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"threadlike" poems
Earliest morning, switching all the tracks that cross the sky from cinder star to star, coupling the ends of streets to trains of light. now draw us into daylight in our beds; and clear away what presses on the brain: put out the neon shapes that float and swell and glare down the gray avenue between the eyes in pinks and yellows, letters and twitching signs. Hang-over moons, wane, wane! From the window I see an immense city, carefully revealed, made delicate by over-workmanship, detail upon detail, cornice upon facade, reaching up so languidly up into a weak white sky, it seems to waver there. (Where it has slowly grown in skies of water-glass from fused beads of iron and copper crystals, the little chemical "garden" in a jar trembles and stands again, pale blue, blue-green, and brick.) The sparrows hurriedly begin their play. Then, in the West, "Boom!" and a cloud of smoke. "Boom!" and the exploding ball of blossom blooms again. (And all the employees who work in a plants where such a sound says "Danger," or once said "Death," turn in their sleep and feel the short hairs bristling on backs of necks.) The cloud of smoke moves off. A shirt is taken of a threadlike clothes-line. Along the street below the water-wagon comes throwing its hissing, snowy fan across peelings and newspapers. The water dries light-dry, dark-wet, the pattern of the cool watermelon. I hear the day-springs of the morning strike from stony walls and halls and iron beds, scattered or grouped cascades, alarms for the expected: queer cupids of all persons getting up, whose evening meal they will prepare all day, you will dine well on his heart, on his, and his, so send them about your business affectionately, dragging in the streets their unique loves. Scourge them with roses only, be light as helium, for always to one, or several, morning comes whose head has fallen over the edge of his bed, whose face is turned so that the image of the city grows down into his open eyes inverted and distorted. No. I mean distorted and revealed, if he sees it at all.
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2.6k
Love Lies Sleeping
Earliest morning, switching all the tracks that cross the sky from cinder star to star, coupling the ends of streets to trains of light. now draw us into daylight in our beds; and clear away what presses on the brain: put out the neon shapes that float and swell and glare down the gray avenue between the eyes in pinks and yellows, letters and twitching signs. Hang-over moons, wane, wane! From the window I see an immense city, carefully revealed, made delicate by over-workmanship, detail upon detail, cornice upon facade, reaching up so languidly up into a weak white sky, it seems to waver there. (Where it has slowly grown in skies of water-glass from fused beads of iron and copper crystals, the little chemical "garden" in a jar trembles and stands again, pale blue, blue-green, and brick.) The sparrows hurriedly begin their play. Then, in the West, "Boom!" and a cloud of smoke. "Boom!" and the exploding ball of blossom blooms again. (And all the employees who work in a plants where such a sound says "Danger," or once said "Death," turn in their sleep and feel the short hairs bristling on backs of necks.) The cloud of smoke moves off. A shirt is taken of a threadlike clothes-line. Along the street below the water-wagon comes throwing its hissing, snowy fan across peelings and newspapers. The water dries light-dry, dark-wet, the pattern of the cool watermelon. I hear the day-springs of the morning strike from stony walls and halls and iron beds, scattered or grouped cascades, alarms for the expected: queer cupids of all persons getting up, whose evening meal they will prepare all day, you will dine well on his heart, on his, and his, so send them about your business affectionately, dragging in the streets their unique loves. Scourge them with roses only, be light as helium, for always to one, or several, morning comes whose head has fallen over the edge of his bed, whose face is turned so that the image of the city grows down into his open eyes inverted and distorted. No. I mean distorted and revealed, if he sees it at all.
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60
I’m watching my roommate come to terms with the fact that he actually likes a girl here who likes him back, and in the darkness of the dance floor, a smile curves across my face like his arm around her. They are happy. I turn and scan the room for a broken bird, a wing clipped by circumstance and bathroom mirrors. I find her. Feathers furled, perched on a chair, her presence is threadlike, the stray ones pulled from shirt sleeves, I hold her between my index and thumb and I feel nothing but air between my fingers. It’s a beautiful kind of lightness. She is a beautiful kind of lightness. Her hair caresses the air around her like satin. Her eyes wide, sometimes I think it’s from fear, but sometimes it’s from the shadows of happiness that she allows to step on her heels from time to time. They are amber. I see crystal histories, lattice lines of the past I wish I could know, but she keeps her stories locked in her stunning amber prisons. I fled from her tonight. In the darkness of the dance floor there was no light to reflect from her amber eyes, so the grip of my insecurities around my neck tightened, and I left. I wanted to walk to the lakefront. Clamor down the rocks to let the moon lap the water into mist upon my slacks, I could picture my silver tie reflecting the moon back at itself, drifting in the waves before the saturation of obsession dragged it to the bottom of Lake Michigan. I couldn’t stand the thought of my tie not reflecting your eyes, the gray circle at the edge of your irises like the edge of a stormfront, Transient thunder could lie behind the next whisper of your voice or closing of your eyes. I couldn’t stand the thought of never reflecting your light, so I only walked a few blocks. I kept looking to my sides, reminding myself that the moon, and you, were still with me. My dear, like the moon, our time is waning. But my dear, like the moon, your amber eyes are waxing, lunar storms always on the horizon. How I long for the fall of rain.
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Aug 27, 2013
Aug 27, 2013 at 6:43 PM UTC
This Poem Backfired When She "Lost" It
I’m watching my roommate come to terms with the fact that he actually likes a girl here who likes him back, and in the darkness of the dance floor, a smile curves across my face like his arm around her. They are happy. I turn and scan the room for a broken bird, a wing clipped by circumstance and bathroom mirrors. I find her. Feathers furled, perched on a chair, her presence is threadlike, the stray ones pulled from shirt sleeves, I hold her between my index and thumb and I feel nothing but air between my fingers. It’s a beautiful kind of lightness. She is a beautiful kind of lightness. Her hair caresses the air around her like satin. Her eyes wide, sometimes I think it’s from fear, but sometimes it’s from the shadows of happiness that she allows to step on her heels from time to time. They are amber. I see crystal histories, lattice lines of the past I wish I could know, but she keeps her stories locked in her stunning amber prisons. I fled from her tonight. In the darkness of the dance floor there was no light to reflect from her amber eyes, so the grip of my insecurities around my neck tightened, and I left. I wanted to walk to the lakefront. Clamor down the rocks to let the moon lap the water into mist upon my slacks, I could picture my silver tie reflecting the moon back at itself, drifting in the waves before the saturation of obsession dragged it to the bottom of Lake Michigan. I couldn’t stand the thought of my tie not reflecting your eyes, the gray circle at the edge of your irises like the edge of a stormfront, Transient thunder could lie behind the next whisper of your voice or closing of your eyes. I couldn’t stand the thought of never reflecting your light, so I only walked a few blocks. I kept looking to my sides, reminding myself that the moon, and you, were still with me. My dear, like the moon, our time is waning. But my dear, like the moon, your amber eyes are waxing, lunar storms always on the horizon. How I long for the fall of rain.
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15
I am ending. Losing grip on threadlike strands of vibrant stardust and captured moonlight Ghosts of shattered glass looking for solidarity and solitude Brittle shells crafted from shadows And silence, screaming silence resounding in the chambers behind hollow eyes and colorless irises over glittering diamond shards. I am blinded. meteors expanding in my pupils Supernovas inside my head night sky painted on the dome of my skull Dawn hidden beneath the eyelids Fluttering open like window shutters Heaven's eye on your forehead Crimson claws raking through damp tresses of dusk and midnight And daybreak in the cavern of the mouth. I am close. Holding onto the descent of heaven's glare Dust beneath my fingernails and laughter just beyond my reach Illumination in my grasp, slipping through Like liquid sunlight strained Howling echoes of dread and death trapped in my ears Like the choir of the ****** Singing a melody, a prophecy. I am ending.
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Nov 12, 2013
Nov 12, 2013 at 4:09 AM UTC
Untitled
In reverse of the waddle wheel the landscape runs back in blow of winds that take a hair threadlike’s hand to dance a trickle of pathos when I swallow. Not thoughts of of prattle, but roars within struggle as if time concreted through spaces, still, to contingency thee confide. What a subtle heaviness to stand where I shall revel What a terrible freedom to know what I cannot sail It’s gonna end. But until now I can’t even tell what I am missing, for what, and by whom?
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Sep 27, 2025
Sep 27, 2025 at 10:09 AM UTC
It's GOnna eND