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Shofi Ahmed May 2017
Art, a smile like the one
on the face of Mona Lisa.
Curved like the waxing moon
above the sea.
Light a flame before a face
yet to be seen.
What will it prevail,
will it show once for all
a slow tilt on the smiling lips
—a curve softly locks on
a rose from the sun,
or a shadow beneath the moon?
This is a poem from my book Zero and One available on Amazon.
Pyrrha Jul 2018
I find it strange that when I look into your eyes I'm not met with an endless starry sky. The world around me doesn't freeze or turn monochrome around everyone but you. I don't see an endless sea or visions of a setting sun, no matter my determination. So how do I know it is love if it isn't as the words I've heard all my life describe?

Yet my heart still drops when you walk into the room, even when your focus is a place far off. People say it's like a flutter but this is far too heavy to use such a light word to describe such a feeling. It's painful, but I know it isn't something ominous or bad because it feels right. How do I know it is love if none if my words describe it right as they should?

I get it every time our eyes meet or you tilt your head and smile with your head in the clouds. I get it when you laugh to yourself or say something hardly above a whisper. When you focus so hard you ***** up and let out that silly sigh of aggravation and I feel such deep affection. Yet is it alright for me to say what I feel is love when I can't even tell myself what love is?

I don't think your eyes need starry skies or my stomach needs a million butterflies. Your smile doesn't need to illuminate the room and my thoughts for you don't need an anchor. Your love shouldn't have an expectation and my words don't need to have a proper diction.

Perhaps I'll see it in your heart or feel it in your touch one day if you feel the same regardless of what the world has sold me with their modern day poetry. I promise you that no matter how hopeless I become I will find out for myself  what it means to love you wholly, even if I have to find out from loving at a distance.
I don't understand why I write so many poems about love when I am not even in love. It is so frustrating to have words without a muse and a muse without words.
Ace Edmonds Mar 2011
give your cap a tilt,
and try not to grin,
I see it playing, hiding
between your jaw and chin.

give your cap a tilt,
and I'll give mine a flip.
it lands safe on my head
(I've been practising quite a bit).

give your cap a tilt,
pretend to look aside,
when I turn away,
leave the ground,
and fly.
This piece is available on deviantArt at http://fav.me/d38s2xb
Raj Arumugam Oct 2010
with a lilt and a tilt
Ha, I shall go the while
roving over bush and meadows

with a hop and a jump
like a kangaroo
I’ll be away the while
avoiding the roads

with a zzzzz and bzzzzz
like a busy bee
I’ll fly the while
over flowers and gardens
and the free open space

with a bounce and a quiet look
I’ll crawl and hide
in quiet burrows the while
like introduced rabbits
chased by farmers

and with a swing and a flip
a light somersault in the air
I’ll be back before you can say:
“dolphins and whales”

with a lilt and a tilt
Ha, I shall go the while
roving over bush and meadows
Obadiah Grey Dec 2013
Sphincter factor nine approaches
food for the fish n roaches
methinks its time for me perhaps
to open up the rearward *****.


------------------------------------
AAChoo !!

Oh, liddle sister, Josephine,
you sure don't keep your
nose real clean.
got stalactites
o' pure pea green
my infectious sibling
snot machine.
----------------------------------------
I thought that I might shoot the breeze
with God or Mephistopheles
and ask them please to ease my wheeze
of my bad back and dodgy knees
---------------------------
Croak with the raven
bluff with the crow
the urchin
the field mouse
beneath the hedgerow
in a flurry they scurry
away away go.
Yelp with the *****
howl with the hound
and bay at the moon
till the sun comes around.
------------------------------------------
Gino's bar and grill.

Away, away afore Bacchus
doles out befuddlement
and Morpheus has his way,
lest I awake to find myself
in the company of
sodamistic bedfellows
with buggery in mind.
---------------------------------
Harry Potter has grown a beard
he lives alone and turned out weird.
Dumbledore, Albus, no more
turned his toes and 'ad a snore,
Voldemort, who's *** is taut
has no nose with which to snort.
====================

Ahem !!

Behind two Lilies- sits Rose,
then Daisies
for two and a bit rows.
with Poppy, and *****
Petunia, Primrose.
and Bryony - who gets up
- my nose.
----------------------------------------------
Amen.
God bless the Cows - for beef burgers.
God bless the Pig - for their bacon.
God bless the wife n her sharp knife
for the slice of their **** she's taken.

-------------------------------------------------
We can, no more fetter the sea to the shore
nor the clouds to the sky
or tether the glint
in a lovers eye,
As sure the shore loves the sea
so shall I love thee, together,
together for eternity,

-----------------------------------

It bends for thee
sweet chevin,
the cane thats cleaved
by three,
wilt thou now
sweet chevin
yield, my friend ,
for me.
-------------------------------------------------
There's Marmalade then Marmite
and Jams thats jammed between
the buttered bread of bard-dom
a poets sweet cuisine.
---------------------------------------------
I took up campanology
and fired up my ****.
I rang that bell
to ******* hell
till the busies
came along.
--------------------------------------------
so, I've been whittling away
at a buoyant ****-
fashioned something approximating
a poo canoe-
in it, I intend to
surf the **** tsunami of old age
to-- death;
I have named it Public - Service - Pension.


----------------------------------------------

A surreptitious delightful tryst,
with my honey, my sebaceous cyst.
she's my pimple, my wart,
my gumboil consort.
she's the zip, in which
my *******, got caught.
--------------------------------------
Frayed at the bottoms
ripped at the knee.
baggy and saggy
big enough for three.
faded and jaded
and stained with ***
but I'm due for a new pair--
Yippeeeee!!

---------------------------------------

Ther­e's Cockerel in my ear
and he bills and coo's for you
whenever you are near
goes - **** a doodle doo !!!!!,,,,,,,,

---------------------------------------------

Oh,­ for the snap shut skin
in the blue twang of youth
and to un-crack the spine
on the book of love.
now the gulping years
have flown away
we take sips of the night
and are spoon fed the day.

-----------------------------

Zeus made the Moose to be somewhat obtuse,
a big deer- rather queer- I fear.
then God gave him the nod to look funny and odd
the spitting image of you - my dear !!!

---------------------------------------

Knobbly Nobby.

Nobby has a great big nose
a great big nose has he,
and nobby knows
that his big nose,
is big, as big can be,
nobby has two knobbly knees
two knobbly knees has he,
his knobbly knees,
are as knobely
as knobbly knees can be,
don’t pity dear old nobby
for soon it’s plain to see,
that nobby has a great big ****
as big, as big as three !
now nobbys **** is knobly,
as knobly as a **** can be,
so nose and knee and ****
make three,
and we - are ****- ely.

----------------------------------

The Woman that wouldn't eat meat,
had reeaally, reeaally big feet,
her **** was as big as an hermaphrodite brig
and her **** were as hard as concrete….


--------------------------------

Hearken the clarion call of the crows
afore the snow-
they caw,
hey, get your **** into gear lads-
we gotta feckin go !!!

-----------------------------

Gods pad

I took a peek within
your house
wherein on pew, I spied
a mouse,
and in his hand,
a Bible clasped,
and out his mouth,
a parable rasped,

---------------------

I'd say she had
a pigeon loft in
her eyes and
bluebells up
her nose.

But then again
I wear a flat cap

and stroll through meadows.

----------------------------

Would you care to buy our house?
It's minus Mouse n devoid o' Louse,!
Spiders, Roaches, Bugs or other,
have all been eaten by my brother,
snaffled up n swallowed down
then jus' crapped out a - yellowish brown.
so would you care to buy our house?
from an oddly pair -- devoid of nous

-------------------------

Though the Crows got her eyes
and the Worms got her gut.
comes as no surprise
death can't keep her mouth shut.

-------------------

Bevelled slick edges
and reeaal eeaasy slopes.
Chilli dip wedges
with fresh artichokes.
Wanton loose wenches
and swivel hipped ******
Daft dawgs and dentures
and granddad - who snores.

-------------------

Been whittling away at a buoyant ****
and fashioned something approximating a canoe,
in it, I intend to surf the **** tsunami of old age;
I named it, "Public service pension"

-------------------------------

.
Well,
     I could wax on the wings of a butterfly
but, I ain't that kind o' guy.
rather kick the nuts off ******* squirrels
pluck the wings off - blue assed fly.
I'm the stuff that flops off dog chops
when he's up for it and high.
an infection in your sphincter,
a well
that's jus' run dry.

----------------------------------------------

befeathered­ and bright scarlet
is my ladies bonnet,
jauntily askew and -
lilting on a paramours
grin.

"- Gladlaughffi -"

I'm reliably informed that dear ol' Muma
sported a goatee around his **** sphincter,
now, whilst this is merely educated speculation
from my esteemed friend his "groom of the stool" ! 
who was in fact required to wear a mask,
ear muffs and a blindfold whilst he went about his business,
He did possess reeaaally sensitive fingertips
somewhat akin to a blind man reading brail,,
and, swore blind that said "**** sphincter' spoke him in Arabic
and asked him for a quick trim, (short back and sides)
I myself being a practising proctologist of some repute
am inclined to believe my friend the "groom of the stool"
as I've come recognise -- Arsolian when I hear it !!!!!!!!
-------------------------------------

In a Belfast sink by the plughole
where hair and gum gunk meet
'erman the germ-man  and toe jam
bop the bacillus beat.

________

Doctor this I know as fact
that I have a blocked digestive tract,
I'm all bunged up and cannot go
my trump and pump is - somewhat slow.
I need unction jollop for junction wallop
some sorta lotion to give me motion.
If you could please just ease my wheeze
then I needn't grunt and push and squeeze.

-----------------------------

They are breaking out the thwacking sticks
and sparking Godly clogs
pulling tongues through narrowed lips
at the infidel yankee dogs.

------------------------------------

As a paid up member of the
lumpen bourgeoisie poetry appreciation society
I can confirm without fear of contradiction
that poetry is indeed baggy underwear
with ample ball room, voluminous in the extreme
and takes into account
the need for the free flow of flatulent gassiness
that is the want of a ****** up poet.

-----------------------------------------------

She's a rough hewn Trapezoidal gal
a gongoozler o' the ol' canal.
She's copper bottomed n fly boat Sal.

I'll have thee know that
that there hat
is a magic hat,
it renders me invisible
to the arty intelligentsia
and roots me firmly
in the lumpen proletariat .
-------------------------------------------------------
Said the sneaky Scotsman, Jim Blaik.
if the pension, you wish to partake,
bend over my son, lets get this thing done
and cop for this thick trouser snake !!

I met my uncle Albert,
down at Asda, in aisle three;
he got there in a Mazda,
jus' a smidgen after me,
said he'd traversed Sainsburys,
Tesco Liddle n the Spar,
but not one o' them flogged Caviar
Truffles or Foie gras.


He sidled past the pork pies
streaky bacon turkey thighs
a headin for the french fries
n forsaken knock down buys,
shimmied 'round the ankle biters;
expectant mums to be,
popin pills for bloated ills
in the haberdashery.

Fandango'd o'er the cornflakes
and the spillage in isle four

-----------------

I'm linier and analogue,
a ribbon microphone man
mired in the dust of the monochromatic,
the basement, the attic.

------------------------------

Simple simon met miss Tymon going to the fair,
said simple simon to miss Tymon - "pfhwarr what a luverly pair"
of silken thighs and big brown eyes and scrumptious wobbly bits,
Said simple Simon to miss Tymon---------- shame about you **** !!!

So sad sweet Shirl thought she'd give a whirl to clubbercise n pound

Squat, slightly,
tilt head 45°
and squint.
See the shimmering blurry
dot in the distance?
That, timorous ****,
is ME !
Fast twitching my
narrow white ****
to the pub.

There was a young lady named Sue.
whose ***** and **** was askew,
whilst taking a ****
she'd aim it and miss
and she lifted 'er hat when she blew.


Oh Mon Dieu !!

Obi.
Wade Redfearn Jul 2018
It isn't like that.
It isn't a left turn too early,
a lark awake at night,
thick brown light in an open field;
unpredictable: a bad or counter-miracle.
It is only wanton.

You know how it is
Suddenly, something trapped between your toes:
the world has a strangled voice, it is
unroofed. You want the comfort of normal walls,
normal light, normal noise; in your hand
is a hot brand you'd halfway use
to smith it back together
and halfway swallow.
I had different plans for this vacation
than destruction.

I had plans. You had plans. The earth
planned its axial tilt; the weather planned
its burning; we put aside too little water.
A few plants were familiar -
the ruined piñon pine I remembered from the placard.
One lonesuch tree that made a little niche
at a defiant angle into the air
and outlived all except its orphaning.
How we thought we could fare better, I cannot say.

Ten feet up by one hundred feet over:
one liter water per mile climbed:
fatigue. Fatigue.
The quiet supremacy of all these rules for living like
transit and occultation
refraction and dimness
exertion
hunger
peristalsis pulling down
huge loads of sunlight
into the ***** gully
like bread and meat.

You will not see the bottom
no matter how hard you look.

If blood I am, then what kind of blood?
Unsettled and unsettling. The circulatory system
has an apt name: sometimes I can feel yesterday's blood
in the same neurons, saying the same thing.
I have no choice but to repeat it.
Time sheds its significance.
I have no continuity:
I have rhythms.

The new day, on fire and sitting in the trickle
you held a golden fish in your palm
as if you had made it by will
and cupped, it circled in the valley of your fingers
and I ate from the vision of care.

Erosion: isn't that what made these furrows?
I beg it to unmake me
flat like a seabed and many fathoms green
where the sun will never reach me.

In the penumbra of your anger
I do not fear dying,
only dying unclean.
Heights are all the same.
They would all break me and none would enough.
The grasshoppers and gecko hatchlings
all die in their way, rubbed in the hot dry dust.
Parched, I gnash my stone teeth
and tongue of chaparral -
I am making a song to say
die with me
but smile at me.

Then I see it through flashes of temper,
frame by frame, like a fingertip behind a pinwheel:
a dream of something distant that is also true.
Dreams of freedom alongside dreams of dying.
Dawn of Lighten Jun 2015
The church field trip led to the most beautiful presence,
The elegance protrude by the sweet scent.

I dared not moved so hastily,
I dared not the red!

Glanced by the peripheral eye lids,
The red beckoned the thumping beats within my chest!

A visual decor permeates from the illuminating of the perfect circle,
And my inner most demon want to ravage it!

I wanted to devour every essense of the crescent,
Becoming one with red.

I slightly move forward so no eyes may pry onto my movement,
Like an orchestra moved to one trumpet to a violin scurry along.

Finally came side by side of the precious glimmer of the curves,
And moved my hand to palm the red's grace on the tilt of it's end.

I open wide to cusp my mouth to bite deep into it's brilliance,
In my teeth feeling the liquid and crunchy of it's body!

Sour taste of salt expand a vigor of darkness cover my mouth,
I look at the apple's plate beneath me read " Ida Red!"

Water upon my eyes,
No longer can chew any further,
I simply shallowed the chunk in my throat!  

"Your elegance beckon me red, but in the end, you have seduced me to bitterness!"

I dared, Idared, ida red!
Just remembering my youth church field trip to apple orchard, and learning that not all beautiful looking apples are not all that beautiful inside!  Never judge by what I see, and the experience that will never elude me!
betterdays Jul 2014
down amongst
the rubble,
i babble,
whilst
i fiddle
with the
thoughts,
from
the middle
of the riddle,
that is
my brain.
but,
this time
the only answer
i gain
is
tilt!! .... tilt!!
try again
later
when more
sane??
looks like
it's
gonna be
one
of
those days
King Panda Jun 2017
I could not accept you—star
incarnate, carved and swollen
in the trunk of a fustic—

*****-yellowed and preened—risen
and alive I strap my
saddle to your back. My heels
dig to the dark side of

a price yet to be paid—an eye
of a coursing, being scrubbed
into the spots of grain—heat
eaten by earth. Star set.
Star rise.
Star be

livid and leaven


whispers the cowboy
sitting in a lawn chair on the
front porch—his hat falling
off from crowning, bald-headed

tilt. space and all its wonders.
Pdub Jan 2015
As I drift through life without you
I know a dose of you isn't far
When I tilt my head up
And wish on the stars
I'll forever be wishing for you.
Steven Hutchison Apr 2013
Bumble-bouncing
       off the hardwood floors
Tickling feet and
       feeding the evening
Our sides were split
       from waist to shoulder
The purple laughter ca
                                         s
                                           c
                                            a
                                              ding
Our faces painted red
       and our lungs collapsing
Determined to shake
       the earth from its axis

Tilt a little more to what seems right
Tilt a little more toward family
Ariana Robinson Jun 2016
When said to the average woman, it's an insult
When said to me, I tilt my head back and grin
I fix my imaginary crown before it slips and say,

"Yes, I wear that crown proudly. Want to know how big of a ***** I can be?"
I know I'm a *****, but only when necessary.
Poetria Jul 2015
Her eyes so bright;
Do you ever wonder where the sun goes at night?

The rain, dancing on the pavement
in no specific arrangement.

Luminous flames eat away at sharp skewers,
Her eyes silver-grey, clashing with the tables of steel.

Barbecue roasting, impaled through the middle
The pain paled in comparison to watching you smile.

A toast to me, myself and I, a glass of sweet solitude.
I watch tall wine glasses clang drunkenly together, alone.

A pin drops in the distance; no silence to accompany it.
Unnoticed it goes, by the arrogant lords and goddesses.

Pick a flower, compliment her hair; devil may care.
She's walking away, I tell her 'Ma'am, have a nice day'

Left alone to stumble back home,
sipping champagne royally; Mockery.

Spilling champagne and it swirls down the drain
I tilt my head back, laughing carelessly all the way.
III. TO APOLLO (546 lines)

TO DELIAN APOLLO --

(ll. 1-18) I will remember and not be unmindful of Apollo who
shoots afar.  As he goes through the house of Zeus, the gods
tremble before him and all spring up from their seats when he
draws near, as he bends his bright bow.  But Leto alone stays by
the side of Zeus who delights in thunder; and then she unstrings
his bow, and closes his quiver, and takes his archery from his
strong shoulders in her hands and hangs them on a golden peg
against a pillar of his father's house.  Then she leads him to a
seat and makes him sit: and the Father gives him nectar in a
golden cup welcoming his dear son, while the other gods make him
sit down there, and queenly Leto rejoices because she bare a
mighty son and an archer.  Rejoice, blessed Leto, for you bare
glorious children, the lord Apollo and Artemis who delights in
arrows; her in Ortygia, and him in rocky Delos, as you rested
against the great mass of the Cynthian hill hard by a palm-tree
by the streams of Inopus.

(ll. 19-29) How, then, shall I sing of you who in all ways are a
worthy theme of song?  For everywhere, O Phoebus, the whole range
of song is fallen to you, both over the mainland that rears
heifers and over the isles.  All mountain-peaks and high
headlands of lofty hills and rivers flowing out to the deep and
beaches sloping seawards and havens of the sea are your delight.
Shall I sing how at the first Leto bare you to be the joy of men,
as she rested against Mount Cynthus in that rocky isle, in sea-
girt Delos -- while on either hand a dark wave rolled on
landwards driven by shrill winds -- whence arising you rule over
all mortal men?

(ll. 30-50) Among those who are in Crete, and in the township of
Athens, and in the isle of Aegina and Euboea, famous for ships,
in Aegae and Eiresiae and Peparethus near the sea, in Thracian
Athos and Pelion's towering heights and Thracian Samos and the
shady hills of Ida, in Scyros and Phocaea and the high hill of
Autocane and fair-lying Imbros and smouldering Lemnos and rich
******, home of Macar, the son of ******, and Chios, brightest of
all the isles that lie in the sea, and craggy Mimas and the
heights of Corycus and gleaming Claros and the sheer hill of
Aesagea and watered Samos and the steep heights of Mycale, in
Miletus and Cos, the city of Meropian men, and steep Cnidos and
windy Carpathos, in Naxos and Paros and rocky Rhenaea -- so far
roamed Leto in travail with the god who shoots afar, to see if
any land would be willing to make a dwelling for her son.  But
they greatly trembled and feared, and none, not even the richest
of them, dared receive Phoebus, until queenly Leto set foot on
Delos and uttered winged words and asked her:

(ll. 51-61) 'Delos, if you would be willing to be the abode of my
son "Phoebus Apollo and make him a rich temple --; for no other
will touch you, as you will find: and I think you will never be
rich in oxen and sheep, nor bear vintage nor yet produce plants
abundantly.  But if you have the temple of far-shooting Apollo,
all men will bring you hecatombs and gather here, and incessant
savour of rich sacrifice will always arise, and you will feed
those who dwell in you from the hand of strangers; for truly your
own soil is not rich.'

(ll. 62-82) So spake Leto.  And Delos rejoiced and answered and
said:  'Leto, most glorious daughter of great Coeus, joyfully
would I receive your child the far-shooting lord; for it is all
too true that I am ill-spoken of among men, whereas thus I should
become very greatly honoured.  But this saying I fear, and I will
not hide it from you, Leto.  They say that Apollo will be one
that is very haughty and will greatly lord it among gods and men
all over the fruitful earth.  Therefore, I greatly fear in heart
and spirit that as soon as he sets the light of the sun, he will
scorn this island -- for truly I have but a hard, rocky soil --
and overturn me and ****** me down with his feet in the depths of
the sea; then will the great ocean wash deep above my head for
ever, and he will go to another land such as will please him,
there to make his temple and wooded groves.  So, many-footed
creatures of the sea will make their lairs in me and black seals
their dwellings undisturbed, because I lack people.  Yet if you
will but dare to sware a great oath, goddess, that here first he
will build a glorious temple to be an oracle for men, then let
him afterwards make temples and wooded groves amongst all men;
for surely he will be greatly renowned.

(ll. 83-88) So said Delos.  And Leto sware the great oath of the
gods: 'Now hear this, Earth and wide Heaven above, and dropping
water of Styx (this is the strongest and most awful oath for the
blessed gods), surely Phoebus shall have here his fragrant altar
and precinct, and you he shall honour above all.'

(ll. 89-101) Now when Leto had sworn and ended her oath, Delos
was very glad at the birth of the far-shooting lord.  But Leto
was racked nine days and nine nights with pangs beyond wont.  And
there were with her all the chiefest of the goddesses, Dione and
Rhea and Ichnaea and Themis and loud-moaning Amphitrite and the
other deathless goddesses save white-armed Hera, who sat in the
halls of cloud-gathering Zeus.  Only Eilithyia, goddess of sore
travail, had not heard of Leto's trouble, for she sat on the top
of Olympus beneath golden clouds by white-armed Hera's
contriving, who kept her close through envy, because Leto with
the lovely tresses was soon to bear a son faultless and strong.

(ll. 102-114) But the goddesses sent out Iris from the well-set
isle to bring Eilithyia, promising her a great necklace strung
with golden threads, nine cubits long.  And they bade Iris call
her aside from white-armed Hera, lest she might afterwards turn
her from coming with her words.  When swift Iris, fleet of foot
as the wind, had heard all this, she set to run; and quickly
finishing all the distance she came to the home of the gods,
sheer Olympus, and forthwith called Eilithyia out from the hall
to the door and spoke winged words to her, telling her all as the
goddesses who dwell on Olympus had bidden her.  So she moved the
heart of Eilithyia in her dear breast; and they went their way,
like shy wild-doves in their going.

(ll. 115-122) And as soon as Eilithyia the goddess of sore
travail set foot on Delos, the pains of birth seized Leto, and
she longed to bring forth; so she cast her arms about a palm tree
and kneeled on the soft meadow while the earth laughed for joy
beneath.  Then the child leaped forth to the light, and all the
goddesses washed you purely and cleanly with sweet water, and
swathed you in a white garment of fine texture, new-woven, and
fastened a golden band about you.

(ll. 123-130) Now Leto did not give Apollo, bearer of the golden
blade, her breast; but Themis duly poured nectar and ambrosia
with her divine hands: and Leto was glad because she had borne a
strong son and an archer.  But as soon as you had tasted that
divine heavenly food, O Phoebus, you could no longer then be held
by golden cords nor confined with bands, but all their ends were
undone.  Forthwith Phoebus Apollo spoke out among the deathless
goddesses:

(ll. 131-132) 'The lyre and the curved bow shall ever be dear to
me, and I will declare to men the unfailing will of Zeus.'

(ll. 133-139) So said Phoebus, the long-haired god who shoots
afar and began to walk upon the wide-pathed earth; and all
goddesses were amazed at him.  Then with gold all Delos was
laden, beholding the child of Zeus and Leto, for joy because the
god chose her above the islands and shore to make his dwelling in
her: and she loved him yet more in her heart, and blossomed as
does a mountain-top with woodland flowers.

(ll. 140-164) And you, O lord Apollo, god of the silver bow,
shooting afar, now walked on craggy Cynthus, and now kept
wandering about the island and the people in them.  Many are your
temples and wooded groves, and all peaks and towering bluffs of
lofty mountains and rivers flowing to the sea are dear to you,
Phoebus, yet in Delos do you most delight your heart; for there
the long robed Ionians gather in your honour with their children
and shy wives: mindful, they delight you with boxing and dancing
and song, so often as they hold their gathering.  A man would say
that they were deathless and unageing if he should then come upon
the Ionians so met together.  For he would see the graces of them
all, and would be pleased in heart gazing at the men and well-
girded women with their swift ships and great wealth.  And there
is this great wonder besides -- and its renown shall never perish
-- the girls of Delos, hand-maidens of the Far-shooter; for when
they have praised Apollo first, and also Leto and Artemis who
delights in arrows, they sing a strain-telling of men and women
of past days, and charm the tribes of men.  Also they can imitate
the tongues of all men and their clattering speech: each would
say that he himself were singing, so close to truth is their
sweet song.

(ll. 165-178) And now may Apollo be favourable and Artemis; and
farewell all you maidens.  Remember me in after time whenever any
one of men on earth, a stranger who has seen and suffered much,
comes here and asks of you: 'Whom think ye, girls, is the
sweetest singer that comes here, and in whom do you most
delight?'  Then answer, each and all, with one voice: 'He is a
blind man, and dwells in rocky Chios: his lays are evermore
supreme.'  As for me, I will carry your renown as far as I roam
over the earth to the well-placed this thing is true.  And I will
never cease to praise far-shooting Apollo, god of the silver bow,
whom rich-haired Leto bare.

TO PYTHIAN APOLLO --

(ll. 179-181) O Lord, Lycia is yours and lovely Maeonia and
Miletus, charming city by the sea, but over wave-girt Delos you
greatly reign your own self.

(ll. 182-206) Leto's all-glorious son goes to rocky Pytho,
playing upon his hollow lyre, clad in divine, perfumed garments;
and at the touch of the golden key his lyre sings sweet.  Thence,
swift as thought, he speeds from earth to Olympus, to the house
of Zeus, to join the gathering of the other gods: then
straightway the undying gods think only of the lyre and song, and
all the Muses together, voice sweetly answering voice, hymn the
unending gifts the gods enjoy and the sufferings of men, all that
they endure at the hands of the deathless gods, and how they live
witless and helpless and cannot find healing for death or defence
against old age.  Meanwhile the rich-tressed Graces and cheerful
Seasons dance with Harmonia and **** and Aphrodite, daughter of
Zeus, holding each other by the wrist.  And among them sings one,
not mean nor puny, but tall to look upon and enviable in mien,
Artemis who delights in arrows, sister of Apollo.  Among them
sport Ares and the keen-eyed Slayer of Argus, while Apollo plays
his lyre stepping high and featly and a radiance shines around
him, the gleaming of his feet and close-woven vest.  And they,
even gold-tressed Leto and wise Zeus, rejoice in their great
hearts as they watch their dear son playing among the undying
gods.

(ll. 207-228) How then shall I sing of you -- though in all ways
you are a worthy theme for song?  Shall I sing of you as wooer
and in the fields of love, how you went wooing the daughter of
Azan along with god-like Ischys the son of well-horsed Elatius,
or with Phorbas sprung from Triops, or with Ereutheus, or with
Leucippus and the wife of Leucippus....
((LACUNA))
....you on foot, he with his chariot, yet he fell not short of
Triops.  Or shall I sing how at the first you went about the
earth seeking a place of oracle for men, O far-shooting Apollo?
To Pieria first you went down from Olympus and passed by sandy
Lectus and Enienae and through the land of the Perrhaebi.  Soon
you came to Iolcus and set foot on Cenaeum in Euboea, famed for
ships: you stood in the Lelantine plain, but it pleased not your
heart to make a temple there and wooded groves.  From there you
crossed the Euripus, far-shooting Apollo, and went up the green,
holy hills, going on to Mycalessus and grassy-bedded Teumessus,
and so came to the wood-clad abode of Thebe; for as yet no man
lived in holy Thebe, nor were there tracks or ways about Thebe's
wheat-bearing plain as yet.

(ll. 229-238) And further still you went, O far-shooting Apollo,
and came to Onchestus, Poseidon's bright grove: there the new-
broken cold distressed with drawing the trim chariot gets spirit
again, and the skilled driver springs from his car and goes on
his way.  Then the horses for a while rattle the empty car, being
rid of guidance; and if they break the chariot in the woody
grove, men look after the horses, but tilt the chariot and leave
it there; for this was the rite from the very first.  And the
drivers pray to the lord of the shrine; but the chariot falls to
the lot of the god.

(ll. 239-243) Further yet you went, O far-shooting Apollo, and
reached next Cephissus' sweet stream which pours forth its sweet-
flowing water from Lilaea, and crossing over it, O worker from
afar, you passed many-towered Ocalea and reached grassy
Haliartus.

(ll. 244-253) Then you went towards Telphusa: and there the
pleasant place seemed fit for making a temple and wooded grove.
You came very near and spoke to her: 'Telphusa, here I am minded
to make a glorious temple, an oracle for men, and hither they
will always bring perfect hecatombs, both those who live in rich
Peloponnesus and those of Europe and all the wave-washed isles,
coming to seek oracles.  And I will deliver to them all counsel
that cannot fail, giving answer in my rich temple.'

(ll. 254-276) So said Phoebus Apollo, and laid out all the
foundations throughout, wide and very long.  But when Telphusa
saw this, she was angry in heart and spoke, saying: 'Lord
Phoebus, worker from afar, I will speak a word of counsel to your
heart, since you are minded to make here a glorious temple to be
an oracle for men who will always bring hither perfect hecatombs
for you; yet I will speak out, and do you lay up my words in your
heart.  The trampling of swift horses and the sound of mules
watering at my sacred springs will always irk you, and men will
like better to gaze at the well-made chariots and stamping,
swift-footed horses than at your great temple and the many
treasures that are within.  But if you will be moved by me -- for
you, lord, are stronger and mightier than I, and your strength is
very great -- build at Crisa below the glades of Parnassus: there
no bright chariot will clash, and there will be no noise of
swift-footed horses near your well-built altar.  But so the
glorious tribes of men will bring gifts to you as Iepaeon ('Hail-
Healer'), and you will receive with delight rich sacrifices from
the people dwelling round about.'  So said Telphusa, that she
alone, and not the Far-Shooter, should have renown there; and she
persuaded the Far-Shooter.

(ll. 277-286) Further yet you went, far-shooting Apollo, until
you came to the town of the presumptuous Phlegyae who dwell on
this earth in a lovely glade near the Cephisian lake, caring not
for Zeus.  And thence you went speeding swiftly to the mountain
ridge, and came to Crisa beneath snowy Parnassus, a foothill
turned towards the west: a cliff hangs over if from above, and a
hollow, rugged glade runs under.  There the lord Phoebus Apollo
resolved to make his lovely temple, and thus he said:

(ll. 287-293) 'In this place I am minded to build a glorious
temple to be an oracle for men, and here they will always bring
perfect hecatombs, both they who dwell in rich Peloponnesus and
the men of Europe and from all the wave-washed isles, coming to
question me.  And I will deliver to them all counsel that cannot
fail, answering them in my rich temple.'

(ll. 294-299) When h
J Nov 2014
We shift.
We tilt.
In sleep.
In kiss.

We laugh.
We cry.
In good.
In bad.

We shout.
We whisper.
The words of the unknown mouth,
in the coldest of winter.

We write.
We bleed.
We speak.
I listen.

We think.
We change.
We act.
We reason.

But I'm still so sure.
That by the end of the day.
When the break of dawn
is but a million ticks away.

All we ever do is.

We shift.
We tilt.
Timothy Mooney Apr 2011
Around about and up-side in
with cotton candy tummy spin
I watch the world go sideways by
Holding tightly as I fly

Swirling in a Dervish dance
Mustard stains upon my pants
Mom/Dad/Mom/Dad tilt nearby
Holding THEIR breath as I fly
Paula Swanson Jul 2010
Sssttttuhhp....clunk.

Plink..plinkplink...flip, *****, ****, plink.
Donk, donkdonk, plink, doink, ****.
Flipflap..****, plinkplink, doink.
Doink, doinkdoink, whirrrrrr, buzzzzzzzz ****.

"Oh ****".

Sssttttuhhp....clunk.

Plink, doinkbink, flipflap, bink.
Twirrrrrrrrtwirrrrrrrr, twirrrrrrr *****.
flipflap.....clunk

"Oh....Man"!

Sssttttuhhp....clunk.

P­linkplinkboinkdoink...flip...bonk shhhupduuuup.
****, doink, *****, shuuuup.
plink, ploinkploink, **** doink.
booooouuuuupboooooouuuup...*****
flipflap...clunk

"Shoot"­!

Sssttttuhhp....clunk.

plinkplinkplinkplink, doink flipflap, bonk, *****, twirrrrrr.
doink, *****, bonk, wuuuuuup, twirrrrrr, puurrrrrrrr.
plink, ploink, doinkdoink, purrrrrrrr, shuuuuupshuuuup
plinkplinkplink, doink, flip, doink, flip, trrrruuuuurrrrp.

"YES"!  (shakes machine)

TILT!  TILT! TILT!

"NOooooooooo"!
Catrina Sparrow Mar 2014
i used to cradle her bleach-cracked hands in mine
and decode the stardust resting within her fingerprints
     up until the day that i lost touch with the art of reading braille
     and she stopped slinging tall-tales for me to fetch
and rest the plot-twist at her feet

often in the post-script
i'd find my train of thought highjacked by the sunlight illuminating the rainbow of earth-tones ablaze
in her frizz-ridden curls
as if she'd been washing her hair with the damaged case of beer
she'd gotten for half-price at liqour depot
     she never did quit drinking
          but neither did i

at least we tried

though sometimes
in the middle of the night when nothing was alright
and we'd barely survived another fight
her face would catch my glance
cast aglow by a flood of lava-lamp light
    
     the sea of freckles resting at the crest of her cheeks
     rose lips perma-pursed in half tilt
     her resting heart-rate so high that i could almost see it
          pirouetting within her chest

it was then that i'd love her best
     amidst the ruins of who we were
     just moments before
a love poem, for the girl i can sometimes spot in my reflection.
Gibson Jun 2017
I can’t write this poem
I can’t write this poem because the last time I opened up to someone artistically they told me it was pretty dark and I should keep it to myself.

I can’t write this poem
I can’t write this poem because I was raised in a culture that was anti love and pro meaningless ***. I saw endless commercials about movies that glamorize a lifestyle in which your body is fulfilled but your heart is ignored and at that impressionable age I learned my heart came second but my allure came first and the less I cared that happier I would be and I carried that belief around with me the way I used to carry around a Bible as a child.

I can’t write this poem
I can’t write this poem because of the time that I opened my father’s phone to reveal a family secret I would hold to this day against my own moral instincts unraveling miles of insecurities wondering if I’m not a good enough daughter or if he stopped loving my mother or if true love was never real and although I had been taught marriage was my purpose, it was what I believed would make me happy, maybe rings aren’t enough to stay in love and maybe people’s feelings change and maybe no one actually has a “one true love” and that this purpose I had been taught was really an endless wild goose chase that only lead to broken families and lost souls.

I can’t write this poem
I can’t write this poem because sometimes I still wonder why I fell into an abyss of toxicity at such a young age. And when I say wonder I don’t mean a trivial ponder, I mean I contemplate every possible reason why the person who I once believed held the universe in her eyes would lie to my face, why she never kissed me in public and our love was always a secret, why she valued girls with blue hair but my blonde hair was not good enough, why I had to hide bruises from my family when I was still in high school or more importantly, why at the time, I thought I deserved them. These thoughts, this lingering paranoia that I am undeserving of healthy love, they muddy my interpretations of real life and distort reality and effect my relationships. My doctor would call these intrusive thoughts, my best friend would tell me they’re symptoms of PTSD, but I have come to realize that I’ve been burned and I am damaged and I hope to god I can recover.

But you,
Oh god, you
You can write this poem. You can be my safety net while I’m free falling in love. You can be the one to listen to my mental tilt-a-whirls, you can be the one that introduces my body and my heart, you can be the one that calms the storms in my mind when I’m questioning the love I’m deserving of. You are the one who makes sure I fall asleep in my bed after drunk nights, you are the one that still sees my value after acknowledging my flaws.
You can write this poem.
Food Jul 2014
Like a beggar feeling for gold in the dark
I mosey in the shadows searching for the scent of bliss
Blind to everything but my own thought
I skirt the edge of light and dark
A stuttering heartbeat
I rest upon a sturdy form and begin to flutter
Slowly
I come away from my stupor and tilt my head
Upward
Illuminated by a golden sphere
A moth grasping at God
Gripped in the glow I am light
Reflecting unto faded stars
We
Inanimate forms buzzing along to the
Dull hum of the universe.
First entry, a long time coming...
Allen Davis Feb 2014
God runs a carnival
With a test of strength
Right by the gate
If you ring the bell,
You get a stuffed animal
And free admission.
Just past the ticket taker,
There on the left,
Is an old carousel
Painted ponies preening,
Careening the children astride
Mirrors by their heads
Flashing the crowd's smiles
As they glide
Forever and ever amen.
The ground is littered with ticket stubs
From a raffle they had earlier,
And despite the crying losers
And the broken boozers
I can't see the person who won.
Just billions of blue ripped ribbons
Carrying call numbers
For the lottery of a life time,
While the rest of us are left
To brave the creaking tilt-a-whirl
Assembled by two clowns out on bail
One roll of duct tape and a promise not to fail
This time.
As the fire eaters and game cheaters
Line the midway
Barking promises of heavenly repose
If only you can hit the elephant's nose
With a jet of water, streaming
Into its beaming mouth,
Grinning despite your loss
Try again, kid.
Better luck next time.
You'll wander into the hall of mirrors
To see your sins grow and bulge
Like the battle that rages
In the pages of your gold-leafed heart
Thin enough to tear
So take care to mend
Your broken ways
Or you'll find yourself
Climbing onto the Ferris wheel
To sit on high
And by God,
You can see your house from here
And down and around
And you're bound to lose your lunch
So you'll pay too much for a bunch of frozen
Fries and to your surprise
Sweet mercy, manna from heaven.
Even though you don't know what it is,
You gobble it up
Because you don't wanna go to hell,
But you have to get the hell away from that bell
Ringing and ringing over and over
Chiming in time to the line that winds
Out through the dark parking lot,
Every winner another sinner
Washed clean by the lamb
And *******
A petting zoo
Never felt so good.
If you ring that bell,
You won't go to hell,
But you won't go to heaven either.
Oh no.
You'll go to work
Tearing tickets 'til you're sick of it,
Bending mirrors in the fun house
To split and bounce
And reflect onto the patron
That part of your heart
Too broken to pump,
Running the tilt-a-whirl with a burly
Bouncer who got up early
To **** his wife
And this ain't a life sentence,
Baby, it's eternity.
I guess that's what you get
For trusting a ******' carnie.
Nigel Morgan Sep 2013
He had been away. Just a few days, but long enough to feel coming home was necessary. He carried with him so many thoughts and plans, and the inevitable list had already formed itself. But the list was for Monday morning. He would enjoy now what he could of Sunday.

Everything can feel so different on a Sunday. Travel by train had been a relaxed affair for once, a hundred miles cross-country from the open skies of the Fens to the conurbations of South Yorkshire. Today, there was no urgency or deliberation. Passengers were families, groups of friends, sensible singles going home after the weekend away. No suits. He seemed the only one not fixated by a smart phone, tablet or computer. So he got to see the autumn skies, the mountain ranges of clouds, the vast fields, the still-harvesting. But his thoughts were full to the brim of traveling the previous November when together they had made a similar journey (though in reverse) under similar skies. They had escaped for two days one night into a time of being wholly together, inseparably together, joined in that joy of companionship that elated him to recall it. He was overcome with weakness in his body and a jolt of passion combined: to think of her quiet beauty, the tilt of her head, the brush of her hair against his cheek. He longed for her now to be in the seat opposite and to stroke the back of her calf with his foot, hold her small hand across the table, gaze and gaze again at her profile as she, always alert to every flicker of change, took in the passing landscape.

But these thoughts gradually subsided and he found himself recalling a poem he had commissioned. It was a text for a verse anthem, that so very English form beloved by cathedral and collegiate choral directors of the 16th C (and just that weekend he had been in such a building where this music had its home). He had been reading The Five Proofs for the Existence of God from the Summa Theologica by Thomas Aquinas, knowing this scholar to have been a cornerstone of the work of Umberto Eco, an author he admired. He had also set a poem that mentioned these Five Proofs, and had set this poem without knowing exactly what they were. He recalled its ending:

They sit by a lake where dead leaves
Float and apples lie on a table. She
ignores him and his folder of papers

but I found later the picture was called
‘In Love’, which coloured love sepia.
Later still, by the time I sat with you,

Watched your arm on the back of a chair
And your hand at rest while you told me
Of Aquinas and his proofs for the existence

Of God I realised love was not always
Sepia, that these hands held invisible
Keys, were pale because the mind was aflame.

He remembered then the challenge of reading Aquinas, this Dominican friar of the 13C. It had stretched him, and he thought of asking his wordsmith of thirty years, the mother of his daughters, to bring these arguments together in a poetic form for him to set to music. She had delivered such a poem and it took him some while to grasp it wholly. He wondered for a moment if he actually had grasped it. But there was this connection with the landscape he was passing through. She had mentioned this, and now he saw it for his own eyes. She had been to Ely for the day, to walk the length of the great Cathedral, to stare at and be amongst the visible past, the past of Aquinas. He remembered the first verse as only a composer can who has laboured over the scheme of words and rhythms:

The Argument from Motion

Everything in the world changes.
A meadow of skewbald horses grazes
Beneath a pair of flying swans
And the universe is different again.

And no sooner is potency reduced to act,
By a whisker’s twitch or a word,
A word, that potent gobbet of air
Than smiles and tears change places.

And everything has changed. Back
Go the tracks beyond seen convergence
To a great self-sufficient terminus
Which terminus we might call God.

And so it was in such a spirit of reflection that his journey passed. He had joined the Edinburgh express at Peterborough to travel north, and the landscape had subsided into a different caste, still rural, but different, the fields smaller, the horizon closer.

Alighting from the train in his home city on a Sunday afternoon the station and surrounding streets were quiet and the few people about were not walking purposefully, they strolled. He climbed the flights of stairs to his third floor studio, unlocked the door and immediately walked across the room to open the window. Seagulls were swooping and diving below him, feeding off the detritus of the previous night’s partying in the clubs and pubs that occupied the city centre, its main shopping area removed to a mall off kilter with the historic city and its public buildings. What shops there were stood empty, boarded up, permanently lease for sale.

Sitting at his desk he surveyed the paper trail of his work in progress. Once so organised, every sketch and plan properly labelled and paginated, he had regressed it seemed to filling pages of his favoured graph paper in a random fashion. Some idea for the probably distant future would find its way into the midst of present work, only (sometimes) a different ink showing this to be the case. Notes from a radio talk jostled with rhythmic abstracts. He realised this was perhaps indicative of his mental state, a state of transience, of uncertainty, a temporariness even.

He was probably too tired to work effectively now, just off the train, but the sense and the relative peacefulness that was Sunday was so seductive. He didn’t want to lose the potential this time afforded. This was why for so many years Sunday had often been such a productive day. If he went to meeting, if he cooked the tea, if he ironed the children’s school clothes for the week, there was this still space in the day. It represented a kind of ideal state in which to think and compose. Now these obligations were more flexible and different, Sunday had even more ‘still’ space, and it continued to cast its spell over him.

He put his latest sketches into a sequential form, editing on the computer then printing them out, listening acutely, wholly absorbed. Only a text message from his beloved (picking blackberries) brought him back to the time and day. There was a photo: a cluster of this dark, late summer fruit, ripe for picking framed against a tree and a white sky. Barely a week ago they had picked blackberries together with friends, children and dogs and he had watched her purposely pick this fruit without the awkwardness that so often accompanied bending over brambles. He wondered at her, constantly. How was this so? He imagined her now in her parents’ garden, a garden glowing in the late afternoon light, as she too would glow in that late-afternoon light . . . he bought himself back to the problem in hand. How to make the next move? There was a join to deal with. He was working with the seven metrics of traditional poetry as the basis for a rhythmic scheme. He was being tempted towards committing an idea to paper. He kept reminding himself of the music’s lie of the land, the effectiveness of it so far. It was still early days he thought to commit to something that would mark the piece out, produce a different quality, would declare the movement he was working on to be a certain shape.

And suddenly he was back on the train, looking at the passing landscape and the next verse of that Aquinas poem insisted itself upon him with its apt description and tantalising argument:

The Argument from Efficient Causality

We are crossing managed washlands.
Pochards so carefully coloured swim
Where cows ruminated last summer
In a landscape fruit of human agency.

And I think of the heavenly aboriginal
Agent of all our doings in this material
Playground of earth I can pick up,
Hold and crumble and cultivate

And air that is mine for the breathing
And the inhabited waters that cling
As if by magic to a sphere. What cause
Sustains the effects we live among?

For there is no smoke without fire
And as we sow, thus we reap. Nihil
Ex nihil, therefore something Is,
Some being we might call God.

So ‘nothing out of nothing, therefore something is’.  Outside in the city the Cathedral bells were ringing in Evensong. The sounds only audible on a Sunday when the traffic abated a little and the sounds in the street below were sporadic. He thought of going out into the Cathedral precinct and listening to the bells roll and rhythm their sequences, those Plain-Bob-Majors and Grand-Sire-Triples. But he knew that would further break the spell, the train of thought that lay about him.

He sketched the next section, confidently, and when he had finished felt he could do know more. There it was: a starting point for tomorrow. He could now go towards home, walk for a while in the park and enjoy the movements of the wind-tossed trees, the late roses, the geese on the lake. He would think about his various children in their various lives. He would think about the woman he loved, and would one day assuage what he knew was a loneliness he could not quench with any music, and though he tried daily with words, would not be assuaged.
The poetic quotations are from poems by Margaret Morgan. A collection titled Words for Music by Margaret and Nigel Morgan is now available as an e-book from Amazon http://www.amazon.com/dp/B00DY8RAGC
How many windmills did you tilt at today
how often did you say that there's no
time left to play,
and what did the child that you are
think of that?

When the last of your life flashes in
the lens of your eyes and there really is no time left,
it'll be a surprise when you run through the images and see what you missed as you dashed off to work on the importance of you,
and you'll realise that it's not only in dreams that the windmills come true.

Being old's like being young
you have to listen to others and the fun in you's smothered by that motherly type of concern.

I fought with the wind and the mills in between and in the miles of the oceans I sunk in the green of the sea grass that grew when I was young and new and knew nothing in the every all of who that I was.

I tilt because that's who I am the boy that was trapped in the passing of man and the man that is passing some time 'til the next time and then, to tilt again
a joy
and the boy
smiles
crookedly.
Steele Nov 2014
She doesn't own a mirror.

Confirmation of her beauty comes from those around her at all times.
Fawning fools adore,
jealous sisters abhor,
but all notice the shine of her hair, the tilt of her lips.

She does not dance.

Her steps lead, and dancers follow with no reasons nor rhymes. They cry:
"Lead me not into temptation",
but in her ministrations,
they ache and beg for her glance, their hearts in her grips.

She does not care for suitors.

Her heart was long ago dulled by the fencing blades of admirers. And yet I
if honest, must admit
that it is a careless abandon, devoid of wit
that begs me join her jousters in mock combat for the privilege of her kiss.

What a porcelain fool, she, to inspire such a heartfelt, bloodtaxed roust.
What sorrier the fool, me, to join in such a sure dealt, unasked joust.
I find it funny (in my black humor) that so many chase one who only wishes to be left in peace, myself included. Beauty is often a curse.
King Tutankhamun Sep 2018
My dear summers dream was to the taste cream
Pass me the triple beam the microphone fiend
Back on the scene simplicity is your complexity
So amazingly like grace I be rockin' the place
Like we Studio 54 shut down the doors
Once the bubbly pours and the **** adores
Ya mental **** ya sentimentals and these new aged millennials
They too satirical I make miracles flow potholes
Creatin' mass mayhem your an inconvenience
Cuz of ya hesitance my presence is known
Without even being shown paragraphs of stone
Hard to crack waxing tracks like a shark attack
Felonious acts we never back down
Til my soul drown in the core of the earth
Royalties since birth new my worth they tried to mirth
At my pain tryna change the game cuz all these cowards
Saying the same thang got dang got dang
Time to chess box like Wu Tang leavin' a stain
On ya reign no tears though I'll be on solo
Rippin' up instrumentals ya know how we do so...yeahhh


From the Sunny to bees that make the honey
Sticky icky like my spliffs be call me smokey
Puttin' fire to mother natures forests check the creases I
unleashes
Rap game mafiaso so so better back back
Or else get dropped lika Domino so here we go!
Here we go!
With the ghetto jams love girls with the derriere's of Pam
Got **** once again it's time to slam
Mics harder than Shawn Kemp ya flows shrimp
That's why ya girl calls me Mr **** no limp
Slick as Rick hello young world tilt and a whirl
Catch the swirl of Qatar Pearls on the neck of ya girl
Suckas better know I'm coming with a blow
Harder than Bowe combined with a super glow
black Saiyan raps slayin' turntables layin'
So I can get wicked lyrics Pickett
like Wilson
Flows in unison formation
of words
Herds a violent surge
feel the purge
We high rising no disguisin'
knockin' out Suckas who jivin' ain't none survivin' ?
Anthony Williams Jul 2014
I knew the orange on the orange tree
you had an ache in your shoulders
uncomfortable in an unnatural way
yesterday I passed you talking to flowers
you hadn't moved you hadn't strayed
but hiding in the leaves was a forced disguise

the omens told me something quiet and unceasing
reminding me of a slumbering domesticated cat
dreaming of cutting yourself loose from truncated ease
dropping down from the branch with panther steps
licking fruit lips ripe with revealed acidic petals
riddled with a past you revelled mixing in with zest

shocking chances stepped in for the next dance
sleep taken aback by wings cut from a dark sky
the sidewalk pitted and cracked beneath the pounce
relief escaped the twigs with a spring like waking prey
pressing into night foliage shaken from a nice balance
as I saw you take control with nothing to mask your face

on the surface too smooth for violence
was laughter of glowing gloom to embarrass
and deter such rebellious arrogance
with a twist struggling from a lame curse
its flavours sharp against your sweetened perfume muscle
expecting you to build a limestone shed for tears
rather than take on the night with a mind to wrestle

the outside aches for your physical attraction
gaining courage from the purpose in your eyes
tense as the tightness of your dress' intention
demanding that my hands draw from such lines
the sinuous heat of pulsing flesh's invitation
curved upon seeds not chaste but not quite refined
which I try not loving with some cool disambiguation

you left me the taste of syrup of grenadine
too reputable to ripple vain red tipple eyed
on a table spilt with pink gin and mandarin
sharp teeth tingling a tartness into my hand
sliding slowly at a tilt like drops of sweat on skin
focus dwindling into the clasp of an escaping shade
wrapped carefully under soft rice paper and then
tucked under a heel with a pointed kick like a blade
only to feel you relent and burst open
soft in appeal again and again
by Anthony Williams
Julia Plante Nov 2014
fat
Since age 5 I was taught
to wear loose clothing
and not talk about eating.
"No, you can't have that shirt
with the Hershey's logo across the front.
You're already overweight,
let's just slap a label on it."

My mother doesn't know that
every day I still hear her voice
telling me to tilt my head up
in pictures and to go outside already.

I remember age 9 as my dad
telling me I was smart and my mom
telling me I couldn't buy that shirt
because it clung to my stomach.

I was taught to never talk about food
because it would always be met with
"of course".

Mother dearest, I know you meant well
but your coaching lead your little girl
to value the size of her thighs over
what she learned at school today.
You wanted to protect me from
the world, but didn't protect me
from myself.

Teaching is not telling me that
I had no willpower at age 8
and you forced me to accept myself
because nobody else would.

But trust me, mother,
you were never consciously hurtful
so I need to let you know:
the next time there is a little girl
that looks up to you, do not tell her
that she has to watch what she eats
or she will never get respect.
Do not tell her that "It's your body,"
when she asks for just one more brownie.

Just make sure that you love her numerically more
than that number on the scale.
Ooolywoo Jul 2018
i starve myself for this moment
gifting you my delicate sensibility emptying my body for you
bearing my scars wide open
let you touch my vulnerabilities
you swim through my body back and forth
cut my skin layer, after layer, after layer
no corner is unknown to your touch
your firm hands exploring my every parts
you grab me, lift me, toss me
******* honesty and fears
fill my body from the tip of my hair to my toes
break the wall in me as you penetrate my soul
pull the innocence from between my legs like silk
conjure beauty in me
make the bitterness in me disapear
you break me, brick, by brick, by brick, by brick
pull my hair, tilt my head
drain every muscle in me
we break walls that leads to others, that leads to trap doors, that leads to infinities
the past and the future merge into one to meet us in our present
we breathe as one, form a unity
one body, one soul, one purpose
we connect, interlock, intertwine
we levitate to an infinity of desire
reach the line between reality and transcendance
the moon and the sun both witnessing the beauty we're creating
we ****** and create an explosion of billions and trillions of blooming flowers
piece by piece, you build me back up
bit by bit, we emerge from the magic we made
from caterpillar to a butterfly
We are born again!
Inspired by Beyoncé Lemonade
Mariam Paracha Oct 2012
The warmth of the sun settles, hugging the lake.
The dragonfly flies low, hovering above the tranquil water
the light seeping through the paper thin skin,
it hums across the lake, refracting light off its wings,
An array of colors make patterns on the wings,
wearing it like a cloak, a rainbow embedded within.
The colors tilt and shift as the dragonfly gracefully cruises through life,
laying close to the water but letting the air propel it forward,
floating between two different worlds,
it is like a dream where our thoughts are separated from reality,
and are scattered like refracted light for us to assemble.  

Through a screen of our dreams, a world can be seen.
A world of hopes and desires that is dormant within
The light of life just soaks us bare,
our skin turns frail,
under the scorching glare,
the glare of eyes that want you to be,
someone that is accepted by society.


the dragonfly bathes itself in the sun,
the iridescent colors shine on its skin,
flying and floating, he’s determined to win
a predator, determined to get what it wants
nothing blocking its way or paving its path
making the most out of life and never holding back

spread your wings like the dragonfly
that hums its way through life,
dipping its wings in the sun to shine,
breaking free a life of colors,
that we leave locked and forgotten,
behind a reality made of black and white,
the black ink seeping through our minds,
injecting us with ideas of the 'ideal life'
where money and fortune, and status define.
Bathe your mind in the wonders of the world,
soak your heart in life's warmth and glow,
and pave your own path,
with the dreams you sow.
Life
Lysander Gray Nov 2011
Crawl to me on all fours, and fix me with those eyes.
Gleaming ivory in the pale darkness.
Suitored to alien mires, foreign environments of crawling dust and spires of simplistic grace.

That we move into.

That we move into as finger pads touch skin and lips and wet tongue tips that grace the very edge of taste itself.

The sonata of flesh has begun as we begin this symbiotic ballet that signifies the end, the start, but not the middle of our burning tryst.
which burns brightly in summer night heat, washing down the walls separating me from you and you from yourself.

Fix me with those eyes once more,
tilt the timer; make the moments slow
And the gas lit beam dance and grow
to our scaly sonata of flesh.

Played without violin
or cello
or trumpet noise
or flute.
But with arms,
and lips
and hair
and bust
and drums.

There are always drums; beating on through the night,
beating their primal rhythm as you crawl towards me,
on all fours, in that oroborus of lust;
symbiotic with itself,
reflecting off itself;
encased in itself.

Crawl to me on all fours
Crawl to me -
And taste of my being.
Third Eye Candy May 2014
how are you this mad? from where comes your explicit wreck ?
are you undone ? if so, let me show the way to another trouble
to keep at your breast. let me reveal the vista
and the void.... to console your tremors in the meek nightness
of your unfortunate soul.
i love you.
and loving you is nothing more than nothingness.
but you dream of hate and cinders.
full tilt boogie with that shadow
but never mine
at last.

never mine at all.
S R Mats Mar 2015
The crow works its way sideways on the wire.
Nature lives at full tilt. It does not worry

That it may soon be used up.  It lives in the moment
In pursuit of having a fulfilled purpose.

For the busy crow the fleeting moments pass unnoticed;
Time scarcely has consequences for the satisfied;

Down he flies for crusts of hamburger buns.
mark john junor Sep 2013
its unmistakable
not just another caravan of faces
not just another passing year
under a strange sky
iv reached the edge of the world
nothing but open sea to my back
as far as the mind can see
and i'm riding a west wind on a quickness breeze
on a middle of the night skiff
to the the small island
where she waits for me
where she sleeps tonight
the bold song gone soft an slow
the guarded smile relaxed into a champion of joy
and conquers all her sadness
with a single tilt at the windmills
like a knight in shining armor

nothing but deep sea
nothing but night salt and sea

and as i draw near
she sings from her soul to mine
come to me lover
laugh
yes cry out loud with all your joys
laugh pure and easy
i'm the mood for you boy
i'm in the mood for your hand in mine
dance in my heart
its a warm night in the tropics
and we got the world to ourselfs
so may i have this dance
spin
dip

ballroom of sand
laugh with me
run with me
we are free
all our lives people have tried to put us away
keep us down
now look at
dancing in the stars
look at us free and easy
dance with me baby
make love with me honey
on this ballroom of sand
laugh pure and true
with simple joy
here by salt and sea
be young with me

tonight on this ballroom of sand
come home to me
warm me with your touch
comfort me with your eyes
iv waited so long come home to me

nothing but open sea at my back
and i feel so alive
i feel so free
and my lover is near iv never been so alive
running a western quickness breeze
on a skiff heading home
to her
jezebel
"riding a west wind on a quickness breeze" LOL not to be mistaken for a nautical term LOL
Dark Angel May 2014
I walk the face of earth once more,
a mindless puppet, my strings are torn.
the creaky bones, the bad eyesight,
yet the chance to turn wrong to right.
wars-a-waging, old mans guilt,
the worlds now on more then just a tilt.
parents weeping, children slain,
****** thoughts, fear will reign.
I look in the shadows, a creature did lurk,
he whispered to me, hiding a smirk.
"Thou shalt be killed if thee can't find,
the demon lurking in thou mind."
So off I ventured, to quench my thirst,
of corpses piled with hearts-a-burst.
And on that quest what did I see?

The Wicked Path Of Destiny
We come to a complete stop.
At a red light.
We wear our arms like seat-belts-
crossed for protecting our pilot lights.˚
I can't help but wonder how many airbags might deploy
if a meteor crashed headfirst and heavyset into the planet
and pancaked us eternally into this moment-
and how our fossils would look confused;
funeral flowers on a wedding cake.

None of this matters, we're both thinking it,
God is a foster child playing with his erector set.

You grin with as much conviction as a dented automobile,
breaking the months of silence to say,
"I miss you."

We can never fold these road maps back the way they came.

Somewhere existentially above this moment, there is an asterisk
that confirms
you- are here.

There was a younger version of me that you never got to meet,
he was here once,
stupid as a slinky.
Shaken like an Etch-A-Sketch.
Crooked as the question mark that punctuated his voice.
I looked good in hydroplane,
my eyes- bigger than my belly,
so I drank my weight in promises- I knew would be hard to keep within arms reach.
I also knew an encyclopedia's worth of how it felt to lie to myself.
I did it for twenty-three years
until I finally let go of stupid and held on to reason.

At some age I wrote letters to my favorite musicians,
using the sloppiest side of my penmanship, I'd ask for answers
and my mother, like a paperclip, used to tell me - she'd say,
"Kiddo, just because they don't respond
doesn't mean they didn't get the message."

She kept her chest of hope upstairs, away from the living room.
She only opened it on the hallow end of October;
that's where she kept the blankets.

Shy, I kept my hope chest covered in a T-shirt-
at the very least.
I never opened up.
I emptied my toy box of all its fiction, filled it with voices.
Deployed an army of rubber wrestlers, martial arts amphibians
and those inanimate toy soldiers with plastic parachutes attached
in search of the confidence I knew was supposed to belly-flop inside of me.

It hid, unfound for decades.
Until you entered.

Hawaiian domino effect, circus of chain reactions, avalanche of affirmation, chest-plate yielding gravity mouth speaking brightest anything forever night light, all apex and eyelash and cheekbone.
You -from big island- broke me.
I opened like the dry side of an umbrella, kept my back turned for shielding you.
I showed up for love on time, like a subway train in echelon city
wanting these arms to feel less like turnstiles.

All my sign languages were in waves.
All my ceilings turned to skies.
All my jitters packed into my hunger stomach.
Typing hyper with caffeinated hands
a swarm of nervous words bee-hiving in my butterfly chest.
Something like a hummingbird
when I finally drop your name like an alarm clock whisper
my lungs empty like cathedrals on the day after Christmas.

I brought the sermon to your Sundays,
you brought the choir to my masses.
We built a church around these esophagus bell towers.
Held ourselves up to the stained glass and showed off our light;

I swear I don't believe in a lot of things, God knows,
but there's always a but,
so much as I believe in the eternal depth of everything,
so much as I believe that we'd have plenty of water if it weren't for salt,
so much as I believe in eight marbles rolling around a gas lamp,
I believed we'd find a way.

'Cause in all the ways my sky could never hold you- and I mean this-
I believed in you- same way some people believe in Jesus.

Because you never judged my albatross mouth when I said things like,
"Self deprecation is the new love."
You kissed me-
less like doorstop,
more like lighthouse illuminating windmill.

You were a merry-go-round pivot decorated in Kona coffee beans, Christmas lights, cough syrup, paper mache pineapples, plastic dinosaur bones, a collection of worn-out Asics, board shorts and a dubstep remix broadcast through the static of a blown-out rotary phone.

You were everything I could get my hands on-

A full-tilt action-packed kaleidoscope jungle
with blender tongue and volcano heart.
I looked good in your sad panda coat tails,
teaspoon swallowing my doubts
while you Tarzaned my ability to breathe,
gave me ocean view and weak knees.
Is that sea breeze in your aftermath or are there already tears in my happiness?

You came camouflage out of my blind spot dressed in magnet armor,
diving board and drum set.
We passionbent cymbals into cannonballs.

I found comfort between your breastplate and your shoulder blades,
where you held me like a promise
when all my wishing was for want
and all your wanting was for wishes

Granted,

I know that there were days when you couldn't help but wake up like gorilla speaking Pidgin
and I couldn't help but waking up like an abandoned highway with a chip on my shoulder-
some maps don't show this much detail, Google Earth-

Which is why I always came through for you like a well-lit citrus truck stop
pressed against the dusk in your moonlight life crisis.
We only saw stars.
From our moon base.
In bewilderment, in our hunger, we learned
that if you hold me to my vending machines you'll get what you pay for.

So here it is, the truth, as I have always known it,
delivered to you on the outskirts of an echo,
my voice, supporting my existence like a monolith.

I'm standing in the middle of a you-shaped hole.
It's as wide as a promise crater-
we built it together.
It's not my favorite place to stand
but the exit strategies are made in the shape of a me that I haven't constructed yet.
I had a lot of things planned.
I referred to things as "ours",
when I really meant "please".

Bury me in your time lapse.
When your emotional excavators discover me in your sediment
they'll find me all pterodactyl-
wings spread wide as potential, sky-diving toward forgiveness,
forever.

Truth is, I'm wingless.

We met at a stop sign.
Our paths crossed.

There's a lot of accidents at some intersections.
Maybe it's because that's not where those two roads were supposed to meet.

We can't time machine argue with the way things landed.

We weren't an avoidable accident.
We were just two cars that really wanted to dance.

I don't know what I'm trying to say but I know when I mean it.

There's a tyrannosaurus rex cradled head-to-tail just behind my curator heart-
all fossil spine, monster teeth, jaw head and piano hands.
His presence says a lot about the past.
There's an asterisk on the surface,
above this moment,
that confirms with absolute certainty,

˚something wicked awesome happened here.
The (˚) is supposed to be an (*)
You can hear me read this here: http://tumblr.com/xft51gwrf0
MBJ Pancras Dec 2011
It’s not My will, but Thy will,
Let Me die on the cross for their sins,
And My blood pave way to eternity;
Yet My Soul is sorrowful unto death.
Abba, take away this cup from Me;
Yet if it’s Thy will, and not My will.
Father, Thy promise Thou made with the serpent
That Thou would put enmity ‘twixt him and a woman,
And I should bruise his head;
Nevertheless he should bruise My heel.
For this is Thy eternal promise for man
Who been formed in Thy image;
But been smashed himself with the deceiver.
Flesh is weak and tempting;
Yet the spirit is willing and godly,
For Me too passed thro’ the way of the tempter;
Yet cursed him with Thy Eternal Word.
Unfelt agony runs into My soul,
When I bear the sins of the world,
And who on earth knows it,
Except Thou and Me, Who are ONE?
Do men know Me, Who is in Thee,
And Thou in Me, hath stripped off Glory
And hath become a servant to them,
And made in their likeness with all humbleness
Carrying the cross of shame and abuse?
My sweat is as it were great drops of blood
And Gethesmene I pray turns red.
Who knows but Thou ought ought to reveal
That My blood be shed on the cross
Which is the symbol of the new covenant?
Father, in the beginning I AM,
And all things made by Me and for Me
Who hath come unto earth as the Light,
And I AM Thy Glory, full of grace and Truth.
My Father, here come My betrayer,
For his time hath come to strike Me
As he has to bruise My heel,
And I should then bruise his head,
For it’s Thy Eternal plan of mystery.
Here comes he with the spirit of darkness
Carrying lanterns and torches and weapons
Of unrighteousness and ungodliness.
Father, let Me finish Thy work,
But strengthen Me with Thy Spirit.
Now the betrayer hath sneaked  unto me.
Look, he kisses Me amidst the mob.
Am I his beloved for his kiss?
Yet he is My beloved.
He hath dipped himself in My cup of blood.
It’s Judas kiss bought for thirty silver.
He hath sold his soul to the roaring lion
Which devours the sons of Adam.
I made Judas My apostle;
But he  made himself the liar’s instrument.
The night I am put in chains in the realm of darkness
And I am left alone with none to share mine.
Where are My apostles, My disciples?
I remember Peter’s words
That he said he would go with Me,
And I know the rooster should crow
After his denial of Me thrice to go.
He is a mere man who knows not
That things written be accomplished in Me.
They drag Me, kick Me with their boots of sins,
I am chained by their unrighteousness,
And am whipped by their blasphemy of My Father,
For when I am rejected My Father is rejected
As My Father and I are ONE,
And who hath seen Me hath seen My Father.
My people spit on Me all the way
Where blood from My body sheds.
The thorny whips tear My flesh;
Yet I rejoice in My Father’s will,
But their sins sadden My soul.
I am dragged unto the high priests
Who’ve been awaiting My trial.
Even My disciples have forsaken,
And left Me alone, but My Father in Me.
Am I held ‘midst people of the law
Which was the schoolmaster awhile
Until I finish it with My blood.
Their trial with Me hath begun with bitterness.
And Peter is seen with a mob at the fire.
False witnesses spewed on Me, yet contrary,
Whose arrows stuck on My statement
That I will destroy the temple,
And in three days I will build one.
Behold, And they’re spiritually blind and deaf.
They spit on Me blindfolding My eyes,
And play prophecy of hide and seek.
Each spit on Me is a sin of  theirs
And their hurt in not on My body but soul.
They kick Me with their boots with spikes,
And the unrighteousness of My people bruises.
My soul bleeds not of Me but of their doom.
The father of lies mocks at My Eternal plan.
The liar can bruise but My heel,
And his head is already beneath My heel.
My people strike Me with the palms,
And they slap on  My cheek with prophecy;
Yet I hold peace to defeat the liar.
No man is found to paint the pallor on My face.
I am denied thrice as of My mysterious plan.
I am tried till the sun sinks at the horizon,
And I become the laughing-stock of My people.
I thirst, but not a drop of water I ’m offered,
Where found midst earthly meals the disciples of the liar.
To liars My Truth seems blasphemy
For professing themselves to be wise and godly,
They’ve turned scoffers strolling in lusts.
I’m ‘gainst the mighty liars,
Who’ve forgotten I AM Almighty
Having denied the Power of the Most High
Whose Eternal plan of salvation is for them
Whose trial against Me is vain;
Yet satan in disguise kicks My heel.
My angels were struck in pride in Heaven,
And so were drained off into hell
With their filth and lust in darkness.
They spit on Me Who is the Lamb.
The trial ‘ere Pilate take its roots,
And no roots of earth are of Mine,
For My Father breaks off every branch
That beareth no fruit in Me.
For they wear attires of pomp and pride
With no clothes of righteousness.
Hidden in the mask of flattery
Pilate hath no way to mark justice;
Yet it hath been the Eternal plan of salvation
In Me Who is the Lamb of sacrifice.
Who knows My kingdom is not of this world?
I’ve come down to speak the Truth
That hath made the governor question Me:
‘What is Truth?’
And who believes I AM the Way, the Truth and the Life?
For all have eaten the forbidden fruit
Which hath set free the son of peridition
Who is the father of lies of all ages.
And Pilate sets free a convict as is the custom
Which hath a way in the Passover.
Truth sets free the blessed souls from Death;
But falsehood sets free sinners from Life.
I’m whipped in flesh to bleed;
But I  am whipped in spirit by their sins.
I’ crowned with thorns and twigs:
The metaphors of sins and iniquities.
They throw around Me a purple robe
And cry against Me in sarcasm
That I would live long as the King of the Jews
Whose minds are darkened by worldly wisdom,
For My kingdom is not of this world.
They slap Me on the cheek with arrogance,
I remember Judas’ kiss on the same cheek
Who hath drowned in the lust of silver.
I make neither complaint nor not of repulsiveness,
For it’s My Father’s will to bear the cross.
Back to the porch of the palace
I’m made the season with withering leaves.
Their crown and robe on Mine are their hypocrisy
Who cried against Me riding on a colt.  
Their crown and robe on Mine are their hypocrisy
Who carried against Me riding on a colt,
They threw their cloaks of praise and shouts
Across the way I trotted upon on the colt,
They laid branches cut from trees,
And I knew they were clothed with filthy attires.
Their praises and shouts now turned to curses  and abuses.
I’m now thrown into the hands of disciples of the liar
Who is a like a roaring lion to devour.
Their faulty law plays in their hands
And laughs at My Father’s Rock of Salvation.
But I laugh at the liar’s defeated victory on Me,
For in My resurrection Death hath no victory.
Who knows death took its roots since first transgression
In Eden with the consumption of the Forbidden Fruit;
Yet in Me Life is sealed in Him to Eternity?
I’ve longed for Judas’ godly sorrow like the prodigal son,
But he was bitten by the serpent on the Tree
Where the betrayer tasted the Fruit and died.
He took himself to the tree of death
For the taste of the Fruit turned bitter to him.
Power of this world hath blinded Pilate’s conscience
Whose power hath been predicted over Me
With My self-will hidden in the Most High.
The Eternal plan of salvation hath tied Pilate.
Who washed himself in his self-righteousness
And throws Me out for want of  pomp and pride.
Now I’m in the arms of thorns and bushes
Laden with the cross of the world set out;
Yet My journey thro’ human darkness is for a while,
For the Reward of Eternity is awaiting Me
And the ones who are rooted in Me.
Each whip lashed on Me is the multiple sins of the world,
And the spikes of the whips tear My flesh,
And I bleed with the agony of lost souls,
Whom I’ve made for Glory with My Father.
Behold! A toll strikes this hour
When I hear the hellish roar at a distance,
And I know the traitor hath flung the silver
Which have no price for his destiny.
I shed tears for him but he’s lost
For his death is certain in My Eternal Plan,
And who could change it but Me;
Yet it’s all My plan of mystery in the Father?
They hit Me with a stick o’er the head,
And mock lat Me saying ‘Long live the King of Jews.’
A scepter of stick ****** into My palms,
A game of mockery is played  ‘gainst Me;
Yet I am as innocent as a lamb led to the slaughter,
As writ in the Scriptures with the design of My Father:
I’m oppressed, and afflicted down to death on earth;
Yet I open not My mouth to charge complaints,
I’m brought as a lamb to the slaughter,
And as a sheep before her shearer is dumb.
All the way I’m kicked to fall on the stony path.
Look! My knees bruised and torn for you,
Still are there moments of repentance from hypocrisy.
**! Here am I fallen on the thorny twigs.
Behold! My clothes are torn with blood flowing out.
They tilt Me with their pompous boots.
I try to lift Myself but laden with the cross.
Pity of sacrcasm plays in their hearts
And in turn a man from Cyrene is laid with the cross.
I carry the sins of the world for crucifixion;
But he’s made to carry the wooden cross behind Me.
Is it My Word that says unto you:
‘Take up your cross everyday and follow Me?’
Nay, but to forsake the world of sins
Be My doctrine with the love of My Father.
You cannot carry the cross I bear;
Yet you can carry yours beside Me.
Shouts of abuses thunder into My heart
Amidst the cry of lamentation across the way.
They hook Me up with scornful epithets
And the liar of the world bruised My heel;
Yet I walk the path of obedience to physical death
That My death on the cross shows Way to Eternity.
I hear the cry of My people,
Why do they cry with wailing?
Do they mourn over My trial on earth
Or o’er their sinful attires.?
Who knows, but I know?
They shed tears of emotions,
And who knows their sins crucify Me?
Behold! I hear the Nightingale’s song ‘cross the stormy breeze.
Is it the song of melody unto My people
For they murmur Nature too mocks at My trial?
But I know My creations are under My power.
They’ve painted the day’s sky with glooms
As their pilgrimage on earth smeared with sins.
Back on Me the cross is ****** and I’m knocked down,
And My face dashes ‘gainst rocks on the way.
The spiky rocks tear My skin to bleed,
I bleed and bleed till the last drop.
Little children kiss My bleeding cheeks
And they take the mark of My sacrifice.
The sun soars higher and higher
And each phase of My journey is of My Father’s plan.
I scale ‘gainst the steep hillock with lashes on My back.
The fiendish serpent laughs at Me,
And strolls with the exotic steps drowned in hellish dirt.
And I know he bruises MY HEEL:
But he ‘knows’ not I’ll bruise his head.
My disciples walk apart with arms tied,
For none can break the design of My Father.
The sun strikes the altitude and I reach the slaughter.
They drag Me unto the ‘place of the skull’.
Who’ve thought I would sleep ‘neath the grave
Which hath no future for death is once for all.
Their conscience is buried in darkness by the liar,
Like dried-up springs and clouds blown along by a storm,
Their thoughts and deeds lie in vain of glory,
All bundled in filthy rags of lusts,
Whose promise of freedom is spoken by the father of this world,
The mighty trap hidden with baits of freedom of slavery.
Who knows but My Father of My destruction of the Temple;
Yet be rebuilt in three days in glory?
Behold! They strip off My clothes to naked.
The serpent sneaks onto the Forbidden Tree
With a cynical comedy of errors;
Yet it bruises My heel with its bitten fang.
My Father drove out Adam and Eve from Eden
Who had turned unholy committed themselves to the liar.
Now the liar, he thinks, drives Me out into the grave.
But I will destroy him with My dazzling presence.
My garments  they part and share ‘mongst themselves,
And My robe made of single piece of woven cloth
With no seam found in it, thrown at dice.
Do they know it’s of the Scriptures foretold?
They lay Me on the cross down on the earth.
I recall My infancy couched on the manger:
How I was cared and nurtured by My human parents.
I was in the safe arms from bitter cold;
But now I lie sans comfort and in blood.
My arms are stretched across to be nailed,
Lost of strength My legs are pulled along.
My people watch the gory sight of crucifixion.
They nail My palms and feet ruthlessly.
How I healed My people from diseases
How I fed My people from starvation!
How I walked to listen to My people’s sorrows!
But they watch Me now lying on the cross.
Do they know of My death on the cross?
The nails are pierced deep into veins and nerves,
Streams of blood flow down unto My people;
But they kick My blood splashed ‘cross My face.
Unfelt agony and untold miseries crushed My spirit,
For they repent not of their sins but die
Forsaking My Father’s promise unto those who believe Me.
When nails are pierced Mine My Father strengthens Me.
I bear the pain for the promise of My Father.
They raise Me nailed on the cross.
Curses and abuses lashed on Me,
And they shout they’ve cut the root of the tree.
Alas! They do not know what  they do;
Yet My Eternal Plan of  these shall happen.  
I look at My disciples at the Cross
Whose darkened hearts I perceive.
Full of heaviness with a doubting hope
Of what will happen to Me and them.
They’re petals turned pale in the evening,
They’re the garden of Fall with no fruits bearing,
Like distant stars with faded light they look
My people fling upon Me mockery:
‘He saved others; let Him save Himself
Who claimed the Son of God!’
Not to save Myself is My advent to the world;
But it’s My Father's Eternal Design in Me
That salvation is for mankind in My Father’s likeness.
It’s written above My head of the Kingship:
‘This is the King of the Jews’
Who know not of My Eternal Kingship,
Not of this world, but of the Heaven.
Behold! The criminal on My left hurls at Me:
‘Are You the Anointed One?  Save Thyself and us!
Is he the son of Cain who turned a fugitive?
Is it not like “am I my brother’s keeper?
The convict on My right is another prodigal son
Whose sorrow of his filthy rags turns his blessed.
‘Lord! Remember me in Your Kingdom!’
My promise unto him hath crowned his a hope of glory:
‘This day shall you be with Me in Paradise.’
It is the prime of the day with beams of fire splashed across:
The sun is in its meridian lashing unforgiving rays.
Behold! The sun is darkened by the clouds of glooms,
It’s day but turns night as a premonition
What happens to the creation in My Day in Glory.
The temple of the city trembles at My Word’
And the curtain is torn in the middle,
Yea, Moses’ law turns unto rags with no price,
For I make the New and Eternal Law of love in Me.
Nightly day survives until My Last Cry’
Troubled with the heaviness of My people’s sins:
‘My God, My God, why have You forsaken Me?
‘Yet it’s finished. Thy work on earth is done,
Father, here I commend My spirit unto Thee’.
Jesus Christ's ****** sacrifice for mankind!
Sir Nitro Jun 2016
Centered around your neck, the prettiness of the stainless steel shines locked in to place, your Daddy loves you more this day.
On bended knees, you wait, as I approach with it in my hand, tilt your head back as I place it around, and snap the lock down.
Let it dangle, feel the weight, feel the love, the symbolism of you and I, is more then a piece of metal, it is pure love I say.
Little One, you are the first, truly are to be offered this gift, No one before you, no not even her, your loved removed a frown.
Ask yourself, are you worthy to be my submissive? Worthy to be my baby girl? Worthy to love me forever? Worthy to be mine.
Remember this, remember it clearly, the answer to those questions is simple, the answer is yes, forever you will be.
Only you will forever be my property, the stainless around your neck is the significance of this, missing with no shine.
N**ever, forget my love, forget that I own you, please show the world in our own little way, that you are owned, not free.

— The End —