"titian" poems
Post-azure, cloud splashed sky,
washes with the suns descent,
breaking into melodies of sunset.
Fracturing into a blush,
the richness of the spectrum
makes itself known.
On a tangent of change,
amorphous clouds bleed
amber glow
and bittersweet combinations
of reds and yellows.
Vermillion streaks through,
and a few cloud folk turn titian,
like sumptuous surreal apricots
rotting in the sky,
that seem to augur
encroaching darkness.
Billows on the horizon
leak crimson,
like spilled wine on table cloth,
and pucker out
like blooms of flaming roses.
Fire refracted
coloured cousins of the sun
are dancing all about.
Here is the anthem
of wild transformation.
Here is cause
for quiet celebration.
Here at this fluent juncture.
Here at the closing of day.
The whole of the ocean below,
is the skies tremendous mirror.
It's reflection is variegated,
into variations a thousandfold.
Multitudinous, and ever differentiated,
distortions of above
ride the crests of waves.
Each apex is a new story.
Each new story,
just as soon as it is told,
comes crashing into trough.
Each finale is the ****** of beginning.
The dynamic roar
of the oceans ever-changing topology
is rife with meaning.
Colossal symphonic wonders,
the primordial song,
releasing upon: the uni-
verse continual,
sending the manifest
to move, with the give and strain
of immaculate design.
Here ensconced
between the safety of light
and the mystery of night.
Here at the oceans edge.
Above, shades of catalina-blue, in conversation
with the outer most cosmic-black
dismiss earlier brighter hues.
Tinged by the infinite nature of space,
the jeweled dome darkens.
Overhead, the first stars appear,
sky transparent to beheld blackness.
Luxuriant, pulling horizon, attracts
violet into it's unfolding theatrics.
Bloodied clouds turn purplish, then black,
a darkening rawness allures,
decaying with vivid beauty,
tragedies of a rouged romance
drug down into shadows play,
searingly alive, extraordinarily actual.
And then, the hush of dusk.
Darkness is felled, like silence.
Scintillating stars
strengthen in the nights
surrounding abyss;
giving radiance definition.
Dynamic Beauty
Lives In Transition,
Oppositions
Compliment.
Apr 7, 2014
Apr 7, 2014 at 9:49 PM UTC
291
How the old Mountains drip with Sunset
How the Hemlocks burn—
How the Dun Brake is draped in Cinder
By the Wizard Sun—
How the old Steeples hand the Scarlet
Till the Ball is full—
Have I the lip of the Flamingo
That I dare to tell?
Then, how the Fire ebbs like Billows—
Touching all the Grass
With a departing—Sapphire—feature—
As a Duchess passed—
How a small Dusk crawls on the Village
Till the Houses blot
And the odd Flambeau, no men carry
Glimmer on the Street—
How it is Night—in Nest and Kennel—
And where was the Wood—
Just a Dome of Abyss is Bowing
Into Solitude—
These are the Visions flitted *****
Titian—never told—
Domenichino dropped his pencil—
Paralyzed, with Gold—
4.4k
This morning,
I walked with god and man, and animal
I've come to believe,
no other possibility,
He denies me sleep
as His insurance policy
some One wants to be sure,
someone sees His sunrise poem,
He selected this ancien regi-man
to be His admiring audience,
with deer, squirrels, rabbits, a red fox, an osprey
always complaining, why do they get
the cheap seats
so up at five,
no jive,
gotta get there early,
for a good seat,
on the dock by his name
watch the color blue transgender
from feminine elegy elegant pale
to peacock royal male,
the water,
a contributing editor,
phases in with a steely grin,
with ermine whitecap hints
and an orange marmalade sky homage,
I cannot try to describe
and here is where man comes in...
as the tableau reveals a still life
come to be,
a painting enlivened,
come to me free,
bursting with
effervescence and
animal life tribunes,
paying on...
strange...
my Pandora app
back to back,
plays for me
Gershwin's Rhapsody In Blue,
hard upon it comes
Saint-Saëns's
The Carnival of the Animals
and I
enfeebled amateur,
needy for a
word titan Titian,
can think only
this trite thought:
*I know not who is the
instrument and who
is the
artist,
but virtuous us,
We, all, now-capital-buddies,
now, all, well-color-capitalized,
god and man and animal,
crooning a chorus of appreciation
let this "accidental" miracle,
this collaboration,
enthuse me,
to live happily
with anticipation
for just one more day...*
June 2014
Jun 15, 2014
Jun 15, 2014 at 6:56 AM UTC
Waiting for me today
was a grapy sky,
a purplish dusk over titian fields.
Then a familiar autumn scent perfumed the air,
the fragrant tea olive burst in orange blooms.
I ambled and paused a bit,
and watched the little ray of sun
that lingered on the horizon.
I saw an outline of my dream,
a vision above the western isles.
I held my breath and firmly thought.
I have to find my purpose.
Embrace my lows and my highs,
my weaknesses and strengths,
even the creeping darkness and
the marvelous sunrise.
I have to love life each day.
With every sunset as my witness
to accomplish something worthwhile.
Sep 27, 2021
Sep 27, 2021 at 10:12 AM UTC
"Here Made of Gone" for Isabella Stewart Gardner
Lyrics By Randy Vera
Music By: Randy Vera and Anthony J. Resta
http://bopnique.com/anthony-j-resta-and-randall-vera-finalists-john-lennon
LYRICS :
Vermeer, Rembrandt, Manet, Degas, from my three thousand year old Chinese KU, I toast you.
Mrs. Jack, I am your Bronze Eagle. I cut the painting at the frame – thieves by any other name.
Mrs. Jack with handcuffs and ***** I overcame your walls. Your collection’s complete.
Titian's Europa still hangs. The mirror to my:
Piece de la resistance. I’m your creme de la creme. I’m the John with the Procures on the wall in Vermeer’s concert.
Here, made of gone.
Mrs Jack, I’m your new William James. Through your kindness, you support me, in Dutch Room empty frames.
Like John Singer Sargent, I toil between your walls. I am Vermeer’s "corn flower blue," indescribable.
The metaphysical: Known unknown!
St Patrick’s Day 1990, I’m in Boston in the Fenway. For my penance, I’ll go to Saint John’s, drop to my knees, and like you, scrub the tiles clean.
Titian's Europa still hangs, the mirror to my: piece de La resistance. I’m your creme de la creme. I’m the John with the Procures on the wall in Vermeer’s concert. Here made of gone.
Where language fails that where art triumphs. The interloper between camps of reason and dreams. I’m an event not cognition. Like any event stored in canvas, paper, pen ,or ink.
Oh Mrs Jack I so love your "Head Band." I’m also a Redsox fan. I loved the Champagne and donuts, and thank you for the paintings.
Dec 29, 2013
Dec 29, 2013 at 6:22 AM UTC
She left me in a hurry,
with no word of her return
so I sit and wait, in longing,
keep her treasures safe, and yearn
for her face to gaze upon me,
as she fettles her dear skin,
with the pots of creams and lotions
I keep for her, within
my rose-lined drawers and cupboards,
the little blue glass bird
with wedding rings upon his beak
I asked, he hasn’t heard
of when our lady may be back
to grace us with her care,
her brushes sit with us and fret
of the tangles in her hair
and all lack of gloss and shine
finger tips cannot bestow
within her titian crowning,
oh! Where did she go?
Days slip by unhindered,
and merging seasons pass,
without her song or laughter
reflected in my glass.
I may as well be firewood,
my veneer begins to crack,
then, hark! I hear sweet footsteps!
My mistress has come back!
Her wedding rings rehomed at last,
the bird and I rejoice,
as she brushes out her hair and sings,
for we have missed her voice.
She polishes away the cracks,
takes a seat upon her throne,
rearranging pots and lotions,
I’m so glad that she came home.
Jul 26, 2013
Jul 26, 2013 at 6:57 PM UTC
You asked the color of my dreams.
In sleep, my eyes have sought
The inky black of raven lashes.
Starry nights and sooty ashes.
Prussian blue of fading violets
Indigo of clouds and silence
Beryl skies and turquoise seas
Blue-green waters of the deep
Peacock feathers of emerald green
Mossy dells of faery queens
Fields of wheat and brilliant suns
Amber gold in mid-autumns
Coral reefs and salmon streams
Marmalade and tangerines
Auburn sunsets, titian lips
Hennaed hands and fingertips
Blushing brides and rosy cheeks
Pink hued walls and white topped peaks
Silver moons and crystal nights
Downy geese in graceful flight
Ask not the color of my dreams
The question is not whole;
Deep within my rainbow’d sleep
Lies the color of my soul.
Dec 30, 2014
Dec 30, 2014 at 11:46 PM UTC
My soul whispered a secret to my heart,
It spoke of spilled blood upon a rose,
Rouged lips within the garden,
Drops of crimson liquid blush.
[CHORUS]
Nature’s beloved colour is green,
So red speaks of originality,
Blood is a passion,
Scarlet bleeding from thy own,
A claret sun dawning beyond,
Sanguine stained skies.
When the little cardinal sings sweetly,
A doorway opens I never chose,
Visions of a bloodshot key,
A lock rusted with dried blood.
A glimpse through the keyhole,
A pale forest awaits on the other side,
Showers of cherry blossoms,
Falling upon the snow.
Red berries bloom under crystal snow,
Glints of sunlight touch down,
Sparks of fire captured within,
Just beyond this rubicund door.
[CHORUS]
The dreams I am allowed,
Burn and scar my will,
When the door swings open,
Of its own accord.
Damask petals on the wind.
How warm and gentle that spray of blood,
Like a hundred tender kisses,
And the golden keys to Heaven.
I glimpsed the gules of true heraldry,
A suffused spirit at the dawn of memory,
Imprisoned by a cage of vermillion frost,
Warmed by a glass of spiced wine.
[CHORUS]
A roseate palace at the end of a long walk,
Painted titian by my tear drops,
Caress a florid complexion,
Carmine not my own.
Roan stones dusted,
By the fall of Angels light,
Make-believe incarnadine carpet of,
A mirrored auburn dusk.
I settle back into the maroon night,
The darkness flushed by concealed art,
Bay canvas touched-up with unreal imagery,
Indifferent to the passing of my former life.
[CHORUS]
Rubies fall from ruddy clouds,
These gems are not for me,
Reddened glass has come to pass,
The moment of my undoing.
[PAUSE (Epilogue)]
Red is not for me,
Red was not meant to be...
May 24, 2014
May 24, 2014 at 10:32 PM UTC
Sometimes I feel
Like a tethered titian
Of sorts
Tied to and underneath the
Footsteps of morals
Above me on earth
Angry with no shoes
I stomp around with my thunderous feet
Because no tailor would tie
String around my arches and leather beneath my soles
To protect me from the hot coals that line
The carpet of my cage.
A mythological beast of old is what I feel like
Some days
And in many ways
I feel like
A god of flight
Not confined to the barriers of night
But to the endless blue hued sky
That my golden wings contrast against
So sharply they cut through the air
Propelling me in circles around a bigger circle
That the mortals below me still think to be flat
My heels clasped with wings confining me
To the jail of myself where I am
The warden of one and exact my
Revenge on my prisoner daily
With the force of a titans foot
Tricked into thinking wings could
Be shoes.
Mar 27, 2012
Mar 27, 2012 at 5:15 PM UTC
“Mrs. Tubb, prepare my raincoat,” he said, “I’m going under the carpet.”
His ears were steaming.
“I’ll be waiting by the hanged stag,” he said. “If it gets to six and I'm still not home, put tobacco in the telephone.”
Down there, at the foot of the stairs, Mrs Tubb’s tears fell to the flattened backwards.
In the middle of the night, whilst she was sleeping,
And without her permission,
He had changed her name to Margot St. Vincent.
“Take off that murderer’s moustache and stretch out on the infamous Chelsea Blackmail Floor.
Ask the biggest bugs to dance,
You may never get another chance.”
The quietly handsome and magnificent Millicent Milligan was feeling rather ill again.
She had been dreaming of the brittle marigolds of Saint Petersburg.
She had been dreaming of pine cones and boiling marmalade.
Her home had fallen into a hole.
It was on the evening news,
But by the following morning they had lost interest,
A mountain had struck a commercial airliner and so no one was much impressed by her Home in Hole Hell.
355 were dead,
And possibly a well known racehorse,
And a corpse in transit who, of course, was already dead, but still, it was vexing for the family.
They found a priest in a poplar tree,
And the head of a hand model at the back of a cave.
(The hands were still intact and were couriered to their agent in a special flask).
Half in, half out of her delicious stockings
Wendice Titian cuts out scissor clippings of her
Sinister yellow sister.
Overnight the years twist.
Edgar Snooker has heard he is to play Hitler's dog on the silver screen.
Edgar Snooker is not a dog.
And the screen was never silver.
And besides, it is not true.
Someone is out to destabilise him.
As posh, brainwashed sausages consult
The Punchline Advisor of Dunkirk,
As the Lord is seen on all fours on His moon
Causing daily electrical police misfortune,
As the masses embark on the clamorous, scattered and impossible journey to disappointed purity,
As her money is without temperament,
As the self-conscious guilt daughter unbuttons her plush helmet,
So the richly magnetised stars are winding down.
As candles whisper in the middle of the road,
As Margot St. Vincent revolves the nickel tap
Of the gas powered knitting plate,
So Father Flynn is inconsolable.
He found a photograph of ****** Bob on top of his wife’s hat.
She denied everything,
Including that she was there at all.
Father Flynn fell for it.
That's faith for you.
Feb 3, 2016
Feb 3, 2016 at 8:12 AM UTC
chiaroscuro moment
molten chords
in golden glow
titian ringlets cascade
from linen shoulders
as your hands bring liquid color
to idle black and white
chorded words of three parts
Not easily broken
Ebb and flow as breath over water
a shift in timbre
resonant teak fettered in silver
*heady scent of resin and balsam reeds
echoed drones the cantored dance begins
Taking flight the quiet arias rise
coursing low over open moors
Eyes veiled green
a fog shrouded shoreline
We leave transient prints
In damp sand...
Sonorous notes
From kilted pipers
A flash of tartan on thistled field
Drummers pulse the motion of life
You raise the standard
This ancient song is yours
and mine.
Open eyes to desert sky
Burning blue and empty
As fresh pages fall un-inked
on thorny ground
Only the ache of a melody remains
Lost refrains
broken notes in my DNA
Inspiration drifts away
*I used to have a recurring dream of me, and two other friends - in a recording studio with the complete sheets of music in front of us - which we were singing...and when I wake up...I can never remember the song.
03/2008
© 2008 TL Boehm
Oct 12, 2013
Oct 12, 2013 at 6:00 PM UTC
alessandro
botticelli said
let there be venus
(said
let there be you.)
you
running your hands down your own curves
blind;
the mirrors are all broken here.
it doesn’t matter
if you want this.
i want this
dotted i
(crossed t)
wants this
****
is this, for instance.
a pear:
bruised
muscled like
holy breaststhighs
completely inmoving
(outmoving)
breathe—
celebrate
the words
going upward to the sky and the
strawberry-red hair cascading down
it hungers
(like you)
to touch my back
gently
curl around my shoulders like your cold fingers in January
**** not
skeletal.
let there be
me.
let there be—here is where
the words stop mattering to me—
let there be caramelchocolate skin of sunlit honey tint
melting into itself on the wooden floor
(we all
scream
for ice cream)
titian and
anadyomene me
wringing long wet
raven hair
my legs are covered in salt
sand
once the sea goes dry.
almond eyes
upturned
(angular)
marvel at your own geometry.
lips of salome
drawn upward into a not-yet-smile
(cherubic)
to the women who give their thin
pale bodies
to muscular men with perfect
arms to hold them down:
i am for you.
i
with my
******* that blossom at your winter touch
my thighs
scarred by ivory teeth—no.
i
with
******* in full bloom
(orchids)
thighs sculpted by
God himself
don’t you want to make love to me?
doesn’t the world
want to make
love?
love that tastes
more metallic than the blood behind my lips
don’t you want to bite it out?
taste the sweetness behind them?
run your hands over
the elysian fields of my thighs
and the valley between them
don’t you want
my legs slung over your shoulders
don’t you want
your tongue
on my vast skin
sweat made of sugar
and salt.
(bittersweet)
you want
lips crashed against yours like
w
a ves
eyelashes sweeping your cheeks
you want
don’t you want
me
**** with nothing to cover me but my
blanket of raven hair
for immodesty’s sake!
perhaps
i am (is) small.
but
the mirrors are all broke}n here
Jul 25, 2011
Jul 25, 2011 at 2:14 PM UTC
chlorophyll green,
verdent, colour me trees
freeze dry to
amber, yellow, cardinal red liquid gold, titian, xanthous, carmine, deepwine burgandy, magenta, saffron, orange, rubicant, henna, bronze and copper burnished, cracked terracotta
and then finally...
bittersweet crumpled brown
what a pallette of cold night air painting daubed on wooded canvas'
life portrayed in leaf-ed glory
all before our autumnal eyes
Mar 24, 2014
Mar 24, 2014 at 6:07 AM UTC
time passes, does it not,
trickling away in drops, from a leaking tap unnoticed
imperceptible, drops of our days and months that
tsunami into years
we might grow more cynical or wise
we might allow the animals to howl or to transform
or we might eliminate hierarchy and symbolism
and see plain and clear past the allegory
what is left of the experiment
(an unintended one, an unknowing participant even)
the residue, the remains of the years –
what chemical composition do we have?
What has transpired here? -
as clueless as we are of the first expansions
the time when the universes arrive in another cycle;
or perhaps we could see everything in the cocksureness of faith
and drag on, in suspension, leave in doubt or in certainty –
each but a conditioning, a myth,
the truth shrouded in symbol and plainness
O sweet loves,
Time wraps us in its mysterious archaic cyberspace
an inner space that draws a roar, a bark, a howl
and we have justifications, visionary words, systems
to put everything into perspective
like a Titian framed so elegantly in an esteemed museum
Dec 31, 2013
Dec 31, 2013 at 12:37 AM UTC
Repetition is the best petition.
Drive that refrain into your brain.
It’s my mission.
Driven on by Stewart Copeland the musician.
Drums and dance
Send me into a trance.
Transcendental music
Any way you choose it.
Repetition, repetition, repetition
Just as potent as nuclear fission.
Sometimes, for me, it’s just too much.
As crazy as Screaming Lord Sutch.
Yet here I make a telling submission
About the power of repetition
As beautiful as a painting by Titian.
A composition to appeal to your cognition
To get you into a better condition
Without transition.
There are four hundred and ninety rhymes
Of repetition
And that’s not something from superstition.
But I’d better avoid a war of attrition
Even with your kindly permission.
It’s great to prance
And have a dance.
I’m glad you’ve given
This poem a glance
To give its rhythms every chance.
My aim is to enhance
And cut through the boredom like a lance.
Poems are music
Poems are Romance
So let’s advance
Then make a stance.
That’s my position.
Paul Butters
© PB 2\2\2020 (first line written 31\1 then notes made 1\2). Final line added 3\2.
Feb 2, 2020
Feb 2, 2020 at 5:53 AM UTC
My life was stuck in greyscale
Until you came along
With beautiful watercolors.
You painted the skies
With amethyst and sapphire
With coral and azure.
You painted the autumn trees,
With amber and titian
With hazel and maroon.
You flooded the dark oceans
With turquoise and navy.
You sprinkled the grey mountains
With shimmers of flaxen sunlight.
My entire life exploded
Into an exquisite rainbow.
And then you left.
And the radiant world
You had painted for me
Slowly faded
Back into anaemic dust and gloom.
Nov 8, 2015
Nov 8, 2015 at 2:09 PM UTC
what if we could grasp things in our hands..?
I don't mean plain, concrete items,
I mean what if we could grasp the memories, the changing of the seasons,
and the people we love into one little item?
how long could we contain it inside such a microscopic view of abstract
morals and views?
how about that titian leaf lying around in the pile near your door?
go and pick it up.
what do you feel, hear, smell, see, perhaps even taste in the moment?
I think that in that moment when our minds have come to a conclusive point about the values grasped into something so simple,
we can hold it.
(j.a.r.)
Mar 15, 2015
Mar 15, 2015 at 12:02 AM UTC
Through olive trees in wooded groves
across sparkling streams swiftly he goes
in a golden chariot that is keenly pulled
by four black Panthers, to the joy of their lord
For this is Dionysus lawgiver wine drinker
god of peace son of Zeus and Persephone
he holds tight the reigns of vine and ivy
to reach the shrine of Apollo finally.
He dismounts his ride still holding his thyrsus
that fennel staff adorned with Ivy poisonous
topped with a titian pine tree cone
here to pay homage to one of his own.
By Christos Andreas Kourtis aka NeonSolaris
Nov 16, 2013
Nov 16, 2013 at 2:06 AM UTC
My father used to call them
stitches in the ground.
He said they were
just like mine,
only bigger.
Big metal tacks of red-iron,
breaking through the brush
on planks of driftwood,
placed methodically
by his grandfather—
a patriarch I will never meet.
Miles of them,
pacing the landscape,
allowing direction for us to walk.
I asked how the ground
cut itself so bad.
He said it was an accident
just like mine,
only bigger.
I imagined an old man
drubbing stretches of metal
between wood and dirt;
green earth-blood stemmed
by scarred, titian hues.
My father used to call them
stitches in the ground.
He said it after I cut my arm open
so I could feel better about it.
My son is in the hospital
with new stitches.
My father is dead—
a patriarch he will never meet.
The tracks sit stolid
and indifferent;
red and brown between the
buried remnants of timber
stifling the undergrowth.
Jan 26, 2016
Jan 26, 2016 at 1:17 AM UTC
And everyone's O'Toole
But in a bliss of ignorance
They fashion him the fool
For whoever saw an Irishman
Vesti-ing a luminous emerald hat
The size of a navvie's bucket
Upon a wirey titian mat
Or quaffing pints of soylent ale
for the Irish wine they can't abide
With phoney tears for the troubled years
whilst faking Irish pride
No, tis not O'Toole who is the fool
But every other class of twit
Who imagines that to dress in green
Bestows one charm and wit
For when Patrick's feast is over
And the clock past midnight ticks
your false fair weather Fenians
will disavow us 'Bastard Micks'
Jul 21, 2015
Jul 21, 2015 at 8:15 AM UTC
stygian nights
and i peer into the sky,
contemplating the planets that sail
round and round on riverboats
in their titian skin.
and i bet their bone structures
have collapsed by now
as they breathe aside the sun,
but they know they need to spin
and spin because they are the only ones
left untouchable in this world.
and i'm glad there's something to look up to
because sometimes my fingertips reach
to grasp the orbs,
stretch to feel some sort of purity
adorning my dirtied soul.
and sometimes i lift my face skyward
to let my eyes drink
the same silver water
the planets glide across.
i dream that i can feel the stars
settling on the corners of my eyes
and i dream that ebony night quietly explodes
between my bones
until when i awaken beneath the streetlights.
i swear i can feel the night slip like liquid sand
through my fingertips.
and god, i need you. i need you.
because only when the moon
enlightens my palms can i see the
maps pressed to my skin.
and without the stars draping light
across my cheeks,
a sleepy black curls around my ankles
and follows me to bed.
i guess i'm made of stark marrow
and naked ocean eyes,
pale in comparison to your lovely sinews.
but that's why i need you.
i need you to
break through my windowsill each sundown
and play my skin like an instrument.
spill sonatas through each corner of the world,
because with you alive
and with me breathing and laughing
i will feel whole.
Dec 5, 2010
Dec 5, 2010 at 10:24 AM UTC
stagnant nights and i peer into the sky
contemplating the planets that sail round
and round on riverboats in their titian-streaked
skin. and i bet their bone structures have
collapsed by now as they breathe aside the
sun, but they know they need to spin and spin
because they are the only ones left untouchable
in this world.
and i’m glad there’s something to
look up to because sometimes my fingertips
reach to grasp the orbs, stretch to feel some
sort of purity adorning my dirtied soul and i lift
my face skyward to let my eyes drink the same
silver water the planets glide across.
sometimes
i dream that i can feel the stars settling on the
corners of my eyes and ebony night quietly
exploding between my bones until when i
awaken beneath the streetlights i swear i
can feel the night slip like liquid sand between
my fingertips.
god i need you, i need you, because
only when the moon enlightens my palms can
i see the maps pressed to my skin, and without
the stars draping light across my cheeks, a
sleepy black curls around my ankles and i
do not know where to go.
and i guess i’m made of naked ocean eyes and
stark marrow, pale in comparison to your
lovely sinews, but that’s why i need you. i need
you to break through my windowsill each
sundown and play my skin like an instrument,
spill sonatas through each corner of the world
because with you alive and with me breathing
and laughing i will feel
whole.
Dec 5, 2010
Dec 5, 2010 at 10:57 AM UTC
Petrified for the last time,
I cut my brittle heart out
with a pair of nail scissors,
clipping through the keratin
down to the quick —
the sharp, thick, constant sting
of raw flesh, ribs spread
to see the moist, shady maw,
the red, white, and blue
empty ring box of my lungs,
a “yes”
like soft velour, all
tumescent and convex, pressed
out with the fragments
of vitreous gifts
you poured down my windpipe
(unintentionally vitriolic),
gem shards, cold and hard,
and I am scarified inside out.
My heart, airlifted
from its zone of alienation,
wails and trails lank Titian locks,
a red forest, scorched and floored.
Still, the dead marble lump glows red
and ***** like blood under nails.
You are subdermal —
eternally, infernally so.
Put apples in my cheeks, speak
but do not
listen, I glisten —
first with sweat, then tears,
then soap suds. I shed
my skin, touch fresh markings,
milk patterns. Half blossomed
rose bud,
dismantled, curling
up on myself,
you’re out of the woods.
I pull up my hood, drag my feet
out of the mud, bind
my open chest with the rest
of my ruddy cloak and,
sanguine, let drop my spleen
into the puddle I leave
behind, all dark
with blood and bark. Your bite
is not so bad
but, oh darling,
what big teeth you have.
Feb 16, 2014
Feb 16, 2014 at 10:15 PM UTC
Three hundred sixty eight, that's how many tears Iv'e watched descend from those titian eyes.
My warmth usually bakes her pains as I count her tears and scream silent prayers louder than her cries.
Dear Lord won't you curse her with an eternal smile, one that glints so brightly she'll look in the mirror & know he's not worth it, that one bad grade doesn't mean it's the end.
Are blessings possessions? Could I sign the rights to mine over to her Lord? because I'm so tired of watching life agonize my best friend.
To Love someone is to share a heart.
Dec 16, 2015
Dec 16, 2015 at 9:01 AM UTC
Rusted butterflies swoop
Fall into the copper canyons of
My tires.
May 12, 2013
May 12, 2013 at 7:00 PM UTC