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"tenderest" poems
Lift it to your lips & let what falls adrift in the form of ash dissolve in the wind as dried bone thrashing, bashing against dust & grit. Pull; take a long hit. Dregs to be kept until last in the bottom of your broken lungs, taken as deep as breaths: to rattle against your teeth. "O", takes the lewd shape of your chapped mouth as you break free from your caged-in chest, skeletons left sat, to wallow as ashen bones & yellow teeth. Hold your knuckled joints against tenderest flesh of your upper lip & sniff, as if a try to void all signs of violent backslides to clandestine nicotine meetings. Flick blanked eyes to lit but dying embers ground between sole & soil, & morosely swear never another, not one more; after this next one, this last one, never.
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Jul 12, 2014
Jul 12, 2014 at 5:35 AM UTC
5. On Quitting & Other Confessions
When, as the garish day is done, Heaven burns with the descended sun, 'Tis passing sweet to mark, Amid that flush of crimson light, The new moon's modest bow grow bright, As earth and sky grow dark. Few are the hearts too cold to feel A thrill of gladness o'er them steal, When first the wandering eye Sees faintly, in the evening blaze, That glimmering curve of tender rays Just planted in the sky. The sight of that young crescent brings Thoughts of all fair and youthful things The hopes of early years; And childhood's purity and grace, And joys that like a rainbow chase The passing shower of tears. The captive yields him to the dream Of freedom, when that ****** beam Comes out upon the air: And painfully the sick man tries To fix his dim and burning eyes On the soft promise there. Most welcome to the lover's sight, Glitters that pure, emerging light; For prattling poets say, That sweetest is the lovers' walk, And tenderest is their murmured talk, Beneath its gentle ray. And there do graver men behold A type of errors, loved of old, Forsaken and forgiven; And thoughts and wishes not of earth, Just opening in their early birth, Like that new light in heaven.
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The New Moon
I I greeted you, my inevitable day In this shaky firmness of my hands; Assuring me of my weakness; the languidity of my serene constitution. The sky smeared with fright,undeed, and look, hark to how the sun closed the night! This was but unpalatable dew, misty in its impatient greyness Avidity for genuine sorrow and late confessions The calm heart then wronged, and soon the war touched the light! II Beware of love, o silly hearts! Loving thoughts, are indeed averse to relenting; albeit they are always leading to smirks and destitution. Release thy grains from yon grievous chain! Spark thy wings, heave and bend! Wear thy glee, ere any of the gruesome tears remain! Shield thy mask with greater abhorrence! III O notions, fruit my doom and feed my sight! From womanly misery I yet ought to emerge and all its surly sleeves I ought to blight! IV O peace, fetch for me my untaught breath in vain Keep me steady, ditch me not in the rain! Tend me more, yet not my cheerful friend- in pleasures whom thrives, in virtues was whom foolish! Praising plaited hairs, swept amidst folded skirts. Gruesome lies they carry, the finest they conspire to marry; what a horrid, unalterable, evil concoction! Yet pureness is the only that deserves awe; virgins are a symbol of unrequited love, but tenderest affection! However lonesome, hither and thither I shall bear this pain Until my stern heart melted to love again.
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Dec 19, 2012
Dec 19, 2012 at 7:38 AM UTC
Unloved
~ the true art of loving is to never stop touching! touching, holding, caressing, stroking... such is the nature of love's connection; a twine intertwined through touch, the stringing, the ********* the fingers that clasp, that reach out to grasp; oh marvelous, tenderest touch! why is it that any of us stop? would we, could we, if we really knew? that touch was a gift one of the few that gifts immortality, gives liberality; indeed, would we ever, or never stop touching? and God could only know why we would ever ask to be left alone, cold as a stone, the untouchable we; how could we deny that one, that only who for our heart longs truest mate of our soul. babies need it, toddlers do it, children want it, teens use it, young ones wish it, lovers gift it, mid-lifers pine and seniors return to it... there is never a stage or a cycle of life where we should or ever could cease to be needing it ever stop touching or being touched. for touch is love's connection, the umbilical chord, a neuron cable, the neutron bundle, oh blanket of hope... it feeds us, a life line, an air line that needs us; a love line to the divine that renews us, and will inevitably, ultimately, eventually, totally hold us, as we walk the path through, eternity past, present and what is to come! for touch... indivisible from love, and love never dies; love never ceases! yes, the true art of touching is to never stop loving! ~ *post script. we watched so many who loved stop touching through the years and then wonder what happened as embers once hot grew cold. touch is a gift, to be shared and not hoarded!*
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Mar 12, 2015
Mar 12, 2015 at 1:49 AM UTC
touching
~ the true art of loving is to never stop touching! touching, holding, caressing, stroking... such is the nature of love's connection; a twine intertwined through touch, the stringing, the ********* the fingers that clasp, that reach out to grasp; oh marvelous, tenderest touch! why is it that any of us stop? would we, could we, if we really knew? that touch was a gift one of the few that gifts immortality, gives liberality; indeed, would we ever, or never stop touching? and God could only know why we would ever ask to be left alone, cold as a stone, the untouchable we; how could we deny that one, that only who for our heart longs truest mate of our soul. babies need it, toddlers do it, children want it, teens use it, young ones wish it, lovers gift it, mid-lifers pine and seniors return to it... there is never a stage or a cycle of life where we should or ever could cease to be needing it ever stop touching or being touched. for touch is love's connection, the umbilical chord, a neuron cable, the neutron bundle, oh blanket of hope... it feeds us, a life line, an air line that needs us; a love line to the divine that renews us, and will inevitably, ultimately, eventually, totally hold us, as we walk the path through, eternity past, present and what is to come! for touch... indivisible from love, and love never dies; love never ceases! yes, the true art of touching is to never stop loving! ~ *post script. we watched so many who loved stop touching through the years and then wonder what happened as embers once hot grew cold. touch is a gift, to be shared and not hoarded!*
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96
Now the golden Morn aloft Waves her dew-bespangled wing, With vermeil cheek and whisper soft She wooes the tardy Spring: Till April starts, and calls around The sleeping fragrance from the ground, And lightly o’er the living scene Scatters his freshest, tenderest green. New-born flocks, in rustic dance, Frisking ply their feeble feet; Forgetful of their wintry trance The birds his presence greet: But chief, the skylark warbles high His trembling thrilling ecstasy; And, lessening from the dazzled sight, Melts into air and liquid light. Yesterday the sullen year Saw the snowy whirlwind fly; Mute was the music of the air, The herd stood drooping by: Their raptures now that wildly flow No yesterday nor morrow know; ’Tis Man alone that joy descries With forward and reverted eyes. Smiles on past Misfortune’s brow Soft Reflection’s hand can trace, And o’er the cheek of Sorrow throw A melancholy grace; While Hope prolongs our happier hour, Or deepest shades, that dimly lour And blacken round our weary way, Gilds with a gleam of distant day. Still, where rosy Pleasure leads See a kindred Grief pursue; Behind the steps that Misery treads Approaching Comfort view: The hues of bliss more brightly glow Chastised by sabler tints of woe, And blended form, with artful strife, The strength and harmony of life. See the wretch that long has tost On the thorny bed of pain, At length repair his vigour lost, And breathe and walk again: The meanest floweret of the vale, The simplest note that swells the gale, The common sun, the air, the skies, To him are opening Paradise.
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Ode On The Pleasure Arising From Vicissitude
Now the golden Morn aloft Waves her dew-bespangled wing, With vermeil cheek and whisper soft She wooes the tardy Spring: Till April starts, and calls around The sleeping fragrance from the ground, And lightly o’er the living scene Scatters his freshest, tenderest green. New-born flocks, in rustic dance, Frisking ply their feeble feet; Forgetful of their wintry trance The birds his presence greet: But chief, the skylark warbles high His trembling thrilling ecstasy; And, lessening from the dazzled sight, Melts into air and liquid light. Yesterday the sullen year Saw the snowy whirlwind fly; Mute was the music of the air, The herd stood drooping by: Their raptures now that wildly flow No yesterday nor morrow know; ’Tis Man alone that joy descries With forward and reverted eyes. Smiles on past Misfortune’s brow Soft Reflection’s hand can trace, And o’er the cheek of Sorrow throw A melancholy grace; While Hope prolongs our happier hour, Or deepest shades, that dimly lour And blacken round our weary way, Gilds with a gleam of distant day. Still, where rosy Pleasure leads See a kindred Grief pursue; Behind the steps that Misery treads Approaching Comfort view: The hues of bliss more brightly glow Chastised by sabler tints of woe, And blended form, with artful strife, The strength and harmony of life. See the wretch that long has tost On the thorny bed of pain, At length repair his vigour lost, And breathe and walk again: The meanest floweret of the vale, The simplest note that swells the gale, The common sun, the air, the skies, To him are opening Paradise.
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48
779 The Service without Hope— Is tenderest, I think— Because ’tis unsustained By stint—Rewarded Work— Has impetus of Gain— And impetus of Goal— There is no Diligence like that That knows not an Until—
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The Service without Hope
We cling to the paper skin of the earth because it may throw us off tomorrow. Watch closely, Observe: The grasping hands find one another, fitting together like pieces of an old puzzle. The gleam of a tear in the dark, the arms of a father encircling his child; these are the last whispers of an endangered race. The earth may throw us off tomorrow and dance in the sunlight on the next day. Expect no pity, no compassion; Even the tenderest kisses sear the skin.
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Apr 9, 2012
Apr 9, 2012 at 10:18 PM UTC
For Icarus
Inscribed to a Dear Child: In Memory of Golden Summer Hours And Whispers of a Summer Sea Girt with a boyish garb for boyish task, Eager she wields her ***** yet loves as well Rest on a friendly knee, intent to ask The tale he loves to tell. Rude spirits of the seething outer strife, Unmeet to read her pure and simple spright, Deem if you list, such hours a waste of life, Empty of all delight! Chat on, sweet Maid, and rescue from annoy Hearts that by wiser talk are unbeguiled. Ah, happy he who owns that tenderest joy, The heart-love of a child!
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Dedication
Inscribed to a Dear Child: In Memory of Golden Summer Hours And Whispers of a Summer Sea Girt with a boyish garb for boyish task, Eager she wields her ***** yet loves as well Rest on a friendly knee, intent to ask The tale he loves to tell. Rude spirits of the seething outer strife, Unmeet to read her pure and simple spright, Deem if you list, such hours a waste of life, Empty of all delight! Chat on, sweet Maid, and rescue from annoy Hearts that by wiser talk are unbeguiled. Ah, happy he who owns that tenderest joy, The heart-love of a child!
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Dedication
AY, 'twas here, on this spot, In that summer of yore, Atalanta did not Vote my presence a bore, Nor reply to my tenderest talk "She had heard all that nonsense before." She'd the brooch I had bought And the necklace and sash on, And her heart, as I thought, Was alive to my passion; And she'd done up her hair in the style that the Empress had brought into fashion. I had been to the play With my pearl of a Peri - But, for all I could say, She declared she was weary, That "the place was so crowded and hot, and she couldn't abide that Dundreary." Then I thought "Lucky boy! 'Tis for YOU that she whimpers!" And I noted with joy Those sensational simpers: And I said "This is scrumptious!" - a phrase I had learned from the Devonshire shrimpers. And I vowed "'Twill be said I'm a fortunate fellow, When the breakfast is spread, When the topers are mellow, When the foam of the bride-cake is white, and the fierce orange-blossoms are yellow!" O that languishing yawn! O those eloquent eyes! I was drunk with the dawn Of a splendid surmise - I was stung by a look, I was slain by a tear, by a tempest of sighs. Then I whispered "I see The sweet secret thou keepest. And the yearning for ME That thou wistfully weepest! And the question is 'License or Banns?', though undoubtedly Banns are the cheapest." "Be my Hero," said I, "And let ME be Leander!" But I lost her reply - Something ending with "gander" - For the omnibus rattled so loud that no mortal could quite understand her.
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Atalanta In Camden -Town
AY, 'twas here, on this spot, In that summer of yore, Atalanta did not Vote my presence a bore, Nor reply to my tenderest talk "She had heard all that nonsense before." She'd the brooch I had bought And the necklace and sash on, And her heart, as I thought, Was alive to my passion; And she'd done up her hair in the style that the Empress had brought into fashion. I had been to the play With my pearl of a Peri - But, for all I could say, She declared she was weary, That "the place was so crowded and hot, and she couldn't abide that Dundreary." Then I thought "Lucky boy! 'Tis for YOU that she whimpers!" And I noted with joy Those sensational simpers: And I said "This is scrumptious!" - a phrase I had learned from the Devonshire shrimpers. And I vowed "'Twill be said I'm a fortunate fellow, When the breakfast is spread, When the topers are mellow, When the foam of the bride-cake is white, and the fierce orange-blossoms are yellow!" O that languishing yawn! O those eloquent eyes! I was drunk with the dawn Of a splendid surmise - I was stung by a look, I was slain by a tear, by a tempest of sighs. Then I whispered "I see The sweet secret thou keepest. And the yearning for ME That thou wistfully weepest! And the question is 'License or Banns?', though undoubtedly Banns are the cheapest." "Be my Hero," said I, "And let ME be Leander!" But I lost her reply - Something ending with "gander" - For the omnibus rattled so loud that no mortal could quite understand her.
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48
When the buds began to burst, Long ago, with Rose the First I was walking; joyous then Far above all other men, Till before us up there stood Britonferry's oaken wood, Whispering, "Happy as thou art, Happiness and thou must part." Many summers have gone by Since a Second Rose and I (Rose from the same stem) have told This and other tales of old. She upon her wedding day Carried home my tenderest lay: From her lap I now have heard Gleeful, chirping, Rose the Third. Not for her this hand of mine Rhyme with nuptial wreath shall twine; Cold and torpid it must lie, Mute the tongue, and closed the eye.
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The Three Roses
My Poet: *tho evening draws nigh, on this our wedding day, the stars, guardians of our canopy, reminder twinkle it can never be fully complete, for you always make a moment in time for me, today we wait, synchronizing seconds until both pronounce, I do let my hands, in my tenderest embracing grasp, perforce, when I hold you face, still cannot hold your entirety, for you always make and leave a space for me to seal our universe today, you need me to fill you, so together, ever forward, we will define and explore the edges of our redrawn, now, single unified line, our ever expanding contiguous boundary our blood is not commingled but when our bodies unified, the physics of our conjoining, illustrates that those in our surround of time and space, in the aura we create, not so very great,   and yet our oneness 'tis a shining upon the countenance of our place, a luminous emittance upon this earth when you write your poetry, it always finishes with me, I am the native child of thy words, I am the filament webbing illuminating the spaces between each line but more than this, I am your beginning, you are my destination, together we make, The End they ask me to vow, demand I swear, make promises, certify, preserve, record and store the solemnity of this marriage born, in ledgers of the city, before an invisible god I eschew all this for nothing in life ever guaranteed by words secured, but this I know true* My Poet: *what I shall give to you, and you to us, cannot be spoke, the words, not yet, have we originated for each day will we compose anew, each day, shall be a new combination under new stars, our canopy unfolded, our joining sanctified, by the simple truth of us*
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May 26, 2014
May 26, 2014 at 11:30 PM UTC
Wedding Vows to a Poet (May 2014)
My Poet: *tho evening draws nigh, on this our wedding day, the stars, guardians of our canopy, reminder twinkle it can never be fully complete, for you always make a moment in time for me, today we wait, synchronizing seconds until both pronounce, I do let my hands, in my tenderest embracing grasp, perforce, when I hold you face, still cannot hold your entirety, for you always make and leave a space for me to seal our universe today, you need me to fill you, so together, ever forward, we will define and explore the edges of our redrawn, now, single unified line, our ever expanding contiguous boundary our blood is not commingled but when our bodies unified, the physics of our conjoining, illustrates that those in our surround of time and space, in the aura we create, not so very great,   and yet our oneness 'tis a shining upon the countenance of our place, a luminous emittance upon this earth when you write your poetry, it always finishes with me, I am the native child of thy words, I am the filament webbing illuminating the spaces between each line but more than this, I am your beginning, you are my destination, together we make, The End they ask me to vow, demand I swear, make promises, certify, preserve, record and store the solemnity of this marriage born, in ledgers of the city, before an invisible god I eschew all this for nothing in life ever guaranteed by words secured, but this I know true* My Poet: *what I shall give to you, and you to us, cannot be spoke, the words, not yet, have we originated for each day will we compose anew, each day, shall be a new combination under new stars, our canopy unfolded, our joining sanctified, by the simple truth of us*
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66
This early morning time (you do not know - however much I share its joys) has been a space, a time aside for me: to be beside your bed, your sleeping head, hard into the pillow’s soft rest, deep among dreams of swarming fish, the basking shark, the limpet shell, gannets (always gannets), and the otter. Seeing its running prints, its tell-tale spraint, the sleek brownness, sea-sluiced washing on rocks meters away, you told me the wonder at it all, your voice sparkling as the sun-glinting sea sparkles.   And I am free for once to share your time aside. Sore and poor, the relentlessness of making stops. I am chair-bound. The radio, my books, your dear letters lie beside the drugs and flowers on this small table where I write. There is time to think beyond the next bar and the next. There is time to contemplate the thrill and joy of you though far away, yet brim-full of such sights that feed my soul.   Oh, the innocent joy of exclamation, each rush of every description made. The music of your observation, so harmonious, so pure-toned, As though the land, the sea, the sky, wrapping around itself (and tied at your feet), sings.   To share this time aside is the sweetest kiss, the tenderest touch, the most loving, loving look. Know that please. Know what happiness you’ve brought to me and bring.
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Nov 4, 2012
Nov 4, 2012 at 2:13 AM UTC
A Time Aside
A selection of limericks There was a young lass from the Bronx Whose ******* make fearful honks She sounds like a car When she puts on a bra And the geese gather round when she bonks ----------------- Father Alexander McMackett Ran a ruthless religious racket When taking collection He'd offer protection Salvation could cost you a packet ----------------- A carrot named Archibald Nation Had feathers in high numeration He was labelled as veg By a grocer called Reg With a dubious qualification ----------------- A sculptor named Arnold Duprees  Carved a **** plug from parmesan cheese He lamented his luck When it melted and stuck But he fired it out with a sneeze ----------------- Knights in the armour of old Have little to keep out the cold For they dress as the Scots In thier tenderest spots Which encourages rust and then mould ----------------- Oh ***** you make my knees quiver  You chemical lethargy giver You tickle my tongue And pickle my brain Then you jump up and down on my liver ----------------- A Fella named Ricky De Gaul Had seventeen ******* in all They called him De Chesty But with only one ***** It should have been Ricky De Ball
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Apr 5, 2013
Apr 5, 2013 at 8:15 AM UTC
A Selection of Limericks
her ashen eyes hypnotize the crisp summer wind catches me i am not stirred from my place at her side deep in thought she twirls a braid of her hair and i watch her warm emotions flowin easy like daylight on her lovely features the day romances its reasons but finally bows to evening tides and begins to retire with the flourish of a well mannered man of leasuire the day walks with the sundown by the seaside town hand in hand and window shop the little shops full of sparkling wonders and rich with old sea tales and lore finally daylight leaves us on the the sand with evening stars greeting each of us with brilliant words spoken to the eyes the night long with its thoughts shared between lovers and there she cupped me in her gentle smile i knew that kind of love once again that a woman gives of her secret heart   like a summer rain soft in touch and swift deep with history's yet to be written and rich with loves yet to be sung and there once again she caressed my cheek with tenderest touch and reassured that all swift summer days contain such equal long nights and she would not sway from her place by my side
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Apr 28, 2014
Apr 28, 2014 at 9:18 AM UTC
the morning tides
you have entered the realm of life after separation. gone are the daisies she tucked behind your ears. it’s autumn now. you are getting older. your boots are heavy and your chest is heavier. you were given something gleaming, but it isn’t yours, anymore. you seethe in your own ache. this is your first silver october. the blushing leaves have gone greyscale, like an i love lucy rerun. they evoke a stab of grief between your lungs. you have to rewrite the story of your life now, go forward knowing that everything after will be somehow lesser than her. no person will reach into you the way she did. you are a lost girl. resignation is all you have left, resignation and streets bitter with dead leaves, streets where you run and shout a silent prayer of loss. but then: but then. you are reciting a poem for a room of people and your words belong to your body now. a deep glow has fallen over everything, right onto a girl you’ve only seen once before. front row. face open. taking in what you are saying, your retrospective sorrow, with a particular kind of attentiveness you have needed all along. everyone is listening, but she is hearing you. in that moment, when you are raw and earnest, you think that perhaps there’s something different about this one. how even when you are done, she still seems to be hearing all the words you cannot say. and then: and then. spring is thrusting its way out of cold dirt and you are twisting and breathing and this girl, this girl, she is one million ******* shades of red. all you can do is look at her without turning away, as if you could do such a thing even if you tried. maybe this is how rembrandt felt when painting night watch. full of thick, rich burning too immense for language to hold. this girl, this girl in the midst of life after. this girl so good she’s put meaning back into the messy coming of spring. you have learned not to trust. not to believe. to love with a window open, a hand on the door, in case of incineration, ready to run. but this girl, says your heart, says the peachy light bleeding onto her lips and nose, this girl is not like those who came before her. you’ve been a stranger to yourself for so long, but this girl is reintroducing the two of you, rubbing you raw with longing. do you understand, you want to say to her, how stunning you are. standing there like that. in your sincerity and laughter, as it weren’t breath snatching to witness. as if it were commonplace, unexceptional. as if you weren’t the tenderest work of art. do you.
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Jun 9, 2017
Jun 9, 2017 at 12:43 AM UTC
when spring comes
you have entered the realm of life after separation. gone are the daisies she tucked behind your ears. it’s autumn now. you are getting older. your boots are heavy and your chest is heavier. you were given something gleaming, but it isn’t yours, anymore. you seethe in your own ache. this is your first silver october. the blushing leaves have gone greyscale, like an i love lucy rerun. they evoke a stab of grief between your lungs. you have to rewrite the story of your life now, go forward knowing that everything after will be somehow lesser than her. no person will reach into you the way she did. you are a lost girl. resignation is all you have left, resignation and streets bitter with dead leaves, streets where you run and shout a silent prayer of loss. but then: but then. you are reciting a poem for a room of people and your words belong to your body now. a deep glow has fallen over everything, right onto a girl you’ve only seen once before. front row. face open. taking in what you are saying, your retrospective sorrow, with a particular kind of attentiveness you have needed all along. everyone is listening, but she is hearing you. in that moment, when you are raw and earnest, you think that perhaps there’s something different about this one. how even when you are done, she still seems to be hearing all the words you cannot say. and then: and then. spring is thrusting its way out of cold dirt and you are twisting and breathing and this girl, this girl, she is one million ******* shades of red. all you can do is look at her without turning away, as if you could do such a thing even if you tried. maybe this is how rembrandt felt when painting night watch. full of thick, rich burning too immense for language to hold. this girl, this girl in the midst of life after. this girl so good she’s put meaning back into the messy coming of spring. you have learned not to trust. not to believe. to love with a window open, a hand on the door, in case of incineration, ready to run. but this girl, says your heart, says the peachy light bleeding onto her lips and nose, this girl is not like those who came before her. you’ve been a stranger to yourself for so long, but this girl is reintroducing the two of you, rubbing you raw with longing. do you understand, you want to say to her, how stunning you are. standing there like that. in your sincerity and laughter, as it weren’t breath snatching to witness. as if it were commonplace, unexceptional. as if you weren’t the tenderest work of art. do you.
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51
the idea of putting your lips, your lips that speak the kindest things, your lips that sing the most beautiful words, your lips that paint pictures and craft stories, your lips that build and tear and design, putting those angelic creations on someone else's body saying i speak the kindest things for you, i sing the most beautiful words for you, i paint and craft for you, saying i give you a part of me in every touch the idea of kissing someone's neck, of someone kissing yours, yours where your most vital veins are, one of the tenderest areas of you, the passage between your head and your heart, where all your thoughts roam, Entrancing, the idea of kissing someone's wrist and fingertips, of someone kissing yours, yours where your hand meets your arm, where your typing and writing and drawing stem, where your instruments sing, where you touch them, Beautiful, the idea of kissing someone's torso, of someone kissing yours, yours where your heart lays, where your breath lives, where all your vitality sits, with life and happiness, Insane, the idea of kissing someone's thigh, of someone kissing yours, yours that hold you up, that run, that walk, that jump, that are crazily powerful yet amazingly soft, Humanizing romance lives and dies on your lips, on mine.
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Aug 21, 2021
Aug 21, 2021 at 9:01 PM UTC
The Idea of You
Dost thou idly ask to hear At what gentle seasons Nymphs relent, when lovers near Press the tenderest reasons? Ah, they give their faith too oft To the careless wooer; Maidens' hearts are always soft: Would that men's were truer! Woo the fair one, when around Early birds are singing; When, o'er all the fragrant ground. Early herbs are springing: When the brookside, bank, and grove, All with blossoms laden, Shine with beauty, breathe of love,-- Woo the timid maiden. Woo her when, with rosy blush, Summer eve is sinking; When, on rills that softly gush, Stars are softly winking; When, through boughs that knit the bower, Moonlight gleams are stealing; Woo her, till the gentle hour Wake a gentler feeling. Woo her, when autumnal dyes Tinge the woody mountain; When the dropping foliage lies In the weedy fountain; Let the scene, that tells how fast Youth is passing over, Warn her, ere her bloom is past, To secure her lover. Woo her, when the north winds call At the lattice nightly; When, within the cheerful hall, Blaze the ****** brightly; While the wintry tempest round Sweeps the landscape hoary, Sweeter in her ear shall sound Love's delightful story.
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Song: Dost Thou Idly Ask To Hear
Then said Almitra, “Speak to us of Love.” And he raised his head and looked upon the people, and there fell a stillness upon them. And with a great voice he said: When love beckons to you follow him, Though his ways are hard and steep. And when his wings enfold you yield to him, Though the sword hidden among his pinions may wound you. And when he speaks to you believe in him, Though his voice may shatter your dreams as the north wind lays waste the garden. For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning. Even as he ascends to your height and caresses your tenderest branches that quiver in the sun, So shall he descend to your roots and shake them in their clinging to the earth. Like sheaves of corn he gathers you unto himself. He threshes you to make you naked. He sifts you to free you from your husks. He grinds you to whiteness. He kneads you until you are pliant; And then he assigns you to his sacred fire, that you may become sacred bread for God’s sacred feast. All these things shall love do unto you that you may know the secrets of your heart, and in that knowledge become a fragment of Life’s heart. But if in your fear you would seek only love’s peace and love’s pleasure, Then it is better for you that you cover your nakedness and pass out of love’s threshing-floor, Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears. Love gives naught but itself and takes naught but from itself. Love possesses not nor would it be possessed; For love is sufficient unto love. When you love you should not say, “God is in my heart,” but rather, “I am in the heart of God.” And think not you can direct the course of love, if it finds you worthy, it directs your course. Love has no other desire but to fulfil itself. But if you love and must needs have desires, let these be your desires: To melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. To be wounded by your own understanding of love; And to bleed willingly and joyfully. To wake at dawn with a winged heart and give thanks for another day of loving; To rest at the noon hour and meditate love’s ecstasy; To return home at eventide with gratitude; And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips. -----Kahlil Gibran
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Mar 20, 2013
Mar 20, 2013 at 4:36 PM UTC
Speak To Us Of Love (from "The Prophet" by: Kahlil Gibran)
Then said Almitra, “Speak to us of Love.” And he raised his head and looked upon the people, and there fell a stillness upon them. And with a great voice he said: When love beckons to you follow him, Though his ways are hard and steep. And when his wings enfold you yield to him, Though the sword hidden among his pinions may wound you. And when he speaks to you believe in him, Though his voice may shatter your dreams as the north wind lays waste the garden. For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning. Even as he ascends to your height and caresses your tenderest branches that quiver in the sun, So shall he descend to your roots and shake them in their clinging to the earth. Like sheaves of corn he gathers you unto himself. He threshes you to make you naked. He sifts you to free you from your husks. He grinds you to whiteness. He kneads you until you are pliant; And then he assigns you to his sacred fire, that you may become sacred bread for God’s sacred feast. All these things shall love do unto you that you may know the secrets of your heart, and in that knowledge become a fragment of Life’s heart. But if in your fear you would seek only love’s peace and love’s pleasure, Then it is better for you that you cover your nakedness and pass out of love’s threshing-floor, Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears. Love gives naught but itself and takes naught but from itself. Love possesses not nor would it be possessed; For love is sufficient unto love. When you love you should not say, “God is in my heart,” but rather, “I am in the heart of God.” And think not you can direct the course of love, if it finds you worthy, it directs your course. Love has no other desire but to fulfil itself. But if you love and must needs have desires, let these be your desires: To melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. To be wounded by your own understanding of love; And to bleed willingly and joyfully. To wake at dawn with a winged heart and give thanks for another day of loving; To rest at the noon hour and meditate love’s ecstasy; To return home at eventide with gratitude; And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips. -----Kahlil Gibran
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39
I am feeling absurd. I had this tinge of shyness in my chest not before; but now I cannot bring myself to fail it. I am quite on the edge of the danger of falling in love again, yet I am anything but regret it; I am, again, devouring its marvel with the tenderest hopes of seeing him every time I venture out of my grounds, and into the winter's raging scenes. Oh, how unfortunate! I have savagely fought it - hurling myself against his image so that it would be crushed and carried out of my mind, alas, inexplicably, towards nothing but misfortune! As if fate hath once again decreed my hearty unrest by this punishment. Punishments no-one could ever come to deny: the sacred desires of loving, and the foremost comfort from the touches of affection. Oh, how I am again imprisoned in this silly infatuation! I might as well be a kid to him; he is unreachable, I am a yellow light beneath his illuminated sky. He is unapproachable; yet he is as sweet and tender; with charm as adorable as the falling snow. Once I could not slaughter the hilarity of his doings; yon picture kept breathing on my mind; torturing it boundlessly with throngs of witty jests! Oh my love, free me of this inherent misery: free me and carry me into the idleness of thy world; and rock me there. Silently in tranquility; I would embrace and endorse my love for thee; how long I to bestow this kiss on thy redolent dignity.
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Dec 1, 2012
Dec 1, 2012 at 1:46 PM UTC
CONFESSION
When love beckons to you, follow him, Though his ways are hard and steep. And when his wings enfold you yield to him, Though the sword hidden among his pinions may wound you. And when he speaks to you believe in him, Though his voice may shatter your dreams as the north wind lays waste the garden. For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning. Even as he ascends to your height and caresses your tenderest branches that quiver in the sun, So shall he descend to your roots and shake them in their clinging to the earth. Like sheaves of corn he gathers you unto himself. He threshes you to make you naked. He sifts you to free you from your husks. He grinds you to whiteness. He kneads you until you are pliant; And then he assigns you to his sacred fire, that you may become sacred bread for God's sacred feast. All these things shall love do unto you that you may know the secrets of your heart, and in that knowledge become a fragment of Life's heart. But if in your fear you would seek only love's peace and love's pleasure, Then it is better for you that you cover your nakedness and pass out of love's threshing-floor, Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears. Love gives naught but itself and takes naught but from itself. Love possesses not nor would it be possessed; For love is sufficient unto love. When you love you should not say, "God is in my heart," but rather, "I am in the heart of God." And think not you can direct the course of love, for love, if it finds you worthy, directs your course. Love has no other desire but to fulfill itself. But if you love and must needs have desires, let these be your desires: To melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. To be wounded by your own understanding of love; And to bleed willingly and joyfully. To wake at dawn with a winged heart and give thanks for another day of loving; To rest at the noon hour and meditate love's ecstasy; To return home at eventide with gratitude; And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips. Kahlil Gibran
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Mar 1, 2017
Mar 1, 2017 at 3:37 PM UTC
On Love -by Gibran
When love beckons to you, follow him, Though his ways are hard and steep. And when his wings enfold you yield to him, Though the sword hidden among his pinions may wound you. And when he speaks to you believe in him, Though his voice may shatter your dreams as the north wind lays waste the garden. For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning. Even as he ascends to your height and caresses your tenderest branches that quiver in the sun, So shall he descend to your roots and shake them in their clinging to the earth. Like sheaves of corn he gathers you unto himself. He threshes you to make you naked. He sifts you to free you from your husks. He grinds you to whiteness. He kneads you until you are pliant; And then he assigns you to his sacred fire, that you may become sacred bread for God's sacred feast. All these things shall love do unto you that you may know the secrets of your heart, and in that knowledge become a fragment of Life's heart. But if in your fear you would seek only love's peace and love's pleasure, Then it is better for you that you cover your nakedness and pass out of love's threshing-floor, Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears. Love gives naught but itself and takes naught but from itself. Love possesses not nor would it be possessed; For love is sufficient unto love. When you love you should not say, "God is in my heart," but rather, "I am in the heart of God." And think not you can direct the course of love, for love, if it finds you worthy, directs your course. Love has no other desire but to fulfill itself. But if you love and must needs have desires, let these be your desires: To melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. To be wounded by your own understanding of love; And to bleed willingly and joyfully. To wake at dawn with a winged heart and give thanks for another day of loving; To rest at the noon hour and meditate love's ecstasy; To return home at eventide with gratitude; And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips. Kahlil Gibran
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35
There is a fair bit of you in every garden of my life. Truly, that is nothing extraordinary, you should know it as objectively as I do. Nevertheless, there is something I’d like to clarify: When I say "in every garden”, it is not only in relation to this of now, this of waiting for you, of hoorah! i found you!, and ****** i lost you!, and found again, and hopefully stops there. Nor in regard of you suddenly telling me "I’m going to cry”, then with a discrete lump in my throat "well go ahead”. And then a graceful invisible rainfall arrives to assist us, perhaps the reason the sun rises unhesitatingly right after. I’m not just referring either at the day-to-day fluctuation of the stock in our little decisive complicities, or that I could or believe I can turn my deficiencies to victories, or of you to bestow upon me the tenderest gift of your most recent despair. No. The situation is more serious. When I state “in every garden” I mean to say that in addition to that sweet cataclysm, you are also rewriting my childhood, that age when one utters "grown up” and solemn phrases, and the solemn grown ups celebrates them, and conversely, you think of it irrelevant. What I mean to say is, you are reassembling my adolescence, that time when I was an old man full of insecurities, and contrarily, you know how to extract from there, my germ of joy and consciously spread it. What I mean to say is, you are stirring my youth, that vain vessel no one took hold of, that proud shade no one got close to, and you on the other hand knows very well how to shake it until the autumn leaves start falling till there is nothing but the flesh of my triumphless truth. What I mean to say is, you are grasping my maturity, that mixture of stupor and experience, this unknown horizon of fear and certainty, this relentless faith on my questionable strength. As you can see, it is serious, extremely more serious. Because with these or different words, I mean to say you are not only, the dearest girl you are, but also the splendid and cautious* women that I love and have loved. Because thanks to you E, I have understood, (you’d say it was about time, and with reason), that love, is a beautiful and generous bay, that lightens and darkens as life goes by, a bay where ships arrive and break away, they arrive with blossoms and presages, and they part with krakens and storm clouds. A beautiful and generous bay where ships set down and then leave, But E, you, please don’t leave.
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Nov 13, 2015
Nov 13, 2015 at 2:14 AM UTC
Serious
There is a fair bit of you in every garden of my life. Truly, that is nothing extraordinary, you should know it as objectively as I do. Nevertheless, there is something I’d like to clarify: When I say "in every garden”, it is not only in relation to this of now, this of waiting for you, of hoorah! i found you!, and ****** i lost you!, and found again, and hopefully stops there. Nor in regard of you suddenly telling me "I’m going to cry”, then with a discrete lump in my throat "well go ahead”. And then a graceful invisible rainfall arrives to assist us, perhaps the reason the sun rises unhesitatingly right after. I’m not just referring either at the day-to-day fluctuation of the stock in our little decisive complicities, or that I could or believe I can turn my deficiencies to victories, or of you to bestow upon me the tenderest gift of your most recent despair. No. The situation is more serious. When I state “in every garden” I mean to say that in addition to that sweet cataclysm, you are also rewriting my childhood, that age when one utters "grown up” and solemn phrases, and the solemn grown ups celebrates them, and conversely, you think of it irrelevant. What I mean to say is, you are reassembling my adolescence, that time when I was an old man full of insecurities, and contrarily, you know how to extract from there, my germ of joy and consciously spread it. What I mean to say is, you are stirring my youth, that vain vessel no one took hold of, that proud shade no one got close to, and you on the other hand knows very well how to shake it until the autumn leaves start falling till there is nothing but the flesh of my triumphless truth. What I mean to say is, you are grasping my maturity, that mixture of stupor and experience, this unknown horizon of fear and certainty, this relentless faith on my questionable strength. As you can see, it is serious, extremely more serious. Because with these or different words, I mean to say you are not only, the dearest girl you are, but also the splendid and cautious* women that I love and have loved. Because thanks to you E, I have understood, (you’d say it was about time, and with reason), that love, is a beautiful and generous bay, that lightens and darkens as life goes by, a bay where ships arrive and break away, they arrive with blossoms and presages, and they part with krakens and storm clouds. A beautiful and generous bay where ships set down and then leave, But E, you, please don’t leave.
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52
When love beckons to you, follow him, Though his ways are hard and steep. And when his wings enfold you yield to him, Though the sword hidden among his pinions may wound you. And when he speaks to you believe in him, Though his voice may shatter your dreams as the north wind lays waste the garden. For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning. Even as he ascends to your height and caresses your tenderest branches that quiver in the sun, So shall he descend to your roots and shake them in their clinging to the earth. Like sheaves of corn he gathers you unto himself. He threshes you to make you naked. He sifts you to free you from your husks. He grinds you to whiteness. He kneads you until you are pliant; And then he assigns you to his sacred fire, that you may become sacred bread for God's sacred feast. All these things shall love do unto you that you may know the secrets of your heart, and in that knowledge become a fragment of Life's heart. But if in your fear you would seek only love's peace and love's pleasure, Then it is better for you that you cover your nakedness and pass out of love's threshing-floor, Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears. Love gives naught but itself and takes naught but from itself. Love possesses not nor would it be possessed; For love is sufficient unto love. When you love you should not say, "God is in my heart," but rather, "I am in the heart of God." And think not you can direct the course of love, for love, if it finds you worthy, directs your course. Love has no other desire but to fulfill itself. But if you love and must needs have desires, let these be your desires: To melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. To be wounded by your own understanding of love; And to bleed willingly and joyfully. To wake at dawn with a winged heart and give thanks for another day of loving; To rest at the noon hour and meditate love's ecstasy; To return home at eventide with gratitude; And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips.
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Jul 29, 2015
Jul 29, 2015 at 1:23 PM UTC
Kahlil Gibran on Love
When love beckons to you, follow him, Though his ways are hard and steep. And when his wings enfold you yield to him, Though the sword hidden among his pinions may wound you. And when he speaks to you believe in him, Though his voice may shatter your dreams as the north wind lays waste the garden. For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning. Even as he ascends to your height and caresses your tenderest branches that quiver in the sun, So shall he descend to your roots and shake them in their clinging to the earth. Like sheaves of corn he gathers you unto himself. He threshes you to make you naked. He sifts you to free you from your husks. He grinds you to whiteness. He kneads you until you are pliant; And then he assigns you to his sacred fire, that you may become sacred bread for God's sacred feast. All these things shall love do unto you that you may know the secrets of your heart, and in that knowledge become a fragment of Life's heart. But if in your fear you would seek only love's peace and love's pleasure, Then it is better for you that you cover your nakedness and pass out of love's threshing-floor, Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears. Love gives naught but itself and takes naught but from itself. Love possesses not nor would it be possessed; For love is sufficient unto love. When you love you should not say, "God is in my heart," but rather, "I am in the heart of God." And think not you can direct the course of love, for love, if it finds you worthy, directs your course. Love has no other desire but to fulfill itself. But if you love and must needs have desires, let these be your desires: To melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. To be wounded by your own understanding of love; And to bleed willingly and joyfully. To wake at dawn with a winged heart and give thanks for another day of loving; To rest at the noon hour and meditate love's ecstasy; To return home at eventide with gratitude; And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips.
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35
. Reading the poetry of the dumb ***** Trying to cram a boy Into the steel trap vacancy Of their meaningless lives While I probe into the lines Hoping to find a remnant Of something human ///// // // || the gentle power ( creation ) The saint in celestial wisdom Gazes into the pulsations of grace and humility That linger amid The countless assassinations That are the mark of the world's depravity • dumb **** life ! The loveless pretensions ! ( no one is really here at all ) )( Just a bunch of kids Getting ready to be ***** // By others And by themselves ! // The stream that flows by the cabin door )( The pure maiden ! // Alive in the healing magic of her art ! )( The tenderest memories ! )( And we ALL are there :: The young boys and girls ! The sacred words ! The wealth amid the poverty )( We DO understand ! //// Along the broken dream streets We stumble Some Trying to escape madness into the Hearts of each other Most trying to find solace In the exicitment of pain And the herd mentality Of terminal indifference ••• Child ! Be ready to choose Even l am mortal And will be here for only a little while more ! ||| So Don't get slimed by a dumb **** And their promises of numbness As a form of peace ! We are the warriors ;; The stream flows by the cabin door See the pure maiden ! Find the love that is true You are ALWAYS welcome there .
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Jan 30, 2016
Jan 30, 2016 at 2:55 PM UTC
.:: o -- another day
Language is the raw material Transformation into art Leaping through Alice’s looking glass Breaking metaphors apart Is it dark inside a poem From whence it first sprang Deeply repressed panic Without judgment rang Bringing pressured speech to light Images of love and pain Through clearly heightened senses Uninhibited refrain Where verbal acrobats spiral Words on a poet’s page That remind us and disturb us In desperate outrage With the pathos of a clown On a winding rocky path Reminders of death’s nearness Terror spinning with a laugh Pictures painted with premonitions An atmosphere heavy in despair Remnants of previous poets Are blinding the reader in its glare Quatrains moving merrily Using images and tone Making shapes with language Shaping irony unknown With tones bright and beautiful Its matrix darkly savage Through visual impressions The reader’s heart is ravaged Freedom of imagination From whimsy to terror can bring Surprising facetious word-play Delivering irony’s sting A psychological awakening The tenderest love infused with dread Blazing pathways joyous and dangerous Irrevocable loss lies ahead A telling detail without warning Takes us to disturbing turns The risky business of being born Poets’ authority burns It brings you to your senses Through supernatural realms Exploding realization Its resonance overwhelms Allusiveness to brutal honesty It may sometimes misconstrue In an abyss of isolation cries, “What else can a poem do?”
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Nov 19, 2018
Nov 19, 2018 at 2:09 PM UTC
Is it dark inside a poem?