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"tracts" poems
Thinking, tangling shadows in the deep solitude. You are far away too, oh farther than anyone. Thinking, freeing birds, dissolving images, burying lamps. Belfry of fogs, how far away, up there! Stifling laments, milling shadowy hopes, taciturn miller, night falls on you face downward, far from the city. Your presence is foreign, as strange to me as a thing. I think, I explore great tracts of my life before you. My life before anyone, my harsh life. The shout facing the sea, among the rocks, running free, mad, in the sea-spray. The sad rage, the shout, the solitude of the sea. Headlong, violent, stretched towards the sky. You, woman, what were you there, what ray, what vane of that immense fan? You were as far as you are now. Fire in the forest! Burn in blue crosses. Burn, burn, flame up, sparkle in trees of light. It collapses, crackling. Fire. Fire. And my soul dances, seared with curls of fire. Who calls? What silence peopled with echoes? Hour of nostalgia, hour of happiness, hour of solitude. Hour that is mine from among them all! Megaphone in which the wind passes singing. Such a passion of weeping tied to my body. Shaking of all the roots, attack of all the waves! My soul wandered, happy, sad, unending. Thinking, burying lamps in the deep solitude. Who are you, who are you?
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XVII (Thinking, Tangling Shadows...)
Faking Bad In anticipation of my Evaluation to be declared Non Compos Mentos I slept under a bridge For three days "Getting into character," But on the morning of My intake interview My hair fell perfectly, I mean I looked like A ******* rock star. College girls on the bus Were giving me their Numbers and my skin, Which I'd purposely sunburnt And caked in the finest filth, Glowed like an Australian Chippendale dancer named Weegie And even the female Assisstant D.A. Who had busted me for vagrancy Waved her ******* from The third story building Of the Courthouse. No matter how much I Tried to speak gibberish Poetry and philosophical Tracts spewed from my mouth. Shuffling past the park I beat eight Grand Masters At chess on move 1 Inadvertently I solved The Phi Epsilom Theorem By kicking stones Into an algorythym. When I arrived they didn't Make me wait at all. My caseworker giggled like A schoolgirl while I told her Each day was like an endless shift In a Chinese fish- gutting Sweatshop and every one of my fellow Employees was motivationalist Richard Simmons. She ungirdled her enormous **** and as they spilled Like fishguts onto the desk She began to howl **** me, **** me, oh **** Me right here in Front of the open window On State Street as everyone Watches me ******* the strongest, Healthiest, smartest, most popular, Well-adjusted man in the world. The rest of the examination was Also a success. But as I left the Mental HealthCenter feeling marvelous I accidentally bumped An old woman with the door: "Watch out you manic-depressive Schizoid with Socially Avoidant Features klutz." -Thomas L. Vaultonburg
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Aug 11, 2015
Aug 11, 2015 at 5:05 PM UTC
Faking Bad (Outsider Poetry)
Faking Bad In anticipation of my Evaluation to be declared Non Compos Mentos I slept under a bridge For three days "Getting into character," But on the morning of My intake interview My hair fell perfectly, I mean I looked like A ******* rock star. College girls on the bus Were giving me their Numbers and my skin, Which I'd purposely sunburnt And caked in the finest filth, Glowed like an Australian Chippendale dancer named Weegie And even the female Assisstant D.A. Who had busted me for vagrancy Waved her ******* from The third story building Of the Courthouse. No matter how much I Tried to speak gibberish Poetry and philosophical Tracts spewed from my mouth. Shuffling past the park I beat eight Grand Masters At chess on move 1 Inadvertently I solved The Phi Epsilom Theorem By kicking stones Into an algorythym. When I arrived they didn't Make me wait at all. My caseworker giggled like A schoolgirl while I told her Each day was like an endless shift In a Chinese fish- gutting Sweatshop and every one of my fellow Employees was motivationalist Richard Simmons. She ungirdled her enormous **** and as they spilled Like fishguts onto the desk She began to howl **** me, **** me, oh **** Me right here in Front of the open window On State Street as everyone Watches me ******* the strongest, Healthiest, smartest, most popular, Well-adjusted man in the world. The rest of the examination was Also a success. But as I left the Mental HealthCenter feeling marvelous I accidentally bumped An old woman with the door: "Watch out you manic-depressive Schizoid with Socially Avoidant Features klutz." -Thomas L. Vaultonburg
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66
XV. TO HERACLES THE LION-HEARTED (9 lines) (ll. 1-8) I will sing of Heracles, the son of Zeus and much the mightiest of men on earth. Alcmena bare him in Thebes, the city of lovely dances, when the dark-clouded Son of Cronos had lain with her. Once he used to wander over unmeasured tracts of land and sea at the bidding of King Eurystheus, and himself did many deeds of violence and endured many; but now he lives happily in the glorious home of snowy Olympus, and has neat-ankled **** for his wife. (l. 9) Hail, lord, son of Zeus! Give me success and prosperity.
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The Homeric Hymns: 15- To Heracles the Lion-Hearted
Self-esteem forms a comparison, One that is typically a brutal report. Giving yourself a low grade, A rating which crushes confidence. Analyzing tracts through superficiality, Viewing self from a blurry lens. Seeing ugliness when beauty shines likes a princess, Detecting stupidity when the mind is as sharp as a knife. The flaws you catch in the mirror are false deception, Witnessing myths of your imagination.
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Mar 30, 2017
Mar 30, 2017 at 7:02 AM UTC
Comparing ourselves to others
**via woodland trail, along deciduous dale amid a rocky terrain, through geographic chicane meandrous no longer, smoky waters beleaguered upwelling they burble, in deep tracts they gurgle hypnotic they swirl, then turgidly whorl the rivers egress, from caverns sub-aqueous bereft of surrender, outpours now in splendour the Wharfe expelled from the strid. ...   ...   ...**
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Jun 20, 2012
Jun 20, 2012 at 12:26 PM UTC
... Yorkshire Strid [the] ...
each schoolboy used to know the saw laid deep in tracts of Danish lore Forkbeards pious son and heir Cnut the great, konungr, his throne set to the boiling awe somewhere along a Hampshire shore but was it somewhat further north he faced down scorned Ægir’s bore his person kissed by Trisantona upon her banks at Gainsborough
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Feb 20, 2015
Feb 20, 2015 at 7:54 AM UTC
Worthless Is The Power Of Kings
This room smells of cigarettes and ******* (“My daily cologne,”) Before it was bought, this place was a home— But now it’s just storage— A place to get horizontal. You don’t have a religion (“This isn’t adultery,”) You proudly show your body You’re not afraid of sin You’re not afraid of this intense heat (“I’ll let you **** me thin.”). I can reach you at *69 Being away makes everything hard. It’s a 1-800 number— Payable by cash or card. Even when we were teens (“When you were sixteen,”) You could always pleasure me (“And I was fourteen,”). Even though I’m married (“It was the best time for me.”), You’re the one I need. You’re the angel in these bed sheets (“The devil with my chains.”), The local roaming God— We down whole bottles of sweet Champagne (“You didn’t even have this at your wedding,”) And stand up on the balcony (“Having *** in the rain.”). Sweat glints on your body in this smoke-filled light And shimmers on your neck. (“My eyes are open so I can remember,”) My eyes are closed so I can Forget, forget, forget. You won’t change yourself (“Come away with me,”), And I know that you won’t cry (“I can make you happy,”), But even though my eyes are closed (“The tract marks will disappear-”), I like to pretend you try (“We can live forever if we make it past thirty.”). This room smells of alcohol and ******* (“The scent my wife just knows.”), Know that I remember and love you (“I don’t want a wife, I want”), But you’re not just mine to have (“you to be with me.”), Just try to save some time for me. This romance of ours is deep (“We’re not going to make it.”), Even if it’s two hundred and hour— You were always worth the money Saying the one is me (“Even if we try,”). We’re going to die here together, Just you and I (“The tracts are way too deep.”), We’ll be in each other’s arms In life we couldn’t do that (“But in death we’ll **** well try”).
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Sep 30, 2010
Sep 30, 2010 at 5:23 PM UTC
*******
This room smells of cigarettes and ******* (“My daily cologne,”) Before it was bought, this place was a home— But now it’s just storage— A place to get horizontal. You don’t have a religion (“This isn’t adultery,”) You proudly show your body You’re not afraid of sin You’re not afraid of this intense heat (“I’ll let you **** me thin.”). I can reach you at *69 Being away makes everything hard. It’s a 1-800 number— Payable by cash or card. Even when we were teens (“When you were sixteen,”) You could always pleasure me (“And I was fourteen,”). Even though I’m married (“It was the best time for me.”), You’re the one I need. You’re the angel in these bed sheets (“The devil with my chains.”), The local roaming God— We down whole bottles of sweet Champagne (“You didn’t even have this at your wedding,”) And stand up on the balcony (“Having *** in the rain.”). Sweat glints on your body in this smoke-filled light And shimmers on your neck. (“My eyes are open so I can remember,”) My eyes are closed so I can Forget, forget, forget. You won’t change yourself (“Come away with me,”), And I know that you won’t cry (“I can make you happy,”), But even though my eyes are closed (“The tract marks will disappear-”), I like to pretend you try (“We can live forever if we make it past thirty.”). This room smells of alcohol and ******* (“The scent my wife just knows.”), Know that I remember and love you (“I don’t want a wife, I want”), But you’re not just mine to have (“you to be with me.”), Just try to save some time for me. This romance of ours is deep (“We’re not going to make it.”), Even if it’s two hundred and hour— You were always worth the money Saying the one is me (“Even if we try,”). We’re going to die here together, Just you and I (“The tracts are way too deep.”), We’ll be in each other’s arms In life we couldn’t do that (“But in death we’ll **** well try”).
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40
He hated all the poor and then He must have even hated Jews Really that should be in the news If all I read were right wing tracts I would accept the above as fact
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May 8, 2012
May 8, 2012 at 9:46 PM UTC
Jesus was a Republican
In Farmington the misfit suffers the jukebox and dances to an unknown song. He dances on the pool table. He wears black—black skull cap, black duster, black shirt, black slacks, black boots. He's in Farmington and the women here drink Bud Light. He dances slow. It's similar to a dance you've seen before. You have that friend that climbs on couches after a few and half staggers, half sways. The women here watch him with unhappy eyes and hands stained blue from the textile mill. He seems to mouth the words although he clearly doesn't know the song. They, the women, dig their elbows into the bar. Pocked and graffiti'd, the bar soaks up spilled beer and ash and nail polish. Behind the bar a sign reads: Free Beer Tomorrow. And for some reason, you must admit, this sign's effect never dulls. The Misfit pantomimes a dance with a pool cue. His face is severe, serious. He's in Farmington dancing with a pool cue on a pool table to a song he doesn't know like a drunk friend of yours and the women are watching. Next, he does something amazing. He removes his cap. He's got shocks of bleached hair and burn scars run like rivulets between the patches. He tosses the cap toward the bar. One lucky woman catches it and summons herself to the pool table. You want them to have a bit of dialogue here, to say something oblique and innocent. Instead the lucky woman dances at the man's feet. He surrenders a smile and he's got small tracts of bleached hair and burn scars and he's in all black and he's dancing. The lucky woman, she's in a canary yellow patch dress. Her dance, although clumsy, still mesmerizes you. It's without ego, without shame. She is a child. She is the light in the room. She is, in this moment, the world entire. He pulls her onto the table. It's time to appoint the Misfit and the lucky woman names, you think. His name shall be Joshua. Her name shall be Anna. Palms together, her head resting on his chest, they sway. The smoke and the tracers of light meld and Joshua and Anna's outlines become muddied. Their bodies merge and they are both yellow and black and covered in burn scars and bleached hair and the women are still watching. As the song starts to fade, someone—maybe it's you—drops a few coins in the jukebox and it begins again.
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Dec 22, 2016
Dec 22, 2016 at 12:13 PM UTC
The Misfit
In Farmington the misfit suffers the jukebox and dances to an unknown song. He dances on the pool table. He wears black—black skull cap, black duster, black shirt, black slacks, black boots. He's in Farmington and the women here drink Bud Light. He dances slow. It's similar to a dance you've seen before. You have that friend that climbs on couches after a few and half staggers, half sways. The women here watch him with unhappy eyes and hands stained blue from the textile mill. He seems to mouth the words although he clearly doesn't know the song. They, the women, dig their elbows into the bar. Pocked and graffiti'd, the bar soaks up spilled beer and ash and nail polish. Behind the bar a sign reads: Free Beer Tomorrow. And for some reason, you must admit, this sign's effect never dulls. The Misfit pantomimes a dance with a pool cue. His face is severe, serious. He's in Farmington dancing with a pool cue on a pool table to a song he doesn't know like a drunk friend of yours and the women are watching. Next, he does something amazing. He removes his cap. He's got shocks of bleached hair and burn scars run like rivulets between the patches. He tosses the cap toward the bar. One lucky woman catches it and summons herself to the pool table. You want them to have a bit of dialogue here, to say something oblique and innocent. Instead the lucky woman dances at the man's feet. He surrenders a smile and he's got small tracts of bleached hair and burn scars and he's in all black and he's dancing. The lucky woman, she's in a canary yellow patch dress. Her dance, although clumsy, still mesmerizes you. It's without ego, without shame. She is a child. She is the light in the room. She is, in this moment, the world entire. He pulls her onto the table. It's time to appoint the Misfit and the lucky woman names, you think. His name shall be Joshua. Her name shall be Anna. Palms together, her head resting on his chest, they sway. The smoke and the tracers of light meld and Joshua and Anna's outlines become muddied. Their bodies merge and they are both yellow and black and covered in burn scars and bleached hair and the women are still watching. As the song starts to fade, someone—maybe it's you—drops a few coins in the jukebox and it begins again.
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4
Her little face is like a walnut shell With wrinkling lines; her soft, white hair adorns Her withered brows in quaint, straight curls, like horns; And all about her clings an old, sweet smell. Prim is her gown and quakerlike her shawl. Well might her bonnets have been born on her. Can you conceive a Fairy Godmother The subject of a strong religious call? In snow or shine, from bed to bed she runs, All twinkling smiles and texts and pious tales, Her mittened hands, that ever give or pray, Bearing a sheaf of tracts, a bag of buns: A wee old maid that sweeps the Bridegroom's way, Strong in a cheerful trust that never fails.
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Visitor
Parasitic queen dressed in gold and black, we made love among hyacinth tracts and the morning dew then parted. I’d thought it through but venom proved stronger than my ire as memories of you wormed about; your racing touch and erasing much to finally burst my head. The larval feelings spun themselves up in little white silk lies And what wiggles out, though formed and fed off my mind and husk, Resembles you, winged and rue hungry for a meal anew.
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Feb 18, 2013
Feb 18, 2013 at 2:02 PM UTC
wasp
it saws old rain in my skull and your thoughts take a tour; wet and heavy and quietly, the dirt shifts in the metal tracts *you break me every single time my internal spilling is entangled hopelessly* my summer-psyche enmeshed in your season and forever swallows a few more ribs don't wake the children of the light for their feathers will burn beneath my nails a storm hangs patiently on the wall like a delighted painting made from frantic crystals and I skitter from your towering moods yet the moon dances in and out of every calm abyss the lid is no more vacant than my veins cursed with your silence like algae, I slip on my terror squeaks like a vehicle possessed cheeks go ashen in my gay smiles you will blush, in secret at what I will do to you sails lift on garlicky air in a port where ships don't wait and my tongue loosens another melody only doubt hears I'm completely in your hands and willing for that crush my acts for coins fall meaningless in embedded frustration        don't come to the table, then        keep the shades drawn only the sense of phantoms will be hanging in my smoke intoxicating me to radiance racing through to the ripples in your day I'll keep lancing pebbles across the ocean's surface they will never really reach the riverbed frosty comes in agonising diamonds a feast of distress sitting urgently a shudder flutters through me, imperceptible reduction of sweetness a date with the cherubs from a netherworld my nose feels the snows you carry and I know you constrict still my language falters and thinking shatters and although slumped and vulnerable, it flourishes.
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Nov 29, 2014
Nov 29, 2014 at 7:31 AM UTC
break me
it saws old rain in my skull and your thoughts take a tour; wet and heavy and quietly, the dirt shifts in the metal tracts *you break me every single time my internal spilling is entangled hopelessly* my summer-psyche enmeshed in your season and forever swallows a few more ribs don't wake the children of the light for their feathers will burn beneath my nails a storm hangs patiently on the wall like a delighted painting made from frantic crystals and I skitter from your towering moods yet the moon dances in and out of every calm abyss the lid is no more vacant than my veins cursed with your silence like algae, I slip on my terror squeaks like a vehicle possessed cheeks go ashen in my gay smiles you will blush, in secret at what I will do to you sails lift on garlicky air in a port where ships don't wait and my tongue loosens another melody only doubt hears I'm completely in your hands and willing for that crush my acts for coins fall meaningless in embedded frustration        don't come to the table, then        keep the shades drawn only the sense of phantoms will be hanging in my smoke intoxicating me to radiance racing through to the ripples in your day I'll keep lancing pebbles across the ocean's surface they will never really reach the riverbed frosty comes in agonising diamonds a feast of distress sitting urgently a shudder flutters through me, imperceptible reduction of sweetness a date with the cherubs from a netherworld my nose feels the snows you carry and I know you constrict still my language falters and thinking shatters and although slumped and vulnerable, it flourishes.
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43
A few blooms in Bohemia for your hair do a duty and make their red heavier to fit the brown of your beauty. But how many gallows morals have built along the trees! Joyful sin, tell me, in their shadow, are flowers allowed to please? The burdock and nettles are growing as every year and so people of Protectus settle with their tracts everyone's ear. Praying is just a waste as it was at the time I was born. The blooming aloe is my taste of your black hair adorned.
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Jul 11, 2016
Jul 11, 2016 at 9:24 PM UTC
"The Song" by K. Toman (1877-1946)
Above our Earth so high The Hubble telescope now hangs Beyond our vault-like sky: An all embracing eye; Now showing us the universe In all her glory. Those swirling galaxies give way to seemingly endless Tracts of quasars, dust and gas. Through Hubble we look back through time, At remnants of the Big Bang: The Birth, they tell us, of Creation, That might be repeated, Over and over again. Yet, before this satellite was launched, Or telescopes invented, Just what did humans know? What did the Aztecs know of England, Or fourteenth century English folk know of America? As technological advances have Been swift, so our state of ignorance Has been revealed for all to see. For no-one knows The Purpose of Life.      Why?    Oh Why! Do We Live    To Die      Why? For we will Die Not Knowing Why. Ask Christ they say, He’ll show The Way. Ask God and He will too. Ask Allah, Buddha, Anyone you like; And Me, I’ll tell you just to Hope, For Love will see us through.
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Jan 22, 2011
Jan 22, 2011 at 5:17 AM UTC
Hubble
But Love hung on a tree Bruised body blood flowed Love died for my shame Love didn't look at skin or color Love didn't look at nationality, legality Love look at souls and said we're brothers Blood flowed for every nation, tribe and tongue But we've forgotten. And now the prophets of the streets crying like Pentecostal priests Beating chests and stomping feet Begging those choosing blindness to see See our pain Feel our fury Our righteous anger rages against injustices you pretend can remain unseen You were born with this freedom to close your eyes We were born into a world stabbing us from behind So don't bring your Bibles, shove your tracts drag us down aisles You weren't here from the beginning Fighting to break chains and set captives free "We have nothing to lose but our chains" Our battle cry is freedom justice, equality for all Jew and Gentile Slave and free Now the verses can read Black and white Upper class and lower College educated, GED You know, He's crying with us shouting, marching Beating chest and stomping feet Don't think you're bringing Jesus to us He's already here, on the streets Prophecy of protests Righteous rage against iniquity Jesus, the revolutionary God with us On the ground with us Love doesn't look at skin or color And love hung from a tree It is our duty to fight for our freedom Love has already won the day And we have nothing to lose but our chains We will fight to lose our chains
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Dec 13, 2014
Dec 13, 2014 at 11:19 PM UTC
The Prophecy of Protests
Contemplate all this work of Time, The giant labouring in his youth; Nor dream of human love and truth, As dying Nature's earth and lime; But trust that those we call the dead Are breathers of an ampler day For ever nobler ends. They say, The solid earth whereon we tread In tracts of fluent heat began, And grew to seeming-random forms, The seeming prey of cyclic storms, Till at the last arose the man; Who throve and branch'd from clime to clime, The herald of a higher race, And of himself in higher place, If so he type this work of time Within himself, from more to more; Or, crown'd with attributes of woe Like glories, move his course, and show That life is not as idle ore, But iron dug from central gloom, And heated hot with burning fears, And dipt in baths of hissing tears, And batter'd with the shocks of doom To shape and use. Arise and fly The reeling Faun, the sensual feast; Move upward, working out the beast, And let the ape and tiger die.
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In Memoriam A. H. H. OBIIT MDCCCXXXIII: 118
Where has gone the lands we knew? Of waving grass and glistening dew All fallen to the housing plan Devised by an educated city man Educated!!!! Those once green green fields and woodland tracts Have succumbed to bulldozer blades and felling axe No more the places where as kids we played On those beautiful sunlit days Now landfill sites and city dumps Cover the places where we once ate a picnic lunch Gone are the fields and woodland glades Where we once spent our sun filled days
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Nov 22, 2016
Nov 22, 2016 at 3:31 PM UTC
For Those Of My Generation
done turned like the radio dial - zig zag in its artsy  ness on the afghan blankets,  on the bench seat old tahoe. never have i ever ****** the gym owner in my over achiever bally sports bra / or i lie all the time. and, like, you could be the pink alien in tassled chaps or the singer/poet. dialed the pizza place and hung up, dialed the congressman and hung up, embarrassed - without a trick to pull out of your ultracool spacesuit.
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Feb 26, 2015
Feb 26, 2015 at 9:02 AM UTC
tracts
The path by which we twain did go, Which led by tracts that pleased us well, Thro' four sweet years arose and fell, From flower to flower, from snow to snow: And we with singing cheer'd the way, And, crown'd with all the season lent, From April on to April went, And glad at heart from May to May: But where the path we walk'd began To slant the fifth autumnal slope, As we descended following Hope, There sat the Shadow fear'd of man; Who broke our fair companionship, And spread his mantle dark and cold, And wrapt thee formless in the fold, And dull'd the murmur on thy lip, And bore thee where I could not see Nor follow, tho' I walk in haste, And think, that somewhere in the waste The Shadow sits and waits for me.
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In Memoriam A. H. H. OBIIT MDCCCXXXIII: 22
Religion can be somewhat stygian Often is as a matter of fact. It isn’t all fluffy clouds and saints. Like in their published tracts. Not all of the promises made Will ever come true for you. The miracles they talk about Are they facts? Very danged few. Wail and sing hosanas Hail to the golden calf. How to tell who’s bananas? Separate wheat from chaff? Give lots of money to churches Buy many more holy chalices. We are such a poor country With far two few golden palaces. Remember all Christians are holy No matter the evil they may do. They just confess it on Sunday And then they are better than you. And even though Muslims all came From the same book up to a point, They are all heathens and hell bound No righteous forehead to anoint. Wail and sing hosanas Hail to the golden calf. How to tell who’s bananas? Separate wheat from chaff? Give lots of money to churches Buy many more holy chalices. We are such a poor country With far two few golden palaces. Nobody gets to go to heaven Unless they are from the right church. Anyone not in that category will, The day of atonement, be left in the lurch. Remember their god is wrathful And will drown all your children for sure. So, unless you are “washed in the blood” You’re going to hell. There’s no cure. Wail and sing hosanas Hail to the golden calf. How to tell who’s bananas? Separate wheat from chaff? Give lots of money to churches Buy many more holy chalices. We are such a poor country With far two few golden palaces.
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Nov 13, 2016
Nov 13, 2016 at 8:28 PM UTC
THE RIGHTEOUS RIGHT RITE
Religion can be somewhat stygian Often is as a matter of fact. It isn’t all fluffy clouds and saints. Like in their published tracts. Not all of the promises made Will ever come true for you. The miracles they talk about Are they facts? Very danged few. Wail and sing hosanas Hail to the golden calf. How to tell who’s bananas? Separate wheat from chaff? Give lots of money to churches Buy many more holy chalices. We are such a poor country With far two few golden palaces. Remember all Christians are holy No matter the evil they may do. They just confess it on Sunday And then they are better than you. And even though Muslims all came From the same book up to a point, They are all heathens and hell bound No righteous forehead to anoint. Wail and sing hosanas Hail to the golden calf. How to tell who’s bananas? Separate wheat from chaff? Give lots of money to churches Buy many more holy chalices. We are such a poor country With far two few golden palaces. Nobody gets to go to heaven Unless they are from the right church. Anyone not in that category will, The day of atonement, be left in the lurch. Remember their god is wrathful And will drown all your children for sure. So, unless you are “washed in the blood” You’re going to hell. There’s no cure. Wail and sing hosanas Hail to the golden calf. How to tell who’s bananas? Separate wheat from chaff? Give lots of money to churches Buy many more holy chalices. We are such a poor country With far two few golden palaces.
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48
I Went To A Funeral Today Simplistic in its way to say, but I went to a funeral today. Our ‘tractor man’ laid in the ground; I wrote about him year two thousand. Taking care of all he owned, Scraping stony muddy snow; Driving round his tracts of land; Doing turns that only tractors can And which, our tractor man was bound to, born to. Not to milk a tale said once, Finance, romance, weakness, strength But tale of more significance Than in those years when I gave him, his circumstance No jot, Well, not a lot of thought, To make up for it, for I too am démodé, It’s all-important that I say: Surreal-ly dreamlike is this life With time’s phenomenon in strife With peace we aim for, Always on the move, at war, divisive. With no inside proof. It’s tough. Life’s rough. Death, funerals banal, My skull a barrel of confusion, Is it all a grand illusion? Peer groups going, I here, with no chance of knowing What’s in store, no more, Except to hope that time and fate will favor Generations, generating As all beauty queens declare, “World peace with no death anywhere.” All this from the lain to rest Of neighbor passed occasionally, Known to me but casually. Respectfully I went to honor Just to find myself a more intent participator. I Went To A Funeral Today 11.30.2016 Birth, Death & In Between II; Pure Nakedness; Arlene Corwin
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Dec 2, 2016
Dec 2, 2016 at 2:50 PM UTC
I Went To A Funeral Today
The pile of pine burned with ferocity While fields of watermellon wore green in generosity Jerimiah delivered rows of assiduous thoughts Fertilized in decisions made years ago Margaret was from Huntsville , working on a divinity degree She was small , rode a bicycle , studying infinity Timid , not unlike a titmouse in spring Margaret had a sister named Judy Jerimiah left for the mountains of Colorado He took only his last name Johnson He spent winters hibernating with the bears He learned to have no fear and grew a long beard Tennennessee is in Alabama , just south of Huntsville A snowslide almost buried Jerimiah Margaret moved to North Carolina got married and that's all I know Jerimiah made tracts in the snow . . . go He sat above the devide looking down Sometimes west when the sun went down But mostly east under the full moon Howling so forlornly the wolves cry Margaret looks west every night Then sheds one tear
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Jan 27, 2015
Jan 27, 2015 at 3:21 AM UTC
I fell down for you once
High wisdom holds my wisdom less, That I, who gaze with temperate eyes On glorious insufficiencies, Set light by narrower perfectness. But thou, that fillest all the room Of all my love, art reason why I seem to cast a careless eye On souls, the lesser lords of doom. For what wert thou? some novel power Sprang up for ever at a touch, And hope could never hope too much, In watching thee from hour to hour, Large elements in order brought, And tracts of calm from tempest made, And world-wide fluctuation sway'd In vassal tides that follow'd thought.
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In Memoriam A. H. H. OBIIT MDCCCXXXIII: Part 112