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"tonal" poems
Prescient, her essence Casts a demure persuasion,                 Endowed with verve and vision; Concept to consummation, The serenely possessed, Creator, originator, Allusion to the eternal azure, Logos of abstraction, Word and image collision. Tonal palette of faith infused reason Beauty and sublimity, Serve to season Verse, canvas and film, Mediating aesthetic, seminal senses blossom, Lyrical each permutation, Seeds of vibrant chroma diffusing the mystical. Visage and hair,  her figure haunted With perfection - a work of Art Nurtured and lived invocation, The canon of taste; Crystal for the ***** Devotional fragrance , Holistic ethos, melodic invention, Animated, pure - The embodiment of redemption. Transcending form, parenthetically   (Merely) the decorative,   Allure, artistry and symmetry Superlative complexity, Her erudition satiates, supplanting Winds of constructive banality. Purveyor of an uncommon savor, She collaborates in the peculiar Pursuit and reward, Encounter  with depth, explored, Human and divine, prosaic meets sublime Igniting within an Eros Passion for truth, being and Telos. Visionary of grace and peace Transforming our earthbound dissonance; Our caprice, Hope and abundance, the myth of scarcity, She narrates the Good. Pen, lens, color and stage Vulnerable, unrepressed, effusive Romantic articulation, The reservoir deep, Innately primed conduit of Love. Beyond plebeian, cosmetic, the trite Woman of substance, pulchritude And delight. Effervescent - her smile exquisite, Eclipsing suffering, Wordless expression, understood language. I am transported, my imagination replete, Sonya Rose - Art personified; unabridged, complete. ©2008 & 2013 W.S . Warner
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Mar 28, 2013
Mar 28, 2013 at 12:28 PM UTC
Sonya Rose
Prescient, her essence Casts a demure persuasion,                 Endowed with verve and vision; Concept to consummation, The serenely possessed, Creator, originator, Allusion to the eternal azure, Logos of abstraction, Word and image collision. Tonal palette of faith infused reason Beauty and sublimity, Serve to season Verse, canvas and film, Mediating aesthetic, seminal senses blossom, Lyrical each permutation, Seeds of vibrant chroma diffusing the mystical. Visage and hair,  her figure haunted With perfection - a work of Art Nurtured and lived invocation, The canon of taste; Crystal for the ***** Devotional fragrance , Holistic ethos, melodic invention, Animated, pure - The embodiment of redemption. Transcending form, parenthetically   (Merely) the decorative,   Allure, artistry and symmetry Superlative complexity, Her erudition satiates, supplanting Winds of constructive banality. Purveyor of an uncommon savor, She collaborates in the peculiar Pursuit and reward, Encounter  with depth, explored, Human and divine, prosaic meets sublime Igniting within an Eros Passion for truth, being and Telos. Visionary of grace and peace Transforming our earthbound dissonance; Our caprice, Hope and abundance, the myth of scarcity, She narrates the Good. Pen, lens, color and stage Vulnerable, unrepressed, effusive Romantic articulation, The reservoir deep, Innately primed conduit of Love. Beyond plebeian, cosmetic, the trite Woman of substance, pulchritude And delight. Effervescent - her smile exquisite, Eclipsing suffering, Wordless expression, understood language. I am transported, my imagination replete, Sonya Rose - Art personified; unabridged, complete. ©2008 & 2013 W.S . Warner
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58
THE SAXOPHONE STORY BY RAJ NANDY The Saxophone is perhaps the most expressive instrument next to the human voice. Was made by Adolphe Sax, a Belgian, through a deliberate choice! He wanted to offset the tonal disparity, - Between the string, wind, and brass instruments, with musical clarity ! He felt that the strings ones were overpowered by the wind instruments. While the wind instruments got overblown by the brass ones instead ! Now what would happen if the best qualities of these three instruments types, Could in a fusion blend and coalesces into a single instrument type ? So finally at the age of 20 years, in March Eighteen Hundred and Thirty Four, Adolphe Sax created a magical instrument for the World to hear and adore! It had the power of the brass, the flexibility of the strings, and the woodwind’s variety and tone; Which got christened after Adolphe Sax as the SAXOPHONE ! Adolphe’s famous composer friend Hector Berlioz in Paris City, Gave this new instrument wide publicity! In 1844 the Sax was presented in the Industrial Exhibition at Paris; And subsequently got patented on 20 March 1846. It soon got adopted by the Bands of the French Army. Making other instrument makers to become green with envy! The Sax was 80 years old when it became part of the musical instruments of the Jazz Band. A small bore mouth piece was created to suite the varying tonal qualities required by Jazz. Initially, 14 different sizes of Sax was created by Adolphe. Today only five types are in use for us to hear and see; The Soprano, Alto, Tenor, Bass and the Baritone Saxophone. They now form a part of our Jazz music's backbone! - By Raj Nandy FOOT NOTES : Adolphe Sax (1814-1894) , son of famous musical instrument maker Charles Joseph Sax of Belgium. Woodwind Instruments = Flute, Clarinet, Bassoon etc. Brass Instruments = Trumpet, Tuba, Cornet etc. String Instruments = Violin, Guitar, Harp, Banjo etc. The Saxophone today has become the very backbone of Jazz Music! ** ALL COPY RIGHTS ARE RESERVED BY: - RAJ NANDY **
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Apr 10, 2016
Apr 10, 2016 at 11:06 AM UTC
THE SAXOPHONE STORY
THE SAXOPHONE STORY BY RAJ NANDY The Saxophone is perhaps the most expressive instrument next to the human voice. Was made by Adolphe Sax, a Belgian, through a deliberate choice! He wanted to offset the tonal disparity, - Between the string, wind, and brass instruments, with musical clarity ! He felt that the strings ones were overpowered by the wind instruments. While the wind instruments got overblown by the brass ones instead ! Now what would happen if the best qualities of these three instruments types, Could in a fusion blend and coalesces into a single instrument type ? So finally at the age of 20 years, in March Eighteen Hundred and Thirty Four, Adolphe Sax created a magical instrument for the World to hear and adore! It had the power of the brass, the flexibility of the strings, and the woodwind’s variety and tone; Which got christened after Adolphe Sax as the SAXOPHONE ! Adolphe’s famous composer friend Hector Berlioz in Paris City, Gave this new instrument wide publicity! In 1844 the Sax was presented in the Industrial Exhibition at Paris; And subsequently got patented on 20 March 1846. It soon got adopted by the Bands of the French Army. Making other instrument makers to become green with envy! The Sax was 80 years old when it became part of the musical instruments of the Jazz Band. A small bore mouth piece was created to suite the varying tonal qualities required by Jazz. Initially, 14 different sizes of Sax was created by Adolphe. Today only five types are in use for us to hear and see; The Soprano, Alto, Tenor, Bass and the Baritone Saxophone. They now form a part of our Jazz music's backbone! - By Raj Nandy FOOT NOTES : Adolphe Sax (1814-1894) , son of famous musical instrument maker Charles Joseph Sax of Belgium. Woodwind Instruments = Flute, Clarinet, Bassoon etc. Brass Instruments = Trumpet, Tuba, Cornet etc. String Instruments = Violin, Guitar, Harp, Banjo etc. The Saxophone today has become the very backbone of Jazz Music! ** ALL COPY RIGHTS ARE RESERVED BY: - RAJ NANDY **
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50
Hildegard of Bingen the most musical abbess of the year 1097 a.d. met with Jung the unconscious detective and Ginsberg the howling poet for lattes at some Starbucks in a vibrating city on a shimmering afternoon. Angelic minuets keep flowing, effervescing through my chakras like tonal champagne . . . the glowing femme declared. Beams of ethereal light infuse me, tsumanis of energy tempt me to dance right out of my habit. Ignoring the possibility of seeing a naked nun drink coffee in public, Alan mused behind his hornrims . . . I get what you mean like I have felt the same perfusion of joy watching cans of peas and ayahuasca dance with talking bananas at the A&P; Market near my pad in Brooklyn, can you dig it? Still suffering from his Freudian hangover, Carl reframed them both . . . Any conclusions or convictions drawn from such experiences may not self-verify because your introspective identifications attempt in vain to concretize the amorphicity of decentralized psychic sensations which reach conscious awareness only at the expense of extension. What did he just say? Hildegard asked Alan. I have absolutely no idea, the portly poet answered as he doodled an intricate mandala on his hemp napkin.
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Jan 1, 2012
Jan 1, 2012 at 12:21 AM UTC
MANDALA SHMANDALA
my polygamous relationship with you distances me from the monotony of monogamy and makes me feel lonelier than the loneliest mundane monogamist. my mere apologies for my misendeavors, the malnutritious morals of my miseducation propose metal mirrors and castaways controlled by cutting carvers, craving crazy letters and loyalty from lengthy lies and lonely lives. lethargy overtakes and vowels reign, raining drops like rainbows and rocks in rivers, rusting relationships, rusty railroads at intense intersections entwined in everything inside and nothing on the outside anymore except these muscles. we are back at the beginning. my mind marvels in the magic of the memories, the madness of the morbidity and the hesitations of your reaction. his, I take, is misunderstood as my misfortune, but it is not a miss, my fortune: it is a fox in feathers colorful like friendships 'fore their forfeited and feigned approval, forced for fear of polygamy tho' it promises the purest pleasure, the most personal independence and precious pearls of princes, princesses, powerful, plight-less poetry. peace surrenders, souls surprise themselves, surprise their cells, call for curious catastrophes to take place. colorful and calm they coincide with cooperation that can not contain the context of truth, of teases, of teasers and targets and tonal dualities and we endeavor, we endear you, we dare destroy the darkness of the devil in its disguised diamonds. words lie at my feet like pebbles of poetry and I promise personal demise, deterioration and ridiculous obsessions- there's madness to be had and fragments to be written and I play with silly alliteration instead! serious and serene you stare as if my sanity has slowly faded and I sternly helplessly smile shyly. I suppose you are sincerely offering me your blessing before parting, so stumbling slightly I surrender… if this is the prevailing promise of mere mortality, I'm graciously aware I was worthy of words.
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Jan 11, 2014
Jan 11, 2014 at 2:01 PM UTC
forgive me for my madeup words
my polygamous relationship with you distances me from the monotony of monogamy and makes me feel lonelier than the loneliest mundane monogamist. my mere apologies for my misendeavors, the malnutritious morals of my miseducation propose metal mirrors and castaways controlled by cutting carvers, craving crazy letters and loyalty from lengthy lies and lonely lives. lethargy overtakes and vowels reign, raining drops like rainbows and rocks in rivers, rusting relationships, rusty railroads at intense intersections entwined in everything inside and nothing on the outside anymore except these muscles. we are back at the beginning. my mind marvels in the magic of the memories, the madness of the morbidity and the hesitations of your reaction. his, I take, is misunderstood as my misfortune, but it is not a miss, my fortune: it is a fox in feathers colorful like friendships 'fore their forfeited and feigned approval, forced for fear of polygamy tho' it promises the purest pleasure, the most personal independence and precious pearls of princes, princesses, powerful, plight-less poetry. peace surrenders, souls surprise themselves, surprise their cells, call for curious catastrophes to take place. colorful and calm they coincide with cooperation that can not contain the context of truth, of teases, of teasers and targets and tonal dualities and we endeavor, we endear you, we dare destroy the darkness of the devil in its disguised diamonds. words lie at my feet like pebbles of poetry and I promise personal demise, deterioration and ridiculous obsessions- there's madness to be had and fragments to be written and I play with silly alliteration instead! serious and serene you stare as if my sanity has slowly faded and I sternly helplessly smile shyly. I suppose you are sincerely offering me your blessing before parting, so stumbling slightly I surrender… if this is the prevailing promise of mere mortality, I'm graciously aware I was worthy of words.
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8
Today I wanted to buy the copyright to the process of hallelujah ******* in joy the same way whales eat krill You just bottle it up inside your lungs until you have enough Inside my fridge I have vacuum sealed jars of hallelujah There’s nothing religious about that Jars labeled things like Loss of virginity Rob lived this time The homework is complete Hallelujah It’s the same way prayer works Backwards Pulling bits of god like an inhale I want to hyperventilate on your hallelujah Like a gospel choir on speed It collects Over time For instance It was maybe a month in to sleeping at Delia’s and Toffer’s house Before I realized I didn’t have to sleep in my car anymore You go into the bathroom to **** and realize Hallelujah A jar labeled Found a Home for now I know science can do this For the sake of all that is a monument to a single life So that on your death bed, or at your funeral Everyone there can hold a jar Cold and warm at the same time Vibrating in their palms In violent joy Like mozzletoff cocktails They are thrown And when they shatter there is a song That has been collecting for years The same word in different tonal joys Your life Every good moment Hallelujah
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May 18, 2014
May 18, 2014 at 4:36 PM UTC
Hallelujah Copywrite
First name: A fire red, carrot orange, and dull rust A dusty-on-the-outside-bright-spicy-and-wet-on-the-inside tuber A dancer and cartoon Second name: Three short letters, one tonal syllable From my mother's motherlanguage Joy Last name: Hill of deer in German (Also a Jewish name?) Sounds like a chocolate sandwich Makes my name a score of letters long
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Sep 27, 2012
Sep 27, 2012 at 7:08 AM UTC
name analysis OR i'm not rumpelstiltskin
Seven lyre birds sang each in turn a tune doing their tonal best to hone the reproductive skills akin to a master in the art of Japanese calligraphy but all failed distracted by the majesty of a high-definition sunset on playback in perpetuity.
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Nov 3, 2015
Nov 3, 2015 at 2:24 PM UTC
The Industry
Spotlights on us seemingly illuminating and otherwise blinding can't see the audience can't tell the difference between time and space different manifestations of each other creating infinite mandalas poured into rivers tones rising out of and falling into silence I trip over words and pick the sounds out of the scrapes in my palms I make motions to pick up the gravity but my actions are glitchy, disconnected an abstracted cadence remote inflection radio nuance rhythm break modal static living in stasis ants on a screen as grains of rice with bubbles in a glass of beer merging like two tones harmonizing on a secondary tonal plane move me like a modulation end me like an infinite crescendo I am suspended over several tones just let it go and I am resolved follow where the voices lead
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Dec 26, 2014
Dec 26, 2014 at 10:22 AM UTC
follow the voices
i'm cold and damply drowning in all these blackish tones and tunes. it's hard to find a song to err on the side of brighter hues. especially when i'm so frostily submerged in these tonal blues.
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Jul 22, 2016
Jul 22, 2016 at 10:52 PM UTC
the color of music
Well, what now, hey? I threw the dog overboard yesterday. The day before, the day? Where will you go, hey? I heard the orchestra-man play The same way, Sanctum, requiem, asylum All Latin in his French dog-eared play. Hear the monkey, playing accordion play To the whirling whirly-whirly-ghig Tre dramatique, no? Today I understand you're just as "tramatig." I want to hear your Frenchmen play Play ***** pipes play play In his dog-eared French organ-man Play But I cannot, cannot say Tears of joy, in hydrant spray The Hyades triumphant rainbow stay Cough your little fears away; Hear the Star Spangled Francis Key play Frenchmen play, play, Little piggies counted play Black white keys with little piggle-plumps play Atone-al, A-tonal---atonal tonal sounds as if to say "Getting married here to stay" All alone and all today Settle down if for a day And who will hear the trumpet play When organ-man Frenchman say "Where? Home of the free" and stay Keep your hands away Never want to let you say "Hear me, hear ye, all you weary, weary dreamers But never left your confidence like Russell-rustle leaf-blown willow-white You fill them up with seventy two pay Make a kite, to(k)night, allRight Thank god for the fleas in the right Hairless creatures for to sway I threw the dog overboard yesterday The day before, the day And if you'd wanted it to stay You should've say, you should've say But never let my hand betray The vein, the line, the artery Of arterial shells bombastically Loquacious to a fault, this day They say "You want another day" They say "You never wanted say" They say "You wasted every day" They say "They say, they say, they say" But e'er forget, ne'er forget I'll despise you abandon heaven for earth to get And leave your money, your millions behind For mansions with my Lord to find But in the ceiling never was a god to pray
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Feb 29, 2012
Feb 29, 2012 at 10:16 PM UTC
Play the trumpet organ-man play (freewrite)
Well, what now, hey? I threw the dog overboard yesterday. The day before, the day? Where will you go, hey? I heard the orchestra-man play The same way, Sanctum, requiem, asylum All Latin in his French dog-eared play. Hear the monkey, playing accordion play To the whirling whirly-whirly-ghig Tre dramatique, no? Today I understand you're just as "tramatig." I want to hear your Frenchmen play Play ***** pipes play play In his dog-eared French organ-man Play But I cannot, cannot say Tears of joy, in hydrant spray The Hyades triumphant rainbow stay Cough your little fears away; Hear the Star Spangled Francis Key play Frenchmen play, play, Little piggies counted play Black white keys with little piggle-plumps play Atone-al, A-tonal---atonal tonal sounds as if to say "Getting married here to stay" All alone and all today Settle down if for a day And who will hear the trumpet play When organ-man Frenchman say "Where? Home of the free" and stay Keep your hands away Never want to let you say "Hear me, hear ye, all you weary, weary dreamers But never left your confidence like Russell-rustle leaf-blown willow-white You fill them up with seventy two pay Make a kite, to(k)night, allRight Thank god for the fleas in the right Hairless creatures for to sway I threw the dog overboard yesterday The day before, the day And if you'd wanted it to stay You should've say, you should've say But never let my hand betray The vein, the line, the artery Of arterial shells bombastically Loquacious to a fault, this day They say "You want another day" They say "You never wanted say" They say "You wasted every day" They say "They say, they say, they say" But e'er forget, ne'er forget I'll despise you abandon heaven for earth to get And leave your money, your millions behind For mansions with my Lord to find But in the ceiling never was a god to pray
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56
so effulgent the daffodils of brightest shade so effulgent bold trumpets e'er magnificent they grew along the esplanade showing a splendid tonal grade so effulgent
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Mar 2, 2017
Mar 2, 2017 at 6:39 AM UTC
So Effulgent (Rondelet)
Whether it was the sun’s aurelian caress Or the serene strokes of moonlight lulled Across its keys carved with much finesse Monochrome yet its beauty never dulled A sonata lightly, it hummed, reverberating Across gently, waves of sound, resonating The tune seemed to hush the grounds Effortlessly silencing the cry of hounds Each tap across the tonal stairs had slashed The breast of the wounded, whom had clashed Echoes of nature’s enthrallment seems to linger The music still bewitching the conducting finger Corpses waltzing to the nightly sombre dirges Pleading to allow their rest under the birches How the sonata tortures all that it imprisons How the sonata torments all those that listens
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Mar 15, 2019
Mar 15, 2019 at 2:14 PM UTC
Sonata
Where the river abandons herself to the creek and the mudbank is cratered with crabclaws waits the old man. He doesn't know his years but his ears are a sonic gift catching the tonal variations of tides seemingly for eons evolving with the mangrove map into a flawless tracker of how far the moon would recline for ***** to be holed out and what shoreline the water would touch before the shrimps starlight driven make a beeline for the net. I encountered him once in the absurdity of a time when I was high and he lowly crouching was making art by the creek. Who was the poet I could never tell.
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Jun 9, 2017
Jun 9, 2017 at 6:28 AM UTC
Once upon an absurd time
her strings had gone untouched she so yearned the caress of a man's fingers upon her bridge the tonal wonders of her inner core he'd coax to amor with his bow gently gliding over her strings together they'd assemble a symphony of sweet rapprochement
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Jun 11, 2014
Jun 11, 2014 at 9:47 PM UTC
Violin Strings
Within the realm of unplayed instrumentation a crescendo of specific notes are lost dangling on high maple branches during autumn leaf change and only divots below the mowed through grassy soil throughout segregated quarantine reserves partitions of divorced land In the bottom of a child’s backpack so heart jarring and singularly dedicated to the wandering dreamer harboring any thoughts of doubt about what is and what might inhibit the coming up next covering over wooden plank necks with strings of primitive notation drafted inside the woods create, rows of ivory keys and ebony flats,   this includes either screeching or murmuring brass buttons can make And depending on the blow Lead based letters Squeezed together grammar and prose have no window to grandstand in a duel verses this one climb of instrumental verse these missing tones are in tangible reaches could even be in a soft mother’s dream waiting to be awoken to bring an awakening Who will seek and find this group of lost tones with striking nuances so spirit soothing that seeing the mere future is old news but instilling, feeling, and describing the true meaning of life after hearing what is under, inside and above this crest of colored resonance of tonal pitch... Or maybe it can insight a minor confidence in the one who lacks it to take that small step forward Ensuring another step This is one who will hear this
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Jun 19, 2019
Jun 19, 2019 at 11:46 PM UTC
A lost climbing tones - and who will hear it
this longing is legacy for a girl cut in half cold currents of knife astride darkest path without stopping for daylight in somnambulant flight (your 2 a.m. smile is reason enough)       sheets of sound somber the womb of an angel      a war goddess unbound    o a           stasis seraphic        shrink wrapped in sweet plastic ((the perfumed fields are elastic with crowned princes dynastic)) this mortal season on this perfect day strikes the hearts of the stolen in a fugitive way the clarified fire sinew and lean eats the sins of the heavens where the ashes convene the park with the lake is wooded and pretty the sky's on the grass in an underground city i'm calling from a subterranean ocean the shells are all closed and the waves are all broken in a minute the  tides will all swell the gulls will pack up and the moonlight will dwell say hello to the girls from the sand they can walk on the water but never on land the stars are submerged all fallen and drowned the light from the depths shines upside down ursa major orion's belt ursa minor ice water vega reversed ocean liner inverted looks like the water twisted so tonal sounds mother and daughter sister and brother packed in blue ice from the curves of the earth and the jaws of a vise in these dragonteeth winter days you pick your time carefully endpoints are delays the decay of such that they cannot touch or remove them erasing straight thoughts as a means to improve them sailing seas beneath the skin underneath the unrequited life just out of reach i'll nevercomplete it i'll never repeat it
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Aug 21, 2013
Aug 21, 2013 at 11:53 AM UTC
without stopping
this longing is legacy for a girl cut in half cold currents of knife astride darkest path without stopping for daylight in somnambulant flight (your 2 a.m. smile is reason enough)       sheets of sound somber the womb of an angel      a war goddess unbound    o a           stasis seraphic        shrink wrapped in sweet plastic ((the perfumed fields are elastic with crowned princes dynastic)) this mortal season on this perfect day strikes the hearts of the stolen in a fugitive way the clarified fire sinew and lean eats the sins of the heavens where the ashes convene the park with the lake is wooded and pretty the sky's on the grass in an underground city i'm calling from a subterranean ocean the shells are all closed and the waves are all broken in a minute the  tides will all swell the gulls will pack up and the moonlight will dwell say hello to the girls from the sand they can walk on the water but never on land the stars are submerged all fallen and drowned the light from the depths shines upside down ursa major orion's belt ursa minor ice water vega reversed ocean liner inverted looks like the water twisted so tonal sounds mother and daughter sister and brother packed in blue ice from the curves of the earth and the jaws of a vise in these dragonteeth winter days you pick your time carefully endpoints are delays the decay of such that they cannot touch or remove them erasing straight thoughts as a means to improve them sailing seas beneath the skin underneath the unrequited life just out of reach i'll nevercomplete it i'll never repeat it
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75
the young egoist licks a blunt blade in the wall until his tongue bleeds, to feel, yes to feel, feel anything in these fettid depths where splinters of light find themselves lost in the subterranean gloom of his bedroom where on occasion when it presents itself listens to grotesques, yes listens with an ear a plain nasty and unfeeling ear yet it listens without any phoney, putrid arty language he hears old irregular clocks feels the smells under the ground drinks unquenchable angers citing their antique tonal ability to create magic words out of rain and mist then screaming his voice starts oozing and undulating creeping through these slow subterranean pampas compressing and expanding themselves never and at once he believes it is an unsafe place of frighteningly sincere dangers then thinks is danger a place, licks the blunt blade in the wall for even in this desperation it makes him happy when his tongue bleeds he tries to perfect conventionally generous impulses the spit of dreams, his dreams as he dons his mask his mask of foolscap to write a poem then encounters angel-devils and demons who he has the power to deceive and thinks to himself as he licks the blunt blade in the wall finish it, finish it then realizes it's unfinishable
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Oct 6, 2013
Oct 6, 2013 at 7:18 PM UTC
Subterranean Poet Boy
soon the brilliant ides of spring shall bring such a resplendent ring   to the meadows and rolling hills making for grand eye catching thrills floral displays e'er so divine   their faces showing on a vine of scented aromas in frills a perfume sweet to breathing gills strolling amid the colors bright splendor in their superb highlight exquisite be these rainbows mills   bursting with shining tonal spills the news of the season of spring brings to a winter heart many trills
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Jan 4, 2015
Jan 4, 2015 at 10:38 PM UTC
Spring Ides (Kyrielle Sonnet)
its always sunrise somewhere things move in every atoms presence tonal vibrations power through into tmorows certian serenity blissfull melodies we die daily in our meditational  cremation ground of  minds past eye had been cast upon building up or down spiral, the.sine curve of life respect the crecendos with ease the patterns are flexible in form shape and mind
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Sep 1, 2013
Sep 1, 2013 at 1:17 AM UTC
long journey ahead
~for Cathy Leff, curator~ no bugler blaring ‘pay attention’ to me, no emergent bad news bearish telephone cell call of an absurd tonal, no alarm clock retaliating agin a humans daily defying double-slap, no young children sneaking in, with a guard dog in accompaniment,    joy-ending a deep parental sleep from the exhaustion they induced but as if shot, the humans burst into alertness, from prone to moan, they instantly revert, becoming **** Erectus, gasping from shock troop dreams, and a chest-pounding message, a whisper growing, an ever increasing crescendo, an unnatural law, an unsullied foot-stomping battle cry that self-terrorizes, undeniable: write me, your poem, write me now! ah, it must be 5:00 am...
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May 31, 2019
May 31, 2019 at 4:02 PM UTC
the wake up call
I tonicize you. Though you are sol and I am do, I've modified my tonal path to add weight to your presence: I've written you this leading tone in hope of upward resolution and to avoid frustration. Tonicize me, for you are sol and lead to do. Let us modulate through mutual friends; let us flaunt our perfect consonance! Let us cadence together when the music finally ends.
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Aug 23, 2014
Aug 23, 2014 at 7:15 PM UTC
Vocalizations (A Music Theory Poem)
Do you want to sketch all your life Or learn to paint a master piece? Do we not sketch to learn, to develop, to grow? So why do you still sketch? What more do you hope to learn? That people are vulnerable? That you can hurt them? That you can leave them?   Are you not tired of sketching outlines? Don't you long for tonal quality? For careful composition and a considered pallet? I know your secret! That the canvas scares you, terrifies you even. All that you will be revealed on that unforgiving scape. That expanse of white which must be filled and not by charcoal and line. You will be revealed, exposed and displayed for all to see. You will be revealed in the shading, In the sensitivity you give to light and to contrast. Yes, you will be revealed... But in it you will be filled in.   You will have no freedom to remain as an outline of a man, With all hidden in fine graphite lines and hastily hatched shadow. You will have to mature as a man, as an artist of the soul And set yourself free on a canvas with confidence and brush! What a liberation! Will the first canvas be a masterpiece? In all likelihood no! But it will be a beginning And how can you consider yourself an artist if you never paint! How many sunflowers did Van Gough paint? How many chapels? Was he satisfied with any of them? And was each of them worthwhile? Paint my friend, take up your brush and paint. Use colour boldly, Reserve fear and reservation for other pursuits Or better still leave them from your pallet altogether. Be sensitive and subtle with your treatment of the subject, frame her well, carefully But be bold. There is little point in holding back. Do you want your canvas to scream, "Hesitation!"? Paint or don't, but if you choose not to, declare it to the world! Do not act like a painter, talk like a painter and look like a painter, If you do not paint! Declare "I like to sketch" And sketch until you bear no longer to leave a subject unexplored in a monochromatic if artistic hiatus. Be true, be bold, be clear and when you feel the time is right paint with the same honesty and boldness with which you sketched. Then it will be a true training, Not the pontification a of a trainee conjurer working above his station. Complete your apprenticeship, graduate, And step forth into the world. Confident, upright, paint brush in hand.
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Jul 21, 2015
Jul 21, 2015 at 5:19 AM UTC
The alchemy of relationship
Do you want to sketch all your life Or learn to paint a master piece? Do we not sketch to learn, to develop, to grow? So why do you still sketch? What more do you hope to learn? That people are vulnerable? That you can hurt them? That you can leave them?   Are you not tired of sketching outlines? Don't you long for tonal quality? For careful composition and a considered pallet? I know your secret! That the canvas scares you, terrifies you even. All that you will be revealed on that unforgiving scape. That expanse of white which must be filled and not by charcoal and line. You will be revealed, exposed and displayed for all to see. You will be revealed in the shading, In the sensitivity you give to light and to contrast. Yes, you will be revealed... But in it you will be filled in.   You will have no freedom to remain as an outline of a man, With all hidden in fine graphite lines and hastily hatched shadow. You will have to mature as a man, as an artist of the soul And set yourself free on a canvas with confidence and brush! What a liberation! Will the first canvas be a masterpiece? In all likelihood no! But it will be a beginning And how can you consider yourself an artist if you never paint! How many sunflowers did Van Gough paint? How many chapels? Was he satisfied with any of them? And was each of them worthwhile? Paint my friend, take up your brush and paint. Use colour boldly, Reserve fear and reservation for other pursuits Or better still leave them from your pallet altogether. Be sensitive and subtle with your treatment of the subject, frame her well, carefully But be bold. There is little point in holding back. Do you want your canvas to scream, "Hesitation!"? Paint or don't, but if you choose not to, declare it to the world! Do not act like a painter, talk like a painter and look like a painter, If you do not paint! Declare "I like to sketch" And sketch until you bear no longer to leave a subject unexplored in a monochromatic if artistic hiatus. Be true, be bold, be clear and when you feel the time is right paint with the same honesty and boldness with which you sketched. Then it will be a true training, Not the pontification a of a trainee conjurer working above his station. Complete your apprenticeship, graduate, And step forth into the world. Confident, upright, paint brush in hand.
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the brain muffles itself in fuzzy screech-fall-flows. writers block, zoned into oblivion, thought anti -depressed and always sleepy with a whistle with a wary worried walk beyond the words it read in quiet little head-room office space. hitherto unknown was the minds capacity for deserted lethargy-- a battlefield full of intuitive feeling gone and warbling like a bird with no verbalistic functions-- speaking in musical notes and tonal chirp's-- the reality of things can only be understood as an over -extended staring contest and our eyes have been teary since the birth of the                                           warmblooded   mouse.
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Oct 22, 2014
Oct 22, 2014 at 7:40 PM UTC
discrete thoughtlessness
~ smile and weep, love the shallow for its deep, finding amazement in the complexity of life *this prior script-thought re-arrives but this time, tonal differences, a spoken aloud cascading cacophony, no  protective cocoon of silent email, jus plainest pain masquerading beneath a tensile casual remark and how you wish you could poetry, write, torrentially in simple lines, to match the transverse and reverse the only two gears, so overcome with anger worry and pain no killer can **** so deep and swift its haphazard rambling rambunctious cursing coursing and all she said was this:* this is going to be the end of us and you, charged to interpret this sentence, like your namesake Daniel the invisible handwriting on the Babylonian wall that is under construction for which you will both pay equally
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Nov 12, 2016
Nov 12, 2016 at 10:50 AM UTC
"this is going to be the end of us"
As daylight dreams reach for dark under a K-light sky so must the world return requited, kited, new , no one knew but me and you I will not beg of thee in XYZ chromosomal hormonal after-tonal A giant jelly fish ate "To Wong foo with love" a bit of it's electric lightening flash turned my skin to glass, molted down Queen cream in crock-odor-ium, it may be a word, it may not, it maybe your Marshland smile. I'm going to emerge orthodontia in crystalline wings and when I do I hope it won't blind you like your heart like your heart forgot how to pronounce my name and sunlight forgot to wash the sand into bleached wood a drift from where I cry away from that small dark part of me that resembles photosynthesis in green or gold memories ..of i'll never leave you even when my tongue has become a pin cushion for all the things That get stuck to it in the dark shifting of under garments and sleepless every things that crawl the endless length of me as a nightly ritual of sacred dance.
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Mar 27, 2016
Mar 27, 2016 at 12:49 PM UTC
Jellyfish