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RAJ NANDY Feb 2015
AN INTRODUCTION TO INDIAN ART IN VERSE  
By Raj Nandy : Part One

INTRODUCTION
Background :
The India subcontinent and her diverse physical features,
influenced her dynamic history, religion, and culture!
The fertile basin of the Sapta-Sindu Rivers* cradled one of
world’s most ancient civilization, (seven rivers)
Contemporary to the Sumerians and the Egyptians, popularly
known as the Indus Valley Civilization!
The Sindu (Indus), Jhelum, Chenab, Ravi, Sutlej, Bias, along
with the sacred river Saraswati, shaped India’s early History;
Where once flourished the urban settlements of Harappa and
Mohenjodaro, which lay buried for several centuries;
For our archaeologists and scholars to unravel their many
secrets and hidden mysteries!
Modern scholars refer to it as ‘Indus-Saraswati Civilization’;
By interpreting the text of the Rig Veda which mentions
eclipses, equinoxes, and other astronomical conjunctions,
They date the origin of the Vedas as earlier as 3000 BC;
Thereby lifting the fog which shrouds Ancient History! +
(+ Two broad schools of thoughts prevail; Max Mullar refers
to 1500 BC as the date for origin of the Vedas, but modern scientific findings point to a much earlier date for their Oral composition and
their long oral tradition!)

On the banks of the sacred Saraswati River the holy sages
did once meditate, *
When their third eye opened, as all earthly bonds they did
transcend !
From their lips flowed the sacred chants of the Vedas, as
they sang the creator Brahma’s unending praise!
These Vedic chants and incantations survived many
centuries of an oral tradition,
When Indian Art began to blossom into exotic flowers like
Brahma’s divine manifestations;
With all subsequent art forms following the model of
Brahma’s manifold creations!
The Vedas got written down during the later Vedic Age
with commentaries and interpolations,
And remain as India’s indigenous composition, forming a
part of her sacred religious tradition! *
(
Rig Veda the oldest, had hymns in praise of the creator;
Yajur Veda spelled the ritual procedures; Sama Veda sets
the hymns for melodious chanting, & is the source of seven
notes of music; Artha Veda had hymns for warding off evil
& hardship, giving us a glimpse of early Vedic life.)

IMPACT OF FOREIGN INVASIONS:
Through the winding Khyber Pass cutting through the rugged
Hindu Kush Range,
Came the Persians, Greeks, Muslims, the Moguls, and many
bounty hunters storming through north-western frontier gate;
Consisting of varied racial groups and cultures, they entered
India’s fertile alluvial plains!
Therefore, while tracing 5000 years of Art Story, one cannot
divorce Art from India’s exotic cultural history.
From the Cave Art of Bhimbetka, to the dancing girl of Harappa,
To the frescoes and the evocative figures of Ajanta and Ellora;
Many marvelous and exquisitely carved temples of the South,
And Muslim and Mogul architecture and frescoes along with
India’s rich Folk Art, enriched her artistic heritage no doubt!
Yet for a long time Indian Art had been the least known of
the Oriental Arts,
Perhaps because from Western point of view it was difficult
to understand the spirit behind Indian Art!
For Indian Art is at once aesthetic and sensual, also passionate,
symbolic, and spiritual !
It both celebrates and denies the individual’s love of life,
where free instinct with rigid reason combine !
These contradictory elements are found side by side due to
her culturally mixed conditions, as I had earlier mentioned!
Now, if we add to this the constant religious exaltation,
With the extensive use of symbolic presentation, from the
early days of Indian civilization;
We have the basic elements of an Art, which has gradually
aroused the interest of Western Civilization!

The further we get back in time, we only begin to find,
That religion, philosophy, art and architecture,
Had all merged into an unified whole to form India’s
composite culture!
But while moving forward in time, we once again find,
That art, architecture, music, poetry and dance, all begin to
gradually emerge, with their separate identities,
Where Indian Art is seen as a rich mosaic of cultural diversity!

(NOTES:-In the ancient days, the Saraswati River flowed from the Siwalik Range of Hills (foothills of the Himalayas) between Sutlej & the Yamuna rivers, through the present day Rann of Kutch into the Arabian Sea, when Rajasthan was a fertile place! Indus settlements like Kalibangan, Banawalli, Ganwaiwala, were situated on the banks of Sarsawati River, which was longer than the Indus & ran parallel, and is mentioned around50 times in the Rig Veda! Scientists say that due to tectonic plate movements, and climatic changes, Saraswati dried up around 1700BC ! The people settled there shifted east and the south, during the course of history! Some of those Indo-Aryan speaking people were already settled there, & others joined later. Max Muller’s theory of an Aryan Invasion which destroyed the Indus Valley Civilization during 1500BC, supported by Colonial Rulers, was subsequently proved wrong ! Indo-Aryans were a Language group of the Indo- European
Language Family, & not a racial group as mistaken by Max Mullar! Therefore Dr.Romila Thapar calls it a gradual migration, & not an invasion! The Vedas were indigenous composition of India. However, they got compiled & written down for the first time with commentaries, at a much later date! I have maintained this position since it has been proved by modern scholars scientifically!)

SYMBOLISM IN INDIAN ART
From the ancient Egyptian hieroglyphic to the Cretan Bull
of Greece,
Symbols have conveyed ideas and messages, fulfilling
artistic needs.
The ‘Da Vinci Code’ speaks of Leonardo’s art works as
symbolic subterfuge with encrypted messages for a secret
society!
While Indian art is replete with many sacred symbols to
attract good fortune, for the benefit of the community!
The symbols of the Dot or ‘Bindu’, the Lotus, the Trident,
the Conch shell, the sign and chant of ‘OM’, are all sacred
and divine;
For at the root of Indian artistic symbolism lies the Indian
concept of Time!
The West tends to think of time as a dynamic process which
is forward moving and linear;
Commencing with the ‘Big Bang’, moving towards a ‘Big
Crunch’, when ‘there shall be no more time’, or a state of
total inertia !
Indian art and sculpture is influenced by the cyclic concept
of time unfolding a series of ages or ‘yugas’;
Where creation, destruction and recreation, becomes a
dynamic and an unending phenomena!
This has been artistically and symbolically expressed in the
figure of Shiva-Nataraja’s cosmic dance,
Which portrays the entire kinetic universe in a state of
eternal flux!
The hour-glass drum in Nataraja’s right hand symbolizes
all creation;
Fire in his left hand the cyclic time frame of destruction!
The raised third hand is in a gesture of infinite benediction;
And the fourth hand pointing to his upraised foot shows the
path of liberation!

It was easier to teach the vast untutored population through
symbols, images, and paintings in the form of Art;
For a picture is more effective than a thousand words!
The Dot or ‘bindu’ becomes the focus for meditation,
Where the mental energies are focused on a single point of
creation,
As seen in the cotemporary art works of SH Raza’s
artistic representations!
Yet the same dot when expanded as a circle becomes
wholeness and infinity;
The shape of celestial bodies of the cyclic universe in its
creativity!
The Lotus seen in many sculptures, on temple walls, and
majestic columns, denotes purity;
A symbol of non-attachment rising above the muddy waters,
retaining its pristine color and beauty!
The Lotus is a powerful and transformational symbol in
Buddhist Art,
Where pink lotus is for height of enlightenment, blue for
wisdom, white for spiritual perfection, and the red lotus
symbolizing the heart!
This Lotus symbol also finds a place in Mughal sculptural
carvings and miniatures;
The inverted lotus dome resting on its petals, forms the
crown of Taj Mahal’s white marble architecture!
The trident or ‘trishul’ symbolizes the three god-heads
Brahma, Vishnu and Shiva;
As the Creator, Preserver and Destroyer, in that cyclic
chain which goes on forever!
The ***** stone of Shiva-lingam surrounded by the oval
female yoni symbolizes fertility and creation,
Usually found in the inner sanctuary of Hindu temples!
Finally, the symbol of ‘OM’ and its vibrating sound,
Echoes the primordial vibrations with which space and
time abounds!
All matter comes from energy vibrations manifesting
cosmic creation;
Also symbolized in Einstein’s famous matter-energy equation!
The Conch Shell a gift of the sea when blown, sounds the
ancient primordial vibration of ‘OM’!
It’s hallowed auspicious sound accompanies marriage
ceremonies and rituals whenever occasion demands;
And pacifies mother earth during Shiva-Nataraja’s sudden
seismic dance! (earthquakes)
Dear readers the symbols mentioned here are very few,
Mainly to curb the length, while I pay Indian Art my
artistic due!

A BRIEF COMPARISON OF ART:
Despite the many foreign influences which entered India
through the Khyber and Bholan pass,
India displayed marvelous adaptability and resilience, in
the development of her indigenous Art!
The aesthetic objectivity of Western Art was replaced by
the Indian vision of spiritual subjectivity,
For the transitory world around was only a ‘Maya’ or an
Illusion,- lacking material reality!
Therefore life-like representation was not always the aim
of Indian art,
But to lift that veil and reveal the life of the spirit, - was
the objective from the very start!
Egyptian funerary art was more occupied with after-life
and death;
While the Greeks portrayed youthful vigor and idealized
beauty, celebrating the joys of life instead!
The proud Roman Emperors to outshine their predecessors
erected even bigger statues, monuments, and columns
draped in glory;
Only in the long run to drain the Roman treasury, - a sad
downfall story!
Indian art gradually evolved over centuries with elements
both religious and secular,
As seen from the period of King Chandragupta Maurya,
Who defeated the Greek Seleucus, to carve out the first
united Indian Empire ! (app. 322 BC)

SECULAR AND SPIRITUAL FUSION IN ART:
Ancient Indian ‘stupas’
and temples were not like churches
or synagogues purely spiritual and religious,
But were cultural centers depicting secular images which
were also non-religious!
The Buddhist ‘stupa’ at Amravati (1stcentury BC), and the
gateways at Sanchi (1stcentury AD), display wealth of carvings
from the life of Buddha;
Also warriors on horseback, royal procession, trader’s caravans,
farmers with produce, - all secular by far!
Indian temples from the 8th Century AD onwards depicted
images of musicians, dancers, acrobats and romantic couples,
along with a variety of Deities;
But after 10th Century ****** themes began to make their mark
with depiction of sensuality!
Sensuality and ****** interaction in temples of Khajuraho and
Konarak has been displayed without inhibition;
As Tantric ideas on compatibility of human sexuality with
human spirituality, fused into artistic depictions!
Religion got based on a healthy and egalitarian acceptance
of all activities without ****** starvation;
For the emotional health and well-being of society, without
hypocritical denial or inhibition!
(’Stupas’= originated from ancient burial mounds, later became devotional Buddhist sites with holy relics, & external decorative gateways and carvings!)

KHJURAHO TEMPLE COMPLEX (950 - 1040 AD) :
Was built by the Chandela Rajputs in Central India,
When Khajuraho, the land of the moon gods, was the first
capital city of the Chandelas!
****** art covers ten percent of the temple sculptures,
Where both Hindu and Jain temples were built in the north-Indian
Nagara style of Architecture.
Out of the 85 temples only 22 have stood the vagaries of time,
Where a perfect fusion of aesthetic elegance and evocative
Kama-Sutra like ****** sculptural brilliance, - dazzle the eyes!

KONARAK SUN TEMPLE OF ORISSA - EAST COAST:
From the Khajuraho temple of love, we now move to the
Konark temple of *** in stones - as art!
Built around 1250 AD in the form of a temple mounted on
a huge cosmic chariot for the Sun God;
With twelve pairs of stone-carved wheels pulled by seven
galloping horses, symbolizing the passage of time under
the Solar God !
Seven horses for each day of the week, pulls the chariot
east wards towards dawn;
With twelve pairs of wheels representing the twelve calendar
months, as each cyclic day ushers in a new morn !
The friezes above and below the chariot wheels show military
processions, with elephants and hunting scenes;
Celebrating the victory of King Narasimhadeva-I over the
invading Muslims!
The ****** art and voluptuous carvings symbolizes aesthetic
bliss when uniting with the divine;
Following yogic postures and breathing techniques, which
Tantric Art alone defines!
(
Both Khjuraho & Konark temples were re-discovered by the
British, & are now World Heritage Sites!)

Artistic invention followed the model of cosmic creation;
Ancient Vedic tradition visualized the spirit of a joyous
self-offering with chants and incantations!
The world was understood to be a structured arrangement
of five elements of earth, water, fire, air, and ethereal space;
Where each element brought forth a distinct art-expression
with artistic grace!
Element of Sculpture was earth, Painting the fluidity of water,
Dance was transformative fire, Music flowed through the air,
and Poetry vibrated in ethereal space!

CONCLUDING INTRODUCTION TO INDIAN ART:

Indian Art is like a prism with many dazzling facets,
I have only introduced the subject with its symbolism,
- without covering its complete assets!
After my Part Three on ‘Etruscan and Roman Art’,
Christian and Byzantine Art was to follow;
But following request from my few poet friends I have
postponed it for the morrow!
Traditional Indian Art survives through its sculptures,
architecture, paintings and folk art, ever evolving with
the passing of time and age;
Influenced by Buddhist, Jain, Muslim, Mogul, and many
indigenous art forms, enriching India’s cultural heritage!
While the art of our modern times constitutes a separate
Contemporary phase !
The juxtaposition of certain concepts and forms might
have appeared a bit intriguing,
But the spiritual content and symbolism in art answers
our basic artistic seeking!
The other aspects of Indian Art I plan to cover at a later
date,
Hope you liked my Introduction, being posted after
almost forty days!
ALL COPY RIGHTS ARE WITH RAJ NANDY
E-Mail: rajnandy21@yahoo.
    FEW COMMENTS BY POETS ON 'POETFREAK.COM' :-
I have a vicarious pleasure going through your historical journey of Indian art! Thanks for sharing this here! 2 Mar 2013 by Ramesh T A | Reply

The prism of Indian Art is indeed has myriads of facets and is an awesome mixture of many influences some of which you list here so clearly - a very understandable presentation of symbolism too - -thank you for your fine effort Raj. 2 Mar 2013 by Fay Slimm | Reply

Oh what an interesting read with immense information capturing every single detail. You painted this piece of art with utmost care. Truly, it's works Raj…tfs 2 Mar 2013 by John Thomas Tharayil | Reply

First, I have to say, the part about the lotus symbolism reminds me – My name ‘NILOTPAL’ can be split into ‘NIL’ meaning BLUE and ‘UTPAL’ meaning LOTUS. So my name represents wisdom (although it contradicts ME.. LOL). A lot of things were mentioned in the veda and other ancient Indian texts that were way ahead of the time Like the idea of ‘velocity of light’ got considerable mention in the rig veda-Sahan bhasya, ‘Elliptical order of planets, ‘Black holes’ , although these are the scientific aspects. The emphasis on contradictory elements or even the idea of opposites in Indian art is interesting because India developed the mathematical concept of ‘Zero’ and ‘infinity’. Hard to believe Rajasthan was a fertile place but now it possesses its own beauty. It was great to read about the Natraja, ‘OM’ and the trident(Trishul). Among symbolisms, Lord Ganseha is my favorite because a lot is portrayed in that one image like the MOOSHIK representing
When I composed the History of Western Art in Verse & posted the series on 'Poetfreak.com', few Indian poet friends requested me to compose on Indian Art separately. I am posting part one of my composition here for those who may like to know about Indian Art. Thanks & best wishes, -Raj
n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"
DUOVERSE
Livia Aug 2015
Upon the clouds the figures stood
Clad in milky white, airy robes
They were both in jovial moods and nothing
Could make them downhearted
Staring into each other’s eyes, all problems in the world seemed to fade
But that was their job; they were angels after all
They were supposed to make things easier on the living
To make it as good as they had it
Or so they thought.
The two lovers had been unaware
Of two gleaming red eyes glaring at them
And the tip of a scarlet trident pointing at them
More specifically, the woman angel
With a wicked grin, the Devil struck
With a bolt of lightning shooting out of the trident,
The angel woman dropped, her magnificent white wings covering her
She fell threw the clouds before her partner could react
Becoming a fallen angel.
Tears spilled out of her ex-lover’s eyes
But the Devil’s smile got wider
She strutted out of her hiding place
And stood next to the grieving angel
He took one look at her, and he knew she was the murderer
Two scarlet horns on the top of her head, and her matching red trident
Her fair skin was adorned in a wine-colored dress
His anger overpowering him, he grabbed the trident the woman held so dear
And impaled her in the back.
He dropped the trident on the cloud and walked away feeling accomplished
But as he was almost to the Gates, the trident reappeared in his hand
Terrified, he tentatively reached a hand to his head
Where it came across two pointed lumps.
He looked down at his previously white clothes; they had become blood-red
A new devil was born.
I wrote this poem when I was a little bit younger...... man was I dark.....
Julian Jul 2016
Hip Service
By Julian Malek

The zeal of cobblestone tolerance arrayed in fashionable hues masquerading as crimson secrecy, elevates the tide of man but some boats leak in their foundations. Therefore a cork to every exuberance and a triumphant torch for every sorrow lives onward in collective time. Larks that abound because prescience and PUGET sound, that brown has become the new orange which in turn prowls as a concealed swarthy black. To antagonize the willful and frenetic pace, a prodrome of lasting but memorialized disgrace. Should I move to a state by first or last name, or is the final appellation worthy of much more lasting fame. I scurry down the aisles, bemused by shimmering tiles and the beguiled audiences who see much in my limitation but doubt little about my debited elation. Ringmaster Barnum, how much horticulture is needed for assured superstardom, how many cloisters must we evacuate from the incendiary plumes of a metaphorical Harlem..  But know that no virtual reality can supplant the reality that does truly exist, or at least our time is too infernal and purblind to resist. Carrey the tops of mountains in the humor of wellsprings and fountains, we engage a menagerie of egos lilting of an etiolated pragmatic concern. Evicted from paradise, littered with say-cheese demise ensnaring three blind mice eaten alive by snake-eyed vice. To feel good without incorporated tyranny, we must see blue and red as alternatives to the same destiny. A world that reckons with the futilitarianism of pacified malcontent and astroturf monikers that lead the impressionable into a slaughter shed. Established or not, any enchantment under the sea must include fishes once a pastiche of me, but to them I avoid their courtesy flush and never even faintly blush as my egalitarian statements are lavish thrush.

Five TO Won baby one in 99, everyone here aboard the titanic stays alive, you got your boat baby and I got mine, gonna make it with babies numbered in surreal primes. Halt the slots game the nines, a stitch in time is going to turn out to be Mine. Flanger goals, girded piles, liminal like an aborted Harry Styles, we climb mountains we issue tithes, and the turmoil is etched into 45-notched bludgeons and two-tucked knives. Excuse you, where have you been all day, have you been sauntering in a gentle rain or a genteel pain, have you wallowed beyond the mires of doubt and ranked above David Blaine. I hope you tell me of your magic tricks, rather than your other flicks endeared I stand to fight an ineradicable itch. But if not, you placid pond dented by so many rocks and so many ripples give your heart over to me, before I clinch the special Olympics *******, we ran, we span the homespun garments of your left and right hand, but death is a specter that ghoulishly carouses along the carousel terminal disease we call life. I beseech your deepest affection and want to console you for your deepest struggle, to be there every time wed with time rather than a throttled scuttle. Moons make you guarded but maroons leave me desiccated, don’t ever let that wilted flower die, always water it with a rich but gentle ties and widened deck for all to at once marvel and pry.  Monsters of Mars Attacks once flanked my bed, as though the **** brain scared every gooseflesh and restrained every frisson of mystery. I lampoon myself for those cold Dark Knights and the protection ended by the plight of the poor mattering nothing to the deliberately internecine rich. I struck gold in a valley somewhere, an oxymoron of paradox that now you have the privilege to dock, to stay aboard to be a vessel of peace less widely deplored. Even if we don’t sprout wings, we garner the exactitude of measured things and our glass elevator though easily shattered by the glower of enslavement is actually our vista to heaven or listening to brethren tingles for rich mans trinkets and other things. For humanity deserves a legend and a princess, a regimented desuetude and a flanged lust but in our mistakes wildly flouted in momentary moments we become purified by the temptations of an alabaster palace.

***** the left-field wisdom of a pragmatic paragon ellipsis in prison, slip between the cracks and let my suburban muse become your urban ruse. To enchant a caged world beyond a reality delicately and deliberately unfurled. Squirming toads on highways enchanted but dead, are graves for the blue becoming purple in every dignified red. Gainsay assaults me with platitude, a repeated hitter quit on the first bunted ball into foul-line territory. Those gripes are swiped right in all circumstance no matter the plight. The pronged hearing of a trident sensitive to ambient collection, and suddenly we are all in the mad house even though the house of profaned pain is much worse. Glimpses of gambits that gambol for nickels in transit as occult grenades and known dice waddle through without artifice or device, and the laughter and slaughter that trains collegiate minds, differs no more than the tropes of a glamorous violence articled in sordid rhymes. This surfing movie means so much more than Surf Wax America pristine in limited but sacrilege nirvana. Teen spirits smell muskier than 90s pop dreams, the grasp and grunge of gouged eyes becomes a mummified staid, a scarecrow to those who disobey. Childhood flashes with blinding light, and new sight illuminates darkening blight, A blight eradicated only by two magazines and including one that houses the bullets that ***** themselves between death and comatose dreams both within astral sight. Littoral harbor on a seaside town, a shanty with a brackish gown that glides the gourmand to the cosmopolitan eatery on the outskirts of lost & found. But forever lost in embonpoint and forever gained in chavish that exonerates the gaunt, the etiolated prince in heart becomes irrefutable marrow in minded souls.

If I am a spy you are an ESPY, and if I cry than you are a baby,but since neither are the case my wiseacres will cultivate lava lamp dreams for a new generation and suddenly Boston bets on Harvard, but who knows of this piped blather squirming for relevance rather than voguish but temporary chatter. My regatta knows how to swim, my life now knows how to cringe and yet still win and in stilted plays of bungled sincerity the God of peace reminds us of our transcendent personalities. That we in sincerity top the barnacles of invention a novelty but a rarity. But the guillotine quill of emboldened unscripted parvenus ruthless in their eager dues, outdate and outlive the sued swayed blues that indemnify Clinton and make the atomic dog an amazing Winston hill a church often in sheltered disuse. Imps and urchins sting the sentiment, cloy the alimony of repentant betterment, but neither touches the gilded skies of pleonasm striving for raspy disguise as to dissuade further diatribe investigation. Lurking in those scared days of youth, the gore of unalloyed horror scourged me with a limp, that compassion itself could ever become a gimp. Now years later athletics better and scoring goals making the mildew sweat and the years wetter, not a global warming that can be alarmed by global mourning. Take peace at heart if distanced spears of separation make Idiocracy as a pastiche look exceedingly smart. And spar only with the true antagonists bridging malevolence with expedience. Killjoys sure, will joy even more sure, but still boys fluttered heart stopping dead at a stop-watched alarm the worst tragedy of our sordid sort. Give an African Child a real home rather than a spatial roam, a palatial desiccation of momentary Jonas Brothers snapping back at captives with sexualized foam.

Narrative blinds shuttered in an Island among mountains hardly ever wiser to sanitize the sanitarium among the wasps of stung power. Police crumple their uniforms as they prowl down the avenues, looking for misfits and widened platitudes. Somehow that the vigilance of those corrupted by their very career choice, look even worse when megalomania of private is the limelight of public, to their defense few turrets I can muster but castles in the sky will be the apartheid judge. Those that cling to virtue to eradicate Porsche-driven faked or real deaths at the most breakneck speed, that Fast & Furious operation if disclosed completely would turn the Shire of the ring into the hatred curtailed by a song in Sing-Sing. Immunity must not Yoda implore, that livery Liverpool marooned on islands can also to deplore the R.E.D. and still whet the sharpened stead and the fly-by-night Manchester United alights like militant peer pressure for wranglers in tights. But beating the Beatles at a game of Walruses and egg-shelled eyeful towers likely impedes rinkside hockey from anything over bellicose ballyhoo…it exists as a transient fixated glower. But who knows about soccer speculation when love is the transcendent temptation, when nest-egg hens rather than neglecting rig Bens of clockwork and clocked words designed arise better for their token ken. Do I must repeat the subtext of submarines, yellowed as though ugly unused as though unseen, as though the quixotic earthquakes of tintinnabulations Avatar dreams. Wafted souls console the disheartened thoughts of a dashed dream that Berlin hates more than a Furor’s unbridled and useless scream.
Demotic clips slinging from the bedridden silence of a token moon and its token friends, swimming in a shore of ambiguity whether history mellows or whether its furor melts away momentary doubts. I want to avoid the sting rays exorcised by due providence and become the amalgamated talents gentry and of course the upstart swagger of Jack Dawson. But with the psy-op going on, the people manipulated on all sides of a gray picket fence will the relationship bloom without muttered dissent or pretended smiles. Will we take upon the shuffled shuttle and dig with shovels deep-rooted Christmas trees and toast our lives to Dos Equis. We may never go out of style, but the treacle of illuminated imagery when divorced from sentiment bristle shows a swagger that prioritizes rather than amalgamates all love. I love being brash and brazen and honest because when she finally ditches the grandstand of delayed frenemies fandoms of other tinsel decorations without any substance beyond meretricious thrill. You want a roller coaster on some days, but most often you want the nutcracker to elope to secret hiding places. Swim with adventure not just in love, not just in affection with the starlight now matter how luminous, sixpence all the richer is no centuries any poorer and we could be that gilded couple of star and screen and if we ever have to scream, let our screams unite us in passion, rather than a milquetoast deference to pedestaled beauty. but of course the end times don’t laugh at your crumpled wizened relapse. Not out of convenience wed by a discriminating genetic harvest moon but a deeper engagement that flatters when stylish and bristles when romantic but never defiled, never riled of specious pretense. Promise me that you will always remember me in my flaws and my faults, in my scause factory destructions and the penults of PEN-ULTIMATE wisdom that comes before the grace of God in the annihilation of passion for eroded omission. If your goal is to be remembered, check that out…but the most admirable goal is as the propinquities of souls dusted in the wind returning to a spring equinox of passion and if you find in yourselves reservations do not depart from sacred land, and never jilt me because of a boisterous and menacing friend. You are everything to me right now, and I Hope this persists despite the vicissitudes of star-favored afflictions mixed with utter benediction without the pontification of stilted Benedictines  or rather the hyped ludic effrontery of termagants being made of younger and younger women. Leave it at this ,32 leaves the royal secret in royal hands and the Knights Templar and us we altogether hold hands, if only a prelude for a masquerade ball. But the stilted embarrassment of crestfallen time, let that be relegated and emphatically lets embrace what is like to not ever need a real white horse to get back into your favor, because we never go out of style we can brandish the best elements and reject the sentiments of the too newfangled and the too stodgy. We in our crenellated pleonasm can eager ride the lightning to another tomorrow and another yesterday and if even not that, we virtually make an indelible impression of embroidered love not too distant in ivory towers and not to vulgary( catering to popular sentiments) to become a trash glam movement. We soar, others deplore but let their purblind doubts render them blind to our burgeoning love.

Forget the brisk trees dangled in the wind on winding paths through haunted forest or remember them because of ghoulish fortress but with our apotropaic lamp we can avert most evil and call the rest fun and gains and shun but fames never profaned, never inalterable a destiny to magical to be some whimpered catcall. Or we could linger beneath lambent street lights disguised as though wilted garb, attrition of circumstance waiting patiently for the matinee and the vintner to escort us beyond the garb of pretense in a city so abundant with it that it deserves castigation. But I digress, a beachside cliff overlooking tepid waters tumultuous in their power but august in their noises, the cadence of love will sing a half-moon bay on full-moon nights and we will frisk each other like grasping at straws of permanent tracks trammeled of the elite and a sidetracked basque bet. Trim those antlers and instead grow metaphorical wings, to us we all sing but few can match your elegance and everyone would be crazy not to see your ennobled age and together thrilling songs to emulate thriller in sales we will collaboratively sing.
Haughty sneers from lifeless lycanthropy straggling furtively along the pastiched sidewalks of grime, livid because they can’t share the lingering limelight, with as many guarded perks of privacy clambering like a hive of snarky sharks. Lets ditch the big town dreams in terms of posh and stature if only for a caressed moment beneath the unadulterated stars and if you find spars **** to the extent they are amiable than I say guess what my name is Lars! Or wait a second, paused in the big city spotlight our stenciled hearts will guide whatever progeny is yours or mine or ours together we will sing the most comforting lullaby, and caves no longer must we abide. Yearn and earn every inch, as I gripe with my delicate saddened pinch but I think the innuendo speaks . Ripen with our trips to Napa, long afternoon sunsets swim in our hearts as we taste the vanguard’s toast on elegant wine.I console with entreaty to disavow the omen of that San Franciscan church October 2008, the doom implied by Einstein, the raillery of a world grinding down the endless decadence of a railed future inalterable in destiny or partialy amenable to widespread coquetry.

Forget those rumbles in your past that made you feel partial to insecurity and learning the ropes you transcended all and live in all eternity. Thimble and brook, tolerant of all those tokes I took your rebellious side flattens the yeast of Exodus raspy in its begrudged clapping. But the Pharaoh of the modern world sheltered me under his prickly thorns, shielded me from the sickly things that life adorns. We have the numbers on our side, the weight of destiny on our shoulders, dedicate yourself to yourself and I will preen the most vibrant wisdom and love will leap like Apollo across all borders not for camel-****** hoarders. We are culminated destiny in the wings of the best daydream
Life, Love and No Mathematics to God and Gain
CK Baker Dec 2016
The napalan man in a violet cape  
descended the stair with a lopsided gait
a wretched procession, subscribers in cue
rattling off as they stream from the pew  

sounds and smells from a shadowy place
a catholic priest to gin up base
lanterns strung from bolted doors
cobbled streets and wooden floors  

stepping stones and iron bell
fortified by the citadel
hallowed halls and sepulcher
dragon cane for the horse drawn tour

castle turret,  archer holes
centaur scribed in chamber bowls
garden columns in courtyard view
the blood ballet and hullabaloo  

ancient tombs on warrior grounds
gods and saints who made their rounds
goliath still with battered scythe
knelt in prayer and mummified  

battle fires and crowds that roar
gallows, caves, abysmal war  
gargoyles flock the terraced *****
pearly gates to bring on hope  

serpents, snakes and burning ash
lava bombs and trident clash
mariners drift in absentee
as neptune rises from the Tyrrhenian Sea
Mean while the heinous and despiteful act
Of Satan, done in Paradise; and how
He, in the serpent, had perverted Eve,
Her husband she, to taste the fatal fruit,
Was known in Heaven; for what can ’scape the eye
Of God all-seeing, or deceive his heart
Omniscient? who, in all things wise and just,
Hindered not Satan to attempt the mind
Of Man, with strength entire and free will armed,
Complete to have discovered and repulsed
Whatever wiles of foe or seeming friend.
For still they knew, and ought to have still remembered,
The high injunction, not to taste that fruit,
Whoever tempted; which they not obeying,
(Incurred what could they less?) the penalty;
And, manifold in sin, deserved to fall.
Up into Heaven from Paradise in haste
The angelick guards ascended, mute, and sad,
For Man; for of his state by this they knew,
Much wondering how the subtle Fiend had stolen
Entrance unseen.  Soon as the unwelcome news
From Earth arrived at Heaven-gate, displeased
All were who heard; dim sadness did not spare
That time celestial visages, yet, mixed
With pity, violated not their bliss.
About the new-arrived, in multitudes
The ethereal people ran, to hear and know
How all befel:  They towards the throne supreme,
Accountable, made haste, to make appear,
With righteous plea, their utmost vigilance
And easily approved; when the Most High
Eternal Father, from his secret cloud,
Amidst in thunder uttered thus his voice.
Assembled Angels, and ye Powers returned
From unsuccessful charge; be not dismayed,
Nor troubled at these tidings from the earth,
Which your sincerest care could not prevent;
Foretold so lately what would come to pass,
When first this tempter crossed the gulf from Hell.
I told ye then he should prevail, and speed
On his bad errand; Man should be seduced,
And flattered out of all, believing lies
Against his Maker; no decree of mine
Concurring to necessitate his fall,
Or touch with lightest moment of impulse
His free will, to her own inclining left
In even scale.  But fallen he is; and now
What rests, but that the mortal sentence pass
On his transgression,—death denounced that day?
Which he presumes already vain and void,
Because not yet inflicted, as he feared,
By some immediate stroke; but soon shall find
Forbearance no acquittance, ere day end.
Justice shall not return as bounty scorned.
But whom send I to judge them? whom but thee,
Vicegerent Son?  To thee I have transferred
All judgement, whether in Heaven, or Earth, or Hell.
Easy it may be seen that I intend
Mercy colleague with justice, sending thee
Man’s friend, his Mediator, his designed
Both ransom and Redeemer voluntary,
And destined Man himself to judge Man fallen.
So spake the Father; and, unfolding bright
Toward the right hand his glory, on the Son
Blazed forth unclouded Deity: He full
Resplendent all his Father manifest
Expressed, and thus divinely answered mild.
Father Eternal, thine is to decree;
Mine, both in Heaven and Earth, to do thy will
Supreme; that thou in me, thy Son beloved,
Mayest ever rest well pleased.  I go to judge
On earth these thy transgressours; but thou knowest,
Whoever judged, the worst on me must light,
When time shall be; for so I undertook
Before thee; and, not repenting, this obtain
Of right, that I may mitigate their doom
On me derived; yet I shall temper so
Justice with mercy, as may illustrate most
Them fully satisfied, and thee appease.
Attendance none shall need, nor train, where none
Are to behold the judgement, but the judged,
Those two; the third best absent is condemned,
Convict by flight, and rebel to all law:
Conviction to the serpent none belongs.
Thus saying, from his radiant seat he rose
Of high collateral glory: Him Thrones, and Powers,
Princedoms, and Dominations ministrant,
Accompanied to Heaven-gate; from whence
Eden, and all the coast, in prospect lay.
Down he descended straight; the speed of Gods
Time counts not, though with swiftest minutes winged.
Now was the sun in western cadence low
From noon, and gentle airs, due at their hour,
To fan the earth now waked, and usher in
The evening cool; when he, from wrath more cool,
Came the mild Judge, and Intercessour both,
To sentence Man:  The voice of God they heard
Now walking in the garden, by soft winds
Brought to their ears, while day declined; they heard,
And from his presence hid themselves among
The thickest trees, both man and wife; till God,
Approaching, thus to Adam called aloud.
Where art thou, Adam, wont with joy to meet
My coming seen far off?  I miss thee here,
Not pleased, thus entertained with solitude,
Where obvious duty ere while appeared unsought:
Or come I less conspicuous, or what change
Absents thee, or what chance detains?—Come forth!
He came; and with him Eve, more loth, though first
To offend; discountenanced both, and discomposed;
Love was not in their looks, either to God,
Or to each other; but apparent guilt,
And shame, and perturbation, and despair,
Anger, and obstinacy, and hate, and guile.
Whence Adam, faltering long, thus answered brief.
I heard thee in the garden, and of thy voice
Afraid, being naked, hid myself.  To whom
The gracious Judge without revile replied.
My voice thou oft hast heard, and hast not feared,
But still rejoiced; how is it now become
So dreadful to thee?  That thou art naked, who
Hath told thee?  Hast thou eaten of the tree,
Whereof I gave thee charge thou shouldst not eat?
To whom thus Adam sore beset replied.
O Heaven! in evil strait this day I stand
Before my Judge; either to undergo
Myself the total crime, or to accuse
My other self, the partner of my life;
Whose failing, while her faith to me remains,
I should conceal, and not expose to blame
By my complaint: but strict necessity
Subdues me, and calamitous constraint;
Lest on my head both sin and punishment,
However insupportable, be all
Devolved; though should I hold my peace, yet thou
Wouldst easily detect what I conceal.—
This Woman, whom thou madest to be my help,
And gavest me as thy perfect gift, so good,
So fit, so acceptable, so divine,
That from her hand I could suspect no ill,
And what she did, whatever in itself,
Her doing seemed to justify the deed;
She gave me of the tree, and I did eat.
To whom the Sovran Presence thus replied.
Was she thy God, that her thou didst obey
Before his voice? or was she made thy guide,
Superiour, or but equal, that to her
Thou didst resign thy manhood, and the place
Wherein God set thee above her made of thee,
And for thee, whose perfection far excelled
Hers in all real dignity?  Adorned
She was indeed, and lovely, to attract
Thy love, not thy subjection; and her gifts
Were such, as under government well seemed;
Unseemly to bear rule; which was thy part
And person, hadst thou known thyself aright.
So having said, he thus to Eve in few.
Say, Woman, what is this which thou hast done?
To whom sad Eve, with shame nigh overwhelmed,
Confessing soon, yet not before her Judge
Bold or loquacious, thus abashed replied.
The Serpent me beguiled, and I did eat.
Which when the Lord God heard, without delay
To judgement he proceeded on the accused
Serpent, though brute; unable to transfer
The guilt on him, who made him instrument
Of mischief, and polluted from the end
Of his creation; justly then accursed,
As vitiated in nature:  More to know
Concerned not Man, (since he no further knew)
Nor altered his offence; yet God at last
To Satan first in sin his doom applied,
Though in mysterious terms, judged as then best:
And on the Serpent thus his curse let fall.
Because thou hast done this, thou art accursed
Above all cattle, each beast of the field;
Upon thy belly groveling thou shalt go,
And dust shalt eat all the days of thy life.
Between thee and the woman I will put
Enmity, and between thine and her seed;
Her seed shall bruise thy head, thou bruise his heel.
So spake this oracle, then verified
When Jesus, Son of Mary, second Eve,
Saw Satan fall, like lightning, down from Heaven,
Prince of the air; then, rising from his grave
Spoiled Principalities and Powers, triumphed
In open show; and, with ascension bright,
Captivity led captive through the air,
The realm itself of Satan, long usurped;
Whom he shall tread at last under our feet;
Even he, who now foretold his fatal bruise;
And to the Woman thus his sentence turned.
Thy sorrow I will greatly multiply
By thy conception; children thou shalt bring
In sorrow forth; and to thy husband’s will
Thine shall submit; he over thee shall rule.
On Adam last thus judgement he pronounced.
Because thou hast hearkened to the voice of thy wife,
And eaten of the tree, concerning which
I charged thee, saying, Thou shalt not eat thereof:
Cursed is the ground for thy sake; thou in sorrow
Shalt eat thereof, all the days of thy life;
Thorns also and thistles it shall bring thee forth
Unbid; and thou shalt eat the herb of the field;
In the sweat of thy face shalt thou eat bread,
Till thou return unto the ground; for thou
Out of the ground wast taken, know thy birth,
For dust thou art, and shalt to dust return.
So judged he Man, both Judge and Saviour sent;
And the instant stroke of death, denounced that day,
Removed far off; then, pitying how they stood
Before him naked to the air, that now
Must suffer change, disdained not to begin
Thenceforth the form of servant to assume;
As when he washed his servants feet; so now,
As father of his family, he clad
Their nakedness with skins of beasts, or slain,
Or as the snake with youthful coat repaid;
And thought not much to clothe his enemies;
Nor he their outward only with the skins
Of beasts, but inward nakedness, much more.
Opprobrious, with his robe of righteousness,
Arraying, covered from his Father’s sight.
To him with swift ascent he up returned,
Into his blissful ***** reassumed
In glory, as of old; to him appeased
All, though all-knowing, what had passed with Man
Recounted, mixing intercession sweet.
Mean while, ere thus was sinned and judged on Earth,
Within the gates of Hell sat Sin and Death,
In counterview within the gates, that now
Stood open wide, belching outrageous flame
Far into Chaos, since the Fiend passed through,
Sin opening; who thus now to Death began.
O Son, why sit we here each other viewing
Idly, while Satan, our great author, thrives
In other worlds, and happier seat provides
For us, his offspring dear?  It cannot be
But that success attends him; if mishap,
Ere this he had returned, with fury driven
By his avengers; since no place like this
Can fit his punishment, or their revenge.
Methinks I feel new strength within me rise,
Wings growing, and dominion given me large
Beyond this deep; whatever draws me on,
Or sympathy, or some connatural force,
Powerful at greatest distance to unite,
With secret amity, things of like kind,
By secretest conveyance.  Thou, my shade
Inseparable, must with me along;
For Death from Sin no power can separate.
But, lest the difficulty of passing back
Stay his return perhaps over this gulf
Impassable, impervious; let us try
Adventurous work, yet to thy power and mine
Not unagreeable, to found a path
Over this main from Hell to that new world,
Where Satan now prevails; a monument
Of merit high to all the infernal host,
Easing their passage hence, for *******,
Or transmigration, as their lot shall lead.
Nor can I miss the way, so strongly drawn
By this new-felt attraction and instinct.
Whom thus the meager Shadow answered soon.
Go, whither Fate, and inclination strong,
Leads thee; I shall not lag behind, nor err
The way, thou leading; such a scent I draw
Of carnage, prey innumerable, and taste
The savour of death from all things there that live:
Nor shall I to the work thou enterprisest
Be wanting, but afford thee equal aid.
So saying, with delight he snuffed the smell
Of mortal change on earth.  As when a flock
Of ravenous fowl, though many a league remote,
Against the day of battle, to a field,
Where armies lie encamped, come flying, lured
With scent of living carcasses designed
For death, the following day, in ****** fight:
So scented the grim Feature, and upturned
His nostril wide into the murky air;
Sagacious of his quarry from so far.
Then both from out Hell-gates, into the waste
Wide anarchy of Chaos, damp and dark,
Flew diverse; and with power (their power was great)
Hovering upon the waters, what they met
Solid or slimy, as in raging sea
Tost up and down, together crouded drove,
From each side shoaling towards the mouth of Hell;
As when two polar winds, blowing adverse
Upon the Cronian sea, together drive
Mountains of ice, that stop the imagined way
Beyond Petsora eastward, to the rich
Cathaian coast.  The aggregated soil
Death with his mace petrifick, cold and dry,
As with a trident, smote; and fixed as firm
As Delos, floating once; the rest his look
Bound with Gorgonian rigour not to move;
And with Asphaltick slime, broad as the gate,
Deep to the roots of Hell the gathered beach
They fastened, and the mole immense wrought on
Over the foaming deep high-arched, a bridge
Of length prodigious, joining to the wall
Immoveable of this now fenceless world,
Forfeit to Death; from hence a passage broad,
Smooth, easy, inoffensive, down to Hell.
So, if great things to small may be compared,
Xerxes, the liberty of Greece to yoke,
From Susa, his Memnonian palace high,
Came to the sea: and, over Hellespont
Bridging his way, Europe with Asia joined,
And scourged with many a stroke the indignant waves.
Now had they brought the work by wonderous art
Pontifical, a ridge of pendant rock,
Over the vexed abyss, following the track
Of Satan to the self-same place where he
First lighted from his wing, and landed safe
From out of Chaos, to the outside bare
Of this round world:  With pins of adamant
And chains they made all fast, too fast they made
And durable!  And now in little space
The confines met of empyrean Heaven,
And of this World; and, on the left hand, Hell
With long reach interposed; three several ways
In sight, to each of these three places led.
And now their way to Earth they had descried,
To Paradise first tending; when, behold!
Satan, in likeness of an Angel bright,
Betwixt the Centaur and the Scorpion steering
His zenith, while the sun in Aries rose:
Disguised he came; but those his children dear
Their parent soon discerned, though in disguise.
He, after Eve seduced, unminded slunk
Into the wood fast by; and, changing shape,
To observe the sequel, saw his guileful act
By Eve, though all unweeting, seconded
Upon her husband; saw their shame that sought
Vain covertures; but when he saw descend
The Son of God to judge them, terrified
He fled; not hoping to escape, but shun
The present; fearing, guilty, what his wrath
Might suddenly inflict; that past, returned
By night, and listening where the hapless pair
Sat in their sad discourse, and various plaint,
Thence gathered his own doom; which understood
Not instant, but of future time, with joy
And tidings fraught, to Hell he now returned;
And at the brink of Chaos, near the foot
Of this new wonderous pontifice, unhoped
Met, who to meet him came, his offspring dear.
Great joy was at their meeting, and at sight
Of that stupendious bridge his joy encreased.
Long he admiring stood, till Sin, his fair
Enchanting daughter, thus the silence broke.
O Parent, these are thy magnifick deeds,
Thy trophies! which thou viewest as not thine own;
Thou art their author, and prime architect:
For I no sooner in my heart divined,
My heart, which by a secret harmony
Still moves with thine, joined in connexion sweet,
That thou on earth hadst prospered, which thy looks
Now also evidence, but straight I felt,
Though distant from thee worlds between, yet felt,
That I must after thee, with this thy son;
Such fatal consequence unites us three!
Hell could no longer hold us in our bounds,
Nor this unvoyageable gulf obscure
Detain from following thy illustrious track.
Thou hast achieved our liberty, confined
Withi
There's a certain peace that settles inside you when you hear the wind whip through the forest, the sound soothes you until your muscles quiver with joy and you begin grinning with delight as the cool air runs soft fingers down your spine and sends shivers back through you. That was the feeling going through Fayowin as he stalked his prey, a nimble buck that mindlessly grazed in the snowy glade. Fayowin was a wolf, tall and regal, his fur ran a silver-white with intricate blue lines spiraling and writhing around his muscled body. His eyes glowed pure white in the night and shimmered in the daylight. The fangs lining his jaw were longer than the other wolves'... then again he was also larger than his alpha as well. Fayowin saw everything clearer and faster than the most skilled hunters in his pack, and he was also the swiftest. He should have felt proud of his uniqueness, but he felt outcast instead. The other hunters shunned him and disliked hunting alongside him, leaving Fayowin to hunt alone.

Today was no different. It was his turn to hunt and he had to hunt alone. If he failed, the pack would force him out into the cold. "If the pack starves, the hunter freezes," was the motto of his alpha, Alexei. Fayowin narrowed his white eyes and drew in the scent of the deer. As he did, he caught the hint of a she-wolf nearby, not of his pack. Distracted for an instant, he snapped back and sprinted for the deer, lunging for it and tearing into its throat and ripping out the windpipe and blood vessels all in one bite. As the smell of blood coated his senses, he began to feel uneasy and whirled around to see a silver wolf snarling at him. It was the she-wolf he had sensed earlier. She stood just a little shorter than him and had strange markings of her own: she bore black marks under her eyes and one on her forehead that resembled a paw. What struck him the most was the band around her upper foreleg. His eyes wandered as he observed her and she growled, bringing his attention back to her glaring green eyes.
"That... was my ****!" she growled. "I don't know how you managed to get it before me, and I don't know how you managed to escape my notice. Who are you?!"
Fayowin sneered and raised an eyebrow, "This, my dear, is MY ****. I've had my eyes on it for a while now. And frankly, this is my territory as well, and unless you want to become part of my territory, I'd suggest you treat me with respect."
She edged closer to him, surprised and infuriated at this male's straightforwardness. But there was something about that and his scent that appealed to her though. "I'm not leaving without this deer."
Fayowin chuckled, "It looks like you will be leaving without it, whoever you are."
"My name... is Feiria!" she licked her lips hungrily, "and that is MY deer!"
Fayowin narrowed his eyes thoughtfully as he studied her. Even through her winter coat, he could see the outline of her ribcage and could smell the desperation on her scent. He saw Feiria's muscles contract as she prepared to lunge at him. He sidestepped and she landed face-first in the snow, a mere inch from the warm deer meat. She looked at him hungrily, almost pleading. Fayowin sighed and nodded his head once, after which Feiria voraciously tore into the carcass.

He slowly meandered towards the center of the clearing and flopped down into the snow. He could hear the she-wolf eating ravenously behind him as he thought of his next move. If he returned to the pack, he'd be ridiculed and forced to live in the snow. If he stayed out here he faced the same problem.

Fayowin flattened his ears back and started to doze off, still listening to Feiria eat his ****. He began dreaming of gaping mountain passes, tall forests, and warm valleys. He felt oddly warm, not freezing cold as he had expected. He didn't care though, warmth was a gift in the winter. He slept peacefully until nightfall overtook the forest and the moonlight shone down and illuminated his fur, the lines becoming like blue fire. His eyes would have glowed if they were open, but they remained oblivious to the change in scenery until a cold wind blew through his fur and he shivered awake. He nearly jumped when he realized why he was so warm: the she-wolf lay curled up, pressed against him, sound asleep. He tilted his head slightly as he watched her sleep, probably the most peaceful she'd been in a long time. Fayowin would've hated to ruin his gift to her, albeit an unwilling one.
Feiria woke up soon after midnight, and gazed fearfully into Fayowin's glowing white eyes, taking in his
Cynical stare and his glowing body. She whispered, "I've heard of your kind..."
he looked curiously at her, "my kind?"
"the star wolves.."
he averted his gaze, "Never heard of them.. I'm just a normal wolf.."
Feiria glared at him, "You're glowing, *******.. Not normal. Unless.... Unless your whole pack is made of star wolves!" her face seemed to light up as she said it.
Fayowin whipped his head around, "No! I'm the only one like this..." he looked solemnly down at his feet as he finished.
She blinked, dumbfounded. Clearing her throat, she said, "I really should get back to my pack. They'll be worried about me if I stay out for much longer." she glanced at the massive deer behind them and sighed quietly.
"Your whole pack is starving...aren't they?" said Fayowin quietly.
Feiria nodded and he stood up and walked through the snow silently towards the deer. "you'll need to lead me to your pack if they're to get this meat."
Feiria blinked again, then nodded, getting up and starting off  
Towards the north. Fayowin gripped the deer's neck and drug the carcass behind him as he walked. After a half hour of walking, Feiria howled long and low, signaling her pack that she was near. Fayowin sighed as he heard their howls respond. He thought, there will be no howls for me tonight...
As they neared her pack's clearing, a group of young wolves sprinted towards them, rushing past Feiria and surrounding Fayowin. "Who is this outsider, Feiria? Why did you bring him here?"
there were five of them and they all went into attack mode, growling and circling him.
Feiria attempted to stop them before they got into a fight, but one of them pounced, and in a flash Fayowin had him pinned to the ground with his fangs around the wolf's neck. Fayowin watched the wolves around him react, stepping back and glancing at each other. Feiria shouted at them to stop but they didn't seem to hear her immediately, backing down only as Fayowin's growl tore through the trees, echoing throughout the forest
. They finally heard her, "he's a star wolf!" by now a crowd had gathered around them, Feiria's packmates watching Fayowin closely. He let go of the young wolf beneath his paws, who quickly scampered away, and Fayowin sat up straight and tall, his markings and eyes glowing for all to see. The wolves ooh'd and ahh'd amongst themselves before the alpha stepped forward and looked him up and down. "You killed this deer, yes?"
"I did."
"Why bring it here? We are strangers to you."
Fayowin glanced at Feiria, who shifted, uncomfortable with the silence. "I brought it here because i could tell that this pack needed the meat more than my own." Fayowin looked directly at Feiria and continued, "besides... She saw it first."
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(End of day one of writing, really enjoyed it, look forward to writing again)
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Fayowin perched high upon an rock outcropping, overlooking the clearing below and the wolves within. The alpha had allowed him to stay, grateful for the meat. Feiria was pressed against him again, but this time Fayowin didn't mind. He enjoyed the warmth that she provided and felt at ease around her. She nuzzled his cheek affectionately, a move that surprised him enough that he turned to face her, brushing her nose in the process. He gazed fondly into her eyes for a moment before standing. "I have to return to my pack."
Feiria looked shocked, "No, stay here with us. We could use a hunter like you. Plus you're a star wolf, and it doesn't seem like your pack appreciates that."
He let the words sink in before replying, "I have to go. I'll return in the morning." Seeing the desperate and doubtful look on her face, he added, "I promise. I will come back."
Fayowin walked to the edge of the forest, the glow of his body soon disappearing from Feiria's view.
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...
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F­ayowin sprinted relentlessly back to his territory, smelling the familiar and not so pleasant scents of his packmates. The smell of blood ran thick in the air as he neared the clearing. The moonlight cast eerie shadows around him and he could feel the eyes of the wolves watching him as he reached the gore pile. The mound of bones and rotting flesh dripped blood into the white snow.
"You're late. And emptypawed. You know what that means, filth." the voice was that of his alpha, Marroy, who stood three feet tall at the shoulder, a whole foot and a half shorter than Fayowin. His fur was a mottled black with a grey underbelly.
Fayowin bared his fangs, the longest being three inches long, and he growled, "My name.. is Fayowin."
Marroy cackled in the darkness, "So straightforward. That's unlike you. No matter, you failed to bring us fresh meat. As punishment, you'll be reminded why we protect you in the first place."
Fayowin heard growls emanating from the trees. The pack of around 25 wolves was massive compared to other packs, and there were enough hunters to go around. Fayowin took a step back and let his eyes adjust so he could see them in the trees.
"You don't protect me, Marroy! You fear me!"
Marroy laughed again, "Not from where I'm standing, Mutt. You look pretty frightened." Fayowin took another step back. "Run! Run! Give us some entertainment!"
The wolves started bounding out of the trees and began chasing Fayowin out of the clearing. They seemed to be pouring from every shadow. He ran faster than ever before, the trees blurring past him as he tried to get away. He ran for what seemed like an eternity before seeing the snowy valley at the edge of the forest. He added a burst of speed and instantly regretted it. A rock beneath the snow tripped him and pain shot up his left foreleg. He tumbled end over end in a heap of blue and white, coming to a stop twenty feet away. Fayowin heard the pack coming for him and he tried to crawl away, but to no avail; the pain was too much. He whimpered as he was surrounded, and shut his eyes tight as he felt them bite and claw at him, retreating only after there was a ****** pool around the star wolf. Marroy walked slowly up to him after they had gone and said, "I hope you die out here. If you aren't, we'll make sure that changes." Then the alpha left him there, cold, ******, broken and alone.
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* (End of Day two/Start of day three of writing and i'm really hooked on this, I believe this may be one of my better stories...)*
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Feiria lay silently on the rock outcropping above the pack and she thought of the star wolf. Something about the breeze brought thoughts to her mind.  
Feiria lifted her nose into the air as the smell of blood became present. She sniffed intently and heard her packmates do the same. She looked in the direction that Fayowin had left in and saw a dark form slowly shambling through the shadowy flora towards her. As it neared her she could see that it was dripping a dark liquid, trailing it through the snow in a scarlet path. "Its Fayowin.." she thought to herself. "Why are his eyes so dark? Why isn't he glowing?"
she rushed to his side and the smell of his blood was almost overwhelming. There were numerous bites and cuts all over him and his left foreleg seemed broken.
Feiria called for the healer, an older female named Sheya, and supported Fayowin as they walked to the glade and waited for the healer. Fayowin collapsed in the center of the clearing, the moonlight hitting him directly, making the blood seem black against his white fur.
Feiria whimpered helplessly, waiting for Fayowin to answer, but his eyes seemed so lifeless that
She felt it was almost a false hope. When Sheya finally arrived, the blood had stopped flowing and his breathing had slowed until he was asleep. When the healer examined him, she looked puzzled.
"what's the matter, Elder?"
Sheya pondered a moment before saying, "His wounds have healed. I'd say its a miracle, seeing as he lost so much blood."
Feiria examined the sleeping wolf herself and found the elders words to be true; there wasn't a scratch left on him. "Leave him here, the sunlight will warm him once daylight comes and his fur is thicker than ours so the cold will not affect him as much." the gathered wolves sat in silence as Feiria washed the blood from his fur with snow and lay down next to him, pressing her body against his. The blue lines on Fayowin dimmed and brightened in tune with his heartbeat, and Feiria listened as her own beat matched it.
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...End of day 3....
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Fayowin felt like he was in another world, this one so much quieter, but at the same time he could sense every noise, every movement, every vibration. His fur was no longer the bright white it once was, but rather a deep black with crimson lines flowing round him. He was lying down, surrounded by a wolf pack, Feiria pressed against him for warmth. He saw, or rather sensed her spirit energy, a type of green fire that outlined her entire body as she slept. Fayowin stood up, thinking to wake her and let her know he was alright, but she hadn't moved. And neither had he; his white furred body remained as it was a moment ago, but he was looking at it as if in another body. He took a step back as he realized he was roaming about in his spirit form. He looked around at the pack and none of the gathered wolves seemed to notice him. He exited the circle of onlookers and gazed up at the falling moon, watching it descend into the horizon, chased away by the rays of the sun coming over the mountaintops to the east. As the sun peeked over the ridge, Fayowin caught something out of the corner of his eye, a dark mass that didn't fit right with the rest of the environment. He looked and saw two sets of glowing purple eyes in the shade. He called out to them, hoping they might hear. "Hey! Can you see me?"
The eyes looked at each other and then back at him, staring for a moment before turning and running.
"Hey, wait!!" Fayowin called after them and began to chase them deeper and deeper into the mysterious forest.The beings moved faster than Fayowin had anticipated, disappearing soon after the chase had begun. Fayowin stood there in the middle of the woods, panting and searching for the elusive forms. After a moment he saw them at the very edge of his vision, their eyes glowing brighter, almost as if they were taunting him forward. Snarling, Fayowin bolted towards them and they led him on a winding path marked by a barely discernable scent trail. The smell was that of burnt wood and crushed pine needles and was oddly alluring to Fayowin as he ran. It seeemed as if he were running for ages, the sun and moon rotating numerous times around him as he traveled over mountains and rivers, through forests and valleys. On the thirteenth solar rotation, the figures finally stopped, joined by eleven other figures surrounding a circular rock with vines and overgrowth covering its base.
As he neared the figures, he saw that they all looked like him, long furred and covered in glowing lines. "Star wolves... Like me..."
The wolves all surrounded the dais and watched him with razor sharp eyes, watching his every move. As he gazed back, Fayowin noticed that each of them had some form of a trident mark right below their left eye, the color matching the lines tracing their bodies. He felt the urge to move forward, as if an instinct were telling him to stand in the center of the circle. Fayowin stood, all eyes on him as he waited for whatever was about to come.
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....I have nothing to say to you HP... I dislike you at the moment....
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Nightfall was coming swiftly, the moon and the stars swirling into place above them, reaching their peak and then halting completely. All of time and
Styles Oct 2014
You seeing me rapping will never happen
Before that I’ll start cappin
Walk off like nothing happened
Since I’ve mastered this art of war
I tend to take things too far
Don’t give a **** who you think you are
Your rap handle doesn’t exist anymore
My rhythms galore, your rhythms manure
Best left in a bag
On your steps
At your front door
Hottest your rap crap will ever get
I’m so polished this is a blemish not a scrimmage
I treat you little *******
Like a teacher’s pet
Up against a Vietnam war vet
Giving you your first shoots
Flipping the script
Double barrel twelve gauge extended clip
Special grip pressed against your lip
Having a hard time talking ****
A pistol whip left your tooth chipped
Fake rappers rapping hard
No street creed; they ain’t legit
This wack imitation ****
Got me *******
Don’t get me started
you rip offs should get lost at all cost
dealing with a real boss I can handle a loss
Testing me lyrically, you must be previously *******
Now you are dearly departed
I’m styling on you I’m wilding
Bloodline of Goliath  
So go ahead start a riot
With my mic on autopilot
You can get chewed like trident
Eating wack MC’s
essential part of my diet
this ain’t even a battle verse
it’s a gift and a curse
running its course
on my high horse
Searle May 2014
Summoning a waterfall
He fills the sea
Commanding sweet hail
Into its milky depths

His steely trident
Churns up a maelstrom
Raising a soaked raft of leaves
He casts it from the sea

And laying aside his trident
Raises his cup and sips his tea
Adam Latham Sep 2014
King Neptune sat upon his saline throne
And cried out loud to all the sea drenched sway,
"More sport, more sport" he yelled unto his own,
"That I might ease the boredom brought this day.
You, Dolphin, bring your wisdom unto me
And pray tell of that light, that coastal hue
Which cuts the dark asunder to my sea,
'Cross leaden skies to blind us all we few."

A hastening fin and quickly to his place,
The wise old Dolphin, gripped with fear and awe,
Bowed solemnly, then with a gentle grace
Explained what shone upon his master's shore.
"The glare, those slicing beams that shine at night
Warn pending doom to all who sail to near,
The jagged teeth of rocks are such a sight
To instil e'en the hardest men with fear.

Men's hands, those mortal gems the gods employ,
Have seized upon the danger of it all,
And built a structure warning of the ploy
Of all Sea Lords to bring about their fall.
And so the Lighthouse, named with ample sense,
Can only mean a blasphemy to thee,
So sailors can quite safely trespass hence
From port to port, unto the open sea."

(Neptune)
"No more! My once cool spirit rages hot
And boils a fury charring to the bone,
I see the House of Human has forgot
That they are ours, amusing us alone.
We Gods, we masters of their finite lives
Demand their will, their thoughts, their breathing souls,
To serve without regret our divine hives
With worship, prayer, and swinging incense bowls.

Strange feeling, 'tis the curdling of my blood,
The clotting of my rage to pure disdain,
Revenge is stoked where once pure anger stood,
Enough to charge mankind to think again.
Come trident keeper, serve my thrice pronged arm
And gird my ***** with implements of war,
The time has come to use such lethal charm
That foolish men like these cannot ignore.

A bellowed word, the tide is at my tongue
And wave on wave is mercy to my feet,
Children of the sea rise up in song
And on the Lighthouse moorings thrash and beat.
Seek victory, seize woe upon that hill
And raze in moistened load their pillared sin,
My kingdom shall devour this bitter pill,
'Til it shall be as if it had not been."

On land a Priest, Tiberius by name,
A servant to the Goddess of the Hunt,
Meanwhile had climbed the saturated frame
To view with nonchalance the ocean front.
These seven days had seen Diana's shrine
Find several hundred pilgrims on its plot,
And feeling soon the strains of the divine
Had hoped the walk would ease his troubled lot.

Upon the coast he'd found this Titan's torch
When from his daily burdens he had fled,
A walk one hour from the lunar porch
Where tithes were paid and healing prayers were said.
And from the top he surveyed all the world
Around about, inland and to the sea,
And marvelled at the way the water curled
Itself onto the shore so constantly.

Though mesmerised, his senses were not dulled,
A sound, a buzz, a percolating hum
Fell on his ears until his eyes were pulled
To ripples forming in the salty ****.
A tremor was the herald he surmised
For one whose habitation was the sea,
But even then what 'rose before his eyes
Was something that he thought would never be.

A giant crowned with royal ornament
And plates of golden armour on his chest,
Reared up out of the depths in quick movement
Which saw the waves removed and pulled abreast.
A thunderclap and lightening bolts galore
Along with all the earthquakes there could be,
Made our heroic priest fear all the more
As Neptune stood astride the choppy sea.

The stature of a God cannot be ruled,
But here Tiberius measured a mile,
From sandalled feet to head and hair bejewelled
With water droplet gems set regal style.
He noticed that this ocean deity
Well placed amongst the swells of his domain,
Now roll his eyes towards him hatefully
And bellow words the skies could not contain.

"Six nights in seven I have seen the light
From this abomination cast a spell,
And give to those that would not have insight,
A knowledge of the coastal rocks that dwell.
Tonight I will destroy it piece by piece
And reclaim once again the water's grave,
The perils of my realm will then increase
And men of ships I once more shall enslave.
I call upon all life of which I rule
And Mother Nature's elemental froth,
Join with me in the use of anger's tool,
Tear down each brick with undiluted wrath!"

Tiberius was quick in his reply,
His nerves suppressed to give a hardened look,
Inside a churning stomach would not lie
Yet somehow courage managed this rebuke,
" I care not for the wars of Gods and Men,
But hearken Neptune, hear this heartfelt pledge,
Strike not your hand against this lighted den
For by that action you would cross the edge.
The earth beneath my feet is holy ground
And sanctioned sacred at the throne of Jove,
I prayed my blessing when I heard the sound,
That ****** of rushing water in your grove."

The Sea God boomed displeasure with a roar
That pierced the cooling air with heated might,
A calmness quickly soothed him to the core
Though whitened knuckles gripped his trident tight.
"How can this be from one whose station's known
To beg the favour of the King of Kings,
Your faith is to one God and one alone
And subject only to the gift she brings.
I do not recognise the swift dictate
You prayed unto my brother in the heights,
Your life is therefore forfeit to The Fates,
As I condemn to death your house of lights."

No more was said but actions stole the words
Before Tiberius could speak again,
This Sea Lord with his head amongst the birds
Now caused the air to turn, the sky to rain.
He strode towards the object of his ills
With nothing but contempt within his eyes,
Incanting as he went the magic frills
Positions such as his can realise.

And so our priest expecting deaths divide
To halt the smooth meander of his life,
Stood firm with very little hope inside
That something could release him from this strife.
With quickened breath he ****** the salty air
To calm a body gripped with cold and fear,
His final thoughts would be in silent prayer,
Preparing for the end that drew so near.

The wind blew stronger and the rain lashed down,
A mix of spray and torrents from the sky,
The wet had found his priestly robes and gown
And now they clung unlike when they were dry.
One footstep, two, three more and then no light,
As all of Neptune's bulk eclipsed the sun,
The Lighthouse trembled in the pseudo night,
Lo Judgment Day for our brave priest had come.

And so the scene, a God engulfed with rage
About to battle mortar, brick, and bone,
Freed from the bonds of his salt water cage
By mortal acts that he could not condone.
With one hand raised and trident poised to strike,
The King of all the Oceans took his aim,
And without pause he loosed the three pronged pike
So that it flew unhindered to the game.
It did not falter, neither did it swerve
Nor did it slow by friction of the air,
But straight and true, devoid of any curve
It sailed towards the Lighthouse that was there.

And all Tiberius could do was watch
And wait the lethal throw by Neptune's hand,
Closer and closer, ready to dispatch
His sorry soul to Pluto's hallowed land.
In seconds all he knew of life on Earth
Would perish at the will of the divine,
And that which had been granted his from birth
Would disappear into the sands of time.
Big Virge Mar 2018
Ya Know ....
  
I'm Beginning To Think The Truth Is ...
A LOT of Folks Are ... STUPID ... !!!  
    
You Can Tell By The Way They're Moving ...  
And Who They Choose To ... Move With ...  
    
It's CLEAR Some NEED Improvements ...  
Because They Deal In Looseness .............................. !!!!!  
    
Like CLAIMING Their ... " Religion " ...  
DEFINES How They Be Living ... ?  
    
Here's What I Mean You DON'T EAT PIG ...
Because It's UNCLEAN Is Your Religions' Theme ...  
    
BUT One Night You're At Home ...  
And Your Hunger Says ...  
    
"Yo it's time for some food !"  
    
So Do You Start To Cook ... ???  
NO You Go To The Phonebook ...  
INSTEAD And Have A Look ...  
For Something You Can Order ...  
    
An Option CLEARLY shorter ... !!!  
Than Cooking For ... Yourself ...  
    
So You Then GET A FEVER ...    
To Order Up ... Some Pizza ... !!!  
    
Ya' Hunger Says ... " Oh well " ...  
    
You Order Up ... " A VEGGIE " ...  
I Guess Cos' That Is ... " Healthy " ... ?!?  
    
ONLY To FIND Later ... That Night ...  
That Something MEATY Was Inside ... !!!  
    
Because THAT Night You Spent The Time ...  
With The Toilet By Your Side ... !!!!!!!  
    
It Now Becomes CLEAR ...  
STUPIDITY Steered Your *** To A Place ...  
Where It Had To ................................ DISPLACE ...... !!!!!!!!!!  
    
WHATEVER You Ate From That .... " Takeaway " .... ?!?  
    
Next Day When You Check ...  
The Pizza Then Said .... !!!?!!!
    
"If you didn't want meat,  
why did you eat me, without double checking !  
Why now are you stressing ?  
You were stupid to believe that you'd really receive,  
what we say we'll provide. The sales what rules our vibe !  
If you truly were, all that concerned about swine being a part  
of food you ingest, that makes you **** !  
You'd of got off your ****, and cooked at home,  
so that you'd of known, what it was you had,  
and wouldn't of eaten, a piece of ham !"  
    
You'd of Marked Your Own Card ...    
And Then Wouldn't Try To BLAME ... ?!?  
To .... "Cover Up Your SHAME" ... !!!  
    
It Seems Your Brain Is ... LAME ... !!!  
Cos' STUPIDITY Holds It's REINS ... !!!  
    
Your ANGER Is A FARCE ... !!!!!  
You People Make Me Laugh ...    
    
Actually ... YOU DON'T ... !!!!!!!  
Cos' STUPIDITY ROAMS ...................................
RIGHT THROUGH Your Bones ...  
And Into Zones Where It SHOULD NOT GO ... !!!!!  
    
It Seems That ALL YOUR Bleating ....    
DEFINES Much Like Your ... Leanings ...  
    
Your Faith To Be A SHAM ...    
And Quite Stupid At That ... !!!  

Just Like Wearing ... " LIONS " ... ?!?  
As If They Are ... YOUR TRIDENT ... !?!  
When NOT ONE Lion Roams ?  
In The Place That You Call ... " Home " ... !!!
    
Isn't That Something You STOLE .... ?!?  
From AFRICAN ... Time Zones ... !?!  
    
Somebody's CLEARLY LYING ... !!!!!  
And DOESN'T Come From ZION ... !!!  
    
I Clearly Am STUPID ...
To See THAT As FOOLISH ... !!!  
And PROOF of POOR Schooling ...
That Is Mind POLLUTING ... !!!  
    
Who'd They Think They're ...
..... " Fooling " ...... ???  

A GREAT MANY People ...
Like Those Under Steeples ... !!!  
CONFESSING Their SINS ... !!!  
Because of BAD THINGS ...  
That They Have Been Doing ...  
    
It's Church They Are USING ....    
To ACT As Their CLEANSER ...  
These STUPID PRETENDERS ... !!!!!  
    
USING Religion ...
To Give Themselves Visions ...  
of AGAIN Being ... PURE ... ?!!!!!?  
    
That's STUPID ... Fa' SURE ... !!!!!!  
    
A Leopard DOES NOT Change His Spots ... !!!  
    
He's A LEOPARD ... FOREVER ... !!!!!  
YES Humans Can BETTER ...    
Themselves ... YES IT's True ...    

But NOT In A Morning ... !!!  
That's STUPIDITY ... Calling ... !!!!!  
    
Is It Stupid To Say These Things Nowadays ... ?!?  
NOT IN My View But MANY Would Choose ...  
    
To Say .....  
    
" It is true, cos expression moves, and causes issues,  
and if you're not careful, may turn and bite you !"    
    
Man ... FEAR of YOUR TRUTH ...  
Seems Like ... FEARING YOU ... ?!!!?  
    
Something I View ...  
As YES A ... STUPID MOVE ... !!!!!  
    
Stupidity REIGNS ...  
When FEAR Takes The Strain ... !!!!!  

That's Now What's IMPRINTED .....  
And Runs Through My Veins ... !!!!!!!  
    
I Try To Use THINKING ...  
To Avoid ... STUPID TRAINS ... !!!  
    
Cos' Thought OVERPOWERS STUPIDITY's Power ... !!!  
    
As Does DISCIPLINE ...
Which Is Where I Begin ...  
    
NO RELIGION ... Within ... !!!  
    
Just Faith In Reflection ...  
And Thought FILLED Selections ... !!!  
On Life And It's LESSONS ... !!!  
To Give Me ... "PROTECTION" ...  
Against The INFECTIONS ... !!!!!  
    
STUPIDITY Spreads In UNDISCIPLINED Heads ...  
It's CLEAR TO ME Now That FOOLS Run Most Towns ... !!!!!  
    
And My Thinking That THOUGHT ...  
In People ... Runs FLUID ... !!!!!!  
    
Gives Me LIVING PROOF ...  
That I'm Being ........  
    
..... " STUPID " .....
Nowadays, people expose things about themselves on social media, without truly realising the extent of what they are showing sometimes ....
cxbra Dec 2014
anyone could tell you how to treat someone special
but I bet they wont tell you how to treat yourself better
I know you look into the mirror and you’re disgusted
with what you see, like you just want to rip your skin off
and change all of your ****** features, even shedding some
weight off in your mind, imagining how you’d be if you were
just a few pounds less
just a few inches taller
just a little more muscular
anyone could tell you how to love someone
but I bet they wont tell you how to love yourself for who you are
let’s be real here, how can you love someone else
when you can’t love yourself
you don’t have to be cocky
you just have to be confident
when someone catches your eye
you have no clue what they're biggest insecurities are
yet from across the room, you're still amazed by they're presence
anyone could tell you cheesy pick up lines
but I bet they couldn't show you how to pick yourself up first
and stand tall with your chin up
not letting anything tear you down
why does not one teach others how to keep their head
above water
we can see that everyones vests are defective and they're beginning
to drown, anyone could tell you how to swim in a wave pool
but I bet they wouldn't tell you how stroke against the ocean waves
because they’d rather see you drown than see you
swim to safety, maybe sea shells are the bones of the forgotten
and when we listen to them, maybe its not the ocean we hear,
maybe its the screams of those who weren’t taught how to swim
maybe its the screams of those who's last breath of air was full of
water from the ocean
no one is terrified of the sea anymore
of the past several hundred years
man has conquered every twist and turn
yet somehow 3,533 people die each year
due to drowning, just in the United States
anyone could tell you to wear a life vest
anyone could show you CPR
but who are you to an ocean who has claimed lives for centuries
instead of wanting to be that supermodel or A list celebrity
maybe we should all want to be Poseidon
with an almighty trident
Shaded Lamp May 2014
May I present a challenge?
Imagine if you will
You have created a flying explosive device
And it needs a name that will thrill.

A name, a good name, which name?
Well, none of those below.
Some twisted suits have already used them.
****, EVEN Tacit Rainbow.

What really goes through their minds?
As they sit and discuss the name
Of their creation that's destined to ****
Butcher, destroy and maim.

Just try if you can
To read the whole of this edited list
Imagine how many have exploded of each
With out angrily clenching your fist

Little John
Honest John
Hellfire
Matador
HARM
Terrier
Nike-Ajax
Corporal
Sea Sparrow
Redstone
Bullpup
Mace
Nike-Hercules
Regulus II
Atlas
Thor
Lacrosse
Jupiter
Quail
Hawk
Tartar
Falcon
Polaris
H­ound Dog
Pershing
Entac
Firebee
Shelduck
Jayhawk
Cardinal
Firefly
Petr­el
Redhead/Roadrunner
Redeye
Mauler
Skybolt
Nike Zeus/Spartan
Condor
Phoenix
Typhon MR
Falconer
Overseer
Taurus
Kingfisher
Cardinal
Walleye
Hornet
Ma­verick
Big Q
Minuteman
Blue Eye
Viper
Firebolt
Bulldog
Harpoon
Focus
Perseus
Firefly
Stinger
­Compass Dwell
B-Gull
Agile
Seekbat
Delta Dagger
Thunderbolt[7]
Patriot
Aquila
Teleplane
Streaker
Tomahawk
­Firebrand
Roland
Peacekeeper
Penguin
Pave Tiger/Seek Spinner
Sidearm
Skipper
Wasp
Sea Lance
Ripper[7]
Trident II
Midgetman
Tacit Rainbow
Pave Cricket
Have Nap
Peregrine
Exdrone
Javelin
Pointer
Hunter
Coyote
Skeeter
Outlaw

­Wow, you're still reading
And you've managed not to throw up.
Just wondering how many innocent victims
Of a tax funded device called Bullpup.
Shiv Pratap Pal Aug 2019
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
T­his poem is self translated version of my Hindi language poem titled "शिव स्वरूपं" published in pratilipi on (Dec. 2017) Can be read through the link ==>> https://bit.ly/2P4j7vE
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^­^^^^^^

That face of Lord Shiva is most beautiful in which he holds Ganga in his hairs
The Moon feels blessed by beautifying the head of Shiva as a glittering crown

The Serpants also became jewellery by themselves and decorated his blue neck
Shiva holds the trident on one hand and plays the Damroo from the other one

He has seated himself on a mat of Tiger Skin and rubbed pyre ash on his body
He has left elephant and the horses and decided to travel on an old Bull Nandi

By such an amazing face form, he is always ready for the welfare of devotees
The cruel and wicked have always been afraid of his eldritch face and form.

^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^­^^^^^

Shiva (See Line 1): A God (The Destroyer) in Hindu Mythology
Ganga (See Line 1): The Holy river whose flow and speed is controlled by the coiled hairs (Jatas) of Lord Shiiva
Damroo(See Line 4): A sort of musical instrument ( Pellet Drum )
Nandi((See Line 6)): A bull in Indian mythology who is the vehicle of Lord Shiva
The Mesmerizing Face of God Shiva
Shouting for longevity,
Slamming at the counterers…
- upon your dignified respite!
Would-be detractors without brevity,
Before the wine-dark Sea at night…
A pleading to philosophy of commonly renowned,
Beating sand and posturing, uncouth before a crown;

“Priam please!”

Sun and Moon,
two sons shall plead,
nay, -beg in tandem with the man;

“He serves the seas, trust him please, our father; this priest of Trojan-land!”

Laocoon

“Fear the Greeks, of mind I speak, approval by a van-i-ty; it surely is a death you seek!

An asp this horse, gift no more and tragedy in due remorse,

I beg of you my call to heed, wooden-burnt this crispy steed,

…alight in flame, glorified name; Poseidon shall endorse!”

Priests of Apollo

“Ridiculous! Worship we must, now bring it to the City thus!”

Laocoon

“The actions of accursed Kore,

Need I remind you all Paris caused this war?

For he mocked this god, the abyss it knows, with terror comes a deadly tide,

**** that fool and his fiddling pride!

Burn this beast we must with haste for Greeks they have a certain taste,

Their acts meant always to confound, wily, since they were unbound.

What harm may do, to rest at shore? Consult the stars of yester-yore.

Assign no chore, one heaven’s night, plus a day, to sit upon our princely shore?”


Setting
(read/spoken at the fastest pace the reader can go)

A horrid hiss above the wave as two doth slither from out the cave…

  The creatures from the darkest days, ancient spectacle for the knaves, bear witness to the punishment, commanded by a great trident, hearing screams of bannermen, for King and council a shocking twist, serpents ****** from out the mists, encircling priest and his kin, the howling they had done no sin, never be forgot-ten, as Typhon cried out merrily, serpents and the tragic sea; swallowed up all the three.

Priam

“Farewell dear Laocoon and two sons with thee!”
The name. "Laocoon," translates to, "Peoples knowledge," or "Knowledge of the peoples." This is a retelling of a section of the Iliad.
Paula Swanson Jun 2010
Lying, cheating, thievery
Were his devils trident
Piercing through an Angel's wings
Leaving her spirit spent

"I know that she could not leave me"
Blinded by self content
Refused to see his hands in things
Never would he repent

Yet Angels heal and then see
Past pretty ornaments
To a future that would always sting
At the point of his trident

Now alone, trident and he
Without love heaven sent
Bemoaning how fate pulled the strings
Blinded by his own contempt
This is a re-post.
He wandered along the decks by night,
Stood at the rails by day,
Kept to himself from what I saw
And didn’t have much to say,
He wore a yellow sou’wester when
The weather came in cold,
And a battered and worn old Navy cap
With the legend ‘Merchant Gold’.

He must have been once a ******
In a time quite long ago,
He still had his steady ******’s legs
On the ‘Michaelangelo’,
A crusty and time-worn cruise ship
That had seen much better days,
Pottering round the islands through
The softly lapping waves.

I doubt that it could withstand a storm
It was just a summer cruise,
For a raggedy band of tourists who
Had nothing much to lose,
The fares were cheap and the cabins bare
So I utilised the bar,
While the wife would wander off and say,
‘I’ll know just where you are!’

I got in some serious drinking
There was nothing else to do,
While Helen came back with every name
Of the stewards, and the crew,
For Helen’s a social butterfly
And she loves to gad about,
I’ve never been much of a talker
So I tend to shut her out.

One night I happened to wander out
She was over by the rail,
Listening to the sailor who
Was reading her some tale,
I turned back into the dining room
Until my wife was free,
Then asked her: ‘What was he reading?’
And she said, ‘Some poetry!’

‘A poem called ‘Sea Fever’ that had
Brought a tear to his eye,
It was all about a tall ship
And a star to steer her by,
If only you could have heard him, Ben
He had such a tale to tell,
I could have listened to him for hours,
His soul is like a well.’

‘His life was spent on the water and
He calls it God’s domain,
He said that having to leave it brought
His life’s most constant pain,
He pointed the constellations out
Named every little star,
He gave me a feeling of awe about
The ocean, where we are.’

I know I must have been jealous for
I never took the bait,
I didn’t talk to the sailor,
When I would, it was too late,
A storm blew up and the rising seas
Crashed over the decks and spars,
While he clung onto the outer rails
And gazed on up at the stars.

And then I must have been seeing things
For a man approached him there,
Holding onto a trident with
Coiled seaweed in his hair,
Touched him once with the trident and
The sailor turned his head,
Nodded once, with a gentle smile
Then draped on the rail, was dead.

They gathered the poor old sailor up
And bound him up in a sheet,
Waited until the sea calmed down
Called everyone to meet,
Then after a simple service they
Just slipped him into the sea,
A fitting end for a sailor who
Had left our company.

But Helen was broken hearted she
Was weeping all day long,
While I was irritated, and
I asked her, what was wrong?
She stopped and smiled, and she said, ‘Oh well,
He’s back in the sea he loved,
In a tall ship with a broad sail,
With the sky and the stars above!’

I think of him, and Neptune with
A trident, on his throne,
The sailor reading poetry
But this time, quite alone,
While coral reefs and gentle seas
Pay tribute to his life,
But I couldn’t share it now with him…
He shared it with my wife!


David Lewis Paget

(‘Sea Fever’ by John Masefield)
Chris D Aechtner Nov 2021
I've pondered on whether or snot Sun Tzu
was psychopathic. Sun Tzu might've been a
good man and a bad man strange variant of serial killer/Apex Prime Exterminator within
his theories and experiments.
Every successful contemporary military, government, politician, global health advisory control panel, corporation, and CEO practices The Art of War.

Sun Tzu added a trident to each prong of
the pre-existing "Three-Pronged Approach". Instead of there being three main paths and results only, there were now many possible combinations and results, especially when
Dark Sun Tzu added a trident to each of the
expanded 9 prongs for 27 possible results,
then did that again for 72 possible results
that can be arrived at from many possible
combinations and pathways.

The fork is an often primal, psychoapathic thrusting force—a thrusting force of nature
on many levels of instinct, natural Earth laws
and universal laws, and sociopsychology—
the fork is code, icon, symbol, archetype,
metaphor, Meta, in parallel with the trident,
unsheathed sword, the thrusting ***** *****
and hypodermic needle:

Hypo dermis: beneath the skin:
Ancient Greek etymological root that moves
through Latin and Auld English, from deeper
symbology and metaphor, to the technocratic
medical and clinical, to a chrome or chrome
plated hypodermic needle.

The most maniacal journey and result within Sun Tzu's expanded and multiplied "Three-Pronged Approach" is to use heavy
psychological direction to assist the enemy to disembowel itself before your feet while the enemy believes that you're reaching down as friend to help it. The enemy believes that
you're a saviour who is offering it a cure-all healing apple. The "apple" cuts through the enemy's belly. Now convulsing in pain on the ground, the enemy believes that you're a benevolent angel reaching down to help as the enemy pulls out its bowels onto the green grass, with greasy, slickened hands.

Trident. Forked Tongue. Snake in the grass.
Apple. Belly of the Beast. Snake bite: The
chrome fangs of the one-eyed technocratic
serpent on the Rod and on the Staff. That

was later adapted into Marxist, ****,
and Democratic medical practices on the national and corporate levels, and on international levels within foreign diplomatic agendas: Get the enemy to **** and/or sicken
itself within the belief that its actions are
saving itself, loved ones, and free society.
When Sun Tzu's momentum is used, an
intended target enemy can send Sun Tzu
orbiting back around in various forms and
forces that are usually far worse and forceful
than its previous forms and applications.

The enemy cries out for, begs on its knees for, the medicine.

"Ask and thou shalt receive."

The enemy dispenses the medicine to its offspring, enforces the absorption of the medicine, crawls back to its hive of maggots
to dispense the medicine

on its last dying breath.

Many people misunderstood the implications of "Flatten the curve". For how many more centuries will the cycle of not quite "normal" and not quite "novel" continue? Will the adults ever understand the fairy tales.
Vatican Witches and Federal Government
poison that need to be burned and purified
in their own fire. Good Cop/Bad Cop politics and The Welfare State breaks the family,
steals the bread crumbs, and the children
are lost in the woods again, hooked on candy and Federal Government endorsed dope.

It's amazing, aside from the miracle of Earth and life, I finally believe in miracles: A person can read a story 10,000 times and fail to apply it when needed most of all.
11 13/14 2021
A VISIT TO THE DENTIST

The Green Mile to
The Chair
The snap of hygienist’s latex gloves, then
Scraping, scritching, spitting blood

“Only one” gaping hole
no matter how much chocolate I eschewed
in favor of chewing Trident
(I’m *******)

The Dentist
My personal Olivier, and I, his Dustin.
Needle.  Lets it set in.
The drill, the smile of the sadist
squealing torture, my mouth on the rack
I CAN FEEL PAIN
but it comes out, “owiusmmorsoss”
(“ow, I want some more shots!”)

Another shot.
I press on:  “LA.  The 70s.  I did more than this for fun.”
Reluctantly, another shot.  And another.

As the drill grinds and keens
I pull out my secret weapon – how could I forget?
This is why God
invented the IPod
(c) 2010 Amy Barlow Liberatore, Sharp Little Pencil
Matt Jul 2015
36,000 NATO troops
Prepare for Trident Juncture 2015
What does it all mean?

So many of these military
Exercises these days it seems

I have a bad feeling
A difficult time may be coming

For the world
And for U.S.A.

No I don't things
Will continue to be okay
And now, as Dawn rose from her couch beside Tithonus—harbinger of
light alike to mortals and immortals—the gods met in council and with
them, Jove the lord of thunder, who is their king. Thereon Minerva
began to tell them of the many sufferings of Ulysses, for she pitied
him away there in the house of the nymph Calypso.
  “Father Jove,” said she, “and all you other gods that live in
everlasting bliss, I hope there may never be such a thing as a kind
and well-disposed ruler any more, nor one who will govern equitably. I
hope they will be all henceforth cruel and unjust, for there is not
one of his subjects but has forgotten Ulysses, who ruled them as
though he were their father. There he is, lying in great pain in an
island where dwells the nymph Calypso, who will not let him go; and he
cannot get back to his own country, for he can find neither ships
nor sailors to take him over the sea. Furthermore, wicked people are
now trying to ****** his only son Telemachus, who is coming home
from Pylos and Lacedaemon, where he has been to see if he can get news
of his father.”
  “What, my dear, are you talking about?” replied her father, “did you
not send him there yourself, because you thought it would help Ulysses
to get home and punish the suitors? Besides, you are perfectly able to
protect Telemachus, and to see him safely home again, while the
suitors have to come hurry-skurrying back without having killed him.”
  When he had thus spoken, he said to his son Mercury, “Mercury, you
are our messenger, go therefore and tell Calypso we have decreed
that poor Ulysses is to return home. He is to be convoyed neither by
gods nor men, but after a perilous voyage of twenty days upon a raft
he is to reach fertile Scheria, the land of the Phaeacians, who are
near of kin to the gods, and will honour him as though he were one
of ourselves. They will send him in a ship to his own country, and
will give him more bronze and gold and raiment than he would have
brought back from Troy, if he had had had all his prize money and
had got home without disaster. This is how we have settled that he
shall return to his country and his friends.”
  Thus he spoke, and Mercury, guide and guardian, slayer of Argus, did
as he was told. Forthwith he bound on his glittering golden sandals
with which he could fly like the wind over land and sea. He took the
wand with which he seals men’s eyes in sleep or wakes them just as
he pleases, and flew holding it in his hand over Pieria; then he
swooped down through the firmament till he reached the level of the
sea, whose waves he skimmed like a cormorant that flies fishing
every hole and corner of the ocean, and drenching its thick plumage in
the spray. He flew and flew over many a weary wave, but when at last
he got to the island which was his journey’s end, he left the sea
and went on by land till he came to the cave where the nymph Calypso
lived.
  He found her at home. There was a large fire burning on the
hearth, and one could smell from far the fragrant reek of burning
cedar and sandal wood. As for herself, she was busy at her loom,
shooting her golden shuttle through the warp and singing
beautifully. Round her cave there was a thick wood of alder, poplar,
and sweet smelling cypress trees, wherein all kinds of great birds had
built their nests—owls, hawks, and chattering sea-crows that occupy
their business in the waters. A vine loaded with grapes was trained
and grew luxuriantly about the mouth of the cave; there were also four
running rills of water in channels cut pretty close together, and
turned hither and thither so as to irrigate the beds of violets and
luscious herbage over which they flowed. Even a god could not help
being charmed with such a lovely spot, so Mercury stood still and
looked at it; but when he had admired it sufficiently he went inside
the cave.
  Calypso knew him at once—for the gods all know each other, no
matter how far they live from one another—but Ulysses was not within;
he was on the sea-shore as usual, looking out upon the barren ocean
with tears in his eyes, groaning and breaking his heart for sorrow.
Calypso gave Mercury a seat and said: “Why have you come to see me,
Mercury—honoured, and ever welcome—for you do not visit me often?
Say what you want; I will do it for be you at once if I can, and if it
can be done at all; but come inside, and let me set refreshment before
you.
  As she spoke she drew a table loaded with ambrosia beside him and
mixed him some red nectar, so Mercury ate and drank till he had had
enough, and then said:
  “We are speaking god and goddess to one another, one another, and
you ask me why I have come here, and I will tell you truly as you
would have me do. Jove sent me; it was no doing of mine; who could
possibly want to come all this way over the sea where there are no
cities full of people to offer me sacrifices or choice hecatombs?
Nevertheless I had to come, for none of us other gods can cross
Jove, nor transgress his orders. He says that you have here the most
ill-starred of alf those who fought nine years before the city of King
Priam and sailed home in the tenth year after having sacked it. On
their way home they sinned against Minerva, who raised both wind and
waves against them, so that all his brave companions perished, and
he alone was carried hither by wind and tide. Jove says that you are
to let this by man go at once, for it is decreed that he shall not
perish here, far from his own people, but shall return to his house
and country and see his friends again.”
  Calypso trembled with rage when she heard this, “You gods,” she
exclaimed, to be ashamed of yourselves. You are always jealous and
hate seeing a goddess take a fancy to a mortal man, and live with
him in open matrimony. So when rosy-fingered Dawn made love to
Orion, you precious gods were all of you furious till Diana went and
killed him in Ortygia. So again when Ceres fell in love with Iasion,
and yielded to him in a thrice ploughed fallow field, Jove came to
hear of it before so long and killed Iasion with his thunder-bolts.
And now you are angry with me too because I have a man here. I found
the poor creature sitting all alone astride of a keel, for Jove had
struck his ship with lightning and sunk it in mid ocean, so that all
his crew were drowned, while he himself was driven by wind and waves
on to my island. I got fond of him and cherished him, and had set my
heart on making him immortal, so that he should never grow old all his
days; still I cannot cross Jove, nor bring his counsels to nothing;
therefore, if he insists upon it, let the man go beyond the seas
again; but I cannot send him anywhere myself for I have neither
ships nor men who can take him. Nevertheless I will readily give him
such advice, in all good faith, as will be likely to bring him
safely to his own country.”
  “Then send him away,” said Mercury, “or Jove will be angry with
you and punish you”‘
  On this he took his leave, and Calypso went out to look for Ulysses,
for she had heard Jove’s message. She found him sitting upon the beach
with his eyes ever filled with tears, and dying of sheer
home-sickness; for he had got tired of Calypso, and though he was
forced to sleep with her in the cave by night, it was she, not he,
that would have it so. As for the day time, he spent it on the rocks
and on the sea-shore, weeping, crying aloud for his despair, and
always looking out upon the sea. Calypso then went close up to him
said:
  “My poor fellow, you shall not stay here grieving and fretting
your life out any longer. I am going to send you away of my own free
will; so go, cut some beams of wood, and make yourself a large raft
with an upper deck that it may carry you safely over the sea. I will
put bread, wine, and water on board to save you from starving. I
will also give you clothes, and will send you a fair wind to take
you home, if the gods in heaven so will it—for they know more about
these things, and can settle them better than I can.”
  Ulysses shuddered as he heard her. “Now goddess,” he answered,
“there is something behind all this; you cannot be really meaning to
help me home when you bid me do such a dreadful thing as put to sea on
a raft. Not even a well-found ship with a fair wind could venture on
such a distant voyage: nothing that you can say or do shall mage me go
on board a raft unless you first solemnly swear that you mean me no
mischief.”
  Calypso smiled at this and caressed him with her hand: “You know a
great deal,” said she, “but you are quite wrong here. May heaven above
and earth below be my witnesses, with the waters of the river Styx-
and this is the most solemn oath which a blessed god can take—that
I mean you no sort of harm, and am only advising you to do exactly
what I should do myself in your place. I am dealing with you quite
straightforwardly; my heart is not made of iron, and I am very sorry
for you.”
  When she had thus spoken she led the way rapidly before him, and
Ulysses followed in her steps; so the pair, goddess and man, went on
and on till they came to Calypso’s cave, where Ulysses took the seat
that Mercury had just left. Calypso set meat and drink before him of
the food that mortals eat; but her maids brought ambrosia and nectar
for herself, and they laid their hands on the good things that were
before them. When they had satisfied themselves with meat and drink,
Calypso spoke, saying:
  “Ulysses, noble son of Laertes, so you would start home to your
own land at once? Good luck go with you, but if you could only know
how much suffering is in store for you before you get back to your own
country, you would stay where you are, keep house along with me, and
let me make you immortal, no matter how anxious you may be to see this
wife of yours, of whom you are thinking all the time day after day;
yet I flatter myself that at am no whit less tall or well-looking than
she is, for it is not to be expected that a mortal woman should
compare in beauty with an immortal.”
  “Goddess,” replied Ulysses, “do not be angry with me about this. I
am quite aware that my wife Penelope is nothing like so tall or so
beautiful as yourself. She is only a woman, whereas you are an
immortal. Nevertheless, I want to get home, and can think of nothing
else. If some god wrecks me when I am on the sea, I will bear it and
make the best of it. I have had infinite trouble both by land and
sea already, so let this go with the rest.”
  Presently the sun set and it became dark, whereon the pair retired
into the inner part of the cave and went to bed.
  When the child of morning, rosy-fingered Dawn, appeared, Ulysses put
on his shirt and cloak, while the goddess wore a dress of a light
gossamer fabric, very fine and graceful, with a beautiful golden
girdle about her waist and a veil to cover her head. She at once set
herself to think how she could speed Ulysses on his way. So she gave
him a great bronze axe that suited his hands; it was sharpened on both
sides, and had a beautiful olive-wood handle fitted firmly on to it.
She also gave him a sharp adze, and then led the way to the far end of
the island where the largest trees grew—alder, poplar and pine,
that reached the sky—very dry and well seasoned, so as to sail
light for him in the water. Then, when she had shown him where the
best trees grew, Calypso went home, leaving him to cut them, which
he soon finished doing. He cut down twenty trees in all and adzed them
smooth, squaring them by rule in good workmanlike fashion. Meanwhile
Calypso came back with some augers, so he bored holes with them and
fitted the timbers together with bolts and rivets. He made the raft as
broad as a skilled shipwright makes the beam of a large vessel, and he
filed a deck on top of the ribs, and ran a gunwale all round it. He
also made a mast with a yard arm, and a rudder to steer with. He
fenced the raft all round with wicker hurdles as a protection
against the waves, and then he threw on a quantity of wood. By and
by Calypso brought him some linen to make the sails, and he made these
too, excellently, making them fast with braces and sheets. Last of
all, with the help of levers, he drew the raft down into the water.
  In four days he had completed the whole work, and on the fifth
Calypso sent him from the island after washing him and giving him some
clean clothes. She gave him a goat skin full of black wine, and
another larger one of water; she also gave him a wallet full of
provisions, and found him in much good meat. Moreover, she made the
wind fair and warm for him, and gladly did Ulysses spread his sail
before it, while he sat and guided the raft skilfully by means of
the rudder. He never closed his eyes, but kept them fixed on the
Pleiads, on late-setting Bootes, and on the Bear—which men also
call the wain, and which turns round and round where it is, facing
Orion, and alone never dipping into the stream of Oceanus—for Calypso
had told him to keep this to his left. Days seven and ten did he
sail over the sea, and on the eighteenth the dim outlines of the
mountains on the nearest part of the Phaeacian coast appeared,
rising like a shield on the horizon.
  But King Neptune, who was returning from the Ethiopians, caught
sight of Ulysses a long way off, from the mountains of the Solymi.
He could see him sailing upon the sea, and it made him very angry,
so he wagged his head and muttered to himself, saying, heavens, so the
gods have been changing their minds about Ulysses while I was away
in Ethiopia, and now he is close to the land of the Phaeacians,
where it is decreed that he shall escape from the calamities that have
befallen him. Still, he shall have plenty of hardship yet before he
has done with it.”
  Thereon he gathered his clouds together, grasped his trident,
stirred it round in the sea, and roused the rage of every wind that
blows till earth, sea, and sky were hidden in cloud, and night
sprang forth out of the heavens. Winds from East, South, North, and
West fell upon him all at the same time, and a tremendous sea got
up, so that Ulysses’ heart began to fail him. “Alas,” he said to
himself in his dismay, “what ever will become of me? I am afraid
Calypso was right when she said I should have trouble by sea before
I got back home. It is all coming true. How black is Jove making
heaven with his clouds, and what a sea the winds are raising from
every quarter at once. I am now safe to perish. Blest and thrice blest
were those Danaans who fell before Troy in the cause of the sons of
Atreus. Would that had been killed on the day when the Trojans were
pressing me so sorely about the dead body of Achilles, for then I
should have had due burial and the Achaeans would have honoured my
name; but now it seems that I shall come to a most pitiable end.”
  As he spoke a sea broke over him with such terrific fury that the
raft reeled again, and he was carried overboard a long way off. He let
go the helm, and the force of the hurricane was so great that it broke
the mast half way up, and both sail and yard went over into the sea.
For a long time Ulysses was under water, and it was all he could do to
rise to the surface again, for the clothes Calypso had given him
weighed him down; but at last he got his head above water and spat out
the bitter brine that was running down his face in streams. In spite
of all this, however, he did not lose sight of his raft, but swam as
fast as he could towards it, got hold of it, and climbed on board
again so as to escape drowning. The sea took the raft and tossed it
about as Autumn winds whirl thistledown round and round upon a road.
It was as though the South, North, East, and West winds were all
playing battledore and shuttlecock with it at once.
  When he was in this plight, Ino daughter of Cadmus, also called
Leucothea, saw him. She had formerly been a mere mortal, but had
been since raised to the rank of a marine goddess. Seeing in what
great distress Ulysses now was, she had compassion upon him, and,
rising like a sea-gull from the waves, took her seat upon the raft.
  “My poor good man,” said she, “why is Neptune so furiously angry
with you? He
Edward Alan Feb 2014
That statue of a god, with godly state,
whose clenching fist and arching back expand
to free the thund'rous trident from command,
will hold his step and ever warn and wait.

That statue of a god dares uncreate
that Sculptor of a god, Whose waxen hand,
in image of Himself, prepared to stand
those ankles, feet, and knees that spell his gait.

Gouge out his eyes and skyey senate seat;
his absence reassures Us, Men, the stellar
blanket warms but nameless moons and stars;
that fire that rises from an earthy cellar
lends itself and names it solely Ours,
so that Our liver is Our own to eat.
Adam Childs Feb 2016
Welcome to the world of Sci-fi
horror like a risky affair we
have all been courting,
but now it is really here.
And of course the reality is always  
far worse than the movie.
Like an alien attack or abduction
there is a flash of bright white
light.
As hot as the center of the sun
those underneath vaporize
into nothing.
Their remains like ghostly shadows
burnt into the scarred ground.
And as we drop deeper into hell
we find in terror
the devil runs out.

Survivors blinded, burnt, crawling,
moping and moaning as we find
ourselves living in a desert like
Zombie land.
An earth once full of life falls through
space like a discarded match burning
itself out.
Of course I can only talk for myself
as you maybe able to hold a flame
against an innocent child or old lady.
But if not maybe you should not,
like genocide be supporting it.  
Thousands screaming and crying but
I am sorry there no hospital and there
will be no ambulance coming.

So with Little Boy
such a friendly name
like the boy playing down the park.
Well 40 thousand died an hour after
that one was dropped.
Now imagine something 30 times as
strong something they call the
Ivy King,
king of the apocalyptic land.
And now imagine their latest celebration
they call Castle Bravo 1000 times
more powerful.
How many millions tens of millions
could that ****
Bravo bravo bravo.

But these are just numbers what if they
all each had a name like
Nikolai or Emiko
sorry maybe it would be better if
we did not give them a foreign
name maybe call them
Jenifer or John.
So do really want to give our
government permission to drop
a bomb like Hiroshima or Nagasaki.
Perhaps they would be safer if they
changed there cities names called them
something like Manchester or Birmingham.

Naughty boys boasting about their
conquers sit around tables playing
their poker bluff.
While injecting a fear into their
enemies heart they mind their p's and q's.
As they pretend to be civilized
but at the same time threatening
an annihilation.
Just so they may get the
Upper hand
A gas pipe or
Oil rich land.
But I don't want my life to be
someones negotiating tool.
So stop playing your silly game of
chance because if you loose the whole
worlds is gone.
Please someone tell them
this is really not a game.

I hope the world has realized more
bombs does not make it safer.
Maybe you think it is money well spent
or maybe like me you think it could be
spent curing cancer or the environment.    
Any on a personal note
I really do hope  
they give up trident.
over a snow-covered mountain top in heaven
some secret river lies
stirring not earthwards
this river of the Gods

and then a prince disturbs
her peaceful ferocity
with determined prayer to cleanse
the sins of his forefathers

Look she trembles with wounded pride!
Not a mere mortal river is she
a Goddess, her anger awakened
but she must proceed

the Gods have asked her so she shall go
but she makes her displeasure known
threatening to swallow all of existence
she follows

the earth shakes
it cannot hold her weight
her power her strength her majestic gait
life-giver, she is now a messenger of death

in her anger she is beautiful,
this world cannot sustain her
only he who wields the trident
can reign in her fall

and then the Mahadev traps her
even as she falls in a mighty torrent
thinking she will sweep him
to the nether regions

in his locks she is lost
struggling, she resembles
the naga around his neck
she spits like a cobra

this immortal river
stays tangled in his locks for many a year
till, defeated and frustrated
she begs forgiveness

and then with his blessings
she trickles down
still furious in pace
but in heart at peace

the mother of all rivers-
this river of rebirth
her sound like thunder
her hair like streaks of lightning

celestial beings witness
the skies are lit
the parched earth satiated
Ganga has descended

as Bhagirathi

- Vijayalakshmi Harish
         03.09.2012

Copyright © Vijayalakshmi Harish
The Ganges in Hindu mythology is considered the holiest of holy rivers. She has the status of a Goddess, as she belongs to swarga (roughly translated as heaven). She is considered to be so pure, that bathing in her waters can not only rid one of physical ailments but also cleanse one's sins.
King Bhagiratha (an ancestor of Sri Rama) is credited with bringing her down to earth, as a means of releasing his forefathers from a curse. Ganga, would not descend willingly, but had to do so at the order of the Gods. In her vanity, she fell so furiously that the earth was in danger of being destroyed. Lord Shiva controlled her fall by trapping her in his jata (hair). This poem describes this incident.
Sarah Jystad Feb 2010
A pool with no walls in
An ocean with no souls
Has no choice.
Fate is the tyrant,
The trident even Poseidon controls not.

You cannot drown if you’ve never breathed air.
“Be no one like everyone,”
She laughs, “Equality 7-2521.”
My mouth remains frozen in the frown,
Brows furrowed down.

Disgusted by sheep, I never wear wool.
The fibers stick, ****, suffocate,
Even when dry.
No one else minds it. In fact,
They say “baa” and wear the same masks.

“Bah,” I mutter into ripples.
Witness myself in reflection, introspection,
Retrospection: the id is omniscient;
Individuals are conventional, rarely exceptional;
Explanations are like Time,

They wound and heal.
Truth is disposable, honesty opposable.
Disillusionment is discovery,
Disgusting, discarding, disregarding,
Disblahblahbinizing.

Splash the water, pause the thought process.
Steal fate’s trident, bend it
Into a bubble wand.
When dawn dawns,
Daintily dip the stick in.

A big, blue bubble is born
With each breath, with each blow.
I enter the bubble, in peaceful pace,
Gently lay down,
Knees kiss my face.

Sigh with relief, rebirth, rediscovery.
The ultimate revolution ending
In victory,
In magnificent realizations,
In my last gasp.
5/21/08
AdvanceNote Aug 2014
God of the seas
controlling the army of the ocean
water gave him strengh
His trident instilled fear
Creatures of the deep love him


And each time I stand ashore
with the sand between my toes
I remember
K Balachandran Apr 2015
An eagle flies high, beyond the mind's sky,
above the purple dawn over the Himalayan snow white  it flies,
soaring above the trident peak, where Shiva with Shakti dance
to be one with the essence of all, in resonance with the cosmos.
* Chidakasha--sky of the mind
In the day of Satan,
A satan took me for a long walk
in the daylight.
He was telling me many things
with beautiful words,
Advised me so wisely,
Telling me for not too kind to people.
He said, "Why should you love and care about people
that never appreciate your kindness? Don't you see that they only take a benefit from you?
They don't mind to hurt you whenever they have chance.  
You are wasting your time! You are wasting your life!"  

In the day of Satan
A satan took me for a long walk
in the daylight.
Crowning my head
with all the brilliant ideas
about what I should do and I should be as a human,
Filling my heart
with all world's temptations,
Shining my way
with his adorable light,
And showing the much happiness and glory I could get
if I let myself following his path.

In the day of Satan
A satan took me for a long walk
in the daylight.
He made me fell in love with all of his beautiful words
that I was so ready to take a step
to follow all the words and the path he said and offered.

But then my inner soul came
and whispered,
"Are you sure that you're ready for following his path?
What is your motive of doing goodness, anyway?
To get people's attention or appreciation?
Or just for goodness itself?
Is your kindness just like the woman's make up
that will vanish as soon as you wash your face?
Are you sure that you're ready
for making him a King in your life?"

In the day of Satan
A satan took me for a long walk
in the daylight to his kingdom
to marry me and crown me as his queen.
But then I realized that
I'm doing kindness actually for the kindness itself
I'm doing goodness surely for the goodness itself
I'm doing merit definitely for the merit itself
Not for people I've helped
Not for people I love
Not for heaven's sake
Not even for the universe

If people can't appreciate me,
that's their problem, not mine.
If people can't accept
my unconditional love for them
with the proper way,
that's their problem, not mine.
If people turn to be backstabbers
instead of showing their gratitude
for what I've done for them,
that's their problem, not mine.  

In my life,
there's always a day of satan.
It is the day when satan take me for a long walk
and telling me all of the world's temptations
with the words that much sweeter than sugar.

But this time I've decided
to not listen to his words.
This time I've decided
to not help him in building his throne
or making him my King.
And this time I've decided
to stop my steps with him
and go back to what I should be:
A person with the genuine love and kindness.

Today, in the day of satan
I let a satan down
and let him reveal his true face:
A furious red and ugly guy with horns on his head
and a burning trident in his hand,
as I've refused to be his queen
and ruined his plan to build the throne...

May 5, 2018
Kanya Puspokusumo
Àŧùl Dec 2014
My great-great-great-grandfather,
The father of my grandfather's great-grandfather,
He was a teacher by creed and by deed,
Once he sat with his eyes closed in great concentration...

A beautiful lady saw him sitting graciously in Padmasana pose,
That cunning nymph she wanted his penance undone for herself,
But he was a little short-tempered and couldn't take it when she tried it,
His patience was very short when it came to being disturbed during his penance.

Disturbed, he saw the beautiful nymph trying to break his temper,
He got enraged and picked up his trident to quickly ****** it through her *****.

She had fear in her eyes,
Remorse on her face,
Pain in her contorted brows,
And despair in her dying voice,
As she uttered the curse,
"O you so-called holy man,
You would never get love,
Your generations to come would die thirsty of love,
You're killing me because you can't make love to me,
So lost in your penance,
And so possessive about it,
Let your generations suffer for your actions..."


She dropped dead there itself but her curse continues to be carried from one generation to the next.

I have been paying the price too,
Just like my father and grandfather,
No girl I knew has understood it,
No I won't just follow my forefathers,
I'll have it my way, I'll keep searching.
This poem is a work of fiction and a product of my creative imagination.
My HP Poem #710
©Atul Kaushal
Jamison Bell Oct 2016
It was on a night like this, not long ago.
The air stood still and the moon hung low.

A loathsome lad on the bow of a whaler.
Not much of a farmer but a pretty good sailor.

Made a wish on the breast of Blue he killed.
"Your mightiest dead, his blood I've spilled!"

Most gods didn't listen save one who did care.
Poseidon held steadfast, his attention was snared.

"Poseidon pay forth my wish which I've earned!
My fortunes everlasting and enemies burned!"

Poseidon appeared though not as you think him.
He appeared as fresh water so the sailor would drink him.

"My favor you seek?" The lads stomach it snarled.
"You killed one of my daughters your heart I will gnarl!"

"Oh dear god who hath forsaken my favor.
Spare me your wrath, my heart don't savor."

The young sailor pleaded his tables now turned.
The house of his dreams Poseidon has burned.

"Quiet you fool your tears do not pang me.
One day I favor you will marry a banshee.

She'll be quite striking, clever, and loyal.
For her hand and her heart you mustn't recoil.

You'll live quite well your fortunes more fair.
You'll suffer no fools, you will not despair.

One night though I'll come back to collect.
I spared your life tis quite a large debt."

Our whaling friend abided then his muscles began to quake.
Poseidon made him ***** so an exit he could make.

They parted ways and many years of travels came to be.
Our whaling lad he had searched those perilous seven seas.

Soon he met and fell in love with a girl from the forests edge.
He proposed to her in sight of Poseidon on high upon a ledge.

A few years passed and soon she bore this man a son.
He couldn't believe his very eyes what favors had he won.

Then one night Poseidon came and rapped his trident on the door.
"A debt must be paid with your own son. I mustn't wait anymore!"

The lad he knew better than to argue with Poseidon.
He took his son from his wife's arms knowing better to abide him.

Poseidon took his son and cast him to the stars.
A reminder far more lasting than any mortal scars.

The young mans wife done cast herself into the firey hearth.
Having done cursed her love and self, for ever giving birth.

The sailor said "What penance, if any, was there ever to be made?"
Poseidon turned away from him for the debt the man had paid.

"Does your pain right now not make you favor death?
Do you not savor in the thought of smelling Cerebrus' breath?

Can you fashion upon your eyes a single saving grace?
How about your soul for one more look upon her face?"

The whaling man said nothing putting pistol to his temple.
The plan it seems all along had been well, rather simple.

A discharged flash and his eyes opened wide.
Prone in his bed his lovely wife there by his side.

His son began to bellow from the crib by the hearth.
Everything was as it was, his love and the birth.

A new moon shone out upon the quiet sea.
Poseidon beckoned the old man to venture out to he.

"Poseidon I don't know what I could do to honor you my god.
Your feats are grand and generous your efforts I applaud."

"Save face my friend for you have learned your lesson well.
And that's to say this **** right here is by Jamison ****** Bell!"
vircapio gale Aug 2012
in ashes hidden, smoulders god of love
from matted dancer's focus conflagration purely come
continues still perhaps in empty homage
of a sa ta na ma
personage of ((Shiva))

white bones pierce the sky
in upward curtain-seethes of heat
beyond imagined burning hells...
the triad ventures into zero-zones of anti-life,
sands of absolute defeat.

shadow trust imparts
a silent teacher's mantras;
soothing psychic words,
"Bala" and "Adi-Bala"
carry over dunes of morbid thirst--
the gape of ancient serpent-maws
choking dust of frightened, elephantine skeletons
fissured by immobile sun--
their inner sound become cool water of a summer stream

in timeless desert, traverses strain of royal line:
god-fated tutelage of seedling savior,
lightning skill with bow and virtue sinew
shining arms horizon's arid form:
despite begrudging honor kings expect
when offspring given after years
in hard-earned sacrificial grace:
yet still obeisance ends in facing demonaic rage
to which is pitted youth to slay--
despite allay by symbol feminine,
as if to question her abode would conjure her
in dire storm and quake announce gigantic step and hairy gulf--
with arrow sprays destroy Thataka's trident, curdling throat
the slitting of, rejoicing pantheon proclaims heroic,
forever railing under epic breath of tacit page theodical:
"we gave you progeny, now grant us our theocracy;
before your son our asthras lay their weaponry"













.
Chris D Aechtner Nov 2021
Sun Tzu realized that razing an enemy to the ground can lead to long-term negative results for Empire, especially depending on that which fills the vacuum left behind. That can be observed in contemporary times with ISIS having filled the vacuum left behind in Iraq and Syria.

When showing too much presence in outlying territory that had been left alone as a neutral buffer between two opposing Dynasties, that can prompt the other to become nervous enough to attempt to mitigate an issue that it regards as a possible growing threat.

Also, regardless of location, imposing too much open hostility upon an enemy can eventually lead to the enemy becoming emboldened enough to rebel against the openly oppressive Empire. When imposing overt tyranny upon an outlying territory in what might appear as an immediately successful operation, that can lead to using too many resources to maintain that position in that way. The potential of troops can be lost when stationed as a permanent standing army in an area located far away from applicable future need; that holds true regardless of available technological advancements in transportation—from defended shipping canals and heavy calvary, to cargo planes and aircraft carriers.

Those are a few examples of possible problematic logistics when attempting to assimilate an enemy.

Within his diabolical brilliance, Sun Tzu expanded one of the main prongs in the “Three Pronged Approach”, injected the heavy metals of dark arts psychology into something that already had a foundation of psychology: Enforce will upon the enemy without the enemy realizing it, to the point that the enemy will help you to accomplish goals against itself, relishing in the effort with a sense of duty.  Subsequent experimentation led to permanently changing the face of warfare overall. Ever since, successful (subjective, depends on perspective) Empire, empires, nations, governments, and corporations use the tactic.

The Trident-Tongue of Perpetual Psychological Cultural Warfare:

The Target: Village surrounded with forest: society: a clearing in the woods:

Infiltrate the village as a messenger who bears warning of a powerful, dangerous enemy making its way towards the outlying territory where the target village is located. Sow fear. When enough villagers are afraid, offer protection against the “common enemy”. That protection is 1/10 of the resources necessary for an open, direct enforcement of will. Explain that the cure, the guardians, require lodging, food, and other basic needs as small payment for services rendered. Use mindgames on reluctant villagers.

When the village agrees, and your presence becomes common place—"normalized”—begin to plant ideas in the villagers, and that includes sowing doubt on your presence. The villagers begin to divide themselves into opposing groups against each other. One group believes that there isn't an approaching enemy, another group calls that group selfish, as going against the betterment of the whole. Another group suddenly believes that it isn't good to eat something that their ancestors had eaten for centuries. In the ensuing chaos, poison some of the village children. There are many fairy tales that include broken families, lost children, and attempts made to poison and eat children. Poisoning/destroying eggs in nests is a way to cull goose populations.

Once the enemy villagers are too broken to properly run the village, announce that the invading force has been spotted in a nearby valley, and that the villagers need to hide in the forest surrounding the village. There are bamboo enclosures waiting in the forest. Explain that the enclosures will offer defense to the villagers. After the villagers enter the enclosures, lock the villagers in the enclosures, and begin to ridicule the villagers for having fallen for the trap. Mock the villagers, spit on the villagers, laugh at the villagers. Remove pre-selected villagers from the bamboo enclosures, **** and ****** the targets in front of their caged families and friends. Have another group that consists of individuals sporting insignia, weapons, and armour that differ from the first group, pretend to scare off the first group. Release the villagers from their enclosures. Explain to the villagers that their former captors lied over there being an encroaching invading force in order to trick the villagers into the enclosures, and that you are willing to protect them against their former captors. Overjoyed, without being prompted to do so, the villagers offer much more payment than before for services rendered, so much so, that you 'sell' their own products back to them.

The villagers believe that their gods sent Sun Tzu's death knights in shining armour to them in an act of divine deliverance.
The villagers mindlessly follow and parrot every command and slogan issued forth from their supposed protectors.
The villagers don't remember village life prior to having been enslaved by their divine shepherds. The stages of demoralization, dehumanization, destabilization, crisis, crisis mitigation, and normalization have been completed. The villagers have burned the bowls in their skulls, are empty jugheads to fill with idea-petals of poverty, subservience, sickness, and death.

1/10 the amount of usual resources were used to secure the area in a sustainable manner. There weren't valuable troops lost in battle. Weapons and armour didn't need to be mended and retooled. Empire doesn't need to worry over revolt from the villagers, and the village works for Empire. When there is need to retool or replace weapons and armour, the village blacksmith does so in the belief that he is helping to protect the village against a common enemy.

The enemy villagers are injected with a new passion for a while, but break again under the strain of hyper-conflict that perpetual psychological cultural warfare causes in an infected individual. Use the good cop/bad cop psychology (the template and blueprint for contemporary politics and political systems) in various ways until Empire inevitably begins to devour itself. When Empire devours itself, the outlying provinces are the first to go as Empire implodes to protect its core. At that point, Big Brother had been selling the village's goods to caravans to spread the goods throughout neighbouring provinces. The wealthier that Empire becomes, the more that the consistently poorer target villagers offer to Empire: A tell-tale sign of an incoming Great Reset uncoiling from off the horizon, slithering down into valley basins filled with current moments.

Gaslight the villagers, blame and shame them for everything, squeeze them to their last guilt-drop before setting the villagers ablaze.


One of the Great Deceptions within the Grand Illusion is the delusion that there is constant need of the worker. A worker is useful in various ways in different seasons of bloom and wither. Within universal change, there are constants: The peasant doesn't bow to the King without bowing to the Queen before being ground into grain for winter stores, just as the worker honeybee drones are cast from the hive during winter—relish their death with a sense of duty fulfilled on the frost as snowflakes kiss their wings.

The broken villagers are useless to Empire, husks of their former selves. In the scenario of a neighbouring Dynasty approaching to feed in death knell, lock the villagers in their homes, and set them ablaze as decoy-beacons in the valley for the encroaching Dynasty.

The burning village is located in a bowl of ash surrounded in a steep, jagged-toothed mountain range. As the enemy Dynasty descends into the valley, you head westerly towards the third largest bastion in Empire's outer rings of defense.


Sun Tzu didn't come up with the concept on his own:

He retooled a trident that he found leaning against a scorched bamboo enclosure located in a long-forgotten forest.

                                                        ­     11 12 2021
I understand that it isn't a poem.
Onoma Apr 2019
a trident

forks

three

marigolds...

as the air

purples.
Francie Lynch Aug 2016
Another gladiator fell
Watering the field in blood.
His head was sheathed,
He never cut through the net
That descended from the stands.
The iron-****** trident
Brought thumbs up from the spectators
Indulging in the beer and nuts.
There are always some to be sacrificed
To placate the mob in the colosseum
Beneath the night lights on Mondays,
When Coke is the drink of victors,
And jerseys are sold to the trainees
Who now put on their spikes.
These are ours
Running headlong into the arena.
Mitchell Mar 2019
Life is
Rejection

It lets you in
Then
It lets you out

I see no difference
With that of
Love
With that of work
With that of
Friendship
With that of children
Parents
Grandparents

Pets
Be it
Fish
Dog
Cat or mouse

Life is
Rejection with
Temporary
Acceptance

What is
Forever?

Being an angel?
A devil?

Being human?
That's forever.
That's never.

Being human
Is a pause before
Eternity -

If you believe in that sort of thing.

Life is rejection
Before
And
After

Life is rejection
And we can't wait
To be rejected
To take a breath
From ourselves

Who goes asleep
Truly eager
To wake.

Be honest.

I am.

The call to be,
Present!
Stems from this rejection.
Is born from this fact.
This rejection
Is our halo, is our trident, is our wings, is our horns

Is our thought
As we lay
Entranced by the muse
Beneath the tree

Life is rejection
So be free
Before we are

Rejected

To who knows where.
Mike Arms Dec 2011
The thousandth
****** beneath
Lake Baikal of
The Trident
The gods' mouthful
bristling iron
is spat ashore
Leviathan's bones
glint and crackle
Man is one celled
Apocalypse
yet to divide
His name in Manganese
splinters under the paths
of the mastodon
Martin Narrod Apr 2014
I remember you like a famous brachiosaur, ensconced in the terrible street lamps of west county apartment block row. That swaying bronze gate to your three flat two room apartment. Skinny legs for the couch, the backroom bedroom, and the bunk beds in the master suite. We studded me for excellent squeeze; one trident pull switching time against a baited lock. "I'll swallow you whole," you brushed off into my ear while I passed your cheek with my lips, braising your skin with dew drops of our rushes and sweat. Even for April this was alright. Your brother had already moved out, and listening to Hall and Oates and going fishing was all you wanted to do. So I made us two root beer floats with Almond Milk ice cream, and settled into you for five hours and forty-five minutes. It was before 5:00a.m. when you turned to the night and spilled the last ounces of your naked body out to me beneath the satin sheets. I pressed my lips hard against your nose and whispered I'd be leaving soon. Still I do not recall if I woke you when I left, but I remember that next day when you questioned if I had.
Written for Elizabeth Huff
It was a bright spring day out by the pool
We’d gathered together amidst lawn chairs
To watch

A somewhat portly
Man centered in the water
Swirling like Esther
Incanting
We sipped our ****** wine and smiled cautiously but amused no less.

From the far northern edges came a little
Light haired boy dressed like an angel
Or perhaps the son
Of Poseidon
I think the whole point of this had something to do with Poseidon
Or some other god of the sea
That remained unclear for
Me at least

Needless to say, this was a pool
A little pool with green astroturf surrounding
Piquant with chlorine
Not churning and grey.
Again, to the north stood the child
His son no doubt
Who must have been told simply and repeatedly
Just go to Daddy in the pool
Stand by the side
And he will pick you up
Hold onto your trident
Ok!?

But upon making his move to
Daddy
the child
Misstepped
Stumbled
Fell
And in so doing began to wail
Leaving his otherwise stoic father
Perplexed and annoyed
Astonished
His eyes squinting out the sun
His performance ending before it ever began

Three women rushed to the little wails
The mother scooped her child into her arms
Cradling the tears to her *******
Her attendants ran for vanilla ice cream
The boy now sated
Was resplendent in calm satisfaction

Father left the pool
Make-up running down his wet face
The child ate his ice cream from the bowl
steadfast in his concentration
and seeming innocence
The mother held her little man
The man in charge
We stood up and left for more ****** wine
Perhaps the Pinot.
Matthew Harlovic Mar 2014
He fiddled with the buckle on his belt
it was just a set of strings strapped to his spine
smeared with sunburnt wax
but he didn’t know any better
it was just a set of strings strapped to his spine
fashioned by his father’s fears
but he didn’t know any better
exodus was upon them
fashioned by his father’s fears
gravity pulled him down
exodus was upon them
his feet were like anchors
gravity pulled him down
down to the trident’s tides
his feet were like anchors
his wings were heavy
down to the trident’s tides
smeared with sunburnt wax
his wings were heavy
He fiddled with the buckle on his belt

© Matthew Harlovic
ConnectHook Apr 2017
Six-armed things of Asiatic trances,
temple belles entwined in temple dances:
mantra in one hand, the other holds naan.
One holding chutney and the other, paan.
Two hands left (befitting of deity):
one offers curry, one incense.  Aseity
signifies self-contented wonderment.
(One wonders as well what that mantra meant...)

Note the third eye in the figure's forehead:
a spare one in case left or right go dead?
But really—how freakish these idols look:
a ******-pantheon from a nightmare book.
(Outdone only by the Aztecs for fright
along with demons born of tribal night.)

Cobra-crowned elephant-headed mutants
sickly-sweet incense, divine pollutants
mix in with the stench of bodies burning
alongside the filthy Ganges churning
flowing with ashes from funeral ghats
excrement, corpses of humans and rats
that swarmed humble hovels of Hindustan
where gods are mass-produced for fallen man.

Maidens in saris with red tinted lips;
glossy vulgarity, loose at the hips
now growing more arms; an insect vision
enough to make one gag on religion.
The ubiquitous trident looms, a sign:
the eternally present un-divine.
Instead, it ought to stick some sacred cow
in its bovine buttocks, and so allow
beef curry for a hungry avatar
craving fresh meat in his juggernaut car.

Turn from this antediluvian scene
in sincerity, ask: what does it mean?
Were you created in these gods' image?
Is anything real behind their visage?
Blue skin and sick smiles, anointed with ghee:
exotic... but wrong theologically.
Till lingams are yonis I'll spell it out;
these Aryan idols should merit your doubt.
Such weirdness deserves some analysis
(as did old Diana of Ephesus).

Would you tingle if such a god showed up
and offered to refill your soma cup,
sending siddhis up your spinal column
with you in full lotus, clueless, solemn.
Would you offer puja in their temple,
bedeck your soul in a robe to sample
veggie-masalas, chapatis and dal,
peruse the Upanishads, and enthrall
your mind with the mystic old Rig-Vedas
fall for idolatrous sin conveyed
as spiritual truth when it's just a big lie...
bow before a multi-armed freak?  Not I.
Not for all the visions in Satan's world.
Better to call B.S. than to be hurled
to hell for living and loving this lie
embracing monstrosities. By and by
the books will be opened. The Lord will judge.
Consider this your transcendental nudge
toward something less false, less fearfully fake
than the idols Antichrist nations make.
NaPoWriMo #15

TS Eliot
wrote highbrow literary
poetry (so-called)

— The End —