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"throttled" poems
It is only in the state of galvanization, do I realize what it means to be impervious in youth. I have a father who stresses to me this: "Happiness is elusive." This is the kind of statement that must be swished around in the mouth, only to be spat back out. "Happiness is elusive." It is cause for concern, really. I will do my best in order to refuse to believe it, to believe him. Happiness is achieved through discovery. I think that I may have once had a sister (in my recollection she was very pretty). I was around her whenever it was deemed possible to do so -- it honestly wasn't too often that I could. In the very nooks and crannies of my childhood, if I could fall back unto the natural sublimity of it all; I do recall that I had a sister. Her features must have been youthful, from what I remember she was no more than inexplicable. If it were not so ambiguous, I might feel more inclined to speak with her again some day. The past is a scary thing. I feel pain in thinking of the lengths behind me, for what I have cultivated is sour. Recently a good friend accused me of this: "Being a recluse, spiteful, selfish person." Her notion both confused and throttled me, and only afterward did she speak in such a fervently aural tone: "That is o.k., you're only human after all." This is the very comment that sliced my being into a duality, leaving me to write poetry in order to attempt to find higher acceptance. Wisdom is a well, funny euphemism for delusion; And in my youth I am impervious.
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Apr 9, 2013
Apr 9, 2013 at 8:26 PM UTC
Wisdom is a well, funny euphemism for delusion
It is only in the state of galvanization, do I realize what it means to be impervious in youth. I have a father who stresses to me this: "Happiness is elusive." This is the kind of statement that must be swished around in the mouth, only to be spat back out. "Happiness is elusive." It is cause for concern, really. I will do my best in order to refuse to believe it, to believe him. Happiness is achieved through discovery. I think that I may have once had a sister (in my recollection she was very pretty). I was around her whenever it was deemed possible to do so -- it honestly wasn't too often that I could. In the very nooks and crannies of my childhood, if I could fall back unto the natural sublimity of it all; I do recall that I had a sister. Her features must have been youthful, from what I remember she was no more than inexplicable. If it were not so ambiguous, I might feel more inclined to speak with her again some day. The past is a scary thing. I feel pain in thinking of the lengths behind me, for what I have cultivated is sour. Recently a good friend accused me of this: "Being a recluse, spiteful, selfish person." Her notion both confused and throttled me, and only afterward did she speak in such a fervently aural tone: "That is o.k., you're only human after all." This is the very comment that sliced my being into a duality, leaving me to write poetry in order to attempt to find higher acceptance. Wisdom is a well, funny euphemism for delusion; And in my youth I am impervious.
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33
maybe the reason why I dislike Batman and love the X-Men is because Batman, gifted with money and power, chose his struggle the X-Men were forced- they had mutanthood shoved upon them and had to be crucifed as society pushed them away hiding in fear and hatred of what they must face the X-Men learn to adapt, they take what they have and choose to be the better man, or the worse man, but they take the fight that was given them and the freakery that they were born with, and they adapt. Batman, however, was born normally, did not have to run or hide, for he was privileged, and he walked, walked straight into freakery he took the burden others were throttled with and laid it upon his own shoulders, crying 'woe is me' whilst he went about the noble task of hero-dom he made himself a fancy suit- he had been given normalcy and he invented freakery in order to claim sacrifice he did not need to give himself- he was an ordinary man that laid down his life. The reason why that bothers me so much is that ordinary men do not need to lay down their lives they are not called to that future it is not in their cards he claimed his heroic deeds and choose to throw himself into the furnace flames- while others suffered unwillingly he chose it he took their pain and made it less 'see, I can do it! anyone can do it!' what makes the X-Men special is that their mutation isn't 'deal with pain of superheroism' it's some other power, but they have to learn how to be ostracized not anyone can do that- they had to their survival depended on it Batman walked into the struggle of their lives and declared himself a hero though, for some, the declaration was not in their words or actions, it was written into their DNA, it was marked in their skin by the brands of their oppressors, it was pounded into every heartbeat shocked with electricity they fought and hid their heroism their whole lives for they knew- it was not something to love, it was something to suffer with- and Batman took that, he took the heroism and he projected it across the night sky, declaring, "I am Batman", and it is something he can escape from, he can walk away, he can walk away, he can walk away, and yes, he chooses not to, but what he does is steal from those who cannot walk away his heroism takes the nails in the hands of mutants and orphans and masochistically drives them into his own palms crying whilst doing it. rather than being forced to adapt and look normal, he puts on a suit and prances through the night dramatically he takes everything sufferable about being a hero and tosses it out the window- he takes everything noble about being a hero and growls it in a dramatic voice, posing, in his fancy suit, when he could be safe at home. why would you choose this why would anyone choose this be thankful for your ability to be safe, that is the real superpower- the ability to be normal, to have a home to go back to, to have a normal purpose and a normal life, and Batman is completely, utterly, ungrateful- he wishes there were more, while those born with 'gifts' would be satisfied with even less.
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Oct 26, 2014
Oct 26, 2014 at 7:23 PM UTC
batman
maybe the reason why I dislike Batman and love the X-Men is because Batman, gifted with money and power, chose his struggle the X-Men were forced- they had mutanthood shoved upon them and had to be crucifed as society pushed them away hiding in fear and hatred of what they must face the X-Men learn to adapt, they take what they have and choose to be the better man, or the worse man, but they take the fight that was given them and the freakery that they were born with, and they adapt. Batman, however, was born normally, did not have to run or hide, for he was privileged, and he walked, walked straight into freakery he took the burden others were throttled with and laid it upon his own shoulders, crying 'woe is me' whilst he went about the noble task of hero-dom he made himself a fancy suit- he had been given normalcy and he invented freakery in order to claim sacrifice he did not need to give himself- he was an ordinary man that laid down his life. The reason why that bothers me so much is that ordinary men do not need to lay down their lives they are not called to that future it is not in their cards he claimed his heroic deeds and choose to throw himself into the furnace flames- while others suffered unwillingly he chose it he took their pain and made it less 'see, I can do it! anyone can do it!' what makes the X-Men special is that their mutation isn't 'deal with pain of superheroism' it's some other power, but they have to learn how to be ostracized not anyone can do that- they had to their survival depended on it Batman walked into the struggle of their lives and declared himself a hero though, for some, the declaration was not in their words or actions, it was written into their DNA, it was marked in their skin by the brands of their oppressors, it was pounded into every heartbeat shocked with electricity they fought and hid their heroism their whole lives for they knew- it was not something to love, it was something to suffer with- and Batman took that, he took the heroism and he projected it across the night sky, declaring, "I am Batman", and it is something he can escape from, he can walk away, he can walk away, he can walk away, and yes, he chooses not to, but what he does is steal from those who cannot walk away his heroism takes the nails in the hands of mutants and orphans and masochistically drives them into his own palms crying whilst doing it. rather than being forced to adapt and look normal, he puts on a suit and prances through the night dramatically he takes everything sufferable about being a hero and tosses it out the window- he takes everything noble about being a hero and growls it in a dramatic voice, posing, in his fancy suit, when he could be safe at home. why would you choose this why would anyone choose this be thankful for your ability to be safe, that is the real superpower- the ability to be normal, to have a home to go back to, to have a normal purpose and a normal life, and Batman is completely, utterly, ungrateful- he wishes there were more, while those born with 'gifts' would be satisfied with even less.
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70
In this, my last hour of rhyme, with stains uncontainèd by shaking hands Spreading like red soldiers running wartime untempered by generals shouting commands Then laughing like drunkards, drowning in wine that rich purple spills out from its barrels Then lying on bartops, eyes shine porcine and unheard soft voices hiss curses and carols. O, woe be on me if I speak out of time; out-tumbling come innards, spewed from a mouth Which whispered sad prayers in corners of grime: hints of spring-season on trips to the south; Watch them out-tumble, watch horri-divine like the death of the tragic, acted but true Yet laughing old minstrels declare it quite fine: and friends ensure royal-men breathe not from the blue. Hours fly past on wings of the Sun who turns misted eyes from child-fight below And lives lives of many, but cares not for none not least merchant servants, throttled in the snow. I fade and I fade: a blossom once watered and love of the stage is clogging my throat It changes my words: I fight it, I fought it and hot-wet floods up with drowning and choke. This minute, these words: I defy death. And cold, outward slipping: my slow final breath.
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Apr 25, 2014
Apr 25, 2014 at 5:14 AM UTC
Death of the Poet, Mercutio
But why did I **** him? Why? Why? In the small, gilded room, near the stair? My ears rack and throb with his cry, And his eyes goggle under his hair, As my fingers sink into the fair White skin of his throat. It was I! I killed him! My God! Don't you hear? I shook him until his red tongue Hung flapping out through the black, queer, Swollen lines of his lips. And I clung With my nails drawing blood, while I flung The loose, heavy body in fear. Fear lest he should still not be dead. I was drunk with the lust of his life. The blood-drops oozed slow from his head And dabbled a chair. And our strife Lasted one reeling second, his knife Lay and winked in the lights overhead. And the waltz from the ballroom I heard, When I called him a low, sneaking cur. And the wail of the violins stirred My brute anger with visions of her. As I throttled his windpipe, the purr Of his breath with the waltz became blurred. I have ridden ten miles through the dark, With that music, an infernal din, Pounding rhythmic inside me. Just Hark! One! Two! Three! And my fingers sink in To his flesh when the violins, thin And straining with passion, grow stark. One! Two! Three! Oh, the horror of sound! While she danced I was crushing his throat. He had tasted the joy of her, wound Round her body, and I heard him gloat On the favour. That instant I smote. One! Two! Three! How the dancers swirl round! He is here in the room, in my arm, His limp body hangs on the spin Of the waltz we are dancing, a swarm Of blood-drops is hemming us in! Round and round! One! Two! Three! And his sin Is red like his tongue lolling warm. One! Two! Three! And the drums are his knell. He is heavy, his feet beat the floor As I drag him about in the swell Of the waltz. With a menacing roar, The trumpets crash in through the door. One! Two! Three! clangs his funeral bell. One! Two! Three! In the chaos of space Rolls the earth to the hideous glee Of death! And so cramped is this place, I stifle and pant. One! Two! Three! Round and round! God! 'Tis he throttles me! He has covered my mouth with his face! And his blood has dripped into my heart! And my heart beats and labours. One! Two! Three! His dead limbs have coiled every part Of my body in tentacles. Through My ears the waltz jangles. Like glue His dead body holds me athwart. One! Two! Three! Give me air! Oh! My God! One! Two! Three! I am drowning in slime! One! Two! Three! And his corpse, like a clod, Beats me into a jelly! The chime, One! Two! Three! And his dead legs keep time. Air! Give me air! Air! My God!
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4.6k
After Hearing A Waltz By Bartok
But why did I **** him? Why? Why? In the small, gilded room, near the stair? My ears rack and throb with his cry, And his eyes goggle under his hair, As my fingers sink into the fair White skin of his throat. It was I! I killed him! My God! Don't you hear? I shook him until his red tongue Hung flapping out through the black, queer, Swollen lines of his lips. And I clung With my nails drawing blood, while I flung The loose, heavy body in fear. Fear lest he should still not be dead. I was drunk with the lust of his life. The blood-drops oozed slow from his head And dabbled a chair. And our strife Lasted one reeling second, his knife Lay and winked in the lights overhead. And the waltz from the ballroom I heard, When I called him a low, sneaking cur. And the wail of the violins stirred My brute anger with visions of her. As I throttled his windpipe, the purr Of his breath with the waltz became blurred. I have ridden ten miles through the dark, With that music, an infernal din, Pounding rhythmic inside me. Just Hark! One! Two! Three! And my fingers sink in To his flesh when the violins, thin And straining with passion, grow stark. One! Two! Three! Oh, the horror of sound! While she danced I was crushing his throat. He had tasted the joy of her, wound Round her body, and I heard him gloat On the favour. That instant I smote. One! Two! Three! How the dancers swirl round! He is here in the room, in my arm, His limp body hangs on the spin Of the waltz we are dancing, a swarm Of blood-drops is hemming us in! Round and round! One! Two! Three! And his sin Is red like his tongue lolling warm. One! Two! Three! And the drums are his knell. He is heavy, his feet beat the floor As I drag him about in the swell Of the waltz. With a menacing roar, The trumpets crash in through the door. One! Two! Three! clangs his funeral bell. One! Two! Three! In the chaos of space Rolls the earth to the hideous glee Of death! And so cramped is this place, I stifle and pant. One! Two! Three! Round and round! God! 'Tis he throttles me! He has covered my mouth with his face! And his blood has dripped into my heart! And my heart beats and labours. One! Two! Three! His dead limbs have coiled every part Of my body in tentacles. Through My ears the waltz jangles. Like glue His dead body holds me athwart. One! Two! Three! Give me air! Oh! My God! One! Two! Three! I am drowning in slime! One! Two! Three! And his corpse, like a clod, Beats me into a jelly! The chime, One! Two! Three! And his dead legs keep time. Air! Give me air! Air! My God!
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66
Disclaimer: I did this as a creative rewrite for one of my university lit courses, and all the inspiration and quotes belong to Robert Browning the original writer of "My Last Duchess" HIS LAST DUCHESS ARRIVEDERCI _“That’s my last Duchess painted on the wall, Looking as if she were alive.”_ (I’m not) Alas! Me, “a wonder.” He calls. Now wretchedly refined and pasteurized. To be consumed, now, for genteel eyes. Pity! Should you ever see me roll mine. Behind those curtains, you might have been surprised To see my countenance whimpering At you Sir; and seething, at _Him._ Must you not be fooled by that sickly decorum Upon which his manly pride resides. The Duke—what rich talent in envy he has, And of pithy idiosyncrasies! Pardon me now As I speak of his infamies: Is it not, Too preposterous of a Duke, to sulk And take offense, over a blush? (As if the blush was his to wield and shun.) Am I not allowed to flush _at all?_ And must I be ashamed of being swooned By the casual offers of life’s grandiosities? Each and every, dropping of the daylight, Ripen cherries in May and chivalrous gentlemen, my dear white mule; must I then weep at them all, only to prove my fancy for him. And when does gracious gratitude itself become in vain: a finite honour— deemed excessive elsewhere? Never had he plucked me out, for censure, Before he gave commands, I knew he did To pluck the smile out of my face. Utterly clueless—he thought I was To find myself throttled, for immodesty. A wife, an appendage to a Duke, Loosely felled, to stroke a green-eyed ego. My fault it seems, is a mere generosity Of affection: falsely opined, if not Misread, to fare a defect of temperament, A chronic malady, doth be cured by death. To cement the farce he will, soon, bring you Downstairs to meet a friend. (a fiend) A prized possession: Neptune, taming a sea-horse. His hubris incarnate, cast in bronze. But you must know the truth, for the sea-horse Did not perish for naught, she is freed from him At last.
0
Dec 7, 2018
Dec 7, 2018 at 3:26 PM UTC
HIS LAST DUCHESS
Disclaimer: I did this as a creative rewrite for one of my university lit courses, and all the inspiration and quotes belong to Robert Browning the original writer of "My Last Duchess" HIS LAST DUCHESS ARRIVEDERCI _“That’s my last Duchess painted on the wall, Looking as if she were alive.”_ (I’m not) Alas! Me, “a wonder.” He calls. Now wretchedly refined and pasteurized. To be consumed, now, for genteel eyes. Pity! Should you ever see me roll mine. Behind those curtains, you might have been surprised To see my countenance whimpering At you Sir; and seething, at _Him._ Must you not be fooled by that sickly decorum Upon which his manly pride resides. The Duke—what rich talent in envy he has, And of pithy idiosyncrasies! Pardon me now As I speak of his infamies: Is it not, Too preposterous of a Duke, to sulk And take offense, over a blush? (As if the blush was his to wield and shun.) Am I not allowed to flush _at all?_ And must I be ashamed of being swooned By the casual offers of life’s grandiosities? Each and every, dropping of the daylight, Ripen cherries in May and chivalrous gentlemen, my dear white mule; must I then weep at them all, only to prove my fancy for him. And when does gracious gratitude itself become in vain: a finite honour— deemed excessive elsewhere? Never had he plucked me out, for censure, Before he gave commands, I knew he did To pluck the smile out of my face. Utterly clueless—he thought I was To find myself throttled, for immodesty. A wife, an appendage to a Duke, Loosely felled, to stroke a green-eyed ego. My fault it seems, is a mere generosity Of affection: falsely opined, if not Misread, to fare a defect of temperament, A chronic malady, doth be cured by death. To cement the farce he will, soon, bring you Downstairs to meet a friend. (a fiend) A prized possession: Neptune, taming a sea-horse. His hubris incarnate, cast in bronze. But you must know the truth, for the sea-horse Did not perish for naught, she is freed from him At last.
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48
the skull and spine of seventy seven men, extracted. retribution far past putrefaction. a pile of bones in the center of town, at the corner of washington & rochambeau. gather around. do you believe in the boogeyman? a glitch in the darkness. an echo of rage, high chroma bacteriophage. every faithless father, every sister spared, every ritual sung just right, a brief blackout, reconfigured pixels of outer night. [bobby’s sega genesis awakens on its own] thirty three years to the day, he died on that suncrest boulevard, returned today just to say “hey.” graveyard family tree and the moon. first as a manifestation of electromagnetic phenomena in a videogame’s cpu. 1993. second as a fully-fledged entity materialized via videocassette, hungry for pizza and pure vengeance. 2001. third from beneath bedrock, the quarry belly baste, a body buried thrice, undead toxic tumescence, a walking corpse heaving black plasma. 2020. the sequel. the son. the spectral chosen one, he rips out a throat or two, quite fashionably so, a man about town throttled and disemboweled, as friends and neighbors stumble and sprint to escape with their own godforsaken skin. let the bone collection begin. emerged in afterschool hallways to **** old classmates turned teachers. emerged in afterhours offices to devour old buddies turned bankers. emerged in the quiet dark homes of neighborhood flesh and folk. blood soaked socks. why? you ask, must all these people die? vengeance? no. that was a lie. he killed those people for a laugh & that’s that.
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Oct 17, 2014
Oct 17, 2014 at 2:58 AM UTC
night terror
the skull and spine of seventy seven men, extracted. retribution far past putrefaction. a pile of bones in the center of town, at the corner of washington & rochambeau. gather around. do you believe in the boogeyman? a glitch in the darkness. an echo of rage, high chroma bacteriophage. every faithless father, every sister spared, every ritual sung just right, a brief blackout, reconfigured pixels of outer night. [bobby’s sega genesis awakens on its own] thirty three years to the day, he died on that suncrest boulevard, returned today just to say “hey.” graveyard family tree and the moon. first as a manifestation of electromagnetic phenomena in a videogame’s cpu. 1993. second as a fully-fledged entity materialized via videocassette, hungry for pizza and pure vengeance. 2001. third from beneath bedrock, the quarry belly baste, a body buried thrice, undead toxic tumescence, a walking corpse heaving black plasma. 2020. the sequel. the son. the spectral chosen one, he rips out a throat or two, quite fashionably so, a man about town throttled and disemboweled, as friends and neighbors stumble and sprint to escape with their own godforsaken skin. let the bone collection begin. emerged in afterschool hallways to **** old classmates turned teachers. emerged in afterhours offices to devour old buddies turned bankers. emerged in the quiet dark homes of neighborhood flesh and folk. blood soaked socks. why? you ask, must all these people die? vengeance? no. that was a lie. he killed those people for a laugh & that’s that.
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39
It started when I looked at the clock:                        9:17 The coffee maker convinced me to stay Had I planned to leave? Yes, of course, the channel I left it on She's there. Again? Wait, I heard that! Who's there? #*“Could find my way to Marianna---ahah--ah” The sine wave! That's it! I left them in the car. These fibers are congregating They want to get me, But I am just a flea!* It started when I looked at the clock:                       9:18 I sat down with Earth and ate Earl's burrito Saturn bent down and showed me tomorrow The radio crackled as the molecules throttled ^“We're all Immigrants and hypocrites, delusionals and sycophants” I saw my fingers start to disappear Then my hands, my arms Even my ears! My EARS! I loved those ears... It started when I looked at the clock:                     9:16 They're here, aren't they? Radio crackles, you heard them! They're audible!                (3333333) The gorilla near the out goes strut, strut, strut I felt the universe collapse inside my gold tux Could you watch my fish for me? Marked stuff borrowed from: # Pixies- Wave of Mutilation ^Star ******* Hipsters- Immigrants and Hypocrites I felt like it, that's why.
0
Mar 31, 2012
Mar 31, 2012 at 6:47 PM UTC
Three minutes alone with Jebediah
Her tone, Crispy like new pair of headphones, Screams when I finger down her G string, Love hearing her moan, Get over here and lay on my lap, One hand down your neck while the other's ready to smack, She's a brand new model, My pick up line was immaculate, Coke bottle modelling body, Fuzz pedal throttled and jacked you in, You fret all day and no one to hammer your strings, ******* Brew** in Chili Peppers but I'm willing to make you Cream, So lay across my leg and let me do the rest, All that phat bass and no one to properly make you wet, Rubbing across your curves making sure your knobs are turned, Steel strings tight and ready to give this spanking you deserve, Tease and deceive till your ready to sing, Slip my fingers down your A and I'm ready to B, Playing your scales, Hitting that tail, Your mahogany curves scrumptious as hell, Maybe I'll stand up and ****** my hips, Into that back of that phat bass while loving the notes you hit, Strap you on because the way I like to hit it is hard, Octaves ****** and quiver on my fingers, Your heart, The shape of that wide, seductive and sumptuous *** All that bass you have can make any guy..........
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Apr 3, 2015
Apr 3, 2015 at 6:45 PM UTC
All About Dat Bass (A Lesson On Slapping)
Dizzy, the rush of thoughts incapacitate synapses firing, neurons     throttled, a crescendo     of dendrites branching Experience roots inwardly, tearing the humus            of pregnant dreams, scratching to see the blood beneath the scab.      The greater the itch, the greater         the disturbance of sleep,             bound by a tangle of vines,             deafened by the cobbling-together                 of thrushspeak, the cry of clouds                 contorting into unthinkable                      and suggestive shapes            Bleary-eyed, the lost wages    of sleep gambled away    on a ticking clock.
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Dec 1, 2015
Dec 1, 2015 at 12:11 PM UTC
Nightmare Hustle
Hey crow! Where Venus infers such that glass is TheHollow shell of tortoise blossoms oozing the Nyrous tips of incredulous sorceries, felt from oozing blue tears. The shapes are scented for you, the wands of new beginnings that carry you on. Leopards. Sunrises. Footsteps and madmen. Blitzkrieg harkening the weather's ovivorous lightning bursts to shake one's ears. White-colored hermine heroines throttled and wet with shades of gear. Small ranchito shrubs goose-pimple my skin, my hide; and shake this moon. Sway, into the early sun. Burning close to me.
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Apr 10, 2016
Apr 10, 2016 at 3:22 PM UTC
Murders of Crow
I seen her there in that rocking chair Grey hair flying everywhere She was rocking as fast as could be Letting out shrill squeaks of glee Beneath the wrinkles you could still see The child she so long ago use to be In her eyes was a glint Of a woman hell bent On squeezing out every once of fun She knew her time was almost done But for today she hadn't a care Let the people stare I watched the grandkids climb onboard As Grandma throttled up and the soared For imagination was her most prized possession She was leaving it to her grandkids, you could see it in their expression This lesson from their wild haired grandma that they got Would never ever be forgot As that rocking chair flew back and fourth Leaving the gravity of earth Headed for an adventure out in the galaxy Sharing Grandma's fantasy
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Jun 9, 2016
Jun 9, 2016 at 12:11 PM UTC
The Rocking Chair
The wicked, they come In a cerulean dream. The cellar door opened, With an opposable thumb. A disposable past And no ties in the future, They live within ****** And die through their caste. Oh, Ford! They cry out For all of their blessings. Oh, Ford! I cry too, To drown silent doubt. “Take me to your room.” She breathes, voice coppered, She conducts me. Unzips in One movement, fit to bloom. “Lenina,” I call, Eyes blinded by her colour. In a world so built and grey, I live only in her sprawl. We finish, my heart descending. She nicks her lips to my ear, Then reminds me thus; “Ending is better than mending.” To bed we fall; once, twice, thrice. Each time I cling longer, Wrap her in bedsheets, ‘Till she feels our ****** splice. With no use, she’s gone To some other embrace. Some cold shouldered support, Then to the salon. She’ll tell all to her friends, A gaggle of giggles. And he’ll speak of her, Like some means to an end. “Pneumatic,” is she, He’ll say with no stutter, “You should have her,” he’ll offer, Like the fruit from a tree. No, like meat, like meat, She is passed around. Like animals, the Alphas Bruise, **** and maltreat. Community. Snake-like, It moves as if one. Each person a muscle, Not separate but a part. Identity. It blurs, ‘Till I forget the use Of my name. Push it out, Repeat in my dreams. Stability. It comes, A two-gramme holiday. A superficial guffaw That veneers my face. Oh, Soma! Come take me, From where I don’t belong. To where passions are birthed Far from the hatchery. To where feelings are heartfelt, Not found in a pill. Where waistlines aren’t throttled By a Malthusian belt. A savage I am, In my pursuit for more. When I long for freedom, And not another half-gramme. Gaia, she held us in her womb. From fish to ape, she mothered too. Now all that’s left is this soulless gloom Where man is born only to consume.
0
Sep 25, 2013
Sep 25, 2013 at 11:08 AM UTC
Brave New World
The wicked, they come In a cerulean dream. The cellar door opened, With an opposable thumb. A disposable past And no ties in the future, They live within ****** And die through their caste. Oh, Ford! They cry out For all of their blessings. Oh, Ford! I cry too, To drown silent doubt. “Take me to your room.” She breathes, voice coppered, She conducts me. Unzips in One movement, fit to bloom. “Lenina,” I call, Eyes blinded by her colour. In a world so built and grey, I live only in her sprawl. We finish, my heart descending. She nicks her lips to my ear, Then reminds me thus; “Ending is better than mending.” To bed we fall; once, twice, thrice. Each time I cling longer, Wrap her in bedsheets, ‘Till she feels our ****** splice. With no use, she’s gone To some other embrace. Some cold shouldered support, Then to the salon. She’ll tell all to her friends, A gaggle of giggles. And he’ll speak of her, Like some means to an end. “Pneumatic,” is she, He’ll say with no stutter, “You should have her,” he’ll offer, Like the fruit from a tree. No, like meat, like meat, She is passed around. Like animals, the Alphas Bruise, **** and maltreat. Community. Snake-like, It moves as if one. Each person a muscle, Not separate but a part. Identity. It blurs, ‘Till I forget the use Of my name. Push it out, Repeat in my dreams. Stability. It comes, A two-gramme holiday. A superficial guffaw That veneers my face. Oh, Soma! Come take me, From where I don’t belong. To where passions are birthed Far from the hatchery. To where feelings are heartfelt, Not found in a pill. Where waistlines aren’t throttled By a Malthusian belt. A savage I am, In my pursuit for more. When I long for freedom, And not another half-gramme. Gaia, she held us in her womb. From fish to ape, she mothered too. Now all that’s left is this soulless gloom Where man is born only to consume.
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Earth is the scene of crime for many a death , Throttled by insane brains , gasping for breath. The world is in a triage situation ! Best way to change the future is through productive communication . Build a pathway that sets forth values , love , Respect and Compassion . Why let Earth go through the pain ? For what you give is what you gain ! Splash the seeds of love , sprinkle the manure of kindness , see the Earth prosper with fondness in total oneness!! Attracting  the beauty of the Earth like a magnet , We are the Gardner's of the planet !! © Mrunalini.D.Nimbalkar
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Feb 17, 2019
Feb 17, 2019 at 9:45 AM UTC
GARDENERS OF THE PLANET EARTH!
Abused, Abandoned and Alone, Bound, Beaten and Bruised Captured and Categorized ****** Defeated and Damaged Encompassed Faded, Failing, Flinching Gagged Hopeless, Helpless and Hospitalized Idealized, Impaired and Intoxicated Judged Kicked, Kept and Kissed Labelled, Marked, Molested and Misguided Neglected Obeying, Observed and Offended Panicking, Pummelled and Promised Quivering and Quaking ***** Screaming, Scared and Starved Throttled, Thirsty and Thinning Unloved and Unable Victimized Wailing, Weakening and Wondering an X Yelling, Yanked and Yielding Zeroed
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May 10, 2016
May 10, 2016 at 10:07 AM UTC
In Abuse She Was...
Your flickering tongue spiked with untruths, A rose throttled by weeds and thorns, The consuming darkness in the light; A candle burnt into the eternal night. Your mind a tangled pit of snakes, Doors to opportunities now sealed, An elegant dancer with blistered feet; Drowning in torrents of whispered ink. A slither of ice running through your heart, A tarnished lock lacking a key, Fragments of a crushed mirror; Sewn apiece with angel's hair. Your soul scorched to the pigment of death, A glassy apple, decaying within, Songbirds chant the sound of silence; Tales untold, veiled poems. Your eyes glazed by splintered glass, Pure joy emitting as a strangled shriek, A sweet kiss, laced with sweeter poison; A fluttering heart locked within a fist. Through your veins rush jets of flame, The silver moon rains crimson droplets, The radiant sun unleashes an ebony beast; A star bursts into one million fragments. You twirl upon a bed of nails, Time's grain swept away by midnight's shore, Wispy peaks gradually morph into shadows; An embrace molds into a satisfying throttle. Your brain, ribbons of foolishness and greed, The universe crumbling within a mere breath, The snow a shade of darkest ebony; Rain misted with terminal acid. Behind the facade of beauty, Some things are not as they seem, Under the masquerade of innocence; Lurk twisted, deceiving dreams.
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Dec 14, 2013
Dec 14, 2013 at 10:56 AM UTC
Facade of Beauty
They call me, kids, the Kool-Aid Man Because I mix it well; And when I mix the Kool-Aid, man, It hits you hard as hell! The trip's a scream; it's rotten; it's mean;— It casts an evil spell;— It's a fast, full-throttled, steep careen Into the bowls of hell! And only heroes can drink it, kids, So, pour it down; it's swell For erasing egos, erasing ids, And making heroes as well! O.O
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Aug 26, 2015
Aug 26, 2015 at 12:59 PM UTC
The Kool-Aid Challenge
i feel like something is lost something that has no name no colour no smell i was shown my face today i had to hear what you did to me i had carried myself without crutches or aids i had trodden quietly where i could i feel an immense loss for the innocence you ***** the love you choked the gifts you broke if this is what i escaped, why do i feel like grief? i am cold here now i dont want to remember what you did but i cant escape it either the bloodlust in your eyes the ****** in your hands the physcial hurt you bestowed upon me i trusted you with my life and you throttled it untill it died i am stronger than then i hope i am stronger than then i think i am stronger than then please, god, let me be stronger than then why do i feel like something has died? when i have won by leaving your abuse? maybe, the death of my self-image the mask i thought had worked they saw through it all and they knew that you were drowning me and now they see how i am shining away from your shadow maybe, now i can have my watershed
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Jun 23, 2010
Jun 23, 2010 at 8:09 AM UTC
grieving for shattered mirrors
I - The Sound Abattoir Crisp fractal, sunlight on new-day sweat. No one inside knows about the new day yet. Forms **** and spin and they toil not. Skeletons can sway with impulse 'til they rot. Crush-a-pill with rosy tint to last you all the night. Catch-a-number 'neath your tongue and later you'll revive his Fright. Pleasure, fleshly grimace scours the brain against the skull. Apartment movement never stops and starts and sweat-sheen from the pull. II - O Androgyne I cannot see the world for his broad face. The smell of sulphur would be welcome but To choke the alcoholic reek he brings By clutching him to me in slick embrace. I gain his absence when I ask for breath And he, the smiling nitwit, must consent, So I duck to the streets with haste and breathe. A moment in my father's sight is death. He could not know the life that I now lead, And all the misery I rail against; My form is set upon the grind of days To starve in hard-brick walls of earthly need. Moonlit ********** strips charm from the sick And faces all too masculine leer back From windows; prostitutes with glitter hair As deathbed cries of need cut down the quick. III - A Solomon Grundy Secret I will be, as a child, Crushed under black boot and throttled with Belt. Taught to be the Man we were. I am, as a man, disciplined with the golden silence and icegrip of solitude. No one knows my stigmata better than the Romans that wash their hands of me. I was, as graying Figure nearing death, too late to utter any-thing of Weight at my dying, Last breath.
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Feb 7, 2010
Feb 7, 2010 at 7:00 PM UTC
Pitch and Moment.
I - The Sound Abattoir Crisp fractal, sunlight on new-day sweat. No one inside knows about the new day yet. Forms **** and spin and they toil not. Skeletons can sway with impulse 'til they rot. Crush-a-pill with rosy tint to last you all the night. Catch-a-number 'neath your tongue and later you'll revive his Fright. Pleasure, fleshly grimace scours the brain against the skull. Apartment movement never stops and starts and sweat-sheen from the pull. II - O Androgyne I cannot see the world for his broad face. The smell of sulphur would be welcome but To choke the alcoholic reek he brings By clutching him to me in slick embrace. I gain his absence when I ask for breath And he, the smiling nitwit, must consent, So I duck to the streets with haste and breathe. A moment in my father's sight is death. He could not know the life that I now lead, And all the misery I rail against; My form is set upon the grind of days To starve in hard-brick walls of earthly need. Moonlit ********** strips charm from the sick And faces all too masculine leer back From windows; prostitutes with glitter hair As deathbed cries of need cut down the quick. III - A Solomon Grundy Secret I will be, as a child, Crushed under black boot and throttled with Belt. Taught to be the Man we were. I am, as a man, disciplined with the golden silence and icegrip of solitude. No one knows my stigmata better than the Romans that wash their hands of me. I was, as graying Figure nearing death, too late to utter any-thing of Weight at my dying, Last breath.
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58
The hardest thing back then was recognising the joys - often hidden in plain sight often throttled by the noise but not without a fight. So later, we knew the joys by their red tears by their diamond belief that even in the discord their clarity would remain that the deepest caves will give echo to truth beyond this darkness.
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Sep 20, 2025
Sep 20, 2025 at 4:15 AM UTC
Beyond this darkness
born into nothing still got most made it to the bottom from the starting post expectation throttled expected overdose no escape cant evade foundations were imposed
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Mar 10, 2016
Mar 10, 2016 at 11:56 AM UTC
its a long way from kenny to kensington
Western star I set for hours in the darkness spellbound you held my gaze The trees and night darkness completed the picture Your mind races ever higher quiet etude the engulfing blaze Silver light breaks all captivity you to are suspended held amidst glories brow Within darkness you are the cloaked sojourner destination improbability Somewhere in the mix of thoughts for a brief time you are free of all concerns All that exists is the span of distance in all this voluminous emptiness lies compatibility Measureless void you wash in great waves against my enthralled soul You give abundant texture to the wall and windows that I view this indispensible wonder Because I know you seem localized but half of the earth at least can be held in the same awe The earth when viewed aright by going to the edge and then stepping into space unchained bounder Do you affix your very being to channels that gird the heavens go beyond be spellbound at long last right living You’re tenuous diminished life will catch space in the raw your life will begin at long last to thaw Your views will startle and alarm those not yet up to the throttled speed found at every level life should be lived Adventures have for millennia shown the way over and beyond the darkest expanses victory without flaw Table your defeated hand speak with dignified power as you break the common tide thou conquer who envisions stars as friends
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Jan 10, 2012
Jan 10, 2012 at 1:20 PM UTC
Western star
Gloved hands flex in umbra of night a cot rocks, glittering in the rays of moonlight baby coos, shaking its rattle the leathery hands stalk the craddle finding their prey, the gloves seek the neck like guillotine, they reap ... they reap Every idea meets this end Every dream of mine every prayer In infancy they glow then glow no more throttled by shame, they break chastised by fear, they fade I would rock them, nestled in coaxing arms, close to my heart the clock chimes its hour with pride and finality at midnight, the reaping begins upon the witching hour, my dreams are snuffed and nightmares usurp their place. Is it torment to expect more of myself? Content to write poetry and leave epic tales of heroes and nemeses to doom and dust? How many old lovers have I professed my dreams to how many friends have I bored with my tales how many family members smiled as I asserted my storytelling chops only so I could stop, even before the period could halt the last sentence of the novel, thwarting its purpose. How many heroes clambered upon my doorstep begging, pleading for me to pen their heroism How many villains woke me up with their cackling In the corner, sitting, their eyes glowing in the void of night, smiling teeth too white or too black feathered hats bobbing as their malice peaks when they hold snaking knives to my throat and with morbid breath instruct, "For the love of God..." they say, "Paint me in a good light, but make my misdeeds known, **** you!" And I would lay awake, dreaming of these worlds until the clocks knell knell knell knell allowing the ebb of time to wash away my desires, my talents and the glistening, far-off worlds fade to nothing... In the end, indeed, even my mind fades leaving nothing but a husk behind and all who knew come to watch hanging a tombstone upon my rigor mortis neck, it reads the words, "He tried, of course he tried but the devil has his price, and this poor soul couldn't make rent."
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Dec 6, 2017
Dec 6, 2017 at 3:08 PM UTC
Fears Devour My Passions Devour My Fears...
Gloved hands flex in umbra of night a cot rocks, glittering in the rays of moonlight baby coos, shaking its rattle the leathery hands stalk the craddle finding their prey, the gloves seek the neck like guillotine, they reap ... they reap Every idea meets this end Every dream of mine every prayer In infancy they glow then glow no more throttled by shame, they break chastised by fear, they fade I would rock them, nestled in coaxing arms, close to my heart the clock chimes its hour with pride and finality at midnight, the reaping begins upon the witching hour, my dreams are snuffed and nightmares usurp their place. Is it torment to expect more of myself? Content to write poetry and leave epic tales of heroes and nemeses to doom and dust? How many old lovers have I professed my dreams to how many friends have I bored with my tales how many family members smiled as I asserted my storytelling chops only so I could stop, even before the period could halt the last sentence of the novel, thwarting its purpose. How many heroes clambered upon my doorstep begging, pleading for me to pen their heroism How many villains woke me up with their cackling In the corner, sitting, their eyes glowing in the void of night, smiling teeth too white or too black feathered hats bobbing as their malice peaks when they hold snaking knives to my throat and with morbid breath instruct, "For the love of God..." they say, "Paint me in a good light, but make my misdeeds known, **** you!" And I would lay awake, dreaming of these worlds until the clocks knell knell knell knell allowing the ebb of time to wash away my desires, my talents and the glistening, far-off worlds fade to nothing... In the end, indeed, even my mind fades leaving nothing but a husk behind and all who knew come to watch hanging a tombstone upon my rigor mortis neck, it reads the words, "He tried, of course he tried but the devil has his price, and this poor soul couldn't make rent."
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The mirror reveals the soul within It is hazy water filled In a desert mi raged heart It is barren Where whence it was full throttled cherry blossomed, apple cheeked rosy The mirror reveals the soul within Scorched embers Still can see through the branches to a small piece Not yet scorned Tenderly aching but still filled with a sense of wonder A leaf not torn A branch unbroken, its leaves fall, hoping to dance in the suns warmth The mirror reveals the soul within Whose lines tell stories like trees that have grown There bark is brittled beauty Born from moments that were swept up like wisps of air The mirror reveals the soul within Still standing Still solemn Still here.
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Dec 28, 2020
Dec 28, 2020 at 6:04 PM UTC
The Mirror
Exit wounds, the holes in my hands that bleed, trickling down Stigmata, an offering to God a rallying call to arms I am Adam biting the apple the flesh of that fruit the closest thing to Hell (and I am heading, heading there) they ask me if I meant it as if meaning means something more than it does, when words can exist without it here are the facts of me (I say) I have never broken a bone I don't eat red meat and I counted out each pill it would be less ugly to find me this way than slit and gaping in the bath I was careful (too careful) the first time still, you learn by living from not dying. Death, I name my hands hands that throttled the throats of a thousand men, the ones I destroyed with my hips (that was before) I knew the taste of thirty Aspirin this time this time this time I'll survive if they kick me hard enough if they call my name loud enough if the doctor writes furiously enough I am not enough.
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May 19, 2016
May 19, 2016 at 1:43 PM UTC
Adam's Apple
You ain't never had a friend like me bumping Tupac while we smoke the bud down to the last leaf, puffing on the roaches out the ash tray to stay high, watch the nights slip by fingers raised to the sky, "Die god , Die!" You need a ride from the scene so I fly pick you up even if you packed with a four five Let you piece the last stoge out the pack and if you got caught up you know I always got you back, foot on the gas cause I stay throttled for a homie like you cause you ain't never had a friend like me.
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Apr 25, 2013
Apr 25, 2013 at 11:32 PM UTC
Home Plus the Ease