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"thatch" poems
♪♫♪♪ Your beaded snakeskin loincloth strung beneath humid palms cool rippling breeze that calms our hammock hung under thatch what a catch . . . your Amazons running into my Congo lost track of my bongo back about one mile from the sources of the Nile: your jungle smile. Restoring all celestial things deep within your tropical clearings . . . flowing slowly, going loco at the mythic mouth of the Orinico; shake your nut-brown biospheres and banish all my worldly fears. Dusk is nearing — clearing the hill insects trilling a sinuous thrill; the yuca half-mashed in the clay *** the witch doctor hungover in his hut while our little fire smolders near the mountains of the moon —or are they only boulders? Come soon Jesus, Lord of the Jungle . . .
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Nov 10, 2015
Nov 10, 2015 at 9:22 PM UTC
Jungle Smile
In a happy reign there should be no hermits; The wise and able should consult together.... So you, a man of the eastern mountains, Gave up your life of picking herbs And came all the way to the Gate of Gold -- But you found your devotion unavailing. ...To spend the Day of No Fire on one of the southern rivers, You have mended your spring clothes here in these northern cities. I pour you the farewell wine as you set out from the capital -- Soon I shall be left behind here by my bosomfriend. In your sail-boat of sweet cinnamon-wood You will float again toward your own thatch door, Led along by distant trees To a sunset shining on a far-away town. ...What though your purpose happened to fail, Doubt not that some of us can hear high music.
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To Qiwu Qian Bound Home After Failing an Examination.
Look back with longing eyes and know that I will follow, Lift me up in your love as a light wind lifts a swallow, Let our flight be far in sun or blowing rain— But what if I heard my first love calling me again? Hold me on your heart as the brave sea holds the foam, Take me far away to the hills that hide your home; Peace shall thatch the roof and love shall latch the door— But what if I heard my first love calling me once more?
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5.2k
The Flight
When cats run home and light is come, And dew is cold upon the ground, And the far-off stream is dumb, And the whirring sail goes round, And the whirring sail goes round, Alone and warming his five wits, The white owl in the belfry sits. When merry milkmaids click the latch, And rarely smells the new-mown hay, And the **** hath sung beneath the thatch Twice or thrice his roundelay, Twice or thrice his roundelay; Alone and warming his five wits, The white owl in the belfry sits.
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5.1k
The Owl
In the slant of the sun on the country-side, Cattle and sheep trail home along the lane; And a rugged old man in a thatch door Leans on a staff and thinks of his son, the herdboy. There are whirring pheasants, full wheat-ears, Silk-worms asleep, pared mulberry-leaves. And the farmers, returning with hoes on their shoulders, Hail one another familiarly. ...No wonder I long for the simple life And am sighing the old song, Oh, to go Back Again.
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4.7k
A Farmhouse on the Wei River
This is too far, I know I’ve gone too far. As if the light of day were enough to wake my dormant wit,                But I know it’s not. My children lay dead. My wife lies cold and still. How long I sit in silence    I can’t know. My arms are lifeless weights along my sides, My hands are crusted With my family’s blood. I cannot know the horrors of last night, Echoes of screams                    And a rage not my own Are all that I can manage to produce. At last I gather their once warm bodies and lay them down beneath the high noon sun. Our house is now a broken shell,     Much like me. The door hangs from a single copper hinge A parody of    my fragile mind. No windows remain, only empty holes Beneath a partially        collapsed thatch roof. I fall to my knees and begin to dig, Every handful of dirt Is agony To my shattered hands, I welcome the pain. I dig the hole wide and deep to fit them. At last, my greatest fear has come. The grief arrives, and bears down upon my chest. I lower my children first into the ground. And kiss their brows,        holding each, one last time. My tears raining down on their broken bodies. I gather my wife     And softly place her Alongside our children. I kiss her lips And whisper all my thoughts Into her beautiful deaf ears.  I moan And heave, tasting        salt and earth and blood. “Bring me death if you have any mercy!” I shout to the clouds                  and blue above. I wait for death but there is no reply. Gods do not answer                                  pleas of the insane I ask for their forgiveness one last time And heap the earth        Onto my happiness. I walk away towards nowhere, anywhere But this place where My murdered family lies.
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Oct 13, 2013
Oct 13, 2013 at 10:30 PM UTC
Hercules
This is too far, I know I’ve gone too far. As if the light of day were enough to wake my dormant wit,                But I know it’s not. My children lay dead. My wife lies cold and still. How long I sit in silence    I can’t know. My arms are lifeless weights along my sides, My hands are crusted With my family’s blood. I cannot know the horrors of last night, Echoes of screams                    And a rage not my own Are all that I can manage to produce. At last I gather their once warm bodies and lay them down beneath the high noon sun. Our house is now a broken shell,     Much like me. The door hangs from a single copper hinge A parody of    my fragile mind. No windows remain, only empty holes Beneath a partially        collapsed thatch roof. I fall to my knees and begin to dig, Every handful of dirt Is agony To my shattered hands, I welcome the pain. I dig the hole wide and deep to fit them. At last, my greatest fear has come. The grief arrives, and bears down upon my chest. I lower my children first into the ground. And kiss their brows,        holding each, one last time. My tears raining down on their broken bodies. I gather my wife     And softly place her Alongside our children. I kiss her lips And whisper all my thoughts Into her beautiful deaf ears.  I moan And heave, tasting        salt and earth and blood. “Bring me death if you have any mercy!” I shout to the clouds                  and blue above. I wait for death but there is no reply. Gods do not answer                                  pleas of the insane I ask for their forgiveness one last time And heap the earth        Onto my happiness. I walk away towards nowhere, anywhere But this place where My murdered family lies.
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59
There once was a little thatch cottage, With little happy children, A little green garden, And a perfect little family. Then the little children's father Got cancer and died. And the perfect little family In the little thatch cottage, Was not so perfect anymore. The little children grew up, And soon moved away. And the little children's mother, Now a little old lady, Was a little more lonely. The little old lady Then passed away, In the little thatch cottage. No one lived there again. The little thatch cottage, Got surrounded by the forest, Then was struck by lightening, And burned to the ground. The little thatch cottage, Is now no more. Nature has taken it. And it will never be returned.
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May 25, 2015
May 25, 2015 at 3:37 PM UTC
Little Thatch Cottage
My grandparent's house ten-kid-large and sinking on the corners of remembrance Remodeled now, to ...tenements Honeycomb ...the remnants Irish immigrant and Scottish orphan's child She sang on the ferry He fell in love "The rest is the history of us...." Wide as the Connecticut River, grieving-- in their sunset.... ________________ This-- chair is his I am afraid of it-- of his learning of the shiny badge pinned to his coat of his dying... Golden leather of it soothes his memory-- of another continent of the once warmth-- of a distant hearth so darkened now-- where his head once rested ...his hands and, I fear-- his mind.... I will not sit in it as if he will come back, to take his place I am afraid of him-- with his chair-- all worshipful and empty like a high place, abandoned to the heart attack not for grandchild play Seat of Authority still stamped beside the standing cold-- brass ashtray Pipe smoke imagines itself against the ceiling in the words of Yates and Milton He read to them and somehow-- Paradise is Lost.... _______________ This house is cold now-- even in the summer-- cold Worn as only large families wear The War of waiting shadows --four brothers who were spared Anna Mae, in charge, too young, worries in abrupt dark of dinning room Her face, haunted-- an archway-- ever empty by the large and ghostly table covered by its web of lace-- a bridal veil of Catholic impossibility... Anna Mae, held hostage by her thoughts of darling, Sean... Aunt Lil's “breakdown” with cigarette and thorazine   quaking quiet in her corner Aunt Nell, as blind as ******** hell ironing, darning with threads that thatch the wounded socks Holds it all together, scolding-- Brought the welcomed jelly donuts sneered as Yankees clobbered Boston all-- while drinking yellow ale Uncle Eddie-- laughing hoarsely cracks nuts over a wooden bowl
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Sep 19, 2017
Sep 19, 2017 at 10:52 PM UTC
Mansion
My grandparent's house ten-kid-large and sinking on the corners of remembrance Remodeled now, to ...tenements Honeycomb ...the remnants Irish immigrant and Scottish orphan's child She sang on the ferry He fell in love "The rest is the history of us...." Wide as the Connecticut River, grieving-- in their sunset.... ________________ This-- chair is his I am afraid of it-- of his learning of the shiny badge pinned to his coat of his dying... Golden leather of it soothes his memory-- of another continent of the once warmth-- of a distant hearth so darkened now-- where his head once rested ...his hands and, I fear-- his mind.... I will not sit in it as if he will come back, to take his place I am afraid of him-- with his chair-- all worshipful and empty like a high place, abandoned to the heart attack not for grandchild play Seat of Authority still stamped beside the standing cold-- brass ashtray Pipe smoke imagines itself against the ceiling in the words of Yates and Milton He read to them and somehow-- Paradise is Lost.... _______________ This house is cold now-- even in the summer-- cold Worn as only large families wear The War of waiting shadows --four brothers who were spared Anna Mae, in charge, too young, worries in abrupt dark of dinning room Her face, haunted-- an archway-- ever empty by the large and ghostly table covered by its web of lace-- a bridal veil of Catholic impossibility... Anna Mae, held hostage by her thoughts of darling, Sean... Aunt Lil's “breakdown” with cigarette and thorazine   quaking quiet in her corner Aunt Nell, as blind as ******** hell ironing, darning with threads that thatch the wounded socks Holds it all together, scolding-- Brought the welcomed jelly donuts sneered as Yankees clobbered Boston all-- while drinking yellow ale Uncle Eddie-- laughing hoarsely cracks nuts over a wooden bowl
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80
Father and Mother, and Me, Sister and Auntie say All the people like us are We, And every one else is They. And They live over the sea, While We live over the way, But-would you believe it?—They look upon We As only a sort of They! We eat pork and beef With cow-horn-handled knives. They who gobble Their rice off a leaf, Are horrified out of Their lives; While they who live up a tree, And feast on grubs and clay, (Isn’t it scandalous? ) look upon We As a simply disgusting They! We shoot birds with a gun. They stick lions with spears. Their full-dress is un-. We dress up to Our ears. They like Their friends for tea. We like Our friends to stay; And, after all that, They look upon We As an utterly ignorant They! We eat kitcheny food. We have doors that latch. They drink milk or blood, Under an open thatch. We have Doctors to fee. They have Wizards to pay. And (impudent heathen!) They look upon We As a quite impossible They! All good people agree, And all good people say, All nice people, like Us, are We And every one else is They: But if you cross over the sea, Instead of over the way, You may end by (think of it!) looking on We As only a sort of They!
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We And They
Now the rich cherry, whose sleek wood, And top with silver petals traced Like a strict box its gems encased, Has spilt from out that cunning lid, All in an innocent green round, Those melting rubies which it hid; With moss ripe-strawberry-encrusted, So birds get half, and minds lapse merry To taste that deep-red, lark’s-bite berry, And blackcap bloom is yellow-dusted. The wren that thieved it in the eaves A trailer of the rose could catch To her poor droopy sloven thatch, And side by side with the wren’s brood— O lovely time of beggar’s luck— Opens the quaint and hairy bud; And full and golden is the yield Of cows that never have to house, But all night nibble under boughs, Or cool their sides in the moist field. Into the rooms flow meadow airs, The warm farm baking smell’s blown round. Inside and out, and sky and ground Are much the same; the wishing star, Hesperus, kind and early born, Is risen only finger-far; All stars stand close in summer air, And tremble, and look mild as amber; When wicks are lighted in the chamber, They are like stars which settled there. Now straightening from the flowery hay, Down the still light the mowers look, Or turn, because their dreaming shook, And they waked half to other days, When left alone in the yellow stubble The rusty-coated mare would graze. Yet thick the lazy dreams are born, Another thought can come to mind, But like the shivering of the wind, Morning and evening in the corn.
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3.1k
Country Summer
sit with me before the dance in my little thatch hut on a mat of yellow reeds together we’ll string garlands marigolds, jasmine, roses to offer at His petite, azure feet with glossy red kisses we’ll serenade our Sri Krishna weave peacock feathers through His perfumed tresses the Yamuna river is lit up with lotus lanterns and vrindavan incense we have adorned ourselves in the finest silk saris and red *** *** dots we are ready with aching, ardent hearts to dance with the Lord come into our eager, hopeful arms darling Giridhari
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Aug 6, 2014
Aug 6, 2014 at 12:43 AM UTC
Nandalala
I ain't goin' back to Maggie's farm no more To thatch that old black barn Already done it twice Done that thing most my life Someone else's turn now for sure Ain't gonna work for Maggie's brother don't you see He'll not be using me Bought his wife an Aston Martin For turning forty three He couldn't even bother   To make a cup of tea It all seems so appealing When you're young and fit Thirty five years later Feel I've done my bit Been a faithful servant Couldn't ask for more Now I'm looking forward To the final straw
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Oct 16, 2013
Oct 16, 2013 at 12:12 PM UTC
Maggie's barn
Cauld-bluided, humphing ower the stark grey hills Gowd een skinkle to an fro Split tongue lappin at the wind-blown smells Bog grass blackens whaur ye go Smoke split shielings and the clammerin o bairns Bone cracked mithers in yer wake Heirt-scaud ruin fae the valleys tae the cairns Driven by a drouth ye canny slake Crib tale shapit unner creakin heather thatch Howf born craitur o the nicht Auld sangs spake aboot the maidens ye would ****** Fleggit bairns tae keep intil the licht True? Naw, havers, juist the blaflum o wives God nivver biggit ocht sae fell But ae bairn crouchin in the ruins o its life Can think o naethin else the tale tae tell Blin, lost, forwandert fae the shattered faimly hame Warslin wi fear tae unnerstan White winds whistle as he gies the beast a name And dragons whiles can take the form o man.
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Apr 11, 2011
Apr 11, 2011 at 2:39 AM UTC
Dragons
The maiden of the pumpkin patch, Glowing softly in her home, The sky above her, thatch, And pumpkins below her, throne, A bright robe of autumn leaves, Sparkling with the morning's drops of dew, All around her, protective trees, Seeming so many, yet, so few, Her heady scent of earth, So ancient and divine, Solemn, still diverse, My lady of autumn, so wild, yet refined
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May 26, 2013
May 26, 2013 at 1:23 PM UTC
The Lady of the Pumpkin Patch
Mariana in the Moated Grange by Alfred, Lord Tennyson With blackest moss the flower-plots Were thickly crusted, one and all: The rusted nails fell from the knots That held the pear to the gable-wall. The broken sheds look'd sad and strange: Unlifted was the clinking latch; Weeded and worn the ancient thatch Upon the lonely moated grange. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Her tears fell with the dews at even; Her tears fell ere the dews were dried; She could not look on the sweet heaven, Either at morn or eventide. After the flitting of the bats, When thickest dark did trance the sky, She drew her casement-curtain by, And glanced athwart the glooming flats. She only said, "The night is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Upon the middle of the night, Waking she heard the night-fowl crow: The **** sung out an hour ere light: From the dark fen the oxen's low Came to her: without hope of change, In sleep she seem'd to walk forlorn, Till cold winds woke the gray-eyed morn About the lonely moated grange. She only said, "The day is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" About a stone-cast from the wall A sluice with blacken'd waters slept, And o'er it many, round and small, The cluster'd marish-mosses crept. Hard by a poplar shook alway, All silver-green with gnarled bark: For leagues no other tree did mark The level waste, the rounding gray. She only said, "My life is dreary, He cometh not," she said; She said "I am aweary, aweary I would that I were dead!" And ever when the moon was low, And the shrill winds were up and away, In the white curtain, to and fro, She saw the gusty shadow sway. But when the moon was very low And wild winds bound within their cell, The shadow of the poplar fell Upon her bed, across her brow. She only said, "The night is dreary, He cometh not," she said; She said "I am aweary, aweary, I would that I were dead!" All day within the dreamy house, The doors upon their hinges creak'd; The blue fly sung in the pane; the mouse Behind the mouldering wainscot shriek'd, Or from the crevice peer'd about. Old faces glimmer'd thro' the doors Old footsteps trod the upper floors, Old voices called her from without. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" The sparrow's chirrup on the roof, The slow clock ticking, and the sound Which to the wooing wind aloof The poplar made, did all confound Her sense; but most she loathed the hour When the thick-moted sunbeam lay Athwart the chambers, and the day Was sloping toward his western bower. Then said she, "I am very dreary, He will not come," she said; She wept, "I am aweary, aweary, Oh God, that I were dead!"
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3k
Mariana in the Moated Grange
Mariana in the Moated Grange by Alfred, Lord Tennyson With blackest moss the flower-plots Were thickly crusted, one and all: The rusted nails fell from the knots That held the pear to the gable-wall. The broken sheds look'd sad and strange: Unlifted was the clinking latch; Weeded and worn the ancient thatch Upon the lonely moated grange. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Her tears fell with the dews at even; Her tears fell ere the dews were dried; She could not look on the sweet heaven, Either at morn or eventide. After the flitting of the bats, When thickest dark did trance the sky, She drew her casement-curtain by, And glanced athwart the glooming flats. She only said, "The night is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Upon the middle of the night, Waking she heard the night-fowl crow: The **** sung out an hour ere light: From the dark fen the oxen's low Came to her: without hope of change, In sleep she seem'd to walk forlorn, Till cold winds woke the gray-eyed morn About the lonely moated grange. She only said, "The day is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" About a stone-cast from the wall A sluice with blacken'd waters slept, And o'er it many, round and small, The cluster'd marish-mosses crept. Hard by a poplar shook alway, All silver-green with gnarled bark: For leagues no other tree did mark The level waste, the rounding gray. She only said, "My life is dreary, He cometh not," she said; She said "I am aweary, aweary I would that I were dead!" And ever when the moon was low, And the shrill winds were up and away, In the white curtain, to and fro, She saw the gusty shadow sway. But when the moon was very low And wild winds bound within their cell, The shadow of the poplar fell Upon her bed, across her brow. She only said, "The night is dreary, He cometh not," she said; She said "I am aweary, aweary, I would that I were dead!" All day within the dreamy house, The doors upon their hinges creak'd; The blue fly sung in the pane; the mouse Behind the mouldering wainscot shriek'd, Or from the crevice peer'd about. Old faces glimmer'd thro' the doors Old footsteps trod the upper floors, Old voices called her from without. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" The sparrow's chirrup on the roof, The slow clock ticking, and the sound Which to the wooing wind aloof The poplar made, did all confound Her sense; but most she loathed the hour When the thick-moted sunbeam lay Athwart the chambers, and the day Was sloping toward his western bower. Then said she, "I am very dreary, He will not come," she said; She wept, "I am aweary, aweary, Oh God, that I were dead!"
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86
When reeds are dead and a straw to thatch the marshes, And feathered pampas-grass rides into the wind Like aged warriors westward, tragic, thinned Of half their tribe, and over the flattened rushes, Stripped of its secret, open, stark and bleak, Blackens afar the half-forgotten creek,— Then leans on me the weight of the year, and crushes My heart. I know that Beauty must ail and die, And will be born again,—but ah, to see Beauty stiffened, staring up at the sky! Oh, Autumn! Autumn!—What is the Spring to me?
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2.5k
The Death Of Autumn
Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eaves run; To bend with apples the mossed cottage-trees, And fill all fruit with ripeness to the core; To swell the gourd, and plump the hazel shells With a sweet kernel; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease, For Summer has o'er-brimmed their clammy cell. Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor, Thy hair soft-lifted by the winnowing wind; Or on a half-reaped furrow sound asleep, Drowsed with the fume of poppies, while thy hook Spares the next swath and all its twined flowers; And sometimes like a gleaner thou dost keep Steady thy laden head across a brook; Or by a cider-press, with patient look, Thou watchest the last oozings, hours by hours. Where are the songs of Spring? Ay, where are they? Think not of them, thou hast thy music too,--- While barred clouds bloom the soft-dying day, And touch the stubble-plains with rosy hue; Then in a wailful choir, the small gnats mourn Among the river sallows, borne aloft Or sinking as the light wind lives or dies; And full-grown lambs loud bleat from hilly bourn; Hedge-crickets sing; and now with treble soft The redbreast whistles from a garden-croft, And gathering swallows twitter in the skies.
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Ode To Autumn
Sweet, harmless lives! (on whose holy leisure Waits innocence and pleasure), Whose leaders to those pastures, and clear springs, Were patriarchs, saints, and kings, How happened it that in the dead of night You only saw true light, While Palestine was fast asleep, and lay Without one thought of day? Was it because those first and blessed swains Were pilgrims on those plains When they received the promise, for which now ’Twas there first shown to you? ’Tis true, He loves that dust whereon they go That serve Him here below, And therefore might for memory of those His love there first disclose; But wretched Salem, once His love, must now No voice, nor vision know, Her stately piles with all their height and pride Now languished and died, And Bethlem’s humble cotes above them stepped While all her seers slept; Her cedar, fir, hewed stones and gold were all Polluted through their fall, And those once sacred mansions were now Mere emptiness and show; This made the angel call at reeds and thatch, Yet where the shepherds watch, And God’s own lodging (though He could not lack) To be a common rack; No costly pride, no soft-clothed luxury In those thin cells could lie, Each stirring wind and storm blew through their cots Which never harbored plots, Only content, and love, and humble joys Lived there without all noise, Perhaps some harmless cares for the next day Did in their bosoms play, As where to lead their sheep, what silent nook, What springs or shades to look, But that was all; and now with gladsome care They for the town prepare, They leave their flock, and in a busy talk All towards Bethlem walk To see their souls’ Great Shepherd, Who was come To bring all stragglers home, Where now they find Him out, and taught before That Lamb of God adore, That Lamb whose days great kings and prophets wished And longed to see, but missed. The first light they beheld was bright and gay And turned their night to day, But to this later light they saw in Him, Their day was dark, and dim.
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2.3k
The Shepherds
Sweet, harmless lives! (on whose holy leisure Waits innocence and pleasure), Whose leaders to those pastures, and clear springs, Were patriarchs, saints, and kings, How happened it that in the dead of night You only saw true light, While Palestine was fast asleep, and lay Without one thought of day? Was it because those first and blessed swains Were pilgrims on those plains When they received the promise, for which now ’Twas there first shown to you? ’Tis true, He loves that dust whereon they go That serve Him here below, And therefore might for memory of those His love there first disclose; But wretched Salem, once His love, must now No voice, nor vision know, Her stately piles with all their height and pride Now languished and died, And Bethlem’s humble cotes above them stepped While all her seers slept; Her cedar, fir, hewed stones and gold were all Polluted through their fall, And those once sacred mansions were now Mere emptiness and show; This made the angel call at reeds and thatch, Yet where the shepherds watch, And God’s own lodging (though He could not lack) To be a common rack; No costly pride, no soft-clothed luxury In those thin cells could lie, Each stirring wind and storm blew through their cots Which never harbored plots, Only content, and love, and humble joys Lived there without all noise, Perhaps some harmless cares for the next day Did in their bosoms play, As where to lead their sheep, what silent nook, What springs or shades to look, But that was all; and now with gladsome care They for the town prepare, They leave their flock, and in a busy talk All towards Bethlem walk To see their souls’ Great Shepherd, Who was come To bring all stragglers home, Where now they find Him out, and taught before That Lamb of God adore, That Lamb whose days great kings and prophets wished And longed to see, but missed. The first light they beheld was bright and gay And turned their night to day, But to this later light they saw in Him, Their day was dark, and dim.
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54
Mark this spot on the sun. Do it now. You have your east minus west and the dead skin from mummified snow... you must be one of those Ancient stones, I skip across the altar. Would you now be altered - to call forth the fifth drum, the first fife and the long drone ? If not, do this... shift your weight to your better angels and hum - Some lung-free dirge in the Demi-corona of your obstinate tongue ? Your purple transcendental flying cow...bovine divine and howitzer quiet - Shuns the fundamental hopscotch, the thatch latch and the Kumquat So surely there is time enough to thumb dots Where your third eye was last caught seeming. Mark my words, or become lost. Do it now. Or Knot.
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Jan 24, 2013
Jan 24, 2013 at 4:15 PM UTC
Your Purple Transcendental Flying Cow
The mountains are cold and blue now And the autumn waters have run all day. By my thatch door, leaning on my staff, I listen to cicadas in the evening wind. Sunset lingers at the ferry, Supper-smoke floats up from the houses. ...Oh, when shall I pledge the great Hermit again And sing a wild poem at Five Willows?
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2.2k
A Message from my Lodge at Wangchuan to Pei Di
Copious amounts of lava seeping over the table steaming mugs of java cutting off the cable. Rara Avis is a Latin term no sneakers for me today eaten by the Conqueror Worm during the month of May. Date **** drugs and Sugar Twin white punk thugs chasing Rin-Tin-Tin. Rainbows of black babies howling out loud guerilla attacks a huge raver crowd. Windshield wipers with ribbons attached little sticky diapers and gates made of thatch. Alphagetti monsters smoking a jay card-carrying punsters greasy burgers on a tray. Cute cotton ******* on lithe little nymphs disappearing shanties owned by drugged-up pimps. Rhymes gone bad a little cash in my pocket hanging at the pad and watching Davy Crockett. People eating doughnuts ***** up on the beaches hips that do the low strut and blood ******* leeches. It all comes down to a single final thought: was the Queen's big crown really traded for a ***
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Aug 4, 2011
Aug 4, 2011 at 11:15 AM UTC
Coffee Shop Thoughts
This poem was witten by my godfather Hilair Beloc 1870-1953 When I am living in the midlands That are sodden and unkind I light my lamp in the evening My work is left behind And the great hills of the South Country Come back into my mind The great hills of the South Country They stand along the sea And its there walking in the high woods That I could wish to be And the men that were boys when I was a boy Walking along with me The men that live in North England I saw them for a day Their hearts are set upon the waste fells Their skies are fast and grey From their castle walls a man may see The mountains far away The men that live in West England They see the Severn strong A rolling on rough water brown Light aspen leaves along The have the secret of the rocks And the oldest kind of song But the men that live in the South Country Are the kindest and most wise They get their laughter from the loud surf And the faith in their happy eyes Comes surely from our sister the spring When over the sea she flies The violets suddenly bloom at her feet She blesses us with surprise I never get between the pines But I smell the Sussex air Nor I never come on a belt of sand But my home is there And along the skyline of the Downs So noble and so bare A lost thing I could never find Nor a broken thing mend And I fear I shall be all alone When I get towards the end Who will be there to comfort me Or who will be my friend I will gather and carefully make my friends Of the men of the Sussex Weald They watch the stars from the silent folds They stiffly plough the fields By them and the God of the South Country My poor soul shall be healed If ever I become a rich man Or if ever I grow to be old I will build a house with a deep thatch To shelter me from the cold And there shall the Sussex songs  be sung And the story of Sussex told I will hold my house in the high woods Within a walk of the sea And the men that were boys when I was a boy Shall sit and drink with me
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Mar 4, 2014
Mar 4, 2014 at 4:43 PM UTC
The South Country
This poem was witten by my godfather Hilair Beloc 1870-1953 When I am living in the midlands That are sodden and unkind I light my lamp in the evening My work is left behind And the great hills of the South Country Come back into my mind The great hills of the South Country They stand along the sea And its there walking in the high woods That I could wish to be And the men that were boys when I was a boy Walking along with me The men that live in North England I saw them for a day Their hearts are set upon the waste fells Their skies are fast and grey From their castle walls a man may see The mountains far away The men that live in West England They see the Severn strong A rolling on rough water brown Light aspen leaves along The have the secret of the rocks And the oldest kind of song But the men that live in the South Country Are the kindest and most wise They get their laughter from the loud surf And the faith in their happy eyes Comes surely from our sister the spring When over the sea she flies The violets suddenly bloom at her feet She blesses us with surprise I never get between the pines But I smell the Sussex air Nor I never come on a belt of sand But my home is there And along the skyline of the Downs So noble and so bare A lost thing I could never find Nor a broken thing mend And I fear I shall be all alone When I get towards the end Who will be there to comfort me Or who will be my friend I will gather and carefully make my friends Of the men of the Sussex Weald They watch the stars from the silent folds They stiffly plough the fields By them and the God of the South Country My poor soul shall be healed If ever I become a rich man Or if ever I grow to be old I will build a house with a deep thatch To shelter me from the cold And there shall the Sussex songs  be sung And the story of Sussex told I will hold my house in the high woods Within a walk of the sea And the men that were boys when I was a boy Shall sit and drink with me
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61
My friend published a book of collected Scots Proverbs. 200 pages and more, filled with countless ways of saying "Don't show off." And that precious wisdom, generations in the making percolated through smokey thatch in dismal dripping glens, Tattooed into tenement bricks with the soot of dead industry, added to the diet with the excess salt and saturated fat, Paving the roads on which all ambition travels south, And fizzing through the lager on its way to the head Now hangs around the kids like the stink around an ashtray and stifles any pride they might invest in themselves. They will pass it on with their genes and their endless disappointments, despising anyone who rises above the station at which they are eternally delayed.
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Nov 20, 2011
Nov 20, 2011 at 4:15 PM UTC
Scots Proverbs
Am a Templar Knight whose allegiance is to Our Lord Jesus Christ Sir Thomas de Charney is my name, Master of the fortress in Gaza Was compelled to quill an account of an assault on the town of Ludd My heart was also dazed and enamored by a young woman evermore We left Gaza late in the day; I took 40 of my best knights with me Fully clad in mail and helmets, we dashed long swords in scabbards Short swords made at the ready to perlustrate with a days provisions We headed east prepared to do battle, for God and for the cause We approached Ludd; saw billowing smoke; heard strangled screams I dispatched 35 knights throughout the municipality in groups of 5 each My orders were; execute requisite to save townspeople from slaughter An appurtenance to the initial order: no parley with these infidels Before dismissing my men, I saw smolder swell left flank of the border Saw a hovel, the thatch was burning out of control and spreading apace Around the corner were three enemy soldiers crowding over someone Until the last few years, I knew not what **** was; the worst in a man Despite noise of city under siege, these ******** were intoxicated in sin The remaining five knights accompanied me and covered the perimeter I dismounted Petra, clutched the hilt of my long sword, made approach The three heathen sensed my bearing and turned to meet their death Then I saw her face and was transfixed I would yield no prisoners Today there would be justice for this woman I pray for swiftness of divine retribution ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ To be continued………… ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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Dec 29, 2014
Dec 29, 2014 at 1:54 PM UTC
Overture to Justice....[Templar Knight Series]
Am a Templar Knight whose allegiance is to Our Lord Jesus Christ Sir Thomas de Charney is my name, Master of the fortress in Gaza Was compelled to quill an account of an assault on the town of Ludd My heart was also dazed and enamored by a young woman evermore We left Gaza late in the day; I took 40 of my best knights with me Fully clad in mail and helmets, we dashed long swords in scabbards Short swords made at the ready to perlustrate with a days provisions We headed east prepared to do battle, for God and for the cause We approached Ludd; saw billowing smoke; heard strangled screams I dispatched 35 knights throughout the municipality in groups of 5 each My orders were; execute requisite to save townspeople from slaughter An appurtenance to the initial order: no parley with these infidels Before dismissing my men, I saw smolder swell left flank of the border Saw a hovel, the thatch was burning out of control and spreading apace Around the corner were three enemy soldiers crowding over someone Until the last few years, I knew not what **** was; the worst in a man Despite noise of city under siege, these ******** were intoxicated in sin The remaining five knights accompanied me and covered the perimeter I dismounted Petra, clutched the hilt of my long sword, made approach The three heathen sensed my bearing and turned to meet their death Then I saw her face and was transfixed I would yield no prisoners Today there would be justice for this woman I pray for swiftness of divine retribution ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ To be continued………… ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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27
A bumpy track led to the old cottage. The place hadn't been lived in for quite a while but was intact, a perfect timber-framed Tudor cottage. Even the old thatch didn't leak. Just two rooms downstairs with a small lean-to on the back, the kitchen still had a Dutch oven and an old copper for hot water. A kite-winder staircase followed the central chimney up to two bedrooms. The place was coming up for auction. Desperately I wanted it. At the auction it made four times what I could afford. The buyer did not move in however. There was a story about him being in prison. At this time the farmers used to dispose of waste straw after combining by burning it in the fields, a practice now banned. That's how the thatch caught alight. There was no attempt to fight the fire because no-one even noticed it. Gales later blew in the gable ends, then the chimney crumbled, brambles grew over it until there was hardly a visible trace of the place left. I wish I could have saved it. It would have been beautiful. Instead I bought a little terrace, then a detached needing renovation, then the one we have today. I got what I wanted eventually, but I still think about that old place sometimes, and how I wanted it.
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Oct 14, 2016
Oct 14, 2016 at 7:24 AM UTC
Bush Cottage