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Danielle K Jun 2013
Ghost towns, ghost towns, everywhere.
Abandoned roads and sidewalks.
Run-down shops filled with invisible
customers, homes with no inhabitants.

Ghost towns, ghost towns, everywhere.
One homeless man roaming
the streets, picking up weeds
that were once blossoming flowers.

Ghost towns, ghost towns, everywhere.
Two lovers slumbering on the road.
No worries, there are no
cars anywhere near.

Ghost towns, ghost towns, everywhere.
Three little girls twirl around, skirts
flying in the powerful wind.
"Ring around the rosie,
a pocket full of posies.."
Their voices grow faint
and suddenly, they are no longer in sight.

Ghost towns, ghost towns, everywhere.
I wake up, and
all of them have disappeared.
D.K
Robbie carter wanted to drive hid Australian car from Australia to the USA so he can watch a Broadway but there was no way he could do that and every time
He suggested it to his mates they just laughed at him but Robbie came up with a good idea, you see he will raise funds to build a tunnel under the ocean linking Australia with the USA and also to keep him relaxed he would build a few towns under the ocean As well
You see Robbie wanted this so bad, but both countries governments didn't like the idea
Because the distance was too far and the water will cave in to the tunnel but then both countries changed government and suddenly Robbies dream became a reality, you see the will open the tunnel from the Aussie end at Brisbane and then open the other end at Florida and they will build 45,000 towns under the water
With motels and restaurants and houses and truck stops
As well as an underwater version of Ayers Rock  And to makes sure it was good to go
Robbie helped designing this under ocean adventure from Brisbane to Florida with towns
Which were just like the towns on earth and they intended on building a Broadway stage where they will play all the latest musicals they were playing in New York and this could make the journey a pleasurable one for each patron who starts the trip and in about the first 4 months they had 60% of the new world completed and Robbie was asked to inspect the area and this meant checking the area and then imagining how the world would function under the ocean and what he noticed they   Built a shopping street on the first street with a fun park on the first turn and then a Broadway musical theatre a few blocks down and Robbie took one look and said this is fantastic and then went further on and saw a very big under ocean shopping mall and Robbie was impressed in how
Each area of the under water towns is going to look and then Robbie went back to Brisbane and in about 5 more months
The entire under ocean tunnel and towns were completed but they couldn't open the tunnel at either end unroll Robbie and the safety inspector have checked it out and originally it was made so you could drive from Australia to America but they had coaches and trains and yeah this was looking great
And the under ocean Ayers Rock looked fantastic and the Broadway musical theatre looked great as well and the roads were as dry as a bone
Despite being under the ocean
And the fun park and each shopping mall were really looking great as well  and Robbie was very impressed with how his town under the ocean really looked and it has a few town parks where the kids can play and mind you it can make you wanna leave your life above ground and make you wanna live here and Robbie left getting ready for the big grand opening where the first car is going to drive right from Brisbane to Florida stopping at every truck stop and restaurant and take away along the way and Robbie will ride the first motor bike under the ocean from Brisbane to Florida and this was going to take 7 months to complete and then the under ocean world will officially be opened and Robbie pulled his bike over at the broad way theatre to catch a show and then rode his motorbike up and down the Main Street of each town and also rode his motor bike up Ayers Rock and down the other side and it wasn't as big as the rock in the centre of Australia but still was a great climb and rode into the fun park
And the zoo and took a photo of the monkeys and the rabbits
And then rode off to the motor bike through the truck stops and parks and rode through each city and then arrived in
Florida and as he entered the crowd cheered for Robbie as he reentered the top of the earth
And then all the people started driving under the ocean to start
A new life beneath the earth's surface and there will be cost that each driver in Brisbane and Florida has to pay so the under ocean village can be safe from poachers and bad people
You see you have to have a reason as simple as you are driving to the USA will cost $700 and visiting the under ocean town will cost $650 just so the village can be safe from predators you the $650 will give you a red ticket so you have the right to every shop and motel in the village and the $700 will give you a red and white ticket giving you the access to visit the shops and truck stops and letting you out the other end, and there is a $1000 fee for cars with caravans to visit every part of the village and allowed out to both ends of the countries Australia and the USA and Robbie carter was very impressed on how this village is going and Robbie made a once a year thing to go down to the village to catch a show on Broadway and then had a meal in a classy under ocean restaurant and yeah this was a success
Marshal Gebbie Oct 2015
The little towns near Egmont
That nestle on the plains
To gather close the winding roads
The homing trails and lanes,
The little towns near Egmont
That sleep the whole night long
Cooled by the scent of mountain breeze
Lulled by the sea wind’s song.

The little towns near Egmont
Will ever seem to me
Like stars that deck the evening sky
Or isles that dot the sea,
Like beads that sprinkle here and there
On Taranaki’s gown
Like figures in a rich brocade
Of yellow, green and brown.

The little towns near Egmont
Seen through a summer haze
How fair and fresh and free they lie
Beneath the golden days,
Not crowded in deep valley’s,
Not buried in tall trees
But open to the sun, the rain
The starlight and the breeze.

The little towns near Egmont
What busy lives they hold
With happiness and health to keep
Secure from heat and cold,
The comfortable homesteads,
The park like lands so fair
God keep them restful, clean and pure
As Egmont’s snow peak there.

Hanna Hair
Dawson Falls Lodge
Mount Egmont, Taranaki.
January 1926

This poem, hand written and forgotten, was written by a guest of the house, in a thick, ancient tome of comments and articles, secreted in a dusty corner of the beautiful and quaint Dawson Falls Alpine Lodge, nestled comfortably in the dense, high podocarp forest, far up the snow clad slopes of volcanic Mt. Egmont in Taranaki, New Zealand.

From its high vantage point on the mountain looking out toward the curving coastline of the vast Tasman sea, the lodge affords magnificent views of the sparse settlements and farmlands spread widely on the lowland plains before it. By day the smoke rises from farm house chimneys, by night the warm honeyed glow from scattered windows dot like an expanse of fire-flies amidst the velvet blackness extending out to the luminosity of the line of breakers pounding the distant coast.

This delicate work captures the sparse beauty of this magnificent rural place, it further affords a snapshot of that particular era and of the pioneer spirit and rugged endurance of the settlers who made this isolated land home.

Marshalg
Dawson Falls Lodge
26 October 2015
beyond the brittle towns asleep

beyond the brittle towns asleep
i look where stealing needles of foam
in the last light

thread the creeping shores


as out of dumb strong hands infinite

the ***** deep upon me
in the last light
pours its eyeless miles


the chattering sunset ludicrously
dies,i hear only tidewings

in the last light
twitching at the world
I WAS born on the prairie and the milk of its wheat, the red of its clover, the eyes of its women, gave me a song and a slogan.

Here the water went down, the icebergs slid with gravel, the gaps and the valleys hissed, and the black loam came, and the yellow sandy loam.
Here between the sheds of the Rocky Mountains and the Appalachians, here now a morning star fixes a fire sign over the timber claims and cow pastures, the corn belt, the cotton belt, the cattle ranches.
Here the gray geese go five hundred miles and back with a wind under their wings honking the cry for a new home.
Here I know I will hanker after nothing so much as one more sunrise or a sky moon of fire doubled to a river moon of water.

The prairie sings to me in the forenoon and I know in the night I rest easy in the prairie arms, on the prairie heart..    .    .
        After the sunburn of the day
        handling a pitchfork at a hayrack,
        after the eggs and biscuit and coffee,
        the pearl-gray haystacks
        in the gloaming
        are cool prayers
        to the harvest hands.

In the city among the walls the overland passenger train is choked and the pistons hiss and the wheels curse.
On the prairie the overland flits on phantom wheels and the sky and the soil between them muffle the pistons and cheer the wheels..    .    .
I am here when the cities are gone.
I am here before the cities come.
I nourished the lonely men on horses.
I will keep the laughing men who ride iron.
I am dust of men.

The running water babbled to the deer, the cottontail, the gopher.
You came in wagons, making streets and schools,
Kin of the ax and rifle, kin of the plow and horse,
Singing Yankee Doodle, Old Dan Tucker, Turkey in the Straw,
You in the coonskin cap at a log house door hearing a lone wolf howl,
You at a sod house door reading the blizzards and chinooks let loose from Medicine Hat,
I am dust of your dust, as I am brother and mother
To the copper faces, the worker in flint and clay,
The singing women and their sons a thousand years ago
Marching single file the timber and the plain.

I hold the dust of these amid changing stars.
I last while old wars are fought, while peace broods mother-like,
While new wars arise and the fresh killings of young men.
I fed the boys who went to France in great dark days.
Appomattox is a beautiful word to me and so is Valley Forge and the Marne and Verdun,
I who have seen the red births and the red deaths
Of sons and daughters, I take peace or war, I say nothing and wait.

Have you seen a red sunset drip over one of my cornfields, the shore of night stars, the wave lines of dawn up a wheat valley?
Have you heard my threshing crews yelling in the chaff of a strawpile and the running wheat of the wagonboards, my cornhuskers, my harvest hands hauling crops, singing dreams of women, worlds, horizons?.    .    .
        Rivers cut a path on flat lands.
        The mountains stand up.
        The salt oceans press in
        And push on the coast lines.
        The sun, the wind, bring rain
        And I know what the rainbow writes across the east or west in a half-circle:
        A love-letter pledge to come again..    .    .
      Towns on the Soo Line,
      Towns on the Big Muddy,
      Laugh at each other for cubs
      And tease as children.

Omaha and Kansas City, Minneapolis and St. Paul, sisters in a house together, throwing slang, growing up.
Towns in the Ozarks, Dakota wheat towns, Wichita, Peoria, Buffalo, sisters throwing slang, growing up..    .    .
Out of prairie-brown grass crossed with a streamer of wigwam smoke-out of a smoke pillar, a blue promise-out of wild ducks woven in greens and purples-
Here I saw a city rise and say to the peoples round world: Listen, I am strong, I know what I want.
Out of log houses and stumps-canoes stripped from tree-sides-flatboats coaxed with an ax from the timber claims-in the years when the red and the white men met-the houses and streets rose.

A thousand red men cried and went away to new places for corn and women: a million white men came and put up skyscrapers, threw out rails and wires, feelers to the salt sea: now the smokestacks bite the skyline with stub teeth.

In an early year the call of a wild duck woven in greens and purples: now the riveter's chatter, the police patrol, the song-whistle of the steamboat.

To a man across a thousand years I offer a handshake.
I say to him: Brother, make the story short, for the stretch of a thousand years is short..    .    .
What brothers these in the dark?
What eaves of skyscrapers against a smoke moon?
These chimneys shaking on the lumber shanties
When the coal boats plow by on the river-
The hunched shoulders of the grain elevators-
The flame sprockets of the sheet steel mills
And the men in the rolling mills with their shirts off
Playing their flesh arms against the twisting wrists of steel:
        what brothers these
        in the dark
        of a thousand years?.    .    .
A headlight searches a snowstorm.
A funnel of white light shoots from over the pilot of the Pioneer Limited crossing Wisconsin.

In the morning hours, in the dawn,
The sun puts out the stars of the sky
And the headlight of the Limited train.

The fireman waves his hand to a country school teacher on a bobsled.
A boy, yellow hair, red scarf and mittens, on the bobsled, in his lunch box a pork chop sandwich and a V of gooseberry pie.

The horses fathom a snow to their knees.
Snow hats are on the rolling prairie hills.
The Mississippi bluffs wear snow hats..    .    .
Keep your hogs on changing corn and mashes of grain,
    O farmerman.
    Cram their insides till they waddle on short legs
    Under the drums of bellies, hams of fat.
    **** your hogs with a knife slit under the ear.
    Hack them with cleavers.
    Hang them with hooks in the hind legs..    .    .
A wagonload of radishes on a summer morning.
Sprinkles of dew on the crimson-purple *****.
The farmer on the seat dangles the reins on the rumps of dapple-gray horses.
The farmer's daughter with a basket of eggs dreams of a new hat to wear to the county fair..    .    .
On the left-and right-hand side of the road,
        Marching corn-
I saw it knee high weeks ago-now it is head high-tassels of red silk creep at the ends of the ears..    .    .
I am the prairie, mother of men, waiting.
They are mine, the threshing crews eating beefsteak, the farmboys driving steers to the railroad cattle pens.
They are mine, the crowds of people at a Fourth of July basket picnic, listening to a lawyer read the Declaration of Independence, watching the pinwheels and Roman candles at night, the young men and women two by two hunting the bypaths and kissing bridges.
They are mine, the horses looking over a fence in the frost of late October saying good-morning to the horses hauling wagons of rutabaga to market.
They are mine, the old zigzag rail fences, the new barb wire..    .    .
The cornhuskers wear leather on their hands.
There is no let-up to the wind.
Blue bandannas are knotted at the ruddy chins.

Falltime and winter apples take on the smolder of the five-o'clock November sunset: falltime, leaves, bonfires, stubble, the old things go, and the earth is grizzled.
The land and the people hold memories, even among the anthills and the angleworms, among the toads and woodroaches-among gravestone writings rubbed out by the rain-they keep old things that never grow old.

The frost loosens corn husks.
The Sun, the rain, the wind
        loosen corn husks.
The men and women are helpers.
They are all cornhuskers together.
I see them late in the western evening
        in a smoke-red dust..    .    .
The phantom of a yellow rooster flaunting a scarlet comb, on top of a dung pile crying hallelujah to the streaks of daylight,
The phantom of an old hunting dog nosing in the underbrush for muskrats, barking at a **** in a treetop at midnight, chewing a bone, chasing his tail round a corncrib,
The phantom of an old workhorse taking the steel point of a plow across a forty-acre field in spring, hitched to a harrow in summer, hitched to a wagon among cornshocks in fall,
These phantoms come into the talk and wonder of people on the front porch of a farmhouse late summer nights.
"The shapes that are gone are here," said an old man with a cob pipe in his teeth one night in Kansas with a hot wind on the alfalfa..    .    .
Look at six eggs
In a mockingbird's nest.

Listen to six mockingbirds
Flinging follies of O-be-joyful
Over the marshes and uplands.

Look at songs
Hidden in eggs..    .    .
When the morning sun is on the trumpet-vine blossoms, sing at the kitchen pans: Shout All Over God's Heaven.
When the rain slants on the potato hills and the sun plays a silver shaft on the last shower, sing to the bush at the backyard fence: Mighty Lak a Rose.
When the icy sleet pounds on the storm windows and the house lifts to a great breath, sing for the outside hills: The Ole Sheep Done Know the Road, the Young Lambs Must Find the Way..    .    .
Spring slips back with a girl face calling always: "Any new songs for me? Any new songs?"

O prairie girl, be lonely, singing, dreaming, waiting-your lover comes-your child comes-the years creep with toes of April rain on new-turned sod.
O prairie girl, whoever leaves you only crimson poppies to talk with, whoever puts a good-by kiss on your lips and never comes back-
There is a song deep as the falltime redhaws, long as the layer of black loam we go to, the shine of the morning star over the corn belt, the wave line of dawn up a wheat valley..    .    .
O prairie mother, I am one of your boys.
I have loved the prairie as a man with a heart shot full of pain over love.
Here I know I will hanker after nothing so much as one more sunrise or a sky moon of fire doubled to a river moon of water..    .    .
I speak of new cities and new people.
I tell you the past is a bucket of ashes.
I tell you yesterday is a wind gone down,
  a sun dropped in the west.
I tell you there is nothing in the world
  only an ocean of to-morrows,
  a sky of to-morrows.

I am a brother of the cornhuskers who say
  at sundown:
        To-morrow is a day.
Ben Brinkburn Jan 2013
Forget the post code lottery
and go for some sort of
Middle England coterie
beware of the railway towns
and all they used to promise
avoid the light industrial towns
the ones that make biscuits
and plastic windows and trap your
children in call centres
the comfort of non-jobs
selling nothing to people who
are nonetheless convinced
they need it
and avoid cities with cathedrals
and universities
they are artifice personified they
have only one aim to debilitate you
with pretense and false hope
and sophistry deep in Middle England and
Do Not Go To Cities With Ports
they are as thieves in the night
forever looking for opportunity
eternally gazing outward beyond
the boundary of shores unwaveringly
scathing of convention and respectable
behaviour
And ignore dormitory towns exurbia and similar
designed only to eat and sleep in
and cut the grass although
the swinging scene
may have its diversions
and then those army towns cowering
below the shambling spectre of
beaten squaddie pubs concrete and
brick boxes with overflowing bottle banks
and what of flower filled market towns
with neat shops and bi-weekly markets
and Friday night louts and teeming
takeaways and broken windows but
you can escape
to a suburban bungalow
lock the gate feed the carp
watch wildlife progammes and
laugh
then running running running
you find
a suitable small mountain village
where you unwittingly
unexpectedly after stroking a
black and white cat
get run over by a drunken postman
in a neat
little red van.
Fah Aug 2013
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jeffrey-lebowski:

Untitled by Yayoi Kusama.
Acrylic on canvas, 45.5 x 38.0 cm. Signed and dated 1993
jeffrey-lebowski:
Untitled by Yayoi Kusama.
Acrylic on canvas, 45.5 x 38.0 cm. Signed and dated 1993
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These are the days that must happen to you.
Walt Whitman, from Leaves Of Grass (via violentwavesofemotion)
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18 HOURS AGO / LARMOYANTE
axiatonal:

Canola Flowers Field, China
axiatonal:
Canola Flowers Field, China
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whatisadvertising:
What would modern technology and social networks look like if they were vintage ads
This is a post gathered Facebook, Twitter, Youtube, Skype, iMac, Nintendo Wii and Sony Playstation as if they were vintage ads.
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aplacetofindlife:

Someone Should Start Laughing
I have a thousand brilliant lies For the question: How are you?  I have a thousand brilliant lies For the question: What is God? If you think that the Truth can be known From words, If you think that the Sun and the Ocean Can pass through that tiny opening Called the mouth,
O someone should start laughing! Someone should start wildly Laughing Now!- Hafiz
aplacetofindlife:
Someone Should Start Laughing

I have a thousand brilliant lies
For the question:
How are you?

I have a thousand brilliant lies
For the question:
What is God?

If you think that the Truth can be known
From words,

If you think that the Sun and the Ocean
Can pass through that tiny opening Called the mouth,

O someone should start laughing!
Someone should start wildly Laughing Now!

- Hafiz
(via cosmic-rebirth)

meditationsinwonderland:
Chimamanda Ngozi Adiche, We Should All Be Feminists
How could I not reblog this?
(Source: bakongo)
1 day ago – 234,004 notes

artismyempire:
gentledom:
A wonderful analogy.
What I shall do today.
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1 day ago – 30,054 notes

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1 week ago – 81 notes
beachsloth:

SYNESTHESIA by Joshua Espinoza
                God watches everyone’s first kiss. Although God used to be an awesome God He’s been a bit lazier as the years have progressed. Long ago God felt that raining frogs on Egypt was cool. People were turned into pillars of salt for looking at the destruction of their towns. Now God isn’t into that whole vengeful thing. Rather He realizes the importance of free will and understands it is more important than any instruction manual.
                Dreams are the ultimate instructional manual. Sub-conscious hates being a sub. Sub-conscious wants to be dom-conscious. Unfortunately such things do not happen anymore. Drinking dreams from people is potentially delicious. Flab is the hallmark of a family man or woman. Their dreams have become realities. Mere impulses of creatures become vaguely self-sustaining then fully self-sustaining. Right in the heart is where the familial love lives. Floaters in the eyes are more than floaters. When one sees floaters they see ghosts. Floaters are ghosts for the vision-impaired.
                Afterlife is big into God. Death brings people closer to God. They live in God’s domain hoping for the best. From on high the angels live on the down low. Beneath angels are the exciting ones, the ones they can and do mess up. Humans are interesting for their ability to mess up all the time and somehow remain completely loved. Every human is made in God’s image. Once people come back to God they realize how much of their decisions were good, how the evil was more than counterbalanced by the good. Living in Earth tends to make people forget how fortunate they really are.
                The world hates leaving people behind. In Heaven everything is fine. From Heaven people can see themselves from light-years away. Such distance makes it easier to see what the right and wrong decision was. Death takes the people away. Online presences remain long after the body has left. Everything has a digital footprint entirely different from their real life footprint. Sometimes it is bigger and sometimes smaller. It depends on the lust for life.
                Kissing is a form of lust. Lips love each other. Lips like locking together. That is where the key to the heart comes from, from the lips. Words flow from the mouths of babes. Life means the words work well but the tones work better. Even babies understand the importance of tone. Words are meaningless. Tones are tender. People wrap themselves up in tones, in the environmental sounds that surround them for that is what it means to be alive: it means to interact.
beachsloth:
SYNESTHESIA by Joshua Espinoza
                God watches everyone’s first kiss. Although God used to be an awesome God He’s been a bit lazier as the years have progressed. Long ago God felt that raining frogs on Egypt was cool. People were turned into pillars of salt for looking at the destruction of their towns. Now God isn’t into that whole vengeful thing. Rather He realizes the importance of free will and understands it is more important than any instruction manual.
                Dreams are the ultimate instructional manual. Sub-conscious hates being a sub. Sub-conscious wants to be dom-conscious. Unfortunately such things do not happen anymore. Drinking dreams from people is potentially delicious. Flab is the hallmark of a family man or woman. Their dreams have become realities. Mere impulses of creatures become vaguely self-sustaining then fully self-sustaining. Right in the heart is where the familial love lives. Floaters in the eyes are more than floaters. When one sees floaters they see ghosts. Floaters are ghosts for the vision-impaired.
                Afterlife is big into God. Death brings people closer to God. They live in God’s domain hoping for the best. From on high the angels live on the down low. Beneath angels are the exciting ones, the ones they can and do mess up. Humans are interesting for their ability to mess up all the time and somehow remain completely loved. Every human is made in God’s image. Once people come back to God they realize how much of their decisions were good, how the evil was more than counterbalanced by the good. Living in Earth tends to make people forget how fortunate they really are.
                The world hates leaving people behind. In Heaven everything is fine. From Heaven people can see themselves from light-years away. Such distance makes it easier to see what the right and wrong decision was. Death takes the people away. Online presences remain long after the body has left. Everything has a digital footprint entirely different from their real life footprint. Sometimes it is bigger and sometimes smaller. It depends on the lust for life.
                Kissing is a form of lust. Lips love each other. Lips like locking together. That is where the key to the heart comes from, from the lips. Words flow from the mouths of babes. Life means the words work well but the tones work better. Even babies understand the importance of tone. Words are meaningless. Tones are tender. People wrap themselves up in tones, in the environmental sounds that surround them for that is what it means to be alive: it means to interact.
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1 week ago – 74 notes

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1 week ago – 78 notes
maymonsturr:

My mantra.
maymonsturr:
My mantra.
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1 week ago – 568 notes
foxxxynegrodamus:

***
foxxxynegrodamus:
***
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1 week ago – 1,635 notes
cosmic-rebirth:

Live joyfully, make your life a dance, all the way to the grave.
cosmic-rebirth:
Live joyfully, make your life a dance, all the way to the grave.
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2 weeks ago – 22,305 notes
“The point is not to pay back kindness but to pass it on.”
– Julia Alvarez (via cosmic-rebirth)
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bl4ckhippie:

Fly.
bl4ckhippie:
Fly.
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2 weeks ago – 110,456 notes
meditationsinwonderland:

ॐ flower child in Wonderland ॐ
meditationsinwonderland:
ॐ flower child in Wonderland ॐ
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2 weeks ago – 139,177 notes

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pleoros:
Helminadia Ranford - Guilin,China
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2 weeks ago – 329 notes
designgather:

Oak Room
Andy Goldsworthy
designgather:
Oak Room
Andy Goldsworthy
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2 weeks ago – 286 notes
miguu:
don’t be afraid.
lean into your genius.
let your own brilliance support you.
you are something
we have all been waiting to know.
please.
(via bluishtigers)
2 weeks ago – 339 notes

odditiesoflife:
Amazing Jabuticaba Tree
This is an incredible tree that bears its fruit directly on the main trunks and branches of the plant, lending a distinctive appearance to the fruiting tree. The jabuticaba (Plinia cauliflora) is a fruit-bearing tree native to Minas Gerais and São Paulo in southeastern Brazil. Otherwise known as the Brazilian Grape Tree, the jabuticaba is grown for its purplish-black, white-pulped fruits. They can be eaten raw or be used to make jellies and drinks, including juice and wine.
They are wonderful trees to have and are fairly adaptable to most environments but they grow extremely slow. Jabuticaba flowers are white and grow directly from its trunk, just like its fruit. The tree may flower and fruit only once or twice a year, but when continuously irrigated, it flowers frequently and fresh fruit can be available year round in tropical regions.
Common in Brazilian markets, jabuticabas are largely eaten fresh; their popularity has been likened to that of grapes in the US. Due to its extremely short shelf-life, fresh jabuticaba fruit is very rare in markets outside of areas of cultivation. So if you are ever in Brazil, be sure to try the incredibly tasty fruit called jabuticaba.
source 1, 2
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2 weeks ago – 1,462 notes

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2 weeks ago – 118 notes

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2 weeks ago – 130,113 notes
oecologia:

Star Trails over Matterhorn (Switzerland) by Felix Lamouroux.
oecologia:
Star Trails over Matterhorn (Switzerland) by Felix Lamouroux.
(via samsaranmusing)

burningveins:
multicolors:
benskid:
Know where you stand.
Wow
This is kinda creepy..
(via hungryforworld)

Do not think you will necessarily be aware of your own enlightenment.
Zen Master Dogen - (1200- 1253) AD (via samsaranmusing)
2 WEEKS AGO
101fuymemes:

COLLECTION OF awesome CLOUDS
101fuymemes:
COLLECTION OF awesome CLOUDS
(via roslynoberholtzerbddd)

itscolossal:
Planetary Structural Layer Cakes Designed by Cakecrumbs

Do not resist events that move you out of your comfort zone, especially when your comfort zone was not all that comfortable.
Alan Cohen (via raeraenjma)
(via awaveofbliss)
4 WEEKS AGO / THE-HEALING-NEST
so apt
so apt
(via awaveofbliss)

(via awaveofbliss)
treewellie:

"The area between Kluane Lake and Haines Junction, Yukon, skirting the great cordillera of the Wrangell / St. Elias Mtn. range, is commonly productive of these stacked lenticular clouds … In late summer, as the sun begins to set around 11 PM, it’s beautiful to see these unique clouds, which are higher in altitude than their surrounding companions, catching the last peach coloured rays of the sun."
treewellie:
"The area between Kluane Lake and Haines Junction, Yukon, skirting the great cordillera of the Wrangell / St. Elias Mtn. range, is commonly productive of these stacked lenticular clouds … In late summer, as the sun begins to set around 11 PM, it’s beautiful to see these unique clouds, which are higher in altitude than their surrounding companions, catching the last peach coloured rays of the sun."
definitelydope:

BBQ on the balcony (by fernlicht)
definitelydope:
BBQ on the balcony (by fernlicht)
(via awaveofbliss)

Birth by Alex Grey
Birth by Alex Grey
(via receptive)

(via bluishtigers)

(via awaveofbliss)

There is a time and place for decaf coffee. Never and in the trash.
(via 17yr)
(via hungryforworld)
1 MONTH AGO / MIDWESTRAISEDMIDWESTLIVING
surreelust:

Man with His Skin by Peter Zokosky
surreelust:
Man with His Skin by Peter Zokosky
(via cosmic-rebirth)

Oh soul,
you worry too much.
You have seen your own strength.
You have seen your own beauty.
You have seen your golden wings.
Of anything less,
why do you worry?
You are in truth
the soul, of the soul,
of the soul.
Rumi, from Who Am I?   (via bluishtigers)
(via bluishtigers)
1 MONTH AGO / VIOLENTWAVESOFEMOTION
xpudding:

xpudding:
(via cosmic-rebirth)

(via thebronxisburning)

(via cosmic-rebirth)
treewellie:

La costa de la luz by Francisco Mingorance
treewellie:
La costa de la luz by Francisco Mingorance

itscolossal:
Mirror City: A Kaleidoscopic Timelapse of Chicago, San Francisco, San Diego, Vegas and L.A. [VIDEO]

(via cosmic-rebirth)

awkwardsituationist:
gmb akash documents the 350 kilometre journey from dhaka to sylhet, bangladesh made by those who, unable to afford the price of a ticket or find room to ride inside, risk death by traveling atop and between train cars
(via suntochukwu)
purpleaggregates:

White Tara The female enlightened being of long life, wisdom and good fortune When I see the signs of untimely death, May I immediately receive the blessings of Arya Tara; And, having destroyed the Lord of Death, May I quickly attain the deathless vajra body. OM TARE TUTTARE TURE MAMA AYUR PUNAYE GYANA PUTRIM KURU YE SÖHA OM TARE TUTTARE TURE SÖHA
purpleaggregates:
White Tara
The female enlightened being of long life, wisdom and good fortune

When I see the signs of untimely death,
May I immediately receive the blessings of Arya Tara;
And, having destroyed the Lord of Death,
May I quickly attain the deathless vajra body.

OM TARE TUTTARE TURE MAMA AYUR PUNAYE GYANA PUTRIM KURU YE SÖHA
OM TARE TUTTARE TURE SÖHA
(via dancingdakini)

(via guerrillatech)
hungryforworld:

Monet’s Garden. Givery, France.
hungryforworld:
Monet’s Garden. Givery, France.

(via awaveofbliss)

(via cosmic-rebirth)

Internal and external are ultimately one. When you no longer perceive the world as hostile, there is no more fear, and when there is no more fear, you think, speak and act differently. Love and compassion arise, and they affect the world.
Eckhart Tolle (via samsaranmusing)
(via suntochukwu)
1 MONTH AGO / SAMSARANMUSING
malformalady:

The golden spiral of fungus. In geometry, a golden spiral is a logarithmic spiral whose growth factor is φ, the golden ratio. That is, a golden spiral gets wider (or further from its origin) by a factor of φ for every quarter turn it makes.
Photo credit: Devin Raber
malformalady:
The golden spiral of fungus. In geometry, a golden spiral is a logarithmic spiral whose growth factor is φ, the golden ratio. That is, a golden spiral gets wider (or further from its origin) by a factor of φ for every quarter turn it makes.
Photo credit: Devin Raber
(via deeperthansoul)
polaroidsf:

Welcome to Eden
polaroidsf:
Welcome to Eden

(via bouddra)

It doesn’t interest me what you do for a living.
I want to know what you ache for, and if you dare to dream of
meeting your heart’s longing.

It doesn’t interest me how old you are.
I want to know if you will risk looking like a fool for love, for
your dreams, for the adventure of being alive.

It doesn’t interest me
The war began at Fort Sumter
It was launched by the greys not the blues
John Brown defended his actions
It was now the South's war to lose

Brothers were turned against brothers
The states were at war from that night
The country was clearly in trouble
And with one shot, did begin the fight

It's time to celebrate freedom
On a day eating hot dogs and pie
Towns decorated with bunting
As fire works light up the sky

In the summer of nineteen sixteen
On an island known here as "Black Tom"
Munitions reserved for the allies
Were sabotaged, bullet and bomb

The US now entered the World War
They were allies but not really allied
When another plant blew up in Kingsland
America, came in from the side

It's time to celebrate freedom
On a day eating hot dogs and pie
Towns decorated with bunting
As fire works light up the sky

The second world war was in progress
America was sitting it out
When Japanese planes bombed Pearl Harbour
They were at war, of this there was no doubt

Almost one half of a million
Americans died in that war
They died fighting for freedom
Just think, there could have been more

It's time to celebrate freedom
On a day eating hot dogs and pie
Towns decorated with bunting
As fire works light up the sky

Television brought war to the masses
A young soldier seen from Ojai
Interviewed leaving for battle
He was leaving, not hoping to die

Veterans came back to no fanfare
They weren't hero's, the war was not theirs
Back home, they now fought a new battle
Thrown away, where nobody cares

It's time to celebrate freedom
On a day eating hot dogs and pie
Towns decorated with bunting
As fire works light up the sky

The Gulf War began in the nineties
A war fought like none ever seen
Targets were sighted by missiles
Watched on monitors all lit up in green

And then came nine eleven
The war was now brought to our land
I support the soldiers for going to battle
And if you meet one, go shake his hand

It's time to celebrate freedom
On a day eating hot dogs and pie
Towns decorated with bunting
As fire works light up the sky

Freedom is something you fight for
It's something you celebrate too
Sons, Daughters and wives have laid down their lives
So we can all live like we do

It's time to celebrate freedom
On a day eating hot dogs and pie
Towns decorated with bunting
As fire works light up the sky
Cyril Blythe Sep 2012
I followed him down the trail until we got to the mouth of the mines. The life and energy of the surrounding maples and birches seemed to come to a still and then die as we walked closer, closer. The air was cold and dark and damp and smelt of mold and moths. Delvos stepped into the darkness anyways.
“Well, girl, you coming or aren’t you?”
I could see his yellowed tobacco teeth form into a slimy smile as I stepped out of the sun. It was still inside. The canary chirped.
“This tunnel is just the mouth to over two hundred others exactly like it. Stay close. Last thing I need this month is National Geographic on my *** for losing one of their puppet girls.”
“Delvos, ****. I have two masters degrees.” He rolled his eyes.
“Spare me.” He trotted off around the corner to the left, whistling.
“I survived alone in the jungles of Bolivia alone for two months chasing an Azara’s Spinetail. I climbed the tallest mountain in Nepal shooting Satyr Tragopans along the cliff faces. In Peru I…” Suddenly I felt the weight of the darkness. In my blinding anger I lost track of his lantern. I stopped, my heartbeat picked up, and I tried to remind myself of what I did in Peru.
I followed a Diurnal Peruvian Pygmy-Owl across the gravel tops of the Andes Mountains, no light but the Southern Cross and waning moon above. I am not scared of darkness. I am not scared of darkness.
I stopped to listen. Somewhere in front of me the canary chirped.

When I first got the job in Vermont I couldn’t have been more frustrated. Mining canaries? Never had I ever ‘chased’ a more mundane bird. Nonetheless, when Jack Reynolds sends you on a shoot you don’t say no, so I packed up my camera bag and hoped on the next plane out of Washington.
“His name is John Delvos.” Jack said. He handed me the manila case envelope. “He’s lived in rural Vermont his entire life. Apparently his family bred the canaries for the miners of the Sheldon Quarry since the early twenties. When the accident happened the whole town basically shut down. There were no canaries in the mines the day the gas killed the miners. His mother died in a fire of some sort shortly after. The town blamed the Delvos family and ran them into the woods. His father built a cabin and once his father died, Delvos continued to breed the birds. He ships them to other mining towns across the country now. We want to run a piece about the inhumanity of breeding animals to die so humans won’t.” I stood in silence in front of his deep mahogany desk, suddenly aware of the lack of make-up on my face. He smiled, “You’re leaving on Tuesday.”
“Yes sir.”
“Don’t look so smug, Lila. This may not be the most exotic bird you’ve shot but the humanity of this piece has the potential to be a cover story. Get the shots, write the story.”

“Do you understand the darkness now, Ms. Rivers? Your prestigious masters degrees don’t mean **** down here.” Delvos reappeared behind the crack of his match in a side tunnel not twenty yards in front of me. He relit the oily lantern and turned his back without another word. I reluctantly followed deeper into the damp darkness.
“Why were there no canaries in the mine on, you know, that day?” The shadows of the lantern flickered against the iron canary cage chained on his hip and the yellow bird hopped inside.
“I was nine, Ms. Rivers. I didn’t understand much at the time.” We turned right into the next tunnel and our shoes crunched on jagged stones. All the stones were black.
“But surely you understand now?”
The canary chirped.

When I first got to Sheldon and began asking about the location of the Delvos’ cabin you would have thought I was asking where the first gate to hell was located. Mothers would smile and say, “Sorry, Miss, I can’t say,” and hurriedly flock their children in the opposite direction. After two hours of polite refusals I gave up. I spent the rest of the first day photographing the town square. It was quaint; old stone barbershops surrounded by oaks and black squirrels, a western themed whiskey bar, and a few greasy spoon restaurants interspersed in-between. I booked a room in the Walking Horse Motel for Wednesday night, determined to get a good nights sleep and defeat this towns fear of John Delvos tomorrow.
My room was a tiny one bed square with no TV. Surprise, surprise. At least I had my camera and computer to entertain myself. I reached into the side of my camera bag and pulled out my Turkish Golds and Macaw-beak yellow BIC. I stepped out onto the dirt in front of my door and lit up. I looked up and the stars stole all the oxygen surrounding me. They were dancing and smiling above me and I forgot Delvos, Jack, and all of Sheldon except it’s sky. Puffing away, I stepped farther and farther from my door and deeper into the darkness of night. The father into the darkness the more dizzying the stars dancing became.
“Ma’am? Everything okay?”
Startled, I dropped my cigarette on the ground and the ember fell off.
“I’m sorry, sir. I was just, um, the stars…” I snuffed out the orange glow in the dirt with my boot and extended my hand, “Lila Waters, and you are?”
“Ian Benet. I haven’t seen you around here before, Ms. Waters, are you new to town?”
“I’m here for work. I’m a bird photographer and journalist for National Geographic. I’m looking for John Delvos but I’m starting to think he’s going to be harder to track than a Magpie Robin.”
The stars tiptoed in their tiny circles above in the silence. Then, they disappeared with a spark as Ian lit up his wooden pipe. It was a light colored wood, stained with rich brown tobacco and ash. He passed me his matches, smiling.
“What do you want with that old *******? Don’t tell me National Geographic is interested in the Delvos canaries.”
I lit up another stick and took a drag. “Shocking, right?”
“Actually, it’s about time their story is told.” Benet walked to the wooden bench to our left and patted the seat beside him. I walked over. “The Delvos canaries saved hundreds of Sheldonian lives over the years. But the day a crew went into the mines without one, my father came out of the ground as cold as when we put him back into it in his coffin.”
I sat in silence, unsure what to say. “Mr. Benet, I’m so sorry…”
“Please, just Ian. My father was the last Mr. Benet.”
We sat on the wooden bench, heat leaving our bodies to warm the dead wood beneath our legs. I shivered; the stars dance suddenly colder and more violent.
“Delvos canaries are martyrs, Ms. Waters. This whole town indebted to those tiny yellow birds, but nobody cares to remember that anymore.”
“Can you tell me where I can find Mr. Delvos and his, erm, martyrs?” The ember of my second cigarette was close to my pinching fingertips.
“Follow me.” Ian stood up and walked to the edge of the woods in front of us. We crunched the cold dust beneath our feet, making me aware of how silent it was. Ian stopped at a large elm and pointed, “See that yellow notch?” Sure enough, there was a notch cut and dyed yellow at his finger’s end. “If you follow true north from this tree into the woods you’ll find this notch about every fifty yards or so. Follow the yellow and it’ll spit you out onto the Delvos property.”
“Thank you, Ian. I really can’t begin to tell you how thankful I am to find out where to find this elusive Mr. Delvos and his canaries.”
“You don’t have to,” he knocked the ash out of his pipe against the tree, “Just do those birds justice in your article. Remember, martyrs. Tell old Delvos Ian Benet sends his regards.” He turned and walked back to the motel and I stood and watched in silence. It was then I realized I hadn’t heard a single bird since I got to Sheldon. The stars dance was manic above me as I walked back to my room and shut the door.

The canary chirped and Delvos stopped.
“This is a good place to break out fast. Sit.”
I sat obediently, squirming around until the rocks formed a more comfortable nest around my bony hips. We left for the mines as the stars were fading in the vermillion Vermont sky this morning and had been walking for what seemed like an eternity. I was definitely ready to eat. He handed me a gallon Ziploc bag from his backpack filled with raisins, nuts, various dried fruits, and a stiff piece of bread. I attacked the food like a raven.
“I was the reason no canaries entered the mines that day, Ms. Waters.” Delvos broke a piece of his bread off and wrapped it around a dried piece of apricot, or maybe apple. I was suddenly aware of my every motion and swallowed, loudly. I crinkled into my Ziploc and crunched on the pecans I dug out, waiting.
“Aren’t you going to ask why?”
“I’m not a parrot, Mr. Delvos, I don’t answer expectedly on command. You’ll tell me if you want.” I hurriedly stuffed a fistful of dried pears into my mouth.
Delvos chuckled and my nerves eased, “You’ve got steel in you, Ms. Rivers, I’ll give you that much.”
I nodded and continued cramming pears in my mouth.
“I was only nine. The canaries were my pets, all of them. I hated when Dad would send them into the mines to die for men I couldn’t give two ***** about. It was my birthday and I asked for an afternoon of freedom with my pets and Dad obliged. I was in the aviary with pocketfuls of sunflower-seeds. Whenever I threw a handful into the air above me, the air came to life with flickering yellow brushes and songs of joy. It was the happiest I have ever been, wholly surrounded and protected by my friends. Around twelve thirty that afternoon the Sheriff pulled up, lights ablaze. The blue and red lights stilled my yellow sky to green again and that’s when I heard the shouting. He cuffed my Dad on the hood of the car and Mom was crying and pushing her fists into the sheriff’s chest. I didn’t understand at all. The Sheriff ended up putting Mom in the car too and they all left me in the aviary. I sat there until around four that afternoon before they sent anyone to come get me.”
Delvos took a small bite of his bread and chewed a moment. “No matter how many handfuls of seeds I threw in the air after that, the birds wouldn’t stir. They wouldn’t even sing. I think they knew what was happening.”
I was at a loss for words so of course I blurted, “I didn’t see an aviary at your house…”
Delvos laughed. “Someone burnt down the house I was raised in the next week while we were sleeping. Mom died that night. The whole dark was burning with screams and my yellow canaries were orange and hot against the black sky. That’s the only night I’ve seen black canaries and the only night I’ve heard them scream.”
I swallowed some mixed nuts and they rubbed against my dry throat.
“They never caught the person. A week later Dad took the remainder of the birds and we marched into the woods. We worked for months clearing the land and rebuilding our lives. We spent most of the time in silence, except for the canary cries. When the house was finally built and the birds little coops were as well, Dad finally talked. The only thing he could say was ‘Canaries are not the same as a Phoenix, John. Not the same at all.”
The canary chirped, still only visible by the lanterns flame. Not fully yellow, I realized, here in the mines, but not fully orange either.

When I first walked onto John Delvos’ property on Thursday morning he was scattering feed into the bird coops in the front of his cabin. Everything was made of wood and still wet with the morning’s dew.
“Mr. Delvos?” He spun around, startled, and walked up to me a little too fast.
“Why are you here? Who are you?”
“My name is Lila Waters, sir, I am a photographer and journalist for National Geographic Magazine and we are going to run an article on your canaries.”
“Not interested”
“Please, sir, can I ask you just a few quick questions as take a couple pictures of your, erm, martyrs?”
His eyes narrowed and he walked up to me, studying my face with an intense, glowering gaze. He spit a mouthful of dip onto the ground without breaking eye contact. I shifted my camera bag’s weight to the other shoulder.
“Who told you to call them that?”
“I met Ian Benet last night, he told me how important your birds are to this community, sir. He sends his regards.”
Delvos laughed and motioned for me to follow as he turned his back. “You can take pictures but I have to approve which ones you publish. That’s my rule.”
“Sir, it’s really not up to me, you see, my boss, Jack Reynolds, is one of the CEO’s for the magazine and he...”
“Those are my rules, Ms. Waters.” He turned and picked back up the bucket of seed and began to walk back to the birds. “You want to interview me then we do it in the mine. Be back here at four thirty in the morning.”
“Sir…?”
“Get some sleep, Ms. Waters. You’ll want to be rested for the mine.” He turned, walked up his wooden stairs, and closed the door to his cabin.
I was left alone in the woods and spent the next hour snapping pictures of the little, yellow canaries in their cages. I took a couple pictures of his house and the surrounding trees, packed up my camera and trekked back to my motel.

“You finished yet?” Delvos stood up and the memory of his green and brown wooded homestead fled from my memory as the mine again consumed my consciousness. Dark, quiet, and stagnant. I closed the Ziploc and stuffed the bag, mainly filled with the raisins I sifted through, into my pocket.
Delvos grunted and the canary flapped in its cage as he stood again and, swinging the lantern, rounded another corner. The path we were on began to take a noticeable ***** downward and the moisture on the walls and air multiplied.
The canary chirped.
The lantern flickered against the moist, black stones, sleek and piled in the corners we past. The path stopped ahead at a wall of solid black and brown Earth.
The canary chirped twice.
It smelt of clay and mildew and Delvos said, “Go on, touch it.”
I reached my hand out, camera uselessly hanging like a bat over my shoulder. The rock was cold and hard. It felt dead.
The Canary was flitting its wings in the cage now, chirping every few seconds.
“This is the last tunnel they were digging when the gas under our feet broke free from hell and killed those men.”
Delvos hoisted the lantern above our heads, illuminating the surrounding gloom. All was completely still and even my own vapor seemed to fall out of my mouth and simply die. The canary was dancing a frantic jig, now, similar to the mating dance of the Great Frigate Bird I shot in the Amazon jungle. As I watched the canary and listened to its small wings beat against the cold metal cage I begin to feel dizzy. The bird’s cries had transformed into a scream colder than fire and somehow more fierce.
The ability to fly is what always made me jealous of birds as a child, but as my temple throbbed and the canary danced I realized I was amiss. Screaming, yellow feathers whipped and the entire inside of the cage was instantaneously filled. It was beautiful until the very end. Dizzying, really.
Defeated, the canary sank to the floor, one beaten wing hanging out of the iron bars at a most unnatural angle. Its claws were opening and closing, grasping the tainted cave air, or, perhaps, trying to push it away. Delvos unclipped the cage and sat it on the floor in the space between us, lantern still held swaying above his head. The bird was aflame now, the silent red blood absorbing into the apologetic, yellow feathers. Orange, a living fire. I pulled out my camera as I sat on the ground beside the cage. I took a few shots, the camera’s clicks louder than the feeble chirps sounding out of the canary’s tattered, yellow beak. My head was spinning. Its coal-black eyes reflected the lantern’s flame above. I could see its tiny, red tongue in the bottom of its mouth.
Opening.
Closing.
Opening, wider, too wide, then,
Silence.


I felt dizzy. I remember feeling the darkness surround me; it felt warm.

“I vaguely remember Delvos helping me to my feet, but leaving the mine was a complete haze.” I told the panel back in D.C., “It wasn’t until we had crossed the stream on the way back to the cabin that I began to feel myself again. Even then, I felt like I was living a dream. When we got back to the cabin the sight of the lively yellow canaries in their coops made me cry. Delvos brought me a bottle of water and told me I needed to hit the trail because the sun set early in the winter, so I le
Alyna Feb 2015
Small towns
pass through my vision
like slowly growing
scattered pieces of life
thrown into
a fast-paced world
of people everywhere
all the time.

these towns
I know nothing of
were almost a part
of a life of mine
I dared to nearly live
ughdrey Jun 2013
Before I met her, I wanted to be her. Does that sound stupid? I wanted to be that ****** up ****** that did a bunch of drugs and always had money because she led men on and lived free and just lived life despite a daily brush with death. I was eventually, and I had an amazingly horrible experience.

I met her when I was 13. I spent a lot of time just "babysitting" her really. My other friends hated her. We'd come over and she'd literally go in the closet to shoot up and we'd just be chilling in her bedroom listening to Hole and being really confused as to why she didn't just use the bathroom. But she liked the attention and audience. This might seem cliche or mean or whatever, but it's true.

As my decent friends grew further away from me because I continuously grew closer and closer to her, I did a lot of *******, not nearly as much as I would later on in life. but enough to say, "wow I did a lot of ******* when I was 15" and at the time, it seemed like an accomplishment. Maybe I thought I was cool, I don't know, now I just think I was stupid and weak and regret being like my father.

Obviously, as time went on, I did ******. The first 500 times Natalie offered me it, I said no. I always said no, but she still always asked. If you know a ****** addict, there's something else you probably know. ****** addicts love having other ****** addicts around because you guys will work together to make money and get more. This will probably turn into what it really is and what we were really were, and that's a co-dependent platonic couple, but I didn't know that until just now.

The day I finally did it, my god. My god. My god. My god. My god.

I feel slightly guilty writing this because I don't want to glorify drug abuse but Christ, did it feel good.

We were downstairs watching Hedwig and she gave me the eye to start talking to her mom so she could go upstairs discreetly. Then her mom was like "where'd she go?" so I went to go check, even though I knew.

I walk into the bathroom, scaring the **** out of her. She had lines of ******, diesel, whatever. We called it diesel, I don't know if that's like a common name for it? Is it? Whatever, I said "let me try it."

Why? I don't know why. To this very second I can't remember what I was thinking. She didn't ask, and maybe that's why. But she put some on her hand and I snorted it. I hated the taste. Sometimes I smell it, and I don't know what it is that smells like ******, but I find myself saying out loud, when people are around, "ugh it smells like ******."

This is one of my catchphrases I think, and I am not proud of it anymore.

People always ask me what it felt like the first time. I remember not feeling anything. I remember not feeling guilty for helping Natalie remain a drug addict in her parents house. I remember her pinching me and telling me not be obvious, but oh, I'm sorry, I didn't know that it was going to make me feel like a warm pancake that just wanted to sleep wide awake.

Sleeping wide awake, that's a good way to describe how it feels.

I tell people this a lot, this process of drug use, and how I ended up shooting ****** and kind of just ignoring that I was.

I smoked *** and said "well it's not like I'm doing E"
then I did E and said "I'm not doing coke"
then it was "it's not ******"
and then it was "it's not like I'm shooting it."

Once I started shooting it, I didn't have any excuse or cop out, I was just curious as to what else I could inject into my body and became that glorified drug addict who lived free and did anything she wanted and felt like she came out of a book or a movie or a ****** up story you only hear strangers gabbing about on the train.

I was that girl. Natalie was much worse though. But that didn't come until I was about 18.

I had morals, yes even heavily addicted to ******, I had morals. I didn't steal from my family. This was one thing that would not break for me even when I was maybe putting **** in my mouth for money. But that's not even entirely true because I didn't do it for the money, it just happened that way.

So I'm probably 16 at this point in the story. I'm meeting guys off MySpace with her, guys from rich towns that want *** or coke or ******, just guys who can't get it in their towns. She's ******* them, I'm stealing from them. We don't keep friends very long because they know what we're up to after a few times.

She also sold her parents wedding rings, I didn't even know until after the fact, or I would have tried to stop her.

Her mother was so good to me. I spent a lot of time at their house. Her mom always invited me for holidays, despite the huge family they already had coming, because she knew my home life wasn't too good and she just treated me like I imagine you're supposed to treat a daughter you like. She was also very religious, which added to the blinders she had when it came to Natalie. She thought she could pray the drugs away, the way she tried to pray my gay away.

I was absolutely heart broken and completely beside myself the day her mother yelled, "she told me what you did. She told me you took the rings."

I didn't take the rings but what was I supposed to do? Try and convince her that Natalie did? She knew, somewhere she knew, but she didn't want to believe it so I just walked out of the house and never came back. I cried about that for a long time because I loved her mother, so much more than I am trying to say here. She might have been oblivious, but she was the sweetest woman in the world and I feel horrible that she had a daughter like Natalie.

I met so many characters. Chris. I don't remember his last name but it was something really white boyish. He would drive 45 minutes to us so we could get him 8 bags of ****** when he paid for 10, but we'd pocket two. We did this a lot during the day actually. We'd get drugs for people and just never tell them you get a bundle (10 bags) for 80$, and they'd tell their friends we'd go for them, and they'd think the same thing. Why? Oh, because these were very white people that were afraid of the "ghetto." And it was the ghetto, it was Newark, NJ. The corner of Victoria and Garside, what up, what up. Come see me.

I never really liked Chris. He was a musician but he wasn't that good. I think he thought he was Conor Oberst, and at that time, he kind of looked like him. But he was just some rich white kid with an inflated ego and I didn't feel bad ripping him off, or his Trust Fund Baby friends.

I did feel bad though when one of them died in front of us.

So I guess this is where I'll start writing the "**** got real real fast" stuff, now that I've hopefully explained the type of person I am and how I got to this point.


Why drug dealers cut their drugs with poison and whatever else, I'll never know. Bad for business if you ask me, but I've never been a big fan of the business world, but this seems pretty similar.

Natalie is driving Chris' car and we didn't snort any ****** yet, which was weird, but I'm grateful we didn't. We bring it back to Chris and his friends, who are waiting a few towns over for us. They get in the car and are like "just drive around for a bit so we can do this."

They all have separate bags, and I feel terrible I can't remember the girl's name that died, I want to say it was Karen or something like that but I know it wasn't. She just rolls up a bill and snorts out of the bag and within like 10 seconds she's screaming and everyone in the backseat is screaming and I turn around and there's blood pouring out of her nose and it's all over her hands and the car and her boyfriend and Chris and I think her eyes are bleeding but I'm not entirely sure if that's what was happening. And I'm like "What the **** what the ****" because it wasn't a normal nose bleed, this girl was just, flowing blood out of her face.

Natalie is emotionless as always. I'm screaming "get to the hospital get to the ******* hospital" and the girl is like screaming "it hurts oh my god oh my god it hurts" and her boyfriend is like "yo man, what the **** bb are you okay bb."

It's weird that in situations like this everyone repeats themselves but I think your brain kind of stops working and you need to repeat yourself so the rest of you can process the magnitude of ****** up that your eyes are seeing.

Needless to say, Natalie didn't go straight to the hospital, she stopped the car a few blocks away. The girl died within 15 minutes. I don't know why Natalie or I wasn't held accountable for what happened, but I think it had something to do with me telling Chris who the dealer was, and this was the only time in my life I ever gave out a name, even when I was in jail, I didn't rat anyone out. But death is different and anyone who doesn't believe in being a rat when you're faced with that kind of guilt, is a *******.

Natalie got out and started walking, Chris got in the front seat and I followed after Natalie. He did take his friend to the hospital immediately after but Natalie was being inhumane, and it was just better she got out of the car because she probably would have driven us all into a river to avoid being arrested.

I really have no idea why she got out of the car though, she had no fear, I think she was just annoyed, like this girl's death ruined her day when it ruined my life. I guess making a joke out of it makes it easier for me to deal with, but it still isn't. For me, it was monstrous, it was desensitizing, it was mortality showing itself and I was like "I'll never do ****** again." But that was a lie. I found out a week later via MySpace message that the girl had glass (!?) in her bag as well as ****** and I have no idea. I have no ******* idea what why how. I just don't understand that.

Chris still came around for ****** though. And he still brought his friends, just not the ones that were there that day.

What am I, like 17? I'm still senior in high school and I have really ****** concept of age, and I meet this other guy.

MY GOD WHAT A MAN.

Yeah, I said it. He was 38, built like Hulk Hogan, and had the sweetest smile and the most honest blue eyes I have ever seen.

He also had been out of jail for a whole year before we met him. He was tied to a car ring where people would pay him to steal cars. He was in jail for 6 years and when I turned 21, I heard he landed himself back in jail for trying to **** someone or something.

He was nice though. I couldn't figure out why he was so obsessed with Natalie. But the niceness wore out and I finally learned what a creepy ******* he was.

He used to ride his bicycle to meet up with us and he had a lot of money, he just wasn't allowed a license. He was a construction worker for the union, made like 60$ an hour and what do you know, he was a ****** addict.

He told me how they get drugs inside jail. You get a girl to come visit you and sit down with you. You kiss them, like make out kissing because that's all you need. That like 4 seconds before someone is like HEY CUT IT OUT, and they have the drugs wrapped up in their mouth, and you get the picture. Just in case you were wondering how that works.

He also told me that I reminded him of his sister, that died of a drug overdose.
He also showed me his **** one day when he was at my house alone with me.
He also ****** off on my couch and tried to get me to **** it.
Then he tried to get me just to touch it.
Then I asked him to leave.
And then some other stuff happened that I don't feel comfortable writing about but I probably will another day.

He turned out to be a ******* ****** and I don't really trust anyone with pretty eyes anymore. But he was fun. Once he started trying to impress me, a 17 year old girl, and Natalie who was like 22, he decided he'd go back to his old ways and steal cars. I can't count the amount of porsches I've been in or how many miles per hour we went or how many car accidents there were that we shouldn't have walked away from it unharmed. He never hit anyone else, just walls and guardrails, rolled into ditches.

Seat belts, seriously, wear them. I don't anymore, but I'm going to start again.

He used to give me a lot of money. A Lot Of Money, just to hang out with him and watch him ******* and ****. I don't know sometimes when I think about these things.

Natalie did something stupid, she got caught stealing from him. He didn't mind giving us money and I think that's why he was so mad. He would have just handed it to her if she asked. So he started coming to my house a lot in stolen cars, then I introduced him to my other teenager female friends and it worked out really well for me.

He was gone for good and it was better that way.

I was still only snorting ****** up until this time of my life. The taste of ****** and the amount I puked from it was becoming too much and I was losing a lot of weight and it wasn't healthy looking so I decided to start shooting. I didn't even do it for the normal reason which is, you get higher, faster and harder.

Natalie and I are in a bathroom of my friend's house whose mother is handicapped, bed bound, so we just go there all the time to get high. The mother is also diabetic so there's a lot of unused empty needles. I help her shoot. And it's scary, she would shake and tremble and it was really bad. Sometimes I'd think to myself, "it's like your body is trying to stop you from doing it."

But if you like blood, watching someone shoot up is really cool. You mix water with the powder and, ew now that I'm thinking about it, what the ****. You wrap your arm up, so your veins pop up, put the needle into a vein and you pull some blood out, I don't know the reason behind this, and you shoot it back into yourself.

I'm really uncomfortable with the whole idea of shooting so I shot into my hands because I had very prominent veins there. I eventually started shooting speed *****, ****** and coke, which was too much fun for someone as emotionally unstable as I was, to be doing something so completely unpredictable. The first time I shot ******, I never snorted it again.

I shot Jack Daniels once and never did that again either. I figured I'd get drunk really fast, right? Wrong, it burned like a ***** and I started smashing my hand into the bathroom sink screaming "WHAT THE **** WHY DOES IT BURN."

It's whiskey, Audrey. Whiskey.

I met so many more people when I was shooting. I became friends with an entire *******, all the strippers, their boyfriends, their "daddies" and just, those kinds of people, and like I said before, I'll write about that another day. But that is where I met Janelle and Kevin, aka, Jack and Sally. They were these really gothy ****** addicts and this is going to be ridiculous, but it was so beautiful when they shot up.  

Kevin would be like "okay, baby, ready?" and he'd caress her arm and she'd wrap it, and he'd kiss her and then kiss her arm, then he'd put the needle in and I'd be sitting on the bed sobbing because I thought it was so cute, in like, a really disgusting "I'm clearly on drugs" kind of way.

I didn't hang out with them for that long, Natalie ****** Kevin and that ****** because Kevin and I used to make forts inside the house and talk a lot about nothing, but it was fun and I felt like a child, and I liked feeling like I was a child and that it was okay I was acting the way I was.

A bunch of people that hung out there eventually started doing ****** and I couldn't stand it so I had to get away from a bit because my guilt came back and I felt like I was killing everyone.


Natalie started setting up drug deals so they'd get ripped off if they went without her, she started turning on me, stealing from me, she had me set up for a deal and her dealer put a gun in my mouth when I started arguing with him about how he gave me like wood chips or whatever. It was not ******, but we still ran like thieves together.

She introduced me to the next guy we were going to use, his name was Pablo. He was about 42 and lived in his parents basement. He was an outstanding artist, I mean, I couldn't figure out why he was in his parents basement with the amount of talent he had. We used to smoked embalming fluid with him and angel dust.

Now, if you ever want to know what it feels like to be Alice in Thunderland, smoke embalming fluid. I went on a 4 day drug binge that consisted of nothing but dust, fluid, her
we earned our stripes
playing out on the road
in towns you won't find on the map
we play whatever
the crowd wants to hear
and one time we even played taps

yeah taps...that's right
one time we even played taps

played a bar last night
real funky place
the backroom was also the jail
you got drunk on one side
then they'd lock you up
and you could pay the bartender your bail

yep...you could pay the bartender your bail

The towns that we play in
Aren't really that big
What most call a forest
The band calls a twig
we play country music
we can knock off a jig
but to call us that famous
is like kissing a pig

we've got two pickups
an suv too
and a minivan rusted to bits
we play rock paper scissors
to see who drives where
then we pack up and hope it all fits

yep...most nights we hope it all fits

we play behind wire
in some places we go
it stops the bottle from hitting the drums
we asked the bartender
if he thought we should leave
he said you do....next they'll all pull out their guns

yep...everyone there all had guns

The towns that we play in
Aren't really that big
What most call a forest
The band calls a twig
we play country music
we can knock off a jig
but to call us that famous
is like kissing a pig
John Prophet Dec 2016
Mankind began as a troop animal.
Living amongst its own kind.
Stepping out of the trees onto the Savanna.
Mankind became a wander, small family bands bound by blood. Millenia past, mankind developed farming and the wanderer settled down. Small wandering groups became small farming villages. Small farming villages became larger farming villages, then small towns.
Small towns became larger towns inhabited by hundreds.
Larger towns grew to small cities inhabited by thousands. Agriculture and technology developed to sustain and enhance such growth. Cities evolved into city states, then becoming small countries inhabited by hundreds of thousands. Finally today we have countries inhabited by hundreds of millions.
All along this path battles and wars, killing millions along the way, till today we have weapons that can wipe out us all.
The salvation of mankind and the natural progression of things is global organization, global integration.
The globe is being wired with its own global neural net, a global brain if you will. One world controlling itself.
One world that will not nuke itself! The salvation of us all.
Courtney Lyn Mar 2015
I am not my demons
They are made entirely of me.

They are the cruelties I've suffered,
Presenting themselves like tornados through small towns.

Towns that don't seem like much at a passing glance,
But who's residents never doubt
The beauty and potential it holds
If only you stay long enough to notice it.

But how can anyone see the beauty in towns
That are forever being brought to ruins.
At the mercy of something as destructive
And unpredictable
As a **** tornado?
EFFECTS OF CHILD ABUSE ON PERFORMANCE OF PRIMARY SCHOOL IN KAPYEMIT WARD, TURBO CONSTITUENCY, UASIN-GISHU COUNTY.





BY
ERICK NYAKUNDI
KIS/03013/14




A RESEARCH PROJECTSUBMITED TO THE SCHOOL OF ARTS AND SOCIAL SCIENCES, DEPARTMENT OF SOCIOLOGY AND PSYCHOLOGY IN THE PARTIAL FULFILMENT FOR THE AWARD OF THE DEGREE OF BACHELOR OF SOCIOLOGY



MAY, 2014

DECLARATION

I, the undersigned, declare that this project is my original work and that it has not been presented in any other university or institution for academic credit.

Signature...............................................­..... Date...................................
ERICK NYAKUNDI
KIS/03013/14






SUPERVISOR
This project has been submitted for examination with my approval as university supervisor
DR. W. O. ABUYA
Signature..................................................­.. Date....................................




DEDICATION
I dedicate this work to my Dad, Mom, my sister Lydia and my lovely brother Dun who contributed in one way or another to make this project to be successful.


















ACKNOWLEDGEMENT
I would like to thank all individuals who contributed and sacrificed their time towards completion of this project.
To my supervisor, for the guidance and support in the development of this research project, His advice and criticism made this project what it is.
Thanks to colleagues and friends for their suggestions, advice and encouragement. To all of you may God bless you abundantly for your tireless effort.

TABLE OF CONTENTS
Contents Page
DECLARATION i
DEDICATION ii
ACKNOWLEDGEMENT iii
TABLE OF CONTENTS iv
LIST OF TABLES vii
LIST OF FIGURE viii
ABSTRACT ix
CHAPTER ONE 10
STUDY OVERVIEW AND STATEMENT OF THE PROBLEM 10
1.1 Background of the Study 10
1.2 Research Questions 13
1.3 Research Objectives 13
1.4 Justification of the Study 13
1.5 Significance of the Study 14
1.6 Scope of the Study 15
1.6.1Assumptions of the Study 16
CHAPTER TWO 17
LITERATURE REVIEW 17
2.1 Introduction 17
2.2 Common Forms of Child Abuse 17
2.2.1 Child ****** Abuse 17
2.2.2 Physiological or Emotional Abuse 17
2.2.3 Physical Abuse 18
2.2.4 Child Neglect or Abandonment 18
2.2.4.1 Physical Neglect 19
2.2.4.2 Educational Neglect 19
2.2.4.3 Medical Neglect 19
2.2.5 Child Fatalities 20
2.3 How Child Abuse Affects Academic Performance 20
2.3.1 Child Abuse and Academic Performance 20
2.3.2 Child Abuse and School Image 23
2.3.3 Child Abuse and Dropout Rate 25
2.4 Strategies that Schools can Employ to Curb Child Abuse 26
2.4.1 Role of Public Regulation 26
2.4.1.1 Nurturing and Attachment 27
2.4.1.2 Social Connections 27
2.5 Theoretical Framework 27
2.5.1 Learning Theory 28
2.5.1.1 Relationship with the Study 28
2.5.2 Family Dysfunction Theory 29
2.5.2.1 Relationship with the Study 29
CHAPTER THREE 30
RESEARCH DESIGN AND METHODOLOGY 30
3.0 Introduction 30
3.1 Site Description 30
3.2 Research Design 30
3.3.1 Target Population 30
3.3.2 Sample Size and Sampling Procedure 31
3.4 Description of Research Instruments 32
3.4.1 Research Instrument 32
3.4.1.1 Questionnaire 32
3.5 Data Collection Procedure 32
3.5.1 Validity and Reliability of Research Instruments 33
3.5.1.1 Reliability of Research Instruments 33
3.5.1.2 Validity 33
3.6 Data Analysis and Presentation 33
CHAPTER FOUR 35
DATA PRESENTATION AND ANALYSIS 35
4.0 Introduction 35
4.1 Background Information 35
4.1.1 Age of the Respondents 35
4.1.2 *** of the Respondents 35
4.1.3 Education Level of the Respondents 36
4.1.4 Marital Status 36
4.2 Specific Information 37
4.2.1 Effects of Child Abuse on Academic Performance 37
4.2.2 How Child Abuse Affects Dropout Rate of Students in School 38
4.2.3 Proposed Strategies that Schools can Employ to Curb Child Abuse 41
CHAPTER FIVE 43
SUMMARY, CONCLUSION AND RECOMMENDATIONS 43
5.0 Introduction 43
5.1 Summary of the findings 43
5.2 Discussion of the Findings 44
5.3 Conclusion 45
5.4 Recommendations 46
REFERENCES 47

LIST OF TABLES & FIGURES
Table 3.1 Target population 32
Table 3.1 Sample size 33
Table 4.1 Age of the Respondents 36
Table 4.2 *** of the Respondents 37
Table 4.3 Education Level of the Respondents 37
Table 4.4 Marital Status 38
Table 4.5 Effects of Child Abuse on Academic Performance 38
Table 4.6 How Child Abuse Affects Dropout Rate of Students in School 40
Figure 4.1 Views of the Pupils on Abuse 41
Table 4.7 Proposed Strategies that Schools can Employ to Curb Child Abuse 42





















ABSTRACT
Child abuse is the physical, ****** or emotional maltreatment or neglect of a child or children. The consequences of child maltreatment can be profound and may endure long after the abuse or neglect occurs. The purpose of the study was to investigate the effect of child abuse on school performance in Primary Schools in Kapyemit ward, Uasin-Gishu County. The objectives of the study were: To assess the impacts of child abuse on academic performance; to determine the effects of child abuse on schools image, to identify the impacts of child abuse on pupil drop out rate, to investigate the effects of child abuse on pupil transition rate. The study employed a survey study design. The study targeted 160 respondents which includes; 5 Head Teachers, 40 Teachers, 70 Pupils and 35 parents of which a sample size of 48 was obtained from using 30%. Purposive sampling technique was used in selecting the head teachers while simple random sampling technique will be used to select the teachers, Pupils and parents who formed the respondents of the study. Questionnaires and interview schedules were used as data collection instruments. Data was analyzed quantitatively and qualitatively and presented in form of tables, percentages and frequency. The study helped in the understanding of the effects of child abuse on the school performance, the realization of the roles parents and teachers play in the curbing of child abuse among pupils and raising awareness on the same.

CHAPTER ONE
STUDY OVERVIEW AND STATEMENT OF THE PROBLEM
1.1 Background of the Study
Child abuse is the physical, ****** or emotional maltreatment or neglect of a child or children. The consequences of child maltreatment can be profound and may endure long after the abuse or neglect occurs. The effects can appear in childhood, adolescence, or adulthood, and may affect various aspects of an individual's development (e.g., physical, cognitive, psychological, and behavioral). These effects range in consequence from minor physical injuries, low self-esteem, attention disorders, and poor peer relations to severe brain damage, extremely violent behavior, and death. In extreme cases, child abuse affects the performance of schools in the affected region (Daniel, 1978).
Performance refers to how students deal with their academic studies and how they cope with or accomplish different tasks given to them by their teachers. Performance is also the ability of a school to portray a good image which can influence the public (Decastro, 1978). There are several factors that influence the performance of a school at large, however, there is a critical factor that most researchers have avoided to discuss, and child abuse has been a crucial factor that has contributed to children’s dismal performance. Apart from children’s personal intelligence, child abuse is among then key factors contributing to poor performance of learners. Child abuse can lead to school dropping, emotional trauma or can even be fatal, hence destructing or even terminating the educational ambitions of a child. (Harris, 2005)
Worldwide, according to World Health Organization (WHO, 2000) approximately 40 million children are subjected to child abuse each year. According to Human Rights Watch (2001) about 30% of all severely disabled children relegated to special homes in the Ukraine died before they reached 18 years of age. UNICEF estimates that two million children died as a result of armed conflict during a recent 10-year period and that another six million were injured or disabled. In Canada, the U.S. and Mexico, over 6.5 million children annually are exposed to unwanted ****** materials over the internet; over 1.7 million of these report distress over exposure to these materials. In the United States, the Centers for Disease Control and Prevention (CDC) and the Department for Children and Families (DCF) define child maltreatment as any act or series of acts of commission or omission by a parent or other caregiver that results in harm, potential for harm, or threat of harm to a child. Child abuse can occur in a child's home, or in the organizations, schools or communities the child interacts with. Each year, approximately one million children around the world are introduced into commercial ****** exploitation despite this problem; these developed countries have put measures to curb the vice. Rehabilitation schools have been formed and introduction of counseling centers as well. Despite the prevalence of child abuse in this developed nations they narrowly affect the academic performance since there are organizations put in place to curb the situation e.g. child associations, guidance and counseling institutions, and school based counseling programs (Giles, 2001)
Concern for victims of child abuse in Africa expressed by the African network of the International Society for The Prevention of Child Abuse and Neglect (ISPCAN) which gave five main presentations of child abuse: child labor, street wandering, ****** abuse, child battering and abandonment (Elma, 1977). Child labor according to the international labor organization (ILO), about 10 million children less than 15years in Africa are in formal employment, working long hours with poor pay and are exposed to substantial health hazards. Wandering of children refers to children, usually unkempt and with delinquent propensities, living rough in town. The reasons for children taking to the street remain poorly understood particularly in relation to factors in the child rather than parental hostility and economic (Dubowitz, 2002)
****** abuse is another. For example, arranged under-age marriages are common in some parts of the continent and doubt was often expressed as to whether a young girl fully gave consent to being betrothed (Galdsone, 1965). Prevalence rates in Africa are very difficult to ascertain because of the fear of disclosure by victims and lack of proper documentation. Most of the girls by reasons of shame fear or surprisingly respect for their usually older perpetrators. Physical battering is also eminent. Physical abuse of children is widely claimed to berate in the third world; however, there are anecdotes from east Africa skeletal frame or localized body areas of all first attendees aged 0-12 years at this hospital during the four-year period 1 January 1987 to 31 December 1990 (Garbarino, 1975). Sixty-nine of these reports reveals evidence of multiple bone fractures wither without evidence of rib or skull fracture. Abandonment of children to roam around the streets in what we call street children is also eminent in Africa, though valid and adequate information on abandonment are difficult to obtain due mainly to failure of offending parents to show up out of guilt, shame, judicial repercussions or a combination of these. However, some euro-American missionaries identified inter alia breech birth. (Erickson, 2003)
Child protection measures in Kenya are currently not implemented effectively and fully (Galdstone, 1965). Compliance with such legislation would increase if the magnitude of the problem and better knowledge about the factors that put children at risk was available. Additionally, involving stakeholders, especially agencies charged with protection, as well as involving affected children, will highlight the issues and thereby promote adherence to protection policies. Kenyan children, child activists and children organizations are pinning their hopes on the implementation of the Children’s Act to improve the lot of the nation’s youth. The Act, which came into effect on 1 March 2002, puts in place full safeguards for the rights of the child. Its passage was a giant stride in harmonizing the national laws with international agreements which Kenya has signed such as the UN Conventions on the Rights of the Child (CRC, 2002)
There is hope that the new legislation will dramatically change the inattention, neglect and abuse towards child rights. The Act outlaws any form discrimination of children, and forbids Female Genital Mutilation (FGM), child prostitution, and child labor, among other forms of abuse. The Children’s Act has immensely improved the lives of many Kenyan children plagued with high illiteracy levels, frequent **** cases and child labor since it guarantees children the right to health and medical care, provision of which is the responsibility of the parents, the extended family and the government (Erickson, 2005).
Cases of child abuse in Uasin-Gishu region have been so eminent in the recent years ((Kenya Media Report, 2004). In the year 2010 and the year 2011, there was a program started to rehabilitate this behavior. This problem is clearly evident when you first arrive in Eldoret town, it is among the towns in the country with the highest number of abandoned children who keep on moving from one Centre to another seeking help from passersby. Parents have developed behaviors of abandoning their children and deliberately sending them to the town so that they can benefit from their borrowing. So to say this has led to child labor in this region. High profile cases of school dropouts have been recorded regarding the environs of this region. Young school children from different locations in Eldoret converge in town to persuade people to offer them financial assistance. Some attend school in numbered days and decide to spend some good number of days out of school.
The communities and societies around tend to assume this situation and term it as norm. A few who might seem concerned lack cooperation from the rest. This has adversely affected the performance of most of schools, hence leading to poor living standards of the people and a poisoned future of a young citizen. The problem has affected learners in regions like many areas in Uasin-Gishu County. It has really affected child development and affected their attendance and performance in school. Little intervention measures has been taken to advocate the holistic development of the children. It was to this reason that the researcher conducted the research in the named above region
1.2 Research Questions
The study was guided by the following questions;
1) What is the effect of child abuse on the academic performance of students in Kapyemit Ward?  
2) What are some of the proposed strategies that schools can employ to curb child abuse?
1.3 Research Objectives
The study was guided by the following research objectives;
1) To identify the effect of child abuse on the academic performance of students in Kapyemit Ward.
2) To identify proposed strategies that can be employed to help curb child abuse.
1.4 Justification of the Study
It is becoming increasingly difficult to separate child abuse prevention into separate categories. For instance, strategies on the societal level include increasing the “value” of children, increasing the economic self-sufficiency of families, discouraging corporal punishment and other forms of violence, making health care more accessible and affordable, expanding and improving coordination of social services, improving the identification and treatment of psychological problems and alcohol and drug abuse, providing more affordable child care and preventing the birth of unwanted children.
Very little analysis has been done to estimate the total cost of preventing child abuse and neglect or the long-term social costs of not preventing it. There is now a move to situate child abuse and neglect within the continuum of intervention which addresses multiple aspects of family behaviors. The efficacy of tackling portions of the problem of child abuse apart from broader societal needs is not known. And, perhaps prevention can only come in tandem with efforts to reduce poverty, improve health care and make children’s issues a national priority. However, despite these constraints, evaluations of prevention programs can be improved by coming to terms with definitions of key varia
Alyssa Underwood Jul 2017
As the redeemed of Jesus Christ, if we are ever to find true refreshment in our desert wanderings, it will be as we choose to dwell in God’s presence and in the newness of His daily mercies through faith. Our trials tend to force us, like pushy but invaluable friends, to learn hands-on what it is to live in the grace of the moment.

We live in the grace of the moment by continually recognizing both the immense need and the immense blessing of each moment (by developing a conscious and habitual attitude that says, “I am so desperately needy AND I am so abundantly blessed.”) and by relying on the Holy Spirit to teach us exactly how to reconcile the two. This happens as we first learn to live in the reality of the eternal, for it's an ever-present awareness of eternity that liberates us to receive every present moment with thankfulness and live it to the fullest, without setting up false expectations for it or worrying about the next.

When we are convinced that our life is hidden with Christ and He alone is the Prize, that this world is not our home and we are simply on assignment here, and that our pain and failures are only temporary but, with His redemption, the beauty and wisdom to be gained from them are eternal, we are set free from living in the regret of yesterday or in the fear of tomorrow. We can instead live in the blessing of the right now which fully meets the need of the right now because both need and blessing are gifts from the Father to get us ready for eternity and to meet our Bridegroom face to face. We have need of nothing but Him and His grace, and His fullness dwells in us.

The life lived in the grace of the moment is the life absolutely surrendered to the reality of God’s wisdom, God’s character and God’s sovereignty over it, for in entrusting ourselves to those, we acknowledge that He has a set and planned purpose for our lives, that it is good, and that He is powerful enough to carry it to completion. His wisdom assures us that He has always had in mind, down to the smallest details, exactly what He is doing with us; His character, that His heart is ever faithful toward us; and His sovereignty, that His directing arm cannot be shaken or thwarted. They reveal to us explicitly that He loves us with all of His mind and heart and strength, and in that knowledge we find perfect rest. As beloved children we know that we will be taken care of without having to know how it will happen or what it will look like.

In our helplessness we can simply look up to Him, reach out for Him and cry to Him in humility and thanksgiving, for our God cannot resist eyes and arms and hearts doing that. He always picks up and holds close to Himself those who long for Him. We may think that what we most desire are answers and perfectly successful plans and reasonable control over our lives, but what our souls crave is comfort and intimacy and love, and we can have those the instant we fully surrender to His embrace. He may sometimes hide His face from our “Why?”s but never from our “Hold me!” cries.

If we mistakenly suppose this life to be about this life, we will miss the present grace for fretting over and fighting for all the blessings we don’t have or fearing that those we do will be lost, until we find that they have become an unbearable millstone around our necks. If we pin our hope on anything in this temporary world it will be no stronger than that—a mere pin, easily pulled out and easily broken when life weighs too heavily upon it.

Enduring hope can only be based on God’s absolute promises given to us in His Word, not on our own expectations or wishes or impressions of how things ought to be. Enduring hope lets go of everything that can be lost to take hold of everything that cannot, and in doing so is actually able to squeeze the sweetest nectar out of those released and perishable blessings so that even their losses, though painful, do not leave a bitter aftertaste. For it’s often in the loss of a thing that its worth to us becomes most precious, and by letting it go with grace we can best savor its purest delights.

Realizing that the pain runs so deep only because the beauty ran so deep and that without it having once touched us we wouldn’t now know the emptiness of its loss, our grief will eventually turn to thankfulness that it ever touched us at all, and we will be left awed by the mystery of its haunting. There's a peculiar kind of beauty that can only be experienced with the innate knowledge that the moment is fleeting, and the most intense beauty can only be seen in the presence of both light and shadows.

The ability to enjoy our tangible blessings is surely heightened by the conviction that they are not ours to possess, by the acceptance that their loss is inevitable, and by the understanding that they were never meant to satisfy. For the enjoyment, then, will be absent the tainting dread, the taking for granted, and the twisted expectations which so easily and often mar our earthly pleasures. We will relish what we’ve been given today but recognize it may very well be gone tomorrow, and even in that uncertainty we will find a contented peace, for in every loss there lurks a hidden blessing, and all that really matters can never be lost to us. It is just as important to be a good steward of our losses as it is of our more obvious blessings, for the beauty that comes from nobly and graciously accepting loss far exceeds any tangible beauty that can be taken.

Knowing that we belong to another time and place and that this one is only meant to lead us there, like the charming towns one passes through on the way to a better destination, we will take in the sights with wonder and delight but keep traveling on toward our true home. For these sights, though tantalizing, are like mere slivers of light from a crack under the door compared to the glory to be found in God’s Presence. But when received as personal gifts of His grace, they become to us a stage precisely and delicately set by a Lover to attract the attention of His beloved, to show off His greatness and show forth His beauty to win her heart, and our hearts indeed are won.

To live in the grace of the moment is to keep looking to Jesus—to Jesus’ feet to lay our burdens down, to Jesus’ arms to be held securely, to Jesus’ hands to receive all we need, and to Jesus’ face to know our only sure hope and hearts’ true desire.


*Lord Jesus, merciful and all-sufficient One, in every need, small or great, tangible or intangible, give me the discernment to discover Your extravagant gifts of grace, the wisdom to receive them, the eagerness to open them and the passion to cherish them well. Give me eyes to see and a heart to fully enjoy with gratitude each blessing You have prepared for me today, for this very moment, and may I thrill to Your every advance of love.
~~~

"Since, then, you have been raised with Christ, set your hearts on things above, where Christ is, seated at the right hand of God. Set your minds on things above, not on earthly things. For you died, and your life is now hidden with Christ in God. When Christ, who is your life, appears, then you also will appear with Him in glory."
~ Colossians 3:1-4

"Praise be to the God and Father of our Lord Jesus Christ, who has blessed us in the heavenly realms with every spiritual blessing in Christ. For He chose us in Him before the creation of the world to be holy and blameless in His sight. In love He predestined us for adoption to sonship through Jesus Christ, in accordance with His pleasure and will— to the praise of His glorious grace, which He has freely given us in the One He loves. In Him we have redemption through His blood, the forgiveness of sins, in accordance with the riches of God’s grace that He lavished on us with all wisdom and understanding..."
~ Ephesians 1:3-8

"His divine power has given us everything we need for life and godliness through our knowledge of Him who called us by his own glory and goodness."
~ 2 Peter 1:3

"So then, just as you received Christ Jesus as Lord, continue to live your lives in Him, rooted and built up in Him, strengthened in the faith as you were taught, and overflowing with thankfulness."
~ Colossians 2:6-7

"Because of the LORD’s great love we are not consumed,
    for His compassions never fail.
They are new every morning;
    great is Your faithfulness.
I say to myself, 'The LORD is my portion;
    therefore I will wait for Him.'
The LORD is good to those whose hope is in Him,
    to the one who seeks Him;
it is good to wait quietly
    for the salvation of the LORD."
~ Lamentations 3:22-26

"Find rest, O my soul, in God alone;
    my hope comes from Him."
~ Psalm 62:5

"But He said to me, 'My grace is sufficient for you, for My power is made perfect in weakness.' Therefore I will boast all the more gladly about my weaknesses, so that Christ’s power may rest on me. That is why, for Christ’s sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong."
~ 2 Corinthians 12:9-10

"I consider that our present sufferings are not worth comparing with the glory that will be revealed in us."
~ Romans 8:18

"Therefore, holy brothers and sisters, who share in the heavenly calling, fix your thoughts on Jesus, the apostle and high priest whom we confess."
~ Hebrews 3:1
Joseph Paris Nov 2015
There is no hope in small no-name towns.
I've lost my loves in small no-claim towns.
'Round the church bend, the lambs on the hill,
I am reminded that I love her still.

Dead in every warm shade of brown,
First by your side in the deadly small town.
'Round the church bend, the lambs on the hill,
I left my heart by the old steel mill.

Nothing can last in the small no-name town,
I built a past in our small no-claim town.
'Round the church bend, the lambs on the hill,
I can't forget that I love her still.
**You can substitute 'him' for 'her'.
I'm sure we are many who know this experience.
Desmond Lane Jan 2014
On a Hundred Towns
We spoke of love and we spoke of blood, for all the good it did.
‘til somebody else pressed a hand on me, and I was taken, I was scared to death.
They always said you looked good in black, but I was never certain.
Oh we walked through the streets when the snow was as thick as love,
Yes we walked in the road where the snow was as thick as blood.
And I can remember a figure in silhouette as I planned for the future.
I can remember a queen in her prime  - or a princess in mourning.
Can you feel can you feel,
can you
feel?
Can you feel what I’m thinking?
Can you tell, can you tell,
Can you
Tell?
Can you tell what I’m feeling?
Can you hear can you hear
Can you
hear?
Can you hear what I’m listening to?
Do you know, do you know
Do you
Know?
Do you know what I think of you?
Oh I bet you do.
We could be the chosen ones , we could be a midnight sun
A falling of Angels.
Like stars on an autumn night – we’d shine so bright.
We could be the moon that rose so huge – even though the rain came down.
On a Hundred towns
On
A
Hundred
Towns.
Terry O'Leary Jul 2015
The dawn unfolds beyond my fractured windowpane
and breezes tease while drapes, like serpents, slip aside
exposing worlds that race and run aground, insane,
displaying scenes obscene that savants strive to mask and hide.

Outside, the streets are stark (last night they seemed so cruel
when demons danced as lanterns 'lumed the lynching tree -
its shadow shuddered, lurking in my vestibule -
within the night, I sense these things I sometimes cannot see).

Perdu in darkened doorways (those which watch the ones that weep)
men hide their shame in crevices in search of cloaked relief.
The ladies of the evening leave (their time to sleep!)
the alleyways, retaining bitter tastes of untold grief.

Soon drifters (distraught dregs that stray from street to street)
abandon benches, squat on curbstones some call home,
appeal to strangers for a coin or simple bite to eat -
refused… gaze down… left empty-handed in the morning gloam.

Observe with me, beyond my fractured windowpane,
the boy with crooked smile - the one who's seen the  beast -
with tears, he stoops and clasps the cross while wiping off the stain -
the abbey door along the lane conceals a pious priest.

While at the mall, Mike sees some cigs, and stealth'ly steals a pack;
the Man, observing, thinks ‘Hey Boy, this caper calls for blood’,
takes aim, then shoots the fated stripling eight times in the back.
Come, mourn for Mike and brother Justice, facedown in the mud.

Fatigued and bored, some kids harass the alley now -
to pass the time, Joe smokes a joint and Lizzy snorts a line;
computer games (which quake with doom) can help somehow,
so Eric plays with Dylan on the road to Columbine.

The shanty towns have hunkered down as if in mortal sport
while broken bodies' shattered bones repose supine,
and mamas (now bereft of child) in anguished pain contort,
their eyes drip drops of wrath which wither on a twisted vine.

Now Mr Baxter, private bankster (cruising down the road,
pursuing profit pushers, waving magic mushroom wands),
adores addiction to the bailout (coffers overflowed)
and jests with all the junkies, while he's dealing with the bonds.

Marauders man the marketplace (with billions guaranteed)  
while kids with swollen bellies beg neath hollow sunken eyes,
and (cut to naught) the down-and-out (like trodden beet roots) bleed.
Life's carousel invites us all, though few can ring the prize.

A washerwoman, timeworn, totters from the tram -
she shuffles to her hovel on a lonesome distant hill,
despondent, shuts the shutters, downs her final dram -
a magpie quickly picks at crumbs forsaken on the sill.

Jihadist and Crusader warders faithfully guard the gates,
behead impious infidels, else burn them at the stake
(yes, God incites each side for good, the other side He hates),
with saintly satisfaction gained provoking pagan ache.

The watchers pry behind our fractured windowpanes
inspect us all, tear down the walls of privacy
controlling every point of view opinion entertains,
forbidding thoughts one mustn't think, with which they don’t agree.

Come, cast a furtive glance… there's something in the far…
from towns to dunes in deserts dry, the welkin belches sudden death
by dint of soulless drones that stalk beneath a straying star
erasing life in random ways in freedom’s final breath.

But closer lies an island, where the keepers keep the wards.
No sense, no charges nor defense - a verdict? Yes! … grotesque -
the guiltless gush confessions, born and bred on waterboards.
Impartial trials? A travesty instead, indeed quite Kafkaesque.

Now dusk draws near beyond my fractured windowpane
while mankind drowns like burnt-out suns in fading lurid light;
and scarlet clots of grim deceit and ebon beads of bane
flow, deified, within the rotting corpse of human night.
On Hellespont, guilty of true love’s blood,
In view and opposite two cities stood,
Sea-borderers, disjoin’d by Neptune’s might;
The one Abydos, the other Sestos hight.
At Sestos Hero dwelt; Hero the fair,
Whom young Apollo courted for her hair,
And offer’d as a dower his burning throne,
Where she could sit for men to gaze upon.
The outside of her garments were of lawn,
The lining purple silk, with gilt stars drawn;
Her wide sleeves green, and border’d with a grove,
Where Venus in her naked glory strove
To please the careless and disdainful eyes
Of proud Adonis, that before her lies;
Her kirtle blue, whereon was many a stain,
Made with the blood of wretched lovers slain.
Upon her head she ware a myrtle wreath,
From whence her veil reach’d to the ground beneath;
Her veil was artificial flowers and leaves,
Whose workmanship both man and beast deceives;
Many would praise the sweet smell as she past,
When ’twas the odour which her breath forth cast;
And there for honey bees have sought in vain,
And beat from thence, have lighted there again.
About her neck hung chains of pebble-stone,
Which lighten’d by her neck, like diamonds shone.
She ware no gloves; for neither sun nor wind
Would burn or parch her hands, but, to her mind,
Or warm or cool them, for they took delight
To play upon those hands, they were so white.
Buskins of shells, all silver’d, used she,
And branch’d with blushing coral to the knee;
Where sparrows perch’d, of hollow pearl and gold,
Such as the world would wonder to behold:
Those with sweet water oft her handmaid fills,
Which as she went, would chirrup through the bills.
Some say, for her the fairest Cupid pin’d,
And looking in her face, was strooken blind.
But this is true; so like was one the other,
As he imagin’d Hero was his mother;
And oftentimes into her ***** flew,
About her naked neck his bare arms threw,
And laid his childish head upon her breast,
And with still panting rock’d there took his rest.
So lovely-fair was Hero, Venus’ nun,
As Nature wept, thinking she was undone,
Because she took more from her than she left,
And of such wondrous beauty her bereft:
Therefore, in sign her treasure suffer’d wrack,
Since Hero’s time hath half the world been black.

Amorous Leander, beautiful and young
(Whose tragedy divine MusÆus sung),
Dwelt at Abydos; since him dwelt there none
For whom succeeding times make greater moan.
His dangling tresses, that were never shorn,
Had they been cut, and unto Colchos borne,
Would have allur’d the vent’rous youth of Greece
To hazard more than for the golden fleece.
Fair Cynthia wish’d his arms might be her sphere;
Grief makes her pale, because she moves not there.
His body was as straight as Circe’s wand;
Jove might have sipt out nectar from his hand.
Even as delicious meat is to the taste,
So was his neck in touching, and surpast
The white of Pelops’ shoulder: I could tell ye,
How smooth his breast was, and how white his belly;
And whose immortal fingers did imprint
That heavenly path with many a curious dint
That runs along his back; but my rude pen
Can hardly blazon forth the loves of men,
Much less of powerful gods: let it suffice
That my slack Muse sings of Leander’s eyes;
Those orient cheeks and lips, exceeding his
That leapt into the water for a kiss
Of his own shadow, and, despising many,
Died ere he could enjoy the love of any.
Had wild Hippolytus Leander seen,
Enamour’d of his beauty had he been.
His presence made the rudest peasant melt,
That in the vast uplandish country dwelt;
The barbarous Thracian soldier, mov’d with nought,
Was mov’d with him, and for his favour sought.
Some swore he was a maid in man’s attire,
For in his looks were all that men desire,—
A pleasant smiling cheek, a speaking eye,
A brow for love to banquet royally;
And such as knew he was a man, would say,
“Leander, thou art made for amorous play;
Why art thou not in love, and lov’d of all?
Though thou be fair, yet be not thine own thrall.”

The men of wealthy Sestos every year,
For his sake whom their goddess held so dear,
Rose-cheek’d Adonis, kept a solemn feast.
Thither resorted many a wandering guest
To meet their loves; such as had none at all
Came lovers home from this great festival;
For every street, like to a firmament,
Glister’d with breathing stars, who, where they went,
Frighted the melancholy earth, which deem’d
Eternal heaven to burn, for so it seem’d
As if another Pha{”e}ton had got
The guidance of the sun’s rich chariot.
But far above the loveliest, Hero shin’d,
And stole away th’ enchanted gazer’s mind;
For like sea-nymphs’ inveigling harmony,
So was her beauty to the standers-by;
Nor that night-wandering, pale, and watery star
(When yawning dragons draw her thirling car
From Latmus’ mount up to the gloomy sky,
Where, crown’d with blazing light and majesty,
She proudly sits) more over-rules the flood
Than she the hearts of those that near her stood.
Even as when gaudy nymphs pursue the chase,
Wretched Ixion’s shaggy-footed race,
Incens’d with savage heat, gallop amain
From steep pine-bearing mountains to the plain,
So ran the people forth to gaze upon her,
And all that view’d her were enamour’d on her.
And as in fury of a dreadful fight,
Their fellows being slain or put to flight,
Poor soldiers stand with fear of death dead-strooken,
So at her presence all surpris’d and tooken,
Await the sentence of her scornful eyes;
He whom she favours lives; the other dies.
There might you see one sigh, another rage,
And some, their violent passions to assuage,
Compile sharp satires; but, alas, too late,
For faithful love will never turn to hate.
And many, seeing great princes were denied,
Pin’d as they went, and thinking on her, died.
On this feast-day—O cursed day and hour!—
Went Hero thorough Sestos, from her tower
To Venus’ temple, where unhappily,
As after chanc’d, they did each other spy.

So fair a church as this had Venus none:
The walls were of discolour’d jasper-stone,
Wherein was Proteus carved; and over-head
A lively vine of green sea-agate spread,
Where by one hand light-headed Bacchus hung,
And with the other wine from grapes out-wrung.
Of crystal shining fair the pavement was;
The town of Sestos call’d it Venus’ glass:
There might you see the gods in sundry shapes,
Committing heady riots, ******, rapes:
For know, that underneath this radiant flower
Was Danae’s statue in a brazen tower,
Jove slyly stealing from his sister’s bed,
To dally with Idalian Ganimed,
And for his love Europa bellowing loud,
And tumbling with the rainbow in a cloud;
Blood-quaffing Mars heaving the iron net,
Which limping Vulcan and his Cyclops set;
Love kindling fire, to burn such towns as Troy,
Sylvanus weeping for the lovely boy
That now is turn’d into a cypress tree,
Under whose shade the wood-gods love to be.
And in the midst a silver altar stood:
There Hero, sacrificing turtles’ blood,
Vail’d to the ground, veiling her eyelids close;
And modestly they opened as she rose.
Thence flew Love’s arrow with the golden head;
And thus Leander was enamoured.
Stone-still he stood, and evermore he gazed,
Till with the fire that from his count’nance blazed
Relenting Hero’s gentle heart was strook:
Such force and virtue hath an amorous look.

It lies not in our power to love or hate,
For will in us is over-rul’d by fate.
When two are stript, long ere the course begin,
We wish that one should lose, the other win;
And one especially do we affect
Of two gold ingots, like in each respect:
The reason no man knows, let it suffice,
What we behold is censur’d by our eyes.
Where both deliberate, the love is slight:
Who ever lov’d, that lov’d not at first sight?

He kneeled, but unto her devoutly prayed.
Chaste Hero to herself thus softly said,
“Were I the saint he worships, I would hear him;”
And, as she spake those words, came somewhat near him.
He started up, she blushed as one ashamed,
Wherewith Leander much more was inflamed.
He touched her hand; in touching it she trembled.
Love deeply grounded, hardly is dissembled.
These lovers parleyed by the touch of hands;
True love is mute, and oft amazed stands.
Thus while dumb signs their yielding hearts entangled,
The air with sparks of living fire was spangled,
And night, deep drenched in misty Acheron,
Heaved up her head, and half the world upon
Breathed darkness forth (dark night is Cupid’s day).
And now begins Leander to display
Love’s holy fire, with words, with sighs, and tears,
Which like sweet music entered Hero’s ears,
And yet at every word she turned aside,
And always cut him off as he replied.
At last, like to a bold sharp sophister,
With cheerful hope thus he accosted her.

“Fair creature, let me speak without offence.
I would my rude words had the influence
To lead thy thoughts as thy fair looks do mine,
Then shouldst thou be his prisoner, who is thine.
Be not unkind and fair; misshapen stuff
Are of behaviour boisterous and rough.
O shun me not, but hear me ere you go.
God knows I cannot force love as you do.
My words shall be as spotless as my youth,
Full of simplicity and naked truth.
This sacrifice, (whose sweet perfume descending
From Venus’ altar, to your footsteps bending)
Doth testify that you exceed her far,
To whom you offer, and whose nun you are.
Why should you worship her? Her you surpass
As much as sparkling diamonds flaring glass.
A diamond set in lead his worth retains;
A heavenly nymph, beloved of human swains,
Receives no blemish, but ofttimes more grace;
Which makes me hope, although I am but base:
Base in respect of thee, divine and pure,
Dutiful service may thy love procure.
And I in duty will excel all other,
As thou in beauty dost exceed Love’s mother.
Nor heaven, nor thou, were made to gaze upon,
As heaven preserves all things, so save thou one.
A stately builded ship, well rigged and tall,
The ocean maketh more majestical.
Why vowest thou then to live in Sestos here
Who on Love’s seas more glorious wouldst appear?
Like untuned golden strings all women are,
Which long time lie untouched, will harshly jar.
Vessels of brass, oft handled, brightly shine.
What difference betwixt the richest mine
And basest mould, but use? For both, not used,
Are of like worth. Then treasure is abused
When misers keep it; being put to loan,
In time it will return us two for one.
Rich robes themselves and others do adorn;
Neither themselves nor others, if not worn.
Who builds a palace and rams up the gate
Shall see it ruinous and desolate.
Ah, simple Hero, learn thyself to cherish.
Lone women like to empty houses perish.
Less sins the poor rich man that starves himself
In heaping up a mass of drossy pelf,
Than such as you. His golden earth remains
Which, after his decease, some other gains.
But this fair gem, sweet in the loss alone,
When you fleet hence, can be bequeathed to none.
Or, if it could, down from th’enameled sky
All heaven would come to claim this legacy,
And with intestine broils the world destroy,
And quite confound nature’s sweet harmony.
Well therefore by the gods decreed it is
We human creatures should enjoy that bliss.
One is no number; maids are nothing then
Without the sweet society of men.
Wilt thou live single still? One shalt thou be,
Though never singling ***** couple thee.
Wild savages, that drink of running springs,
Think water far excels all earthly things,
But they that daily taste neat wine despise it.
Virginity, albeit some highly prize it,
Compared with marriage, had you tried them both,
Differs as much as wine and water doth.
Base bullion for the stamp’s sake we allow;
Even so for men’s impression do we you,
By which alone, our reverend fathers say,
Women receive perfection every way.
This idol which you term virginity
Is neither essence subject to the eye
No, nor to any one exterior sense,
Nor hath it any place of residence,
Nor is’t of earth or mould celestial,
Or capable of any form at all.
Of that which hath no being do not boast;
Things that are not at all are never lost.
Men foolishly do call it virtuous;
What virtue is it that is born with us?
Much less can honour be ascribed thereto;
Honour is purchased by the deeds we do.
Believe me, Hero, honour is not won
Until some honourable deed be done.
Seek you for chastity, immortal fame,
And know that some have wronged Diana’s name?
Whose name is it, if she be false or not
So she be fair, but some vile tongues will blot?
But you are fair, (ay me) so wondrous fair,
So young, so gentle, and so debonair,
As Greece will think if thus you live alone
Some one or other keeps you as his own.
Then, Hero, hate me not nor from me fly
To follow swiftly blasting infamy.
Perhaps thy sacred priesthood makes thee loath.
Tell me, to whom mad’st thou that heedless oath?”

“To Venus,” answered she and, as she spake,
Forth from those two tralucent cisterns brake
A stream of liquid pearl, which down her face
Made milk-white paths, whereon the gods might trace
To Jove’s high court.
He thus replied: “The rites
In which love’s beauteous empress most delights
Are banquets, Doric music, midnight revel,
Plays, masks, and all that stern age counteth evil.
Thee as a holy idiot doth she scorn
For thou in vowing chastity hast sworn
To rob her name and honour, and thereby
Committ’st a sin far worse than perjury,
Even sacrilege against her deity,
Through regular and formal purity.
To expiate which sin, kiss and shake hands.
Such sacrifice as this Venus demands.”

Thereat she smiled and did deny him so,
As put thereby, yet might he hope for moe.
Which makes him quickly re-enforce his speech,
And her in humble manner thus beseech.
“Though neither gods nor men may thee deserve,
Yet for her sake, whom you have vowed to serve,
Abandon fruitless cold virginity,
The gentle queen of love’s sole enemy.
Then shall you most resemble Venus’ nun,
When Venus’ sweet rites are performed and done.
Flint-breasted Pallas joys in single life,
But Pallas and your mistress are at strife.
Love, Hero, then, and be not tyrannous,
But heal the heart that thou hast wounded thus,
Nor stain thy youthful years with avarice.
Fair fools delight to be accounted nice.
The richest corn dies, if it be not reaped;
Beauty alone is lost, too warily kept.”

These arguments he used, and many more,
Wherewith she yielded, that was won before.
Hero’s looks yielded but her words made war.
Women are won when they begin to jar.
Thus, having swallowed Cupid’s golden hook,
The more she strived, the deeper was she strook.
Yet, evilly feigning anger, strove she still
And would be thought to grant against her will.
So having paused a while at last she said,
“Who taught thee rhetoric to deceive a maid?
Ay me, such words as these should I abhor
And yet I like them for the orator.”

With that Leander stooped to have embraced her
But from his spreading arms away she cast her,
And thus bespake him: “Gentle youth, forbear
To touch the sacred garments which I wear.
Upon a rock and underneath a hill
Far from the town (where all is whist and still,
Save that the sea, playing on yellow sand,
Sends forth a rattling murmur to the land,
Whose sound allures the golden Morpheus
In silence of the night to visit us)
My turret stands and there, God knows, I play.
With Venus’ swans and sparrows all the day.
A dwarfish beldam bears me company,
That hops about the chamber where I lie,
And spends the night (that might be better spent)
In vain discourse and apish merriment.
Come thither.” As she spake this, her tongue tripped,
For unawares “come thither” from her slipped.
And suddenly her former colour changed,
And here and there her eyes through anger ranged.
And like a planet, moving several ways,
At one self instant she, poor soul, assays,
Loving, not to love at all, and every part
Strove to resist the motions of her heart.
And hands so pure, so innocent, nay, such
As might have made heaven stoop to have a touch,
Did she uphold to Venus, and again
Vowed spotless chastity, but all in vain.
Cupid beats down her prayers with his wings,
Her vows above the empty air he flings,
All deep enraged, his sinewy bow he bent,
And shot a shaft that burning from him went,
Wherewith she strooken, looked so dolefully,
As made love sigh to see his tyranny.
And as she wept her tears to pearl he turned,
And wound them on his arm and for her mourned.
Then towards the palace of the destinies
Laden with languishment and grief he flies,
And to those stern nymphs humbly made request
Both might enjoy each other, and be blest.
But with a ghastly dreadful
Paul Hansford Sep 2018
Many people write a "bucket list" of things they want to do before they die.  Now in my 80th year, I don't have the time or the energy to do things that others might aim for, but I have during my life visited many places, seen many things, and enjoyed many experiences that I would have been sorry to miss. There have also been some events that I would have preferred not to experience, but which have enriched my life in different ways, and which I remember with a kind of sad affection.  
Some of these are very personal to me, and would not be interesting to most people, but read the note if you wonder why I chose them.

Here then is what I might call  
                                                My Reverse Bucket List

Towns and cities – architecture & atmosphere
   Barcelona, Spain
   Venice, Italy
   Oxford, England
   Jerusalem, Israel
   Luxor, Egypt
   Varanasi, India
   Hiroshima, Japan
   Pompeii, Italy

Other locations
   Galápagos islands, Ecuador
   Great Barrier Reef, Australia
   North Woolwich, London

Churches
   St Paul's Cathedral, London
   Sagrada Familia, Barcelona
   Coventry Cathedral
   Córdoba Cathedral, Spain
   Blue Mosque, Istanbul

Other structures
   Taj Mahal, Agra
   Auschwitz concentration camp, Poland
   Royal Festival Hall, London
   London underground system (because it was the first, and I rode it for a long time).  Also the more splendid underground railways of Mexico City and Moscow.
   Avebury Ring, Wiltshire, England (the largest prehistoric stone circle in the world, and much more primitive than Stonehenge)
   Bayeux Tapestry 
   "Angel of the North" statue, Gateshead, England
   "Christ the Redeemer" statue, Rio, Brazil

Events
   Messiah at Royal Festival Hall, Feb 1959, with the girl later to be my wife
   St John's night, Spain, early 1990s (?)
   Death and funeral of Diana, Princess of Wales, Aug 1997
   Oberammergau passion play, 2010
   Destruction of World Trade Centre, Sept 2001
I haven't added explanatory notes, but a lot of them are easy enough to look up, and if you message me about any mysterious items, I'll answer as best I can. There are poems in my stream connected with some things on the list, though not all are obvious.
Terry O'Leary Sep 2013
NOTE TO THE READER – Once Apun a Time

This yarn is a flossy fabric woven of several earlier warped works, lightly laced together, adorned with fur-ther braided tails of human frailty. The looms were loosed, purling frantically this febrile fable...

Some pearls may be found wanting – unwanted or unwonted – piled or hanging loose, dangling free within a fuzzy flight of fancy...

The threads of this untethered tissue may be fastened, or be forgotten, or else be stranded by the readers and left unravelling in the knotted corners of their minds...

'twill be perchance that some may  laugh or loll in loopy stitches, else be torn or ripped apart, while others might just simply say “ ’tis made of hole cloth”, “sew what” or “cant seam to get the needle point”...,

yes, a proper disentanglement may take you for a spin on twisted twines of any strings you feel might need attaching or detaching…

picking knits, some may think that
    such strange things ‘have Never happened in our Land’,
    such quaint things ‘could Never happen in our Land’’,
    such murky things ‘will Never happen in our Land’’…

and this may all be true, if credence be dis-carded…

such is that gooey gossamer which vails the human mind...

and thus was born the teasing title of this fabricated Fantasy...

                                NEVER LAND

An ancient man named Peter Pan, disguised but from the past,
with feathered cap and tunic wrap and sabre’s sailed his last.
Though fully grown, on dust he’s flown and perched upon a mast
atop the Walls around the sprawls, unvisited and vast -
and all the while with bitter smile he’s watching us aghast.

As day begins, a spindle spins, it weaves a wanton web;
like puckered prunes, like midday moons, like yesterday’s celebs,
we scrape and *****, we seldom hope - he watches while we ebb:

    The ***** grinder preaches fine on Sunday afternoons -
    he quotes from books but overlooks the Secrets Carved in Runes:
    “You’ve tried and toyed, but can’t avoid or shun the pale monsoons,
    it’s sink or swim as echoed dim in swinging door saloons”.
    The laughingstocks are flinging rocks at ball-and-chained baboons.

    While ghetto boys are looting toys preparing for their doom
    and Mademoiselles are weaving shells on tapestries with looms,
    Cathedral cats and rafter rats are peering in the room,
    where ragged strangers stoop for change, for coppers in the gloom,
    whose thoughts are more upon the doors of crypts in Christmas bloom,
    and gold doubloons and silver spoons that tempt beyond the tomb.

    Mid *** shots from vacant lots, that strike and ricochet
    a painted girl with flaxen curl (named Wendy)’s on her way
    to tantalise with half-clad thighs, to trick again today;
    and indiscreet upon the street she gives her pride away
    to any guy who’s passing by with time and cash to pay.
    (In concert halls beyond the Walls, unjaded girls ballet,
    with flowered thoughts of Camelot and dreams of cabarets.)

    Though rip-off shops and crooked cops are paid not once but thrice,
    the painted girl with flaxen curl is paring down her price
    and loosely tempts cold hands unkempt to touch the merchandise.
    A crazy guy cries “where am I”, a ****** titters twice,
    and double quick a lunatic affects a fight with lice.

    The alleyways within the maze are paved with rats and mice.
    Evangelists with moneyed fists collect the sacrifice
    from losers scorned and rubes reborn, and promise paradise,
    while in the back they cook some crack, inhale, and roll the dice.

    A *** called Boe has stubbed his toe, he’s stumbled in the gutter;
    with broken neck, he looks a wreck, the sparrows all aflutter,
    the passers-by, they close an eye, and turn their heads and mutter:
    “Let’s pray for rains to wash the lanes, to clear away the clutter.”
    A river slows neath mountain snows, and leaves begin to shudder.

    The jungle teems, a siren screams, the air is filled with ****.
    The Reverent Priest and nuns unleash the Holy Shibboleth.
    And Righteous Jane who is insane, as well as Sister Beth,
    while telling tales to no avail of everlasting death,
    at least imbrue Hagg Avenue with whisky on their breath.

    The Reverent Priest combats the Beast, they’re kneeling down to prey,
    to fight the truth with fang and tooth, to toil for yesterday,
    to etch their mark within the dark, to paint their résumé
    on shrouds and sheets which then completes the devil’s dossier.

    Old Dan, he’s drunk and in a funk, all mired in the mud.
    A Monk begins to wash Dan’s sins, and asks “How are you, Bud?”
    “I’m feeling pain and crying rain and flailing in the flood
    and no god’s there inclined to care I’m always coughing blood.”
    The Monk, he turns, Dan’s words he spurns and lets the bible thud.

    Well, Banjo Boy, he will annoy with jangled rhymes that fray:
    “The clanging bells of carousels lead blind men’s minds astray
    to rings of gold they’ll never hold in fingers made of clay.
    But crest and crown will crumble down, when withered roots decay.”

    A pregnant lass with eyes of glass has never learned to cope.
    Once set adrift her fall was swift, she slid a slipp’ry ***** -
    she casts the Curse, the Holy Verse, and shoots a shot of dope,
    then stalks discreet Asylum Street her daily horoscope -
    the stray was struck by random truck which was her only hope.

    So Banjo Boy, with little joy, he strums her life entire:
    “The wayward waif was never safe; her stars were dark and dire.
    Born midst the rues and avenues where lack and want aspire
    where no one heeds the childish needs that little ones require;
    where faith survives in tempest lives, a swirl within the briar,
    Infinity grinds as time unwinds, until the winds expire.
    Her last caprice? The final peace that no one could deny her -
    whipped by the flood, stray beads of blood cling, splattered on the spire;
    though beads of sweat are cool and wet, cold clotted blood is dryer.”

    Though broken there, she’s fled the snare with dying thoughts serene.
    And now she’s dead, the rumours spread: her age? a sweet 16,
    with child, *****, her soul dyed red, her body so unclean.
    A place is sought where she can rot, avoiding churchyard scenes,
    in limey pits, as well befits, behind forbidding screens;
    and all the while a dirge is styled on tattered tambourines
    which echo through the human zoo in valleys of the Queens.

    Without rejoice, in hissing voice, near soil that’s seldom trod
    “In pious role, God bless my soul”, was mouthed with mitred nod,
    neath scarlet trim with black, and grim, behind a robed facade -
    “She’ll burn in hell and sulphur smell”, spat Priest and man of god.

    Well, angels sweet with cloven feet, they sing in girl’s attire,
    but Banjo Boy, he’s playing coy while chanting in the choir:
    “The clueless search within the church to find what they desire,
    but near the nave or gravelled grave, there is no Rectifier.”
    And when he’s through, without ado, he stacks some stones nearby her.

The eyes behind the head inclined reflect a universe
of shanty towns and kings in crowns and parties in a hearse,
of heaping mounds of coffee grounds and pennies in a purse,
of heart attacks in shoddy shacks, of motion in reverse,
of reasons why pale kids must die, quite trite and curtly terse,
of puppet people at the steeple, kneeling down averse,
of ****** tones and megaphones with empty words and worse,
of life’s begin’ in utter sin and other things perverse,
of lewd taboos and residues contained within the Curse,
while poets blind, in gallows’ rind, carve epitaphs in verse.

    A sodden dreg with wooden leg is dancing for a dime
    to sacred psalms and other balms, all ticking with the time.
    He’s 22, he’s almost through, he’s melted in his prime,
    his bane is firm, the canker worm dissolves his brain to slime.
    With slanted scales and twisted jails, his life’s his only crime.

    A beggar clump beside a dump has pencil box in hand.
    With sightless eyes upon the skies he’s lying there unmanned,
    with no relief and bitter grief too dark to understand.
    The backyard blight is hid from sight, it’s covered up and bland,
    and Robin Hood and Brother Hood lie buried in the sand.

    While all night queens carve figurines in gelatine and jade,
    behind a door and on the floor a deal is finally made;
    the painted girl with flaxen curl has plied again her trade
    and now the care within her stare has turned a darker shade.
    Her lack of guile and parting smile are cutting like a blade.

    Some boys with cheek play hide and seek within a house condemned,
    their faces gaunt reflecting want that’s hard to comprehend.
    With no excuse an old recluse is waiting to descend.
    His eyes despair behind the stare, he’s never had a friend
    to talk about his hidden doubt of how the world will end -
    to die alone on empty throne and other Fates impend.

    And soon the boys chase phantom joys and, presto when they’re gone,
    the old recluse, with nimble noose and ****** features drawn,
    no longer waits upon the Fates but yawns his final yawn
    - like Tinker Bell, he spins a spell, in fairy dust chiffon -
    with twisted brow, he’s tranquil now, he’s floating like a swan
    and as he fades from life’s charades, the night awaits the dawn.

    A boomerang with ebon fang is soaring through the air
    to pierce and breach the heart of each and then is called despair.
    And as it grows it will oppose and fester everywhere.
    And yet the crop that’s at the top will still be unaware.

    A lad is stopped by roving cops, who shoot in disregard.
    His face is black, he’s on his back, a breeze is breathing hard,
    he bleeds and dies, his mama cries, the screaming sky is scarred,
    the sheriff and his squad at hand are laughing in the yard.

    Now Railroad Bob’s done lost his job, he’s got no place for working,
    His wife, she cries with desperate eyes, their baby’s head’s a’ jerking.
    The union man don’t give a ****, Big Brother lies a’ lurking,
    the boss’ in cabs are picking scabs, they count their money, smirking.

    Bob walks the streets and begs for eats or little jobs for trying
    “the answer’s no, you ought to know, no use for you applying,
    and don’t be sad, it aint that bad, it’s soon your time for dying.”
    The air is thick, his baby’s sick, the cries are multiplying.

    Bob’s wife’s in town, she’s broken down, she’s ranting with a fury,
    their baby coughs, the doctor scoffs, the snow flies all a’ flurry.
    Hard work’s the sin that’s done them in, they skirmish, scrimp and scurry,
    and midnight dreams abound with screams. Bob knows he needs to hurry.
    It’s getting late, Bob’s tempting fate, his choices cruel and blurry;
    he chooses gas, they breathe their last, there’s no more cause to worry.

    Per protocols near ivied walls arrayed in sage festoons,
    the Countess quips, while giving tips, to crimson caped buffoons:
    “To rise from mass to upper class, like twirly bird tycoons,
    you stretch the treat you always eat, with tiny tablespoons”

    A learned leach begins to teach (with songs upon a liar):
    “Within the thrall of Satan’s call to yield to dim desire
    lie wicked lies that tantalize the flesh and blood Vampire;
    abiding souls with self-control in everyday Hellfire
    will rest assured, when once interred, in afterlife’s Empire”.
    These words reweave the make believe, while slugs in salt expire,
    baptised in tears and rampant fears, all mirrored in the mire.

    It’s getting hot on private yachts, though far from desert plains -
    “Well, come to think, we’ll have a drink”, Sir Captain Hook ordains.
    Beyond the blame and pit of shame, outside the Walled domains,
    they pet their pups and raise their cups, take sips of pale champagnes
    to touch the tips of languid lips with pearls of purple rains.

    Well, Gypsy Guy would rather die than hunker down in chains,
    be ridden south with bit in mouth, or heed the hold of reins.
    The ruling lot are in a spot, the boss man he complains:
    “The gypsies’ soul, I can’t control, my patience wears and wanes;
    they will not cede to common greed, which conquers far domains
    and furtive spies and news that lies have barely baked their brains.
    But in the court of last resort the final fix remains:
    in boxcar bins with violins we’ll freight them out in trains
    and in the bogs, they’ll die like dogs, and everybody gains
    (should one ask why, a quick reply: ‘It’s that which God ordains!’)”

    Arrayed in shawls with crystal *****, and gazing at the moons,
    wiled women tease with melodies and spooky loony tunes
    while making toasts to holey ghosts on rainy day lagoons:
    “Well, here’s to you and others too, embedded in the dunes,
Jasmine Somers Sep 2016
I catch you sitting at the diner counter again at 2am, the fourth day in a row. The waitress comes over and hands you a black coffee. I stare, but you don’t turn around and catch me looking. You’re glaring into the mug, like somehow you’ll drown in the warm murky mix. Like somehow if you keep looking your problems will dissipate into the rising steam. Like somehow it’s the answer you’ve been searching for since you were born. You wanted an answer. Something that would make everything come full circle. It’s been years of you driving down an endless highway, passing every exit because you don’t know how to stay in one place. Even ghost towns won’t harbor something so deeply damaged. A person who can only pull the emergency break when they’re afraid they might crash. Crash into what? Not everything walking by you is a catastrophe.  Accidents only occur when you forget to pay attention. Just like how you forgot that your side door mirrors were broken. Those objects are not closer than they appear. You tried to slow down but they only seemed further away. Everything you’re trying to hold on to is slipping through your hands the way sand falls through the hourglass. Tick tock. Did you forget that people need affection if you want them to stay? They are not dolls you can glass-case until you feel like playing with them again. Not everybody enjoys being a toy. How long has it been since someone sat in the passenger seat? The car rides must be lonely when there’s no one around to fill the silence. You can blast the radio as loud as you want to but that won’t block out the hollow feeling in your chest. The one that sits where your heart is supposed to be. Something that music can’t fill. Your mother once told you that history repeats itself but did she mention that only happens when you refuse to change the scenery? If you always stay on the same road you’re never going to snap out of it. Break the curse. Realize that love is sitting at the base of every exit if you weren’t so scared of swerving into oncoming traffic. The only head-on collision that’s going to happen is when you grow too tired of driving alone that you forget to keep your eyes on the road. When you realize you placed yourself in your own hell and your breaks finally give out. When you fall asleep at the wheel and never wake up because you were terrified of letting somebody else steer.
Big Virge Oct 2014
Ya know .....  
  
I have one now ... !!!  
but ... hear the sounds  
of people complaining  
in different towns  
  
A woman one day  
had this to say .....  
  
"This ***** keeps saying  
all types of things  
on my Facebook Page  
as if my thoughts  
shouldn't get airplay !!!!!"  
  
Well to me ... Her Lines  
meant Facebook ... Shine ... !!!  
  
Why ... ???  

Well ... because her views  
play a different tune  
to them and those  
who drop ... THAT PROSE ...  
which ... CLEARLY ... shows ...  
what's up ... Their Nose ... !!!!!!  
  
Something .... BROWN .... !!!!!!!!!!  
  
What's with these clowns ... ?!?!?!  
  
Folks ....  
It just goes to show ...  
that ... ******* go ...  
with ... BIG EGOS ... !  
  
Could it be ... Crack ... ?!?  
that's got her on ...  
"Facebook Attacks !!!" ...  
  
Well ......  
Here's ... My Pitch ...  
to you ... Facebook ***** ... !!!  
  
Unhook yourselves ...  
from where I dwell ...  
but ... Don't Dismiss ... !!!  
These here ... Lyrics ... !!!  
  
When you see ... My Posts ...  
Please ... just do this ...  
Adopt ... That Pose ...  
and yes ... Double Click ...  
where you see ... " QUIT " ...  
and make ... Your ... EXIT ... !!!!!!  
  
A ... Nice ... Quick Fix ...  
for your obvious ... " Glitch " ...  
to act ... " Foolishly " ...  
before you ... " THINK " ... ?!?  
  
which is a ... Habit ...  
You ... NEED TO ...  
  
... " MANAGE !!! " ...  
  
Is this ... what you ... REALLY ?  
Have one ... for ... ???!???  
  
to wage ... Cyberspace War  
with ... Lyrical Swords ...  
that aren't ... Sharp Enough ...  
to cut through ... The Stuff ...  
that Clearly gets you ...  
... in a ... " Huff " ... !!!!!!  
  
So you ...  
  
" Huff and Puff " ...  
  
All ... Facebook Tough ... !!!  
  
But ....  
That's NOT ... Tough ... !!!!!!!  
  
All it proves ...  
is that ... Your Moves ...  
are ... Shady, Hazy ...  
Thought waves ... CRAZY ... !!!  
thinking that ... befits a ... " Baby " ... !!!  
  
Facebook hype ...  
has got these types ...  
acting like ...  
  
" They've Lost their Minds ... !!!!! "  
  
Girls and ... Guys ... ?!?  
Women and ... Men ... ?!?  
  
Hiding behind ...  
Facebook pretense ...  
Their Facebook Friends ...  
and posts contrived ...  
to prove how wise ...  
and ... EVER SO ... Nice ...  
these people are .....  
who have ... " NO LIVES " ... !!!  
  
2000 friends .... !!!!!  
on ... Facebook ... Yes .......  
Very ... Popular ...  
like a piece of ... "****" ... !!!  
  
that likes being ... licked  
by ... Any Old Chick  
or being ... " Sticked ! " ...  
by .... " THOSE ! " ....  
  
"Naaaarrrsssttty *****" ... !!!  
  
Is this what you ...  
REALLY .....
have one for ... ?!?!?  
  
"Really man ...  
don't you ever use it ...  
to try to uplift ...  
and share something ...  
that helps our kids ... !?!  
  
" Oh right, You DO !!!!! "  
  
You ... "FaceTime" ... yours ...  
now they're ... abroad ...  
because they ... RAN ...  
away from ... YOU ... !!! "  
  
"Oh your fam and friends  
in far away ends ...  
that's how you stay  
in touch with them !"  
  
"Okay that's cool  
but tell the truth ..."  
  
"It's once a year  
that they call you  
to bend your ear  
about THEIR issues !!!"  
  
Now ....  
Calm down your mood  
and don't be rude  
it's just ... MY VIEW ...  
on Facebook crews ...  
  
Who ... think they're cool ...  
  
Posting this ... and ...  
Posting that ...  
  
Until someone ...  
points out some ... FACTS ...  
or ..... Even worse ...  
Points out the ... FLAWS ...  
in post they've made ...  
that have ... No Cause ...  
  
than to get people ...  
to message you ...  
  
and say,  
  
"Hey dude, your post was cool !!!"  
  
" Vacuous CRAP ! "  
that just ... attracts ...  
the flies who ... Lie ...  
in ... " Venus Traps "  
  
Hoping to escape  
when they've .......  
Long since made ...  
  
A page of ... " Farce " ...  
to build a ... " Facade " ...  
  
that proves their thoughts ...  
  
come out their ........... ???? ............  
  
.... " Perverted Minds " ....  
  
You're bound to see  
****** imagery ...  
I think ... You'll find ...  
on their ... Timelines ... !!!  
  
It is what it is ....  
This Facebook thing ...  
  
Built to consume ...  
Peoples' thinking ...  
and built to ensure ...  
Egos get .... Poured ............................  
  
ALL OVER THE PLACE ... !!!  
  
It's a ****** disgrace ...  
don't you people ...  
feel ... " Ashamed ?!? "  
  
Such forums should be ...  
used for more ...  
than ... waging war ...  
or trying to impress ...  
these ... " Cyber ****** " ... !?!  
  
This question I guess ... ???  
is for ... " Face-Hooked " ... hoards  
  
Is this what you ...  
REALLY ... have one ... for ?
Social Freaking Media ... !?!
Jack Gladstone Jul 2014
There is something to seeing small towns at night time.
Unpopulated it seems and yet,
there people are.
Asleep,
watching tv,
dreaming or awake thinking of life,
love,
travel.
The unfortunate ones occupied with
work,
loss,
stress.
You are there unbeknownst to them all,
on the other side of so many man made giant cubicles
out living your life.
She was a Hatfield
And I  a McCoy
It was just love beween
A girl and a boy

Our daddies grandaddies
And those from before
Might think us irreverant
To open that door

She lived two towns over
It was love at first sight....
We would slip out and meet
Every Sat. night
The neighbors all thought
It just wasn't right
But we were in love
And it wasn't our fight

Only two counties apart
She lived in West V
My home was Kentucky
The suitor was me

To us it was foolish
The feud was so old
Even though it was famous
From the tales that were told

She lived two towns over
It was love at first sight....
We would slip out and meet
Every Sat. night
The neighbors all thought
It just wasn't right
But we were in love
And it wasn't our fight


We'd meet after dark
At a barn down the line
We were not feuding people
For that night she was mine

We would run off together
After school was complete
We'd change both our names
We would be real discreet

She lived two towns over
It was love at first sight....
We would slip out and meet
Every Sat. night
The neighbors all thought
It just wasn't right
But we were in love
And it wasn't our fight

Our folks would reject us
And spoil our joy
Cause here was a Hatfield
With a real McCoy

For now, we'll be secret
Share our love cross the fence
And we'll wait till our kin folk
Wake up with some sense
The ideosyncrasies of the cities are not
found in the small towns,
the dirt poor brown towns,
the twitching of curtains and dressing gown towns,
but the **** pulls us out of the towns and into the city where the
sewers are home to the rats and the mountains built up on
the streets are a home for the cats,the fat cats,the purring cats, the sharing caring who am I kidding cats,
they are the leeches
weekdays in suits and the weekends in knickerbockers,breech loaders,the feeding free loaders,the gum boot brigade,tea,toast and marmalade,raid the pension accounts and they get an accolade brigade.
The small town mentality will be the death of me,I can see this is wrong but go along with it,up to my neck in it,with paddles I row in it,
the city is full of ****..


The cranes,
new age pterodactyls, chomping their way through the last of the daffodils,sending them downstream to a landfill in East Cheam,sometimes if I dream,I dream in black and white and the city then looks alright but in my heart I know it's crumbling,falling apart at the seams,held together by nightmares and more dreams from the townies,cub scouts and brownies,I don't dream a lot anymore.
Raven Jun 2018
He writes poetry
But no one knows

He writes poetry
He writes about love
And loss

He writes about smiles
And frowns

He writes about sorrow
And forgotten towns

He writes about how lost he gets
Caught up in his own mind

He writes poetry to
And about others

But no one knows

Know one knows the depth of his soul
Because they all choose to see the exterior
And that exterior screams

Preppy
And preppy
Don't have souls

Or so they thought
Until the day he was consumed
By his own poetry
Zach Bond Jan 2013
I have waited in certain landlocked towns,
Near and far, and far from here.
And I have sailed and been in low ports found,
Their inlets clad in salted air.
And I have dreamed on oft spoken of starry nights and on largely unspoken starless nights,
Of select places with opportune and tactless new found faces.
And I have lain out restless and uncomfortably awake,
Hearing human voices shriek and drown,
In salt clad harbor towns,
And heard those specific siren calls of those particular siren girls,
In those inlets, salt clad by the sea.
And still awake I have heard, in those waiting-space landlocked towns,
Curiously, those curious sounds,
Of only human and yet inhumane calls.
Dressed in that specific gauze of an agony-tone,
For that specific landlocked home,
Where drinkers go,
That drunkard’s throne,
And been sullen at that once and forever shoreless drone.
And I have also been, you see, in places left unknown.
And in a daydream I would hear and be heard by almost gasping voices,
From waking and still somehow sleeping and unbelieving men.
Grasping out onto air that has been made thin and further,
Been gasping.
Searching for woefully inaccurate words,
With a woefully inarticulate tongue,
And I have danced and been set atremble by the timbre of your breathe
And then enamored by the resonance of your gasp,
And I have gasped with a tongue set dancing behind lips all aflutter.
In those unutterable places with specifically unknown locations,
I have listened,
Through rock and metal,
Between those landlocked towns and those salt clad harbors,
For the full sound escaped from your trembled lips.
And I have listened, through daydreaming mist veils,
And through known and unknown places,
For that voice that speaks through space and time and rock and metal,
And I have only heard that curious sound of human and inhuman calls,
And I have heard those particular siren calls of those specific siren girls,
And that cry of human voices that shriek and drown.
George Krokos Dec 2010
Aborigines and kangaroos
boomerangs and didjeridoos.
Leafy gum tree branch and koala bear
black stump in the middle of nowhere.
Jolly swagman camped by a billabong
in 'Waltzing Matilda' a favourite song.
The wild brumbies roaming free in the outback
a scruffy hobo living alone in a country shack.
Aboriginal myths called their dreamtime
the native Australians regard as sublime.
Ring-tailed possum and wombat
aussie bloke wearing akubra hat.
Alice Springs and Ayers Rock
outback stations and livestock.
Ned Kelly bushranger and his law brushes
the Eureka stockade during the gold rushes.
Laughing kookaburra and old man emu
platypus swimming in underwater view.
Banjo Patterson’s poem ‘The Man from Snowy River’
who went riding down mountain side without a quiver.
Surfers paradise and the Great Barrier reef
sixties rock ‘n roll legend: Johnny O’Keefe.
Anzac marches and the land of the Southern cross
old Cobb & Co. stagecoach used to travel across.
Glorious summer sunshine and winter rains
severe country drought and the desert plains.
Eucalyptus scent and Tea-tree oil
good health remedies from the soil.
Fresh water yabbies and the witchety grub
all make good tucker in the bush or scrub.
Crocodiles in the Kakadu national park
Burrumundi and the great white shark.
Sydney harbour bridge and the Opera House
Daintree rain forest and the kangaroo mouse.
Sheep wool farming and old shearing sheds
Melbourne Cup horse race for thoroughbreds.
Riverboat cruising up and down the Murray
passing border country towns not in a hurry.
Cradle mountain and the Tasmanian Devil
saying ‘fair dinkum’ means it’s on the level.
AFL rules football and big crowds at the MCG
playing one day cricket there is exciting to see.
The Fitzroy Gardens and Captain Cook’s cottage
are there for all to see as symbols of our heritage.
The Twelve Apostles standing along a rugged stretch of coast
a Ninety-Mile beach is something about which we can also boast.
The Glass House mountains are a sight to see and even to climb
by those who consider themselves fit enough and in their prime.
The great Australian Bight and the road on the Nullarbor plain
is a great feat to drive across and be able to come back again.
The local native wild dog known by name as the Dingo
has nothing to do with a game people play called Bingo.
There’s also a game called two-up that some people play
by which they gamble most of their weeks wages away.
Luna Park in St.Kilda and the annual Royal Melbourne Show
are places where you can take the kids to have fun people know.
There’s the local pub where you can go and have a drink with your mates
and is what many do all day long having a few too many in all the States.
This great southern land of Australia has so much to see and to offer
it would be a ****** shame if one didn’t give a **** or was a scoffer.
_________
Private Collection - written in 2002
Robin Carretti Jul 2018
E-Emotion
Angry, E-book hunger
Tear diamond drop

      Join Me
@ The Body-book shop

The Gold bonds his book Hot Rods
She reads about the Angels and Gods

He covers her mind and book
with his lotion

Are we ready for the E-book
In tip-top condition motion
Someone is mysteriously trying to tell me something?

How the moon hangs low
The book made her eyes
Open to really know?

I phone to book she's the grab bag
I'm leaving on a Jetplane
One chosen E-Book
Was Scarlet love flame


How the book needs to grab you
The day you were born or reborn
Never to lose your sight
But why does he split your pages

In a hot rush* money wages

The heart is bleeding out words
Feeling so crushed the bookend
Energetic stare or the blank stare
Your enticing book
What happens underside me
The pages one-sided

You're the sweet of the complicated
getting bittersweet to be love mated


The sundae banana split
*My ring book marker my lovely curls


I couldn't share my book what it said
Do you really love me
The spinning wheel
Feminity of book so girly but
Love so dizzy

To be told overstocked to be sold
But someone loved it
Its been properly viewed
Buying and reselling hearts of
book timeshare

His workout
he loves his curls
Ebook he sees he memorized
all his European beauty
turning do you love her books madly
The beast  is inside Jekyll
Girls needed to hide but got
Hyde
The book seeing our life
From a blinded pageview
What's beside our words
We need to be upfront
Once in a million chances
The whole planet of funny books
beach house turned
Blank page
of a clown funhouse tree stalk

What is the point of view
Like an adult book raided
If you're the unadulterated
The innocents being naive
Wanting him so much
Whats the use it's like a
the blank page
Like your hairstyle
the sixties pageboy
You need book law and order
Like the Feng Shui book surrender
Be focused Graphically cool artist
And paint it colors no
gun it blanks no favors
My book place has the ambiance
Different mysteries
and suspense behaviors

Somehow it thickens
like "French" roue paste

You didn't want one
page to waste
E for the Exodus
A blank page is love minus
You're hitting a plateau
E- love of kiss-book
French Chateau
Ebook has a pattern the same thing
It repeats and devours your thoughts
The ancient Grecian her structural
form of statues
That rip page needed words to capture

The Clean-Slate page to restart
your flight
The prize
Emprise
Empire to the book hire
E-book desire
E-lust
It sets an example
we need to trust
Not to mislead your mind
Whats behind the book
Exhumed or to be doomed
Like Witchcraft magical hands

This wasn't the Godly land
The blank page had a spell
"The Burned Book" no one
will ever know
Can we take it back what was written inside
We need to restore give more (Cat and Mouse) chase

As my equal poison mind of sugar
Equally or naturally book gifted
Wrap silk ribbons or too much
the anxiety of red tape
Explosion of E=books
Elixir eyes to the Ebook doorway
But the blank pages were
still inside

E-book and the text
Whats next *** journalism
The kingdom of Elust
E-book became all excuses
Those blank tweets of
Hummingbirds
Like you got some
earwax all codes and emblems
My blank form income tax problems?

Storming damage to the max of my book

Hitting rock or book bottom
You're still living in a shape
of an eggcup

And reading by your nook
Your Ebook swish wish a nymph
floating mermaid

Things turn (Retro) just go
The book was the turn of events
More pages to heart mend

We are not experts or philosophers
Get inside the greener grass
like a grasshopper

Your lovely book a tranquil place
You were booked into your gown
But your ebooks is being
transported to other towns

Her heart was skipping his pages
She never got the chance to read
His chosen page
Life is so the open book
Eyes wide shut
E-book a cozy nook and where does it begin or end did I see some blank pages in between. I need a new for a taste for something on my speed I love to read it fascinated me every page but something stopped me to continue I wonder how long will this go on being fun and retro just go to the bookstore you may be pleasantly surprised of what you might see
Lou Jul 2017
4
At the Zoo

Patriots and faux exhibit and binge on synonyms of liberty printed on beer and underwear
Advertising what should be unspoken and inspired to pervert and romanticize
Preludes to the parades and finale above us all
Weeks of saturated irony
Cuckoo bird irony and BBQ
As they reform Phoenix, rebirth of distractions and thievery
Predators in ally ways pursing America's diamonds and legs

Then gunpowder
Gunpowder of colors and cuckoos
Layers of streets in gunpowder
Towns built of gunpowder
Sky is gunpowder
We are born addicted to led and gunpowder
Gunpowder ****** in the air
Success, display and diversion and more gunpowder to ingest.

The Grand Finale
The Volta of the evening
The hammer of the judge
*** appeal of death and nature flexing it's muscles-  
show us some skin!

Covering your ears
Eyes fastened-
Ready to burrow back to mothers womb
Binged and free
Chinese celebration hijacked
Red, White and Blue
And a moment of silence  

Orchestrated onomatopoeia in heaven
Chorus of arousal on Earth
Band marching war machines in hell

The showdown of 241 years!
This freedom we are all grateful to only talk about

Only free to battle shackling intoxication
Men and women tugging extra weighted offspring
Sulking for indoors and portable addiction  
Chanting three letter obedience
God being counted by his blessings
Fear and Statism in every breathe for salvation from our stick swatted enemies
Checkpoints that serve and protect asking for a toll;
liberty synonyms.
Arresting the too free

At the Zoo,

The cuckoos regaining reality.
The phoenix red eye and held under oath
To the next day where we are back
To hate each others freedom, again.
Written on the 4th of July.
Wade Redfearn Sep 2018
The first settlers to the area called the Lumber River Drowning Creek. The river got its name for its dark, swift-moving waters. In 1809, the North Carolina state legislature changed the name of Drowning Creek to the Lumber River. The headwaters are still referred to as Drowning Creek.

Three p.m. on a Sunday.
Anxiously hungry, I stay dry, out of the pool’s cold water,
taking the light, dripping into my pages.
A city with a white face blank as a bust
peers over my shoulder.
Wildflowers on the roads. Planes circle from west,
come down steeply and out of sight.
A pinkness rises in my breast and arms:
wet as the drowned, my eyes sting with sweat.
Over the useless chimneys a bank of cloud piles up.
There is something terrible in the sky, but it keeps breaking.
Another is dead. Fentanyl. Sister of a friend, rarely seen.
A hand reaches everywhere to pass over eyes and mouths.
A glowing wound opens in heaven.
A mirror out of doors draws a gyre of oak seeds no one watches,
in the clear pool now sunless and black.

Bitter water freezes the muscles and I am far from shore.
I paddle in the shallows, near the wooden jail.
The water reflects a taut rope,
feet hanging in the breeze singing mercy
at the site of the last public hanging in the state.
A part-white fugitive with an extorted confession,
loved by the poor, dumb enough to get himself captured,
lonely on this side of authority: a world he has never lived in
foisting itself on the world he has -
only now, to steal his drunken life, then gone again.

1871 - Henderson Oxendine, one of the notorious gang of outlaws who for some time have infested Robeson County, N. C., committing ****** and robbery, and otherwise setting defiance to the laws, was hung at Lumberton, on Friday last in the presence of a large assemblage. His execution took place a very few days after his conviction, and his death occurred almost without a struggle.

Today, the town square collapses as if scorched
by the whiskey he drank that morning to still himself,
folds itself up like Amazing Grace is finished.
A plinth is laid
in the shadow of his feet, sticky with pine,
here where the water sickens with roots.
Where the canoe overturned. Where the broken oar floated and fell.
Where the snake lives, and teethes on bark,
waiting for another uncle.

Where the tobacco waves near drying barns rusted like horseshoes
and cotton studs the ground like the cropped hair of the buried.
Where schoolchildren take the afternoon
to trim the kudzu growing between the bodies of slaves.
Where appetite is met with flood and fat
and a clinic for the heart.
Where barges took chips of tar to port,
for money that no one ever saw.

Tar sticks the heel but isn’t courage.
Tar seals the hulls -
binds the planks -
builds the road.
Tar, fiery on the tongue, heavy as bad blood in the family -
dead to glue the dead together to secure the living.
Tar on the roofs, pouring heat.
Tar is a dark brown or black viscous liquid of hydrocarbons and free carbon,
obtained from a wide variety of organic materials
through destructive distillation.
Tar in the lungs will one day go as hard as a five-cent candy.

Liberty Food Mart
Cheapest Prices on Cigarettes
Parliament $22.50/carton
Marlboro $27.50/carton

The white-bibbed slaughterhouse Hmong hunch down the steps
of an old school bus with no air conditioner,
rush into the cool of the supermarket.
They pick clean the vegetables, flee with woven bags bulging.
What were they promised?
Air conditioning.
And what did they receive?
Chickenshit on the wind; a dead river they can't understand
with a name it gained from killing.

Truth:
A man was flung onto a fencepost and died in a front yard down the street.
A girl with a grudge in her eyes slipped a razorblade from her teeth and ended recess.
I once saw an Indian murdered for stealing a twelve-foot ladder.
The red line indicating heart disease grows higher and higher.
The red line indicating cardiovascular mortality grows higher and higher.
The red line indicating motor vehicle deaths grows higher and higher.
I burn with the desire to leave.

The stories make us full baskets of dark. No death troubles me.
Not the girl's blood, inert, tickled by opiates,
not the masked arson of the law;
not the smell of drywall as it rots,
or the door of the safe falling from its hinges,
or the chassis of cars, airborne over the rise by the planetarium,
three classmates plunging wide-eyed in the river’s icy arc –
absent from prom, still struggling to free themselves from their seatbelts -
the gunsmoke at the home invasion,
the tenement bisected by flood,
the cattle lowing, gelded
by agriculture students on a field trip.

The air contains skin and mud.
The galvanized barns, long empty, cough up
their dust of rotten feed, dry tobacco.
Men kneel in the tilled rows,
to pick up nails off the ground
still splashed with the blood of their makers.

You Never Sausage a Place
(You’re Always a ****** at Pedro’s!)
South of the Border – Fireworks, Motel & Rides
Exit 9: 10mi.

Drunkards in Dickies will tell you the roads are straight enough
that the drive home will not bend away from them.
Look in the woods to see by lamplight
two girls filling each other's mouths with smoke.
Hear a friendly command:
boys loosening a tire, stuck in the gut of a dog.
Turn on the radio between towns of two thousand
and hear the tiny voice of an AM preacher,
sharing the airwaves of country dark
with some chords plucked from a guitar.
Taste this water thick with tannin
and tell me that trees do not feel pain.
I would be a mausoleum for these thousands
if I only had the room.

I sealed myself against the flood.
Bodies knock against my eaves:
a clutch of cats drowned in a crawlspace,
an old woman bereft with a vase of pennies,
her dead son in her living room costumed as the black Jesus,
the ***** oil of a Chinese restaurant
dancing on top of black water.
A flow gauge spins its tin wheel
endlessly above the bloated dead,
and I will pretend not to be sick at dinner.

Misery now, a struggle ahead for Robeson County after flooding from Hurricane Matthew
LUMBERTON
After years of things leaving Robeson County – manufacturing plants, jobs, payrolls, people – something finally came in, and what was it but more misery?

I said a prayer to the city:
make me a figure in a figure,
solvent, owed and owing.
Take my jute sacks of wristbones,
my sheaves and sheaves of fealty,
the smell of the forest from my feet.
Weigh me only by my purse.
A slim woman with a college degree,
a rented room without the black wings
of palmetto roaches fleeing the damp:
I saw the calm white towers and subscribed.
No ingrate, I saved a space for the lost.
They filled it once, twice, and kept on,
eating greasy flesh straight from the bone,
craning their heads to ask a prayer for them instead.

Downtown later in the easy dark,
three college boys in foam cowboy hats shout in poor Spanish.
They press into the night and the night presses into them.
They will go home when they have to.
Under the bridge lit in violet,
a folding chair is draped in a ***** blanket.
A grubby pair of tennis shoes lay beneath, no feet inside.
Iced tea seeps from a chewed cup.
I pass a bar lit like Christmas.
A mute and pretty face full of indoor light
makes a promise I see through a window.
I pay obscene rents to find out if it is true,
in this nation tied together with gallows-rope,
thumbing its codex of virtues.
Considering this just recently got rejected and I'm free to publish it, and also considering that the town this poem describes is subject once again to a deluge whose damage promises to be worse than before, it seemed like a suitable time to post it. If you've enjoyed it, please think about making a small donation to the North Carolina Disaster Relief Fund at the URL below:
https://governor.nc.gov/donate-florence-recovery
Ink and rabies flows in our veins. Copper cogs hold our eyes into place, and we can see the undulating liquors flowing like waters in a transparent waterbed, rolling back and forth with gravity.

Ink and rabies flows in our veins. They came with togetherness, in the same pen, passed along, gently, from one hand to another, a friendly enough gesture, cultured, combined, colluded into a single consciousness of tactful inks together, tactful links together, a single solvent.

They were once separate towns...separate people...until Radii Ink and Yuli Rab were together...
In the orchard and rose garden

I long to see your face.

In the taste of Sweetness

I long to kiss your lips.

In the shadows of passion

I long for your love.



Oh! Supreme Lover!

Let me leave aside my worries.

The flowers are blooming
with the exultation of your Spirit.



By Allah!

I long to escape the prison of my ego

and lose myself
in the mountains and the desert.



These sad and lonely people tire me.

I long to revel in the drunken frenzy of your love
and feel the strength of Rustam in my hands.



I’m sick of mortal kings.

I long to see your light.

With lamps in hand
the sheiks and mullahs roam
the dark alleys of these towns
not finding what they seek.



You are the Essence of the Essence,

The intoxication of Love.

I long to sing your praises
but stand mute
with the agony of wishing in my heart.
Arlo Disarray May 2015
I've been sleepless for ten days, my head's tearing at the seams
There's too much inside my brain from the many built up dreams
As the seams break one by one, all the darkness starts to seep
All the nightmares in my mind are now loose on every street

Dreams all running rampant and destroying all the Towns
Zombie dogs, giant potato bugs and lots of **** clowns
My dreams are all disgusting, and I want to run away
But I guess the right thing to do here is try to save the day

Now thinking of Batman to come and rescue me
Hiding so that the nightmares couldn't still view me
But watching Batman battle was turning me right on
So I had to dream of *** toys, until the urge was gone


And as Batman finally wins the fight
He sticks my dreams back in my head, tight
And he asks "Anything else I can do?"
Getting turned on again, I then replied "I'd like to do you"

After *** with the bat, I felt so much better
When suddenly Batman was in Freddy Krueger's sweater
"I'm just way too tired." the next words I spoke
When I opened my eyelids, and then I awoke
*I thought it was real, but it was all a hoax
Kyle Kulseth Jan 2015
The sleet is drawing boxes 'round
our mud-and-snow sashed towns.
We'll check 'em off
                      with crunching footsteps,
slash our gallows grins through static
weather. Nervous laughter fights off winter
while somnambulist nights
                    hold the anthill days at bay.

And each repeated conversation
coats a thrumming undercurrent
echoed by the groaning rivers
in their arthritic fatigue.

     where the ice piles up
              like car wrecks.

And, out of those disastrous angles,
     jumps up and trips back down.
          Blinking eyelids, right then left.
               Sunrises. Sunsets.
Dusks and dawns in places familiar
wading through liminal space.

Circles darkened. Footprints filled in.

The heat just circles lazily.
Our flushed and clammy brows
will **** askance
               and sweat while footsteps
melt our swaying way through boiling
sidewalks. Nervous laughter dulls the impact
of seared, rapid fire nights.
             "Ha." "Ha." Shrug off another.

And all repeated reminiscence
does is hamstring overthinking
of the closing jaws of traps
in these rusting western towns.

        where winds breathe dust
                by mouthfuls

So, into our familiar mishaps,
     ***** up and falls back down
          melting into neighborhoods
               dress down, upbraid us.
'Til our feet do not walk circles
'round these wilting Western towns.
Kim May 2015
Make it through make it true
Lay it bare if you dare
Banish doubt make it count
Look around you’ve made it there

Shout it far show your scars
Fill the day with twenty-four hours
This is it what we’ve got
Looks like **** but it’s ours

You see this life filled with strife
So much hurt so much pain
Now you win now you lose
One man’s loss another’s gain

It wasn’t meant to be pretty
Empty towns ***** cities
People all around have issues
Insecure, lost and misused

You can choose to stay and fight
Assert yourself claim your rights
Or decide to turn away
Make your mark another day

Showing up is half the battle
Knocked down back in the saddle
It’s not the wins and the losses
It’s the learning it’s a process

At the end of the day
Stop and do the math
Those who've made hay
Don’t have to look back.

— The End —