I have always been fascinated by mythology. I remember seeing my older sisters with a greek mythology book, and wishing I could be in high school so I can know it already. I was interested in the mythical creatures, in the gods and goddesses, in the battles, and just like everyone, I was interested in the love stories. I wanted to learn it with passion for I heard it was the inspiration of almost all the modern literature that I love. I could still remember feeling excited to be in class and discuss it. And now that I have reached high school, and I also reached my dream of studying greek mythology and not only that, because I reached it with you. We learned about the titans, the gods and goddesses, the olympians, the monsters, the stories. We were both engrossed and captivated by it, that mythology was the only thing we ever talked about. We even related it to real life, we related people to the characters. Whenever we see a person we know, we would think of the character that best resembles them, and we will start calling them their characters that we decided them to be. We called our friend Athena, we called your cousin Apollo, we even called someone the Minotaur. And that’s what our teacher told us, that not because it’s fantasy that immediately means it cannot happen in real life. The stories there, are reality, the only difference is, they added magic into them. We loved greek mythology so much that we related it to everything. However I realised something, we related it to everything except to ourselves. So I asked you, “Who are we?”. You told me, “Baby, we’re no one there, for we will make our own mythology. We will make the greatest one, so beautiful that it would surpass the best literature of all time.” Your favourite one was Plato’s quote, you would never shut up telling me the story that “humans were originally created with four arms, four legs and a head with two faces. Fearing their power, Zeus split them into two separate parts, condemning them to spend their lives in search of their other halves.” And you would always tell me, that you wished to tell Zeus you found yours already. I expected myself to love the romance most, for myself to have the love stories as my favourite. But instead, I loved the opposite,  I loved the tragedies.


I don’t know why, but I found myself loving the tragic stories. I found myself loving the story of Orpheus and Eurydice. The ultimate tragic love story, in which Orpheus would have brought Eurydice back to life if only he had done what Hades said. Orpheus went to the underworld to ask Hades to bring back Eurydice, but Hades had one condition, he should not look back while his wife was still in the dark, for that would undo everything he hoped for. He should wait for Eurydice to get into the light before he looked at her. But then, Orpheus couldn’t control himself, he looked at Eurydice and hugged her, then suddenly Eurydice was drawn back to the underworld.


And who would ever forget Pyramus and Thisbe? The star crossed lovers who had families who hated each other and whispered sweet nothings through a crack in the wall that separates their houses. And they decided to run away, but when Thisbe showed up under the mulberry tree, a ****** jawed lioness was there. So Thisbe ran, and just when Pyramus arrived, he saw the lioness ripping apart Thisbe’s shawl. Thinking that Thisbe died, Pyramus stabbed himself. And when Thisbe returned and figured out what happened, she stabbed herself too. To this day, the formerly white berries of the mulberry tree are stained red with the blood of these tragic lovers.


Here comes my favourite story of all, the myth of Icarus. Icarus and his father attempted to escape from Crete by means of wings that his father constructed from feathers and wax. Daedalus cautioned him that flying too near the sun would cause the wax to melt. And because of hubris, Icarus ignored his father’s instructions and flew too close to the sun. Then the wax in his wings melted and he fell into the sea.


When I was reading the stories, epiphany suddenly hit me. Perhaps the reason why I loved tragedies so much because we’re turning into one. I finally got the answer to my question when I asked you who we are. Maybe we are Orpheus and Eurydice, we loved each other too much that we would do everything just to be together. But we ignored all the warnings, we thought love was the only thing that really mattered. We never got to control our feelings and we forgot everything, because of that, we were separated from each other. Or we could also be Pyramus and Thisbe, we are the perfect definition of lovers who almost made it, who almost achieved happiness, who almost became the greatest lovers of all time but then we never became one, we became tragic ones. And darling, perhaps Icarus resembles us the most. We are both Icarus, our wings, are ourselves,  and love, is the sun. Everybody told us not to get too near the sun, for the wax in our wings will melt, we will lose our wings because we are too close to the thing that could save and destroy us both. And just like Icarus, we disobeyed the rules.  We flew too close to the sun, look at us now.

As we were walking out of each other’s lives, I realised something. We were not meant to create the greatest story of all time that it would top the best literature. We were never making our own mythology, because we were just bound to become another tragedy. Another tragedy that people will love, and I still don’t know why, but people tend to see something beautiful in it. And maybe, just maybe, people will also see something beautiful in our tragic story. But just like Orpheus and Eurydice, Pyramus and Thisbe, Icarus; one thing is for sure, my love. We will achieve a thing we both wanted,  **we will never be forgotten.

THE PROLOGUE.

Our Hoste saw well that the brighte sun
Th' arc of his artificial day had run
The fourthe part, and half an houre more;
And, though he were not deep expert in lore,
He wist it was the eight-and-twenty day
Of April, that is messenger to May;
And saw well that the shadow of every tree
Was in its length of the same quantity
That was the body ***** that caused it;
And therefore by the shadow he took his wit,                 *knowledge
That Phoebus, which that shone so clear and bright,
Degrees was five-and-forty clomb on height;
And for that day, as in that latitude,
It was ten of the clock, he gan conclude;
And suddenly he plight his horse about.                     pulled

"Lordings," quoth he, "I warn you all this rout,               company
The fourthe partie of this day is gone.
Now for the love of God and of Saint John
Lose no time, as farforth as ye may.
Lordings, the time wasteth night and day,
And steals from us, what privily sleeping,
And what through negligence in our waking,
As doth the stream, that turneth never again,
Descending from the mountain to the plain.
Well might Senec, and many a philosopher,
Bewaile time more than gold in coffer.
For loss of chattels may recover'd be,
But loss of time shendeth us, quoth he.                       destroys

It will not come again, withoute dread,
No more than will Malkin's maidenhead,
When she hath lost it in her wantonness.
Let us not moulde thus in idleness.
"Sir Man of Law," quoth he, "so have ye bliss,
Tell us a tale anon, as forword* is.                        the bargain
Ye be submitted through your free assent
To stand in this case at my judgement.
Acquit you now, and *holde your behest;             keep your promise
Then have ye done your devoir* at the least."                      duty
"Hoste," quoth he, "de par dieux jeo asente;
To breake forword is not mine intent.
Behest is debt, and I would hold it fain,
All my behest; I can no better sayn.
For such law as a man gives another wight,
He should himselfe usen it by right.
Thus will our text: but natheless certain
I can right now no thrifty tale sayn,                           worthy
But Chaucer (though he *can but lewedly         knows but imperfectly
On metres and on rhyming craftily)
Hath said them, in such English as he can,
Of olde time, as knoweth many a man.
And if he have not said them, leve* brother,                       dear
In one book, he hath said them in another
For he hath told of lovers up and down,
More than Ovide made of mentioun
In his Epistolae, that be full old.
Why should I telle them, since they he told?
In youth he made of Ceyx and Alcyon,
And since then he hath spoke of every one
These noble wives, and these lovers eke.
Whoso that will his large volume seek
Called the Saintes' Legend of Cupid:
There may he see the large woundes wide
Of Lucrece, and of Babylon Thisbe;
The sword of Dido for the false Enee;
The tree of Phillis for her Demophon;
The plaint of Diane, and of Hermion,
Of Ariadne, and Hypsipile;
The barren isle standing in the sea;
The drown'd Leander for his fair Hero;
The teares of Helene, and eke the woe
Of Briseis, and Laodamia;
The cruelty of thee, Queen Medea,
Thy little children hanging by the halse,                         neck
For thy Jason, that was of love so false.
Hypermnestra, Penelop', Alcest',
Your wifehood he commendeth with the best.
But certainly no worde writeth he
Of *thilke wick' example of Canace,                       that wicked
That loved her own brother sinfully;
(Of all such cursed stories I say, Fy),
Or else of Tyrius Apollonius,
How that the cursed king Antiochus
Bereft his daughter of her maidenhead;
That is so horrible a tale to read,
When he her threw upon the pavement.
And therefore he, of full avisement,         deliberately, advisedly
Would never write in none of his sermons
Of such unkind* abominations;                                 unnatural
Nor I will none rehearse, if that I may.
But of my tale how shall I do this day?
Me were loth to be liken'd doubteless
To Muses, that men call Pierides
(Metamorphoseos  wot what I mean),
But natheless I recke not a bean,
Though I come after him with hawebake;                        lout
I speak in prose, and let him rhymes make."
And with that word, he with a sober cheer
Began his tale, and said as ye shall hear.

Notes to the Prologue to The Man of Law's Tale

1. Plight: pulled; the word is an obsolete past tense from
"pluck."

2. No more than will Malkin's maidenhead: a proverbial saying;
which, however, had obtained fresh point from the Reeve's
Tale, to which the host doubtless refers.

3. De par dieux jeo asente: "by God, I agree".  It is
characteristic that the somewhat pompous Sergeant of Law
should couch his assent in the semi-barbarous French, then
familiar in law procedure.

4. Ceyx and Alcyon: Chaucer treats of these in the introduction
to the poem called "The Book of the Duchess."  It relates to the
death of Blanche, wife of John of Gaunt, Duke of Lancaster, the
poet's patron, and afterwards his connexion by marriage.

5. The Saintes Legend of Cupid: Now called "The Legend of
Good Women". The names of eight ladies mentioned here are
not in the "Legend" as it has come down to us; while those of
two ladies in the "legend" -- Cleopatra and Philomela -- are her
omitted.

6. Not the Muses, who had their surname from the place near
Mount Olympus where the Thracians first worshipped them; but
the nine daughters of Pierus, king of Macedonia, whom he
called the nine Muses, and who, being conquered in a contest
with the genuine sisterhood, were changed into birds.

7. Metamorphoseos:  Ovid's.

8. Hawebake: hawbuck, country lout; the common proverbial
phrase, "to put a rogue above a gentleman," may throw light on
the reading here, which is difficult.

THE TALE.

O scatheful harm, condition of poverty,
With thirst, with cold, with hunger so confounded;
To aske help thee shameth in thine hearte;
If thou none ask, so sore art thou y-wounded,
That very need unwrappeth all thy wound hid.
Maugre thine head thou must for indigence
Or steal, or beg, or borrow thy dispence.                      expense

Thou blamest Christ, and sayst full bitterly,
He misdeparteth riches temporal;                          allots amiss
Thy neighebour thou witest sinfully,                           blamest
And sayst, thou hast too little, and he hath all:
"Parfay (sayst thou) sometime he reckon shall,
When that his tail shall *brennen in the glede,      burn in the fire
For he not help'd the needful in their need."

Hearken what is the sentence of the wise:
Better to die than to have indigence.
Thy selve neighebour will thee despise,                    that same
If thou be poor, farewell thy reverence.
Yet of the wise man take this sentence,
Alle the days of poore men be wick',                      wicked, evil
Beware therefore ere thou come to that *****.                    point

If thou be poor, thy brother hateth thee,
And all thy friendes flee from thee, alas!
O riche merchants, full of wealth be ye,
O noble, prudent folk, as in this case,
Your bagges be not fill'd with ambes ace,                   two aces
But with six-cinque, that runneth for your chance;       six-five
At Christenmass well merry may ye dance.

Ye seeke land and sea for your winnings,
As wise folk ye knowen all th' estate
Of regnes;  ye be fathers of tidings,                         *kingdoms
And tales, both of peace and of debate:                contention, war
I were right now of tales desolate,                     barren, empty.
But that a merchant, gone in many a year,
Me taught a tale, which ye shall after hear.

In Syria whilom dwelt a company
Of chapmen rich, and thereto sad and true,            grave, steadfast
Clothes of gold, and satins rich of hue.
That widewhere sent their spicery,                    to distant parts
Their chaffare was so thriftly* and so new,      wares advantageous
That every wight had dainty* to chaffare              pleasure deal
With them, and eke to selle them their ware.

Now fell it, that the masters of that sort
Have *shapen them to Rome for to wend,           determined, prepared
Were it for chapmanhood* or for disport,                        trading
None other message would they thither send,
But come themselves to Rome, this is the end:
And in such place as thought them a vantage
For their intent, they took their herbergage.                  lodging

Sojourned have these merchants in that town
A certain time as fell to their pleasance:
And so befell, that th' excellent renown
Of th' emperore's daughter, Dame Constance,
Reported was, with every circumstance,
Unto these Syrian merchants in such wise,
From day to day, as I shall you devise                          relate

This was the common voice of every man
"Our emperor of Rome, God him see,                 look on with favour
A daughter hath, that since the the world began,
To reckon as well her goodness and beauty,
Was never such another as is she:
I pray to God in honour her sustene,                           sustain
And would she were of all Europe the queen.

"In her is highe beauty without pride,
And youth withoute greenhood or folly:        childishness, immaturity
To all her workes virtue is her guide;
Humbless hath slain in her all tyranny:
She is the mirror of all courtesy,
Her heart a very chamber of holiness,
Her hand minister of freedom for almess."                   almsgiving

And all this voice was sooth, as God is true;
But now to purpose let us turn again.                     our tale
These merchants have done freight their shippes new,
And when they have this blissful maiden seen,
Home to Syria then they went full fain,
And did their needes, as they have done yore,     *business *formerly
And liv'd in weal; I can you say no more.                   *prosperity

Now fell it, that these merchants stood in grace                favour
Of him that was the Soudan of Syrie:                            Sultan
For when they came from any strange place
He would of his benigne courtesy
Make them good cheer, and busily espy                          inquire
Tidings of sundry regnes, for to lear                 realms learn
The wonders that they mighte see or hear.

Amonges other thinges, specially
These merchants have him told of Dame Constance
So great nobless, in earnest so royally,
That this Soudan hath caught so great pleasance               pleasure
To have her figure in his remembrance,
That all his lust, and all his busy cure,            pleasure *care
Was for to love her while his life may dure.

Paraventure in thilke* large book,                                 that
Which that men call the heaven, y-written was
With starres, when that he his birthe took,
That he for love should have his death, alas!
For in the starres, clearer than is glass,
Is written, God wot, whoso could it read,
The death of every man withoute dread.                           doubt

In starres many a winter therebeforn
Was writ the death of Hector, Achilles,
Of Pompey, Julius, ere they were born;
The strife of Thebes; and of Hercules,
Of Samson, Turnus, and of Socrates
The death; but mennes wittes be so dull,
That no wight can well read it at the full.

This Soudan for his privy council sent,
And, *shortly of this matter for to pace,          to pass briefly by
He hath to them declared his intent,
And told them certain, but* he might have grace             &

Better to be Pyramus and Thisbe
than god Apollo and Daphne?
As love oft triumphed by envy.
Oh to be Abelard and Heloise
or Juliet you and Romeo me!
Cleopatra, Marc Antony,
Orpheus, and Eurydice!
Martyrs to Cupid, were you wary
of the price to pay? Did you find peace
from Plato’s coined mental disease
in Pluto’s long halls of Hades
or the self induced daily shade of trees?
What of love dooming kin to Achilles?
When Dido and Aeneas meet
is her suicide guaranteed?
Pray tell us, can true love ever be free!

There was once a poet from long ago
Who stories told of transformations
I shall tell of one that you may not know
Pyramus and Thisbe who loved through a cracked foundation

Whose houses were connected, neighbors were they
Families ensnared in rivalry and outrage
Oh how did it so weigh
On these blind lovers left with lips to assuage!

A crack so small only a desperate lover could see
A whisper only could dance through to ease
Two star-crossed lovers crouching on hands and knees
Expressing words that warm and please

To bring to light
Their love they did agree
To meet late at night
By the white mulberry tree

Thisbe first to show and await did she
Until a loud rustle filled the air
Frightened she ran off and hid thee
So fast her veil escaped the grasp of her hair

A lioness fresh from feeding
Paraded on passing by,
She went sniffing and licking
Veil now red left under the midnight sky

Pyramus, with the white specked tree in view
Sees just an empty sheath
Just a mulberry tree under a blanket of moonlit blue
With a crimson soaked veil underneath

Thinking he lost his heart's desire
She the cure to eternal strife
Life now nothing but mire
Wishes to follow her in afterlife

A sword he did reveal
With both hands set and firm
Fell on this stinging steel
Left as food for the callous worms

Oh how his blood did gush
Painting white mulberries incarnadine
Thisbe returning in such a rush
For Pyramus she did pine

A lifeless corpse awaits for her
Under that maledict tree
Blood soaked veil she did incur
So she dropped to one knee

Life without him she hated
A breast she did beat
Cried to the gods, fated
His sword she did greet

Forbidden love changed white to red
The berries we have today
Ill fated lovers left dead
To embrace in rot and decay

Together on the pyre
Rivalry has come to end
Lovers cradled in fire
Ashes in one urn, together again.

There is a Raven
Perched upon my window sill,
Its talons tearing into the paint.
The tick-tock
Of a grandfather clock
Resounds throughout the walls,
Matching the scritching-scratching
Of the ravens claws.
I sit in the corner,
As I have for night after night,
Not sleeping,
Never sleeping,
Simply sitting and waiting.
The Raven begins
To tap-tap-tap
At the window pane.

And I sit

And wait.


How long now has it been?
Since my Sun,
So beautiful at its Dawn,
Had left its Noon-time heights
For an untimely Setting?
Sadly grieveous as it had been,
My Sunset had been darkly beautiful,
Asplash with deep reds and purple,
Crowned in gold.

Oh that I had been Pyramus and she Thisbe.
Star-crossed and Tragic,
A love made eternal by mutual deaths.
Alas, it was not to be,
For I am no Pyramus and she no Thisbe.
She went ahead of me
And not by choice of her own,
By my blade yet not her hand.
And after her I would chase,
Pleaing forgiveness on bended knee
In that next dream.

Yet I am afraid,
Of the knife,
Her scorn,
Her embrace.

And so I sit

And wait.

The Raven is at my window,
Talons scratching divots in the sill.
The resounding of the clock
Still surrounds me,

As I sit

And wait.

For I understand, now,
That it was not love:
It was merely my mistempered;
Beshrewed list,
For what is só scarce
In this marred world:

She,
Is oft misused and no one descrys thee engrossing forfullment she gives:
Like a mantle of a paramour,
On a flesh penetrating night...

Marry!
My heart feels tossed on the abstract,
For I was overturned with the conceit
Of being Your Thisbe...
Your Trojan princess...
Your right-hand-lady...

But Sir,
My heart, now
Desires but one thing:
To be announced as one's kindred
And be loved as a kingsman

I am content, in faith!
Let us lief love
With a love, greater than love,
And may we build with flint
On the foundation of vestal love.
Let us be one another's bier
When our bodies brine;
Ghostly anchor...
Pilot in the bailful pestilence;
Crotchet in woe;
Behoveful paramour to tell aught to
Without the conceit of neither being cast by
Nor discreet;
Aqua vitae dram in languish...

When thát day abroach
I shall anon be aught...
Do aught for thy...

When thát day abroach
I shall doff
All inadequasies...
And love you
Invariably!

yestereve we succame
A lengthy ballad of longing
formerly one of obstinance
flared in a cacophony of passion

Whilst usually twirling in a seemly epitome fashion,
yestereve a caprice thought laid heavy on hearts
as there was no doubt of desire
nor were there objections to her
for even when my affections consumed you
lady desire was just an inexorable

yestereve she picked petals from a Sinensis blossom
there went the pain
any semblance of grudge
along with sanity
reason
and lastly, walls as carefully constructed as that of Pyramus and Thisbe's
such vulnerability unmatched
for your sweet scent lulled me from the arms of reason
for reason, although safe,
is the most intricate and fragile part of the ballad
and the first to fall victim to the cascade

What a fool I must be to have gladly forgotten the kinks of your hands
or the freckles on the back of your neck that form a perfect triad.
The way your upper lip curls when you grin
made my glissade blissful and passionate
Your flustered twirl
the very epitome of aubade

Ignorant of the harsh retombe of reality
Your flustered face En L'air
Every touch a pleasant surprise that formed a grand symphony

A moment of unfiltered emotion
A heavenly ballad
so cruelly of yestereve.

Fantastically fashioned fingers,
  running smoothly through hair;
past present post-
  Father Time struck by Sand Man's stare.


Heavenly hanging hair,
  draping gently over lips;
tantalizing teasing tendrils-
  Aphrodite's mien, Venus' hips.

Lusciously loving lips,
  smiling softly at wandering eyes;
delirious delighted daze-
   Pyramus and Thisbe's kiss--butterflies.

Efficaciously effervescent...
  enchantingly endearing...
    enticingly euphoric...
      exultantly excited...
[Simply] ethereal! Eyes,
  diamonds, starlight, life, of Earth, sky, and sea;
bejeweled boundless bless'ed-
   If thou were Medusa, stone I'd be so readily.

Simply said Shakespeare,
  thou art the sun;
falsely framed fairness-
  for the sun is not brightest,
    tis You tis You,
      my wonderful, beautiful One.

Packed in the back seat of
your cramped Chevy Lumina,
and parked on the frontage road
behind the conifers
in your backyard—

the moon is low, a jaundice yellow,
the car is stalled, the heater grumbled;
you pull me in to warm me up,
my glasses fog,
you steal my smile—

[Your father, for his Sunday sermon,
packed the house—Leviticus:
“’Their blood shall be upon them,’ and
all God’s children said?”
“Amen.”]

Our breath condensed, whisper-white,
traced our initials on the window—
in after-laughing afterglow,
you swallow, nervous,
before you kiss me.

We don’t let go, till cabin lights
illuminate your father’s form—
the verse, full force, the wrath of God,
a hurricane—
a Horrible.

I never saw you afterward,
poor pastor’s son, where have you gone?
Like Pyramus, at the sight of blood
on Thisbe’s veil—
we don’t prevail.

I (Reverie)

Thisbe senses diamonds in the dusk/
Turner protects himself with cozying ash created from the minerals of adoration

The street is a hundred constant cinders
Communicating with mystic language
Repeating itself

While the newsstation weeps
And front yards hold their damp cheeks
Cherishing the child who is now gone

The envisioned tower, embarassed with its Windows n lack of decorations/
Not even the cobwebs will settle in vicinity!

A paranoid Sculpter cant sleep and so takes to Spanish poetry

"You're giving out your tarot cards to
Yusuf what will he do with them!"

A mother says to her child who
Incidentally goes blind in that exact moment

An epitaph for the ashtray sitting precariously on the stainglass table on the porch where an
Empress seeks shelter
Carving at her senses with
Violent monologues about religion
Courtesy her friend

(A stranger to risk,
Some tired dull balloon rises up within her consciousness going higher and higher!)

II (December in Moods)

Mauve temporarily fills the room
Your soft breathing brings an elation
To the dresser at the foot of your bed
I can't rest here beside you
I want to kiss you
And your sleep

The discontent arrives
In shrouded form
You resign yourself to the kitchen watching logging trucks forever heave around the bend of forestry
Threatened with the possibility that they'll lose balance and collide with the house

I visit during Holidays with marigolds and fantasies of Asia
& with sweetness on verge
of imancipation
You kiss my face
attempting composure
As the radio promises
That this Winter will be especially
Frigid.

I apologize for my arrogance!
In losing friends, betraying my past beliefs for
White wine & phenomenology

You recite a foreign anthem with whispers, curious of the mathematics of romance.
Questioning yourself but especially yourself in relation to me.

III (Josephine, Burial)

In contemplation
A dog listens to nearby whistling
Of a young girl home from school/
In six months she'll fall victim to the divorce of her family/
And in twelve months
Accept that her mother had a lot of problems
It isn't her fault
It was never her fault/

In sixteen months she'll chip her front teeth on the coffee table

In three years she'll decide on a better first name
"Josephine"
In four she will legally change it and

In five the previously mentioned dog will be buried
With his owner's favorite scarf

IV (2015)

The August heat causing distant roads to waver in illusion while
A home catches fire

Luckily not my own

I save my mind one night before it loses itself to pure imaginative flow
In midsts of 108 repititions of the Gayatri Mantra
I remember that!
The portrait of a french woman robed in sunset colors is taken off the rotting walls of a Cabin, auburn with evening rain.

Silence!

V (The rosebush blushes while being painted)

Yggdrasil is being renovated a few blocks away & a garden is unable to answer
For its
Unusual poetics

The local raincoat impressionist observes
A fantasy hidden in the soil
Nurturing itself
With percieved
Infant curiosity

My tragedy, the tale of Pyramus and Thisbe.
For I stood, whispering into the lover's hallowed stone.
Wondering would it ever be?
For every love I have shared, Thisbe has never known.

Fig at my feet,
I fumble
and fret
Imagining worlds where bubbles don’t burst,
Where the sun doesn’t
                      burn
                                  away
                         ­                       into nothingness.
Where the ghosts of ex lovers haunt their mothers and the emptiness doesn’t weigh heavy on my boots.
In the distance a white rabbit beckons me forward
To a home where you never leave and she never hurts.
A place to sit and trace the rivers flowing across the heart lines in my palm.
My life mapped out before me like reels and reels of ticker tape.
He will love you like no other.
He will hold onto you like the last leaf of fall.
He will kiss you like a wave to a boat, gently and fiercely all at once.

I swallow the blue pill and wake to craters in my hands, hollowed out by time.
And in them I’m holding not a fig, but a mulberry fruit.
Thisbe and Pyramus’ lament from the gods.
I take a bite, a bitter taste.
Because in another life, I’d be with you.