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Walker U Jun 2014
A train ride from the country side
Back to the big city
Goes slowly and effortlessly
Resembling all types of beauty

As the train ticks and ticks/

I've seen the riches of families
Who are still uneasy with life
Next I will see the poor
Who are trying to hang on ever so tight

As the train ticks and ticks/

The country hills will roll gently
and the wind will blow freely
While cigarette smoke will start to cover the lonely city

As the train ticks and ticks/

I realize the sad faces I see everywhere
Shows whether rich or poor
Tick/
Each of us has endless struggles
Tick/
That no amount of money can afford to fix.
Kat Pulker Feb 2014
Time ticks by,
a minute, an hour, who knows.
Time ticks by,
your skin, your eyes, it shows.

Time ticks by,
no waiting, no pausing, no remorse.
Time ticks by,
never wavering from its course.

Time ticks by,
we run, we rush, we try.
Time ticks by,
we're late, we're early, we cry.

Time ticks by,
feet tap, nails rap, you blink.
Time ticks by,
skies rain, sun rises, we sink.

Time ticks by,
walk on, again, walk on.
Time ticks by,
walk on, again, we're gone.
Joe Wilson Feb 2015
The clock ticks on
Life moves forward a notch
And we as fools survive
In self-absorbing  hotchpotch.



The clock ticks on
And failings and success compete
For space within our cluttered lives
The world no longer, is at our feet.


The clock ticks on
And wrinkles start to show
Our footing slips on the ladder of life
And aging pains begin to grow.


The clock ticks on
Our hearts begin to race and flutter
Our memories lose a thread or two
And we start to mumble and mutter.


The clock ticks on
And she or he forgets our name
We know the truth of dementia well
Our parents went through this the same.


The clock ticks on
And one of us will disappear
The other left to fend for themselves
In a life now filled with fear.


The clock ticks on
And on
And on
And on………



©Joe Wilson – Ticks…2015
Advent Oct 2014
when the clock ticks at 12,
another minute has passed and another day has been renewed.
it replenishes an entire moment that separates yesterday from today.

when the clock ticks at 12,
a part of me has left something for good.
something that could only be retrieved by the nostalgia
of the passing hours that gives a pang of discomfort and dismay.

when the clock ticks at 12,
a fairy godmother is there waiting for me to move past everything and start fresh,
like nothing has ever happened from yesterday

but when the clock ticks at 3,
my emotions are scattered,
eating me alive.
it kicks me out of the zone - exposing me to a world of nothing but things to hide.
it haunts my core, dwells with my demons,
building up emotions that don't seem to collide

and at 3, I find you - once again with all the sublime images we’ve captured
and grand words we’ve uttered.
i find you, drowning from the roots
of my memoirs... and there I see how midnights took parts of me

because at 3, I’ll always remember how I grew with thee


a.t.
Nicole Potter May 2013
So many conflicting thoughts,
As time ticks on the clock.
     What to do,
                        Where to go?
      Time ticks on the clock.

So many shocked ideas,
So Hard to find the Truth.

     Time ticks on the clock
             What to do,
                                Where to go,
      Time to find the Truth?
       Settle down,
                           Find 'Home Ground'
                Create the Standard Life?

So many hard times fought
That impact carries on,
       Time ticks on the clock.

Never been the standard
Don't know my good manners,
         So Hard to learn falsehoods...
       Time ticks on the clock.

You want to change the world?
Control conflicting thoughts.
                                Don't know Home,
                                Where I'll go?
       Time ticks on the clock.

Find a settle
                   or use the chaos
Control conflicting thoughts.
                       Create no standards,
                                                      ­   No good manners.
       Time ticks on the clock...




**May 9, 2013
Silentangel Feb 2014
As the day goes on
Minute by minute
Second by second
Time ticks on
Things happen
People forget
Pain is caused
You hurt the ones you love
The ones who love you
Begin to drift away
Day by day
Minute by minute
Second by second
Time ticks on
We laugh
We play
We forgive
We forget
As time goes on
We force ourselves to see the good
To see the little things
Things that aren’t actually there
Day by day
Minute by minute
Second by second
Time ticks on
We believe the lies
We see the stereo types
We want them to be real
We imagine life the way the world say it should be
Imagine ourselves as the person we should be
Not who we are
Day by day
Minute by minute
Second by second
Time ticks on
We forget
We lose sight
We don’t look back and realize
The real importance of life
The reason we are here today
The pain caused so that we can become who we should be
Perfect in our own way
Different for a reason
Different families
Different lives
Different stories
Day after day
Minute after minute
Second after second
Time ticks on
Step out
Don’t be afraid
Be yourself
Be proud
Be who god has created you to be
Tell your story
And let it go
Take time into your own hands
David Moss Dec 2014
Tick tock tick tock

Is their any difference between a tick and a tock?

I mean conceptually of course

Not just the workings of a clock

I guess the ticks are every moment

And the tocks is what will be

All tocks become ticks

But all tick tocks go eventually

Not to worry

I care more though in concepts

Of looking past our man made time

Ticks and tocks don't really matter

If you don't pay them any mind

That's a funny thought though

I like that actually

Paying time our money

Money equals time they say

But to me it's a little funny


Cause what if you don't care for money or time?

What then defines your existence of being alive? 

I mean to me a more sound measure

Is perhaps the pleasure

Of feeling my heart beating

A personal repeating of self made time and space

And once that tickers gone

I'm sure to follow along to our final resting place

Fitting we call our hearts the good old ticker then, hey?

My lungs are therefore the tocks

Like two little personal clocks

Working together differently

But in symbiotic harmony

All beats become breaths and all breaths pass by eventually

To me this seems a more valid sense of time

Like when you think of the sublime setting of the sun

Moments as these seem to slow down

And you're stuck in blissful entraption

Some moments just go so fast

And some feel like the last an eternity

And all the while inside me

My heart and lungs slow and speed accordingly

It's quite beautiful actually

Cause now when I think of us

I can count what you mean to me

115,200 ticks of my heart
30,000 tocks of my breath
Those are my average daily rates at rest

80 ticks of heart a minute
30 tocks of air
But around you I am sure

These numbers rise beyond anything compared


Like when I first met you

I think my ticks were at least at 122

Yes to be fair

My breaths fell short in some way
I guess from all the kissing to be had that day

And when we first made love

I felt like both were above

Anything I have ever felt before

And darling

If I could store my ticks and stocks in a special place for you
Reserve them in a bank for us to save
For special days between us two

I think it's safe to say
I'd gladly let you withdraw and take

All my beats and breaths away
First Draft!
Toni Seychelle Feb 2013
The ground beneath the stiff leaves is frozen. The cold, brisk air invades my lungs, I exhale, my breath visible. I step over fallen branches and tugged by thorny vines. A red tail hawk screeches overhead, this is a sign of good luck. There is no path, no trail to mark our way, just an old, flat railroad bed surrounded by walls of shale, blown up for the path of the train so long ago. The only ties to remind of the rail are the rotting, moss covered ties that once were a part of a bridge that would have carried the train over a small creek between two steep hills. I see a fox burrow, and it's escape hatch is one of the hollowed railroad ties. I want to be a fox... The trek down this hill is not easy, thorny blackberry bushes and fallen trees impede progress. At the bottom, the small, bubbly creek is frozen at the edges, traveling under rocks and continuing its ancient path. I look up the hill that I just descended, and wonder how the return will go. Keep moving. The next hill will be easier, there are no thorny tangles, just treacherous leaf litter that will give under my feet if I don't find the right footing. The trick is to dig my boots into the ground as if I'm on steps. These hills are steep. Finally at the top, I look back at this little spring valley, I'm not that high up, but what view. Here, there is a dilapidated tree stand, falling apart from years of neglect and weather. Surrounded by deep leaf litter, there is a patch of rich dark earth, a buck has marked his spot, his round pellets are nearby. The saplings catch my hair as I walk by, and at these moments I am thankful for this cold snap that took care of the ticks. A creepy feeling takes over me, so thankful for this snap. A few feet further, as I watch where I am walking, another tussled bit of earth and I notice some interesting ****. It's furry and light grey; I poke it with my stick and find a small skull when I turn a piece over. Owl. I continue my walk, I didn't come here to play with poo. The last time I took this hike was three years ago, on a similar frigid day. It was a lot easier to make it through the shale valleys. Last summer, a wind storm felled trees and took out power for two weeks. The evidence of that derecho is clear here in this untouched forest. I remembered a tree, which now is a fallen giant, that had lost it's bark. The bark had separated and laid around this tree like a woman's skirt around her ankles. Now the tree lies with it's bark. I pass another tree I recognize whose branch extends out but zig zags up and down, as if it had three elbows. The tree signifies my next move, to descend from the flat railroad bed, down to a creek that flows through the tunnel that would have carried the train. The creek is considerably larger than the last creek I could step across. Descending towards the creek leads me over moss covered rocks and limbs, still bearing snow. Outside the tunnel, the hill walls are large stones, covered in a thick layer of moss, some of which has started to fall off due to heaviness. There's a sort of ice shelf in the creek, it's three layers thick and can support my one hundred and twenty pounds. Laying across the creek is another derecho-felled tree. Some sort of critter has crawled on this, using it to avoid the water below and as a short cut up the hill. His claw marks are covering the the limb, a few are more clear, it looks as if the creature almost slipped off. His claw marks show a desperate cling. I walk through the tunnel, in the mud and water; the creek echoes inside. I look above. There are drainage holes lining the ceiling, one is clogged by a giant icicle. I imagine the train that used to ride over this tunnel, I pretend to hear it and feel the rumbling. The last time we were here, we found cow skeletons. We placed a few heads on branches and one over the tunnel. We stuck a jaw, complete with herbivore teeth, into the mossy wall and a hip bone on a sapling. The hip bone reminded us of Predator's mask in the movie. All these bones are turning green. When I was here before, there was a bone half submerged in the creek; I had taken a picture of it but today, it isn't here. I'm sure it was washed away. After our exploration of the previous visit, we turned back. We are cold again, can't stay in one place too long. I climb through the deep leaf litter and over the rocks back to the railroad bed. Passing all the things I've already seen and spotting things I missed. I find two more fox burrows. They utilized the shale rock and burrowed underneath the jutting formations. Hidden coming from the south, the gaping openings seem welcoming from the north. My friends, the spelunkers and climber, want to descend into the darkness but I remind them, it is an hour to sundown, our trek is hard enough with overcast daylight. Wisdom prevails. We pass a tree, we didn't notice before, that was struck by lightening. The cedar tree was split in two and fell down the shale wall. I see the evidence of the burn and a smoldered residue at the base. Nature has a cruel way of recycling. The downed tree still has snow on it and the path of a raccoon is visible, I like the paws of *****. Though the way is flat, the walls of shale tower above us, limiting routes. At one point I can't see through the fallen trees I have to pass through. I have to crab walk under, crawl over, duck again and find my way around the thorny collections of bare black berry bushes. Finally into a clearing, still surrounded by sharp shale, there is another wall covered in inches of thick, healthy moss. I place my hand, taking time to stroke the furry wall. My hand leaves an imprint. I wonder how long that will last.. Back down the steep hill up and up the thorny tangle. I know I'm on the right path up, I see the fox's hole through the railroad tie, and his entrance burrow up the hill. Going down was definitely easier. The summit is literally overgrown with thorns, there is no clear path through. It is, again, impossible to see through the tangle of limbs and saplings and more thorns. Somehow we make it through. We are close to breaking off this path. We know this by the remains of a cow skeleton that more than likely fell from the top of the shale cliff. Femurs and ribs and jaws abound. On the last trip, we placed a hip bone in the "Y" of a sapling. The young tree has claimed it, growing around it. We add a piece of jaw to the tree's ornamentation and move on. We climb down from the railroad bed to our car - parked on the side of the road with a white towel in the window so that no one suspects a group of people walking through private property, past faded NO TRESPASSING signs.

When I undress for bed later, there are many small scratches up and down my legs from those ****** thorny vines. I'm okay with that, it's better than searching for ticks in my head.
I couldn't write a 'poem' about this hike. It was too full of nature.
A clock ticks time by tirelessly
Gears winding like twines of string
With quaint clicking quickly quieting
Until finally time stands still

Broken glass of a smooth clock face
Gears halting in deformity
Glistening shards like the sands of time
Ceasing in their downward flight

A once beating ticking heart of life
Now is lost within a sleepless night
Once a momentum to continued light
Now falls to the ringing silence's might

Time broken into shattered deaths
Until there is simply nothing left
Maybe you've guessed; my nightstand clock broke. It's not like it was an antique that belonged to my great grandmother or anything. Oh wait....
Kingafroninjaa Nov 2011
Even in the darkest of the night,
I can still remember those lips finding their way towards mine.  
We can barely see what's in front of us,
But yet our bodies are gravitating towards each other.
I'll let you guide my body into the night.
The darkness brings us together.
The darkness holds no fear.
The darkness conceals all flaws.
As the sun begins to slowly creep against the horizon,
He quietly leaves the sanctuary of her heart.
As the seconds of the morning sun ticks by,
He gradually becomes nothing but a dream of her imagination.
The light grasps the truth.
The light enhances the shame.
The light shows the scars.
I can still feel your warmth tingling against my skin.
It's time to wake up.
Kara Rose Trojan Dec 2014
My Second Letter to Allen Ginsberg
Dear Allen,
Almost five years ago, I wrote you a letter, and in
That letter, I purged my drunkenly woeful cries
That seem so first-world now and naïve –
The things I grimed over with luxuries I didn’t
Realize that rubbed against my plump limbs
Like millions of felines poised at the
Tombs of pharaohs.

Oh, Allen, I’m so tired –
These politics, and poly ticks, so many ticks that
Annoy my tics. Allen! I smear your name so liberally
Against this paper like primer because the easiest way
To coerce someone into listening to you like
A mother
or predator
tugging or nibbling on your ear –
Swatches of velvet scalped from a ****’s coat
Are you and I talking to ourselves again?
Candid insanity : Smoky hesitance.

Dear Allen, I’m so tired –
Yes, I love wearing my ovaries on the outside like
Some Amazonian soapbox gem glistening from beneath
The iron boots of what the newspapers tell me while
I cough at them with the hurdled delicacies of alphabet soup.
Give vegetables a gender and call them onions, Allen.
Sullied scratch-hicks pinioned feet from slapping
Society’s last rung on the ladder.
Ignore the swerve of small-town eyes.
Scapulas, stirrups, pap smears, and cervical mucus – now do you know who we are?

That fingernail clipped too short, Allen. We’ve all got AIDs
And AIDs babies, haven’t you heard? Hemorrhaging from the political
****** and out – they haven’t reached the heart.  
Since when have old white men given a **** about some
13 year old’s birth control? I’m riding on the waves of the
Parachute game and I swear this abortion-issue is just a veil outside Tuskegee University
Being further shove over plaintive eyes, swollen and black.
Pay up and
shut up.

I still remember my first broken *****, Allen.
Can you tell me all about your first time?
The vasodilatation that made veins rub against skin,
Delirious brilliance : unfathomable electricity.
I made love during an LSD experience, Allen,
And I am not sorry. I see cosmic visions and
Manifest universal vibrations as if this entire world is
A dish reverberating with textiles and marbles, and
All are plundering the depths of the finished wine
Bottle roasting in the sink like Thanksgiving Turkey.
The patience is in the living. Time opens out to you.
The opening, between you and you, occupied,
zoned for an encounter,
given the histories of you and you—
And always, who is this you?
The start of you, each day,
a presence already—
Hey, you!

Ah, Allen, if you are not safe, then I am not safe.
And where is the safest place when that place
Must be someplace other than in the body?
Am I talking to myself again?
You are not sick, you are injured—
you ache for the rest of life.

Why is it that I have to explain to my students that
sometimes what I'm spouting is prescribed by a pedagogical pharmacy --
but all they want to know is "what do the symbols on the television mean?"
I am completely aghast against the ghosts of future goners --
I am legitimately licensed to speak, write, listen like some mothers --
I am constantly cajoling the complex creations blamed on burned-out educators --
I am following the flagrant, fired-up "*******"s tagging lockers --
Pay up and
shut up.

Yes, and it’s Hopeless. Allen.
Where did we get off leaping and bounding into
The dogpile for chump change jurisdiction, policing
The right and the left for inherent hypocrisies when
Poets are so frightful to turn that introspective judgment
Upon ourselves?
We didn’t see it coming and I heard the flies, Allen.
Mean crocodile tears. Flamingo mascara tracks
Up and down : up and down: bow – bow – bow – bow
Buoyant amongst the misguided ******* floating around
In the swirlpool of lackadaisical introspection.
What good is vague vocab within poetry?
Absolutely none.
Would you leave the porchlight on tonight?
Absolutely, baby.

Dear Allen, would you grow amongst the roots and dirt
At the knuckles of a slackjawed brush of Ever-Pondering Questions
Only to ask them time-and-time-and-time-and-time-again.
Or pinch your forehead with burrowed, furrowed concentration upon those
Feeble branches of progression towards something that recedes further
And further with as much promise as the loving hand
Attempts to guide a lover to the bed?

Allen, I wish to see this world feelingly through the vibrations of billions of bodies, rocking and sobbing, plotting and gnashing like the movement of a million snakes, like the curves collecting and riding the parachute-veil.

Ah, Allen! Say it ain’t so! Sanctified swerve town eyes.
And everything is melting while poets take the weather
Too personally
And all the Holden Caulfields of the world read all the
*******’s written on the walls and all the Invisible Men
Eat Yams and all the Zampanos are blind and blind
And blind and blind and blind and blind
Yet see as much as Gloucester, as much as Homer,
As much as Oedipus.

Oh, Allen, do you see this world feelingly
and wander around the desert?
Colored marbles vibrating on the curtailed parachute paradox.
Lamentation of a small town’s onion. Little do we know, Allen,
That what you cannot see, we cannot see, and we are bubbling
Over in the animal soup of the proud yet weary. I can see,
However, how the peeled back skulls of a million
Workboots and paystubs may never sully the burden
Of an existential angst in miniscule amounts.
Pay up and
shut up.  

My dearest Allen, there is always a question of how
The cigarettes became besmirched with wax to complement
What was once grass, and
What was once a garish night drenching doorknobs.
The night's yawn absorbs you as you lie down at the wrong angle
To the sun ready already to let go of your hand
As you stepped, quivering, on to
The shores of Lethe.
Sonny Day Sep 2013
It's 3am,
or so the clock says
Maybe it's just crazy like me

For a girl's heart
that it wants in
But it's not sure it has the key

Its mind is preoccupied
with other things now
And it can't seem to function quite right

It tries to sleep
as time gets lost
But it simply ticks through the night

So maybe it’s not
as late as it says
And time still needs to be found

Maybe the clock
gave that girl its key
And the clock still needs to be wound

If the clock finds its key
it finds time and love
a function and a purpose

Reunited with her
its heart can tick true,
a shine gleaming from its surface

But sadly, I know
this is all believe
For a clock could have no heart

Which sadly means
the clock is fine
And I'm the one falling apart

Perhaps the clock
can serenade me
And help me rest my eyes

Maybe the clock
can distract my heart
From its desperate beating tries

But in the end I know
the clock’s soft ticks
Can't outweigh thoughts that keep me awake

It's just too much to love
such a precious Jewel
When you'll never have what it takes
Michael DeVoe Feb 2013
I need one more
I need to forget a little more
I need to remember a little less
I need to remember a lot more
I just need to remember it differently
Better
The way I wrote it
The way it ends when I'm sleeping

Dear bartender
Make it a White Russian
As white as her dress would've been
One Pina Colada
Tan as the sand would've been
One more Gin and Tonic
Sparkling as her eyes
***** Cranberry
Red as her lips
A triple shot of silver tequila
As clear as my intentions

Marry me

Bartender I want to drink until I forget she said no
Bartender I want to drink until I forget I ever asked

Dear Bartender I want to drink until I remember she said yes
***** til my head rings wedding bells
Gin til my body ticks raw rice
*** til my cheeks flush honeymoon
Tequila til my ring finger itches
Whiskey until she loves me too
Whiskey until she come back
Whiskey
A collection of poems by me is available on Amazon
Where She Left Me - Michael DeVoe
http://goo.gl/5x3Tae
Taylor Beasley Feb 2014
Every month, I close my eyes and pray for clarity,
I pray for my mind to do that bit of charity,
but it seems as when the clock ticks down,
Clarity cannot be found.

Every week, I stop listening and pray for help,
My worn out mind barely letting out a yelp,
but it seems as when the clock ticks down,
My cries immediately drown.

Every day, I close my mouth and pray for words,
Every line in my head is blurred,
but it seems as when the clock ticks down,
My shut mouth is still a frown.

Every hour, I choke back my thoughts and pray for quiet,
Every little idea starting a brand new riot,
but it seems as when the clock ticks down,
Nothing is stirring this town.

Every minute, I hold on a little tighter and pray for something new,
I grasp the rope until my fingertips turn blue,
but it seems as when the clock ticks down,
I will never get my hands on that ever-so-prized crown.

Every second, I write a word and pray that I will be heard,
Even if it’s just one little word,
but in the end, when the clock ticks down,
Nothing makes a sound.
sinandpoems Sep 2012
My fridge keeps turning off
My food becomes
Warm
Like the suns ever present glare
Inedible
It’s rotten
******* rotten
Like that money used to buy it
Like my attitude
I’m scared of their shopping carts
They push them like their arms are loose from their sockets
They flail their plastic beasts
In front of my feet
The wheels only graze me
But it’s enough to make the hair on the back of my neck stand up



I just need to replace my soy milk, man




Their faces are globes in the dark
Shiny and round
Stupid
Hollow
Spinning
There’s always something to set their sites on

Gimme dat

And the cart roars forward
My body is just an obstacle between them and another pair of
Shoes
They’ll shove into their closets
Where a thousand other things exist to fill their souls

Nervous ticks

Husband stays out too late

Nervous ticks

Wedding ring drifts closer to the tip of her finger

Nervous ticks

It isn’t just the salty sweat that pushes it forward

Nervous ticks

A new pair of underwear
Another shirt or two
His eyes might glisten

Like like like

Like they used too

Nervous ticks




I just need some soy milk, man
Rhiannon Begley Jun 2014
Time is ticking away.
The watch-chain sways in time:
Swinging and sweeping, weaving and waving.
They watch as time ticks on.

The sun is shining down.
The watch-chain spangles in the sun:
Shimmering and shining, glittering and glowing.
They watch as time ticks on.

The darkness is coming quickly.
The watch-chain disappears in the dark:
Dimming and dulling, slowing and stopping.
They watch as time ticks on.

But time is ticking away. . .
Arlo Disarray Mar 2015
I open up my mouth, and shoot out greyish rainbows
When I try to sing, I shatter all the glass
If you look into my eyes as all my pain grows
You'll see the burning char and mounds of ash

The insides of my guts are filled with spiders
Cockroaches, rats, and ticks, and little fleas
And more secrets revealed in this insider
Will show you I'm also filled with wasps and bees

As bugs and vermin crawl around inside me
I'm torn apart and run into the ground
I try to use my false armor to hide me
from all the **** that try to tear me down

But all the decay that grows inside my chest
Rots me out like an uprooted tree
And when I'm finally empty like the rest
I'll forget that I'd ever been me
Lazhar Bouazzi May 2018
The rain ticks on the curb
Like a chronometer
Held up to a short race

As a man entering the mall
Feels his pocket for his
Wallet,
A grimace cracks his face.

© LazharBouazzi
Dorothy May 2015
Packing things into brown boxes.
Concealed memories in a cardboard funeral.
Harboring dust like it’s a trophy.
Time ticks
               ticks
                     ticks
                           ticks away.
So much crammed into tight spaces.
Wrinkled and wrapped up just like it was placed.
The season on my face is fall.
Each tear swaying down like a fallen leaf.
Choking on how to say goodbye.
Adios.
Sayonara.
Au Revoir.
Aloha.
Ken Pepiton Aug 2018
A pocket of thought, ideas.
Impulses, has beens

epi-phenom-enal-con-currencies-synchron-icity
sorting places, thens and nows vying for attention

you see
we till stories in search of true tomorrows
not true
yesterdays (till, I said, not tell)
we **** the hard rows no one else will ***
so seed lies sown are never lies told, if the lies are never taught
or if the liars are caught before convincing the
intended crop to lie and swear a common liege Lord,
or die
for lack of knowing. Non-nascence, simplest
symptom to not see.
Whose death is yours to respond responsibly
to? My child's, or yourn?
In the early days, we knew less than we know now
about how knowing and growing were all
intended
to cost time. Ticks, ono motto whatever, the sound
gears and spiral springs pushing cogs
tick, one tooth tick at atime make

this rough, un polished, un glossed, is it wrong or

as I imagine a diamond in the rough must seem to a share cropper
experienced in diamond hunting, diamond prospecting,

prospecting expecting inspection to permit
seeing a 3.2 specific gravity,
specific
specify

species or spectacles,
spectators or special-if-eye-cation
value-en-abled. Weigh your mind in balance
with mine. I claim the mind of Christ.
What are the odds?

A wandering path, injoyable enable if-i-abble,
pacing is

everything, timing is everything, time is the test.

Time is the metagame.
Take your time. One word formed sylabble at a time.
Babble on, your confusion makes you mortal, to my mind.
Tick.
A quanta of time. Does time come in bits and pieces cernible,
but undiscernible from reality?

Babble.

Of course, time will tell. We learned that in our sleep, did we not?

Aesop taught us more than Moses, no,
Aesop taught us less than Moses.

But, we could learn to walk bearing the weight of knowing what
Aesop taught,
while we could not stand under the weight
Moses was said
to have taught.

Caught you, Jewboy. Whatchewknow?
The moral of the story.

THE IDEA is to win.
Beware the concision decision.
incisive devices, witty inventions.

Flip the shell, roll the bones, cast the runes and,
as luck might have it, die before your time.

Why factors are lies more oft than how factors.
Benefactors rule malefactors or
how or why would we invest our time in seeking reasons
to believe?

Is this the polished piece, the gemstone of specific gravity
(which currently means nothing to you. Here, you find too light
or too heavy, too weighty on the scale of specific value.)

Hard. Value hard, diamond hard, on Mr. Moore's scaled model of
Knowing exploding for reason's sake, raison d'etre, eh?
Too hard?
Not Mohs,
don't get me wrong.
We been Moore's law breaker all along.
We be manifested destinatory stories of heroes gone wrong.

Outlawed
knowing exploding to be reasoned with, by kind
children destined to become
written in stone, scarred by lies

Diamonds cutting diamonds, iron whetting iron
on eternity's edge.

Babylon, was it Bel's gate or fusion from below rising?

Magma fountains with diamond claws tearing the lands asunder
Is asunder still a word?, let me, allow me to define...
"into a position apart, separate,
into separate parts,"
mid-12c., contraction of Old English on sundran 
Middle English used to know asunder for
"distinguish, tell apart."
From <https://www.etymonline.com/word/asunder>
----

mumbler's humbler PIE, bowing before the knowers who
know nothing of my work.
Set apart, art thou holy aware?

Hermit me, meet the rest of me. The true rest that remained.
We live, you and I. Trust me, next is worth the wait.

Suffer needs no pain to make its point. Waiting is.

Grokk. WHO would believe that idea could live
through telegraphese to be tweet meets for the
Cosplay clans. How never grokked a rock,  why even less.

Strange, not be long in this
place. if
place this be. Odd
set aside
torn asunder
blown away.
Awake, little birdie, tell me true,
what's a man like me to do?

Did you meet the famous Mr. Blake?
I cleaned his chimney, way back when, chimbly's whut
we called em. Smoke stacks belchin' black
makin' black moths invisible to voracious
gulls.
Now the peppered moths are free
to be white-ish, for better or worse.

----

right, now, do right or

miss the mark,
the specific mark you made, maybe,
imagining, abstract obstructions missed
by the skin on Job's teeth as you run past

right now to more. You know?

----=

Story telling was the same as lying when I was a child, to me.

Telling stories was my gift I never took. Or am I lying? or mad,
in the old way.
Chailot's rag picker was my best friend.

No noble thought ever found it's home in my head, once
I thunk it, it stunk to high heaven, for me stinkin' thinkin' it.

Po' ems sang sour to fiddles wit' one strang and drums with no
cymbals
Screamin' he owed m' soul the comp'ny sto' bang bang thud.

I died, he lied, and lived to tell this story, ****** if I know,
****** if I don't.

True as true can be. I am lost, but once was found,
lyin' rough, uncut in acres of unseen gems.
----
* Voltaire refused to teach me any thing I could not define:
late 14c., deffinen, diffinen, "to specify; to fix or establish authoritatively;" of words, phrases, etc., "state the signification of, explain what is meant by, describe in detail," from Old French defenir, definir "to finish, conclude, come to an end; bring to an end; define, determine with precision," and directly from Medieval Latin diffinire, definire, from Latin definire "to limit, determine, explain," from de "completely" (see de-) + finire "to bound, limit," from finis "boundary, end" (see finish (v.)). From c. 1400 as "determine, declare, or mark the limit of." Related: Defined; defining.

So, imagine facets unseen, I am at least a meme, a bubble rising on the tide. Think, as you will. Amen?
Incorporating radical (root-related) definitions via cut and paste is my way of acknowledging that I have no ex-uses left for using words in a wrong, thus lying, way.
Luna Casablanca Dec 2015
I really couldn’t care less
about the time and day
the cool air or the
howling wolves.

I whisper to myself for
my personal
reassurance. It is
my right to feel comfort
and my way is my
own.

I walk alone all the time.
I have been used to the lonely vibe
since I was old enough to sense I was different.
All I need are the stars in the sky.
I’ll let them be my friends for now.

The strides I take
the paths I go
the pulse that beats after each step.
I don’t bother who will possible hurt me
while walking alone at night.

I can protect myself.
I am a strong courageous woman.
There is no suspicion to my nightly walk
I have no need
to approach anyone.
I can take care of myself
and this is how.

When people see me walk by and laugh at my ticks because
I may whisper, my eyes may roll, or
I tremble,
So what.
I’m walking to where you will never know.
My ticks are a small part of me
and maybe too big
for anyone to understand.
I walk alone for a reason.
So I
can be
the only witness of the strides I take.
My ticks
take some strides for me.
Just walking the humiliation
off and moving forward.
Be fair,
let them laugh, let them stare,
and let me walk alone.
I learned to like it
and I look forward to it
every night.
Scott Hoogenboom Feb 2015
tick    tock    tick    tock

Time ticks
Time goes

Time's quick
Time knows

tick    tock    tick    tock

Seconds pass
Minutes unnoticed

These could be your last
And you might not even know it.

tick    tock    tick    tock
This poem was inspired by a clock hanging in my room which has a nice soothing tick and tock.
And it got me thinking about how fast the years have gone and how treacherous time really is.
Jess Reynolds Nov 2017
touch
untouch
dripping like a tap that you can’t quite tighten,
that existential drip that worms it’s way into your every day sounds,
like a clock tick that renders you unable to sleep when the repeat disappears,
like sleeping in a strangers house in somebody else’s skin.
that zip that never zips, a constant vulnerability,
one that parades as a security but prays on the mind in the small hours,
one that drips and drips and ticks and ticks and decays and decays,
and decays into a pulsating mass holding a shattered visage of the man behind the man behind the mask.
it drips drips drips and ticks ticks ticks and decays and decays and decays like a stuck clock,
like a broken mechanism,
like a stuck record that repeats, repeats, repeats,  
it drips like a clock,
and ticks like a tap,
it decays like the mask behind the man.
i write these in about a day that’s why they’re so bad
lea Nov 2014
Filter the perfect shade of the forenoon sun,
Not too bright, not too dull.
For with ease and carefree thoughts,
You let the sunbeam-drizzling fairies play
As the beauty reflected in your retinas.

Capture this scenic view:
Where the burnt chestnut colored oaks
And mudstained sweetheart sundress of yours
Dance in three-four beats of waltz.
The Crayola strokes of the skies
And the watercolor streaks of daydreams and nightmares
Paint the canvas of your disquited thoughts.
This is the peripheral view from your suncrashed irises and corners,
This is your world.

Let your knees down to your sore feet
Be engulfed by the chasms of the bewildered grass,
As the smile makes it way to your plump spring lips;
Callused fingers from guitar strings
Twirl and twist the blades,
Cutting through flesh
And green and red and blue and yellow,
All sorts of color came spilling from your playful bruise.

From this panoramic view of yours
Of a wonder wonderland,
Where the ticks of clock
Follow the sunflower throughout time and forever,
This is the beauty of that stem:
A key to escapism
To a well-dreamt lovely world.
SassyJ Sep 2016
The clock ticks
the morn picks
as the day sinks
The song links
the pen ink
The clock ticks

I am not a slave of the high society
I ain't a slave of the high society

In a world where work focuses on targets
magnets of overload and overcasts overlaps
managers trapped in figures instead of people

In workplaces where you are tied to a york
as a slave who sells times unquestionably
plodding on, tossing all, minding the toes

In a world where money is the tool of choice
a fool that knocks sense to the pointed pools
carrying on, plotting all, you knobby trolls

In workplaces run by mafia, who play games
like a football match they push and pull blame
spitting the venom to the innocent silenced minds

In a world where my dignity I shall preserve
like a ****** waiting for the king to don a crown
I chose to fight, for all our rights and freedoms

In those workplaces which are in hidden caves
where people are on a rollercoaster of fake security
rolling on and on in a hamster wheel without an end

The clock ticks
the night picks
as the day sinks
The song links
the pen ink
The clock ticks

I am not a slave of the high society
**I ain't a slave of the high society
We are slaves of time. We sell our time for money up to the point where targets **** us up and we lose our dignity. What do we really stand for? What do I really stand for?
Chase The Moment Jun 2016
She dances in the cloak of death
Her heart palpitating
slow
time ticks onward

She dances in the cloak of light
Her eyes sparkling
morose
time ticks onward

She dances in the cloak of despair
Her feet forlorn
quivering
time ticks onward

She dances in the cloak of hope
Her breath intoxicated
poisonous
time ticks onward

She dances in the clock of birth
Her hands trembling
languidly
time ticks onward
Not sure if I should call it "Stretching time" or "The dance of time"
Johnny Zhivago Aug 2013
Spanish influenza
walking pneumonia
icepick headache
common cold
whooping cough
Diabetes
anorexia
getting old

flat foot
bad back
heel spur
heart attack
spasticus
autisticus
tongue tied
amb(i)dextrous

my weakness
is my forte
my sickness is  my skill
my illness
is my realness
it makes my life a thrill


Trying to fight this
bronchitis
gangrene
runny nose
frostbite
tooth decay
hat hair
broken bones

bed bound
shell-shocked
flea ridden
sinusitis
cholera
dropsy
eliphantitis
out-all-nightis

wom­b fever
winter fever
black water fever
remitting fever
ship fever
jail fever
camp fever
or schizophrenia

scarlet fever
tuberculosis
American plague
rock n roll
Wheezing
Paralysed
Got gas
In both holes

rabies
scabies
rickets
and SARS
man flu
bird flu
swine flew
from Mars

multiple sclerosis
tennis elbow-sis
stomach ulcers
and leukaemia
night blindness
hypothermia
lung cancer
sickle-cell anaemia

French pox
Lockjaw
Polio
Gout
Nostalgia
Dropsy
Knocked right
Out

Stuttering
Bellyacher
Anti-social
Leprosy
Sleep walker
Sleep talker
Absent minded
OCD

Tourettes, ****
Pyromania
tonsillitis
Conjunctivitis
Food poisoned!
Warted over
My Psoriasis
(Will I survive this?)

Measles
Malaria
Meningitis
Migraine
Scrum-pox
Worm fit
Water on
the brain

apparitions
seeing things
rattly chest
bad breath
la duzi
tormentation
inflammation
black death

measles
malaria
migrane
mumps
leprosy
lice and
leg bone
lumps

kleptomania
bubonic plague
black *****
feeling ****
bone shave
falling sickness
wanna stop
just cant quit

Huntington's and
Parkingson's and
Hare-lipped
Hay fever
Typhoid fever
Glandular fever
Night fever
And Hysteria

intellectual
dyslexia
dysfunctional
family
cancer crab
stillborn twin
bad blood
epilepsy

Parking spot
disabilities
all the wounds in
all the militaries
pity thee with
lost agility
lost babes or
infertility

ear infection
starvation
Hepatitis
E to A
smallpox
chicken pox
cow pox
what a day

tuberculosis
stuttering
panic stricken
star struck
scurvy
shingles
headless chicken
bad luck


paranoid
in the void
premature
*******
stomach ulcers
feeble pulses
chronicled
*******

autistic
gallstones
double-jointe­d
wrists and knees
consumption
bad digestion
quinsy palsy
ticks and fleas

amnesia
typhus
amnesia
heart failure
radiation
cholera
amnesia
bad behaviour

Hypochondriac?
By gosh, no!
Poorly are ye?
‘Fraid so.


nostalgia
        suffer me
wanderlust
suffer me
insomnia
suffer me
loneliness
let me be



god
complex
mother
complex
father
complex
ego
complex

­

its complicated
im superior
its complicated
im inferior
its complicated
im a short man
got ingrown hairs
got a bad tan



im suffering
ocd
im suffering
obesity
im suffering
jealousy
xenophobia
and nosebleeds



stokholm
syndrome
toxic shock
syndrome
got it down
syndrome
irritable bowel
syndrome

yellow nail
syndrome
stevens-johnson
syndrome
restless leg
syndrome
shoulder-hand
syndrome

lambert-eaton
syndrome
mi­ddle-lobe
syndrome
mobius
syndrome
pickwickian
syndrome

post rubella
syndrome
riley day
syndrome
straight back
syndrome
ulysess
syndrome



alcoholics
we are prone
drug addicts
we are prone
mind benders
we are prone
fortune spenders
we are prone



My illness, my illness
My illness is my realness

*Pick it up
Tide it over
Fight it off or
Cave in

Save it
Suffer it
Pass it on
When its Raining

bleed him
restrain him
shave his
head

he went from being
quite well
to being quite
dead.
unfinished but did you bother to the end?
Two girls there are : within the house
One sits; the other, without.
Daylong a duet of shade and light
Plays between these.

In her dark wainscoted room
The first works problems on
A mathematical machine.
Dry ticks mark time

As she calculates each sum.
At this barren enterprise
Rat-shrewd go her squint eyes,
Root-pale her meager frame.

Bronzed as earth, the second lies,
Hearing ticks blown gold
Like pollen on bright air. Lulled
Near a bed of poppies,

She sees how their red silk flare
Of petaled blood
Burns open to the sun's blade.
On that green alter

Freely become sun's bride, the latter
Grows quick with seed.
Grass-couched in her labor's pride,
She bears a king. Turned bitter

And sallow as any lemon,
The other, wry ****** to the last,
Goes graveward with flesh laid waste,
Worm-husbanded, yet no woman.
Cori MacNaughton Oct 2015
Fleas, ticks and chiggers
the bane of a rural life
animals suffer
The fourth of four Haiku written about 3AM on 15 October before I went to sleep.
Kale May 2015
Can you here it
The ticks on the clock
Making the noise
Indicating time is drifting away
You can't catch this clock
Because its too late
Now the Reaper of Death
Is waiting for you at the gate.
Jerry Bradford Sep 2013
Tarragon and rice in the evening
and you are gone at 6
I forget the toilet seat up and I forgive
Your ****** ticks
A paragon of virtue and Darjeeling
Biscuits with butter on Sunday morn
I miss the way you did what you do
doing drugs while watching ****
We never would have made it

But it felt good when we made it

Up inside you under the spell, hot, bothered and faded
I loved you and still do even if you faked it
Even if now I am quasi hated
I am sorry for all the time you were unfairly berated
Please forgive me for foolish conduct and constrictions?
I say I love you and I know that seems like a
Contradiction
But it’s true
Today and tomorrow too
and always will be when referring to you
©J. K. Bradford
Alyssa Underwood Mar 2016
I

He did not wear his scarlet coat,
  For blood and wine are red,
And blood and wine were on his hands
  When they found him with the dead,
The poor dead woman whom he loved,
  And murdered in her bed.

He walked amongst the Trial Men
  In a suit of shabby grey;
A cricket cap was on his head,
  And his step seemed light and gay;
But I never saw a man who looked
  So wistfully at the day.

I never saw a man who looked
  With such a wistful eye
Upon that little tent of blue
  Which prisoners call the sky,
And at every drifting cloud that went
  With sails of silver by.

I walked, with other souls in pain,
  Within another ring,
And was wondering if the man had done
  A great or little thing,
When a voice behind me whispered low,
  “That fellows got to swing.”

Dear Christ! the very prison walls
  Suddenly seemed to reel,
And the sky above my head became
  Like a casque of scorching steel;
And, though I was a soul in pain,
  My pain I could not feel.

I only knew what hunted thought
  Quickened his step, and why
He looked upon the garish day
  With such a wistful eye;
The man had killed the thing he loved
  And so he had to die.

Yet each man kills the thing he loves
  By each let this be heard,
Some do it with a bitter look,
  Some with a flattering word,
The coward does it with a kiss,
  The brave man with a sword!

Some **** their love when they are young,
  And some when they are old;
Some strangle with the hands of Lust,
  Some with the hands of Gold:
The kindest use a knife, because
  The dead so soon grow cold.

Some love too little, some too long,
  Some sell, and others buy;
Some do the deed with many tears,
  And some without a sigh:
For each man kills the thing he loves,
  Yet each man does not die.

He does not die a death of shame
  On a day of dark disgrace,
Nor have a noose about his neck,
  Nor a cloth upon his face,
Nor drop feet foremost through the floor
  Into an empty place

He does not sit with silent men
  Who watch him night and day;
Who watch him when he tries to weep,
  And when he tries to pray;
Who watch him lest himself should rob
  The prison of its prey.

He does not wake at dawn to see
  Dread figures throng his room,
The shivering Chaplain robed in white,
  The Sheriff stern with gloom,
And the Governor all in shiny black,
  With the yellow face of Doom.

He does not rise in piteous haste
  To put on convict-clothes,
While some coarse-mouthed Doctor gloats, and notes
  Each new and nerve-twitched pose,
******* a watch whose little ticks
  Are like horrible hammer-blows.

He does not know that sickening thirst
  That sands one’s throat, before
The hangman with his gardener’s gloves
  Slips through the padded door,
And binds one with three leathern thongs,
  That the throat may thirst no more.

He does not bend his head to hear
  The Burial Office read,
Nor, while the terror of his soul
  Tells him he is not dead,
Cross his own coffin, as he moves
  Into the hideous shed.

He does not stare upon the air
  Through a little roof of glass;
He does not pray with lips of clay
  For his agony to pass;
Nor feel upon his shuddering cheek
  The kiss of Caiaphas.


II

Six weeks our guardsman walked the yard,
  In a suit of shabby grey:
His cricket cap was on his head,
  And his step seemed light and gay,
But I never saw a man who looked
  So wistfully at the day.

I never saw a man who looked
  With such a wistful eye
Upon that little tent of blue
  Which prisoners call the sky,
And at every wandering cloud that trailed
  Its raveled fleeces by.

He did not wring his hands, as do
  Those witless men who dare
To try to rear the changeling Hope
  In the cave of black Despair:
He only looked upon the sun,
  And drank the morning air.

He did not wring his hands nor weep,
  Nor did he peek or pine,
But he drank the air as though it held
  Some healthful anodyne;
With open mouth he drank the sun
  As though it had been wine!

And I and all the souls in pain,
  Who tramped the other ring,
Forgot if we ourselves had done
  A great or little thing,
And watched with gaze of dull amaze
  The man who had to swing.

And strange it was to see him pass
  With a step so light and gay,
And strange it was to see him look
  So wistfully at the day,
And strange it was to think that he
  Had such a debt to pay.

For oak and elm have pleasant leaves
  That in the spring-time shoot:
But grim to see is the gallows-tree,
  With its adder-bitten root,
And, green or dry, a man must die
  Before it bears its fruit!

The loftiest place is that seat of grace
  For which all worldlings try:
But who would stand in hempen band
  Upon a scaffold high,
And through a murderer’s collar take
  His last look at the sky?

It is sweet to dance to violins
  When Love and Life are fair:
To dance to flutes, to dance to lutes
  Is delicate and rare:
But it is not sweet with nimble feet
  To dance upon the air!

So with curious eyes and sick surmise
  We watched him day by day,
And wondered if each one of us
  Would end the self-same way,
For none can tell to what red Hell
  His sightless soul may stray.

At last the dead man walked no more
  Amongst the Trial Men,
And I knew that he was standing up
  In the black dock’s dreadful pen,
And that never would I see his face
  In God’s sweet world again.

Like two doomed ships that pass in storm
  We had crossed each other’s way:
But we made no sign, we said no word,
  We had no word to say;
For we did not meet in the holy night,
  But in the shameful day.

A prison wall was round us both,
  Two outcast men were we:
The world had ****** us from its heart,
  And God from out His care:
And the iron gin that waits for Sin
  Had caught us in its snare.


III

In Debtors’ Yard the stones are hard,
  And the dripping wall is high,
So it was there he took the air
  Beneath the leaden sky,
And by each side a Warder walked,
  For fear the man might die.

Or else he sat with those who watched
  His anguish night and day;
Who watched him when he rose to weep,
  And when he crouched to pray;
Who watched him lest himself should rob
  Their scaffold of its prey.

The Governor was strong upon
  The Regulations Act:
The Doctor said that Death was but
  A scientific fact:
And twice a day the Chaplain called
  And left a little tract.

And twice a day he smoked his pipe,
  And drank his quart of beer:
His soul was resolute, and held
  No hiding-place for fear;
He often said that he was glad
  The hangman’s hands were near.

But why he said so strange a thing
  No Warder dared to ask:
For he to whom a watcher’s doom
  Is given as his task,
Must set a lock upon his lips,
  And make his face a mask.

Or else he might be moved, and try
  To comfort or console:
And what should Human Pity do
  Pent up in Murderers’ Hole?
What word of grace in such a place
  Could help a brother’s soul?

With slouch and swing around the ring
  We trod the Fool’s Parade!
We did not care: we knew we were
  The Devil’s Own Brigade:
And shaven head and feet of lead
  Make a merry masquerade.

We tore the tarry rope to shreds
  With blunt and bleeding nails;
We rubbed the doors, and scrubbed the floors,
  And cleaned the shining rails:
And, rank by rank, we soaped the plank,
  And clattered with the pails.

We sewed the sacks, we broke the stones,
  We turned the dusty drill:
We banged the tins, and bawled the hymns,
  And sweated on the mill:
But in the heart of every man
  Terror was lying still.

So still it lay that every day
  Crawled like a ****-clogged wave:
And we forgot the bitter lot
  That waits for fool and knave,
Till once, as we tramped in from work,
  We passed an open grave.

With yawning mouth the yellow hole
  Gaped for a living thing;
The very mud cried out for blood
  To the thirsty asphalte ring:
And we knew that ere one dawn grew fair
  Some prisoner had to swing.

Right in we went, with soul intent
  On Death and Dread and Doom:
The hangman, with his little bag,
  Went shuffling through the gloom
And each man trembled as he crept
  Into his numbered tomb.

That night the empty corridors
  Were full of forms of Fear,
And up and down the iron town
  Stole feet we could not hear,
And through the bars that hide the stars
  White faces seemed to peer.

He lay as one who lies and dreams
  In a pleasant meadow-land,
The watcher watched him as he slept,
  And could not understand
How one could sleep so sweet a sleep
  With a hangman close at hand?

But there is no sleep when men must weep
  Who never yet have wept:
So we—the fool, the fraud, the knave—
  That endless vigil kept,
And through each brain on hands of pain
  Another’s terror crept.

Alas! it is a fearful thing
  To feel another’s guilt!
For, right within, the sword of Sin
  Pierced to its poisoned hilt,
And as molten lead were the tears we shed
  For the blood we had not spilt.

The Warders with their shoes of felt
  Crept by each padlocked door,
And peeped and saw, with eyes of awe,
  Grey figures on the floor,
And wondered why men knelt to pray
  Who never prayed before.

All through the night we knelt and prayed,
  Mad mourners of a corpse!
The troubled plumes of midnight were
  The plumes upon a hearse:
And bitter wine upon a sponge
  Was the savior of Remorse.

The **** crew, the red **** crew,
  But never came the day:
And crooked shape of Terror crouched,
  In the corners where we lay:
And each evil sprite that walks by night
  Before us seemed to play.

They glided past, they glided fast,
  Like travelers through a mist:
They mocked the moon in a rigadoon
  Of delicate turn and twist,
And with formal pace and loathsome grace
  The phantoms kept their tryst.

With mop and mow, we saw them go,
  Slim shadows hand in hand:
About, about, in ghostly rout
  They trod a saraband:
And the ****** grotesques made arabesques,
  Like the wind upon the sand!

With the pirouettes of marionettes,
  They tripped on pointed tread:
But with flutes of Fear they filled the ear,
  As their grisly masque they led,
And loud they sang, and long they sang,
  For they sang to wake the dead.

“Oho!” they cried, “The world is wide,
  But fettered limbs go lame!
And once, or twice, to throw the dice
  Is a gentlemanly game,
But he does not win who plays with Sin
  In the secret House of Shame.”

No things of air these antics were
  That frolicked with such glee:
To men whose lives were held in gyves,
  And whose feet might not go free,
Ah! wounds of Christ! they were living things,
  Most terrible to see.

Around, around, they waltzed and wound;
  Some wheeled in smirking pairs:
With the mincing step of demirep
  Some sidled up the stairs:
And with subtle sneer, and fawning leer,
  Each helped us at our prayers.

The morning wind began to moan,
  But still the night went on:
Through its giant loom the web of gloom
  Crept till each thread was spun:
And, as we prayed, we grew afraid
  Of the Justice of the Sun.

The moaning wind went wandering round
  The weeping prison-wall:
Till like a wheel of turning-steel
  We felt the minutes crawl:
O moaning wind! what had we done
  To have such a seneschal?

At last I saw the shadowed bars
  Like a lattice wrought in lead,
Move right across the whitewashed wall
  That faced my three-plank bed,
And I knew that somewhere in the world
  God’s dreadful dawn was red.

At six o’clock we cleaned our cells,
  At seven all was still,
But the sough and swing of a mighty wing
  The prison seemed to fill,
For the Lord of Death with icy breath
  Had entered in to ****.

He did not pass in purple pomp,
  Nor ride a moon-white steed.
Three yards of cord and a sliding board
  Are all the gallows’ need:
So with rope of shame the Herald came
  To do the secret deed.

We were as men who through a fen
  Of filthy darkness *****:
We did not dare to breathe a prayer,
  Or give our anguish scope:
Something was dead in each of us,
  And what was dead was Hope.

For Man’s grim Justice goes its way,
  And will not swerve aside:
It slays the weak, it slays the strong,
  It has a deadly stride:
With iron heel it slays the strong,
  The monstrous parricide!

We waited for the stroke of eight:
  Each tongue was thick with thirst:
For the stroke of eight is the stroke of Fate
  That makes a man accursed,
And Fate will use a running noose
  For the best man and the worst.

We had no other thing to do,
  Save to wait for the sign to come:
So, like things of stone in a valley lone,
  Quiet we sat and dumb:
But each man’s heart beat thick and quick
  Like a madman on a drum!

With sudden shock the prison-clock
  Smote on the shivering air,
And from all the gaol rose up a wail
  Of impotent despair,
Like the sound that frightened marshes hear
  From a ***** in his lair.

And as one sees most fearful things
  In the crystal of a dream,
We saw the greasy hempen rope
  Hooked to the blackened beam,
And heard the prayer the hangman’s snare
  Strangled into a scream.

And all the woe that moved him so
  That he gave that bitter cry,
And the wild regrets, and the ****** sweats,
  None knew so well as I:
For he who lives more lives than one
  More deaths than one must die.


IV

There is no chapel on the day
  On which they hang a man:
The Chaplain’s heart is far too sick,
  Or his face is far too wan,
Or there is that written in his eyes
  Which none should look upon.

So they kept us close till nigh on noon,
  And then they rang the bell,
And the Warders with their jingling keys
  Opened each listening cell,
And down the iron stair we tramped,
  Each from his separate Hell.

Out into God’s sweet air we went,
  But not in wonted way,
For this man’s face was white with fear,
  And that man’s face was grey,
And I never saw sad men who looked
  So wistfully at the day.

I never saw sad men who looked
  With such a wistful eye
Upon that little tent of blue
  We prisoners called the sky,
And at every careless cloud that passed
  In happy freedom by.

But there were those amongst us all
  Who walked with downcast head,
And knew that, had each got his due,
  They should have died instead:
He had but killed a thing that lived
  Whilst they had killed the dead.

For he who sins a second time
  Wakes a dead soul to pain,
And draws it from its spotted shroud,
  And makes it bleed again,
And makes it bleed great gouts of blood
  And makes it bleed in vain!

Like ape or clown, in monstrous garb
  With crooked arrows starred,
Silently we went round and round
  The slippery asphalte yard;
Silently we went round and round,
  And no man spoke a word.

Silently we went round and round,
  And through each hollow mind
The memory of dreadful things
  Rushed like a dreadful wind,
And Horror stalked before each man,
  And terror crept behind.

The Warders strutted up and down,
  And kept their herd of brutes,
Their uniforms were ***** and span,
  And they wore their Sunday suits,
But we knew the work they had been at
  By the quicklime on their boots.

For where a grave had opened wide,
  There was no grave at all:
Only a stretch of mud and sand
  By the hideous prison-wall,
And a little heap of burning lime,
  That the man should have his pall.

For he has a pall, this wretched man,
  Such as few men can claim:
Deep down below a prison-yard,
  Naked for greater shame,
He lies, with fetters on each foot,
  Wrapt in a sheet of flame!

And all the while the burning lime
  Eats flesh and bone away,
It eats the brittle bone by night,
  And the soft flesh by the day,
It eats the flesh and bones by turns,
  But it eats the heart alway.

For three long years they will not sow
  Or root or seedling there:
For three long years the unblessed spot
  Will sterile be and bare,
And look upon the wondering sky
  With unreproachful stare.

They think a murderer’s heart would taint
  Each simple seed they sow.
It is not true! God’s kindly earth
  Is kindlier than men know,
And the red rose would but blow more red,
  The white rose whiter blow.

Out of his mouth a red, red rose!
  Out of his heart a white!
For who can say by what strange way,
  Christ brings his will to light,
Since the barren staff the pilgrim bore
  Bloomed in the great Pope’s sight?

But neither milk-white rose nor red
  May bloom in prison air;
The shard, the pebble, and the flint,
  Are what they give us there:
For flowers have been known to heal
  A common man’s despair.

So never will wine-red rose or white,
  Petal by petal, fall
On that stretch of mud and sand that lies
  By the hideous prison-wall,
To tell the men who ***** the yard
  That God’s Son died for all.

Yet though the hideous prison-wall
  Still hems him round and round,
And a spirit man not walk by night
  That is with fetters bound,
And a spirit may not weep that lies
  In such unholy ground,

He is at peace—this wretched man—
  At peace, or will be soon:
There is no thing to make him mad,
  Nor does Terror walk at noon,
For the lampless Earth in which he lies
  Has neither Sun nor Moon.

They hanged him as a beast is hanged:
  They did not even toll
A reguiem that might have brought
  Rest to his startled soul,
But hurriedly they took him out,
  And hid him in a hole.

They stripped him of his canvas clothes,
  And gave him to the flies;
They mocked the swollen purple throat
  And the stark and staring eyes:
And with laughter loud they heaped the shroud
  In which their convict lies.

The Chaplain would not kneel to pray
  By his dishonored grave:
Nor mark it with that blessed Cross
  That Christ for sinners gave,
Because the man was one of those
  Whom Christ came down to save.

Yet all is well; he has but passed
  To Life’s appointed bourne:
And alien tears will fill for him
  Pity’s long-broken urn,
For his mourner will be outcast men,
  And outcasts always mourn.


V

I know not whether Laws be right,
  Or whether Laws be wrong;
All that we know who lie in gaol
  Is that the wall is strong;
And that each day is like a year,
  A year whose days are long.

But this I know, that every Law
  That men have made for Man,
Since first Man took his brother’s life,
  And the sad world began,
But straws the wheat and saves the chaff
  With a most evil fan.

This too I know—and wise it were
  If each could know the same—
That every prison that men build
  Is built with bricks of shame,
And bound with bars lest Christ should see
  How men their brothers maim.

With bars they blur the gracious moon,
  And blind the goodly sun:
And they do well to hide their Hell,
  For in it things are done
That Son of God nor son of Man
  Ever should look upon!

The vilest deeds like poison weeds
  Bloom well in prison-air:
It is only what is good in Man
  That wastes and withers there:
Pale Anguish keeps the heavy gate,
  And the Warder is Despair

For they starve the little frightened child
  Till it weeps both night and day:
And they scourge the weak, and flog the fool,
  And gibe the old and grey,
And some grow mad, and all grow bad,
And none a word may say.

Each narrow cell in which we dwell
  Is foul and dark latrine,
And the fetid breath of living Death
  Chokes up each grated screen,
And all, but Lust, is turned to dust
  In Humanity’s machine.

The brackish water that we drink
  Creeps with a loathsome slime,
And the bitter bread they weigh in scales
  Is full of chalk and lime,
And Sleep will not lie down, but walks
  Wild-eyed and cries to Time.

But though lean Hunger and green Thirst
  Like asp with adder fight,
We have little care of prison fare,
  For what chills and kills outright
Is that every stone one lifts by day
  Becomes one’s heart by night.

With midnight always in one’s heart,
  And twilight in one’s cell,
We turn the crank, or tear the rope,
  Each in his separate Hell,
And the silence is more awful far
  Than the sound of a brazen bell.

And never a human voice comes near
  To speak a gentle word:
And the eye that watches through the door
  Is pitiless and hard:
And by all forgot, we rot and rot,
  With soul and body marred.

And thus we rust Life’s iron chain
  Degraded and alone:
And some men curse, and some men weep,
  And some men make no moan:
But God’s eternal Laws are kind
  And break the heart of stone.

And every human heart that breaks,
  In prison-cell or yard,
Is as that broken box that gave
  Its treasure to the Lord,
And filled the unclean *****’s house
  With the scent of costliest nard.

Ah! happy day they whose hearts can break
  And peace of pardon win!
How else may man make straight his plan
  And cleanse his soul from Sin?
How else but through a broken heart
  May Lord Christ enter in?

And he of the swollen purple throat.
  And the stark and staring eyes,
Waits for the holy hands that took
  The Thief to Paradise;
And a broken and a contrite heart
  The Lord will not despise.

The man in red who reads the Law
  Gave him three weeks of life,
Three little weeks in which to heal
  His soul of his soul’s strife,
And cleanse from every blot of blood
  The hand that held the knife.

And with tears of blood he cleansed the hand,
  The hand that held the steel:
For only blood can wipe out blood,
  And only tears can heal:
And the crimson stain that was of Cain
  Became Christ’s snow-white seal.


VI

In Reading gaol by Reading town
  There is a pit of shame,
And in it lies a wretched man
  Eaten by teeth of flame,
In burning winding-sheet he lies,
  And his grave has got no name.

And there, till Christ call forth the dead,
  In silence let him lie:
No need to waste the foolish tear,
  Or heave the windy sigh:
The man had killed the thing he loved,
  And so he had to die.

And all men **** the thing they love,
  By all let this be heard,
Some do it with a bitter look,
  Some with a flattering word,
The coward does it with a kiss,
  The brave man with a sword!
Aladdin Aures H Jul 2019
Stages Of Feelings Goes Like Ice
To Drop The Tears And Marrow
Highly Supports My Own Vice
At Very Last "A Word" To Swallow
And Here Goes The Cycles Nice
Then A Clip Drags My Faded morrow
Stops The Ticks And Hide The Voice
Digging Holes And Sparked Fallow
Dark Goes And Dark Owns My face
The Life Through An Eye Of A Crow
Wild And Reckless Goes Your Dice
Pull It Slow, Near The Fifth Toe
Till Then Starts Your ***** Chase
Still Death Goes In Me So Slow

Here We Are, And Here We Go
In Another Lie, Another Sorrow
Here You Sell, And Someone Buys
So Keep The Change With Thousad Lies

****** Bad In A Brutal Bridal Blade
Mauling Her Metal In Such Daily Fail
Does Flames Flesh's The Coupled Bud
Take It Easy!, As Long You'll Sell It All
Naive!, Cuts Her Finger In Every Raid
To Skip But Delay The Inversed Sail
That Way You Think It'll Make Me Sad
It Will Sink Your Ship In Doors Of Hell
Rain And Hail Goes Upon Your Head
Mark My Words With One Last Smile
Remember Them In Your Stupid Mood
So You Save Your Self From These All

Here We Are, And Here We Go
In Another Lie, Another Sorrow
Here You Sell, And Someone Buys
So Keep The Change With Thousad Lies

Author : Aladdin AURES H.
Kagami Nov 2013
Silent crackle, tingle,
The smell of a sticky must. Floating dust in
An abandoned attic, where the rats roam and the dead skeleton of a fish
Still lies in an empty bowl of moldy rocks and plastic plants.
Yet, despite the emptiness, a girl curls up in the corner, black
Running down her face as she weeps for the things she longs for most.
She looks out the *****, broken window at the cloudy sky and imagines it
Blue. The brightest of skies with only few hints of cirrus.
A blanket on the ground and the man she loves, nothing else in sight.
The expanse of green in her head is contrasted to the rotting floorboards she lays
On, dreaming. The steady beat of Boy in Static thrumming through her headset
As she struggles not to scream and jump, finishing the job on the window
From troubled teens years before. The sound reminds her of VHS tapes,
Press rewind, take a turn and start over. But she can't, when something has changed.
The boy she knew, looking down with his hood not up, but covering his face, shielding
Himself from her. She knew he had a ***** in his head, but she just looked away. He never answered anything she asked. He was unable.
But her heart still dropped, she smiled her best. An amazing actress, fooling everyone, makeup allergy keeping her eyes dry. She just read Huck Finn as though nothing was wrong.
Now she sits in her room, writing and shaking her head. This line is not right.
Her walls were full of color and poetry, but her mind kept wandering to that attic.

She was there again. Blankly staring at her star charm anklet. A simple blue ribbon.
And the throbbing of her heartbeat through that one spot on her thumb,
That pressure point that hurts more than anything. But one thing could be worse.
Being left. Just like the broken rocking horse in the corner and the baby's cradle
Lined with blue silk that was shoved into a box. That baby is probably dead. Just like all
Of the others who lived there, burned by the fire. Goose flesh raises, prickly
Hairs on her legs from a week of no shaving. Scratch. Scratch. Scratch. Bleed.
Change the song. Bleed Like Me. Perfect. She draws on the peeling walls, two hundred
Years of wallpaper and lead paint, chalk barely leaving a mark. She sketches a masterpiece.
A child that she wishes she could have. Impossibly too young, but still...
A daughter she could raise better than her mother raised her. A chance to do something right.
More than the mechanic life she has lead, empty and useless.
Confused and pathetic. Like the broken grandfather clock that ticks backwards.
Three, two, one.
Ding-****, ****-ding. Grandfather never taught me anything. He was not a wise man.
He was a fool. Knew too much and too little, no room to know what was right.
She let another raindrop escape and suddenly it began to pour. Lightning crashes as a glass
Slipper collides with the picture drawn of her dream. Thunder as she releases a
Bloodcurdling scream. "Why!?"
Why her? The pain in her back is unbearable. She slouches too much, and her eyes burn.
She is not Cinderella; her ball gown does not glitter.
Piano is her least favorite instrument, but it somehow gets to her. Small hammers
Striking her heart strings, low notes reminding her of his voice and the soft, feminine
Voices radiating, remind her of when she was young... Immortal. She has aged since then.
Too quickly. Her entire life has been a masquerade ball. Unskilled idiots dancing
Around her and stepping on her toes. Shouldering her in the stomach,
Breaking her ribs. Beats of music guide her skilled toes, swerve around falling raindrops that
Her own eyes emit. And she crashes through the floor of that dismal attic. Broken free,
But she is still trapped. The walls are charred down here.

But the walls are not painted black. They were once a mint color, green and cheerful, healthy.
Until a psychopath lit a match.
"I didn't mean to do it." It was all in her head. The house.
She set it aflame.

She sits in her room, writing and shaking her head. This line is not right.
Her walls were full of color and poetry. It isn't worth it to stare. Nothing will change.
She is still just a girl in a glass box, being stared at and judged. Trapped and ridiculed because her eyes bleed and bless the onlookers with bad luck. It's amazing the things
That people don't know. Drifting deeper into a pit of endless darkness. A candle won't
Live down here. No oxygen to let it breathe. But one lit self portrait hangs in the air.
Years ago, drawn in pencil. Symbolic, it wants to be erased. To die.
And the ******* the page is wearing a mask. The girl in the parchment is me.
Medium length hair and a tear painted, permanent. A Parasite. Capitalized for its meaning.

A demon is running through me, singeing
My tissues, blisters on the insides of my bones. Swelled up, show through
My skin. Waves on a shore. But I am not a beach. A ***** maybe...
Still, I hate it. The hate killed whatever flowers I had left planted in my mind.
Tainted me with the horrible visions of a tear streaked face of paper mâché.
She was the one in the attic. Her whole persona
Wilted and ashen, grey. A silent movie might mask it; the hurt, I mean.
The grey lines on the screen hiding the bags under her eyes and the redness of her nose,
Get rid of the twinkling shards of glass frozen on her cheek from crying in the dead of winter.
Slip up once, and everything goes to hell. Well, I must have slipped years before I was born.
Few smiles are left on this dismal timeline. And I shall use them wisely. But, for now,
I think I will just weep, sleep forever and hope that you don't give up on me and pull the plug.
I am still here somewhere, just dormant. Please wake me up. Get me out of this charred cabin,
This glass box. Pull me out of my warped sense of everything, teach me again what
Love feels like. I have forgotten amidst everything that I have felt and remembered.
There is no more room for things to be learned. Only for things to be repaired.
I will give you a hammer. Come inside and fix me; that ***** in your head couldn't have taken your knowledge away. You are the only one that knows.

Use this never ending lightning and bring your bride to life.
ryn Jan 2015
.
   Curious minds,
      splashing under
       moonlight
       With
      outstretched kisses
     pulsating yellow,
     Over the awestruck
      magical
       rainbow,
         Feverishly tracking each
         supernova
      on sight.


   Resting the moment
    on a
     cresting knoll,
    With
   an audience of several
   time-worn
     rocks.
      Whilst the
        whistling sirens
        in the winds do call...
          Wasting away
        the ticks of
     worldly
      clocks.


        Evading with class,
       all
       heart's turbulence,
        Craters of sadness
          congeal
           in thin air,
             Glamorous amnesia
             falls
          with cadence,
         Eyes wide shut,
         susurrating
          a
           lost prayer.


             Lifeless gazes
               yield
               only
             abrasive tears.
             As erratum
              catches up
                with its
                 gaping maw.
              Hurling
            its anguish
             in
             rips and shears,
              Bleeding out
                of
               singing wounds
             so raw.

             But...
              time carries confident,
                its stock of
                   soothing balm.
                   Latent doses
                 hidden
                within
                 invisible vials.
                  Welcoming vision
                    with its
                    sunlit palms,
                   Staving the longing
                    for the
                    fear of trials.


                      Now hushed
                         remain the remorseful
                        battle trenches,
                        Deprived of their own
                          victims
                           ­ save gaping wounds,
                            Only
                        ­     faint faith
                                commanding
                ­                   corroded limp
                                   forces,
                                 Stirring
                                light away
                               from
                                all
                        ­         agony
                                    and
                   ­                doom.



                              Moonskittles
           ­                 *ryn
.
This has been an amazing experience!!! Big thanks to Moonskittles for the opportunity to share a page with her captivating style of poetry!!!
.

— The End —