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betterdays Mar 2014
if you drill down,
past the hair,
flesh and bone.

into my mind
where the ego
and id  reside.
then turn to the left,
and follow the i.q.
down the alley,
you will find
a place.

where on thrones of
cogitating thoughts,
king big questions asked,
reigns in conjunction,
with, queen yet unanswered.

they watch with interest benign,
over a field of  an eternal tourney,
split roughly down the middle
by a chasm quite wide.

on one side
of the gorge is arrayed,
the banners of philosophy.
at the vanguard,
the epistemological knights;
plato, descartes, ferrier,
kant, hume,spinoza
and bosanquet.
the major forces ride beneath the banners, of their schools of thought.
followed by the lesser lights,
and those,
obscure or forgotten,
who walk at the rear,carrying the gear and
to set the tent poles.

as to the other side,
that is given to,
the seminaries of religion;
bhuddism, taoism,
islam, hindu, juche,
rastafarian, sikh, diasporic, parsis, tenrikyo,
judaism and christianity
with all its clans.
they array themselves in cadres,
according to belief.
and to the rear,
there rides,
an interesting guerilla band,
of intertestemantals,
about 3 or 4 hundred years wide.
these are the few who are  accounted for,
when god spoke nothing,
or perhaps
a lot but the message just got lost.
they number in their disparate clan,
alexander the great, ptolemy, the hellanic masses, seluecids, maccabeans, hasmoeans
and pompey the great,
not all, but the noteworthy.

across the divide,
by arrowing thought
were fought rallies of acumen
and battles of wit
and occasionally,
a persipacious fire was lit.

but there is one more player,
to mention.
apathy,
the great hulking ******,
who for want of gumption, and get up and go,
sat crouched,
(quite uncomfortably so)
on a spire.
made of mediocracy,
cemented by woe,
in the iddle of the rifted abyss.
unable to decide
with which team to go.
another 3word writing
exercise
epistemological
intertestimantels
abyss
Jayanta May 2014
She is tourney,
Everyone is pat by her,
Masked man and women are in hasten
For her ………
Under the mask everyone is afraid
But their mask portrays the valour….
A chimera, a phony intrepidness……
Implore for cupidity, majestic   canard …..
….. through branding …..!
Everyone is cover-up by masked branding and
skirmishing in the name of tourney !
Michael R Burch Feb 2020
Athena takes me
sometimes by the hand

and we go levitating
through strange Dreamlands

where Apollo sleeps
in his dark forgetting

and Passion seems
like a wise bloodletting

and all I remember
,upon awaking,

is: to Love sometimes
is like forsaking

one’s Being—to drift
heroically beyond thought,

forsaking the here
for the There and the Not.



O, finally to Burn,
gravity beyond escaping!

To plummet is Bliss
when the blisters breaking

rain down red scabs
on the earth’s mudpuddle ...

Feathers and wax
and the watchers huddle ...

Flocculent sheep,
O, and innocent lambs!,

I will rock me to sleep
on the waves’ iambs.



To Sleep, that is Bliss
in Love’s recursive Dream,

for the Night has Wings
pallid as moonbeams—

they will flit me to Life;
like a huge-eyed Phoenix

fluttering off
to quarry the Sphinx.



Riddlemethis,
riddlemethat,

Rynosseross,
throw out the Welcome Mat.

Quixotic, I seek Love
amid the tarnished

rusted-out steel
when to live is varnish.

To Dream—that’s the thing!
Aye, that Genie I’ll rub,

soak by the candle,
aflame in the tub.



Riddlemethis,
riddlemethat,

Rynosseross,
throw out the Welcome Mat.

Somewhither, somewhither
aglitter and strange,

we must moult off all knowledge
or perish caged.

*

I am reconciled to Life
somewhere beyond thought—

I’ll Live in the There,
I’ll Dream of the Naught.

Methinks it no journey;
to tarry’s a waste,

so fatten the oxen;
make a nice baste.

I’m coming, Fool Tom,
we have Somewhere to Go,

though we injure noone,
ourselves wildaglow.

This odd poem invokes and merges with the anonymous medieval poem “Tom O’Bedlam” and W. H. Auden’s modernist poem “Musee des Beaux Arts,” which in turn refers to Pieter Breughel’s painting “The Fall of Icarus.” In the first stanza Icarus levitates with the help of Athena, the goddess of wisdom, through “strange dreamlands” while Apollo, the sun god, lies sleeping at night. In the second stanza, Apollo predictably wakes up and Icarus plummets to earth, or back to mundane reality, as in Breughel’s painting and Auden’s poem. In the third stanza the grounded Icarus can still fly, but only in flights of imagination through dreams of love. In the fourth and fifth stanzas Icarus joins Tom Rynosseross of the Bedlam poem in embracing madness by deserting “knowledge” and its cages (ivory towers, learning, etc.). In the final stanza Icarus, the former high flier, agrees with Tom that it is “no journey” to wherever they’re going together and also agrees with Tom that they will injure no one on the way, no matter how intensely they glow and radiate.

Keywords/Tags: Icarus, Tom O’Bedlam, bedlam, bedlamite, beggar, mad song, Apollo, welkin, Rynosseros, limerick meter, ballad, hag, goblin, maudlin, chains, whips, dame, maid, afraid, dotage, conquest, cupid, owl, marrow, drake, crow, gypsies, Snap, Pedro, comradoes, punk, cutpurse, panther, fancies, commander, spear, horse, wilderness, knight, tourney, world’s end, journey, Phoenix, Sphinx, Genie, Don Quixote, Quixote, quixotic, cage, prison, glitter, strange, molt, knowledge, oxen, baste, Auden, Musee des Beaux Arts, Breughel, Fall of Icarus
PART I

’Tis the middle of night by the castle clock
And the owls have awakened the crowing ****;
Tu-whit!—Tu-whoo!
And hark, again! the crowing ****,
How drowsily it crew.
Sir Leoline, the Baron rich,
Hath a toothless mastiff, which
From her kennel beneath the rock
Maketh answer to the clock,
Four for the quarters, and twelve for the hour;
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady’s shroud.

Is the night chilly and dark?
The night is chilly, but not dark.
The thin gray cloud is spread on high,
It covers but not hides the sky.
The moon is behind, and at the full;
And yet she looks both small and dull.
The night is chill, the cloud is gray:
‘T is a month before the month of May,
And the Spring comes slowly up this way.
The lovely lady, Christabel,
Whom her father loves so well,
What makes her in the wood so late,
A furlong from the castle gate?
She had dreams all yesternight
Of her own betrothed knight;
And she in the midnight wood will pray
For the weal of her lover that’s far away.

She stole along, she nothing spoke,
The sighs she heaved were soft and low,
And naught was green upon the oak,
But moss and rarest mistletoe:
She kneels beneath the huge oak tree,
And in silence prayeth she.

The lady sprang up suddenly,
The lovely lady, Christabel!
It moaned as near, as near can be,
But what it is she cannot tell.—
On the other side it seems to be,
Of the huge, broad-breasted, old oak tree.
The night is chill; the forest bare;
Is it the wind that moaneth bleak?
There is not wind enough in the air
To move away the ringlet curl
From the lovely lady’s cheek—
There is not wind enough to twirl
The one red leaf, the last of its clan,
That dances as often as dance it can,
Hanging so light, and hanging so high,
On the topmost twig that looks up at the sky.

Hush, beating heart of Christabel!
Jesu, Maria, shield her well!
She folded her arms beneath her cloak,
And stole to the other side of the oak.
What sees she there?

There she sees a damsel bright,
Dressed in a silken robe of white,
That shadowy in the moonlight shone:
The neck that made that white robe wan,
Her stately neck, and arms were bare;
Her blue-veined feet unsandaled were;
And wildly glittered here and there
The gems entangled in her hair.
I guess, ‘t was frightful there to see
A lady so richly clad as she—
Beautiful exceedingly!

‘Mary mother, save me now!’
Said Christabel, ‘and who art thou?’

The lady strange made answer meet,
And her voice was faint and sweet:—
‘Have pity on my sore distress,
I scarce can speak for weariness:
Stretch forth thy hand, and have no fear!’
Said Christabel, ‘How camest thou here?’
And the lady, whose voice was faint and sweet,
Did thus pursue her answer meet:—
‘My sire is of a noble line,
And my name is Geraldine:
Five warriors seized me yestermorn,
Me, even me, a maid forlorn:
They choked my cries with force and fright,
And tied me on a palfrey white.
The palfrey was as fleet as wind,
And they rode furiously behind.
They spurred amain, their steeds were white:
And once we crossed the shade of night.
As sure as Heaven shall rescue me,
I have no thought what men they be;
Nor do I know how long it is
(For I have lain entranced, I wis)
Since one, the tallest of the five,
Took me from the palfrey’s back,
A weary woman, scarce alive.
Some muttered words his comrades spoke:
He placed me underneath this oak;
He swore they would return with haste;
Whither they went I cannot tell—
I thought I heard, some minutes past,
Sounds as of a castle bell.
Stretch forth thy hand,’ thus ended she,
‘And help a wretched maid to flee.’

Then Christabel stretched forth her hand,
And comforted fair Geraldine:
‘O well, bright dame, may you command
The service of Sir Leoline;
And gladly our stout chivalry
Will he send forth, and friends withal,
To guide and guard you safe and free
Home to your noble father’s hall.’

She rose: and forth with steps they passed
That strove to be, and were not, fast.
Her gracious stars the lady blest,
And thus spake on sweet Christabel:
‘All our household are at rest,
The hall is silent as the cell;
Sir Leoline is weak in health,
And may not well awakened be,
But we will move as if in stealth;
And I beseech your courtesy,
This night, to share your couch with me.’

They crossed the moat, and Christabel
Took the key that fitted well;
A little door she opened straight,
All in the middle of the gate;
The gate that was ironed within and without,
Where an army in battle array had marched out.
The lady sank, belike through pain,
And Christabel with might and main
Lifted her up, a weary weight,
Over the threshold of the gate:
Then the lady rose again,
And moved, as she were not in pain.

So, free from danger, free from fear,
They crossed the court: right glad they were.
And Christabel devoutly cried
To the Lady by her side;
‘Praise we the ****** all divine,
Who hath rescued thee from thy distress!’
‘Alas, alas!’ said Geraldine,
‘I cannot speak for weariness.’
So, free from danger, free from fear,
They crossed the court: right glad they were.

Outside her kennel the mastiff old
Lay fast asleep, in moonshine cold.
The mastiff old did not awake,
Yet she an angry moan did make.
And what can ail the mastiff *****?
Never till now she uttered yell
Beneath the eye of Christabel.
Perhaps it is the owlet’s scritch:
For what can aid the mastiff *****?

They passed the hall, that echoes still,
Pass as lightly as you will.
The brands were flat, the brands were dying,
Amid their own white ashes lying;
But when the lady passed, there came
A tongue of light, a fit of flame;
And Christabel saw the lady’s eye,
And nothing else saw she thereby,
Save the boss of the shield of Sir Leoline tall,
Which hung in a murky old niche in the wall.
‘O softly tread,’ said Christabel,
‘My father seldom sleepeth well.’
Sweet Christabel her feet doth bare,
And, jealous of the listening air,
They steal their way from stair to stair,
Now in glimmer, and now in gloom,
And now they pass the Baron’s room,
As still as death, with stifled breath!
And now have reached her chamber door;
And now doth Geraldine press down
The rushes of the chamber floor.

The moon shines dim in the open air,
And not a moonbeam enters here.
But they without its light can see
The chamber carved so curiously,
Carved with figures strange and sweet,
All made out of the carver’s brain,
For a lady’s chamber meet:
The lamp with twofold silver chain
Is fastened to an angel’s feet.
The silver lamp burns dead and dim;
But Christabel the lamp will trim.
She trimmed the lamp, and made it bright,
And left it swinging to and fro,
While Geraldine, in wretched plight,
Sank down upon the floor below.
‘O weary lady, Geraldine,
I pray you, drink this cordial wine!
It is a wine of virtuous powers;
My mother made it of wild flowers.’

‘And will your mother pity me,
Who am a maiden most forlorn?’
Christabel answered—’Woe is me!
She died the hour that I was born.
I have heard the gray-haired friar tell,
How on her death-bed she did say,
That she should hear the castle-bell
Strike twelve upon my wedding-day.
O mother dear! that thou wert here!’
‘I would,’ said Geraldine, ’she were!’

But soon, with altered voice, said she—
‘Off, wandering mother! Peak and pine!
I have power to bid thee flee.’
Alas! what ails poor Geraldine?
Why stares she with unsettled eye?
Can she the bodiless dead espy?
And why with hollow voice cries she,
‘Off, woman, off! this hour is mine—
Though thou her guardian spirit be,
Off, woman. off! ‘t is given to me.’

Then Christabel knelt by the lady’s side,
And raised to heaven her eyes so blue—
‘Alas!’ said she, ‘this ghastly ride—
Dear lady! it hath wildered you!’
The lady wiped her moist cold brow,
And faintly said, ‘’T is over now!’
Again the wild-flower wine she drank:
Her fair large eyes ‘gan glitter bright,
And from the floor, whereon she sank,
The lofty lady stood upright:
She was most beautiful to see,
Like a lady of a far countree.

And thus the lofty lady spake—
‘All they, who live in the upper sky,
Do love you, holy Christabel!
And you love them, and for their sake,
And for the good which me befell,
Even I in my degree will try,
Fair maiden, to requite you well.
But now unrobe yourself; for I
Must pray, ere yet in bed I lie.’

Quoth Christabel, ‘So let it be!’
And as the lady bade, did she.
Her gentle limbs did she undress
And lay down in her loveliness.

But through her brain, of weal and woe,
So many thoughts moved to and fro,
That vain it were her lids to close;
So half-way from the bed she rose,
And on her elbow did recline.
To look at the lady Geraldine.
Beneath the lamp the lady bowed,
And slowly rolled her eyes around;
Then drawing in her breath aloud,
Like one that shuddered, she unbound
The cincture from beneath her breast:
Her silken robe, and inner vest,
Dropped to her feet, and full in view,
Behold! her ***** and half her side—
A sight to dream of, not to tell!
O shield her! shield sweet Christabel!

Yet Geraldine nor speaks nor stirs:
Ah! what a stricken look was hers!
Deep from within she seems half-way
To lift some weight with sick assay,
And eyes the maid and seeks delay;
Then suddenly, as one defied,
Collects herself in scorn and pride,
And lay down by the maiden’s side!—
And in her arms the maid she took,
Ah, well-a-day!
And with low voice and doleful look
These words did say:

‘In the touch of this ***** there worketh a spell,
Which is lord of thy utterance, Christabel!
Thou knowest to-night, and wilt know to-morrow,
This mark of my shame, this seal of my sorrow;
But vainly thou warrest,
For this is alone in
Thy power to declare,
That in the dim forest
Thou heard’st a low moaning,
And found’st a bright lady, surpassingly fair:
And didst bring her home with thee, in love and in charity,
To shield her and shelter her from the damp air.’

It was a lovely sight to see
The lady Christabel, when she
Was praying at the old oak tree.
Amid the jagged shadows
Of mossy leafless boughs,
Kneeling in the moonlight,
To make her gentle vows;
Her slender palms together prest,
Heaving sometimes on her breast;
Her face resigned to bliss or bale—
Her face, oh, call it fair not pale,
And both blue eyes more bright than clear.
Each about to have a tear.
With open eyes (ah, woe is me!)
Asleep, and dreaming fearfully,
Fearfully dreaming, yet, I wis,
Dreaming that alone, which is—
O sorrow and shame! Can this be she,
The lady, who knelt at the old oak tree?
And lo! the worker of these harms,
That holds the maiden in her arms,
Seems to slumber still and mild,
As a mother with her child.

A star hath set, a star hath risen,
O Geraldine! since arms of thine
Have been the lovely lady’s prison.
O Geraldine! one hour was thine—
Thou’st had thy will! By tarn and rill,
The night-birds all that hour were still.
But now they are jubilant anew,
From cliff and tower, tu-whoo! tu-whoo!
Tu-whoo! tu-whoo! from wood and fell!

And see! the lady Christabel
Gathers herself from out her trance;
Her limbs relax, her countenance
Grows sad and soft; the smooth thin lids
Close o’er her eyes; and tears she sheds—
Large tears that leave the lashes bright!
And oft the while she seems to smile
As infants at a sudden light!
Yea, she doth smile, and she doth weep,
Like a youthful hermitess,
Beauteous in a wilderness,
Who, praying always, prays in sleep.
And, if she move unquietly,
Perchance, ‘t is but the blood so free
Comes back and tingles in her feet.
No doubt, she hath a vision sweet.
What if her guardian spirit ‘t were,
What if she knew her mother near?
But this she knows, in joys and woes,
That saints will aid if men will call:
For the blue sky bends over all.

PART II

Each matin bell, the Baron saith,
Knells us back to a world of death.
These words Sir Leoline first said,
When he rose and found his lady dead:
These words Sir Leoline will say
Many a morn to his dying day!

And hence the custom and law began
That still at dawn the sacristan,
Who duly pulls the heavy bell,
Five and forty beads must tell
Between each stroke—a warning knell,
Which not a soul can choose but hear
From Bratha Head to Wyndermere.
Saith Bracy the bard, ‘So let it knell!
And let the drowsy sacristan
Still count as slowly as he can!’
There is no lack of such, I ween,
As well fill up the space between.
In Langdale Pike and Witch’s Lair,
And Dungeon-ghyll so foully rent,
With ropes of rock and bells of air
Three sinful sextons’ ghosts are pent,
Who all give back, one after t’ other,
The death-note to their living brother;
And oft too, by the knell offended,
Just as their one! two! three! is ended,
The devil mocks the doleful tale
With a merry peal from Borrowdale.

The air is still! through mist and cloud
That merry peal comes ringing loud;
And Geraldine shakes off her dread,
And rises lightly from the bed;
Puts on her silken vestments white,
And tricks her hair in lovely plight,
And nothing doubting of her spell
Awakens the lady Christabel.
‘Sleep you, sweet lady Christabel?
I trust that you have rested well.’

And Christabel awoke and spied
The same who lay down by her side—
O rather say, the same whom she
Raised up beneath the old oak tree!
Nay, fairer yet! and yet more fair!
For she belike hath drunken deep
Of all the blessedness of sleep!
And while she spake, her looks, her air,
Such gentle thankfulness declare,
That (so it seemed) her girded vests
Grew tight beneath her heaving *******.
‘Sure I have sinned!’ said Christabel,
‘Now heaven be praised if all be well!’
And in low faltering tones, yet sweet,
Did she the lofty lady greet
With such perplexity of mind
As dreams too lively leave behind.

So quickly she rose, and quickly arrayed
Her maiden limbs, and having prayed
That He, who on the cross did groan,
Might wash away her sins unknown,
She forthwith led fair Geraldine
To meet her sire, Sir Leoline.
The lovely maid and the lady tall
Are pacing both into the hall,
And pacing on through page and groom,
Enter the Baron’s presence-room.

The Baron rose, and while he prest
His gentle daughter to his breast,
With cheerful wonder in his eyes
The lady Geraldine espies,
And gave such welcome to the same,
As might beseem so bright a dame!

But when he heard the lady’s tale,
And when she told her father’s name,
Why waxed Sir Leoline so pale,
Murmuring o’er the name again,
Lord Roland de Vaux of Tryermaine?
Alas! they had been friends in youth;
But whispering tongues can poison truth;
And constancy lives in realms above;
And life is thorny; and youth is vain;
And to be wroth with one we love
Doth work like madness in the brain.
And thus it chanced, as I divine,
With Roland and Sir Leoline.
Each spake words of high disdain
And insult to his heart’s best brother:
They parted—ne’er to meet again!
But never either found another
To free the hollow heart from paining—
They stood aloof, the scars remaining,
Like cliffs which had been rent asunder;
A dreary sea now flows between.
But neither heat, nor frost, nor thunder,
Shall wholly do away, I ween,
The marks of that which once hath been.
Sir Leoline, a moment’s space,
Stood gazing on the damsel’s face:
And the youthful Lord of Tryermaine
Came back upon his heart again.

O then the Baron forgot his age,
His noble heart swelled high with rage;
He swore by the wounds in Jesu’s side
He would proclaim it far and wide,
With trump and solemn heraldry,
That they, who thus had wronged the dame
Were base as spotted infamy!
‘And if they dare deny the same,
My herald shall appoint a week,
And let the recreant traitors seek
My tourney court—that there and then
I may dislodge their reptile souls
From the bodies and forms of men!’
He spake: his eye in lightning rolls!
For the lady was ruthlessly seized; and he kenned
In the beautiful lady the child of his friend!

And now the tears were on his face,
And fondly in his arms he took
Fair Geraldine who met the embrace,
Prolonging it with joyous look.
Which when she viewed, a vision fell
Upon the soul of Christabel,
The vision of fear, the touch and pain!
She shrunk and shuddered, and saw again—
(Ah, woe is me! Was it for thee,
Thou gentle maid! such sights to see?)
Again she saw that ***** old,
Again she felt that ***** cold,
And drew in her breath with a hissing sound:
Whereat the Knight turned wildly round,
And nothing saw, but his own sweet maid
With eyes upraised, as one that prayed.

The touch, the sight, had passed away,
And in its stead that vision blest,
Which comfort
(A play in one act.)

The Knight.
The Lady.

Voices of men and women on the ground at the foot of the tower.
The voice of the Knight’s Page.



     The top of a high battlemented tower of a castle.  A stone ledge,
     which serves as a seat, extends part way around the parapet.
     Small clouds float by in the blue sky, and occasionally a swallow passes.
     Entrance R. from an unseen stairway which is supposed to extend around
     the outside of the tower.

The Lady (unseen).
Oh do not climb so fast, for I am faint
With looking down the tower to where the earth
Lies dreaming in the sun.  I fear to fall.

The Knight (unseen).
Lean on me, love, my love, and look not down.

L.
Call me not “love”, call me your conquered foe,
That now, since you have battered down her gates,
Gives you the keys that lock the highest tower
And mounts with you to prove her homage true;
Oh bid me go no farther lest I fall,
My foot has slipped upon the rain-worn stones,
Why are the stairs so narrow and so steep?
Let us go back, my lord.

K.
                           Are you afraid,
Who were so dauntless till the walls gave way?
Courage, my sweet.  I would that I could climb
A thousand times by wind-swept stairs like these,
That lead so near to heaven.

L.
                              Sir, you may,
You are a knight and very valorous;
I am a woman.  I shall never come
This way but once.
(The Knight and the Lady appear on the top of the tower.)

K.
                     Kiss me at last, my love.

L.
Oh, my sweet lord, I am too tired to kiss.
Look how the earth is like an emerald,
With rivers veined and flawed with fallow fields.

K.  (Lifting her veil)
Then I kiss you, a thousand thousand kisses
For all the days ere I had won to you
Beyond the walls and gates you barred so close.
Call me at last your love, your castle’s lord.

L.  (After a pause)
I love you.

(She kisses him.  Her veil blows away like a white butterfly
over the parapet.  Faint cries and laughter from men and women
under the tower.)

Men and Women.
The veil, the lady’s veil!

(The knight takes the lady in his arms.)

L.
My lord, I pray you loose me from your arms
Lest that my people see how much we love.

K.
May they not see us?  All of them have loved.

L.
But you have been an enemy, my lord,
With walls between us and with moss-grown moats,
Now on a sudden must I kiss your mouth?
I who was taught before I learned to speak
That all my house was hostile unto yours,
Now can I put my head against your breast
Here in the sight of all who choose to come?

K.
Are we not past the caring for their eyes
And nearer to the heaven than to earth?
Look up and see.

L.
                   I only see your face.

(She touches his hair with her hands.  Murmuring under the tower.)

K.
Why came we here in all the noon-day light
With only darting swallows over us
To make a speck of darkness on the sun?
Let us go down where walls will shut us round.
Your castle has a hundred quiet halls,
A hundred chambers, where the shadows lie
On things put by, forgotten long ago.
Forgotten lutes with strings that Time has slackened,
We two shall draw them close and bid them sing—
Forgotten games, forgotten books still open
Where you had laid them by at vesper-time,
And your embroidery, whereon half-worked
Weeps Amor wounded by a rose’s thorn.
Shall I not see the room in which you slept,
Palpitant still and breathing of your thoughts,
Where maiden dreams adown the ways of sleep
Swept noiselessly with damosels and knights
To tourneys where the trumpet made no sound,
Blow as he might, the scarlet trumpeter,
And were the dreams not sometimes brimmed with tears
That waked you when the night was loneliest?
Will you not bring me to your oratory
Where prayers arose like little birds set free
Still upward, upward without sound of flight?
Shall I not find your turrets toward the north,
Where you defied white winter armed for war;
Your southern casements where the sun blows in
Between the leaf-bent boughs the wind has lifted?
Shall we not see the sunrise toward the east,
Watch dawn by dawn the rose of day unfolding
Its golden-hearted beauty sovereignly;
And toward the west look quietly at evening?
Shall I not see all these and all your treasures?
In carven coffers hidden in the dark
Have you not laid a sapphire lit with flame
And amethysts set round with deep-wrought gold,
Perhaps a ruby?

L.
                  All my gems are yours
And all my chambers curtained from the sun.
My lord shall see them all, in time, in time.


(The sun begins to sink.)

K.
Shall I not see them now?  To-day, to-night?

L.
How could I show you in one day, my lord,
My castle and my treasures and my tower?
Let all the days to come suffice for this
Since all the past days made them what they are.
You will not be impatient, my sweet lord.
Some of the halls have long been locked and barred,
And some have secret doors and hard to find
Till suddenly you touch them unawares,
And down a sable way runs silver light.
We two will search together for the keys,
But not to-day.  Let us sit here to-day,
Since all is yours and always will be yours.

(The stars appear faintly one by one.)

K.  (After a pause.)
I grow a little drowsy with the dusk.

L.  (Singing.)
    There was a man that loved a maid,
    (Sleep and take your rest)
    Over her lips his kiss was laid,
    Over her heart, his breast.

(The knight sleeps.)

    All of his vows were sweet to hear,
    Sweet was his kiss to take;
    Why was her breast so quick to fear,
    Why was her heart, to break?

    Why was the man so glad to woo?
    (Sleep and take your rest)
    Why were the maiden’s words so few—

(She sees that he is asleep, and slipping off her long cloak-like
outer garment, she pillows his head upon it against the parapet,
and half kneeling at his feet she sings very softly:)

    I love you, I love you, I love you,
    I am the flower at your feet,
    The birds and the stars are above you,
    My place is more sweet.

    The birds and the stars are above you,
    They envy the flower in the grass,
    For I, only I, while I love you
    Can die as you pass.

(Light clouds veil the stars, growing denser constantly.
The castle bell rings for vespers, and rising, the lady moves
to a corner of the parapet and kneels there.)

L.
Ave Maria! gratia plena, Dominus—

Voice of the Page (from the foot of the tower.)
My lord, my lord, they call for you at court!

(The knight wakes.  It is now quite dark.)

There is a tourney toward; your enemy
Has challenged you.  My lord, make haste to come!

(The knight rises and gropes his way toward the stairs.)

K.
I will make haste.  Await me where you are.

(To himself.)
There was a lady on this tower with me—

(He glances around hurriedly but does not see her in the darkness.)

Page.
My lord has far to ride before the dawn!

K.  (To himself.)
Why should I tarry?

(To the page.)
Bring my horse and shield!

(He descends.  As the noise of his footfall on the stairs dies away,
the lady gropes toward the stairway, then turns suddenly, and going to
the ledge where they have sat, she throws herself over the parapet.)


CURTAIN.
Blade Maiden Oct 2018

Traveling through an ocean-like space
I'm breaking like the waves
I arrive and crush on your shores
crawl into each and every pore
I dissolve into foam
which follows a storm
The storm becomes me
I rage over rock and tree
Devastation as I take
make room for renewal and remake

I brush away home and town
these empty houses, I tear them down
no place left to hide for the hunger
shall these demons come so I can pull them under
Make them eat the dirt they keep feeding to you and me
I will make them swallow and suffocate their glee
And when darkness comes I will be thunder
lightening the sky and breaking it asunder
And through this opening you will descend
everything that has been broken you can mend

Don't despair, love, take pride in me
The force of nature you clearly see
Believe in this inner symbiosis
Create your own apotheosis
Everything is well
Even in these dark times in which you dwell
This nature will never leave you
nor will it ever betray what is true
See through the eyes of your keeper
even when you think you can't sink deeper

What you are you shall hold dear
and walk this blackness without fear
Whatever wounds you carry away from this tourney
it's worth every step of this journey
Fight until your blood runs dry
pick up your worth again and again until you die
no need to run, no need to hurry
believe in your nature and don't worry
Sleep will come eventually
until then rage against life's brevity

You stand unbowed and unbroken by your ache
and leave life in your wake
rained-on parade May 2015
Find coastlines along the edges of your body,
mark your territory
and invite gallant young men to try their hand
at crossing a huge wall made of crystal glass
and steel verses.

Let them be afraid of the tombstones gathered
at the gates; tremble at their own risk
because your heart can't handle an unsteady hand:
it's filled to the brim.
And as the tourney dies down,
as the men scratch the surface
and leave with pieces of your arms,
your eyelashes, your cheeks,
there will be one
who is there when the dust settles.

Allow him to love you,
in a most consuming way; let him
take your body a shrine and let him
call it his only home.

Finally,
break his heart,
and watch as the poetry
spills out of you like
an angry river, from a spear
he wishes he'd hit into your chest
not cupid's arrow instead.
Mumbling.
betterdays Jun 2014
it appears as though
there was a coup,
in kookaburra land,
this morning.

much fuss,
and cacophony.
as the brown and blue kingfisher clan, reassembled,
their royal court.

the big old king,
uncurled his talons,
unfurled his wings,
gave one last,
manical chuckle....
and fell from his perch.

to lie still,
upon the dusty,
brown earth.

shocked, silence for some seconds, and then...
the eucalypts erupted into, (what would appear to the outsider);
cold calculating mirth.

as the young jacko princes, all began the joking joust
for the top place berth.

in a melee of swooping, chuckling grace,
a contest no less,
set to test....
mettle, worth and cackle call.
each young bird,
takes to the wing and flies into the maddening...and how close,
         how loud,
                  how startling,
         they can be.
            is made known,      
by those,
whose years,    
            have flown.

when all, is said and done. tourney overflown,
feathers are preened.
then the winner
is presented,
with opportunity, bold....
to nest the queen.
as to the rest,
they take their place,
in the chaotic, cackling, cacophonous,
kookabuurra clan nests.
to bide their time,
until, the next coup,
                        comes calling...
this is fiction, i have no idea, really, how jackos sort out their hierarchy. they where just exceptionally excited at dawn this morning... and this flowed through.
gurthbruins Nov 2015
PART THE FIRST

Samuel Taylor Coleridge (1772–1834)


’TIS the middle of night by the castle clock,
And the owls have awakened the crowing ****;
Tu—whit!—Tu—whoo!
And hark, again! the crowing ****,
How drowsily it crew!         5
Sir Leoline, the Baron rich,
Hath a toothless mastiff *****;
From her kennel beneath the rock
Maketh answer to the clock,
Four for the quarters, and twelve for the hour;         10
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady’s shroud.

Is the night chilly and dark?
The night is chilly, but not dark.         15
The thin gray cloud is spread on high,
It covers but not hides the sky.
The moon is behind, and at the full;
And yet she looks both small and dull.
The night is chill, the cloud is gray:         20
’Tis a month before the month of May,
And the Spring comes slowly up this way.

The lovely lady, Christabel,
Whom her father loves so well,
What makes her in the wood so late,         25
A furlong from the castle gate?
She had dreams all yesternight—
Of her own betrothed knight;
And she in the midnight wood will pray
For the weal of her lover that’s far away.         30

   .........................

The night is chill; the forest bare;
Is it the wind that moaneth bleak?
There is not wind enough in the air         45
To move away the ringlet curl
From the lovely lady’s cheek—
There is not wind enough to twirl
The one red leaf, the last of its clan,
That dances as often as dance it can,         50
Hanging so light, and hanging so high,
On the topmost twig that looks up at the sky.

Hush, beating heart of Christabel!
Jesu, Maria, shield her well!
She folded her arms beneath her cloak,         55
And stole to the other side of the oak.
  What sees she there?

There she sees a damsel bright
Drest in a silken robe of white,
That shadowy in the moonlight shone:         60
The neck that made that white robe wan,
Her stately neck, and arms were bare;
Her blue-veined feet unsandalled were,
And wildly glittered here and there
The gems entangled in her hair.         65
I guess, ’twas frightful there to see—
A lady so richly clad as she—
  Beautiful exceedingly!

Mary mother, save me now!
(Said Christabel,) And who art thou?         70

The lady strange made answer meet,
And her voice was faint and sweet:—
Have pity on my sore distress,
I scarce can speak for weariness:
Stretch forth thy hand, and have no fear!         75
Said Christabel, How camest thou here?
And the lady, whose voice was faint and sweet,
Did thus pursue her answer meet:—
My sire is of a noble line,
And my name is Geraldine:         80
Five warriors seized me yestermorn,
Me, even me, a maid forlorn:
They choked my cries with force and fright,
And tied me on a palfrey white.
The palfrey was as fleet as wind,         85
And they rode furiously behind.
They spurred amain, their steeds were white:
And once we crossed the shade of night.

As sure as Heaven shall rescue me,
I have no thought what men they be;         90
Nor do I know how long it is
(For I have lain entranced I wis)
Since one, the tallest of the five,
Took me from the palfrey’s back,
A weary woman, scarce alive.         95
Some muttered words his comrades spoke:
He placed me underneath this oak;
He swore they would return with haste;
Whither they went I cannot tell—
I thought I heard, some minutes past,         100
Sounds as of a castle bell.
Stretch forth thy hand (thus ended she),
And help a wretched maid to flee.

Then Christabel stretched forth her hand,
And comforted fair Geraldine:         105
O well, bright dame! may you command
The service of Sir Leoline;
And gladly our stout chivalry
Will he send forth and friends withal
To guide and guard you safe and free         110
Home to your noble father’s hall.

She rose: and forth with steps they passed
That strove to be, and were not, fast.

   ................................................

They crossed the moat, and Christabel
Took the key that fitted well;
A little door she opened straight,         125
All in the middle of the gate,
The gate that was ironed within and without,
Where an army in battle array had marched out,
The lady sank, belike through pain,
And Christabel with might and main         130
Lifted her up, a weary weight,
Over the threshold of the gate:
Then the lady rose again,
And moved, as she were not in pain.

   ..................................................

Outside her kennel, the mastiff old         145
Lay fast asleep, in moonshine cold.
The mastiff old did not awake,
Yet she an angry moan did make!
And what can ail the mastiff *****?
Never till now she uttered yell         150
Beneath the eye of Christabel.
Perhaps it is the owlet’s scritch:
For what can ail the mastiff *****?

They passed the hall, that echoes still,
Pass as lightly as you will!         155
The brands were flat, the brands were dying,
Amid their own white ashes lying;
But when the lady passed, there came
A tongue of light, a fit of flame;
And Christabel saw the lady’s eye,         160
And nothing else saw she thereby,
Save the boss of the shield of Sir Leoline tall,
Which hung in a murky old niche in the wall.
O softly tread, said Christabel,
My father seldom sleepeth well.         165

Sweet Christabel her feet doth bare,
And jealous of the listening air
They steal their way from stair to stair,
Now in the glimmer, and now in gloom,
And now they pass the Baron’s room,         170
As still as death, with stifled breath!
And now have reached her chamber door;
And now doth Geraldine press down
The rushes of the chamber floor.

The moon shines dim in the open air,         175
And not a moonbeam enters there.
But they without its light can see
The chamber carved so curiously,
Carved with figures strange and sweet,
All made out of the carver’s brain,         180
For a lady’s chamber meet:
The lamp with twofold silver chain
Is fastened to an angel’s feet.

The silver lamp burns dead and dim;
But Christabel the lamp will trim.         185
She trimmed the lamp, and made it bright,
And left it swinging to and fro,
While Geraldine, in wretched plight,
Sank down upon the floor below.

O weary lady, Geraldine,         190
I pray you, drink this cordial wine!
It is a wine of virtuous powers;
My mother made it of wild flowers.

         .........................................

Again the wild-flower wine she drank:         220
Her fair large eyes ’gan glitter bright,
And from the floor whereon she sank,
The lofty lady stood upright:
She was most beautiful to see,
Like a lady of a far countrée.         225

And thus the lofty lady spake—
‘All they who live in the upper sky,
Do love you, holy Christabel!

          ..............................

Beneath the lamp the lady bowed,         245
And slowly rolled her eyes around;
Then drawing in her breath aloud,
Like one that shuddered, she unbound
The cincture from beneath her breast:
Her silken robe, and inner vest,         250
Dropt to her feet, and full in view,
Behold! her ***** and half her side—
A sight to dream of, not to tell!
O shield her! shield sweet Christabel!


THE CONCLUSION TO PART THE FIRST


A star hath set, a star hath risen,
O Geraldine! since arms of thine
Have been the lovely lady’s prison.
O Geraldine! one hour was thine—         305
Thou’st had thy will! By tairn and rill,
The night-birds all that hour were still.
But now they are jubilant anew,
From cliff and tower, tu—whoo! tu—whoo!
Tu—whoo! tu—whoo! from wood and fell!         310

And see! the lady Christabel!
Gathers herself from out her trance;
Her limbs relax, her countenance
Grows sad and soft; the smooth thin lids
Close o’er her eyes; and tears she sheds—         315
Large tears that leave the lashes bright!
And oft the while she seems to smile
As infants at a sudden light!

Yea, she doth smile, and she doth weep,
Like a youthful hermitess,         320
Beauteous in a wilderness,
Who, praying always, prays in sleep,
And, if she move unquietly,
Perchance, ’tis but the blood so free
Comes back and tingles in her feet.         325
No doubt, she hath a vision sweet.
What if her guardian spirit ’twere,
What if she knew her mother near?
But this she knows, in joys and woes,
That saints will aid if men will call:         330
For the blue sky bends over all!

PART THE SECOND

Each matin bell, the Baron saith,
Knells us back to a world of death.
These words Sir Leoline first said,
When he rose and found his lady dead;         335
These words Sir Leoline will say
Many a morn to his dying day!

          ..................................


‘Sleep you, sweet lady Christabel?
I trust that you have rested well?’

And Christabel awoke and spied         370
The same who lay down by her side—
O rather say, the same whom she
Raised up beneath the old oak tree!
Nay, fairer yet! and yet more fair!
For she belike hath drunken deep         375
Of all the blessedness of sleep!
      
.......................

The Baron rose, and while he prest
His gentle daughter to his breast,
With cheerful wonder in his eyes
The lady Geraldine espies,         400
And gave such welcome to the same,
As might beseem so bright a dame!
But when he heard the lady’s tale,
And when she told her father’s name,
Why waxed Sir Leoline so pale,         405
Murmuring o’er the name again,
Lord Roland de Vaux of Tryermaine?

Alas! they had been friends in youth;
But whispering tongues can poison truth;
And constancy lives in realms above;         410
And life is thorny; and youth is vain;
And to be wroth with one we love
Doth work like madness in the brain.
And thus it chanced, as I divine,
With Roland and Sir Leoline.         415
Each spake words of high disdain
And insult to his heart’s best brother:
They parted—ne’er to meet again!
But never either found another
To free the hollow heart from paining—         420
They stood aloof, the scars remaining,
Like cliffs which had been rent asunder;
A dreary sea now flows between.
But neither heat, nor frost, nor thunder,
Shall wholly do away, I ween,         425
The marks of that which once hath been.

Sir Leoline, a moment’s space,
Stood gazing on the damsel’s face:
And the youthful Lord of Tryermaine
Came back upon his heart again.         430
O then the Baron forgot his age,
His noble heart swelled high with rage;
He swore by the wounds in Jesu’s side
He would proclaim it far and wide,
With trump and solemn heraldry,         435
That they, who thus had wronged the dame
Were base as spotted infamy!
‘And if they dare deny the same,
My herald shall appoint a week,
And let the recreant traitors seek         440
My tourney court—that there and then
I may dislodge their reptile souls
From the bodies and forms of men!’
He spake: his eye in lightning rolls!
For the lady was ruthlessly seized; and he kenned         445
In the beautiful lady the child of his friend!

          ..................................................

        ‘Nay!
Nay, by my soul!’ said Leoline.         485
‘**! Bracy the bard, the charge be thine!
Go thou, with music sweet and loud,
And take two steeds with trappings proud,
And take the youth whom thou lov’st best
To bear thy harp, and learn thy song,         490
And clothe you both in solemn vest,
And over the mountains haste along,
Lest wandering folk, that are abroad
Detain you on the valley road.
‘And when he has crossed the Irthing flood,         495
My merry bard! he hastes, he hastes
Up Knorren Moor, through Halegarth Wood,
And reaches soon that castle good
Which stands and threatens Scotland’s wastes.

‘Bard Bracy! bard Bracy! your horses are fleet,         500
Ye must ride up the hall, your music so sweet,
More loud than your horses’ echoing feet!
And loud and loud to Lord Roland call,
Thy daughter is safe in Langdale hall!
Thy beautiful daughter is safe and free—         505
Sir Leoline greets thee thus through me.
He bids thee come without delay
With all thy numerous array;
And take thy lovely daughter home;
And he will meet thee on the way         510
With all his numerous array
White with their panting palfreys’ foam:
And, by mine honour! I will say,
That I repent me of the day
When I spake words of fierce disdain         515
To Roland de Vaux of Tryermaine!—
—For since that evil hour hath flown,
Many a summer’s sun hath shone;
Yet ne’er found I a friend again
Like Roland de Vaux of Tryermaine.’         520

         .............................................


And thus she stood, in dizzy trance,
Still picturing that look askance         610
With forced unconscious sympathy
Full before her father’s view—
As far as such a look could be
In eyes so innocent and blue!
And when the trance was o’er, the maid         615
Paused awhile, and inly prayed:
Then falling at the Baron’s feet,
‘By my mother’s soul do I entreat
That thou this woman send away!’
She said: and more she could not say:         620
For what she knew she could not tell,
O’er-mastered by the mighty spell.

Why is thy cheek so wan and wild,
Sir Leoline? Thy only child
Lies at thy feet, thy joy, thy pride.         625
So fair, so innocent, so mild;
Nat Lipstadt Aug 2017
<•>

blustery company/unexpected costs

rain-all-day, with a heavy creme topping of
blustery wind window rattling, par excellence,
making the houses's insides rumble so much,
the trees fringes bang-pleading to please be allowed in
so loud that you suspect some are already hiding within,
probably, more likely, those leprechaun Elusives,
up to their usual no goofy good

the poet's fellow summer travelers visit, Canadian geese,
clustering by the Adirondacks thrones four,  
who add another weathering to their grayed, somber,
thoughtful demeanor this day,
all in the Poet's Nook, which though forlorn,
surrounded sounded by sixteen! chubby flyers, admirers,
(their ranks expanded from fourteen of yesteryear),
asking where is the poet-boy, and the chairs explain that his
standing in the rain days are now past his prime,
inspiring modalities, so rest easy in the knowing geese lore that,

he,

through those famous civilizing lace curtains,
see-through visors, of  embroidered, embedded flowers,
the poet boy is watching your brood, not being rude,
just dry inside, contemplating their admirable
weather resistance, and writing of them with loyal affection,
his gaggle of friends, **** avians, favorite weekend guests,
not requiring feeding, cleaning up after, or their laundry done

delighted, they edge closer to him, where he, residing/semi-hiding,
in the sunroom where he writes and contemplates the
unexpected costs of human life
that he tries to pays forward so others may never have such a chore

coming ever closer, now nibbling next to the empty
tree swing, used by neighboring kids and in secret,
their parents,
and the wet freshly cut, delivered green grass,
a feast for them, beneath the oak tree

do they have unexpected costs as well, or do they know
all their predators and threats, that may yet diminish the happy sojourning, the tourney of flying south, and its trials/tribulations?


too long, too long I know, the poem,
but to the devil with you
inexperienced, impatient multi-taskers, this, a poem~moment
that would be dishonored by the breech,
needs lengthy fulfillment for the unexpected costs,  
the randomness of events that can't be guarded against,
demand never ending vigilance, and endless imagining

and the geese, saddened by his absence and his travailing
thought patterns, explain, that this is why we geese,
we gaggle travel, why our long necks swoon and swivel,
ever wary of the unexpected surprise dangers,
why we post guards forward and aft,
not to be taken unawares by foxes or men

the human's gaggle is their random, undisciplined,
by their solitary nature,
travailing thoughts
which they they foolish believe they can master,
but cannot, which then, is why, we geese,
we will always annual come to covenant, co-tenant,
visit the poet-boy in his nook, and rest him briefly, from the
terror of unexpected costs, be his inspiration,
for the poets nook, now, by custom,
our refuge, and his, as well, and better together...
Saturday
August 5, 2017
noon

other poems referenced can be found by searching on HP
In the poet's nook, The Elusves, and In the Sunroom
Val Vogel Aug 2014
Once a lad and growing so
Days spun and spanning into years aglow-
Vitality, vim and vigor strong
Life's sweet pathways sometimes short sometimes long-
Boy-becomes-man journey
Letting go, each, that father-son tourney


Wave spreading in the sun
Smiles scatter warmly in youth's summer fun
Breaking over life’s beach
Sharing nourishment its lessons to teach
Dreams and hopes and coping
Even during seasons pained and molting

Like a dance, almost love
Son’s own rhythm within, below, above
Blade Maiden Aug 2018
No better place but inside my dream
to leave the world and it's endless scheme
my fingers tracing violet mountains
that turn into illustrious fountains
of things I want to do with you
if you and I could ever follow us through

I wonder where I'd start my journey
Give the starting signal for our particular tourney
Getting into delicate positions
movement in passion my only mission

Sensuality comes easily
I want you to lean into me
let's be a little bit sentimental
no words needed when we become intrumental

In my dreams we hold on tight
to the endless possibilities of a night
under a cold and steady moon
Goodnight love, we'll see each other soon.
Still Crazy Apr 2019
always throw caution to the wind

for a life well lived, for I did not, and lived a life well-lied

always throw caution to the wind

our life in this realm is short-lived, no bigger than
the size and brevity of our divine sparks existence

always throw caution to the wind

long winters and short summers recalled on paper,
have you not realized that mere gods worship immortal men,
our gloried markers, our stories, our ephemeral skin - forever

always throw caution to the wind

jump in after it, the winds course is a buffeting, head knock heading,
breeze, gust, gale and storm, a recovery chance of chances, a tourney
where the thrill of the unpredictable toss is not a simple head or tails,
but a slot machine of innumerable outcomes randomly optimized

always throw caution to the wind

the life irregular is the normative, the outcomes always positive,
this is the only thought that should ever provoke -
be wild but not crazy, think clearly and dare define safety
on your own terms, your own odds calculating, sew your own net,,
pick your wind and as a parent, always dress appropriately

for I am still crazy after all these years
4/26/19 3:26
Pagan Paul Oct 2019
.
Two Knights out and two Knights in,
two Knights in the tourney ring.
With a lance and sword and shield,
no quarter must either Knight yield.

With each muscle and each breath
they must fight on until death.
With mace chain and insult calls,
two Knights stand 'til one of them falls.

The white Knight is a charmer,
black Knight in polished armour,
to win a fair Princess to wed.

The white Knight is a chancer,
the black Knight is a dancer,
who will die on a grassy bed?




© Pagan Paul (25/05/19)
.
david mungoshi Oct 2016
i was walking on air
feeling like a blessed heir
before she punctured my ego
and freed me from my vertigo

life is a strange journey
much like a tourney
it leads you to where you began
in that dim light where creation beckons
Ankur Jan 2019
You remind me of someone from a half remembered dream,
A silhouette from an epoch
That I have journeyed through fleetingly.
And then beside these sempiternal embers
I indulge in a pestilenntial reminisce,
Of the antiquated aeon of camaraderie
When the befuddlement inundates my anima like a swinging ragde.
I have been spooring thy sigil,
Through this deranged tourney of metampsychosis,
Only to be impelled by your unequivocal,
Benightedness surrounding my subsistence.
One last night in the dungeon,
One last night to his fall,
The Earl of Grace was chained in place
To the damp of the dungeon wall.
They’d taken him at the tourney,
The knights of the Duke of Beck,
While the King had turned his face away
As they fettered him by the neck.

They’d taken his chain of office,
They’d taken his rings and seal,
The shifting tides of the time had sighed
In showing him what was real,
The King had removed his favour,
The court had looked on askance,
That final fall from a height so high
Was part of the courtly dance.

For no-one survived forever,
In that court of grim intrigue,
He’d been aligned with the prince to find
The prince was brought to his knees.
Grace didn’t have the King’s permit
To marry the Lady Grey,
And that, just one of the sins he wore
Conspired to put him away.

For Beck was stalking the lady,
The wealth and the lands she had,
Her cold response to his needs and wants
Had driven the Duke quite mad.
The prince, confined to his quarters
Was backing the Earl of Grace,
But once the marriage had come to light
The scandal had brought disgrace.

He stood in the dark, and shivered,
In the hour before the dawn,
And watched them setting the gallows up
That would take his quaking form.
Beck had wanted the axe and block
But the King had murmured, ‘No!’
‘I’ll not part him from his noble head,
But I’ll hang him, long and slow!’

The hangman came at the dawning,
Was strapping his hands and feet,
While shuffling him to the drop, he said,
‘Hanging an Earl’s a treat!’
And Beck was there to await him,
To whisper his evil spite,
‘You’ll be deep in the earth, while I
Will be with your wife tonight.’

They took their time with the halter,
Were seeming to draw it out,
When down in the court a clatter
Of knights, and an awful shout:
‘The King is dead, long live the King,’
As they rescued the Earl of Grace,
Shuffled him off the drop, and then
They hung the Duke in his place.

David Lewis Paget
C J Baxter Oct 2014
The conscience does creep when wake feels like sleep,
But dreams could have never appeared as such steep
     steep a hill as this woeful wander,
Past the dark caves of pity to where the sad fellow saunters.

With sleepless thought they wake there forever
In the coldest of knot tied apart and together.  

The hollow will follow someone else on this journey.
But we stepped so careless with our caution less selves.
Made a game out of the danger. Got going a wee tourney’  

Past the poets and swore we would return to their shelves.
So far out we fell of some kind of edge they swore disproven.  
Now Down past the devil our story meets us at it delves.

Welcome to the world that stays still as it does its movin’ .
We scribble on each others faces the reasons for our still.
Chill burns, time turns back and forth for the sake of doing.

Have you ever filled yourself much to full upon a fill?
Have you ever dreamed a different morning sun?
Well I found pity- she was sat at the bottom of’a hill.

I begged to bring her home but she had only just begun,
She wanted to hear my head in his bedroom stirring,
But with pity it collapsed him as he heard's sad song sung.

The hill looks less steep, less frightening from the bottom.
Conscious lost himself from me as I came tumbling down.
I could have sworn Id fallen like an apple from tree to turn rotten.  

Everyone who walks here, walks here with crown.
The words of CJ Baxter edited by my humble self
Nikhil Kale Mar 2017
After the last cottage receded I pulled out from the green grasses
Nothing was bothering my coffee Only getting colder like my heart’s paces
The one sight pricking the back of my eyes
Was of the person waving byes
Who wasn’t a friend of mine but someone else’s

They destined me the business You bolstered me then
Said just regularly get mounted On the commissioned rails
We’ll always be your men
If only you were now to witness Me when I have ran insane
As the flanging and clanking Enough of it I've had
Is only commuting me  Into a division alien

And still looking out   Through a misty and blue shaded pane
About to lose the bout    I don’t like being alone in the journey, Ben.

Should we buy this book Ben?   Jack you should read diaries and biographies
Momentarily I was with my colleagues  Back in those cubic topographies
But Jack and Ben were just their namesakes Passengers as I crossed these depressive geographies
Only till pulling me where don’t know a four year old voiced Uncle will you please give me those toffees?

I candidly kept smiling as went back the kid
Of course kids don’t understand what I hid
They don’t see whether it’s December or May
They just see the tree in a different way

Anyway had to be at the corporation Couldn’t get offstage
Reaching the concerned documentation I saw the cover page
All true but my valid recognition It read I had chores of a big sage
It was beyond my cerebration Oh! Or my compatriots gave the proposition
And let me have the advantage!

You are letting me perform at a higher rank You set me sail to a farther bank
It seems I am not alone on this voyage You are with me as a special entourage
I was only being disjunctive
For I was looking with a different perspective
Knowing friends are with you in any of your tourney
I am certainly not alone in this journey
Stillinski2405 Feb 2017
There once was a daughter of the sea god.
She was young and brave but lived with her squad.
The seven halfbloods had set on a journey.
Defeat mother nature and her tourney.
With arrows flying and blood spilling.
Everything in her mind was unwilling.
But the brave daughter took a risk,
At the end it was one hectic brisk.
FIRST EVER POEM
PLS GIVE IT A LIKE.
Michael Aug 2020
It goes back histories ago, you’ve heard the stories.
Humans, born as a giant beast, uneventfully split as punishment.
That split soul became the humans we are now, two halves separate.
The story goes, life after life, their kind would search endlessly for the other half.
Destined to never unite, destined to feel incomplete for all eternity.

Our soul doomed to search endlessly until the end of time, but I know fate is in our favor, benign

If I can’t be with the rest of my sole, then I’d rather be left a hole

Their love is more than adequate, it’s a feeling that never quits

I thought I found you some time ago, but it was a selfish soul with an ego

I guess I’ll continue my search, I don’t think I can survive much longer without your perch

Thought I found you again later in my journey, but I was just a slave to a sick wretched tourney

I use to look up to the stars at night, ponder, are you too thinking of holding me tight?

No matter how much time it’s been, I will feel the same for you as I did then

It’s the way our spirit makes me feel, full enough I don’t ever need another meal

Our spiritual bond will not be forgot, we are intertwined together as a knot

I will never again let this curse leave me detain, I fight with love, not distain

Until finally, through my search I found you, without using any of my senses, I knew. you did too

I know you’ll never leave us again, our journey together has just began

I know our pain may hurt, but we’ll always rise stronger no matter how hard we hit the dirt

I’m more than jovial our souls were united, life was so hard while we were divided

I felt what you felt when we were apart, we knew something was wrong from the start

Those happy days I felt so much pain, I could feel you fighting just to keep sane

The things we’d do to one another, it would leave blood covered on each other

I searched for you my whole life, if I’m lucky enough one day I’ll call you my wife

No matter the weather, nor life as rough as leather, or as dark as the nether, as long as we are together our soul will not tether
Have you found your Whole?
brian mclaughlin Apr 2015
Why this journey
with no rhyme or reason
so many directions
throughout each new life season
each time I feel comfort
up pops a change
all becomes new
with a feeling so strange
but it's how we are molded
it shapes who we are
then it's how we react
that makes us a star
so play along with the changes
as if life is a great tourney
it's a wonderful game plan
for a winning end of your journey
Larry Sep 2020
Found 'it' lacking by...

tourney of ellipses
journey-out abysses
squabbling over fitness
pending certain suspicions
errands thought religious
brands' overtly pillage
nightingale's bedtime mistress
all-consuming coexistence
life's antagonizing persistence
turbulent interrupting instance
contention eddying malicious
consuming measures delicious
subsistence adorning dishes
labor's fruitful wishes.
Some, from today, that made the list.
Bobby Younger Apr 2020
The tourney never happened
Your bracket was never busted
The TarHeels, a certain no show
I hope the rims haven’t rusted
No Glass slipper for the 16th seed
No Cape for the Seminoles, FSU
Forget Late nights on the West Coast
When there’s nothing else to do
Drive the Chevy to the Levy
Don’t forget that it’s still Lent
Like Linus waiting for a Pumpkin
And y’all saving thirty cent
No Waterford Crystal to be bestowed
No jubilation or net cutting at all
There will be no mistaken Time Outs
Or arguing a missed call
No television cursing
No Blue Devil hating
Can’t jinx the shooter
What’s an RPI rating?
To Hell with it all we must let it go
Bye-Bye Miss America Pie
Shamefully hoping a team loses
For a third place tie.
I won't see you again
I'll tell you about our refrain
Long ago when I loved you once
For us both, it was too much

I won't see you again
And yet quickly bid onto the train
Before you go on ahead
Let me tell you what must be said

I wish you luck on the journey
Though life is an endless tourney
When you are carried away
On daybreaks end of awry tracks leading astray
Let your heart guide you toward the apex of the sun's way

But I won't see you again
So I'll shortly recap and regain
Good luck—
You are bound to go far
Copyright 2024 Christian Anderson. All Rights Reserved.

— The End —