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Raj Arumugam Sep 2012
see little Tommy
no, you can’t see him in the trolley -
like a monkey
or a possum on the tree
he’s well-hidden
so expert, as mom
pushes the trolley
through the aisles
And then nimbly
he crawls out
and hangs by the handle
feet on the brackets
still hidden
and suddenly drops
on the floor
light as baby Tarzan
And Mom says: “Tommy!”
and Tommy laughs
and climbs back into the trolley
like a little Alexander on a metal Bucephalus
and there he stands commandeering
the trolley: “Cheese, mum! Lollies! Lollies!”
And Mum says to Little Tommy:
“Shhh! Shhh! Shhh!”
But little Tommy
he’s the Master and Commander
and pirate
but mostly the monkey
on the shopping trolley
down the aisles and down the corridors
and the food court
sliding and jumping and hiding
in his fantasy world of the trolley
see little Tommy -
no, you can’t see him in the trolley
like a monkey
or a possum on the tree
he’s well-hidden
so expert in the trolley
he so happily commands
...just the other day, saw this little boy in the trolley his mum was pushing...and the little one was so agile, so nimble, so fast and so in his own life of movement and joy...couldn't help but write this poem about this delightfully energetic child...
i pushed a market trolley it seemed to be in doubt
which way it would go when i took it out
i tried to push straight it began to swirve
i pushed to the right and it began to curve
so i tried again and pushed nice and slow
but the silly trolley just did;nt want to know
the trolley i give up and used a bag instead
then wheeled the trolley back to its trolley bed.
Test Ting Won To Tree
By
Charles Fleischer







Rifleman decal water is to Tiny basket liners as Strained yo-yo string is to?
Dark wool glowing is to Oldest lost oddity as First genetic engine is to?
Black quail taint is to Nut curdled paint as Hemp biscuit dominoes are to?
Steam traced paper is to Lemon ash vapor as Digital ****** wig is to?
Eccentric brine mimes are to Electric silk slacks as Spark formed lava is to?
Sunchoked black hornets are to as Rescued orphan doves as Retold cat jokes are to?
Hand traced videos are to Braided rubber spines as Opal rain dancers are to?
Halogen anchor gong is to Annoying bread portraits as Soft bracelet lockers are to?
Old troll bios are to Select cherub echoes as Broken matchstick parasols are to?
Dome nine chariots are to Frayed lunar remnants as Fuming honey flasks are to?
Bluing assault operas is to Beading fluted flowers as Magnetic lawn tweezers are to?
Converted flea sponges are to Floating dog murals as Frozen Archie comics are to?
Molded road pads are to Crusty gumdrop thread as Straw ribbed pelicans are to?
Inflatable diamond vowel is to Single gender raffle as Groovy desert coffee is to?
Temporary solution radiation is to Idiotic witness mumble as Motorized marshmallow kit is to?
Panoramic utopian paranoia is to Aggravated **** silhouettes as Unhinged gun sellers are to?
Homesick ghost pajamas is to Virtuous fly fungus as Royal sandpaper gloves are to?
Gangster hayride tickets are to Deer milk Oreos as Turnip fairy maps are to?
Glue gun **** is to Nocturnal cabin mice as Cab fare corn is to?
Speckled fish nickels are to Under water bric-a-brac as Epic snakeskin paisley is to?
******* bungalow pranks are to Drowsy vapid oafs as Quantized cavern fish are to?
Raunchy snail kimono is to Coiled time dice as Smeared equator malt is to?
Metallic centaur franchise is to Transparent cheese chess as Spotted glacial remnants is to?
Sky fused pong is to Rustic mothers brattle as Granulated canister ointment is to?
Overgrown maze mule is to Mated smugglers hugging as Floating thesaurus exam is to?
Sliding coed sprinkler is to Soapy whitefish rebate as Precious lamb diaper is to?
Mushy acorn luster is to Lilac protein rings as Slapstick wrestler dialect is to?
Freaky plankton bells is to Rolling horse divorce as Morphing morphine lips are to?
Sticky razor sparkle is to Emerald muscle spasm as Glaring cat cipher is to?
Peppy unisex mustache is to Pelican fighter syndrome as Clumping night grumble is to?
Scanning paired pearls are to Ruby rubbed roaches as Satanic sailor flotsam  are to?
Glowing asteroid solder is to Ideal shark data as Failed frail doilies are to?
Numb nuts boredom is to Fantastic icy phantoms as Sporadic silk creations is to?
Crooks crow chow is to Loading spackled bonder as Gargled snowdrop blasters are to?
Outdid myself today is to Outside myself again as Outlived myself controls is to?
Venting shuttlecock upset is to Texting badminton kitten as Settler tested motels are to?
Prepare paired vents is to Prefer paid events as Pretender predicts fiction is to
Crunchy mental fender is to Catching mentor menace as Poorly seasoned lettuce is to?
Outside sidewalk inside is to Seaside outcast input as Sideways landslide victory is to?  
Compile fake password is to Compost world poo as Compose village anthem is to?
Crooked crotch blunder is to Loud crowd thunder as Divine vine finder is to?
Chucks’ wooden truck is to Bucks good luck as Sticky ducks tucked is to?  
Overhaul underway overseas is to Overturned downsized pickup as Underground onramp overloaded is to?
I’ll bite there is to Aisle byte their as Isle bight there is to?
Gnat gnawed wrist is to ***** show beans as See through putty is to?
Flapping floppy guppies are to Buzzing zipped dozers as Muddy ****** strippers are to?
Dark diagonal dialogue is to Diabolical dihedral die as Interesting circadian exposition is to?
Experimental flossing expectations are to Waxed dental traps as Permanent impermanence resolution is to?  
Outran ringside intrigue is to Sidetracked onboard boatload as Loaded firearm topside is to?
Phony ****** phone is to Chewy ego honey as Yogi Mama’s dada is to?
Nimble teardrop squiggle is to Humble cage curtains as Loyal truckstop morals are to?
Torching curled elastic is to Sonic neighbor clamor as Golden droplet integers are to?
Duplex pupil scanners are to Nacreous cloud clocks as Shrouded flute shops are to?
Lawn rocket tendrils are to Finding surreal borders as Sheep monarchs children is to?
Gloating ungloved squires are to Busting double doubters as Pushing woeful doctors are to?
Tricking snowbelt firedogs is to Panmixing blackened haywires as Unclothed shameful leaders are to?
Malicious ranch ritual is to Internal puppet bubble as Ornate underworld masquerade is to?
Rustic debonair Eskimos are to Mindless sassy elves as Gorgeous somber acrobats are to?
Learned earthy pimps are to Fearless sneaky Queens as Somber gentle vagrants are to?
Shocking horse wear is to Glossy sled fluid as Damaged chipmunk tongue is to?
Traditional agony chart is to Damp voodoo motel as Backwoods museum quote is to?
Magical cat cabin is to Dapper porpoise humor as Malicious graveyard foam is to?
Therapeutic gazelle cushion is to Stored alibi equipment as Stunning tempo light is to?
Fantastic rascal art is to Wasted prune dust as Jupiter’s ****** law is to?
Little nut razor is to Gigantic hyena shield as Hourglass pillow fever is to?
Coiled rain clouds are to Dizzy tycoon clowns as Lime eating cowards are to?
Possessive epicurean demonstrators are to Faded eavesdropping giants as Determined swanky drunks are to?
Aquatic preview pocket is to Soggy judicial topiary as Finicky hamster fabric is to?
Enlarged fruit cuff is to Obedient mumbling orchestra as Dark tenant tariff is to?
Recycled flash thermometer is to Botched temptation probe as Pet glider grid is to?
Seriously shy idols are to Costly driving perfumes as Ferryboat chapel wine is to?
Winged jalopy details are to Faithful spectral fathers as Sprinkled mint rainbows are to?
Spelling unneeded words is to Sprouting donut ***** as Blaming mellow mallrats are to?
Eroding loom keepsake is to Magnificent accordion canoe as ***** bongo fumes are to?
Souring violet ink is to Juvenile insult park as Periodic ferret envy is to?
Obedient boyfriend aroma is to Sanitized fat lozenges as Dramatic jailer garb is to?
Mysterious patrol group is to Dynamic maiden discharge as Captured hurricane ratio is to?
Lackadaisical bigot bingo is to Oblong care merchant as Expensive swamp shampoo is to?
Petite orifice worship is to Atomic barge pet as Plucked hair exhibit is to?
Elite officer wallop is to Automatic yard rake as Healing ****** glitter is to?
Needless swan costume is to Giant jungle goat as Organic picnic napkin is to?
Leaky jet steam is to Innovative fascist whistle as Enchanting idol evidence is to?
Plastic mascara seduction is to Greasy thermal ointment as Attractive muskrat crease is to?
Lucky camel pills are to White coral Torah as Eternal stage clutter is to?
Roasted oat **** is to Sloppy *** glue as Nylon table debt is to?
Steep nook catastrophe is to Empty dome damage as Pulsing breeze powder is to?
Empty sack power is to Hitched buck stroke as Red claw warning is to?
Ultra brief slogan is to Yummy lab mutant as Pathetic ball armor is to?
Nauseating fish splatter is to Obstinate ****** twitch as Strained ***** coffee is to?
Mezzanine intermission fossil is to Proven **** apathy as Golden duck shroud is to?
Civil tutors torment is to Thor’s posted theory as Yellow melon rain is to?
Immense olive raft is to Exploding kangaroo buffet as Ethereal witness index is to?  
Marching dark speeders are to Searing scribble fighters as **** tripping sinners are to?
Seeping viral angst is to Aged hermit tea as Murky bowl nibble is to?
Condensed blister guzzle is to Pink dorsal pie as Lavish speckled runt is to?
Needy insult poet is to Sedated acorn trader as Dry honey zoo is to?
Veiled trust flicker is to Deranged poser fashion as Flat sizzle tangent is to?
Purified diet spray is to Nebulous wishing target as Thrilling screen dope is to?
Majestic ribbon astronomy is to Bizarre formation sector as Rebel bell gimmick is to?
Sealed dart whisper is to Green silk draft as Cold vacuum varnish is to?
Clumsy raven power is to Insect island circus as Minted mink drapes are to?
Curved map ruler is to Tiny lethal radio as Blue fused metal is to?
Inverted laser invasion is to Damp sheep dump as Puffy gown smoke is to?
Saucy Channel blazer is to Leather goat filament as Starched locomotive hat is to?
Broken jumper leads are to Disgraced mini exorcists as Designer shamrock caulk is to?
Tweaked poachers smokes are to Assorted sulfur pathways as Collected bedlamp trickle is to?
******* bungalow pranks are to Drowsy vapid oafs as Quantized cavern fish are to?
Crawling battle worms are to Vibrating metal pedals as Mentholated matrix wax is to?
Missing meshed rafts are to Liquid rock pipes as Crinkled bean bikinis are to?
Tithing **** joggers are to Perforated buck fronds as Leather zither picks are to?
Fearing truthful cowards is to Rambling preachers mumble as Gazebo ambulance gasoline is to?
Shelving elder’s whiskers is to Poaching goalies pesto as Radical tricycle angst is to?
Mucky gunboat polymer is to Primeval maypole flameout as Cathedral greenhouse intercom is to?
Diaphanous safety prize is to Unleashed saucer lion as Dorky blonde ropewalker is to?
Tapered spring meter is to Silver silo mythology as Misguided judges medallions are to?
Alligator x-ray money is to Cherry unicorn water as Coyote cactus toy is to?
Cowardly dorm scrooge is to Atomized pewter script as Flattened spore smoothies are to?
Trash can yodel is to Flashing wired spam as Exploding chocolate pudding is to?
Sonar blasted bushings are to Threading ruined wheels as Forty shifting boxes are to?
Tiny balloon rebellion is to Softened square cleanser as Iconic soul sucker is to?
Harmony night light is to Spanish nitrogen desire as Squirrel cavern iodine is to?

Lazy winter secret is to Slow airport widget as Silly mustard binder is to?
Elephants raising raisins are to Microscopic lamb planet as Purple hay puppets are to?
Caribou venom vaccine is to Electronic lemonade choir as Demonic princess massage is to?
Beet coated bridge is to Fattened needle point as Mylar monkey spine is to?
Ashy ink dust is to Youngest rabbi planet as Orange cartoon geometry is to?
Cold green chalk is to Cobalt ladder farce as ***** river filters are to?
Sublime sheep master is to Sleeping past rapture as Subliminal bliss jelly is to?
Ocean crust slippers are to Twigged germ radar as Popping sharpie scope is to?
Zen wrapped beep is to Oak foamed code as Wicked flashing sizzle is to?
Dew eyed sleigh is to Say I do as Act as me is to?
Humpback on hammock is to Ham hocking hummer as Hunchback with knapsack is to?
Corned flag jelly is to Draped wing chewers as Tripping swan acid is to?
Futuristic Rembrandt chant is to Almond likened meadows as Asian timber blue is to?
Nap in sack is to Flap on Jack as Ducks dig crack is to?
Flowing flavored lava is to Gleaming optic layers as Enhanced goose gibberish is to?      
Flag tied pajamas are to Saline checker choir as Speed reading quotas is to?
Whipped spam spasms are to Misted shaman scripture as Testing pitched bells is to?
Cave aged eggs are to Crowded tiger cages as ****** wagon pegs are to?
Pigeon towed car is to a Man toad art as Wolf whisker wish is to?
Second hand clothes are to Minute hand gestures as Final hour prayer is to?
Slick wicked shavers are to Tricky watch boxes as Sprouting pine tattoos are to?
Waxed stick ravens are to Match stick foxes as Narrowed thermal towers are to?
Ice cave rice is to Laced face lice as Gourmet pet **** is to?
Diamond lane anniversary is to Space age appropriate as Time travel agency is to?
Lime bark violin is to Lemon twig guitar as Lunar sky waffles are to?
Fake rat **** is to Smart cake batter as Rugged fur tax is to?
Tarred raft fluff is to Flaked rafter dust as Lined liquor flask is to?
Flakes will fall is to Take Bills call as Broken maze compass is to?
First faked voter is to Entombed cartoon honey as Smallest aching smurf is to?
Fancy bared ******* are to Flaky fairy treats as Kings amp filter is to?
Bone window folio is to Whittled fake pillow as Little fitted jackets are to?
Nine nuts brittle is to Ate pear pie as Six packed poppers are to?
Incandescent playground pencil is to Elastic hand worm as Perfumed piano ink is to?
Opal shifting anode is to a Windup lion decoy as Pale paisley trolley is to?
Stacked black boxes are to Old packed tracks as a Throwing micron hammers is to?
Apricot bark furnace is to Merry Orchid Choir as an Ivory rinsing funnel is to?  
Narcotic honey nuts are to Slick flag toffees as Silk fig sugar is to?
Orange coin raisins are to Low note candies as Smelling balled roses is to?
Pocket packed monotints are to Tragic ladder hayracks as Ravishing speed traders are to?
Crayon spider resin is to Coral squirrel forceps as Wolf tumbled loaf is to?  
Silver wheat flies are to Width shifting wheels as Golden blister blankets are to?
Really tiny hippopotamus is to Masked fat podiatrist as a Sad sack psychiatrist is to?
Miniature Mesopotamian monuments are to Apple minted elephants as Raising wise ravens is to?
Lathered nymph nacre is to Sonic ion constellations as Concealed iron craft is to?  
Epic gene toy is to Ladies bubble sled as Jagged data bowl is to?
Bugged dagger bag is to Pop sliced meld as Atom bending moonlight to?  
Rural madam’s deed is to Dyed dew dipper as Eight sprayed dukes are to?
Jiffy grand puffer is to Floating altar myth as Vintage dark mirth is to?
Undercover overnight underwear is to Overpaid undertaker overdosing as Overheard understudy freebasing is to?

Black grape crackle is to Red cactus ruffle as Installing padded pets are to?
Snide snobs sniffing are to Sneaky snails snoring as Snared snipes sneezing are to?
Exploring explosive exits is to Explaining expansive exports as Expecting expert exchange is to?
Shrewd logic ledger is to Puppets dropping cupcakes as Placated topaz octopi are to?
Door roof tools are to Cool wool boots as Wood cooked root is to?
Bright fight light is to Night flight fright as Mites bite site is to?
Floor flood fluid is to Wooden door Druid as Nasty **** broom is to?
Accurate police photography is to Intelligent microbe geography as Condensed aerosol biography is to?
Cowardly cowboy grime is to Corpulent corporate crime as Bosnian dwarf necromancer is to?
Jell-O clearing shaker is to Brillo cleaning shiner as Cheerios bowling shields are to?
Mumbled mindless hokey is to Fumbled found money as Humming kinder bunny is to?
Daisy’s clock setter is to Lilly’s boxer toxin as Poodles rose paddle is to?
Watch Bozo Copernicus is to Hire Clarabelle Newton as Find ***-wee Einstein is to?
Amethyst thistle whistles is to Lapis pistol whip as Diamond bomb scar is to?
Dandelion seahorse rescue is to Crabapple dogwood farm as Faux foxglove lover is to?    
Optical poppy stopper is to Polar halo lens as Day-Glo rainbow sticker is to?
Savanna leopard spotted is to Eskimo lassos kisses as Alligator lemonade standard is to?
Bill of Rights is to Will of left as Thrill of night is to?
Baptize floozies quickly is to Useless outsized nozzles as Puzzled wizard wanders is to?        
Chaps wearing chaps are to Chaps contesting contests as Consoling concealed consoles is to?
Quiet squirming squirrels are to Aeon beauty queens as Queasy greasy luaus is to?
Knew new gnu is to Sense scents cents as We’ll wheal wheel is to?
Blazing zingers ringing are to Wheezing singers flinging as Freezing finger number are to?
Lamb tomb jogger is to Dumb numb **** as Thumbed crumb bug is to?

Blue accordion casket is to Jaded scholar ***** as German mushroom circus is to?
President George Flintstone is to Funny Fred Washington as Abraham Jetson’s dog is to?
Google Desmond Tutu is to Kalamazoo Zoo Park as Zodiac actors Guru is to?
Swamp cradled whisperer is to Cherished drawbridge cello as Bludgeoned prankster outlaws are to?
Dukes pink mittens are to Smeared nest carava
i pushed a market trolley it seemed to be in doubt
which way it would go when i took it out
i tried to push straight it began to swirve
i pushed to the right and it began to curve

so i tried again and pushed nice and slow
but the silly trolley just did;nt want to know
the trolley i give up and used a bag instead
then wheeled the trolley back to its trolley bed.
Salty rancher spackle is to Earthy diva smackers as Swinging hotel number is to?
Rippling cling bread is to Three lizard chariots as Indigo lime tangent is to?
Nighttime reunion planet is to Nettle lane scuffle as Soaking spider *** is to?
Fancy trance logs are to Sticky fudge lather as Vivacious gator college is to?
Cheerful blossom face is to Secret tractor rocket as Canned gremlin emblems are to?
Jealous pitchfork generals are to Heartbreaking patchwork veranda as Folding robot noise is to?
Pretty rhino rash is to Lost locket vengeance as Back pocket weather is to?
Frosted candy sidewalk is to Sneaky kook code as Shiny waffle smoke is to?
Sapphire cloud romance is to Magnetic comet lava as Blue triangle envy is to?
Vanishing honey melody is to Thermal elf pajamas as Whistling iceboat shampoo is to?
Peach mint politics is to Frozen doll pennies as Rusty anchor catapult is to?
Swollen pony fever Throbbing sword kazoo as Silent turbine science is to?
Obese germ thunder is to Stacked lemon towers as Corrupt moon jockey is to?
Demented insect whistle is to Glass trophy cleanup as Purple geode bubble is to?
Nighttime razor slime is to Lacquered dragon maps as Tint paper mittens are to?
**** camel drops are to Velvet ****** shoes as Slippery red muffins are to?
Flying hot drool is to Pale chocolate telescope as Tin trumpet ballet is to?
Expensive puppy speed is to Flowered duck mirror as Cosmic needle factory is to?
Fractured laser doodles are to Cracked butter gravel as Rubber holster straps are to?
Majestic panther fortress is to Jeweled cork target as Iron swan taxi is to?
Poisonous pepper bouillon is to ****** goat soap as Chrome feather pirates are to?
Digital gorilla scriptures are to Timid hunter stench as Frozen domino video is to?
Eccentric troll opera is to Transparent wax village as Spoiled coral agony is to?
Bizarre green metal is to Pillow eating hamster as Leather cavern ***** are to?
Eternal hurricane evidence is to Powdered rainbow perfume as Smoking yellow prune is to?
Liquid wish cleanser is to Exploding meadow ladders as Brittle rose hammer is to?
Caged foam filter is to Cherry balloon string as Ivory cactus spider is to?
Carbon puppet watch is to Sad kings compass as Elastic lace whiskers are to?
Nitrogen trolley dust is to Lazy elephant toffee as Orange toad choir is to?
Dark pole zodiac is to Blue finger blanket as Illegal bug nozzle is to?
Stinky towel cookies are to White jade caskets as Sticky snail tea is to?
Converting stellated caramels is to Mythic aerosol socks as Rubber raspberry jokes are to?
Flying clock carousel is to Whisky nut worms as Plastic fish platforms are to?
Queasy Vaseline queens are to Moody pigeon pills as Aqua mice fur is to?
Spotted bowl shadow is to Idiotic radiance lotion as Bungalow toad hearse is to?
Gushing chimney fungus is to Funky lamb acrobat as Utopian **** sprinkler is to?
Twinkling bungalow tablet is to Botanical duck rope as Bug hat ram is to?
Broken clock fossil is to Black ginger confetti as Parisian cobra meatloaf is to?
Silly Xerox ribbon is to Obedient raccoon carny as Traditional cat linguini is to?
Last astral advisor is to Elastic badger riddles as Broken circle rifles are to?
Bagged squire channel is to Temporary mosaic cake as Ancient bacon thread is to?
Wireless math army is to Moronic neon money as Pearl razor radar is to?
Rubber buzzard blizzard is to Troubled bubble wizard as Crushed hash ******* is to?
Purple birdy cure is to Tangled frost blossoms as Silken bridal saddle is to?
Unisex owl accordion is to Sugar bottomed boat as Optical nougat treasure is to?
Flavored saline rain is to Black arrow clan as Transistorized clam guitar is to?
Sharpened twig scar is to Mutant beet sonar as Baked troll mask is to?
Boxed noodle secrets are to Traditional guru buttons as Glossy marshmallow strategy is to?
Vibrating melted jelly is to Silver furniture dream as Spewing collated seats is to?
Burnt mountain pickles are to Baby preacher shoes as Sympathetic pilot pain is to?
Narrow portal treaty is to Monkey warehouse vacancy as Painted tornado trap is to?
Porch penny sulfur is to Glowing pony fat as Patched mattress bait is to?
Frigid waitress fallacy is to Graphic shrimp salute as Misted sneezing window is to?
Moist apple moss is to Daddy’s zoom seed as Downtown Pope cart is to?
Tired felon trickle is to Holographic squirrel candle as Wild ray hay is to?
Deadly zero chalk is to Folding wilderness chart as Curved ******* vacuum is to?
Hollow porcelain pellets are to Strawberry rain stencils as Microwave taxi nomads are to?
Wasted machete balcony is to Crumpled creature confessions as Fridge fuzzed fruit is to?
Sloppy demon damage is to Squeaky puppet chuckle as Mental arcade combat is to?
Monster trout stories are to Lewd pirate cocktail as Locked mammal grommet is to?
Rotting rope network is to Tragic toy goat as Cotton submarine shoes are to?
Complex pepper dance is to ****** cloud cushion as Marching taxi holiday is to?
Mental petal collectors are to Spooned barn putty as Dork factory fiction is to?
Hot spotted tops are to Timed stepping pests as Yogurt notching tartar is to?
Crazy dog comics are to Ambitious cartoon sphinx as Pavlov’s zinc ballet is to?
Soiled spinster wedding is to Padded razor wound as Floating fish map is to?
Slippery leopard pants are to Perfumed nut button as Dart wizard party is to?
Needy alien elephants are to Barking garden gnats as Quasar focused paper is to?
Slanted heart **** is to Bronzed cliff sandals are to Cunning jockey jokes are to?
***** thumbprint massage is to Holistic princess memory as Sliding dental sword is to?
Drifting wood whistle is to Fluorescent carpet powder as Foam dragon whistle is to?
Chopped web shadow is to Immortal vermin soup as Collapsing porch conspiracy is to?
Stolen thunder chant is to Haunted comet heart as Swollen throat portrait is to?
Fragrant frost parfait is to Grumpy caveman *** as Random stingray solo is to?
Squeaky polar turbine is to Silent lava fever as Oversized lunar fulcrum is to?
Synthetic dew droppers are to Pocket poster paste as Hypnotic screen dog is to?
Symbolic whirlpool nausea is to Dreaming tree phantom as Log badge bracket is to?
Camp hippo map is to Horseradish seizure insurance as Distant insect mirror is to?
German lady sherbet is to Stuntman laundry wax as Hungry butterfly ghost is to?
Fly smudged foil is to Amped maze coil as Shifting optic terror is to?
Automatic sheep floss is to Panoramic tanker anchor as Throbbing bone pillow is to?
Mutant clown village is to Nightmare translation treasure as Spotted spectral chakra is to?
Blind roach tweat is to Hermit worm tiara as Divine logo ritual is to?
Glueless gun stamp is to Malicious spam pump as Floral toffee pods are to?
Dudgeon mist removal is to Menacing bolt smacker as Boating duke shadow is to?
Costly metal plungers are to Creaky buzzing gushers as Glowing star cushions are to?
Raked barge sludge is to Crusted cream glitter as Zircon gutter babble is to?
Fake gold scholar is to Amish ******* mogul as Faithful ***** choir is to?
Sacred limo prayers are to Fried mice café as Splintered ****** thimble is to?
Dealing rabbit decals is to Pelican bongo festival as Patched equator rot is to?
Freedom gourd gasoline is to Cobblers studying acorns as Desecrated dice crater is to?
Tattered tapestry rod is to Busted particle scanner as Bogus piffle catalogue is to?
Trifle truffle raffle is to Last lamb laminate as Segmented cake goggles are to?
Domestic tackle tactic is to Ticking tic talk as Cordial corps coordinates is to?
Tucked duck caftan is to Sunken ramp ruckus as Wretched ranch rhetoric is to?
Clearly incomprehensible directions are to Useful archaic nonsense as Antiquated skeletal outline is to?
Bewildered beasts feasting are to Lazy busybodies resting as Vaccinating brave volunteers are to?
Lucky wagon dragons are to Famous gargoyle gargle as Formal postman funding is to?
Furrowed shroud chowder is to Borrowed tartan pajamas as Martini mixed algebra is to?
Cowgirl balloon helium is to Chewy glucose habitat as Stationary monument movement is to?
Diamond powered powder is to Diagonal diameter diagram as Purposely condensed expansion is to?
Organic iodine capsule is to Gleaming beach probe as Dominant dome static is to?
Shaving wrinkled targets is to Petting sensible monsters as Selling invisible whiskey is to?
Frozen piano architecture is to Note dotted clouds as Screaming Korean worms are to?
Sonic plant website is to Telepathic climbing clam as Bored protein exercise is to?
Gourmet mollusk cone is to Numb poodle caravan as Asian raven radar is to?
kath otoole Apr 2010
In the supermarket airport
There are arrivals every day.
The departures in your trolley
Come to you from far away.

Those brightly coloured vegetables
Have sat around for days
In what we’re told are
such hygienic backroom bays.
They’re obviously picked and packed by well paid sprites and elves!
Then magically appear on your supermarket shelves.

Here every carrot is straight and clean
And every lettuce crisply curled
Then gassed in plastic packets
That are filling up our world!

Take a glance inside your trolley
And if what I say is true
Then I guarantee the food within
Has seen more of the world than you.

Like the picture on the packet
Of your frozen ready meal
The colour of this far flown food is great
The taste experience, surreal.

Those ripe tomatoes in their reddest skins
We should dye brown, to match their taste
Those vivid orange carrots are a mystery of flavour-
What a waste!

A plate of vibrant promising hue
Can taste of packaging and glue.

The supermarket tells you you’re in clover
But its goods have all the texture of an old pullover.
Your supermarket says that it is catering for you
But if you’re honest do you really think that’s true?
If you don’t then there is something you can do.

At the supermarket airport
All the money’s in departures
So put that trolley back
And just depart.
If you're wanting to be vocal
Then shop seasonal and local
And hit these psuedo airports at their heart.
Mitchell Sep 2013
We met on the stairs
Of a 15th century cathedral in Rome.
I was wearing my
Light gray suit that she later told me reminded
Her of the color of fresh volcano ash.

She - cut in half by the moonlight -
Wore red flats,
A ******* linen dress that
Effortlessly pronounced her *******,
While her oaken red and auburn hair
Lunged down both of her shoulders like
A waterfall or an avalanche,
Just touching the top of her belly button.

I, looking up toward the marble spires
Spinning into the scattered stillness of the nights
Opaque and cream colored stars,
Did not know she was hovering behind me watching me,
Until she had decided to speak;

If I had known, I would have ran inside.

"The cathedral is very nice, isn't it?"
I heard her ask to my back.
At the sound of her voice, I was not
Filled with that melodramatic cliché dripping
With soap opera fused emotions.

No, I
Was dipped into a large cauldron of ice-water.

There was a tremor
Somewhere
Inside of me and a heat
Ricocheting in her.

"Yes," I replied,"It is
Very nice and very old and I wonder why it is still here."

I did not know what I meant, but
From the pause and inhalation I heard immediately after, I
Believed she must have thought what was said profound.
Was I profound? Why would she believe that if it was only from
The spontaneous question that held no real physical weight? Or
From me jumping so quickly into this little

Game,

No question's asked?

"These buildings still stand because they
Are a physical memory of what we have achieved
And what we must continue to achieve
In the future
." She had come up beside me now.
Vanilla lavender lotion and mint
Toothpaste were the first smells that came to mind.  

"The future..."I said, trailing off, "The future."

"Yes, the future is very important."

"It is all we have."

"Well, all we truly have is the present, don't you agree?" I asked,
Slightly turning my head to look at her.

She was still looking up at the cathedral. She was focused on the large church bell
That hung there like the moon in the night sky. I continued
To stare at her, my question hovering vulnerable in
The air as a butterfly with its wings damaged would. Then, a
Couple passed by us in a hurry. Their hands were clasped tightly together, the man
In front and the woman looking to be dragged by him. I saw
Neither of their faces, but I imagined them both to be calm and red.

"They look to be in a hurry," she said, "Where do
You think they're going?
"

"Somewhere very important I'd imagine."

"And where is very important for you, sir?"

She turned
To meet
My gaze a

As if challenging it.

Her lips were full and painted with red lipstick. Where I thought her eyes would prove to be light colored or forest green, they were actually colorless and black. I inhaled at the sight of her, then immediately blushed. Again, our questions back and forth to each other were more of an interrogation of one's hearts and minds than flirtation. As she stared at me, I sensed that we had met before. There was something in her face that brought the feeling of an old friend or an acquaintance, like the feeling one gets when they see a past school teacher or love interest back in grade school. There was a warmth and giddy tension between us that made me feel eight years old again. I had felt so old recently. There was a sudden wink in her eyes and I then remembered the question I had asked her before.

"You haven't answered my first question," I stated seriously.

"I agree," she answered quickly, "The present is the only thing we have truly and
Do not have, all at the same time."

"What do you mean?"

"Being present 24 hours a day, seven days a week, is a very exhausting,
Trying thing,
Isn't it?

"Yes, I would agree with that."

"And being present for whatever reason, be it socially, romantically,
Professionally, etc., is really all for the future. One's own's private future goals.
Something one desires in the moment and wishes to have for oneself in the future. Our
Motivations are our desires. Our wishes. The lives we wish to own in the future."

"At times, yes, I do believe
One is present for those reasons, but
Sometimes, and I speak for myself,
I wish to lay back and let the sun burn my skin and
The clouds to blanket me, chilling me, so to remind myself
Of my placement on this planet and the miniscule and
Tremendous affect I have on my surroundings. For example...
"

"You are very talkative," she said cutting me off, "I could
Tell from the way you looked up at this cathedral all by yourself,
Lost in thought or lack thereof, that you were a talker."

She smiled and I forced a tight-lipped smirk.

"Well, I am
So talkative because you have made
Me so.
"

"So be it."

"It is so."

"Are you mad? she asked.

"Not the least bit," I returned, unsure whether I was lying to
Her because I didn't want to offend her and scare her off or because
She was so extremely beautiful.

"Well, I am glad that I can do that to you." She looked back
Up at the church bell, trying to hide her satisfied smirk.

"I have said too much. Let us both watch
The cathedral stand on her own for a bit in silence, ok?"

"That sounds good."

She took a step down from the step she had been on with me. Two steps.
There she let her head and hair fall back, taking everything in she possibly could.
I needed a drink and she needed the sky, the cathedral, the city, but I
Could only give her my company, unsure whether she truly needed it or not.
I shifted my glance from the bell tower to what was behind me. There, I saw
A wooden trolley up against the far wall near a trickling fountain
With puppets hanging from their thin clear strings. The light from the oiled lamp posts
Was a dark orange and cast an array of ****** shadows along the walls that
Encircled the square which me and the woman and many others were standing around. Night
Had set on the square, but no one had decided to go anywhere.
The square was perfect for them; anywhere else would have seemed uncomfortable.

She looked at me from two steps back and asked,
"We are being present for a better future, yes?"

"What we hope will be a better future," I said, turning
My head away from the bottom of the square back to the
Cathedral. I emphasized the word hope.

"Yes, men and women must have
Hope for something better."

"Life does not guarantee anything, does it?"

"No, I guess it doesn't. It gives you chance and we give
One another choice."

"Or," I hesitated to say what I wanted to say, "Or God does."

"God," she laughed, "What's He got to do with anything?"

"Everything and nothing, I hear."

"Don't be so vague," she grinned, turning her body completely around to me
So I could see her full figure. Her dress outlined a woman's body,
But I knew, inside, there was so much more precious things then flesh. "Hear
From who and where?"

"You choose what you wish to believe
And no one can tell you otherwise. What
You need and
What others may need can be different and should be.
This does not mean that we cannot get along.

Is there a way to be wrong in what one believes in?
She looked to want an honest answer, so I gave her one.

"Yes."

"That's it?" she asked, wanting more.

"That can't be it?"

"Yes is a decent enough answer,
But because you looked to be so talkative before,
I assumed you would have more to say on the matter."

"Assuming something
Is a very dangerous, childish thing.

"Yes," she agreed, "It is."

"If one believes in something and tries to share
Those beliefs in an unaggressive, listen-if-you-will,
Dangerously friendly, perhaps even musical way, then
The listener has their choice in the matter. They can

Walk away

No questions asked or feelings hurt.

"That," she said, "Sounds good for the listener,
But perhaps not so great for the speaker.

"
Why?"* I asked, surprised.

"Because then the speaker may turn into something
They originally did not want to be. A prophet or voice for something
They may honestly have no interest or passion for.

"I see."

"
But, please, go on."

"
On the other side, someone may believe in something fully, to their bitter core, but there needs to be a validation from another to prove their conviction. This is a weakness in their faith. They secretly doubt themselves and are trying to prove, by the obedience and following of others, that
Their belief, system, God, what have you, is a truth, a fact like the sky is blue or that fishes swim in the sea. These people with their thoughts and beliefs are the one's that are wrong. The one's that push their way onto other's without any room for being challenged or accused of falsity."

"
There are some that do not want follower's, but as soon
As they turn around, there they are.

"Yes," I nodded, "I can think of a few thinker's
That I've read or heard of that happening."

"
God, though," she laughed again lightly, "It
Is
Funny that you bring Him up."

I didn't have anything to say, so I said nothing.

"
Are you a religious man...?" she asked.

"
My name is Robert Commento and no, I am not religious man."

I gave
Her my name
Out of my uncomfortable stance on religion and
To change the subject to less formal and conversational matters.

She put out her hand and I slipped my palm under hers. I was
Never taught to shake a woman's hand - for it is too delicate -
but to let their hand rest atop mine.

I bowed and gently kissed her hand.
Her skin smelled of fresh milk and uncut grass and
What morning dew feels like across raw fingertips.
I tried to force myself not to trip too quickly into love,
But there are some things
Men are absolutely unable to do.

"
Luria Rose," she said, bowing her head, "Very ncie to meet you
Robert Commento."

"
And very nice to meet you."

"
You are from here?" she asked.

"
Yes,"* I said, "Well, not exactly."
"From a city over where the tail of the river ends."

"I know this place, but I cannot recall the name." I could see
She was embarrassed by not knowing the location, telling me she
Was obviously from Rome and proud of it.

"Cuore Tagliente," I told her with zest,"That is where
I am from and where I was raised. My family still lives there to

Manage their small farm of olive trees.

"Do they make very much money?" At this question, I turned
On my heel and stared at her. By her look, she seemed to be
Unsure whether I meant this in seriousness or in jest. So not to scare her
Off again I forced a smiled, left my eyes upon her as if viewing a painting or a statue, and
Answered as truthfully as I could without insulting the name of my family
In truth, I lied a little.

"They were very
Well off when they bought the
Olive farm and they are still very well off
Due to savings and the like, but, because of the business they sold
And the expenses of starting from scratch in the scorching fields of where olives are grown,
They took quite a beating financially. We are quite fine now, very, very fine now,
But not as fine as if we had stayed with the old company. In a way, we were
Asked very professionally and cordially to step down. Of course, my mother, bless
Her body and soul, was very destroyed by this matter and that is why I find it hard to continue.

Luria, staring at me blankly, but with a slight hint of fascination,
Walked up the two steps she had just stepped down and
Two more past where she had been beside me.
She swiveled around on her flats and faced me. Her
Eyes were now impossible to see in the night, though I knew she was
Looking directly at me. Curious why she decided to say nothing in return
To my story, I said something in her place.

"I say so much about myself...well, then, what about you?"

Instantly, she pounced on the question,
"I am
An orphan of Roma
And grew up on the streets stealing and
Running amok quite happily, though
Sometimes I regret what I stole. Every single one was a

Necessary action."

This took me back, for she looked tanned, healthy, and
Well fed, instantly making me think she must be a very skilled
Thief. Eyeing her up and down, I wondered if this was why
She was even talking to me presently. I checked my wallet. It was there,
Though this fact made me feel only slightly better. I watched her
Blow a thick, crescent moon shaped strand of dark brown hair from her eye,
Seeing if the story had settled. Was she lying? Was she telling me the truth?

Why would she tell me anything at all?

"Let us get dinner someplace," I offered, "You can
Take me to your favorite, local restaurant in the city and I
Will pay. No favors thought to receive or anything. All I'd like
Is to have a conversation through the night with whom I have in front of me."

She nodded, said nothing with a smile, and stood still.

"You must lead the way for
I have no idea where you would like to take me. I, of
Course can take you to any of the many restaurants
I know of in my Rome, but I want to go to the one the thieves knows of.

Suddenly, her face contorted into a shape like
A razor had been dragged down the length of her face.

She shouted,"Do not call me a thief, Robert!
Your a poor son of olive farmer's! What do you know about
Anything of the street? So much so that you can ridicule and
Mock whoever's from it? You know nothing!

I immediately tried to tell her I was teasing, but she ran past me, down the stairs, and across the square. I stood stunned, embarrassed to see if anyone had noticed this outburst. No one
Had. Groups of people were still sitting around the fountain, throwing
Coin into the water as some children played and dipped their toes into the
Clear, tranquil water. The puppets waved back and forth in a light, chilled wind,
And the lamp posts still burned casting a curing light over the square. There,
I saw Luria cast in the dark orange light for just a moment. She turned around to look at
Me in the light and there, I saw her eyes were not black, but sky blue, like
The fresh melted ice I had once seen on my travels to Antarctica. Then she was gone.

Pausing, letting myself be hugged by the cathedral behind me,
Half of me wanting to stay in her embrace and the other wanting me to be in hers.
I could not hug stone forever," I told myself, "Man needs to hug a woman
Into eternity, not the church. Maybe later in life, but now, man needs the physical,
Not the metaphysical. There, I see her as she goes through the alley behind the fountain on the
Path toward my favorite bakery, Grano Gorato. I will follow her and find her.

I ran down the stairs carefully for they had become wet and slick from the light
Fog that sometimes rolls into Rome when it is night. There, I moved through the crowd
Which looked to have double in size with people. Where had they all come from?
The alleys, no doubt. They all felt the warmth and comfort of this secret square with Her
Majesty looking down on them from above, the church bell and moon like two great eyes,
The tinted cathedral windows depicting ancient actions Her heart, and the hard square
Slabs of concrete and smoothed stone Her skin. But, Luria did not care for such comforts, She
Believed in no comforts other then the one's another could give. Did she want that from me?

Once through the alley and passing Grano Gorato, I swiveled my head three-hundred-and
Sixty degrees hoping to spot the white dress with the long brown hair. There were many
Women about, but none that were Luria. I sat on the edge of another fountain in a smaller
Square which I had found myself in. Inside the café in front of me, I observed an old man order
A glass of red wine and a mini-short bread crust filled with cream with bright, light green
Kiwi on top. It is was brightly lit inside and everyone was smiling, even the servers. Looking up
At the sign for the restaurant, I saw its name was Mondi. I made a note to go there with
Luria when I found her.

"Luria! I shouted. The name echoed about the numerous walls that
Surrounded me. A few tourists dressed in sandals with socks and cameras
Wrapped around their shoulders and "*****-packs" around their waists

(Terrible Things)

Gave me a concerned glance, but I continued to
Shout, "Luria!

"Yes, Robert?" I heard Lu
GreenTea Feb 2011
Jiggs the Trolley dog**
was his name
His favorite past time
was basically a game
He got on a trolley
at 9 o'clock
And tried to get home
before it was dark
WA West Aug 2018
Airport

Covering my face with my hands, there is an incessant in-pouring of light. I feel like I am in a casket. My brain seems to be swelling, in tune with an invisible pendulum. Waves of nausea flood my body.  Small children thunder around in front of me, like hysterical nightmare projections.

I have never enjoyed being in Airports. They are morgues with an added buzz of visitors and commerce. The sterility of the interior design and the nervous excitability of the passengers sets me very quickly on edge. As a salesman for a major international e-commerce company, I am required to fly often.

To avoid excess stress and anxiety I prepare meticulously. Nothing must be left to chance. I am regimented and purposeful during my preparation. If the luggage allowance is 15kg, then I make sure that my suitcase is dead on that weight. I reweigh my suitcases on several sets of scales. Checking there is no error in their calibration.  I do not carry any prohibited travel items. I ring airline customer support several times to double-check. I rummage through my suitcase repeatedly. I allow no error to go unnoticed. I google articles about travel preparation, checklists, essential travel items and I read articles about anxiety related to fear of flying. Neither my emotional state nor practical matters are to take me by surprise. I am like a samurai undertaking pre-battle rituals.

Check-in is open. I funnel through to the check-in desk. There are several people before me; their movements generate a low pitch buzzing in my head. They are hyper-kinetic, speaking at unreasonably loud volumes in an indecipherable language. My arms vibrate down by my sides, my tongue thickens. I feel warmer and more vulnerable. I start to think about the first meal I’ll eat in Rekyjavik. I have panicked thoughts, recognition of myself in these thoughts is minimal. I swing around to check that nobody is standing directly behind me. The several people check in without issue. A man in all black clothing, I presume, a security guard intercepts me and asks me to go to desk 13. Although there is a sign hanging down from the ceiling with directions to check-in desks 10-15, I am unable to locate desk 13. I double back on myself, I ask the check-in assistant from desk 12 where desk 13 is. She says that it has been temporarily moved to the second floor of the terminal. Desk 13 on the second floor doesn't in the slightest resemble a check-in desk. A burly individual with an absence of ****** expressions or an officious manner mans an oak desk. There is no conveyor belt for the luggage, only a shopping trolley. ''Ermmm can I check in here?''. The man whom lacks an officious manner nods curtly without removing his eyes from the newspaper he is reading. "Documentation''. I hand him my documentation. ''Passport''. ''Going to Reykjavik?'' ''Erm yes''. ‘’Follow me’’.
The man, who lacks an officious manner, leads me a door behind the check-in desk that doesn’t in the slightest resemble a check-in desk. A young child with golden blonde hair in white robes pushes the shopping trolley behind me. We enter a room that is high like a cathedral and tiled in exquisite mosaic tiles; alternating gold and white into infinity. The ceiling is so high it seems to disappear off into a void. Sat down at a bog-standard mass manufactured desk in front of me, is a man who must be at least 13 feet tall, he has enormous ears like an elephant and is speaking in rounds of what sounds like the same phrase. I do not recognise the language. I am ceased from behind by the blonde child and the man who lacks an officious manner. The man with enormous ears like an elephant screams ‘’I hate Iceland’’, the blonde child laughs uncontrollably grabbing his stomach like he is holding his insides in. The ceiling begins to close in and a space opens in the floor. The man who lacks an officious manner says in a sinister tone says ‘’Do you think you would be forgiven”. I say ‘’I have got a ticket, I’m going to Iceland on business’’ I feel a prodding in my lower back and then darkness.
#shortstory #anxiety #Rekyjavik
Bardo Apr 2019
I could spend my life in the supermarket, going around the aisles
Walking among the plentiful and the abundant
Looking for things to help plug the holes inside,
Looking for something, hungry for something, I don't know what
But something that probably can't be found on shelves
Something that was maybe lost a long time ago.

I seen her first among the cauliflowers
I was looking at the lettuce, but only just
Secretly, like a crack detective, I was watching her
Beautiful blonde Venus, tall and willowy, all by herself,
I watched her buy some broccoli, then move over to where the
    fruit was
There she picked some pears and some bananas -
"Mmmm", I thought to myself, " so you're into healthy eating,
    you still strive to maintain your health
You must still believe in life and things like love and joy
    and hope".

A little while later I seen her again, she was buying a Victoria
    sponge cake
And looking rather wistfully I thought at the huge array of
    chocolate bars and sweets
"A-ha!", I thought as if I'd caught her out, as if I'd found her
     weakness, her vice,
" So you lack sweetness in your life and you try to compensate
      with these"-
Well, not to worry, sure I often do the same thing myself
Temptation Alley I call this aisle - this place
You know, and here's a thought, I! Me! I could be your little
    Sweetie and you my little Honey pie
You wouldn't need to seek this kind of comfort anymore
I could give you words, I could give you lines, O! the lines I
    could give you
Thousands of words running in syrupy streams, sweeter than
     the sweetest honey
That'd dress you up in fabulous gowns, make your eyes widen
    in awe and wonder
Sparkle vivaciously like glittering sunshine on a sea in Summer,
I'd build you up, not knock you down, no! I wouldn't let you fall
The sun it'd always be shining in your heart ".

Next time I seen her, she was in among the wines
Looking a little bit lost like myself with all the different labels
" So!", I thought, "you like to kick loose sometimes, you like to try
   and shake off the shackles that bind, the shackles of your mind
You yearn to be free and wild again, just like you were when you
    were a little child,
To escape all those unpleasant restricting voices, old ghosts from
     the past perhaps
Or maybe dark monsters this world planted inside, that won't go  
    away
You want to make them all seem so crazy and funny and mad
I know, I know, it can get too much sometimes, can be hard to
    take
You know, Me! I'd do battle for you I would, I'd be your brave
    and valiant knight
I'd face down those awful dragons, I'd lance them and trounce
    them, I'd show you the truth
That they were always only mere shadows without any real
    substance behind them,
O! I would".

It was funny but it seemed that wherever I went she was there
    also
That wherever she went was some place I myself would go
It was like her shopping habits were a direct mirror image of
    my own.

She came up real close to me in the pet food section to get her
    cans of Whiskas
" So you own a cat too, I bet he sits on your lap and you stroke
      him gently
And whisper silly funny little catty things in his ears..."

In the herbal bath and fragrances section, she was waiting for
   me again
"So you like to soak in a hot tub, lie back and let the whole world
    just float away,
I could light some scented candles, give you a nice soothing rub
Put on some nice soft calming music, together we'd make an
    otherworldly place
For ourselves that no one else could find - it'd be our special
    place".

I met her again, this time browsing through books in the Books
    section, she was reading the blurbs on the back covers
I could see her thinking, trying to decide which one to choose,
" I hope you pick a good one, that'll make you happy, make you
    laugh and smile
Not the kind that'd make you shiver, cast a shadow over your
    world",
I watched her move over to the music CD's...sad songs and love
    songs, still the romantic I see,
I could see her sitting at home with her cat, reading her book,
    listening to her favorite songs
Dreaming of other lives she might have had and the heroes she
    might have been,
"But we can be heroes still, you and I, heroes of our own lives
We could write our own books, sing our own songs
We wouldn't always have to be looking over at them and theirs,
We could build a world we'd love to look at and wake up to.
O! Yes...yes we could".

I grew curiouser and curiouser about her
Once she turned around and glanced at me briefly, but only for a
     second
She had these wonderful big blue 'rescue me' eyes.

She reached the checkouts first
By the time I got there, there were other people in between us
I watched her, she smiled faintly at something the checkout girl
    said,
She looked like someone who didn't smile an awful lot,
" What a pity, what a shame", I thought, "someone who looks like
     you do".
I wanted...wanted to say something to her before she left the
     store,
I watched her fill her bags, then head to the exit door
I could feel her slipping away from me
" C'mon, c'mon", I thought impatiently as the checkout girl,
     she leisurely scanned my items,
Paying her quickly I bundled everything into my trolley and
     took off in a hurry,
Inside me a voice was shouting "Don't go! Please don't go! throw
    me a lifeline too, won't you!
Because sometimes I feel... sometimes I feel I myself I'm
    drowning, that I need rescuing too".

I could see her car pulling out, it was a small car just like my
    own, nothing fancy,
But wait! There was someone with her... a man!... another man
I was crushed/ torn inside," But I knew you, I understood
    you...better than he ever could",
And then... and then she was gone,
I was just left there standing in the car park with my shopping
    trolley.
Looking down at all the things I'd bought, all the things that me
    and her liked
I thought for a moment that they might magically transform and
    that she'd be standing there one more time, all vibrant & alive
But no! I guess that could never be.

So she went back to her world and I went back to mine,
I went back to my cat and she went back to hers and her man,
She had become just another thing now, just another thing I
    couldn't find.
Going to the supermarket won't be the same again. Quite sad this, a career in Mills & Boon beckons.
The tulips are too excitable, it is winter here.
Look how white everything is, how quiet, how snowed-in
I am learning peacefulness, lying by myself quietly
As the light lies on these white walls, this bed, these hands.
I am nobody; I have nothing to do with explosions.
I have given my name and my day-clothes up to the nurses
And my history to the anaesthetist and my body to surgeons.

They have propped my head between the pillow and the sheet-cuff
Like an eye between two white lids that will not shut.
Stupid pupil, it has to take everything in.
The nurses pass and pass, they are no trouble,
They pass the way gulls pass inland in their white caps,
Doing things with their hands, one just the same as another,
So it is impossible to tell how many there are.

My body is a pebble to them, they tend it as water
Tends to the pebbles it must run over, smoothing them gently.
They bring me numbness in their bright needles, they bring me sleep.
Now I have lost myself I am sick of baggage ----
My patent leather overnight case like a black pillbox,
My husband and child smiling out of the family photo;
Their smiles catch onto my skin, little smiling hooks.

I have let things slip, a thirty-year-old cargo boat
Stubbornly hanging on to my name and address.
They have swabbed me clear of my loving associations.
Scared and bare on the green plastic-pillowed trolley
I watched my teaset, my bureaus of linen, my books
Sink out of sight, and the water went over my head.
I am a nun now, I have never been so pure.

I didn't want any flowers, I only wanted
To lie with my hands turned up and be utterly empty.
How free it is, you have no idea how free ----
The peacefulness is so big it dazes you,
And it asks nothing, a name tag, a few trinkets.
It is what the dead close on, finally; I imagine them
Shutting their mouths on it, like a Communion tablet.

The tulips are too red in the first place, they hurt me.
Even through the gift paper I could hear them breathe
Lightly, through their white swaddlings, like an awful baby.
Their redness talks to my wound, it corresponds.
They are subtle: they seem to float, though they weigh me down,
Upsetting me with their sudden tongues and their colour,
A dozen red lead sinkers round my neck.

Nobody watched me before, now I am watched.
The tulips turn to me, and the window behind me
Where once a day the light slowly widens and slowly thins,
And I see myself, flat, ridiculous, a cut-paper shadow
Between the eye of the sun and the eyes of the tulips,
And I hve no face, I have wanted to efface myself.
The vivid tulips eat my oxygen.

Before they came the air was calm enough,
Coming and going, breath by breath, without any fuss.
Then the tulips filled it up like a loud noise.
Now the air snags and eddies round them the way a river
Snags and eddies round a sunken rust-red engine.
They concentrate my attention, that was happy
Playing and resting without committing itself.

The walls, also, seem to be warming themselves.
The tulips should be behind bars like dangerous animals;
They are opening like the mouth of some great African cat,
And I am aware of my heart: it opens and closes
Its bowl of red blooms out of sheer love of me.
The water I taste is warm and salt, like the sea,
And comes from a country far away as health.
when you went away it was morning
(that is,big horses;light feeling up
streets;heels taking derbies (where?) a pup
hurriedly hunched over swill;one butting

trolley imposingly empty;snickering
shop doors unlocked by white-grub
faces) clothes in delicate hubbub

as you stood thinking of anything,

maybe the world….But i have wondered since
isn’t it odd of you really to lie
a sharp agreeable flower between my

amused legs
                kissing with little dints

of april,making the obscene shy
******* tickle,laughing when i wilt and wince
THE SINS of Kalamazoo are neither scarlet nor crimson.
  
The sins of Kalamazoo are a convict gray, a dishwater drab.
  
And the people who sin the sins of Kalamazoo are neither scarlet nor crimson.
  
They run to drabs and grays-and some of them sing they shall be washed whiter than snow-and some: We should worry.
  
Yes, Kalamazoo is a spot on the map
And the passenger trains stop there
And the factory smokestacks smoke
And the grocery stores are open Saturday nights
And the streets are free for citizens who vote
And inhabitants counted in the census.
Saturday night is the big night.
  Listen with your ears on a Saturday night in Kalamazoo
  And say to yourself: I hear America, I hear, what do I hear?
  
Main street there runs through the middle of the twon
And there is a ***** postoffice
And a ***** city hall
And a ***** railroad station
And the United States flag cries, cries the Stars and Stripes to the four winds on Lincoln's birthday and the Fourth of July.
  
Kalamazoo kisses a hand to something far off.
  
Kalamazoo calls to a long horizon, to a shivering silver angel, to a creeping mystic what-is-it.
  
"We're here because we're here," is the song of Kalamazoo.
  
"We don't know where we're going but we're on our way," are the words.
  
There are hound dogs of bronze on the public square, hound dogs looking far beyond the public square.
  
Sweethearts there in Kalamazoo
Go to the general delivery window of the postoffice
And speak their names and ask for letters
And ask again, "Are you sure there is nothing for me?
I wish you'd look again-there must be a letter for me."
  
And sweethearts go to the city hall
And tell their names and say,"We want a license."
And they go to an installment house and buy a bed on time and a clock
And the children grow up asking each other, "What can we do to **** time?"
They grow up and go to the railroad station and buy tickets for Texas, Pennsylvania, Alaska.
"Kalamazoo is all right," they say. "But I want to see the world."
And when they have looked the world over they come back saying it is all like Kalamazoo.
  
The trains come in from the east and hoot for the crossings,
And buzz away to the peach country and Chicago to the west
Or they come from the west and shoot on to the Battle Creek breakfast bazaars
And the speedbug heavens of Detroit.
  
"I hear America, I hear, what do I hear?"
Said a loafer lagging along on the sidewalks of Kalamazoo,
Lagging along and asking questions, reading signs.
  
Oh yes, there is a town named Kalamazoo,
A spot on the map where the trains hesitate.
I saw the sign of a five and ten cent store there
And the Standard Oil Company and the International Harvester
And a graveyard and a ball grounds
And a short order counter where a man can get a stack of wheats
And a pool hall where a rounder leered confidential like and said:
"Lookin' for a quiet game?"
  
The loafer lagged along and asked,
"Do you make guitars here?
Do you make boxes the singing wood winds ask to sleep in?
Do you rig up strings the singing wood winds sift over and sing low?"
The answer: "We manufacture musical instruments here."
  
Here I saw churches with steeples like hatpins,
Undertaking rooms with sample coffins in the show window
And signs everywhere satisfaction is guaranteed,
Shooting galleries where men **** imitation pigeons,
And there were doctors for the sick,
And lawyers for people waiting in jail,
And a dog catcher and a superintendent of streets,
And telephones, water-works, trolley cars,
And newspapers with a splatter of telegrams from sister cities of Kalamazoo the round world over.
  
And the loafer lagging along said:
Kalamazoo, you ain't in a class by yourself;
I seen you before in a lot of places.
If you are nuts America is nuts.
  And lagging along he said bitterly:
  Before I came to Kalamazoo I was silent.
  Now I am gabby, God help me, I am gabby.
  
Kalamazoo, both of us will do a fadeaway.
I will be carried out feet first
And time and the rain will chew you to dust
And the winds blow you away.
And an old, old mother will lay a green moss cover on my bones
And a green moss cover on the stones of your postoffice and city hall.
  
  Best of all
I have loved your kiddies playing run-sheep-run
And cutting their initials on the ball ground fence.
They knew every time I fooled them who was fooled and how.
  
  Best of all
I have loved the red gold smoke of your sunsets;
I have loved a moon with a ring around it
Floating over your public square;
I have loved the white dawn frost of early winter silver
And purple over your railroad tracks and lumber yards.
  
  The wishing heart of you I loved, Kalamazoo.
  I sang bye-lo, bye-lo to your dreams.
I sang bye-lo to your hopes and songs.
I wished to God there were hound dogs of bronze on your public square,
Hound dogs with bronze paws looking to a long horizon with a shivering silver angel, a creeping mystic what-is-it.
David Ehrgott Oct 2015
There used to be a trolley
that ran from Maywood to Hoboken
They tore it down
circa 20th century year 71

It only cost a dime
unless you got off to go on
another line

Most of the time it went very slow
and rocked back and forth

At other times it would move very fast
at which time one would have to hold
onto his hat or lose it

A hat cost about two dollars
A good hat could run five bucks or more

For a ten cent ride
It really wasn't worth the risk
of losing your hat

When you could take the bus for a quarter
The kid in the trolley
is getting up.
Slightly is knocking on the window.
Then he’s waving to somebody.
Speaking:
“No way.
I can’t
call
(forbidden).
No way.
I can’t
look at
(the long coins
on the teeth).
The hands have no way.
I can’t touch
(the hands are holding tightly
The Other Ones).
Now and
yesterday
your face is lost,
my face is lost…”

And the eyes of Sunday are denuding.

The original:

*(Детето във тролея)

Детето във тролея
се изправя.
Лекичко почуква по стъклото.
После махва някому.
Говори:
„Няма как.
Не мога
да се обадя
( забранено).
Няма как.
Не мога
да погледам
( дългите монети
по зъбите).
Ръцете няма как.
Не мога да докосна
( ръцете здраво стискат
Другите).
Сега и
вчера
е изгубено лицето ти,
изгубено лицето ми…”

И се оголват очите на неделята.


Translator Bulgarian-English: Vessislava Savova
rarebird
© bogpan - all rights reserved.
Raj Arumugam Sep 2010
1
My mother would say:
“Little boy Raj…
Go to Muthu’s
and get some
cinnamon, betel leaves
and ginger and garlic”

And so I go to the shops
singing all the way
and when Muthu asks me
what I’d want
I rattle off a list:
“Sesame seeds, onions
tomatoes and pickles”

And back home,
Mother twists my ears

Ouch!


2
And inevitably I grew up
and inevitably I got married
and inevitably my wife says to me:
“Dear husband whom
I married in a fire-ceremony;
could you kindly go to Woolies
and get me some
flour, castor sugar,
pepper, pasta sauce and pancakes…”


And so I drive to Woolies
singing all the way;
and walking down the aisles
I throw the following
into the trolley:
cinnamon, betel leaves
and ginger and garlic…

And back home
though my wife does not twist my ears
I feel Mother reach forward
from the other world
and she twists my ears

Ouch!
Pearl Avenue runs past the high-school lot,
Bends with the trolley tracks, and stops, cut off
Before it has a chance to go two blocks,
At Colonel McComsky Plaza. Berth's Garage
Is on the corner facing west, and there,
Most days, you'll find Flick Webb, who helps Berth out.

Flick stands tall among the idiot pumps-
Five on a side, the old bubble-head style,
Their rubber elbows hanging loose and low.
One's nostrils are two S's, and his eyes
An E and O. And one is squat, without
A head at all-more of a football type.

Once Flick played for the high-school team, the Wizards.
He was good: in fact, the best. In '46
He bucketed three hundred ninety points,
A county record still. The ball loved Flick.
I saw him rack up thirty-eight or forty
In one home game. His hands were like wild birds.

He never learned a trade, he just sells gas,
Checks oil, and changes flats. Once in a while,
As a gag, he dribbles an inner tube,
But most of us remember anyway.
His hands are fine and nervous on the lug wrench.
It makes no difference to the lug wrench, though.

Off work, he hangs around Mae's Luncheonette.
Grease-gray and kind of coiled, he plays pinball,
Smokes those thin cigars, nurses lemon phosphates.
Flick seldom says a word to Mae, just nods
Beyond her face toward bright applauding tiers
Of Necco Wafers, Nibs, and Juju Beads.
Steve Page Nov 2016
Christmas can be a time
when families get together:
Young children scream, wine glasses gleam,
both ready for M&S dinner.

TV's in the corner
rerunning Home Alone,
Heart radio's in the kitchen,
Chris Rea's driving home,
again.

Toddlers find the wrapping
more engaging than the Duplo
Teen couples find the company
less of interest than their own.

The dog's confused and excited
with so many different sources
of scratches and pats, he can't relax,
his whining is remorseless.

Christmas can be a time
when families are missed,
the parcel made last post
winging off to little sis.

Zoom will come in handy
to laugh across the miles,
the screen will mask the tears
and focus on the smiles.

Gran will talk of Christmas past
when everyone was home
'Cept in Gulf War 1 when Uncle John
went away, ....

Christmas can be a time
when budgets get stretched tight,
cash pressures get to breaking point
and prompt senseless fights.

Some focus on opportunity
to spend some gilt-free money,
the only prayers are for extra hours
and a faster tesco trolley.

For others it's simply ' Yuletide'
an excessive celebration,
a winter feast, all you can eat,
give in to all temptation.

Most focus on the family,
even more on the gifts;
there's little time for Jesus
assigned amongst the myths.

Some do remember Jesus
from half forgotten carols,
they know there's something more
than donkeys and angel heralds.

For there He is in the middle,
noticed once in a while;
it's His birthday, but all He's getting
is a half-hearted song and a smile.

He's no longer a babe in a manger,
He's now a resurrected King,
waiting for those who would worship
to stand and welcome Him in.

Whatever your experience of Christmas
you can come just as you are,
His love is unconditional
He'll accept you warts and all.

So come on!
It’s a season to celebrate!
To dance, to sing and to shout!
Your Saviour invites you to join Him,
so when you sing this Christmas, make it count.
http://redeemerlondon.org/about/
Written for our Christmas Carol concert Dec 2016.
itsall iwrite Aug 2018
trolley for village deal  03.08.18

do you remember school
home work dreaded
easy for those with brain calculator tool
now arrogant flash and big headed.
home work was studied
not like mine on the never never
it prevents the truth being muddied
get a well paid job like john, alastair or trevor.
dedicated to profession
doing the mile that's extra
if some ones got a confession
teeth chattering like hannibal lecter.
who will investigate
even if me and bill cancelled engagement
just like the leveson calculate
can i strike a village arrangement.
don't want to highlight corruption
won't do no advert on instagram
from pgang and my village was abruption
its my life not a london programme.
can i please  have permission
you all no i read the lego trace
the love of my life to destroy was  phillips mission
if yes the trolley incident gone with no trace.
I may be knocked by trolley or even off it but I am not explaining poetry. you suckers have to work it out.
Sketcher Nov 2018
Although the world is ****** and I'd rather leave than stay,
There are many things I'm thankful for on this fine holiday,
Today I'll talk about people and things,
That make life a little more worth living,
These people and things remove all the stings,
Of pain I'm taking daily and giving,
A little more will make a bigger change,
Time for my attitude to rearrange,
Temporarily so I can say nice stuff,
Time to begin, that intro was enough,

I'm thankful for Skyrim through Arena,
I'm thankful for my mother Kristina,
I'm thankful for Toontown and its trolley,
I'm thankful for my lil' sister Zoe,
I'm thankful for all the love that one stole,
Cause now she will have a small part of me,
I'm thankful for my step-father Joel,
I'm thankful for TV shows and movies,
I'm thankful for this superb holiday,
So I can easily spread all my thanks,
I'm thankful for little tiny JJ,
And sometimes all of his crazy high jinks,
I'm thankful for pouring out whiskey, gin,
And other alcoholic beverages,
I'm thankful for the removal of sin,
And Jesus deciding what leverage is,
I'm thankful for my ancestors kin,
I'm thankful for my sister Adalyn,
I'm thankful for peoples divinity,
I'm thankful for my sister Trinity,
I'm thankful for Japan, chopsticks, and tea,
I'm thankful for the greatest homeboy D,
I'm thankful for big meals, good food, and feasts,
I'm thankful for my ex-girlfriend Tranyce,
I'm thankful for firsts, I'll punch you, sue me,
I'm thankful for the very tall Tui,
I'm thankful for rain and windy weather,
I'm thankful for the beautiful Heather,
I'm thankful for her brother named Erick,
And her other brother that is name Ray,
Their whole **** family is quite hysteric,
But hanging with them will brighten my day,
Thankful for the culminating project,
And the fact that I'm done cause they waived this,
I'm thankful for Smash Bros., I'm never rekt,
I'm thankful for wise ol' Mr. Davis,
I'm thankful for teacher Mr. Thompson,
Judo Sensei that knows how to whomp em',
I'm thankful for the roof over my head,
I'm thankful for my blankets and my bed,
I'm thankful for good brownies and hot rolls,
I'm thankful for my cool father Michael,
I'm thankful for past presidents life Ronald Reagan,
I'm thankful for my aunt on my moms side name Megan,
I'm thankful for the police that jail *****,
I'm thankful for my buff uncle Damick,
I'm thankful for lists made of pros and con,
I'm thankful for my other uncle Jon,
I'm thankful for pirate ships matey,
I'm thankful for my old grandpa Tracy,
I'm thankful for envelops that senda,
Letter and money from my grandma Brenda,
I'm thankful for Disney, Belle to Moana,
I'm thankful for my good friend Adriana,
I'm thankful for known facts and secrets, do tell
I'm thankful for a good friend named Miguel,
All these friends are such nice and kind fellas,
I'm thankful for a good friend named Ella,
I'm thankful for cats and their perfect pur,
I'm thankful for our late cat named Ginger,
I'm thankful for good smells and their freshness,
I'm thankful for our current cat precious,
I'm thankful for American and foreign dollah's,
I'm thankful for a black slug that we have named Nala,
I am thankful for Demetri's family,
Will, Dylan, Erick, and sleepy time tea,
Sometimes Nicole has me over for DnD,
I'm thankful for the oxygen coming from the trees,
I'm thankful for hope and the act of wishing,
I'm thankful for the oldest son Christina,
I'm thankful for music, rap, rock, and grunge,
I'm thankful for breakfast, dinner, and lunch,
I'm thankful for all family and friends,
I'm thankful for forgiveness and amends,
I'm thankful for X and the dead Lil Peep,
I'm thankful for the awake and asleep,
I'm thankful for skittles and good candy,
And Eminem, Marshall Mathers, dandy,
I'm thankful for swervers and people that stay in their own lane,
I'm thankful for Nirvana and specifically Kurt Cobain,
I'm thankful for drawing, painting, grass, and moss,
I'm thankful for the best painter, Bob Ross,
I'm thankful for Karate and Thai Chi,
Judo, Jeet-Kun-Do, and of course, Bruce Lee,
I'm thankful for drinks and fun house parties,
I'm thankful for squirm words like, "Farties",
I'm thankful for heavy metal and silence,
I'm thankful for Altoids, bubblegum, and mints,
I'm thankful for manga, comics, and novels,
Anime, and problems that are solvable,
I'm thankful for the nice clothes on my back,
I'm thankful for a great actor, Jack Black,
I'm thankful for watching the poem just go,
I'm thankful for Panic! at the disco,
I'm thankful for the singing and the dance,
I'm thankful for My Chemical Romance,
I'm thankful for all the lord of the rings,
I'm thankful for the books by Stephen King,
I'm thankful for the high highs and low lows,
I'm thankful for the greatest Burnham, Bo,
I'm thankful for zoos and the skilled handlers,
I'm thankful for the great Adam *******,
I'm thankful for the truthful and liars,
I'm thankful for great Robin Doubtfire,

I'm thankful for that feeling that's serene,
When you're chest to chest with one that will lean,
Towards you at any given moment,
And will give you love and their condolence,
And then they flee to somewhere else,
And you end up being someone else,
And they end up seeing someone else,
So your heart just gives up and melts,
But whatever feeling I'm feeling,
If I am feeling then I'm grateful,
Emotions must be constantly reeling in,
So I don't get lost in the dull sense of numb.
Thank You
A thanksgiving poem.
Robertesque Feb 2014
i travel by trolley
whenever I get a chance
to meet my old friends
mostly elderly people
once artists
writers
scientists
bums
drunkards
once mad
people who have been
true to themselves
people who never really got
how to get
RICH
you can talk to any of them
without even looking at the faces
because they are people
who cannot afford a bus

they are
the
best
people
those elderly ones
Nigel Morgan Apr 2013
after the painting by Mary Fedden

I kept seeing her around and about, but mostly on the beach. This is a small community and after five years or so I know who everyone is, except those who visit in the summer, though I am getting to know some of the regulars. I reckon she’s my age. When she looks at me in the store, and I look at her and smile, her smile tells me these things.

I have trouble with my hair. It’s thinned and doesn’t grow quite as it should. When I was pregnant and then nursing my children it was positively luxuriant. But later, and despite medical advice (and treatment I was unsure about and abandoned) it became an embarrassment, until he reassured me (just once) and I became an ‘adored woman’. He never ever spoke of it again and loved me so wholly and beautifully I had no reason for it to matter in his company, in his arms.

But seeing her, and often on the beach, more and more regularly, seeing her with her mane of strong dark brown hair flowing behind her in the wind, I felt a curious desire for such a wealth of hair. In fact, I began to feel something stir in me that was desire of a different kind. I can’t think I had ever looked at a woman in quite that way in any previous life. It was always men I sought, I wanted.

Her name is Sara, no h, just an A at the end. She said that when I eventually introduced myself. We were walking towards each other, barefoot both on that glistening skin of water the sea creates between the tides coming and going. It was about midday and I was, I was thinking and walking. I do this now. I don’t bring my sketchbook, I don’t look everywhere I can and more so, I have begun to retreat into my most private self. Perhaps it’s my age and so many years of feeling I had to be wholly attentive and active. Being in this remote place, almost permanently, has slowed me down, and I have begun to dream, to see beyond what I usually would have seen moment to moment. I’ve been re-reading the prose and poetry of Kathleen Raine, who understood this sea-swept place and was haunted by its ghosts, and who dreamed.

Never, never, again
This moment, never
These slow ripples
Across smooth water,
Never again these
Clouds white and grey
In sky crystalline
Blue as the tern’s cry
Shrill in the light air
Salt from the ocean,
Sweet from flowers

Oh yes,  
‘the sun that rose this morning from the sea will never return . . .’* I have become a watcher, no longer an observer. I put my camera away last winter and now hold moments in my memory. Here I can sketch. I can have all the time I need, and more. And I knew when I began to talk to Sara I wanted beyond anything else to sketch her, to know her line by line with the pen, and later bring the texture of her into paint.

Painting is where I am now. It’s direct, mesmeric, challenging, wholly absorbing. My needles and thread only deal with our clothes, my clever printing and collaging lies dormant in my studio, a studio I rarely enter now. I have a room upstairs in the loft that is all light and sky. There’s just an easel, a table, a chair, a small bookcase, a trolley-thing of paints and brushes. Even that’s too much. I always collected things around me. I brought so much in from outside and now I’m trying, trying to have as little as possible. This is where I will paint Sara. I’m already thinking this as we take the first tentative steps towards knowing one another. Names, where we live, (we both know). Partners, family, children? I have all this, but not here, only my companion, my love who caresses me with such care and attention. There are my cats and my hens. She has no one, or rather she talks of no one. She asks the questions and avoids giving answers. She just nods and doesn’t answer. Otherwise, she’s a straight yes / no person. She doesn’t feel she has to qualify anything.

We’re standing together. We’re intent on looking at each other. Words seem a little unnecessary because what we both want to do is look. ‘I can tell you paint’, she says, ‘It’s your finger nails’. My perfect nails and the pads of my fingers hold the evidence of a morning at my easel. ‘I have seen your work’, she says, ‘One could hardly not. You’re well known beyond these shores.’ I feel myself blushing slightly. I thought blushing had stopped with the menopause, not that it troubled me much, the menopause that is. Blushing though was a torturous part of my adolescence, but let’s not go into that.

‘Your husband,’ she says, ‘he’s up very early. I see him sometimes here, on the beach.’
‘Do you get up at five?’ I am surprised. My husband gets up before five.
‘Sleep is difficult sometimes. I walk a lot. I need to be out, and walk.’

Her face, her head is larger than mine. She is a larger woman altogether, bigger *****, long-legged, but with youthful ******* that seem taut and well-rounded under her brown frock, no, her brown dress. I only think frock because that’s what he says – ‘I love that frock.’ And he means usually whatever I am wearing now that’s old and rich in memories of his hands knowing me through a dress, sorry a frock, which remains for me (and possibly for him) the most sensuous of sensations, still. Au nature has its place, and I love the rub of his skin and body hair. But when we are lovers, and we are still lovers and usually when travelling, in hotel rooms or borrowed cottages, or visiting friends and dare I say it, staying with our various children. Last autumn in Venice, in this large, amazing marble-tiled room, with this huge bed, he undressed me in front of a window opening onto our own terrace, and I was beside myself with passion, desire, oh all those wonderful things. And for months afterwards I would return to that early evening, remembering the lights coming on all over the watered city as he kissed and stroked and brushed my body through my Gudrun Sjödén frock. I would replay, find again over and over, those exquisite moments of such joyful touching as he then undressed me, and with such care and tenderness I felt myself crying out. Well, he says I did. In one of his poems (for your eyes only, he had whispered) he admits to his own celebration of those moments again, again.

Sara’s dress is calf-length. There’s nothing else. As the breeze wraps itself around the loose-fitting brown cotton her naked figure is revealed inside itself. No ring, no jewellery, nothing to hold her hair now flowing behind her. She has positioned herself so it does; flow out behind her. This is so strange. Am I dreaming this? We have become silent and together look in silence at the sea. I can hear her short breathes. She turns to me with a smile and looks straight into my eyes – and says nothing – and then walks backward a few steps – still with her warm smile – turns and walks away.

I tell him I met Sara today and ask if he sees her on the beach in the early mornings. Yes, he has, in the distance, mostly. He has said good morning to her on a few occasions, but she has smiled and said nothing. Five o’clock is far too early to say anything, he says. She swims occasionally. I keep my distance, he says with a grin.

I tell him I would like to paint her. I should, he says, You should go and ask her, do it, get it done and out of your system. It’s time you stopped being afraid of the face, the portrait, the figurative. I’d give so much to have been able to paint you, he says ruefully, my darling, my dearest. And he strokes my arm, kisses my cheek, then, he slowly and carefully kneels down beside my chair, places his arm across the top of my thighs so when I bend to kiss him his bare forearm touches the edge of my *******. He puts his head in my lap, and I caress his ears, his quite white hair.

Sara’s door is open. She’s living in Ralph’s cottage, a summer-let habitable (just) in the nearly autumn time it is. I call, ‘Sara, it’s me’, thinking she’ll recognize my voice, not wishing to say my name. She appears at the door. ‘I have the kettle on, she says, ‘I had a feeling you might be by.’ Her accent is, like mine, un-regional, carefully articulated, a Welsh tinge perhaps. There’s an uplift and a slowness in some of the vowels. ‘You will come in’, she says, more a statement than a question. It’s rather dark inside. There’s a reading lamp on, but she has the chair, her chair, close by the window. There are letters being written. There are books. Not Ralph’s, but what she has brought with her. Normally, I would be hopelessly inquisitive, but I can’t stop myself looking at her, wondering even now, in these first few moments in this dark room, how I will position her to paint her form, her face, her nature. What will I paint? I look at her still-bare feet, her large hands.

And so, with mugs of tea, Indian tea I don’t drink, but here, as her guest I do, but without milk, we sit, I on the only other chair (from the kitchen) she on the floor. And she watches me look about, and look at her.

‘I’m rather done with talking, with polite conversation. That’s why I’m here to be done with all that for a while.’
‘I came to ask you to sit for me. To let me draw you, paint you even. You can be completely quiet. I won’t say a word. I’ve never, ever asked anyone to sit for me. I’m not that sort of painter. But when I saw you on the beach it was the first thing that came into my head.’
‘I should be flattered. Though I have sat for artists before, when I was a little younger,’ surprisingly she mentions two names I know, both women. ‘I know how to be still. But, those are days in a different life.’
‘I only want to paint you in the life you have now.’ And I realise then that what I want to paint was Sara’s ‘aloneness’. I think then I have never been truly alone since he came into my life and took any loneliness I had from me. Whenever we are apart, and still there are times, he writes to me the tenderest letters, the most touching poems, he quotes his Chinese favourites down the telephone. We always, always speak to each other before bed, even when we are on different continents and time-zones. He told me I was always his last thought before sleep. And I wonder if I would be his last thought . . .

‘Do you want to do this formally?, said Sara.
‘I don’t know. Yet. I’d like to draw you first, be with you for a little while, perhaps to walk. A little while at a time. Whatever might suit you.’
‘Would you pay me? I have little money. It would be useful.’
‘Of course’, I say this directly, having no idea about what one pays a model. He will know though. He knew Paula Rego and didn’t she have a female model? I think of those large full-length figures rendered in pastels. Her model’s name was Lila, who for more than 25 years, had sat for her, stood for her, crouched for her, hour after hour and day after day. I remember a newspaper piece that went something like this: since 1985 Lila has helped to give life, in paint, and pastel, and charcoal, to the characters in Paula Rego's head. Lila was all Paula Rego’s women.

‘Sara’, I said, ‘help me please. It’s taken more than a little courage to come to see you, to ask you. My husband says I should do this, finally get myself painting the person, the face, body, not as some exercise in a life class, but the real thing.’
‘Of course’, she says, ‘Let’s go and walk to the point.’

And we did. Not saying very much at all, but I suppose I did. She made me talk and gradually I laid my life out in front of her, and not the life she would have found in those glossy monographs and catalogue introductions, and God forbid, not in those media features and interviews that I suppose have made me a name I’d always dreamed of becoming, and now could do without.

‘I suppose you have a studio’, she said suddenly, ‘Is that where you’d want me to come?’
‘Yes, I have a studio. No, I don’t think I want you to come there. Not at first anyway.’ I was floundering. ‘ I’d like to draw you, paint you possibly on the beach, where we met, so there would be sea and sky and breeze blowing your hair.’
‘And a steamer out on the horizon belching smoke from its funnel and the sea blowing white horses and dancing about. I’d be right by the seastrand with waves and spray and foam, and under a greyish sky. Not a sunny day. A breezy day. In my brown dress, sitting on the sand by the tide marks, looking out to sea, looking at the steamer away in the distance, sitting with my left hand behind me holding myself up, and the shape of my legs akimbo bent slightly under my brown dress. How would that be?’
‘Perfect’, I said.

And it was.
Lyn-Purcell Sep 2018
EᔕᔕᕼI  ᑕOᑎT.
~ ⚪♫⚪ ~
Lyn sniffles as Ainhara gives her a
handkerchief which she uses to
wipe her tears.
"Thank you, guys," Lyn whispers,
giving them a weak smile.
'Well, at least she smiles,' Esshi
thought.
Ainhara has a bright smile. "My lady,
your lady mother gave Bael orders to
make this soup for you. She instructs
that you eat this."

~ ⚪♫⚪ ~
When Esshi pushes the serving trolley
to her Queen's side, she lifts the gold lid
and Lyn looks at the soup; steaming
kale in a beefy broth with chopped
peppered sausages, lamb cubes,
onions, garlic, mint chopped potatoes
and carrots.

~ ⚪♫⚪ ~
"Kale, really? I hate kale," Lyn whines,
gently pushing the bowl away. "I don't want it!"
Esshi and Ainhara look at each other and smile.
'Still acts like a child when her lady mother
commands she eats her vegetables!'
giggles Esshi.
"Your mother says you must eat it, My Lady."
Ainhara chuckles. "It will help with reduce
your stress and help relax your body."

~ ⚪♫⚪ ~
Lyn sighs and mutters under her breath,
"I hate it when she does this! She knows
I hate the smell of kale! I swear, I'm going
to outlaw the vegetable!" She held hers
nose up and huffs at the end of her
statement, making Ainhara and Esshi smile.
'At least she is in better spirits now.'
thought Esshi.
Kale, ugh...
It's eeeevvviiiiilllll!!! My mom actually tricked me into eating it one time (don't ask how or when) and as much as it pains me to admit it...
I actually liked it.
But THAT STAYS BETWEEN US, OKAY?!
Anyway, enjoy part 8!
Lyn ***
Miss Masque Apr 2010
Options
for the beggar
that hath seen no
light
Takes what she pleases
and finds delight

Hath not the beggar seen
her fatal flaw?

The beggar is but a beggar and
not pleased at all.

For if the beggar were to see
that her situation is but irony,
She then doth partake in sentiment
whose cracked joke is eminent.

Never fear for the dear beggar
is near and does not realize her folly
She trips and skins her broken knees
yet does not board the trolley.

For the trolley will take her away to see
What she has so fatally lacked
the experience she needs to grow
and grow a bone in her back.
Written: November 11, 2009
Viciousness in the kitchen!
The potatoes hiss.
It is all Hollywood, windowless,
The fluorescent light wincing on and off like a terrible migraine,
Coy paper strips for doors --
Stage curtains, a widow's frizz.
And I, love, am a pathological liar,
And my child -- look at her, face down on the floor,
Little unstrung puppet, kicking to disappear --
Why she is schizophrenic,
Her face is red and white, a panic,
You have stuck her kittens outside your window
In a sort of cement well
Where they crap and puke and cry and she can't hear.
You say you can't stand her,
The *******'s a girl.
You who have blown your tubes like a bad radio
Clear of voices and history, the staticky
Noise of the new.
You say I should drown the kittens. Their smell!
You say I should drown my girl.
She'll cut her throat at ten if she's mad at two.
The baby smiles, fat snail,
From the polished lozenges of orange linoleum.
You could eat him. He's a boy.
You say your husband is just no good to you.
His Jew-Mama guards his sweet *** like a pearl.
You have one baby, I have two.
I should sit on a rock off Cornwall and comb my hair.
I should wear tiger pants, I should have an affair.
We should meet in another life, we should meet in air,
Me and you.

Meanwhile there's a stink of fat and baby crap.
I'm doped and thick from my last sleeping pill.
The smog of cooking, the smog of hell
Floats our heads, two venemous opposites,
Our bones, our hair.
I call you Orphan, orphan. You are ill.
The sun gives you ulcers, the wind gives you T.B.
Once you were beautiful.
In New York, in Hollywood, the men said: 'Through?
Gee baby, you are rare.'
You acted, acted for the thrill.
The impotent husband slumps out for a coffee.
I try to keep him in,
An old pole for the lightning,
The acid baths, the skyfuls off of you.
He lumps it down the plastic cobbled hill,
Flogged trolley. The sparks are blue.
The blue sparks spill,
Splitting like quartz into a million bits.

O jewel! O valuable!
That night the moon
Dragged its blood bag, sick
Animal
Up over the harbor lights.
And then grew normal,
Hard and apart and white.
The scale-sheen on the sand scared me to death.
We kept picking up handfuls, loving it,
Working it like dough, a mulatto body,
The silk grits.
A dog picked up your doggy husband. He went on.

Now I am silent, hate
Up to my neck,
Thick, thick.
I do not speak.
I am packing the hard potatoes like good clothes,
I am packing the babies,
I am packing the sick cats.
O vase of acid,
It is love you are full of. You know who you hate.
He is hugging his ball and chain down by the gate
That opens to the sea
Where it drives in, white and black,
Then spews it back.
Every day you fill him with soul-stuff, like a pitcher.
You are so exhausted.
Your voice my ear-ring,
Flapping and *******, blood-loving bat.
That is that. That is that.
You peer from the door,
Sad hag. 'Every woman's a *****.
I can't communicate.'

I see your cute décor
Close on you like the fist of a baby
Or an anemone, that sea
Sweetheart, that kleptomaniac.
I am still raw.
I say I may be back.
You know what lies are for.

Even in your Zen heaven we shan't meet.
Dada Olowo Eyo Jun 2013
Hard work no be money,
Make you ask the man wey dey push trolley,
Sun, and rain, beat am tire,
Until the day wey him go retire.

*Nigerian pidgin english
preservationman Oct 2014
What a way to spend October 11, all in one day?
There are many enterprising words that I could say
It was the 14th Annual Mass Transit & Trolley Modeler’s Convention in New Brunswick, New Jersey
It was held at RUTGERS UNIVERSITY Gymnasium Annex
All attendee’s wore badgers and stepped back into time
Trains, busses and trolley’s all had their preservation combined
A look at steam engines who was the workhorse of the rails
Come and follow me as I explain in more detail
Transit and highway buses the vintage of their trail
Towns with trolley’s, a matter of tracks and wires
A world from the past with tomorrow that’s here today with plenty of technology advances that inspires
A trip down memory lane in years before my years
Yet the honor of preservation to continue my passion for buses in preserver
Then there were highway buses I once rode
Purchased a scale model MC7 Challenger of Vermont Transit, and added to my personal collection of look and behold
A day well spend indeed
The story goes on in proceed
I really didn’t know where time went
This was my exploration being support
You could say, “My determined will”
It was my ambition running on still
Yet it was a worthwhile experience
But it was a lot of walking and you had to have endurance
I learned even more mass transit and buses
This places me like an Ever Ready battery to influence
Also with that knowledge, I learned about the back roads and rails no longer exist
This was a thought I couldn’t resist
The mass transit flow and time is moving with systems go.
Empty Trolley

The supermarket
Has got its own
Bell tower
Like a modern church
For capitalism
Hundreds of shops
Selling the obvious
Garish colours
An ice-rink
Many restaurants
Selling
Unhealthy food
There is no art here
Very little to see
If you do not care
About
High heeled shoes
And burgers
Liz Jan 2015
Her thick brow,
Is only her choice.
A stance against norms.
2. Ribbons and flowers,
All tangled in her hair.
A decorative crown,
But beauty is not defined here.
3. She had many lovers,
Of many kinds.
But promiscuity,
Does not define worth.
4. Drink more than the men.
To dance with a love,
They can never have.
5. Politics are unimportant,
Only the ideas in your mind.
Of equality and charity,
But it will leave somebody dead.
6. Be bold and smart.
Follow your own direction,
Maybe dress like a man
7. When a trolley crashes,
Leaving you wishing for death,
Draw on your bandage.
Don’t let your broken column
Break your strength.
8. Don’t fall in love with artists,
They drink too much,
Cheat too much.
And will break your heart
9. Fall in love with artists,
A musician, maybe a painter.
You’ll never be bored,
You’ll always be drunk.
10. Just don’t let them break you,
Don’t stop painting because you’re hurt.
Don’t give them the satisfaction,
Of breaking your wings.
11. You don’t need anyone,
When you have wigs to fly.
Don’t need feet,
Or anyone else.
12. You probably feel like a freak,
Like the weirdest person you’ve ever known.
But as long as you’re weird with me,
You’ll never be weird alone.
13. Make friends with the past,
With people you’ve never known.
It’ll always be a source of security,
No one can leave that’s already gone.

I look at Frida through her paint, through her words, through the story of her life she has taught me not to be afraid.
Nigel Morgan Dec 2012
As a child he remembered Cardiff as a city with red asphalt roads and yellow trolley busses. On a Saturday morning his grandfather used to take him in his black Sunbeam Talbot to the grand building of the Council of Music for Wales. There Charles Dixon presided over a large office on the third floor in which there were not one but two grand pianos. At seven a little boy finds one grand piano intimidating, two scary. He was made of fuss of by his grandfather’s colleagues and – as a Queen’s chorister – expected to sing. A very tall lady who smelt strongly of mothballs took him into what must have been a music library, and together they chose the 23rd Psalm to Brother James’ Air and Walford’s Solemn Melody. After his ‘performance’ he was given a book about Cardiff Castle, but spent an hour looking out of the windows onto the monkey-puzzle trees and watching people walking below.
 
50 years later as the taxi from the station took him to the rehearsal studios he thought of his mother shopping in this city as a young woman, probably a very slim, purposeful young woman with long auburn gold hair and a tennis player’s stride. He had just one photo of his mother as a young woman - in her nurse’s uniform, salvaged from his grandparents’ house in the Cardiff suburb of Rhiwbina. Curious how he remembered asking his grandmother about this photograph - who was this person with long hair?– he had never known his mother with anything but the shortest hair.
 
He’d visited the city regularly some ten years previously and he was glad he wasn’t driving. So much had changed, not least the area once known as Tiger Bay, a once notorious part of the city he was sure his mother had never visited. Now it was described as ‘a cultural hub’ where the grand Millennium Opera House stood, where the BBC made Doctor Who, where in the Weston Studio Theatre he’d hear for the first time his Unknown Colour.
 
Travelling down on the train he’d imagined arriving unannounced once the rehearsal had begun, the music covering his search for a strategic seat where he would sit in wonder.  It was not to be. As he opened the door to the theatre there was no music going on but a full-scale argument between the director, the conductor and three of the cast. The repetiteur was busy miming difficult passages. The two children sat demurely with respective mothers reading Harry Potters.
 
The next half hour was difficult as he realised that his carefully imagined stage directions were dead meat. They were going to do things differently and he had that sinking feeling that he was going to have to rewrite or at the very least reorganise a lot of music. He was then ‘noticed’ and introduced to the company – warm handshakes – and then plunged into a lengthy discussion about how the ensemble sequence towards the end of Act 1 could be managed. The mezzo playing Winifred was, he was forced to admit, as physically far from the photos of this artist in the 1930s as he could imagine. The tenor playing Ben was a little better, but taller than W – again a mismatch with reality. And the hair . . . well make up could do something with that he supposed. The baritone he thought was exactly right, non-descript enough to assume any one of the ten roles he had to play. He liked the actress playing Cissy the nurse from Cumbria. The soprano playing Kathleen and Barbara H was missing.
 
He was asked to set the scene, not ‘set the scene’ in a theatrical sense, but say a little about the background. Who were these people he and they were bringing to the stage? He told them he’d immersed himself in the period, visited the locations, spoken to people who had known them (all except Cissy and the many Parisienne artists who would ‘appear’). He saw the opera as a way of revealing how the intimacy and friendship of two artists had sustained each of them through a lifetime chasing the modernist ideal of abstraction. He was careful here not to say too much. He needed time with these singers on their own. He needed time with the director, who he knew was distracted by another production and had not, he reckoned, done his homework. He stressed this was a workshop session – he would rewrite as necessary. It was their production, but from the outset he felt they had to be in character and feel the location – the large ‘painters’ atelier at 48 Quai d’Auteuil.  He described the apartment by walking around the stage space. Here was Winifred’s studio area (and bedroom) divided by a white screen. Here was the living area, the common table, Winifred’s indoor garden of plants, and where Cissy and the children slept. As arranged (with some difficulty earlier in the week) he asked for the lights to be dimmed and showed slides of three paintings – Cissy and Kate, Flowers from Malmaison, and the wonderful Jake’s Bird and White Relief. He said nothing. He then asked for three more, this time abstracts –* Quarante-Huit Quai d’Auteuil, Blue Purpose, and ending with *Moons Turning.
 
He said nothing for at least a minute, but let Moons Turning hang in space in the dark. He wanted these experimental works in which colour begets form to have something of the impact he knew them to be capable of. They were interior, contemplative paintings. He was showing them four times their actual size, and they looked incredible and gloriously vibrant. These were the images Winifred had come to Paris to learn how to paint: to learn how to paint from the new masters of abstraction. She had then hidden them from public view for nearly 30 years. These were just some of the images that would surround the singers, would be in counterpoint with the music.
 
With the image of Moons Turning still on the screen he motioned to the repetiteur to play the opening music. It is night, and the studio is bathed in moonlight. It could be a scene from La Bohème, but the music is cool, meditative, moving slowly and deliberately through a maze of divergent harmonies towards a music of blueness.
 
He tells the cast that the music is anchored to Winifred’s colour chart, that during her long life she constantly and persistently researched colour. She sought the Unknown Colour. He suggests they might ‘get to know the musical colours’. He has written a book of short keyboard pieces that sound out her colour palette. There is a CD, but he’d prefer them to touch the music a little, these enigmatic chords that are, like paint, mixed in the course of the music to form new and different colours. He asks the mezzo to sing the opening soliloquy:
 
My inspiration comes in the form of colour,
of colour alone, no reference to the object or the object’s sense,
Colour needn’t be tagged to form to give it being.
Colour must have area and space,
be directed by the needs of the colour itself
not by some consideration of form.
A large blue square is bluer than a small blue square.
A blue pentagon is a different blue from a triangle of the same blue.
Let the blueness itself evolve the form which gives its fullest expression.
This is the starting-point of my secret artistic creation.

 
And so, with his presentation at a close, he thanks singer and pianist and retreats to his strategically safe seat. This is what he came for, pour l’encouragement des autres by puttin.g himself on the line, that tightrope the composer walks when presenting a new work. They will have to trust him, and he has to trust them, and that, he knows, is some way away. This is not a dramatic work. Its drama is an interior one. It is a love story. It is about the friendship of artists and about their world. It is a tableau that represents a time in European culture that we are possibly only now beginning to understand as we crowd out Tate Modern to view Picasso, Mondrian, Braque and Brancusi.
"Beep-beep.
BANKERS TRUST AUTOMOBILE LOAN
You'll find a banker at Bankers Trust"
Advertisement in N.Y. Times

When comes my second childhood,
As to all men it must,
I want to be a banker
Like the banker at Bankers Trust.
I wouldn't ask to be president
Or even assistant veep,
I'd only ask for a kiddie car
And permission to go beep-beep.

The banker at Chase Manhattan,
He bids a polite Good-day;
The banker at Immigrant Savings
Cries Scusi! and Olé!
But I'd be a sleek Ferrari
Or perhaps a joggly jeep,
And scooting around at Bankers Trust,
Beep-beep, I'd go, beep-beep.

The trolley car used to say clang-clang
And the choo-choo said toot-toot,
But the beep of the banker at Bankers Trust
Is every bit as cute.
Miaow, says the cuddly kitten,
Baa, says the woolly sheep,
Oink, says the piggy-wiggy,
And the banker says beep-beep.

So I want to play at Bankers Trust
Like a hippety-hoppety bunny,
And best of all, oh best of all,
With really truly money.
Now grown-ups dear, it's nightie-night
Until my dream comes true,
And I bid you a happy boop-a-doop
And a big beep-beep adieu.
Mateuš Conrad Nov 2016
they call it the intellectualism of a tumbleweed's
worth worth of attention...
      they call it jargon,
or gnarling, or showing your teeth weather smiling
or teeth kept to a gnashing of bone until reaching
marrow - as they say: if a tartar steak (which
is raw, there's no medium or
well-done to speak) has not marrow
juice for glue... forget it...
i'm eating the horse.
they call it difficult and they call it
jargon because they forgot the Kantian
key... oh sure, the keyhole
is Hegelian pop culture, Hegel is pop,
Kant is antiquity... but in terms of what's deemed
"difficult"? at the end of the day Kant said
0 = negation...
            what symbol could engulf affirmation?
and what symbol would affirm doubt?
  would = proposition and could = preposition?
i'm sorrowful to say: prepositions are still
taken to be grammatical units,
while propositions evolved from aye & nay
into maxims... a sorry state of affairs.
      so Hegel is pope... of ****... pop...
and Kant is an antiquity...
fair enough, we have Nietzsche to thank
for calling him an idiot... i too had great ambitions...
such writings are akin to arithmetic,
what i'm interested in is not a Dostoyevsky
narrative being prescribed for huddling from
the cold in Siberia...
     a        the              's, or how to bypass
the elephant man in staging a language
to be said, avoiding the language thought of,
the plural and the possessive usage with
the distraction of the hanging comma:
its (anger at the l.g.b.t. community
    for any pronoun usage deviatory to the cause)
      and it's (such that English is, Cockney rhyme
or modern urban slang... Becca instead of Rebecca...
Liz instead of Elizabeth...
   no wonder people started calling their children
Peaches)... which is shortened for the drool of it is;
i know they discriminate against these caravan
hobbit inhabitants of Shropshire, but the earls
really do write like these Pikies speak...
trolley trolley bumblebee black bitchiness boo...
    the r that's a trill becomes almost curly...
           well this is an x-ray of all things fleshy,
it doesn't / or should go to the bone...
            you talk to your mother with that tongue
and lick the privates of your ******-coo
             maiden too?
probably not... some called them gypsies,
some called them the ironed shirts...
which was ironic because of the many problems
that Middletons spotted in terms of creases...
         libido though? i'd spotlight a **** for
a gypsy girl... as i said: i'd **** anything that
moves and only hanky-panky my palette
on oysters if i had to... it's called the rebellion
against feminism: or ****** oppression to
endorse kiddy fiddlers in dog-collars getting away
with it and us, "men" having to make
the hand entwine the **** into a boa constrict ion
to imitate: a experience of a ****** i never wish
i had... that's transgender: i've got two
organs... one's a bit android, but **** needing
to necessitate a **** to get the kangaroo pouch
of feeling it, mmm.
              well, if it's too hard, then i'm obviously
employing a darwinism of some sort:
intellectual selection; i put the effort into
writing it, you put an effort into reading it,
the plebs get their stake... and everyone's happy.
     but no one gets away with youtube
regurgitated murk of someone promoting a book
   and then having to reduce it to quote,
while the book if waved about like a brick
about to be lodged into the Library of Babylon...
well... we know what happened with
the library of Alexandria... there's not a single
dittohead to encourage revising what was there once.
as we "speak", this is Latin written in Arabic,
i.e.: right to left, rather than left to right...
  but hey, no runes, so the crucifixion of Juan
at Golgotha wasn't all bad after all...
            look at how Arabic squiggly and Hebrew
proto survived, we could have gone down the route
of hieroglyphics (ideograms, but still the Mandarin
survived), but unlike cuneiform... there were simply
too many holes to be filled with Latin...
but i still don't get why they wrote a shortcut for
U using V, given O... i guess the shortcut for
O had to be •, Omnium Vampirism stake to the heart
of the stone for an indentation...
    i'd cite you the mea culpa if i could only use
another phonetic encoding, but i can't, i'm still
using Latin encoding... it's beyond dodo, it's the one
sound-encoding that could create the technosphere
of digitalising papyrus.
so Hegel is pope because non-economic Marxism
is pop... but i leverage with W. Burrough's
cut-up and Tzara and cabaret voltaire...
   and how revitalising Kant is crucial in saying:
but he already mentioned a thesis and an antithesis
disciplinary coercion in a moving-forward of
mutually-progressive antagony... why is
Hegel the one to take all the credit?
               why not say akin to: Leibniz & Newton
said some about calculus... ah ****, i forgot,
all the Ferraris and bling and *******...
                           let's just settle for the fact that
Hegel brought about the mingling of thesis
and antithesis to create a synthesis that
culminated in Marx, and Kant brought about
the mingling of thesis and antithesis to create
an analysis...
                           i bypass Nietzsche on this point
for insulting Kant, and having been overtly
influenced by the French...
la Rochefoucauld, is, after all, the antidote to
Machiavelli, and that's my pardon;
but that's beside the point, some people want it
easy, but language does take toward
being nurtured sometimes, like a flower as a seed
as later blossom, as later a fruitful in abounding
colour...
                 language doesn't have to take the route
toward a bestseller preacher-style dross of
congregational assimilation and a "shared experience",
which is why i abhorrent that words had to be
invited into an l.s.d. experience,
                        absolutely no c.i.a. transparency...  
it was all up-in-the-air and never personal...
if i write about something personal i'm writing it
because people in the 1960s went beyond the person
experience of hallucinogenic drugs, and the reason
why i wouldn't take them: is because they wrote
about them and ***** the whole case of wanting
to experience it... as the shaman don juan said:
it's your own; once it has been ascribed words?
    it's commonly shared down to the pinpoint
of a plumber and a toilet... once it has been contaminated
with words / accounts of such an experience?
it has become generic, it has become a poem that
can no longer retale it's status as l.s.d., thanks,
***** beatnik, *******.
    well... if a piece of writing is hard... treat it like
if it were some venture into arithmetic,
    and given the parallelism of space-time 1
                with time one, and the Kantian
0 = negation... you'll deny it, because it's too complicated
on the basis of, so what's the equals?
             like that cartesian result: i think therefore i am...
   therefore i'm still thinking... well the + is that
you're still intact and not shrapnel of wonder ascribing
fascination for prefixes suffixes conjunctional *****
        and diacritical marks as once thought of as
rebellious angels in Milton's theology, redeemed,
ruling over ulterior suggestions of dissecting words
for the correct rhythm.
   if a piece of writing is difficult: it's a version of arithmetic,
the only question is whether you can complete the sum
  of the arithmetic and, obviously enough, return to
yourself as your "self", in that you are intact,
having experienced a "self" or the cognitively active
other in the reflexive sense of yourself, which in turn
props of your self, in what's to be of you in the reflective
sense; that's the equivalent of arithmetic,
hence we have encyclopedias and dictionaries as
being equivalent of calculators... i still don't understand
why complex writing isn't deemed equivalent of arithmetic,
i'll probably die not understanding this...
yes, yourself is reflexive   and your self is reflective...
English really is a battlefield of pronoun use...
let alone revitalising yourself with an archaic word...
   thus said: Kant will never reach the populist status
of Hegel.
Victor Tripp Oct 2014
She had a face that looked wrinkled by old age and poverty
In a red coat as footsteps took her slowly to a seat
On the north bound trolley the sun wasn't even warm
That  OCTOBER day as i glanced down at her old worn sneakers
With red socks it seemed time like the train had passed her
natalie Nov 2013
Each flick of your strong forefinger
unleashes another surge—
BANGBANGBANGBANG!—
and the explosive percussion is mirrored
by the rapid battering of your heart,
the backbeat of a silent jihad.
The air is thick with the echoing
screams of the shoppers as they
scatter between tall, unsteady racks
of clothing, hair dye and toothpaste,
hiding beneath circular tables in cafés,
sliding flat on their traitorous stomachs
to cower under dusty old cars.
The fear in this place is tangible—
You can smell it, taste it, see it all about you—
it causes your blood to sing.

You enter a market with your comrades,
and as you have done in every other store,
you fire your weapon into the air—
BANGBANGBANGBANG!—
sure to clip the quickly dispersing mass of
people shrinking behind a dusty
cigarette display, and you are pleased
by the sight of two men hitting
the ground with a dull thud. Their
blood pools as a warning, a tribute.
Then you announce loudly, confidently
that you are only here for the non-Muslims—
the Americans and the Kenyans—
that everybody else need only be a hostage,
not a martyr for a cause that does not
concern them; children will be spared.
You disband to interrogate the fearful
and to root out the traitors,
to determine who will live and
and who is doomed to perish—
you have become a ruler of this shopping
mall, reduced to its shivering bones.
You can see the cowed lies etched into
the lines of their faithless faces,
and with another flick of your finger,
you send them to face Allah without
even the slightest hint of hesitation.

In a far corner of the market sits a
meat counter, where locals buy their
****** flesh, both clean and unclean,
You sneak behind and discover
a woman dressed in black,
her milky face a thin veil of calm,
hands clasping those of her two young
children, a small boy and a willowy girl.
The boy’s green shirt professes
his love for New York City.
All three stare at you in petrified silence,
and for a few moments, you just gaze
straight into the woman’s wide eyes.
“You said children would not be
harmed?” the mother asks softly,
each word flowing sharply through her
accent which cannot be American,
and she stands suddenly. This action
is quite startling, you remember later—
you are already on edge, your
finger still on the trigger, and
somehow a bullet lands in her thigh.
The mother is screaming, pulling her
daughter close as the blood pours forth,
an accidental fountain, but her fingers
cannot reach the boy, who is standing,
walking over to you, so close you could
tear him to shreds, his body would
be Swiss cheese—unidentifiable.
“You are a bad man,” the boy says,
narrowing his tiny green eyes into
excruciating slivers and pointing at you,
“let us go.”

Her screams ring in your ears,
a cacophony of terror,
and your heartbeat slows to a clop
as the boy’s finger remains pointed at
your heaving chest, an honest accusation.
“Come!” you screech, waving
your rifle in the air like a toy.
At the front of the market, the mother
can barely walk, so she loads her children
into a cold, shining metal trolley.
You see an array of candies, and grab
two chocolate bars, handing one to each.
“Please forgive me,” you hear yourself
saying, “we are not monsters.”
The girl is crying, clutching her candy,
but the boy just stares through you.
“You must convert to Islam,”
you tell the desperate mother, who is
loading an injured boy into the cart.
“We are not monsters. We are not monsters.”
She does not speak, she only pushes the
trolley, limping slowly.
“You must convert to Islam. You must convert.”
You help the woman maneuver the
cart through the bodies strewn across
the pale tiles of the shopping mall,
and with every repetition of gunfire—
BANGBANGBANGBANG!—
you reassure yourself, and the woman,
“We are not monsters. Please forgive me.”
She stops again to pick up a different child,
though this one is screaming in French
for her mother and must be forced.
“You must convert to Islam.
Please forgive me.”
As you reach tall, glass double doors,
you pause, knowing you must stay behind.
The brilliance of the sun blots their
figures out of your vision, so you simply yell,
“Please forgive me!”
Anthony Williams Jul 2014
It was in total a fast track ticket to the moon
and I can't return to transaction dock 8 too soon
the star checkout lane at my local supermarket
tops balloons with rocket science aeronautics
that pilot's service areas binary counter perfect
exceeding expectations bent into global orbit

My items sped along to muzak her slim milky way belt
a smile beaming discount countdowns heaven sent
taking off in bit lips when her priceless item buttons
almost burst free to air with a strain of special promotions
helpfully assisting my every excess flight of fancy
made impulse buys a baggage allowance necessity

She stroked parts of her radical laser station
to fully engage hygienic wiped spills of imagination
and I felt the warp of hyperdrive tangelo engines
urging me into a dive to scan juice ripe tangerines
a last minute save fuelled by stalling flashback cavities
gyrating in tight nets as we escaped earth's gravity

With a twist of her wrist I was into fits-the-bill ecstasy
as the whirr of electronics cut loose such quality
with a lick of an index finger our mission was bagged
handled too efficiently for any danger of jet lag
no flyby chance to not exchange standby coupons
my trolley emptied of offers too galactic to pass on
by Anthony Williams
John Hill Jun 2013
Caressing my face,
Bubbles rush to greet me
Tickling like a sweet spring sigh.

This is only the first.
I am still half
A visitor. Stuck in suspension
Between this world and mine.

Slowly I pass
Through the threshold.
My air-sick ears adjust
To the sounds of the sea.

I stare down
At the small colony
On the sea floor,
My landing gear is down.

Customs arrives.
A grey, French Angelfish
Of the most industrious kind.
But he isn’t obtrusive.

As he flits in and out
Checking my bubbles
Ensuring I am not bringing
Any more air than I should.

No doubt he will stay near
Most of my stay
I have finally arrived,
The coral city stretches before me.

I catch the current trolley
And it whisks me past
Rocky storefronts and coral motels.
Lobster shopkeeps

Rush out of dark
Stores and stand in the street
Giant claws raised
Toward me in supplication.

Beckoning me to come
And browse his wares
While a fish I don’t know
Is busy cleaning homes and stores.

They must’ve dropped out of the school
Which passes by
The pupils in matching uniforms
Of flashing silver and black.

Clown fish wave
To me from their Lawns
Of sea anemone
Before darting back inside.

Here is the kind of place
Where I could put down roots.
Live out an idyllic life
Living in a coral townhouse.  

But for me to stay
Would be severely fatal.
I’m just a visitor
And my visa is about to expire.

I look back one more time
As my head breaks the surface.
The sun stings, I blink.

— The End —