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"theirs" poems
~for those who will read this and weep~ *the quiet ones, the silent Job ones, who quote not from the Book of Lamentations, but author their own, based on-the-job experience localized versions of cryptic elegiacs accepting the wooden crosses borne, stepping up to the unrequested unforeseen, then buried under, burnt alive, yet never relieved by dying, nailed by words, stronger than iron, promises sworn, promises kept with no ending date relief, promises by and to themselves, but not for themselves!* *the wearers of crystal glass shackles, adorned with decorative locks for which no key did the maker make, nor any divine creator dare conceive an early release, never no escape contemplated, for the lock human, unrepentant unbreakable, a decorative useless metaphor gesture, a blunt “life ***** advertisement I compose amidst a bus pond of mismatched city folk, a tapestry of ages colors and differing views on god/no god, none would believe that as the bus sways me, it’s in rhythm to holy choral music, hundreds year old, divinity masses and motets worships, where one human can hide temporarily a safe house, to calm his questioning relentless from the horrors of no answers, for when the mind has no solution to the rough and tumbling lives, lived in glass shackled confinement, the poets desperation equals theirs* *summon eagles to transport these imprisoned, but the shackled refuse, I come to them but they wave me off, I go crazy for once I was enslaved, thirty years war that left devastation, from which so many poems created so I speak with heightened regard of one who planned futures for others where his non-existence was a founding father (ha!)* *but the day came and I was released by my own inactions, but means nothing until a way to away found to release the yet bound early* got a couch, airline miles, hundred dollars in my pocket and an unrelenting need to save them, a consumption disease, the glass shackled, at ease, won’t rest till all are freed this my creed no one left behind these cyber words do not mock for they are unbounded, set free, when the flesh connects and the needs of the flesh are stronger for they are in heart conceived
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Jun 23, 2018
Jun 23, 2018 at 5:45 PM UTC
The Glass Shackles
~for those who will read this and weep~ *the quiet ones, the silent Job ones, who quote not from the Book of Lamentations, but author their own, based on-the-job experience localized versions of cryptic elegiacs accepting the wooden crosses borne, stepping up to the unrequested unforeseen, then buried under, burnt alive, yet never relieved by dying, nailed by words, stronger than iron, promises sworn, promises kept with no ending date relief, promises by and to themselves, but not for themselves!* *the wearers of crystal glass shackles, adorned with decorative locks for which no key did the maker make, nor any divine creator dare conceive an early release, never no escape contemplated, for the lock human, unrepentant unbreakable, a decorative useless metaphor gesture, a blunt “life ***** advertisement I compose amidst a bus pond of mismatched city folk, a tapestry of ages colors and differing views on god/no god, none would believe that as the bus sways me, it’s in rhythm to holy choral music, hundreds year old, divinity masses and motets worships, where one human can hide temporarily a safe house, to calm his questioning relentless from the horrors of no answers, for when the mind has no solution to the rough and tumbling lives, lived in glass shackled confinement, the poets desperation equals theirs* *summon eagles to transport these imprisoned, but the shackled refuse, I come to them but they wave me off, I go crazy for once I was enslaved, thirty years war that left devastation, from which so many poems created so I speak with heightened regard of one who planned futures for others where his non-existence was a founding father (ha!)* *but the day came and I was released by my own inactions, but means nothing until a way to away found to release the yet bound early* got a couch, airline miles, hundred dollars in my pocket and an unrelenting need to save them, a consumption disease, the glass shackled, at ease, won’t rest till all are freed this my creed no one left behind these cyber words do not mock for they are unbounded, set free, when the flesh connects and the needs of the flesh are stronger for they are in heart conceived
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68
Municipal Gum was written by Oodjeroo Noonecaal. Municipal Gum is about the changes in society and the tendency of people to want to control everything. Oodjeroo uses various techniques to convey this idea. At the beginning of the poem Oodjeroo is addressing the tree. This immediately creates empathy for both the tree and her people. By the last line she has emphasised this with the pronoun “us” to show that they suffer a similar fate. This poem expresses how life in Australia has changes especially for Aboriginal people. In the first half of the poem Oodjeroo is talking about how life was for her and others. It explores the changes in society and the displacement of the Aboriginal people from their land. “Whose head hung…Its hopelessness”, the author uses this as further re-iteration of the immorality of the situation and by the use of analogy comparing the tree to her people to further emphasise the shame and lack control of that the Europeans have inflicted upon her and the environment. Oodjeroo uses extended metaphor technique in the very first line of the poem ‘Hard bitumen around your feet’. This means that the gumtree has been placed in the city scape where it is suppressed and not allowed to spread out and be unique in its own way. This is clear and immanently direct link to the pain and suffering endured by the Aborigines post European settlement. Oodjeroo uses vivid language to present these ideas. For example the use of the word castrated is very effective. The connotation of the word is very demeaning. With castration often comes a sense of a loss of pride and power. The word castration is symbolic of how Oodjeroo feels the European have treated Aboriginal people and the environment. Castration also refers to the fact that what is done is done. Nothing can undo what they did and the damaged they have caused. Other symbolism includes the title “Municipal Gum”, municipal meaning community, implies that the gumtree belongs to the community. One of the vast differences between European and Aboriginal law is that Aboriginal people did not believe in the ownership of land or of animals and plants. Municipal Gum is a reference to the Europeans assumptions that everything is theirs to own and control. The rhetorical question, “O fellow citizen, What have they done to us?” is the conclusion of the implications that have been made throughout the poem. Oodjeroo, is advocating for her people and all things wronged by the controlling behaviour of the Europeans. Rhetorical questions are used to provoke thought and to stimulate a pre-determined response. “What have they done to us?” They have “castrated, broken… strapped and buckled” and ultimately changed things to a point that they cannot be fixed. In conclusion, Municipal Gum is a poem about the constrictions and change that the European invaders forced upon the Aboriginal community and the environment she believes that the Europeans have deemed themselves ever powerful and practice their power in a manner that is immoral.
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Sep 11, 2013
Sep 11, 2013 at 7:47 AM UTC
Municipal Gum
Municipal Gum was written by Oodjeroo Noonecaal. Municipal Gum is about the changes in society and the tendency of people to want to control everything. Oodjeroo uses various techniques to convey this idea. At the beginning of the poem Oodjeroo is addressing the tree. This immediately creates empathy for both the tree and her people. By the last line she has emphasised this with the pronoun “us” to show that they suffer a similar fate. This poem expresses how life in Australia has changes especially for Aboriginal people. In the first half of the poem Oodjeroo is talking about how life was for her and others. It explores the changes in society and the displacement of the Aboriginal people from their land. “Whose head hung…Its hopelessness”, the author uses this as further re-iteration of the immorality of the situation and by the use of analogy comparing the tree to her people to further emphasise the shame and lack control of that the Europeans have inflicted upon her and the environment. Oodjeroo uses extended metaphor technique in the very first line of the poem ‘Hard bitumen around your feet’. This means that the gumtree has been placed in the city scape where it is suppressed and not allowed to spread out and be unique in its own way. This is clear and immanently direct link to the pain and suffering endured by the Aborigines post European settlement. Oodjeroo uses vivid language to present these ideas. For example the use of the word castrated is very effective. The connotation of the word is very demeaning. With castration often comes a sense of a loss of pride and power. The word castration is symbolic of how Oodjeroo feels the European have treated Aboriginal people and the environment. Castration also refers to the fact that what is done is done. Nothing can undo what they did and the damaged they have caused. Other symbolism includes the title “Municipal Gum”, municipal meaning community, implies that the gumtree belongs to the community. One of the vast differences between European and Aboriginal law is that Aboriginal people did not believe in the ownership of land or of animals and plants. Municipal Gum is a reference to the Europeans assumptions that everything is theirs to own and control. The rhetorical question, “O fellow citizen, What have they done to us?” is the conclusion of the implications that have been made throughout the poem. Oodjeroo, is advocating for her people and all things wronged by the controlling behaviour of the Europeans. Rhetorical questions are used to provoke thought and to stimulate a pre-determined response. “What have they done to us?” They have “castrated, broken… strapped and buckled” and ultimately changed things to a point that they cannot be fixed. In conclusion, Municipal Gum is a poem about the constrictions and change that the European invaders forced upon the Aboriginal community and the environment she believes that the Europeans have deemed themselves ever powerful and practice their power in a manner that is immoral.
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9
I am not superman. I carry around guns for protection. I have killed many And never was sorry. I have stolen from men who have stolen from others. Do not look at me as a savior, Not even as a big brother, because I am nothing of a role model. My wings have broken and I don't even have a place to call home. Pain is written on my skin with the smirk of a devil leaving cracks all over for sorrow to sneak its way in and bury itself deep into my bones. So give me hope because I'm not man enough to create my own. I keep putting other's lives before mine hoping that counts as love but wind up realizing that doesn't count as anything Trust me, I'm no superman. I can't even save myself. I've burned my cape in the fires of hell because I've been there enough to know I can't wear it anymore. I have flaws enough to fill the ocean and I'm sick of drowning and I'm tired of counting dead bodies and I’m tired of swimming through waves I'm not big enough for. So hear the violin and piano play my symphony of the fallen man. I never said I could fly. I never said I could save your life. I never gave up though. So hold me tight and let me finally break and fall into the arms of someone I can trust and someone I know that'll keep my heart safe buried next to theirs. I've played wicked games and lost too many times and now I just want to sleep. I'm tired of turning up black and blue But I'll do anything to protect you. If you were never here then I would have ended this a long time ago. I would have welcomed the salt water into my lungs Or fall asleep in a tree and meet death in the morning as I hang in silence. But now I beg for hope because I'm torn apart. But I know am seen as your superman so I’m going to hang on with all my might, And live this life with you as a hero as your superman.
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Sep 17, 2013
Sep 17, 2013 at 7:17 AM UTC
I'm No Superman
I am not superman. I carry around guns for protection. I have killed many And never was sorry. I have stolen from men who have stolen from others. Do not look at me as a savior, Not even as a big brother, because I am nothing of a role model. My wings have broken and I don't even have a place to call home. Pain is written on my skin with the smirk of a devil leaving cracks all over for sorrow to sneak its way in and bury itself deep into my bones. So give me hope because I'm not man enough to create my own. I keep putting other's lives before mine hoping that counts as love but wind up realizing that doesn't count as anything Trust me, I'm no superman. I can't even save myself. I've burned my cape in the fires of hell because I've been there enough to know I can't wear it anymore. I have flaws enough to fill the ocean and I'm sick of drowning and I'm tired of counting dead bodies and I’m tired of swimming through waves I'm not big enough for. So hear the violin and piano play my symphony of the fallen man. I never said I could fly. I never said I could save your life. I never gave up though. So hold me tight and let me finally break and fall into the arms of someone I can trust and someone I know that'll keep my heart safe buried next to theirs. I've played wicked games and lost too many times and now I just want to sleep. I'm tired of turning up black and blue But I'll do anything to protect you. If you were never here then I would have ended this a long time ago. I would have welcomed the salt water into my lungs Or fall asleep in a tree and meet death in the morning as I hang in silence. But now I beg for hope because I'm torn apart. But I know am seen as your superman so I’m going to hang on with all my might, And live this life with you as a hero as your superman.
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40
<> The Instigation: Edmund  Black, commenting on “weary weighted,” I agree with Kim; This is poetry at its best :)“ <•> *both of you shush! there is no “better” in poetry mine yours theirs, alive or not, just gasps tears and blood whimsical smiles and isles cuts and burns of pained revelations, hidden in fog, that words try to delete away, through the shrouded mists of human tissues, unconstrained by the bounded shape of the human cell, our first, our own self-imposed jail tissue, too, baby soft, or, purple beating majestic bruised blotches by those weaklings whose kindness never fully developed;   or old man mine whose skin cells erodes, so poems and light weary weighted, lightly flake off for your “betterment” mostly tho for worse good humans all await, in patientce lightly hidden, residents of dark sunspots in the glaring existence exposer of the unlit lighthouse whose time will come they get it how we get there unimportant get there GET THERE get there that is the poetic mission critical no path best or style preferred- no compare just, but, any path that lifts and elevates, to the commonplace* the common place *where all costarred, universal, where common is the temple mount of highest praise, holy smoke rising, a place that that discloses and closes, is scribed/described honestly as a connective, which is the simplest successive call my poems, blessedly common! that an honorable, so gladly accepted and so much more meaning-full than merely best or better* for that, I’d gladly weep, for no praise ever been bettered 8/2/18 406pm on the jitney to my isle
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Aug 2, 2018
Aug 2, 2018 at 4:15 PM UTC
the common place... (for Kim Johanna Baker & Edmund Black)
<> The Instigation: Edmund  Black, commenting on “weary weighted,” I agree with Kim; This is poetry at its best :)“ <•> *both of you shush! there is no “better” in poetry mine yours theirs, alive or not, just gasps tears and blood whimsical smiles and isles cuts and burns of pained revelations, hidden in fog, that words try to delete away, through the shrouded mists of human tissues, unconstrained by the bounded shape of the human cell, our first, our own self-imposed jail tissue, too, baby soft, or, purple beating majestic bruised blotches by those weaklings whose kindness never fully developed;   or old man mine whose skin cells erodes, so poems and light weary weighted, lightly flake off for your “betterment” mostly tho for worse good humans all await, in patientce lightly hidden, residents of dark sunspots in the glaring existence exposer of the unlit lighthouse whose time will come they get it how we get there unimportant get there GET THERE get there that is the poetic mission critical no path best or style preferred- no compare just, but, any path that lifts and elevates, to the commonplace* the common place *where all costarred, universal, where common is the temple mount of highest praise, holy smoke rising, a place that that discloses and closes, is scribed/described honestly as a connective, which is the simplest successive call my poems, blessedly common! that an honorable, so gladly accepted and so much more meaning-full than merely best or better* for that, I’d gladly weep, for no praise ever been bettered 8/2/18 406pm on the jitney to my isle
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72
My generation is the technology generation We are connected 100% of the time My generation is the "selfie" generation A generation of self love and positivity My generation believes you can love someone Even if they're thousands of miles away My generation is the download generation Music from every era is at our fingertips They'll tell you all this is bad They'll say we're a generation ruled by technology And we are, but that's not a bad thing My generation is the one being killed in the street For the color of their skin My generation is the one yelling "hands up don't shoot" And reminding people Black Lives Matter My generation checks social media And hears about news before CNN or Fox My generation uses pictures and videos To dispute the lies we're being fed My generation has the power to change the world They'll say technology is ruining my generation, It's not. It's ruining theirs.
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Aug 28, 2015
Aug 28, 2015 at 10:34 PM UTC
My generation
I keep my feelings on a leash, locked in a cage like the perpetrators of crime. Sometimes I take them out for walks to test out their rarely used legs on the ground. Only too reel them back in, too scared to let them wander, wander towards those who let theirs loose freely, not caring where they step. For I have learned that this only leads to hurt. Stubbed toes on the curbsides called love. Failed attempts at crossing the crosswalk, into the depths of someones shallow, unforgiving arms. Not paying attention to the Stop sign right next to them. Over and over, I wish I would've noticed that sign sooner.. Before all the heartbreaks and fallen tears. And that is why the footwork of my heart, kept captive in the dark, is sleeping in silence for perhaps eternity
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Mar 13, 2018
Mar 13, 2018 at 1:04 AM UTC
Footwork
That time being nation's condition worse For all to exist in yoke motherland seemed                                                        to be curse Having country's onus on youths to freed So swear to intent freedom theirs' mind                                                                vivid With full enthusiasm, excitation and zeal Everyone gone for country's wound to heal Having all that time the same intent Anyone who felt country's screaming of                                         ******* present!
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Nov 14, 2014
Nov 14, 2014 at 8:36 AM UTC
MARTYRS -2
I am the shadow of trayvon martin Lying on the ground just as he did I'm black just as he was I wasn't planning to die that day either I wasn't threatning nobody either that day The gunshots echoed just as loud when I was shot down as Mike Brown yet his name echoes through the streets years later still mine followed me to the grave They don't care about me it seems If I cried "what about me" Who would ever see? because my hashtag has even been drowned so deep in the depths of R.I.P's that I can't barely breathe anymore When we think black brutality Why do the names of trayvon Mike Tamir Sandra Rush to our heads just as fast as blood once rushed to theirs? Does my black life, too, matter? I can't blame you That there have been so many deaths due to oppression and police brutality that they all seem to sound the same No matter how loud we scream Black lives matter We will never be seen as the living But the potentially dead We cry for justice to a system that's no longer built to accept us A president that tries to forget us A black voice will always be too loud to a world who never intended on listening Who am I? Besides a hashtag and a t-shirt with my face on it? A black lives matter sign and a melanin fist? A statistic? I am black excellence Regardless of how much sin you may see in my kin
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Aug 14, 2017
Aug 14, 2017 at 10:32 PM UTC
Just another R.I.P hashtag
There is one thing that ought to be taught in all the colleges, Which is that people ought to be taught not to go around always making apologies. I don't mean the kind of apologies people make when they run over you or borrow five dollars or step on your feet, Because I think that is sort of sweet; No, I object to one kind of apology alone, Which is when people spend their time and yours apologizing for everything they own. You go to their house for a meal, And they apologize because the anchovies aren't caviar or the partridge is veal; They apologize privately for the crudeness of the other guests, And they apologize publicly for their wife's housekeeping or their husband's jests; If they give you a book by Dickens they apologize because it isn't by Scott, And if they take you to the theater, they apologize for the acting and the dialogue and the plot; They contain more milk of human kindness than the most capacious diary can, But if you are from out of town they apologize for everything local and if you are a foreigner they apologize for everything American. I dread these apologizers even as I am depicting them, I shudder as I think of the hours that must be spend in contradicting them, Because you are very rude if you let them emerge from an argument victorious, And when they say something of theirs is awful, it is your duty to convince them politely that it is magnificent and glorious, And what particularly bores me with them, Is that half the time you have to politely contradict them when you rudely agree with them, So I think there is one rule every host and hostess ought to keep with the comb and nail file and bicarbonate and aromatic spirits on a handy shelf, Which is don't spoil the denouement by telling the guests everything is terrible, but let them have the thrill of finding it out for themselves.
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23.7k
Just Keep Quiet and Nobody Will Notice
There is one thing that ought to be taught in all the colleges, Which is that people ought to be taught not to go around always making apologies. I don't mean the kind of apologies people make when they run over you or borrow five dollars or step on your feet, Because I think that is sort of sweet; No, I object to one kind of apology alone, Which is when people spend their time and yours apologizing for everything they own. You go to their house for a meal, And they apologize because the anchovies aren't caviar or the partridge is veal; They apologize privately for the crudeness of the other guests, And they apologize publicly for their wife's housekeeping or their husband's jests; If they give you a book by Dickens they apologize because it isn't by Scott, And if they take you to the theater, they apologize for the acting and the dialogue and the plot; They contain more milk of human kindness than the most capacious diary can, But if you are from out of town they apologize for everything local and if you are a foreigner they apologize for everything American. I dread these apologizers even as I am depicting them, I shudder as I think of the hours that must be spend in contradicting them, Because you are very rude if you let them emerge from an argument victorious, And when they say something of theirs is awful, it is your duty to convince them politely that it is magnificent and glorious, And what particularly bores me with them, Is that half the time you have to politely contradict them when you rudely agree with them, So I think there is one rule every host and hostess ought to keep with the comb and nail file and bicarbonate and aromatic spirits on a handy shelf, Which is don't spoil the denouement by telling the guests everything is terrible, but let them have the thrill of finding it out for themselves.
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22
*I am an African My skin is black My hair is black I am black I take pride in my blackness For my colour is not a badge Of shame, but an identity, Yes black is my identify Africa is my identity I am the son  of the black soil, A soil rich in history And blessed with diverse cultures Each unique in their own way, I am an African Africa a nation of the oppressed But slowly rising to conquer And claim what is theirs From the oppressors, Yes the sleeping sons of Jacob Are rising,  slowly realising Their potential as nation , Yes my fellow Africans are rising The black nation is on its knees I'm a proud african, Africa my roots Africa my identity Africa my ancestral land Africa my home Africa is who i am I am African Copyrights. Taetso jojo*
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Jan 14, 2017
Jan 14, 2017 at 2:48 PM UTC
I AM AN AFRICAN
Dal Lake I float on Dal Lake Suspended between the thick soupy crisp air of soldiers water lilies, Kashmiri bread and the Muslim prayers that penetrate the hardness of war chanting Allah Bismallah Floating Islam Holy words drenching the air Drenching the green cloth of Hindu soldiers Sliding down the cool metal of a rifle 9 years of war 1,000 houseboats lie empty in the Himalayan fog Intricately carved furniture Thick with dust and the powder of blood and bullets Himalayan silhouette etched black against the song of lotus gatherers Foggy voices like cloud of moon Lotus lake Gray of war and desperation Children beg 1 rupee 1 rupee 1 rupee Endless monologue Parched like lotus shaped paddle They throw flowers to me endlessly I throw them back endlessly Time passes slowly like smoke on a lizard’s tail trailing in the thick, rancid air of burning meat and maple leaves Like a shikara moving over the glass of Kashmir The sound of a dozen Bangees floating over the water Hollow, solemn and mournful Echoing against the hardness of the surrounding mountains The circle of Himalayas Like a womb around the prayers of Pachin In the middle of the lake I hear the call to prayer Azan Nemarz Suba Azan Nemarz Pashin Azan Nemarz Degar Azan Nemarz Sham Azan Nemarz Koftan From dawn till dusk Azan 4 mosques 4 singers 4 directions staggered by a breath like an imperfect echo Azan slips into the pockets of island soldiers Waters the impatience of soldiers on the shore Steals into the vacant eyes of soldiers in the Mosque They want to go home to their wives and children They want to leave the place of prayer, which is not theirs The place of prayer, which has seen death The place where God was pushed out In order to not see the killing To **** what they don’t see The place, which was no longer a refuge Outside Dal Lake turns to the color of red lentils cooking in a dented metal *** In the Shikara boat we eat dal and rice and throw scraps into the silver water where it washes up onto the ***** boots of a soldier I hear the dull gray click, click of his rifle as it touches the ground The prayers have ended
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Aug 13, 2014
Aug 13, 2014 at 3:34 PM UTC
Dal Lake
Dal Lake I float on Dal Lake Suspended between the thick soupy crisp air of soldiers water lilies, Kashmiri bread and the Muslim prayers that penetrate the hardness of war chanting Allah Bismallah Floating Islam Holy words drenching the air Drenching the green cloth of Hindu soldiers Sliding down the cool metal of a rifle 9 years of war 1,000 houseboats lie empty in the Himalayan fog Intricately carved furniture Thick with dust and the powder of blood and bullets Himalayan silhouette etched black against the song of lotus gatherers Foggy voices like cloud of moon Lotus lake Gray of war and desperation Children beg 1 rupee 1 rupee 1 rupee Endless monologue Parched like lotus shaped paddle They throw flowers to me endlessly I throw them back endlessly Time passes slowly like smoke on a lizard’s tail trailing in the thick, rancid air of burning meat and maple leaves Like a shikara moving over the glass of Kashmir The sound of a dozen Bangees floating over the water Hollow, solemn and mournful Echoing against the hardness of the surrounding mountains The circle of Himalayas Like a womb around the prayers of Pachin In the middle of the lake I hear the call to prayer Azan Nemarz Suba Azan Nemarz Pashin Azan Nemarz Degar Azan Nemarz Sham Azan Nemarz Koftan From dawn till dusk Azan 4 mosques 4 singers 4 directions staggered by a breath like an imperfect echo Azan slips into the pockets of island soldiers Waters the impatience of soldiers on the shore Steals into the vacant eyes of soldiers in the Mosque They want to go home to their wives and children They want to leave the place of prayer, which is not theirs The place of prayer, which has seen death The place where God was pushed out In order to not see the killing To **** what they don’t see The place, which was no longer a refuge Outside Dal Lake turns to the color of red lentils cooking in a dented metal *** In the Shikara boat we eat dal and rice and throw scraps into the silver water where it washes up onto the ***** boots of a soldier I hear the dull gray click, click of his rifle as it touches the ground The prayers have ended
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81
May we live in and see interesting times, the old saying goes another offers that when the mind is blind, the eyes cannot see for me my days are interesting and the laughter readily and often comes for the grapes of wrath brings forth mirth filled grapes on grapevine tendrils As lemmings and sheep enact bellyaching absurdities, as the ridiculous does Veracity on sojourn and falsehood in residence with doors firmly closed Hamlet re-enacts hapless role, with Red Robin Hood and vigilantes to a tee eager audiences, participatory scenes in towns and cities, leaving empty homes come all and vent your spleen and satiate your prejudices without paying a fee This land belongs to us, it is our birthright and we will send Hamlet to the catacombs Nothing is private anymore, rights and freedom nailed, anywhere we roam Ophelia not only went to Italy, she went to Hull, Turnpike Lane and even Essex but a joke here, if all these were good, why did she come to me, you simple gnomes perchance unlike you common goons,  she knows distinction has no comparison to thee Your vacuous hate filled mind cannot see that difference in a Prince, that regally looms Act two, dim, fooled actors in their Beggars Opera, screaming, 'we oppose' with glee so called republicans, laughable in their ardent favor, ignorant of their lobotomy botches we will do Hamlet's head in, totally unaware theirs been done in, for the brains of fleas in a civilisation, our conscious and stable populace, roots for vigilante and mob rule, yeah for a man of distinction is a threat reminding you of your insignificance and lack of tomes Come friends, lets see how the home of Democracy, hounds a citizen for us all and we lets know that Robin Hood is alive and taxing, and 'Windrush' is still active in dispatches indigenous people power, meets criminal gang stalking, meets racism and we all drink tea and in true cowardly fashion, its all done by insidious, indictable, nefarious, malcontents and psychopathic crazies It is our proud duty that we should all ruin Hamlet, for mediocrity has no distinction for aspiration et excellence Copyright LaurenceA. JUNE 2018.All rights reserved.
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Jul 25, 2018
Jul 25, 2018 at 8:00 PM UTC
Mediocrity knows no Distinction.....
May we live in and see interesting times, the old saying goes another offers that when the mind is blind, the eyes cannot see for me my days are interesting and the laughter readily and often comes for the grapes of wrath brings forth mirth filled grapes on grapevine tendrils As lemmings and sheep enact bellyaching absurdities, as the ridiculous does Veracity on sojourn and falsehood in residence with doors firmly closed Hamlet re-enacts hapless role, with Red Robin Hood and vigilantes to a tee eager audiences, participatory scenes in towns and cities, leaving empty homes come all and vent your spleen and satiate your prejudices without paying a fee This land belongs to us, it is our birthright and we will send Hamlet to the catacombs Nothing is private anymore, rights and freedom nailed, anywhere we roam Ophelia not only went to Italy, she went to Hull, Turnpike Lane and even Essex but a joke here, if all these were good, why did she come to me, you simple gnomes perchance unlike you common goons,  she knows distinction has no comparison to thee Your vacuous hate filled mind cannot see that difference in a Prince, that regally looms Act two, dim, fooled actors in their Beggars Opera, screaming, 'we oppose' with glee so called republicans, laughable in their ardent favor, ignorant of their lobotomy botches we will do Hamlet's head in, totally unaware theirs been done in, for the brains of fleas in a civilisation, our conscious and stable populace, roots for vigilante and mob rule, yeah for a man of distinction is a threat reminding you of your insignificance and lack of tomes Come friends, lets see how the home of Democracy, hounds a citizen for us all and we lets know that Robin Hood is alive and taxing, and 'Windrush' is still active in dispatches indigenous people power, meets criminal gang stalking, meets racism and we all drink tea and in true cowardly fashion, its all done by insidious, indictable, nefarious, malcontents and psychopathic crazies It is our proud duty that we should all ruin Hamlet, for mediocrity has no distinction for aspiration et excellence Copyright LaurenceA. JUNE 2018.All rights reserved.
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26
Compelled by calamity's magnet They loiter and stare as if the house Burnt-out were theirs, or as if they thought Some scandal might any minute ooze From a smoke-choked closet into light; No deaths, no prodigious injuries Glut these hunters after an old meat, Blood-spoor of the austere tragedies. Mother Medea in a green smock Moves humbly as any housewife through Her ruined apartments, taking stock Of charred shoes, the sodden upholstery: Cheated of the pyre and the rack, The crowd ***** her last tear and turns away.
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13.8k
Aftermath
When I made you, I loved you. Now I pity you. I gave you all you needed: bed of earth, blanket of blue air-- As I get further away from you I see you more clearly. Your souls should have been immense by now, not what they are, small talking things-- I gave you every gift, blue of the spring morning, time you didn't know how to use-- you wanted more, the one gift reserved for another creation. Whatever you hoped, you will not find yourselves in the garden, among the growing plants. Your lives are not circular like theirs: your lives are the bird's flight which begins and ends in stillness-- which begins and ends, in form echoing this arc from the white birch to the apple tree.
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13.9k
Retreating Wind
I want to lay in bed with you No thoughts of *** Racing through my body But the only thought I'll allow tonight Is the thought of holding you Under every moonlit lullaby And let stars watch with full smiles As they witness my love for you grow I don't care what the world has I say I'd rather you call me your teddy bear Than they'll know I'm not in it for the *** The royal treatment is for you And this late night cuddle session Is only the beginning Because tonight I'm going to show you That even with my weakness I'll protect you through the night I'll be your dream catcher Your luck rabbits foot And chase away the worries of tomorrow I'll cuddle concrete I'll cuddle rose pedals But nothing in this world Could ever amount to the roaring passion I can ever feel When its your heart and soul I cuddle with Your my yesterday My every day tomorrow And the last thing I want to embrace When I fall asleep thinking of you This late night cuddle session Isn't over because I'll hold you Till the moon and sun decide to collide I love you like teddy bears love cuddling And theirs nothing this teddy bear loves more Than loving you
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Oct 9, 2014
Oct 9, 2014 at 2:27 AM UTC
Late Night Cuddle Session
United Nations *Let us all now make this promise To be signed by every land If you hurt the children of this world As United Nations we will stand You may never use our children As fighters in your wars For our children are not soldiers They are gifts to be adored Don't think that you can take them Or use them as your shields That the killing of our children Will help to change the way we feel No one shall ever force a child To preform like an adult For that gift is only theirs to give When true love is in their hearts Know the world now stands together For this fight is worth the cause And our countries have no boarders When children are involved Let us all now make this promise To be signed by every land If you hurt the children of this world As United Nations we will stand* Signed by The People of The United States Of America Poem by: Carl Joseph Roberts
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Jan 8, 2015
Jan 8, 2015 at 10:42 AM UTC
United Nations
It smells like first love Says the perfume bottle Smells like true love Says the bath bomb What does first love smell like? First love smells like rain The heavy scent of the air Before a thunderstorm True love smells like cookies Baking in the background And a rich *** of coffee Brewing from fresh beans And of cinnamon in hot chocolate And lavender, like my lotion And spice, like his deodorant First love smells lightly of sweat Because you're nervous True love smells like tears Because it's never a dry-eyed affair It smells like the flowers Of the wedding bouquet And the crimson and white Christmas flower display First love smells like body spray Slathered on to hide the sweat True love smells natural Bad breath in the morning And yet fine Because it's theirs. First love turns to sweet summers' air Vanished with August's last week True love kisses the scents Both foul and fair That break upon my cheek.
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Jul 13, 2017
Jul 13, 2017 at 11:48 PM UTC
Scentsation
Months have I waited For a particular celebration Not of getting drunk nor even wasted Just a quiet simple sweet vacation Need not have to go far It could just end up to be here We could get in a car Fully automated no gears This life's is ours Never was theirs Now that then I know Little could I ease my ears To take a minute from my conscience Allowing my minds to weight in options A simple easy minor equations Could be the one that set my final decision
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Sep 25, 2014
Sep 25, 2014 at 6:10 PM UTC
Decisions
People kept telling her: "you can't be this, you can't be that" the girl pretended to listen, their words a blur she sat there unnoticed, her face flat. She went to school receiving an education she let her parents rule keeping silent, hiding her creation. When the nights closed in and her parents went to sleep she took out a notebook with a grin; after all it wasn't theirs to keep. She bled out words that had stuck on her skin outside chirped nice birds unlike the crows she hid within. Soon her graduation came as she held her diploma in hand she heard her own name with it came the feared demand. "You'll become a lawyer like us, right?" the girl whirled around to see her mum and dad standing up to their full height she bit her lip, only wanting to be free. "No," she told them, "I will not!" she looked her parents straight in the eye looking like they'd both been shot but the girl didn't want to lie. "I'll become a writer," she told them, with a light smile her parents did not turn brighter but that hadn't ever been their style.
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Jul 8, 2017
Jul 8, 2017 at 9:40 AM UTC
Parental pressure
She had tried to grow them For years she had watched others How they had theirs Bloom But nothing happened in her Windowsill Now they sat there Beautiful and vibrant For all to admire Through her window Forever perfect Sewn Not grown
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Feb 26, 2013
Feb 26, 2013 at 2:38 PM UTC
Orchids
Brotherhood The one who loves, The one who cares, The one who of others thinks of, The one who has others needs before theirs, The one who is wise, The one who is brave, The one who really tries, The one whose heart you gave, The one who is thoughtful, one way or another, The one who I find delightful, My one and only brother!
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Jun 17, 2013
Jun 17, 2013 at 9:30 AM UTC
Brotherhood
They ask me over and over again, "What boy hurt you to make you this way?" And I laugh. Because they are too ignorant to understand Liking girls does not require a previous pain, Or being touched by a hand you thought you could trust Love has no ****** preference And love has no gender So I am forced to ask them, "What girl hurt you to make you that way?" They look at me puzzled And they don't understand Because their normal only has one definition And that is theirs. They don't understand that maybe, Just maybe, I deserve love in which ever way makes me feel the butterflies in my tummy And makes my hands perspire in the pocket of my hoodie They can't seem to see That I have seen more love in the curves of her back Than they will ever see on their knees. But no matter how much I tell them that there is nothing wrong with me, That no boy hurt me, They persist. They no longer ask. They just plainly state, "A boy hurt you and made you this way."
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Dec 21, 2013
Dec 21, 2013 at 11:30 AM UTC
Liking Girls
Brotherhood The one who loves, The one who cares, The one who of others thinks of, The one who has others needs before theirs, The one who is wise, The one who is brave, The one who really tries, The one whose heart you gave, The one who is thoughtful, one way or another, The one who I find delightful, My one and only brother!
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Jun 17, 2013
Jun 17, 2013 at 9:30 AM UTC
Brotherhood
Ravenclaw: The intelligent ones For those who may be missing a few screws Or are like no one else you have ever met Hufflepuff: The amicable ones For those who aren't afraid to work hard Or would give $100 to the homeless Slytherin: The cunning ones For those who will do anything to achieve their goals Or are willing to do anything to protect what is theirs Gryffindor: The brave ones For those who will never give up Or laugh in the face of terror Where shall you go?
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Aug 30, 2014
Aug 30, 2014 at 12:28 AM UTC
The Houses