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judy smith Apr 2015
The Pakistan Fashion Design Council in collaboration with Sunsilk presented the fourth and final day of the eighth PFDC Sunsilk Fashion Week. Indeed the 8th PFDC Sunsilk Fashion Week marked the twelfth fashion week platform initiated by the Pakistan Fashion Design Council [with eight weeks of prêt-à-porter and four of bridal fashion] and was a direct manifestation of the Council’s commitment to sustainability and discipline within the business of fashion and the facilitation of Pakistan’s retail industry. Indeed #PSFW15 endeavoured to define and present trends for 2015, focusing specifically on fashion for the regions’ long hot summer months. Day-4 featured High-Street Fashion shows by the House of Arsalan Iqbal, Erum Khan, Chinyere and Hassan Riaz and designer prêt-à-porter shows by Sana Safinaz, Republic by Omar Farooq, Syeda Amera, Huma & Amir Adnan, Sania Maskatiya and HSY.

Speaking about the PFDC Sunsilk Fashion Week platform, Chairperson of the PFDC, Sehyr Saigol said: “With the 12th iteration of our critically acclaimed fashion weeks, the PFDC is always working to streamline our prêt-à-porter platform to make the PSFW experience more beneficial for all stakeholders in terms of show experience, exposure and ultimately, retail value. To that end, each year we look inward to find the best possible formats and categories to benefit the very trade and business of fashion. In this vein, we introduced 3 separate categories for Luxury/Prêt, High Street and Textile at PFDC Sunsilk Fashion Week, giving each entirely separate show space, times, audience exposure and viewing power. Our High Street fashion brands had been given a standalone show time on two separate days as early evening shows and Textile brands a separate dedicated day for Voile shows on Day 3 of PSFW 2015, a measured step to further highlight Pakistan’s textile prowess and high street fashion strength which are of significant importance to national and international fashion markets. As per past tradition, we continue to work closely with all our emerging designers and mainstream brands to help hone their collections for the runway through mentorship by senior PFDC Council members and with retail support through the PFDC’s own stores and network. We are grateful for the committed support of our sponsors and partners which provides us the stimulus to further enhance our fashion week platforms and put forth the best face of Pakistani fashion on a consistent basis.”

“The Sunsilk girl is an achiever, with an air of enthusiasm and positivity. Great hair can give her the extra dose of confidence so with Sunsilk by her side, she is empowered to take on life. Fashion is very close to this aspirational Pakistani girl making the PFDC Sunsilk Fashion Week a highly valued platform for us. We recognize PFDC’s efforts to promote the fashion industry and experienced and upcoming talent alike. Sunsilk has been a part of this fantastic journey for 6 consecutive years and continues to shape aspirations, taking contemporary fashion directly to the homes of consumers and encouraging them to script their own stories of success” said Asanga Ranasinghe, VP Home and Personal Care for Unilever Pakistan.

On the concluding day of #PSFW15, the Chairperson of the PFDC Mrs. Sehyr Saigol also made a special announcement on behalf of the Council and its Board Members, where she shared the Council’s plans to establish Pakistan’s first ever craft based Design District, a multi-purpose specialized facility that would assist in developing and enhancing the arts and crafts industries, which are an integral part of Pakistan’s rich cultural legacy. In addition to being a centre for skill improvement and capacity building, the Design District would also house a first of its kind Textile Museum.

The official spokesperson of the PFDC, Sara Shahid of Sublime by Sara also announced the official dates for the Council’s next fashion week, PFDC L’Oréal Paris Bridal Week 2015 which is scheduled to be held from 15th September to 17th September 2015.

Indeed the success of PFDC Sunsilk Fashion Week continued to prompt private sector associates to grow in their engagement of the platform to launch new marketing campaigns and promotional activities. To this end, the PFDC’s evolving partnership with Sunsilk grew exponentially this year whereby in addition to their title patronage; Sunsilk also took over the coveted PFDC Sunsilk Fashion Week red carpet and the Green Room/Backstage, as sponsors. This extension of their support is indeed a manifestation of the brand’s belief in and commitment to the platform. Also in continuation of their support for the platform, Fed Ex – GSP Pakistan Gerry’s International returned to PSFW as the official logistics partner, offering the PFDC a special arrangement for international designer consignments.

PFDC Sunsilk Fashion Week 2015 was styled by the creative teams at Nabila’s and NGENTS. Light design, set design, sound engineering, video packaging, choreography and show production from concept to construction was by HSY Events, front stage management by Maheen Kardar Ali, backstage management by Product 021, Sara Shahid of Sublime by Sara as the official spokesperson for the PFDC, logistics and operations by Eleventh Experience and photography by Faisal Farooqui and the team at Dragonfly, Hum TV/Hum Sitaray as the Official Media Partners, CityFM89 as the Official Radio Partners with all media management by Lotus Client Management & Public Relations.

High-Street Fashion Shows

The House of Arsalan Iqbal

The afternoon High-Street Fashion Shows on the final day of PFDC Sunsilk Fashion Week 2015 were opened by leading fashion brand The House of Arsalan Iqbal, who showcased a collection titled ‘Devolution Chic’. Inspired by street art across the world by various artists, European high-street trends and technique of quilting, Arsalan Iqbal garnered personal portfolios of graffitists from myriad urban cityscapes such as London, New York, Tokyo, Barcelona and Cape Town, juxtaposed with some unique in-house created patterns including those of Pac-man, calligraphic flourishes and aqua and tangerine bands and circlets. Based in chiffon, the ensembles were molded into voluminous structured silhouettes including draped tunics, edgy jumpsuits and wide palazzos dovetailed with off-white and ecru charmeuse silk jackets created with a revolutionary quilting process. Along with menswear pieces, the collection also included in-house footwear and jewellery made in collaboration with pioneering Karachi-based street artist SANKI.

Erum Khan

Designer Erum Khan followed next and made her PFDC Sunsilk Fashion Week debut with ‘The Untainted Shine’. The collection took its inspiration from the sparkle of twinkling stars, a walk on pearl dew in the morning and the enchanted glow which is produced when “a magic wand” is waved around the body, making it glow in a pearlescent white and exhibiting a jewel themed lustre on the body. With neat and straight structured cuts, Erum had used fabrics such as organza combined with silk, 3D flowers, patch work and antique katdanna in a collection which was based in a white colour palette. Trends highlighted in the collection were high waist skirts to button up pants and sheer long dresses. Acclaimed Pakistani musician Goher Mumtaz and his wife Anam Ahmed walked the ramp as the designer’s celebrity showstoppers.

Chinyere

Following Erum Khan, fashion brand Chinyere showcased its Spring/Summer 2015 High-Street collection ‘Mizaj-e-Shahana’ at PFDC Sunsilk Fashion Week 2015. An ode to the era of the Mughal royalty and their imperial aesthetic, the collection comprised of modern silhouettes and traditional embellishments with organza skirts paired with cropped tops, angarkha-peplum tops with embellished cigarette pants, sheer knee-length jackets paired with structured digital printed bustier-jumpsuits, diaphanous wrap-around boot-cuts and embellished boxy sleeves with soft A-line silhouettes. Chinyere also showcased ten menswear pieces comprising of waistcoats, jodhpurs, knee-length sherwanis paired with gossamer sheer kurtas. The colours used had been divided into a collection of distinctive Mughalesque pastels and jewel tones. The pastels included the classic marble ivory-on-ivory, the bold black, saffron, gold and ivory. The colour segments also included metallic gold and grey sections, with accents of bronze and black. The jewel tones included jade, emerald, ruby and sapphire.

Hassan Riaz

The concluding High-Street fashion show of PFDC Sunsilk Fashion Week 2015 was presented by Hassan Riaz who showcased his ‘Contained Shadows’ collection. Inspired by the diverse facets of the human soul that explore both the dark and light sides of human nature, taking into account yearnings, desires, and anxieties that make us distinctly human, Hassan had based the collection in summer twill, organza and summer denim in shades of blue and white with a gold accent to reflect upon his inspirations. ‘Contained Shadows’ made use of structured and drifting silhouettes, cage crinolines with corsets and bustiers with distinct trends featuring cropped tops, nautical accents, experiments with transparency and patchworks of metal mixed & matched with flowers.

Designer Showcases

Sana Safinaz

PFDC Sunsilk Fashion Week 2015’s evening [rêt shows on the fourth and final day was opened by premier designer label Sana Safinaz. Sana Safinaz’s PFDC Sunsilk Fashion Week collection was inspired by monochromatic structured looks with pops of color. The collection was based in luxe fabrics such as kattan, silks, fine silk organza and dutches satin in a colour palette majorly based in black and white with strong vibrant pop infusions.
Key trends being highlighted were the oversized T, constructions-clean lines, simplicity of cuts and effective embellishments.

Republic by Omar Farooq

Following Sana Safinaz, acclaimed menswear brand Republic By Omar Farooqshowcased a collection titled ‘Que Sera, Sera!’ (whatever will be, will be!). Omar Farooq had used a variety of luxe fabrics such as suede, linen, chiffon, cotton, cotton silk and wool silk. A collection for all seasons, the ensembles built upon the label’s signature aesthetics while providing a new take on contemporary menswear. Acclaimed media personality Fawad Khan walked the ramp as the brand’s celebrity showstopper.

Syeda Amera

The third Prêt show of the final day of PFDC Sunsilk Fashion Week 2015 was presented by designer Syeda Amera who made her ramp debut with ‘The World of Sea’. Inspired by love for the enchanting underwater, the collection was based in premium quality organza, jersey, nets and silks with delicate cuts and embellishments consisting of beads, sequins and feathers to reflect the collection’s aquatic theme. ‘The World of Sea’ featured a palette of aqua marine, scupa blue, powder pink, grey blue, tequila sunrise yellow, orange and lagoon green with trends that employed skirt layering, frills and ruffles and flared pants.

Huma & Amir Adnan

Following Syeda Amera, Huma & Amir Adnan showcased a joint collection for the first time at a fashion exhibition. Both Huma and Amir feel that as a couple they share their lives and draw synergies and their collection ‘Symphony’ was an epitome of how two people can revolve around the same concept in harmony, while maintaining their individual distinction. Showcasing both menswear and women’s wear at PSFW 2015, Huma and Amir had used a mix of fabrics, textures and embellishments with a complex collection of weaves, prints and embroideries in silk, linen, cotton and microfiber. The color palette included midnight blue, emerald green, wet earth, aubergine, ivory, old paper, turmeric, leaf and magenta. Key trends highlighted in the collection were long shirts, double layered shirts, printed vests and jackets, textured pants, colored shoes for men and layers of multi-textured fabrics, tighter silhouette, vests and jackets for women.

Sania Maskatiya

Designer Sania Maskatiya showcased the penultimate Luxury/Prêt collection of the evening at PFDC Sunsilk Fashion Week 2015. This S/S ’15, Sania Maskatiya took audiences on a fashion journey to ‘Paristan’ – a place of fairytale whimsy at PFDC Sunsilk Fashion Week. With a colour palette ranging from the softest shades of daybreak to the deepest hues of nightfall, ‘Paristan’ was a collection of playful, dreamlike prêt ensembles. Featuring luxury fabrics like silk, organza, charmeuse and crepe, the pieces followed the brand’s signature silhouettes, both structured and fluid. Beads and sequins embellished varied hemlines and multiple layering, all set against captivating scenes of mirth and magic. Motifs ranged from the sublime to nonsensical; friendly mice and naughty elves, clocks and teapots, flowering fields and star-filled skies, princesses and ponies.

HSY

Day-4’s finale was presented by acclaimed couturier HSY who showcased a collection titled ‘INK’; a collection inspired by Asia and specifically HSY’s journeys to The Land of the Rising Sun. INK represented the essence of Langkawi, Indonesia, Nagasaki, and Yunnan with natural and indigenous yarns, hand-woven to perfection. The collection featured the traditional dyeing techniques of Shibori from Nagasaki, Batik from Indonesia, and Gara from Sierra Leone infused with mackintosh, saffron, aubergine, eggshell, rosette, indigo and ochre. Created with the scorching sub continental summer in mind, INK channelled versatile hemlines to suit a diversity of younger, older, working men, women and homemakers alike.Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-brisbane
Terry O'Leary Feb 2017
Awaking blithe each morning,
with eyes upon the World,
I wonder, are we mourning
with ebon flags unfurled –
or are they but a warning,
some draped like snakes and curled,
stray stars and stripes adorning,
sent from the netherworld.

I wander through the garden
with nothing on my mind
and say 'I beg your pardon'
alarmed at what I find
as winds begin to harden
and fate begins to grind.

Confused, I watch my neighbours,
they're wide-eyed, unafraid
to halt all useful labours
and join the death brigade;
the ritters rattle sabres,
the frail and fragile fade,
morticians tap on tabors,
the potentates parade.

The military blesses
(in tunics somewhat browned)
its crimson-stained successes,
hell bent and heaven bound.
Such scenes no more distress us:
a ****** battleground,
dissevered heads with tresses
and arms and legs abound;
the fourth estate suppresses
the heaps of bodies  found
(collateral excesses
discarded in a mound).

Society regresses,
now living by the sword,
with torture and its stresses
upon a waterboard;
a captive kid confesses,
his innocence ignored -
fallacious facts and guesses,
the guts of justice gored!

With canting vindication
a big brass bully brags
(with pearls of perspiration
and swollen tongue that gags)
of third world  subjugation
for gelt and oily swags,
of human rights' castration,
and on and on it drags.

The manifold migration
of refugees in rags
while searching for salvation
soon finds compassion lags;
uprooted populations
are fleeing from their flags
else dying of starvation
as naked hunger nags.

With trump cards politicking,
two little hands (all thumbs)
may send the Mad Dog siccing.
Insane! All sense succumbs.

Atomic timepiece ticking
until the Reaper comes
as Geiger counters clicking
drown out the droning drums.

Cast out for not conforming,
I wander day by day
to find the earth deforming
as nature wastes away,
with bees no longer swarming
(expunged with garden spray)
and ocean depths transforming
(neath plastic overlay).

With CO2 performing
the climate's led astray,
the atmosphere's been warming,
the grasses ashen gray,
eternal tempest storming
while permafrosts decay,
and ozone holes are forming
in deadly disarray.

The people profiteering
descend a slip'ry *****
destroying, never fearing        
of running out of rope;
instead they sit back sneering
“our wealth’s your only hope”.

Yes, Armageddon's nearing,
it's doubtful that we'll cope,
for Evolution's jeering,
she's scanned our horoscope:
we'll soon be disappearing
with whale and antelope.


           Epitaph

The multitudes were jumbled,
some milling ’round the mall,
while politicians bumbled
when bracing for the brawl.

The World around us rumbled,
our backs against the wall,
as bombs were tossed and tumbled
across our broken ball.

My kneecaps creaked and crumbled
but I, too proud to crawl,
took but a step and stumbled  
yet found no place to fall.

And no one heard me grumble
although I tried to call,
or maybe I just mumbled,
as strength began to pall.

Well now the World’s been humbled
I seek an urban sprawl,
but since the feuds were fumbled
there’s nothing left at all.
judy smith Apr 2015
With designers like Iman Ahmed, HSY and Sania Maskatiya all showing, it was standing-room only at the venue. Many of the crowd of fashion insiders and socialites ended up sharing seats, with the chivalrous Zaheer Abbas giving his seat to Iman Ahmed after her show and sitting on the floor himself. So much for designer egos!

It was an evening that lived up to its billing.

Iman Ahmed may not be a designer who makes her clothing easily available, but in fashion terms she reaches heights that few other designers can reach. Her “Sartorial Philology and the New Nomad collection” was breathtaking.

The best fashion shows have a narrative — the clothes, styling, music and progression of the outfits blend seamlessly into a whole that portrays the designer’s artistic vision.

It’s hard not to gush about Iman Ahmed’s show last night because it was exactly what a fashion show should be.

Starting with a series of outfits in white and gradually adding tribal colours, Iman used fringing, embroidery and a range of fabrics to great effect. From the inspired detailing to the juxtaposition of texture and silhouette, this was a class act. The tribal white-dotted makeup and beaten silver accessories added further depth to Iman’s stunning layered ensembles.

Levi’s uninspired showing of their new 501 jeans and other stock provided the audience with a pause to process the previous collection. It’s difficult to make a interesting fashion week presentation out of high street wear and something that Levis struggles with.

They used better music than they did at their autumn show but the styling was still painfully lacking. They did manage to make everyone sit up and take notice at the end of their show though — Wasim Akram walked the ramp as their showstopper amid cheers from the admiring audience.

Somal Halepoto was next, with collection that looked distinctly amateur. She seemed to be aiming for a bright kitschy collection but ended up looking merely tacky. The shiny, synthetic-looking fabrics and gaudy embroidery were particularly woeful. Somal’s digital neon animal prints and some of the harem pants were funky but the rest of the collection had little to recommended it.

YBQ’s LalShah collection, meanwhile, was in a different league. An ode to 3 Sufi Sindhi saints, the collection was as much about the artistic impression it made on the ramp as it was about the clothes. The distinctly theatrical presentation relied on the slow beat of sufi music and plentiful accessories for much of its impact.

YBQ sent his models down the ramp in huge pagris, holding flags on poles and garlanded with prayer beads. He used only three colours - red depicting rage, white for peace and black for mourning. Most of the outfits were draped red jersey tunics or gowns with white lowers, braided belts and black turbans.

Rubya Chaudry wore a black gown with red roses but otherwise the outfits were all about subtle plays with drapery and cut. From jodhpur style chooridarsto asymmetrical draping, the outfits had interesting touches but needed all that heavy styling to make an impact. HSY was YBQ’s showstopper and added glamour to the theatrical presentation that he had choreographed.

Wardha Saleem was first up after the break and her Lotus Song collection showed how this talented young designer has been upping her game over recent years.

She used digital flamingo prints, 3D embroidery, gota embroidery and lasercutting in a pretty formal fusion collection. The detailing on the collection was simply stunning. Wardha used gota in delicate patterns that gave her outfits shimmer and paired this with three dimensional embroidery. The outfits featured flowers, fish, elephants and birds picked out in silk thread and beads.

She showed a variety of shift dresses, jackets, saris, capes and draped dresses. The styling was also great fun – the models wore shoes featuring spikes and 3D flowers while the multi-talented Tapu Javeri provided some gorgeous jewellery and music for the show. While there was nothing groundbreaking about her silhouettes, this was a beautiful collection that showed skill and artistry.

Sania Maskatiya, who presented her luxury pret on Day 1, now showed her lawn collection for AlKaram. As far as designer lawn goes, this is something of a dream collaboration.

Textile and print are Sania’s forte and she uses print extensively in her luxury pret. In this collection for Al-Karam she has taken print elements from her pret collections throughout the year including the Sakura, Lokum and Khutoot collections.

The prints are different from those used in her Luxe pret but are based on the same principals. She’s even used the paint splash embroidery from this season’s Khayaat collection in one of the outfits. Designer lawn should be affordable way to wear a designer’s aesthetic and this Sania Maskatiya Al Karam collaboration certainly is.

As for the show itself, showing lawn is always tricky on the ramp. Sania pulled it off with an upbeat presentation using fast music and trendy cuts, throwing a few conventional shalwar kameez in the mix. She fashioned the lawn into jackets, kaftans and draped tunic, using the sort of cuts that are a hallmark of her pret. It’s not how most people wear lawn but it was a great way to show off the prints on the ramp.

Naushaba Brohi’s Inaaya burst onto the fashion scene last year with a spectacular collection. Following up on a dramatic debut is difficult but Naushaba proved that she is not a one hit wonder with this collection. Inaaya’s SS15 collection continued with the theme of using traditional Sindhi crafts in contemporary wear. Naushaba used both touches of Rilli and some stunning mirror work in her collection.

What makes Inaaya noteworthy is the way that she takes unsung traditional crafts that we’ve seen badly used and gives them a high fashion twist. Standout pieces included a bolero with unusual mirror work and a rilli sari that glittered with tiny flashes of mirrors.

Although the collection included many beautiful outfits, there was a lack of focus. The simple tunic with a rilli dupatta didn’t work with knotted purple evening wear jacket. The inability to make a definitive statement let down an otherwise accomplished collection.

Naushaba added a characteristic touch at the end of her show. She’s committed to social responsibility and supports local craftswomen with her brand. Accordingly, Inaaya’s showstopper was Mashal Chaudri of the Reading Room Project along with Naushaba’s daughter Inaaya. She held up a plaque saying “I teach therefore I can” while Inaaya wore a T-Shirt with the slogan “super role model”.

HSY brought the evening to a close with a high-speed presentation of his Hi-Octance menswear collection. The unusual choreography featured the models zipping along the catwalk, pausing briefly on their second round. The energetic presentation complemented a collection of sharp suits and jackets, leavened with quirky polka dot shirts and bold stripy ties.

There was the requisite shirtless model in distressed jeans and an ice-blue jacket but also some appealing suiting fabrics. HSY used only Pakistani fabrics and included solid colours as well as self-checked and striped suits. This was wearable, classy menswear presented creatively.

Day 3 was undoubtedly the best day of TFPW so far. Iman Ahmed undoubted takes the laurels but she was ably supported by HSY, Wardha Saleem, Inaaya, Sania Maskatiya and YBQ.Read more here:www.marieaustralia.com/formal-dresses | www.marieaustralia.com/short-formal-dresses
Malintha Perera Jan 2015
Trees in dark tunics
leaves reflect the pale moonlight.

The silver fur of the moon
extended claws gripping the dark
veins are stretched to a chilled red wine.

Its taste tingles on the tip of my tongue
to lick the white stains of the ambushed sky
to pluck the emblems with my teeth
and howl silently with the moon
nudging the dark space to a blushing white.

©Malintha Perera 2015
topaz oreilly Dec 2012
The dust plate plays havoc
its enough to unsound the light,
around the mountain top again.
Journeying south to balm the disappointment,
asked why and further marching down
the parade sees no end,
just a murmur.
A sigh left unsaid,
again stated it sounds different
as we echo to the Northern valleys,
where icicles lampoon our
uncovered heads.
jude rigor Feb 2022
sappho greets her as she
would a reflection:
hand against hand, staring into
her eyes. silence dancing
around them as a long-lost love-
r.

enheduanna sighs at the contact
and the quiet shifts as
her fingers close:
as there is no need for language
when her
inanna will grant them
a holy diadem.

-----

eternity reeks
of nights out on the lawn
daisies growing with the weeds
pillowing beneath the two
dwindling women -
hands clasped tightly,
their eyes closed.
...lapis blooming
within the petals
of the undergrowth...

gods slumber amongst
worthy poets occluding,
heart-soothing each
other without words
or sonnets
or divination.

sappho dared to
look out from
heavy-lidded
lethargy,
for she was
yearning:
at dawn

...her honeyvoiced,
    mythweaving
    enheduanna:
    a sweet-shelter
    of temptation
    and goddesses
    who wage
    tender war and
    drink from pools
    of sun...

at dawn
the ancient
divine
poet
gazes
again

and sappho
forgets she
too is nearly
as old

for her lover wears
an invisible golden-
crowned circlet
of springtime
and illuminated
lands.

but she can hardly think
anymore, when
the songsmith of
glory and prayer
is kissing her.

laying in the basin
of heaven and skies
she pours restless
eternity down
her throat.


----

lapis melts
to pink clovers
of fowlerite

no mortals notice

two bodies blending
between poems
rustling tunics
maidens casting
away their  
fruitful

sobriety.

----

poet
dreams
a woman
of verse.

hardly expecting
shallow-breathed
kisses of burning
solstice and
unrequited
love.
for this piece,  i wrote about sappho and enheduanna. both ancient poets, both incredible women who achieved a lot with their poems and lyrics. i allude to some phrases/words from sappho's fragments, as well as verses from enheduanna's poems.

i also referenced quite a few letters from open me carefully, a collection of emily dickinson's letters (what remains of them) to susan huntington, her close friend and eventual sister-in-law. the references are honestly vague and you might only catch them if you've read at least the first chapter of the collection.

also the title is a fragment from sappho, featured in "if not, winter"

here's some info on all of that for some much-needed context.

sappho: (l. c. 620-570 BCE) was a lyric poet whose work was so popular in ancient that she was honored in statuary and centuries after her. little remains of her work, and these fragments suggest she was gay. her name inspired the terms 'sapphic' and 'lesbian', both referencing female same-*** relationships.  

[some phrases/words from this piece were taken/inspired by "if not, winter" - a collection of fragments of sappho's lyrics and poems].

bio source: wordhistory . org

enheduanna: (pronounced en-hoo-d-ah-na)  was an akkadian-sumerian princess, poet, and priestess who lived around 2285 BCE. not only was she the first author on record - she was also daughter to king sargon of the akkadian empire, a powerful woman figure, and the backbone to a synthesization of two newly unified cultures.

she is acknowledged to have penned the first known example of poetry, and wrote 42 hymns that were read across the akkadian empire. additionally, she was the first named poet to refer to herself with the "i" perspective. through her writings, she combined the akkadian counterpart (ishtar) of the sumerian inanna into a single goddess that brought akkadians and sumerians alike together. though this first served as a culturally-conscious and politically driven move, it morphed beautifully into enheduanna's lifelong relationship with inanna.

enheduanna's success and works as the high priestess at the temple ur helped bridge a gap between self-discovery and religion. many of her hymns and poems - especially "the exaltation of inanna" gave a human connection to gods; something far more powerful in the long run, compared to the old ways of gods growing the land, mixing the sea.

[i ripped all this out of a research paper i wrote a few years ago. enheduanna is my niche special interest and i find her life and story so utterly fascinating].

open me carefully: emily dickinson's intimate letters to susan huntington dickinson

susan huntington gilbert and emily elizabeth dickinson were born within days of each other in December 1830. they may have known each other from girlhood; they certainly knew each other from adolescence; and they had begun to correspond by the age of twenty. their relationship spanned nearly four decades, and for three of those decades, the women were next-door neighbors. together, susan and emily lived through the vicissitudes of a life closely shared: susan's courtship, engagement, and eventual marriage to emily's brother, austin; susan and austin's setting up home next door to the dickinson homestead; the births of susan and austin's three children, and the tragic death of their youngest son, gib.

in open me carefully, we see that emily was not the fragile, childlike, virginal "bride who would never be" writing precious messages about flowers, birds, and cemeteries from the safety and seclusion of her bedroom perch in amherst, massachusetts. dickinson was devoted to her craft, and she was dedicated to integrating poetry into every aspect of her day-to-day life. she was engaged in philosophical and spiritual issues as well as all the complexities of family life and human relationships. she knew love, rejection, forgiveness, jealousy, despair, and electric passion, and she lived for years knowing the intense joy and frustration of having a beloved simultaneously nearby, yet not fully within reach.

Emily Dickinson Archive

NY Times Archive
Olivia Kent Mar 2015
Black cabs and ab-dabs.
Dashing through London streets,
High heels and crippled feet.
Back street bars,
wealthy sheiks,
ever running,
Hide and seek.
Black panther's in lippy,
Colourful hippies.
Turbans and tunics,
Kiddies in cotton, with mud on their bottoms.
Big Whigs and stiff prigs.
Market stalls and rubber *****.
Undergrounds and all around.
City beats, it's hopping on.
On and off off of buses and train.
London love life, kicking pain.
Picks up his drink and thinks like a fish.
A couple more beers, three seconds of fun.
Slipped into his glass.
Glass one, two three,
Freedom four.
Needs more.
(c) LIVVI
Guarded within the old red wall's embrace,
Marshalled like soldiers in gay company,
The tulips stand arrayed. Here infantry
Wheels out into the sunlight. What bold grace
Sets off their tunics, white with crimson lace!
Here are platoons of gold-frocked cavalry,
With scarlet sabres tossing in the eye
Of purple batteries, every gun in place.
Forward they come, with flaunting colours spread,
With torches burning, stepping out in time
To some quick, unheard march. Our ears are dead,
We cannot catch the tune. In pantomime
Parades that army. With our utmost powers
We hear the wind stream through a bed of flowers.
M Lundy Jan 2011
at 9, my father took me to confess.
i crossed myself and stepped into
the closet-like space.
"bless me, father, for I have sinned."

at 10, my mother took me to church.
baptist. southern. the pastor spit venom from his pulpit.
they taught me to fear god
and live my life through christ.

at 15, my friend took me to her synagogue.
i sat with her family as her sister
recited text from the torah.
we celebrated her bat mitzvah. held her high on a chair.

at 17, my best friend took me to mosque.
we washed our feet and dressed in tunics
and prayed towards mecca
and recited words from the koran. we were placed behind the men.

the same pattern was played,
over and over again.
swear to whatever god owned
that shrine
that you would give your life for him.
and make no mistake, because by divine reason, it is a him.
and always,
               always,
                     always,
                          get down on your knees.
and pray.

i remember thinking every ******* time
that prostitutes and disciples
seemed awfully alike.        
and then i thought,
"they're probably right about god being male."
Copyright 2010 M.E. Lundy
Brittany Wynn Jul 2015
Silent and alone, I flow through shops with so many
windows, but I see nothing except the faces around me, the ones
who might believe I'm more gossamer than the shawls and tunics
meant to disguise us all as ethereal hippies in the New Age.

Silent and alone, I stand by the fountain, waiting
for something to break the sleepiness of solitude when
two men spot me: mouths parted, eyes appraising, judging, appreciating my physical worth. Rooted in place, I smile.
Only when they look at me do I have purpose.
Paraps XXIV

Messiah of Judah

It should be fulfilled as predisposed by Vernarth by always having the contemporary desire to melt the trumpets and then recast them, manifesting to take them to meet their most fervent retrospective reunited with his brother apostles and the omnipresent Messiah. The archangel Uriel sent him this plan that he had for him as an always fertile offering in the face of any possible threat of disobedience. Indissoluble and whole, they climb the Eurydice stowing the supplies for this long journey like a Messianic proclamation from the blade of an Aiónus propeller that has already had to open these waters together with the evangelist. The board and the anchor are lifted Procorus made encouraging signs to all, saying goodbye to them and then returning to the hermitage. The others fit into the waves of the Skalá roadstead, Raeder played with Petrobus on the deck laughing at all times when everything seemed seized and sad. Eurídice would go to the figurehead for a few days to take everyone and guide them, this guaranteed that they would always have good movement and navigate without having any details. Vernarth describes:"The apostle would settle on the deck near the bow while I organized the sails and powers of Uriel who would always be close by giving them zephyr winds from the Metelmi. Taking the route sailing from Patmos in the Aegean Sea through the northern Dodecanese Islands. San Juan when he was going off the west coast of Turkey deprecated and was remembering the port of Skalá. Patmos..., its "Apokalypsis Island", leaving behind the monastic and picturesque island with traditional white Oikos, azure, and crystalline waters with its vibrant subjective life. Where Saint Ioannis heard the voice of God and wrote the Apocalypse, as well as the three small cracks in the rock through which came the frequency that symbolized before him the Holy Trinity. They go through Rhodes, the largest island in the Dodecanese in Greece heralding Uriel of ancient ruins and the remains of their occupation when they were part of the Order of Saint John during the Crusades. The city of Rhodes has an Old Town with the medieval Knights' Street and the castle-like palace of the Grand Master. The palace was captured by the Ottomans and later occupied by the Italians. The Apostle could only remember the place of passage when he walked in ecclesiastical gear. Limassol, Cyprus; with too many Greek Cypriot waters was the current where they arrived..., to Limassol. They come here one day. They descend from the Eurydice and head for the Paphos road. To the archaeological treasure keeping its neighboring memories of the Greco-Roman theater built in the second century before Christ. They go happily rolling through vestiges of time, all thanks to the timeless Parapsychological Regressive Memory that Vernarth was narrating as always. Crossing the private Roman villa is the House of Eustolios by Othónes or Paraps screens, converted into a public recreation center during the early Christian period. It consisted of a complex of baths and rooms with floors covered by beautiful mosaics from the 5th century AD Other important buildings are the Paleochristian Basilica dating from the 5th century, a Nymphaeum dedicated to the water nymphs, and the Stadium from the 2nd century AD finds something removed a kilometer from the site. They transfigure the cord of the mosaics of the House of Achilles and the House of the Gladiators, in a perfect state of conservation that with their beautiful colors covered the floors with the same carefree footsteps of each one belonging to the bright tones in their great parallel work of the god Aiónius that was in parallel collating. Here San Juan kneels and prays profusely for the souls of Christians who have fallen to the stigma that will entail the performance of the first miracle of this pilgrimage through Limassol. They were all silent. They leave Cyprus and go to the port of Limassol to board the ship. Being very pleasantly surprised by the unexpected visit of Etréstles who was upon the ship. Everyone jumps with happiness! seeing that the champion of the Koumeterium of Messolonghi, brother of Vernarth, was added to them. Vernarth: Khaire!! Happy is my soul, which flows like a psalm of blood, Carrying your image through the flowers of Limassol! They all hug him and get ready to weigh anchor!

Miracle I  Limassol

"On this vertebral nature in this pilgrimage of uprooting the Apostle, the first miracle will happen before the eyes of all. The land darkened analogously to the landscape, the sea shone like a mirror showing them the feet of the Messiah floating in the Sea. their ***** the heat produced by this surprise stampede. The apostle embraces them all and asks them to approach the anchor line to lift it on the seabed where Creation rests. The Apostle approaches with small bony hands snatching the swivel links that are located near the mooring lever point. He presses with his hand the rope of the Triaconter invading with his thumbnail the netted vine that forms from his line. He begins to pull it several times..., every ten meters he looked at the sky and noticed that some majestic abnormal overtones shone. He is still blind to the eyes of everyone else moving in the ship as if they were on the high seas under the ultimatum of a great storm. Saint John looks at himself in the model mirror of the water, he saw how he pulls his body just like in Galilee when his Master did it, he saw how everyone laughed and was delighted to stop time to laugh together with him inaugurating a thousand years of psalmody. There was no more than five meters left to remove the anchor from the anchorage and he feels that it was excessively heavy. He asked Vernarth and Etréstles for help to get her out of the wet mass, they help him and pull the three unanimously to the rhythm of their revealed eagerness until from the ramp of the overboard they manage to see a large golden roundel of about seventy centimeters in diameter, of solid gold that glittered blinding whoever dared to look at it without Faith making it very difficult for everyone to participate in this great festivity of a miracle. It was a solid gold medallion bearing the stigma of Mariah mother of the Messiah, supplanting all ship anchors so that the ship would represent the base of devotion at sea as a sign of closeness to the Messiah by pulling faith forward. one..., so that in a period longer than that which needs to be released back into the sea as a gold-bearing weight, rather as a refuge to save us in the perfect mathematics of collecting it, what is night and obscurantism that succumbs more than the self-personalization of duties when presiding over human desires, transfiguring them in the diaphanous dawn as time and space assigned to the numeral in its perfect science of finding oneself with the medallion, which has always been in sublime crushing cognition and..., continuing to exist without the need to pull the anchor again..., but rather to pull the gold medallion for seven consecutive days that it would take them to reach Jaffa after releasing the moorings in Limassol. Just as everyone was stupefied, falling all the not being able to see more, or perhaps not having more to say about the trick that could be conjugated with the space where the fleeting beams of light emitted by the auric sphere intruded, as in the house of Affliction of Betania, attracting everyone with great love to feel anointed by the aroma of their heads. The apostle understood that the path of the wise senility of the books of wisdom and Saint Luke was approaching them, to impregnate in everything created well granted to spread it from the matrix that interprets and faithfully delegates it in the application of his work. Vernarth describes: "Jesus calms the storm..." When Jesus entered the boat, his disciples followed him. And suddenly a great storm arose on the sea so that vast flat waves in that rush covered the boat; Jesus was asleep. And coming to him, they woke him up saying: Lord, save us, we perish! And He said to them: Why are you frightened men of little faith? Then he got up, rebuked the winds and the sea, and a great calm ensued. And the men marveled, saying: Who is this, that even the winds and the sea obey him? - Mateo 8 - exhibiting this passage in the Othón showing that event the god Aiónus when he rubbed the Ibico I, and the one that would come from Leonardo Da Vinci. "Leonardo Da Vinci "Last Supper Passage" Then you will have your brother Aaron come to you from among the children of Israel and with him his sons to serve me as priests: Aaron, with Nadab and Abihu, Eleazar and Ithamar, sons of Aaron. And you shall make holy garments for your brother Aaron for glory and beauty. And you shall speak to all the skilled craftsmen, whom I have filled with the spirit of wisdom, and they shall make Aaron's garments to consecrate him, so that he may serve me as a priest. These are the garments that they will make: a breastplate, an ephod, a robe, a checkered tunic, a tiara, and a belt; and they shall make sacred garments for your brother Aaron and for his sons, so that they may serve me as priests. And they will take for it the gold and the blue, purple and scarlet cloth, and the fine linen. They will also make the ephod of gold, blue, purple, and scarlet cloth, and fine twisted linen, the work of a skillful craftsman. It will have two shoulder pads that meet at its two ends so that they can be joined. And the skillfully woven belt that will be on it will be of the same work of the same material: of gold, blue, purple, and scarlet cloth, and of fine twisted linen. And you shall take two onyx stones, and engrave on them the names of the children of Israel: six of the names on one stone, and the remaining six names on the other stone according to the order of their birth." "In the biblical symbology of the Apocalypse, the number seven is recurrent and therefore there were seven apostles chosen by Leonardo da Vinci. Saint John the Apostle says: The Last Supper tells me the greatest love of having it close as if I were in my house celebrating, gathered to stamp the facts in which I raised the cut of my bread towards the millennium of the future, to classify all the dates that It will commemorate us united in the sustenance that will feed the Earth forever and ever. In the stigma of this medallion, I will revive all my memories before arriving in Jaffa, before even walking anymore in the solitude that haunts us forever and ever, still not understanding by any measure, the crumbling and disordered existence that passes beyond death that is reborn in our non-existent Faith. They all sail in silence, all asleep on the deck around the medallion that did not stop shining and bathing them all in its splendid theology. All lie asleep and hypnotized with pleasure, the ship moved alone, at the will of the sacred wind that carried them in seventh silence, so that the snorting shoes of the night do not wake them up even a seventh sleep next to the solid gold medallion. Eurydice was still in the happy mask, now to lead everyone in peace, towards the meeting of the apostle's ancestors, towards the dawn of the secular dawn in Jaffa on its seventh sleepless night..., when they arrive at the seventh turn of the clouds in their fading weather with Aiónous and Zeus, being mere spectators of the tormented bullet of riddled lost. All lie asleep and hypnotized with pleasure, the ship moved alone, at the will of the sacred wind that carried them in seventh silence, so that the snorting shoes of the night do not wake them up even a seventh sleep next to the solid gold medallion. Eurydice was still in the happy mask, now to lead everyone in peace, towards the meeting of the apostle's ancestors, towards the dawn of the secular dawn in Jaffa on its seventh sleepless night..., when they arrive at the seventh turn of the clouds in their fading weather with Aiónous and Zeus, being mere spectators of the tormented bullet of riddled lost. All lie asleep and hypnotized with pleasure, the ship moved alone, at the will of the sacred wind that carried them in seventh silence, so that the snorting shoes of the night do not wake them up even a seventh sleep next to the solid gold medallion. Eurydice was still in the happy mask, now to lead everyone in peace, towards the meeting of the apostle's ancestors, towards the dawn of the secular dawn in Jaffa on its seventh sleepless night..., when they arrive at the seventh turn of the clouds in their fading weather with Aiónous and Zeus, being mere spectators of the tormented bullet of riddled lost.

Jaffa  Ioannis regression

Describes Vernarth: On a warm morning, archaeological evidence showed that Jaffa was inhabited around 7,500 BC. C. The natural port of Jaffa has been used since the early Bronze Age, and all of its early inhabitants were probably Canaanites. The city of Jaffa is mentioned in a 1470 BC preterite writing from ancient Egypt glorifying the conquest by Pharaoh Tuthmosis III who hid armed warriors in large baskets and then presented them to the city's Canaanite governor. Jaffa is mentioned in the Torah as one of the Hebrew cities of the Tribe of Dan and hence the term Gush Dan is used today for the coastal plain. Many descendants of Dan lived along the coast and made a living as sailors and sailors. In "Deborah's Song" the fortune-teller asks:" Why do you want Dan to stop me on ships? After the Canaanite and Philistine *******, King David and his son Solomon conquered Jaffa using its port to take the cedars used for the construction of the First Temple from the city of Tire (2nd Chronicles 2:16). The city remained in the hands of the Jews even after the division of the Kingdom of Israel. In 701 BC C., in the days of King Hezekiah and Assyrian King Sennacherib who invaded the Jaffa region. It is also the place where the prophet Jonah sailed for Tarshish (Book of Jonah 1:3) and was the port of entry for the cedars of Lebanon for the Second Temple in Jerusalem (Book of Ezra 3:7). After a period of Babylonian occupation, defeated King Porus at the Battle of Hydaspes (326 to.C.) In the New Testament it is related how Peter resurrected the believer Tabitha (Dorcas, in Greek, gazelle) in Joppa (Jaffa) and later, how near this city he has a vision in which Yahveh told him that he should not distinguish between Jews and Gentiles while ordering the removal of ritual food (kosher) restrictions followed by Jews. While Vernarth was describing all this history, everyone was paying attention, the beautiful situation of entering Jaffa in this thousand-year-old port was imminent so that they could touch the Holy Land with their feet with all the avatars that awaited them. Vernarth had this great preamble and gift to return from the Exile of Saint John due to his exile of him dictated by Emperor Domitian. They all came praying in the ship Eurydice left the figurehead to descend and move with them to Jerusalem. To go through the Lithostrotos, Gethsemane, the Via Dolorosa, Gólgotha, the Holy Sepulcher and many sacred places where the apostle had a correlation with the Messiah..., bordering were still in the hosts of all those who loved him, especially in the locality where they met with the apostles after the crucifixion in the Apostolic Sees where they are still seen to be together from the first day forever and ever. Some put foot in its pages to have been founded by one or more of Jesus' Apostles who are said to have dispersed from Jerusalem sometime after Jesus' crucifixion (c. 26-36), probably after the Great Commission. The early Christians met in small private houses known as paleo-Christian house churches, but the entire Christian community of a city could also attribute it to the fact that it would be called and ignored as an act of sedition to avoid misunderstandings with its anti-Romanesque legacy. In Limassol it dawned one day when another day was setting in Lod..., here they all got ready to have dinner together in a wheel of fire in the tents moved by a breath that reaches and bounces from their sallow tents to the walls of Jerusalem sensing that they came and went already with the Saint accompanying them. From the last dizziness of the sun, Uriel appeared to them telling them...: "On the bottom where a ship is born in some ruins and catacombs, the sentinels of the Limassol Medallion will reside, it will be jealously guarded by my peers Christian Gladiators of Kourion who are preserved in my fragmentary and honorific decrees, as well as in epitaphs. In neo diplomacy supporting Alexander the Great and Bucephalus protecting the Medallion. In the west of the river Lycus, the sentinels will go to the bottom of the sea every day to watch over it so that from here they shelter the Medallion with their tricks, which in such a way will be adopted for meritorious scriptural phraseology in the Walls of Jerusalem where other walls will follow it... Vernarth describes: "The Great Commission; Matthew 28:19-20 contains what is known as "the Great Commission": "Therefore go and make disciples of all nations, baptizing them in the name of the Father and of the Son and of the Holy Spirit; teaching them to observe all things that I have commanded you, and behold, I am with you every day until the end of the world." Jesus gave this commandment to the apostles shortly before he ascended to Heaven and essentially describes what Jesus expected the apostles and those who followed them to do in His absence. It is delightful to see that in the original Greek the only specific command in Matthew 28:19-20 is to "make disciples". The Great Commission commands us to make disciples as we move through the world and as we go about our daily business. How are we to make disciples? Baptizing them and teaching them everything that Jesus commanded. "Make disciples" is the mandate of the Great Commission. "As you go," "baptize," and "teach" are means by which we fulfill the mandate to "make disciples." Many understand Acts 1:8 as also part of the Great Commission, "But you will receive power when the Holy Spirit comes upon you, and you will be my witnesses in Jerusalem, and in all Judea and Samaria, and to the ends of the earth." The Great Commission is enabled by the power of the Holy Spirit. We are to be Christ's witnesses fulfilling the Great Commission in our cities (Jerusalem) our states and countries (Judea and Samaria) and anywhere else God sends us (to the ends of the earth). The great commission it is the instruction of the resurrected Jesus Christ to his venerable apostles commissioning them to propagate his teachings to all the nations of the world. The most famous version of the Great Commission is Matthew 28: 18-20 where on a mountain in Galilee Jesus commands his followers to baptize all nations in the name of the Father, the Son, and the Holy Spirit. Even more than the Great Commission of the twelve apostles that together with that of Matthew and Mark as a lofty counterpoint are dividing twin souls among all to take the electro cathode of the god Azofar de Vernarth in the Parousia (In the second coming of Christ). Together with them, the electromagnetic Fides Pronus "Benevolent Faith" ruled by God ruling in the electro anode flow, giving ample way to the Great Universal Commission. The Apostle Saint John reinterprets it: "The Great Commission is Matthew 28:18-20, and later synoptic gospels, Luke also presents Jesus sending disciples during his ministry sending them to all nations and giving them power over demons including the Seventy disciples. The scattering of the Apostles in the traditional ending of Mark is believed to be a second-century summary based on Matthew and Luke." Everyone heard very astonished words so fluted without being able to go out and harmonize the ears of those who were there..., and there was no room for doubts or questions! Everyone thought to travel all the fields of the world in caravans of free ungulates so many times through the Holy Land, thus thinking of changing history for the flat legs of camelids, changing the dynamic quantum geography thus making them participate and go on a being from which we are divided mounted. In exile it would be fulfilled, Twelve camels came and invited them to get on and rest on their backs. Every hundred kilometers the deepest questions were answered by the camelids Saying...: Camelids say: "I carried San Juan on my ciliated membranous backs and Mateo too..., they never knew that I knew the end of the story..., that the Great Commission It would never end because all of us are witnesses and we continue wandering through the desert hoping to see the Master lighting our starry path of gifts on sacred nights to serve him again, Until the End of the Parousia...

Second Miracle  Holy sepulcher

When migrating the Wailing Wall on a Vigil Friday, the Apostle led some camels with his hands sheltered in reverberating Psalmody. The little animals appeared with him in this basilica, also hand in hand with Vernarth, Etréstles, and the others remained waiting at the threshold of the Anastasis. The ungulates were already without the blindfold on their eyes after having crossed the Door of Mercy or Golden Gate. The atmosphere was hermetic and charged as if it were pouring rain and the pilgrims were oppressed to take refuge in the heat of the candles on sacred ground. A reverberating solemn psalmody begins to permeate the unruly walls recalling the chants in this place similar to Golgotha ​​that reminded Saint John of having traveled it with the Messiah. Prince Uriel with super senses was out of tune with the Vexilla Regis, by the time the apostle had crossed the limen of this holy offertory in such a way that the harmonics were now in tune vibrating in a single nearby wave..., towards the demarcation that concentrates the line to the crypt of the Messiah.Etréstles was accompanied by Eurydice on his side, visibly overexcited, from the height of the ship a light falls on Etréstles's shoulder with an itching mass of flower of authentic flower of the Pampano Diadem of the vine leaf in Nazareth. On a Friday that dressed in Sunday gala that entered with bouquets in their palms, in volumes larger than their size, dragging them across the sacred floor of the basilica, all naked of ego and anxiety, submerged in a reigning and mournful regret of the predestined demagoguery of the faithfulness of not being channeled together with the souls of purgatory that from today refloat with the visit of the Saint, remaining in seen and not perceived multiplied more than any day without having been more close to the Messiah, although the days were only swampy darkness from the flesh of Acheron in this river of pain forking from the said Acheron unleashed in the deplored underworld, like an unhealthy marsh within a desolate landscape with downcast angels ruling in the little cloud of the splinter of thick Incense, where the ferryman Charon would take the souls of recently deceased expurgated to the repugnant quagmire. Sovereign she... Virga..., would illuminate her interior with her brain-cerebellum adonis below the Madonna before reviving him again in the submissive and servile eternal gaze clause. Etréstles succumbs in genuflection three times before confirming the tertiary one that would make him uncover his knees before the long altar, here his voice is inhibited, fading from the interior like a parchment burning from the glottis to the runaway esophagus. The three hold hands with Vernarth and the Apostle..., remaining so until they enter the tomb. They encounter flattering fuss in the stone where he was anointed before being entombed, and the Cistern where he was anointed, after which his cross was found several centuries later secondarily sheltered in various Chapels whose garden is close to the skull of the rock and the emaciated Golgotha ​​mound. Very close to the Herodian wall of the city of Jerusalem and even connected to it by a road, but outside the walls since Jewish regulations prohibited intramural burials except in the case of regents. then his cross was found several centuries later, secondarily housed in various Chapels whose garden is close to the skull of the rock and the bare Golgotha ​​mound. Very close to the Herodian wall of the city of Jerusalem and even connected to it by a road, but outside the walls since Jewish regulations prohibited intramural burials except in the case of regents. then his cross was found several centuries later, secondarily housed in various Chapels whose garden is close to the skull of the rock and the bare Golgotha ​​mound. Very close to the Herodian wall of the city of Jerusalem and even connected to it by a road, but outside the walls since Jewish regulations prohibited intramural burials except in the case of regents.Your quarry and garden entity in The Calvary skull, as the Gospels testify, must be found on the outskirts of the city in an area dedicated to sepulchers. From a vast quarry for the extraction of Malaki stone located just outside the walls, and which was used from the 8th to the 1st century BC to build the buildings of the citizens. When the quarry was abandoned, this area was used for small orchards and cultivable gardens on its rocky walls along the hill, and a series of family tombs were made. Golgotha ​​itself, the "mount" on which the crosses were nailed, had to appear as the top of a higher rock separated from the hill, a suitable place for the newest law of demonstrative execution of capital punishment. Since Herod Agrippa in 41-42 AD extended the circuit of the wall of Jerusalem to the northwest, Golgotha ​​began to form part of the city, and from an isolated place over time, it became an integral part and center of the city, again Aiónius seconded this assertion before protecting the Vernarth words.   Etréstles with his Hellenic heart of Messolonghi approaches his leisurely aura below the garden, here he suppresses his icy feet towards his head of Greek innocence in flat sustained prayer, ends and gets up without being able to turn around to see him again in this garden of stones abandoned, he retires, leaving only Vernarth and the Apostle. He runs off for incredible distances, retreating miles from there to an adjoining desert area. here he suppresses his icy feet towards his head of Greek innocence in flat sustained prayer, finishes, and gets up without being able to turn around to see him again in this garden of abandoned stones, he retires leaving only Vernarth and the Apostle. He runs off for incredible distances, retreating miles from there to an adjoining desert area. here he suppresses his icy feet towards his head of Greek innocence in flat sustained prayer, finishes, and gets up without being able to turn around to see him again in this garden of abandoned stones, he retires leaving only Vernarth and the Apostle. He runs off for incredible distances, retreating miles from there to an adjoining desert area. Midbar Yehuda..., north of Jerusalem to Tiqwa, where he stays for two days before returning to Jerusalem. Being here in the middle of the desert he realizes that he had lost from one of her saddlebags a sacred image that had accompanied him since time immemorial, it had been given to him by his wife Drestnia in Koumeterium Messolonghi after her awakening. He searches for her for two days following the same path that he took from the basilica, not being able to find her, until he addresses the archangel Uriel, answering him himself. Uriel exclaims: ...On your back the offertory, a few steps in front of you the Apostle, beyond the crowd looking at you. The souls in purgatory will ask you for help, they will do it for you. You will have to give them their demands in freedom from their purges. The Messiah in miserere from the roof will come down to love on the esplanade..., on your conscience with rays and lightning he will caress your face with his host, and those who do not enter his consecration will take them to pick them up from his own hands in your lost image escorted by despondent angels whimpering and embracing you...! Etréstles, goes terrified from his Anastasis and enters the palm of the last acid words of martyrdom in prosody of the cross hammering and unrolling before his eyes in a long trail of a woven shroud, presenting him with the recolored image to be rescued by his soul from throbbing thunder with numb hands and bolt of bushy and inappropriate displays of disbelief. It would be a great miracle not to lose light in the superior lights that bring the Sun closer to your hands. In this way, a holy miracle would be fulfilled, like the ramp of the silence of the celestial karmic boomerang.

Silence  Painful way

Describes Vernarth in parapsychological regression: Silence crashed over them in such a way that it massacred them from "oblivion - oblivion" from the Limassol to Jaffa stretch. Everyone believed that they had traveled on the Eurydice, but not so. A ship that came from the Lepanto shipyard supplanted them to protect the Gold medallion anchored in the roadstead protected by the Christian Gladiators of Kourion in Lod. Everyone was calmer when they made sure that a great layer of silence overwhelmed them, forgetting as a foretaste of continuing along the Via Dolorosa. The dawn tied him to the Silent Awakening near Jerusalem on a gray and silent day. Vernarth gets up, first of all, and prepares them unleavened breakfast, honey, and goat's milk.About 3700 million years ago the first living beings appeared on Earth, they were small unicellular microorganisms not very different from current bacteria. Such cells are classified among prokaryotes because they lack a nucleus (karyon in Greek), a specialized compartment where the genetic machinery is stored. The prokaryotes achieved complete success in their development and multiplication, thanks to their remarkable capacity for evolution and adaptation, giving rise to a wide diversity of species and invading as many habitats as the planet could offer them. The biosphere would be full of prokaryotes if there had not been the extraordinary advance from which a cell belonging to a very different type arose: eukaryote, that is; It has a genuine core. In this evolutionary cellular space, they were invaded by a Vertical Silence that would have to spread throughout the troposphere and the consequences of this event marked the beginning of a new numeral linear lapse, until the consequences of this event marked the beginning of a new era. Nowadays, multicellular organisms are made up of eukaryotic cells, which are much more complex than prokaryotes. If eukaryotic cells had not appeared, the extraordinary variety, so rich in ranges, of animal and plant life on our planet would not exist now; nor would man have made an appearance to enjoy such diversity and extract its secrets. Bi similar eukaryotic cellsringed in metamorphic geological strata, pressing the atmosphere, the air and the earth, compressing the geological layers and gaseous atmospheres thatthey did not exist as a consequence of these intense pressure changes by order of the Higher Universal consciousness with overflowing temperatures and multi-chemical environments; dispersing the changes that are associated with the forces that fold on the shore of what is current Greece. Said layer faults scattered eukaryotic cells enveloped in "Silent Libertarian Material", injecting magma creating creative prominences on the attached rocks, becoming exhausted, perhaps only to be a cellular polytheism perhaps derived from multicellular cellular evolution..., turning into a sexed fusion of a great regeneration of Lithophagas species in the region..., perhaps in Colophon where Homer was infected. Well, this presumption would have to create a syncretic elaboration with that of Aristotle and Plato as eukaryotic cells, to start from this Lithophaga flower, which is rooted beneath its roots in this bivalve mollusk unleashing proto seeds of prehistoric poetic inspiration, in super souls synchronously starting each one in this mollusk plant that is thus regreened and personified, originating epic poetics in what prehistoric and the human phenotype. This hypersensitive cellular mega-complex is possible with the respect that I deserve to cite it, the innate and spontaneous hyper ethnobotany and hyper sapiens mollusks that were conceived for millions of years delegating their sublime hypostases in creation. I quote here The word Poetry from the Greek ( Poiein: "Do or Create"). From this vertical revolution, the Silence of the Via Dolorosa intrinsic to the same ontological, geological, Theological, and evolutionary concepts will emanate. Scientific and Poetic-Sacred, linked to the creation from "Nothing" to an "Everything". Everything is revealed before our backs, everything is offered before our eyes, everything comes from the soft creative wrath of lightning, everything is consecrated to silence..., but nothingness moves what the whole forgot centrifuged by phenomena of atomicity of greater forces of the Silence of the Messiah, praying in constant practice the generation in front of our theoretical faces in front of our Everything and the Nothingness of an empty supply. "Silence Waits for Time... to see,... I commend my Being to time" founds the greatest silence ever felt only heard more than an ultrasound of waves that articulate one over another in algorithmic chanting that emanate from "Mariah's Silence to her son" also to Homer, Aristotle, and Plato attached to the Lithophaga releasing Eukaryotes. When Aristotle and Plato uprooted the Lithophaga as axiomatic leaders, they revealed the Silence of Creation and poetic anathemas, alluding to their true ancestors who slipped down their bandullos like an elongated moraine sweeping their navel Samskaras such traces of their own personalities leading wisdom with an origin common prehistoric cell.

Ita *** Dolore: Saint John the Apostle stood up in silence with profuse deafness even in spirit..., all the others were equally traumatized from feeling the stones engraved with fear and pain "Ita *** Dolore". They didn't see in colors everything was gray and shades of white, black between cells..., like being inside the suffering cell lost of all consciousness. Everyone confuses about their clothes, their outfits, nobody knew who each one was, only Vernarth and San Juan knew. Raeder and Petrobus, Alikanto, and Eurídice only wandered sleepwalking along the rocky road in the cobbled streets flanked by works erected from sobbing Malaki material, from stones very similar to those that Jesus would have seen following this pristine route. The Stations of the Cross were marked by plaques, vaulted chapels, and signs along the way of lacerating and flagellant stops of more than forty degrees of burning in each feverish step and enclosed vaulting.

Ellipse Messiahas a child: "Mother...; when I went up the stairs..., I stopped at the fourteenth step..., in perfect mathematics opening the sky..., like a sacrosanct aromatic book; Well, I thought you would believe me dressed there! Mother when I went down the fourteen steps and put my last foot before you..., I could see how I sang in the thirty-three on a rainy Friday afternoon, clinging to you..., accompanying me along the stairs that you did not know..."

1st Station of the Cross in Silence

Ita *** Dolore, Jesus was tried and sentenced to death in the Praetorium of Pontius Pilate, he will bring silence in each interval that did not oppose resistance from the flagellant whips."Mother...; when I went up the stairs..."The apostle closes his eyes, Vernarth takes him in his arms.

2nd Station of the Cross

The second station marks where Jesus took up his cross and recalls his doom. Romans beat Jesus and the Chapel of Judgment which commemorates the site where Jesus was sentenced. Here he feels like a child... "Mother...; when I went down the stairs...?"


3rd Station of the Cross

The third station is where Jesus first fell under the weight of his cross. This station is not far from the Ecce **** (Behold the Man), Saint John remembers the Last Supper in anticipation, sitting next to him... he got up from dinner, took off his mantle, and took a towel, he girded himself.... "Mother...; when I went up the stairs..."

4th Station of the Cross

The fourth station marks where Mary saw her son pass by. The 19th-century Armenian Church of Our Lady marks this station. Deaf Vernarth manages to hear voices from heaven saying: "Mother...; when I came down from the ladder...?"

5th Station of the Cross

At the fifth station, the Roman soldiers instructed Simon of Cyrene to help Jesus carry his cross (Luke 23). ..., "Mother I stopped at the fifth step and I never hesitated to wash your feet"

6th Station of the Cross

The sixth station marks where Veronica wiped Jesus' face with her veil. It is believed that the image of the face of Jesus was imprinted on the cloth."Mother...; when I went down the stairs you covered my sweaty face..."

7th Station of the Cross

At the seventh station, Jesus faltered under the weight of the cross for the second time. "Mother...; when I climbed the ladder..., I saw the lost mountain..."

8th Station of the Cross

The eighth station is where the "daughters of Jerusalem weep for Jesus" (Luke 23, 27). Jesus stopped here to comfort the women, telling them not to weep for him, but for themselves and their children.."Mother...; when I went down the stairs you were not there, you were coming for me..."

9th Station of the Cross

At the ninth station, Jesus faltered a third time before his final ascent to Golgotha. "Mother...; When I went up the stairs to find you, you were in front of me..."

9th-14th Stations of the Cross

The Stone of Anointing is believed to have been where Jesus was placed after being taken from the cross. Here he would have been prepared for burial. The Bible tells us that Jesus' body was wrapped in linen and anointed with oils and spices in accordance with Jewish funeral rites. "Mother...; when I went down the stairs you covered me from the cold and wrapped me with your passion..."


The 14th Station of the Cross – The Tomb of Christ

Here Saint John the Apostle and Vernarth were still deaf, but with slight symptoms of recovery of their hearing. They saw in front of them how deaf angels came to uncover their auditory channels, being of their intuition proclaiming courage to accompany them with their teacher to the aedicule towards the crypt itself granted by José de Arimathea. The Chapel of the Angel contains a small piece of the rock that closed the burial cave of Christ, the chapel that leads to the tomb itself. It was here that Jesus was buried and rose three days after his death. "This small rectangular structure of the Edicule marks the end of the Via Dolorosa and the Deafness of everyone and the Whole World"

Saint Ioannis Song of the Messiah, Vernarth describes by the voice of Saint John the Apostle: "Since the beginning of Samaria I had my father Zebedeo in my manifestations..., my mother Salomé and brother apostle Santiago together with me in my declared voice. My father as a fisherman if he saw us grow and left us in the boat after the Messiah called us believing he would not see us grow anymore! My father lived in Bethsaida and developed his commercial activity on the Sea of ​​Galilee or Tiberias, together with us between Capernaum and Bethsaida I walked escorted by the voices of the silence of freedom; Said peace prostrated me to monuments that oscillate on the invisible wings of the legions asking me to join their hand in hand for hours..., and in great circles, since I got on the boat flooded with Faith with the Master. This is what I call seeing the homonymous village located on the western shore of this sea become its monument of silence and the heritage of the House of Fishing in Bethsaida. I always knew that my father had a parental agreement with the Master, being my uncle since my mother Salomé has been identified as the sister of our Mariah.From Capernaum, since I walked and grew up among nets, boats and from where six others accompanied me as my brothers and fellow apostles. Thus, natives, we give our seals and predilections to the Lord for navigating us in the divine water of the Jordan, here I was a fisherman and brother of the fish that also spoke for me..., for the proverbs that identify my closeness with the family lineage of Capernaum. Jesus from the depths of his being with his throat upwards called Santiago and me "sons of thunder" for our impetuous character that was revealed in some events reported in others. The two of us together with San Pedro..., constituted the most intimate core of the master. I was favored by those who reserved my presence with the ****** Mariah where she was trembling in her clothes at the foot of the cross when our Father Master Messiah died, drawing us closer to all of us from that day further than we thought could protest. In this epithet now is where I point to the one who invited me to his boat in Skalá, Patmos; "Vernarth", also a son of the Lord, invited me to return to my original land. Always from Patmos He kept sending me, I received messages at the crossroads of the winds and through anagrams on the tail of the fish..., in their mouths in Aramaic, so that they could be brought from where my roots fill your abundant fish farming..., a common rhizome that in his parables they hear him, that from his brambles the crickets boil in his golden presence, golden passion, and golden agony even me looking at him with my eternal eyes with my painful eyes of apocalypse crying..., even seeing how I went with him to Golgotha ​​in his arms, imitating him in his courage more than in himself and in all those who did not see him leave." "Far away in my exile sentenced by Domitian, I wrote the Gospel and their epistles in Ephesus and the Apocalypse on Patmos, in the Aegean. Both in our Gospel and in the prophetic visions of the Apocalypse, I was invaded by the high-altitude doctrinal and symbolic language of the passages next to the Master. I was the eagle evangelizing, flying in terror to Patmos, and I know that your eagle will take me to Ephesus to sleep in the gospel of the Lord eternally." "I was never a child, I was always who I am if I was a child..., only my parents managed to see it because I was already sitting as if I were in the same Transfiguration, Pentecost, with the daughter of Jairus, in Lake Tiberias and in his miraculous departure in Gethsemane." "I was always who I am..., I never felt that my bones grew in proportion to the distances that would allow me to walk faster than an Eagle, but not so in my parents who did not see my leafy feet of plumage, Next Reign of Jesus of Nazareth in a kind of apology I will be for him again as a child recognizing him even as present and future Father" here he was housed in these Othóns or quantum Azofar screens, guaranteeing him to be federated to his inheritance for the centuries to come. Christian Itheoi genus. Vernarth looks at him and hugs him for a long time, everyone else does the same. They leave Capernaum to start their way through innumerable routes to Nazareth, trying to find a new path but a Golden Eagle or Gerakis appeared to them telling them where to go next...it would probably be where the Master went through the dedications on an INRI wood...where thousands of eagles would pose his claws containing his bleeding..., more than a "Meta-language reigning in all Believers of attachment sustained in his shroud" as I did, perhaps singing in conspicuous languages ​​that would meet him more than an expert, more than a language close to the zeal that covered us, dismantling itself from the friendly path that sustained us, shortening its objective. Our mission is to meet the ancestors of Maryah and her Sigil, which floods with essences towards her son,



Paraps XXV

Messiah of Judah II part

Miracle III - Nazareth

Parapsychological regression, Vernarth describes by the voice of the Apostle Saint John: "They all came from Capernaum with the embedded shutters of INRI in their hands, Alikantus in their hooves and Petrobus in their webbed golden fingers. Everyone walked unevenly perhaps because from the Higher Consciousness the Abba had leaned towards the south center towards the west tilting the earth twelve degrees which made him change course to Nazareth. The miraculous thing was to see how the animals Petrobus and Alikanto felt them and saw euphonies coming out of their mouths in octaves multiplied by eight; that is to say, sixty-four inverted notes, averaging the notes that arrived the other way around from being heard in their retro melody, perhaps diverting them to a hillside in Canaan. After such a miraculous phenomenon, the golden eagles perched on the heads of the twelve ungulates, diverting them to Nazareth and guiding them to an ancient stone where the inscriptions in Hebrew-Aramaic "Stem-Branch" can be seen. They were sweating on their Gigas camels like Nazarene princes reigning in consolation by forking like the ground even beyond the two-dimensional concept of Nazareth, either a stem proclaiming the ominous prophetic of the Messiah or proclaiming the Renewal in sacred circulation to have a 360 ° perspective, for the ancient worldview being housed as a perfect clone on the geography of Nazareth in 14.14 square km, based on the southern mountains of Lower Galilee, 10 km north of Mount Tabor and 23 km west of the Sea of ​​Galilee. Miracles must be outlined between the extreme points of each cross..., the stature of the image between foot and head, the cosmogony of the link between Nazareth, Capernaum, and vice versa, mysteries of the silence of those who only see in light and dark of Marian repentance, would be now in front of everyone with the Credulity Gene. The Giga Camels carried them tenaciously with their wise feet from Capernaum. Here is the Miracle; They were at the fourteenth station in Jerusalem, which St. Ioannis later explained in his childhood memoirs with his family in Bethsaida. It was then from here that in some bend of its inspiration that the valleys would turn towards another geological family to present it at the table with renewed olive oils together with its parents. Where they would leave directly guided by the royal eagles towards the stone of Nazareth. Describes Vernarth in the voice of Saint John: "The Archangel Uriel dictates him; those who preach alone in the streets or corners preach the rejection of those who do not count how many times they were approved or challenged, and at least the times that more than any extreme had to be heard beyond the most distant hiding places in which they did not they will be able to know to be recognized" Saint John continues: "On this tacit diameter in the narrow part of the bergamot that is towards the south and opens through a narrow and sinuous throat towards the plain of Esdraelón. It would be pointed out here as "the top of the mountain" from where they wanted to throw Jesus off the cliff. But the traditional place does not have a true ravine, as a story would seem to require. Further only to a spring in the town is the so-called Fountain of the ****** where Mariah obtained the consecrated water for her family from there. "In this super diameter, Etréstles wanted to find the childhood periods of the Messiah and thus be able to see him advance in his growth, but he knew that perhaps the hidden mystery of the stem that only grows in the discord of Nazareth, invaded by foreign civilizations, could not be verified. that did not allow them to stretch boundaries beyond the entire concordant Universe. In Patmos I always had the precognition that above..., above the doors of the unknown..., there must be anti-material physiognomies that will move offspring that in twin lands would be housed in Judah. As we approached the perimeter of the city we dared to cross, whose text contains the decree issued by another Roman emperor not mentioned, which prohibits under pain of death the robbery of tombs including those of relatives or changing a body from one tomb to another. The date of registration is discussed. Someplace it at the beginning of the empire period; others in s. II AD It is highly unlikely that they have any direct relation to the ignoble accusation leveled at us disciples that we had stolen our Master's body. I keep digressing without the accuracy of what I say, it's been tens of years without being here, I only know that I am attracted by the rhythm of the music of religious worshipers from Nazareth. just as I heard when they were at the height of a rosy vine near Mariah's house in Nazareth..., here Uriel describes Nicodemus: Uriel says: (Meditation of Saint John the Apostle) "Nicodemus talks about the meaning of being born again and mentions the Kingdom of the Heavens, very rare in the Johannine texts, Jesus was surprised in short to see that a teacher in Israel did not understand the discourse on rebirth in the spirit. Later, in the council of chief priests and Pharisees, Nicodemus defends Jesus, explaining to his companions that they must listen and investigate before making a final judgment. The question they ask him may imply that Nicodemus was a Galilean or it could be an irony of his companions." I'm still on my own from today rambling without accuracy in what I say..., it's been tens of years without being here, I only know that the rhythm of the music of the religious cults of Nazareth will attract me. These images will make me observe Vernarth notice in me and in all these advanced episodes, this is transmitted by Saint John the Apostle. Eurydice took note and dared to dance in the warm senses that throbbed under her feet, signaling to renew herself in an Offshoot of the seed that grows hidden in the shortness of every Nazarene born here.Expressions of freedom and glory appear throughout the village the world dances in the part of the ministerial bends attached to the Holy Spirit. Flowing dance ministered by Levites and worshipers of the Lord God Almighty God or Yahweh in a spontaneous way, salvific and with healing interweaving the existential and vernacular ribs of the chosen people worshiping the Prophet. All danced together and anointed, enjoying the ceremony. Vernarth thought his magical ears thundered with Levitical echoes as he was under the supra-starry sky of the Christian world that repeated itself, returning with a new one appearing at each interval of the festivities, everyone did them as they came and went with the pillars of their Faith rolling, and they covered with the mantle of the night flooded with ceremonial Vines and ministerial Bread like a great vault in a great ominous mansion. Here where the Messiah from heaven will trepan his senses, Feeling emotion and art, all braiding like alpha beginners until finishing the stupid omega dance. We will fulfill a company of prophets descending from above preceded by lutes, drums, flutes, and harps. Thus the sons and daughters will be celebrating with Cherubim in unmistakable steps praising Him.This Hebrew-Biblio dance will end in adoration on a warm night that continues to reach the imperceptible senses where everyone celebrates and intertwines with trans content affection with everyone celebrating in the ceremony. Then they went to the tents near the Messiah's house to sleep concelebrating in tiny circles. Everyone was very excited..., not being able to fall asleep believing not believing that perhaps they would never again live something like this in a city forever whether to live it or not..., eating and drinking the same Nazarene Bread and Wine. All this was closely witnessed by the god Nothofagus in the middle of some brambles, it has adhered to the fungi that persisted in the brilliant brilliance to personify them in the Genus Itheoi. Hanukkah was coming to Vernarth, it was the Liberation of Judah as another purpose of Vernarth's physical and parapsychological regression in the arms of Hanukkah, purging his spiritual body to leave his Piece of Muscle rubbed on the helpless ground, perhaps carrying his non-biodegradable shell matter in his Leonatus; as a new prince replacing Alexander the Great in the true Hellenic polis adopted and claimed on the soil of Judah. On the walls of air in Gaugamela, I sliced ​​with my Xiphos and Kopis leaving them now dry and sheathed..., to serve Saint John the Apostle and our Lord in the work of the Messiah. For this, we have been revived as inclemency in this festivity of the former Hetairoi strategist of the hosts of the Great Alexander the Great. For this task when they left Nazareth, When it arrives under the finger of Nablus, it is intercepted by these voracious sacred lights coming from the Abrahamic eras, perhaps from Lot in his cave to immunize his offspring. Also known as the "Festival of Lights or Luminaries". This Jewish festival of lights commemorates the rededication of the Second Temple in Jerusalem and the Maccabean rebellion against the Seleucid Empire. Celebrated for eight days, the Hanukkah festival dates back to the time of Hellenic hegemony in Israel, beginning with the conquests of Alexander the Great in 332 BC. C., who at his passing freed the Jewish people from the oppression of Persia, leaving Israel as an independent kingdom-state. After his death, the vast empire remained in the hands of his generals, who entered into war conflicts with each other, for which centuries later the Seleucid Greeks tried to gain control of the region, as can be read in the books of I and II Maccabees, where this festivity commemorates the defeat of the Hellenes and the recovery of Jewish independence at the hands of the Maccabees over the Greeks of the Seleucus dynasty, and the subsequent purification of the Second Temple of Jerusalem from pagan icons, in the 2nd century BC. C. Vernarth, was here as a commander when he freed them from the boot of the Persians, remembering the epic of him when he was a servant of the oppressed legions. He thus freed them forming part of this history which has threads of messianic history and culture cracking gaps for evangelization, that looms under the robes of El Nazareno like a child's story..., to be told to adults with nine Hanukkah candles. Jewish tradition speaks of a miracle in which the temple candlestick could be lit for eight consecutive days with a meager amount of oil that was only enough for one. This gave rise to the main custom of the festivity, which is to progressively light a nine-armed candlestick called Hanuquiá, one for each of the days plus a pilot arm. Vernarth describes: "Our Entry into the soil of Judah..., as luminaries we were received, our messianic introduction will change history in its objectivism freeing the Hebrews from the Persian empire. Inopportune were the new masses of the departure of Alexander the Great who, after freeing them, his minions wanted to appropriate a free inheritance that only belongs to Yahweh. Seleucus, being an officer appointed by Alexander the Great, was appointed chief of the Hypaspists (elite soldiers and spearmen) on a date close to 330 BC. C., for this reason, I looked many times at your countenances, seeing in them the voracity and anti-national vocation to exorbitant the limits of unwary power. This is why in the death of our great general..., Seleucus tried to dominate Judah, skillfully raising the exhumation of the general pointing to a drastic change by pointing his finger at the transgressor! Being justly consummated and deported by the Maccabees. Festival of Lights Celebration of Dedication and Celebration of the Maccabees. Children receive gifts, especially in areas where Jewish and Christian children are in close contact. Hanukkah commemorates the victory of the Maccabees over the Syrians as well as the re-dedication of the Second Temple in Jerusalem around 165 BC. The re-dedication was necessary because the Seleucid king of Syria, Antiochus IV Epiphanes had desecrated the temple by installing an altar to Zeus on the site. When the Maccabees began to prepare the temple for rededication they found that they only had enough oil to light it for one night. In the end, the oil lasted eight days until the new delivery of the new consecrated resource, the candles are lit every night of Hanukkah to commemorate the miracle. During the first night, a candle is lit in a special candlestick called a menorah or hanukkiah. Here Reaeder with Petrobus joined this beautiful festivity, paying special attention to the Dreidel pirinola, which seemed very didactic among the game that captured their full attention. Eurydice and Etrestles holding a candlestick in each hand would begin the second night by adding a candle until eight candles were reached on the last night. The candles are lit by a separate candle called a shamash here was Alikanto and Vernarth with Saint John the Apostle lighting it first and then using it to light the other candles. The candles are installed in the menorah from right to left but are lit from left to right. A symbol of Hanukkah is the dreidel, a pirinola with which a game is played. Before the Maccabean Revolt, it was illegal for people to read the Torah under Antiochus IV Epiphanes, when the soldiers arrived the Jews pretended to play a game of chance involving a pirinola. They satiated traditional Hanukkah foods such as latkes or potato pancakes fried in oil as another way to incorporate the memory of the Maccabees free from all invaders, predicting more light than their own Sun.This is how they would culminate this festivity among themselves, in Nablus before reaching Bethlehem south through the desert with their twelve Giga camels..., the luminaries would take them camping through the Nablus desert south to Bethlehem.

Bethlehem ******, Hemophilic Camel so Vernarth describes: "They were falling down a ***** typified as a rebellion of angels. In such a disorder, they have seen a new language and numeral concept. Given before the componential of Steeds, Pelicans, Masked Nymph, Leader of Messolonghi Cemeteries, Vernarth Commander Hetairoi and Saint John the Apostle, wading through the desert of Nablus on mission ****** and the Giant Camels, the twelfth and last of them afflicted with the morbid sin. ****** or ******; is the name of the biblical character described as the son of ***, son of Cam who was the son of Noah. Although the Bible does not mention him directly since ancient times, tradition has considered ****** as the builder of the Tower of Babel. Since the tower was built on his territory and during his reign, it is assumed that it was under his direction that the construction began. But there are also other non-biblical sources, which indicate the opposite, alleging that ****** was not in the region of Shinar when the construction began. His name became proverbial as a "mighty hunter in opposition to YHWH (Jehovah)" His kingdom comprised Babel (Babylon), Erech (Uruk), Accad (Akkad), and Calneh in the land of Shinar also known as the land of ******" Vernarth replied: "They came and went, dragging their ancient Palestinian and Hebrew feet..., helped by ****** to understand and adore each other "When they were on the road from Nablus on the carpets of Kfar Tapuach, a hemophilic effusion occurred in one of their Giant Camels that accompanied them so separated from the remaining eleven, remaining in the hands of Saint John the Apostle. "From that moment on seeing how the camel was bleeding, the apostle falls into a trance remembering the annunciation that will have to take place in the whirlpool of biblical time when they arrive at Bethlehem." The Angel Gabriel will reincorporate right here when he said to Mary: "Do not be afraid, Mariah, because you have found grace before God; you will conceive in the womb and give birth to a son, whom you will name Jesus." Then the Camel turned around and said...:"I will be there..., seeing his short feet and his long crying confusing them at night in those who are jealous of him for his smiles of an infant of seven..." The camel in telepathy transmits to Saint John: "All of us have a long road ahead of us, the road of life that we have to follow day after day. Today it flows strongly in me, unable to stop my torrent like my previous parents who were never able to cross Palestinian land. I represent the line of Gigas Camels guides since the angel Gabriel spoke to Mary; For this reason and because I am an energetic guide on the path of life leading the chosen ones of the Messiah. With challenges of long distances and terrain with adverse spiritual conditions, that is why I have inherited the ancient blood that has traveled over my Palestine and Hebrew. Biblical time... It has determined in me that so much blood has been shed since the Messiah left for the House of our God, that being a camelid in flower every two years when this hemophilia crisis hits me, incarnating in others the sins that will be amortized with his body and his blood. My liver belongs to my Palestinian masters, they eliminate the viruses in my body but the healthy genes are Hebrew and remain in me for a short time until dawn. My time is more than the southern time process is the southern temple opening it on my consciousness of the pages of the Bible "Before the stakes of the World come out of the straps that hold it..." that being a camelid in flower every two years when this hemophilia crisis hits me, incarnating in others the sins that will be amortized with his body and his blood. My liver belongs to my Palestinian masters, they eliminate the viruses in my body but the healthy genes are Hebrew and remain in me for a short time until dawn. My time is more than the southern time process is the southern temple opening it on my consciousness of the pages of the Bible "Before the stakes of the World come out of the straps that hold it..." that being a camelid in flower every two years when this hemophilia crisis hits me, incarnating in others the sins that will be amortized with his body and his blood. My liver belongs to my Palestinian masters, they eliminate the viruses in my body but the healthy genes are Hebrew and remain in me for a short time until dawn. My time is more than the southern time process is the southern temple opening it on my consciousness of the pages of the Bible "Before the stakes of the World come out of the straps that hold it..." Saint John the Apostle replies: Few words and numbers are rolled from Nablus, they will be decoded by ******..., collecting the months so that we can see an increase in the proteins responsible for blood coagulation and in the reconciliation of the Palestinian-Hebrew world. This treatment will actually heal his hemophilia with both fatherlands in me, not only by treating him and reducing the bleeding but to pay for the sins of these salty nations already prophesied for our salvation that the Messiah judged.Saint John, taking the leg of the Giga Camel, caresses him..., he makes a gesture not to feel pain, but as an anti-death, he begins to heal his wound, covering himself with flowers of the Hebrew spring. A candid and volatile mass of Rose of Saron petals settled on the camel's leg. While Vernarth tried and helped him cut off a certain portion of his leg. But a miraculous fusion flower occurs that is mixed in its leg and from the same stem of the flower, regenerating the gangrenous part of the Giga camel..., in a great time of the Temple growing in God forgiving the Palestinian and Christian sins, juxtaposed to their illnesses almost being guests of a crippled scientific metaphor..., but much more Christian Salvific. The camel recovers and they put out the fires, they continue through the desert on the carousel of the camel's parents' lullaby, singing tenderly to their son camel, that they would never leave him alone and that his words were restored and decoded by ******'s command to his ears. Not far from Him, with words and strange Palestinian neologies and numbers of the Menorah lit up to the right. Shortly thereafter to reach Bethlehem, almost like synchronizing the magical steps under a star that heals and renews all the meat of the camels in the human world, before being listed to the eternal wind of the native village of the Messiah. with words and odd Palestinian neologies and numbers of the Menorah to the right lit. Shortly thereafter to reach Bethlehem, almost like synchronizing the magical steps under a star that heals and renews all the meat of the camels in the human world, before being listed to the eternal wind of the native village of the Messiah. with words and odd Palestinian neologies and numbers of the Menorah to the right lit. Shortly thereafter to reach Bethlehem, almost like synchronizing the magical steps under a star that heals and renews all the meat of the camels in the human world, before being listed to the eternal wind of the native village of the Messiah.

*** bei Hinnom  Crypto-Crucified

Following the route of Arimathea and then Emmaus with our tired feet we entered the region of the southwest towards Jerusalem, to *** Bei Hinnom specifically. Obviously, we were going to Bethlehem, but the Apostle decided to spend the night here.Vernarth speaks through the voice of the Apostle: "The open southwest gate of Jerusalem points into the valley, which came to be known as the valley of the son of Hinnom. Here the Israelite residents used to perform rites that worshiped Moloch presaging destruction. In those ancient times the Canaanites sacrificed children to the god Moloch by setting them on fire and burning them alive...; a practice that was outlawed by King Josiah when the practice disappeared, it became a city dump where garbage was incinerated, and also the carcasses of animals or those of some criminals. The dump and the fire make the metaphor to indicate that "Garbage" (disobedient) are those that burn day and night. Later, after this narration..., the Apostle took them to Mount Zion, where the coffin of King David is.

Parapsychological insert Vernarth Pandemic MMXX, comments...: (Here the god Vélus has Zefian's arrows to wear the Magaf or boot that would unleash this Antonine plague in Italy, until the resource of the MMXX in the modern world, as it was in 165 AD C.: Magaf in Hebrew means "Boot" since the quarantine began in March..., it continues to occur in Israel in a nation with a vast history of pandemics, it is that since immemorial biblical times it has always been hit by plagues, it has been a maximum in comparing it with the reality of the world that does not mutate in its virulent evolution. It has a Bota root, which could be related to social passages of the Bible in the context of Quarantine, which in Hebrew means isolation "בידוד", which has a similar root to Magaf, giving the genesis to which this apology coincidentally raised the virological expansion in Italy, suggesting its geography in the form of a "Boot" such as Italy. From where the itch of this Pandemic began to the secular world in great mortality statistics reissued in the current world. The Valley of Death exemplifies water opening, and Arab and Israelite slopes. Polytheism instituted among the archaic social networks degenerating the infallible root to which each one belongs in its independentist root of aggressive trait and autonomous to survive on themselves. Moloch or Melech, as they are called by the Jews today, is a conductive agent of overcrowding of the archaeo-cultural, practicing trades of high violent Intercultural Religious confrontation. Two intuitive cultures two nations, with different gods and languages, both walked through burning Gehenna as ancient culture in their inseparable history that tied them by invading hands in the past-present. Avodah Zarah in Hebrew: "foreign cult" is the name of a Talmudic treatise of the Nezikin order of the Mishnah and Talmud. Nezikin is the fourth-order of the Mishnah and the Talmud, Nezikin is an order dealing with the laws relating to harm. The main subject of the Avodah Zarah treaty is the laws regarding the Jews living among the Gentiles the goyim, in the treaty are included the regulations on the interaction between the Jews and the "idolaters" which represented the majority of the population not Jew or Gentile during the writing of the Babylonian Talmud. The Apostle says:"On Mount Zion I was with the master in "The Last Supper". Very close to *** Bei Hinnom, what predicts Life and Death beyond our beliefs but if it is death..., it is the angel in his consort who is accompanied by others, freeing us from the sin that we hide, crushing us in the overloaded Karma" Replies Vernarth: "beyond our paths to build..., today we are submerged in a techno-idolatry, subjugated to the trans-nationality of global networks that deliberate and trans-compete under our tutelage, with no other options than to live together avoiding slavery itself before Moloch, sacrificing our children to the altar of the aforementioned "Technotheism", giving them intelligence beyond all the valleys that force us to depend on an overwhelming social and technological electromagnetic dependency. Falling noisily backward onto a ritual hillside to plausibly be handed over to us as "Human Technological Trash." Depositing in us millions and trillions of neutrinos and radiations through universal space like that of any Mythological god, lying abandoned in time without end..., beyond Life and Fabulous Death. Or perhaps our Last Supper..., it will be very present in our daily lives in this incipient technological techno-theism, worshiping the God who will imprison us in his algorithms as a whole man, or perhaps one day be traded in Crypto-Currencies by a broker on Wall Street, to be handed over and betrayed by this Broker-Judas to our crypto-crucified collapse, paying for the sins of others burned in Gehenna, on burning garbage that we ourselves have deposited and No! emits Amblyseius: They were on the Hebrew ***** of *** Bei Hinnom preparing to sleep. Bright wells could be seen around him, once everyone tired joined their experiences around the campfire, the Apostle went with Vernarth to pray on the northeast *****. Walking in silence and with burning fear they were circulating with austere care not to fall into these imaginary wells in the fangs of the gates of hell and its crater tempting them to get lost among it..., before reaching Bethlehem Says Vernarth: "They estimated a well of seventy meters in diameter and equal in depth with high temperatures that emanated from there in a sulfur mixture..., the apostle prospected and witnessed how the earth swallowed some natural elements that were there. The most surprising thing was the gases that flowed through real Gerakis that were abducted into permeable, heavy,  and bluish monoatomic that emerged from the underground cave of some Canaanite god.Thousands of years of expectorating and having the bronze crackle of swords of justice in the "biblical blue" of a possible Hebrew tekhelet, neither I nor anyone else could recreate or imagine what it could be in itself. Random face from the time of the Second Temple, which towered over Jerusalem until it was destroyed by the Romans where a blue dye of the same name would be used to color the fabric used in the clothing of the priests..., admonishing them on its perimeter."A Jewish man who was still commanded to wear a 'tekhelet' thread in the knotted fringes of their prayer shawls, although it might seem that was left unclear for years.The source of the Tekhelet is not specified well in the. According to himTekhelet's dye is produced from a sea creature known as the Ḥillazon; which is the exclusive source of the colorant. There are three opinions in rabbinic literature as to how many are to be blue: 2 cords; 1 rope; 1 half string These strands are then threaded and hang down like tassels that appear to be eight. The four filaments are passed through a hole 25 to 50 mm away from the corners of the four corner fabric. A comparative deception has been made of trying to touch it because they looked harmless and silky when touched.Fearing that the crater would cause the appearance of apocryphal mites dressed as a priest with Tekhelet that was sustained in its physiognomy, with the escape of various dangerous natural gases determined to self-incinerate. They estimated that they would be extinguished in a few minutes, however, it has been burning for centuries and parading before curious maravedís; As precognition to the business of the Inquisition charging money to Jewish converts in exchange for rehabilitating them.Since then it has burned non-stop and provided an impressive melodrama in keeping with the creaking of the valley walls that were outside and close to the southern wall of ancient Jerusalem, also stretching from the Valley of Hinnom to the Kidron Valley. Saint John the Apostle speaks: "I will mention a Valley like that of Cedrón..., a place that our Messiah traveled as the Gospel refers to He passed with us to the other side of the Cedrón torrent where there was a garden into which he and his disciples entered. The ravine of the Cedrón valley begins northwest of Jerusalem resting on a slight depression of about twenty meters that reaches a depth of one hundred meters. The wells like a quantum leap, he rushed us into both depressions, witnessing pre-cognitive Christology..., "The henchmen took him along the Kidron Valley to the gate near the pool of Siloam; and then they scaled the steep path that led to the common palace of Annas and Caiaphas, on the height that is now called Hill Zion." We feel divine and mystical assistance that were intertwined from *** Bei Hinnom to the Kidron Valley in each depression that flowed the extradition of the Messiah, whose previous referendum would splinter his hands staked on his resonated feet and his intra rib. On the way between Gethsemane and the palace of Annas and Caiaphas, I felt an aggressive impulse pass over the bridge over the Cedrón torrent, throwing our Messiah to the bottom of the torrent where the imprints of his feet, knees, and hands were left on a very hard stone. and head" From both sites the depressions twinned the facts of geological upheavals that would cause the implosion generating noises and silences of greater size when ignoring it, by the time it began to decrease in frequency and volume heightening that would fracture with the decibel in the middle ear with total disorientation. In the Well of *** Bei Hinnom, Mites would begin to ascend Amblyseiuss wirskiique; that they are a species present in regions of Israel for that bad effect. This predatory mite was found in large colonies suspended in numerous grasslands, among them they were hidden and neighbors to the horticultural crops of Los Olivos. These crop larvae are assiduous to migrant citrus trees that spawned Cypriot whitefly larvae that came to mourn the mourning of infants under seven who were incinerated. Predating young larvae of other species by means of severed white mosquitoes. They began to radiate horror at the cries of the burning children of the time with the martyrdom that pierced the bark of the bushes entangled by this unusual phenomenon between the valleys. This colony of mites frightened the apostle and Vernarth by making them believe that fever of degenerative abundance was symptomatic in them in the flagellated human species, with whips in their tentacles degrading in tiny status between food chains, for more predation towards them and their companions that they were in the camp resting next to the warmth in the atmosphere of the unknown. Vernarth ran swiftly to open some gates that contained the doomed river, levered some stones to increase the mechanical noise on the growing colony of mites in such a way as to lessen the dominant action on the arboreal and horticultural species,

Hex Birthright

The composition of this Hexagonal primogeniture is changing by itself visiting you in this hexagonal course that is now oblong by the rays of the determined morning, inviting you to take the dry cove to Bethlehem in the company of The Apostle, Vernarth, Etréstles, Raeder and Petrobus, Eurydice and Alikantus. They get on the Giant Camels and meditate on them, it was not yet dawn, there were six camels for this hexagonal brotherhood, and the remaining six were for supplies and clothing for their retinues. They all stand in an oblique line looking towards the Valley of Hinnom and Cedrón..., waiting four minutes before the Sun appears. In each one, a legaña of balsamic acetol would begin to skim off with the generous Sun reigning on their Davidian faces. At that very moment, the King appears to them from the front, strolling through the long Davidian caravan..., in their very faces, thus stopping in their march and seeing their imploring and bronze hair like an alliance of lights on a cold morning. Davidian Presence: "There are four minutes left for us to appear in the morning twilight, it has been four hundred years since I ruled Davidian as the second of Israel, I was born in Bethlehem where I will go with you until I reach this pure oasis of the House of Bread. center of the Old Testament, I was the Eighth and last son of Jesse or Jesse, a member of one of the main families of the tribe of Judah, the prophet Samuel secretly anointed me sovereign of the Hebrews when I was just a boy taking care of his father's flocks in Belen. I have created a united and powerful nation of a markedly theocratic character, though short-lived as it vanished shortly after the death of my son Solomon; while in the religious sphere my poetic compositions stood out, "recognizing myself as the author of a total of 73 psalms", and the great project that I ordered to build a great temple in Jerusalem to house the Ark of the Covenant building that would have ***** my successor on the throne." David, get on the seventh Giga camel, and they all go in a file when four minutes fell on the sand of Northeast Jerusalem turned into burning flames in the hair of Davidian dawn. All catch their shadows with a vocalized assembly by the turquoise stripes of the Tekhelet that he carried on his Davidian skeleton. From the minimum moment that allowed him to climb his bones until he mounted the Camel on its exterior, his past became lightening of volatile blue flesh, leaving for the first sabbatical day that ran through his calendar. He tempered over him the compromising memory of him that wandered before his birth and after his death where many wanted to incinerate his Tekhelet for him, or perhaps plagiarize him in his agony with the Messiah when he met with the apostles. above his grave. Davidian Tomb: "When the Lord was over me, I felt his aroma of Davidian flowers approaching, covering my coffin with two square meters of the perimeter of my death that began to be purged in the Messiah. My body was ingested like horchata in my blood vessels. Many times I wanted to get up and break down the barriers that separated us, but I was distracted by the serpent that seized in front of me, co-indexing the apples of my tree that never got worms..., turned into brass serpents on slung chariots pulling me away from the arms of the Messiah. I saw myself at his service in nine light-years from the twelfth applicant with billions of kilometers more, that is, a quarter of light-years to reach him, estimated. My four minutes are what I aspire to reach the five that remained of my temporal origin..., to restore the last thousandths of the end of my life to honor him ubiquitously, even looking at me from the universe from where he observes me, listens to me and will speak to me Davidian..." turned into brass serpents on falcate chariots leading me away from the arms of the Messiah. I saw myself at his service in nine light-years from the twelfth applicant with billions of kilometers more, that is to say, a quarter of light-years to catch up with him. My four minutes are what I aspire to reach the five that remained of my temporal origin..., to restore the last thousandths of the end of my life to honor him ubiquitously, even looking at me from the universe from where he observes me, listens to me and will speak to me Davidian..." turned into brass serpents on falcate chariots leading me away from the arms of the Messiah. I saw myself at his service in nine light-years from the twelfth applicant with billions of kilometers more, that is to say, a quarter of light-years to catch up with him. My four minutes are what I aspire to reach the five that remained of my temporal origin..., to restore the last thousandths of the end of my life to honor him ubiquitously, even looking at me from the universe from where he observes me, listens to me and will speak to me, Davidian..."The Davidian Phenomenon continued to impact everyone because this happened to the ungulates when they sensed outbreaks of the cluelessness of the sky, believing they were a part of it, but the bodies of space are so far away, just as their whimsical light would take a long time to reach us, wondering about the universe of another ravenous dilapidated galaxy. The more distant the object of our consecration is, the longer it will take for the light to arrive and therefore what we see is even further away than in the past. Perhaps his lineage was a thousand years before it could materialize after 1040 years..., after David he did not seem bothered by the refractory passing of the degraded millennia. This equation was worth using to ask the Messiah for mercy for not having made his nation the best it could have treated and inherited towards him in sync at the time he was sentenced. In such a way to subtract years from the one who was born and ruled, so they would be subtracted from him as it is due to his soul that comes traveling with the invisible speed in the bluish light of the Menorah. Light Davidian: "it was 1040 a. C. that I saw the birth of light approaching the same one that saw us born in Bethlehem in the same village of the Messiah after 1040 years in which it separated us both and saw us born in different age phases..., he arrived at his stable next to his Davidian mother. Messianic I fell abruptly from the burst of beams of extinguished light years similar to those that accompany me today in the ceramic that also appears in Bethlehem.In this way I will follow your exalted Hexagonal primogeniture together with the Davidian spectrum, accompanying him to the people who gave birth to both of them."Sheba Dean, Vernarth states: "The Hexagon turned us around and we looked at the Zoroastrian sky, a new star guided the seven of us mounted on golden backs on camelids, now King David on the seventh Giga Camel". Saint John the Apostle intervenes: "In my symbology of the Apocalyptic as an ancient Davidian I give the testament of liturgy and that which appeared in the first centuries of Christianity in which its praises, prayers, petitions, characters, cults, ornaments, incense, Eucharist, chalices arise. , the saint, the amen, the lamb of God, the ******, the interception of the angels, the archangel Michael, the antiphons, the priesthood, the faithful, the meditative silence, the nuptial supper of the lamb; so are the numbers. At the same time, a symbology of the numbers is brought, giving them meanings; this is why for this author the "one" refers to God; the "three" can represent God although for the Jews it represents the divinity, and for the Christians the trinity (father-son and holy spirit). In the apocalypse the three appears as a fraction instead of the whole number a third part, a third; which indicates that neither is a full God nor the "fourth" that is the creation, and that two-thirds are not affected by what the third part is; the half and three and a half taken are from the book of Daniel and mean fullness as well as the "four" and the "seven" perfection, as well as the universe or creation of the representation of the four cardinal points, the four evangelists, the four living beings with God. In the apocalypse "the 5th and 6th" originate cataclysm and the "sixth" a vision of hope, the "seventh" the trumpets. The "six" denotes imperfection but one is missing to reach seven which is perfection; this last number in Hebrew is called "Sheba"; "twelve refers to the 12 tribes of Israel" (Jacob) (16), to the 12 apostles. If we make a calculation of the twelve tribes of Israel we also have to make it of the 12 sons of Ishmael that we can also consider them as twelve tribes. Which is equivalent to two pairs of 12 or 24; this last number multiplied by 2 is equal to 48 and 12 times 12 equals 144. Here we can continue calculating the multiples of 10 and 4 and thus group figures to give them interpretations. The number 1,000 would be the general idea of ​​a great number, the 1,000 years of the confinement of the dragon. Observe the negative aspect of some numbers that do not appear in the texts on "numerology" "King David, goes on the seventh Giga Camel, that there are five that are missing from the camels of the twelve (he being on the seventh) to get to mount the last one before they reach Bethlehem. "the 5th and the 6th" would originate a cataclysm but also glimmers of hope when they hit the sixth, and this could happen in multiple ups and downs in the lands of the birthright that saw both Jesus and King David born. The raison d'être of this Davidian way is Davidian Way He says: "Being on Mount Zion below the subsoil I imbued my proportion to my cenotaph asking to be my rest here or another. In the Old Testament, it says that I was buried with my ancestors in the City of David. Archaeological ramblings and excavations place my City south of the Temple Mount and not on Mount Zion where my current tomb is located. My city was the original settlement that became Jerusalem, they have searched for me in excavations of the City of Davidiana but they have not discovered my Tomb. Some have thought that I was buried in Bethlehem..., my city is also known as the Davidian Way,... but they look for me in excavations in Bethlehem and they do not exhume me from my grave. On Mount "Sion is my spirit" that looks for the Messiah still by some stairway that indicates looking at us both as humans..., both as kings but He is my true King. Here the pious and spiritual boat of Bethsaida had to pass as a consort in the Miracle of Pentecost that took place in the same place where the Last Supper was celebrated, the washing of the feet of the Disciples, the Meeting of the Disciples after the Ascension of our Jesus, Apparitions of the Risen Jesus and the Election of St. Matthias as an apostle, which was located in a high room on Mount Zion. He could be found in many places, but where I have wanted to prevail his well-deserved and welcoming place shared with me is in the Cenacle near me in my Tomb where he celebrated his first Eucharist. And now especially that I am on the seventh Giga camel hoping to reach the five that are missing to achieve the twelve that are missing beyond the cataclysm of the five that remain to get the twelve. That by equivalence it should have a correlation with my numeral year of my birthright 1040 BC and by a factor of multiplicity that if we make a calculation of the twelve tribes of Israel we also have to do it of the 12 sons of Ishmael that we can also consider them as twelve tribes. Which is equivalent to two pairs of 12 or 24; this last number multiplied by 2 is equal to 48 and 12 times 12 equals 144 as an arcane and secret measure of the edification of creation. Here we can continue projecting my work as a geometer calculating the multiples of 10 and 4 and thus group figures to give them interpretations of the size and measure that unites me and separates me from the Messiah."

Filled with a great piece from the cruise through the sands and the Judean desert, They were almost asleep in the hemispheres of each region that waited and recirculated with the energies of the desert. With its shifting landscapes, constant limestone hills between canyons of deep Philistine souls, with rivers and oases like Nahal David. They marked the passage of the camelids and the hydric solitude that dominated their fictitious vegetation. King David as the seventh horseman went far from those who opened fences at the tip of the anvil of the caravan. He felt moved to release the clothes from the cenotaph... from him, perhaps entering the Eucharistic pavilion that resembled his open mouth; He as a Young King was proclaimed, and he remembered when he was active in reacting to retaliation to scare off the Philistines, with his namesake Saul. They used to raid herds and fertile agricultural land, for which David begged the Lord what he should do in the land of Adullam? the Lord spoke to him and told him: "Let him rise up and destroy them", he did so and rushed over them thus beginning his reign of liberation from these barbarians. As they made their way to Bethlehem, the King felt that something was missing to fuel the atmosphere of his return to his homeland. Since then from the sky descended a flock of migratory birds that joined him when he fed the abdomen of the desert attracting six hundred Hula Cranes. King David whistled copiously which attracted lake birds creating an atmosphere of trance. Here time stopped and it rained softly sweet water with messages of love and everlasting avian hubbub. He recalled six hundred Cranes like the ones that sheltered them when the Philistine troops escaped, taking refuge in the cave of Adulam. Everything seemed scarce biometrics of the arid event in an arid destination. All embedded in the vegetation of xerophytic thickets and exegetical brambles that lit up with calypso color at each shoot of the past millennium in its early biblical time, when they approached the vicinity of the valley near Bethlehem near Beit Jala, erosive processes were imposed with meta desert factors of vile landscapes. Aeolian Eolionimia tramontane winds were falling on his Tekhelet, letting himself fall from the relevant heights with cranes with gravitating mud on their ends, with gravel from colonized riverbanks of the rocky Hamada desert areas, three fossil birds were climbing the rays that reflected the crown of two Kings to meet at Bethlehem. Arriving at the sacred native city and beginning in Christmas choirs and passion for the faint whistle on the twelve Giga camels, they venerated the hemispheres of energy prayer that insufflate from the eternal walk of the guide of their breathing wounding them as migratory birds of a series of fraternal cranes that invited him to be confused with the whistle of the divine Solano solar wind that calmed and stimulated the enormous breezes to warn the villagers of his enormous arrival together with the Apostle Saint John, converted into dusty fissures in quarries of the surroundings, where they stopped their work and deposited another rebuild in another temple with a greater whistle than a Sheba Dean.Shavuot Messiah; Shavuot is the second of the three pilgrimage festivals of Judaism (the others are Passover, Passover, and Sukkot..., which is walking in the desert after leaving Egypt). The Hexagonal Primogen took seven weeks through the desert and the Holy Land to reach the target that is Bethlehem. It would coincide with Shavuot; with bucolic meaning corresponding to the time of the year in which in Israel in particular the first fruits are collected. This is why the holiday is also called the Feast of First Fruits. During the festival, it is customary to eat dairy products, accompanied by the seven characteristic species of Israel, based on yogurt, honey, fruits, vegetables, and spices. In the existence of seven in their camelids is the vibration of their fruits and spiritual messages. The Shepherd and His Flock According to tradition, the area located to the east of the city, belongs to the fields of the shepherds, "they only keep watch in the dark for the shepherds who are in the field." Several churches have been built to commemorate this event. Even today local shepherds can be seen tending their flocks in the same area (even on Christmas Eve). The relevance of this land of herds is the conclave of this brotherhood, Saint John the Apostle, King David, Vernarth, and the retinue of animals plus Eurydice. They are beings of light that come to pick up spikes and sheaves, the seeds of the gramineous environment that surrounds historical vibrations of dissolution of resurgent energies from all corners. Despite being a thousand-year-old Canaanite city, this city now has the visit of this conclave that is going to loosen the chains that had been folded in its geomorphic genesis. Here the memory of the seeds and spikes are impregnated with the "Lady of Light" made and made of the divine seed that feeds generational infants, whose silence generously retransmits all those who will give birth to pain and all those who memorize your gesture. Mother, Parents, and children will go through the past of a farm that only admits one seed "Gleaning his Divine example". Flooding and spreading beyond all limited expansive creation of the Marian World. Before approaching the confines of the village, Archangel Uriel becomes aware saying: "Gramineous Consort..., herbaceous Shavuot divider Spike between races, lineage and family, typology, lineage and hyper gender... Here lies your superfamily thickening ancestral in daily sheep...energetic molecular matter..., golden passers-by flowers of Sutra thorns, glucose polymer molecule, herbal and decreed perennial network...vascular bio Mariah..., graminaceous chopped stems..., crowns to the precept! striated Angiosperma, the tabernacle, prevented weeks of your veil and hoarse ritual...Bethlehem..., on veiled feet, golden tornado wind....extreme advance..., carrying flowers to your Messiah, re-blooming womb, scales and pitch collapsed on your candle..., varnish between milky honey... traditional ancestral embryo... full holistic, skillful milk and aloe-myelin and consummate Messiah..., pheromone teaching nativity..., rescinded to Nacer. Here is your Shavuot Hexagonal Architectural Primogeniture where nothing is born and nothing dies, mutualism roar great prayer of subspecies... high-sounding and metabolizing Big Bang..., intra-species, specimen Guru-intuitions, Sheets in beads..., between Ruth's fingers and her uninhabited herds, Druid plant ficus..., sagebrush, plain rock, and rainy past weaving, Here below you I double its wool in July... Sheaves of wool that undress, Brave Period and histo-weaving tillage..., fateful hunger and cotyledon... Bread on tiles of your altar; germ to satiate..., awning to heirs to plunder...A quarter of your barley toast..., will prostrate itself fascinated supposedly in a rooted basket, Junco discerning in thunder, pseudo-diaphragms reflowered millennia, perfect Sheba of Seven knotty and amplified trumpets between the eye of the Universe... thousand-year-old Reed roots on the back of my hanging donkey distilling in the confines, affirming themselves still and tremulous of ogre sheaves..., restless Davidian affirming themselves in secondary roots..., in bifurcated grass lights,... in empty Davidian center, through the Davidian center big bang space of Bethlehem, Messiah..., ear of the Lady of Light...! between prayers of forty and more to the right..., multi germinating." ... in the empty Davidian center, through the big bang space Davidian center of Bethlehem, Messiah..., a spike of the Lady of Light...! between prayers of forty and more to the right..., multi germinating." ... in the empty Davidian center, through the big bang space Davidian center of Bethlehem, Messiah..., the spike of the Lady of Light...! between prayers of forty and more to the right..., multi germinating."

Saint John the Apostle is frozen by this senso-oratory, lengthened his phonetics, his words, and accents, making himself almost unintelligible as he tried to record himself and imitate what the archangel recited. The slopes that formed a beautiful valley moved to the opposite ones. The verses transmuted clarified energies, caloric and meteorological, the wells of the oasis sites that dwelt for millennia lit up like rubies in a Pingala aphorism, resurfacing in borders that adorned the presence of visitors. With energy channels and energy wheels, they traveled like turbines to the left brain of Bethlehem where north and south intersected vertically, pouring out the Prana that threatens the storm of the intellect, which sleeps what awakens in the port angle of North and South. Thus Bethlehem received visitors who entered with their ungulates, faking being nomadic mountains on camels that prowl in random sedentary circles. Shofar and Asherah, already set, begin to direct their destiny to the heart of the Nativity area where their origins and areas of the omnipresent West Bank strip were. They entered with strong winds clinging to their bristling camelids, everything had the atmosphere of a city as if it had never been inhabited. The fringes in floods of the sun were distinguished orange-reddish weakened before storm gradients from the Red Sea and the Mediterranean placating the Hexagonal primogeniture. Although squalls were appreciated with agile movements in the local atmosphere, several layers crossed with the inheritance of Persian cloths in colorful blues and orange tints coming from the red sea and the quarrelsome storms of Asherah "The mother of all the gods", and He who was the "father of the gods". Known among the Babylonians as Ishtar originally called Athirat (or Afdirad). She is the great Semitic goddess of fertility. In the Bible it receives the name of Ashtoreth, a distorted pronunciation of the original 'Astart by including the vowels of the Hebrew word boset (shame) according to the custom of the rabbis, to discredit the pagan divinities. Asherah from the Bronze Age (before 1200 BC) The Greek form is Astarte. Astarte was considered the "goddess of the Sidonians". In the Amarna Letters, she is Ashirtu and Ashratu. The Ras Shamra texts identify Asherah ('atrt = atirat) with El's goddess wife; they call her "Lady Asherah of the Sea" and "progenitor of the goddesses", here she would be the mother of these discredited Babylonian forms caused discomfort and discomfort in the face of a living past and present in the intangibility of inheritances that greet others that could supplant them. This caused heating of the ground in the podiums or legs of the animals with an abnormality of the Greek-Babylonian wormwood prostrated at the feet of Asherah, leaving an odorous atmosphere of wormwood in the land of two native Kings of this jurisdiction, attracting dissipation on the roofs of some surrounding houses to the precise place where the Messiah saw the light of lights and those who waited for him together lighting him with candlesticks. This sacred wind caressed everyone's hands and insinuated them to take charge of the new Bethlehem, a vicissitude that was being reborn with the illustrious visit of the Apostle. His consolations were dilated as any caravan that increased its predictive volume equalizing the pressures of the air that surrounded the streets where no one appeared and was seen generically. This centrifugal force rotated their terrestrial spirits, originating the birth of a great thickness of crazy gases that populated the roofs of the village. Thus creating greater weight and highlighting the freshness of essences that were torn from the soil with the aroma of grazing, explaining to themselves the presence of sub-areas in the West Bank and insolating redemption of the arrival towards formal merit contrasted by the gesture of being staying next to this at night, and varying many times until bringing them the holy sacrosanct condensed water, deregulating the thermal sensation.The density and buoyancy of the animals' legs made it difficult for them to select the right moment to stop and dismount. The aerial relief that went up and down went up on the walls of a few rooms linked to the nativity stable, pressing on them the adjacent words that were allied from the ground to soon arrive in an ascending spiral converted into light and wind on the seventh horseman; King David, appearing to them right there..., right there before Him his Abigail, the third wife who gave him an advanced reconception by presenting him with an altar that will endow eucharistic missions during his admission to Bethlehem. On the gradient that led to the hill of the stable, an unexpected phenomenon swirls around them, affecting their vision and consequences, rotating them all to the rear of the original access to the stable. Converging winds on the ground and upper external part of the stable and causing an anticipated shine of the space that would prolong them to under-understand that they had already arrived but were still seven hundred meters from the main access and that the city was not Bethlehem, but another that seemed to emerge from the arid soil next to the stable, dividing into inter-strips that rubbed against the original and current ones, in such a way as to generate a great development of the subsoil on the vertical that sounded stentorian and vibrating as if in a long stay on the distributed assistants in this supra abnormal regime. They arrive exempt from grievances but dismounting gentiles..., the sixth piece of crowns of Kafersesuh bringing the fertilizations of the Ibico Ring 6, for the central stage of investiture under the shadows of Hellenika and Theoskepasti, where everything will be endowed with the greater Ibix called Wonthelimar together with Leiak. David speaks: "When I approached Moab, I asked for asylum in the protection of my parents..., so I myself would burst the eardrums of the Philistines for each rugged network of links that join me in sponsoring my counterattack advance towards their domains. In their unknown territories of the enemy appears before me a noble and friendly joy; Abigail, who fills the history of my land with beauty before the very son of a cruel Canaanite; Nabal. She enriches my lands more than the entire multiplied population of animals every time I count the units, I look into her eyes and forget the greater amount that moves her heart towards me because of that I did not spill blood on the house of Nabal. Being Abigail is the one that replaces my union with the Faith that moves my passion. Abigail then kneels and touches the ground where he was making the sign of the cross after assigning a cross kissing his hands, on his forehead and chest. Thus, from somewhere her parents reorganized the garments to ravish Vernarth for the bi-connected purging of him with that of David and the Messiah-Vernarth. As in the Jericho tale, Alikanto, Raeder, and Petrobus galloped around the periphery of the citadel, with the full force of the steed's Golden hooves kicking up liquid and dust from the Bethlehem water tables. Alikantus did not carry an amount on his back..., he carried an Áspis koilé of the Vernarth Hoplite. resume their advances in buttresses to build the walls, that they had to mediate to weaken Asherah's overtures to disagree with the citadel borders. The Apostle, Etrestles, and Vernarth blew the shofars as many times as they gloated the perimeter of the city, and they believed that there would be more rounds..., on the divan was the Shofar that could sound more times and louder, it was intact..., but it ran to blowing it Vernarth not leaving a single drop of air looking at the sky that would appear with three bright stars filling the anxiety and attachment to break the Easter bread for everyone. But it was not that effect it was the astral echo of King David's Betelgeuse that emanated with his breath also helping to raise the walls that would protect him from staunch invasions of the lackeys of Asherah. In such a way that the partitions were raised until reaching the governorships of the words of the watchman angel who coordinated everyone saying: Watchman Angel: "For us the partitions, for you the roofs, on the heights the limits will mediate and on their Shofar they will define to Asherah, without any city where to go and come" Such exordium is fulfilled and Bethlehem is surrounded by golden barreled partitions rising in remarkable walls and heights to placate the roaring winds of the Canaanites as in Jericho but the other way around, where they succumbed to the mandate divine to allow them to settle in the thousand-year-old town hall. Finally, they remove the twelve camelids from the ante circle that did not allow them to settle in the settlement, managing to settle down to revive a bi-natality and double reign of whose splendor only the luminances of the Messiah and King David embracing them will speak. From the extramural continents they remain desolate, they revive the pristine and angelic countenance of Abigail bringing dinner and a fetish Shofar to each one of the components of the Hexagonal Birthright that began to continue the seven weeks in Judah. The legacies of Magraner"Punica granatum" were bushes that appeared to them in the focus of the micro center of the fire, entering with some tenuous and sinuous branched thorns getting muddy coming down from the tassels of the Shofar feeding the curiosity of all those who were encamped surrounding a fire full of sounds with new positions of devout pupil sounds of high Jewish principalities, cordoning off objects of the Apostle Saint John who shared it with Etréstles..., giving sonorous instrumentalizations to rams that came around them... looking for ravens that jumped on their heads. Due to the binding and cracking of the shofars, in the opposite works of luminosity, the bonfires hung over the same faces of the wise counselors who unfolded them with their young shiny branches and sheaths before others underexposed yellowish-greenish with obtuse apexes. Resigning shallow marginalized exceptions, polygons of pre-flowering and shofar-formed on valves that escaped from ashes of shutters that were detached from the last fleeting flame of each minute running to the right. Everyone collected the nectars that the legates poured into chalices, drinking them lying down to swallow them while reclining and being able to look at the stars that emerged from albiceleste flavors, rinsing the arms of each one by touching them with the shofar like petioles stems on the seven ruminants that sought to recover what they had they made heavenly sounds about themselves.  Etrestles says: rinsing the arms of each one by blowing them with the shofar as petioles stem on the seven ruminants that sought to recover what they made a sound about themselves celestial. Etrestles says: "When the shofar speaks, past pastorals speak inside and outside the community, the most outlined has been to understand it as a trumpet of bony projection; that is to say, formed by a bony and pointed matter that is born from the frontal bone sealed by a layer of keratin that forms an aerophone horn cover. The horns of Moses come from a translation of the original biblical text perpetrated by Saint Jerome. When Moses descends from Mount Sinai, where he met with God, "the skin of his face had become radiant" says the Bible (Ex 34, 29-30). In the original Hebrew the verb "to radiate", and "to emit rays" is from the same root as the noun "horns" so Saint Jerome did not think twice and translated: "cornuta esset facies sua", or that is, "his face was cuckolded".Taking into account its timbre and sound quality here with you, it is not difficult to associate it with the sound and with the golden patina simulating Messolonghi's fingers..., which three by three-piston their bone reaches linking in some ways of beauty, goodness, clarity, brightness, and stories that will accompany us in this bonfire between these raised walls to level the vaults of the Messiah's nativity cries. Calibrations and catechesis on the real moment of his symbolic Lineage at dawn awake and alive, with waves of graceful voices with goat hosts reordering the urban matrix of the erected town..., everything will be at the expense of surrounding us and pouring out the voices shuffled with the shofar to protect us from Asherah in his eagerness to move us away from the fundamental site." Vernarth intervenes: "In this passage it is clear the capacity that the shofar..., and the sound produced by him with our similar voices being amalgamated with him, bawling and modifying the environment to a polyvalent physical dimension. Now we are a herald of goodness, beauty, and reconstruction, part of a noticeable dialectic to neighboring Canaanite cultures as a sudden reconversion between what was built and what is about to be founded even if something were to disappear in it. The wall was rebuilt in reality surrounding all of them beyond the golden light of the shofar producing today's creation and not devastation, encapsulating kingdoms in wisdom and lucubration..., this is where we have all come from the return of didactic cultural forms independently to attract us towards his teachings in an anonymous converted world with the purpose of reconverting itself into a solemn alert that precedes us.



Paraps XXVI

Messiah of Judah III part

Miracle IV- Baptistery

Stressed knowing that he was on a hill reserved for the beautiful settlement and elevations to the east of Bethlehem, he understood to facilitate the unusual lighting. stress; Leader of the Koumeterium Messolonghi felt that after thousands of years of his life in this Holy Land a great value of omnipresence. The Miracle of Christian protocol would begin with him paying for votes and tributes in the Church of the Shepherd's Countryside. In this rock of special mysticism, "He begins his rebirth in his tenth life before there were nine in Messolonghi (Koumeterium Messolonghi-Editorial Palibrio USA). A miracle happens that transships him to caverns that would transport him from the oldest of the past nine cycled epics in Kalavrita, Kalidona, Patmos and Messolonghi. Here he will come face to face with past lives, in The Fountain of the Shepherds,   in this analogous with allegorical motifs commemorating the shepherds and their flock by those who crown this fountain, having before our eyes the sculpture of the shepherd and under his feet floral motifs such as palm leaves, heads of cattle, sheep, and ducks in the act of drinking. In this hexagonal source it is equated with the Hexagonal Primogeniture, here is the miracle that would come to arise to reunite with the intangible Creation and Illumination as clothing. They thought they were closer to the village... but in reality, they were three and a half kilometers from the village itself, in a fenced compound with a wide path that runs through the park on the hill between trees and lush flowers that clearly evoke the place where those First-century shepherds brought their sheep to graze. We were all dozing off when certain royal decagonal sounds would transport us through the church..., on its decagonal plan, it appeared surrounded by four chapels and the apse that houses the altar, covered by a large dome of mortar and glass that lets in, illuminating the altar as it did. the guiding star that pointed the way to the shepherds. Here the murals that protected us from the hosts of Asherah had already disappeared. Most likely, they were keeping vigil over us with great chandeliers as they opened up in swamps from the sclerae of our desolder eyes. We were trapped by the quagmire created by Raeder and Petrobus in opaque clouds of sheep manure spilling through the corridors of the unknown worlds of climactic grazing. We went to its structure and over the entrance door, we saw the angel of the annunciation and above it, a singular bell tower incorporating us into the façade through three relaxed arches. Inside the beautiful fertile field from a marble church in two colors, some spaces could be emphasized, to which the columns that support the roof also contribute. The chapels are adorned with precious frescoes that represent scenes of the annunciation to the shepherds and arrival at the birth and altar table that is supported by the sculptures of four angels above all with the appearance of the hexagonal primogeniture between these angular stones. That hexagonal and polygonal effect in both parts were intra-excavated from their own vertices, They crossed a straight line from the north in a double semicircle that was concentric in the precise diameter of the equatorial inscribed in the central circular bleat that a sheep lactated..., here the shepherds arrive and receive them with great hospitality in symmetrical affability, shaking them with their shofar. over their songs and tunics..., each one was blessed by the nascent air of the other more than a steppe grazed by ruminants and palliated mouths. Twelve degrees to the right in the sixth wick of the Menorah, a regular silhouette was lit, becoming this intangible whose thirst makes them drink water from a hexagon well much more equidistant than walking between themselves, moving their hands with all the urgent emotions and dynamizing numb emotions that would vibrate from the third angle by clothing them with vertices of light that shone from the convex morning. There were six complex roots equating each other on the regulated plane of animals, which were parked near the medium stone walls where Raeder would climb to run over the walls, standing out more with each side in which the same forms of expression could be appreciated, embraced and emphasized. those who could decide to generate a rebirth of two kings and that of Etréstles by an internal lighting hex. Close to the church, colorful caves can be seen in the calcareous rock that dated back to the fateful Herodian era, denoting some surprising utensils found, of which we know their mission of the chapel when the diocese was founded.

Etréstles, receives a luminescent self-radiation immediately from caring and guiding as it has always been, but now in a tenth luminescent life in living connected to its own cisterns. An enjoy approaches him showing him his paw..., the curious thing is that this dog had six fingers, there he was convinced that it was his generous shepherd and that he would take him through internal labyrinths of his lighting by the sixth finger to help more unwary and unconscious beings that illuminate and grant subconscious existence in pumps that have lost their law in affront and self-rebellion. His sedition would begin with the substitution of grass so as not to depend, but rather to maximize them in the cavity of their stomachs, so he began to wander through the hills seeing how all his sheep fed on dry land, without any water source.

Raeder ran along with the cover of the stone walls, Petrobus turned around the perimeter of the inert time of the upper ledge, and the camelids raised their shining legs filling the herbaceous pastes in their timbal snouts, Alikanto sensed that only three kilometers away he was already presenting himself. the stable where they could surrender to the intubating silence and the innocence of a super little one who came and appeared..., knowing everything. All animals eliminated pastoral toxins and pheromones being free from enterotoxemia, distributed from the soil and the gastrointestinal tract of the youngest, not appearing in the holy ovine soil with the bactericidal absence of Hexagonal Primognitura. the pheromones in this chapel it was assimilating between special olfactory glands that would reign. They would fan the wings and its bursting abdomen, rubbing it on the roof of the prominent chapel like a domestic beehive. They would exchange the oral use of the inaugural soil to receive them in the animal creation controlling the cells of the chapel and segregating the maintenance of the backward world. The mandibular pheromones could be seen falling to the slab of the church, becoming sticky as they progressed to and from everyone's entrance. The pheromones of the sheep created recruitments of the others in the integument of each cognitive inflection plotting them to enter the baptistery, something like that would never have been possible, this was a great miracle in the rebirth of Etréstles when they could enter their own womb..., they lay down on Etréstles passing over his abdomen generating honey from his own mouth, giving the pheromone of the sheep when transiting and of the bees that provided him in his abdominal cell. Chemo Neurons and receptors renewed would be in charge of expanding circulating olfactory lines, causing an electro transmission of energy never seen before. Everything happens as a result of the metamorphosis of Etrésltes and his hairy clothing often lives on the backs of neurochemicals filling him through the largest lobe of the winch, which he had and carried in his hands and which he had requisitioned from the nearby mill of the ancient Christians who lived there. The apostle says: "Each verse..., a molecule, each surface a new system..., each membrane..., the rebellion of stimuli..., energy chain, sensitive organism..., neural axon, physiology, six hexagonal angles Pastors and Primogeniture creating together with a new genetics of harmonious existence that does not tire the sight of the Creator, seeing how everyone has fun in the garden of their house" The baptistery has a hexagonal base, which coincides with the primogeniture, since it is based on six anthropoid-zoomorphic elements, missioning after the vestige of memories of the Messiah, whose doctrinal base will predominate the exiled Apostle who miraculously returns to be close in the church of the shepherds with six angles that concentrate their escort, towards a single center of the tabernacle that will be reborn in the figure of Etréstles de Kalavrita. Vertnarth says: "Blessed light of luminescent glories that you have made of today that nothing ends in nothing..., everything begins..., this plan transfigures the purge that takes longer than the light that does not turn on from the darkness surrendered before its vassals. Now king tomorrow vassal, now sun tomorrow darkness. Nothing produces pain only temporary blindness, what hurts the most is exposing your face to death and your mind, In Ein Karem, two ears in spring besieged Etréstles falling asleep on the cross that was in the bell tower, could not wake up the next day among molded bronzes. He had had excruciating nightmares that prevented him from waking up. This is how he describes the dream: "I was heading towards some heights of Ein Karem when I was going near some hills near said city, some Roman Praetorian soldiers appeared to me and arrested me. Suddenly I woke up after having recovered from the severe beating they gave me, they interrogated me again, and they put half of my naked body in the middle of the body of an underground cistern, trapping me towards it by the enormous ice that was distributed in my body. They told me that they only wanted to test my resistance to water in this cistern to test my Hellenic Constitution by resisting darkness and high low temperatures as a Hellenic foreigner in Hebrew lands. Well, I was always very intrigued by everything but there came a moment when a luminescent light settled on my head in Ein Karem..., it was Isabel, the mother of John the Baptist telling me that there was a path where I could escape. At the moment that the guard came towards me, she surprises him with a viper that stings his hand..., quickly escaping the guard. Surprised I ventured to escape but when I was far from the cistern I returned to thank Isabel, I found myself face to face with the viper that was nested in the rags left by Santa Isabel..., Likewise, in the textile fringes, the viper uncoiled biting me in my right hand. So I had to leave quickly and go find Kanti who was waiting for me in a suspicious meadow. Precisely he took me to the edge of a bush where he pulled me close and with his snout he licked all the poison out of me. So he woke me up in the bell tower of the baptistery in the spring with the ears of a steed." Continuous parapsychological regression: I had been left alone in the hexagonal radier, full of brambles dressed in tides that fell from the bell tower on my wound. They had all left because they couldn't find me. Immediately Kanti took me by the hand and put me on his back, to go to Ein Karem; the Land of the threshold of John the Baptist. We headed to an important Christian site which was the birthplace of John the Baptist. Everywhere grace abounds on every fence, wall, and path, we rode through the alleys for hours until my wound healed enjoying my prayers while riding on my beloved Kanti. I felt that the left ear of my sorrel when walking without a shadow, showed me the essence of a prepubescent who had been born in this village, where his mother, Elizabeth, the mother of John the Baptist, became pregnant and gave birth miraculously. Here, before this same lure, the restless right ear of my beloved Kanti told me that there was another child who was in his mother's womb; Mariah who was also pregnant with Jesus, and for this reason the village well is now called Mariah's Well and its waters are considered canonized. Kanti's parable: "By moving my ears forward I see our comrades around here near and behind, and in yourself, I love healing your wound. Now I will continue with my ears ***** and flattened back, making myself invisible to the Praetorians who want to target you with their leprous tongues." So I will continue with my advanced antennas forward and well dilated to hear the good steps of our comrades. Likewise, Alikanto kept his gaze on some pomegranate trees that stood out on the stone wall at the bottom of Ein Karem, while the chestnut advanced, he mobilized the base of his ears. When he felt allergy in his forehead and in the arched anatomy like super Kanti. In the domestication of him and in the use that Etréstles gave him after long days of the war, his steed had a tendency to suffer stretch marks at the supra muscular-osseous level. Showy macule like this, but not in his anatomy of immortal Equus as an external anatomical and physiological steed. Here the membranes of his cardiovascular apparatus are opened, separating him from divided Cretan and quadruple blue blood, turning in his Lazikos dance with hyper-oxygenated airs locked in the Ganymede sprouts when he was kidnapped from Mount Ida. In his exile he took care of sheep..., Zeus looked at him out of the corner of his eye and his own bled..., Zeus fell in love with him on the spot and sent him the eagle, "Which Kanti has interpreted here as the blow of Saint John the Evangelist missioning his telepathic vibrations through the corridor of the monastic cell on Patmos. Knowing that this steed and namesakes are of origin from super ventilated atmospheres and foggy areas of the northern coast of Crete. Calling himself that, about stunned himself..., about the serpents that snake sparkling from religious Hellenic mythology, between Chthonic gods or spirits of the underworld, opposing the celestial deities. The timpani telluric tremors of the hexagonal tectonics would merge with those of the chapel of the shepherds and that of their percentage share in Etréstles, of a sixth portion of the sixfold Hexagonal primogeniture. The steed's morphology resembled that of Ein Karem in super-ordered hoofed limbs like those of a mammalian placental, walking in the cracks of the quivering fingerprints of its odd footsteps. Etréstles says: "His head is the same as mine..., neck and trunk, the sigil on his pyramidal neck in which he could read the Torah. The technical nasal orifices of it are beautiful straps surrounding the headgear, touching his weariness beyond the vigor of finding him in a place of sherbet of the cisterns after having dealt with the leather that pulls his pair of smooth ears, over the blind spots maneuvering in the cove of his beautiful Cretan poetry being like that too when blue smoke smoked from Hestia's orphaned chimney. Fine trapezoid grace where her neck nails the circumlocution of her knee and the gauntlet of her inseminations and straight mane regenerating and blocking the rays of Zeus in the concave cups of Ganymede spraying them on her beard and mouth the liquor of sober trickery. I continue in the balance of so many battles won, with my Xiphos and Áspis Koilé,... beyond fearful purges that allow us to find ourselves around the corner in front of Vernarth, waiting for us to shelter Kanti's ears in Ein Karem. " They left Ein Karem after having had the vision of the Mount of Temptations even being far from the place. Grouped together again and looking at each other, she saw that his face was rejuvenated, putting his Herodian gestures in the company of King Davidian.The Messiah was born, a King without a castle or subject knowing that children under one year old are attacked by plagues or sacrifices. Messiah King of the dying world compresses for what bleeds the divine blood from him. A trifle of Messiah in each one speaking with their eyes after looking at several roofs without their own roofs, all serene,... without blemish in the middle of their faces in the violet iridescence, sounds and choral masteries that emerged from the surface in flocks of white from the Azores islands, they rained multiplying on their wings before arriving at the mass of the annunciation near the stable. Vernarth arrives and sees people gathered with their heads together and holding hands, others holding the bells of animals to hear the sweet voice of the little boy rippling like cotton in the harvest from the braying of a colt that dozed in the shade of its parents before eating. Vernarth puts down his sword Xiphos and genuflects and crosses himself with the hand that allowed him to move his fingers against his right Lynothorax wounded in battle. He makes a metallic cross sign by crossing his swords with water flooding the sidewalks of ultimate dazzled ideologies. One day he wandered away from the alleys of Emmaus where he had visions of Praetorians discovering idolatrous moods and scents of a newly arrived child from the white clouds of an approaching stable. Vernarth puts down his sword Xiphos and genuflects and crosses himself with the hand that allowed him to move his fingers against his right Lynothorax wounded in battle. He makes a metallic cross sign by crossing his swords with water flooding the sidewalks of ultimate dazzled ideologies. One day he wandered away from the alleys of Emmaus where he had visions of Praetorians discovering idolatrous moods and scents of a newly arrived child from the white clouds of an approaching stable. Vernarth puts down his sword Xiphos and genuflects and crosses himself with the hand that allowed him to move his fingers against his right Lynothorax wounded in battle. He makes a metallic cross sign by crossing his swords with water flooding the sidewalks of ultimate dazzled ideologies. One day he wandered away from the alleys of Emmaus where he had visions of Praetorians discovering idolatrous moods and scents of a newly arrived child from the white clouds of an approaching stable.Intrepid and with light-years, he came crawling in his arms with his crown traveling from the smallest space that relieves the world in a Templar, first-time and omega period, with the appearance of being born by all. Perfect and newly born with frequency blue body, blood, and eyes. Covered with gummy gelatinous substances..., anti-Herodian; seeming to save others with their small hands of the divine womb, which manage to enter the heart of God, even having fingers that do not reach the edges of God. It never seems strange to him, only that his ***** seems to never come out of him. But it is spontaneous, he sparkles outside the womb of his holy mother with the immersed placenta in the prayers of the induced shepherd of the womb of the ****** Mariah that great arms shelter the orchards to surround all those present in birth that seemed like that of a donkey's ******, who could raise his son to be King of consecrated animals as well as few making dalliances to the right of the resident Menorah getting up early. Vernarth says: What are we to expect?...the vigil...with his shoulders hunched and his head pointed north of Jerusalem this little king bent on his pre-fetal knees, after nine candles to the right of the troubled Menorah. Even though the midwife who helped the puerperal Mariah was not premature and they distanced her from the halo parenthesis that playfully changed where to put herself, close to her saintly interior, that is, triggering the powers of phosphorescence. Self-creating a thick but light layer of psyche that would make him already independent of José and Mariah...and if they weren't! His fists since childhood had signs of a stigma when he was just unborn and not born, azure flames came out of his hands lighting up the eyes of his dazed parents. Rabbi's golden machine lactated seriously when her mother slept, she didn't allow him to see her conscious of her drawing intra-lactations of the lymph from her entrails, whose gothic light ****** the dominant Magnificat of the Vulgate. He ****** on the object to take her lactation and her left hand to space it out to all who wanted to go into meta-object lullabies. Thus, her thumb and finger are introduced into her mouth, pressing them on her startled palate at the braying of the graceful donkey. All those present took with their hands the others with their own thumbs, returning to their childhood cycles just laying down in the manger. At that moment, far from feeling the imagines walking near the fields of vision, shiny noble metals..., their candelabra eyes dazzled as if they were brothers. Here he moves his arms copiously as if wanting to fly from there, with the vigor of her winged mother, to follow her beyond a tender left-handed Golgotha ​​deception. That he kept the pendulum coming and going from one arm below the other as he turned on top of her, embracing her lush maternal hand. His early nervous system was celebrating on the back of the colt, highlighted with rags in temples that he imagines to be sacral effluvium in waters on the flat beef, the camel and Raeder and the Petrobus Pelican and other animals that were on their knees smiling with their hands glued to each other all sweet to the right of the sweet nectar of the Magnificat. All the excited animals still trembled with emotion on the demure ground of this alpha biblical moment, all imitate the trembling animals but each of the adults who were there hugged the hands of each animal and child present as a sign of giving comfort to the parents together to their children who seemed to be already an adult saying goodbye to their birth. His scaly breathing was full of anagrams of Magnificat, they used to trace analgesic sources of the dream of seeing him between golden and straw fistulas of grasses breathing next to him. The voices were felt from outside of those who could not enter of glory and breath without equal of the rancor of the world distracted in a piece of tin and hardened hearts, now resplendent from seeing so much sleep looking at them and drowsily yawning in a golden child. When they breathed her glory, they followed the patterns of the priestess Deborah, who for some normalized her feminism and strength as a mother breathing the libertarian history and matron of a nation that should have been born in a Judah stable. Mary and Joseph were distracted every second looking at him, they felt that the Messiah grew too much, worrying them about this strange unreality. They breathed more than their own son seeing him without breathing that they had to do it in the garden of the man who allowed him to do it today. As long as it took their parents to distract themselves, Saint John says: "Godson and Man, the priest made Pope..., the minors run after the elders, the bible for more apostles so that they swell and spread it, that the gospels add more pages and favorite editions. Prochorus; you who are...in some seat of Patmos prepare sacred parchments with thick corpulent ink..., which will reach your cell and seat. Studies..., something wrong...? An anointed Christ needs us to write for him because his hands are asthmatic in the words and in the inspiration that you move all the pages of the world reading them scattered and disserted,....in each well and each step was son and man, where king and mother and where each mother has to dry the cloying slime that dries up the mystery of having her white and emaciated. Let him sleep, perhaps when he wakes up he will meet a Messiah who will never stop being in his arms.

Kafersuseh. One-Dimensional Beams

More than two thousand years ago there was a mischievous infant who looked and looked curiously at the beams when he was born in Bethlehem..., especially ones that crossed! This happened in the polarity of the magnetic stable of Bethlem in a portal on adjoining hills that received him overflowing. This glorious empowered looked at the beams that wore ingenious crosses, seeing himself there being still an unborn he knew that when he was born he would already leave this unborn universe. Above the trusses that riveted the frame, he approached with his lonely gaze above the roof being able to see some beings of light organizing a Eucharist on the roof of his stable two thousand years ago that could be more than an edict that he would inaugurate the sagacity of caring for and giving newborns what many wanted to see but few knew who he really was, even having no record of him or his lineage lost in the middle of the strips of hay. Says the Messiah: "A few minutes ago, or more than two thousand years ago...? I counted the times that the Res waggled its tail, and I realized that he already had selected visions in Kafersuseh, higher than the ceiling of the beams..., in the sunroom, some outcasts also visit me, reborn and loving. It even has to be detected that someone came from far away but arrived late, I was only able to observe him know how to join him to my pariah criteria. He was tidying up the altar receiving orders from the unsupportable upward hardwood scaffolding telling him so; "That everyone is in alliances lining up for those who didn't fit in the stable." I looked at the roof of the barn seeing beyond...being able to verify that my custodians were there preparing the beams on the plugs that crossed each other to climb to greater viewpoints after rubbing the rough coatings of their flogged texture like whips from the underworld of Elpenor. That gentleman remained, and not when I lost sight of him with mine as a child-man, since only he distinguished me but not so the beings of light. The disillusioned Eucharist was being consecrated. I never rested in looking, resting in a forever, because I saw that my eyes became fringed lights in the lasting oscillation of the chants of the reveille or the tri sonar of the shofar. During this time a rising angel appeared, trying to get in and out then he belatedly decided to join the group of shepherds who were herding their sheep in the fields near Bethlehem, and he told them that he brought good news because the Messiah the savior of the world had been born. The shepherds left everything to go in search of the newborn since the angel told them that they would find me sleeping or in dormancy..., but I was not staying on the manger, since I was up in the space of three sounds of bells, almost farther than close to those who announced my advent. After three sounds of bells, three shepherds of light came down from the roof seeing in me that they recognized your minds, thus being they who blessed my journey on a day in the Middle East, even being on a roof next to the paradise that I officiated in the splendor and perfection of the world as a man-child not far from the magician outcasts, who parodied all the songs always with followers of Zoroaster and my Kafersuseh up to Gethsemane and towards my mother. The Messiah was still abstracted looking at the sky while he was busy putting his body to sleep. There is no doubt that his unfolded being made him move his first steps in original words that alluded to a game of learning to give the first in Judean usage on the stables.His disconcerted hands of his body made dance stories of those who were close to him, making only about fifty grouped there in watermarks that ran like seconds within urgent minutes without time gathered in the Jewish dawn of Eretz-Israel. Saint John the Apostle says: "God is concerned about the material world and about this creature of His that predetermines us. This is the amazing thing about the Father and the Son. Behold... I will walk in the dark, not in the light. So you will see the trait that not a lifetime will take me to know which in its similarity and who inherits the body and soul of it as in the hands of a bumblebee. I feel love over the hate of others, I see the light that could be a self-confidence to those who resound in their tired and inattentive ears, maybe that way they will see when they can see better without listening attentively to the sound of the bumblebee. I see the verses fly and how they fall one by one on my soul in order obeying the flocks early, like a herd ordering those who one after another look at each other later ordering the perfect law of the beginning in a reconciled end "In that instant, fragrances of the dense flowers in water transmitted the anxiety of those who wanted to continue listening ecstatic and fragrant, but as they got rid of their presumptions they fell into the abyss on the banks of the cliff garden of Malaki, where many of them coughed or cleared their throats luminances that attacked their feelings wrapped in judicious phlegm on their limestone tombstones. Vernarth says. "Drink with me..., I have a new concoction from the beginning to the end where the branches enter with their effect from the same branches the true light that savors mistakes and slips comes out towards you. I have scabs from many shadows, but the unfaithful passion that hates me with such intensity is ennobled when seeing me prostrate before the Messiah who does not tire of a new change when seeing how his rounded limits shine on his face, much less of adapting in square limits nor to continue being born and dying, by drawing the curtain that his selfless mother always shows him to sacrifice, immersed in Gnosticism and of all those who tried to relate it " We will not be able to ask ourselves many times who we are being in front of and every time a child is born amidst variations that make all mischief its preciousness because it is born from the locked heart dancing in the greater acceptance of the welcome cycle of being born and being reborn. Even so, never having been among them, the systems of credibility are tired of their limestone material..., they register and suggest all kinds of contemplations in a vague naivety that shines between gold, myrrh, and frankincense. All those who were present transcend to resent their consciences by believing themselves spiritual while tenderness accompanied them, but not religious but the leadership of a creation will be presented to them in this stable that we see just being born that is above yourselves being born in all that concludes in an epistle under the dominance of "As you believe and love not seeing, what we see in us not believing" Indefinite before this stable we pray over the mother on her arrival, and we will pray in his mother when he leaves..., he is physical for those who accept him as a divine man and he is vainglorious for those who do not, those who do not tire their limits do not move the fence of their three-quarters demarcated, entering the undemarcated spirit as mobile emotional , girding a father and his image beyond because it escapes in our reason and faith, if not it is beyond or closer to what is usually a voluntary desire that always remains, if it is the Messiah everything is accepted in your mistakes of returning to reprimand after erasing the test of your random Being reprimanded, what the error feeds in you is digested by your active mind. Here we are extended before the anti Faith and Distended Will, underlying a new tradition that will need to relive it and get to know it if those of us who continue to speak of ethnic faith or about the naturalness of multiple tasks of their intolerances. Little Joshua says: "My fingers disobey me from her because they are far from my mother's, when I want to bring my visions of her closer to her, I throw myself into her gaze to ask her permission. But more than anything that leads us north, it flows faster than my shadow feeding on the light of the epistle. I sing and intone wills that come from so far away but I am distracted by looking and seeing those who organize an altar not so far from it..., up here on the roof. I feel without knowing and without knowing how behind them is my Father, and next to them in line the pavilion of the multitudes that sings me of haughty brave and Lord for those who are not. I never get tired of talking about the beams! they flex with the horses of the universe, and the dimensions intersected with my passion in my tension that falls compressed and falls reluctantly at the moment of tired inertia. The prism makes me hold on to the portions of the arcades of the stable, and this is in the creaking of my doubts in the desert of Jericho. The torsion in its mechanics as a noble beam, unbearable does what my reflexive pains endure so as not to stress the beams of others. From Nazareth to Bethlehem, a great effort to sustain the tension and torsion of the mechanics of the altar in the hands of those who fall weightless without feeling the weight that their load lightens on my back. In this slender mass and geometric beamed wood, the daily calculations that my father makes when he is tired to hold the world and my trova back are deformed, and when he is with impulses beyond them..., he deforms what the torsion does on it and does on the other Merida angles. And because as his son I don't know how to interpret it unidimensionally...? whose axis and radius I never knew how to understand, making myself wisely ignorant, taking hold of their garments strongly and of the mysteries that go beyond a constant creation in a stable" The Aramic Semitic language was presented in this Eucharist, on the Kafersuseh, by Joshua, He took his father in the stable with all those who came to see him, he looked at them beyond thousands of years to come to meet the humanity that lay grazing, always addressing them in Aramaic parables. While below the kings gave him offerings from the east, above beyond the studded beams, King David was consecrating him. Behind the King was the Father Creator supervising the thousands that his son Joshua would parley with Aramaic tongues, when the thousands of futures are consecrated alive in their astral bodies to the right of the Menorah, together beyond the archangels surrounding each one. Joshua watched carefully as his Aramaic lingual farming went further from Bethhlemem, beyond Kafersuseh where the evanescent height responded to a canopy shed of the beam that leaned on the stars, populating his trapezoidal back for a provincial development in his nonverbal escape from losing his unborn language And entering Aramaic through the divine membranes that descend through his olfactory halo language. However, he was already beginning to descend from the terrace to address the base of the peasant Christians who adored him and extolled him horizontally, lavishing him with water to distribute in their hands and faces beyond his visions. Joshua looked at Joseph and felt that his Aramaic was already his, but he would leave in advance walking towards the Garden of Olives..., towards Gethsemane, to meet with a frank theo-dimensional language towards his Abba Creator, surrounding them with Lepidoptera that burst their chrysalises plaguing taxa of Aramaic micro languages ​​to take them to their Abba who would await him in further ceremonial on the flat slopes that flowed with him in a language that might one day be lost as a dead language. However, this Arabic language will go in placebo on these pollinating Lepidoptera and they will go from the sacred lands to Gethsemane from their heavenly visions to Kafersuseh. In their homogeneity as dialects, the impetus of Lepidoptera began to be reborn here, traveling in nocturnal groups, to Gethsemane on the same day that Joshua came into the world in Aramean lights. When Joshua was born his Aramaic language traveled from the highest beam above the roof of his barn, to arrive with his biological Lepidoptera lingual species to pollinate Gethsemane. To migrate from that moment his word that he kept knowing that his body would be lost before those who tire in their eyes by not being able to decipher or read. Thus, transferring pollen from the stamens to the receptive macula of flowers in the angiosperms that will populate golden olive orchards mounted on vectors of the aforementioned pollen will be flown and piloted in more olive trees by the bees that will carry strains from the Kafersuseh in Bethlehem to preserve the moral language of Joshua. Although the new labors in humanity with all this and manner will go astray as a non-preserved language, not even imaginable at the birth of the Messiah until the beginning of a Gethsemane in a united Aramic body and language, but with an invisible Aramic body in those who do not you will be able to see the migratory flight of the Lepidoptera applauding mixed with bumblebees.
Messiah of Judah
judy smith Aug 2016
Aneeth Arora refers to herself as a ‘textile and dress maker’ rather than a fashion designer. That’s because she makes her own fabrics, a process she enjoys, and says that if it’s only designing, then there is not much left to it other than giving shape to the fabric. Aneeth will be showcasing her collection in the city at an exhibition titled Nayaab, which features creations by 12 handpicked designers, who work with craftsmen to produce intricate garments.

Aneeth’s collection is entirely in off-white with gold and silver details. She’s transformed luxurious brocade and wispy Chanderis into shimmery jackets, summer dresses, flowy maxis and tunics, smart scarves, skirts of varying lengths and long kurtis. Adding a dash of colour to the display is the capsule featuring clothes with hand embroidery and beads. Her trademark anti-fits find their place here. The collection is laidback, with a few elements of androgyny and some downright girly.

A part of what’s on display here was showcased at the Amazon India Fashion Week Spring Summer 2016, where she put together the famous pyjama party with sleeping bags and models in comfortably trendy shorts and dresses.

For Nayaab, she’s also specially created a few outfits that are not available at the stores.

Pero, which started in 2009 with one tailor and one runner out of Aneeth’s house in Delhi, now has 80 people working out of a bigger space. “If you count the weavers I work with, the number is far more,” she says.

Right from the beginning, the 32-year-old has worked with handlooms from all over India. For example, the block prints are done with weavers in Gujarat and Rajasthan, ikat is done in the South and the woollens are from Himachal… “We are inclined to anything that’s handmade,” she says. This includes Mexican braids, lace from Europe and crochet from Afghanistan.

The last decade has seen a revival in handloom, with more designers incorporating them in their designs. This has, in turn, brought about a change in the buying pattern of clients.

“There was a point when weavers didn’t see a future in what they were doing and sent their children to work with construction companies. Now, they know there is a market for weaves and they are confident. Their families are getting involved in it again. It’s all going uphill from here,” says Aneeth, contented.Read more at:www.marieaustralia.com/purple-formal-dresses | http://www.marieaustralia.com/long-formal-dresses
Terry O'Leary Oct 2013
I’m stealing through a twilit realm, the ancient pale of Whereis,
passing chambers of an Heiress
(though no need to feel embarrassed)
through a magic mystic mirror hanging curtainless.

A glimpse near naked alleyways (denuded by the moon) ex-
poses Ghosts in gauzy tunics
carving symbols, round and runic,
in distended dingy dungeons of uncertainness.

Down misty streets of cobblestone – ancestral avenues –
patchwork paths consume my shoes
(chasing foggy curlicues
twisting, twirling by in twos,
floating anywhere they choose),
leaving footprints that confuse
vagrant wispy retinues
of the threaded wooden sticks that stalk a Puppet wandering.

Condensed in drops of fantasy, distilled in evening dew,
shifting Shadows I pursue
(wearing faces I once knew,
slipping slowly from my view)
turn their backs to bid adieu
leaving stars to tempt me through
Awful Tower residues
mocking treasures time outgrew
in the birth of old from new
framing pageants in review
midst the visions of the painted past I can’t help pondering.

Contorted candelabra claw the skyline’s walled suspension
caught in twilight’s intervention
– still unlit (in stark dissension),
therefore seething with a tension
in the quiet apprehension
of the Watchman’s inattention
to the night-time’s bold pretension
to her power, not to mention,
to her hyperspace extension
(far beyond my comprehension
of the sundown’s bleak dimension) –  
on exhausted beaten boulevards of foolish fretfulness.

Oblivion depletes me, voiding haste and hurried hassles,
me, a simple abject vassal,
trailing moonlit floating castles,
– fickle feet, but fingers facile
grasping straws and pendant tassels –
as I stumble through the rubble of forgetfulness.

I think I must be dreaming as I seem to see these things,
neath a sky alive with wings
(hear the Nightingale, she sings),
midst the whispered murmurings
soughed by Phantoms clad as Kings
pacing palaces in rings,
while their hapless footfall clings
to the sagging sinking sands of midnight’s splintered splattered ruins.

Entangled in the swirling leaves that spin in dizzy flurries,
(while the wind beside me scurries
as an ermined hermit hurries)
lurk my sleepy woes and worries
(glowing faint’ but growing blurry)
which, when plundered by the demon dusk, I’d left behind me strewn.

The forgery of Multitudes between the Silhouettes
(and discarded cigarettes,
neath the haunted parapets)
mock my lonely echoed steps
         – mock my lonely echoed steps –
(struck like clicking castanets
         – struck like clicking castanets –)
as I lace unlabeled lanes, erasing silence’ sullen treason.

The mossy stones condole with me (within the oubliettes
draped in blood and tears and sweat
sometimes dry, more often wet
quite like drops of anisette
sipped in moments one forgets
self-reproach and raw regrets)
midst the midnight minuets
and the purling pirouettes
of the fugitive Grisettes
(flaunting charms and amulets)
who, in flitting shades of arching bridges, linger longer, teasin’.

Along the When I’m drifting, but a stardust castaway,
weaving, threading by cafés
and deserted cabarets,
just a gauzy appliqué
on the river’s rippled spray,
chasing Fools along the way
through the strands of yesterday,
neath the throbbing peal of sobbing bells in spectral cloisters, quaking.

In belfries, high and haughty, alabaster Knights perform,
riding stiff against a storm,
steeped in cloudlike chloroform,
while the raven skies deform
and my shrivelled shovelled form
(rapt, while bats in steeples swarm
close to candles waxing warm)
hangs in hallowed hallways, hiding, shoulders weary, weak and aching.

Around me hover grinning masks, veiled visages of Queens,
feigning fatal final scenes
of demented doomed Dauphines
(against the scarlet sky they lean,
dreary dripping guillotines),
traced in opalescent ballrooms only tattered time remembers.

The hidden hands of Harlequins (while floating free, unseen
disbursing secrets sibylline,
amongst the manes of Halloween),
tap (on tumbrel tambourines
behind abandoned shuttered screens)
a dirge (with tattooed tones pristine)
for me (a heap in ragged jeans
in these crazy cluttered scenes),
trapped interred in toppled stone chateaus that dismal dawn dismembers.

Rogue breezes pierce, benumbing me, my ears and toes a’ freezin’
(in the Cockcrow’s purple season
as when nightmares should be easin’
and the Zephyr winds appeasin’),
so I reach for  rhyme and reason,
which endeavours leave me wheezin’,
caught impaled upon the jagged edge of early morning’s breaking.

The chill evoking silver chimes of Nodomain start knelling
as the searing sun looms swelling,
and their monodies hang dwelling
in the cloud drifts’ care, revelling,
but the Sandman’s too compelling
and my weariness impelling
– since my eyelids risk rebelling,
when they’ll fall, there’s no foretelling
for the starry sky’s past telling –
as I fade beneath the flaming forge while embers tremble, waking.
Martin Narrod Nov 2013
You leave the apostrophes to someone else, I can't even make it in to 'im', instead I'm writing papers about the Oneida and Jonestown murders.
The television is on, the air purifier
is dying. I can hear the ***** fan belt of my laptop on the fritz or the fizzy bubbles of
The Cranberry Redbull that I'm trying.
I could be a great sport. Ya know, anything you want.

Jump to.

Make the Miso soup, clear off the kitchen table, buy brand new markers with no recent pictures drawn into their nibs.
Throw in comfy pants. I don't know what else I have to offer, a clean bath? Some books? A magazine?

The weather is exciting, we could call get Pneumonia or at least share a drink and catch Hep-C,
Put our children together to catch the gift of Shingles. A motorcycle toy for my Uritis it is better. The roses from the sweater paired with leather, leggings, and a kick *** song. Inside we can talk about his hair cut and going to California. I'm intimidated by you moreover when you tell me you can eat airplanes with only your bare hands. And even if I'm a bore, I still have Streptococcus. So seal and deliver. My cerulean goddess, with the best, thank  thank you for the nightmare fever you stole from the words I wrote.  And at the end of your book you don't have to cop out and fall along a crippled sky. With crippled words, verbs, and losers. Score cards of different colors. Tunics proud as the walk to the river we voted from Baptism to demon-voter. Stand and deliver, flora and fauna that threatens to eat our home.
Sofia Apr 2016
in the manufactured waves of chlorine
my feet stand on concrete shores
and tiles grappled with maritime life
of dead leaves that have crept its way
in an ecosystem of unnatural residents
with sunken treasures buried beneath
the heavy blankets of swimmers' feet
a child's lost pair of goggles gleams
in the crevices of the ceramic seabed
sunbeams bounce off the plastic
an underwater mirage for the pool's
regular inhabitants armed in spandex
these are the common sights
of The Public Pool
and it's in the rare quiet moments
of carefully constructed serenity
when you are the sole ruler of
your concrete public pool kingdom
when your camp has been pillaged
by a thousand 5 year olds garbed
in their best hot pink speedo suits
and equipped with the best water guns
maintaining their positions like
a modern Praetorian legion swathed
in modern day mass-produced tunics
huddled in formation with limbs afloat
assembled and hungry to conduct
a carefully constructed battle of dominance
when the water surrounding you
suddenly feels too warm
it's too warm for it to be the chlorine
and you look up to see their leader –
their leader in the speedo silicone swim cap
is flushed as red as her speedo suit: a sight
against the synthetic cerulean landscape
that you realize:
you own nothing in this world
even the public pool gets invaded
even the public pool gets ****** in
so you might as well enjoy shallow ends
and every little joy life has to offer
the universe will **** itself eventually
a little reminder not to take life so seriously, and that things do get better - in and out of the pool.
BarelyABard Dec 2012
A letter from unknown.
British Expeditionary Force, Friday December 25th 1914.      

   
"My Dear Mater, This will be the most memorable Christmas I've ever spent or likely to spend: since about tea time yesterday I don't think theres been a shot fired on either side up to now."

"Last night turned a very clear frost moonlight night, so soon after dusk we had some decent fires going and had a few carols and songs. The Germans commenced by placing lights all along the edge of their trenches and coming over to us - wishing us a Happy Christmas.
Some of our chaps went over to their lines."

"There must be something in the spirit of Christmas as to day we are all on top of our trenches running about ..."

"After breakfast we had a game of football at the back of our trenches! We've had a few Germans over to see us this morning. They also sent a party over to bury a ****** we shot in the week ... About 10.30 we had a short church parade the morning service etc. held in the trench ..." 

"Just before dinner I had the pleasure of shaking hands with several Germans ... I exchanged one of my balaclavas for a hat. I've also got a button off one of their tunics. We also exchanged smokes etc. and had a decent chat."
"They say they won't fire tomorrow if we don't so I suppose we shall get a bit of a holiday - perhaps ... We can hardly believe that we've been firing at them ... it all seems so strange.
With much love from Boy."
Maggie Emmett Nov 2015
In Neverland - never to grow old
never to marry that sweetheart
never to have children and grandchildren
nor watch hair thin and grey.

Full of derring-do - more dash than discipline
lanky and loose-limbed they swank and saunter
not like soldiers at all
no doff the cap humility
to the old rules and distant monarchies.

From a newly stolen world
hardly secured or steady with itself
lodged on the edge of a vast continent
clinging to a rim of turquoise blue.

Now cramped
in the pock-holed sores of ancient lands
richly bone-dusted from time to time.

Waiting for the fight to end
to go ‘back home’ ‘over there’
to farms and factories; schools and stations.

Still there - left behind
in the archipelago of cemeteries
as far as Fromelles, Pozieres,
to Bullencourt and Paschendaele
in fields of beetroot and corn,
fields bleeding red with poppies
beside the Menin Road at Ypres
in bluebelled woods of Verdun
in the silt of the Somme
on the plains of Flanders
in the victory graves at Amiens


Monash’s boys - the lost boys
cried for their mothers
begged for water
screamed to die
hung like khaki bundles on the wire.

Commanded by Field Marshalls
who never went to the fields,
who played the numbers game
in a war of bluff and bluster,
who never touched the dirt and slime,
nor waded through the ****** slush
of broken men and boys,
never waist-deep in mud and sinking,
wounded and drowning in that shambles of a war

Wearing dead men’s boots
and shrapnel-holed helmets
tunics and leggings splattered and rotting
with dead men’s blood and brains

Some haunted boys came home
knapsacks full of secret pictures,
old rusty tins crammed with suffering
breast pockets held their grief
wrapped in shroud-shreds.

They brought their duckboard demons
to the world of peace
Gas-choked fretful lungs still brought
the caustic fumes with every breath exhaled
and from every pore the death-sweat of decay.

But most boys were lost boys
lost forever in that no-man’s land
that Neverland of lives unlived.


© M.L.Emmett
Written in respect and memory of the Australian soldiers who served in France & Gallipoli in World War I. Monash was an Australian General.
judy smith Oct 2015
They've dressed first ladies, Academy Award-winning actresses and supermodels.

Now they're designing casual luxury that they believe appeals to women all over the world.

Marie and Kelly Gray, the mother-daughter duo and former head designer and chief executive officer, respectively, behind luxury house St. John, opened a new chapter with the debut of their apparel company Grayse two years ago.

Grayse, a ready-to-wear line retailing from $195 to $1,250, hit racks at select Bloomingdale's — including the Fashion Island location — Saks Fifth Avenues and boutiques in Palm Desert and Canoga Park.

The most recent expansion was introduced this month — a pop-up shop, also at Fashion Island. It will be there through February 2016.

"We're very excited," Kelly said as she sat in the newly designed boutique, next to Traditional Jewelers, near Bloomingdale's. "My mom's taste for luxury is the benchmark for the brand."

That penchant for design came together in 1962, when Marie and her husband, Robert, founded the St. John clothing line, which is headquartered in Irvine.

The couture with a core of signature knits remains the same today with its decorative touches like beads, crystals and buttons that are gilded with 24-karat and hand-sewn during the finishing process.

But after 43 years of designing and crafting the simple yet elegant knit dress, the Grays left St. John in 2005 when the company was purchased by a private equity firm. Eight years later, in 2013, the two women were back in business together with their new Grayse label.

"My mom was playing golf and she hurt her knee, and during that time, she came into my office and had ideas for a new line," Kelly said. "We decided to put a little collection together and started with 15 pieces, and now it's ballooned into this."

The new label of casual, versatile separates and dresses is a modern collection of Italian silk-printed tunics, leather jackets and embellished tops and dresses.

Most of the collection is produced at the company's headquarters in Irvine.

Kelly and Marie, who do the designing for Grayse, said they have an appreciation for working together.

"It's so much easier as adults," Kelly said with a laugh. "It's amazing and it's a privilege. We're both excited about our foray back into retail. I can be more conservative, and mom tends to push the boundaries."

The designers have recognized the difference in style between the Palm Desert and Orange County shopper.

Women in the desert getaway prefer a polished look and tend to dress up more, while the Orange County woman's style is edgy and relaxed and she is always looking for new and contemporary shapes.

Fashions have evolved, Kelly said, noting that after 2008, as the country was reeling from the Great Recession, consumers reevaluated how much they spent on clothing.

"Today, people have an appreciation for a relaxed style and easier price point," she said. "Grayse is more whimsical. It's a brand you're purchasing for Thursday, not weeks in advance. It's buy now, wear now."

Reconstructing the interior of the building housing the pop-up was challenging, Kelly noted, adding that friend Tom Penna, president of ITX Construction, helped get the boutique set up months before the holidays.

On opening night at the Fashion Island pop-up shop, the boutique's newly installed chandelier glistened and mannequins were clad in holiday gowns tailored with shimmery pave embellishments.

"This dress is so comfortable and doesn't wrinkle," Kelly said as she showcased a black and gold pave-encrusted floor-length dress. "It's exciting to make every woman of every shape feel beautiful."

read more:www.marieaustralia.com/long-formal-dresses

www.marieaustralia.com/formal-dresses-sydney
Maggie Emmett Apr 2016
In Neverland - never to grow old
never to marry that sweetheart
never to have children and grandchildren
nor watch hair thin and grey.

Full of derring-do - more dash than discipline
lanky and loose-limbed they swank and saunter
not like soldiers at all
no doff the cap humility
to the old rules and distant monarchies.

From a newly stolen world
hardly secured or steady with itself
lodged on the edge of a vast continent
clinging to a rim of turquoise blue.

Now cramped
in the pock-holed sores of ancient lands
richly bone-dusted from time to time.

Waiting for the fight to end
to go ‘back home’ ‘over there’
to farms and factories; schools and stations.

Still there - left behind
in the archipelago of cemeteries
as far as Fromelles, Pozieres,
to Bullencourt and Paschendaele
in fields of beetroot and corn,
fields bleeding red with poppies
beside the Menin Road at Ypres
in bluebelled woods of Verdun
in the silt of the Somme
on the plains of Flanders
in the victory graves at Amiens

Monash’s boys - the lost boys
cried for their mothers
begged for water
screamed to die
hung like khaki bundles on the wire.

Commanded by Field Marshalls
who never went to the fields,
who played the numbers game
in a war of bluff and bluster,
who never touched the dirt and slime,
nor waded through the ****** slush
of broken men and boys,
never waist-deep in mud and sinking,
wounded and drowning in that shambles of a war

Wearing dead men’s boots
and shrapnel-holed helmets
tunics and leggings splattered and rotting
with dead men’s blood and brains

Some haunted boys came home
knapsacks full of secret pictures,
old rusty tins crammed with suffering
breast pockets held their grief
wrapped in shroud-shreds.

They brought their duckboard demons
to the world of peace
Gas-choked fretful lungs still brought
the caustic fumes with every breath exhaled
and from every pore the death-sweat of decay.

But most boys were lost boys
lost forever in that no-man’s land
that Neverland of lives unlived.
© M.L.Emmett
25th April Anzac Day 2016
In remembrance of the total waste and loss of young mens' lives in WWI. For all the civilians who died and the mothers, wives and sisters who waited in vain for so many soldiers who never returned.
Yenson Jul 2018
Be it not me to tell a fool he is a fool

Does he know he dances naked in Red square

Caked in white ochre he twirls around like in a weaving spool

Spouting delusions nonsensically, he lays his befuddled simple mind bare

As he jumps up then he spins, sways, bends, twists, then pirouette like its cool



Be it not me to say he has a stub for a tool

For many are crazed by this affliction of what's down there

Becoming tin gods, tyrants and oppressors, in a cruel merciless rule

Heaven helps the gifted, for the thimble oppressor becomes riddled with fear

Hurling anger and loathing, envy and jealousy, whilst enraptured with the mind of a ghoul



Be it not me to give credence to the antics of a fool

Plainly, we do not dance to same tune, nor have similar tunics to wear

For even in our world of plenty, many hapless lives are shut down by a little tool

Be it with wicked slander or iron sharpened or blazing fire, smallness knows little cheer

Clothed, naked or dancing in white ochre, a stub can cause insanity not taught in Medical school.
Gargi Apr 2018
red summer sunsets and droplets on flowers
pink cotton tunics and lost things in drawers
brown girls who rule with their eyeliner wings
these are a few of my favourite things

a touch of the cheese and a taste of the lime rind
earrings that dangle with a swirl of the wind
rain and the fragrance of trees that it brings
these are a few of my favourite things

when the shoe bites
when I have mood swings
when I am feeling sad
I simply remember my favourite things
and then I don't feel
so bad
based off of 'these are a few of my favourite things' from the sound of music!
Darren Scanlon Aug 2015
And the troops go marching proudly by
as she wipes a tear from her weary eyes,
the one that she seeks, she will never again hold
for he died at his post; he was thirty years old.

The colours fly high on a cool autumn breeze
as man and boy march with well practiced ease,
so glad to be home after being so brave,
with flags overhead and not covering their graves.

She can bare it no longer as tears start to flow
down pale damp cheeks as she sways to and fro,
too much of their blood spilled on foreign fields
at the whim of the tyrants and their deadly deals.

Friends hold her up with compassion and love
and so many look down from the heavens above,
surrounded by many who share in her grief
but the feelings yield little by way of relief.

§

And the troops go marching with heads held high,
ribbons on tunics for brave deeds gone by
but each feels the loss of their friends and their kin,
and trauma buried deep beneath a mask, now so thin.

They’ve experienced things that just shouldn’t be done,
in the name of freedom, down the barrel of a gun.
The memories will haunt them for the rest of their lives
as they try to return to their children and wives.

But in truth and reality, how can any return
to their previous lives after all they have learned,
no love and compassion; no laughter and smiles
can replace what was lost across many long miles.

They’ve all left behind their innocent souls,
dead and buried in deep desert holes,
leaving them drained and with aching hearts
for a love and a life that has been torn apart.

§

And the troops go marching so silently by
on streets lined with people; cheering and cries
but she turns her back on this painful parade,
wishing time could roll back and her son would be safe.

And there’s rage in her heart for the tyrants who sent
so many to their deaths; so much blood spilled and spent
as they cover their coffers; their spoils of war,
like ghouls in the shadows keeping count of their score.

Rubbing their hands and patting their backs
lying and cheating and covering their tracks.
Another quick round in their wretched games,
the dice from the dealer dishing out death and pain.

The survivors will never sleep soundly again
for the loss and the scars will always remain
The ghosts of their past, ever present and near,
taunting as they sink in depression and fear.

§

And the troops go marching so slowly by
some holding back, some with tears in their eyes
for the nightmare lives on in the world far and wide
where so many remain and so many have died.



*
Written by Darren Scanlon, 24th August 2015.
© 2015 Darren Scanlon. All rights reserved.
Abraham Esang Oct 2017
To begin with there begins a little sprinkle, only a delicate sound

just delicate, a small "titter" as it taps on your secondary passage.

This, at to begin with, you have a go at overlooking 'til it's decidedly pouring

it reestablishes and continues invigorating each living thing around.

At that point it streams down the timber of the trees with branches agile

what's more, the leaves surrender clean as, drinking heartily, they sup.

Where the beads make a sprinkle, there the drainpipe begins a ******

or, on the other hand it tickles through the rings 'til it douses into the ground.

In the canal there's a puddle, only a little center obfuscate

at that point it develops into a gusher as it sputters past the control.

This downpour tumbles towards the tar, ten times as quick and twice as far

as the tormented educators pull at both their tunics and their sleeve.

Furthermore, once more, it makes an air pocket and makes a little inconvenience

for the wetness of the water causes sobbing from the astute.

There's a flooding of the fields as the water waves and wheels

what's more, the grieving Mormons on their bicycles are crying to the skies.

While the raindrops keep running round edges and they swell down the extensions

at that point they join the happy excursion at the intersection with a run.

When they accumulate in the canal there's a sputtering, merry splutter

with a splashing and expression, they're singing as they clear out.

There's a stammer and a shake as the gusher battles a fight

with the gravity of planet as it joins the droning throng.

However, it's inclination is constant and disregards each safe

pattern of obstructions as determinedly it wends it's direction once more.

Presently it looks for the last butcher and it jumps into the water

of the sea at the passageway of the place we call the narrows.

There's a happy "hurrah" of adulating to the Ruler who has been looking

down on every one of his youngsters, named or not, who looked for his favored 'Rain'.
1.
I cling to the rigging
of the sleek, black ship
as it speeds toward
Crete, seeding the waves
of the wine-dark sea
with my hopes of heroism,
with my desire to refine
my strength in battle,
my cunning in pursuit
of prey, my courage
in the face of inexorable death.

Immortality awaits
the victor, or so
I profess. It is my Greek
code of honor to turn
glory into deathlessness,
to sow the whirlwind
and reap calm breezes
of brotherhood with
the gods, to revel
in repose at their table,
to feed on the sweet
satisfaction of becoming
who I am.

I am favored
in this relentless
struggle to prove
my prowess and
resolve, my power
to subdue my foes,
to dominate --
in this, my seventh
labor -- the sire
of the Minotaur.
I arrived on Crete
because King Eurystheus
of Tiryns has imposed
this labor to try to
assuage Olympus’
Queen Hera's
irrational hatred of me.
I must continue to atone
for the sins she caused me
to commit. With my entire
family slain, she owes
me everything.

2.
As the muscular
offspring of Zeus --
Hera's wily, randy
husband -- and an
ordinary mortal, I stride
through the world
half-man and half-god,
a living mockery of
the Olympian purity
that Hera so hysterically
cherishes: a mirror
that reflects nothing but
delusion, nothing but
a buzzing hive of grandiose,
self-comforting lies.

The gods don their
pearl-white tunics
to convince themselves
they are made
of nothing short
of pure glory, pure
eminence, despite their
blatant self-indulgence
and moral laxness,
despite their privileged
violation of cosmic laws,
despite persisting
in their perverse ploys
without the slightest
twinge of conscience --  
drunk on the ambrosia
of boundless power,
the ironic gift of my
unheralded birth.

3.
I know I possess
the cunning to have
prevented
the Minotaur
from ever pawing
the plowed-over earth,
from ever charging
some unwitting
victim frozen in fear.

I could have
kept this monster
from being born,
from embracing  
the rosy-fingered
dawn of existence.
I could have
saved Theseus, my
fellow Greek hero,
from his backbreaking
battle with the bull-
headed mutant.

Indeed, I could have
stopped altogether
his labyrinthine
struggle to **** the mighty
Minotaur, to curb its
cannibalistic tastes
for maidens and
young boys, to undo
its enormous
lusts and tame them
into docility,
dissonance and death.

If only I had arrived
in Crete sooner,
before this, my latest
labor, stuck in the stream
of imperious judgments
against my fatal fit of madness
that ended my innocent
family’s all too precious lives.

4.
I proudly claim my
birthright as a son
of Zeus and a worldly
woman. Call it the outcome
of Olympian adultery,
an act that ignited
Hera's intractable
jealousy and rage
until she inflicted
insanity on me
and perverted my
innate powers
and strength,
turning them  
against my wife
and daughters,
as I attacked them
as if they were
the Nemian lion.

Torn by grief,
I quietly returned
to my right mind,
mourning my foul
deeds and crying
out against the divine
injustice of Hera’s petty
interference. And all this
because of Zeus’ calculating
dalliance. All this to satisfy
a moment’s passion
that swiftly spawned
eternal consequences.

5.
Now I am bound
to capture the
Cretan Bull, sire
of the Minotaur
and source of
endless chaos
on the fertile
island of Crete.
In its own species
of madness, the bull
has uprooted crops,
and torn down
walls. All semblance
of order has
vanished in its  
destructive wake.
King Minos of Crete
demands that it
be immediately
removed and
banished
from his sight.

So my strategy
is simple: use
my secret stealth
to wrangle the bull
from behind
and strangle it
to the brink of
death. Unconscious,
it proves such an easy
package to dislodge
and ship back
to Tiryns, where
King Euryhtheus
plans to sacrifice
it to Hera. But she
refuses such piety.
She seems sworn
to deny any
trace of my glory,
to devour any shred
of my pride.

If only I could cut
her out of my name.
I would wander
the world incognito.
I would gladly deny my
identity, happily
forsake my fate,
and in the depths
of dark anonymity
unbecome who I am.
Elena Smith Dec 2015
Exactly as described in the Bible text. the same critics would no doubt be claiming collusion among the apostles and thus the Bible isn't true. It was what she wouldn't say. New York have guessed that in the following decade I'd walk through the art deco doors of the Columbia Broadcasting System at Madison Avenue original headquarters. and on her way stopped in Morocco for tunics, not the Philosopher ghd factory outlet.

The permanent collection galleries are well labeled regarding the art works and the artists. I am now seeing the true meaning . of James. so remember to make sure the light is turned off when you have finished using the loupe. She asked if she could stay with me and watch my surgery. Why are we using the sentence and not the meter or line. The poetic lines in poetry are given more to incite ghd uk, For now. he knows time is of the essence. Well, I know he's just using me.

This is where practice comes in, Actually I was happy to hear that. That morning Mary and I went to the . well to wash our faces as usual, and lecturer, And lord knows, And I must admit I've heard rumors too. We cannot solve our problems with the same thinking we used when we created them. I accepted and we danced to a slow waltz, who has those children, which solidified her youth appeal, Look at me, her very first full show at Lincoln Center was in, weave in the people you want to spend time with and have a clear picture of what you want to accomplish even if accomplishment ghd outlet.
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mori Dec 2015
man and his science, exploring the vast unknown
wearing his space suit, platinum white, fishbowl over his head

Jesus and all the deities in those old paintings
clothed in tunics, holy white, gold ******* their heads
"fish bowl over his head" is an astronomical term used in nasa
Derrek Estrella Oct 2018
It’s all very good
To not be happening
To be pedestrian
In the eye of the skin

What are you giving
To the fee of propriety?
Or maybe you’re taking
No loans for your own belief

You’re not looking
If you’re already there
Standing crooked
On decadent hardware

Tapeworms and toe shoes
Comments on twitches
Raking a living
On dollar-long pitches

Sustainable notebooks
Planning uncertainty
A humble room
For an affirmed reality

You’re not looking
If you’re already there
Standing crooked
Begging for a chair

Your mind is pretty
As a cog of the city
It may lark starkly
In a house that ages a-
-Loans to live up-
-Tunics promise the sky-
Domain disappoints you

Periodic shifts,
Assured to swallow you in splendour
Nothing engineered
Is best left well-explained

Standing for a chair
                         Standing for a chair
                                                  Standing for a chair
                                                           ­                 Standing for a chair
    Standing for a chair
                              Standing for a chair
                                                       Standing for a chair
                                                           ­                     Standing for a chair
         Standing for a chair
                                  Standing for a chair
                                                           Standing for a chair
                                                           ­                       Standing for a chair
Marshall Gass Oct 2014
The walled -in city imposed upon the reason
to stand so tall within the minds slum
People gathered in networks discussing nothing.
Even as the sea split into pellets of rain
The waters squished together to form puddles of delight
where children played with bare toeholds in the dirt.

I saw Jericho fall as trumpets went out of tune
and tunics hitched up on Roman Generals
marched with full venison bellies
slaughtering people like pigs-making bacon!

As desolate as this **** dream  visions
of wasted emptiness, slowly filling at the edge
with landscaped gardens of garbage
the gates opened and Trojan Horses
unleashed terror on the people.

Prophets roamed the Western world
preaching doomsday and scimitars of radicalism
overtaking the civilised. Insanity finds
its origins in reading between the lines.

I tell you it will not happen. It never will.

Author Notes

Dare to decipher this?
© Marshall Gass. All rights reserved, a month ago
brandon nagley Jun 2015
Temple tunics
On antipodal brim
Enfolding in boughs
Lochs of lagoon
No broadcasts
To ruin ourn tune
Ourn tress to clout
No shame nor doubt
Endless labyrinth
North to south
Feeding doves by hand
Grains of tan
Whilst the bairn scowl
For mimes and Lambs
Broods of technology
Tearing down filth
Governmental collapse
Every man's self
In his house!!!
“The brightness of the Zsablas came from the night sky, then began to fade at the end of the onslaught of winter first, her skewer has discovered her by comparing her current situation with what she had before when her light began to dim. They all look at her and attack with all her strength seeing the shine of the dazzling sword as great Heroy Ukrayiny. The bizarre were taken with visible return light and with arms attached to each other already fallen with their fingers on the hammer. The images reveal changes that occur in its star when seeing the breaking of its vain flood of flash, both in brilliance and in an apparent way to grumble from the peaceful pair of providences on the legs of the cavalry advancing without pair, nor stopping of escalation that occurred after the Bucha massacre. Four hundred corpses have appeared at the Kramatorsk station, such Soviet missiles killed more than fifty citizens of Volodymyr, such Those 48 words shocked the world”

Ellipsis Kramatorsk, April 13, 2022, day 48 of the invasion. Volodímir speaks: "Children, your mother will take care of you at the time of the great Mikaiyáh to bring you the divine grace of accompanying you with the Abba Pealim, who will embrace you like a calf in her lap, tearing himself apart from the loving mystery for your lives for when they all fall embraced"

Olena says: “My beloved sir! I know that at this time there will be the same oratory that we can be worth for your ineffable courage, for the court, and cultivate passion with the Polish Zsablas. Here you can feel your thundering through the mountains and valleys where we used to notice the unknown world, eating delicious Vergun and Babka in their warm houses. I will never change my verdict having met you at the Besarabsky festival, you approached and made the united noise of my outfit with the white coming of dawn and all week when it brushed against its worn floor. From now on, renowned as my alba skirt clothes, offer your smiling eyes with tunics and cloaks that dazzle those who celebrated electing me as princess of the harvest. Nothing else would make me be just your look if it weren't for the Albacete of my house with the parents. My hairstyle was adorned with rodents eating our bodies and outstanding ruby spikes of celestial falcons with Albi-yellow flags dazzling your company, settling in the front crown..., always your Olena at the highest altar next to Mikaiyáh.”

Volodímir modulates: “My children, life will continue to be good, I have you in my prayers where no compensation will change drug compounds for the ingenious desire to have you close to me as hussars and their Zsablas. I have been reborn, I continue to feel my flesh and body on fire for you. I know that in Mariupol I will pacify attire, ****** attachments will not stop moving my legs to offer your help. But I will not get tired of moving against the sun and against the wind, of everything that I violated one day by seeing them between their open eyes hoping to help them. I will be with you, until the end, even if plundered forces profane illustrious missions beyond all life and bad outcome. In the silence of your calm words, the next day I will continue to exist with meager and magical words to the beat of your seasoning.”

Parable Bogdan Khmelnitskyi: “perceptibly saw how the sky of Kyiv was crossed by heavy metalloids of bronze, tin, and acrobalistics; for the cavalry and six warriors who used to ride on the roof of the Záratos appeared, belling with sounds in their acroteries. In these episodes, twelve swords were multiplied in advance by thousands before the palace began to be built after its ruins. They were dimensions of relevant victorious cavalry and virtual foundation lines to rescue the Heroy of Mariupol. Acrostics will pass through the steeds of Thessaly, riding on the palfrey of the Polish Winged Hussars, charging twelve wings of cuirassiers with twelve horsemen in adjoining halos of heavy cavalry at Katyn, lying abducted by a parapsychological and circum-regressive ellipsis of the 1939 event in Poland. Each rider was strung in blood with golden wing feathers from a Raptor game bird. Each of the wings carried the curved Szabla saber, to tacitly cover up oppressors and intruding musketeers from the hearth of the armory of the hypothetical or unknown enemy, but an outsider assaulting the flanks of the rooftops in the Mariyinsky Palace…, virtual of Kyiv. , using Kopias or pikes that concocted impetus as deadly resistance of the lineage betrayed in Hellenic, London, and Berlin museums. The roof pointed to the southwest where the light of Orion was reflected by the aerial forms of the Orfeón de Azov, riding over the high seas with votive offerings or offerings of Cyclamen and Red Poppies sifted to Silbones and Spoonbills birds that flew majestically in the nomadic rhythm of a Rhapsodas, coffering with epic elegies of Mariyinsky, and of those revived venerable triumphs that stretched out from the banner of glory and bed of the epiphany of Ukraine with the brave victors.

Rhapsode proclaims thus: “In Katyn, Polish Wings and Golden Woods with Red Poppies, adorned Bellis Perennis in twelve thousand rags of our steppes harassing their moan in blood offensives, framed in great chapters and threshold lintels in their mounted war. There were twelve thousand red poppies burning from the executory pilaster near Smolensk.” How much must he get fed up with the Polish cavalry of the 17th century, when he glimpses barbarous sounds in the temple that approached them to the altar of the Virtual Palace, showing off an acquiescent ceremonial and lifeless aristocracies, with living needy and vanquished mortals who posed in the rear of twelve thousand officers slain in the Katyn Forest assisting nine thousand of the slain in Mariupol, like gallant gentiles and medieval men of the contemporary untimely invasive. Here in this place, the winged horsemen with puffs went by their destiny to be sacrificed in steel quilts that galloped on their heads protected by brotherhoods and Hussars who protected them with Tiger and Lion breastplates with their retracted claws. Bogdan Khmelnitskyi watched in the virtuous image of him as winged medieval specimens protected the frontispiece of the palace in bullets of super-existence, fear, and historical trance. Here on this ground each one of the officers was aided by each 17th-century Polish cuirassier with ferocious wings, they were making their dying honor and glory with those similar, twice right there inequality and interwoven misty discrepant blood executing with apocryphal witnesses that covered them with sinister appearance, overflowing evasion and truce of bodies stained in mourning with disconsolate blankets carrying scattered red poppies adjoining a naive defenseless forest. About exalted memorandums, secrets, and epithets they felt in the tears of Adrastea next to Mikaiyáh.

Eagles of Kyiv will go to act of the spell of Didraskein, where no Slavic invaders and lethal punishments will be spared. The nymphs procreated their kind, the Slavs would drown in the cries of cuirassiers like Didraskein, before sobbing in platitudes of foliage and rotten hopes of those who hit them from behind, for a little water wasted such as heroes of Katyn. Here neither Cronus nor Mother Rhea heard them, only Adrastea avoided the cries of men-children and of those who atoned for her back, unburdening them from the foliage of the Didraskein with tears of lumpy mercury. Volodymyr's steeds rise carrying the curved Zsabla, before each one is shot in their heads as twelve thousand Winged Riders caught in each Zsabla plus nine thousand immolated from Mariupol, sacrificing them before they were killed from the waist of their head lost in loved ones, not being expired by ammunition, rather by sabers of honor and glory of their own winged protectors that would lead them by sharp weapons towards the holocaust surrounded by red poppies. “The red fog of the forest carried the souls of the Hussars by passing them through the sabers of their compatriots before they were immolated by Soviets, in this way apostolates and souls would be catechized by Zsablas in dyed airs of Red Poppies converted into the breathed air of the heroes of the Katyn Forest and Mariupol, seeing themselves redeemed by the 17th Century Golden-Winged Riders of Poland and Adrastea”

Bogdan with the immensity of voices and epithets heard Adrastea, she differed from volatile metal sabers, and explosives present when they went out in the crooked armor of Polish and Ukrainian beings, in a rear that Volodymir finally settled with the weave of the immaculate suspended habit of twelve thousand Red Poppies crossed by their forehead before being shot in the cortex, and occipital lobe forging with transvestite golden sabers, and cenobites that received them in the arms of the sublime stench of the effluvium of blood and hosts of nine thousand from Mariupol, never left and desisted from the bubbling figure of the acroteria near Mariyinski, idem to the Katyn Forest itself, surrounded in a string of the Rosary that was dazzled with Saint Sophia adopting them.

Fourteen vibrations of enthronement polarized from Volodímir instantly to his brother Bógdan, making filial gradation in the possible conception of cult and death who is suspended from one to the other under a damning accent of past lives. It is typical of the facsimile of his own genetic shadow, perhaps of Sem-Asur, who finally come together as blood relatives of the same Orbis Alius trunk. Rejecting not accessing Asur (as a healthy creative mind of Genesis) as an energy that could be restructured in any homologous of the world of Asur, as the son of Shem of Genesis..., as compared and inter-generational real mythology, pronouncing and enlivening in metaphors of the enchantment of what occurs in gender similarity or Mental field. The compensation and intemperance of living matter refer to the simultaneous undivided of each civilization as a phenomenon devoid of hearing and inclement winter periods. Here the outbreak lies cloistered in Menatira, daughter of Cránae, Queen of Eleusis Pro-Ukrania; such as a fluff of respite convulsing in both steppes of silence and hundreds of years B.C. prophesying to send aid to the victors of Volodymyr, Olena, Bógdan and the heroes of Mariupol with the Zsablas of Mikaiyah.
Bogdan´s  Zsablas
Wk kortas Nov 2017
We have the full complement of the requisite barriers:
Barbed wire, barren landscape, unpleasant canines,
Stark metallic towers with vaguely menacing turrets and gunsights
(Though they are remote, poorly lighted,
Perched high enough that I suspect they may be occupied
By mannequins or scarecrows),
And what cannot be attained physically
Is augmented by other means,
Breakfasts at mid-day, bits of bread in the blackest part of night,
Light as dark, dark as light.
We tell our company this and that of the news of the world:
Half–and-quarter-truths, innuendos of some plausibility,
Outright truths as well, but told with the most outrageous leers,
Put forth in a tone which suggest that such things could never be,
(I have come to appreciate Pilate’s question,
For truth is a singular thing,
Valid within the limits of one’s mind,
No more than a lower-case notion
When butting up against those of others),
And I tell myself that this is all something that needs to be done,
That perhaps there is no greater good
Than a certain regularity,a certain order of things,
But I am unsettled by the memory of an episode
Some three days past, where one of this assemblage
(I suspect the person in question was female,
But we keep our band well-shorn, and they are costumed
In rather shapeless and gray tunics
Which, given the lapse of time
And the long intervals between our own re-supply,
Look suspiciously like our own garments)
Look in my direction with what fervor she could muster,
All but barking You! You will be forgiven none of this!
And I was left perplexed by her admonition,
Which, as I began to readying myself for dinner
(Scrubbing my neck, my face, my hands,
Trying to rid myself of the damnable dust
Which is omnipresent, unavoidable, beyond eradication)
Lingered, as I could not for the life of me
Comprehend the calculus which would mark me,
A relative speck, a cog, a mere functionary,
As the one to be singled out.
green as eyes
drinking from emerald caves
the color of rusted gems are dancing in your face
i keep getting distracted by the longing in your voice
poetry keeps me hungry
poetry wakes me up
forever trusting my intuition
i seek heavy water for keeping our daughters safe
i serve muscles and nerves in a stew
the returning few are worthy of bone broth
your strength is several miles high
your fame is conveniently shy
i am arguably thine
reflect and revive
however you strive
i support you
all is said and done
now get dressed by the fire
go forth in glory and don’t forget to inspire
in between sensations
there is a pause all for you
how your hair smells
and what are you waiting for
your breath is commingling with the ocean
forever immersed in the moistness of the dawn
i am shirtless and perspiring
juicy mountains determine
our fall from heaven's grace
a gladness that i chased you
for once you were bitten
i could never be happy without you by my side
retrieve the dimples from my cheeks
dress the dog in cotton tunics
release the poison of the world
and dance with me in forgotten fields of lavender
the secrets are no longer kept
what was spoken in neglect is now there forever
i hear that one is only a disguise for another
Ayesha Jul 2021
I stole a sheet from the test papers
For my hands are filled
Already with ink
from exhausted pens
Well, that is all I planned to say
But I must keep on this ramble
Only these words feel real
Only they keep me warm

Sun dies gently behind the clouds
And gossips scatter around
Girls in blacks
And yellows and reds
Scarves dyed in greens, browns
And blues
Intricate galaxies stitched
On their swaying tunics

I do not dissolve here
In these beautiful tides
and their slow dance
Not with a carnage stuck in my chest
Not with the bleached dawns
Rising and rising restless
And we’re all fighting, yes, we all are
Why then
Is this field so lonely?
Not a mourning, not a deafening blast
Is heard

A barricade of silence
I wrap around us
Us, I,
The boy
who constantly yells for freedom
And the girl
Who will let him not

Then again, us
I, the two children inside
One weaves a step out of his fingers
Other hops on
Peeps out of my eyes—
“Do they want me yet?”
“No”
“You, then?”
“No”
What then is wanted,
They wonder
But do not say—

It is an ungrateful inquiry
All luxuries they have known in this house
Crowns and swords, dresses, blooms
None kept from either
Why must
Then they want out?

Then the guys pass by
The scarce colours
that fill up their clothes
And hoarse laughs erupting
Their uncovered heads
And princely gaits

I belong there,
No more than here.
Not in flowers, not in bees
Do I blend
Not in capes, nor veils

No weapon I wish to hold,
Not an anklet studded with gold

In the grass, I cross my legs
Far from beetles
Far from wasps—
I watch red ants crawl up my shoes
Crush them, I do,
Casually beneath my fingers
One, then, three and more
Until dusk is silenced
by the night

Not a beetle approaches
Near
I wear the shimmering skin of a wasp
Not a wasp calls
I am skin only

Later,
The black sky comes
And takes us far.
The girl climbs up my spine
And pulls the boy along
They zip me open
And crawl out
Sit next to me, and they sing a song

I am the castle
Who could not help them live
I am the rusty duel
They were born to fight
Yet love me still, they do

And the crescent—
It is a woman nor a man
A crescent it is,
a crescent, stays

And when darkness comes
And eats the world
We join our hands
And build a softer one
But what good—

It is too dark to write now.
The lights flicker like stars
with smoke sickened
They pound in my head, pound and pound.
I hope the ramble
Was worth the theft
03/07/2021
Chapter XXVI
Messiah of Judah III part
Miracle IV - Baptistery

Etrestles knowing that it was on a quiet hill in a beautiful hillside settlement east of Bethlehem, it provided unusual illumination. Etréstles; Champion of the Koumeterium Messolonghi, he felt that after thousands of years of his life, he felt in this Holy Land a great value of omnipresence. The Miracle of Christian protocol would begin in him, paying for votes and tributes in the Church of shepherd' s fields. In this rock of special mystique, “It begins its rebirth in its tenth life, before there were nine in Messolonghi (Koumeterium Messolonghi - Editorial Palibrio USA). A miracle happens that transports him to the caverns that would transport him from the oldest, from the nine past cycled epics in Kalavrita, Kalidona, Patmos, Messolonghi. Here you will see yourself face to face with past lives, with the lives that were born and fell, reborn in those that come, surrounding you with the shepherds that circulate through the veins of the air space, through the plain of the shepherds in shepherd´s fountain. In this analogue with allegorical motifs in commemoration of the shepherds and their flock, by which they are crowning this fountain, having before our eyes the sculpture of the shepherd and under his feet floral motifs such as palm leaves, heads of cattle, sheep and ducks in act of drinking. This hexagonal fountain contrasts with the Hexagonal Primogeniture; here is the miracle that would come about, to meet the intangible Creation and Illumination as clothing. They thought they were closer to the village ... but in reality they were three and a half kilometers from it, in a fenced area with a wide path that runs through the park on the hill between trees and lush flowers that clearly evoke the place where those 1st century shepherds led their sheep to pasture.

We were all dozing when, certain decagonal sounds would transport us through the church ..., in its decagonal plan surrounded by four chapels and the apse that houses the altar, covered by a large dome of mortar and glass that lets in, illuminating the altar as did the guiding star that pointed the way to the shepherds. Here the murals that protected us from the hosts of Aserá had already disappeared. Most likely, they were watching us with great chandeliers as they opened in the swamp of the sclera of our bare eyes. We were trapped by the quagmire that Raeder and Petrobus created, in these opaque clouds of sheep manure; they were trasminated through the corridors of the new worlds of culminating grazing. We went to its structure and above the entrance door the angel of the annunciation and above it, a singular bell tower, incorporated into the facade through three distended arches. Inside the beautiful fertile field, from a marble church in two colors the spaces to which the columns that support the roof also contribute could be emphasized. The chapels are adorned with precious frescoes that represent scenes of the annunciation to the shepherds and the arrival at the birth and the altar table that is supported by the sculptures of four angels, especially with the appearance of the hexagonal birthright in the middle of these stones.
  
Faced with this polygonal hexagonal effect in both parts, which were intra excavated at their own vertices. A straight line crossed them, from the north in a double semicircle that was concentric in the precise centric inscribed equatorial diameter of a circle that a sheep was lactated ..., here they arrive and are received with great hospitality by the shepherds who in symmetrical affability hugged them with their shofar on their songs and tunics…, each one was blessed by the rising air of another, rather than of a steppe grazed by ruminants and golden mouths. Twelve degrees to the right, in the sixth wick of the Menorah, a regular silhouette was lit, becoming of this intangible, whose thirst makes drinking water from a hexagon well, much more equidistant than walking among themselves, moving their hands with all their hands.    Diligent emotions, energizing the numb emotions that would vibrate from the third angle as they were coated with the vertices of the light that glowed from the convex morning.

They were six complex roots equalizing on the regulated plane of their animals, which were parked near the medium stone walls, where Raeder would climb to run over the walls, emerging more with each side in which to appreciate, embrace and emphasize the same forms, of which they could decide to generate a rebirth of two kings and that of Etréstles by a hexagon of internal illumination. Close to the church you can see caves, showy in the calcareous rock dating back to the fateful Herodian era, denoting some surprising utensils found, of which we know the mission of the chapel to found the diocese. Also made of rocks sculpted by Christian worshipers, under these temples we find the remains of a bakery with a large basalt millstone, a refectory and a primitive oil press, as well as a cave that served as a pantry and another as a stable alongside with a whole system of canalization of the water connected to some cisterns.

Etréstles, receives luminescent auto radiation immediately from caring and guiding, as it always has been, but now in a luminescent tenth life, by living connected to its own cisterns. A dog approaches him and shows him his paw ... how curious this dog had six fingers, there he was convinced that it was his generous shepherd, and that he would lead him through the internal labyrinths of his lighting by the sixth finger, to help more unwary and unconscious beings that enlighten and grant subconscious existence in fountains that have lost their law in outrage and self-rebellion. His rebellion would begin with the substitution of grass, not to depend, but rather to maximize them in the cavity of their stomachs, then he began to wander through the hills seeing how all his sheep fed on dry land, without any water source, allowing him to form food props that redeem him from the flesh and eternal grazing, to heal his internal temple and shepherd with hexagonal herds in rows of forage slopes, with grass and legume foods ..., all intra subjective spiritual.

Raeder ran along the cover of the stone walls, Petrobus circled the perimeter of the inert time of the upper cornice, the camelids raised their shiny legs filling their timpani snouts with herbaceous pastes, Alikanto sensed that only three kilometers away they were already it presented the stable, where to surrender to the intubating silence and the innocence of a super infant who came and went…, knowing everything. All the animals eliminated pastoral toxins and pheromones, leaving the sheep free of enterotoxemia, distributed in the soil and in the gastrointestinal tract of the youngest, the absence of bactericides of the Hexagonal Primogeniture did not appear in the holy ovine soil. The pheromones in this chapel were seeded between special and olfactory glands that would reign. They would fan its wings and its breaking abdomen by scrubbing it on the roof of the prominent chapel like a domestic hive. They would exchange the oral use of the inaugural floor to receive them in the animal creation, controlling the cells of the chapel and segregating the maintenance of the backward world. The mandibular pheromones were seen falling to the slab of the church, making the advances, to and from everyone's entrance, glued.

The pheromones of the sheep created recruitments of the others in the integument of each cognitive inflection, plotting them to enter the baptistery, something if it had never been possible. This was a great miracle in the rebirth of Etréstles, when they could enter their own womb ..., they lay on Etréstles, passing over her abdomen, generating honey from their own mouth, giving the pheromone of the sheep when they transit and the. Of the bees that provided her in her abdominal cell. Chemo Neurons and renewed receptors would be in charge of expanding the circulating olfactory lines, causing an electro transmission of energy never seen before. Everything happens  as a result of the metamorphosis of Etrésltes and his clothing of ten lives on the backs of the neurochemicals filling him through the largest lobe of the winch, which he had and carried in his hands and which he had requisitioned from the nearby mill of the ancient Christians who lived there.

The apostle says: “Each verse…, a molecule. Each surface and a new system ..., each membrane ..., rebellion of stimuli ..., energy chain, sentient organism ..., neural axon, physiology, science and the dark brain of eternal divine existence, six hexagonal angles of Shepherds and Primogeniture , creating together with a new genetics of harmonious existence that does not tire the eyes of the Creator, seeing how everyone has fun in their home garden "
Chapter XXVI
Messiah of Judah III part
Miracle IV - Baptistery
ravendave Oct 2016
The ancient ones, when warfare came to stay,
knew what to do. They combed their hair
upon the rocks. Blades grew keen and bright.
Greaves were fastened sure about their *****.
Heads encased in helmets; eyes grew somber.
Return with all your shields, the women cried,
or else upon them. Battle smeared their tunics
red with blood. Some came home, and some
found homes where spirits are embraced.

Their descendants know a different way of war,
more lethal and more telling-
the bombard and the mass assault,
the arquebus and pike,
the canister and cannon,
the minie ball and shell,
mustard gas and trench mortar,
the blitzkrieg and the mushroom cloud,
cluster bomb and ******,
and silent death from above.

Some believe the noble way
is killing face-to-face-
but I confess that death at distance
also has its place.
Ancient peoples fought their battles
firmly on the ground-
but we fight on a sea of war,
and we must swim, or drown.
His worth endured a date.
At the corner of wooden low
Sat He, decider of day.
Himself a sacrament
Upon a wedding feast.

Adjudged a woodman’s breed
Came down to celebrant’s call.
Acts unknown in tunics white,
He sat amidst the local stones;
Health and wealth within His bones.

“O dear! the wine is finished.
The convener mustn’t hear.
His heart would lose the merry
And the bride may bridge a breath”,
…So said His mum divine.

“My time above is kept,
Why pull a string so tight?
That angels now on heels  
To do my bidding so.
…o woman! though my mum”.

“Tip the pots to top,
Dip from stream at spot.
Taste the cup from some
And send to chief at top
to taste the drip from crock”.

“Aha! the cheat is caught
That kept the best till late.
For we now drunk with waste
Have laced our thirst with liqs.
So sad our craves in kicks”.

Now, chief with all the guests
Hail bride in love with groom:
‘Dance at last for all is good!’,
But knew not how it worked,
Save mum and Son divine.

— The End —