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palladia Jun 2013
awkward is a promiscuous word. it flirts unintentionally. it seduces mentally. but most of all it's so disruptionally absurd even the first-come-first-serve basis comes 15 feet behind the typical quota. but it really isn't that serious. it would be awkward plus if i wasn't active right now. does that sound appealing to anyone? well it better. i'm no vanguard when it comes to distribution of emotions. they'll be distributed equally, thank you, and don't worry about getting more 'cause they'll be pieced out safe and fair. lord jesus, we need some sorrow-getter-overs in here! i'm always telling those who ask me for advice to relinquish the suffering and let the good times roll. not that it'll save their hides, i snicker mimically and divert the attention to something inappropriately interesting, like a ***** bumper sticker or a animal corpse on the side of the road. and you are gonna turn into one if you don't stop that crying! man i need some fresh air and i'm not talking about the innocent kind. it's more of the obvious, over-cynical cyanide-soaked air that formaldehyde would blush over. there are two r's in sorrow because the s and the o and w need to be capsized into one rowboat. i never thought i would compromise intimacy with loudspeaker attention-grabbers and then the sailboat does a belly-flop and lands head first in the witches' cauldron. which is like Hamlet's, but a lot less systematic and bunches more pagan. it's synthetically miserable but enigmatically moral. dance of the morals is another program i like. it has to do with the regard of selfish hope and loose pragmatism. pagan! ****** i know it's pagan but it's pigheaded trash like that which gets stuck in the garbage disposal ever so often and we don't have no time to clean it out. i use a fish net that once occupied a corner near the stove which had the net chewed through by ***** rats that inhabit the lower quarters of the bathhaus. it's nothing significant really but more or less a principle in not making leftovers from the unknown trashpile near the barn. attention: entrance alert. "too bad for" who cares. i'm sick of this. "too bad for". that's all said? "let's chat a lot" what? i thought maureen was coming over at 7? who left the cat out again--the dog's gonna have a field day playing cops and robbers, and there are always reallive guns. and i'm stuck back at square/ground one/zero figuring out how i'm gonna get the next day's meal without having to cut off my head or make the microsoft paper clip icon appear with those embarrassing clips telling you how you should appear to your boss on your first interview. and find out that he's a man after all. and ultimately regret what you said every two minutes. wish i had contributed crescents more to the goodness, and not brush over like a stuckist's paintbrush. he's actually using blood instead of acrylics- that's when i get running. wish i hadn't have done that. wish i hadn't. we "hadn't" too much, you know? i wish we had to have "hadn't" before it hadn't have been created. still my emotions are sold and i've cast a mold far too ugly to be a stupid cupid. can we get on with the show, please? no thank i've had enough cranberry pie for right now, maybe buttercup the parrot can have the rest? the cat hates water. then why is he swimming in the dog dish? i'm not complaining, just hesitating to say how i feel when i want it. yeah, i know you're looking at me make a sucker outta myself on your camera. all those poses weren't hard to accomplish but you aggrandize the bad and disregard that i actually have good talent after all. crazy 8s. thought i'd never compromise. thought i'd never make a sport out of tantalizing the shopkeeper's parakeet. yeah, they're playing that game everyone calls a bore cuz it is one. why not roast a marshmallow then find a salamander caught between the chocolate and the *******. and we can't have them crackers anyways cuz there's got gluten in them. can we take a walk, i have something to tell you? i have to tell you about my personal life. i don't care if you're bored. darwin was never bored, fyi. i don't want to hear your juvenile complaints anymore. you're always telling me your problems but you never let me talk. but why would you care? and no way am i gonna share? not there. still. you're still not coming around cuz you're crying and i can't take it anymore. stop the tears, i already told you just take another pill and you'll relax. your life can stop in a heartbeat because some freak told you to stop ******* with the power outlet and make an attempt on making it right. how am i gonna make it right? seems good to me to get up and go and never return. seems right to let it all hang lose and think of excuses as a way to win some money. i'm not the principle breadwinner around here, but i'd bake enough bread to feed an army if i had to. a whole cohort of emotional bigots who don't care anything about their stupid, money-******* societies. it's leveled to the drain again, yeah i know you don't understand. i'm done asking. please? do it for me? don't you know i'm hurting myself because... i'm not listening. don't you want to know i'm cutting my flesh because... i have to water the garden. oh dear what was that? whew! almost another collision with a bee. whew--another close one. what about the spiders in the cabbage bed? what why didn't you tell me? yeah, the cabbage patch has produced more memories than heads, and no not those types of heads. a mashup of what i hate most and what i hate least scourged outta me in a whirl. she's going to take a walk. the radio's on and it's hot in here. those maudy days of summer, but i love every shred of them like i do a coat in the winter. the radio's playing my song: doomsday magnificat! i like leather and metal combinations that are sold in a 60s oz town. you can tie and whip me if you conscience can, but not now. it's another adage gone to the birds. oh no the shopkeeper's parrot is out again and i didn't do it! how come i'm blamed for things i don't do? get over it. another fact of life. another testimonial head my way. dodge! that was a flying saucer that almost razed your head. you wouldn't care though because enough has happened today to make your head spin even faster than it already is. and they're real-live which makes me keeping fumbling my too-short curls disintegrated by sheer chauvinism and belated princeness. that's alright. i know how you feel. i know how the world feels because i am the world. and the world is my canvas. and i may dictate what you are allowed and i may waver onto what laws of principalities are shooting up everywhere, but it's okay 'cause there's a lot more to shoot than good time. and those wacked people can form an alliance and take down the stronghold because in reality, you know that you are wacked yourself to say that. i'm sorry you did. the world will keep spinning, snipers will keep killing, conservatives will keep protesting, parents will keep levitating, children will keep withholding, the days will keep heating, the pool will be more refreshing, and yeah mrs. renttib is still coming over. the world is new. and i am young. but we will all stay safe and good in this empyrean. because and i created it. and i established the surveillance cameras, which are everywhere, but don't feel pressed. yes, i'll forever watch your every move, and even though you've done good, i'll still send you to hell. because you belong there. you may begin now. make your tread strong yet gentle. it's not my expense, the water is cooler out here,
                                                                ­                             anyways.
i've had a rotten day, but i wasn't involved, rather- others force it upon me, for condolence's sake.

ah, you've got plenty to be thankful about so why bother complaining? i often try to analyze this, because my life isn't perfect and i'm often ****** into an uncomfortable state, even when i had nothing to do with it. this was written during (+ after) a family argument about help and those who shouldn't help us, and telling others first, and letting everyone know. i think it's better to keep it to yourself or see a psychologist than starting a whole mess like this again. i know people hate that i don't like opening up and sharing but i'm doing it for the good of everyone. i'm the breadwinner of myself; others will only make me file more tax returns, it seems! so i'm upset and nervous and kind of scared. i want to explore it in a different angle and if i have to be crass and confrontational to do it, i say "full speed ahead!"
I woke up today,
realizing
that if I hadn't
gone to psychiatrists,
and studied religion,
and worked hard
for many years
at Zen,
that I probably
would have been
one of those guys
who gets a gun
and shoots a lot of people
and then turns it
on himself
and blows his brains out,
because I think
that I have lived
a hundred lifetimes
before this one
as a victim of torture
and therefore
was pushed to the limit,
but instead of becoming
a suicidal ******-murderer,
I became
some sort of
love, peace and happiness
Bodhisattva,
so instead of criticizing Zen
and psychiatry,
like I usually do,
I'm praising them.
Kam Yuks Jan 2013
Sometimes, I want to write so bad - but all I see is evidence to deter this disaster...

Stay on the couch bud. Let those thoughts run around your head, you need to exercise anyways. Your badge is so shiny, like a gleaming night sky clustered by stars and reflected on and off a still pond in isolated beauty.

Polish that which you hold so dear to your heart and take it in because the private hours and emptiness are not too far away on any day.

For clarity, it is issued to those who are [no good] less then, devoid of purpose, defunct of satisfaction.  These individuals often debate the mystery, are self blasphemous, and forgettable.  

Many are identified by narcissistic behavior, self-deprecation, self-perpetuated enslavement to ignorance, and lack of gratitude. Sad isolated entities who surpass other earthly levels of achievement by those who are merely existentially anxious and victim to the propagated melee of marketing, *****, and celebrity.

I have cautioned others in the past to stay away from the badged ones. They feel so low and hopeless that he or she finds identity in what has been most consistent. Pain and misery are worn as a badge of honor. Here the fragile psyche finds something to grab onto for survival and self-preservation.

Read and find the answers that explain how changing the way you think about your situation can create a new reality aside from what you know of the emptiness that cannot be filled and the haunting thoughts that keep you awake at night.

Choose your reality, I truly believe. I have been exceptionally effective at creating my reality, it just isn't the reality I want.

How do I fight what I continuously experience. This may be considered delusional or even psychotic to some extent. You choose the difference between a positive and negative experience.

If the subject of that difference is for me to decide - well nothing that I can do is any different than the rest; I'm confident that others can provide the same experience in a healthier and more honest way.

You see I am literally disgusted by my view of this world; the dry plywood planks for doors, the corner of the concrete path where the leaves and dried up dead grass settles to become a dark black soggy paste with pine needles added after it rains, bad breath, and toenail fungus, hair collected in a brush, the warm toilet seat that was used recently, and the sweat under my fat gut fold set me to retching.
Lawrence Hall May 2017
Liturgy in Time of War

I will go to the altar of God
To God who gives joy to my youth

ENTRANCE ANTIPHON

The dawn (evening) is coming, another hot, filthy, wet dawn (evening).  Let us arise, soaked in sweat, exhausted, to speak with sour, saliva-caked mouths, to meet the deaths of this day (night).

GREETING

In the name of Peace in Our Time,
For the Hearts and Minds of The People,
For the Land of the Big PX
For round eye and white (black) (brown) thigh,
I greet you, brothers.

PENITENTIAL RITE

All:

I confess to almighty God
And to you my brothers
That I have sinned through my fault
In my thoughts and in my words
In what I have done
And in what I have failed to do,
And I ask Blessed Mary…

But how can I ask Her anything now?

My brothers,
Pray for me to…

But how?
Priest: (But there is no priest)

KYRIE

Lord, have mercy
Christ, have mercy
Lord, Lord, have mercy on us now

Have mercy, Lord, on a generation
That sits smugly in college lecture halls
And protests endlessly in coffee shops
The war they hear, see, on T.V., for free
Justice and peace by the semester hour
Like, y’know, peace, love, Amerika sux
Play the guitar, ****, apply to law school

Have mercy on us
Who crouch behind sand bags
And clean our weapons
And protest nothing
And **** in the heat
And die in the hear
And throw ham and lima beans away

GLORIA

Glory to God in the highest
how many bodies yesterday?
And peace to His people on earth
Vietnamese? Or us?
Lord God, heavenly King, almighty God and Father
ham and lima beans?
We worship you, we give you thanks, we praise you for your glory
Doc, I can’t go home to my wife with this clap
Lord Jesus Christ, only Son of the Father
cigarette, canteen cup of instant coffee
Lord God, Lamb of God, you take away the sins of the world
******* magazine
Have mercy on us
relief behind the sand bags
You are seated at the right hand of the Father
i rot
Receive our prayer
i want to be clean and dry
For You alone are the Holy One
clean and dry.  just once.
You alone are the Lord
why do they chew that?
You alone are the most high
you mean the betel nut?
Jesus Christ, with the Holy Spirit, in the glory of God the Father
incoming!
Amen


PRAYER

A

Father, you make this day holy.
Let us be thankful for
The many little joys of
This day, for life, for
The chance to worship
You.  In the end, bring
Us to you, so that we
May be cleansed of mud
And sweat and filth and
Guilt, and live with you
In peace forever.

B

Father, just get me through
Another day of this mess.

LITURGY OF THE WORD –

FIRST READING

From the Intensive Care Unit, NSA DaNang

A twilight world
Of neither peace nor battle
And of both

A man world
Embracing life and the grim death
Both

Peering into infected wounds
Night building shiver
Down from the black sky flares float

Broken bodies from the war somewhere
Eyes of a shattered nineteen-year-old Marine
Staring at the door to Yokosuka

PSALM

A Song of Descents

I cast down my eyes
Into the mud
Into the blood
It seems cleaner than death and drugs and casual ***
Drink Coca-Cola

I turned my eyes away from you, O Lord
And made this
Build this
Came to this
Samantha and Darren on Bewitched

Have mercy on…but how can we ask?  How dare we ask?

SECOND READING

Old Man, Viet Nam

Old man, a dog is barking at your heels
Old man, with the tired, weathered face
Are you afraid to turn around and deal
This dog a kick, to put him in his place?

Or is it, old man, that you’re just too tired?
Just too tired to turn and show anger
Just too tired to have your temper fired
Beaten by years of contempt and danger

Where are you going, trudging so slowly?
What are you thinking, behind those tired eyes?

Probably not about ham and lima beans

GOSPEL

In the Cold White Mist

After an all-night run on the river
Our boats arrive in the village at dawn
Dawn is never cold along that rive
Along that steaming, green, hell-hot river
But the mist is cold, the grey-green dawn mist
And after the engines are cut – stillness
Foul brown water laps at the mudding bank
Sloshing softly with fertile, smelly death

In the cold white mist

The boats are secured, and watches posted
We step off the boats and onto wet land
And follow the track into the deep mist
It becomes the street of a little town
A dairy lane along which cows slopped home
And where dogs and chickens and children
      played
Bounded by carefully swept little yards
And little wooden houses with tin roofs

In the cold white mist

But some of the houses are burnt.  The smoke
Still hangs heavily in the whitening mist
The lane is littered with debris.  A lump
Resolves itself into a torn, dead child
Across a smaller lump, a smaller child
Their pup has been flung against the fence, its
Guts early morning breakfast for the morning
      flies
We smoke cigarettes against the death-smells

In the cold white mist

Beneath a farm tractor rots a dead man.
When they – they – had come at sunset
He had hidden there.  And they shot him there
A man with bare feet and work-calloused
      hands
His hair is black; his teeth need cleaning
They shot him beneath the village tractor
His blackening blood clots into the mud
And our lungs choke in the white mist of death

In the cold white mist

White mist.  The path disappears into it
Smoky skeletons of little houses
In which there will be no tea this morning
No breakfasts of hot tea and steaming rice
No old widows to smile in betel-nut
No children to mock-march alongside us
Pointing at our ******* boots, and laughing
At us, for wearing shoes in the summer

In the cold white mist

They are dead and rotting in the white mist
On the edge of the jungle on the edge
Of the world, here along the Vam Co Tay
And the people pour out of their houses
To greet us on the fine summer morning
A corpse across a doorway, another
******-doubled across a window sill
Still another strewn down the garden path

In the cold white mist

The other patrol doubles back to us
And they tell us that the Ruff-Puff outpost
Must have been overrun the night before
He had heard their radioed pleas, and had
Run the river at night to get to them
And the ARVNs had fled through the village
And the VC had stormed in behind them
And it was knife-and-gun-club night in town

In the cold white mist

A little girl is the lone survivor
She looks may six.  Cute, except for the
Bubbling, *******, bayoneted chest wound
We patch her, and tube her, and use suction
Sort of like fixing a bicycle tire
And in the wet, gasping heat take her back
With us downriver, where a charity
Hospital leaves her on the steps to die

In the cold white mist

It will be our turn again tomorrow
Not a one of us died today.  Today.
But a village is gone, burnt and rotting,
Soon to disappear into the jungle
Along the green Cambodian border
Up some obscure river.  Up there.  Somewhere.
A few hundred people.  Their ancestors’ graves
Will fade with them untended, forgotten

In the cold white mist

Radio Hanoi might blame it on us.
But maybe not.  We made our report and
Nobody really noticed; no one cared
The talk is of the VC battalion
And where it has gone, and where it might go –
Maybe into death under an air strike
“And you guys better get in some sack time,”
Says the C.O. as he turns to his maps.

In the cold white mist

HOMILY

I’m scared, and I want to go home.  I don’t care any more about justice or fighting Communism or winning the hearts and minds of the people.  I can’t think about all that right now, because I’m scared, and I want to go home.
I don’t care about truth or loyalty or bravery or honor.  If Miss March were here she wouldn’t get cold, but she sure would get sunburnt.  And in a few days her skin would start rotting.  Then nobody would want to see her in the **** anymore.  
I’m scared, and I want to go home.
Up the Vam Co Tay, everyone is scared, everyone is tired, everyone is sick, everyone could die: sailor, soldier, officer, priest, farmer, fisherman.  Everyone rots in the wet heat.  The skin bubbles and flakes and peels, and is pink again, to bubble and flake and peel again.  
I’m scared, and I want to go home.
I’m Doc.  I’m a scared, stupid kid with an aid bag and a few months’ training.  But I’m Doc.  I’ve got to fake it.  I’ve got to be cool and calm because this other kid with his guts hanging out will probably make it if I don’t ***** up and if the dust-off from Saigon can get out here now.
I have an old dog at home, and my folks write and tell me she sleeps outside my window at night, waiting for me to come home.  Someday we’re going to run and play in the woods and fields again.  She’ll bark and run wide circles, and dare me to catch her.  I will laugh under the autumn leaves.  But now my nights are glaring darkness, fits of sweat-soaked half-sleep, then sirens and falling glares and falling mortars, and then the Godawful racket of all our engines of destruction.  There isn’t any use in all this.
I’m scared, and I want to go home.

And I don’t want any ham and lima beans.

CREED

We believe in the Land of the Big PX
In presidents in suits, and generals,
In makers of economic strategies
We believe in flak jackets and .45s and peace

We believe in swing ships and dust-offs, yes
In the dark, green omnipresent Huey
Eternally begotten of technology
Blades to rotor, windscreen to machine guns
Made, not begotten, one in being with us
Through it all things are transported to us
For us men and our hunger and our hope
It comes down from the skies
By the high power of technology
It was born of the long assembly line

For whose sake are we crucified today?
Who suffers, and who dies and is baggied?
And on the third will arrive back home
To be neatly packaged in stainless steel

But not in ham and lima beans

LITURGY OF THE EUCHARIST

Preparation of the Gifts

Celebrant:

Blessed are you, Lord, God of all creation.
Through your goodness we have this cheap Algerian wine to offer,
Fruit of the vine and work of human hands.
It will become anaesthesia for our souls.

People:

Blessed be…we just don’t know

Celebrant:

Pray, brothers, that our sacrifice may be acceptable to God, the almighty Father, to somebody.  Maybe.

People:

May the Lord, or the baggies, accept the sacrifice we offer with
our own burnt hands
For the praise and glory of…of what?
For our good, and the good of all His Church.

PRAYER OVER THE GITS

Little green cans, and I don’t care
Little green cans, and I don’t care
Little green cans, and I don’t care
Air cover’s gone away.

EUCHARISTIC PRAYER

Preface for the Monsoon Season:

Father, all-powerful
And ever-living God,
We do well always and everywhere
To give You thanks
Through Jesus God our Lord
Even with diarrhea
thanks
When the mail doesn’t come
thanks
When we rot
thanks
When the heat ***** at our brains
thanks
When the mud ***** at our boots
thanks
When the horror ***** at our souls
thanks
We’re alive
thanks

SANCTUS

Holy, holy, holy, Lord, God of power and might
The bunkers are full of blood and death.
Hosanna in the mud.  Blessed is he who comes with the mail.  Hosanna in the mud.

EUCHARISTIC PRAYER

The Kien Tuong Province Canon:

A sailor is silhouetted against the dawn
Along a steamy river
Mostly helmet and flak jacket
Above dark plastic gunwales

The sailor has lost his New Testament
But there’s a ******* around somewhere
Naked, willing women –
Miss March wants to be an actress

He also carries an old plastic Rosary
To touch occasionally
While whispering a hurried Hail Mary
He hopes She understands

Those who in bell-bottoms and head-bands
Fight Fascism
In Sociology 201
Will never forgive him

A sailor is silhouetted against the dawn
This day he is to be elevated
His body broken and his blood shed
For you and for all men

OUR FATHER

Our Father, who art in Heaven
this ain’t it
Hallowed be thy name
Thy kingdom come
this ain’t it
On earth as it is in Heaven.
Give us this day…
not ham and lima beans
And forgive us our trespasses
as we shoot them that trespass against us
And lead us not into ambush
But deliver us from evil

SIGN OF PEACE

Peace on you.

AGNUS DEI

Lamb of God, you take away the sins of the world: have mercy on us.

Lamb of God, you take away the sins of the world: have mercy….

Lamb of God, you take away the sins of the world: grant us peace.

Priest:

(But there is no priest)

People:  

Lord, I am not worthy to receive you,
But only say the word and I shall be killed.

COMMUNION ANTIPHON

They ate, and were not satisfied
They killed, and were not without fear.

PRAYER AFTER COMMUNION

Lord,
If we do not get out of this
Make some sense of it to those who remain
May we go home.  Home.  Or if not,
Take us unto you, in mercy.
Home.  Where you reign, for you are Lord
Forever and ever.  Amen

BLESSING

May you walk on grass that does not explode
May you sleep without rot
Without fear
May you never see or smell ham and lima beans again.
May you live
May you play with puppies
May you find forgetfulness
May you find peace
In the Name of Him who took your death for you

DISMISSAL

This is to certify that____is Honorably Discharged from the____on theday of____.  This certificate is awarded as a testimonial of Honest and Faithful Service.

CLOSING HYMN

Old men, smoking in the sunshine
Exiled outside the doors of life
Old uniforms, old pajamas
The chrome of wheelchairs, shiny, bright

Inside, polished wooden handrails
Line the hot, polished passages
Something to cling to on the way
To the lab, to x-ray, to death

And more old men, shuffling along
In a querulous route-step march
From Normandy, from The Cho-sen,
From the Vam Co Tay, from the deserts,
Past the A.I.D.S. ward and the union signs
On waxed floors to eternity

Portions previous published:

“Closing Hymn” is from “Outpatient Surgery – Veterans’ Hospital,” Juried Award, Houston Poetry Fest 1993

“In the Cold White Mist” is a Juried Award, Houston Poetry Fest 1991

“Old Man, Viet-Nam,” was published in Pulse, Lamar University, 1982
Kagey Sage Sep 2015
Using the 1% of those who got out of
the violent act of poverty
at the expense of billionaires
and taxpayer payed subsidies

Yes, they use the most pretentious
of our few escapees
they become a mouthpiece
to deny the facts researched
by actual experts

Truth is
what is powerful

There's no escape
from the ruler's messages
There's no escape from miseducation
jeffrey conyers Jul 2018
Some stand on the corner and seek a donation.
Stating nothing more.

I believe some of the nicest people, are the homeless?

Now, the meanest are?
Mmmm those with negative comments.

Why?
Don't they get a job?
Good point?
Except, those that donate do so from the heart.

And yes, some are hustlers with a job?
But those with cars might not be homeless at all.

We know not their stories and many have a testimonial to encourage another.

But in my heart, I believe the homeless, are some of the nicest people?

Have you been around those judgemental church folks?
he trickled into my consciousness
like an unseasonal, stealthy raindrop
my mind still ripples
--the aftershock of his presence
testimonial to his absence

- Vijayalakshmi Harish
   12.03.2013
   Copyright © Vijayalakshmi Harish
Allí están,
allí estaban
las trashumantes nubes,
la fácil desnudez del arroyo,
la voz de la madera,
los trigales ardientes,
la amistad apacible de las piedras.

Allí la sal,
los juncos que se bañan,
el melodioso sueño de los sauces,
el trino de los astros,
de los grillos,
la luna recostada sobre el césped,
el horizonte azul,
¡el horizonte!
con sus briosos tordillos por el aire.

¡Pero no!
Nos sedujo lo infecto,
la opinión clamorosa de las cloacas,
los vibrantes eructos de onda corta,
el pasional engrudo
las circuncisas lenguas de cemento,
los poetas de moco enternecido,
los vocablos,
las sombras sin remedio.

Y aquí estamos:
exangües,
más pálidos que nunca;
como tibios pescados corrompidos
por tanto mercader y ruido muerto:
como mustias acelgas digeridas
por la preocupación y la dispepsia;
como resumideros ululantes
que toman el tranvía
y bostezan
y sudan
sobre el carbón, la cal, las telarañas;
como erectos ombligos con pelusa
que se rascan las piernas y sonríen,
bajo los cielorrasos
y las mesas de luz
y los felpudos;
llenos de iniquidad y de lagañas,
llenos de hiel y tics a contrapelo,
de histrionismos madeja,
yarará,
mosca muerta;
con el cráneo repleto de aserrín escupido,
con las venas pobladas de alacranes filtrables,
con los ojos rodeados de pantanosas costas
y paisajes de arena,
nada más que de arena.

Escoria entumecida de enquistados complejos
y cascarrientos labios
que se olvida del **** en todas partes,
que confunde el amor con el masaje,
la poesía con la congoja acidulada,
los misales con los libros de caja.
Desolados engendros del azar y el hastío,
con la carne exprimida
por los bancos de estuco y tripas de oro,
por los dedos cubiertos de insaciables ventosas,
por caducos gargajos de cuello almidonado,
por cuantos mingitorios con trato de excelencia
explotan las tinieblas,
ordeñan las cascadas,
la edulcorada caña,
la sangre oleaginosa de los falsos caballos,
sin orejas,
sin cascos,
ni florecido esfínter de amapola,
que los llevan al hambre,
a empeñar la esperanza,
a vender los ovarios,
a cortar a pedazos sus adoradas madres,
a ingerir los infundios que pregonan las lámparas,
los hilos tartamudos,
los babosos escuerzos que tienen la palabra,
y hablan,
hablan,
hablan,
ante las barbas próceres,
o verdes redomones de bronce que no mean,
ante las multitudes
que desde un sexto piso
podrán semejarse a caviar envasado,
aunque de cerca apestan:
a sudor sometido,
a cama trasnochada,
a sacrificio inútil,
a rencor estancado,
a pis en cuarentena,
a rata muerta.
Autumn Oct 2014
Darling,
in the event of a zombie apocalypse,
I’m gonna marry you.
I know, that romantic testimonial
isn’t quite the matrimonial proposition
you were expecting,
but I’m projecting a lovely future for us!

You see, when the dead break free,
I’ll come save you.
I’ll be your knight in shining Kevlar,
your cranium-crushing crusader,
and safe in our barricaded bungalow,
we’ll match moans for groans
with the shambling horde outside.

We’ll make love ’til death do we part,
or at least til we start
to run out of supplies,
and if we get in a pinch,
I’ve got a surprise:
see, I’ll paralyze them with poetry,
’cause if there’s anything
a zombie understands, it’s desire.

Meanwhile,
you lay down suppressive fire
and we’ll take out as many as we can.
If in the end we are overrun,
I’ll let them take me
so you can get away.

They can have my brain–
it’s my heart that beats for you.
Sirenes Aug 2017
A quick exit
That's what they promised me
But I never took that road.
One exit turned in to another
The numbers rolled up to hundreds.
So I took none.
Let it be a testimonial
To how much I love you
And how much you mean to me.

Someone once said
That trauma memory is like a high way
For the trucks that pick up and deliver memories
To the consciousness.
And trauma memory is right behind
That road blockage from the town of horrors.
And an alternative route has not been provided
So the answer to your question is
I don't remember
Nobody is going in or out.

But today I do remember.
I know it all.
If not in words or just a knowing,
Then in images or a sensation.
The blockage to my mathematical thinking
Was blown to pieces only reveal
That not only can I do math
But that I've always been talented.
My grades never showed it
But my reasoning always has.

Let it be known that to me
You are the Pytagoras Theorem
And that one angle I loved dearly
But never calculated
Until you gave me the motivation to.
It was in that one stroke
Of the softest hand on my cheek
That inspired forgiveness
That inspired trust.
And knowing how badly we were targeted.

Now I know how much I put you through
But let it be a testimonial
Of how much pain, our love could inspire
And how much pain our love could endure.
Let it be known that I'm free
Of the projection of your image on to others.
Let it be known, that I'll always be that girl with a pencil behind her left ear...
Because I was left handed... most of the time.
Daisy and Rose
Rob Cochran Aug 2015
Teetering on the edge of insanity
Trying to find a center of Gravity
Cutting off my circulation
in order to make this declaration
about my queen-born ability
to walk with such fabulosity.
Though this gown's a monstrosity,
my hair a curiosity,
there's much about this lofty gait
that I did not anticipate.
Like how the swinging of my hips
counters the sway of my fingertips.
Who knew there would be such an orchestration?
A body in concert - a standing ovation!
And every step another encore,
deliriously shouting, "More! More! More!"
And suddenly, the world is new.
I've never seen it from this point of view.
Amazing the difference a few inches can make
to change the reality which I now create.
And though my feet are squeezed like stumps
into these six-inch stiletto pumps,
a testimonial I must profess;
How wonderful it is
to be a boy in a dress.
Yenson Sep 2018
Oh my bella Signora why you wanna break my poor heart
Dino he tells me quietly, he saw you with that grande Signore
Tells me you make the **** eyes and **** laugh ooh lika that
But which for me you don't smile **** like that, maybe I bore
Dino says, Signore pretend and ask why you laugh like that
Bella Signora, why can't you see for you I have more amore

Oh my bella signora, Sofia says that Signore has grosso cazzo
Now I wonder if our friendship is beyond Via della Conciliazione
I make for you good coffee and don't rope you in with any lasso
Play as you like, I will bring you roses in rosa at Palazzo Torlonia
Don't leave to go drinking with that Signore at  Campo Marzio
I'm sad because alcune donne says Signore has good testimonial

Oh my bella Signora if you break my heart I will run away to Haiti
People they say, you play with quattro corteggiatore or pretendenti
I say to Marcello, pretend as in English is more like it, go tell tutti
I know window dressing when I see it, know you are too faulty
You like rosa, yes! you like *****, maybe Martini or a cool Chianti
But I worry maybe that Signore turn your head with Royal Treaty
Simply Carla Dec 2013
I've been in a love a time or another, I have sisters & brothers, a father & a mother.
I've called disguised enemies bestfriends & believed they cared for me.
I've been in every situation regarding the complexities of a human relationship, & its dreadful rollercoaster of emotional intoxications.
I've had my highs & I've gotten beat down by the blows life rained on me.
I've let disappointments & betrayals plague me & depress me.
I've kept a closed mouth through the majority of my mistreatments, passive & submissive to all the things that have marred me.
I have my own testimonial story, & I'm strong enough today to keep it from destroying me.
The me I am today, can say " I understand the difference between speaking up to save my soul, & keeping quit to keep the pain inside.
The difference in walking away for the better & clinging to the wishful hope that it will get better.
The strength to keep quiet when necessary & speak loud & proudly for in the things I believe. "
In ever intricate situation I have risen.
My strength, not to be mistaken or underestimated.
I am a savior, & I will continue to do so.
No soul on earth would like to see me happy, in the way the soul I harbour inside myself does.
My trials & tribulations, are the best part of me.
Keep me or leave, I will always be me.
preservationman Jul 2014
It was a New Jerusalem thought
Inspiration from above in sought
Praise onto high
Heavens to thy
Doctor’s said of a Mother’s life and possible death
The Doctor’s had suggested that there was no other solution left
The Daughter prayed to the Lord
Her testimony just made my heart soar
The Daughter sang with the choir, “Move Mountains”
A dedication to her mother
Her Mother was in the church service providing to Doctors, your expertise of Medical is not superior to the spiritual
But the spiritual is nothing unusual
The Lord simply revealed I want you to continue to give
As I am the Lord thy God that commands you to continue to live
When the part came of “Move Mountains”
Deep inside me became full up with tears of joy in praise
I have a similar testimony that would amaze
Doctor’s don’t have all the answers
The counselor is Christ
He is the one that offers excellent advice
God is the one that can move obstacles
An understanding in seeing how to step over the mountain or going around the mountain
Open your mouth in prayer in asking, “Take the solid barrier away”
Let my spiritual soul be ok
Help me see my own solid rock
Let it be the praise among the flock
Some people will attempt to take as a mock
But it’s my soul of sail and anchored at the dock
I sing all the day long
Praying and praising being where I belong.
Wack Tastic Nov 2013
Inside the network of humanity,
There is a swell increasing,
Bubbling to the surface,
Clawing through sand and gravel,
and mud,
They are the sacred and pummeled hands,
riffling through the cosmos,
By and by making their thirst increase,
For dominance,
For sheer arrogance,
For all things wholesome,
For the coming of reason,
Dipped down by the ever restless,
Drawbacks that pinch their sides.

Then a time will emerge,
The face of the clock,
Shrouded in smoke, fog, and
mirror.
A specter of radiance,
draped in neither human
costume,
or of drawbacks; pinned wings,
Suckling a Dionysian Principle,
relishing the illicit,
and honoring the
perfect existential
burden,
Thus making assured this gift, this
upheaval,
Obsolete, dangerous,
misunderstood,
To the grand choir and,
velvet dungeons,
Slime pouring from an,
everlasting faucet,
His fate is surely carved into the
hieroglyphic walls,
in madness and panic,
swelled a deep tranquility,
The etchings formed poetry,
formed testament,
formed testimonial,
formed remedy in martyrdom,
Others were closed to strange intensities,
Others sat and smoked on their patios,
Watching the worlds collide,
Rattling the great fabric gong,
seizing with pleasure,
omniflourescent fireworks,
of absolute brilliance,
The twinkling dust falling,
flickering as
they fall,
Becoming imagined demons,
sacred omens,
reassurance that things,
derive from all things,

What had been said and done in the past, now is the wall keeping them from taking a look at the real veiled horizon that captivates the ethereal mystery of the child's wonder.
Brandon Apr 2011
System malfunction
Analytical predictions based on formality
Lithium hallucinations develop into swarms of locusts
Instant addiction to the possible restrictions of never
Caught stuck in the storm with a body full of metal
Falsification addicted to contradiction
Testimonial analysis documenting excessive possibilities of black
Hear the screams singing the golden song into the night
Ceremonials speak precision accuracy when you listen intimately
Apprehension of the individual
***** induced waterfalls
sometimes even i don't know what i mean.
Joseph Rogerson Mar 2013
This is for those sky high low and ***** media grads of the fate-late noughties,
grasping,
pathetically,
as dreams slip like their youth of yesteryear.
Unpaid, over-laid, saturated with the ***-comedy of their university days.

Then comes the choke and cloak of the next interview,
interview,
interview,
the view into the next room is so beautiful and dazzling after that last ****,
so beautiful and dazzling after the next ****,
so beautiful and dazzling, please, I swear I'll just have one more ****.

Ceremonial drug use,
a testimonial abuse of government aid,
paid to those by the Hair Blair bunch of chumps who screamed the promise of higher education for the lot,
a degree for every adult,
an unpaid job for every graduate.

The clouded confidence stutter of the high as a helicopter, once potential author,
lost in the part-time smog of inner city university town down-and-outers.
Left adrift with no financial spine,
left to pine the disillusionment they now know they felt way before they knew what they've come to do,
and be,
and exist as forever.
Michael W Noland Sep 2012
In dull radiance he came to be, humbled in the belittle of broken, and dying trees, he gleams, in the darkly unseen seams of beautiful, beautifully, rippling through his being, where even the stars shall sing of dustly dreams, twisting and drifting into the lully, uplifting,  sinking of doubt, as he drown in an endless ocean of sound, precision thoughts, but not, to be gone in his lossless spawn, of the epiphanies sprawled upon his heart,  and from the dead Earth he grew, born anew, in the molten fluid of lucid wounds, strewn about in floating tombs, shattered and scattered upon the planets, as the latter scavenged trinkets of testimonial pull, in the disharmonious hum from black holes, crafting his soul, in the gentleful stroll, to existence.
jeffrey conyers Dec 2014
The church girl, who was a good girl?
Probably has fooled many with that accepted image.
But behind that smile and testimonial was a girl with a wild side.

Who fooled others?
Simply because of what they expected to see?
Not that her bad side guarded and hidden could be called as deceit.

She played the role of a good saint.
One we constantly see within church.
But for that guy that loved her.
He knew her well

Things she has done that he never would divulge.
Even within his testimonial.
Mainly, because she was seen as a good girl.
jeffrey conyers Jan 2013
You're at peace.
No more hurt.
No more heart ache.
A snow white dove flies besides your spirit.

As it travel the air waves to heaven.

You done well.
You done really well.
With your fiesty attitude.
And your out spokenness.
But , now you've been called above.

To be in the peaceful kingdom of God.
You be missed.
You'll be truly missed.
Which is a testimonial to the person you were.

And, why you'll be forever connected to a dove?

Be that bird that advocate peace.
Cause God knows this world has too many wars.
Aaron LaLux Oct 2016
I write you these letters,
as a reminder,
that Love still exist,
and She will always welcome you,
in unconditional acceptance,

please remember this,
or forget,

either way our collective memories,
will continue to collect,

at the top of The Great Pyramid,

in Giza,
Jesus,

Mary and Joseph,
or Broseph,

or whatever other name needs to remain,
to remind us we are family,
so whichever name I choose to address this letter,
the message in the reminder is the same,

we are family,

and as family we write letters home,
letters written like this,
a testimonial that Love exist,
call these words emotional hieroglyphs,

words,
written in script,
a curse,
as well as a gift,

which translate into this,
the bottle and the message,

21st. Century written words,
written from a genius wordsmith,
from the top,
of The Great Pyramid,

unedited,
pure medicine,
evidence,
written in,

the light of the Moon,

Mother,
I love you,
and I wrote you this letter,
to thank you and say that I’m coming home soon.

∆ Aaron LA Lux ∆
Remember to remember
Lily Monroe Dec 2011
I’m exhausted
Drained by superficialities
That mark a women’s worth.
Pondering questions asked
By those who fear to answer
Because they know the truth.
Ridiculed by baring gifts from God,
A slanted nose or fumbled hands.
Exhaustion are those who embrace;
Embrace scared sanctions from
Others who demonize their faults;
Faults-a rare gift from Mother Nature herself.
That is our testimonial kiss
Richard Martin Dec 2013
On a day when men have paid,
The cost of soul for war,
The heaven sends its' rain,
As a testimonial,

The cost is high; the price to die,
Yet so many shed their blood,
Some by night or by fair sky,
But those appointed grace the mud,

Past our understanding, so is our destiny,
To live or die, tis not our own; owning is conquering,
For men to die for freedom's cry tis the finest chivalry,

Once was the battle cry of these very men,
Now in mud their crimson blood paints the winding way,
A prey for birds, their bodies burn and turn to dust again,
Who would know that it would rain today?

On blood stained ground the rain drops pound,
They hit their mark once more,
The drums are heard all around,
As they play again for war!
Odd Odyssey Poet Jun 2022
Spoken word: the resting tongue laiden on potential thought.
I exclaimed, "I am, a poem," loudly as courage lets the heart
be bold in her voice.

She is love, but often wicked and rough.
A cup you fill of often watered down emotions. Do you focus
onto past or present experiences,—or are experienced in growing
a worthwhile future? I attest to myself of a testimonial; in these
dreams I've perceived.

Do see I firstly before you see just some random guy. I am
bright,—as two suns crashing into each other; that the stars
witnessed in awe. I am spoken word, a poem of endless words.
As you see less of me, so shall I give them more.

I am, a poem.
Bouncing round' a mindless institution for the righteously sane
Play it loud
Play that **** n' blow them speakers
Explosions surround my insides with cartoon missiles and true artistry
Frame rate, corrupt
Wishful testimonial contracting embalming with a side of hot vinegar
You must not be here at this particular century
You must be here at this particular void
Touch the fire
Lick the tongue of ash-grown slash-sown fash-i-own
Whether you weather the feather or whittle a little or blow the flow it doesn't matter because I don't know
Slide the note over the note noting that the tote is on his merry way to fairy day
I scratch my neck off and pull head into the lower half of my extra escaping toe
Where am I
Where am I
Where am I
The night dips its pen
in the silvery inks and starry hues
And writes a testimonial to my solitude

Slinking away within me
A song of hopeful annihilation
Matched in silent rhythm to yours


The darkness slips away
Unnoticed and quiet in its exit
It leaves me braided with the music


----Vijayalakshmi Harish
      26/01/07
Copyright © Vijayalakshmi Harish
dispensing
poetic justice
is a measure of fate
of this punishing toll
chiseled on the grate

how befitting
for a personage
to be on the receiving end
of its age old adage

a reckoning
appropriated
on the stone's memorial
shackled
forever
in a penal testimonial
Lucas Mock Jan 2016
Ancient secrets in dark, dry, caves
filled with airs of eldritch winds
suffocated of life and it's needs
solemn graveyard to the nonexistent

Biting brown of antiquated dunes
dead fire of fossil sand
burning with the lost rage of lost ages
exterior to great alchemic secrets

Heavens filled with brooding anxiety
pining and craving teem in the atmosphere
desires to combust and crystallize
eroded off by laws of impossible physics

Uncongealed remnants of shells and beasts
bacteria and algae now unearthed to light
testimonial to buried memories
mummified by cadavers of glaciers and mesas

But a glacier for whom?
Can resolution be concluded by the uinverse
that vast cosmic void hanging in oracle's riddles
staring back at the stargazers?

Ancient secrets, eldritch airs,
solemn graveyards, and requiem for what?
Amitav Radiance Apr 2014
It was an uphill trek to the dilapidated fort
Reminiscent of the past glory and supremacy
A grandeur which cannot be replicated
The solid stone walls smoothed to perfection
Each stone sitting perfectly, filling the jigsaw puzzle
Taking a walk around, I come across some etched paintings
Wonder what story it narrates, or what secret it holds
I try to peer closely and see what resembles a princess
With all the swordsmen surrounding her
Maybe from the prying eyes of some obsessive suitor
Or is it that the princess was held captive by a rival?
The fort is testimonial to so many incidents
Which may have happened, clandestinely, inside its walls
It must have been attacked so many times
Also, it could have been taken over by force by the enemies
I enter the fort through its imposing entrance
The thick and heavy wooden doors, now ajar
Riveted with iron bolts, now rusted over time
The door must have been attacked and pounded with severe force
Weakened by the ravages of time and the aging wood
I enter the fort and is greeted by huge arches and a corridors
Surrounding the length and breadth of the fort
With so many chambers, that I lose count of them
Wonder, where the princess must have been kept in captivity
Or, may be kept safe from the obsessive lover, from the lower ranks
I weave my own intriguing story, unaware of the history
Once a secured monument of the glorious past
Now forlorn, it stands there in stupefying silence
With each passing day burying the cries, shrieks, laughter and conniving plots
Someday, the whole existence of this fort may be diminished to dust
For it is comeuppance of time, where, even the glorious and mighty are not spared

© Amitav (Radiance)
Bratt M Jones Aug 2015
Theme Muzik


Drums beating
Echoing in the Forrest
Like a thousand heart beats
U r Africa
U r America
U r pagan
Traveling legs

Packed into your journey
Whiplashed with kisses
Unfurl your monarch wings
And become a miracle
In those foot falls
Is a testimonial
The story begins
Calligraphy walking
In the desert
Writes upon
Blood of imagination.
Spaceship, ninja, dragon race whip
All the pertinent deaths happen in sequence

Charging the the line of firing assault rifles
Taking on shape is the storm
Sated completed with Kung fu lighting arms
Roiling clouds inside eyes tornados leaping
From lips cussin' in thunder
Take love by force and keep it
*** shaking, ******* on sidewalks
In theme muzick
Your careful eyes hardly looking,
avoiding me, I believe.
I see you here, even still
they disappear...
but I really don't see you leaving.

I can feel your hands and arms warm around me
hours after you leave.
I lay there for hours and hours,
it'll be hours 'til I can sleep.
Rewind to keep you here,
I think I missed a scene.

Your careful eyes hardly looking,
avoiding me, I believe.
I kiss you and they stay still.
opening to reflections of yours and mine.

I count them when you're here with me.
the hours we spend in silence, the hours we've spent kissing.
A trance for thought, a loss for words, they blink...
Nothing to think and nothing to speak,
closed eyes now, there's nothing to see...
Our tongues entwined for the evening.

Time flies, but it doesn't mean anything,
I take my watch off to hold you closer,
even closer to me, you'll wear my ring.

Opened, closed again,
closer.
Credits rolling, the end,
closure.

By the time they open again, we lay still, only breathing.
I think we are hours past this movie, but I really hope you aren't leaving.
I couldn't ask for anything better to dream of...
when I'm next to you, smiling, soundly sleeping.

I wish you could read my mind,
but I'm not so sure you can't.
There's nothing really in this town,
I'll use that as a quiet place with you though.

Or a place for me to miss you,
miss your lips when they leave .
But your flavor slipped onto my mouth too,
so before I see you again,
in anticipation, I can bite my lip.
In a souvenir, I can taste you.

I want to be a testimonial
to your testament of love.
For now
in this town.

We are hours into some movie, we are slowly losing pattern.
My words are hopeful and your eyes are daunting, bearing every ring of Saturn.
We're in our own space, and any exit would be a fork in the road, a wrong turn.
My mouth stands strong.
Ribbon of drool match those in reflection.
My accolade full circle, royal undertow.
Vellicating in dishonourable mysticism.
Moving here & there.
Moving water, wine & a wisdom separating love from the ore.
Learning where musical savants & initiates dim the lights.
Inspectors test restraints, narrowing memory. Now forgotten.
Wake up, remove hairs sprinkled in hidden testimonial.
Misgivings in this shellacked house of homes.
Intellection. Ascending, bending bones. Fissured left-behinds.
To purify all your thoughts.
Resisting universal locomote.
Heels in foreign grease. Bare soles departed.
Movings of brilliantly painted soil.

Telephones relate & relay the balmy decisions you are making.
Tragedy
Jonathan Noble Aug 2013
Shattered pieces of life lying ugly on the ground
Dying shards scattered unforgiving in the wind
Dust settles slowly covering without a sound
Snaking sinews crawling round every bend.
Can potter make art from what remains,
Picking the parts piercing his hand,
Specks fashion into beauty once more
Eternal testimonial place together of sand,
Breath beauty in bleak burial to my life restore?
Sirenes Mar 2016
Count down time
For the house warming at my sister's...
My brother flew over to surprise her
And then flew over our cousin
To surprise all of us

We inhaled the helium from
The decorative balloons
I did mine and got stuck
In what my family calls
"Lily's giggling-loop"

I tried my first cigar with ***
Then told my relatives
They were lame.
I challenged my brother
To **** as loud as I burp
He surrendered on the spot

We heard the testimonial
From an old school friend:
You girls always look angry...
Unless you're with family...
Then you're all ***** and giggles

I held my brother close
And told him
He was full of ****
Then hugged our cousin
And gave him an eskimo kiss

I drank two glasses of water
Like they told me to
And I swear to God
If I have a hang over tomorrow
So do they...
Home is where your heart is and there's no place like home.
Necropolis of Hellenika / Kímolos
Tsambika / Philo of Alexandria

They passed each other on the outskirts of Archangelos to go to Tsambika, going to the Necropolis of Helleniká where he was waiting for them more than 400 kilometers to the west of the Cyclades, precisely in Kímolos where they would do the colloquy with to do the channeling with the Necropolis. Etréstles had traveled with Kanti the steed; on his back, they saw the distance before they arrived at Mandraki in Rhodes. They all headed down the coast towards Archangelos, but Etréstles went to Helleniká, the Vas Auric was landed on Mandraki for the purposes of the Creation of Vernarth together with the Apostle Saint John. Kímolos, it is on this island that the famous beginning of the procession towards the outskirts of the cities was to deposit their sacred remains on the way to a better one, here were the martyrs who were used to Etréstles since he cohabits in delay with Drestnia for the new millennium (His female of hers) with which he resides in the Koumeterium of Messolonghi in the ninth vertical cemetery. Having a chapel and altars this place was propitious to create between Kimolos and Tsambika which was so many kilometers away, so the meeting performance between villages would be seen in its entirety to be resurrected and worshiped between the Cyclades and the Dodecanese with pious exercises between both latitudes precisely in the chapel of Theoskepasti, while in Tsambika it would be in the Panagia Tsambika monastery. Etréstles carried in both hands some matches of some population dowries with laws of affability and generations lived there without knowing each other between the two islands and tabernacles, arguing canons of burial and exhumation. In this case of performance refer to the Vas Auric of Limassol that brought the construction of a world of the right angles for the neat reconstruction of multi polygonal spectra, adopted for the first time in Kímolos to be retransferred to a logical philosophical-architectural division seeking to enclose the perfect plans where the new Christians will reside, between Rhodes and the west of Kímolos re-installing themselves among more than a third of the venerable ones who rested in Helleniká, in syncretic neatness with dissimilar populations and creeds.

Saint John the Apostle with Vertnarth, Raeder, and Petrobus plus Eurydice would bring from the rubies of Alexandria the incorporeal honor of Alexander the Great, turning both island sites into palaces of the Muses of Helleniká for the scholars who would be at the canonization of Vas Auric. Being the precursor of the chapel of the Theoskepasti, this performance of erudition will be endowed with the new status for Philo of Alexandria present here, now being a co-demiurge who will convert this necropolis city into duality with Tsambika for distinctions of the rituals and homilies, reducing the inputs basics in ceremonies. Philo of Alexandria says that only God protects the Jews, adding to what Philo wrote in La Legatio ad Gaium, the Jewish delegation had trouble meeting Caligula and when they finally met him, the emperor declared that he wanted a statue of him to be built as Jupiter in the Temple of Jerusalem, which sowed desolation among the members of the delegation. Finally, this purpose was not realized thanks to the intervention of Agrippa I and the death of Caligula, Philo attributed the happy ending of both cases to Providence. This divine letter of these translators with Saint John the Apostle and Philo of Alexandria will make this homily the spiritual custody that will be preserved in these two cities and then towards the world of Vernarth of the Duoverse, so that invisible winds blow from the chapel of Kímolos to Panagia de Tsambika, in the frameworks that feed the Hebraic and Hellenic boundary “translating Greek into Hebrew, but in two universal sites of creation in the Theoskepasti chapel and Panagia de Tsambika, about the magic of the meeting of omniscience and grace. Says Vernarth: “with the interpretation of Philo of Alexandria and his exegesis, I will rub the tract of the successions of infinity legitimately stored the creation thought of the ZigZag Universe with the Parapsychological Regressive authority now circulating in a sniffing universe with a Verthian genealogy, tempering with my Falangist disciples but being biblical when it becomes the occasional emaciated mob of a world that falls degrading with its last pieces and challenges of the world associated with an allegorical spirit, contracted to wings of ethics and doctrinal rectitude. I have two candles in each hand, similar to Etréstles in Kímolos and in Helleniká, making delights of pleasures in these ceremonies to create the world’s ignored in the office of the super compassionate language, in more than seven days that add up between the Sun and the Earth, in a sub-mythological world being ourselves our own executioner established on the ***** that falls from the match of the wick of my Lucerne in its own mood. I still have a memory of who and of each one who will always be in my prayers, reopened in a sacredness less than my own end, here I will not continue to be stored. Rather I will continue to fall, exhumed from the very storehouse and from the struggle of the thistle that falls from itself rounded up to be competent to explain himself biblically as if he had never before been read ad limit of the doctoral, and sacred in the work of Philo of Alexandria here with us leading and there in the Necropolis on another thorn; as a perpetual creeping species growing here as an unvarying summer plant in cooler climates, which would usually be prostrated on the Helleniká slab with radiating branchy stems extending the fractal distance between Kímolos and Tsambika in thistle´s ceremonies. The hirsute silts will come from the genesis of their spiritual temporal being the same wool of the whirlpool of all the weeds attached and oppressed to the lamp of the gargoyles that are tuned together with the Gulpers of Archangelos in a happy diet following patterns of even, and odd thistles spring in the Cyclades and the Dodecanese. The Parapsychological regression XIV century - Saint John the Apostle says: “from Filerimos a sidekick monk of Philo of Alexandria has come with the image of the blessed Immaculate ****** and painted by Saint Luke the Apostle. The Knights of Saint John built the Monastery of Saint John in Rhodes with this image; everything comes from there on the Miraculous Hill of Filerimos, and the temple of Athens Polias was converted into a proto-basilica with a three-bay nave dedicated to Her. The church is known since then for housing the figure of the ****** of Filerimos (Our Lady of Filerimos). In the fourteenth century under the rule of the Knights of Saint John a monastery was built here surrounded by cloisters cells and a series of chapels, that is where the figure is the miracle worker and is reverently guarded. Being a Capuchin order after the Ottomans destroyed it; it was rebuilt by the Italians. With this image we canonize the Vas Áuric in the homily prior to the spiritual link with Etréstles in Kímolos, before every morning they illuminate the sacred Earth of both latitudes in the mystical house of Saint John the Apostle with the herbalists on the wind to fight for the Somnia in Hortum et Flos Herbarium in Kímolos, Garden of Flowers and Dreams in Herbalist in Kimolos. Knowing that the Universe is approaching the Vernarthian Duoverse, Saint John the Apostle decided with the Birthright to establish a Duoversal Garden in Kímolos with the aim of laying tremendous foundations on the base of the pre-Christians and apostolic who enlisted in the Greco-Hebrew world with the addition of compression, and medicinal valences for the herbalist of Kímolos, in such a way to reissue it in the monastery of San Juan in Rhodes and the Panagia of Tsambika. Since the grains grew and germinated they became thickets of great predestined forest in Rhodes, aspiring to continue being a well-known theology in Greek also being sufficient testimonial about its Aramaic originality, being addressed to the Sanhedrin, 37-42 AD Before Caiaphas and redirecting it to his brother-in-law Theophilus of Annas. The Aramaic Apocalypse, also known as 4Q246, is in one of the Dead Sea Scrolls, found at Qumran, with notable early messianic mention of the Son of God. Saint Luke says in the voice of Saint John the Apostle: “4Q246, we are children of God…, the Highest, the Messiah as a messianic voice, being able to be confused with the Beast or the Messiah but Philo of Alexandria will be there saying “I always ignored with the most blessed indifference to Satan, because therefore in this Aramaic manuscript he only has, and will reside forever and ever in his Messiah” Given this situation, the commanded expressions were those of astragals mysticism in herbalist and botany in this manuscript, since the unfortunate leftovers are the freshness and splendor of the flowers caressed by the wind that arrived at that moment; in regard to the wind of the Anemoi being eight gods that correspond to the eight cardinal points from which they came and were related to different seasons and meteorological phenomena, but he heralded the excitement of the Cyclades, like Sound of Sounds between Narcissus of Sharon and Lilies of the Valley. The audio-images were avocados forming the deep thickets that will move according to the inclinations of the planets, each time the Universe approached Greece among all the cisterns with water for the flower meadows that Vernarth in litanies was assigned to the paths that lead to the Vas Auric.

Vernarth says: “With these titles “Vas spirituale, Vas honorabile, Vas insigne devotionis, Rosa mystical, and Regina sacratissimi rosari”, I have to transform all the astragalus, and shrubs into the consorts with the presence of the jacaranda vase of living human nature in virtue of the meeting of the Universe-Duoverse, for the herbalist of Kímolos now imprisoned in the Vas Auric of Limassol. "Sweet Nectar of the dying, eager for eternal hunger and sweetness in withered flowers"
The end of Parapsychological regression XIV century
Saint John says Apostle: “Helleniká and Tsambika, will be the lily, the saffron, the rose and the violet but also new ones, like the marigold and the chamomile making of all a diadem crown to place the world of the Duoverse in all its radius, for the star that illuminates par excellence as a white planet without thorns, which is perfect among the perfect, anti herbicide of language and of incarnation as in the Empyrean the medieval sky in the highest of heavens. It is likewise in the place of the physical presence of God, where angels and souls reside in Paradise between caltrops and Rosas towards the alimentary plane of conventual voice, and tonics of the glycogenic Milky Way sipping third-grade milk to curdle in the children who have not been a Messiah yet. Paths of thorns will guide visitors to this gallery of flowers and plants through the Panagia monkish for the holy homily with the Lilies and through low valleys, where no more Lilies can escape from their chains of the Liliorum genome in the valleys of the galactogenic virtue. Like Mother Rosette and son Lirium, being the mother of everyone and of that…, there… your son, “Myself in the path of the three Mary’s”. Over there in the desolate place, a columbine carries me imprisoned on my heels as a bond of a son who makes my steps with the Columbine of my saving feet” At 320 meters of altitude Still, Life appeared concealed behind the Vas Áuric descending…, here everyone approached the auric circle of Moral that made them authors of the proximity of the Universe falling on Greece, and the Herbolaria that fell with all its reliable structure in the foliage where many more species appeared such as thilts, Laurel, Olive, Linen, Grenade in a simple and nuanced devotional with the pro status of the delegate; the same Hexagonal Primogeniture to make the cinnabar fistulas that were elemental by the different associated colors, and by Grail tutorials that looked indigo on top of some Rhododendrons. If it is eschatological, it is in the mystical nets of the Empyrean further from a form that is said to be called a form of antagonism, between Cardinals and their dead Lilies. As first among the last, the bulbous and clayey Tulip of the orbital and basilica symbology, peacemaker and philosophical Eritrean for spiritual quests that toil outpourings from the Empyrium, reaching the Messiah on his Colt on his way to Bethany. Around the Monastery, everyone could be seen as they arrived to the beat of the cymbals and aulós, among lyres that prowled tickling the inquiry to rest their fingers, or perhaps dressed by some Trojan villain augur in those of "Daedalus". Being the latter, here a tulip with flames of a true seeker trying to sacrifice subsistence daring over the risk of the resole of salvific death or perhaps dressed by some Trojan villain augur in those of "Daedalus".
Daedalus says: “After the incident with Perdix, I Daedalus was expelled from Athens. I then went to Crete, and in the kingdom of Minos I was placed in the service of the monarch. One of his tasks was the creation of Thalos, an animated bronze giant who defended the island from invasions. By order of Minos, I built the labyrinth to enclose the monster; the labyrinth was a building with countless corridors and winding streets opening into each other, which seemed to have no beginning and no end. Minos locked me up with my son Icarus, whose mother was Naucrate, a slave of Minos in the same building. The reason for the confinement was the collaboration of Daedalus in the escape of Theseus from the labyrinth, I have to lament for the ****** of Perdix, now turned into Partridge who now carries in his claws the creation of the Universe-Duoverse, turned into his own, and myself in envy neither harassing me about my endings, and neither starting nor finishing. That is why I appear here coming from Crete, to wrap myself in the garden and its mystery closing all the madrigals and hedges, like a world that has created me, in its splendor, seeing the humility fragrant with violets grafted onto lavender with my soul now, of a somewhat syncretism Hebrew-Hellenic and Mythological sub-Mythological, like a nobleman who walks free and without chains… passing through the Parthenon to put on tiaras in dresses that are adorned with Linens, but of evangelical lineage here in Kimolo.

In Kimolos; Helleniká Necropolis, Etréstles was suspended in a columbarium equivalent near the lapidem of the necropolis. There was a great amount of accumulated air enclosed in the musty cinerary walls, with the translucent specters that fluttered through other metropolises that transited inconsistently in their proto-masonry, and some resembled pink jaspers on some grooved slabs, letting pale dovecote rhizomes slip away under an oblique columbarium domain that manifested itself meagerly on an unstable podium of Folegandros. Adhering to this enormous exteriorization were Kanti, and Etréstles in their hydrothermal genesis, lying as a petra forms at a wide range of heat towards periodic effluvia of their Devonian geology, manifesting discreetly until a carbonization of sedimentary rocks attributing their curiosity when they continued to remain in areas favorable climatic conditions, simulating to be exordiums on thermal hydro sediments, leading to the carbonization of the surface of the necropolis with micas and serpentines, to cool down in the selfless natural fields that resisted the effect of the heat generated by the ZigZag Universe, etching each other on pyrites and graphite’s with the compactness that increases, and extends the widening of the mournful enclosure attentive to channeling emanations and traces, that will be the first loads of exegesis from Tsambika for prompt elucidation from Mount Hymettus in Athens, and continue to proliferate in hives of bees libating in its thickness towards the good-smelling necropolis causing its magnificent flowers and herbs to steam; so much so, that from the paved lipoids of honey astragalus and spectra will come out deposing to be toxic, yearning the strigilas or curved striaeons (reverse or straight), imitated from pagan sarcophagi.

Thousands after Thousands of Centuries after centuries, adorning themselves in the lapidem glossaries on the exterior fronts of tymbos that were embedded in the tholons, almost as in outright Constantine-Hellenic brilliance towards an unarmed cenotaph with their flat covers, pouring over them the devastated trisomy of Kaitelka, of whose diploid organism extras, aberrated by being parity triplicates of their greatest chromosomal and homologous hereditary complement. The vestiges of fossil whales here were generating disproportions of execrable variation, being destined to the patio of fall on them in three additional courtyards of marbles at the rate of inverted strata, revealing only some of their extremities appreciating them with semi-covered figures, and on reliefs filling again by genetic trisomy for gentile practices and lead them to the Christian Vas Auric. Faced with such a famous disproportion of fossil reliefs, they turn to the scourges of the Universe.

Panagia Theoskepasti Parapsychological regression Etréstles in Kímolos: The church of Theoskepasti, due to its position could be easily recognized by the invaders during their raids. However, according to a legend the church was veiled by dark clouds of mist and became invisible as soon as the assailants approached. Due to this legend the church received the name "Theoskepasti" from the Greek words "Theos" and "skepazo" meaning "God" and "watch" respectively. So, the name is 'God Veiled'. According to another tradition, when once a foreigner managed to get into the church and tried to steal the golden candle divine power cut off his hands. Also if it is watched over by God, so it is divine for the Creation that it will begin with the synchronization between both latitudes of the Cyclades and the Dodecanese. Etrestles After staying together with Kanti, they went from Theoskepasti to Hellenika, located in Dekas Bay on the west coast of Kimolos, here in the necropolis there are ruins of ancient tombs that would form part of the new humanity in the creation of the Duoverse, existing since Mycenae and the Cyclades next to the small islet of Agiоs Аndreas, also being part of the city. Many ruined tombs can be seen from the hill on the edge of Elliniká with some stones still in the sea between Kimol and Milil, in the vicinity of Psathi on this island located on the southeast coast. Kímolоs to Chοrá is 1 km away on the hill above the Psathi port from here the foreign ships trying to come to the Bay area sighted, for the advent of the Cinnabar on the scapulae that hold the Gates of the Necropolis for the effect avant-garde, and regenerator of souls that will resurface with more universal chromosome tints mutated from trisomy, more of extreme longevity. In the homily, an archpriest of the regional deanery will make a pastoral criterion for this gesture by virtue of eminence, and guide them through the orthodoxy of the chapel to the Episcopal organizational procession of the Vas Auric. It was already twilight and Etrestles was climbing onto Kanti's pony clutching the utensils of the homily, in the customary ritual before incensing and setting fire to the laurel and rosemary in the fords of Leto and Koumeterium of Messolonghi, it rotated in ellipses sprinkling crumbs of the purest loaf from Arcadia on a gray Monday with hummus to attract sour souls that they were in a catatonic state making them more esthetic or aesthesis, of reactionary rebellious natural aesthetics with nuances, then reincorporate them into the three courtyards in a magnificent concordance with Rhodes. When the Archpriest begins the talk, he derives his prayers from semi-inert materials that were made in communion with the chromosomal dyes; with the worms with absentmindedness of progenitor snakes that were grafted undulating, being in reality only worms that were amazed at the exhortation of the Archpriest in the ritual, circulating universals destined for his elegies and celebrating from an ambo or pulpit with classical Latin pronouncing the archpriest the way it died lunae, mutating it ****** to dies lunis by analogy with dies, on a dark Monday day but full of grace for the assistants doing the sermons to interpret the alabaster patios that will lead to Tsambika. The first worms were persecuted by Kanti, he believed that they were scatterings that emerged from the ground, such an earthly ecosystem was beginning to disown him due to the metamorphosis of annelids which seemed to increase their ultra-grave texture with the same remains of an irresolution without a sarcophagus, turned into sharp curves intestinal that were depressed breathing autonomously on consistent folds of the dermis of the oldest caste of the subsoil of Helleniká. Preexisting the distant origin of the Arcadias and they're dissected that silently followed the hummus and bobota, not to digest them with their suckers, but rather surround them and delegate them to explore the surroundings that would encapsulate the ground with the proximity of the transfigured universe to Vernarth's Duoverse, to phosphorus and emit the will-o'-the-wisp nitrogenous fires before the Archpriest, Etréstles and Kanti disquieting by an arcane movement. Being a full act of the herbaceous phagocytosis, they continued ascending in the curvilinear procession with their traces weaving moment without time, which was added to the sub-mythology and a finite sub-time, like unicellular procreating others that accelerated their physiognomy detached from their immateriality, towards a longer intake of the organic material on the hummus and exudation of propolis rhizomes. In this way, they resign when falling with serious cramps cleared of the digestive world, which no cell has tasted ******, but rather direct when breathing from Hellinika's lung lobes, comprised mostly by the alabaster sheepskin that was suspended to other colonies of worms that sailed to lean out towards the surface of the altar where they regenerated from the flow of the annelids. Archpriest says: “The frame of the Vas Áuric arises from the nuclei of the medallion, pending a high presence of insulation. With high mobility between the tissues and amino acids of the annelids, new basal cell functions even being visible for Etréstles and not totally for all yet. The image of the medal had a classified functionality and concrete information, but imperceptible chronological possibly being the first function of the icon in its justification with religious symbols and manifestations of the divine, and semantic still removed from a theoretical auto-iconic. When reading in Vas Auric, "What two men do not see, a man sees who does not see..., what the creeping animal sees, self-prisoner of his lack of vanity..., He will see it". Being epistemic images that provide more distant knowledge of the sub-divisible organic matter in finite mortality towards the other eternal inorganic, contributing to the super complex neuronal development, in a veiled sensation that is lost between itself and its own bodies, being able to take them with its own differentiations”

Panagia Tsambika Monastery - Channeling Cinnabar: Vernarth commanded the three architectural courtyards of Tsambika for the Cinnabar layout. They climb the steps that lead to this monastery at the top of one and to the very connection of the homily with Helleniká. In this monastery they will have to censor three courtyards, all pointing towards the west of Mandraki Bay, on some pine trees all surrounding the virtual stained glass window of the portal that joins the main avenue with the ascent of the monastery, until very close to the Virginal Marianus icon and very close to the dividing wall from where Lindos can be seen. The Tsambika Monastery is four kilometers from the city of Archangelo, the height of the monastery is leveled with pebbles on its bare floor that led everyone barefoot, towards the three nearby patios. Cinnabar as a polygonal crystal would be specially used for the perpendicular ceremony of Mercury, to sensitize the climatologically the variation that would be appreciated once it began to sponsor the bones that would spread in the extreme longevity of annelids exchanged from the moldy alabaster arcades, and carried by alluviums of crystallized mercury, granting together with the Panagia of Tsambika fertility, and parental conception for the new Universe-Duoverse of Vernarth, extending life farther than the first-born descendant's first ancestor, being the cinnabar the diversity of versed uses now been given in the upright channeling with ultra vital extensions with Helleniká. The alabaster and the three columns of these sulfated stones form compact would dare to hydrate in the silos where the windows will be poured, this is where the sub-mythological specimens detached from any temporal dimension will be used, leaving sapiens annelids free will recombining the diploid chromosomes, and profiting from molds of exact erratic aberrations to be vindicated in the dispensaries of Saint John the apostle. Thus adorning the perfumed areas intervened three cinnabar patios, for the sermon of the Vas Áuric. Thus inspiring the chair with the verses of Saint John on the immanence after the fifty days of the Messiah in epistolary verses and the evangelizations, elaborating vessels of the low rank of Faith to opt for expectations of moldings with new consciences of selenite clay, and refine them in messianic faith. Middle-range pebbles were subtracted for the interior and extramural floor of the Monastery, being rather Biblical Calcite for the Egyptian-Hellenic Alabastron psalmody praise perfume. This typology will be the quilt for the magistracy with a canopy glass exhibited near the tulip lamps, and ceiling lights of the monastery for the use of the diamantine sphere of the opaque panels that flamed from the intersection of the arachnids re sprouting from the current wind of cinnabar. Vernarth says: “Suitable for our consciences, we will open the channels in Kímolos before our subtle bodies that will make us divided just as we parabolize ourselves, before the airs of St. John the Apostle in the headdress of mediumship to reach the wavelength to Helleniká, the interactive vibrations will leave with the expression of deep reasoning after pontificating the Mandylion with the Vas Áuric, for the effect of its icon and idiomatic monologues for the edges of San Judas Tadeo and Veronica, for such a faced event in foreign forces before the Messiah, a coherent gadget will be made in the intermittence variants. The channeling to the Cyclades will go from east to west wading the Aegean and Mediterranean waters, through the channel of the Universe-Duoverse for inter consciousness between the Hexagonal Primogen in Tsambika, and the triad of Etréstles, Kanti, and the Archpriest in Helleniká, with high degrees of the light consciousness and conclaves between both synchronous homilies. With drowsiness before the Anemoi winds that will be crossing near the voyages of the Trojan chthonic ships, and before the fateful chthonic divinities for such deities in the Mediterranean substratum identifying more obviously with Anatolia which since prehistory has followed to the site of Troy, in a cheesy union plan for Agamemnon's loyalists, to defeat Hector between farms and revolutions of agriculture, and Akkadian worlds b.C., in peripheral outposts to influence the central regions of Greece and its maritime trade. Hydro-physical influences, for the cycles of the solstice and nature with life and survival after death that is at the center of concerns that are not translated. In Crete, the supposed cult of great Gods is transformed during the second millennium BC as new actors appear: various animals, plants, etc. Given the consciousness, it will be the channeled light in the three courtyards of alabaster and between the cinnabar by bending the re-fertilization of the Cyclades channels, which go from Rhodes and Kimolos, for discernment. Sometimes it is more gratifying to hear what you want to hear and not the real message, the egotistical mind that does not come from a series of daunted egos..., or signs of the technological shamanism, intervening artificial intelligence from maniacal administered consciences, being shrill for worlds of appearances and illusions. I Vernarth with our own Khaire Fíle…, in my mind I go to the vessels that sail through the landscapes of the elusive identity, trapping her in the totemic stratum, and tracking psychology, but a seer of her present ego. Today I will wear my Leonatus cap, to separate his anger from such a shadow that clouds my grief, and my own victimhood of reduced and meekness which spurns violence, blaming it on a ruthless kind of depression and excluding shame from everyone's own fear of everything. I will bandage my eyes against diseases that will heal after three days, to straighten the ecstasy that thickens towards the scaffold, staying in Golgotha with nothing, I will create the framework of cinnabar for the pain of the skull that trembles in my claws, until sleep becomes vaporous with anger and the harmless destroying itself before your egos, colorful throbbing towards your alien beings and scarified host. I will be waking up from my subtle and anthropomorphic subconscious dreams, with sentences that hurt my worst self-destructive delinquencies before the new memorial, on the veil of Theoskepasti with its science sheltering itself by giving in on the vanquished springs and inaugurating new miraculous courses where I will surrender, full of forgiveness and more distant from the veil that does not act as a viewer.

Duet time, Duet space, one with the other illusion unreal elements and epistemic images ignoring them in expeditions crackle my Duoverse, and temples of Tsambika with the decoded annelids mutating in trisomy with flat doors towards the Olives Berna. We look at what gratifies basting and plotting the positions of the stars of the universe that are attached like sheets worthy of almighty serials, and redoubled humor on the chthonic embracing tridents, before skewing Xyston as an original replica of the dream of a night in Tel Gomel. The counterweight of the message of light lagged behind the high astral like the little bear, bustards, and her angelic breath retreated in dissolution..., now if diva emotion I have my daring, and courage towards the binge of my omniscient prosopon, similar to omniscient telepathy, my soul lies and my emotion too because in this way I will treasure the value of panic by surrounding myself with the fears of resting, against the poles and sights of a peaceful energetic confrontation that will make them in Rhodes and Kimolos, channel the consumed human finitude and not eternal ad portas of his Áspis Koilé.

Unconsciously they will continue halfway with their bouquets of flowers for Valekiria, and may they never really take the time to tell her what time of eternity will make them more crowded for her, and her reliquary poem bursting into flame with its insidious outbreak and fear of telling him that if they revive they will be other Hellenic Hetairoi towards the vermilion light of the embodied sacrificed loop state as a "Being of Light". Oh ghost phenomenon that doesn't scare me... rather disappoints, clinging to the skins that die in the unexpected female muses in Gaia, with my burning and hypertensive ballast, still frequent in me... As conjecture and presence of Greek life..., having to be promoted and involved where they should be tempered to the contribution of biodiverse, and species for island life and its balance in the Aegean. The theorem will enunciate in the image of the Vas Auric as sounds of homeostasis in classrooms, properties of intervened annelids consistent, capable of maintaining them in a certain internal and stable condition, compensating for the changes of the explosion of the intervened patios, towards an environment through regulated exchange of matter and energy with the outside towards its (comparative metabolism), in the case of a form of dynamic balance with properties of Cinnabar brilliance, as a self-regulated biosphere in the conditions of the planet to make its environment (especially temperature and atmospheric chemistry) nobler with the species that make up life in the compass of two unmanned islands by beings from Gaia, rather as entropy in physical magnitude for a thermodynamic system in equilibrium, inhabited by dynamic beings that associate nobly for adaptations of worlds that are not born. It segregates them towards a departure measuring them from heightened numbers in states of zero compatible with the laws of that physics for the purposes of watchful guardians if Gaia's engine is turned on before this psychic and spiritual combustion. The laws of this system with closed circuits and brought will tend to maximize the entropy expiring inhibitory reactions for the traces of oxygen and nitrogen of the worms, making a sign of the levitated carbon dioxide to take it from Tsambika in two converged energies of Leviathan and Saint John the Apostle in moles of carbonate dioxide, battling surviving the impostor necromancers adverse to their conditions and reproduction, keeping these habitable for many who do not they enjoyed the life-death-life cycle. Greece, as it will now look regenerated and appropriate of laws and extensive fibers concerning moles of molecules said to be equal of said Vernarth hypotheses by way of sub-mythology, rather perching on the growing ivy and strangling the signs of satiety of life with properties in consonance with severities that hurt even to the sound of the rattles before the passing of the millennia! Fear, insecurity, and frustration did not fit because they will cut the Diospyros abenuz, with its stamens usually sixteen more hypogynous or inserted at the base of the corolla; as female flowers being greened or being converted into staminodes, Diospyros with generally tetra-locular ovaries or with eight locules due to false divisions, will make us channel by inseminating Itheoi demigods, under the staff of sub-mythology with Zefián, before the migrations in Helleniká begin, just as in this pact with silence and meditation and a burning flame, below the vulnerable and high insolated frequencies..., waking up in Gaia as a dozing fairy. Shamanic vested will grade synergy and simple science.
The Homily in the natural lassitude of the created, the Duoverse presented IHΣ, falling in the eighteenth letter of the Greek alphabet and in the duo hundred changes of physical remembrance. The PH (Hexagonal Primogeniture), is conceived in the presence of the Crismón, more Hellenic with the Vexillum banner and the Kantabroi to rescind the tired depressed zephyrs, since the quantum of memory was lost in the integrity of an earth acrophobia for the subsequent it would be air-water for this reason, preceded by the ceremonial that begins with the trimming of the abenuz Diospyros with its stamens usually sixteen plus it's hypogynous or inserted at the base of the corolla; like those of the female flowers having part of the gynoecium in the part of Tsambika, and of the androecium that will be of the Diospyros in Theoskepasti; usually tetra-ocular ovaries adapted to be inseminated for the raids of the demigods Itheoi and Duoverso, with the monogram HDD (Horcondising-Duoverso), tracing the bifurcations with Zefián; the chaos ordering up to modulated Theoskepasti. The changes have to be reborn in the stamen, being almost sterile and aborting in the chronicles of Galilee personifying the pollination benefit of the Diospyros resprouting in the same stem of the whorl even more so in each stigmatized part of Vernarth and Etréstles, carrying the IHS candles with the monogram and the Mandylion-Vas Auric, pointing to the Olives Bern. Before the seams of the carved heels and the canals of the annelids rise up through the alabaster up to the calyxes with the Chrismon hat. Filling the warehouse of Anemoi himself struggling with the roof, and forgetting his deposit of the breath on synaptic abbreviations continuing to argue with Saint John the Apostle in the network of Rhodes and Kimolos, in the bark of the sensory past and consequence of fallen gushes, and affecting being restored on the basis of oxygen-nitrogenated Nemo-genetic activation to summarize loss and gain of channeling between the Cyclades and the Dodecanese. The memories of the stuck Vernarth cerebellum will be loaded, trembling towards the marsh of the hippocampus where Zoroaster led the Magi to the end of the span and first-last border in the vicinity of Ein Karem. This evolutionary scale fluctuated in weak air masses with the increasing rise of the Meltemi over the Aegean taking them to Dekas Bay, on the knees of the colossus that cursed to avoid some delirium that could replace it's joint, remaining like this on a scale of reminiscent and unspoken emptiness..., it continues to be stated and not occupied and not, but raised towards the colossus from the ground of Vernarth which had unfolded bipartite from Rhodes to Kimolos, by way of the Verthian neuroscience whose prose emanated in the submissive glaciers of hyper-intuitive meditation (as a technique of knowledge and abstraction for functional links of improvisation, purgative discernment and yogic memory). All the nonsense is alluded to infringing the rationality of the Vas Áuric ceremonial in its phenomenology making curvilinear pauses to re-captivate phraseological, and diminished keys in the condensed equivalents to approximately ten terabytes from a homologous half surrendering almost when exhausted before both scholars, and their debts exchanged by driving..., thus recovering wave descents before reaching the bay of Dekas; Kímolos and final in the necropolis of Hellenika..., and vice versa before re-climbing in the middle of Mandraki, Archangelos and Filerimos to finish in Tsambika, Rhodes. As a parallel response to the archpriest not to alter the IHS monogram of the homily and the association in remembrance can affect the conduction of the mediate trance, almost prostrating it in the house of omission and frenzy, if it has to recover unstabilized. The sulfurous mercury component of the Cinnabar, came acidifying from the essences of the Vas Auric, already prospering in the tutelage of each auric conductor..., Archpriest and Saint John the Apostle, each one with the sulfurous of the Greek mountain and the arch of the Aegean Sea as a former karstic foundation for its diametric towards a change of reaction of chemical prisms up to the multi-angular of the topaz that Saint John the Apostle carried in his bag near the reliquary, hanging off some fringes of the Vexillum that had been placed near Vernarth. Immediately from the banks of the monastery, Raeder was walking with a lantern looking for those who might try to enter, he believed that it was his father from Kalymnos who came on another mission to be taken to the cinnabar, more on top of an encourage observing the quarters stationed in the sandbanks of Rhodes, Petrobus the pelican circling the ledges of the monastery, marking out the apparent slackness of his body and entreaties in case they ventured into Kalymnos for a good portent, in waters for tenth seeds and for all the rodines. From the cloister with one of its necessary dependencies, all were with white candles aggravated between the steps of each cell and attached friars they made an antechamber in the nave near the church on the hexagonal floor, being screened by the center of the garden where everything was dominated by the limits of the alabaster arcades, which only now pointed to the closet of the books, this time with plenty and saved voices with devotion. Chapter by chapter it was won..., for each cell, identifying each portion in identity up to the scriptorium and refectory, where this ceremony books were distributed to the infinite world of the Duoverse near the locutory to witness where Saint George and the Dragon raged, souring winepresses for the missal wine.

Sequence shot in Kimolos, Panagia Theoskepasti- Etréstles says: “according to what has to be said in this dimension, the word will be the Duoverse. Synchronically it will be aligned with the monastery in the Tsambika for the third hour after noon, reflecting on the unrevealed walls of the chapel on all the radiosities of the cinnabar, entering in electromagnetic lassitude through the trusses of the pulpit anchored in the Vox and mystical vortex, towards those who entered and left thousands of times through the counter shutters of the chapel, which collided crashing many times until by the glow of Cinnabar somewhat sulfurous, was mixed with the interlocking of some novas which also acted as a decoy for the Chrismón that Kanti carried the steed adjusted in the saddle on his back, as a mount in syntactic esotericism speaking with intangible brown colors of the Cinnabar.
Vas Auric

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