I

He would drink by himself
And raise a weathered thumb
Towards the high shelf,
Calling another ***
And blackcurrant, without
Having to raise his voice,
Or order a quick stout
By a lifting of the eyes
And a discreet dumb-show
Of pulling off the top;
At closing time would go
In waders and peaked cap
Into the showery dark,
A dole-kept breadwinner
But a natural for work.
I loved his whole manner,
Sure-footed but too sly,
His deadpan sidling tact,
His fisherman's quick eye
And turned observant back.

Incomprehensible
To him, my other life.
Sometimes on the high stool,
Too busy with his knife
At a tobacco plug
And not meeting my eye,
In the pause after a slug
He mentioned poetry.
We would be on our own
And, always politic
And shy of condescension,
I would manage by some trick
To switch the talk to eels
Or lore of the horse and cart
Or the Provisionals.

But my tentative art
His turned back watches too:
He was blown to bits
Out drinking in a curfew
Others obeyed, three nights
After they shot dead
The thirteen men in Derry.
PARAS THIRTEEN, the walls said,
BOGSIDE NIL. That Wednesday
Everyone held
His breath and trembled.

II

It was a day of cold
Raw silence, wind-blown
Surplice and soutane:
Rained-on, flower-laden
Coffin after coffin
Seemed to float from the door
Of the packed cathedral
Like blossoms on slow water.
The common funeral
Unrolled its swaddling band,
Lapping, tightening
Till we were braced and bound
Like brothers in a ring.

But he would not be held
At home by his own crowd
Whatever threats were phoned,
Whatever black flags waved.
I see him as he turned
In that bombed offending place,
Remorse fused with terror
In his still knowable face,
His cornered outfaced stare
Blinding in the flash.

He had gone miles away
For he drank like a fish
Nightly, naturally
Swimming towards the lure
Of warm lit-up places,
The blurred mesh and murmur
Drifting among glasses
In the gregarious smoke.
How culpable was he
That last night when he broke
Our tribe's complicity?
'Now, you're supposed to be
An educated man,'
I hear him say. 'Puzzle me
The right answer to that one.'

III

I missed his funeral,
Those quiet walkers
And sideways talkers
Shoaling out of his lane
To the respectable
Purring of the hearse...
They move in equal pace
With the habitual
Slow consolation
Of a dawdling engine,
The line lifted, hand
Over fist, cold sunshine
On the water, the land
Banked under fog: that morning
I was taken in his boat,
The ***** purling, turning
Indolent fathoms white,
I tasted freedom with him.
To get out early, haul
Steadily off the bottom,
Dispraise the catch, and smile
As you find a rhythm
Working you, slow mile by mile,
Into your proper haunt
Somewhere, well out, beyond...

Dawn-sniffing revenant,
Plodder through midnight rain,
Question me again.

1508

You cannot make Remembrance grow
When it has lost its Root—
The tightening the Soil around
And setting it upright
Deceives perhaps the Universe
But not retrieves the Plant—
Real Memory, like Cedar Feet
Is shod with Adamant—
Nor can you cut Remembrance down
When it shall once have grown—
Its Iron Buds will sprout anew
However overthrown—

Here Kid take this what is it? whats it look like? its a prayer book thing yes so take it and hide it under your jumper why? just hide the **** thing so Benedict hides the  black book with red ends under his jumper and follows Anne into the grounds out of the French windows Anne crutches herself across the grass and makes towards the round white table and chairs and plonks herself down in a chair tossing her crutches aside Benedict sits down in the next chair looking back towards the nursing home do you think we were seen? seen doing what Kid? walking across the grass no doubt liberating Sister Dumb-arses prayer book no Anne says Benedict turns around and stares at her dont keep looking around Kid or the penguins will guess youve been up to no good me been up to no good it was your idea to take the prayer book but youve got it Kid not me but you said take it and you did well done Kid Anne says smiling she rubs her leg stump and pulls the blue skirt down further what do we do now? Benedict asks looking at Anne tempted to turn around and look behind him sit tight Kid sit tight but I cant hide the book under my jumper all day he says pass it under the table to me so he passes the prayerbook to Anne under the white table and she opens it in her lap he looks at her his stomach tightening guess whose it is? Anne asks he shrugs dont know its only Sister Bridgets how do you know? has it got her name in it? no they dont own personal property its just that it has this prayer card in it with an image of St Bridget on one side and a prayer on the other and on the top shes scrawled Sr Bridget in her bird-**** hand writing God shell go ape he says looking round at the nursing home what do we do? shush Kid what do want them to know weve got it? he stares at the building imagines the nun galloping across the lawn towards them her black robes billowing behind her like Batman turn round Kid youll look suspicious he looks round and stares at her sitting in the chair as if butter wouldnt melt in her mouth on a hot day where are you going to put it? he asks out of the sight of their eyes she says where though? she pulls up her blue skirt and tucks the black prayer book in her navy blue underwear and pulls down the skirt and brushes out the any signs you cant keep it there he says why not my knickers she says are they going to search me there? she says now just go get my wheelchair and  we can go visit the sea out the back gate he sighs and wanders back towards the home trudging across the lawn leaving Anne sitting in the chair like some royal queen on her throne she lifts up her skirt and adjusts the book more securely just as well I wore the passion killers Mum bought me she says to herself and lets down the skirt again and sits staring towards the home as she sits a few of the kids come out and make their way to the swings and slide they know her and avoid her like a plague a nun comes out too Anne stares at her its Sister Lucy a young one green as grass more ****** that the Blessed ****** herself Anne says under breath the nun walks towards Anne her hands inside her black habit how are we today Anne? the nun asks smiling my ****** leg aches Anne says o dear the nun says looking at Annes leg visible under the table have you seen Sister Paul about some pain killers? no not yet Anne says anyway its not this leg its the one not there my stump leg o I see Sister Luke says staring at the unseen stump beneath the blue skirt I could pray for your leg if you would like me to the nun says might help Anne says putting on her pious pose its hurts so much I feel like crying she allows tears to dribble out of her eyes(shes an expert of conjuring tears out of her eyes) o my dear child the nun says coming around the table and placing a hand around Annes shoulders Ill ask Sister Paul about some tablets the nun says thank you Anne whimpers feeling the prayer book move slightly as she moves in the chair she tries to adjust it with her hand to a more secure position Benedict comes across the lawn pushing the wheelchair he sees the nun and his eyes enlarge and he senses danger have they suspected Anne already about the missing prayer book? he wheels the chair behind Anne the nun looks at him arent you a good boy she says yes hes my best friend Anne says smiling through the glassy eyes the nun smiles well I best get back Ill see Sister Paul about those pills the nun says and walks off towards the home that was close Benedict say she didnt mention the prayer book Anne says she just came about me and the ****** leg and offering prayers o I see he says gazing at the stump area thinking about the stump of her leg hes seen many times are you going gawk at my stump all day or are you going to help get in the ****** wheelchair? o right yes he says and helps her get from the chair and into the wheelchair holding it steady at the back make sure the prayer book doesnt slip out of my knickers Kid she says as she rises from the chair and plonks into the wheelchair she moves the book to a more comfortable position and pulls her skirt down pass her knee just as they were about to move away Sister Bridget comes across the lawn towards them like a rhino on heat hang on Kid here comes the penguin wait wait the nun says raising a hand Benedict pauses pushing the wheelchair and stares at the approaching nun keep cool Kid Anne says under her breath act innocent as the Pope at a nudist colony Benedict feels himself perspire the nun stands in front of Anne in the wheelchair a prayer book has gone missing the nun says gazing at Anne has it? Anne says in an innocent tone yes it was taken from the Common Room shall we help look for it? Anne asks have you seen it? the nun asks no not that I know of whats it look like? Anne asks as if butter wouldnt melt a prayer book is what it looks like the nun says eyeing Anne with her suspicious eyes black cover with red ends no cant say I have Anne says Benedict looks away at the trees behind of them at the avenue between them and you Benedict have you seen it? the nun asks staring at him her eyes over him like maggots he shudders no sister not seen it at all he hates lying to  a nun he feels as if she looks into his soul and at the minor sins lurking there like naughty children then the nun looks down in Annes lap gazes at the outline of the leg stump not hiding it are we? the nun says hiding what? Anne says my stump? no I tried hiding it but its always there each morning I wake up the nun screws up her eyes and peers at them both no I mean the book where is it? no idea Anne says Benedict looks down at Annes lap where have you hidden it? the nun says havent seen it Anne says one of the children says she saw you take it the nun says me? Anne says you cant take the word of child I believe what the child tells me Benedict looks at the outline of the leg stump the child says you have it about your person she saw you from the upper bedroom window the nun says sternly must be mistaken must have seen me rub my stump they always watch me rubbing it so nosey the nun sighs and gazes at Annes lap and at the stumps outline show me your leg stump? the nun says hands on her hips Anne pulls up her skirt to reveal the stump Benedict looks too wondering if the book outline could be seen under the knickers the nun looks away where have you put it? put what? the book the prayer book the nun says I havent seen it Anne says as innocent as she can muster innocence lies will get you to Hell the nun says and walks off across the grass like a bad tempered bear what now? Benedict says Anne takes the book out of her knickers and hands it to him warm and scented what do I do with it? he asks shove it on that other chair under the table and were off to the beach so he puts the book under the table and pushes Anne off in the chair off out of reach.

I was born on April 5th in Harlan, Iowa. I've always hated when snow is still sitting on the ground by then.
My mom never once showed me affection, bringing me to parties and leaving me with strangers.
What about my dad, you ask? I'll dig in my desk drawer and find the piece of paper that lists seven possibilities because I've always craved what I'll never have.
But on a happier note, I was adopted as a three-month-old baby.
I spent my childhood with my nose shoved in a book way above my expected reading level.
By the fourth grade, I was in love with sports, especially, soccer.
My alcoholic grandpa was by far my biggest role model because I could only see light in people at that age. About once a season I'd see his rickety old truck pull up on the wrong side of the field to get a front row seat of my soccer game.
When I was thirteen my grandpa passed away. I still watch every Cubs game for him and dream of travelling the east coast like he always used to do.
By the time I was fourteen I was into the most popular things at my high school, they definitely weren't in my best interest. You see, I've always tried too hard to fit in.
Yes, I'm hearing all this about who you used to be, but Callie, who are you now?
Who am I now?
Well.
My name is Callie.
Calista Carol Leanne when moms mad.
My favorite color is light blue.
I have an older brother, whom I love dearly.
I love watching football and screaming at the t.v. during any Dallas or Iowa State game.
I'm proud of my home team in every possible sport and cheer as loud as I can when we're winning and even when we're not.
I love watching That '70s Show while sipping an Arnold Palmer.
My home away from home is walking the beaches of Okoboji until it gets chilly enough to start a bonfire.
My biggest passion is, by far, playing soccer. I love the feeling of strapping on shin guards and tightening cleats before I run out of the locker room all hunched over trying to get my hair in a ponytail and get outside so I have enough time to warm up before practice.
I wake up every single morning to my alarm of my favorite music with a smile on my face ready for the day to begin.
Stop.
I said who are you now?
I mean really. Who are you?
Who am I now?
Well.
Sometimes I dream about getting married to some boy without a face, just to take his last name and rid the sin that comes along with being a Richter.
I cried in the bathroom stall at school the first time I heard a rumor that was spread about me. I tell everyone that by now I'm used to it, but the truth is each one buries me again.
I throw myself into physical activity and school sports because the sweat and heavy breathing puts my mind at ease and gives me a sense of accomplishment. Throwing myself into my school work obviously, doesn't have the same effect.
The boys at school still give me side glances, give me propositions, and make wisecracks about me being easy because maybe they'll have a chance, not to date me but to get with me because of rumors they heard over a year ago.
I'm so insecure about so much of myself that most days I would much rather crawl under a rock and die than show my face in the hallways between the bells.
Don't tell anyone I told you this though.
You must keep it a secret.
I mean, what would people think if they knew?
I think it's better off that they just see me as...
My name is Callie.
Calista Carol Leanne when moms mad.

In Kitale
A town in Kenya,
Lived an English man
His name was Lord Hitchcock
He owned over a thousand acres of land
He took for himself
During colonial times
He had hundredfold of workers
Hitchcock had very beautiful wife
She was called Queen Victoria,
They had two sons;
Hitchcock junior and William,
He had a passion for work
He always woke up at ****-crow
Only to retire back at chick roost
Natives of Kitale had respect for him,
They secretly envied huge udders
That his five thousand fresian cows had,
They also loved him,
For he killed the flying snake,
That had terrorized natives for years,
Hitchcock just pointed a long stick
At the flying snake,
The stick which looked like cooking wood,
Then smoke and thunder came out
Only to see the snake coming down
Tangling like a rope
And fell down in a thud!
It is when the natives gave him a new name
Mango wa nandemu; meaning the snake killer
Natives also had an issue with him;
He likes putting  mucus in his kerchief
And then put it back into his pockets
Instead of throwing it a way
Direct from the nose,
His nose were slender and long
They wonder why he could not used it
In proper thrusting away of the mucus,
Men folk on his farm were always day dreaming
Of any chance to have *** with Queen Victoria
As the women folk too fancied of William
Marrying their daughters,
His favourite worker was Onyango,
The Luo man from shores of the lake
He liked Onyango most
Even  he promoted him
To be a tractor driver
Other than cleaning the cowsheds,
The gossip was that maybe Hitchcock was full,
Or not circumcised like Onyango
Hence is passionate preference Onyango,
But no, they don’t knew,
The germ was in Onyango’s workmanship
Onyango worked like a donkey,
Onyango also had a beautiful daughter
Her name was Ilingling Atineo Nyarpondo,
But workers on the farm called her Atieno,
It is Hitchcock who broke her virginity
A secret which queen Victoria knows not,
Hitchcock just popped in at Onyango’s shack
One after noon, after Lunch
He found Onyango, Atieno and the mother,
He didn’t talk a lot,
He only ordered Onyango and his wife
To go out and hang around
For him to have Word with Atieno
Onyango walked out minus haste,
The wife followed suit, after cautioning Atieno
Not to disappoint the Lord; Hitchcock,
A minute never passed,
Before the Lord took Atieno into his arms
He carried her to Onyango’s bed
And effectively penetrated her,
Sweetness gripped both of them
Hitchcock on his ******
Began to  moan like an aphrodisiac animal;
Atienoo! Atienoo! Atienoo!
In turn Atieno also screamed
Like a caged monkey;
Lord! Lord! Lord!
We are on my father’s bed,
Onyango and His wife
Were out keeping sentry
Lest Victoria finds Hitchcock
In the act of deflowering the ******,
When he finished,
He called Onyango and the wife in
Then he warned them
To keep the mouths shut,
Or else he ejects them from the farm,
And indeed they kept mum,
Hence the friendship
Between Onyango and Hitchcock,


Hitchcock never like two of his workers,
Josef Sasita and Wavukho Masafu
He didn’t like Sasita because of one reason;
Sasita brought along his brother to work
His brother was called Kalenda
When Hitchcock was taking the master roll
He asked Kalenda to say his names
Of which Kalenda said his two names;
Kalenda Sasita,
Of which Hitchcock never understood
As these two names are a Kiswahili sentence
Meaning it is lunch time at end moth,
Hitchcock understood Kiswahili very well,
He thought Kalenda was implying for a pay
And Lunch Allowance
When he had only worked for three hours
It was not lunch time neither was it end month,
Hitchcock was overtaken by anger
He slapped Kalenda with all energy in his arms
Kalenda fainted and collapsed like a dead bird,
Sasita thought the lord had killed his brother
He began wailing, he boxed Hitchcock
More than five hundred jabs
in a couple of minutes,
Then Sasita got off on his heels,
Running away at a speed of a kite,
But unfortunately he was arrested
By a white police and brought back to Hitchcock,
Hitchcock flogged Sasita two hundred strokes,
And ordered Sasita to resume his work,

Hitchcock’s detest for Wavukho
is due to nothing else
Other ceaseless malingering,
Wavukho always takes
a minimum of an hour
Every time he visits the toilet,

So Onyango is the only guy on the firm,
A boon to which Ndiema, farm worker,
Is very jealousy of ,
Ndiema believed Onyango is using charms
Or love potions or Voodoo to lure the Whiteman,
Otherwise how can Whiteman love a black worker?
With such passion in the way Hitchcock loved Onyango,

One day Ndiema approached Onyango
He asked him the secrete behind his fortune
Onyango became sly and lied,
He told Ndiema that it was only magical charms
He was given by his late mother,
That made Hitchcock’s heart to swell with love
For him and his family,
Ndiema believed on the first hearing,
He became selfish and begged Onyango,
To give him the charms also,
So that he can also enjoy the Whiteman’s love
Onyango accepted to assist but at a fee,
A fee which took Ndiema salary of two months,
Then Onyango brought Ndiema a ***** of an Alligator,
He told Ndiema to put it in his underpants,
Every time he goes to work,
Ndiema complied,
That morning Ndiema woke very early,
He walked to his work station
Very happy and confident
Sure of enjoying the Whiteman’s love
Given the voodoo under his pants,

At ten in the morning Hitchcock called Ndiema
To join him in repairing the maize miller,
Ndiema was a hand boy, a toto,
Ndiema was to hold the engine
As Hitchcock tightened the nuts
But the engine was oily with grease,
Ndiema’s hands slipped every time
Hitchcock tried to tighten the nuts
Hitchcock got irritated,
Especially by the papyrus cowboy hat
Ndiema was wearing,
Hitchcock cautioned Ndiema to be serious
By tightly holding the engine,
But when Hitchcock began tightening
The engine again,
Ndiema’s hands slipped
And the engine moved away,
Hitchcock punctuated this with a nemesis;
He jabbed Ndiema with an art of Olympiad boxer,
It was one tremendous fist
The fist of the century,
When Ndiema wanted to cry
His five teeth jumped out
And when he said I am sorry my lord
He woffled; iywi mwu sovwi lodwi
Hitchcock clicked and walked away,
Ndiema walked home
With a humongous gap in his bucal cavity,
Ndiema reached home and went to bed
His wife, Chepsuwet was already aware
She only prepared porridge for him
As he had no teeth to munch solid food,

When Hitchcock reached home
He found his two sons in a strong fever,
They were panting like desert dogs,
He asked them what was wrong,
Both boys began shedding tears
In torrents like river Euphrates and Tigris
Flowing across the Garden of Eden,
What is the problem?
Hitchcock roared,
The big boy then featfully responded;
We were given sugar cane to chew,
We were given by Ndiema the farm worker,
It was yesterday in the evening,
That is why we are sick,
Ok,
Hitchcock nodded his head,
He took his whip, made of wires and rods
With a sting at the end,
He jumped on his horse
And shot off to Ndiema’s place
At the speed of forty five kilometers per hour,
He found Ndiema trying to swallow some porridge,
Come on Ndiema! Roared Hitchcock in full voltage
Of ire, anger, fury and mad petulance,
When Ndiema came out
Hitchcock pulled out his whip
He flogged Ndiema terribly
They were strokes and strokes
Strokes fell on Ndiema’s back
With a sharp sound like a thunderclap
Ndiema cried like a baby,
Begging for lord’s mercy
Chepsuwet looked on in fear,

When Hitchcock jumped on his horse
And went away clicking, frothing in anger
Like the waters of river Nile
Departing Lake Victoria to Egypt,
Ndiema was on the ground
Writhing in pains from the flogging,
He sobbed and sobbed,
And finally he mumbled;
Witchcraft don’t work against an Englishman,
His wife Chepsuwet did not understand.

My heartbeat sending up an erratic hymnal to the hand tightening around my neck: The same hand that grabbed my thigh under the table. Only God saw. The mouth that asked forgiveness on Sundays is on my collarbones in the park after sundown. It still gives me a stomach ache to think about you. Your fingers wrapped carefully around my throat wasn't the reason I couldn't breathe. I miss it already even though in the moment I wished I was anywhere else; my world was closing in again and I felt trapped. It happened on the same bench where I sat alone in grade school and wrote haikus about birds and waterfalls. Something must be wrong with me for thinking you were a blessing that I deserved.

The second i snap out of my dream and back into the realism of it all, im hoping second by second that your actually here beside me and that i wasn't just dreaming out loud. My body and mind, coming back to the surface of it all, my breathing pick's up and my sense of feel and smell has resurfaced. I smell the sweet and light smell of your hair but im not sure if it's just the after math of my dream. starring at this wall, im afraid to roll over, because if i roll over and your not there i don't know how well i'm going to do or if ill even continue with my day. If I can continue this dream of you, i'll sleep forever, i'll never open my eyes again. I brace myself, cause it's time for me to roll over. Tightening my muscles, stretching my skin, tired bone's cracking, hair moving in all direction's, clothes moving out of place and indenting the bed. I squeeze my eye's tight, causing my pupil's to shrink, hoping that when i open these door's and let my pupil's increase to normal size, there your perfectly shaped body will be. I imagine it before i dare to reveal the truth. The blanket's fall into place where your curves indent, your hair in a wave like the pattern flowing wave's in the ocean, your arm being tucked just under your chin where it meet's your other arm and after a few seconds i can't bare the taunt my imagination is dangling in my face, so i open my eyes and there you are. Exactly how  I imagined it. I take a moment for all this to register, as if i had just won the lottery. In that moment i find myself wrapping my arm's around you and your finger's sliding up my arm and into my hand to lock with mine. This is truely the meaning of "Goodmorning", so goodmorning, babe.

Blinding bright lights and,screeching sirens. Loud yelling voices,the feel of tightening handcuffs. Back seat of a cop car,I'm thinking this is where my time is going to end.

        Thinking about my baby girl, and her soft blue eyes. What does she think,what's
        On her little mind? A little angel who is so warm hearted and innocent,I hope to
            God I never have to hear her cries..knowing I'm the cause of the pain she's
                                                              Feeling inside.

How could I do this to her...to me....to us!? Causing feelings of broken trust, choosing to deface a
Love, feeling trapped..choosing to be on the devils side.

          How Can I break loose from this,one of a kind,truly,****** up,love twisted homicide!?
          Im not. It's not. It's never giving me up,no matter how hard I sincerely try. It feels
          Impossible,while It literally feels of being squeezed,in the grips of an addicting,
                                Controlling,unforgiving,relentless nightmare.
                                                       With the monster.

It hurts to say,that even the strongest feel of genuine love,isn't even enough to save me.
I'm addicted to this love thing,and even I know,it will never fade nor leave my memory
                                      For good,and stay away once and for all.

Trying to be free is not an option. It's like they say,and everyone has heard it before...once
You try it,that's the end of what once was normal. This lifestyle is now normal. For me it
                                                       Was love at first taste.
                        Now I'm willingly a prisoner,drowning in a forever life of sorrow.

Unforgettable,and unable to forgive. I'm forever stuck with overwhelming hunger pains,
Hopefully one day I will no longer fiend for our dangerous,killing love, but for now the soul
Of a once beautiful,pure human being...has been possessed,and the soul has become dark,and
                  Cold..keeping faith that one day,I'll be strong enough to walk away.

  I will never feel the same as i did before. the damage has been done, theres no changing that.
  I hope someday I can feel relief,and feel love again. Not happening as long as the monster has
                                                                   A hold of me.
                                                        TILL **** DO US PART.

Carrie walked down to Fell street through the park. He leaned upon his faithful cane which was split, splintered, and water logged from being left out on the back porch in the rain where he sat every night before bed. His free arm swung by his side, his hand spread wide open, letting the sun warm his palm. His other arm was constricted with his muscles tight as his hand gripped the polished wooden ball handle. Carrie's skin seemed to envelop the ball there was so much of it. The cane and Carrie were one whenever they walked together.
He passed the Japanese Tea Gardens. He had been there many times. He remembered the strong taste of the green tea he had been served and how energized he felt after his third cup. He remembered the sturdy wooden table and chair he sat on while over looking the crystal clear koi ponds, the seaweed underneath the water reaching up to the sun for nutrients like the hands of the long dead. He remembered how the children had gathered near the water as mothers watched them feed the fish food they were not to be fed, anxiety cramping their smooth skin as they watched to make sure they didn't slip in. The waitresses were all so gentle, so quiet, caring for whatever Carrie had wanted. In that solitary moment, he had felt like a newly appointed king, the 5 acres of garden his domain.
The gates were closed for the day, with many frowning tourists sitting on the steps that lead inside. Carrie figured they had been confused by the times but yearned to tell them if they stood on the street, they could still see the ancient replicas the blood red pagodas, stone lanterns, bamboo stalks, and cherry blossom trees which were just beginning to bloom. There was so much one could see from the street. But, Carrie trudged past them, figuring they would not understand an old man trying to show them beauty from afar.
A long line of benches stood before Carrie after he passed the garden. He sat down next to a young, Chinese couple. They both held a map and were looking at it upside down and sideways. Carried smiled. They were speaking rapidly, laughing sporadically, turning the map around and around in a circle as if they were both at the helm of a sinking ship. He wondered what they were so confused about - had they never read a map before? But then, he realized, they were probably on vacation and in love, maybe even on their honeymoon. He laughed, thinking, They're confused about everything.
A few minutes passed and soon the young couple was gone. Carrie sat with the cane between his legs, both of his hands drooped over the handle. In front of him, like a painting, were London plane and Scotch elm trees lined up in symmetrical rows and the Rideout Fountain. Carrie could see the water was still except for when a light breeze brushed over the water or a child threw a hand full of coins in to make a wish. Their hair reflected the bright rays of the sun. The sky was empty, save a few scattered flying birds going to where Carrie knew not where.
He closed his eyes and listened only to the sounds around him: tires rolling along the smooth concrete road; people chattering behind and in front of him; a door closing; the rustling of leaves from a sharp gust of wind; a car horn; a sneeze; two lovers embracing, their kisses sounding like the steps of kitten paws in the sand. Carrie opened his eyes and cast his gaze aside to the left. There was another old man. His back was bent, his cane was worn, and his legs wobbled with every step, much like Carrie's. The man was alone and dressed in a heavy grey sweater, a pair of beige trousers, and simple brown shoes. Carrie wondered where this man was going and at such slow pace. Why was he alone? Who had he been with before? Where was he coming from?
Carrie then realized he was leaning so far forward from the bench, he almost fell off. He ****** his cane out, catching himself, and pushed himself back. He looked around to see if anyone had noticed his mistake. Twenty or so asian people were crowded like sardines inside of the bus stop terminal. They all looked to be avoiding the sun, uninterested in whatever Carrie looked to be doing. The 44 roared by, stopped in front of the crowd, where they all laughed, giggled, and preceded to jumble in. Carrie looked over his shoulder, sure someone was right there keen to make a comment, but there was no one. He sighed, relieved. Being old and falling down with no way to get yourself back up was one of Carrie's biggest fears. The other, of course, was spiders.
Once Carrie reorientated himself, he looked up to see where the other old man was. He was gone. Carrie stood up, his knees shaking slightly. He jammed his cane down to steady himself and took a step forward. His eyes strained from the sun, which was beating down on him now, hotter than it was before. He took a slow step forward, then another, and then another. Once he got in the rhythm, his mind didn't have to focus on it as much. He could let it wander to wherever it wanted to. Sometimes, he let it wander to death, sometimes to past lovers, and sometimes to his late wife, Patty, but never very long on her.
He stopped to catch his breath and wipe his brown. Next to him stood a dark lime green statue of a lion. It was miniature and sun stained. The teeth were dull and the eyes were blank. It was very beautiful and Henry realized he had never seen a lion in the wild, only at the zoo. He wondered if they were any different out in Africa or wherever they were the most and if they roared the same. The one's he had seen at the zoo were sluggish and lazy; almost depressed. He could see why, being cooped in there all day long with only your wife to talk to.
"That wouldn't be so bad," thought Carrie, "To be trapped in a cage with the one you love. That's marriage, isn't it? Isn't that love?"
A cough startled him out of his meandering, love provoked thought. Sitting on a bench across the street where the apple cider press statue stood, was the old man Carrie had seen before. He was hunched over, fishing something out of his bag. Carrie wavered back and forth, watching the old man. A noise rustled behind him and Carrie slowly turned his head to see what it was. Two children were running around the fountain, splashing water at one another.
"Nothing to speak of," grumbled Carrie, "Wasting water all the same."
Carrie turned back around and saw that the man had pulled out a shiny, red and green apple. The man bit into it slowly, taking his time as he broke the outer skin of the apple so the juices spurt into his mouth. Carrie's stomach rumbled when a hard gust of wind hit his back, forcing him to step forward. He put out his cane and felt the peg slide and grind over the rough concrete. A man behind him reached out to help, but Carrie waved him away, mumbling that he was fine and that he didn't need any help. The man on the bench hadn't paid him any notice. The apple in front of him was all he needed. Carrie walked to the other side of  apple cider statue opposite the man and sat down roughly, for the man looked up from his apple a little wide eyed and a little annoyed. Carrie smiled awkwardly at him, but it came out more like a frown. The man relaxed his face, slowly letting it become blank while a line of apple juice rolled down over his lip. He licked it up, coughed, and went back to studying the intricacies of the half-eaten apple.
The mans face, Carrie saw, was *** marked and dented, like a car that had just been through the worst of accidents. His eyes were barely visible behind what seemed like hundreds and hundreds of creases, wrinkles, chicken's feet. The man's bulbous nose was an obvious sign that he was or had been a serious drinker. It was swollen and red, drooping from the mans face like a glob of honey that just wouldn't fall. The lips were creases of an old pair of jeans that had been left out in the sun. Though Carrie couldn't see his hair because the man wore a large, dapper styled hat on his head, he wouldn't doubt there wasn't much of anything under there. The old man was anything but beautiful, but Carrie, who had been staring at the man out of the corners of his eyes while pretending to look at the apple cider statue, could not look away. He was utterly fascinated with how the man held himself. Why was he so ****** interested that apple? Had he never seen one before? Carrie then thought the man was homeless, so he must be crazy, but when he had walked over before, Carrie hadn't smelled the usual musty musk that homeless people give off. He had smelled like nothing, usually meaning he slept in a bed and showered regularly. Then, in the midst of Carrie staring at the man's unbelievably shiny brown loafer, he said something.
"What you looking at there?" asked the man. He was hiding his ragged face behind the apple. A few pieces fell to the ground below. Carrie could see the bite marks were mere nibbles, like a rabbit had been eating it.
"Hm...I...uh," stammered Carrie. He looked up into the sky, trying to spot a bird to hide where his gaze truly had been, then looked down at the ground. There was a tiny pebble that resembled a hermit crab. He focused on that until the man asked the same question again.
"Were you staring at me, my friend?"
My friend, Carrie thought, He thinks I'm his friend? How on Earth did we get to there? I barely know him. I'll say something. He paused. Well, say something!
"I was staring at your apple there," Carrie mumbled, "It's a very nice looking apple."
"It's very tasty," he nodded, looking back it, admiring the colors of the skin that had yet to be bitten in. "Would you like some?" He stretched the half-eaten apple out to Carrie.
"Oh," Carrie laughed, startled, "I'm fine. Quite full." He patted his stomach.
"Are you sure? It's almost dinner time."
Carrie looked the man up and down, then smiled, "I'm fine. I ate just earlier."
"Oh really, where did you eat?" The man inched forward on the bench and rested his eyes on Carrie, waiting for an answer. Carrie's lip quivered with the thought of having to come up with a quick lie. The man had placed the apple back in his bag and was completely focused on Carrie's lie.
"Well, you see, there's a great place up past Lincoln Way toward the beach. I go there all..."
"Lincoln Way!" exclaimed the man, "You can make it all the way up there!"
Carrie was flattered. He could walk far past Lincoln way and up any of the side streets, if he had the energy, but had never been congratulated for the fact. Carrie shifted back and forth in his seat, blushing for being thought of so highly.
"With this cane," Carrie said, tapping the ground with the end, "I can go almost anywhere."
"Wow. Where'd you get it?"
"My son gave it to me when I first started showing signs of getting old," said Carrie, "It was kind of like a joke at first, but then, I really needed to start using it, and I've been attached to it ever since."
"That's nice," the man nodded, "I bought mine for 50 cents down at Salvation Army. You know the one on 3rd?"
Carrie said that he did.
"Spent 50 cents on this thing four years ago and it has taken quite a beating, but still, it works and looks fine as you can see."
"Doesn't look so bad."
"Well thank you, I appreciate that."
The two of them paused, looked each other up and down, then found something other than themselves to look at. Carrie noticed the soft lines of the man in the statue twisting the cider press and how his muscles were as detailed as a real man's. He had never seen so much physicality in a statue before. It really looked like this man was pressing apples in front of his eyes. Carrie was at a loss at how one captured that feeling of true action in stillness. He looked up to where the statues face was and saw that the eyes were cast down to where the press was tightening. He thought maybe the man was thinking if he stared to where he was working, he would twist harder. The statues hair was soft and smooth in the sun. Carrie followed the statues legs down, past the flat stomach and taught ab muscles, to the feet which were pressed into a large stone so to get more leverage. The veins on the feet were almost pulsating with blood and strength. They seemed to rise and fall with what Carrie imagined would be the mans heartbeat, if he had one. He didn't quiet understand why the man was had to be naked, but figured it was for the sake of art. Carrie was not an artist, but with the free time that was allowed to him by growing old, he was starting to appreciate what he saw, feel it a little more often, then when he had no time at all when he was young and busy. He wasn't sure which he enjoyed better: being old and feeling more or being young and always with something to do.
The man had let his eyes wander from Carrie, to the small statue of a boy. His mouth was pressed up to the spicket where the apple juice was being pressed from above. He imagined the statue of the man above the boy was his father or at least he wished that it was. The boys skin was very smooth and reflected the sun softly up back into the mans face. He looked closer at the face of the boy and saw that it was a silent kind of contentment. The man took out the apple from his bag, took a bite, and offered it again to Carrie.
"Take a bite," he persisted, "Sitting in front of this statue, looking at this little boy drink up that apple juice has to be getting you thirsty."
"I'm really fine," said Carrie, smiling uneasily.
"Come on. You don't gotta' worry about me."
Carrie paused, really thought what he was so scared about, and then admitted that was only uncomfortable because of this stranger's hospitality. He hadn't obliged a kind gesture in a long time.
"Alright," he said, "I'll have a bite."
"There you go!" The man handed the apple over to Carrie.
He took a bite and let the cool juices jump into his mouth. A small dribble ran down his cheek, where he quickly wiped it away with his sleeve. He didn't want to look like a slob, much like the man had looked when he first began eating it. Carrie looked down at the apple, nodded, and handed it back to the man.
"It's," he started, still chewing, "Very good. Thank you...I'm sorry, I don't know your name."
"Symon," he said, taking a bite of the apple, which was almost gone, "Symon with a Y."
"Thank you Symon."
"You're welcome..." he paused, "I never did get yours."
"Oh," he laughed, "I'm sorry. I'm Carrie."
They both reached forward and shook hands. Carrie hadn't sat with another man and talked with them since he'd buried Patty. After that, it had grown hard to shake hands with anybody he knew. Maybe it's easier with him because he's a stranger? Carrie thought, Maybe I should meet more strangers? Probably go and get yourself killed. That's a funny thought. I never thought I'd go by getting murdered. I always figured I'd let time take me, rather than the hands of another. He doesn't look like a killer anyway. He's got to be older than me. He's definitely slower. Look at his hand shaking. Your hand doesn't shake. Does it? Carrie looked down at his right hand which was resting on the handle of his cane. Solid as a rock, Carrie mumbled to himself, As a rock.
"What was that?" Symon blurted, eyeing Carrie, "Where'd you go?"
"Just thinking."
"Bout' what?"
"Whether my hand was shaking or not."
"My hands shakes all the ****** time. It's like one of those kitchen timers or chattering teeth you twist, it goes for a while, and then eventually goes off, but me, never. No, never this hand never stops shaking. Got a ******* mind of its own."
Symon raised his right hand so Carrie could see. Sure enough, it was shaking like a leaf in a tree ready to fall off. The shake wasn't violent, but definitely noticeable next to a hand that was still. It was more a buzz than anything else. Carrie couldn't imagine Symon writing his name down and coming out eligible.
"How do you write your name? Does it get all messed up?" Symon looked at him, then looked away. Carrie froze, realizing he may have just asked a very touchy subject.
"Huh?" Symon asked, looking back. "I got something in my eye real quick. I didn't even hear what you said."
"Oh," Carrie stammered, "What I said was..." Symon cut him off.
"I'm just joshing yah!" Symon shouted, "Course I can write my name! Whenever I put pen or pencil to paper, the shake usually calms down. Don't know why, but it does. I never ask que

Your hand brushed against mine, heat slithered up my thigh,
A python of mystery and allure, temptations offering more.
I tried to avoid your eyes, to avoid facing all those lies,
But I wanted us to burn, deep into the sheets, igniting skin,
Skin on fire, liar liar, pants on fire.

I wanted nothing more, than to send you up in flames
Smoke dancing around your lungs, tightening your chest
The way I couldn't breathe, when you played such cruel games.
I longed for your eyes to sting, in a way you couldn't rest
Eyes on fire, liar liar, pants on fire.

And when we come up for air, with sweat upon our brows,
But not enough to put these flames out,
I hope you inhale the way you made me feel
And I'll watch it lick you, the way I didn't any more,
Into the sorriest ashes, smouldering on the floor,
Skin on fire, liar liar, pants on fire.

.               "Peter Look at me." Lexi whispers moving closer to him, The hot spray from the shower head scalding her back. Peter had his back flushed against the back of the shower, his eyes, the red of an Alpha wolf, wild with pure animistic rage. He's lost his humanity, she thinks, I have to bring it back, Peter Snarls and lunges for her. Lexi just holds out her palm and water tentacles from the streaming water behind her snake out and wrap themselves around his wrists and ankles, locking him in places, vicious snarls escaping him, his eyes burning red. Anger wells up in her chest making her own eyes Flash violet, her powers rising inside her. She closes her palms and the water restraints tighten cruelly against him, a small whimper coming from him. She looks him in the eyes and steps even closer, leaving the comfort of the water. "Peter please, come back to me my love." She whispers moving closer still until she was standing right in front of him, his breathing echoing off the shower tiles. She stretches her hand out and touches the hard muscles of his stomach, making him flinch violently, struggling against his restraints as he tries to move away. Lexi thinks back to the time when he would have done anything just to feel her touch, now with his humanity lost,  and the wherewolf taking hold he couldn't bare it. She splays her hand across his abs, tracing the hard muscles, trying not to wince as sounds of pure distress came from him. Looking back up into his eyes she searches for the Peter she had fallen in love with, imprinted with, and found nothing but a cruel cold hearted Animal staring back at her. She takes her hands away and sees the distress turn quickly back into a murderous glare as he pulls against the restraints trying grab her, his claws glistening with spray from the water. With a flick of her wrist the tentacles pull at his arms until they are spread out, far from touching her, another viscous growl, more tugging against them. "Peter I know you can hear me,try to fight this I know you can." She says pleading to any shred of humanity that might still be lurking within his soul. For a split second his eyes lose some of the bloodlust as her words penetrate the wolf that was rising, his face twists in concentration

               "Lexi- I can't Save yourself" He gasps through clenched teeth, His eyes begging her to run before he closes them. She steps near, her heart soaring with hope that she might be able to save him. When he opens his eyes again though all hope she just had shatters as the cruel animal returns. With renewed strength He lets out a harsh howl and yanks his arms, the water tentacles turning to puddles, slipping down the drain with the rest of the water, in the small space of the shower he lunges toward her. Fear ripples through her but she quickly shakes it off and once again lifts her palm stronger tentacles obeying her command wrap themselves around him just in time, as his sharpened fangs came three inches from her face. His body is slammed back against the shower wall, his head bouncing painfully off the tiles. As he trashes and pulls at the restraints Lexi moves back close to him, shutting her eyes in concentration. "His ego cuffs concatenata bestiam, relaxare scintillis humanitas seen, With these cuffs I chain the beast, only loosen with sparks of Humanity seen." The Latin words falling easily from her lips as she casts her spell on the water, knowing they would hold and only lessen their grip when the Peter she knew and loved came back. Her strength leaves her as the spell takes hold and she sags against the other wall, seeking its help to keep her upright. She leans her forehead onto the water slicked tiles and breaths in the steamy air, her eyes drift close. Knowing she was safe from anymore escape tempts she turns her back toward the beast that wore Peters face and steps back into the scalding water of the shower, letting the heat seep into her cold riddled body, and washing away any remaining fear as she lifts her face to the spray. Anger toward herself bubbles up inside her, how can she be afraid of the man she loves? whimpers fro behind her make her sigh and step out of the comforting spray. Turning around, she opens her eyes which were flashing Violet with her rejuvenated powers, she once again faces the love of her life. Hope once against swells inside her as she faces her task of Being Back Peter's humanity.

               "Peter I know you are still in there, I'm going to touch you now." She says with confidence as she steps closer once more. Hot spittle flies from his mouth as a deadly snarl comes from deep within, his fangs fully elongated, his claws at full length, clawing wilding at the air trying to tear her apart. She ignores the snarls and the beast and focuses souly on her task, She reaches out and touches his chest, right above his pounding heart. Moving her hand upward she runs her hands up his muscled well toned arms and with her left hand she places it carefully on his cheek, keeping away from his deadly venom coated fangs, knowing that one bite would have her transforming into a werewolf like him. The terrified whimpers he made makes her heart squeeze, knowing that the touch of a human in his wolf fill brain was torture for him. She looks in his eyes and silently pleads for this to work, knowing that with each touch the Peter she loved would have a fighting chance to break through and once again take hold of his body. She steps closer and kicking his feet apart she presses flush against him, the roughness of his soaked jeans rubbing against her naked body, his shirtless upper half smooth against her own chest. A strangled growl leaves him as he tries to shrink away from the closeness. She takes her hands and places them on either side of his face yanking it back to look at her. "Peter come on love FIGHT THIS!" She hisses pressing herself closer to him. The blood lust fades slightly, his arms sagging slightly as the restrains register a spark of his humanity. Her eyes shine with joy when she realizes it was working. She takes her hands away from his face and wraps them around his neck, stretching up on her toes to reach his mouth with hers. She kisses his mouth, not afraid of the snapping teeth, and feels the growls dissipating in his throat, as his arms continue to sag with the loosing cuffs. She watches as his eyes close and feels his lips returning the pressure to hers. A small gasps escapes her as she feels his arms finally wrapping around her body crushing her to him.

               "Lexi Stop, I can't fight this for long," he pleads against her lips, and on Que his arms are softly yanked from around her as the restraints sense the animal rising again. Going against her intuition she lifts her hand and the spell is broken letting his arms sag fully to his sides, giving him full use of them. He growls "That was a mistake, Lexi AH" He chokes out shutting his eyes and shrinking away from her half turning his body, trying to keep himself from slipping away. She moves, easily deflecting his feeble attempts to push her away, she takes hold of his arm and turns him to face her again and softly pushes him up against the wall which they had started to stray from, pressing herself firmly against him.

               "You can fight this Peter," She whispers in his ear before claiming his mouth again. It was her mistake. He kisses her with desperation trying to fight back the Wolf that was clawing it way through him. IN a split second He looses control and the beast takes hold. Giving off a murderous howl he sinks his claws deep within her back, Her scream tears through her, echoing off the tiles. She sags against his claws, making them sink in deeper as whimpers of agony spill from her kiss swollen lips.  With a grunt he rips his claws out and watches as she crumples to the ground, her strength deserting her. She splashes in the water built up in the tub , barely noticing the sting as her knees and hands hit the porcelain. Her arms wobble as she tries to keep herself up, her eyes cast down as she stares at his bare feet, the hem of his jeans dark with the water sloshing around him. "Pe-Peter Fight, pl-please" she mumbles as a fog starts to creep into her mind. Her arms fail her and she splashes face first into the ***** water. The water was tinged red and tasted like cooper with her life's blood as it oozed out of the ten claw marks on her back. Her breath quickens as it become shallow, the fog creeper faster, her vision starting to unfocused. Tears spill down her face and mix with the ****** water as she realizes she was going to die, and without saving Peter.

               "I failed you Peter, I'm sorry, Forgive me," She whispers unable to lift her head to look at the beast that claimed him. " I- I love You" She manages to sputter out before the fog took hold of her, rendering her unconscious.

               Those three words reached the beast, traveling down to Peter who was growing weaker by the minute LEXI! he screams mentally and pushes past the beast. He throws his head back, letting out a tortuous howl, as his eyes go from blood red to the Ice blue some Beta wherewolves posses, his original state. The beast retreats, never fully gone, just hibernating until the next best moment to strike. Peter looks down at the naked girl at his feet, and he drops to his knees in the red waters.

               "Lexi My love" He whispers his voice full of agony. He lifts her limp body out of the water and cradles her in his arms, He wipes away the hair that was plastered to her face and rests his hand against her cheek. "Open your eyes my love, you didn't fail me, you saved me, I'm right here, just open your eyes." He says, his voice choked with unshed tears. When she doesn't respond he cries out , placing his head on her chest, taking his hand away to wrap around her body in a tight grief stricken embrace, his blond hair making a curtain around his face as his grief pours out of him unchecked. A strangled Gasp makes her chest rise and he wipes his head up to find her eyes fluttering open, focusing weakly on him.

               "Peter, you're-" her words fade away as her strength seeps out of her. she lifts her hand and he quickly grasps it in his lifting it to his mouth kissing the fragile pale skin before putting his face in her hand, trapping it between his face and his hand.

               "Yes Lexi I'm me, I'm here, Don't give up" He says smiling through his tears. A faint smile spreads across her bloodless lips as she closes her eyes, her breathing was struggled but she clinged to the last bites of life in her as she pulls her power in, drawing strength from the water around them, the air that fought it's way to her lungs, the Fire from the small candle she had lit in the bathroom earlier for strength, the minuet grands of dirt that always managed to find their way in the house. But most of all she Draws on the Spiritual world the one that swirled around every living creature. She draws all this power inside her and wills her body to heal itself, Fighting for her life. Her power pulls and a soft warm glow fills her body as the wounds slowly pull themselves closed healing themselves. Her breathing becomes easier and she gulps huge mouth fulls, coughing as she takes too much in. Peter tighten's his hold on her and stares at her in wonder as she pulls her broken battered body together. "Oh Lexi," he gushes as color returns to her body, making it flush a pale pink, her eyes going from their crystal green to the purple as she works her magic. Finally the wounds were sealed shut, and her eyes return to their crystal green, her body sagging in exhaustion in his arms.

               "You're you, you're really you." She whispers, happiness ringing in her soft sleepy voice. Peter smiles at her and strokes her cheek, his fangs had vanishes and his claws had retracted.

               "Yes Lexi I'm really me."

               "I thought you're humanity was lost,"

               Peter just shakes his head at her, tightening his hold on her he stands up, carrying her bride style he steps out of the shower, not bothering to shut off the water. Holding her close to his body she rests her head against his bare chest and sighs as she hears his heart thumping at a normal pace. Leaving the bathroom he pads down the hall to their room. Once inside, with one hand he pulls back the covers on their king sized bed and gently deposit her onto it. going to his side of the bed he quickly strips out of his wet clothing and slides under the covers with her, drawing her close to his body, skin to skin. Lifting her eyes to his he smiles at her.

               "NO Lexi, I don't think I can ever lose my humanity again, want to know why?" He says, his eyes hypnotizing her. She snuggles closer to him, her legs tangling with his,

               "Why?"

               "Because YOU are my humanity." He says as his lips crush her in a passion filled kiss.

The yellow, early evening sun feels heavy and warm on my legs.
Like a cat curled up to enjoy a small nap,
It rests on my pink and rainbow blanket.
My mother snores in the old blue chair next to me,
******* in worry and exhaustion and the scent of basil,
Oblivious to the small-town sounds of birds and cars and children playing,
Unaware that her daughter is something she claims to not understand.

"Pansexuality, honestly, just sounds
Horrible,"
She had told me.
"I don't understand pansexuality and gender-fluid and stuff,"
She said,
The car sliding smoothly over the highway under grey skies.
I tried to explain, but I was swamped in
Confusion.
"Well...there are more than two genders, like being gender-fluid and agendered and bi-gendered and third-gendered......
And pansexual people like all of those genders."
"That's what I can't understand. I mean, I kinda get the concept, but..." Her voice trails away like blue cigarette smoke, still deadly even after it has dissipated into the clouds.
I feel like I'm choking on it, raw pink lungs tightening and swelling, forcing yellow stars before my eyes,
Not able to explain the way
I don't care what you identify as,
I only care about love.
My mother's grandmother didn't know that non-straight people existed.
My mother's mother didn't know that bisexual people existed.
My mother doesn't believe that more than two genders exist,
Or know that I find all of them attractive.
But she had already dropped the subject,
Instead filling the awkward lull with discussions of
Colleges and books she's reading and and what my younger sister is doing in school.
I could feel my soul bubbling up behind my lips,
Pink and yellow and blue,
I wanted to tell her to stop and listen.
I wanted to tell her to be quiet,
And to be accepting,
And to try to understand.
I wanted to tell her
'I'm pansexual.
There.
Now you know.
Would you have said that it was horrible and that you can't understand?
That, in essence, I am horrible and you can't understand me?'
But I didn't.
I sat, the warm sticky grey leather under my thighs
The same as the warm, sticky grey clouds,
The yellow sun just peeking out into blue skies beyond the pale pink dogwoods.

She wakes up, warm sticky breath catching in her chest
As she opens her eyes.
She mumbles quietly about oversleeping
Before she rushes out the door,
Leaving behind a daughter
She thinks she knows,
As she claims to not understand
My label
That I have hidden inside my closet door,
Next to my pink, yellow, blue scarves.
Maybe tomorrow I'll put it on,
Pin my heart to my sleeve,
Wear my colors proudly.
But not today.  
Never today.

i do not speak your name
i cannot even whisper it
instead, i hide it in my dreams
under my sheets
beneath a sky that sees all
but does not burn my skin
do you ever wonder
what the moon is thinking?
does she gaze down solemnly and see
a fading opus
or a symphony simply tightening its strings
for the final act?
do you think it makes her sad
to see the greens replaced
with soot and plaster
the seas rising to meet her
with an apocalyptic kiss?
the falling tide
the slow recession
reminds me that
she keeps our secrets
but i think it breaks her heart

Strands and strands of my hair
On the ground
I’m twisting, I’m balding
I watch the minutes and seconds rake

Strands and strands of my hair
From the time
I stayed put on the ground
But a **** of cutting wood remains

Widening and splitting
Deep in my body

I see me now
I’m loud

After many years, a small seed
Under earth, a lost child
I was never this loud
But I can hear me now

The moan of these branches
wrap around me like wires
My weary throat
tightening, tightening
with nothing to show

From a tongue in its comfort
Long impaired in the silence
Hushed, hushed
till I blacked myself out

And now my roots rip
above land
they
hold
on
like desperate hands
now that I must
get ready to leave

And the minutes and seconds,
won't wait for me

I cannot sow leaves
back to a tree

Take my name plate
To the farthest of gates

It is too late
It is too late

*We must now
rake
rake
rake

Soaking wet
With tears of joy
You embrace my face
How we both have waited for this

Threw all the nights alone
For all the pain felt
For all the letters that came
and for the ones that didn't

The tightening of our soul's
The shortening of our life span
Even after all this
We held on

Now the war is over
and the journey can begin
A family stuck in gridlock
Can now be whole again

In a wayward adventure in curiosity —
lured away from savvy of cooler judgment,  
he oversteps the bounds of reality 
into a state of altered awareness.

Overwhelmed by a rapid beginning
of a buzzing sensation — The Rush;
emanating from deep inside him, 
surging along the veins streaming 

euphoria through cells of his entire body:  
inside the body, with warm pleasure waves
flushing over the by now tingling skin —
soughing off all unpleasant feelings.

Mouth numbed, limbs heavy, and eyeballs 
rolling back from hitherto an unimaginable
state of bliss, he savours the calm explosions
of the pulsating bubbles in his head.

A magical moment of sheer ******* 
rapture—that ends in a lasting sedation—
during which he's dazed with wonderment
while covered by a cozy blanket of content.

He falls in love with the insidious drug.
And, he begins to relish its sweet fruition
in a seemly pattern of use that is put
in the shade to protect his best interests.

A stake in normalcy that seeks to restrict
his usage of the opioid to a social activity.
But soon enough he drifts towards a regular
recreational use: indulging on weekends,

floating, flying, and soaring in wonderful
ripples of pure delight, feeling very mellow
and satisfied, in an illusionary paradise of
forgetfulness where nothing hurts any more.

Bit by bit as time goes by his body builds up
a tolerance for the sedative, prompting his
intake of higher and more frequent doses
to feel as well as to sustain the desired effect.

This occurs because his body attempts to
adapt to the presence of the drug by quickly
breaking it up and purging it out of the system;
thus making it less potent as it was before.

At this stage of his drug abuse he's still able to
control whether to use the stuff or not, where
and when to use it, without stress. He could
also abstain from the opioid fairly responsibly.

But at the limits of his body's flexible response
to the dangerous substance, he begins to suffer
from its unpleasant side-effects that show up
a short period of time following his last use.

The pleasurable, but short-term, therapeutic
effects of the hard drug are now being
overshadowed by several of its undesirable
withdrawal symptoms that manifest as:

fatigue, irritability, cold chills/sweat, itchy skin,
muscle spasms and tremors, body ache, and
stomach cramps among others, with an
increase in his body's cravings for the opioid.

The onset of these torturous side-effects of
the stimulant marks the beginning of his body's
physical dependence on it, as he now relies
on the drug to fend off the terrible affliction.

He has bitten at the bait of pleasure oblivious
of the hook beneath it. The once casual user,
who had thought he could quit the habit at will
without stress, has progressed to problematic use.

The drug has become an integral part of a daily
routine that is gradually heading towards chaos.
Regardless, he's still able to go to work and
take care of his day to day responsibilities.

In time, a new sickness begins to fester inside
him: the opioid is tightening its grip on him,
as his body's physical dependence on it
is now generating his addiction to the drug.

This psychological dependence on the drug
has set in with anxiety disorder accompanied
by emotional and behavioural problems:
the duo classic signs of a progressive disorder.

The drug has become something he needs
to sleep or to fully wake up. His sleeping
pattern has also been altered; up at night
and intermittently dozing off during the day.

As dosage of the narcotic rises, so does
the torture of the painful lows and other
symptoms of addiction, making his cravings
for the sedative increasely more intense.

As it is, he's needs several hits of the drug to
make it through the day. All at once he wants
to use! He begins to look forward to using.
He would ingest the drug in risky situations

such as, while at the wheels of his car or
working at his job; always desperate to avoid
withdrawal symptoms as well as to revel in
the bliss of the drug's comforting warmth.

At times he'd skip work 'chasing the dragon':
pursuing the out-of-reach elation levels of
his initial euphoric high, swinging between
feelings of mediocrity and that of ecstasy.

Always, his body would afterwards crash
below baseline, barely able to cater for his
daily needs. The habit has long ceased
to be the fun that it was intended to be.

Like a vicious cycle the relief from the opioid,
which is not justified by external reality,
is being obtained at the expense of the
worsening addiction and a spike in distress

whenever his body is low on the drug.
The more he indulges on the sedative
to calm his racing mind, the more
its comfort zone seems to be desired.

Disoriented in the rigours of his vice,
he strays in the abyss of drug addiction:
a dark, weary place where priority disorder 
is dictated by events outside of his control.

It is this corrupted impulse control that
causes his sick obsession with the narcotic,
rendering him unfit to articulate rational
thoughts: a chronic brain disorder.

In this harmful shift away from reality,  
utmost in his mind is the insidious drug:
over and above his job, his goals, family,
love, friends, hobbies and personal hygiene.

Oddly enough the foremost essentials of life
like water, food, and sleep are also not spared.
He could be ill and he won't care.
No other thoughts can cohabit in his world.

Emotionally invested in his fantasy world,
the toxic substance has kindled in him
an inner turmoil — setting off an overriding
feeling of emptiness that aches in his heart.

The habit much harder to lose than it was
to find: an ongoing effort to wean himself off
the drug is being crushed by a dysphoric mood
and a sickly feeling that intensify in severity.

These horrifying withdrawal symptoms
are a result of the sedative's induced
alterations in the biochemistry of his
brain's system of reward and punishment.

Rather than a mild, blissful flow of the brain's
happy hormones, as is experienced while
one is indulging in a tasty food, on receiving
a great news, or while engaged in any other

kinds of novelty that fill us with a delicious
pleasure, the opioid whose chemical structure
is similar to that of the natural chemical
messengers of the brain, Happy Hormones,

by mimicking these primary drivers of the
brain's reward system the psychoactive 
drug sends a false signal of euphoria to
the complex *****, triggering an instant

and fast secretion of an abnormally large
amount of the 'feel-good hormones', that
begin to surge along its pleasure pathways
overwhelming the reward centre of the brain.

It is this huge outpouring of happy hormones
in the region that elicites in him a sudden
burst of energy, a pleasant state of mild
drowsiness, mental alertness, relaxation, ...

This already intense, euphoric effect of the
opioid is further amplified by the drug's
blocking of the pain partways of the reward
system, thus dulling his emotions and worries

by eliminating any feeling of sorrow, regret,
guilt, fear, or loneliness. Upon intake of the
mood-altering drug, he would feel warm when
cold, calm when angry, bright when grumpy,

filled when hungry and happy when irritable,
with almost a total refrain from the tendency to
view anything in a negative manner. This dramatic
result makes every normal thing look better

and brings forth a deep sense of satisfaction,
as though all his needs have been met.
However, this almost perfectly desirable 
body and mind experience is an artificial

feeling that only lasts a few hours at most.
When the drug's effects wear off, because
the brain, which has come to rely on the steady
supply of happy hormones, cannot adjust

all at once, it gets stuck in overdrive which
results in the withdrawal symptoms. It is so
because his brain, whose system of reward
and punishment has been tampered with,

seeks to counteract and accomodate for
the sweet thrills of the drug's euphoric high,
by secreting much less happy hormones while
the foodgate of pain hormones is thrown open.

Just like a huge surge of happy hormones
elicits unnatural levels of euphorical pleasure,
a spike in flow of pain hormones produce
in him the torturous withdrawal symptoms.

These unwanted side-effects whose rise and
fall are subject to drug levels in the system,
is the debt he has to pay for the supreme
bliss that is relished during his opioid highs.

It is all about his brain seeking to maintain
Homeostasis: a normal, healthy body function.
Once he's able to amerce with penance due,
he'll feel good again with no need for the drug.

Another flip side of the illicit habit is that over
time, the regular surge in happy hormones
disrupts the resilience of the reward region
of the brain, causing physical changes that

have drastically reduced his brain's ability
to produce the 'pleasure juices', or respond
to any stimulus other than the one being
triggered by the psychoactive substance.

This is clearly seen in his lost of interest in
activities that he once enjoyed, since his brain
suffers from lack of happy hormones which
influence one's capacity to be in a good mood.

Because the narcotic has also disrupted
activities in the control region of the brain,
his whole thought pattern, perspective and
behaviour, all radically change along with it.

It is this reprogramming of his brain that has
altered the interior reality of his mind, in ways
that result in him going into 'survival mode'
in the absence of the drug during a withdrawal.

While in this irritable, aggressive and erratic
state, he would forego anything and everything
to obtain the narcotic because he's thinking
of his drug use the same way an individual 

who is parched with thirst thinks of water.
This desperation in seeking out the drug as
a vital lifeline is due to his compromised brain
'thinking' it needs it as a matter of survival.

A habit he had maintained at the outset
because it made him feel extremely good
has tuned against him, quite often, coercing
him to use for the avoidance of pain.

The sedative as dear and painful to him
as an imbecilic child is to its mother,  
he continues on the foreboding route 
for which he has no power of deviation.

Despairing in the clutches of addiction,
the drugs traumatize him, they infuse
toxins into his spine, and he wouldn't
know whether he's coming or going.

He's kept on saying to himself, 'I'm going
to quit for good after using one last time.'
But that remains to be seen as the drug
goes on dulling his inner light day by day.

In a downward spiral that stuns those 
acquainted with him, he loses his job,
his car is repoed, and he's evicted from
a nice home that had been stripped bare.

Drowning in unpaid bills and desperately
in debt, having blown an entire life-savings
on the drug, the loss of everything and a few
remaining friends leaves him fatally devastated.

The dangerous drug has evoked a negative
ripple that is felt throughout all that he's
part of. An awful realization that settles in
with cold clarity, eliciting a lurch of dismay

over his dire ignorance about the drug
which has led to the ugly entrapment.
In deep, sorrowful thoughts consumed
with self-loathing he puts a curse upon

the day he first laid eyes on the hard drug.
With the best resolve he's able to muster,
driven by exasperation to kick the habit,
he strives to make his will like stone —

a facade that is soon razed by his urgent need
for the ****** to stave off withdrawal. With a
burden of guilt and shame that can't be faced,
he retreats into the haze of his own misery.

With more problems and stresses than ever,
he plunges from troubled life to no life —
completely losing touch with reality as the
disorder assumes a more dangerous form.

His fixation on the ****** has taken a turn for
the worst; besides his strong cravings for it
to ward off withdrawal as well as to experience
its euphoric high again, it has become more

crucial than ever for him to keep his emotions
constantly desensitised to life, by numbing
the agony of living to ease the passage of
day with purchased relief from the sedative.

Locked in this highly destructive pattern
of drug use, he would stop at nothing to
feed the habit: he would cheat, steal,
lie or betray no matter who to get his 'fix'.

Like the spreading of cancer in the body,  
his affliction has metastasized way 
beyond him, chipping away at the sense
of wellbeing of everyone around him.

As frequent and ready targets for theft
his family have to always watch out for him,
in a resentful relations in which they never
could feel at easy with him around the house.

Wallets, jewellery, gadgets, or any other
easy to carry household valuables, that are
not safely locked away, will go missing.
For days at a time he, too, will vanish.

He'd eventually return like the 'prodigal son'.
Always, he's found the door open after
prolonged periods of avoiding home, even
on occasions when he'd been kicked out.

In the many months gone since losing his
source of livelihood, he's been pushed
into a number of rehabilitation facilities,
but as yet has failed to clean up his act.

He's also been in and out of rehab thrice
following hospital discharges for drug
overdose. On the last occasion, he was
found passed out in the family's bathtub.

Timely arrival of the paramedics had saved
his life. Notwithstanding, a nagging urge
to 'use' continues to feed and reinforce
the habit after each discharge from rehab.

It's been most upsetting to the parents
who have had to watch him visibly change
before their eyes: from a good, healthy
son, who had always had his act together,

to as it is, a thin, patchy-skinned loner with
a baffled demeanour — who buries his head
in low self-esteem, to conceal the often
dilated and glassy pupils from mutual gaze.

Nothing points more to the helplessness 
of the family's plight than having to finally
admit to their little or no influence over
the ravages of the stigmatized disorder.

A harrowing experience for a household
whose life-savings, along with compassion
for him, have completely been exhausted
with no more tears remaining to shed.

The hurting family at the end of its tether
confronts him with an ultimatum:
to get his life in order or face the music.
Coldly, they all watch him leave home.

His descent into the final stages of rock-
bottom has been swift. He starts by crashing
on fellow addicts' couches and floors,
but soon his welcome quickly wears out.

Now among the ranks of the homeless the
hobo would wake up feeling sick, and his day
would consist of shoplifting, petty thefts,
begging, and struggling to find others ways

to obtain money in order to feed the habit.
At nights, even on stormy ones, the rough
sleeper would crash wherever there's shelter,
never worrying about waking up the next day.

A hellish existence on the street that has
provoked a string of run-ins with the law. 
Nabbed stealing on ill-fated occasions,
he's manhandled in a most indecent way.

Tired, hungry and sick, the erstwhile ray of
hope, who once had a strong sense of self,
is currently a nervous wreck who envisages
life through the lens of opioid stupor.

Much beyond his ability to ask for help, 
his hurting family proceed to rescue him.
Under the humbling load of drug addiction
he staggers into another rehab facility.

But the often slippery climb to recovery
is never easy. It's yet another chance for him
to submit to a slow and delicate therapy on
his brain — whose structure and functions 

are badly impacted by years-long use of
the drug. The healing process is a labour
of commitment and discipline, coupled with
patience to allow the brain to adapt back

toward normalcy by gradually regenerating
and rebalancing itself. In a gruelling task,
he's expected to learn to care for a body that
now must struggle to work in a different way.

Desiring to put their lives back together many
druggies have been able to crawl their way out
of the sinister shadow — a big chunk of them
through the guiding light of structured help.

Amongst them were 'walking corpses' whom
possessed by their 'enough is enough', are
enabled to find the inner fire vitally needed
to rekindle the cold embers of self-image.

There's the fella cast adrift feeling wholly
disconnected from self and the world;
he's mourning the loss of a vital lifeline
that has always helped him cope with life.

He had been through it several times before,
the fatigue, stomach cramps, aches, itchy skin, ...
But, he's in the early stages of withdrawal when
cravings for the narcotic are at their worst.

This initial withdrawal agony is the biggest
hurdle any addict has to overcome in the often
stop-start journey to recovery. If he could
somehow find the courage to suffer through it,

the fierce and ceaseless cravings for the drug
would be considerably reduced, making
them easier for him to deal with. Eventually,
they will dissipate the longer he stays sober.

He's being offered a way out of his captivity,
but he's unable to embrace the opportunity
with open arms because the addiction,
which convinces him the only option is to

indulge on the narcotic, is blocking him from
seeing the available escape route. It has shut
off his ability to get up on the inside to face
the seeming overwhelming barriers to sobriety.

Like one in the grip of Stockholm Syndrome,
he has developed a type of trauma bonding
with the treacherous drug: the more it enslaves
him, the more his irrational affection for it.

With his consciousness constantly revolving
around the insidious substance, he just
can't imagine a chronic user like him
being sober and happy again without it.

That being the case, he fails to see any point
in struggling to remain sober — when in such
times he's beset by an awful illness attended
by a serious depression that is no help.

Regardless of the wreckage of his past,
everything that is dear to him plus the very
essence of life on the line, he's left convinced
that giving up the destructive habit would

mean endless suffering and feeling deprived
for the rest of his already sad existence.
More than any other reasons, he just
won't quit because he's powerless to resist.

In default of any dreams of ever recouping
losses that are manifestly out of reach,
the drug with a firm grip on him serves 
as a buffer to keep his ugly reality at bay.

All that he wants is to return to the 'loving
arms' of the opioid, very much aware that
the feeling of the drug's high now that he's
in pain can be one of the best things ever.

But even so, as tempting as the desire to jump
the healing process may be, he's bitterly
mindful of the horrors of street life that
loom upon him with such frightening aspect.

Savagely trapped with no good choices he
slips into a real fear of relapse. In anguish
withdrawal and cravings plague him daily,
and they won't allow him a moment's peace.

Utterly incapable of rising from the ashes 
to hold it all together—no hope—
nothing to hope for—everything out 
of focus—mind spiraling out of control...

In a fit of extreme anxiety the now rampaging
urge to 'use' prods him, closer and closer, to
the brink of a nervous breakdown; and suddenly,
his need for a 'hit' becomes most vital as.

Sweating profusely and trembling all over
with fear clutching a pilfered smartphone,
forgetful of future suffering, the rehab
jumper hurries along the forbidden path.

All alone with the merciless companion: 
nowhere to go and no one to turn to. 
Wretchedly wretched in additive agony
the ****** fades away into nothingness.








AUTHOR'S NOTE


The Abyss Of Drug Addiction is written in 112 non-rhyming quatrains.

The rendition is a poignant story depicting the sad existence of many drug users. The verse uncovers and illuminates, step by step, the different stages of drug addiction and the mental processes of the unable to function drug users.

The paramount aim of the work is to shed some light on the sinister shadow of drug addiction: to unveil to all and sundry, especially teenagers and the youths, the hazards of drug abuse and the vicious downward spiral that can be caused by it. 

Just as the euphoric experience of all kinds of hard drugs differ significantly, so are their withdrawal symptoms. Despite their seeming surface unrelatedness, whichever hard drug it may be, the creation of an illegal and dangerous dependency in users is a common denominator.

[The Rush is described as a feeling very much like a heightened and prolonged ****** ******. A great relieve of tension. It is mostly felt when ****** or any of it's derivatives opioids/opiates is administered intravenously].

In quite a disturbing hyperbole, a ****** addict described the drug's EUPHORIC RUSH as follows:
"Take the best (******) ****** you've ever had, multipy it a billion and you're still no where near it... "

I know the contours of your face
just like the streets of my hometown
          you'd squint your eyes
                 when laughing
     at the corner of Main and Dow.

Blacktooth Brewery
               on frigid Friday nights
frosted glasses, fogging breaths
and laughs caught up
               in tightening chests.
Kendrick Park can keep its towering trees
                                   and midnight charms
if I can keep your laughter with me
                       when I sail for newer shores

Something in familiar signs,
          buzzing blackened Bighorn skies,
keeps us just above the water line--
          afloat for one more night.

Sheridan Iron Works
Red, rigid lettering a raised, distant hand
Watch it wave from on the hill
above the Kendrick boardwalk,
soak December in our smiles
choking back our April cries.

Snake's head yawning
          from the I-90 exit
slithers down Coffeen and tails
          our icy footsteps
     Rattle. Rattle. Rattle.
Shake this town to its bones
with our Thurmond Street jokes
and our glowing Gould Street hearts.
I hope
          this is enough
          to buoy our ***** up
          against the weighty ballast
          of this tiny, yawning town.

Settlers of Catan
played on a windy Wednesday night
over another drowning round
of clinking Wagon Box pints.

The contours of your face,
icy streets of our hometown,
our squinting, gasping laughter
on the corner of Main and Dow.

Blacktooth Brewery.
               Frigid Friday nights.
Fogged up glasses. Frosting breaths
and laughing, clutching tightening chests.
               This freezing town
               will test your mettle.
               Settle up and bring your friends.

turning her charms so slow.
he smiles,
in the wetness of his reward
cranking and cranking!
winding her in notch after notch
tormenting her to madness.

all her dreams melt into him
as his promised shards hit deep
****** after ******!
his jagged edge cuts to bleed
her mind and body
leading her to a valley of darkness

bellows and cries
relentlessly in her crescent moon
the moans swelling
from the corners of her abyss
he stabs wildly
in the glare of her darkshine

leaving the streaks of fingerprints
across her window pane
devilishly in his detail of precision
distorting her pleasure in pain
the legs of her willingness spread wide

her Innocence weeps nectar
tears from the depths of her
obscene layers of unseen obsession
unfold the heated flower
of her awaken phoenix-fire

tightening the gaps of her resistances
enraging his beast to survival
forcing his fight for freedom
thrashing away
his ***** courage leading the way

she finally surrenders
to his death blows
in total disregard in retaliation
she strikes a venomous bite
to his throat and lips
her poisonous kiss

their last breath shares
perspiration's sweet scent of exhaustion
as their life force drains to one
from their lust of the battle
in their pursuit to win the war of passion

This house is made of ice.
A gelid, brass interior awaits me with wicked vice.

Stepping through the frozen doors,
I fall into my own homely grave.
A familiar capsule with silky floors.

Paintings hang upon each wall,
Lifeless and disturbed.
Although, the images do utter one final whisper before tightening the noose—
“Beware of the abominable master of abuse.”

I wish to float,
As with each step the rivers of blood in my feet howl.
Icicles pierce through my soles;
Daggers with a bright smile...

I am only ever welcomed into this house of ice
With a vast iniquitous price.

the world is a wild and weary place,
fully sunk in spiral ******,
fully strummed in skin water waves.
bound by death from the very first verse:
first love.
first this.
                   go forth my machines, be fruitful and jettison.

color says hang at the edge of our lips.
smell the books.
remind us; books.

& before the big blue vast takes it all, that
sunstruck lomographia light,
transposed no-makeup california girl, she
walks before me along the boulders of the wharf.
real summer breathing.
our bodies, piled
and starbleached ripe. [like heap of buffalo skulls]

maybe then a futuristic dinner, where everyone gathers in floating space pods
singing hymns beneath,
                                                       above,
                                          between
               the lights and music.

reality is: blacktop shards against my knees,
something burning as it trickles to my chin, man of me
living the city glisten, city green
& pink.
city midnight and barely breathing.
destroyers, we are.

and what? what am i, father? man of industry?
man of workwelded science?   secure as the armadillo,
armadillo picket fence.
am i of halfbreed phosphorus?
americana?
built on love and hate and television.

  nat geo channel:  [a gecko licks dew from its eyes
                                                                ­  on the coastal sand dunes of namibia]

money. women. go west young man.
be a hand tightening ribs.
be a quaking echo of mammalian design.
a paradigm of seed my fire.

quest for fire.
for uncut diamond; like foggy strawberry rock in the africa-boy's fingers.
or cut steel; phallus of toyish death between a brazil-boy’s fingers.
pulled teeth; bits of wet fruit in the young afghani’s hand.
& icecream trolley; pedestal etched iron; denim and ***; and
microwaves  ::::::
white man: what I got ? what I got ?
manifest destiny: gold bricks and beer.

blood soaked socks.
cyprus burnt umbers.
tribes decomposing at the bottoms of styrofoam cups.
like coin-op wormies.
& eighteen inch circumference blades make round rolling high pitched songs deep in the skin of old mother earth.
old baby cakes.
old life in slow motion, all motion, all
of particle cannon treatise.
40 ounce bounce.
watery us
below.

Every ma'am
Is the tightening of a noose
Is the sharpening of a blade

Every shower
Is the collection of pills growing
Is the note being revised

Every she
is a punch in the throat
Is one step closer

One step closer to the end
Because I cant wait to not feel this



But then I get called sir
I get called them
I get called him
And it's one step back from the rope
One pill flushed
One note ripped up
One more day I will stay alive
Because I love that feeling

5:00 am - Happy New Year!

I look like I should be a musician not a poet.

"It's so easy being a poet
so hard being a man"
      - Charles Bukowski

----

5:14 am - Passing Rocklea, no sign of the dawn.

Coopers Plains station.
3 people get on.

Florescent lights cast a spell of sleep.
I wish I could sleep right now.
Eyelids droop like sad flowers  from a convenience store.
I write metaphors like a drunken amateur.

Trinder park - Sounds like a bad neighbourhood.
**** ME ITS WOODRIDGE.

Where even the McDonalds sign is ******.

XxXxxxxxx, Xxxxxx Xxxxxx :
She could be fun. So tight, she sometimes felt  illegal.
Tight and bald. I would slide up to the *****.
She loved it rough,
golden hair wrapped around my fingers
as she was pushed into the pillow.
She was loud in the mornings.
I could feel her tight ***
grinding against my thighs
as I ****** her harder  and harder.
Until I came :
either inside her.
Or on her chest.
Or in her
prim
pink
suburban mouth.
Tightening my grip on her hair as the hot ***** spurted against the back of  her throat.
The head of my ****, throbbing as she  gulped it down with silent satisfaction.
That only happened twice though.

----

5:37 am - The Dawn begins to rise over the Suburban Nation.

Final remnants of night
twinkle like stars
against the silhouette
of society.
House lights
Street lights
(and the omnipresent)
fluorescent light.

Beenleigh station - A pinch faced older woman gets on.
Business suit, lunch box.
Short hair, glasses.
Her earrings are imitation mother of pearl
(step-mother of pearl?)
She  sits next to a window covered in graffiti.
Prim, tight  mouth
incarnadine lipstick.

Over in the distance a smokestack cuts through the sky above the horizon.
Trees do mask the sun and sky.

"Hippies; they spend their whole life trying  to get to a microphone and when they do, they don't tell anyone  to *******." - The Wolfman.

----

5:52 am - One more stop.

The clouds  are the colour of smoke against the pearl blue sky.

----

6:00 am - Arrival.

Clouds are tinged with fire and blood
incandescently.
You can watch it spread and grow
with intensity.

Taxi driver  was  a foul mouthed Indian.

The pastor is preaching, is trying to hit
the heart today: What really is Mass, why
is it the center of our faith, why really do we
come? Familiar questions I’ve asked (though
minus the m.) Now this is interesting. He says,
this church is Bethlehem, the home of bread.

His voice is gradually becoming a mewling
through the microphone that annoys me, the
strings in his box tightening to a choke like
ends of piano wire, almost always to tearing.
I can’t see past the doxologizing, but it sounds that
this is why we come, his eyes might just have torn.

It is the day of the nativity of some
Lord, or incarnate God, or son—an almighty
Savior. I guess I’d be histrionic too, then, if I
knew there was something called my Salvation.
If all that was needed was to repent and believe
and be faithful and give yourself.

That’s not really hard if you never happen to
not know your sin or whiff at air or be betrayed or
fail to be gotten. At least something else is, though.
There’s a girl I spot I would like to ****. She is
attractive from where I’m standing, flirty I can
tell, leering at me and gossiping with another

cute girl. If I happen to meet her after the service,
I’d like not to have to say much to get her in bed.
That way, there isn’t the risk of exhaustion or
feeling pointless from trying to tell so much.
But that is always going to be hard. That is why
I’ll stop sometimes, just chew the bread.

My ankle is chained.
I gripped on the railing of my sinking ship, hoping i could pull myself out of the water.

As i waited for rescue, rain poured down and waves grew bigger.
The chain attached to my ankle was too heavy that my hand was already slipping. I had to let go since it felt like i was being torn in two as i was being anchored down the depths of the ocean. I was sure my ankle bled from the chain's tightness and the weight that was pulling me down but i couldn't feel the pain. All i felt was the freezing cold water and my heavy chest.

It was as if my heart carried my whole weight.

I never wanted to drown but i felt like i no longer had enough strength to resist. I gasped for air one last time and yet even the air felt like poision.

Now i felt the physical pain. It stung.
My throat was on fire as i allowed myself to be dragged further down. I closed my eyes as tight as i could and clenched my teeth while my body trembled in pain and my chest felt tighter.  

This. This was the only time i hoped my heart would stop beating. but no matter how i hard i wished or prayed, it wouldn't stop. It felt like an hour of drowning and yet i was still conscious. It's my fault. I built it like this. I built it with hope and faith for years. Now i couldn't understand whether it was for good or bad. To hold on to life or hold on to the pain?

Slowly, i was being pulled deeper down the ocean. I tried to open my eyes but i couldn't see anything anymore. There was nothing but the color red.

I never knew i had this amount of blood. Enough to build an ocean which only God can make.

I'm still alive. I can move.
But i am stuck underneath this ocean of blood with my chest still tightening, unsure of when the pain would stop or if anyone could find me at this depth.

You said you'd come visit. So I left a note on my desk hoping you'd find it. I went cruising even if i hated the waters. I brought an anchor and a chain with me but i left its key on the desk too. I had no idea what it was for or why i brought it. All i knew was i was watching the sunset and it was suddenly chained to me when darkness came. I didn't know how my ship sank or how i got in the water. Maybe it was not in good condition. But then again, i knew you would check it everyday because you told me so.

Where are you? Have't you read my note yet? Did you come visit? Are you on your way?


I'll be here waiting, holding on, and hoping that your hand would be the first one to pull me out of my misery. Even if i know you'd never read the note in the first place.

Ceridian waves consume my soul, my being
Take a hold on my body that cant be released.
The feeling tightening as I fight back.
The pressure is building up inside me
Forcing an explosion,
A bomb on my heart
Ticking away as I struggle.
Counting down till final blow.
Its inevitable
Yet I fight back,
Fight for survival.
Fight for life.
Fight for my heart.
I will always fight back.

The soft whirling hum of a fan works its way from one corner of the room to the next. I succumb, defeated, deflated, shoulders slouched over, to passing wafts of air that briefly foam over the drooped skin of my emotionless face. Its touch invigorates the senses, momentarily reminding me to take in a breath of the foul and arid air that lingers lifelessly in this second story bedroom. As a sliver of light makes its way slowly up my chest and falls back to its original place, a muffled sound of pain boils over slowly softly searing through my torpid ears. Meanwhile, transparent tendrilous hands of memories begin to curl through my mind appearing and quickly vanishing like steam before I can grasp the true gravity of their presence.
        It must be ninety seven degrees in here. A drop falls from my face onto the back of my clenched hand and for a moment the fan is at it again pulling my head with it from side to side. Oscillating, it dictates a hypnotic lullaby, an ***** riddled rhythm sanding away at my rigid thoughts. Another drop falls toward my wrists driving me away from the blissful moment. Then losing its grip a metallic clang reverberates throughout the room as the object leaves my hand and finds the old wooden floor. Looking back at my hand I see where the two drops had fallen, now glistening in the dimly lit room. Were those tears? When I direct my sight down to meet with whatever had fallen a rush of blinding pain jaggedly inhibits my vision with a flaming wall of white instinctively calling my eyelashes into the backs of my eyelids painfully. My voice cracks and I hear the same singe of grief from earlier reflect ballistically throughout the room and into the hallway where ghosts gargle back an echo of my anguished voice. Am I hurt?
        Afraid now of what I may have done,I cautiously work my foot away from the chair and navigate it across the floor until it hits the handle of something sending it spinning around. Reaching down, the once trance like hum of the fan falls deaf and gives way to a steady beat of drips that are accompanied by an ever increasing tightening of my chest. When I reunite with the object I had dropped the image of blood and steel mesh a murderous hue onto my fingers as I fumble to recover it. Realizing what has happened my mind fizzles and pops with panic and I begin to beg for respite, for a chance to revisit the moment before I had slit open both wrists. Cold anguish flushes the heat from the room and out into the hall as the dam of reality breaks and in with it a torrent of emotions and images of the blood peppered hardwood floor that now seeps dauntingly with the new life it is drinking. In desperation my eyes fire off in every direction, finding an open journal perched on a coffee table. The pages are in a fretful fury revealing pages dotted with smudges and smears of bloodied ink and teary paragraphs. Confused, I begin to search the room again and there beneath the window blinds lies the woman I have loved for eleven years lifeless in a pool of blood. Lorraine.
        My head lashes violently backward as if to howl toward the moon of time in an attempt to beckon the falling grains of sand to return to me what had once been mine. A sobering clarity strikes me and I begin to recall the events that led up to this moment. Beginning with a distressed phone call from Lorraine. I came,I told you I would come. And then I recall the strange feeling that scaled through my body slithering down my arm until it coiled its nervous grip around my fingertips as they bit into the **** of our bedroom door. As it creaked open, I had thought, I'm here baby, but you were already gone. Lorraine. It took what felt like hours to reach the part of the journal where you had confessed your infidelity that resulted from the tangles of promises I never kept, from the things I hadn't done, and should have said. Oh Lorraine why didn't you tell me. I would have changed, would have done anything for you. I'm so sorry,I forgot, I hadn't noticed. After seven years I thought you knew, but I will show you now. I will give you my life as you had given yours. I would have forgiven you ******, they were only kisses that meant nothing. Lorraine...and then nothingness.
        A grey shadow in a once enraged Congo of colors and emotions in an otherwise empty room now fill my eyes until I'm choking on its thick smoke and drowning in tears. When one of those tears fall, this time on my bloodied wrists I'm called back to the present moment. Once more the fan catches my sight directing me toward your lifeless body, and then a warm hand from the deepest recesses of my mind begins to cradle my shoulder. Lorraine. My eyes flutter open and find you placing a kiss on my forehead as you say something sweetly into the soft embrace of night. The scent of your hair bristles around my cheek and ears while you caress the short hairs along the ridges of my neck. All I can manage in the moment is to pull you in closer as I whisper "I'm sorry Lorraine. I love you. I can show you." A tear catches a lock of your hair as you kiss my lips and with your love I am drawn back into our bed and out away into sleep.

this moment is woven like an evil plan
I coursed around myself, tightening
until I was crowded out.

a nest of trophies, with nary a trophy within.

and my heart--or liver, whichever part
feels, is hung like a whole lot of oranges
in a string bag, getting banged around
so much that when you get them home and
see them you won't want them anymore.

and this poem fell out somewhere along the way,
unraveling long before it had even begun,
not quite an idea of an idea.

the nights are like bouncers, really.
impassive and large.
they stare at you, largely emotionless,
and you feel obliged to amuse them,
or impress them, or relieve what you imagine
must be their suffering.
You fixate on them, for that fixed time,
but really you don't matter and neither do I...
the night merely passes.

eventually you'll pass into the new day
and be subject to its messy laws,
woven around you in dark lines,
tightening and tightening--growing
into the next night, the nest of trophies
without trophies.

It's not so bad. Just don't let those oranges
get pierced by all the tight black lines
and dribble out until your legs are sticky
and your heart (or liver) is dry
and as long as you don't let that happen
you'll be fine.