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Meagan Moore Jan 2014
In the divet between mountains
Resides a wooden cabin – ostensibly an amalgamation of the scape
Adroitly - I - quondam female warrior flit
Down massive (ancient) hand-laid, hand-cut carved stone steps
Bounding from contingent step onto the dense pad of turned soil
Tacit compliance between gravity and soil holds footprints bound
A compressed deflating crescendo as pace ignites with bounds

Cadences of protuberant wildflowers and grasses erupt from swollen terra
A winsome chromatic menagerie, dispersed in ecstatic fistfuls
A venerably ancient ritual

My nascent clandestine vocation
Personally meted out - a beatification for my provisional sanctuary

Along glacier-fed stream
Lissome fingers shadow inert stalks –plucking dormant beginnings from their desiccated ligaments

I am austere and unadorned save for a festoon of pyrite flecks trailing my semblance
Residual gilding from my ante-meridian swim taken after requisite gathering of wild blackberries, goose berries, and rhubarb along oft-tamped path

The sun, nestling into its requisite apex endorsed my completion
I reclined into the hassock of soil, feeling the elements settle about with an embossment of my form
Imposing verdure arched subtly as compressed soil beckoned hyperbolic flux

As I lay within the basilica of opulent living columns replete with comestible bounty
Lingering dew honed inflections of sacrosanct petrichor in unison with piquant clover
Wild purple clover buds saccharinely tinted and inundated nestled nerves in mine cribriform plate

Birds pitched and galloped through the frond tips and beyond in the lapis expanse
Frequently snatching damselfly’s and assemblages of midges from their ephemeral drift

Auspicious rays transcended stippled diaphanous gravid clouds
Light inundated ether entered humbly into the cathedral oculus
Pyrite speckled terrain beneath, and my bare gilded form above
Cast a refracted aura about my sanctuary

Precipitously the elusive vaporous embankment distended further
Ashen atmospheric correspondence inaugurated liquescent sustenance to my mountain abode

And I -
Lingered beneath the descending gobbets, curls furled in a puddle
Fresh topsoil cupping my corporal topographic contours
Pressing blackberries into my mouth between smiles
TSK Nov 2014
I live in the desert
Where the snow doesn't fall,  
Losing myself in the wanderings:
Endless, restless, hopless.
For there is no return
To the home I know not.
The wind heaves,
The dirt stirs,
And I remain.
There is no escape,
There is no alternative,
For I live in the desert
Where the snow doesn't fall.

                                  tsk
Kyle Kulseth Jul 2014
Silver ribbon Assiniboine
a sash for a city--a Ceinture Fléchée
tied into the Red just off Highway 1
          You leak into the topsoil
           in the place you call home
          and come back up a street map
          with fingerprint roads

I remember the way you'd trace these out on my back
with fingertip pencils--cartographer's hands--
Bird's Hill and Lag' and Portage and Corydon
     laid 'em down in my veins
     just under my skin

Where are you tonight, in your smiling Great City?
Crossing the bridge and inhaling the skyline?
Or walking the river in my iced over thoughts?
Maybe walking, mid-tempo, around KP mall?

Those hipsters in Osborne Village
          and Wolsely
had nothing on us, did they?
                    Cooler than Main
                              on the 1st of the year

I trickled away
                    and I leaked into topsoil
enjambed between rhymes in apology poems.
An Irish Goodbye; a blip on the radar
stopped flashing to fade off the map of your streets.

Our voices still echo, our spectres still haunt
Dollaramas and sidewalks, Tim Horton's and pubs
Our hands still lace up--at least so in theory
Perimeter Highway's still traced on my back.

          Here's hoping our avenues
          meet again soon.
          Here's hoping that luck can outrun shortcomings
          one more time.
JL May 2013
Needle in the hay stack
The spin of the weather vane
I took a drink of you
And felt heavy to the touch
With my last bit of strength
I split the seed coat
Topsoil coaxing me
Come here, young one
Come here

Blue
The first color I have ever known
In awe I watch as birds fly over
Like painted die-cast wind-up toys
The warmth fills me to the brim
Free among unbroken hills
Neither late nor early
But still
On time with the cosmic dance of fire  color rain
Earthquake Heartache Lust and pitty
I took a drink of you and blooms sprout from my chest cavity
Sunlight flooding protons upon the hillside
Into my eyes smiling

*A nap on the grass until half-past two
As if I don't have work to do
Important things come and go
They melt away as winter snow
Drink you deeply from life's river
Not even death can make it bitter
**** Erectus
In three piece suit
Dead in a box
Maggot food
A veritable
Carrion drive thru
Just as fate would have it
Do you need
Some
Ketchup packets?
Jaicob Jan 2021
I wish to be tossed
Onto the soft, rich topsoil
And devoured quickly
By wriggling worms and insects.
I wish I was dead.
A haiku about fertilization...  Nothing more :)   No secret meanings at all... This totally isn't a desperate cry for help
Kyle Kulseth Mar 2015
Maybe it's two years feeling lonely,
or I'm juiced from drinking way too much coffee.
But, when the Springtime shows its Joker's face,
I'm less likely to sneer and turn away

                                                           ­               Than I was this time last year,
                                                           ­     when I had lost all ******* bearing,
                                                        ­            while I was swearing at the stars,
                                                          ­                    aping Oneida's* navigating.

And, now, I'm on the eastern side,
I'm walking slow, it's early morning.
I don't even want a brush,
          to paint a blackout on the sun.
Well, I've had a few false starts,
I've made an art of second guessing.
Finally don't need a crutch
          to clear the days of all their must.

'Cuz I think I'm aware, now...
          that the frost is gonna thaw real fast
          and trickle down
          into the topsoil 'neath my feet.

Well, maybe we should lay off the whiskey,
or maybe it's two years in this city.
But, when the Winter creeps down 'round our heads,
we should welcome her just like a sneering friend.

                                                        ­                      'Cuz the other shoe will fall
                                                          an­d we'll be walking halfway barefoot.
                                                       ­                  Frozen roads'll get gridlocked,
                                                 we'll ***** for months that we can't stand it.

For now, I'm drifting through downtown,
I'm striding fast, it's early evening.
Ask a stranger for the time
          and wonder what's been on your mind.
And I'm always running late
but make an art of playing catch-up.
I'll catch up with you next week,
          we'll kick the pattern off repeat.

'Cuz lately I've been thinking...
          that the frost is gonna thaw real fast
          and trickle down
          into the topsoil 'neath my feet
          and green things up!
Nat Lipstadt Nov 2013
No job no dignity no cry.

look again at those words,
please,
with all deliberate speed.

dig.

just a little more, a little deeper.
scrape off the foolish pride topsoil that
looks (are) rich and fertile.

god bless the child who plants themselves
roots in the ugly, hardscrabble earth.
they cannot be uprooted.
never.

you have not ever seen my picture here,
of my face,
only once I showed a single hand,
well worn from
Digging
with only fingernails.

the hands of babies are soft,
easy to kiss, easy to love.

but the hands of responsibility
are usually worn lined scarred sometimes even
nail bitten from
**** digging for dignity.
6:06, AM.

See  Nat Lipstadt · Sep 19
You have a death grip on dignity
Ryan Galloway Feb 2015
Do you not feel the weight of infinity on your bones
That as you search for the answers this burden holds
You are merely moving topsoil
We queer little creatures try to shout when we don't even have a voice
Try to dig yet don't have the sinews nor muscles to make a choice
We try to ascend past ignorance
And in doing so truly show it in believing there is any possible recompense
For this futile attempt to define our existence
We are merely flickers
Indistinguishable in the scope
Of the infinity that swallows us whole
But in the end there is truly only one answer
That no matter how much we ****
No matter how much we sift through the sod
There will always be the reaches of the universe to account for
The infinite presence of God
Dan May 2017
May comes with all the showers who, like me, have slept in through April
They hurriedly empty themselves on the dry earth while flowers sit quietly beneath topsoil
My eyes are brown like the topsoil
Patiently waiting for flowers to bloom forth
All of my friends like flowers
And I sit and wonder if I have failed to appreciate the tulips and carnations and black eyed Susan's I have seen
And I wonder what May showers bring

It's quiet now
Deep into the morning and I'm still wide awake
I spent the whole day day-dreaming instead of living it
But that's a problem I have had for awhile now
I'm letting my life pass by before my eyes
Eyes that are like windows and if you look close enough you can just barely see a sign that says "out for lunch" or something along those lines
And the clock on the sign is without hands so you can't tell if I only just left for if I have been gone for 2 or 21 years

Every poem I have been writing has sounded the same
I need help
I need to get out of this purgatory
Either I can't write or I can't help but write the same circles endlessly
I need bolts of lighting
I need a John Brown fiery passion and a thousand tons of gunpowder to blast me out of this ******* rut I'm in
I need Kerouac's railroad earth
I need something I haven't had in a long time
Maybe it's love
Maybe it's hope
Maybe it's a sunflower growing somewhere
So maybe I just need to welcome a few more May showers
And then let the flowers grow
Hopefully I'll be happy with my next poem
jeffrey robin Sep 2014
(                                

)

(                        
\/                    
/\                    
/    \                    
##

         One fine           Day
                                       ( lucky boy )

•   •

                     All the dreams

(  every one  )                

//////

There's an        Image of you !



You

             You

                                               You        

•     •                                

Early song

Every word

Ringing true

Lucky boy



She holds your gaze

Across the seas

Every child

There's an     Image of you !

////

You

                    You
                                  ­         You

•       •

You alone are known by all

You alone are known by anyone
ghost queen Jul 2020
Séraphine, Vignette nº 7, Le Cercueil

I was on the phone talking to the museum. Ground-penetrating radar had found what looked like a coffin at the Lutetian layer, and they were in the process of digging down to it. I was telling Sylvain to use the new 4K video cameras to record every detail when the doorbell rang. I’d left the door ajar, knowing Madame Pinard, the concierge was bringing by an adjuster to inspect and cut a check for the repair of the leak in the ceiling that had washed away chunks of plaster, now laying on the hardwood floor in the bedroom, exposing the wooden rafters of the attic.

“May we come in Monsieur,” she shouted from down the hall in the foyer. “Yes, Madame, please come in,” I shouted back, with more exasperation in my voice than I wanted to express. “I am on the phone with the musee Madame, please show him to the bedroom.”

I saw Madame and the adjuster come in out of the corner of my eye and turned my head to see them as they walked the stairs to the bedrooms. The adjuster was not a man, but a woman, which was surprising in France. The first thing I noticed about her, was her wide round birthing hips, what the kids, called thick. She wore a long-sleeve white silk blouse, black pencil skirt, and the traditional, obligatory Parisian back seamed stockings. I didn’t make out her face but caught sight of her red hair tied in a tight bun on the back of her head, and the milky white skin of her neck.

“Damien, are you listening,” said Sylvain, the dig manager on the other end of the line. “Yes, I replied, “l was distracted by my landlady bringing an adjuster into the apartment. Yes, I’ll come down as soon as they leave.”

After a few minutes, Madame and the adjuster came back down. The adjuster walked into the foyer to wait. Madame came into the living room and said she’d have a crew out tomorrow to start repairs. As madame turned and walked down the hall, I got a better look at the adjuster. She was pure Celt, with red hair, white skin, dark brown doe eyes that looked black, high cheekbones, and the sharp straight nose of a Greek statute.

Besides her stunning beauty, I noticed her necklace, a traditional golden Celtic torc, which signified the wearer as a person of high rank. I’d never seen a person wearing one. I’d only seen one on a statue, The Dying Gaul in Le Louvres. How so very interesting I thought to myself.  

As she was talking to Madame and turning to leave, she made eye contact. She tilted in acknowledgment and goodbye. I nodded back and she was gone. I wished I could have gotten a chance to talk to her, maybe even ask her for an aperitif at the corner bistro. Oh well, c’est la vie.

-------

I went to the dig at the La Crypt at 12:30-ish talked to Sylvain for a bit and went down to the lower levels to see it for myself. The area was gridded out and several cameras on tripods were recording. The team was within centimeters front the top, and so put down their trowels and used a high-pressure water and suction hoses to remove the rest of the topsoil. The top came into view, the excess water was ****** away. Sponges were used to clear and clean away the mud.

The stone was obviously Lutetian limestone, finely sanded and polished. The lid was craved, which first glance, looked like Norse runes and one Celtic knot. “Take pics and send them to religious studies,” I said half to myself, half to Sylvain. How strange to have Norse and Celt iconography together I thought to myself.

It was late when I exited the metro station. The air was bitterly cold, my breath appearing and disappearing around me like a mystic cloud.

I was tired, exhausted from digging, and was seeing things in the corner of my eye that I chalked up to aberrations of a fatigued mind. That is until I walked past the Boise de Boulogne. In a dark recess, along the tree line, I saw what looked like a faintly glowing woman in a white dress. My first reaction was horror, remembering all the monster movies I’d seen as a child. Then quickly, my adult mind kicked in and rationalized it away as an artsy late night photography session, which is common around Paris. The sting of the cold refocused my attention and I hurriedly resumed my walk home.

I was tired, muddy, and had to take a shower before throwing myself into bed. I showered, dried off, and pulled back the new, thick duvet I’d bought for winter. The moon was full, beaming softly, barely illuminating the dark bedroom, as I cracked opened a window to let a small amount of fresh cold air into the humid stale room.

I slid under the duvet. I liked the cold, it reminded me of camping in the mountains with my old man and being snug in our down sleeping bags as we talked half the night away. I quickly fell asleep.

I half awoke, sensing a presence. I opened my eyes and saw a woman, ****, standing at the end of my bed, enveloped in a faint blue luminescence. She looked at me with big doe eyes. I watched her watching me, trying to figure out if I was dreaming or not.

She crawled on to the bed. I couldn’t feel her as she made her up the bed. She straddled me. I saw glint around her neck and saw she was wearing a torc, and realized who she was.

Her face was centimeters from mine. Her eyes burned with ferocity, intensity, and anger. I looked back up at her, fear welling up inside of me. She looked down at me. Her penetrating eyes, looking into my soul. I could feel her in my head, my mind.

She felt my fear, and without a word, just the look in her eyes, reassured me, calmed me, and my body and mind relaxed as if a nurse had given me a shot of morphine.

She touched her lips to mine, and felt the heat of her beath, smelled her dewy scent. I didn’t move. I knew I was prey. I knew what she wanted, and let her take it.

She slid her tongue into my mouth, and I gently ****** on it. She ****** up my lower lip, biting it playfully. She tasted sweet, fresh, like spring water. I couldn’t get enough of her. I wanted more. I kissed her harder, deeper, and felt myself slide to the edge of sleep, no longer sure what was a dream, or what was real.

She pulled back the duvet, grabbed my ****, and stroked it till it was painfully hard. She kissed it, put it in her mouth, and ****** it. Her head bobbing up and down. She’d stop, bite the head, and use her teeth to scrape up and down the shaft till I winched and yelled out in pain.

I started to moan, my body tightening, and arched, thrusting deeper into her mouth, coming as she raked her nails hard down the side of my chest. To my surprise, she didn’t spit out but swallowed my ***, licking excess from around her lips.

--------

I opened my eyes and was blinded by sunlight streaming in through the open windows and curtains. What the ****, I thought to myself, I never sleep this late. It was always dark when I wake. And the birds, chirping in the trees outside my window, were loud, and grating on my nerves.  

I slowly got out of bed. My body ached, my lower lip hurt, and my **** was sore. I grabbed my **** and immediately released it in pain. It was raw as if I’d had ***. I was definitely confused. My eyes darted from side to side as I tried to make sense and remember last night. I left the dig, came home, showered, and went to bed.

I trudged to the kitchen and made coffee, all the while, racking my brain for some clue as to why I felt like ****. I poured a cup, leaned back on the counter, and sip the coffee. I shook my head, placing my hand on my hip, and felt a sharp burning. I looked down and saw blood on my hand and side. I went to the bathroom mirror and saw fingernail marks down both sides of my chest. I just stared.

I had no idea, no clues as to how these happened. I jumped into the shower and washed off, bandaged up the bleeding scratches with paper towels and tape, dressed, and went to the cafe at the corner.

Despite the cold, I sat on the terrace, ordered coffee, bread, butter, and jam. I looked at my phone. It was 8:08. I looked at my text messages and emails for some clue as to what happened last night.

Breakfast came, and I sipped the coffee, staring out into the street. The waiter walked past me. “Oui madame, what would you like this morning,” he said. “Cafe et croissant,” she said. The waiter turned and walked back inside. I turned my head to the side for a quick look and blinked twice. It was the redheaded adjuster from yesterday.

“Bonjour M. Delacroix,” she said. “Bonjour Madame,” I instinctively replied. There was an awkward pause.  “I am Brigitte, Brigitte Dieudonné,” she said softly.

We small talked over breakfast and when I tab came, paid, and said, “I headed to the office.” “It is the weekend monsieur. “Yes,” I replied, “I work at an archeological dig on Ile de la Cite. The crypte.” “I am headed that way myself, do you mind if I walk with you,” she asked.

We walked to the metro station, down the stairs, through the turnstile, and onto the quay. The train came, the doors hissed open, and we strode in. The train was full of Chinese tourists and it was standing room only. I grab a pole and Brigitte did the same as she squeezed up beside me.

The train jolted forward and Brigitte bumped into me. As the train smoothed out, she kept leaning into me. Her derriere in my crouch. I could feel her body through her coat. I was getting turned on. As the trained curved around a curve, it rocked back and forth. Her *** bumping and grinding against my now hard ****. Could she feel my hard-on through the coats? She half-turned her head a gave me a coquettish smile. She knew I thought to myself.

We exited La Cité metro station, on to Place Louis Lépine. Before I could say anything, she said she’d like to see the dig. “Sure,” I said, and we walked to the La Crypt. We walked down the stairs to glass doors and pass the touristy exhibits and displays, to the back, behind the green painted plywood wall. Sylvain and several grad students were standing over and around the coffin. Two of them were in the pit setting up a portable x-ray machine, one with a still camera, another with a video camcorder, and the rest looking down at their tablets.

Brigitte and I walked to the edge. The coffin’s lid had been clean. The runes and Celtic knot were clearly visible. “Danger, death, mother,” Brigitte said. Sylvain turned his head, and said, “she is right, danger, death, mother according to the religious studies guys.” “How do you know that,” I asked. “It’s in all the teenage vampire movies,” she replied grinning.

“The top one is an inverse Thurisaz, which is means danger. The second one is an inverse Algiz, which means death. The knot is Celtic for mother, and the dot in the heart means she had one daughter,” Brigitte said trailing off.

“It looks you’ve got it under control Sylvain. I have an appointment. Brigitte can I walk you back to la place,” I said.

We walked to la place and stopped at the metro entrance. “Can I have your number,” I asked? “Yes, you may, if you promise to call monsieur Delacroix,” she said smiling girlishly. She took my phone from my hand and typed in her number and dialed. Her phone rang. “I have your monsieur, Delacroix. A bientot,” she said. We did la bise and she was off.
Mark Blickley Feb 2017
Before the Dawn Of  Agriculture men like ME where slapped into the shadow of ****** shame but now who needs muscles or chiseled chins, great size or strength, a lover’s passion or a manly countenance ‘cause  for ten thousandyears now I  can persecute any female for infidelity towards ME  and hold paternity privilege over MY biological  children  because we exceptional farmers invented marriage to  destroy human sexuality  by enslaving women with MY property for *** so I no longer need to share or compete or settle for an alpha males’ sloppy seconds within foraging groups  that are forced to share what they carry  with them instead of our  enforced legal couplings that takes the innocent, primal pleasure and mystery out of *** by connectingshtooping  to birth thanks to dirt MY dirt MY very own thousand acres of seeded soil littered with pens full of  MY trapped sheep, cattle, goats and pigs which means I can pork any female  I fancy and  destroy any man who thwarts MY desire as simply as the bulls I castrate  into submission to easily herd  into MY  slaughterhouses that feed all the inferior people no longerdependent on their hunting and gathering skills but on ME to stay alive so not only am I not considered a sociopath by hoarding food but am praised at harvest time like a ******* Babe Ruth hero because I have legally claimed and legally ***** those precious few life giving inches of topsoil with rotating crops and extended grasslands that exhausts and shrinks the earth, MY earth MY reign of  forcing agricultural workers  to bend over in the fields, stupidly exposing hairless backs to sun poisoning  instead of their protective hunters’ heads of hair  harvesting MY food that shrinks the  testicles of everyone who is forced to feed on the  cheap calories of MY  industrialized plants and animals that lowers fertility, but who needs big ***** anymore when you don’t have to **** larger animals  in order to survive or attract females with your superior physical attributes proving I am the social parasite Sultan of Swat who grows fat on the food  I’ve  seized by stealingPaleo land in the name of government protected ownership.
david badgerow Nov 2016
there's a secret place i found to keep my fear
to hide my tenderness & be vulnerable --
it's next to the smallest bones in your inner ear
the fluid skin blanket of your swooping neckline
lily-soft & somehow stiff enough to break
open my seed-pod heart

the one i thought no one could pry apart
but with rosebud ******* -- lips --
the figure of biblical magdala takes me
away from a lone satsuma tree raising its
shriveled offering from the crippled earth
on sunday strolls through duckpond parks
kicking cobbled streets of augusta block
or scooping water at me smiling in cutoffs
on a hot hometown riverbank

you came to me on barefeet out of the smoke
& rain silence where i was invisibly sobbing
where heat-lightning waltzed
sneaky-pete over the prairie
& what are you if not a rain -- a zephyr
flowing through stone temple
just as the dry-mouth dog days of summer
brought hell's fire across the southern field

so i've abandoned the hermetic existence
& buried my old dead shell with a
harp song hail glory to the contortionist god
vaulting off the balance beam in the
back of my mind beneath the
rain soaked topsoil of dawn
among the mound palaces
of ants & mourning mud hornets
while the gray shadows of the magpie
dance & writhe on the mosaic faces of
the trespassed lupine forest

& the sun still comes up on time big
gold fluttering like a delusional cicada
over the empty pink street
i'm still fidgeting because
clouds with tails like jellyfish sting
with rooted memories of azaleas but
you kiss away my all my latent
restless gypsy fears & keep the harsh
light dimmed or wrapped in heat-foil
in your front dress pocket & you only
give it back to me in brief drips --
pinches -- wet tongue kisses --
we talk with our eyes as only animals
can our butts in the damp sand
beside the breathless sea where streaked
clouds seem free to finger the horizon
but are cut by the city skyline --
a switchblade
Geno Cattouse Dec 2012
Wheat fields went bust.
Millions of topsoil went to dust.

Tattered dreamers eating sand  sandwiches and
breathing grit. stung to the bone by greed.
Taking what they wanted, forgetting how to need.

Hooverville.
Carlo C Gomez Jul 2022
people are friends
to the bone
—bottomliners,
no human can drown,
but they can turn
from a solid to a liquid,
whose name is written on water,
whose laying facedown
on the topsoil?

lovely thunder today,
good weather for an airstrike,
the road is a gray tape
over magnetic fields,
too fragile to walk on,
a sudden Manhattan of the mind:
all of the buildings
are time passing fragments
in spawned harbinger,
accidently reacting like
a stream with bright fish
below the waste.
jeffrey robin Sep 2014
(                                                          
•                                
)                




                                                           ^^^



                                     Darlin

(  My    Love )

We stand against     the
                                          Tyranny

My darlin

             She does !

••••                                  

Wild white stallions

Across the burnin  plain

We've come again

ME AND MY LOVE

••

We take on

Everybody's pain

ME AND MY DARLIN GIRL !

She answers in OUR NAME !

////

Bold with righteous anger

Bold with immortal grace !

||||||

we fill the world with         Mighty Children

Yours and mine ?
                                     The Same !

My love !

////////                    

Me and my darlin girl

A love that can't be tamed

Me and my love !
JRBarclay Mar 2012
We all know the impending, ominous, zombie apocalypse is ever present, here are some  guidelines I suggest we all follow, at all times:

1) Know you friends and enemies. Who can you trust? When the moment strikes, know who you will want by your side and who is expendable.

2) Assess your surroundings.
      a. Know your exits and any strategy involved.
      b. Be aware of any weapons that can be made available and remember their location.
      c. Make note of any abundant water sources/food/supplies, etc.

3) Cell phones be ******! ALWAYS carry with you these things:  pocket knife, lighter (more than one is never frowned upon, FIRE is essential!), matches, extra clothing esp. sox, underwear, long sleeves, etc.

4) Always have a means of fire. Quite possibly the most important thing.

5) Own a gun. Even if you think guns are bad. Get one anyway. When the **** hits the fan you'll be happy you have one, trust me.  Oh yeah, and plenty of ammo.

6) Be a mechanic. Learn how to hot-wire a vehicle. Learn how engines work and how to maintain one. Any handyman skill you can acquire will be well used I assure you.

7) Find a good place to grow produce. Any sort of green house your can Jerry Rig or acreage with rich topsoil you can find will come quite handy! ... when you're starving...

8) Generally, "safety in numbers" is a good rule to follow. However, in a zombie apocalypse, anything can happen. In my opinion, you're better off with a fewer number of people. That way you have less of a chance of exposure :)

9) Find armor. Anything you can use to avoid a bite to the neck, arm, leg, etc...

10) If someone is bitten, especially a loved one, **** THEM IMMEDIATELY!!

11) Don't seek out an island for solace. You'll only become trapped.

12) Don't seek high ground. You'll only become trapped.

13) Don't seek sewers. You'll only become trapped.

14) Stick and move. Float like a butterfly, sting like a bee.

15) Know that NO ONE wants to become a zombie and that means they will go to extreme lengths the avoid zombification. Ergo, NO ONE can be trusted.

16) Establish a bunker or Safehouse of some kind. Keep it stocked with water, food, weapons and ammunition. You can use coals from a fire to filter any ***** water. Plus, obviously, with fire, food can be cooked.

17) At all times, be prepared to evacuate the bunker or Safehouse if necessary. Keep all valuable items close at hand and easily obtainable.

18)  Have a secondary, less obvious bunker or Safehouse that you can flee to, at any time. Also well stocked.

19) Please, if you have children, make sure they're aware of the situation.
                  a. Don't lie to them about the fact that there are humans coming back to life to eat you.
                  b. Teach them how to use a weapon to defend themselves.
                  c. Just because there are zombies about doesn't mean they can't read or educate themselves.

20) Don't be a fool. We've all seen that boarding up windows and doors doesn't work for the hero. Don't bother, get the **** outa there!

21) Blend in. If you can do a good zombie impression, like those guys from "Shaun of the Dead" then I think you're golden!  OR, You could cover yourself in human guts and blood like in "Walking Dead". Either way, blending into the zombie environment is crucial.

22) Be hypersensitive to other peoples' feelings. Everyone will crack at a certain stress point. Some sooner than others. It will be those individuals that crack that will mean life or death.
Norman E Carey Jan 2012
And so, aherem, the nano, rrmpph rmphh
Of 21st century ahem thinking will be er
En, en aham eroom  neurological medicine
So that topsoil tch tch avat ahem growth
Will er er ahumph outstrip human thinking
If only aratonkamaroon we learn the
Hem, haw, ar argch lessons of the past.
Graff1980 Apr 2016
In the darkness
The quiet void
That we avoid

Because open conversations
Are sincere explorations
That bring light to the shadows
That empower
Those who once cowered
Bringing balance
To the broken scale
We called justice

If need be we can do this
Just for us
Because when this society bleeds
It seeds pain and destruction
Erodes the topsoil we sit on
Diminishes the strong
And even we sink in this hell
So we can help ourselves
By helping everyone

Or we can help everyone
Because they are one
Part of the whole
Covering the collective
Breathing in the same
Kind of air
Feeling the same skin
Because they are kin

Pick a reason any reason to begin
And be kind from there
On till your end
Warren Gossett Nov 2011
The old farmer hung back,
as rickety and battered as the
‘50s Allis-Chalmers tractor upon

which he leaned, hunched,
clung, as if the auctioneer's words
and the wind might carry him off

like the implements he'd treasured
much of his life, machines with
which he had toiled and sweated

and which had helped him chisel
out a meager existence in his
40 years on the farm. His wife was

dead now, his children scattered
like the clucking chickens and hissing
geese, all he had left were memories

and the old homestead, and it was
leaving him bit by bit on the backs
of creaking pickups and low boys

and stuffed into the cavities of shiny
new Cadillacs and Buicks. The cruel
wind had driven in from the southwest,

stealing a little more topsoil from the
threadbare farm, swirling and *******
at tattered curtains still hanging in

the mouths of grimy windows left ajar.
With each piece of his life leaving
down that gravel road, a draining

of his dreams and energies followed.
A few more raps of the gavel and he
too would be as dust in the wind.

--
claire Jan 2016
Girl No. 1 wears her jeans cuffed and hates everyone but the Jets. Her voice is honey-thick around biting words. Smiling does not come easy to her. She wears her face like a mask—big glasses, big eyes, big quiet. When I see her, she lifts her hand in a grim wave, delta creases in her brown palm. Her excuse for her silence is that she’s boring, but she’s not. She dots her eyes with tiny stars and listens to German orchestra whenever she can. She thinks she has buried herself well, but bits of her still protrude from the topsoil, aching to be known.

Girl No. 2 is grey flannel and deliberate sentences. Her hair covers her face, yet when she speaks about trees and animals and the hole torn in our atmosphere by ultraviolet, ultraviolent rays, she is thunder. I gave her lotion for her cracked hands one time. When we smiled at each other after, we knew at once we were part of the same club. Girl No. 2 never corrects people when they forget her name. They say Kaitlyn, Kaleigh, Katie…let the word drop as if it were no more important than a used napkin. I hate it. I pick her used napkin name from the floor and smooth it over my lap. I say it right and she replies, with perfect seriousness, thank you: Thank you for the correct pronunciation of my identity.

Girl No. 3 is a hard one. Look at her once and you’ll see Maybelline lashes and a glass-cutting face. Look twice and you’ll see more. The sag of her shoulders, the stinging weariness of posturing for people far beneath her. I startle her. I’m too inquisitive for her taste. She does not want the world knowing her mother drank three liters of ***** before driving off a bridge, that her favorite color is celery green, or that anorexia and anxiety stalked her through the halls of high school like a pair of vultures. She wants to stay in her castle of ice, but it has imprisoned her. You poet, she teases me. You right-brained heap of color and sensitivity. You’re too much. I don’t know what to do with you. I ask her who she is and she recites her answer. 130, 125, 2315. But this girl is more than her IQ, her weight, or her SAT score, and when I tell her so, her Maybelline lashes are ruined.
Ryan Galloway Nov 2015
Words are the seeds of rebellion
A simple sentence may imprint a design of unrest
On the minds of the oppressed
And when watered by the unending tears
Of the motherless child
Of the widow or widower
These seeds spring eternal as weeds in the gardens of the oppressors
How quickly these starving plants grow
In the perceived beauty of the truly demented souls
Of those who used the corpses of the tormented as the topsoil
For their design of a utopia
The weeds of unrest will rise in the minds of those who have lost all
In a sacrifice for the comfort of those who walk above them
They will choke the oxygen
From the society
Who survives off of them
Those who carry the world on their backs
Words are the seeds of rebellion
And they are those who will stand
When these perverted gardens fall around them
Christian Grover Jun 2010
Worm in the ground
Chewing on forest roots
Turns and grows just under the topsoil

Listen to the trees creek and moan
Dragon lore is no longer fable

Do not touch
He will bite
Do not dig
He will scream

Grow,
     grow,
         grow in malevolence and sting
Devour cedars from bottom up
Tear flesh down to bone delicate bone
Eager search of heart

An owl screeches
An owl cries
Flies to water
But still feels dry

Hunting with lances and spears
Dig,
     pull,
           and cut up
He knows ****** is best to kindle flame
So what do you think he then breathes on me

Cut the monster,  spill him out
     Bleeding fire
     Bleeding fire
Trees sent to ash
The forest to soot
Smells so similar to death,
Or at least I think so

Fire dies down
And buds sprout out
Even angels singing
"Hallelujah! Sweet Fall Breeze"

But still, quiet in December
There are worms in the ground
Nat Lipstadt Nov 2019
<>
“rootless in shallows of momentary mayhem
and no matter the change in horizon,
there is always some thing to be found
that could remind me
of the worst ways I have ever been.”


from “Harlequin Days of Fecund Fervor” by Victoria

<>

rereading these your words, upset forces me to break a recent vow,
my own writing banished, now faceless in the ranks
of just another poet, busted in rank, chose my own
decommissioning but then your momentary mayhem
plea, fecund you, your third harlequin, states construct!

stay the constriction, the recalling of our worst worsts,
for there is always something to be found, recalled,
that the horizon’s only constant is constant change,
especially the worst worsts

I am colored by your treats, your word plums ripe even
out of season, and the mayhem is mine only mine,
robbed you for it is I, rootless, given up my planting, then
the cobblestones of old new york, trip me up, saying
even old things such as you, have a prime yet to come,
stones fecund seeding, predicting I am not done, just undone,
and fetuses within this dying body, may yet be carried to term,
may yet, maybe, may be, but may be caesarean stillborn

rambling this, mostly musty unclear, so summarizations a
sensible thing, a pardon requested for clarity is a sometime thing.

rare are the days that the terracotta colored soil
darkens my fingernails,
it is dried blood from my scratching deep beneath the skin’s topsoil,
but nothing grows that’s whole, warped are the word fruits.
my soup is hot water with salt, a tasty dish apropos for one
whose growths are rootless in the shallow, infertile dirt of stones
that reside in the shallows of a garden of mine own
fecund may-hem of the grey fall sky autopsy turvy
Kyle Kulseth Nov 2013
You said this place
     would grind down on tired hearts
I towed my line, now I'll die on the sidewalk
the second the snow thaws.
So bury me salted, so I season the runoff.

Your hands claw, climbing
tear at skin and the topsoil,
grinding teeth down on pay dirt
then back-fill the screaming blanks

This city's swelling up
it's growing livid with stories
left untold beneath street lights,
so sharp-footed walkers
drain its veins after midnight.

And you're filled up--had enough
of the graphite sky.

             but my
2 cents, flung into the Clark Fork
say I'm still zipped up
   in the peppery cold and the dark

Still socked in,
write your name out in graphite
'til ink-dark clouds bruise the day through the sunlight

The swelling's going down, now
I'll die on the sidewalk
and knocked down pegs
leave the story untold and forgot.
Nat Lipstadt Jul 2013
4 day weekend Yay!  
Black topsoil fertile? Yes!
Poetry planting...


Did I get the 5-7-5 right? Only have one hand and can't take my shoes off at work!
We are two flumes -
I dread that you will lose altitude with me,
But I can't tell you that.
I can't tell you
That your downward gaze makes my head hurt or
That your sodden tone reminds me
Of how plants must feel after it rains,
Unsure if their spines can lift up through
Layers of loosened topsoil and leaden water.
It's the uncertainty that gets me,
The splinter in the glass, the grey sliver in the sky,
The dread of a future burden that sometimes
Runs in your background or muddles your clear stream or
Shows its shadow even as your words try to astray me.

I like to believe
We are two unshakable blooms
Stretching in tandem and awakening
The same to each surely bright day as
To each overcast and crestfallen.
Sofia Paderes Apr 2014
I came to you carrying baggage someone of my stature shouldn't be even touching; I thought here I'd get to used to my burdens and forget that the yoke on my shoulders was causing my ribs to close so tight around my heart that I'd find myself gasping for air sometimes, but I was wrong.

2. Here, I found my resting place. Here I learned to lay my head down on fields of green next to still streams and sing the song of revival with my feet wrapped in peace.

3. I thought I knew how to show love by injecting smiles into my system and lightly bandaging the broken, but it turns out that sincerity is a necessity, and what's in always comes out; and I had to learn to cut some roots, break the topsoil and allow the planting to begin. I hope you see seedlings from where you are.

4. Humble myself, humble myself, less of me, less of me. I thought that humility was pouring lies into a cup, toasting to their victory and my defeat, tasting the words on my tongue before allowing them to settle in my stomach where the poison would spread, paralyzing everything I can and could have become.

5. I've seen the way you love. You love with your eyes, with your smile, with the way you tap my shoulder, with the way you speak; your words are an overflow from a well of life, and I want to have that too, but I know the digging must take place. The digging is taking place.

6. I'm under construction undergoing renovation, but it's okay because I came here gagging on my poison, but I'm leaving with the antidote.

7. You never would have guessed by the way I took control that under that calm smile spelling "I got this", I was terrified of letting you down. I decided I wouldn't, so I tried to force flow water into my dry branches even though I knew it was time to cut them off.

8. I could smell change coming before the season began, so I braced myself and tried to direct the sun's rays elsewhere. By the time they hit, I realized that I can't choose where the sun will rise and set, or which sky the eagles will command or how bright the stars will glow. I am the tree, not the tree planter.

9. The sawing is painful, but the fruit I bear will last me a lifetime. So I watch my branches burn with hope, knowing that the seeds I drop will grow. You thought the heat would make me shrivel, but they only pushed my roots deeper into the ground.

10. Another door opened, another door closed. I hope we one day open the same one.
A collaboration with Jireh Hong and Selynna. For the lovely people of ROHEI Corporation.
Anonymous Apr 2014
Vented topsoil nation
1500m below the sea
A Bismarkian mystery
***** by the International Seabed Authority.

Yeah, I know
We weren't even there
To say aye or nay
But we're gonna **** it anyway.

"Inevitable environmental damage"
Plays backseat to the real "need"
And the UN Convention on the Law of the Sea
Gives the poor folks some of the proceeds...
Yippee.

"We are at the threshold of a new era of deep seabed mining."
Knowledge well worth having
But not executing
Not on this planet.

The Clarion-Clipperton Zone
An entire alien race's home
They think they have it all mapped
But it doesn't depict their head up their ***.

"Proper controls equals proper sustainability."
Are bold words for someone with no accountability
It's just a paycheck
For someone who doesn't give a ****.

Soil Machine Dynamics
Accomplishes the fantastic
With seafloor mining tools
Never before used.

We rise up
As we fall down
Choking on our own failures
With eyes to the sun.
HEK Jun 2012
I once showed
the letters
of my heart
to a miscreant
(a *******)
then watched as he
jotted them down
on college lined paper;

he threw them to the wind like
brown candy wrappers.

(it was winter
we had not yet broken
grandma’s gravy boat)

A-Y landed on
empty ground, one letter
for each square foot
of naked topsoil.



I found Z in the Spring.
It had caught on a chain-link fence
and lost most of its color.
Gigi Tiji Aug 2015
It's a planetary whirlwind in
a stellar vortex find us all spinnin'.

There's some that seem stagnant
see 'em flappin' against the
strong solar winds.

Yawn yawn and
I am drizzling on a cloud
from the moon.

Slightly sideways
soak it up, fluffy buffoon.

Stuff my belly with
unmasticated dreamscapes.

Feeling indigestion from
the lack of gestation.

Sprouting so quickly
I am shooting topsoil out
in every direction, an herbal volcano

See me twisting to find the light.
Seems like it's almost too bright.
Packed dirt almost too tight.

Break free break free to see
the world around me.

Channel the sea to
surf the waves of energy.
Robert Ronnow Aug 2015
Wet nights, warm days are what we want in the summer
      noosphere.
Man's mind one with weather.
If this is true, life is good, or will be good.
Can I be encouraged that my sons will find mystery on the
      planet
as I did?

How sweet the slow spring! May already and the canopy
      not out yet.
Woods quiet all winter.
Now I can't distinguish the many bird songs from where I sit.
Red maple flowers and first sugar maple leaves are, to me,
      the Christ child
that's been coming.

The ancient poems and the new make the 1/10 inch of annual
      topsoil
from carbon dioxide loading.
As a humanist I want everyone pursuing happiness; as a
      naturalist
I sometimes pray for man's destruction. As a rationalist I admit
I lack data.

O to play slow and sure, even when the tune is fast. Inside an
      aquifer
of love for the audience.
Not to fear or even necessarily obey the changing wind's
direction. Being here I breathe and make the atmosphere as
      seen
from outer space.

The song of the world will often take you far from yourself.
      There
will be no self. How will you know yourself?
By knowing thyme and dandelion, the blue jay from the hawk,
the heron in its swamp, black cherries and the one pear at the
      junction of the trails.
They are yourself.
www.ronnowpoetry.com
Third Eye Candy Apr 2015
in loose prisms of topsoil we fold-in
the dead skin and eggshells
we grind our bones into the marrow of our 'morrows
where The House is no longer standing
but the stones you kept for skipping;, now have wings
and your wrist is supple, casting out
above a lake with your Leprechaun palm,
your palm
roasting rough
in chestnut summer
while the nightfall stumbles
over bricks
and yellow is a fool
to a black mood.

a cheap quickening
of bleak starlight
and dogwoods, pining -
for a cliff
they could very
well fjord.

the speed of dark, crippling the watch

the second hand in my hand
and in my hand -
the Seconds.

II

just before.


III

we are together again where the Wednesday
sleeps -
on a pin,,,and little voices -
sing symmetries that have
no substance,
save our thirst
for blood
on the lips of
a lost cup...

or the songs
of a walnut.
it's melody,
an unclean spirit
bathing in
the tyranny
of love.

and the Nothing to it.
Diana Korchien Feb 2017
Grow, grow, growing grow
Taller, wider, deeper, steeper

Topsoil cracking
Foundations creaking
Interstitial water leaking
Gases pluming
Sun too hot

Birds forgetting how to fly
Flies all set to multiply
Central heating turned up high

Fish recumbent on the sands
Hail brave campaigning elephants
Who rampage through
the concrete jungle
eviscerating 4WDs
with tusks awry
trunks outstretched
eyes akimbo

Vanguard of a worldwide army
of feather scale and bone
all stitched up
By might is right
into a threadbare tapestry of deprivation

Today we spread, we glow, we grow

In rampaging delight we gag
on feather, bone and scale
We suffocate ourselves

Tomorrow
The earth will fry
And so might I

Is this the way to end our poem

© Diana Korchien 2012
This poem was printed in the 2012 Poetry Trail Anthology from Paekakariki Press. The Poetry Trail, where local estate agents displayed poems alongside properties to sell or let, was a part of Walthamstow's E17 Art Trail.
Lucky Queue Apr 2013
On this ground I was born raised and lived
In the years since my birth
I've sowed much wheat, and many rocks I've sieved
Making this land mine, this sky and earth.

The blue, clear skies, and evanescant clouds
Have dissipated now, this land is torn
I'm a mere denizen, yet here I still stand proud
So that on this ground my children will be born

The dust roils in ferment around me
And flings topsoil in my face
No green thing, nor bird nor bee
Is allowed to thrive in this barren place

And for my progeny, their future I mourn
This land is dead now, and has left me forlorn
4.11.13

Sooo this it the first sonnet I've ever written. I had to write it for english yesterday and now I'm hooked... I can definitely see their appeal
Marshal Gebbie Feb 2021
Wheresoever went the way
Of Wycheproof's bright Summer day
Way back then, back then when wheat was King
With bountiful supply
You could hear the growers sigh.
As the tills began, abundantly, to ring.

With silos overflowing
And wheat trains ever growing
In Wycheproof, back then,
When wheat was King
With the young girls laughing happy
And the blokes all dressing snappy
Prosperity led Wycheproof, to sing.

But then an apprehension
When this "Climate Change", was mentioned,
Dismissed as merely "here-say" by all,
For "What is now has always been"
With life in Wycheproof, serene,
"What tragedy, could possibly, befall?"

Now Wycheproof is Mallee dry
Where wealthy men complain and cry
When hot northerlies whip topsoil to the wind
As it parachutes a million miles
Which is fine for Wimmera wheatmen's smiles,
Fine and dandy for the growers living there....
But for locals un-empowered,
Watching windblown topsoil scoured,  
There's a seriousness in Wycheproof's despair.

No topsoil means ya can't grow wheat
And the shortened seasons growth, deplete,
Dust storms are primarily....THE FEAR!
Surmount successions mounting debt
And final deadlines... all unmet
Foreclosures ...are chewing up the cheer!

Wycheproof these days is still
No man nor beast on flat or hill,
The shops are looking derelict and closed
And the pub' though selling beer,
Is indisposed and rather queer
For there's no wheat.... and no joy fills the day.
Future's looking bleak
And it's getting hotter, so to speak,
in  Wycheproof ... and ****** all to say.

M.
February 8 2021
As a kid, in the Mallee, I sowed countless filled wheat sacks year after year in the school holidays. Baking hot sun and the dry starchy smell of acres of freshly reaped wheat. Then a bustling wonderland and a great source of pocket money for a kid from the city....Now a drought stricken waste land. Low population, struggling wheat crops prosperity a thing of the past.

A clarion call for the future and the certainty of the calamity of advancing climate change.
M.

— The End —