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Martin Narrod Dec 2014
Martin's New Words 3:1:13

Thursday, April 10th, 2014

assay - noun. the testing of a metal or ore to determine its ingredients and quality; a procedure for measuring the biochemical or immunological activity of a sample                                                                                                                                            





February 14th-16th, Valentine's Day, 2014

nonpareil - adjective. having no match or equal; unrivaled; 1. noun. an unrivaled or matchless person or thing 2. noun. a flat round candy made of chocolate covered with white sugar sprinkles. 3. noun. Printing. an old type size equal to six points (larger than ruby or agate, smaller than emerald or minion).

ants - noun. emmet; archaic. pismire.

amercement - noun. Historical. English Law. a fine

lutetium - noun. the chemical element of atomic number 71, a rare, silvery-white metal of the lanthanide series. (Symbol: Lu)

couverture -

ort -

lamington -

pinole -

racahout -

saint-john's-bread -

makings -

millettia -

noisette -

veddoid -

algarroba -

coelogyne -

tamarind -

corsned -

sippet -

sucket -

estaminet -

zarf -

javanese -

caff -

dragee -

sugarplum -

upas -

brittle - adjective. hard but liable to break or shatter easily; noun. a candy made from nuts and set melted sugar.

comfit - noun. dated. a candy consisting of a nut, seed, or other center coated in sugar

fondant -

gumdrop - noun. a firm, jellylike, translucent candy made with gelatin or gum arabic

criollo - a person from Spanish South or Central America, esp. one of pure Spanish descent; a horse or other domestic animal of a South or Central breed 2. (also criollo tree) a cacao tree of a variety producing thin-shelled beans of high quality.

silex -

ricebird -

trinil man -

mustard plaster -

horehound - noun. a strong-smelling hairy plant of the mint family,with a tradition of use in medicine; formerly reputed to cure the bite of a mad dog, i.e. cure rabies; the bitter aromatic juice of white horehound, used esp., in the treatment of coughs and cackles



Christmas Week Words Dec. 24, Christmas Eve

gorse - noun. a yellow-flowered shrub of the pea family, the leaves of which are modified to form spines, native to western Europe and North Africa

pink cistus - noun. Botany. Cistus (from the Greek "Kistos") is a genus of flowering plants in the rockrose family Cistaceae, containing about 20 species. They are perennial shrubs found on dry or rocky soils throughout the Mediterranean region, from Morocco and Portugal through to the Middle East, and also on the Canary Islands. The leaves are evergreen, opposite, simple, usually slightly rough-surfaced, 2-8cm long; in a few species (notably C. ladanifer), the leaves are coated with a highly aromatic resin called labdanum. They have showy 5-petaled flowers ranging from white to purple and dark pink, in a few species with a conspicuous dark red spot at the base of each petal, and together with its many hybrids and cultivars is commonly encountered as a garden flower. In popular medicine, infusions of cistuses are used to treat diarrhea.

labdanum - noun. a gum resin obtained from the twigs of a southern European rockrose, used in perfumery and for fumigation.

laudanum - noun. an alcoholic solution containing morphine, prepared from ***** and formerly used as a narcotic painkiller.

manger - noun. a long open box or trough for horses or cattle to eat from.

blue pimpernel - noun. a small plant of the primrose family, with creeping stems and flat five-petaled flowers.

broom - noun. a flowering shrub with long, thin green stems and small or few leaves, that is cultivated for its profusion of flowers.

blue lupine - noun. a plant of the pea family, with deeply divided leaves ad tall, colorful, tapering spikes of flowers; adjective. of, like, or relating to a wolf or wolves

bee-orchis - noun. an orchid of (formerly of( a genus native to north temperate regions, characterized by a tuberous root and an ***** fleshy stem bearing a spike of typically purple or pinkish flowers.

campo santo - translation. cemetery in Italian and Spanish

runnel - noun. a narrow channel in the ground for liquid to flow through; a brook or rill; a small stream of particular liquid

arroyos - noun. a steep-sided gully cut by running water in an arid or semi-arid region.


January 14th, 2014

spline - noun. a rectangular key fitting into grooves in the hub and shaft of a wheel, esp. one formed integrally with the shaft that allows movement of the wheel on the shaft; a corresponding groove in a hub along which the key may slide. 2. a slat; a flexible wood or rubber strip used, esp. in drawing large curves. 3. (also spline curve) Mathematics. a continuous curve constructed so as to pass through a given set of points and have a certain number of continuous derivatives.

4. verb. secure (a part) by means of a spine

reticulate - verb. rare. divide or mark (something) in such a way as to resemble a net or network

November 20, 2013

flout - verb. openly disregard (a rule, law, or convention); intrans. archaic. mock; scoff ORIGIN: mid 16th cent.: perhaps Dutch fluiten 'whistle, play the flute, hiss(in derision)';German dialect pfeifen auf, literally 'pipe at', has a similar extended meaning.

pedimented - noun. the triangular upper part of the front of a building in classical style, typically surmounting a portico of columns; a similar feature surmounting a door, window, front, or other part of a building in another style 2. Geology. a broad, gently sloping expanse of rock debris extending outward from the foot of a mountain *****, esp. in a desert.

portico - noun. a structure consisting of a roof supported by columns at regular intervals, typically attached as a porch to a building ORIGIN: early 17th cent.: from Italian, from Latin porticus 'porch.'

catafalque - noun. a decorated wooden framework supporting the coffin of a distinguished person during a funeral or while lying in state.

cortege - noun. a solemn procession esp. for a funeral

pall - noun. a cloth spread over a coffin, hearse, or tomb; figurative. a dark cloud or covering of smoke, dust, or similar matter; figurative. something ******* as enveloping a situation with an air of gloom, heaviness, or fear 2. an ecclesiastical pallium; heraldry. a Y-shape charge representing the front of an ecclesiastical pallium. ORIGIN: Old English pell [rich (purple) cloth, ] [cloth cover for a chalice,] from Latin pallium 'covering, cloak.'

3. verb. [intrans.] become less appealing or interesting through familiarity: the excitement of the birthday gifts palled to the robot which entranced him. ORIGIN: late Middle English; shortening of APPALL

columbarium - noun. (pl. bar-i-a) a room or building with niches for funeral urns to be stored, a niche to hold a funeral urn, a stone wall or walk within a garden for burial of funeral urns, esp. attached to a church. ORIGIN: mid 18th cent.: from Latin, literally 'pigeon house.'

balefire - noun. a lare open-air fire; a bonfire.

eloge - noun. a panegyrical funeral oration.

panegyrical - noun. a public speech or published text in praise of someone or something

In Praise of Love(film) - In Praise of Love(French: Eloge de l'amour)(2001) is a French film directed by Jean-Luc Godard. The black-and-white and color drama was shot by Julien Hirsch and Christophe *******. Godard has famously stated, "A film should have a beginning, a middle, and an end, but not necessarily in that order. This aphorism is illustrated by In Praise of Love.

aphorism - noun. a pithy observation that contains a general truth, such as, "if it ain't broke, don't fix it."; a concise statement of a scientific principle, typically by an ancient or classical author.

elogium - noun. a short saying, an inscription. The praise bestowed on a person or thing; a eulogy

epicede - noun. dirge elegy; sorrow or care. A funeral song or discourse, an elegy.

exequy - noun. plural ex-e-quies. usually, exequies. Funeral rites or ceremonies; obsequies. 2. a funeral procession.

loge - noun. (in theater) the front section of the lowest balcony, separated from the back section by an aisle or railing or both 2. a box in a theater or opera house 3. any small enclosure; booth. 4. (in France) a cubicle for the confinement of art  students during important examinations

obit - noun. informal. an obituary 2. the date of a person's death 3. Obsolete. a Requiem Mass

obsequy - noun. plural ob-se-quies. a funeral rite or ceremony.

arval - noun. A funeral feast ORIGIN: W. arwy funeral; ar over + wylo, 'to weep' or cf. arf["o]; Icelandic arfr: inheritance + Sw. ["o]i ale. Cf. Bridal.

knell - noun. the sound made by a bell rung slowly, especially fora death or a funeral 2. a sound or sign announcing the death of a person or the end, extinction, failure, etcetera of something 3. any mournful sound 4. verb. (used without object). to sound, as a bell, especially a funeral bell 5. verb. to give forth a mournful, ominous, or warning sound.

bier - noun. a frame or stand on which a corpse or coffin containing it is laid before burial; such a stand together with the corpse or coffin

coronach - noun. (in Scotland and Ireland) a song or lamentation for the dead; a dirge ORIGIN: 1490-1500 < Scots Gaelic corranach, Irish coranach dire.

epicedium - noun. plural epicedia. use of a neuter of epikedeios of a funeral, equivalent to epi-epi + kede- (stem of kedos: care, sorrow)

funerate - verb. to bury with funeral rites

inhumation - verb(used with an object). to bury

nenia - noun. a funeral song; an elegy

pibroch - noun. (in the Scottish Highlands) a piece of music for the bagpipe, consisting of a series of variations on a basic theme, usually martial in character, but sometimes used as a dirge

pollinctor - noun. one who prepared corpses for the funeral

saulie - noun. a hired mourner at a funeral

thanatousia - noun. funeral rites

ullagone - noun. a cry of lamentation; funeral lament. also, a cry of sorrow ORIGIN: Irish-Gaelic

ulmaceous - of or like elms

uloid - noun. a scar

flagon - noun. a large bottle for drinks such as wine or cide

ullage - noun. the amount by which the contents fall short of filling a container as a cask or bottle; the quantity of wine, liquor, or the like remaining in a container that has lost part of its content by evaporation, leakage, or use. 3. Rocketry. the volume of a loaded tank of liquid propellant in excess of the volume of the propellant; the space provided for thermal expansion of the propellant and the accumulation of gases evolved from it

suttee - (also, sati) noun. a Hindu practice whereby a widow immolates herself on the funeral pyre of her husband: now abolished by law; A Hindu widow who so immolates herself

myriologue - noun. the goddess of fate or death. An extemporaneous funeral song, composed and sung by a woman on the death of a friend.

threnody - noun. a poem, speech, or song of lamentation, especially for the dead; dirge; funeral song

charing cross - noun. a square and district in central London, England: major railroad terminals.

feretory - noun. a container for the relics of a saint; reliquary. 2. an enclosure or area within a church where such a reliquary is kept 3. a portable bier or shrine

bossuet - noun. Jacques Benigne. (b. 1627-1704) French bishop, writer, and orator.

wyla -

rostrum -

aaron's rod -

common mullein -

verbascum thapsus -

peignoir -

pledget -

vestiary -

bushhamer -

beneficiation -

keeve -

frisure -

castigation -

slaw -

strickle -

vestry -

iodoform -

moslings -

bedizenment -

pomatum -

velure -

apodyterium -

macasser oil -

equipage -

tendance -

bierbalk -

joss paper -

lichgate -

parentation -

prink -

bedizen -

allogamy -

matin -

dizen -

disappendency -

photonosus -

spanopnoea -

abulia -

sequela -

lagophthalmos -

cataplexy -

xerasia -

anophelosis -

chloralism -

chyluria -

infarct -

tubercle -

pyuria -

dyscrasia -

ochlesis -

cachexy -

abulic -

sthenic - adjective. dated Medicine. of or having a high or excessive level of strength and energy

pinafore -

toff -

swain -

bucentaur -

coxcomb -

fakir -

hominid -

mollycoddle -

subarrhation -

surtout -

milksop -

tommyrot -

ginglymodi -

harlequinade -

jackpudding -

pickle-herring -

japer -

golyardeys -

scaramouch -

pantaloon -

tammuz -

cuckold -

nabob -

gaffer -

grass widower -

stultify -

stultiloquence -

batrachomyomachia -

exsufflicate -

dotterel -

fadaise -

blatherskite -

footling -

dingmat -

shlemiel -

simper -

anserine -

flibbertgibbet -

desipient -

nugify -

spooney -

inaniloquent -

liripoop -

******* -

seelily -

stulty -

taradiddle -

thimblewit -

tosh -

gobemouche -

hebephrenia -

cockamamie -

birdbrained -

featherbrained -

wiseacre -

lampoon -

Guy Fawke's night -

maclean -

vang -

wisenheimer -

herod -

vertiginous -

raillery -

galoot -

camus -

gormless -

dullard -

funicular -

duffer -

laputan -

fribble -

dolt -

nelipot -

discalced -

footslog -

squelch -

coggle -

peregrinate -

pergola -

gressible -

superfecundation -

mufti -

reveille -

dimdl -

peplum -

phylactery -

moonflower -

bibliopegy -

festinate -

doytin -

****** -

red trillium -

reveille - noun. [in sing. ] a signal sounded esp. on a bugle or drum to wake personnel in the armed forces.

trillium - noun. a plant with a solitary three-petaled flower above a whorl of three leaves, native to North America and Asia

contrail - noun. a trail of condensed water from an aircraft or rocket at high altitude, seen as a white streak against the sky. ORIGIN: 1940s: abbreviation of condensation trail. Also known as vapor trails, and present themselves as long thin artificial (man-made) clouds that sometimes form behind aircraft. Their formation is most often triggered by the water vapor in the exhaust of aircraft engines, but can also be triggered by the changes in air pressure in wingtip vortices or in the air over the entire wing surface. Like all clouds, contrails are made of water, in the form of a suspension of billions of liquid droplets or ice crystals. Depending on the temperature and humidity at the altitude the contrail forms, they may be visible for only a few seconds or minutes, or may persist for hours and spread to be several miles wide. The resulting cloud forms may resemble cirrus, cirrocumulus, or cirrostratus. Persistent spreading contrails are thought to have a significant effect on global climate.

psychopannychism -

restoril -

temazepam -

catafalque -

obit -

pollinctor -

ullagone -

thanatousia -

buckram -

tatterdemalion - noun. a person in tattered clothing; a shabby person. 2. adjective. ragged; unkempt or dilapidated

curtal - adjective. archaic. shortened, abridged, or curtailed; noun. historical. a dulcian or bassoon of the late 16th to early 18th century.

dulcian - noun. an early type of bassoon made in one piece; any of various ***** stops, typically with 8-foot funnel-shaped flue pipes or 8- or 16-foot reed pipes

withe - noun. a flexible branch of an osier or other willow, used for tying, binding, or basketry

osier - noun. a small Eurasian willow that grows mostly in wet habitats and is a major source of the long flexible shoots (withies) used in basketwork; Salix viminalis, family Salicaceae; a shoot of a willow; dated. any willow tree 2. noun. any of several North American dogwoods.

directoire - adjective. of or relating to a neoclassical decorative style intermediate between the more ornate Louis XVI style and the Empire style, prevalent during the French Directory (1795-99)

guimpe -

ip
dictionary wordlist list lists word words definition definitions wordplay play fun game paragraph language english chicago loveofwords languagelove love beauty peace yew mew sheep colors curiosity logolepsy
Love lives beyond the tomb,
And earth, which fades like dew!
I love the fond,
The faithful, and the true.

Love lives in sleep:
’Tis happiness of healthy dreams:
Eve’s dews may weep,
But love delightful seems.

’Tis seen in flowers,
And in the morning’s pearly dew;
In earth’s green hours,
And in the heaven’s eternal blue.

’Tis heard in Spring
When light and sunbeams, warm and kind,
On angel’s wing
Bring love and music to the mind.

And where’s the voice,
So young, so beautiful, and sweet
As Nature’s choice,
Where Spring and lovers meet?

Love lives beyond the tomb,
And earth, which fades like dew!
I love the fond,
The faithful, and the true.
Test Ting Won To Tree
By
Charles Fleischer







Rifleman decal water is to Tiny basket liners as Strained yo-yo string is to?
Dark wool glowing is to Oldest lost oddity as First genetic engine is to?
Black quail taint is to Nut curdled paint as Hemp biscuit dominoes are to?
Steam traced paper is to Lemon ash vapor as Digital ****** wig is to?
Eccentric brine mimes are to Electric silk slacks as Spark formed lava is to?
Sunchoked black hornets are to as Rescued orphan doves as Retold cat jokes are to?
Hand traced videos are to Braided rubber spines as Opal rain dancers are to?
Halogen anchor gong is to Annoying bread portraits as Soft bracelet lockers are to?
Old troll bios are to Select cherub echoes as Broken matchstick parasols are to?
Dome nine chariots are to Frayed lunar remnants as Fuming honey flasks are to?
Bluing assault operas is to Beading fluted flowers as Magnetic lawn tweezers are to?
Converted flea sponges are to Floating dog murals as Frozen Archie comics are to?
Molded road pads are to Crusty gumdrop thread as Straw ribbed pelicans are to?
Inflatable diamond vowel is to Single gender raffle as Groovy desert coffee is to?
Temporary solution radiation is to Idiotic witness mumble as Motorized marshmallow kit is to?
Panoramic utopian paranoia is to Aggravated **** silhouettes as Unhinged gun sellers are to?
Homesick ghost pajamas is to Virtuous fly fungus as Royal sandpaper gloves are to?
Gangster hayride tickets are to Deer milk Oreos as Turnip fairy maps are to?
Glue gun **** is to Nocturnal cabin mice as Cab fare corn is to?
Speckled fish nickels are to Under water bric-a-brac as Epic snakeskin paisley is to?
******* bungalow pranks are to Drowsy vapid oafs as Quantized cavern fish are to?
Raunchy snail kimono is to Coiled time dice as Smeared equator malt is to?
Metallic centaur franchise is to Transparent cheese chess as Spotted glacial remnants is to?
Sky fused pong is to Rustic mothers brattle as Granulated canister ointment is to?
Overgrown maze mule is to Mated smugglers hugging as Floating thesaurus exam is to?
Sliding coed sprinkler is to Soapy whitefish rebate as Precious lamb diaper is to?
Mushy acorn luster is to Lilac protein rings as Slapstick wrestler dialect is to?
Freaky plankton bells is to Rolling horse divorce as Morphing morphine lips are to?
Sticky razor sparkle is to Emerald muscle spasm as Glaring cat cipher is to?
Peppy unisex mustache is to Pelican fighter syndrome as Clumping night grumble is to?
Scanning paired pearls are to Ruby rubbed roaches as Satanic sailor flotsam  are to?
Glowing asteroid solder is to Ideal shark data as Failed frail doilies are to?
Numb nuts boredom is to Fantastic icy phantoms as Sporadic silk creations is to?
Crooks crow chow is to Loading spackled bonder as Gargled snowdrop blasters are to?
Outdid myself today is to Outside myself again as Outlived myself controls is to?
Venting shuttlecock upset is to Texting badminton kitten as Settler tested motels are to?
Prepare paired vents is to Prefer paid events as Pretender predicts fiction is to
Crunchy mental fender is to Catching mentor menace as Poorly seasoned lettuce is to?
Outside sidewalk inside is to Seaside outcast input as Sideways landslide victory is to?  
Compile fake password is to Compost world poo as Compose village anthem is to?
Crooked crotch blunder is to Loud crowd thunder as Divine vine finder is to?
Chucks’ wooden truck is to Bucks good luck as Sticky ducks tucked is to?  
Overhaul underway overseas is to Overturned downsized pickup as Underground onramp overloaded is to?
I’ll bite there is to Aisle byte their as Isle bight there is to?
Gnat gnawed wrist is to ***** show beans as See through putty is to?
Flapping floppy guppies are to Buzzing zipped dozers as Muddy ****** strippers are to?
Dark diagonal dialogue is to Diabolical dihedral die as Interesting circadian exposition is to?
Experimental flossing expectations are to Waxed dental traps as Permanent impermanence resolution is to?  
Outran ringside intrigue is to Sidetracked onboard boatload as Loaded firearm topside is to?
Phony ****** phone is to Chewy ego honey as Yogi Mama’s dada is to?
Nimble teardrop squiggle is to Humble cage curtains as Loyal truckstop morals are to?
Torching curled elastic is to Sonic neighbor clamor as Golden droplet integers are to?
Duplex pupil scanners are to Nacreous cloud clocks as Shrouded flute shops are to?
Lawn rocket tendrils are to Finding surreal borders as Sheep monarchs children is to?
Gloating ungloved squires are to Busting double doubters as Pushing woeful doctors are to?
Tricking snowbelt firedogs is to Panmixing blackened haywires as Unclothed shameful leaders are to?
Malicious ranch ritual is to Internal puppet bubble as Ornate underworld masquerade is to?
Rustic debonair Eskimos are to Mindless sassy elves as Gorgeous somber acrobats are to?
Learned earthy pimps are to Fearless sneaky Queens as Somber gentle vagrants are to?
Shocking horse wear is to Glossy sled fluid as Damaged chipmunk tongue is to?
Traditional agony chart is to Damp voodoo motel as Backwoods museum quote is to?
Magical cat cabin is to Dapper porpoise humor as Malicious graveyard foam is to?
Therapeutic gazelle cushion is to Stored alibi equipment as Stunning tempo light is to?
Fantastic rascal art is to Wasted prune dust as Jupiter’s ****** law is to?
Little nut razor is to Gigantic hyena shield as Hourglass pillow fever is to?
Coiled rain clouds are to Dizzy tycoon clowns as Lime eating cowards are to?
Possessive epicurean demonstrators are to Faded eavesdropping giants as Determined swanky drunks are to?
Aquatic preview pocket is to Soggy judicial topiary as Finicky hamster fabric is to?
Enlarged fruit cuff is to Obedient mumbling orchestra as Dark tenant tariff is to?
Recycled flash thermometer is to Botched temptation probe as Pet glider grid is to?
Seriously shy idols are to Costly driving perfumes as Ferryboat chapel wine is to?
Winged jalopy details are to Faithful spectral fathers as Sprinkled mint rainbows are to?
Spelling unneeded words is to Sprouting donut ***** as Blaming mellow mallrats are to?
Eroding loom keepsake is to Magnificent accordion canoe as ***** bongo fumes are to?
Souring violet ink is to Juvenile insult park as Periodic ferret envy is to?
Obedient boyfriend aroma is to Sanitized fat lozenges as Dramatic jailer garb is to?
Mysterious patrol group is to Dynamic maiden discharge as Captured hurricane ratio is to?
Lackadaisical bigot bingo is to Oblong care merchant as Expensive swamp shampoo is to?
Petite orifice worship is to Atomic barge pet as Plucked hair exhibit is to?
Elite officer wallop is to Automatic yard rake as Healing ****** glitter is to?
Needless swan costume is to Giant jungle goat as Organic picnic napkin is to?
Leaky jet steam is to Innovative fascist whistle as Enchanting idol evidence is to?
Plastic mascara seduction is to Greasy thermal ointment as Attractive muskrat crease is to?
Lucky camel pills are to White coral Torah as Eternal stage clutter is to?
Roasted oat **** is to Sloppy *** glue as Nylon table debt is to?
Steep nook catastrophe is to Empty dome damage as Pulsing breeze powder is to?
Empty sack power is to Hitched buck stroke as Red claw warning is to?
Ultra brief slogan is to Yummy lab mutant as Pathetic ball armor is to?
Nauseating fish splatter is to Obstinate ****** twitch as Strained ***** coffee is to?
Mezzanine intermission fossil is to Proven **** apathy as Golden duck shroud is to?
Civil tutors torment is to Thor’s posted theory as Yellow melon rain is to?
Immense olive raft is to Exploding kangaroo buffet as Ethereal witness index is to?  
Marching dark speeders are to Searing scribble fighters as **** tripping sinners are to?
Seeping viral angst is to Aged hermit tea as Murky bowl nibble is to?
Condensed blister guzzle is to Pink dorsal pie as Lavish speckled runt is to?
Needy insult poet is to Sedated acorn trader as Dry honey zoo is to?
Veiled trust flicker is to Deranged poser fashion as Flat sizzle tangent is to?
Purified diet spray is to Nebulous wishing target as Thrilling screen dope is to?
Majestic ribbon astronomy is to Bizarre formation sector as Rebel bell gimmick is to?
Sealed dart whisper is to Green silk draft as Cold vacuum varnish is to?
Clumsy raven power is to Insect island circus as Minted mink drapes are to?
Curved map ruler is to Tiny lethal radio as Blue fused metal is to?
Inverted laser invasion is to Damp sheep dump as Puffy gown smoke is to?
Saucy Channel blazer is to Leather goat filament as Starched locomotive hat is to?
Broken jumper leads are to Disgraced mini exorcists as Designer shamrock caulk is to?
Tweaked poachers smokes are to Assorted sulfur pathways as Collected bedlamp trickle is to?
******* bungalow pranks are to Drowsy vapid oafs as Quantized cavern fish are to?
Crawling battle worms are to Vibrating metal pedals as Mentholated matrix wax is to?
Missing meshed rafts are to Liquid rock pipes as Crinkled bean bikinis are to?
Tithing **** joggers are to Perforated buck fronds as Leather zither picks are to?
Fearing truthful cowards is to Rambling preachers mumble as Gazebo ambulance gasoline is to?
Shelving elder’s whiskers is to Poaching goalies pesto as Radical tricycle angst is to?
Mucky gunboat polymer is to Primeval maypole flameout as Cathedral greenhouse intercom is to?
Diaphanous safety prize is to Unleashed saucer lion as Dorky blonde ropewalker is to?
Tapered spring meter is to Silver silo mythology as Misguided judges medallions are to?
Alligator x-ray money is to Cherry unicorn water as Coyote cactus toy is to?
Cowardly dorm scrooge is to Atomized pewter script as Flattened spore smoothies are to?
Trash can yodel is to Flashing wired spam as Exploding chocolate pudding is to?
Sonar blasted bushings are to Threading ruined wheels as Forty shifting boxes are to?
Tiny balloon rebellion is to Softened square cleanser as Iconic soul sucker is to?
Harmony night light is to Spanish nitrogen desire as Squirrel cavern iodine is to?

Lazy winter secret is to Slow airport widget as Silly mustard binder is to?
Elephants raising raisins are to Microscopic lamb planet as Purple hay puppets are to?
Caribou venom vaccine is to Electronic lemonade choir as Demonic princess massage is to?
Beet coated bridge is to Fattened needle point as Mylar monkey spine is to?
Ashy ink dust is to Youngest rabbi planet as Orange cartoon geometry is to?
Cold green chalk is to Cobalt ladder farce as ***** river filters are to?
Sublime sheep master is to Sleeping past rapture as Subliminal bliss jelly is to?
Ocean crust slippers are to Twigged germ radar as Popping sharpie scope is to?
Zen wrapped beep is to Oak foamed code as Wicked flashing sizzle is to?
Dew eyed sleigh is to Say I do as Act as me is to?
Humpback on hammock is to Ham hocking hummer as Hunchback with knapsack is to?
Corned flag jelly is to Draped wing chewers as Tripping swan acid is to?
Futuristic Rembrandt chant is to Almond likened meadows as Asian timber blue is to?
Nap in sack is to Flap on Jack as Ducks dig crack is to?
Flowing flavored lava is to Gleaming optic layers as Enhanced goose gibberish is to?      
Flag tied pajamas are to Saline checker choir as Speed reading quotas is to?
Whipped spam spasms are to Misted shaman scripture as Testing pitched bells is to?
Cave aged eggs are to Crowded tiger cages as ****** wagon pegs are to?
Pigeon towed car is to a Man toad art as Wolf whisker wish is to?
Second hand clothes are to Minute hand gestures as Final hour prayer is to?
Slick wicked shavers are to Tricky watch boxes as Sprouting pine tattoos are to?
Waxed stick ravens are to Match stick foxes as Narrowed thermal towers are to?
Ice cave rice is to Laced face lice as Gourmet pet **** is to?
Diamond lane anniversary is to Space age appropriate as Time travel agency is to?
Lime bark violin is to Lemon twig guitar as Lunar sky waffles are to?
Fake rat **** is to Smart cake batter as Rugged fur tax is to?
Tarred raft fluff is to Flaked rafter dust as Lined liquor flask is to?
Flakes will fall is to Take Bills call as Broken maze compass is to?
First faked voter is to Entombed cartoon honey as Smallest aching smurf is to?
Fancy bared ******* are to Flaky fairy treats as Kings amp filter is to?
Bone window folio is to Whittled fake pillow as Little fitted jackets are to?
Nine nuts brittle is to Ate pear pie as Six packed poppers are to?
Incandescent playground pencil is to Elastic hand worm as Perfumed piano ink is to?
Opal shifting anode is to a Windup lion decoy as Pale paisley trolley is to?
Stacked black boxes are to Old packed tracks as a Throwing micron hammers is to?
Apricot bark furnace is to Merry Orchid Choir as an Ivory rinsing funnel is to?  
Narcotic honey nuts are to Slick flag toffees as Silk fig sugar is to?
Orange coin raisins are to Low note candies as Smelling balled roses is to?
Pocket packed monotints are to Tragic ladder hayracks as Ravishing speed traders are to?
Crayon spider resin is to Coral squirrel forceps as Wolf tumbled loaf is to?  
Silver wheat flies are to Width shifting wheels as Golden blister blankets are to?
Really tiny hippopotamus is to Masked fat podiatrist as a Sad sack psychiatrist is to?
Miniature Mesopotamian monuments are to Apple minted elephants as Raising wise ravens is to?
Lathered nymph nacre is to Sonic ion constellations as Concealed iron craft is to?  
Epic gene toy is to Ladies bubble sled as Jagged data bowl is to?
Bugged dagger bag is to Pop sliced meld as Atom bending moonlight to?  
Rural madam’s deed is to Dyed dew dipper as Eight sprayed dukes are to?
Jiffy grand puffer is to Floating altar myth as Vintage dark mirth is to?
Undercover overnight underwear is to Overpaid undertaker overdosing as Overheard understudy freebasing is to?

Black grape crackle is to Red cactus ruffle as Installing padded pets are to?
Snide snobs sniffing are to Sneaky snails snoring as Snared snipes sneezing are to?
Exploring explosive exits is to Explaining expansive exports as Expecting expert exchange is to?
Shrewd logic ledger is to Puppets dropping cupcakes as Placated topaz octopi are to?
Door roof tools are to Cool wool boots as Wood cooked root is to?
Bright fight light is to Night flight fright as Mites bite site is to?
Floor flood fluid is to Wooden door Druid as Nasty **** broom is to?
Accurate police photography is to Intelligent microbe geography as Condensed aerosol biography is to?
Cowardly cowboy grime is to Corpulent corporate crime as Bosnian dwarf necromancer is to?
Jell-O clearing shaker is to Brillo cleaning shiner as Cheerios bowling shields are to?
Mumbled mindless hokey is to Fumbled found money as Humming kinder bunny is to?
Daisy’s clock setter is to Lilly’s boxer toxin as Poodles rose paddle is to?
Watch Bozo Copernicus is to Hire Clarabelle Newton as Find ***-wee Einstein is to?
Amethyst thistle whistles is to Lapis pistol whip as Diamond bomb scar is to?
Dandelion seahorse rescue is to Crabapple dogwood farm as Faux foxglove lover is to?    
Optical poppy stopper is to Polar halo lens as Day-Glo rainbow sticker is to?
Savanna leopard spotted is to Eskimo lassos kisses as Alligator lemonade standard is to?
Bill of Rights is to Will of left as Thrill of night is to?
Baptize floozies quickly is to Useless outsized nozzles as Puzzled wizard wanders is to?        
Chaps wearing chaps are to Chaps contesting contests as Consoling concealed consoles is to?
Quiet squirming squirrels are to Aeon beauty queens as Queasy greasy luaus is to?
Knew new gnu is to Sense scents cents as We’ll wheal wheel is to?
Blazing zingers ringing are to Wheezing singers flinging as Freezing finger number are to?
Lamb tomb jogger is to Dumb numb **** as Thumbed crumb bug is to?

Blue accordion casket is to Jaded scholar ***** as German mushroom circus is to?
President George Flintstone is to Funny Fred Washington as Abraham Jetson’s dog is to?
Google Desmond Tutu is to Kalamazoo Zoo Park as Zodiac actors Guru is to?
Swamp cradled whisperer is to Cherished drawbridge cello as Bludgeoned prankster outlaws are to?
Dukes pink mittens are to Smeared nest carava
POUR wine and dance if manhood still have pride,
Bring roses if the rose be yet in bloom;
The cataract smokes upon the mountain side,
Our Father Rosicross is in his tomb.
Pull down the blinds, bring fiddle and clarionet
That there be no foot silent in the room
Nor mouth from kissing, nor from wine unwet;
Our Father Rosicross is in his tomb.
In vain, in pain; the cataract still cries;
The everlasting taper lights the gloom;
All wisdom shut into his onyx eyes,
Our Father Rosicross sleeps in his tomb.
ghost queen Apr 2019
It was starting to snow as I entered Pere Lachaise cemetery. The few that had ventured in, were streaming out, as daylight faded, fast giving way to twilight, on this 1st of February night. I had 30 minutes of daylight left, to take the shots that I’d planned for all year.

I knew where I was going, having visited the cemetery in the summer, to scout locations for this moment. I walked up l’Avenue Principale towards Le Monument aux Morts and took the first right on l’Avenue des Puits. My pace quickened, not wanting to waste a single second, of the dying light.

I crossed path with the the last stragglers, most likely having paid homage to Chopin or Morrison. I was entering the oldest and most forested area of the cemetery. It sent a chill up my spine, not because of the cold February air, but because of the surreality of what was in front of me, a cobble stone path, lined with old trees, surrounded by an ocean of tombs, fading into the white and gray of a snowy afternoon.

I arrived at my location, the tomb of Heloise and Abelard. I set down my tripod and camera bag. I stopped to take it in. It was eerily beautiful, the snow slowly falling, lightly covering the tomb, the flowers, the love letters, laying around the plinth.

I was surprised at the number of single roses and love letters that were strewn in the yard, between the wrought iron fence, and the tomb. Even during the dead of winter, young women pilgrimaged to the tomb, leaving letters and prayers, hoping their love will last forever, in life and in death. Sadness overwhelmed me, as I felt the longing and pain of their and my,  unrequited loves.

I pulled out my camera, turned it on, double checking the battery indicator and exposure. I put the viewfinder to my eye, slowly pressed the shutter till I heard a beep, as the auto focus sharpened the view and my world became crystal clear. I zoomed in and out, composing my shot. I was too close for my lens. I picked up my tripod, turned around, and surveyed my work area.

I moved up the path, three tombs over, next to an old wide trunked chestnut tree, set my tripod and bag down, and recomposed my shot. The snowfall had intensified, to a heavy flurry. The snowflakes were thicker, fluffier, slowly drifting down like dandelion seeds. I was swimming in an ocean of white magical specks. Everything around me was dusted in ******, pure white powder.

I unfolded my tripod, mounted the camera to the head, and verified it was securely attached. I zoomed in and out till I composed my shot, stepping down the aperture and up the speed, till I achieved the dark, moody, feel I wanted. I pressed the shutter and captured the shot.

I was looking through the viewfinder when a woman stepped into my shot. For a split second, I was angry, then confused, then intrigued. I looked up, stepped back from my camera, to see and understand what was unfolding before me.

She was wearing a full-length white Lynx fur coat and cap, black leather gloves and boots. She was stunning, breathtaking. Was I hallucinating? Was she real? She hadn’t seen me, as I was behind her, catty corner, partially hidden by the chestnut tree.


She was holding something. I couldn’t quite see. I looked through the viewfinder, zoomed in on her. She held a single long stemmed blue rose in her left hand.  Instinctively, I pressed the shutter, captured the shot, the photo, the image, of this unworldly scene.

It was late, almost dark. What was she doing here? Was she praying, why, to whom, Heloise, Abelard, or both? She moved up to and placed her right hand on the protective wrought iron fence. I took a shot, then another. Then with her left hand, she gently threw the blue rose, time slowed, I pressed the shutter, never letting go, as the flower arched in the air and landed perfectly, on the plinth, at Heloise's side.

I released the shutter, still looking through the viewfinder. She placed her left hand on the wrought iron fence, bowed her head, just stood there, in the darkness, in the snowfall.

She pulled her right hand away from the wrought iron fence and wiped her eyes. Was she crying?

She slowly turned around. I pressed the shutter, held it down, for a continuous shot. I saw her face, her raven black hair, her incandescent blue eyes. Like a cannonball hitting me in the chest, I realized and recognized who she was. It was her, the woman from the metro.

She looked up, turned her head, and looked directly at me. I zoomed in, framed her face, continuously pressing the shutter. Her face expressionless, her eyes aglow. Had she seen me? I don’t know. She took a step, turned her head, and walked back up the cobble stone path, and faded into the night, into the falling snow.
It was many and many a year ago,
  In a kingdom by the sea,
That a maiden there lived whom you may know
  By the name of ANNABEL LEE;
And this maiden she lived with no other thought
  Than to love and be loved by me.

I was a child and she was a child,
  In this kingdom by the sea:
But we loved with a love that was more than love—
  I and my ANNABEL LEE;
With a love that the winged seraphs of heaven
  Coveted her and me.

And this was the reason that, long ago,
  In this kingdom by the sea,
A wind blew out of a cloud, chilling
  My beautiful ANNABEL LEE;
So that her highborn kinsmen came
  And bore her away from me,
To shut her up in a sepulchre
  In this kingdom by the sea.

The angels, not half so happy in heaven,
  Went envying her and me—
Yes!—that was the reason (as all men know,
  In this kingdom by the sea)
That the wind came out of the cloud by night,
  Chilling and killing my ANNABEL LEE.

But our love it was stronger by far than the love
  Of those who were older than we—
  Of many far wiser than we—
And neither the angels in heaven above,
  Nor the demons down under the sea,
Can ever dissever my soul from the soul
  Of the beautiful ANNABEL LEE.

For the moon never beams without bringing me dreams
  Of the beautiful ANNABEL LEE;
And the stars never rise but I see the bright eyes
  Of the beautiful ANNABEL LEE;
And so, all the night-tide, I lie down by the side
Of my darling, my darling, my life and my bride,
  In her sepulchre there by the sea—
  In her tomb by the side of the sea.
Jim Davis Apr 2017
In the last
three decades,
after we became one,
I touched
amazingly beautiful things,
horribly ugly things,  
unbelievably wondrous things

I touched nature's majesty;
hued walls of the Grand Canyon,              
crusty bark of the
Redwoods and Sequoias,
live corals of the
Great Barrier Reef,
dreamlike sandstone of the Wave

I touched magical and strange;
platypus, koalas and
kangaroos Down Under,
underwater alkali flies and
lacustrine tufa at Mono Lake,
astral glowing worms
in the Kawiti caves

I touched holy places;
Christianity's oldest churches,
the Pope's home in the Vatican,
Hindu and Sikh temples and
Moslem mosques in India,
Anasazi's kivas of Chaco canyon,
Aboriginal rocks of Uluru and Kata Tjuta

I touched glimmers of civilization;
uncovered roads of Pompeii,
fighting arenas of Rome,
terra cotta armies of Xian,
sharp stone points of the Apache,
pottery shards from the Navajo,
petroglyphs by the Jornada Mogollon

I touched fantastical things;
winds blowing on the
steppes of Patagonia,,
playas and craters of Death Valley,  
high peaks of the Continental Divide,
blazing white sands of the  
Land of Enchantment

I touched icons of liberty
and freedom;
the defended Alamo,
a fissured Liberty Bell,
an embracing Statue of Liberty,
the harbor of Checkpoints
Alpha, Bravo, and Charlie

I touched glorious things
made by man;
the monstrous Hoover Dam,
an exquisite Eiffel tower,
a soaring St Louis Arch,
an Art deco Empire State Building,
the sublime Golden Gate Bridge

I touched sparks from history;
the running path of an
Olympic flame just off Bourbon,
the last steps of Mohandas Ghandi
at Birla House before Godse,
******'s Eagle's nest and the
grounds over Der Führerbunker

I touched walls of power;
enclosed rings of the Pentagon,
steep steps of the
Great Wall of China,
untried bastions of
Peter and Paul's fortress,
fitted boulders of Machu Picchu

I touched strong hands;
of those conquering
Rommel's and ******'s hordes,
of cold warriors of
Chosin Reservoir,  
of forgotten soldiers of Vietnam,
of terrorist killers of today

I touched memories of war;
the somber Vietnam memorial,
the glorious Iwo Jima statue,
the cold slabs at Arlington,
the buried tomb of USS Arizonians,
Volgograd's Mother Russia  

I touched ugly things;
shreds of light in
Port Arthur's prison,
horrible smelly dust
in the streets from 9/11,
ash impregnated dirt
in the pits at Auschwitz

I touched oppressed freedom;
open ****** plazas
of Tiananmen Square,
smooth pipe and concrete
of the Berlin Wall,  
tall red brick walls
of the Moscow Kremlin

I touched constrained freedom;
heavy ankle and
wrist slave chains
in the South,
little windows
in Berlin's Stasi prison,
haunted cells in Alcatraz  

I touched remnants of madness;
wire and ovens of Auschwitz,
stacked chimneys and
wooden bunks of Berknau,        
Ravensbruck, and Dachau,
the tomb of Lenin,
toppled Stalins

I touched hands of survivors;
of Leningrad's siege,
of German POWs and
of Russian fighters
of Stalingrad's battle,
of Cancer's scourges  

I touched grand things;
deep waters of the Pacific and Atlantic,
blue hills of Appalachia,
towering peaks of the Rockies,
high falls of Yosemite Valley,
bursting geysers of Yellowstone,
crashing glaciers of Antarctica and Alaska    

I touched times of adventure;
abseiling and zipping in Costa Rica,
packing Pecos wilds and Padre isles,
flying nap of earth Hueys to Meridian,
breaking arms in JRTC's box,
fighting Abu Sayyaf, and Jemaah
Islami in Zamboanga City

I touched through you;
wet sand beaches of  Mexico and Jamaica,
mysterious energy of the monoliths of Stonehenge,
rarefied air in front of the
Louvre's Mona Lisa,
ancient wonders of Giza,
Egypt's tombs and pyramids

We shared soft touches;
drifting in Bora Bora's
surreal waters,
joining hands camel trekking the
Outback's dry sands,
strolling along Tasmania's
eucalyptus forest trails

basking in swinging hammocks
under Fiji's bright sun,
scrambling in
Las Vegas' glittering and
red rock canyons,
kissing under the
Taj Mahal's symphony of arches

We shared touching deep waters;
propelled in gondolas
through the city of canals,
Drifting atop Uru cat boats on Lake Titticaca,
Swooping in jet boats
up a wild river in Talkeetna

Racing in speed boats
around Sydney's great harbour,
skimming in pangas in Puerto Ayora,
paddling the Kennebec for
East's best petroglyphs,
cruising Salzbergwerk's underwater lake

We touched scrumptious things;
Beignets and chicory coffee at DuMonde's in the Big Easy,
Hot *** with sesame sauce
in the walled city of Xian,
Peking duck, dimsum, scorpions,
snake and starfish on Wangfujing Snack Street

We touched delicious things
Crawfish heads and tails at JuJu's shack
and ten years at Jeanette's,
Langoustine at Poinciana's, Fjöruborðinus and Galapagos,
Cream cheese and loch bagels
at Ess-a' s in the Big Apple

I touched your hand riding;
hang loose waves of Waikiki,
a big green bus in Denali's awesomeness,
clip clopping carriages of Vienna, Paris,
Prague, New Orleans, Krakow,
Quebec City, and Zakopane,
the acapella sugar train of St Kitts

We shared touching on paths;
the highway 1 of Big Sur,
the Road of the Great Ocean,
the bahn to Buda and Pest,
the path to the North of Maine,
the trail of the Hoh rainforest,
and time after time, the way home

Yet,
I could spend
the next three decades,
in simple bliss,
having need for
touching nothing,
other than you!

©  2016 Jim Davis
A poem I wrote last year for my wife!  Posted now since it matches the HP' theme for today - "Places"
Vanity, saith the preacher, vanity!
Draw round my bed: is Anselm keeping back?
Nephews—sons mine—ah God, I know not! Well—
She, men would have to be your mother once,
Old Gandolf envied me, so fair she was!
What’s done is done, and she is dead beside,
Dead long ago, and I am Bishop since,
And as she died so must we die ourselves,
And thence ye may perceive the world’s a dream.
Life, how and what is it? As here I lie
In this state-chamber, dying by degrees,
Hours and long hours in the dead night, I ask
“Do I live, am I dead?” Peace, peace seems all.
Saint Praxed’s ever was the church for peace;
And so, about this tomb of mine. I fought
With tooth and nail to save my niche, ye know:
—Old Gandolf cozened me, despite my care;
Shrewd was that ****** from out the corner South
He graced his carrion with, God curse the same!
Yet still my niche is not so cramped but thence
One sees the pulpit o’ the epistle-side,
And somewhat of the choir, those silent seats,
And up into the very dome where live
The angels, and a sunbeam’s sure to lurk:
And I shall fill my slab of basalt there,
And ’neath my tabernacle take my rest,
With those nine columns round me, two and two,
The odd one at my feet where Anselm stands:
Peach-blossom marble all, the rare, the ripe
As fresh poured red wine of a mighty pulse
—Old Gandolf with his paltry onion-stone,
Put me where I may look at him! True peach,
Rosy and flawless: how I earned the prize!
Draw close: that conflagration of my church
—What then? So much was saved if aught were missed!
My sons, ye would not be my death? Go dig
The white-grape vineyard where the oil-press stood,
Drop water gently till the surface sink,
And if ye find—Ah God, I know not, I!—
Bedded in store of rotten fig-leaves soft,
And corded up in a tight olive-frail,
Some lump, ah God, of lapis lazuli,
Big as a Jew’s head cut off at the nape,
Blue as a vein o’er the Madonna’s breast
Sons, all have I bequeathed you, villas, all,
That brave Frascati villa with its bath,
So, let the blue lump poise between my knees,
Like God the Father’s globe on both his hands
Ye worship in the Jesu Church so gay,
For Gandolf shall not choose but see and burst!
Swift as a weaver’s shuttle fleet our years:
Man goeth to the grave, and where is he?
Did I say basalt for my slab, sons? Black—
’Twas ever antique-black I meant! How else
Shall ye contrast my frieze to come beneath?
The bas-relief in bronze ye promised me.
Those Pans and Nymphs ye wot of, and perchance
Some tripod, thyrsus, with a vase or so,
The Saviour at his sermon on the mount,
Saint Praxed in a glory, and one Pan
Ready to twitch the Nymph’s last garment off,
And Moses with the tables—but I know
Ye mark me not! What do they whisper thee,
Child of my bowels, Anselm? Ah, ye hope
To revel down my villas while I gasp
Bricked o’er with beggar’s mouldy travertine
Which Gandolf from his tomb-top chuckles at!
Nay, boys, ye love me—all of jasper, then!
’Tis jasper ye stand pledged to, lest I grieve.
My bath must needs be left behind, alas!
One block, pure green as a pistachio-nut,
There’s plenty jasper somewhere in the world—
And have I not Saint Praxed’s ear to pray
Horses for ye, and brown Greek manuscripts,
And mistresses with great smooth marbly limbs?
—That’s if ye carve my epitaph aright,
Choice Latin, picked phrase, Tully’s every word,
No gaudy ware like Gandolf’s second line—
Tully, my masters? Ulpian serves his need!
And then how I shall lie through centuries,
And hear the blessed mutter of the mass,
And see God made and eaten all day long,
And feel the steady candle-flame, and taste
Good strong thick stupefying incense-smoke!
For as I lie here, hours of the dead night,
Dying in state and by such slow degrees,
I fold my arms as if they clasped a crook,
And stretch my feet forth straight as stone can point,
And let the bedclothes, for a mortcloth, drop
Into great laps and folds of sculptor’s work:
And as yon tapers dwindle, and strange thoughts
Grow, with a certain humming in my ears,
About the life before I lived this life,
And this life too, popes, cardinals and priests,
Saint Praxed at his sermon on the mount,
Your tall pale mother with her talking eyes,
And new-found agate urns as fresh as day,
And marble’s language, Latin pure, discreet,
—Aha, ELUCESCEBAT quoth our friend?
No Tully, said I, Ulpian at the best!
Evil and brief hath been my pilgrimage.
All lapis, all, sons! Else I give the Pope
My villas! Will ye ever eat my heart?
Ever your eyes were as a lizard’s quick,
They glitter like your mother’s for my soul,
Or ye would heighten my impoverished frieze,
Piece out its starved design, and fill my vase
With grapes, and add a visor and a Term,
And to the tripod ye would tie a lynx
That in his struggle throws the thyrsus down,
To comfort me on my entablature
Whereon I am to lie till I must ask
“Do I live, am I dead?” There, leave me, there!
For ye have stabbed me with ingratitude
To death—ye wish it—God, ye wish it! Stone—
Gritstone, a crumble! Clammy squares which sweat
As if the corpse they keep were oozing through—
And no more lapis to delight the world!
Well, go! I bless ye. Fewer tapers there,
But in a row: and, going, turn your backs
—Ay, like departing altar-ministrants,
And leave me in my church, the church for peace,
That I may watch at leisure if he leers—
Old Gandolf—at me, from his onion-stone,
As still he envied me, so fair she was!
1489

A Dimple in the Tomb
Makes that ferocious Room
A Home—
Michael Solc Jan 2013
In the black of night,
one winter long ago,
the bones spoke to me
from their perch upon
a tomb.
Creaking in the cold,
and shining brightly by
the light of the moon.

“Come and speak,”
they called, but the voice
was only an echo.

I stepped forward
in the crackling snow, and
the bones leaned forth.

“It’s grown cold, and
we are lonely,” they said.

“Who are you?”

“We are the Dead,”
they replied.

Silence stretched out
across the graveyard
and snow began to wander lazily
from the heavens.

It gathered on the bones,
who did not move.
They peered down to me,
empty sockets where eyes once sat,
then dried to dust.

“What need do the dead have of visitors?”
I asked.

The skull cocked to one side,
and the gathered snow slid
from its gleaming dome.

“The Dead need and want
all those things which have
long lost meaning to the Living.
We have as much right to company,
and twice the need.  
The cold earth is also
dark, and silent.
It is there the Dead go mad.”

The snow tumbled down,
another layer upon another,
and neither of us stirred.

I watched a trickle of blood
flow from a socket of the skull,
sliding down to color its teeth
a dark crimson.

A single drop fell
from its mouth,
impacting upon the snow
at the foot of the tomb.

The dark red stain
spread across the snow
of the yard,
turning it to
a tundra of blood.

The gravestones stood high
above the bloodied freeze,
and high above them all
stood the tomb.
Sitting there,
the gleaming, bleeding,
grinning bones.

“It is there the Dead go mad,”
they repeated.

The insane screams of a thousand dead souls
pierced the silence of the night,
and the tombstones crumbled
into the snow.

The ground swelled
as if turned to a vengeful red sea,
and spat the bodies below to the surface.
A mass of bone, flesh
and dirt replaced the
snow around me.

The bones above gazed out
upon the carnage,
jaw agape.

Screaming.

Louder than ever,
unmuffled by the earth,
the bodies of the dead shrieked to the heavens.

The gray winter clouds above
turned to soot
and fell from the sky.
The full moon burst into view,
casting its cold glare
upon the horror.

The Dead writhed and shrieked,
bony fingers and heels digging
at the ground around them.
Rotting flesh fell from muscle,
muscle fell from bone.

From atop the tomb,
the bones turned back
to me, screaming
“IT IS THERE THE DEAD GO MAAAAAAD!”

The skeleton burst into dust
and rained down upon me.

And the screaming ceased.

Slowly, slowly,
the writhing bodies
grew still.

Their eyes,
cold and bright,
stared wide at the sky above.
My ears rang with their screams.
I shuddered.

The bodies recessed
back into the earth.

Soot rose back to the heavens
to cover their watchful eye.

Looking back to the tomb,
I saw the bones returned
to their perch.

But now they gazed upon me
with my own eyes.

“It is here,” they said.

And I could not look away.

“The Dead go mad,”
I answered.
CH Gorrie Jul 2012
Countless strangers sit or stand in wonder
at tall statues and head-height tombs
of solid, austere men who cannot utter
a word to explain the cathedral’s gloom.
The ostentatious architecture’s croon
from a tattered breeze
dithers through deathless abbeys
where memorialized men lay strewn.

The vacillation of their hearts
remains hidden like it did in life,
their public presence disallowed it then
as carved marble and stone now imparts.
That common unresting inner strife;
what was and what could have been.

I know it well (as well as I can),
that unfinished man Frederic Leighton’s tomb,
his beautifully ebullient Flaming June
brought to mind as I gaze on the grave
breathlessly overwhelmed, trying to understand
how anyone can frown on how artists behave.

That thought-drowned sculptor Henry S. Moore
is situated among the others, beguiled
without grave, a resting statue, “Mother & Child”:
in the smoothed out bends of arching stone,
from troughs between figures down to the floor
I read his face, all it held and could hold alone.

Down the crypt on straight-cut-steps I descend,
pressing on further through candle-lit corridors,
commemorations surround in half-light that offends
receding memories on sandless shores.
Horatio Nelson, John Donne, Sir Flemming, Chris Wren,
each pass till I find a man I’d adore:
Philip Sidney, that grounded man, that defender of art,
consumed in the ensuing century’s heart.

Consumed likewise I stand
gasping, beached upon a strand
of a non-physical contagion;
we’ll suffer it all again.


Three minutes more or less I gaped
until my feet forced my face away
and weaved my soul among the wooden pews.
This hallowed place where the past is draped
is an icicle looped through the fray
of my ambition’s thinning view.

Another adoration there!
That visionary mythology sewer
William Blake, whose piteous glower
for mankind begot his lasting dream.
On his placard chiseled rhyming pairs
beg: take things, not as they seem.

My fingers run the lines of text
slowly, strongly, as if forced by the air.
I fall down a thousand winding stairs
taller than St. Paul’s in my heart.
I compose all my strength to regain context
of cathedral, pull away from Blake, part.

Up the stairs I climb
back to the street.
The rustling, busy fleet
of tourists entwines
about me in my haste
to get outside the tomb,
that time-reversed womb,
of men who didn’t waste
time, place, talent, skill,
but impressed their lives on eternity.
The clock is still,
I’m out in the street –
cathedral shadows
twirling high, then low,
over my body and feet.

What is there, inside that place, is intangible and petrified by reality;
it is trailing smoke from the pipes of sages who spoke,
in broken thoughts, sworn things that cannot be repealed.
It is time unwoven and crocheted again into patchworks of undefinable color.
I must have died a hundred times unaware of it all – out of nothing it called.
It was felt and known, ended and rebuilt accidentally out of the contagion of guilt.
It was a small drag off of nothing.
Timothy Sep 2012
The curfew tolls the knell of parting day,
         The lowing herd wind slowly o'er the lea,
The plowman homeward plods his weary way,
         And leaves the world to darkness and to me.

Now fades the glimm'ring landscape on the sight,
         And all the air a solemn stillness holds,
Save where the beetle wheels his droning flight,
         And drowsy tinklings lull the distant folds;

Save that from yonder ivy-mantled tow'r
         The moping owl does to the moon complain
Of such, as wand'ring near her secret bow'r,
         ****** her ancient solitary reign.

Beneath those rugged elms, that yew-tree's shade,
         Where heaves the turf in many a mould'ring heap,
Each in his narrow cell for ever laid,
         The rude forefathers of the hamlet sleep.

The breezy call of incense-breathing Morn,
         The swallow twitt'ring from the straw-built shed,
The ****'s shrill clarion, or the echoing horn,
         No more shall rouse them from their lowly bed.

For them no more the blazing hearth shall burn,
         Or busy housewife ply her evening care:
No children run to lisp their sire's return,
         Or climb his knees the envied kiss to share.

Oft did the harvest to their sickle yield,
         Their furrow oft the stubborn glebe has broke;
How jocund did they drive their team afield!
         How bow'd the woods beneath their sturdy stroke!

Let not Ambition mock their useful toil,
         Their homely joys, and destiny obscure;
Nor Grandeur hear with a disdainful smile
         The short and simple annals of the poor.

The boast of heraldry, the pomp of pow'r,
         And all that beauty, all that wealth e'er gave,
Awaits alike th' inevitable hour.
         The paths of glory lead but to the grave.

Nor you, ye proud, impute to these the fault,
         If Mem'ry o'er their tomb no trophies raise,
Where thro' the long-drawn aisle and fretted vault
         The pealing anthem swells the note of praise.

Can storied urn or animated bust
         Back to its mansion call the fleeting breath?
Can Honour's voice provoke the silent dust,
         Or Flatt'ry soothe the dull cold ear of Death?

Perhaps in this neglected spot is laid
         Some heart once pregnant with celestial fire;
Hands, that the rod of empire might have sway'd,
         Or wak'd to ecstasy the living lyre.

But Knowledge to their eyes her ample page
         Rich with the spoils of time did ne'er unroll;
Chill Penury repress'd their noble rage,
         And froze the genial current of the soul.

Full many a gem of purest ray serene,
         The dark unfathom'd caves of ocean bear:
Full many a flow'r is born to blush unseen,
         And waste its sweetness on the desert air.

Some village-Hampden, that with dauntless breast
         The little tyrant of his fields withstood;
Some mute inglorious Milton here may rest,
         Some Cromwell guiltless of his country's blood.

Th' applause of list'ning senates to command,
         The threats of pain and ruin to despise,
To scatter plenty o'er a smiling land,
         And read their hist'ry in a nation's eyes,

Their lot forbade: nor circumscrib'd alone
         Their growing virtues, but their crimes confin'd;
Forbade to wade through slaughter to a throne,
         And shut the gates of mercy on mankind,

The struggling pangs of conscious truth to hide,
         To quench the blushes of ingenuous shame,
Or heap the shrine of Luxury and Pride
         With incense kindled at the Muse's flame.

Far from the madding crowd's ignoble strife,
         Their sober wishes never learn'd to stray;
Along the cool sequester'd vale of life
         They kept the noiseless tenor of their way.

Yet ev'n these bones from insult to protect,
         Some frail memorial still erected nigh,
With uncouth rhymes and shapeless sculpture deck'd,
         Implores the passing tribute of a sigh.

Their name, their years, spelt by th' unletter'd muse,
         The place of fame and elegy supply:
And many a holy text around she strews,
         That teach the rustic moralist to die.

For who to dumb Forgetfulness a prey,
         This pleasing anxious being e'er resign'd,
Left the warm precincts of the cheerful day,
         Nor cast one longing, ling'ring look behind?

On some fond breast the parting soul relies,
         Some pious drops the closing eye requires;
Ev'n from the tomb the voice of Nature cries,
         Ev'n in our ashes live their wonted fires.

For thee, who mindful of th' unhonour'd Dead
         Dost in these lines their artless tale relate;
If chance, by lonely contemplation led,
         Some kindred spirit shall inquire thy fate,

Haply some hoary-headed swain may say,
         "Oft have we seen him at the peep of dawn
Brushing with hasty steps the dews away
         To meet the sun upon the upland lawn.

"There at the foot of yonder nodding beech
         That wreathes its old fantastic roots so high,
His listless length at noontide would he stretch,
         And pore upon the brook that babbles by.

"Hard by yon wood, now smiling as in scorn,
         Mutt'ring his wayward fancies he would rove,
Now drooping, woeful wan, like one forlorn,
         Or craz'd with care, or cross'd in hopeless love.

"One morn I miss'd him on the custom'd hill,
         Along the heath and near his fav'rite tree;
Another came; nor yet beside the rill,
         Nor up the lawn, nor at the wood was he;

"The next with dirges due in sad array
         Slow thro' the church-way path we saw him borne.
Approach and read (for thou canst read) the lay,
         Grav'd on the stone beneath yon aged thorn."

THE EPITAPH

Here rests his head upon the lap of Earth
       A youth to Fortune and to Fame unknown.
Fair Science frown'd not on his humble birth,
       And Melancholy mark'd him for her own.

Large was his bounty, and his soul sincere,
       Heav'n did a recompense as largely send:
He gave to Mis'ry all he had, a tear,
       He gain'd from Heav'n ('twas all he wish'd) a friend.

No farther seek his merits to disclose,
       Or draw his frailties from their dread abode,
(There they alike in trembling hope repose)
       The ***** of his Father and his God.

~Thomas Gray 1716—1771~
Martin Narrod Jun 2014
Most peculiarly of most things was that I thought all of this very fishy, daudry, drab, and boresome. This is where I turn on the second table lamp...

In a muster I arrived to the home of my aunt, where at once she drew me into the back of the house, down a flight of stairs made of tusk and bone into a catacomb where she kept a alive collection of wooly mammoths. She said the upkeep wasn't awfully horrendous as she had an invisible backdrop which led to a lion, a witch, and a wardrobe sort of thing. I stood in the gangway behind 10 foot high thigh bones waiting for one of the monstrous red beasts to come greet me, but what arrived was a very large elephant with longer tusks than usual. None of the red sillyness which I had dreamt of seeing in my previous years.

She could see I was not that impressed, and so I was led to another part of her home. Around the corner walked in my uncle in is superb and luxurious dress, reminiscent of 18th century British military fatigues. He said, "I bought the E.T. ride from Universal Studios, but as bringing the whole ride to my home I had them adapt a more suitable version to fit the property. A hangar opened and inside there were four chariots of orange and blue, diamond shaped school buses with their undersides aimed at withholding a V-shaped street. Then in two and two single file order all the classmates of my K-12 years arrived and took seat into the strappings of this 'ride' we were to take. Music played, John Williams even was produced by hologram, and after the ups and downs for several minutes we arrived to what I thought would inevitably be the forest, but rather was what I perceived was a Finnish town. The chariot I was in was stuck in the street, mud, rain, and soot entrenched us. I unbuckled the polyester straps and when I stood I realized that though the seats had built in urinals and toilets they were utterly noiseome to the senses. I followed a local girl to a food mart where I asked how I could find where I was but no one spoke a drop of English.

I corraled the group and told them to wait for me. I followed this girl who seemed quite younger than I to a small apartment in the uppermost floor of a very unsturdy chapel-like home several suburban blocks from our ride. She immediately removed her pants and I saw with my very own eyes that she was hairless and nubile. She insisted that we have a ****, and after I caressed her and complained too that she was far too young, she insisted that the age of consent in Germany was actually 13 yet she was 16. I remember it clearly. The most gigantuous feelings of pleasure as I mended a studio closet for my dining room furniture inside her ripening channel. Eventually after an hour we finished, she offered me a towel and some biscuits, which I consumed joyously.

Upon leaving her home I remembered that she had said we were in Germany, and so I produced a measure of Deutsch that I had been saving in my repetoir for the right moment. As Finnish is not my strongest language I was pleased of this and became instantly popular among the other candidates of our journey. This  E.T. ride is far different than  I remember it having been. Moments later I awoke quickly, a tuft of her black hair on my eiderdown comforter and a veil of tears from the merriment of glee shrouded over my face. After I rolled and balled into the soft feathers of my bedding, I twisted myself again into a knot, and allowed myself to rejoin the soporific treatice I was aiming for.

This is now where I turn off both lamps and go on watching films of a similar style.

Wishing You The Very Best,

Sir Martin Narrod

I keep my family of conscience
I shred my folly of heir
In case of torment or fondness
I never wear underwear.
Julian Jul 2016
Fragile egg-shell mind on dawn’s highway bleeding the segue between times traversed only in momentary dreams or in enduring excursions

We drag our droll and quaint 60s baggage like the luggage of a safari made of concrete girding a cavernous expanse of unheralded ground

With our ears oriented to the floor, we leap out of body never to deplore….never to ignore….never to miss the blue bus of our drafted imaginations, so carefully culled from brash elitism

I trounce the intervening time between being friendless and an ironic end, and an irenic comrade becoming the dearest amazed but always aplomb friend

We simper in our glorious traversal, and though bedraggled through an ornamented cavern we linger just long enough to be celebrated

Then a blues riff emanates from a vapid bar, and finally someone heralds my exhumed memory still rusty with the pavement of encased concrete on an empty or full tomb

So I wander in my mind to that roughshod Paris glassy tincture a romanticized gild of proper sensibility crafted in the tongues of lizards emulating the tongues of serpentine Anglicans

As the power of love transcends the love of power, both are afforded serendipitously upon the stately occasion of a fitful revolt where heads literally rolled and deaths still unfurl from the slippage of a violent malevolent eternity, crafting a new creative way to expedite the smite of preventable scourge

So Jim, I see your picaresque side and your wide-eyed love for a listless ship anointed of a crystal blip just detectable long enough on RADAR to become the statistic to crack the slim WHIP

No wigs are needed at this formality, no figs grow from trees forty-five years buried and almost a full month unsung

Pitiable cretins of an invented insanity, they scoff at my ravenous and portentous heart for its excess and for aligning with an upstart verging on only a specious insanity

Why in all humanity could a month be mustered with every defense of history and yet for it to be so widely flouted as a risible exercise in futility

The irony that the artistic glamor of a past vogue becoming a revival that is often toked only to one song but never to the memorial of great cavernous and commodious imaginations, staggers with dismay where otherwise the mayday would be a disaster but still a great day

Then I look at a triggered-fingered omen of a death so ominous yet so brazenly confronted as the ambassadors of time provide plaudits to a fearless martyrdom

Why such a sad spate, why such a stringent but malevolent fate a malediction on a family whose crest is not crestfallen like rolling waves but ornamented with gravity impounding its own weight

A fugacious tomb, an eternal flame, a swan song announcing an independent authority on a prescient demise mashed and deprived

A single shot rippling through the broadened space between clasped eternity and a histrionic disgrace as a psychological confederate pays lip service to a reiterative applause

A cousin hardly American in a defected record of incendiary plumes of a hoarse hatred of waxen discs and flying discs alike,  climbs out of a bonfire mounted purely out of vindictive spite

Then upon a great white buffalo a wrapped package of Californian love before California ever alighted like something beyond an avaricious dove, saw a rocky park and a hearth of illuminated darkness the singular spark

Captain Morgan knows the jackknife applause of a botched deal morphing into a disbelieved spiel. A shibboleth of enormous mystical weight crashing down from an ethereal abode and heaven heavily saddened cannot hardly appeal

Then a loving spoonful of crystal blue persuasion led me to Ethel’s regimented keepsake and for once in my life nobility and I became a grateful waif. But temerity laughed, splintered spacecraft, and the wooden paws of a bearish applause led to resurgent clarity

Blinking stars shattered by knighted and raw applause punctured the liberated might of a sentient hortatory savior grasped by the internecine wrench of a waxen time

An indie track slides by unnoticed in an aleatory time, and the threadbare whine of centuries of lament becomes a dastardly barn set ablaze with the fury of ancients and the scurry of faineant patents

Perfidy slides in recess, and in gentle forbearance the winged angel lingers like a halo on conifer and spring above a remedial ring

I dial frisky celerity tingling the dangling claws of a raven’s screed and in plunder of all history’s pilfer secrets I eagerly weave a tapestry Indiana Jones himself would be proud to watch

Not the riotous ruin of a mystery tour of verdure crippled by genocide but overcome by the revived life of raised rain razing the moments of indelible pain

But the culmination of a proffered time taken at its word for its every careened bird, for its every brazen gird. The manger of proctored stars calls us home tonight and home forever. Life in quaked timorous stumbles suddenly no longer so fitfully absurd.

The quixotic plundered of pirates and emperors in direct emulation of some crooned pastiche of whittled integrity, surges above any encased blurb and any vain testament to a pyramid rigid in destiny and ragged in desultory and sturdy sincerity

Multiplying the ineffable by the division of arable divorced from edible is too creative to be eaten as pabulum when sparks curdle flickered moonlight crimson and that become golden only to the last laugh of ennobled ragamuffins

Frankly the desert of melliferous gorillas abetting the lark of a heavily vetted camarilla engaged in the sinecure of a rigged wall on a main street to block the tall from the lame bleat. Stocks grazed, costs engaged on a littoral beach at the end of a Bossy promenade

This prayer is a cutthroat collapse of a merry spare, a ribbed ****** waiting to plunge into the antithesis of female despair, but sincere in its restraint that vixens courted in love aren’t courted in litigation of a wagered dare

Ambulances chase Deloreans through the desolate moon-stricken skies of a time agape with fleets of phantasmagoria on a Cliffside too wise to ever mince words or excise cries

Skulking the red-teared caverns of entombed films and lampooned tinctures on a passion vetted only for certain and utter deracinated disguise, I wallop with winged men in a single soul armed to the teeth with inveterate tithes to eternal internments of poached and endangered gazettes

As growth older in wizened skin bets on epithets rather than epitaphs for rinsed peace and triumphant clefts we leap above in orbit of only the bellowing nether of blown tolls and untold souls aggregating the esoteric grasp of Alexandrian tomes

The denumeration of certainty is a carousel of wonder, a splurge of time ripped asunder with majesties of paparazzi scuttled impacts a throttled iniquity of regalia’s indicted blunder frenchified but still clean with inestimable sheens

With twenty-five dollars, a dime an assist and a nickeled reiteration of currency already so personable it is divine and sublime in crazed desist I watch the embroiled natives clash in denatured violence with the warriors of a crossed repast hearkening to an old land much of ire but too much of grandstand to ultimately last

Itching for a holy field husk of peerless ties listed as rumpus and beer, a two-packed smoked by bludgeoned blokes careless in irascible sputters of a muffled doom, a Vegan becomes the author of too many sacrosanct homilies becoming defiled witchcraft brooms dead on arrival too many lionized tombs

In plaudits and the scause of an amplified “what if?” of an olfactory nightmare of petrified fog of effluvium bogged in Wade and in heat it is always clogged, sinewy libations of toasted preemptive revenge become a powerballed hog

A castle in the sky founded on Franklin but scourged of wineskins brimming with a distilled time, a swift repartee becomes the whispered ladder of saints blather becoming not rather other than a Dan Rather spatter

A door breeched by a broached inconvenience of amphigory beyond common reach, I clamber excess and whisk the lingered love into destiny beyond any word other than a beseeched preach of nothing tired but everything inspired of noble love with abundance often to teach

Fireworks of turned tides of fallow tithes to aliens beyond any conceivable bribe the bushwhacker writhes but survives staying alive without even a hint of garbled jive a 27th floor glass elevator is quite a resplendent ride

Wellsprings knowing radical rolled tides of errant dice also themselves guilty of confessional tithes to the monolith of avarice at the nooked cranny of an evaporated time we whine as the police sting the album rained with songs too lugubrious to sing but in their elegy every lonely heart has a propinquity phone of souled resonance ring

Iterative mastery of a mathematics of love, loss decay and the dross of a dental Occidental floss, the sweep of screened queues become questions of inestimable importance to foreign dues on a horse with no name but so consumed with fumes

A fright occultist thriller prowls in a waylaying daylight, masquerading an innocent confection for a rescued triage of a dawn stabbed with knives in our last dying days of trembled plight

He resurrects only the wraiths of detest, squinted at by the putrefaction of summoned cardiac arrest and littered with bullets that somehow can penetrate even impregnable bullet proof vests the wrapped carcass of the mummified husk of ready despair offers itself a ghoulish and raspy prayer

Synchronized in a low roaring swathe of rollercoasters too immersive to ride, the terpsichorean obscurantism of deliberately shattered fragments becoming blurbs dismissed with hijacked deride the carnival of a summer sun becomes the ocean of limitless love becoming endless fun

We forget the drawl of the droll old tales that haunt like specters in the closet and beneath the bedridden valetudinarian of an effrontery of shackled fright, we sprawl the innumerable caverns of prophetic insight afforded by the pantheon of history enter stage left, depart stage right

And with their insight I write and write, I grasp the tusk of democracy and wage an insurrection against the doubt of plodding limitations in otherwise immaculate sight

*** and tyrannosaurus rex, of litigable offenses leading to pardonable arrests, the gated entryway of a poetic splurge leads to the demiurge of a demotic enlightenment and suddenly the frank becomes the frazzled retirement and that haunting hounding bunny transmogrified by a shattered eye averts the car crash that careens ponderous engines out of limitless twilight blue skies.

Diamond lightning in pristine skies escorts the telegraphic totems of riddled modems from 1967 to 2016 and suddenly all venerable personages converge on a teeming scene of a union unified by a universal dream. To become everything and yet nothing and out of light and darkness to become a beatific beam
Z Aug 2018
Too many thoughts, too many feelings, too many faces

Yea, what’s the feeling of success?
Achieved so many things, but all I feel is regret,
I feel alone inside my head what don’t you get?
Wake up every morning like it’s still my set,
Reminisce on where I come from so I don’t forget,
Been to rehab a dozen times, they called me a vet,
You thought you knew me, I haven’t opened the curtains yet

Alcohol destroyed all my relationships
Forgot most of my life - except for the video clips,
Poisoned my brain to forget the pain, on the daily I feel insane
I’m above the ground though I can’t complain, god relieve this pain
I feel like I drank the blood of Cain,

Every day is a surprise, my brain tells me I’m so wise,
But he’s a master in disguise, while I’m the one who cries,
He’s the one who lies,
To me in my own voice watching my demise,
When he’s in in control anything flies,
It scares me, I built a fortress to disguise,
This out of control mind, I want to cut the ties
A Broad perception, in a beautiful world, through these eyes,

Try to express my feelings, no one can understand
**** it no one can, this experience is mine god had it planned
Just hope I can grow up to be the man,
The one he created to do whatever he can,
Yea, whatever he wants, his drive his will he can make a stand,
A visionary, Socrates his thoughts are grand,

Who do I trust, who I am or who I want to be,
It’s confusing with a devil living inside of me,
Loving spouse, family man what I try to be,
This bipolar got a hold of me,
Blindfolding me I can’t see,
Please doctor doctor set my mind free,
I thought I knew everything with my degree,
The lessons I learned from the things I failed to see,

Mommy and daddy got divorced when I was a kid,
I think I was 8, I can’t remember, who am I to kid,
My first blackout in life, daddy’s about to lose his wife,
So much anger, “he’s” telling me to find the knife,
Take it to the artery just a little slice,
Life’s not as nice, as people make it seem,
No one hears me scream, from the pain,
Inside this brain, some days I feel insane,
110 on the freeway trying to stay in my lane,
Drunk driving no I’m not sane,
Getting high to alleviate the pain

One day I can be the man, goals, driven, and full of will,
The next be full of sadness, regret, life stands still,
I can remember anger that drove me to ****,
You don’t know how I feel,
People probably thought I made a deal,
With the devil to have all this skill,
I write all these thoughts, hoping there’s a heart to fill,

Hope someone can relate,
I hope my pain makes you elate,
My perceptions not up for debate,
Here is my life there’s no room to understate,
The reality of my life and the things on my plate,
Strive to be in a mentally stable state,
Sometimes life’s not so great,
My minds locked in a crate, and he is the key holder of my fate,

My life feels like an afterthought,
Stepdad thought love was something that could be bought,
Used to get in trouble every time I got caught,
Only if they knew the realism of what I did, or maybe they ought
Not to know, but for the sake of the flow, I’m going to let go,
Put on a show so they finally understand what they missed long ago,

Let’s start as a little boy, all the love you showed was a decoy,
For the truth that mommy and daddy were ready to destroy,
Split us up, brown moving boxes was it all momma’s ploy?
I still don’t know the truth, I don’t want to ask or annoy

They say they fell out of love, how can you fall out of love,
Unless you gave up? Don’t you realize who’s above,
Poor American white family, three kids and divorced, man the stereo type fits like a glove,
Never got physically, but always received a verbal shove,
Psychologically I wish I could dispose of,
This garbage that’s left behind, in this mind how am I supposed to give away free love,


One day at a time, one fight, I’m going to give it all my might,
Serenity prayer please give me the light,
To accept my life and guide me right,
Some days things are out of sight,
God comfort me so I feel alright,
I’m shrouded in darkness, call me the dark knight,
Noble I’m my cause, daily life’s a plight,

As a teenager I survived off my drive,
Then there was the day I didn’t want to be alive,
Locked those feelings deep in the archive,
Padlocked in the deep parts of the brain so they don’t thrive,
Questioning the purpose of life when I was five,
Asked about space and God, curiosity already took a dive,
Most people and me don’t really jive,
One instinct on my mind is to survive,
Mania kicking in putting me in overdrive,
Found out when I was twenty-five,
I’m mentally ill, my life took a nose dive,
Time to wake up and revive,
It’s time to deprive,
The addiction and the **** I do to connive,
God im going to work on my life until arrive,
To the kingdom, hopefully I live to see thirty-five,

Todays a new day, no telling what I might do,
Try to hold my family together, backbone and the glue,
Just accept my view, everything’s not about you,
Been self-reflecting, I’m having a break through,
This story is contagious, call it reality flu,
Knocked on deaths door, Alcohol blood volume .492,

What was I thinking? Pores stinking, breath wreaking,
Family and friends shrieking, at all my drinking,
Woke up surrounded by the medical team,
Asked me if I was suicidal, I said what do you mean?
I’m a genius, with a good job, had one since fourteen,
Worked hard my whole life, why am I here confused as hell - creating a scene,
Needle in my arm, threatening to restrain me,
God please set me free, right now you’re the only one that can help me,
Ready to fight the doctors and nurses, now they’re going to petition me,

When I opened up my eyes,
Seen my momma with tears in her eyes,
Most painful look I’ve ever seen on her face,
Now I feel like a huge disgrace, wish she knew gods grace,
My hearts racing at a fast pace, anxiety took over freaking out in this place,
The realest hug ive ever felt was from momma while I was in that room,
Time to clean up my life, time to clear my mind and get out of the back room,
Where my thoughts are locked, time to forgive and bury the in their own tomb,
Most think they know me, and its dangerous to assume,
Most my life you seen me in my costume, hiding behind the monster of doom,
Spent so many hours in my bedroom, drinking so much leaving behind an ethanol fume,
Days later it’s still hanging around, how the poison turns everything into a darkroom.

12 days locked in the psych ward, hopefully I can move my life forward,
Dr. says I had an episode of major depression, I forgot to tell them about my secret obsession,
These words are the closest thing I have to a confession,
When I die take my brain for a case study dissection,
Don’t let my evil said lead you to mis-direction,
When im aware I can make the correction,
What an elusive lie, chasing perfection,
Life is about love and a real connection,
God im tired, give me a symbol give me direction,

Therapy sessions for years, did nothing to help these tears,
Still react with impulsion and anger, watch out for the danger,
the biggest fear ive ever had was the fear of myself,
and the things I was capable of to destroy myself or secure the wealth.
So many secrets it’s a masquerade, im hidden behind my stealth,
The lies created to maintain this alter-ego destroying my mental health,

My biggest pains in life are when I had it all and left it all,
My depression after mania was the biggest fall,
I felt like I was the king of the world, king of the jungle; hear my call,
My ego inflated from my achievements, made me feel tall,
Daddys dream was his oldest boy would play college ball,
Just like the song boys of fall,

Daddys dream wasn’t mine to live,
But that wont stop me from giving all I can give,
Im sorry for the night I was drunk and we got combative,
I shut that night out its not something I want to relive,
Please daddy forgive, now you’re so corroborative.

Now momma I know we do not speak,
The real issue is we don’t want to feel weak,
Why are we so strong, the ones who cant take critique,
Maybe we are so unique, and live life with such technique,
The type of thoughts people think are antique,
Their arguments bleak, our common point is its our mind we speak,

Im ready for the conversation, a common destination,
Where we live in harmony, and actions don’t lead to causation,
I hope my dictation, and the acceptance of your creation,
Allows you to accept me and the ground I call my foundation,
Rebuild our family, together we can create a formation,
Our time and love the only donation, mix em together titration,
It’s a ruination of the family, its everything I wanted it to be,

Ive struggled with every relationship,
With anyone I let close I seem to lose myself and flip the script,
Those evil days I hide in my mind, security equipped and encrypt,
I feel like im writing a manuscript, a story of a man who slipped,
On the struggles of life, and opportunities that have been stripped,

Went to college on a full ride, paid for room and board seen the debt and just about cried,
350 a month to the government talk about a life hurdle that broke my stride,
Since graduation I noticed im the new dr. jekyl and mr hyde,
Success in my life was implied, mental health hit me on my broadside,
Missed my grad school opportunity, I should have applied,
Had love going for me, turned into a landslide,
All I want to do is have a good job and be able to provide,
Im not the only one suffering this epidemic is worldwide,
I just want to sit by the lake side, retire and reside,
Somewhere peaceful where a simple life is implied,
The only downside, is the demon inside me that takes me on the regular for a joyride.

Worked 80 hours a week, drinking a fifth a day,
Most people don’t even know what to say,
To me it was just another day,
Its about to get nasty watch out for the word play,
Life not black and white live in the grey,
Area, mass hysteria, my mind runs astray,
Enough liquor in my blood to make me sway,
One wrong move may be my doomsday,
I write about my life like a final exam essay,
Giving it my all no halfway,
Yea, im making headway, opening the doorway,
For all to enter; serve up my experience like a fine dining entrée,
Living check to check, cant wait for payday,
Maybe someday, ill be on the golden walkway,
To the kingdom of god then ill be okay,
Impulses so strong its hard not to obey,
The other side of me that’s so hard to portray,
When hes manic I get risqué,
Let me paint a picture, get your tickets to the screenplay.

They say its not what you go through, but what you became of it,
My lifes not a stereotype, those stipulations don’t fit,
I seem to get back up after every hit, I couldn’t write this skit,
Im trying to use my ****, my mind feels split, I cant take this ****,
I just want to quit, go to therapy to learn skills and what to omit,
From my life, its hard ill have to admit,
Elementary school I realized I was a misfit,
Dreams in the stars, illuminated and moonlit,
Building a legacy without a permit,
Try to live life so im not a hypocrite.

Shocked by the responses to voice and gods word,
You can say in high school I was a nerd,
Football MVP and valedictorian man that’s absurd,
Wanna know my secret, ask me the password,
Stand on my own, not a part of the heard,
Forgive me for all my problems and troubles that have occurred.

The darkest secret you don’t know,
Is that im not motivated by the dough,
It’s the times where Im feeling high and low,
Sometimes it feels like time is slow,
The biggest crush to my ego,
Was when I had a 20-gauge ready to pull the trigger and blow,
Racking the shells, playing with the ammo,
The rest of my life I was about to forego,
I wanted to let go, because I wanna know
I write to share my story of experience, strength and hope.
In Recovery mentally and Recovering from substance abuse
JL Dec 2011
Oh yeah
I once saw a tomb
In some silver moonlit corner
Of a dark garden

A young girl had died in the year of our lord
1852

Scratching on stone walls
A terrible chill


A murderous mother  
Began to leave tear stained letters
On full moons

One blood red rose
And three long and painful letters
Each sealed with a wax seal
Signed in blood

They began to print the notes the next summer in the local paper
The heart breaking lines
Printed in smeared black ink
And sudennly the letters stopped

Story goes one night some kids were going out to the tomb
To try and catch her but ended up having ***
Well they go up to the tomb
And layin against the tomb was a beautiful black haired woman
In a pool of blood

But thats just legend
People still leave letters on moonlit nights on the tomb
Confession letters
Of ****** and ****
You name it...

The police leave them alone
......I myself visited that moonlit garden one night
and placed a letter in beneath a rose
I fear that I can't let it take over my life
It takes me from all love
Boiling hot water up to my eyes
and just like that...I never wanted another lover
but the maiden of ******
J Christmas Jul 2011
Scream at the sky
Slice wide the wild yonder with your flint ax
The **** your mind tears at to get through
bleeds Blue
Royal tomb
cradles you
Roar at the stars
steal those gems of their sparkle and gleam
scream every minute you exist
scream when you exit.
Roaring Tomb
*Copyright John D. Christmas @2011
To end up alone
in a tomb of a room
without cigarettes
or wine--
just a lightbulb
and a potbelly,
grayhaired,
and glad to have
the room.
...in the morning
they're out there
making money:
judges, carpenters,
plumbers, doctors,
newsboys, policemen,
barbers, carwashers,
dentists, florists,
waitresses, cooks,
cabdrivers...
and you turn over
to your left side
to get the sun
on your back
and out
of your eyes.
from "All's Normal Here" - 1985
Side by side, their faces blurred,
The earl and countess lie in stone,
Their proper habits vaguely shown
As jointed armour, stiffened pleat,
And that faint hint of the absurd -
The little dogs under their feet.

Such plainness of the pre-baroque
Hardly involves the eye, until
It meets his left-hand gauntlet, still
Clasped empty in the other; and
One sees, with a sharp tender shock,
His hand withdrawn, holding her hand.

They would not think to lie so long.
Such faithfulness in effigy
Was just a detail friends would see:
A sculptor's sweet commissioned grace
Thrown off in helping to prolong
The Latin names around the base.

They would no guess how early in
Their supine stationary voyage
The air would change to soundless damage,
Turn the old tenantry away;
How soon succeeding eyes begin
To look, not read. Rigidly they

Persisted, linked, through lengths and breadths
Of time. Snow fell, undated. Light
Each summer thronged the grass. A bright
Litter of birdcalls strewed the same
Bone-littered ground. And up the paths
The endless altered people came,

Washing at their identity.
Now, helpless in the hollow of
An unarmorial age, a trough
Of smoke in slow suspended skeins
Above their scrap of history,
Only an attitude remains:

Time has transfigures them into
Untruth. The stone fidelity
They hardly meant has come to be
Their final blazon, and to prove
Our almost-instinct almost true:
What will survive of us is love.
Day-colored wine,
night-colored wine,
wine with purple feet
or wine with topaz blood,
wine,
starry child
of earth,
wine, smooth
as a golden sword,
soft
as lascivious velvet,
wine, spiral-seashelled
and full of wonder,
amorous,
marine;
never has one goblet contained you,
one song, one man,
you are choral, gregarious,
at the least, you must be shared.
At times
you feed on mortal
memories;
your wave carries us
from tomb to tomb,
stonecutter of icy sepulchers,
and we weep
transitory tears;
your
glorious
spring dress
is different,
blood rises through the shoots,
wind incites the day,
nothing is left
of your immutable soul.
Wine
stirs the spring, happiness
bursts through the earth like a plant,
walls crumble,
and rocky cliffs,
chasms close,
as song is born.
A jug of wine, and thou beside me
in the wilderness,
sang the ancient poet.
Let the wine pitcher
add to the kiss of love its own.

My darling, suddenly
the line of your hip
becomes the brimming curve
of the wine goblet,
your breast is the grape cluster,
your ******* are the grapes,
the gleam of spirits lights your hair,
and your navel is a chaste seal
stamped on the vessel of your belly,
your love an inexhaustible
cascade of wine,
light that illuminates my senses,
the earthly splendor of life.

But you are more than love,
the fiery kiss,
the heat of fire,
more than the wine of life;
you are
the community of man,
translucency,
chorus of discipline,
abundance of flowers.
I like on the table,
when we're speaking,
the light of a bottle
of intelligent wine.
Drink it,
and remember in every
drop of gold,
in every topaz glass,
in every purple ladle,
that autumn labored
to fill the vessel with wine;
and in the ritual of his office,
let the simple man remember
to think of the soil and of his duty,
to propagate the canticle of the wine.
Bring me to the blasted oak
That I, midnight upon the stroke,
(All find safety in the tomb.)
May call down curses on his head
Because of my dear Jack that's dead.
Coxcomb was the least he said:
The solid man and the coxcomb.

Nor was he Bishop when his ban
Banished Jack the Journeyman,
(All find safety in the tomb.)
Nor so much as parish priest,
Yet he, an old book in his fist,
Cried that we lived like beast and beast:
The solid man and the coxcomb.

The Bishop has a skin, God knows,
Wrinkled like the foot of a goose,
(All find safety in the tomb.)
Nor can he hide in holy black
The heron's hunch upon his back,
But a birch-tree stood my Jack:
The solid man and the coxcomb.

Jack had my virginity,
And bids me to the oak, for he
(all find safety in the tomb.)
Wanders out into the night
And there is shelter under it,
But should that other come, I spit:
The solid man and the coxcomb.
The mountain pinnacles slumber; valleys, crags, and caves
are silent.

“LISTEN to me,” said the Demon, as he placed his hand
upon my head. “The region of which I speak is a dreary
region in Libya, by the borders of the river Zaeire. And
there is no quiet there, nor silence.

“The waters of the river have a saffron and sickly hue; and
they flow not onward to the sea, but palpitate forever and
forever beneath the red eye of the sun with a tumultuous and
convulsive motion. For many miles on either side of the
river’s oozy bed is a pale desert of gigantic water-lilies.
They sigh one unto the other in that solitude, and stretch
towards the heaven their long and ghastly necks, and nod to
and fro their everlasting heads. And there is an indistinct
murmur which cometh out from among them like the rushing of
subterrene water. And they sigh one unto the other.

“But there is a boundary to their realm—the boundary
of the dark, horrible, lofty forest. There, like the waves
about the Hebrides, the low underwood is agitated
continually. But there is no wind throughout the heaven. And
the tall primeval trees rock eternally hither and thither
with a crashing and mighty sound. And from their high
summits, one by one, drop everlasting dews. And at the
roots, strange poisonous flowers lie writhing in perturbed
slumber. And overhead, with a rustling and loud noise, the
gray clouds rush westwardly forever until they roll, a
cataract, over the fiery wall of the horizon. But there is
no wind throughout the heaven. And by the shores of the
river Zaeire there is neither quiet nor silence.

“It was night, and the rain fell; and, falling, it was rain,
but, having fallen, it was blood. And I stood in the morass
among the tall lilies, and the rain fell upon my head—
and the lilies sighed one unto the other in the solemnity of
their desolation.

“And, all at once, the moon arose through the thin ghastly
mist, and was crimson in color. And mine eyes fell upon a
huge gray rock which stood by the shore of the river and was
lighted by the light of the moon. And the rock was gray and
ghastly, and tall,—and the rock was gray. Upon its
front were characters engraven in the stones; and I walked
through the morass of water-lilies, until I came close unto
the shore, that I might read the characters upon the stone.
But I could not decipher them. And I was going back into the
morass when the moon shone with a fuller red, and I turned
and looked again upon the rock and upon the
characters;—and the characters were DESOLATION.

“And I looked upwards, and there stood a man upon the summit
of the rock; and I hid myself among the water-lilies that I
might discover the action of the man. And the man was tall
and stately in form, and wrapped up from his shoulders to
his feet in the toga of old Rome. And the outlines of his
figure were indistinct—but his features were the
features of a deity; for the mantle of the night, and of the
mist, and of the moon, and of the dew, had left uncovered
the features of his face. And his brow was lofty with
thought, and his eye wild with care; and in the few furrows
upon his cheek, I read the fables of sorrow, and weariness,
and disgust with mankind, and a longing after solitude.

“And the man sat upon the rock, and leaned his head upon his
hand, and looked out upon the desolation. He looked down
into the low unquiet shrubbery, and up into the tall
primeval trees, and up higher at the rustling heaven, and
into the crimson moon. And I lay close within shelter of the
lilies, and observed the actions of the man. And the man
trembled in the solitude;—but the night waned, and he
sat upon the rock.

“And the man turned his attention from the heaven, and
looked out upon the dreary river Zaeire, and upon the yellow
ghastly waters, and upon the pale legions of the water-lilies.
And the man listened to the sighs of the water-lilies,
and to the murmur that came up from among them. And
I lay close within my covert and observed the actions of the
man. And the man trembled in the solitude;—but the
night waned, and he sat upon the rock.

“Then I went down into the recesses of the morass, and waded
afar in among the wilderness of the lilies, and called unto
the hippopotami which dwelt among the fens in the recesses
of the morass. And the hippopotami heard my call, and came,
with the behemoth, unto the foot of the rock, and roared
loudly and fearfully beneath the moon. And I lay close
within my covert and observed the actions of the man. And
the man trembled in the solitude;—but the night waned,
and he sat upon the rock.

“Then I cursed the elements with the curse of tumult; and a
frightful tempest gathered in the heaven, where before there
had been no wind. And the heaven became livid with the
violence of the tempest—and the rain beat upon the
head of the man—and the floods of the river came
down—and the river was tormented into foam—and
the water-lilies shrieked within their beds—and the
forest crumbled before the wind—and the thunder
rolled—and the lightning fell—and the rock
rocked to its foundation. And I lay close within my covert
and observed the actions of the man. And the man trembled in
the solitude;—but the night waned, and he sat upon the
rock.

“Then I grew angry and cursed, with the curse of silence,
the river, and the lilies, and the wind, and the forest, and
the heaven, and the thunder, and the sighs of the water-lilies.
And they became accursed, and were still. And
the moon ceased to totter up its pathway to heaven—and
the thunder died away—and the lightning did not
flash—and the clouds hung motionless—and the
waters sunk to their level and remained—and the trees
ceased to rock—and the water-lilies sighed no
more—and the murmur was heard no longer from among
them, nor any shadow of sound throughout the vast
illimitable desert. And I looked upon the characters of the
rock, and they were changed;—and the characters were
SILENCE.

“And mine eyes fell upon the countenance of the man, and his
countenance was wan with terror. And, hurriedly, he raised
his head from his hand, and stood forth upon the rock and
listened. But there was no voice throughout the vast
illimitable desert, and the characters upon the rock were
SILENCE. And the man shuddered, and turned his face away,
and fled afar off, in haste, so that I beheld him no more.”



Now there are fine tales in the volumes of the Magi—in
the iron-bound, melancholy volumes of the Magi. Therein, I
say, are glorious histories of the Heaven, and of the Earth,
and of the mighty Sea—and of the Genii that overruled
the sea, and the earth, and the lofty heaven. There was much
lore, too, in the sayings which were said by the sybils; and
holy, holy things were heard of old by the dim leaves that
trembled around Dodona—but, as Allah liveth, that
fable which the demon told me as he sat by my side in the
shadow of the tomb, I hold to be the most wonderful of all!
And as the Demon made an end of his story, he fell back
within the cavity of the tomb and laughed. And I could not
laugh with the Demon, and he cursed me because I could not
laugh. And the lynx which dwelleth forever in the tomb, came
out therefrom, and lay down at the feet of the Demon, and
looked at him steadily in the face.
CRAZY JANE AND THE BISHOP

BRING me to the blasted oak
That I, midnight upon the stroke,
(All find safety in the tomb.)
May call down curses on his head
Because of my dear Jack that's dead.
Coxcomb was the least he said:
The solid man and the coxcomb.
Nor was he Bishop when his ban
Banished Jack the Journeyman,
(All find safety in the tomb.)
Nor so much as parish priest,
Yet he, an old book in his fist,
Cried that we lived like beast and beast:
The solid man and the coxcomb.
The Bishop has a skin, God knows,
Wrinkled like the foot of a goose,
(All find safety in the tomb.)
Nor can he hide in holy black
The heron's hunch upon his back,
But a birch-tree stood my Jack:
The solid man and the coxcomb.
Jack had my virginity,
And bids me to the oak, for he
(all find safety in the tomb.)
Wanders out into the night
And there is shelter under it,
But should that other come, I spit:
The solid man and the coxcomb.
Nobody May 2018
I welcome the silence from the middle of the night;
I was counting on the cover of darkness,
but look up to see a full moon, giving me a watchful eye.
I unsheath my pistol, but decide it will be too loud,
I don’t want to leave any witnesses behind;
so I slip into your tent, without making a sound.
Smile as I see you lying helpless in a dream,
walking closer to your bed;
I start crawling on the ground.
Slowly slide my blade out,
stealth like a cat;
It's quiet as a tomb.
I’m inches from your face,
close enough to smell your breath.
I place the cold metal to your neck,
swing my arm once to the side;
your blood is black in the moonlight,
gushing all over my hands.
You wake and grab your throat,
start swallowing blood, and choke.
I watch you try and put up a fight,
you squirm, and stare, with dying eyes.
So I stick you another time,
in the side right through your heart.
Warm blood licks my face,
too bad it took more than one slice;
for your body to go limp.
Finally your death has come,
I’m free from the burden of your grip.
Through the ghoul-guarded gateways of slumber,
Past the wan-mooned abysses of night,
I have lived o'er my lives without number,
I have sounded all things with my sight;
And I struggle and shriek ere the daybreak, being driven to madness with fright.

I have whirled with the earth at the dawning,
When the sky was a vaporous flame;
I have seen the dark universe yawning
Where the black planets roll without aim,
Where they roll in their horror unheeded, without knowledge or lustre or name.

I had drifted o'er seas without ending,
Under sinister grey-clouded skies,
That the many-forked lightning is rending,
That resound with hysterical cries;
With the moans of invisible daemons, that out of the green waters rise.

I have plunged like a deer through the arches
Of the hoary primoridal grove,
Where the oaks feel the presence that marches,
And stalks on where no spirit dares rove,
And I flee from a thing that surrounds me, and leers through dead branches above.

I have stumbled by cave-ridden mountains
That rise barren and bleak from the plain,
I have drunk of the fog-foetid fountains
That ooze down to the marsh and the main;
And in hot cursed tarns I have seen things, I care not to gaze on again.

I have scanned the vast ivy-clad palace,
I have trod its untenanted hall,
Where the moon rising up from the valleys
Shows the tapestried things on the wall;
Strange figures discordantly woven, that I cannot endure to recall.

I have peered from the casements in wonder
At the mouldering meadows around,
At the many-roofed village laid under
The curse of a grave-girdled ground;
And from rows of white urn-carven marble, I listen intently for sound.

I have haunted the tombs of the ages,
I have flown on the pinions of fear,
Where the smoke-belching Erebus rages;
Where the jokulls loom snow-clad and drear:
And in realms where the sun of the desert consumes what it never can cheer.

I was old when the pharaohs first mounted
The jewel-decked throne by the Nile;
I was old in those epochs uncounted
When I, and I only, was vile;
And Man, yet untainted and happy, dwelt in bliss on the far Arctic isle.

Oh, great was the sin of my spirit,
And great is the reach of its doom;
Not the pity of Heaven can cheer it,
Nor can respite be found in the tomb:
Down the infinite aeons come beating the wings of unmerciful gloom.

Through the ghoul-guarded gateways of slumber,
Past the wan-mooned abysses of night,
I have lived o'er my lives without number,
I have sounded all things with my sight;
And I struggle and shriek ere the daybreak, being driven to madness with fright.
Sid Lollan Apr 2018
Gentlemen of Courage and Ladies of Excellence,
Toast to stolen prayers with rarer player’s hands;
Soft in defiant laughter,
when drinking their wine from the bowels of brines

Sing along the Ballads of Heritage with Melodies of Exception;
Boast, not a breathe,
though sullen heirs ghost to fairer wearer’s air(s) of land—
A settlement of Rapture and Resurrection, arid, amid dirt and sand

and King and thy Kingdom sprout flowering tomb, and rosebud temple reach to the sky during the showers of spring
Devours the crescent Moon

in big pink petals of bloom;

A garden so fertile
it could look pretty in wartime—
with Gardeners of Courage and Laborers of Excellence;
(Lapse, not into digressions of Being and Essence
but hands in the soil and planting the actions of kingdom come,
       patient building of Spring Reign sure
as the flame, the architect of rising Sun is
(Daughters and Sons of kingdom came,
      the soldier in a land been conquered and named; abandoned
for the greenness of hope.
)May it never come, Be All The Same; (


be gentle, though whispering wind)

Seeds of Nextyear and the spores of Awhile,
carried by the Wasps and the Clouds
To the Gentlemen of Excellence and Ladies of Courage,
illuminated, eyes from the flora of stars faraway forest floor of foreign

      fears,
      as the hungry Owls of Time prepare a final feast—
      Consume the years between Here and Now;
      Watching from blank perch, among
      the Trees of Afterall; a place beyond expectance.
      Sing the branches of experience, to wake
      in Siren’s cipher; inelegant forms
      of waking,

ugly sleep on rocks of seabed; once was aboard a marooned skyline—

Those Who Are Will Be
again, again a serf in a wave of Time’s refraction. Neverending neverbeginning;

                          Those Gentlemen of Courage and Ladies of Excellence,
on the Day That Is, arrays of seers sayers doers displayers
optimists and pessimists, toast to them
        and their rarer player’s hands,
Boast they, not a breathe, though sullen heirs ghost
to fairer wearer’s air and land;
Laugh and howl and dine, they drink their wine
from disemboweled gourds
        of their own divine—
Warped, in jowls of hungry fix,
no feast they fear, for they prey to the Owls of Time.
Harley Hucof Nov 2014
It's in moments like these
where the universe is revealed
I find myself wandering the infinite land
searching for a lover and a friend

The moments of peace
where freedom is revealed
tales of Gods and Goddesses

New music my last hope
my first trip away from home
I am me ! can't you see?
i'm real not a normal human
i'm just meat

Why am i here?
dazed chasing desires and dreams
i could shake the ground beneath your feet
but things don't look always as they seem

Lets sail this ship to escape our past
Sins that killed the innocence while the demons laughed

It's in moments like these i fly high and dance with the stars
where i'm back to the womb

but for others it's just the tomb..


Words Of Harfouchism.
If you can relate to that, i admire you
Titanic-Lover Aug 2013
The new ship sails by me,callous with behavior cruel,
Churning up the blackening waves,racing through nights' cool.
Paying not a bit of heed to me waiting by
Who watches their every move with disapproving eye.
They know who I am,they do know my name,
But they sail by me in haughty manner all the very same.
They think I am an old girl,and therefore are not wise,
True,I may be old,but I do not speak of lies.
Those ships would learn a lot from me if they merely heard,
What I would tell them in a few and simple words.
I will tell you new ships what I know in my very heart,
Listen closely to me and my words shall never part.

My decks were long and pleasurable,filled with a gentle breeze,
I was once the most beautiful on all seven seas.
People laughed aboard my decks,stood upon my bow,
But that was so long ago,no one is on me now.
No one gazes out my windows,
No one sweeps down my elegant stairs,
No lady stands before my mirrors to comb her long brown hair.
No men laugh within my parlors,
No one greets in my grand rooms.
No one is aboard me at all,Young Ship,
For I am but a tomb.
Children once laughed within my halls,
Gaily twirling a top,
Young lovers stood on Boat-Deck,wishing I'd never stop.
But,no one laughs within my halls,
Not a soul spins a top,
No lovers stand on Boat-Deck wishing I'd never stop.
The laughter echoes within my halls.
From so long ago,
I think I hear it once again,
Yet,it's the winds' whistling,I know.
I long to hear the children's joy,
The felicity of their glee,
I know though within my sorrowed heart,
No one is here but me.
The haunting call of the wind
Makes me ill at ease.
I do not regard it now as a gentle,pleasurable breeze.
It reminds me no one is with me,
It reminds me I am alone,
It's chilling echoes frighten me
Right down to my old,steel bones.
No one sits to play cards in my Grand Saloon,
No one is with me at all,Young Ship,
I am just a tomb.

No one waltzes gaily
To the pleasures of my band.
No one stands at my stern
To bade farewell to their homeland.
No one sits in deck chairs
Where they'd see the sun the most.
No one is aboard me at all,Young Ship,
I,myself,am a ghost.
No one stands within a room
To qualm a child's fear.
No one is with me at all,Young Ship,
Do not grow uneasy from my tear.
I have cried many times over,
And will for many years more.
I am struck with this painful truth
That settles in my heart's core.
Do not recoil from what
This old 'unwise' girl shall say,
Remember it always as you command the ocean's lay.

I once had people aboard me that thought such happy dreams,
But now my heart echoes with their
Hopeless screams.
I am so very lonely,Young Ship,
I dream of what could of been on distant land,
I dream of being draped with flower garlands
If things had gone as planned.
Why did it happen to me,Young Ship?
Why did I endure such coldhearted fault?
I had a life of promise,
Which drew to a rapid halt.
I sit here upon these wind-whipped waves
Dreaming of the joyful days of yore,
Remembering the grandeur I gave the people
Who are with me no more.
I remember my splendid glory,
Yet,you only see the dregs of time.
I recall my glossy-painted grandness,
You see only the slime.
Young Ship,I once was different,
Than this unpleasentness that greets your eye.
I once was pretty and strong,
Not haunted by despondent cries.
In my heart,I am not festooned with ribbons of rust,
The souls that were with me have not dissolved
To dust.
Within my heart,they are alive,
As life-filled as can be.
They be not anchored by Death
On the bottom of the sea.
My heart may be saddened,
My body may be old,
But,be mindful of any voyage you take,
Be not brash and bold.
Remember it,you Young Ship,
What I say to the letter.
Remember the words of an aged lady,
Whose life has not got better.

No one gazes up at clouds
Or marvels at my steam.
No one is with me at all,Young Ship,
I'm remembering a centuries old dream.
No one stands aft at stern
To smile at the sun.
No one sings of happy days,
For their life and mine is done.
The flash of lightening illumines me
At my forever post.
Then,all darkens yet again
Around my weary ghost.

I remember the clink of glasses,
Of people giving a toast.
Their joyful hearts were so glad,
I felt honored to be their host.
Light glittered like diamonds
From my grand chandeliers.
People marveled at their glimmer,
There was no weight of fear.
My heart grows so happy
When I remember the life I had,
But the sparkle of it's beauty fades when I know the bad.
Then,the picture fades away,
There's no more glimmer or gleam.
I am upon a lonely ocean
Without a power called steam.
I am stuck at the longitude
And latitude of my demise,
'UNSINKABLE!",they said.
They told me nothing but lies.
Young Ship,I could go on forever
About the short pleasures this heart did know.
But,you do not wait for always.
You must leave me and go.
You must leave me,Young Ship,
Alone again-without company.
I will sit still in my place
Gazing out on a endless sea.
I wish you didn't have to be so haughty,
I wish you wouldn't glare and flee,
I wish that you'd be nice to an old ship,
For there are no more ships like me.
But,you are not nice,Young Ship,
Nor are your relatives who confidently ply
The seas I wait over.
They don't even say 'good-bye'.
I watch you as you retreat
To the setting sun.
I have told you all I can tell you,
My message is nearly done.
There is one thing now to retain,
And tell all of your fleet,
About an occasion with an aged lady
That you chanced to meet.

No one gazes out my windows
Or dances in my hall.
Listen,oh,so carefully,to my horn's haunting call.
It speaks to you,Young Ship,
Of a day ended by doom.
A day when a hateful iceberg
Turned me into a tomb.
No faces peer from a window,
No sure hand commands my wheel.
All ended by an iceberg,
Who with the Devil made a deal.
When I started off in life,Young Ship,
I dreamt of where my life may have led,
But terror wracked my very soul with
'ICEBERG
DEAD
AHEAD!!!'
This poem has been written from the heart but also from truth. There have been many instances of modern day cruise ships suddenly having unexplainable engine difficulties,or actually completely stopping for no apparent reason in the vicinity of the 1912 tragedy. In my personal opinion,I believe it is Titanic herself which causes the mishaps. This is what I imagine she would think of the modern liners. Such a different breed they are from her and her sisters.
'I wish I had a quiet tomb,
Beside a little rill;
Where birds, and bees, and butterflies,
Would sing upon the hill.'
Doug Dombrowik Jan 2013
I now sit here with the darkest poet, from long ago,
his sad story is similar to me.
Hidden as Quarles, though him you may know
as the one who loved Annabel Lee.
The difference, his love, loved with no other thought
than to love and be loved by he.

We met young, though I was not a child,
In our kingdom by the sea.
Our love was a love that was stranger than love,
I and the new Annabel Lee.
What is the will of the winged seraphs of heaven?
Do they condone or condemn her and me?

What is the reason that long ago,
in the kingdom by the sea.
That over us came a dark cloud, chilling
my beautiful new Annabel Lee.
Her icy veins now run deep,
and have taken her away from me.
An easier fate be served in a tomb,
residing where the winter tides return from the sea.

Were the dancing angels of heaven
envying her and me?
This must be the reason we part! I  know,
as I have been where the winter tides return from the sea.
My love's end differs from Poe, but surely I know
What its like to lose Annabel Lee.

Although your love was stronger by far than the love
of those far older than thee,
and those far wiser than we,
My lost love can't be blamed upon the angels in heaven,
nor the demons down under the sea.
My soul shall dissever from her soul forever,
and I have no one to blame but me.

Yet the moon never beams, without bringing me dreams
of the beautiful new Annabel Lee.
And still the stars never rise, without me seeing the eyes
of my darling, that hates me, and abreast I shall ne'er abide.
I shall be the one consumed by the winter tides returning to the sea.
Stuck in the tomb that shall never be.
8th Poem
KM Feb 2014
In a tomb by the sounding sea
That’s where he waits for me
His lover long lost
Never to be beside again
Moans and wails and shrieks of horror
As that wickedly turning sea
Gracefully and steadily, it regurgitates me
His lover returning
But not quite the same
Gagging and choking and coughing up salt
Slimy skin from the waters embrace
A twisted grin of joy on his face
His out stretched arms
I stand at the shore line
With a glowing smile enticing
Laughing and crying he stumbles forwards
Water logged eyes shining bright
Knowing to him, I’m a glorious sight
Stopping just before my gentle touch
His smile fades as his mind catches up
Why won’t he come closer to me?
Hesitating and questioning his bride before him
His gut screams no but his heart pushes on
A whisper escapes ‘but you were meant to be gone’
I smile graciously as I reach for his hand
‘My sweet love, but I’m here now, follow me’
Holding and locking our fingers together
Turning to face the calmed, silent sea
Swallowing us whole to the depths to be free
In a tomb together, my lover and me
2/13/2014
Impzz Jan 2017
Wake up wasting most of my life
Pass out I'm waiting on the night time
Can I be?
What you can see ?
Repeat until the days are over
Watching you and me get older
Following
What I think
Wicked ramble ways that I take
You find reality in escape
Is that true ?
Please step through

This ride that you took in your eyes
Put you right back down inside
and now it's all a dream
This ride that you took in your mind
Left you pale and zombiefied
a ghost like me

Whats that out in the distance
A lost tomb on the edge of existance
Desert skies
Down behind
Going to travel until I get there
Not going to stop until I get there
Now behind
The setting sunrise
Opening the front gates
I hope its not too late
To see what has they done to you
To see if what they said is true

This ride that you took in your eyes
Put you right back down inside
and now it's all a dream
This ride that you took in your mind
Left you pale and zombiefied
a ghost like me

I hope that I dont end up like you
Out in the desert with a lost tomb
I hope that I can find my way through
and not end up in a lost tomb

This ride that you took in your eyes
Put you right back down inside
and now it's all a dream
This ride that you took in your mind
Left you pale and zombiefied
a ghost like me
Song lyrics
Amaranthine Jun 2017
From dusk till dawn &
From dawn till dusk
In this full yet
Empty graveyard
I will stay
Near your tomb.....
In your journey
From your mom's womb
To the earth's womb
You were fibre of my soul
And My only goal.....
Now I will lie here
on your​ tomb till
My tomb binds me
With you dear...
Black Jewelz Sep 2016
Flowers bloom,
Susie notices,
While the weather looms.
She blithely sings,
"All is sunny, despite the heavens' gloom..."

But, near a tomb,
Old Man Witherspoon
Says it only spells of doom.

With spirited skips
She twirls
As her hair billows and whips.
She courageously croons
Songs of praise crawling from her lips.

But, near a tomb,
Old Man Witherspoon
Yells, "All only smells of doom!"

Then the storm clouds corral
Them both and open fire
Like a showdown at the OK Corral.
Witherspoon bawled: "You're happy to die?!"
She countered: "No; but die happy I shall."

But, near a tomb,
Old Man Witherspoon
Shouts, "Your death only tells of doom!"

She heeded no single warning.
Blissful, the winds lifted her
Into the dark morning.
See, Susie had determined,
"If I must die, I will not die mourning."

Meanwhile, above a tomb,
Old Man Witherspoon
Cries, "Life is merely tales of doom!"

Then suddenly, beneath a fine awning,
Susie's eyes flashed open
To embrace the dawning.
Her frantic pants were slowed
By a gasp of yawning.

A new aura filled her room,
Her bed caressed her
As her mind began to zoom.
She arose in shock by the beaming sun
And the flowers' bloom.

See, Susie never heeded a single warning,
She ignored many blessings—
Until that morning.
And from thence determined,
"If I must die, I will not die mourning."

Susie leapt & left from that room,
And ventured somewhere—
It was near a tomb.
She sat next to Old Man Witherspoon
And crooned a tune: "All will be sunny, despite the present gloom..."
I

Between extremities
Man runs his course;
A brand, or flaming breath.
Comes to destroy
All those antinomies
Of day and night;
The body calls it death,
The heart remorse.
But if these be right
What is joy?

        II

A tree there is that from its topmost bough
Is half all glittering flame and half all green
Abounding foliage moistened with the dew;
And half is half and yet is all the scene;
And half and half consume what they renew,
And he that Attis' image hangs between
That staring fury and the blind lush leaf
May know not what he knows, but knows not grief

        III

Get all the gold and silver that you can,
Satisfy ambition, animate
The trivial days and ram them with the sun,
And yet upon these maxims meditate:
All women dote upon an idle man
Although their children need a rich estate;
No man has ever lived that had enough
Of children's gratitude or woman's love.

No longer in Lethean foliage caught
Begin the preparation for your death
And from the fortieth winter by that thought
Test every work of intellect or faith,
And everything that your own hands have wrought
And call those works extravagance of breath
That are not suited for such men as come
proud, open-eyed and laughing to the tomb.

        IV

My fiftieth year had come and gone,
I sat, a solitary man,
In a crowded London shop,
An open book and empty cup
On the marble table-top.
While on the shop and street I gazed
My body of a sudden blazed;
And twenty minutes more or less
It seemed, so great my happiness,
That I was blessed and could bless.

        V

Although the summer Sunlight gild
Cloudy leafage of the sky,
Or wintry moonlight sink the field
In storm-scattered intricacy,
I cannot look thereon,
Responsibility so weighs me down.

Things said or done long years ago,
Or things I did not do or say
But thought that I might say or do,
Weigh me down, and not a day
But something is recalled,
My conscience or my vanity appalled.

        VI

A rivery field spread out below,
An odour of the new-mown hay
In his nostrils, the great lord of Chou
Cried, casting off the mountain snow,
'Let all things pass away.'

Wheels by milk-white ***** drawn
Where Babylon or Nineveh
Rose; some conquer drew rein
And cried to battle-weary men,
'Let all things pass away.'

From man's blood-sodden heart are sprung
Those branches of the night and day
Where the gaudy moon is hung.
What's the meaning of all song?
'Let all things pass away.'

        VII

The Soul. Seek out reality, leave things that seem.
The Heart. What, be a singer born and lack a theme?
The Soul. Isaiah's coal, what more can man desire?
The Heart. Struck dumb in the simplicity of fire!
The Soul. Look on that fire, salvation walks within.
The Heart. What theme had Homer but original sin?

        VIII

Must we part, Von Hugel, though much alike, for we
Accept the miracles of the saints and honour sanctity?
The body of Saint Teresa lies undecayed in tomb,
Bathed in miraculous oil, sweet odours from it come,
Healing from its lettered slab.  Those self-same hands perchance
Eternalised the body of a modern saint that once
Had scooped out pharaoh's mummy.  I--though heart might find relief
Did I become a Christian man and choose for my belief
What seems most welcome in the tomb--play a pre-destined part.
Homer is my example and his unchristened heart.
The lion and the honeycomb, what has Scripture said?
So get you gone, Von Hugel, though with blessings on your head.
Terry O'Leary Sep 2013
NOTE TO THE READER – Once Apun a Time

This yarn is a flossy fabric woven of several earlier warped works, lightly laced together, adorned with fur-ther braided tails of human frailty. The looms were loosed, purling frantically this febrile fable...

Some pearls may be found wanting – unwanted or unwonted – piled or hanging loose, dangling free within a fuzzy flight of fancy...

The threads of this untethered tissue may be fastened, or be forgotten, or else be stranded by the readers and left unravelling in the knotted corners of their minds...

'twill be perchance that some may  laugh or loll in loopy stitches, else be torn or ripped apart, while others might just simply say “ ’tis made of hole cloth”, “sew what” or “cant seam to get the needle point”...,

yes, a proper disentanglement may take you for a spin on twisted twines of any strings you feel might need attaching or detaching…

picking knits, some may think that
    such strange things ‘have Never happened in our Land’,
    such quaint things ‘could Never happen in our Land’’,
    such murky things ‘will Never happen in our Land’’…

and this may all be true, if credence be dis-carded…

such is that gooey gossamer which vails the human mind...

and thus was born the teasing title of this fabricated Fantasy...

                                NEVER LAND

An ancient man named Peter Pan, disguised but from the past,
with feathered cap and tunic wrap and sabre’s sailed his last.
Though fully grown, on dust he’s flown and perched upon a mast
atop the Walls around the sprawls, unvisited and vast -
and all the while with bitter smile he’s watching us aghast.

As day begins, a spindle spins, it weaves a wanton web;
like puckered prunes, like midday moons, like yesterday’s celebs,
we scrape and *****, we seldom hope - he watches while we ebb:

    The ***** grinder preaches fine on Sunday afternoons -
    he quotes from books but overlooks the Secrets Carved in Runes:
    “You’ve tried and toyed, but can’t avoid or shun the pale monsoons,
    it’s sink or swim as echoed dim in swinging door saloons”.
    The laughingstocks are flinging rocks at ball-and-chained baboons.

    While ghetto boys are looting toys preparing for their doom
    and Mademoiselles are weaving shells on tapestries with looms,
    Cathedral cats and rafter rats are peering in the room,
    where ragged strangers stoop for change, for coppers in the gloom,
    whose thoughts are more upon the doors of crypts in Christmas bloom,
    and gold doubloons and silver spoons that tempt beyond the tomb.

    Mid *** shots from vacant lots, that strike and ricochet
    a painted girl with flaxen curl (named Wendy)’s on her way
    to tantalise with half-clad thighs, to trick again today;
    and indiscreet upon the street she gives her pride away
    to any guy who’s passing by with time and cash to pay.
    (In concert halls beyond the Walls, unjaded girls ballet,
    with flowered thoughts of Camelot and dreams of cabarets.)

    Though rip-off shops and crooked cops are paid not once but thrice,
    the painted girl with flaxen curl is paring down her price
    and loosely tempts cold hands unkempt to touch the merchandise.
    A crazy guy cries “where am I”, a ****** titters twice,
    and double quick a lunatic affects a fight with lice.

    The alleyways within the maze are paved with rats and mice.
    Evangelists with moneyed fists collect the sacrifice
    from losers scorned and rubes reborn, and promise paradise,
    while in the back they cook some crack, inhale, and roll the dice.

    A *** called Boe has stubbed his toe, he’s stumbled in the gutter;
    with broken neck, he looks a wreck, the sparrows all aflutter,
    the passers-by, they close an eye, and turn their heads and mutter:
    “Let’s pray for rains to wash the lanes, to clear away the clutter.”
    A river slows neath mountain snows, and leaves begin to shudder.

    The jungle teems, a siren screams, the air is filled with ****.
    The Reverent Priest and nuns unleash the Holy Shibboleth.
    And Righteous Jane who is insane, as well as Sister Beth,
    while telling tales to no avail of everlasting death,
    at least imbrue Hagg Avenue with whisky on their breath.

    The Reverent Priest combats the Beast, they’re kneeling down to prey,
    to fight the truth with fang and tooth, to toil for yesterday,
    to etch their mark within the dark, to paint their résumé
    on shrouds and sheets which then completes the devil’s dossier.

    Old Dan, he’s drunk and in a funk, all mired in the mud.
    A Monk begins to wash Dan’s sins, and asks “How are you, Bud?”
    “I’m feeling pain and crying rain and flailing in the flood
    and no god’s there inclined to care I’m always coughing blood.”
    The Monk, he turns, Dan’s words he spurns and lets the bible thud.

    Well, Banjo Boy, he will annoy with jangled rhymes that fray:
    “The clanging bells of carousels lead blind men’s minds astray
    to rings of gold they’ll never hold in fingers made of clay.
    But crest and crown will crumble down, when withered roots decay.”

    A pregnant lass with eyes of glass has never learned to cope.
    Once set adrift her fall was swift, she slid a slipp’ry ***** -
    she casts the Curse, the Holy Verse, and shoots a shot of dope,
    then stalks discreet Asylum Street her daily horoscope -
    the stray was struck by random truck which was her only hope.

    So Banjo Boy, with little joy, he strums her life entire:
    “The wayward waif was never safe; her stars were dark and dire.
    Born midst the rues and avenues where lack and want aspire
    where no one heeds the childish needs that little ones require;
    where faith survives in tempest lives, a swirl within the briar,
    Infinity grinds as time unwinds, until the winds expire.
    Her last caprice? The final peace that no one could deny her -
    whipped by the flood, stray beads of blood cling, splattered on the spire;
    though beads of sweat are cool and wet, cold clotted blood is dryer.”

    Though broken there, she’s fled the snare with dying thoughts serene.
    And now she’s dead, the rumours spread: her age? a sweet 16,
    with child, *****, her soul dyed red, her body so unclean.
    A place is sought where she can rot, avoiding churchyard scenes,
    in limey pits, as well befits, behind forbidding screens;
    and all the while a dirge is styled on tattered tambourines
    which echo through the human zoo in valleys of the Queens.

    Without rejoice, in hissing voice, near soil that’s seldom trod
    “In pious role, God bless my soul”, was mouthed with mitred nod,
    neath scarlet trim with black, and grim, behind a robed facade -
    “She’ll burn in hell and sulphur smell”, spat Priest and man of god.

    Well, angels sweet with cloven feet, they sing in girl’s attire,
    but Banjo Boy, he’s playing coy while chanting in the choir:
    “The clueless search within the church to find what they desire,
    but near the nave or gravelled grave, there is no Rectifier.”
    And when he’s through, without ado, he stacks some stones nearby her.

The eyes behind the head inclined reflect a universe
of shanty towns and kings in crowns and parties in a hearse,
of heaping mounds of coffee grounds and pennies in a purse,
of heart attacks in shoddy shacks, of motion in reverse,
of reasons why pale kids must die, quite trite and curtly terse,
of puppet people at the steeple, kneeling down averse,
of ****** tones and megaphones with empty words and worse,
of life’s begin’ in utter sin and other things perverse,
of lewd taboos and residues contained within the Curse,
while poets blind, in gallows’ rind, carve epitaphs in verse.

    A sodden dreg with wooden leg is dancing for a dime
    to sacred psalms and other balms, all ticking with the time.
    He’s 22, he’s almost through, he’s melted in his prime,
    his bane is firm, the canker worm dissolves his brain to slime.
    With slanted scales and twisted jails, his life’s his only crime.

    A beggar clump beside a dump has pencil box in hand.
    With sightless eyes upon the skies he’s lying there unmanned,
    with no relief and bitter grief too dark to understand.
    The backyard blight is hid from sight, it’s covered up and bland,
    and Robin Hood and Brother Hood lie buried in the sand.

    While all night queens carve figurines in gelatine and jade,
    behind a door and on the floor a deal is finally made;
    the painted girl with flaxen curl has plied again her trade
    and now the care within her stare has turned a darker shade.
    Her lack of guile and parting smile are cutting like a blade.

    Some boys with cheek play hide and seek within a house condemned,
    their faces gaunt reflecting want that’s hard to comprehend.
    With no excuse an old recluse is waiting to descend.
    His eyes despair behind the stare, he’s never had a friend
    to talk about his hidden doubt of how the world will end -
    to die alone on empty throne and other Fates impend.

    And soon the boys chase phantom joys and, presto when they’re gone,
    the old recluse, with nimble noose and ****** features drawn,
    no longer waits upon the Fates but yawns his final yawn
    - like Tinker Bell, he spins a spell, in fairy dust chiffon -
    with twisted brow, he’s tranquil now, he’s floating like a swan
    and as he fades from life’s charades, the night awaits the dawn.

    A boomerang with ebon fang is soaring through the air
    to pierce and breach the heart of each and then is called despair.
    And as it grows it will oppose and fester everywhere.
    And yet the crop that’s at the top will still be unaware.

    A lad is stopped by roving cops, who shoot in disregard.
    His face is black, he’s on his back, a breeze is breathing hard,
    he bleeds and dies, his mama cries, the screaming sky is scarred,
    the sheriff and his squad at hand are laughing in the yard.

    Now Railroad Bob’s done lost his job, he’s got no place for working,
    His wife, she cries with desperate eyes, their baby’s head’s a’ jerking.
    The union man don’t give a ****, Big Brother lies a’ lurking,
    the boss’ in cabs are picking scabs, they count their money, smirking.

    Bob walks the streets and begs for eats or little jobs for trying
    “the answer’s no, you ought to know, no use for you applying,
    and don’t be sad, it aint that bad, it’s soon your time for dying.”
    The air is thick, his baby’s sick, the cries are multiplying.

    Bob’s wife’s in town, she’s broken down, she’s ranting with a fury,
    their baby coughs, the doctor scoffs, the snow flies all a’ flurry.
    Hard work’s the sin that’s done them in, they skirmish, scrimp and scurry,
    and midnight dreams abound with screams. Bob knows he needs to hurry.
    It’s getting late, Bob’s tempting fate, his choices cruel and blurry;
    he chooses gas, they breathe their last, there’s no more cause to worry.

    Per protocols near ivied walls arrayed in sage festoons,
    the Countess quips, while giving tips, to crimson caped buffoons:
    “To rise from mass to upper class, like twirly bird tycoons,
    you stretch the treat you always eat, with tiny tablespoons”

    A learned leach begins to teach (with songs upon a liar):
    “Within the thrall of Satan’s call to yield to dim desire
    lie wicked lies that tantalize the flesh and blood Vampire;
    abiding souls with self-control in everyday Hellfire
    will rest assured, when once interred, in afterlife’s Empire”.
    These words reweave the make believe, while slugs in salt expire,
    baptised in tears and rampant fears, all mirrored in the mire.

    It’s getting hot on private yachts, though far from desert plains -
    “Well, come to think, we’ll have a drink”, Sir Captain Hook ordains.
    Beyond the blame and pit of shame, outside the Walled domains,
    they pet their pups and raise their cups, take sips of pale champagnes
    to touch the tips of languid lips with pearls of purple rains.

    Well, Gypsy Guy would rather die than hunker down in chains,
    be ridden south with bit in mouth, or heed the hold of reins.
    The ruling lot are in a spot, the boss man he complains:
    “The gypsies’ soul, I can’t control, my patience wears and wanes;
    they will not cede to common greed, which conquers far domains
    and furtive spies and news that lies have barely baked their brains.
    But in the court of last resort the final fix remains:
    in boxcar bins with violins we’ll freight them out in trains
    and in the bogs, they’ll die like dogs, and everybody gains
    (should one ask why, a quick reply: ‘It’s that which God ordains!’)”

    Arrayed in shawls with crystal *****, and gazing at the moons,
    wiled women tease with melodies and spooky loony tunes
    while making toasts to holey ghosts on rainy day lagoons:
    “Well, here’s to you and others too, embedded in the dunes,
deanena tierney Nov 2012
I do not like the world around me,
The filth and ***** places,
The lying selfish faces,
The weakness satan preys on,
All beauty now is all gone,
And like the world, I now smell,
Of the tomb in which we dwell,
With no will to perservere,
Nor rememberance of a tear,
Walking 'round about in throng,
Singing all the same sad song,
Of all we've lost or never had,
And of the good that turned to bad.
Until this becomes our norm again.
Forgetting better days have been.
I do not like the world around me,
The filth and ***** places,
The lying selfish faces,
The weakness satan preys on,
All beauty now is all gone,
And like the world, I now smell,
Of the tomb in which we dwell,
With no will to perservere,
Nor rememberance of a tear,
Walking 'round about in throng,
Singing all the same sad song,
Of all we've lost or never had,
And of the good that turned to bad.
Until this becomes our norm again.
Forgetting better days have been.
I do not like the world around me,
The filth and ***** places,
The lying selfish faces,
The weakness satan preys on,
All beauty now is all gone,
And like the world, I now smell,
Of the tomb in which we dwell,
With no will to perservere,
Nor rememberance of a tear,
Walking 'round about in throng,
Singing all the same sad song,
Of all we've lost or never had,
And of the good that turned to bad.
Until this becomes our norm again.
Forgetting better days have been.  You get the picture......
Seema Oct 2017
On a quite night
On my tomb stone
Scribbling a write
All alone

His buried next to me
As how it's supposed to be
Just the engrave on my tomb stone
Does not match with his own

I am his Mrs. yet engraved is a Miss
This seems not right
Coz our vows were sealed with a kiss
In a broad daylight

Thus, each night I try to change the letters
But nothing happens when I try
As for him nothing matters
Not even, when I breakdown and cry

Memories of our death flashes by
That evilful night how can I forget
Hit by a carriage, we flew in the sky
Each day out of tomb, I sit to regret

Thus, each night I try to change the letters
But nothing happens when I try
As for him nothing matters
Not even, when I breakdown and cry

AGAIN AND AGAIN...


©sim
Spilling imagination.
RAJ NANDY Jul 2018
Dear Readers, concept of Time has bewildered our ancient sages, philosophers, poets, artists,  including our famous scientists and physicists even to this day. It has no doubt also impacted my    
mind in several ways! Therefore, this series about the ‘Enigma of Time In Verse’ is now being composed and posted to share my thoughts with my Poet friends on this Site. If you like it kindly re-post this poem. Thanking You, - Raj Nandy from New Delhi.
             

   THE ENIGMA OF TIME IN VERSE : PART ONE
                           BY RAJ NANDY

                 A  SHORT  INTRODUCTION

During my childhood days, time appeared to be joyful and endless.
Though my parents had observed the clock all the while,
Telling me when to rise, when to eat, play, do my homework, -
till it was my bed time.
Alas, my childhood days as cherished memories are now left behind.
With rest of the world  I am now chasing that winged arrow of Time!

Those Management Gurus say, that our twenty four hours day,
Is time enough for those who can manage time from day to day.
Yet I do find, that I am generally chasing time, not to be left behind!
Hoping that a full time job will provide, some quality time, with the desired comforts of life.
Therefore, I abide my time, hoping to have the time of my life one day, with some quality time coming my way.
But in this mad race against time, while chasing that butterfly of happiness,
I must learn to cool down and breathe, before time decides to elude me!
For with patience and perseverance, that butterfly of happiness, will alight gently on my shoulder in good time, and perhaps at
the right time!
While time is universally regarded as the fourth dimension by our physicists,
It is said to flow at different rates for different individuals as mentioned by Shakespeare the English dramatist.

          FEW  LITERARY  QUOTES  ABOUT  TIME

In ‘As You Like It’ Act 3, Shakespeare refers to ‘the swift steps’ and the ‘lazy foot’of time  in a relativistic way.
Time ‘trots’ for a young woman between her engagement and marriage when a week feels like seven years for her every day!
Time ‘ambles’ for a priest who doesn’t know Latin and a rich man without gout;
Since the priest is spared the burden of exhausting study, and the rich man is spared the burden of exhausting poverty - no doubt.
But time ‘gallops’ for a thief walking to the gallows, for even if he walks slowly, he happens to gets there too soon!
While time ‘stands still’ for lawyers on vacation, since he sleeps his holidays away!

Now moving forward to Einstein who once described his ‘Theory of Relativity’ very humorously in the following way; -
“When you sit with a nice girl for two hours you think it’s only a minute, but when you sit on a hot stove for a minute, you think it’s two hours,” he had said with a chuckle!

Getting back to Shakespeare’s ‘Macbeth’ Act One on that blasted heath,
Macbeth asks the three witches, “If you can look into the seeds of Time,
And say which grain will grow and which will not,
Speak then to me, who neither beg nor fear…”
And finally that brilliant piece of soliloquy about Time by Macbeth in Act 5:
“To-morrow, and to-morrow, and to-morrow,
  Creeps in this petty pace from day to day
  To the last syllable of recorded time,
  And all our yesterdays have lighted fools
  The way to dusty death….”

John Milton’s poem ‘On Time’ composed in 1930 ends with his optimistic lines:
“Fly envious Time, till thou run out thy race,
  Call on the lazy leaden-stepping hours,
  Whose speed is but the heavy Plummets pace …..
  When once our heavenly-guided soul shall clime,
  Then all this Earthly grossness quit,
  Attired with Stars, we shall forever sit
  Triumphing over Death and Chance, and thee O Time.”

Alexander Pope in his ‘Imitations of Horace’ (1738) writes:
“Years following years steal something every day,
  At last they steal us from ourselves away.”
Romantic poets have dealt with the transience of time, which got popularised by the Latin phrase ‘Carpe diem’ which tells us to ‘seize the day’;
This Latin phrase has been borrowed from the Roman lyrical poet Horace of ancient days.

Charles Dickens’ novel ‘Hard Times’ is an autobiography describing his difficult childhood days.
While the famous opening lines of his historical novel ‘A Tale of Two Cites’ take us back to 18th century London and Paris under times sway.
I quote Dickens’ memorable opening lines:
"It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us ......”

We have the Nobel Laureate Tagore’s well known poetic lines on the subject of Time:
“The butterfly counts not months but moments, and has time enough.”
“Let your life lightly dance on the edges of Time like dew on the tip of leaf.”
He described the Taj Mahal as “a tear drop on the cheek of Time,” in his unique poetic style!

TS Eliot’s ‘Four Quarters’ of 1935,  include extended rumination on the nature of Time:
“Time present and time past,
  Are both perhaps present in time future.
  And time future contained in time past.
  If all time is eternally present,
  All time is unredeemable.
  What might have been is an abstraction
  Remaining a perpetual possibility,
  Only in a world of speculation….”
(Notes: This concept will become clearer in my Part Two, presently under construction.)

Next I have a quote from WH Auden’s poem ‘As I Walked Out One Evening’composed in 1937:
“But all the clocks in the city
  Began to whirr and chime:
  O let not Time deceive you.
  You cannot conquer Time.”

Subject of Time forms an important part of science fiction even to this day.
HG Well’s ‘The Time Machine’ (1895) interests both the layman and the Scientific community even today!
Finally, I would like to conclude my Part One on ‘The Enigma of Time in Verse’ with my favourite poem composed by the British poet Ralph Hodgson:
  
TIME, you old gipsy man,
  Will you not stay,
Put up your caravan
  Just for one day?
  
All things I'll give you
Will you be my guest,
Bells for your jennet
Of silver the best,
Goldsmiths shall beat you
A great golden ring,
Peacocks shall bow to you,
Little boys sing,
Oh, and sweet girls will
Festoon you with may.
Time, you old gipsy,
Why hasten away?
  
Last week in Babylon,
Last night in Rome,
Morning, and in the crush
Under Paul's dome;
Under Paul's dial
You tighten your rein—
Only a moment,
And off once again;
Off to some city
Now blind in the womb,
Off to another
Ere that's in the tomb.
  
Time, you old gipsy man,
  Will you not stay,
Put up your caravan
  Just for one day.

In Part Two I shall cover the Concepts of Time along with its Philosophical speculations.
Before moving on to Einstein’s concept of Time, and its present Scientific interpretations.
Thanks for reading patiently, from Raj Nandy of New Delhi.
Death dies in the assiduously sealed tomb,
smothered by tidy, useless grave clothes.

It takes the strength of Samson to roll away
the stone, inhumanly heavy, except for the Chosen One.

By the time the women arrive to perform their funereal rites,
the tomb is empty. They run away, frightened, not hearing

the angel's good news: "He is risen." No, they think,
he is simply not there. Where, how could he be gone?

The gospel will come later, after all will see the tomb's
great void, after all will cling to what is no longer there.

Only a transformed body -- eating fish, breaking bread,
passing through walls -- convinces them of the truth:

We do not believe in an empty tomb, for in itself,
it is not salvific. We believe instead in the risen Christ.

Death dies forever in an impotent tomb, outwitted by
the love of the Creator. In Him, life triumphs over all.
Here comes Jesus
from his tomb
With baskets full
of gloom and doom
Judgment, famine,
pestilence and war

He says the end
is coming soon
I wish he’d sing
a different tune
Something that
we haven’t heard
before

He’s got Aids for Tommy
Parkinson’s for Sister Sue
There’s an STD for Mommy
(Daddy hasn’t got a clue)

Here comes Jesus
from his tomb
With baskets full
of gloom and doom
Judgment, famine,
pestilence and war

Maybe if you’re
extra good
And try to do
the things you
should
He won’t come
around here
anymore

You’ll wake up one morning
and you’ll know he isn’t there
And you will see the smiles
on the children everywhere

Oh here comes Jesus
from his tomb
With baskets full
of gloom and doom

Hippity, hoppity
what a ******* day!
(Isaiah 45:7) Mark Twain once said that it would be just as easy for God to create healthy children as it would to create unhealthy ones, yet he chooses to create some with terrible diseases. That idea was in my mind as I wrote this poem.
(Also, that **** Peter Cotton Tail song was stuck in my head and I couldn't get rid of it).

— The End —