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"totem" poems
In the last months of March 2014, Soldier Othello the Moroccan moor Was in Stratford-upon-Avon at the graveside Of William Shakespeare the English bard, He was observing the anniversary Of Shakespeare and his European brother Cervantes, He had in his pocket another charm and amulet Given to him by his paternal grandfather, This time round not a charm for love portion, But a mystique totem to raise the dead from dusts, As Othello himself has hitherto over-matured Above the painful torture of *** with aristocrats, He has left it for the Jewish aristotrash; Frantz Kafka, Whose torturous appetite for *** with German women, Was the sorriest eyesore of his thespic efforts. Like Jesus at the grave of Lazarus Othello groaned by shouting; William the son of John! No response, he shouted again; Shakespeare the bard! Then the mystique powers of Othello’s amulet Electrified Shakespeare back to life, What is your problem you black moor, The ***** of Morocco, the soldier Who beguiled Desdemona into betrothal, Not because of glory of your work, But due to charms of your love portion Bequeathed to you by your witch mother, What brings you to my sepulchre, For only to perturbed my purgatorial peace, What brings you!? Questioned Shakespeare the bard. Am no longer the moor, blackness is class But not the race, as race is bankrupt, I come here to salute you with good news, That your European brother, Alfred Nobel, Currently rewards thespic bards like you, Whether black or white, blue or green, The ***** bards from the natural forest, He also rewards, so wake up and pick the prize! Retorted Othello in virtue of truth, And also tell me the native bricks Of your beautiful architecture; Where and how did you mold thy bricks? Your brown English bricks that walled your culture; ***** clown, leapfrog, mercurial, oxymoron, Falsitafity, Shyllocking, colleaguery and window, Cauldron, graymalkin, woo, betroth, infatuation and so on. From underneath his sepulcher Shakespeare broke A violent gaggle of laughter as if he was ten English skeletons, You Othello you are still a beautiful moor Whose foolishness time has not condemned to oblivion, You are as a fool as I created you ; I will only teach you One brick, the window , that you go and put on Your wind disturbed African huts, Put the wind door on your hut, And be flexible in your tongue To give it English elegance Combine and shorten wind and door To get your cultural brick of; window !
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Apr 11, 2014
Apr 11, 2014 at 9:39 AM UTC
OTHELLO AT THE GRAVESIDE OF SHAKESPEARE
In the last months of March 2014, Soldier Othello the Moroccan moor Was in Stratford-upon-Avon at the graveside Of William Shakespeare the English bard, He was observing the anniversary Of Shakespeare and his European brother Cervantes, He had in his pocket another charm and amulet Given to him by his paternal grandfather, This time round not a charm for love portion, But a mystique totem to raise the dead from dusts, As Othello himself has hitherto over-matured Above the painful torture of *** with aristocrats, He has left it for the Jewish aristotrash; Frantz Kafka, Whose torturous appetite for *** with German women, Was the sorriest eyesore of his thespic efforts. Like Jesus at the grave of Lazarus Othello groaned by shouting; William the son of John! No response, he shouted again; Shakespeare the bard! Then the mystique powers of Othello’s amulet Electrified Shakespeare back to life, What is your problem you black moor, The ***** of Morocco, the soldier Who beguiled Desdemona into betrothal, Not because of glory of your work, But due to charms of your love portion Bequeathed to you by your witch mother, What brings you to my sepulchre, For only to perturbed my purgatorial peace, What brings you!? Questioned Shakespeare the bard. Am no longer the moor, blackness is class But not the race, as race is bankrupt, I come here to salute you with good news, That your European brother, Alfred Nobel, Currently rewards thespic bards like you, Whether black or white, blue or green, The ***** bards from the natural forest, He also rewards, so wake up and pick the prize! Retorted Othello in virtue of truth, And also tell me the native bricks Of your beautiful architecture; Where and how did you mold thy bricks? Your brown English bricks that walled your culture; ***** clown, leapfrog, mercurial, oxymoron, Falsitafity, Shyllocking, colleaguery and window, Cauldron, graymalkin, woo, betroth, infatuation and so on. From underneath his sepulcher Shakespeare broke A violent gaggle of laughter as if he was ten English skeletons, You Othello you are still a beautiful moor Whose foolishness time has not condemned to oblivion, You are as a fool as I created you ; I will only teach you One brick, the window , that you go and put on Your wind disturbed African huts, Put the wind door on your hut, And be flexible in your tongue To give it English elegance Combine and shorten wind and door To get your cultural brick of; window !
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58
I've been practicing lucid dreaming for a while now, and I think I've almost got it down. (If you didn't know, lucid dreaming is kind of like dreaming, but with the lights on. It's very cool.) The way it works -- or at least, in the method I'm using -- is by first establishing a "totem." I use the jade elephant you gave me for my birthday three days before it happened. What you do is you alter your totem in a unique way so that it really stands out to you, incase you ever come across it in your dreams; this way hopefully it will jump-shock your mind into consciousness, allowing you to take the wheel. I wrote your initials on the back. DN. And I know you'd probably be thinking "why would you ever waste time perfecting a skill that will never have any practical use?" You always were the practical one. But hear me out. When I dream, it is the only time I get to see you. You know, you've been gone for almost a year this Tuesday, and this jade elephant is all I have left. This jade elephant, and your initials. This Jade elephant, and DN. I miss you, man. And I don't really know how comas work, but if you can hear me, just know that I've almost got it down. Soon, it'll be just like the old days. I promise.
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Oct 6, 2014
Oct 6, 2014 at 11:18 AM UTC
The Jade Elephant
I hear the rhythmic clapping And feel the pounding of feet on the ground As dust swirls and dances around While I sit facing the sun In all her divine beauty. Encased in the wood of the red gum tree, I am at peace. Burnum carves my totem outside Surrounded by holy men, Loved ones and ancestors. This is my signifier and protection. I am Miki the moon Recently returned to my tribe Heeding the call of the spirits. My people mourn deeply But know I will come again To be at one with them, First I must commune with the great creator Rainbow spirit of the sky For now is the time for dreaming.
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Mar 11, 2018
Mar 11, 2018 at 1:21 AM UTC
Miki
*break astonishment at perception of a third-world child making it up that totem-pole amidst paltry conditions even beyond the half-way mark* 1. a standing man in silent message and the woman in red with thin-sling shoulder-bag holding lipstick, weekly-ticket and purse oh, how she frightens honchos out their skull draped round her sister's head shroud eternal coughing sore 2. grannies recount lively griot-tales where hope is never barren young boys play in swamped dirt-trails drawing absent father-figures in the sand the wind has carried them off to mines deep in the crust of earth's ire adolescent future sits on labour-farms where keen spirit is dulled with worthless hops keeps the sly farmer happy and he tells them the fruit is free yet they've already paid for it manifold when she reaches twenty she will have at least two kids whose lives lie in the granny's luxury while she runs off to the golden city-lites to jump through higher hoops for ****** spoils all cheapened by long-term neglect 3. there lies hope unlost in every girl-child who goes to school who finds encouragement from words kindly given if but from a stranger *no hand-me-outs no forlorn begging* she... the empowered mother of boys will help them to grow into young men of such sensibility as to keep their hands to deeds of honour who, in turn become fine fathers to daughters they love and cherish raise to be luminary *each step up from that totem-pole such a steep climb strengthens invisible wings and unworldly rewards and when final rung is reached heralds untainted take-offffffff*...... S T,  27 aug
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Aug 27, 2013
Aug 27, 2013 at 11:01 AM UTC
totem-pole
*break astonishment at perception of a third-world child making it up that totem-pole amidst paltry conditions even beyond the half-way mark* 1. a standing man in silent message and the woman in red with thin-sling shoulder-bag holding lipstick, weekly-ticket and purse oh, how she frightens honchos out their skull draped round her sister's head shroud eternal coughing sore 2. grannies recount lively griot-tales where hope is never barren young boys play in swamped dirt-trails drawing absent father-figures in the sand the wind has carried them off to mines deep in the crust of earth's ire adolescent future sits on labour-farms where keen spirit is dulled with worthless hops keeps the sly farmer happy and he tells them the fruit is free yet they've already paid for it manifold when she reaches twenty she will have at least two kids whose lives lie in the granny's luxury while she runs off to the golden city-lites to jump through higher hoops for ****** spoils all cheapened by long-term neglect 3. there lies hope unlost in every girl-child who goes to school who finds encouragement from words kindly given if but from a stranger *no hand-me-outs no forlorn begging* she... the empowered mother of boys will help them to grow into young men of such sensibility as to keep their hands to deeds of honour who, in turn become fine fathers to daughters they love and cherish raise to be luminary *each step up from that totem-pole such a steep climb strengthens invisible wings and unworldly rewards and when final rung is reached heralds untainted take-offffffff*...... S T,  27 aug
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71
Hello old friend it's time again for flannel shirts and dead leaves bitter coffee and cold breezes jack o' lanterns are our totem and 4am that knows all our secrets. its autumn again and the veil is thin I hope the witching hours Find you well
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Oct 20, 2015
Oct 20, 2015 at 1:57 AM UTC
Samhain
We are a puzzle with missing parts That is why we make art It is a healing start We are all dream chasers Until pencil meets eraser Until boat meets glacier Reality we must face her When we sacrifice imagination For societal integration We search for placation In lonely play stations And through vacation We experience migration When the results are doubtful And the response a drought mold Because people are skeptical Until there's a shiny scepter sold Then you're put on a pedestal And have your pecker pulled By various industry tools Loading you like a mule With expensive jewels Art must be the only motive Not climbing any totem Because once you're dead Your art can still be read Audiences may still be fed But there's a frivolous influence So you must be vigilant and prudent To cut that from your life So art may be your wife That works to end strife Yet that kind of help You can't put on a shelf I strive to make my art timeless Though my pockets are dimeless We live in a world of depression That carries the risk of regression My art could help push past it Now that would be classic
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Nov 18, 2017
Nov 18, 2017 at 5:43 AM UTC
Classic
The engine is killing the track, the track is silver, It stretches into the distance. It will be eaten nevertheless. Its running is useless. At nightfall there is the beauty of drowned fields, Dawn gilds the farmers like pigs, Swaying slightly in their thick suits, White towers of Smithfield ahead, Fat haunches and blood on their minds. There is no mercy in the glitter of cleavers, The butcher's guillotine that whispers: 'How's this, how's this?' In the bowl the hare is aborted, Its baby head out of the way, embalmed in spice, Flayed of fur and humanity. Let us eat it like Plato's afterbirth, Let us eat it like Christ. These are the people that were important ---- Their round eyes, their teeth, their grimaces On a stick that rattles and clicks, a counterfeit snake. Shall the hood of the cobra appall me ---- The loneliness of its eye, the eye of the mountains Through which the sky eternally threads itself? The world is blood-hot and personal Dawn says, with its blood-flush. There is no terminus, only suitcases Out of which the same self unfolds like a suit Bald and shiny, with pockets of wishes, Notions and tickets, short circuits and folding mirrors. I am mad, calls the spider, waving its many arms. And in truth it is terrible, Multiplied in the eyes of the flies. They buzz like blue children In nets of the infinite, Roped in at the end by the one Death with its many sticks.
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6.2k
Totem
What I'm imagining isn't considered pretty You don't want to know where you're sitting What I'm imagining isn't considered pleasant We're inappropriately using a pheasant What I'm imagining doesn't go with God And is laughed at because it's odd Into my life they peer Trying to insert fear My owl head on a swivel My rabbit ears perked When people don't act civil And decency is shirked I needed answers For my cancer I find them in love and pain They both seem the same I begin to view the rain As a type of gain Everyone knows love's scorn Which leaves me torn I can't help but feel my situation differs Something about the rejection seems stiffer So I become a shapeshifter To avoid the hate gifters To avoid bearing the shame Of being called names I know other people have it worse Sometimes that feels like a curse I can't gauge the importance of major events In my life I don't know whether to think they're intense Or just right Maybe I'm just being dramatic But these instances aren't sporadic When those that I love Push and shove I start to wonder if I'm broken or stained Until I realize we're all burnt by love's flames We all have a path to travel And they're all made of gravel Our feet become sore Which affects our core We find people below us on the totem pole To know how it feels to treat someone cold For when our enthusiasm for love has faded It's easy to become jaded There are things we're ashamed of That morph us into something unrecognizable In which we should be truly ashamed In the mirror we look the same But our actions are toxic We become radioactive We see where our stock sits And become merely reactive And it's hard to find grace After being punched in the face But one must remember punches come in all forms And we must not punch back to survive the storm
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Oct 18, 2017
Oct 18, 2017 at 5:42 AM UTC
Toxic
What I'm imagining isn't considered pretty You don't want to know where you're sitting What I'm imagining isn't considered pleasant We're inappropriately using a pheasant What I'm imagining doesn't go with God And is laughed at because it's odd Into my life they peer Trying to insert fear My owl head on a swivel My rabbit ears perked When people don't act civil And decency is shirked I needed answers For my cancer I find them in love and pain They both seem the same I begin to view the rain As a type of gain Everyone knows love's scorn Which leaves me torn I can't help but feel my situation differs Something about the rejection seems stiffer So I become a shapeshifter To avoid the hate gifters To avoid bearing the shame Of being called names I know other people have it worse Sometimes that feels like a curse I can't gauge the importance of major events In my life I don't know whether to think they're intense Or just right Maybe I'm just being dramatic But these instances aren't sporadic When those that I love Push and shove I start to wonder if I'm broken or stained Until I realize we're all burnt by love's flames We all have a path to travel And they're all made of gravel Our feet become sore Which affects our core We find people below us on the totem pole To know how it feels to treat someone cold For when our enthusiasm for love has faded It's easy to become jaded There are things we're ashamed of That morph us into something unrecognizable In which we should be truly ashamed In the mirror we look the same But our actions are toxic We become radioactive We see where our stock sits And become merely reactive And it's hard to find grace After being punched in the face But one must remember punches come in all forms And we must not punch back to survive the storm
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Inspiring Needle, pierce his fresh Leather, Inscribing Earth's Totem into his Birth Mum was Happy; What else could be better For such Achievement as well as your Worth So what if you Ascend?! Can you improvise Those Loyal Customers who bought your Face? Good Lord! Just on the lower-arm-set's Tripe, Crypted to prevent another Disgrace Envy? Me? Please! Not on my Word's Best Site Will I even Dare to take such Sour Note As I once reminded myself in-spite For every Storm there is a Shred of Hope. Three Figures picturesqued on certain Price That Midnomer then showed his Biggest Size.
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Mar 9, 2013
Mar 9, 2013 at 7:13 PM UTC
SONNET TRIBUTE SUNDRY - TWO - TOM DALEY
a future promise a hard on like bundled gym socks in stuffed blue jeans a future threat a shriveled phallus wrinkled obsolete she remembered fondly being beaten drum chatter and seized like slow roasted fall off the bone pulled pork ****** raggedy Ann catapulted beyond Euboean heavens ravaging scrotums Gordian ****** with her wild fiendish mouth drinking a river of haloed golden showers spit and **** in a runaway hot house of glistening pink buttery spires engorging her macerated orifices half eaten radish chocking on hordes of big do do ***** a ****** face; cross eyed Babylon abalone bashed Ashly mashed begging for a face full of swinging ***** like caped chandeliers trotting faint giggles in a constellation of ruptured arteries and thick sparked **** on her knees milk glitter faced scared with happiness she counted one smiling bruise at a time her badge of calamities black and blue silhouettes grinning invitations like party favors without a crease of shame her skin rapturous spackled patchworks bled like torrential fountains summer tide while every body had  fizzy red ice phlebotomies and steamed through her drooling tumble pie lust ***** totem house of winding labyrinths honey pumped transfusion flush on blush opera of tangled limbs red pulse wedding flowers slick ***** palace blood tongued orchard caressing knotted mooned **** spill
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Jan 14, 2019
Jan 14, 2019 at 2:22 PM UTC
**** Spill
My words are not my own, Nor do they belong to my totem frog Which hippity hops His way trough my life, Guiding me towards a metamorphosis, From drunkard To enlightened. He (I) sure am taking his time, But should/could this journey be rushed? My poems are not the caw of the crow and/or raven, She does not sing a song so beautiful that I am moved to purge it least it take up too much of the spare space I have inside of me. She is my spirit guide, Turn this way, choose that one (with the pretty smile which makes you ever so nervous), Do not wear that ridiculous outfit, Don't even think of- Too late, now live with the repercussions, idiot. A ****** of voices. My muse tickles my lust and embraces my love But is neither. She/he dons many faces none of which I have ever seen. Whimsical ***** ******* of emotional release I do not know you! I write your words as they come into my head. Or I would, If I could keep up with your maniacal laughter; You spew nonsense rapid fire, child slaying zombies with Cheetos stained fingers, And with all the elegance therein. Yet, I am thankful indeed.
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May 13, 2014
May 13, 2014 at 12:59 PM UTC
My Muse
Our eyes filled with wonder Our minds twisted in change Much like hobbits going afar Then returning to sweet home Our lives were changed forever We rode slow and flew so fast In tin cans from here and to there Never taking off our shoes Hardly touching the ground Hardly touching Africa Hiding behind camera lens Wearing our face in masks As a people not African black Who worry not the future Living easily in time’s moment Like sardines aligned in tight Wild creatures within confines Electricity, steel, and wire Tall fences stopping escape To other worlds and realms afar Except the leopards of night Who easily roam across All defined or artificial borders Escaping cramped tin cans Basking in Africa’s buttery light Except for our African guide With Christian name of Dexter But named actually as Tichayambuka Nekutenda Nenyasha Chikerema More comfortable sleeping in Deep bush amongst beasts Without down comforters, perfumes, socks, or shoes Living life in happy quiet freedom A man raised speaking Bantu in a small Shona tribe Born in the Zimababwan village Of Mutekedza in Mashonaland East in the Chivhu Area. From his father’s family Given a totem of Zebra Brown Then recited in love poem daily by his proud mother To affirm him as a man Although he must also be like the leopard Unconfined in simple borders Or tin can walls all around Able to traverse the world We as tourists were and are Salty, smelly, near rotten sardines I see him smile And I laugh, and I know Ndino ziva anorarama se  mbada ©  2017 Jim Davis
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Nov 7, 2018
Nov 7, 2018 at 1:02 AM UTC
Sardines
Our eyes filled with wonder Our minds twisted in change Much like hobbits going afar Then returning to sweet home Our lives were changed forever We rode slow and flew so fast In tin cans from here and to there Never taking off our shoes Hardly touching the ground Hardly touching Africa Hiding behind camera lens Wearing our face in masks As a people not African black Who worry not the future Living easily in time’s moment Like sardines aligned in tight Wild creatures within confines Electricity, steel, and wire Tall fences stopping escape To other worlds and realms afar Except the leopards of night Who easily roam across All defined or artificial borders Escaping cramped tin cans Basking in Africa’s buttery light Except for our African guide With Christian name of Dexter But named actually as Tichayambuka Nekutenda Nenyasha Chikerema More comfortable sleeping in Deep bush amongst beasts Without down comforters, perfumes, socks, or shoes Living life in happy quiet freedom A man raised speaking Bantu in a small Shona tribe Born in the Zimababwan village Of Mutekedza in Mashonaland East in the Chivhu Area. From his father’s family Given a totem of Zebra Brown Then recited in love poem daily by his proud mother To affirm him as a man Although he must also be like the leopard Unconfined in simple borders Or tin can walls all around Able to traverse the world We as tourists were and are Salty, smelly, near rotten sardines I see him smile And I laugh, and I know Ndino ziva anorarama se  mbada ©  2017 Jim Davis
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56
You had not joined me My totem-journey to the wellspring of the Colorado to seek the source of things uncontained the stars washed over me with asphyxiation the breathless gasp of space --In the deserts; Rocklands-- the emerald barrel cactus is watered as the earth and the passerby Cheyenne cut into the crust to sip the wine-flesh to be drunk and exhume the inhibitions of living Forbidden berries in the garden of quills, spear thistles trust upon the air to protect her children a good, silent mother does not refuse the gift of deflowering as she is stripped of her sharpness and laundered bestowed in salted bison skin of a war-chief's pouch.
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Nov 27, 2018
Nov 27, 2018 at 12:44 PM UTC
Midas
In the deep of time indigenous tribes surfaced a red earth with protruding plateaus and burnt canyons along the Cimarron River. The ancient Anasazi settled at the core of this mesa. Scattered ponderosa pine. Yet, their sudden demise echoed curiosity. Navajo sensed a struggle of two infinite worlds, a quivering inundation. Circling its haunted ominous shape, a skull with one eye, the apparition of light rose into a blue desert sky. Violent storms crackle hot lightning strikes in a sulfurous summer- an oracular hothouse. Navajo talk of spirits or the gateway to fire. Heaps of iron and lodestone lodged in the cap. Only two brazen, cat totem poles guarding its passage. Standing among the mesa to feel the verve of the earth. A New Mexico sun beats down burning the drowsed terrain. To see the legendary shaman glow in his ephemeral blue nimbus. Bathed in gaudy turquoise. Sensing the dark encroachment of a ghost. Near the bony hills, soared a turbulent black bird in full flight, upward.
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Apr 11, 2013
Apr 11, 2013 at 7:43 PM UTC
Urraca Mesa
Mum, was the Messenger real when I heard He agreed to Deal after the Event His Five-Rings Birthday made Flesh of the Word Jab Stings to his Leather; A Totem forms then? Which, in Real Cosmetic, itself no harm If rely on his Throne responsible He has a Deaf History; A Long-Since Charm And every Girl he knew is Commendable This is your SON. Your Mirror's Primal Truth And no way my Purchase must interfere Dad did his Job to keep Tradition's Youth So the Choice lies on the Good that is here. Thus the Paper was signed, out goes the call Enter Twenty Years. His Mark shows it all.
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Mar 11, 2013
Mar 11, 2013 at 3:03 AM UTC
SONNET TRIBUTE SUNDRY - FOURTY-FIVE - TOM DALEY
Drawing things I cannot see, Listening, Keenly, Too the strange things, Coming from, the albino dressed pavement smoothed, Bedroom walls, Braille textures, slipping like termites, or a strange smell, dancing from the dusty old lady haired vent, on the ceiling, Braille raindrops, escaping from your, soul window sill, fog, gets in the room, and we light cigarettes, purple scented totem poled candles, with out near future, melting, and dripping on the wooden counter-top, which we dip our fingers into, sticky like petroleum, sticky like the sap from a forest broken snapped, tree limb, which we tasted, which we ran danced hollered and orgasmed, like the melting candle, like the sapped, broken kansas public tree limb, and i, took off your, orange dress that you stole, though only a few dollars, i called bonnie, you called me paradise, though we danced gleefully, in the slums snout snarling broken home windows, pot-holes,untied shoes,untied fathers,lovers planning paradise, inside the blue 80's oldsmobile, with the stereo turned low, low like the quiet hummingbird song, of making love, in the cold night, under trees, that was old, and had probably seen many lovers, come and go, as its Fall leaves grew wings, as its, winters balding scalp, scattered away, like a field of dandelions, or the birds, that flew from nests, only to fly south, or like wise boxcar boxcar dharma bums, sat on telephone wires, at the intersection, where two lovers planned paradise, in the back-seat, of a blue Oldsmobile, and the night, holy night, and i, **** mind wonderer without wings, or sad singer leather boots harmonica whiskey drinker, and Her, white as stars, dancing in a blind choreographed orchestra, in the sky, far, far, far, even the highway, has no exits, to see this performance, So i sit on a rock, smoking a cigarette, with a Fools smile, as I, watch beauty, from the Key-hole, that is, Solitude.
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Feb 5, 2013
Feb 5, 2013 at 8:09 PM UTC
On the typewriter
Drawing things I cannot see, Listening, Keenly, Too the strange things, Coming from, the albino dressed pavement smoothed, Bedroom walls, Braille textures, slipping like termites, or a strange smell, dancing from the dusty old lady haired vent, on the ceiling, Braille raindrops, escaping from your, soul window sill, fog, gets in the room, and we light cigarettes, purple scented totem poled candles, with out near future, melting, and dripping on the wooden counter-top, which we dip our fingers into, sticky like petroleum, sticky like the sap from a forest broken snapped, tree limb, which we tasted, which we ran danced hollered and orgasmed, like the melting candle, like the sapped, broken kansas public tree limb, and i, took off your, orange dress that you stole, though only a few dollars, i called bonnie, you called me paradise, though we danced gleefully, in the slums snout snarling broken home windows, pot-holes,untied shoes,untied fathers,lovers planning paradise, inside the blue 80's oldsmobile, with the stereo turned low, low like the quiet hummingbird song, of making love, in the cold night, under trees, that was old, and had probably seen many lovers, come and go, as its Fall leaves grew wings, as its, winters balding scalp, scattered away, like a field of dandelions, or the birds, that flew from nests, only to fly south, or like wise boxcar boxcar dharma bums, sat on telephone wires, at the intersection, where two lovers planned paradise, in the back-seat, of a blue Oldsmobile, and the night, holy night, and i, **** mind wonderer without wings, or sad singer leather boots harmonica whiskey drinker, and Her, white as stars, dancing in a blind choreographed orchestra, in the sky, far, far, far, even the highway, has no exits, to see this performance, So i sit on a rock, smoking a cigarette, with a Fools smile, as I, watch beauty, from the Key-hole, that is, Solitude.
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86
Back again to the black skin over heavy sands Back in action at the totem effigy Poised for fight or love The brother/sister I've become Standing tall Under weight of worlds long felled Sleeping sheets wake, hold the bones again From old days Fly the knife hooks, ship and sail Speeding, open, for the circle's end
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Sep 17, 2017
Sep 17, 2017 at 6:00 PM UTC
Knife Hooks, Ship and Sail
The first time I heard them I swear, I was to listening to the most beautiful choir in four-part harmony, swaying or angles wings rubbing, & perfectly, playing a common file instrument angled, such a unique sound symphonic & splendorous they are all around this free concert an offering of Mother Nature chiming at once uncaged, & calling on the ladies in perfect unison   sounding like church telling one another of sunlit hours say the flowers fending off evil spirits allowing me to travel into the dark again leaping over obstacles, alerting me to danger, still in their silence   I am protected by this harbinger of luck a most powerful portent, of coming things they sit silently in the quiet, like a copper cricket weathervane, as the poor man's thermometer spinning tales effortlessly, in the wind calmly   watching over us a shivering in the night save you, are mine my Native American totem or God's Cricket Chorus foretelling of Sorrow of coming rains tomorrow ex-lovers and death a shrill creaking stridulating in song Oh, I fear that day, your music should go away please dear uncaged cricket choir   I truly ....    hope you'll stay. Cherie Nolan© 2016
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Sep 27, 2016
Sep 27, 2016 at 1:32 PM UTC
"The Uncaged Cricket Sings"
Granny gave me moccasins To run and play in. She got them from the pow-wow. They made me swift And light on my feet. She told me “Remember who you are” Granny gave me a dream catcher For my good dreams to fly through And the bad ones to get caught in. She got it at the pow-wow. It made my nightmares go away And gave me dreams about my ancestors. She told me “Remember who you are” Granny gave me a totem pole So that I would know our seven clans. She got it from her father. The Ani-gatagewi keepers of our land Ani-gilahi and Ani-waya the peace and war chiefs The Ani-kawi and Ani-tsiskwa earthly and spirited messengers Ani-wodi and Ani-sahoni the creators of medicine She told me “Remember who you are” Granny gave me a book With the words of my people And their stories. She got it from the pow-wow. I learned about our earth mother And how we grew from her ***** She told me “Remember who you are” Granny gave me a day To wear my moccasins. She took me to the pow-wow. I saw the people from my stories And dreams. My people and clans. She told me “You are ᏣᎳᎩᎯ ᎠᏰᎵ (Cherokee)” *The seven clans of the Cherokee tribe: Ani-gatagewi translates to Wild Potato Clan (keepers of our land), Ani-gilahi are the Long Hair Clan (peace chiefs), Ani-kawi is the Deer Clan (earthly messengers), Ani-sahoni or Blue Paint Clan (medicine for children), Ani-tsiskwa or Bird Clan (spirited messengers), Ani-waya is the Wolf Clan (war chief) , Ani-wodi Red Paint Clan (medicine).
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May 7, 2013
May 7, 2013 at 10:19 AM UTC
Granny Told Me
Granny gave me moccasins To run and play in. She got them from the pow-wow. They made me swift And light on my feet. She told me “Remember who you are” Granny gave me a dream catcher For my good dreams to fly through And the bad ones to get caught in. She got it at the pow-wow. It made my nightmares go away And gave me dreams about my ancestors. She told me “Remember who you are” Granny gave me a totem pole So that I would know our seven clans. She got it from her father. The Ani-gatagewi keepers of our land Ani-gilahi and Ani-waya the peace and war chiefs The Ani-kawi and Ani-tsiskwa earthly and spirited messengers Ani-wodi and Ani-sahoni the creators of medicine She told me “Remember who you are” Granny gave me a book With the words of my people And their stories. She got it from the pow-wow. I learned about our earth mother And how we grew from her ***** She told me “Remember who you are” Granny gave me a day To wear my moccasins. She took me to the pow-wow. I saw the people from my stories And dreams. My people and clans. She told me “You are ᏣᎳᎩᎯ ᎠᏰᎵ (Cherokee)” *The seven clans of the Cherokee tribe: Ani-gatagewi translates to Wild Potato Clan (keepers of our land), Ani-gilahi are the Long Hair Clan (peace chiefs), Ani-kawi is the Deer Clan (earthly messengers), Ani-sahoni or Blue Paint Clan (medicine for children), Ani-tsiskwa or Bird Clan (spirited messengers), Ani-waya is the Wolf Clan (war chief) , Ani-wodi Red Paint Clan (medicine).
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"You tempt in me…so much… a sparrow...a lamb… a tenderness… and the captive heart… that beats against my palm… the bonds…. of trust.. surrendered" to the silver nepenthe of your voice, stricken upon the thick red heart I've pinned to a map, See, it emits grace beneath the molten glass, strung through harp strings and stretched as sutures ,the solemn musculature of ecstasy bound in golden ropes and belladonna dreams, Let the white darts fall where they may This silence belies the song in my throat, hovering like a silver bauble, your face is dark, back-lit, harbouring the terror of words that burn... My heart holds the cinder of secrets, and little poison idols of hematite and gooseflesh... Our dream box collects its damp light from the dark corners of our prison, as you coax a banyan tree from its arousal... A totem filled with marzipan, and trembling, but to split its lip upon glass cages, wrought with jade... Hold the sparrow face-up, let the furrow of its wings, tempt the fates, as it sings to the same scythe that chimes against the dead angles of the soul's crucified geography....
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Jan 20, 2013
Jan 20, 2013 at 12:28 PM UTC
Byzantine Flower
I let the sky be my tent tonight, a sparkle-filled indigo field like a Star Trek transporter. I swirl the stars with my mind as my body says, "Energize!". My destination: points of light, any one of which could be a hive of beings living, working, playing in a mirror of the musings originating from the sleeping bag in which I lay. Rolling over to feed my notebook, a firefly insists on sharing my pen. Among his friends gathered about my flashlight is a dragonfly twisting and turning its head in a display of 360 degree impossibility. "Do it again!", say my wide eyes, then I'm shushed by a distant Canis howl. The trees carry its magic to me like a powerful totem, making me wary, reaffirming our instinctual similarities. Relaxing, I smile goodnight to its echo, shoo the Insecta from their little electric campfire, and turn my face again to the Universe while whispers from a nearby stream provide a soundtrack to twinkling above. Gentle air pulls its blanket over me, while scent of earth and pine send me dreaming of cosmic fireflies, blinking their lullaby in rhythm to the ecosystem powered by my heart.
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Nov 7, 2013
Nov 7, 2013 at 3:27 PM UTC
- Cosms
Later, there are tears, a sorrow slender as a bellflower at first, and opening its slow & delicate way to grief, fluent as the soul falling toward you, wet and gasping, an agony of willows, late in August & hemlock, tear strung, haunted, in the deep blue scythe of hours you carve out of our secret, a totem fossil of wild horses, abandoned & impaled upon a carousel, that bear a garland of snapdragons for reign and bridle, as they open their tiny pink throats to the night, the calyx trill of tree frogs, with their penchant for silk & pink ribbons, pigtails & sequin dreams, I am desolate now, my body a bramble tangled in its curfew of snow, upon the window pane, the incessant thump, thump of these **** ivory moths, on each wing, a word I speak in dream, returns to me, cleft of blue light, scissor in darkness, fierce to extinguish the stars with their vehement lash of wing to glass, to glass, your pain is my familiar, my envy, my assurance, and I am calmed solely with the lace of spanned hands at the throats small and fluttered vessel, come, to besiege the innocence of Summers stray tears....
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Jan 8, 2013
Jan 8, 2013 at 3:13 PM UTC
Stray Tears:
Forty days and Forty nights Kachina dolls danced pounding deer skin drums rattling snake gourds whistling circles of flustered chicken feathers and totem poles around the drooping firmament here and there wisps of sunken chested, shrunken breasted castrated clouds dragging their empty rain barrels could be seen straggling across heat infested waves at times I swear I could hear the wind cussing through dry crackling branches Pine wearing wide brimmed straw hats squabbling with over bleached blond Palms How we languished and thirsted for the dulcet, pure, pellucid taste of Your crystal kisses lavender squeaky clean smell of rain-bells oh! to feel those torrents gushing down our upturned faces, slicked back hair, engulfing our flowering ***** drenching us to the bone then this morning we heard an unfamiliar sound fairy feet tap-dancing on rooftops excited I ran outside crowing the Gayatri mantra flapping prema pink wings waddling like a duck in slap happy puddles Yes, Dear God a grateful, thankful swan, gossamer reflection glistening fervently up at You from diaphanous depths inexhaustible wellspring diamond spa of Your Love Hari Om Visit my author's page: https://www.facebook.com/sairapture amazon.com/author/sonyatomlinson and my website: sairapture.com
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Oct 31, 2013
Oct 31, 2013 at 8:47 AM UTC
Raindance
allow me to celebrate the ant summer miscre-ant in my kitchen picking up pieces of pieces "to go": a crumb of Meow Mix, a crushed Cheerio; applied the usual eco-safe spray detecting this way too feint for they amassed to quest their innate objective exploring and toting the prime directive; hymenoptera tents with doors four on the floor: cafes of poison for caulking the cracks in the walls hadn't solved the stay-past-your-welcome guests involved; soon numbers diminished but still a few creeping through unrepent-ant I swept thrice per day to starve them out yet brooms are too thick all crannies to rout; surrendered and wondered, perhaps they are teachers attempting to bypass my brainy block too thick to buzz with what the ants know? I squat as a toddler to take-in their show; for hours observing them (off and on) until an implosion of comm-ants sense challenged my globalized conception exposing my mind to ant redemption; the ant is now my writing totem trouble though they'll be next June within this mantra is what they knew: one moment one crumb to carry and chew; insight's relative I realize ants have their own frustrations with size but ponder the ant when writing time's little: at peace with a piece of ant-agonist vittle.
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Aug 15, 2010
Aug 15, 2010 at 11:51 AM UTC
Ant Totem