things that, unconfin'd,
Can make a ladder of the eternal wind,
And poise about in cloudy thunder-tents
To watch the abysm-birth of elements.
Aye, 'bove the withering of old-lipp'd Fate
A thousand Powers keep religious state,
In water, fiery realm, and airy bourne;
And, silent as a consecrated urn,
Hold sphery sessions for a season due.
Yet few of these far majesties, ah, few!
Have bared their operations to this globe--
Few, who with gorgeous pageantry enrobe
Our piece of heaven--whose benevolence
Shakes hand with our own Ceres; every sense
Filling with spiritual sweets to plenitude,
As bees gorge full their cells. And, by the feud
'Twixt Nothing and Creation, I here swear,
Eterne Apollo! that thy Sister fair
Is of all these the gentlier-mightiest.
When thy gold breath is misting in the west,
She unobserved steals unto her throne,
And there she sits most meek and most alone;
As if she had not pomp subservient;
As if thine eye, high Poet! was not bent
Towards her with the Muses in thine heart;
As if the ministring stars kept not apart,
Waiting for silver-footed messages.
O Moon! the oldest shades '**** oldest trees
Feel palpitations when thou lookest in:
O Moon! old boughs lisp forth a holier din
The while they feel thine airy fellowship.
Thou dost bless every where, with silver lip
Kissing dead things to life. The sleeping kine,
Couched in thy brightness, dream of fields divine:
Innumerable mountains rise, and rise,
Ambitious for the hallowing of thine eyes;
And yet thy benediction passeth not
One obscure hiding-place, one little spot
Where pleasure may be sent: the nested wren
Has thy fair face within its tranquil ken,
And from beneath a sheltering ivy leaf
Takes glimpses of thee; thou art a relief
To the poor patient oyster, where it sleeps
Within its pearly house.--The mighty deeps,
The monstrous sea is thine--the myriad sea!
O Moon! far-spooming Ocean bows to thee,
And Tellus feels his forehead's cumbrous load.

  Cynthia! where art thou now? What far abode
Of green or silvery bower doth enshrine
Such utmost beauty? Alas, thou dost pine
For one as sorrowful: thy cheek is pale
For one whose cheek is pale: thou dost bewail
His tears, who weeps for thee. Where dost thou sigh?
Ah! surely that light peeps from Vesper's eye,
Or what a thing is love! 'Tis She, but lo!
How chang'd, how full of ache, how gone in woe!
She dies at the thinnest cloud; her loveliness
Is wan on Neptune's blue: yet there's a stress
Of love-spangles, just off yon cape of trees,
Dancing upon the waves, as if to please
The curly foam with amorous influence.
O, not so idle: for down-glancing thence
She fathoms eddies, and runs wild about
O'erwhelming water-courses; scaring out
The thorny sharks from hiding-holes, and fright'ning
Their savage eyes with unaccustomed lightning.
Where will the splendor be content to reach?
O love! how potent hast thou been to teach
Strange journeyings! Wherever beauty dwells,
In gulf or aerie, mountains or deep dells,
In light, in gloom, in star or blazing sun,
Thou pointest out the way, and straight 'tis won.
Amid his toil thou gav'st Leander breath;
Thou leddest Orpheus through the gleams of death;
Thou madest Pluto bear thin element;
And now, O winged Chieftain! thou hast sent
A moon-beam to the deep, deep water-world,
To find Endymion.

                  On gold sand impearl'd
With lily shells, and pebbles milky white,
Poor Cynthia greeted him, and sooth'd her light
Against his pallid face: he felt the charm
To breathlessness, and suddenly a warm
Of his heart's blood: 'twas very sweet; he stay'd
His wandering steps, and half-entranced laid
His head upon a tuft of straggling weeds,
To taste the gentle moon, and freshening beads,
Lashed from the crystal roof by fishes' tails.
And so he kept, until the rosy veils
Mantling the east, by Aurora's peering hand
Were lifted from the water's breast, and fann'd
Into sweet air; and sober'd morning came
Meekly through billows:--when like taper-flame
Left sudden by a dallying breath of air,
He rose in silence, and once more 'gan fare
Along his fated way.

                      Far had he roam'd,
With nothing save the hollow vast, that foam'd
Above, around, and at his feet; save things
More dead than Morpheus' imaginings:
Old rusted anchors, helmets, breast-plates large
Of gone sea-warriors; brazen beaks and targe;
Rudders that for a hundred years had lost
The sway of human hand; gold vase emboss'd
With long-forgotten story, and wherein
No reveller had ever dipp'd a chin
But those of Saturn's vintage; mouldering scrolls,
Writ in the tongue of heaven, by those souls
Who first were on the earth; and sculptures rude
In ponderous stone, developing the mood
Of ancient Nox;--then skeletons of man,
Of beast, behemoth, and leviathan,
And elephant, and eagle, and huge jaw
Of nameless monster. A cold leaden awe
These secrets struck into him; and unless
Dian had chaced away that heaviness,
He might have died: but now, with cheered feel,
He onward kept; wooing these thoughts to steal
About the labyrinth in his soul of love.

  "What is there in thee, Moon! that thou shouldst move
My heart so potently? When yet a child
I oft have dried my tears when thou hast smil'd.
Thou seem'dst my sister: hand in hand we went
From eve to morn across the firmament.
No apples would I gather from the tree,
Till thou hadst cool'd their cheeks deliciously:
No tumbling water ever spake romance,
But when my eyes with thine thereon could dance:
No woods were green enough, no bower divine,
Until thou liftedst up thine eyelids fine:
In sowing time ne'er would I dibble take,
Or drop a seed, till thou wast wide awake;
And, in the summer tide of blossoming,
No one but thee hath heard me blithly sing
And mesh my dewy flowers all the night.
No melody was like a passing spright
If it went not to solemnize thy reign.
Yes, in my boyhood, every joy and pain
By thee were fashion'd to the self-same end;
And as I grew in years, still didst thou blend
With all my ardours: thou wast the deep glen;
Thou wast the mountain-top--the sage's pen--
The poet's harp--the voice of friends--the sun;
Thou wast the river--thou wast glory won;
Thou wast my clarion's blast--thou wast my steed--
My goblet full of wine--my topmost deed:--
Thou wast the charm of women, lovely Moon!
O what a wild and harmonized tune
My spirit struck from all the beautiful!
On some bright essence could I lean, and lull
Myself to immortality: I prest
Nature's soft pillow in a wakeful rest.
But, gentle Orb! there came a nearer bliss--
My strange love came--Felicity's abyss!
She came, and thou didst fade, and fade away--
Yet not entirely; no, thy starry sway
Has been an under-passion to this hour.
Now I begin to feel thine orby power
Is coming fresh upon me: O be kind,
Keep back thine influence, and do not blind
My sovereign vision.--Dearest love, forgive
That I can think away from thee and live!--
Pardon me, airy planet, that I prize
One thought beyond thine argent luxuries!
How far beyond!" At this a surpris'd start
Frosted the springing verdure of his heart;
For as he lifted up his eyes to swear
How his own goddess was past all things fair,
He saw far in the concave green of the sea
An old man sitting calm and peacefully.
Upon a weeded rock this old man sat,
And his white hair was awful, and a mat
Of weeds were cold beneath his cold thin feet;
And, ample as the largest winding-sheet,
A cloak of blue wrapp'd up his aged bones,
O'erwrought with symbols by the deepest groans
Of ambitious magic: every ocean-form
Was woven in with black distinctness; storm,
And calm, and whispering, and hideous roar
Were emblem'd in the woof; with every shape
That skims, or dives, or sleeps, 'twixt cape and cape.
The gulphing whale was like a dot in the spell,
Yet look upon it, and 'twould size and swell
To its huge self; and the minutest fish
Would pass the very hardest gazer's wish,
And show his little eye's anatomy.
Then there was pictur'd the regality
Of Neptune; and the sea nymphs round his state,
In beauteous vassalage, look up and wait.
Beside this old man lay a pearly wand,
And in his lap a book, the which he conn'd
So stedfastly, that the new denizen
Had time to keep him in amazed ken,
To mark these shadowings, and stand in awe.

  The old man rais'd his hoary head and saw
The wilder'd stranger--seeming not to see,
His features were so lifeless. Suddenly
He woke as from a trance; his snow-white brows
Went arching up, and like two magic ploughs
Furrow'd deep wrinkles in his forehead large,
Which kept as fixedly as rocky marge,
Till round his wither'd lips had gone a smile.
Then up he rose, like one whose tedious toil
Had watch'd for years in forlorn hermitage,
Who had not from mid-life to utmost age
Eas'd in one accent his o'er-burden'd soul,
Even to the trees. He rose: he grasp'd his stole,
With convuls'd clenches waving it abroad,
And in a voice of solemn joy, that aw'd
Echo into oblivion, he said:--

  "Thou art the man! Now shall I lay my head
In peace upon my watery pillow: now
Sleep will come smoothly to my weary brow.
O Jove! I shall be young again, be young!
O shell-borne Neptune, I am pierc'd and stung
With new-born life! What shall I do? Where go,
When I have cast this serpent-skin of woe?--
I'll swim to the syrens, and one moment listen
Their melodies, and see their long hair glisten;
Anon upon that giant's arm I'll be,
That writhes about the roots of Sicily:
To northern seas I'll in a twinkling sail,
And mount upon the snortings of a whale
To some black cloud; thence down I'll madly sweep
On forked lightning, to the deepest deep,
Where through some ******* pool I will be hurl'd
With rapture to the other side of the world!
O, I am full of gladness! Sisters three,
I bow full hearted to your old decree!
Yes, every god be thank'd, and power benign,
For I no more shall wither, droop, and pine.
Thou art the man!" Endymion started back
Dismay'd; and, like a wretch from whom the rack
Tortures hot breath, and speech of agony,
Mutter'd: "What lonely death am I to die
In this cold region? Will he let me freeze,
And float my brittle limbs o'er polar seas?
Or will he touch me with his searing hand,
And leave a black memorial on the sand?
Or tear me piece-meal with a bony saw,
And keep me as a chosen food to draw
His magian fish through hated fire and flame?
O misery of hell! resistless, tame,
Am I to be burnt up? No, I will shout,
Until the gods through heaven's blue look out!--
O Tartarus! but some few days agone
Her soft arms were entwining me, and on
Her voice I hung like fruit among green leaves:
Her lips were all my own, and--ah, ripe sheaves
Of happiness! ye on the stubble droop,
But never may be garner'd. I must stoop
My head, and kiss death's foot. Love! love, farewel!
Is there no hope from thee? This horrid spell
Would melt at thy sweet breath.--By Dian's hind
Feeding from her white fingers, on the wind
I see thy streaming hair! and now, by Pan,
I care not for this old mysterious man!"

  He spake, and walking to that aged form,
Look'd high defiance. Lo! his heart 'gan warm
With pity, for the grey-hair'd creature wept.
Had he then wrong'd a heart where sorrow kept?
Had he, though blindly contumelious, brought
Rheum to kind eyes, a sting to human thought,
Convulsion to a mouth of many years?
He had in truth; and he was ripe for tears.
The penitent shower fell, as down he knelt
Before that care-worn sage, who trembling felt
About his large dark locks, and faultering spake:

  "Arise, good youth, for sacred Phoebus' sake!
I know thine inmost *****, and I feel
A very brother's yearning for thee steal
Into mine own: for why? thou openest
The prison gates that have so long opprest
My weary watching. Though thou know'st it not,
Thou art commission'd to this fated spot
For great enfranchisement. O weep no more;
I am a friend to love, to loves of yore:
Aye, hadst thou never lov'd an unknown power
I had been grieving at this joyous hour
But even now most miserable old,
I saw thee, and my blood no longer cold
Gave mighty pulses: in this tottering case
Grew a new heart, which at this moment plays
As dancingly as thine. Be not afraid,
For thou shalt hear this secret all display'd,
Now as we speed towards our joyous task."

  So saying, this young soul in age's mask
Went forward with the Carian side by side:
Resuming quickly thus; while ocean's tide
Hung swollen at their backs, and jewel'd sands
Took silently their foot-prints. "My soul stands
Now past the midway from mortality,
And so I can prepare without a sigh
To tell thee briefly all my joy and pain.
I was a fisher once, upon this main,
And my boat danc'd in every creek and bay;
Rough billows were my home by night and day,--
The sea-gulls not more constant; for I had
No housing from the storm and tempests mad,
But hollow rocks,--and they were palaces
Of silent happiness, of slumberous ease:
Long years of misery have told me so.
Aye, thus it was one thousand years ago.
One thousand years!--Is it then possible
To look so plainly through them? to dispel
A thousand years with backward glance sublime?
To breathe away as 'twere all scummy slime
From off a crystal pool, to see its deep,
And one's own image from the bottom peep?
Yes: now I am no longer wretched thrall,
My long captivity and moanings all
Are but a slime, a thin-pervading ****,
The which I breathe away, and thronging come
Like things of yesterday my youthful pleasures.

  "I touch'd no lute, I sang not, trod no measures:
I was a lonely youth on desert shores.
My sports were lonely, 'mid continuous roars,
And craggy isles, and sea-mew's plaintive cry
Plaining discrepant between sea and sky.
Dolphins were still my playmates; shapes unseen
Would let me feel their scales of gold and green,
Nor be my desolation; and, full oft,
When a dread waterspout had rear'd aloft
Its hungry hugeness, seeming ready ripe
To burst with hoarsest thunderings, and wipe
My life away like a vast sponge of fate,
Some friendly monster, pitying my sad state,
Has dived to its foundations, gulph'd it down,
And left me tossing safely. But the crown
Of all my life was utmost quietude:
More did I love to lie in cavern rude,
Keeping in wait whole days for Neptune's voice,
And if it came at last, hark, and rejoice!
There blush'd no summer eve but I would steer
My skiff along green shelving coasts, to hear
The shepherd's pipe come clear from aery steep,
Mingled with ceaseless bleatings of his sheep:
And never was a day of summer shine,
But I beheld its birth upon the brine:
For I would watch all night to see unfold
Heaven's gates, and Aethon snort his morning gold
Wide o'er the swelling streams: and constantly
At brim of day-tide, on some grassy lea,
My nets would be spread out, and I at rest.
The poor folk of the sea-country I blest
With daily boon of fish most delicate:
They knew not whence this bounty, and elate
Would strew sweet flowers on a sterile beach.

  "Why was I not contented? Wherefore reach
At things which, but for thee, O Latmian!
Had been my dreary death? Fool! I began
To feel distemper'd longings: to desire
The utmost priv
judy smith Apr 2015
With designers like Iman Ahmed, HSY and Sania Maskatiya all showing, it was standing-room only at the venue. Many of the crowd of fashion insiders and socialites ended up sharing seats, with the chivalrous Zaheer Abbas giving his seat to Iman Ahmed after her show and sitting on the floor himself. So much for designer egos!

It was an evening that lived up to its billing.

Iman Ahmed may not be a designer who makes her clothing easily available, but in fashion terms she reaches heights that few other designers can reach. Her “Sartorial Philology and the New Nomad collection” was breathtaking.

The best fashion shows have a narrative — the clothes, styling, music and progression of the outfits blend seamlessly into a whole that portrays the designer’s artistic vision.

It’s hard not to gush about Iman Ahmed’s show last night because it was exactly what a fashion show should be.

Starting with a series of outfits in white and gradually adding tribal colours, Iman used fringing, embroidery and a range of fabrics to great effect. From the inspired detailing to the juxtaposition of texture and silhouette, this was a class act. The tribal white-dotted makeup and beaten silver accessories added further depth to Iman’s stunning layered ensembles.

Levi’s uninspired showing of their new 501 jeans and other stock provided the audience with a pause to process the previous collection. It’s difficult to make a interesting fashion week presentation out of high street wear and something that Levis struggles with.

They used better music than they did at their autumn show but the styling was still painfully lacking. They did manage to make everyone sit up and take notice at the end of their show though — Wasim Akram walked the ramp as their showstopper amid cheers from the admiring audience.

Somal Halepoto was next, with collection that looked distinctly amateur. She seemed to be aiming for a bright kitschy collection but ended up looking merely tacky. The shiny, synthetic-looking fabrics and gaudy embroidery were particularly woeful. Somal’s digital neon animal prints and some of the harem pants were funky but the rest of the collection had little to recommended it.

YBQ’s LalShah collection, meanwhile, was in a different league. An ode to 3 Sufi Sindhi saints, the collection was as much about the artistic impression it made on the ramp as it was about the clothes. The distinctly theatrical presentation relied on the slow beat of sufi music and plentiful accessories for much of its impact.

YBQ sent his models down the ramp in huge pagris, holding flags on poles and garlanded with prayer beads. He used only three colours - red depicting rage, white for peace and black for mourning. Most of the outfits were draped red jersey tunics or gowns with white lowers, braided belts and black turbans.

Rubya Chaudry wore a black gown with red roses but otherwise the outfits were all about subtle plays with drapery and cut. From jodhpur style chooridarsto asymmetrical draping, the outfits had interesting touches but needed all that heavy styling to make an impact. HSY was YBQ’s showstopper and added glamour to the theatrical presentation that he had choreographed.

Wardha Saleem was first up after the break and her Lotus Song collection showed how this talented young designer has been upping her game over recent years.

She used digital flamingo prints, 3D embroidery, gota embroidery and lasercutting in a pretty formal fusion collection. The detailing on the collection was simply stunning. Wardha used gota in delicate patterns that gave her outfits shimmer and paired this with three dimensional embroidery. The outfits featured flowers, fish, elephants and birds picked out in silk thread and beads.

She showed a variety of shift dresses, jackets, saris, capes and draped dresses. The styling was also great fun – the models wore shoes featuring spikes and 3D flowers while the multi-talented Tapu Javeri provided some gorgeous jewellery and music for the show. While there was nothing groundbreaking about her silhouettes, this was a beautiful collection that showed skill and artistry.

Sania Maskatiya, who presented her luxury pret on Day 1, now showed her lawn collection for AlKaram. As far as designer lawn goes, this is something of a dream collaboration.

Textile and print are Sania’s forte and she uses print extensively in her luxury pret. In this collection for Al-Karam she has taken print elements from her pret collections throughout the year including the Sakura, Lokum and Khutoot collections.

The prints are different from those used in her Luxe pret but are based on the same principals. She’s even used the paint splash embroidery from this season’s Khayaat collection in one of the outfits. Designer lawn should be affordable way to wear a designer’s aesthetic and this Sania Maskatiya Al Karam collaboration certainly is.

As for the show itself, showing lawn is always tricky on the ramp. Sania pulled it off with an upbeat presentation using fast music and trendy cuts, throwing a few conventional shalwar kameez in the mix. She fashioned the lawn into jackets, kaftans and draped tunic, using the sort of cuts that are a hallmark of her pret. It’s not how most people wear lawn but it was a great way to show off the prints on the ramp.

Naushaba Brohi’s Inaaya burst onto the fashion scene last year with a spectacular collection. Following up on a dramatic debut is difficult but Naushaba proved that she is not a one hit wonder with this collection. Inaaya’s SS15 collection continued with the theme of using traditional Sindhi crafts in contemporary wear. Naushaba used both touches of Rilli and some stunning mirror work in her collection.

What makes Inaaya noteworthy is the way that she takes unsung traditional crafts that we’ve seen badly used and gives them a high fashion twist. Standout pieces included a bolero with unusual mirror work and a rilli sari that glittered with tiny flashes of mirrors.

Although the collection included many beautiful outfits, there was a lack of focus. The simple tunic with a rilli dupatta didn’t work with knotted purple evening wear jacket. The inability to make a definitive statement let down an otherwise accomplished collection.

Naushaba added a characteristic touch at the end of her show. She’s committed to social responsibility and supports local craftswomen with her brand. Accordingly, Inaaya’s showstopper was Mashal Chaudri of the Reading Room Project along with Naushaba’s daughter Inaaya. She held up a plaque saying “I teach therefore I can” while Inaaya wore a T-Shirt with the slogan “super role model”.

HSY brought the evening to a close with a high-speed presentation of his Hi-Octance menswear collection. The unusual choreography featured the models zipping along the catwalk, pausing briefly on their second round. The energetic presentation complemented a collection of sharp suits and jackets, leavened with quirky polka dot shirts and bold stripy ties.

There was the requisite shirtless model in distressed jeans and an ice-blue jacket but also some appealing suiting fabrics. HSY used only Pakistani fabrics and included solid colours as well as self-checked and striped suits. This was wearable, classy menswear presented creatively.

Day 3 was undoubtedly the best day of TFPW so far. Iman Ahmed undoubted takes the laurels but she was ably supported by HSY, Wardha Saleem, Inaaya, Sania Maskatiya and YBQ.Read more here:www.marieaustralia.com/formal-dresses | www.marieaustralia.com/short-formal-dresses
Olivia Kent Mar 2015
Black cabs and ab-dabs.
Dashing through London streets,
High heels and crippled feet.
Back street bars,
wealthy sheiks,
ever running,
Hide and seek.
Black panther's in lippy,
Colourful hippies.
Turbans and tunics,
Kiddies in cotton, with mud on their bottoms.
Big Whigs and stiff prigs.
Market stalls and rubber *****.
Undergrounds and all around.
City beats, it's hopping on.
On and off off of buses and train.
London love life, kicking pain.
Picks up his drink and thinks like a fish.
A couple more beers, three seconds of fun.
Slipped into his glass.
Glass one, two three,
Freedom four.
Needs more.
(c) LIVVI
--To Elizabeth Robins Pennell


'O mes cheres Mille et Une Nuits!'--Fantasio.

Once on a time
There was a little boy:  a master-mage
By virtue of a Book
Of magic--O, so magical it filled
His life with visionary pomps
Processional!  And Powers
Passed with him where he passed.  And Thrones
And Dominations, glaived and plumed and mailed,
Thronged in the criss-cross streets,
The palaces pell-mell with playing-fields,
Domes, cloisters, dungeons, caverns, tents, arcades,
Of the unseen, silent City, in his soul
Pavilioned jealously, and hid
As in the dusk, profound,
Green stillnesses of some enchanted mere.--

I shut mine eyes . . . And lo!
A flickering ****** of memory that floats
Upon the face of a pool of darkness five
And thirty dead years deep,
Antic in girlish broideries
And skirts and silly shoes with straps
And a broad-ribanded leghorn, he walks
Plain in the shadow of a church
(St. Michael's:  in whose brazen call
To curfew his first wails of wrath were whelmed),
Sedate for all his haste
To be at home; and, nestled in his arm,
Inciting still to quiet and solitude,
Boarded in sober drab,
With small, square, agitating cuts
Let in a-top of the double-columned, close,
Quakerlike print, a Book! . . .
What but that blessed brief
Of what is gallantest and best
In all the full-shelved Libraries of Romance?
The Book of rocs,
Sandalwood, ivory, turbans, ambergris,
Cream-tarts, and lettered apes, and calendars,
And ghouls, and genies--O, so huge
They might have overed the tall Minster Tower
Hands down, as schoolboys take a post!
In truth, the Book of Camaralzaman,
Schemselnihar and Sindbad, Scheherezade
The peerless, Bedreddin, Badroulbadour,
Cairo and Serendib and Candahar,
And Caspian, and the dim, terrific bulk--
Ice-ribbed, fiend-visited, isled in spells and storms--
Of Kaf! . . . That centre of miracles,
The sole, unparalleled Arabian Nights!

Old friends I had a-many--kindly and grim
Familiars, cronies quaint
And goblin!  Never a Wood but housed
Some morrice of dainty dapperlings.  No Brook
But had his nunnery
Of green-haired, silvry-curving sprites,
To cabin in his grots, and pace
His lilied margents.  Every lone Hillside
Might open upon Elf-Land.  Every Stalk
That curled about a Bean-stick was of the breed
Of that live ladder by whose delicate rungs
You climbed beyond the clouds, and found
The Farm-House where the Ogre, gorged
And drowsy, from his great oak chair,
Among the flitches and pewters at the fire,
Called for his Faery Harp.  And in it flew,
And, perching on the kitchen table, sang
Jocund and jubilant, with a sound
Of those gay, golden-vowered madrigals
The shy thrush at mid-May
Flutes from wet orchards flushed with the triumphing dawn;
Or blackbirds rioting as they listened still,
In old-world woodlands rapt with an old-world spring,
For Pan's own whistle, savage and rich and lewd,
And mocked him call for call!

I could not pass
The half-door where the cobbler sat in view
Nor figure me the wizen Leprechaun,
In square-cut, faded reds and buckle-shoes,
Bent at his work in the hedge-side, and know
Just how he tapped his brogue, and twitched
His wax-end this and that way, both with wrists
And elbows.  In the rich June fields,
Where the ripe clover drew the bees,
And the tall quakers trembled, and the West Wind
Lolled his half-holiday away
Beside me lolling and lounging through my own,
'Twas good to follow the Miller's Youngest Son
On his white horse along the leafy lanes;
For at his stirrup linked and ran,
Not cynical and trapesing, as he loped
From wall to wall above the espaliers,
But in the bravest tops
That market-town, a town of tops, could show:
Bold, subtle, adventurous, his tail
A banner flaunted in disdain
Of human stratagems and shifts:
King over All the Catlands, present and past
And future, that moustached
Artificer of fortunes, ****-in-Boots!
Or Bluebeard's Closet, with its plenishing
Of meat-hooks, sawdust, blood,
And wives that hung like fresh-dressed carcases--
Odd-fangled, most a butcher's, part
A faery chamber hazily seen
And hazily figured--on dark afternoons
And windy nights was visiting of the best.
Then, too, the pelt of hoofs
Out in the roaring darkness told
Of Herne the Hunter in his antlered helm
Galloping, as with despatches from the Pit,
Between his hell-born Hounds.
And Rip Van Winkle . . . often I lurked to hear,
Outside the long, low timbered, tarry wall,
The mutter and rumble of the trolling bowls
Down the lean plank, before they fluttered the pins;
For, listening, I could help him play
His wonderful game,
In those blue, booming hills, with Mariners
Refreshed from kegs not coopered in this our world.

But what were these so near,
So neighbourly fancies to the spell that brought
The run of Ali Baba's Cave
Just for the saying 'Open Sesame,'
With gold to measure, peck by peck,
In round, brown wooden stoups
You borrowed at the chandler's? . . . Or one time
Made you Aladdin's friend at school,
Free of his Garden of Jewels, Ring and Lamp
In perfect trim? . . . Or Ladies, fair
For all the embrowning scars in their white *******
Went labouring under some dread ordinance,
Which made them whip, and bitterly cry the while,
Strange Curs that cried as they,
Till there was never a Black ***** of all
Your consorting but might have gone
Spell-driven miserably for crimes
Done in the pride of womanhood and desire . . .
Or at the ghostliest altitudes of night,
While you lay wondering and acold,
Your sense was fearfully purged; and soon
Queen Labe, abominable and dear,
Rose from your side, opened the Box of Doom,
Scattered the yellow powder (which I saw
Like sulphur at the Docks in bulk),
And muttered certain words you could not hear;
And there! a living stream,
The brook you bathed in, with its weeds and flags
And cresses, glittered and sang
Out of the hearthrug over the nakedness,
Fair-scrubbed and decent, of your bedroom floor! . . .

I was--how many a time!--
That Second Calendar, Son of a King,
On whom 'twas vehemently enjoined,
Pausing at one mysterious door,
To pry no closer, but content his soul
With his kind Forty.  Yet I could not rest
For idleness and ungovernable Fate.
And the Black Horse, which fed on sesame
(That wonder-working word!),
Vouchsafed his back to me, and spread his vans,
And soaring, soaring on
From air to air, came charging to the ground
Sheer, like a lark from the midsummer clouds,
And, shaking me out of the saddle, where I sprawled
Flicked at me with his tail,
And left me blinded, miserable, distraught
(Even as I was in deed,
When doctors came, and odious things were done
On my poor tortured eyes
With lancets; or some evil acid stung
And wrung them like hot sand,
And desperately from room to room
Fumble I must my dark, disconsolate way),
To get to Bagdad how I might.  But there
I met with Merry Ladies.  O you three--
Safie, Amine, Zobeide--when my heart
Forgets you all shall be forgot!
And so we supped, we and the rest,
On wine and roasted lamb, rose-water, dates,
Almonds, pistachios, citrons.  And Haroun
Laughed out of his lordly beard
On Giaffar and Mesrour (I knew the Three
For all their Mossoul habits).  And outside
The Tigris, flowing swift
Like Severn bend for bend, twinkled and gleamed
With broken and wavering shapes of stranger stars;
The vast, blue night
Was murmurous with peris' plumes
And the leathern wings of genies; words of power
Were whispering; and old fishermen,
Casting their nets with prayer, might draw to shore
Dead loveliness:  or a prodigy in scales
Worth in the Caliph's Kitchen pieces of gold:
Or copper vessels, stopped with lead,
Wherein some Squire of Eblis watched and railed,
In durance under potent charactry
Graven by the seal of Solomon the King . . .

Then, as the Book was glassed
In Life as in some olden mirror's quaint,
Bewildering angles, so would Life
Flash light on light back on the Book; and both
Were changed.  Once in a house decayed
From better days, harbouring an errant show
(For all its stories of dry-rot
Were filled with gruesome visitants in wax,
Inhuman, hushed, ghastly with Painted Eyes),
I wandered; and no living soul
Was nearer than the pay-box; and I stared
Upon them staring--staring.  Till at last,
Three sets of rafters from the streets,
I strayed upon a mildewed, rat-run room,
With the two Dancers, horrible and obscene,
Guarding the door:  and there, in a bedroom-set,
Behind a fence of faded crimson cords,
With an aspect of frills
And dimities and dishonoured privacy
That made you hanker and hesitate to look,
A Woman with her litter of Babes--all slain,
All in their nightgowns, all with Painted Eyes
Staring--still staring; so that I turned and ran
As for my neck, but in the street
Took breath.  The same, it seemed,
And yet not all the same, I was to find,
As I went up!  For afterwards,
Whenas I went my round alone--
All day alone--in long, stern, silent streets,
Where I might stretch my hand and take
Whatever I would:  still there were Shapes of Stone,
Motionless, lifelike, frightening--for the Wrath
Had smitten them; but they watched,
This by her melons and figs, that by his rings
And chains and watches, with the hideous gaze,
The Painted Eyes insufferable,
Now, of those grisly images; and I
Pursued my best-beloved quest,
Thrilled with a novel and delicious fear.
So the night fell--with never a lamplighter;
And through the Palace of the King
I groped among the echoes, and I felt
That they were there,
Dreadfully there, the Painted staring Eyes,
Hall after hall . . . Till lo! from far
A Voice!  And in a little while
Two tapers burning!  And the Voice,
Heard in the wondrous Word of God, was--whose?
Whose but Zobeide's,
The lady of my heart, like me
A True Believer, and like me
An outcast thousands of leagues beyond the pale! . . .

Or, sailing to the Isles
Of Khaledan, I spied one evenfall
A black blotch in the sunset; and it grew
Swiftly . . . and grew.  Tearing their beards,
The sailors wept and prayed; but the grave ship,
Deep laden with spiceries and pearls, went mad,
Wrenched the long tiller out of the steersman's hand,
And, turning broadside on,
As the most iron would, was haled and ******
Nearer, and nearer yet;
And, all awash, with horrible lurching leaps
Rushed at that Portent, casting a shadow now
That swallowed sea and sky; and then,
Anchors and nails and bolts
Flew screaming out of her, and with clang on clang,
A noise of fifty stithies, caught at the sides
Of the Magnetic Mountain; and she lay,
A broken bundle of firewood, strown piecemeal
About the waters; and her crew
Passed shrieking, one by one; and I was left
To drown.  All the long night I swam;
But in the morning, O, the smiling coast
Tufted with date-trees, meadowlike,
Skirted with shelving sands!  And a great wave
Cast me ashore; and I was saved alive.
So, giving thanks to God, I dried my clothes,
And, faring inland, in a desert place
I stumbled on an iron ring--
The fellow of fifty built into the Quays:
When, scenting a trap-door,
I dug, and dug; until my biggest blade
Stuck into wood.  And then,
The flight of smooth-hewn, easy-falling stairs,
Sunk in the naked rock!  The cool, clean vault,
So neat with niche on niche it might have been
Our beer-cellar but for the rows
Of brazen urns (like monstrous chemist's jars)
Full to the wide, squat throats
With gold-dust, but a-top
A layer of pickled-walnut-looking things
I knew for olives!  And far, O, far away,
The Princess of China languished!  Far away
Was marriage, with a Vizier and a Chief
Of Eunuchs and the privilege
Of going out at night
To play--unkenned, majestical, secure--
Where the old, brown, friendly river shaped
Like Tigris shore for shore!  Haply a Ghoul
Sat in the churchyard under a frightened moon,
A thighbone in his fist, and glared
At supper with a Lady:  she who took
Her rice with tweezers grain by grain.
Or you might stumble--there by the iron gates
Of the Pump Room--underneath the limes--
Upon Bedreddin in his shirt and drawers,
Just as the civil Genie laid him down.
Or those red-curtained panes,
Whence a tame cornet tenored it throatily
Of beer-pots and spittoons and new long pipes,
Might turn a caravansery's, wherein
You found Noureddin Ali, loftily drunk,
And that fair Persian, bathed in tears,
You'd not have given away
For all the diamonds in the Vale Perilous
You had that dark and disleaved afternoon
Escaped on a roc's claw,
Disguised like Sindbad--but in Christmas beef!
And all the blissful while
The schoolboy satchel at your hip
Was such a bulse of gems as should amaze
Grey-whiskered chapmen drawn
From over Caspian:  yea, the Chief Jewellers
Of Tartary and the bazaars,
Seething with traffic, of enormous Ind.--

Thus cried, thus called aloud, to the child heart
The magian East:  thus the child eyes
Spelled out the wizard message by the light
Of the sober, workaday hours
They saw, week in week out, pass, and still pass
In the sleepy Minster City, folded kind
In ancient Severn's arm,
Amongst her water-meadows and her docks,
Whose floating populace of ships--
Galliots and luggers, light-heeled brigantines,
Bluff barques and rake-hell fore-and-afters--brought
To her very doorsteps and geraniums
The scents of the World's End; the calls
That may not be gainsaid to rise and ride
Like fire on some high errand of the race;
The irresistible appeals
For comradeship that sound
Steadily from the irresistible sea.
Thus the East laughed and whispered, and the tale,
Telling itself anew
In terms of living, labouring life,
Took on the colours, busked it in the wear
Of life that lived and laboured; and Romance,
The Angel-Playmate, raining down
His golden influences
On all I saw, and all I dreamed and did,
Walked with me arm in arm,
Or left me, as one bediademed with straws
And bits of glass, to gladden at my heart
Who had the gift to seek and feel and find
His fiery-hearted presence everywhere.
Even so dear Hesper, bringer of all good things,
Sends the same silver dews
Of happiness down her dim, delighted skies
On some poor collier-hamlet--(mound on mound
Of sifted squalor; here a soot-throated stalk
Sullenly smoking over a row
Of flat-faced hovels; black in the gritty air
A web of rails and wheels and beams; with strings
Of hurtling, tipping trams)--
As on the amorous nightingales
And roses of Shiraz, or the walls and towers
Of Samarcand--the Ineffable--whence you espy
The splendour of Ginnistan's embattled spears,
Like listed lightnings.
Samarcand!
That name of names!  That star-vaned belvedere
Builded against the Chambers of the South!
That outpost on the Infinite!
And behold!
Questing therefrom, you knew not what wild tide
Might overtake you:  for one fringe,
One suburb, is stablished on firm earth; but one
Floats founded vague
In lubberlands delectable--isles of palm
And lotus, fortunate mains, far-shimmering seas,
The promise of wistful hills--
The shining, shifting Sovranties of Dream.
I.

Canaris ! Canaris ! pleure ! cent vingt vaisseaux !
Pleure ! Une flotte entière ! - Où donc, démon des eaux,
Où donc était ta main hardie ?
Se peut-il que sans toi l'ottoman succombât ?
Pleure ! comme Crillon exilé d'un combat,
Tu manquais à cet incendie !

Jusqu'ici, quand parfois la vague de tes mers
Soudain s'ensanglantait, comme un lac des enfers,
D'une lueur large et profonde,
Si quelque lourd navire éclatait à nos yeux
Couronné tout à coup d'une aigrette de feux,
Comme un volcan s'ouvrant dans l'onde ;

Si la lame roulait turbans, sabres courbés,
Voiles, tentes, croissants des mâts rompus tombés,
Vestiges de flotte et d'armée,
Pelisses de vizirs, sayons de matelots,
Rebuts stigmatisés de la flamme et des flots,
Blancs d'écume et noirs de fumée ;

Si partait de ces mers d'Egine ou d'Iolchos
Un bruit d'explosion, tonnant dans mille échos
Et roulant au **** dans l'espace,
L'Europe se tournait vers le rougo Orient ;
Et, sur la poupe assis, le nocher souriant
Disait : - C'est Canaris qui passe !

Jusqu'ici quand brûlaient au sein des flots fumants
Les capitans-pachas avec leurs armements,
Leur flotte dans l'ombre engourdie,
On te reconnaissait à ce terrible jeu ;
Ton brûlot expliquant tous ces vaisseaux en feu ;
Ta torche éclairait l'incendie !

Mais pleure aujourd'hui, pleure, on s'est battu sans toi !
Pourquoi, sans Canaris, sur ces flottes, pourquoi
Porter la guerre et ses tempêtes ?
Du Dieu qui garde Hellé n'est-il plus le bras droit ?
On aurait dû l'attendre ! Et n'est-il pas de droit
Convive de toutes ces fêtes ?

II.

Console-toi ! la Grèce est libre.
Entre les bourreaux, les mourants,
L'Europe a remis l'équilibre ;
Console-toi ! plus de tyrans !
La France combat : le sort change.
Souffre que sa main qui vous venge
Du moins te dérobe en échange
Une feuille de ton laurier.
Grèces de Byron et d'Homère,
Toi, notre sœur, toi, notre mère,
Chantez ! si votre voix amère
Ne s'est pas éteinte à crier.

Pauvre Grèce, qu'elle était belle,
Pour être couchée au tombeau !
Chaque vizir de la rebelle
S'arrachait un sacré lambeau.
Où la fable mit ses ménades,
Où l'amour eut ses sérénades,
Grondaient les sombres canonnades
Sapant les temps du vrai Dieu ;
Le ciel de cette terre aimée
N'avait, sous sa voûte embaumée,
De nuages que la fumée
De toutes ses villes en feu.

Voilà six ans qu'ils l'ont choisie !
Six ans qu'on voyait accourir
L'Afrique au secours de l'Asie
Contre un peuple instruit à mourir.
Ibrahim, que rien ne modère,
Vole de l'Isthme au Belvédère,
Comme un faucon qui n'a plus d'aire,
Comme un loup qui règne au bercail ;
Il court où le butin le tente,
Et lorsqu'il retourne à sa tente,
Chaque fois sa main dégouttante
Jette des têtes au sérail !

III.

Enfin ! - C'est Navarin, la ville aux maisons peintes,
La ville aux dômes d'or, la blanche Navarin,
Sur la colline assise entre les térébinthes,
Qui prête son beau golfe aux ardentes étreintes
De deux flottes heurtant leurs carènes d'airain.

Les voilà toutes deux ! - La mer en est chargée,
Prête à noyer leurs feux, prête à boire leur sang.
Chacune par son dieu semble au combat rangée ;
L'une s'étend en croix sur les flots allongée,
L'autre ouvre ses bras lourds et se courbe en croissant.

Ici, l'Europe : enfin ! l'Europe qu'on déchaîne,
Avec ses grands vaisseaux voguant comme des tours.
Là, l'Egypte des Turcs, cette Asie africaine,
Ces vivaces forbans, mal tués par Duquesne,
Qui mit en vain le pied sur ces nids de vautours.

IV.

Ecoutez ! - Le canon gronde.
Il est temps qu'on lui réponde.
Le patient est le fort.
Eclatent donc les bordées !
Sur ces nefs intimidées,
Frégates, jetez la mort !
Et qu'au souffle de vos bouches
Fondent ces vaisseaux farouches,
Broyés aux rochers du port !

La bataille enfin s'allume.
Tout à la fois tonne et fume.
La mort vole où nous frappons.
Là, tout brûle pêle-mêle.
Ici, court le brûlot frêle
Qui jette aux mâts ses crampons
Et, comme un chacal dévore
L'éléphant qui lutte encore,
Ronge un navire à trois ponts.

- L'abordage ! l'abordage ! -
On se suspend au cordage,
On s'élance des haubans.
La poupe heurte la proue.
La mêlée a dans sa roue
Rameurs courbés sur leurs bancs
Fantassins cherchant la terre,
L'épée et le cimeterre,
Les casques et les turbans.

La vergue aux vergues s'attache ;
La torche insulte à la hache ;
Tout s'attaque en même temps.
Sur l'abîme la mort nage.
Epouvantable carnage !
Champs de bataille flottants
Qui, battus de cent volées,
S'écroulent sous les mêlées,
Avec tous les combattants.

V.

Lutte horrible ! Ah ! quand l'homme, à l'étroit sur la terre,
Jusque sur l'Océan précipite la guerre,
Le sol tremble sous lui, tandis qu'il se débat.
La mer, la grande mer joue avec ses batailles.
Vainqueurs, vaincus, à tous elle ouvre ses entrailles.
Le naufrage éteint le combat.

Ô spectacle ! Tandis que l'Afrique grondante
Bat nos puissants vaisseaux de sa flotte imprudente,
Qu'elle épuise à leurs flancs sa rage et ses efforts,
Chacun d'eux, géant fier, sur ces hordes bruyantes,
Ouvrant à temps égaux ses gueules foudroyantes,
***** tranquillement la mort de tous ses bords.

Tout s'embrase : voyez ! l'eau de centre est semée,
Le vent aux mâts en flamme arrache la fumée,
Le feu sur les tillacs s'abat en ponts mouvants.
Déjà brûlent les nefs ; déjà, sourde et profonde,
La flamme en leurs flancs noirs ouvre un passage à l'onde ;
Déjà, sur les ailes des vents,

L'incendie, attaquant la frégate amirale,
Déroule autour des mâts sont ardente spirale,
Prend les marins hurlants dans ses brûlants réseaux,
Couronne de ses jets la poupe inabordable,
Triomphe, et jette au **** un reflet formidable
Qui tremble, élargissant ses cercles sur les eaux.

VI.

Où sont, enfants du Caire,
Ces flottes qui naguère
Emportaient à la guerre
Leurs mille matelots ?
Ces voiles, où sont-elles,
Qu'armaient les infidèles,
Et qui prêtaient leurs ailes
A l'ongle des brûlots ?

Où sont tes mille antennes,
Et tes hunes hautaines,
Et tes fiers capitaines,
Armada du sultan ?
Ta ruine commence,
Toi qui, dans ta démence,
Battais les mers, immense
Comme Léviathan !

Le capitan qui tremble
Voit éclater ensemble
Ces chébecs que rassemble
Alger ou Tetuan.
Le feu vengeur embrasse
Son vaisseau dont la masse
Soulève, quand il passe,
Le fond de l'Océan.

Sur les mers irritées,
Dérivent, démâtées,
Nefs par les nefs heurtées,
Yachts aux mille couleurs,
Galères capitanes,
Caïques et tartanes
Qui portaient aux sultanes
Des têtes et des fleurs.

Adieu, sloops intrépides,
Adieu, jonques rapides,
Qui sur les eaux limpides
Berçaient les icoglans !
Adieu la goëlette
Dont la vague reflète
Le flamboyant squelette,
Noir dans les feux sanglants !

Adieu la barcarolle
Dont l'humble banderole
Autour des vaisseaux vole,
Et qui, peureuse, fuit,
Quand du souffle des brises
Les frégates surprises,
Gonflant leurs voiles grises,
Déferlent à grand bruit !

Adieu la caravelle
Qu'une voile nouvelle
Aux yeux de **** révèle ;
Adieu le dogre ailé,
Le brick dont les amures
Rendent de sourds murmures,
Comme un amas d'armures
Par le vent ébranlé !

Adieu la brigantine,
Dont la voile latine
Du flot qui se mutine
Fend les vallons amers !
Adieu la balancelle
Qui sur l'onde chancelle,
Et, comme une étincelle,
Luit sur l'azur des mers !

Adieu lougres difformes,
Galéaces énormes,
Vaisseaux de toutes formes,
Vaisseaux de tous climats,
L'yole aux triples flammes,
Les mahonnes, les prames,
La felouque à six rames,
La polacre à deux mâts !

Chaloupe canonnières !
Et lanches marinières
Où flottaient les bannières
Du pacha souverain !
Bombardes que la houle,
Sur son front qui s'écroule,
Soulève, emporte et roule
Avec un bruit d'airain !

Adieu, ces nefs bizarres,
Caraques et gabarres,
Qui de leurs cris barbares
Troublaient Chypre et Délos !
Que sont donc devenues
Ces flottes trop connues ?
La mer les jette aux nues,
Le ciel les rend aux flots !

VII.

Silence ! Tout est fait. Tout retombe à l'abîme.
L'écume des hauts mâts a recouvert la cime.
Des vaisseaux du sultan les flots se sont joués.
Quelques-uns, bricks rompus, prames désemparées,
Comme l'algue des eaux qu'apportent les marées,
Sur la grève noircie expirent échoués.

Ah ! c'est une victoire ! - Oui, l'Afrique défaite,
Le vrai Dieu sous ses pieds foulant le faux prophète,
Les tyrans, les bourreaux criant grâce à leur tour,
Ceux qui meurent enfin sauvés par ceux qui règnent,
Hellé lavant ses flancs qui saignent,
Et six ans vengés dans un jour !

Depuis assez longtemps les peuples disaient : « Grèce !
Grèce ! Grèce ! tu meurs. Pauvre peuple en détresse,
A l'horizon en feu chaque jour tu décroîs.
En vain, pour te sauver, patrie illustre et chère,
Nous réveillons le prêtre endormi dans sa chaire,
En vain nous mendions une armée à nos rois.

« Mais les rois restent sourds, les chaires sont muettes.
Ton nom n'échauffe ici que des cœurs de poètes.
A la gloire, à la vie on demande tes droits.
A la croix grecque, Hellé, ta valeur se confie.
C'est un peuple qu'on crucifie !
Qu'importe, hélas ! sur quelle croix !

« Tes dieux s'en vont aussi. Parthénon, Propylées,
Murs de Grèce, ossements des villes mutilées,
Vous devenez une arme aux mains des mécréants.
Pour battre ses vaisseaux du haut des Dardanelles,
Chacun de vos débris, ruines solennelles,
Donne un boulet de marbre à leurs canons géants ! »

Qu'on change cette plainte en joyeuse fanfare !
Une rumeur surgit de l'Isthme jusqu'au Phare.
Regardez ce ciel noir plus beau qu'un ciel serein.
Le vieux colosse turc sur l'Orient retombe,
La Grèce est libre, et dans la tombe
Byron applaudit Navarin.

Salut donc, Albion, vieille reine des ondes !
Salut, aigle des czars qui planes sur deux mondes !
Gloire à nos fleurs de lys, dont l'éclat est si beau !
L'Angleterre aujourd'hui reconnaît sa rivale.
Navarin la lui rend. Notre gloire navale
A cet embrasement rallume son flambeau.

Je te retrouve, Autriche ! - Oui, la voilà, c'est elle !
Non pas ici, mais là, - dans la flotte infidèle.
Parmi les rangs chrétiens en vain on te cherchera.
Nous surprenons, honteuse et la tête penchée,
Ton aigle au double front cachée
Sous les crinières d'un pacha !

C'est bien ta place, Autriche ! - On te voyait naguère
Briller près d'Ibrahim, ce Tamerlan vulgaire ;
Tu dépouillais les morts qu'il foulait en passant ;
Tu l'admirais, mêlée aux eunuques serviles
Promenant au hasard sa torche dans les villes,
Horrible et n'éteignant le feu qu'avec du sang.

Tu préférais ces feux aux clartés de l'aurore.
Aujourd'hui qu'à leur tour la flamme enfin dévore
Ses noirs vaisseaux, vomis des ports égyptiens,
Rouvre les yeux, regarde, Autriche abâtardie !
Que dis-tu de cet incendie ?
Est-il aussi beau que les siens ?

Le 23 novembre 1827.
Flame Oct 2018
We are stopped for special checks
At TSA and immigration

We are murdered
In our house of worship
Six innocent lives lost
Oak Creek Gurdwara, 2012

Racial slurs hit our hearts:
*******
ISIS
Towel head

Out of fear
We stop wearing our beautiful salwar kameezes, lenghas, saris, and kurta pajamas
In colors and embroidery your clothes could only ever dream of
We take off our crowns you call turbans
And replace them with baseball caps

We think twice about speaking Punjabi,
Our mother tongue,
Around those that don't recognize it

We stop packing our grandma's handmade saag and roti
To school for lunch
And start eating
Processed Lunchables

We separate into two people
Our American selves
And our Punjabi selves
Almost never does anyone meet both

All because
You don't know
The difference
Between a Sikh and a terrorist
Mike Hauser May 2016
Are you as surprised as I to find
That Kim Kardashian is a international spy

But don't worry she's on the side of right
Working this time for the good guys

The pics that this twit tweets
Is spinning turbans around in the Middle East

Corrupting the minds of the men and their youth
As they google eye over what she let's loose

Though Miss K. is not the one to blame
It's mainly the fault of Uncle Sam

She's just doing her civic duty
In the posting of selfies in her birthday suity

I've had suspensions for years believe you me
The Kim isn't as dumb as she appears to be
Just heard that Iran has accused Kim Kardashian of being a spy...
Who knew!
Eilis Ni Eidhin Feb 2014
Nobody no longer contains the desire for unrefinity
The urge to tap into the void smacks of divinity
What exists in its place in the flesh market place
Are bartering skill sets and chocoalte puddings
When confronted by an invisible elephant
The people, in consensus, turn away
This happens within the day to day
The elephants march on, heedless vessels
Turbans floating downstreat, mainstream.
****** babble replaces conversation
Emblamatic gestures infiltrate the realm of the symbolic
The priests have all taken off their underwear
And the women are putting their brasiers
Back onto their chests, underneath their shirts
Blouses are burnt.
Toast is burnt.
Jams are being made by machines, horses do have dreams
Jelly and ice cream make delicate farts
Ghosts live in pipes and buy and sell art
People whose names are Horace or Rupert
Have been decommisioned
And the stories are locked in pie dishes
And the tale remains the same.
Remember, that future archeologists will exist.
Excavating sites will bring us all
To the kingdom of devon
In the beautiful future of documented tales
Which we are building for
Inside the spaceships.
When ponies are invalid and germs become common currency
Know that it will be time to fly your pillow cases as flags
is this online publishing wrong? I say: NO! It is equivalent to shouting or whispering off of a balcony.
Three Kings came riding from far away,
Melchior and Gaspar and Baltasar;
Three Wise Men out of the East were they,
And they travelled by night and they slept by day,
For their guide was a beautiful, wonderful star.

The star was so beautiful, large and clear,
That all the other stars of the sky
Became a white mist in the atmosphere,
And by this they knew that the coming was near
Of the Prince foretold in the prophecy.

Three caskets they bore on their saddle-bows,
Three caskets of gold with golden keys;
Their robes were of crimson silk with rows
Of bells and pomegranates and furbelows,
Their turbans like blossoming almond-trees.

And so the Three Kings rode into the West,
Through the dusk of the night, over hill and dell,
And sometimes they nodded with beard on breast,
And sometimes talked, as they paused to rest,
With the people they met at some wayside well.

“Of the child that is born,” said Baltasar,
“Good people, I pray you, tell us the news;
For we in the East have seen his star,
And have ridden fast, and have ridden far,
To find and worship the King of the Jews.”

And the people answered, “You ask in vain;
We know of no King but Herod the Great!”
They thought the Wise Men were men insane,
As they spurred their horses across the plain,
Like riders in haste, who cannot wait.

And when they came to Jerusalem,
Herod the Great, who had heard this thing,
Sent for the Wise Men and questioned them;
And said, “Go down unto Bethlehem,
And bring me tidings of this new king.”

So they rode away; and the star stood still,
The only one in the grey of morn;
Yes, it stopped—it stood still of its own free will,
Right over Bethlehem on the hill,
The city of David, where Christ was born.

And the Three Kings rode through the gate and the guard,
Through the silent street, till their horses turned
And neighed as they entered the great inn-yard;
But the windows were closed, and the doors were barred,
And only a light in the stable burned.

And cradled there in the scented hay,
In the air made sweet by the breath of kine,
The little child in the manger lay,
The child, that would be king one day
Of a kingdom not human, but divine.

His mother Mary of Nazareth
Sat watching beside his place of rest,
Watching the even flow of his breath,
For the joy of life and the terror of death
Were mingled together in her breast.

They laid their offerings at his feet:
The gold was their tribute to a King,
The frankincense, with its odor sweet,
Was for the Priest, the Paraclete,
The myrrh for the body’s burying.

And the mother wondered and bowed her head,
And sat as still as a statue of stone,
Her heart was troubled yet comforted,
Remembering what the Angel had said
Of an endless reign and of David’s throne.

Then the Kings rode out of the city gate,
With a clatter of hoofs in proud array;
But they went not back to Herod the Great,
For they knew his malice and feared his hate,
And returned to their homes by another way.
I had a nightmare
There were Al-Qaeda babies crawling in my room
With turbans on their heads
I know it sounds racist, it's awful, totally sick
but you gotta believe me
These Johnny Jihads were glowing in the dark
And I sensed bombs in their brains, saying gooooo geeeee gaaaa-gaaaa!
I've never been so terrified in my life
I had to leap over them, they were so ******* real
Any moment they'd explode
in a thin blood step of suicide
and Al-Qaeda day care
It wasn't just that
I knew the evil they'd become
Let me tell you how I got in this awful mess
I had this crazy idea
about confronting evil
Rwanda, genocide, all that ****
In all the books I could find
I thought I could make peace with the world
If I just cried my guts out
ship-wreck some snot mess, you know what I mean
Well, I guess the joke's on me
I needed a nightmare to tell me
There's no truth in evil
There's nothing to find
When it's all an illusion to begin with
Just like that nightmare
What a lesson that was.
I'll always remember those Al-Qaeda babies
They really saved my life
As twisted as that sounds
It's true
And yes, it's a true story
If you don't believe me...
Then God help you,
And you'll meet those Al-Qaeda babies.
Best waking nightmare of my life. Got a poem out of it.

I wonder if anyone will laugh at my sick sense of humor. That'll be fun to see.
Jedd Ong Jul 2014
I think
I've seen it all:
****** turbans,
Mosques riddled
With bullet holes,
Bus stop bomb shelters,
Bad aim.

I've been out of the loop
Recently—haven't
Had the time to
Stop and smell the
Newsprint on

The coffee table but,
I see pictures.

Paper maché
Leg casts,
Wine-stained
Hello Kitty bandages,

Slit wrists,
And a ground out cigar.

Lonely engines,
Browning fires,
And balsa wood.

Gas masks,
A judge's gavel
And traveller's checks.

House of cards,
Plane ticket,
Ukrainian flag.

Smoke bombs,
Sandpaper flares...

Rocket ships filled
With bags of sand.
And cups of coffee:

Wake up.
Irate Watcher Aug 2014
1991

I realized
We were both born
in rotting soil,
plastic toys fed
by Arabia's oil.
Eyes closed,
ears behest
to broadcasts, we,
could NOT protest.

That was the beginning
of our mass destruction,
but cribs offsides,
we slept soundly,
thanking our stars,
proud to be Americans.

10 years dormant,
the lyrics laid,
enough to stick,
but their irony to fade.
Until grade school,
recess goaded,
as burning buildings
on our side exploded.
The imminent threat preloaded,
in airports we shed shoes,
forever coded.

The broadcast — our center
was the theorem
that planes, oil, and Arabs
risked everyone's freedom.
But when we raised hands,
to ask why, teachers said
hail red, blue,
and especially white.
We forgot our roots,
because the Ellis Island trip
was obviously cancelled.

So we read headlines,
instead of Orwell,
the day 911
called for a police state.
Trusted the government
and ****** Muslims,
the day turbans
meant hijacking planes.
Pledged allegiance
disguised as freedom,
the day war
was declared
on Saddam Insane.

Our flag revealed
a sham feeding flames,
angst-ridden
teenagers
we became.
With raised middle fingers,
instead of hands,
to Green Day lyrics,
**** Amuricans.

Because only idiots
press a red button twice,
when mass destruction is the price.
And only villains
make children orphans,
while victims drown
in New Orleans.
And only gluttons
eat caviar with silver spoons,
tainting forever
a nation's youth.

Entrenched in dunes,
we boarded blind,
to debt,
death, and
jaded minds.
Blamed by perpetrators
in dollars and change,
for a guerrilla war
fought in vain!
Voted Obama,
with Osama slain,
and soldiers withdrawn,
we hoped for change.
PLEASE, we cried,
JUST STOP!
We are CHAINED —
to a bulldozer
that has NO BRAKES!



So the broadcast said recently:
We are losing control
of the Middle East. And
Al-Qaeda is far from weak —
ISIS: THE PHOENIX OF HUMAN GREED,
We just turned off our TV's
and looked up,
the kids who gave up,
thanked Musk — our atlas,
not yet shrugged,
whose vessels of stars
will rocket toward Mars,
from this godforsaken
civilization
built on hate.

And when you tell me, ***,
"We were both born in 1991,"
I can only sigh,
and breath sympathy,
for our dark history.
Thank you Justin for inspiring this poem. I am performing it next Tuesday at Da Poetry Lounge in LA so any feedback is appreciated :)
I woke to a morning that called out in crystals,where mistletoe ice wands would grant me three wishes and wise men were wrapped up in kaftans and turbans.
The clock stuck at five,so the **** came alive and told time from cracked egg shells and church bells were snowed in,no dings and no dongs,the rights and the wrongs of it seem to fit in quite nicely,when at six the wind whips through the streets where I walk,it's like treading in chalk leaving footprints to read,with my toes feeling the way,so glad I wore two pairs of socks and my wellingtons today.

Then at eight there's hot chocolate and a muffin with jam and the work day begins.
No djinns and no genie,just the boss who's a skinflint and a tightfisted meanie
but it all ends at four when home seems to beckon,
I reckon I'll go and make more prints in the snow and maybe call in to see Andy for a pipe and a brandy,then off to feed Joe,(he's my cat dontya know) and then bed with my nightcap,take the bolt off the catflap and dive into a book I was saving for the time before I nap.
judy smith Sep 2015
Star and fashion designer Melissa McCarthy shares her guide for feeling fabulous and the emotional inspiration behind her new clothing line. Subscribe now for instant access to this PEOPLE exclusive!

Melissa McCarthy‘s foray into the fashion world with Melissa McCarthy’s Seven7 is already a bonafide success — but that doesn’t mean her daughterswill start looking to mom for fashion advice.

“My daughters have their own sense of style, which is a thousand times better than having mine,” McCarthy tells PEOPLE in this week’s cover story.

Georgette, 5½, and Vivian, 8, McCarthy’s daughters with husband Ben Falcone, are already setting their own trends.

“Georgie is very specific in what she wears,” McCarthy, 45, says. “Vivie can be more flexible, but she’s said to me on several occasions, ‘That’s my style, Mama.’ And I can tell when she wears something and feels good in it.”

The actress says she only intervenes in the girls’ attire when safety is involved.

“For me it’s like: As long as you’re not going to the park in a long skirt that you’re going to trip and fall on, you go for it,” she says. “If there’s no danger issue, wear whatever you want. I can tell you like it, I can tell you feel good about yourself in it, so knock yourself out.”

McCarthy tells PEOPLE she’d support her daughters even if they wanted to wear a shirt “wrapped like a turban” around their heads.

“I just think you’re going to have so many people saying, ‘You shouldn’t, you can’t, that’s not okay,’ that there’s no way I’m going to be one of those people. I’m gonna help fight that as much as I can. So turbans for everyone,” she jokes.

Vivian is so fashion-forward that one of her designs is even featured on a t-shirt in McCarthy’s range.

“My daughter Vivie drew that cat last year saying ‘Le Meow.’ Because, she explained, ‘everyone should have a fancy cat,'” McCarthy explains. “I can’t even think of what I’ll do when I see someone on the street wearing it. And when Vivie sees it? I’d better be standing next to her to watch her little heart fill up.”

read more:www.marieaustralia.com/evening-dresses

www.marieaustralia.com/short-formal-dresses
Chantres associés et paisibles rivaux,

Qui mettez en commun la gloire et les travaux,

Et qu'on voit partager sans trouble et sans orage

D'un laurier fraternel le pacifique ombrage ;

Lorsque de toutes parts le public empressé,

Chez l'heureux éditeur chaque jour entassé.

De vos vers en naissant devenus populaires

Se dispute à l'envi les dix-mille exemplaires,

Pardonnez, si je viens à vos nobles accents

Obscur admirateur, offrir ma part d'encens.


Sur les abus criants d'un odieux système,

Lorsque le peuple entier a lancé l'anathème,

Et contre ces vizirs honnis et détestés,

S'est levé comme un homme et les a rejetés ;

Du haro général organes satiriques,

Vos vers ont démasqué ces honteux empiriques ;

Votre muse, esquissant leurs grotesques portraits,

D'un ridicule amer assaisonnant ses traits

Contre chaque méfait, vedette en permanence.

Improvisait un chant, comme eux une ordonnance,

Combattait pour nos droits, et lavant nos affronts,

D'un iambe vainqueur stigmatisait leurs fronts.

Mais lorsqu'ils ont enfin, relégués dans leurs terres,

Amovibles tyrans, pleuré leurs ministères.

Votre muse, à leur fuite adressant ses adieux.

Dans une courte épitre a rendu grâce aux dieux.

Dédaignant d'accabler, tranquille et satisfaite.

Ces ignobles vaincus meurtris de leur défaite.


Lors il fallut trouver dans ce vaste univers

Un plus noble sujet qui méritât vos vers :

Et vous avez montré dans les champs d'Idumée

L'Orient en présence avec la grande Armée,

Le Nil soumis au joug et du vainqueur d'Eylau

Le portrait colossal dominant le tableau.

Et quel autre sujet pouvait, -plus poétique.

Présenter à vos yeux son prisme fantastique ?

Quel autre champ pouvait, de plus brillantes fleurs

Offrir à vos pinceaux les riantes couleurs ?

Une invisible main, sous le ciel de l'Asie,

A, comme les parfums, semé la poésie :

Ces peuples, qui, pliés au joug de leurs sultans,

Résistent, obstinés à la marche du temps ;

Ces costumes, ces mœurs, ce stupide courage

Qui semble appartenir aux hommes d'un autre âge,

Ces palais, ces tombeaux, cet antique Memnon

Qui de leurs fondateurs ont oublié le nom ;

Ce Nil, qui sur des monts égarés dans la nue,

Va cacher le secret de sa source inconnue ;

Tout inspire, tout charme ; et des siècles passés

Ranimant à nos yeux les récits effacés.

Donne à l'éclat récent de nos jours de victoire

La couleur des vieux temps et l'aspect de l'histoire.


Votre muse a saisi de ces tableaux épars

Les contrastes brillants offerts de toutes parts :

Elle peint, dans le choc de ces tribus errantes

Le cliquetis nouveau des armes différentes,

Les bonnets tout poudreux de nos républicains

Heurtant dans le combat les turbans africains.

Et, sous un ciel brûlant, la lutte poétique

De la France moderne et de l'Asie antique.

Temps fertile en héros ! glorieux souvenir !

Quand de Napoléon tout rempli d'avenir,

Sur le sol de l'Arabe encor muet de crainte,

La botte éperonnée a marqué son empreinte,

Et gravé sur les bords du Nil silencieux

L'ineffaçable sceau de l'envoyé des cieux !

Beaux jours ! où Bonaparte était jeune, où la France

D'un avenir meilleur embrassait l'espérance.

Souriait aux travaux de ses nobles enfants,

Et saluait de **** leurs drapeaux triomphants ;

Et ne prévoyait pas que ce chef militaire

Vers les degrés prochains d'un trône héréditaire

Marchait, tyran futur, à travers tant d'exploits ;

Et mettant son épée à la place des lois,

Fils de la liberté, préparait à sa mère

Le coup inespéré que recelait Brumaire !


Mais enfin ce fut l'heure : et les temps accomplis

Marquèrent leur limite à ses desseins remplis.

Abattu sous les coups d'une main vengeresse,

Il paya chèrement ces courts instants d'ivresse.

Comme j'aime ces vers où l'on voit à leur tour,

Les rois unis livrer sa pâture au vautour ;

Des pâles cabinets l'étroite politique

Le jeter palpitant au sein de l'Atlantique,

Et pour mieux lui fermer un périlleux chemin,

Du poids d'indignes fers déshonorer sa main.

Sa main ! dont ils ont su les étreintes fatales,

Qui data ses décrets de leurs vingt capitales.

Qui, des honneurs du camp, pour ses soldats titrés.

Après avoir enfin épuisé les degrés.

Et relevant pour eux les antiques pairies,

Sur les flancs de leurs chars semé les armoiries,

Pour mieux récompenser ces glorieux élus,

A de la royauté fait un grade de plus.


Et vous, qui poursuivant une noble pensée,

Aux travaux de nos preux fîtes une Odyssée,

Qui montrant à nos yeux sous un soleil lointain

Ces préludes brillants de l'homme du destin,

Avez placé vos chants sous l'ombre tutélaire

D'une gloire historique et déjà séculaire,

Mêlés dans les récits des âges à venir,

Vos vers auront leur part de ce grand souvenir :

Comme, sous Périclès, ce sculpteur de l'Attique

Dont la main enfanta le Jupiter antique,

Dans les siècles futurs associa son nom

A l'immortalité des Dieux du Parthénon.
The Broken Poet Jun 2015
After 3 years of being her friend
I finally asked her why she doesn't wear her turban
She laughed with sadness in her eyes
You mean a Dastaar?
I blushed in embarrassment
Wondering if I should keep going
She tells me she doesn't wear it because she used to get bullied
She's trying to blend in with us
I imagine a church of millions in colorful turbans and dastaars
I say tell me about your church
She says it's a mosque
I say tell me about your God
She tells me Muhammed and the prophet Allah
I say tell me about your Bible
She says it's called a Quran
She says what's it like to get baptized in your religion
I say unlike other churches we don't get baptized into a a religion
We get baptized with the Father, and the Son, and The Holy Spirit
The Holy Trinity might one say
She says tell me about Jesus
I say that God sent his only son to be crucified for our sins when he has done no wrong
She sings Jesus Take The Wheel
But she is not Christian
Other religions and cultures have always fascinated me
I say tell me what's wrong
She says her grandparents really don't like her as much
Since she's running out of time and can't pray the obligated times
People say she's Hindu
People say she's from The Middle East
People say she's a million things
But to me she is the best bud, a human, like you and I
I want to be in combat, as well as she
I want to be in the Marines, she wants to try Army
She tells me my father wanted to but he couldn't because of his vision
She tells me the same might happen to her
But it's the thought
I told her I wanted to go to the Middle East before I join the Marines
She said I'll go with you
I say why?
She says because you need someone to protect you
I say okay we'll add that to the many states and countries to visit after we graduate
She tells me I've been in the middle of war before
I say what do you mean
She tells me she just happened to be in the wrong place at the wrong time
She tells me you know it's not a bad place in the Middle East
I smile and I say I know
It's not the country itself but the people within it
She has relatives in India
But was born in Richardson, TX
She is Muslim
I have relatives In America
I was born in Denton, TX
I am Christian
Hatred is not simply taught.
Scar Oct 2016
In my America, we sick dogs on the Natives
No reservations
Safety is:
Same ***
Same color
Pulling an afghan over Harlem
Pulling an afghan over the Afghans
Choking down turbans with turpentine

In my America
We ignore the horrors of history
Psychology is:
A field founded on healing female hysteria
Terrified boys sitting unabashedly petrified of
The galaxy between a set of particular thighs
The ******
Lunging into the vacuum only after they've been properly liquored up
In cowardice camaraderie

In my America
We segregate within our feminism
You can march with us, but stay at the back of the riot
****** spelled backwards is:
A ***** bottle, smashed off of a fraternity stage
And dragged along the spine of a man in pastel
****** spelled backwards is:
A picture of thread in knots, tied around wrists
Of female ******* rebellion
****** spelled backwards is:
I need this
For me
Woman
Alive
I


Las de ce calme plat où d'avance fanées,

Comme une eau qui s'endort, croupissent nos années ;

Las d'étouffer ma vie en un salon étroit,

Avec de jeunes fats et des femmes frivoles,

Echangeant sans profit de banales paroles ;

Las de toucher toujours mon horizon du doigt.


Pour me refaire au grand et me rélargir l'âme,

Ton livre dans ma poche, aux tours de Notre-Dame ;

Je suis allé souvent, Victor,

A huit heures, l'été, quand le soleil se couche,

Et que son disque fauve, au bord des toits qu'il touche,

Flotte comme un gros ballon d'or.


Tout chatoie et reluit ; le peintre et le poète

Trouvent là des couleurs pour charger leur palette,

Et des tableaux ardents à vous brûler les yeux ;

Ce ne sont que saphirs, cornalines, opales,

Tons à faire trouver Rubens et Titien pâles ;

Ithuriel répand son écrin dans les cieux.


Cathédrales de brume aux arches fantastiques ;

Montagnes de vapeurs, colonnades, portiques,

Par la glace de l'eau doublés,

La brise qui s'en joue et déchire leurs franges,

Imprime, en les roulant, mille formes étranges

Aux nuages échevelés.


Comme, pour son bonsoir, d'une plus riche teinte,

Le jour qui fuit revêt la cathédrale sainte,

Ébauchée à grands traits à l'horizon de feu ;

Et les jumelles tours, ces cantiques de pierre,

Semblent les deux grands bras que la ville en prière,

Avant de s'endormir, élève vers son Dieu.


Ainsi que sa patronne, à sa tête gothique,

La vieille église attache une gloire mystique

Faite avec les splendeurs du soir ;

Les roses des vitraux, en rouges étincelles,

S'écaillent brusquement, et comme des prunelles,

S'ouvrent toutes rondes pour voir.


La nef épanouie, entre ses côtes minces,

Semble un crabe géant faisant mouvoir ses pinces,

Une araignée énorme, ainsi que des réseaux,

Jetant au front des tours, au flanc noir des murailles,

En fils aériens, en délicates mailles,

Ses tulles de granit, ses dentelles d'arceaux.


Aux losanges de plomb du vitrail diaphane,

Plus frais que les jardins d'Alcine ou de Morgane,

Sous un chaud baiser de soleil,

Bizarrement peuplés de monstres héraldiques,

Éclosent tout d'un coup cent parterres magiques

Aux fleurs d'azur et de vermeil.


Légendes d'autrefois, merveilleuses histoires

Écrites dans la pierre, enfers et purgatoires,

Dévotement taillés par de naïfs ciseaux ;

Piédestaux du portail, qui pleurent leurs statues,

Par les hommes et non par le temps abattues,

Licornes, loups-garous, chimériques oiseaux,


Dogues hurlant au bout des gouttières ; tarasques,

Guivres et basilics, dragons et nains fantasques,

Chevaliers vainqueurs de géants,

Faisceaux de piliers lourds, gerbes de colonnettes,

Myriades de saints roulés en collerettes,

Autour des trois porches béants.


Lancettes, pendentifs, ogives, trèfles grêles

Où l'arabesque folle accroche ses dentelles

Et son orfèvrerie, ouvrée à grand travail ;

Pignons troués à jour, flèches déchiquetées,

Aiguilles de corbeaux et d'anges surmontées,

La cathédrale luit comme un bijou d'émail !


II


Mais qu'est-ce que cela ? Lorsque l'on a dans l'ombre

Suivi l'escalier svelte aux spirales sans nombre

Et qu'on revoit enfin le bleu,

Le vide par-dessus et par-dessous l'abîme,

Une crainte vous prend, un vertige sublime

A se sentir si près de Dieu !


Ainsi que sous l'oiseau qui s'y perche, une branche

Sous vos pieds qu'elle fuit, la tour frissonne et penche,

Le ciel ivre chancelle et valse autour de vous ;

L'abîme ouvre sa gueule, et l'esprit du vertige,

Vous fouettant de son aile en ricanant voltige

Et fait au front des tours trembler les garde-fous,


Les combles anguleux, avec leurs girouettes,

Découpent, en passant, d'étranges silhouettes

Au fond de votre œil ébloui,

Et dans le gouffre immense où le corbeau tournoie,

Bête apocalyptique, en se tordant aboie,

Paris éclatant, inouï !


Oh ! le cœur vous en bat, dominer de ce faîte,

Soi, chétif et petit, une ville ainsi faite ;

Pouvoir, d'un seul regard, embrasser ce grand tout,

Debout, là-haut, plus près du ciel que de la terre,

Comme l'aigle planant, voir au sein du cratère,

****, bien ****, la fumée et la lave qui bout !


De la rampe, où le vent, par les trèfles arabes,

En se jouant, redit les dernières syllabes

De l'hosanna du séraphin ;

Voir s'agiter là-bas, parmi les brumes vagues,

Cette mer de maisons dont les toits sont les vagues ;

L'entendre murmurer sans fin ;


Que c'est grand ! Que c'est beau ! Les frêles cheminées,

De leurs turbans fumeux en tout temps couronnées,

Sur le ciel de safran tracent leurs profils noirs,

Et la lumière oblique, aux arêtes hardies,

Jetant de tous côtés de riches incendies

Dans la moire du fleuve enchâsse cent miroirs.


Comme en un bal joyeux, un sein de jeune fille,

Aux lueurs des flambeaux s'illumine et scintille

Sous les bijoux et les atours ;

Aux lueurs du couchant, l'eau s'allume, et la Seine

Berce plus de joyaux, certes, que jamais reine

N'en porte à son col les grands jours.


Des aiguilles, des tours, des coupoles, des dômes

Dont les fronts ardoisés luisent comme des heaumes,

Des murs écartelés d'ombre et de clair, des toits

De toutes les couleurs, des résilles de rues,

Des palais étouffés, où, comme des verrues,

S'accrochent des étaux et des bouges étroits !


Ici, là, devant vous, derrière, à droite, à gauche,

Des maisons ! Des maisons ! Le soir vous en ébauche

Cent mille avec un trait de feu !

Sous le même horizon, Tyr, Babylone et Rome,

Prodigieux amas, chaos fait de main d'homme,

Qu'on pourrait croire fait par Dieu !


III


Et cependant, si beau que soit, ô Notre-Dame,

Paris ainsi vêtu de sa robe de flamme,

Il ne l'est seulement que du haut de tes tours.

Quand on est descendu tout se métamorphose,

Tout s'affaisse et s'éteint, plus rien de grandiose,

Plus rien, excepté toi, qu'on admire toujours.


Car les anges du ciel, du reflet de leurs ailes,

Dorent de tes murs noirs les ombres solennelles,

Et le Seigneur habite en toi.

Monde de poésie, en ce monde de prose,

A ta vue, on se sent battre au cœur quelque chose ;

L'on est pieux et plein de foi !


Aux caresses du soir, dont l'or te damasquine,

Quand tu brilles au fond de ta place mesquine,

Comme sous un dais pourpre un immense ostensoir ;

A regarder d'en bas ce sublime spectacle,

On croit qu'entre tes tours, par un soudain miracle,

Dans le triangle saint Dieu se va faire voir.


Comme nos monuments à tournure bourgeoise

Se font petits devant ta majesté gauloise,

Gigantesque sœur de Babel,

Près de toi, tout là-haut, nul dôme, nulle aiguille,

Les faîtes les plus fiers ne vont qu'à ta cheville,

Et, ton vieux chef heurte le ciel.


Qui pourrait préférer, dans son goût pédantesque,

Aux plis graves et droits de ta robe Dantesque,

Ces pauvres ordres grecs qui se meurent de froid,

Ces panthéons bâtards, décalqués dans l'école,

Antique friperie empruntée à Vignole,

Et, dont aucun dehors ne sait se tenir droit.


Ô vous ! Maçons du siècle, architectes athées,

Cervelles, dans un moule uniforme jetées,

Gens de la règle et du compas ;

Bâtissez des boudoirs pour des agents de change,

Et des huttes de plâtre à des hommes de fange ;

Mais des maisons pour Dieu, non pas !


Parmi les palais neufs, les portiques profanes,

Les parthénons coquets, églises courtisanes,

Avec leurs frontons grecs sur leurs piliers latins,

Les maisons sans pudeur de la ville païenne ;

On dirait, à te voir, Notre-Dame chrétienne,

Une matrone chaste au milieu de catins !
surface attractions are magnetic insurrections
******/ecstatic fornication is aqueous neurotic
loquats departing markets feverishly
his emergence is magic
her carpets were made to be rolled upon
in naked ecstasy
hungry like diners at a restaurant
humid and loose like comets
seeking markets to sell goods and services to
humid like germany in the heat of summer
drums breaking the silence like it was a sheet of paper
staples faking their commitments
bound to paper like razor blades to tape
jump up and scream your health is a miracle
sting like a needle the record player skips a beat
i am shown musical images yet perhaps we are meant to sleep
his dream is real and thirty feelers adorn her skin
her hungry hands caress his legs
forever peeling away the cucumber’s skin
respect is resolving to love despite the fire that shoots up your spine
go and wash the mind in a pool of liquid nectar
amrit is her sweater the sweaty and the sweet serum
salty houses of gingerbread demand repair

fair thee well 2016
your edges are rusted, frustrated and melancholy
i seek the middle where white lilies lie
waiting for someone to hold them
speak “know” more and refrain from talking
her arms hold the world in waking defiance
science is borrowed from metaphysics
statistics weaken the faith of our future
shoot the researchers and drown them in tubes of acid
like they torture cats and vivisect their own families
stab them and then steep them in water but add no honey

song shadows
soul and mirrors
will we ever see clearer
sweet life oh the fragrance
the righteous mind
un-sees the danger
so many soldiers
so many women
are all our fathers really children
move swiftly into the windy recesses
the mind regresses
all the time
damp and wet
the owl cries
so long tomorrow
farewell goodbye
dunk your head in liquid splendor
i am tender as the snow
pouring down from heaven’s fiefdom
mornings hunger is dissipated
by moonlight kisses and salty lovers
salves of calendula upon our skin
swim in juicy wonder
listen and dance with thunder
the fireflies swim through burning skies
making arcs and triumphant cries
what a silly blunder
all the noise and all the cover
hiding your heart in violet garments
streams of satin in your slumber
stroke the liberated arrow
weave the gardenia’s shadow
streams of consciousness and beauty
looking into eyes of human strategy
human shadows
start to suffocate us
instruct the timber plundered
strumming humid arias
looms of butter start to melt
svelte and spelt
slews of wealth
heavens belt is loosely tied
striated like the mind
grinding hind legs
selves neglect entry fees
sleeves of grass
strands of ice
jump in the lake for a quick refreshment
stand back you are lucky to undertake the treatment
come here and steer clear of fear’s inner critic
sinister sisters jump at guys
in gyms baring turbans in tournaments of blindness
sentenced to life behind stars
score cards grieve their own boxes
scratch the lottery cards
show them your hearts
small and beautiful
throughout the luminescent sky
i sulk waiting for the humpback whales to fly
street lights brighter than souls
do what you can and lift up the whole
returning to our goals and values
salutations bless the next expectation
the desperation of the departed
his investigation
feet fade into feathers
streets are named after leather
longing for loops of string
rings dream in desert timing
first rhymes decency gone blind
so we must find our light inside
held in bed against its will
vintage bells dressed in music
goose feathers use it for pillows
the west winds find his lips
respect turns to trust and kisses your bones
in bird language i speak tones of glowing stones
roses freeze the afterglow of darkness
dressed in moans and loaning their hands to anyone that passes
the dancers resume amusing stances
chances are France is falling faster than a comet
soaring like moorings in Spain
hours invested in self selection
hesitation to understand beauty
like mushroom filaments stints of style in tiny islands
steeped in courage still considering this weapon
resend the message festering in a fast vesicle
i feasibly neglect my spectacles
guess who came to dinner and wished you a happy new year
we live in order for our features to disappear
in Diaspora spores of ecstasy, mutiny and insurrection
rebel against tyranny and become the tyrant’s offering
sacrifice is ritual both real and useful
humid as the dawn in swampy storms of vision
precision is clueless less the virtuous resolve it
resourceful yes but nonetheless tired of twirling in groovy dramas
sand storms and bottomless pits
groping for history, mystery and freedom

you are a dumpling dressed in the afterglow of sunlight
with melancholy nectar dripping from your elbows
Chanson d'automne.

Déjà plus d'une feuille sèche
Parsème les gazons jaunis ;
Soir et matin, la brise est fraîche,
Hélas ! les beaux jours sont finis !

On voit s'ouvrir les fleurs que garde
Le jardin, pour dernier trésor :
Le dahlia met sa cocarde
Et le souci sa toque d'or.

La pluie au bassin fait des bulles ;
Les hirondelles sur le toit
Tiennent des conciliabules :
Voici l'hiver, voici le froid !

Elles s'assemblent par centaines,
Se concertant pour le départ.
L'une dit : " Oh ! que dans Athènes
Il fait bon sur le vieux rempart !

" Tous les ans j'y vais et je niche
Aux métopes du Parthénon.
Mon nid bouche dans la corniche
Le trou d'un boulet de canon. "

L'autre : " J'ai ma petite chambre
A Smyrne, au plafond d'un café.
Les Hadjis comptent leurs grains d'ambre
Sur le seuil d'un rayon chauffé.

" J'entre et je sors, accoutumée
Aux blondes vapeurs des chibouchs,
Et parmi les flots de fumée,
Je rase turbans et tarbouchs. "

Celle-ci : " J'habite un triglyphe
Au fronton d'un temple, à Balbeck.
Je m'y suspends avec ma griffe
Sur mes petits au large bec. "

Celle-là : " Voici mon adresse :
Rhodes, palais des chevaliers ;
Chaque hiver, ma tente s'y dresse
Au chapiteau des noirs piliers. "

La cinquième : " Je ferai halte,
Car l'âge m'alourdit un peu,
Aux blanches terrasses de Malte,
Entre l'eau bleue et le ciel bleu. "

La sixième : " Qu'on est à l'aise
Au Caire, en haut des minarets !
J'empâte un ornement de glaise,
Et mes quartiers d'hiver sont prêts. "

" A la seconde cataracte,
Fait la dernière, j'ai mon nid ;
J'en ai noté la place exacte,
Dans le pschent d'un roi de granit. "

Toutes : " Demain combien de lieues
Auront filé sous notre essaim,
Plaines brunes, pics blancs, mers bleues
Brodant d'écume leur bassin ! "

Avec cris et battements d'ailes,
Sur la moulure aux bords étroits,
Ainsi jasent les hirondelles,
Voyant venir la rouille aux bois.

Je comprends tout ce qu'elles disent,
Car le poète est un oiseau ;
Mais, captif ses élans se brisent
Contre un invisible réseau !

Des ailes ! des ailes ! des ailes !
Comme dans le chant de Ruckert,
Pour voler, là-bas avec elles
Au soleil d'or, au printemps vert !
Robin Carretti May 2018
How come you
dance so_ good
Don't do a Tina Turner
Table dance on me
Whats love got to do
with fads
Never know what you
had_

Fads Like P-op-Sugar
Lads Like Laptop- sister
Austrian lads
Alice-y Mads

A spoon full
of sugar
helps her
meds go
down
Jewels 4 Julie in the
most delightful
way
Dogs named
Andrews those
honey cashews

She pops
crackle Rice
crispies
For her Nephews
Over-sugared curfew
Julia Roberts her
business flew
Perk up (Pretty Women)
Not!! first class?
Money VIP Pass
Cafe hot and
boiling
His temper bad
habits spoiling

You cannot buy
a girl
off with
((Pricetags))
The ending
with no
friends so sad
Beginning

Sugar is your
poison that depends

No, I love you
Valentine cards
No hello and regards
Go Cincinnati
Rock and Roll
Hall of Fane*
Fads **** and Jane
spots her men
Her engraved
hands classical
Vivaldi opera
Pops with Pavarotti
To the love wall
Sweet Sardi
Please  no
Godfather Gotti

The Godmother
tutti fruity

Or Sardinia
Miami Beach
Pop  bikini's
Come together
words Beatles
I want to hold your
_?

Talking heads
Caramelly popcorn
Christmas ghost past
Talking to herself
Will this love
ever last
Like a hard toffee
She could soften
any hallway

Harvard Men
Freshman
Chewing fad
of spearmint
Gum
No etiquette
Men of bourbon
Spicy sweets
Ladies festive
turbans
Hotel tons of sweets
At the Marriott
Sweet Brandy doll
Marionette

Raw or
Angel equal
brown sugar

The finest of crepe
Suzette like a sequel
All fads of sweets and never is it my time to rock my beat Please Pop some sugar my way
Mateuš Conrad Sep 2018
the english speak of multi-cultural
integration
like they are sellers of
ice-cream cones...
they're selling barbwire -
      and they're selling the *******
with smiles...
          i'm done...
   let's be honest..
back in Poland,
in a homogenous capital,
i feel less nostalgic and more
        nauseated by a slight prominence
of multiculturalism -
   not in a negative sense,
i'm missing the Sikh turbans and
and the African skins...
                       i get sick from
all the monochromatic
nausea...
           bu then again i was raised
in a "polyglot" society...
               i have no pledge or
ownership of a post-colonial nation...
and i have the authority
of whom?
   your own people attacked
grammar,
i will not make a grammatical
attack legitimate...
you can have the nouns...
but when you attack the grammatical
structure of a language?!
no...
nein! nein! niet! nie! NO!
you've pushed me...
     i way integrating into your language...
speaking it,
ensuring a chameleon stature
to encompass it...
  you change the *******
categories?
  no...   no...                NIE!
read your ******* harry potter elsewhere...
freedom, my godforsaken ***,
saved from not having encountered
homosexual *******...
******* ***-monkeys...
no!
                          no!
you could have been allowed
a monopoly on the nouns...
      i would have bleached myself...
become the de-organic ******
embodied in the English tongue...
but did you have to attack
the English grammar?!
  really?!

             no... you speak your crooked
English... if it is just that...
       time to take the reins
of the language into my own grip...
because... clearly...
the natives are lost and incompetent in
using it...
                      i can't exploit
the conundrum like an Afghan
or a Pakistani...
                
  whatever might be deemed necessary...
whatever is necessary...
     no... you can attack the usage
of nouns and noun ascription
to become equivalent of labeling...
but don't attack grammar...

            shouldn't a native impose
this curiosity observation?!
  shouldn't a native make this
observation?
   no?!
   guess i'm more patriotic
about a language,
and always LESS, about a PEOPLE...
than some smirk-fusion
of a teenager with a proud look

no... you don't touch grammar...
2 x 2 = 5 exists in the entertainment
of meta-mathematics
of a Radiohead song...
  
      you can have your noun
contra "misnomer" ergonomics -
you leave the grammar alone...
and if i don't implore you...

       i'll warn you...
come to Russia... come to Poland...
i guess mere tongue
is not the same as a knuckle count;
but i want these people
to learn arithmetic!
  i want them to!
         ****... forget the Polish
******* galls running just fine
with their Saudi lovers,
fathers... jealousy priests...
  
hardly the mandible jaws...
  bring me your peasants...
         perhaps the odd dozen in Warsaw...
come nearer to Auschwitz...
Krakow -
                   less, and less...

don't come after grammar -
"correct" pronoun usage -
drunk's goggles?
there's a she but she's a "they"?
am i really that drunk
that i can't even see double
but see multiple?!
**** me...

                 guess the Platonic debate
concerning universals
and particulars has, somehow,
been solved...
           as it turns out...
it began with singularity and pluralism...
there are more than
two genders,
and two sexes...
but only a singular act of ***...
or there are more...

so *** is...
         more than two sexes?
     *******?!
        enlighten me!

           i am always more than willing
to receive a lesson in grammar!
Mateuš Conrad Mar 2016
for my father's heart i'd sever a thousand hearts,
and think nothing of your digital bombast,
in expression, and in your understanding
a careless use of punctuation,
for my father's heart i'd sever a thousand
heads from able limbs, into that tabloid care of
your to passively brush... with your
assimilated parasites, lost bilingual *******...
oh scare me with your turbans and lost tongue?
scare elsewhere, you equal among colonisers!
ignore the irish, they're just like dumb swedes.*

the ugliness of the english publication scene,
the too "risqué", i could integrate, but couldn't
assimilate, i couldn't do that passive-racism of
fake brits akin to: egyptians,
indians in the highest hierarchy of the Raj..
i couldn't do that...
they integrated & assimilated
like barren ******, they basically
did a Michael Jackson of migrating;
**** them all!
and they laughed at someone who
was almost killed;
thank god i received the laughter and
not my mother & father,
for my father's heart i'd sever a thousand men
from their torsos...
and i would do more, should my father's heart
not shine in emblem of riches
akin to my would-be murderer's mother's
tongue not dripping out honeyed words:
as i read, most hate their fathers, as the old
testament says, and as christianity proclaims
the Bethlehem star proclaim the baby owner
rather than Joseph... most hate their father...
and like slithering parasites without congregation
await the Samuel fingerprint of passing....
they laughed when i said i was almost murdered,
they laughed so hard they sentenced me for
psychiatric inspection to be able to write a book,
a common monetary generator that madness was,
but look at my legion of those readied to ******!
look at it! ah, i see, no more great wars to be waged...
i laugh too, at their export of values to foreign
lands then now fear to contain...
a friend in iraq just said: p.p.s.
and i retorted, what about the p.s.?
and he said: i meant your signature, you know,
write something like resembling english humour,
un-decipherable, i.e. not funny, and when funny
thought idiotic, because too much lee evans puppetry.
and i said: ah, p.p.p.s.
N'ai-je pas pour toi, belle juive,
Assez dépeuplé mon sérail ?
Souffre qu'enfin le reste vive.
Faut-il qu'un coup de hache suive
Chaque coup de ton éventail ?

Repose-toi, jeune maîtresse.
Fais grâce au troupeau qui me suit.
Je te fais sultane et princesse :
Laisse en paix tes compagnes, cesse
D'implorer leur mort chaque nuit.

Quand à ce penser tu t'arrêtes,
Tu viens plus tendre à mes genoux ;
Toujours je comprends dans les fêtes
Que tu vas demander des têtes
Quand ton regard devient plus doux.

Ah ! jalouse entre les jalouses !
Si belle avec ce coeur d'acier !
Pardonne à mes autres épouses.
Voit-on que les fleurs des pelouses
Meurent à l'ombre du rosier ?

Ne suis-je pas à toi ? Qu'importe,
Quand sur toi mes bras sont fermés,
Que cent femmes qu'un feu transporte
Consument en vain à ma porte
Leur souffle en soupirs enflammés ?

Dans leur solitude profonde,
Laisse-les t'envier toujours ;
Vois-les passer comme fuit l'onde ;
Laisse-les vivre : à toi le monde !
A toi mon trône, à toi mes jours !

A toi tout mon peuple - qui tremble !
A toi Stamboul qui, sur ce bord
Dressant mille flèches ensemble,
Se berce dans la mer, et semble
Une flotte à l'ancre qui dort !

A toi, jamais à tes rivales,
Mes spahis aux rouges turbans,
Qui, se suivant sans intervalles,
Volent courbés sur leurs cavales
Comme des rameurs sur leurs bancs !

A toi Bassoral, Trébizonde,
Chypre où de vieux noms sont gravés,
Fez où la poudre d'or abonde,
Mosul où trafique le monde,
Erzeroum aux chemins pavés !

A toi Smyrne et ses maisons neuves
Où vient blanchir le flot amer !
Le Gange redouté des veuves !
Le Danube qui par cinq fleuves
Tombe échevelé dans la mer !

Dis, crains-tu les filles de Grèce ?
Les lys pâles de Damanhour ?
Ou l'oeil ardent de la négresse
Qui, comme une jeune tigresse,
Bondit rugissante d'amour ?

Que m'importe, juive adorée,
Un sein d'ébène, un front vermeil !
Tu n'es point blanche ni cuivrée,
Mais il semble qu'on t'a dorée
Avec un rayon de soleil.

N'appelle donc plus la tempête,
Princesse, sur ces humbles fleurs,
Jouis en paix de ta conquête,
Et n'exige pas qu'une tête
Tombe avec chacun de tes pleurs !

Ne songe plus qu'aux vrais platanes
Au bain mêlé d'ambre et de nard,
Au golfe où glissent les tartanes...
Il faut au sultan des sultanes ;
Il faut des perles au poignard !
Fairs are
Layers of surprises
The cacophony of noises
The beauty of the various
Human creations
On display
Awaiting their
Customers
O Cashmere silks
Flowing like cream
The twelve yard long
Sari occupying
The seat of glory
Among all its mates
Glowing with its zardozi
And glimmering
Bridal wear
Handsome kurtas
And glorious turbans
Waiting to adorn
Men no less
Than their show
Shawls and scarfs
Beautiful raiments
Not only
Serve the human insecurity
But go well beyond
They glorify one's
Personality indeed
Maybe soon
Gender neutral garments
Would adorn these shelves
The world is moving
Pay heed
But now
This fair is making me romantic
Thoughts of daydreaming
Seeing so much
Wanting to get all of them
O I grow more infant
But I also see
In secret delight
Young lovers
Exchanging glances
This fair unites them
At least from
The bottom of their hearts!
I have to move on
O I see
Mighty rides
Brimming with people
The Titanic ride
Shouldn't meet
Another golden tragedy
Happy faces
And cheerful hearts
Do greet me
O my stomach is rumbling
Food is something
Without which
Our life gets
Tumbling
O jalebis
Roundels of joy
Dripping with ghee
And heavenly
Sugar syrup
These colorful goodies
I can't resist or stop
O boy
Pakodas being strained out
From hot simmering oil
Looks delicious
O what joy
Candyfloss
And sweets varied
Rich with magenta
Green and hues
Rapid
Greet me like
Those air hostesses
I crushed on
As a child
They do take me
On a flight of imagination
On gulping all of
Them down
One by one
My sweet tooth
Can't resist
O not
I see handsome hunks
Engaged in eager fight
Showing their power
And masculine might
Do they really have
Any hatred
Oh no
They are just friends
And they enjoy
Thus merry sport
O the dreaming young boy
Not bold but coy
Watches in wonder
He could not get those
Wondrous sweets
O wait
The fair had something for him
He could get
Those do paisa candies
At least!
He is enjoying with his pals
The fair
Is the blossoming ground
Of his long lasting
Friendship
But I am reminded
As I see dancing maidens
In sheer joy
That men but do come and go
But this saga of fairs has been going on
Since time immemorial
Only uniting the hearts
Of those
Who come here
To deal and feel
Some moments of joy
In this world
So mundane and real
'Mundane' at times!
Gone to a fair
Share your experience
For sure!
Mateuš Conrad Sep 2017
you know, cats prefers feathers of crows, to yarn ***** of synthetic wool rolled up into "playthings"... oh wait, i'm white, i have not base in providing knowledge, only copper-skinned people are wise... use whites are a piglet's word short of extinct... go! sinjit! go! turbans plop! go! bunch of queen sheba hoes... the wanking patronage of lahore's preserved existence.

which just shows how many actual cat-ladies
there are out there in the world -
and the mystery of missing cats being
explained:
even the ****** cats go missing
with these women,
me? i can't get rid of my maine ****
male...
****** rapes me, with his presence!
******, please, *******!
****** comes back...
says: your bead, mine...
   what am i, ******* flintstone shortcut...
and yes, i think that whoever "conjured"
up the idea of a yarn ball of wool as
entertainment was wrong,
you pick up a feather of a crow,
dip it into your makeshift dip of ink,
and then give it to your cat..
watch it pretend it's a dog with a bone...
and then see the lullaby...
by the way, how do you get a cat's
respect?
     you either sleep at much as they
do: of you beat them at their sleeping pattern...
i've managed to sleep longer than cats,
which also means i am guardian of
their toiletry pattern -
  the female maine **** prefers to be
petted when she's incubated by
a boa tightening of a hold -
the male? just an empty bed and a crow's
feather, then he snoozes,
and i shed a dear:
listen to some johnny cash,
and feel complete...
        and then i compare that to
the islamic rites of prayer,
the way you wash before making dues -
which is so much against;
******* with the dues of
elevating the necessitated
*******..
              while shaming the actual
efforts, that overshadow both
psychiatrist, & priest...
           i shame the dog-collar
bigots, and the psychiatric ******
insipid conjurers of "hope"...
who deserve as much tuxedo
as a straitjacket...
and a lot of these "doctors" have
a woman lying by their side:
which is always a bad sign...
none of them a dog, or a cat...
     ever heard of a serial killer with
a cat, or a dog as accomplice?
me neither! go fetch!
      aport boy! fetch!
         sing my a *******
johnny cash song you ******* '****.

why is it, that journalists suddenly
think they're the respectable class
of profession?
      no one respects journalism
after the *milly dowler
scandal...
   really? the best they can do is do that,
or simply troll?!
       **** it, i'll **** the rest of it...
there's no point in asking, pleading,
regressing, or revising...
    it's like asking for a monkey
to act as a ghost and instead of
stating ooh! stating a boo!
         sure as **** a jew got hurt with
missing H...
oh right... a pole said it...
the vermin class...
      nibbles nibbles...
rats got you nibbles...
      show-as your leggings -
i'll pride a nibble!
    not so proud then...
  what a shame...
      the usual sussex nuns come along:
and state the atypical ENGLAND,
entertaining as about three quarter's
worth of saudi arabia;
retracted in the comment section,
mostly by homos,
         or people who read as much
of a the ideal mention of headlines in newspapers...
then channel four says:
e ain't no ****!
     oh, wight, whites on whites...
**** ju ju juicing for the cumin
and coriander paste...
      finally!
multicultural england!
    i can finally bash a **** without
being called an anglican west ham supporter...
and?
if i don't get away with i?
  applause! manchester 2.0!
  or do i have to remind you, that my ethnicity
was called vermin?
      you know how turban bashers are born,
how these turbanators are born,
and orientate around muslims rather
than sikhs, and how you should have
read the placard, of the polish r.f.a. pilots
who fought in the first world war?
come next ****, i'll make another japatti.
« Allah ! qui me rendra ma formidable armée,
Emirs, cavalerie au carnage animée,
Et ma tente, et mon camp, éblouissant à voir,
Qui la nuit allumait tant de feux, qu'à leur nombre
On eût dit que le ciel sur la colline sombre
Laissait ses étoiles pleuvoir ?

« Qui me rendra mes beys aux flottantes pelisses ?
Mes fiers timariots, turbulentes milices ?
Mes khans bariolés ? mes rapides spahis ?
Et mes bédouins hâlés, venus des Pyramides,
Qui riaient d'effrayer les laboureurs timides,
Et poussaient leurs chevaux par les champs de maïs ?

« Tous ces chevaux, à l'œil de flamme, aux jambes grêles,
Qui volaient dans les blés comme des sauterelles,
Quoi, je ne verrai plus, franchissant les sillons,
Leurs troupes, par la mort en vain diminuées,
Sur les carrés pesants s'abattant par nuées,
Couvrir d'éclairs les bataillons !

« Ils sont morts ; dans le sang traînent leurs belles housses ;
Le sang souille et noircit leur croupe aux taches rousses ;
L'éperon s'userait sur leur flanc arrondi
Avant de réveiller leurs pas jadis rapides,
Et près d'eux sont couchés leurs maîtres intrépides
Qui dormaient à leur ombre aux haltes de midi !

« Allah ! qui me rendra ma redoutable armée ?
La voilà par les champs tout entière semée,
Comme l'or d'un prodige épars sur le pavé.
Quoi ! chevaux, cavaliers, arabes et tartares,
Leurs turbans, leur galop, leurs drapeaux, leurs fanfares,
C'est comme si j'avais rêvé !

« Ô mes vaillants soldats et leurs coursiers fidèles !
Leurs voix n'a plus de bruit et leurs pieds n'ont plus d'ailes.
Ils ont oublié tout, et le sabre et le mors.
De leurs corps entassés cette vallée est pleine.
Voilà pour bien longtemps une sinistre plaine.
Ce soir, l'odeur du sang : demain, l'odeur des morts.

« Quoi ! c'était une armée, et ce n'est plus qu'une ombre !
Ils se sont bien battus, de l'aube à la nuit sombre,
Dans le cercle fatal ardents à se presser.
Les noirs linceuls des nuits sur l'horizon se posent.
Les braves ont fini. Maintenant ils reposent,
Et les corbeaux vont commencer.

« Déjà, passant leur bec entre leurs plumes noires,
Du fond des bois, du haut des chauves promontoires,
Ils accourent ; des morts ils rongent les lambeaux ;
Et cette armée, hier formidable et suprême,
Cette puissante armée, hélas ! ne peut plus même
Effaroucher un aigle et chasser des corbeaux !

« Oh ! si j'avais encor cette armée immortelle,
Je voudrais conquérir des mondes avec elle ;
Je la ferais régner sur les rois ennemis ;
Elle serait ma sœur, ma dame et mon épouse.
Mais que fera la mort, inféconde et jalouse,
De tant de braves endormis ?

« Que n'ai-je été frappé ! que n' sur la poussière
Roulé mon vert turban avec ma tête altière !
Hier j'étais puissant ; hier trois officiers,
Immobiles et fiers sur leur selle tigrée,
Portaient, devant le seuil de ma tente dorée,
Trois panaches ravis aux croupes des coursiers.

« Hier j'avais cent tambours tonnant à mon passage ;
J'avais quarante agas contemplant mon visage,
Et d'un sourcil froncé tremblant dans leurs palais.
Au lieu des lourds pierriers qui dorment sur les proues,
J'avais de beaux canons roulant sur quatre roues,
Avec leurs canonniers anglais.

« Hier j'avais des châteaux, j'avais de belles villes,
Des grecques par milliers à vendre aux juifs serviles ;
J'avais de grands harems et de grands arsenaux.
Aujourd'hui, dépouillé, vaincu, proscrit, funeste,
Je fuis... De mon empire, hélas ! rien ne me reste.
Allah ! je n'ai plus même une tour à créneaux !

« Il faut fuir, moi, pacha, moi, vizir à trois queues !
Franchir l'horizon vaste et les collines bleues,
Furtif, baissant les yeux, presque tendant la main,
Comme un voleur qui fuit troublé dans les ténèbres,
Et croit voir des gibets dressant leurs bras funèbres
Dans tous les arbres du chemin ! »

Ainsi parlait Reschid, le soir de sa défaite.
Nous eûmes mille grecs tués à cette fête.
Mais le vizir fuyait, seul, ces champs meurtriers.
Rêveur, il essuyait son rouge cimeterre ;
Deux chevaux près de lui du pied battaient la terre,
Et, vides, sur leurs flancs sonnaient les étriers.

Les 7 et 8 mai 1828.
En guerre les guerriers ! Mahomet ! Mahomet !
Les chiens mordent les pieds du lion qui dormait,
Ils relèvent leur tête infâme.
Ecrasez, ô croyants du prophète divin,
Ces chancelants soldats qui s'enivrent de vin,
Ces hommes qui n'ont qu'une femme !

Meure la race franque et ses rois détestés !
Spahis, timariots, allez, courez, jetez
A travers les sombres mêlées
Vos sabres, vos turbans, le bruit de votre cor.
Vos tranchants étriers, larges triangles d'or,
Vos cavales échevelées !

Qu'Othman, fils d'Ortogrul, vive en chacun de vous.
Que l'un ait son regard et l'autre son courroux.
Allez, allez, ô capitaines !
Et nous te reprendrons, ville aux dômes d'or pur,
Molle Setiniah, qu'en leur langage impur
Les barabares nomment Athènes !

Le 21 octobre 1828.
Mark Wanless Sep 2017
"Dharamsala"

In the middle of the hub
Bub smelling diesel fumes
With both lungs
I press my cheeks
To warm cement and watch
And listen
I see monkeys watching we
Hear little buzzy horns
People doing the thing
Called walking
The tops of airborne eagles
And crows wings outspread
Evaporated snow
Thousands of disturbed flies
From their garbage lunch sorry
Policeman beggarman Indian guru
Thief ? not yet
Except for two cows and a monkey
Smokers hack
Fruits and vegetables
Female sidesaddle motorcycle
Passengers
No sidewalks
Streets shared by people
And machines in traffic patterns
Of foreign cognition
From this side anyway
Welcome warm sunshine
Congested nasal passages
Wearers of blankets robes turbans
Shawls flip flops tennis shoes
Lots of big ****** horns
Politely saying move please
Braided ponytails galore
Four vehicle traffic jam
Goods carrier tourist cab jeep
Rebar Thank God!
Electric wires and water pipes
Functionally scattered
Traffic police large guardrail dents
Guest house hotel tea stalls
Himalayan butterflies
Sleeper sleeping
Broken gurgling fountain
Beards
Malas
Backpacks
Candy
goodbye kalsang
bill Hancock Aug 2022
Their threads did tremble in the weave
as the mission they faced through the open door
their Officer did bolst the task, not a breeze
made aware a number would not see the floor

this mission would codify, the myth of the Urban
that socks became victims, of machines that wash
not towels, not shirts nor Indian Turbans
but workers, sporties, and long tubes smelling gross

many had tried to slow down the loss
pinning together we all prayed would work
cycle completed, showed one sock and dross
the face of the washer a smug leering smirk

Legends of Urban Myth create mysteries aura
but they often contain a smidgen of truth
chest drawers of households hide single sock trauma
but no one can produce an iota of proof
Available?
absolutely.

Who's going to shoot
me a line?

This is a rehearsal
before the performance
I take my chance
and play to an
empty
auditorium,

Is this an audition
or just
a transitional state
I am in?

Reality never looks
real to me
it
must be something to do
with optometry
or maybe it might be
my ancestry.

either way whatever
reality never looked real.

Under the shadows of mountains
I watch sherpas who are all
wearing turbans
they seem a fine team of men
who reach to the top
stop
turn around
and come down again.
Safana Jun 2023
Terrorism has begun.
I said more.
before today and yesterday.
Don't spread scorpions on your mattress.
Don't let the mad elephants loose in your town.
I know anything can happen.
And here it begins.
On the polo field and others.
He will go down through the valley.
He will go up to the top of the hill.
Well, that's not the problem.
When he moves, he goes to the king.
And the other four kings.
Ah, that's not the problem.
Kidnapping and **** will happen.
confiscation of phones by thugs
Seize the poor people's lands and own them.
****** ******* with minors
insulting elders and humiliating the humble.
Pride and exaltation.
They all started to happen.
I said more.
Do not choose bloodsuckers.
those who make turbans and red cloth.
those with red hats and red walnuts.
So here it is; it happened, and it's over.
Auroleus Oct 2018
'Twas evening and the sneaky snakes
Did sneak and snake in the yard:
All thick were the shakes,
And the fat man ate lard.

"Beware the arabs my son!
The turbans that smell, the gas they sell!
Beware the taliban clan, not fun
The infamous Bin Laden form hell!"

He took his nuclear bomb in hand;
Long time the evil man he sought—
So passed out he in the desert land
From those killer shrooms he bought.

And as in deep thought he stood,
The arabs with their eyes of flame,
Came riding through the hood,
And babbled as they came!

One, two! One, two! And Through And Through
The nuclear bombs went Bang!
While chewing chew, that man he slew
And he cut off his ****.

"And hast thou slain thy evil man?
Come to my house my cheerfull boy!
Oh whoopty doo and Peter pan!"
He Chuckled in his joy.

'Twas evening and the sneaky snakes
Did sneak and snake in the yard:
All thick were the shakes,
And the fat man ate lard.
Some edgy **** I wrote in the 10th grade. We were at war, man, **** w/ that pc bs.

Also, structure taken directly from Lewis Carroll's Jabberwocky.

— The End —