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Jordan Hudson Sep 2018
It's collapsing from beneath us
Tearing us apart
Faster than light further from the start
Have much fright for this dangerous barren land
My words may end up killing every popular band
Where will we go, what do we do, when do we see
What we are really here for, save it for the tree
Those who question will go beneath everything, (let me show, let me show, yeah, yeah, let me show)
Further than we go, further than we know
Beneath all the islands and all of the Russian snow
Beneath all the Middle Eastern sand far as it goes
Beneath the American badlands (here, let me show)
Canyons, rivers, oceans and sea
Believe me, it's nothing, my music is free
Take these unjust words and listen carefully
Yeah, it may sound like I teach geography
But trust me, I'm just saying you have to be aware
Of what's around you, it just isn't fair
We stare at a screen that tell us what to do
Tells us what to do, yeah, tells us what to do
We stare at a screen that tells us what to do
Tells us what to do, yeah, tells us what to do
We stare at a screen that tells us what to do
Tells us what to do, yeah , tells us what to do
It's collapsing from beneath us
Tearing us apart
Faster than light further from the start
Have much fright for this dangerous barren land
My words may end up killing every popular band
Where will we go, what do we do, when do we see
What we are really here for, save it for the tree
Those who question will go beneath everything, (let me show, let me show, yeah, yeah, let me show)
Further than we go, further than we know
Beneath all the islands and all of the Russian snow
Beneath all the Middle Eastern sand far as it goes
Beneath the American badlands (here, let me show)
Canyons, rivers, oceans and sea
Believe me, it's nothing, my music is free
Take these unjust words and listen carefully
Yeah, it may sound like I teach geography
But trust me you have to be aware
Of what's around you, it just isn't fair
We stare at a screen that tell us what to do
Tells us what to do, yeah, tells us what to do
We stare at a screen that tells us what to do
Tells us what to do, yeah, tells us what to do
About phones taking over the world
Jolene Perron Sep 2012
What no one ever tells you
Is it’s gonna be real tough
You’re gonna wanna give up
You’ll think you’ve had enough

What no one ever tells you
Is your books don’t always go
With the classes you have picked
They’re outdated and too old

What no one ever tells you
Is that High School doesn’t compare|
To the Profs and the people
To the classrooms and the chairs

What no one ever tells you
Or what they say instead
College is a bomb
It’s a party, so we’ve read

What no one ever tells you
Or rather so they say
You can fly through College
Without showing up a day

What no one tells you
And what I’m saying now
I’ve been there two days
And I’ve figured out just how

Much that no one ever tells you
And what they never say
College is important
In every single way

And what no one tells you
Most importantly of all
Is never to give up
When you think you’ve lost it all

What no one ever tells you
Is that though you are debt
You need this education
You’ll get through this yet

What no one ever tells you
Is there are people who care
To help you through these years
Make it out fair and square

What no one ever tells you
Is this is a challenge of sorts
But prepares you for the real world
Makes or breaks you of course

What no one ever tells you
Is you’re gonna make it through
With support systems and time
And people who love you
Cassandra Forte Mar 2012
Reminders and meanings,

I need them to keep me going.

The wrist was the most painful;

veins rattling,

blood drying and crumbling,

pale, thin flesh violated,

permanently blackened,

but a pretty font.

Simple but powerful.

It tells me not to be like Her.

It tells me not to be like Them.

It tells me not to be Afraid.

It tells me to say ‘Yes’.

It tells me I’m not actually Dead.

The shoulder is stained, too.

A life philosophy

in the words of a literary God.

It tells me what to expect.

It tells me to stay grounded.

It tells me to keep caution.

It tells me how the world works.

It tells me what I am.

Complex but honest.

I need a little fun in there.

Hidden away, but

don’t take myself too seriously.

It tells me of my childhood.

It tells me of my friends.

It tells me I’m a nerd.

It tells me I’m a kid.

It tells me to remember.

Symbolic but silly.
J Jun 2016
What no one tells you about loving a writer,Is that they're nuts, man.They're slobs, they're hoarders, Have you seen my room? I barely have, to tell the truth.
Crumbled paper lines the floor, Ideas withering from the night before,
What no one tells you about dating a writer, Is that they're so moody.
We’ll try to play it off like some sort of
Artistic facade. Mysterious. Yep, that’s us!
But in reality, we’re probably just ******* wiped. We spent 3 days and 3 nights writing songs and painting pictures that you won’t ever see. And what no one tells you about dating a writer, Is that it is hard.
What no one tells you about loving a writer, is that they’re going to love you back. Hard. They might notice parts of you that you never have, they might focus in on each part and it might make you mad, But I promise they love every scar as much as they love every laugh. They might notice every freckle and how the ones on the small of your back, right there where you start to laugh when you get brushed by another, even lightly, make the little dipper, and how it might be cliche but it’s their favorite constellation. And they will try to connect the dots to make sense of your body, to create a solid thought.
Even if it does not come together like the stars in the sky, they will try and try and what no one tells you about loving a writer
Is that its hard. Remember what I said about us hoarding? We hold on to everything, letting go isn't something we do easily and we'll take in everything you say and do whatever we can to make you want to stay, we're messy, we're clumsy
we're odd but we will give you everything we've got. There’s a reason they have a desk full of half written poems, a reason they might feel so hard, they have a broken heart. Hearts that are whole don’t make art, We hate to admit it but it’s true so what no one tells you about loving a writer, is that you’re loving pieces. You’re loving Monday morning, Chaotic, panicked, angry, hungry. You’re loving Tuesday night, Tired, weary, shaky, sorry. You’re loving a Saturday afternoon when the week catches up and the bags under their eyes become a muse for a new piece they might spend weeks composing only to throw into the trash and what no one tells you about loving someone like that Is that it’s normal to throw away something that took so long to construct. But they won’t tell you that they’re used to that. What did you think made them write in the first place? They are used to that. Their whole lives have been building bridges with flammable wood Over barren lands. What no one tells you about loving a writer, Is that you’re loving two eyes, two hands, Two legs, two ears, and two lips but too many souls to try and control. Don’t try and control them, they’ll turn their back on you, they are conditioned to take their sorrows and turn then into words that can't be taken back, ones that make their spine stop chilling, Perhaps pass it on to another, what no one tells you about dating a writer, is that you will be that “another," you will have to absorb some of the energy, The forces that make these people soak up Every piece of sorrow in the world And make their heads heavy, And make their hearts scary, their hands shaky. What no one tells you about dating a writer, Is to be careful. They are broken and they cannot heal. Because they might stop creating, And their hearts might stop beating, Because their words bleed out of their skin, Their hands shape the world they’ve come to Live in, to love in, And their lungs are filled with every word you’ve ever said, And when you left, They took those words And wrote them down, And what no one tells you about dating a writer, Is that if youre not going to love the writer, At least give them something worth writing about. They will.
Tyler Zempel Dec 2018
The Entertainer

Warmth soothes my soul on this beautiful July morning.
A stark contrast to the dream I had the previous night that was the complete opposite of charming.
A violent storm tore apart my home leaving me in shambles, perhaps it’s a warning,
because the dread left behind in the pit of my stomach is concerning.
Tomorrow is my sons 8th birthday party, I fear it will be boring.
The last thing I want is for my sons’ friends to be unimpressed and fill my son’s ears with negative talking.
It may take a few stiff drinks but I’ll do my best to be charming.
A happy, gracious host can influence the guests into returning.
For my son Austin, that enough will be rewarding.
I have a man coming over soon who will provide me with details on what services he can provide to make sure all the kids view the party as being entertaining.
I hope and pray that he’s good at performing.
This is the first birthday I’ve had to plan on my own, so I’m sure I’m in store for some learning.
I’m hesitate whether or not I should pick up my video camera and begin recording.
I may record a complete failure or an event that proves to be rewarding.
Either way the children will be roaring
with either boos or cheers.

Food wise, I plan on keeping it simple.
Pepperoni pizza and pop to keep all the kids civil.
Two piñatas filled to the brim with candy for all the kids to lust over sinful,
while I watch from a dark corner letting out a giggle.
Still I need more fun things for the kids to do so that’s where the entertainer comes in.
To get a better price I might try to sooth him over with some gin.


I answer the door to discover the middle-aged man smiling rather creepily at me.
He supports a trimmed beard along with a beer belly that sticks out rather beastly.
I have a sick feeling in my gut that something is off about him to a certain degree.
Having him makes me feel uncomfortable, I’m not sure if I trust his websites satisfaction guarantee.

He goes to speak, his breath reeking of cigarettes and alcohol.
His clothes are weathered, torn, smell something putrid and in need of a dousing of Lysol.
His eyes are bloodshot; it appears he has had a long night.
His presence here in front of my home fills my heart with fright.

He hands me his business card and tells me his name is Chester Pennyworth, entertainer.
It’s not in my nature to be a complainer,
but I wouldn’t hire this man even if he was my next-door neighbor.
I’m certainly not willing to pay the hefty fee for his retainer.

He hands me a booklet explaining all of the services he provides for children’s birthday parties.
I believe the only talent he actually contains is passing along genital ******.
I close the book as fast as he opens it and tell him I’m not interested in his services.
He snatches the book back from out of my hands laughing rather manically since I just deemed him purposeless.
I thank him for stopping by and for his time trying to be merciful,
but the frown that quickly appears on his face tells me he’s taking it personal.

I politely ask him to leave wanting to slam my front door hard behind him.
Chester then closes his eyes and begins to sing a hymn.
I forcefully ask him again to leave, he’s wasting valuable time I could be spending at the gym.
His eyes shoot open deranged; my soul instantly feels grim.
This man needs to depart from my presence now!
Him working my party, I simply disallow.

I go to push the man out of the door in an attempt to get him to leave.
He grabs my arm and squeezes my wrist hard, not the outcome I had hoped to achieve.
The forces me back into the house and with his free hand closes the front door behind him.
The outcome of this encounter for myself is starting to look grim.
He’s a large man, much stronger than I am.
Now I’m at his mercy, ****.

Now squarely in the middle of the living room, he squeezes my wrist even harder forcing me to my knees.
I look up at him as he admires down at me looking pleased.
He tells me I look good for being a middle-aged mom and am quite the **** tease.
I beg him to let me go and promise to hire him if he does so, in hopes he agrees.

With his free hand, the man drops his pants exposing he average sized ****.
He demands me to milk him dry and to end the small talk.
Hesitate, but with no other options, I slowly take all of him in my mouth.
I bob my head back and forth ******* him off while in my mind I pretend that I’m on vacation down south.
His manhood taste terrible, like he hasn’t showered in weeks.
I hold back gags as he pulls out of my mouth and slaps my cheeks.

He then shoves himself back into my mouth and I continue to ****.
I’m tempted to bite down and cause him misery but with the tight hold he has on my wrist, I’m afraid he would shatter it in retaliation, so I’m stuck.
*** starved, it doesn’t take long for his **** to fill up with cream and begin to throb in my mouth.
Excited, he moans and whispers that he’s going to keep this day as his Sabaoth.
He quickly blows his load down my throat and lets out a smile of pleasure.
It seems my mouth was quite the treasure.
I ask him if we are even and tell him I’ll let bygones be bygones.
He immediately frowns and tells me no, he’s going to put me where I belong.

He tells me to get back up to my feet and leads me into my bedroom.
He lies me on the bed, strips me naked and tells me he’s sure I have a nice womb,
but tells me my womb is not what he’s interested in.
He begins rubbing his hand over my leg commenting on my delicious smooth skin.
He licks his lips and tells me he bets I will make a tasty meal.
Panic cripples my heart as I plead with him to work with me and make a deal.
I have a young son who will be home from his friend’s house soon.
I don’t want him to walk in on us like this, I rather have in walk in on a cartoon.

The man, not caring what I have to say, climbs unto the bed and sits on my chest.
He places his right and above my left eye and tells me my son will soon be addressed.
Without warning, he slams ******* into my eye sock and rips out my left eye.
A loud piercing scream escapes from my mouth, God I want to die.

The sick, depraved lunatic smiles at me and shows me my eyeball.
I’m too busy screaming out in pain to be appalled.
He tells me the eyeball is the most delicious part of the human body and can’t wait to eat mine.
He reassures he won’t harm my son, that he will be fine.
He then sticks ******* into my right eye and rips it out as well.
The world as I know it goes black as I’m left in one terrible place to ******* dwell.

The front door of the home squeaks open as a young boy enters, the son,
freshly back from his friend’s house where he just got done having a lot of fun.
The smell of cooking food enters his nostrils pleasantly, rumbling his stomach as he is hungry.
He’s a boy whom enjoys his food even though his mother warns him eating too much will cause him to become chubby.

He drops his overnight bag on the floor and yells out, “mom I’m home!”
She doesn’t answer, she always answers!  Something is not sitting right up in Little Austin’s dome.
He walks towards the kitchen then stops immediately in his tracks.
There is a strange, unrecognizable man cooking, wearing ***** slacks.
The man turns around and smiles, “Austin you’re home!
Dinner is almost done, please take a seat next to Jerome.”

Austin sees a puppet sitting in a chair at the kitchen table and takes a seat in the chair next to him unsure of the whereabouts of his beloved mother.
He’s not sure who this man is, a stranger or possibly his long-lost father?
“Where is my mother,” he finally asks.
The man flashes Austin a warm smile that disguises his true ugly identify like a mask.

“Your mother will be here shorty, she had to run and pick up a few last-minute things for your birthday party tomorrow.
She asked me to stay here and keep an eye on dinner you know.
My name is Walter and I will be providing entertainment at your party tomorrow.
Your mother only hired me for an hour although
so, you and your friends will have to make the most of that hour.
Dinner is ready Austin, o don’t look so sour.”

The man sits a plate of meat down in front of Austin then joins him at the table to eat.
The man tells Austin to take a bite and try it, it’s delicious meat.
Austin takes a bite and discovers the meat is rich with flavor and very tasty.
He cleans his plate rather hasty.

“Good stuff isn’t it Austin,” asks the man.
“Yes, what kind of meat was it?”
“Human meat Austin.”
Austin giggles thinking it’s a joke, “No really what kind of meat was it?”

The man drops his voice to a sinister low level and repeats, “Human meat Austin,
Your mother’s meat to be straight forward.
She did make one tasty meal.

Austin, visibly shaken by this revelation feels his heart sink in his chest.
He begins violently shaking and falls to the ground quite traumatized as you guessed.
He curls up into a ball and begins whispering to himself, “it isn’t true, it isn’t true.”
He didn’t want to accept the truth but deep down he knew,
his mother’s meat was just fed to him by a lunatic.
He now needs to act to save himself and act quick.

“You want desert Austin?  This is the best part.”
The man picks Austin up, sits him back at the table and tells him to have some manners and a heart.
The man places a dish in the middle of the table then removes the lid,
exposing two eye ***** ready to be eaten, his mothers.”

Screams echo around the house as Austin loses his composure and makes a break for the front door.
The man grabs Austin and tells him he still has to see his mother one final time in all her glory and gore.
“She’s still alive,” he whispers into his ear.
“It’s the only way to keep her meat fresh.”

“No, no, no, no Austin trembles uncontrollably as the man drags him into his mother’s bedroom.
A heart wrenching, ear drum piercing, earth spin stopping scream shatters the sound barrier as the boy comes face to face with what’s left of his mother.
Two ****** holes remain of what use to be her beautiful blue eyes.
Her tongue has been removed, leaving her unable to speak.
Her legs are missing from the knees down.
Her breathing is faint; death is nigh for her.

Tears fall relentlessly from Austin’s eyes as the man handcuffs him to his mother, forcing him to spend quality time with her mangled body.

The front door of the home slowly squeaks open as Dr. James Allen Burke enters the house.
His appearance here will surly cause a rouse.
Walter is sitting in a recliner in the living room, his eyes make contact with Dr. Burke’s.
Walter has been expecting him since he himself is one of the doctors failed works.

“Good evening Doctor, it sure is lovely to see you again.
Please tell me, your walking into the den of a mad man with a solid plan.”

“Walter, what have you done now?
I was supposed to help you control your urges, that was my vow!”

“Is that why you cut into my brain time after time, to help me doctor?
Because if you ask me, experimenting on my brain means you have no honor.
You’ve tried time and time again to get my brain right but each time you failed.
It’s about time I think that the police find out about your experiments and to a cross you should be nailed.
Do you want the public to know about your current experiment with your mother?
If you want my silence, turn around, exit the house and no longer ****
with me!”

“Walter, when I discovered you fifteen years ago, the police were ready to hang you.
You were lucky I was able to convince them to allow me to help tighten your screws.
You were found near death after being poisoned by your best friend Pete,
who was found with a bullet hole in his head from a bullet that was traced back to a gun owned by you that was found next to your body lying on the street.
You threatened to ****** your ex-girlfriend.
You threatened to ****** your son.
I’ve been performing procedure after procedure on you to fix your brain,
but all my attempts over the years, I’m afraid have been in vain.”

“I guess I should have been allowed to die in peace on that street instead of being revived doctor!”

“I’m sorry I failed you Walter, but I can no longer allow you to carry on with your rampage of destruction.
The crimes you have committed under my watch are too much for my soul to bear.”

“So you are here to **** me doctor, is that it?”

Doctor Burke, unfazed by his failed experiments aggressive nature towards him, smiles and nods as a gun shoot rings out.
A bullet, shot from a gun carried by Amanda who’s now standing behind Walter, hits Walter square in the head putting an end to the failed experiments fallout.

“Thank you Amanda for helping me…”

“Thank me later Doctor, there is something you need to see this instant.”

Doctor Burke and Amanda walk into the bedroom to the horrific sight of Austin handcuffed to his mutilated mother shaking and crying uncontrollably on the floor.
Doctor Burke takes in a deep breath greatly disturbed at the sight, he can’t even begin to enjoy the fact that Walter isn’t around to cause chaos and destruction anymore.

“Doc, the Woman is somehow still alive we need to put her down.
What do we do with the child?”

Doctor Burke takes the gun from Amanda and tells her he will do what must be done.
They need to clean up their mess to avoid and cops discovering their dark ***** deeds placing them on the run.
Doctor Burke points the gun at Austin’s head and pulls the trigger placing a bullet right between his eyes.
He had no chance on growing up and living a normal life, I’m not going to lie.
He would have been traumatized for life and unable to function in the real world.
Placing a bullet in between his eyes is a mercy **** and hope now his soul can be at peace.

Doctor Burke shifts the gun over to the mother and pulls the trigger,
also placing a bullet right between the dark holes of what use to be her eyes.
He looks over at Amanda and speaks,
“Let’s clean this mess up and cover our tracks.”
Tyler Zempel Dec 2018
The Abuser

Driving down a quiet road just leaving my job at the *******,
looking forward to going home and taking a relaxing hot bath, I’m in need of a good scrub
since perverted old men enjoy putting their hands all over my assets while providing them with a lap dance.
At least I don’t have to follow a script during my dance and am allowed to freelance.
I make great money and enjoy a relaxing life that didn’t come about due to circumstance.
It happened because I wasn’t afraid to step out of my own shadow and take a chance
on myself, that I’m sure through the eyes of judging others will be wrote off as melancholy happenstance.
**** them, my life is great besides missing a bit of romance,
and besides, these same judging ******* always come to me looking for a quick cash advance.
I’m financially set with a nice house and car all at the age of twenty-three.
Kiss my ***, kiss my feet, bow down and ******* worship me!

My attention is brought back to reality as red and blue lights begin to flash behind me.
A cop is right on my ***, I guess I must have been driving a little too carefree.
I quickly pull over hoping to get a quick ticket and get on with my night.
Hopefully he’s a nice cop and not one of them rude one’s who’s always pulling people over looking to start a fight.

The officer approaches my window; taps on it to indicate he wants me to roll it down.
I quickly roll it down and force a fake smile trying hard not to frown.
The officer asks me if I know why he has pulled me over.
I tell him I assume for speeding, apologize and tell him I should have been driving a bit slower.
The officer shines his flash light into my face and tells me speeding, and I crossed the center line some little ways back.
He tells me my eyes are red and my car has an odor that smells like I’ve been smoking crack.
I tell him I’ve just got off work and I’m not on any drugs or alcohol, that my eyes are red from being over tired.
He gives me a glare that tells me my answer came off as uninspired.
He asks me where do I work since I’m getting off very late.
I tell him I work at the ******* and that my shift was supposed to end at eight,
but a girl called in sick so I had to stay to cover for her.
I’m completely sober and just tired from a long day of work I reassure.

I officer asks to see my I.D.
He looks at it quickly then asks me to step out of the vehicle.
He leads me to the back of the car and has me lean against the trunk.
He asks me one more time if I’m on drugs or drunk,
then asks if he can search my car.
I have nothing to hide so I say yes trying not to act bizarre.

The officer begins searching my car starting in the front.
This is all a little bit extreme to be blunt.
He has no reason to suspect me of any wrong doing besides driving a little bit too fast.
Whatever, I’ll just play along with his stupid game and comply with every demand he asks.

A few minutes later the cop exits my car and approaches me carrying a bag filled with a white substance.
He tells me he found a bag of ******* in my car and that I’m busted.
“*******!”  I yell, “I have never done ******* in my life, you planted that bag in my car!
Hell, the only drug I’ve ever done was some **** in the bathroom of some run-down bar.”

The cop, now angry, grabs and twists my arm turning my body around so I’m facing the trunk of my car.
He forces my head down hard onto the trunk and whispers into my ear, “you’re lucky I don’t light up a cigar,
and place it against that pretty check of yours until it’s nice and burned.
So, here’s a lesson you need to learn,
never, and I repeat never, accuse a cop of planting drugs on you.
You are in a world of **** right now and your future is not looking good,
so, if you want to get out of this with your freedom intact, play along with my game and I’ll let you out of my neighborhood.”

The cop places one of his hands on my *** and begins to feel it up.
He tells me I have a fantastic body and can get out of this mess by exploiting my goods.
“I know a quiet place we can go to where you can use your ***** holes to pay off this debt you find yourself in.
You’re in for a treat yourself, I still have my *******,
and have a nice 8-inch mass that knows how to please you like a man and not like the little boys I’m sure you’re use to *******.
So how about we go to this quiet place I know and you can start this session off with some *******.”

I tell the officer I’ll do what he wants.
I just have to keep my cool and act nonchalance.
The cop laughs and smiles and says we are going to do this his way.
He tells me finding me tonight has really made his day.
He places his cuffs on me and leads me to his patrol car,
where he places me in the back seat next to an acoustic guitar.
He tells me the place he knows is just a few minutes away,
so, it will only be a short period of time before we can begin our play.
I tell him that’s great news, because between you and I, the sooner I’m out of this situation, the better,
then I can begin my own endeavor.
I’m going to go after him for what he’s doing to me here tonight.
Abusing your power, regardless of your positon is so not right.
He has way too much confidence that he will get away with this, that leads me to believe this is not the first time he has done this.
I’m sure most, if not every night while on patrol, he pulls over a young unsuspecting girl, sets her up and forces her legs to do the splits.
They are ***** and probably too terrified to ever speak up.
Well I’m not terrified; I will have my revenge.
Go ahead set me up with a bag of *******, use that advantage to **** me, but in the end, I will be the one laughing at your trail,
as I testify against you so you are locked away forever for your heinous crimes!

The patrol car pulls up and parks in front of a dark, seemingly abandoned house.
The officer was right, it only took a few minutes, all the while he ran his mouth off about the *** I was about to experience with him while I remained as quiet as a mouse.
The officer gets out of the car and walks to the back of the car where I’m located.
He opens the door, guides me out still in cuffs and tells me not to be afraid.
I’m not afraid you *******, just upset a man of the law would do such a horrible thing to an innocent person.
I hope once exposed to the light of the world, the knowledge the world will have of your misdeeds will cause you a great burden.
I hope you suffer greatly for your perversions,
and suffer so dearly that not even the holiest of sermons
will be able to soothe your heart and end the hurting.
What you plan to do to me certainly leaves my heart burning.
One thing is certain,
contrary to what you believe, I’m not so inclined towards introversion.
And after I expose you, my actions will be viewed as a public service.

With the officer pushing me along, we make our way to the front of the house where I notice and house has been sealed off with police tape.
Wait…I know this place, it’s been on the news, the sick **** is taking me here to carry out his ****?

The officer takes out a key and opens the front door to let us in.
Once inside, I notice him supporting the largest of grins.

“I know whose house this is officer…I’m sorry I didn’t even get your name.”

“And my name you won’t get and if you think you’re so smart, then whose house is this?”

“This house belongs to Chris Morris, the man who took two young girls prisoner and ***** them repeatedly.
And you brought me to his house to carry out your own ****, do you always act so conceitedly?”

“I brought you here because the house is closed off and no one will discover us here.
It’s a good place to go to if you just want to disappear.”

“Speaking of this house, did you guys ever find Chris Morris?”

The officer walks into the kitchen intentionally ignoring my question.
He opens the refrigerator and cracks open a beer as I await his confession.
He walks up to me and stares into my eyes with a blank, soulless expression.
I’m not sure if he’s about to act calm or explode on me in a fit of aggression.
He’s staring into my soul and sipping on his beer like I’m his obsession.
This ***** sure decided on the wrong profession.
He should have gotten into **** and acted out some **** fantasies if this is his thing.
He does have a huge ego, likes to be in control and probably views himself as a king.
I wonder what he would enjoy more, pressing his lips against mine and kissing,
or by being a sick **** by placing me on my knees with my mouth open with him above me *******.

He finally speaks, “We will find Chris Morris, don’t you worry about that.”

“I don’t understand, how did you guys managed to find the two girls but lose the suspect?
You should have had someone tailing him constantly to make sure he didn’t go unchecked.”

“He wasn’t here when we discovered the girls and he hasn’t been seen since.
If you ask me, he probably fled and country and is now hanging out in some **** hole place like Port-au-Prince.
Enough of your questions, now we are going to start this session off with me snorting a line of ******* off of your ***.”

“So it was your *******?”

“Of course it’s mine, it’s my dark secret, besides taking advantage of hot young women.
Now let’s go see how good your ***** is since it is the way you make your living.”

“I’m not a prost…”

The officer slaps me and pushes me forward towards the master bedroom where I’m sure Chris had his share of fun.
How I wish I could make a break for it and run.
The officer forces me into the bedroom where he pushes me violently onto the bed.
He laughs and tells me I’m about to be bred.
He uncuffs me just long enough to turn me onto my stomach and re cuff me to the bed posts so I have no way to escape.
He pulls my leggings down and off of me and tells me my *** is in perfect shape.

He begins licking my *** checks while rubbing his fingers against my ***** before removing my thong with his teeth.
He moans softly to himself at the sight of my naked bottom and takes a deep breath.
He takes out his bag of ******* and lays out a line on my naked ***.
He at least could have provided me with some high-quality grass,
so we would both be on the same level for this encounter.
I guess he only cares about himself and having his way with my precious flower.

The officer places his nose on my *** and sniffs the line of ******* up as fast as he possibly can.
He shoots up quickly and yells “Whooooo!!!!!” Pleased that everything is going to plan.
He tells me he wants one more line so he places another on my *** and sniffs that one up as well as quickly as possible,
all the while I remain cuffed to the bed acting docile.

The officer gets behind me and begins licking my smooth ***** with his tongue.
He has to be in his mid to late 40’s, but he likes his women young.
He sticks his tongue all the way inside me and begins tongue ******* me over and over again.
He mumbles, “you taste so good I want to take you and get married to you in Spain.”

For what seems like 20 minutes he goes to town licking and tongue ******* me.
All I can think about is how I want to **** him and dispose of his body in the sea.
Now tiring of eating me, he pulls his tongue out of my ***** and puts yet another line of ******* on my ***.
This man truly has no class.
He snorts the third line just as quickly as the first two,
then climbs up onto the bed and whispers into my ear that he’s ready to turn my ***** black and blue.

The officer takes off all of his clothes then mounts me from behind.
I hope I don’t get pregnant, is all that’s going through my mind.
I’m not on birth control and he plans on finishing deep inside me.
If only there was a way to break myself free.

The officer now rock hard shoves his eight-inch **** violently inside me.
I let out a loud, pain filled moan as he lets out a laugh in glee.
He tells me I’m super tight and feel great as he begins to breed me harder and faster with each ******.
This is why police are so easy to mistrust.
They can’t follow the laws they are sworn to follow and protect.
Not all are bad but most are, I know I’m correct.

After a few minutes of increasingly violent thrusting, the officer stops ******* and tells me he’s in trouble.
Without warning, he falls off of the bed and lies motionless on the floor.
The ****** just overdosed and died on *******.
That’s what he gets for not using his brain,
however, I’m still cuffed to the bed with no way to break free.
No one is around to even hear my pleas.
Not a single living soul knows I’m trapped in this house.
No one at work will even know I’m missing until tomorrow night but will have no way of discovering my whereabouts.

I’m stuck here…
I’m stuck here…
Orpheon Jan 2019
These are the times,
That no-one tells you how to live.

The times when you wake up,
Hours early,
And your mind is filled
With thoughts of them
What they'd say,
What you'd say
What they'd want you to say
What you'd want them to say

No-one ever tells you how to live those times,
No-one ever tells you how to not be hurting,
No-one ever tells you how to silence the fantasy.

The times when you look up
From your own life,
And the world around you seems to have gone mad,
The stable society you trusted all your life
Seems to be breaking at the seams,
And the people in charge
Don't seem to know what they're doing,
Or care to listen to those who do.

No-one ever tells you how to live these times,
No-one ever tells you how to not feel hopeless,
No-one ever tells you how not to feel helpless.

The times when you go to bed,
And as your brain shuts down,
And all the civilised parts of you switch off,
You're left with pure feeling,

No-one ever tells you how to reconcile those feelings,
No-one ever tells you how to deal with them,
No-one ever tells you how to live,
Without feeling loved.
Alex Jones Apr 2018
he tells me he loves me
he tells me he loves m
he tells me he loves
he tells me he love
he tells me he lov
he tells me he lo
he tells me he l
he tells me he
he tells me h
he tells me
he tells m
he tells
he tell
he tel
he te
he t
every o
everyone l
everyone le
everyone lea
everyone leav
everyone leave
everyone leaves
everyone leaves e
everyone leaves ev
everyone leaves eve
everyone leaves even
everyone leaves event
everyone leaves eventu
everyone leaves eventua
everyone leaves eventual
everyone leaves eventuall
everyone leaves eventually
WE all have our places in this world.
I do,too.
I , am the rotten apple of the basket
.I stay in the basket too long,
i tend to ruin everything.
thats my place in the world.
that was supposed to be my identity till my last breath.
like the identity of my love is to unscrew him,
for my doctor is to do what no one else would,
for for HIM ,it was to smile and make the world
a better place.
its what defines us.

But that day when i had decided to do three extra shots of ***** and five extra drags and three snorts of ******* and then passed out after a seizure ,i  didnt know i would wake up to a new morning and to a new identity . i was in pain,in considerable pain,and there was just one person who still smiled at the rotten assemblage of human tissues that i had become,that person was him.a guy with the brightest of smiles and the biggest of hearts who didnt think anyone was bad inside.and for someone like me who has ten thousand layers of bad before the slightest of goof,it meant a lot.What would have happened had i decided to do that one month later? who knows ? i would have died,thats for sure.But i would have died a bitter,angry girl.**** am i happy now? will i be happy five years from now ? i dont know.Do i thank him for saving me? YES. do i feel good about being saved.? again. I'm not so sure.why should i be happy just bcus i have few years more to live,why should i be happy becausee i have more time with my parents? why should i be happy because my folks wont grieve ? For HIM,these questions,were the answers.Then why didnt she get those last few breaths? that extra few years?

AS i look at the empty bed next to me and the missing books adn the absence of his chirping laughter,i feel the world has permanently become a little darker,a little sadder.All i remember of him are his last words to me ' I'll be back.It will be okay.'
Well,he lied.I dont think i am forgiving him for that.Not now,not ever.

He left us behind to miss him,to yearn for him,to find things to distract ourselves from missing him.he is not there.he is not around us.i will never see that smile.he will not be on the next bed trying to irritate the hell out of me.he will not talk till my head bursts into little splinters and then irritate me some more.i have not me his doc Zaarah,but over the last few days i have heard stories. she told Arman that she was sure she he smiled at her long after her heart rate dropped and the lifeline drew a flat line on the monitor and the doctors failed to revive her.Armaan tells me that zaarah had spent the night at the morgue standing outside his frozen casket bcus HE was afraid of the darl.he tells me she had to be forced out before she could catch pneumonia or something worse.she tells me how every night Zaarah comes to both the room and terrace where they had gone for their first date.She tells me how his mother had fainted when she came back to our unlucky room no. 509 and how she  had to be pulled back from his bed by his father. He tells me his father looked like a walking corpse when he heard the news.he tells me how both sets of parents had cried arm in arm.he tells me how his dad comforted my crying dad,when i was battling for my life while their daughter was dead. Arman tells me that his father has nt said a word since the day he passed away on the operating table,lying on the side with his back cut open and a smile pasted on his was painless,he tells me.

Does knowing that it was painless make me feel any better? it doesnt. he was no stranger to pain.he was strong and she would have picked pain and life any day over comfort and death.people like her arent meant to die.they never die bcus people never forget them.did he give us enough moments together? he would never have been able to even if he had died a hundred years later.people like him just dont live that enough. No matter how long,how fulfilling,how painless their deaths are= people miss them.Like i;miss him,and i hardly knew him,we werent even friends;we were roommates.

He dies. I live. I cry. Where is the sense in that ? i didnt even want to live.I thought the procedures,the medicines,the doctors and the drips were nonsense.all i wanted was to get injected with a few extra CCs of morphine n my drip and i'd pass on the next world,painlessly.i didnt want this.i hated pain.i have done everything i could find,to run away from it. i used to numb myself by injecting and snorting everything i could find.nobody wanted this. How do you think i will feel when i look at his parents,childless,grieving at his loss? how do you think i will feel when Zaarah crosses my path? We were in the same room.Same room!!! how difficult it was to have our fates switched ? how wrong can god get if there is one ? We were right could he not see?

did i find a donor ? yes,I did. It was him. the perfect match.we were roommates.

But thats not the only thing he gave me. 15 days after my surgery wen i was shifted back to my room,the bed next to me was empty but for a little note on top of it.I opened the note which said.

' you were the best roommate ever.Now we're even. it 2-2.Dont waste it'
I cry.
Zaarah here was his doctor.and armaan was mine. I survived bcus he lent his life,his breaths to me,it was an unfair experience.
HE was suffering from ALS.godammit,he was only 19. And i had a major lung failure.why could god not switch destinies,pls,why ?

i hope this piece isnt boring to you?
Daniel Regan May 2012
No one ever tells you how to avoid that painful fall, or how to pick yourself up once you’ve hit that daunting wall. No one ever tells you that regret stings like hell, and no one ever tells you to beware of where you fell.  No one ever tells you that sleep is hard to find, when regret is the only thing running through your ever-sleepless mind. No one ever tells you that your mistake will haunt you for good, or that you’ll see her face in places where both of you once stood. No one ever tells you how to make everything right, and no one ever tells you when it’s the right time to fight. No one ever tells you when sorry isn’t enough, and no one ever tells you that saying more is tough. No one can ever tell you when you’ll finally make peace, and no one ever tells you the right time to use some elbow grease. These lessons go unsaid not for simple neglect, but because of the uncertainty in life and when they take effect. They are lessons learn not through book nor are they taught at any school, but rather learned through scrapped knees and those times you’ll play the fool. And though you may kick yourself repeatedly and wish to start anew, the cliché you’re only human will simply have to make do. Because solace isn’t found in holding to your past, it’s found in in knowing your limitations and proving they wont last.
Alex Hanna Jan 2018
Depression lies to you.
It tells you the only way to survive is to curl up in bed and hide from the world.
It tells you that what is "out there" is not worth fighting for.
It tells you that you are not worth fighting for.

Depression lies to you.
It tells you that you'll never be better.
It tells you nobody loves you, because how could they, when you can't even love yourself.
It tells you are unworthy of love...when is the last time you loved yourself?

Depression lies to you.
It tells you it will pass, to just be patient.
It tells you not to fear, but to be afraid of everything.
It tells you there is no use in fighting.

Depression lies to you.
It tells you to cry, but you don't know why.
It tells you to sleep when that's all you've done for days.
It tells you that everyone is better off without you.

Yes. Depression lies to you.
1969 Hartford art school is magnet for exceedingly intelligent over-sensitive under-achievers alluring freaks congenital creeps and anyone who cannot cut it in straight world it is about loners dreamers stoners clowns cliques of posers competing to dress draw act most outrageous weird wonderful classrooms clash in diversity of needs some students get it right off while others require so much individual attention one girl constantly raises her hand calls for everything to be repeated explained creativity is treated as trouble and compliance to instruction rewarded most of faculty are of opinion kids are not capable of making original artwork teachers discourage students from dream of becoming well-known until they are older more experienced only practiced skilled artists are competent to create ‘real art’ defined by how much struggle or multiple meanings weave through the work Odysseus wants to make magic boxes without knowing or being informed of Joseph Cornell one teacher tells him you think you’re going to invent some new color the world has never seen? you’re just some rowdy brat from the midwest with a lot of crazy ideas and no evidence of authenticity another teacher warns you’re nothing more than a bricoleur! Odysseus questions what’s a bricoleur teacher informs a rogue handyman who haphazardly constructs from whatever is immediately available Odysseus questions what’s wrong with that? teacher answers it’s low-class folk junk  possessing no real intellectual value independently he reads Marshall McLuhan’s “The Medium Is The Message” and “The Notebooks of Leonardo da Vinci” he memorizes introductory remark of Leonardo’s “i must do like one who comes last to the fair and can find no other way of providing for himself than by taking all the things already seen by others and not taken by reason of their lesser value” Odysseus dreams of becoming accomplished important artist like Robert Rauschenberg Jasper Johns Andy Warhol he dreams of being in eye of hurricane New York art scene he works for university newspaper and is nicknamed crashkiss the newspaper editor is leader in student movement and folk singer who croons “45 caliber man, you’re so much more than our 22, but there’s so many more of us than you” Odysseus grows mustache wears flower printed pants vintage 1940’s leather jacket g.i. surplus clothes he makes many friends his gift for hooking up with girls is uncanny he is long haired drug-crazed hippie enjoying popularity previously unknown to him rock bands play at art openings everyone flirts dances gets ****** lots of activism on campus New York Times dubs university of Hartford “Berkeley of the east coast” holding up ******* in peace sign is subversive in 1969 symbol of rebellion youth solidarity gesture against war hawks rednecks corporate America acknowledgment of potential beyond materialistic self-righteous values of status quo sign of what could be in universe filled with incredible possibilities he moves in with  painting student one year advanced named Todd Whitman Todd has curly blond hair sturdy build wire rimmed glasses impish smile gemini superb draftsman amazing artist Todd emulates Francisco de Goya and Albrecht Durer Todd’s talent overshadows Odysseus’s Todd’s dad is accomplished professor at distinguished college in Massachusetts to celebrate Odysseus’s arrival Todd cooks all day preparing spaghetti dinner when Odysseus arrives home tripping on acid without appetite Todd is disappointed Odysseus runs down to corner store buys large bottle of wine returns to house Todd is eating spaghetti alone they get drunk together then pierce each other’s ears with needles ice wine cork pierced ears are outlaw style of bad *** bikers like Hell’s Angels Todd says you are a real original Odys and funny too Odysseus asks funny, how? Todd answers you are one crazy ******* drop acid whenever you want smoke **** then go to class this is fun tonight Odys getting drunk and piercing our ears Odysseus says yup i’m having a good time too Todd and Odysseus become best friends Odysseus turns Todd on to Sylvia Plath’s “The Bell Jar” and “Ariel” then they both read Ted Hughes “Crow” illustrated with Leonard Baskin prints Todd turns Odysseus on to German Expressionist painting art movement of garish colors emotionally violent imagery from 1905-1925 later infuriating Third ***** who deemed the work “degenerate” Odysseus dives into works of Max Beckmann Otto Dix Conrad Felixmulller Barthel Gilles George Grosz Erich Heckel Ernst Ludwig Kirchner Felix Nussbaum Karl *******Rottluff Carl Hofer August Macke Max Peckstein Elfriede Lohse-Wachtler Egon Shiele list goes on in 1969 most parents don’t have money to buy their children cars most kids living off campus either ride bikes or hitchhike to school then back home on weekends often without a penny in their pockets Odysseus and Todd randomly select a highway and hitch rides to Putney Vermont Brattleboro Boston Cape Cod New York City or D.C. in search of adventure there is always trouble to be found curious girls to assist in Georgetown Odysseus sleeps with skinny girl with webbed toes who believes he is Jesus he tries to dissuade her but she is convinced

Toby Mantis is visiting New York City artist at Hartford art school he looks like huskier handsomer version of Ringo Starr and women dig him he builds stretchers and stretches canvases for Warhol lives in huge loft in Soho on Broadway and Bleeker invites Odysseus to come down on weekends hang out Toby takes him to Max’s Kansas City Warhol’s Electric Circus they wander all night into morning there are printing companies longshoremen gays in Chelsea Italians in West Village hippies playing guitars protesting the war in Washington Square all kinds of hollering crazies passing out fliers pins in Union Square Toby is hard drinker Odysseus has trouble keeping up  he pukes his guts out number of times Odysseus is *** head not drinker he explores 42nd Street stumbles across strange exotic place named Peep Show World upstairs is large with many **** cubicles creepy dudes hanging around downstairs is astonishing there are many clusters of booths with live **** girls inside girls shout out hey boys come on now pick me come on boys there are hundreds of girls from all over the world in every conceivable size shape race he enters dark stall  puts fifty cents in coin box window screen lifts inside each cluster are 6 to 10 girls either parading or glued to a window for $1 he is allowed to caress kiss their ******* for $2 he is permitted to probe their ****** or *** for $10 girl reaches hand into darkened stall jerks him off tall slender British girl thrills him the most she says let me have another go at your dickey Odysseus spends all his money ******* 5 times departing he notices men from every walk of life passing through wall street stockbrokers executives rednecks mobsters frat boys tourists fat old bald guys smoking thick smelly cigars Toby Mantis has good-looking girlfriend named Lorraine with long brown hair Toby Lorraine and Odysseus sit around kitchen table Odysseus doodles with pencil on paper Toby spreads open Lorraine’s thighs exposing her ****** to Odysseus Lorraine blushes yet permits Toby to finger her Odysseus thinks she has the most beautiful ****** he has ever seen bulging pelvic bone brown distinctive bush symmetric lips Toby and Lorraine watch in amusement as Odysseus gazes intently Tony mischievously remarks you like looking at that ***** don’t you? Odysseus stares silently begins pencil drawing Lorraine’s ****** his eyes darting back and forth following day Lorraine seduces Odysseus while Toby is away walks out **** from shower she is few years older her body lean with high ******* she directs his hands mouth while she talks with someone on telephone it is strange yet quite exciting Odysseus is in awe of New York City every culture in the world intermingling democracy functioning in an uncontrollable managed breath millions of people in motion stories unraveling on every street 24 hour spectacle with no limits every conceivable variety of humanity ******* in same air Odysseus is bedazzled yet intimidated

Odysseus spends summer of 1970 at art colony in Cummington Massachusetts it is magical time extraordinary place many talented eccentric characters all kinds of happenings stage plays poetry readings community meals volleyball after dinner volleyball games are hilarious fun he lives alone in isolated studio amidst wild raspberries in woods shares toilet with field mouse no shower he reads Jerzy Kosinski’s “Painted Bird” then “Being There” then “Steps” attractive long haired girl named Pam visits community for weekend meets Odysseus they talk realize they were in first grade together at Harper amazing coincidence automatic ground for “we need to have *** because neither of us has seen each other since first grade” she inquires where do you sleep? Todd hitches up from Hartford to satisfy curiosity everyone sleeps around good-looking blue-eyed poet named Shannon Banks from South Boston tells Odysseus his ******* is not big enough for kind of ******* she wants but she will **** him off that’s fine with him 32 year old poet named Ellen Morrissey from Massachusetts reassures him ******* is fine Ellen is beginning to find her way out from suffocating marriage she has little daughter named Nina Ellen admires Odysseus’s free spirit sees both his possibilities and naïveté she realizes he has crippling family baggage he has no idea he is carrying thing about trauma is as it is occurring victim shrugs laughs to repel shock yet years later pain horror sink in turned-on with new ideas he returns to Hartford art school classes are fun yet confusing he strives to be best drawer most innovative competition sidetracks him Odysseus uses power drill to carve pumpkin on Halloween teachers warn him to stick to fundamentals too much creativity is suspect Todd and he are invited to holiday party Odysseus shows up with Ellen Morrissey driving in her father’s station wagon 2 exceptionally pretty girls flirt with him he is live wire they sneak upstairs he fingers both at same time while they laugh to each other one of the girls Laura invites him outside to do more he follows they walk through falling snow until they find hidden area near some trees Laura lies down lifts her skirt she spreads her legs dense ***** mound he is about to explore her there when Laura looks up sees figure with flashlight following their tracks in snow she warns it’s Bill my husband run for your life! Odysseus runs around long way back inside party grabs a beer pretending he has been there next to Ellen all night few minutes later he sees Laura and Bill return through front door Bill has dark mustache angry eyes Odysseus tells Ellen it is late maybe they should leave soon suddenly Bill walks up to him with beer in hand cracks bottle over his head glass and beer splatter Odysseus jumps up runs out to station wagon Ellen hurriedly follows snow coming down hard car is wedged among many guest vehicles he starts engine locks doors maneuvers vehicle back and forth trying to inch way out of spot Bill appears from party walks to his van disappears from out of darkness swirling snow Bill comes at them wielding large crowbar smashes car’s headlights taillights side mirrors windshield covered in broken glass Ellen ducks on floor beneath glove compartment sobs cries he’s going to **** us! we’re going to die! Odysseus steers station wagon free floors gas pedal drives on back country roads through furious snowstorm in dark of night no lights Odysseus contorts crouches forward in order to see through hole in shattered windshield Ellen sees headlights behind them coming up fast it is Bill in van Bill banging their bumper follows them all the way back to Hartford to Odysseus’s place they run inside call police Bill sits parked van outside across street as police arrive half hour later Bill pulls away next day Odysseus and Ellen drive to Boston to explain to Ellen’s dad what has happened to his station wagon Odysseus stays with Ellen in Brookline for several nights another holiday party she wants to take him along to meet her friends her social circles are older he thinks to challenge their values be outrageous paints face Ellen is horrified cries you can’t possibly do this to me these are my close friends what will they think? he defiantly answers my face is a mask who cares what i look like? man woman creature what does it matter? if your friends really want to know me they’ll need to look beyond the make-up tonight i am your sluttish girlfriend! sometimes Odysseus can be a thoughtless fool

Laura Rousseau Shane files for divorce from Bill she is exceptionally lovely models at art school she is of French descent her figure possessing exotic traits she stands like ballerina with thick pointed ******* copious ***** hair Odysseus is infatuated she frequently dances pursues him Laura says i had the opportunity to meet Bob Dylan once amazed Odysseus questions what did you do? she replies what could i possibly have in common with Bob Dylan? Laura teases Odysseus about being a preppy then lustfully gropes him grabs holds his ***** they devote many hours to ****** intimacy during ******* she routinely reaches her hand from under her buns grasps his testicles squeezing as he pumps he likes that Laura is quite eccentric fetishes over Odysseus she even thrills to pick zits on his back he is not sure if it is truly a desire of hers proof of earthiness or simply expression of mothering Laura has two daughters by Bill Odysseus is in over his head Laura tells Odysseus myth of Medea smitten with love for Jason Jason needs Medea’s help to find Golden Fleece Medea agrees with promise of marriage murders her brother arranges ****** of king who has deprived Jason his inheritance couple is forced into exile Medea bears Jason 2 sons then Jason falls in love with King Creon’s daughter deserts Medea is furious she makes shawl for King Creon’s daughter to wear at her wedding to Jason  shawl turns to flames killing bride Medea murders her own sons by Jason Odysseus goes along with story for a while but Laura wants husband Odysseus is merely scruffy boy with roving eyes Laura becomes galled by Odysseus leaves him for one of his roommates whom she marries then several years later divorces there is scene when Laura tells Odysseus she is dropping him for his roommate he is standing in living room of her house space is painted deep renaissance burgundy there are framed photographs on walls in one photo he is hugging Laura and her daughters under big oak tree in room Laura’s friend Bettina other girl he fingered first night he met Laura at party is watching with arms crossed he drops to floor curls body sobs i miss you so much Laura turns to Bettina remarks look at him men are such big babies he’s pitiful Bettina nods

following summer he works installing displays at G. Fox Department Store besides one woman gay men staff display department for as long as he can remember homosexuals have always been attracted to him this misconception is probably how he got job his tenor voice suggesting not entirely mature man instead more like tentative young boy this ambiguous manifestation sometimes also evidences gestures thoroughly misleading after sidestepping several ****** advances one of his co-workers bewilderingly remarks you really are straight manager staff are fussy chirpy catty group consequently certain he is not gay they discriminate against him stick him with break down clean up slop jobs at outdoor weekend rock concert in Constitution Plaza he meets 2 younger blond girls who consent to go back to his place mess around both girls are quite dazzling yet one is somewhat physically undeveloped they undress and model for Odysseus radio plays Roberta Flack’s “Killing Me Softly With His Song” both girls move to rhythm sing along he thinks to orchestrate direct decides instead to let them lead lies on bed while curvaceous girl rides his ******* slender girl sits on his face they switch all 3 alternate giggle laughter each girl reaches ****** on his stiffness later both assist with hands mouths his ****** is so intense it leaves him paralyzed for a moment

in fall he is cast as Claudius in production of Hamlet Odysseus rehearses diligently on nights o
authentic Aug 2014
when a boy tells you he loves you
do not panic
every nerve in your body will tremble like a sinner on judgement day
not sure of where this is going
not sure if it is real
when a boy tells you he loves you
do not curve you lips into half of the crescent moon that lit up your dark nights, he does not deserve that yet
when a boy tells you he loves you** over the phone
because he can not muster up the courage to spill the blood looking into your eyes do not believe him
a phone call is almost promising but not quite
when a boy tells you he loves you
you will want to say it back
and sitting in your car the words will fall out of your mouth
and into your lap like spilled white wine
when a boy tells you he loves you
do not panic
remember that he is only a boy
a silly, heart-scrabbled, inconsistent boy
Jacobo Raymundo Nov 2013
Old Glory resiliently stands steady and silent
Yet tells a tale
Not of its darkest hours, days of doubt
But of hope
It tells of an ideal fought for, killed to protect
It tells of hope
That life will be granted with equality, freedom
It tells of hope
That no enemy shall bring us to our knees
It tells of hope
That lives lost in battle shall be duly honored
It tells of hope
That tomorrow will always have a brighter sun
It tells of hope
This is the house of Bedlam.

This is the man
that lies in the house of Bedlam.

This is the time
of the tragic man
that lies in the house of Bedlam.

This is a wristwatch
telling the time
of the talkative man
that lies in the house of Bedlam.

This is a sailor
wearing the watch
that tells the time
of the honored man
that lies in the house of Bedlam.

This is the roadstead all of board
reached by the sailor
wearing the watch
that tells the time
of the old, brave man
that lies in the house of Bedlam.

These are the years and the walls of the ward,
the winds and clouds of the sea of board
sailed by the sailor
wearing the watch
that tells the time
of the cranky man
that lies in the house of Bedlam.

This is a Jew in a newspaper hat
that dances weeping down the ward
over the creaking sea of board
beyond the sailor
winding his watch
that tells the time
of the cruel man
that lies in the house of Bedlam.

This is a world of books gone flat.
This is a Jew in a newspaper hat
that dances weeping down the ward
over the creaking sea of board
of the batty sailor
that winds his watch
that tells the time
of the busy man
that lies in the house of Bedlam.

This is a boy that pats the floor
to see if the world is there, is flat,
for the widowed Jew in the newspaper hat
that dances weeping down the ward
waltzing the length of a weaving board
by the silent sailor
that hears his watch
that ticks the time
of the tedious man
that lies in the house of Bedlam.

These are the years and the walls and the door
that shut on a boy that pats the floor
to feel if the world is there and flat.
This is a Jew in a newspaper hat
that dances joyfully down the ward
into the parting seas of board
past the staring sailor
that shakes his watch
that tells the time
of the poet, the man
that lies in the house of Bedlam.

This is the soldier home from the war.
These are the years and the walls and the door
that shut on a boy that pats the floor
to see if the world is round or flat.
This is a Jew in a newspaper hat
that dances carefully down the ward,
walking the plank of a coffin board
with the crazy sailor
that shows his watch
that tells the time
of the wretched man
that lies in the house of Bedlam.
He was a boy dressed in green who flew into the Nursery one night.
He flew in to retrieve the shadow that had gotten separated from him.
He had his fairy and best friend Tinkerbell fly into the room at first.
He followed about a minute later and told Tinkerbell to find it for him.
He watched Tinkerbell fly over a dresser drawer & asked which one.
He ran over to the drawer that Tinkerbell stayed beside & he opened it.
He takes the shadow out & happily holds it in his arms and hugs it.
He tries to stick the shadow on by just putting it on his head and poses.
He then has to pick the shadow up from the floor when it falls off.
He tries again and then sees soap & says he'll use that to make it stick.
He rubs the soap on the shadow or himself & tries to make it stick.
He starts to get very upset because the shadow won't stick itself to him.
He starts breathing heavily & asks, "What's the matter with you?"
He wakes Wendy & she thinks he's crying. "Boy, why are you crying?"
He answers her differently in the recent version from the others.
He just stands up from where he is and bows to her in the other films.
He stands up in the recent version & says to her, "I'm not crying."
He's told in the recent film that he looks like a boy out of a storybook.
He calls himself a "brave adventurer" & Wendy says, "Who cries."
He looks at Wendy and says to her, more sternly this time, "I don't cry."
He asks what her name is, she says, "Wendy Mira Angela Darling."
He tells her his & says, "It's enough for me." when she asks if that's it.
He looks around & asks, "Is this a real house?" Wendy says, "Yes."
He doesn't ask that in all the other versions, they just exchange names.
He does different things depending on what version you watch.
He goes out in the hall in the recent film when a noise interests him.
He tells her some things about himself, like that he is forgetful.
"Second star to the right and straight on till morning." is where he lives.
He tells Wendy this in every single version when she asks him.
He's asked if he gets letters & says in many films, "I don't get any letters."
He says in the recent film, "I don't get any." with a little shrug.
He also says, "I don't have a mother." when told his mother must get'em.
He puts a hand up & backs up when Wendy tries to hug him.
He says, "You mustn't touch me." Wendy puts her arms down & asks why.
He says, "No one has ever touched me." and just looks at her.
He's told by Wendy, "No wonder you were crying." and looks at her again.
He says, "I told you I wasn't. I just can't get my shadow to stick."
He also tells her, "I tried everything. Even soap." points to the bar of soap.
He gets the shadow on with the help of Wendy & is happy again.
He gets a thimble thinking it's a kiss and gives Wendy one to thank her.
He tells her about Neverland & she tells him that she knows stories.
He tells her to come with him and says that they will both fly to get there.
He says before this that he knows fairies & Wendy meets Tinkerbell.
He allows Wendy's brothers Michael and John to come fly with them too.
He teachers everyone how to fly and then they are off to Neverland.
I'm sorry, I think I said before that I was on a Peter Pan kick. Don't worry, I won't write about him again for a little bit. I have other things in mind to write about. Thanks for reading and doing all the others things, or at least one of them, if you did :) Bye!
Pearl smoke Apr 2015
There is a monster
who lives in my head,
she talks to me softly
she wants me dead.
She tells me this time
I'll stay in control.
She tells me not to let anyone know.
She convinces me that
no one cares,
she whispers the pain
is to much to bear.
She tells me how wonderful
I will feel.
She tells me she loves me
and it is real.
She tells me not to call anyone,
My heart starts racing,
she tells me it will be fun.
She tells me not to think of
past times,
she promises I can do it just
once this time
Who is this monster who calls me
by name,
crystal ****
shes waiting to start the game.
ILike This poem.
Still must I hear?—shall hoarse FITZGERALD bawl
His creaking couplets in a tavern hall,
And I not sing, lest, haply, Scotch Reviews
Should dub me scribbler, and denounce my Muse?
Prepare for rhyme—I’ll publish, right or wrong:
Fools are my theme, let Satire be my song.

  Oh! Nature’s noblest gift—my grey goose-quill!
Slave of my thoughts, obedient to my will,
Torn from thy parent bird to form a pen,
That mighty instrument of little men!
The pen! foredoomed to aid the mental throes
Of brains that labour, big with Verse or Prose;
Though Nymphs forsake, and Critics may deride,
The Lover’s solace, and the Author’s pride.
What Wits! what Poets dost thou daily raise!
How frequent is thy use, how small thy praise!
Condemned at length to be forgotten quite,
With all the pages which ’twas thine to write.
But thou, at least, mine own especial pen!
Once laid aside, but now assumed again,
Our task complete, like Hamet’s shall be free;
Though spurned by others, yet beloved by me:
Then let us soar to-day; no common theme,
No Eastern vision, no distempered dream
Inspires—our path, though full of thorns, is plain;
Smooth be the verse, and easy be the strain.

  When Vice triumphant holds her sov’reign sway,
Obey’d by all who nought beside obey;
When Folly, frequent harbinger of crime,
Bedecks her cap with bells of every Clime;
When knaves and fools combined o’er all prevail,
And weigh their Justice in a Golden Scale;
E’en then the boldest start from public sneers,
Afraid of Shame, unknown to other fears,
More darkly sin, by Satire kept in awe,
And shrink from Ridicule, though not from Law.

  Such is the force of Wit! I but not belong
To me the arrows of satiric song;
The royal vices of our age demand
A keener weapon, and a mightier hand.
Still there are follies, e’en for me to chase,
And yield at least amusement in the race:
Laugh when I laugh, I seek no other fame,
The cry is up, and scribblers are my game:
Speed, Pegasus!—ye strains of great and small,
Ode! Epic! Elegy!—have at you all!
I, too, can scrawl, and once upon a time
I poured along the town a flood of rhyme,
A schoolboy freak, unworthy praise or blame;
I printed—older children do the same.
’Tis pleasant, sure, to see one’s name in print;
A Book’s a Book, altho’ there’s nothing in’t.
Not that a Title’s sounding charm can save
Or scrawl or scribbler from an equal grave:
This LAMB must own, since his patrician name
Failed to preserve the spurious Farce from shame.
No matter, GEORGE continues still to write,
Tho’ now the name is veiled from public sight.
Moved by the great example, I pursue
The self-same road, but make my own review:
Not seek great JEFFREY’S, yet like him will be
Self-constituted Judge of Poesy.

  A man must serve his time to every trade
Save Censure—Critics all are ready made.
Take hackneyed jokes from MILLER, got by rote,
With just enough of learning to misquote;
A man well skilled to find, or forge a fault;
A turn for punning—call it Attic salt;
To JEFFREY go, be silent and discreet,
His pay is just ten sterling pounds per sheet:
Fear not to lie,’twill seem a sharper hit;
Shrink not from blasphemy, ’twill pass for wit;
Care not for feeling—pass your proper jest,
And stand a Critic, hated yet caress’d.

And shall we own such judgment? no—as soon
Seek roses in December—ice in June;
Hope constancy in wind, or corn in chaff,
Believe a woman or an epitaph,
Or any other thing that’s false, before
You trust in Critics, who themselves are sore;
Or yield one single thought to be misled
By JEFFREY’S heart, or LAMB’S Boeotian head.
To these young tyrants, by themselves misplaced,
Combined usurpers on the Throne of Taste;
To these, when Authors bend in humble awe,
And hail their voice as Truth, their word as Law;
While these are Censors, ’twould be sin to spare;
While such are Critics, why should I forbear?
But yet, so near all modern worthies run,
’Tis doubtful whom to seek, or whom to shun;
Nor know we when to spare, or where to strike,
Our Bards and Censors are so much alike.
Then should you ask me, why I venture o’er
The path which POPE and GIFFORD trod before;
If not yet sickened, you can still proceed;
Go on; my rhyme will tell you as you read.
“But hold!” exclaims a friend,—”here’s some neglect:
This—that—and t’other line seem incorrect.”
What then? the self-same blunder Pope has got,
And careless Dryden—”Aye, but Pye has not:”—
Indeed!—’tis granted, faith!—but what care I?
Better to err with POPE, than shine with PYE.

  Time was, ere yet in these degenerate days
Ignoble themes obtained mistaken praise,
When Sense and Wit with Poesy allied,
No fabled Graces, flourished side by side,
From the same fount their inspiration drew,
And, reared by Taste, bloomed fairer as they grew.
Then, in this happy Isle, a POPE’S pure strain
Sought the rapt soul to charm, nor sought in vain;
A polished nation’s praise aspired to claim,
And raised the people’s, as the poet’s fame.
Like him great DRYDEN poured the tide of song,
In stream less smooth, indeed, yet doubly strong.
Then CONGREVE’S scenes could cheer, or OTWAY’S melt;
For Nature then an English audience felt—
But why these names, or greater still, retrace,
When all to feebler Bards resign their place?
Yet to such times our lingering looks are cast,
When taste and reason with those times are past.
Now look around, and turn each trifling page,
Survey the precious works that please the age;
This truth at least let Satire’s self allow,
No dearth of Bards can be complained of now.
The loaded Press beneath her labour groans,
And Printers’ devils shake their weary bones;
While SOUTHEY’S Epics cram the creaking shelves,
And LITTLE’S Lyrics shine in hot-pressed twelves.
Thus saith the Preacher: “Nought beneath the sun
Is new,” yet still from change to change we run.
What varied wonders tempt us as they pass!
The Cow-pox, Tractors, Galvanism, and Gas,
In turns appear, to make the ****** stare,
Till the swoln bubble bursts—and all is air!
Nor less new schools of Poetry arise,
Where dull pretenders grapple for the prize:
O’er Taste awhile these Pseudo-bards prevail;
Each country Book-club bows the knee to Baal,
And, hurling lawful Genius from the throne,
Erects a shrine and idol of its own;
Some leaden calf—but whom it matters not,
From soaring SOUTHEY, down to groveling STOTT.

  Behold! in various throngs the scribbling crew,
For notice eager, pass in long review:
Each spurs his jaded Pegasus apace,
And Rhyme and Blank maintain an equal race;
Sonnets on sonnets crowd, and ode on ode;
And Tales of Terror jostle on the road;
Immeasurable measures move along;
For simpering Folly loves a varied song,
To strange, mysterious Dulness still the friend,
Admires the strain she cannot comprehend.
Thus Lays of Minstrels—may they be the last!—
On half-strung harps whine mournful to the blast.
While mountain spirits prate to river sprites,
That dames may listen to the sound at nights;
And goblin brats, of Gilpin Horner’s brood
Decoy young Border-nobles through the wood,
And skip at every step, Lord knows how high,
And frighten foolish babes, the Lord knows why;
While high-born ladies in their magic cell,
Forbidding Knights to read who cannot spell,
Despatch a courier to a wizard’s grave,
And fight with honest men to shield a knave.

  Next view in state, proud prancing on his roan,
The golden-crested haughty Marmion,
Now forging scrolls, now foremost in the fight,
Not quite a Felon, yet but half a Knight.
The gibbet or the field prepared to grace;
A mighty mixture of the great and base.
And think’st thou, SCOTT! by vain conceit perchance,
On public taste to foist thy stale romance,
Though MURRAY with his MILLER may combine
To yield thy muse just half-a-crown per line?
No! when the sons of song descend to trade,
Their bays are sear, their former laurels fade,
Let such forego the poet’s sacred name,
Who rack their brains for lucre, not for fame:
Still for stern Mammon may they toil in vain!
And sadly gaze on Gold they cannot gain!
Such be their meed, such still the just reward
Of prostituted Muse and hireling bard!
For this we spurn Apollo’s venal son,
And bid a long “good night to Marmion.”

  These are the themes that claim our plaudits now;
These are the Bards to whom the Muse must bow;
While MILTON, DRYDEN, POPE, alike forgot,
Resign their hallowed Bays to WALTER SCOTT.

  The time has been, when yet the Muse was young,
When HOMER swept the lyre, and MARO sung,
An Epic scarce ten centuries could claim,
While awe-struck nations hailed the magic name:
The work of each immortal Bard appears
The single wonder of a thousand years.
Empires have mouldered from the face of earth,
Tongues have expired with those who gave them birth,
Without the glory such a strain can give,
As even in ruin bids the language live.
Not so with us, though minor Bards, content,
On one great work a life of labour spent:
With eagle pinion soaring to the skies,
Behold the Ballad-monger SOUTHEY rise!
To him let CAMOËNS, MILTON, TASSO yield,
Whose annual strains, like armies, take the field.
First in the ranks see Joan of Arc advance,
The scourge of England and the boast of France!
Though burnt by wicked BEDFORD for a witch,
Behold her statue placed in Glory’s niche;
Her fetters burst, and just released from prison,
A ****** Phoenix from her ashes risen.
Next see tremendous Thalaba come on,
Arabia’s monstrous, wild, and wond’rous son;
Domdaniel’s dread destroyer, who o’erthrew
More mad magicians than the world e’er knew.
Immortal Hero! all thy foes o’ercome,
For ever reign—the rival of Tom Thumb!
Since startled Metre fled before thy face,
Well wert thou doomed the last of all thy race!
Well might triumphant Genii bear thee hence,
Illustrious conqueror of common sense!
Now, last and greatest, Madoc spreads his sails,
Cacique in Mexico, and Prince in Wales;
Tells us strange tales, as other travellers do,
More old than Mandeville’s, and not so true.
Oh, SOUTHEY! SOUTHEY! cease thy varied song!
A bard may chaunt too often and too long:
As thou art strong in verse, in mercy, spare!
A fourth, alas! were more than we could bear.
But if, in spite of all the world can say,
Thou still wilt verseward plod thy weary way;
If still in Berkeley-Ballads most uncivil,
Thou wilt devote old women to the devil,
The babe unborn thy dread intent may rue:
“God help thee,” SOUTHEY, and thy readers too.

  Next comes the dull disciple of thy school,
That mild apostate from poetic rule,
The simple WORDSWORTH, framer of a lay
As soft as evening in his favourite May,
Who warns his friend “to shake off toil and trouble,
And quit his books, for fear of growing double;”
Who, both by precept and example, shows
That prose is verse, and verse is merely prose;
Convincing all, by demonstration plain,
Poetic souls delight in prose insane;
And Christmas stories tortured into rhyme
Contain the essence of the true sublime.
Thus, when he tells the tale of Betty Foy,
The idiot mother of “an idiot Boy;”
A moon-struck, silly lad, who lost his way,
And, like his bard, confounded night with day
So close on each pathetic part he dwells,
And each adventure so sublimely tells,
That all who view the “idiot in his glory”
Conceive the Bard the hero of the story.

  Shall gentle COLERIDGE pass unnoticed here,
To turgid ode and tumid stanza dear?
Though themes of innocence amuse him best,
Yet still Obscurity’s a welcome guest.
If Inspiration should her aid refuse
To him who takes a Pixy for a muse,
Yet none in lofty numbers can surpass
The bard who soars to elegize an ***:
So well the subject suits his noble mind,
He brays, the Laureate of the long-eared kind.

Oh! wonder-working LEWIS! Monk, or Bard,
Who fain would make Parnassus a church-yard!
Lo! wreaths of yew, not laurel, bind thy brow,
Thy Muse a Sprite, Apollo’s sexton thou!
Whether on ancient tombs thou tak’st thy stand,
By gibb’ring spectres hailed, thy kindred band;
Or tracest chaste descriptions on thy page,
To please the females of our modest age;
All hail, M.P.! from whose infernal brain
Thin-sheeted phantoms glide, a grisly train;
At whose command “grim women” throng in crowds,
And kings of fire, of water, and of clouds,
With “small grey men,”—”wild yagers,” and what not,
To crown with honour thee and WALTER SCOTT:
Again, all hail! if tales like thine may please,
St. Luke alone can vanquish the disease:
Even Satan’s self with thee might dread to dwell,
And in thy skull discern a deeper Hell.

Who in soft guise, surrounded by a choir
Of virgins melting, not to Vesta’s fire,
With sparkling eyes, and cheek by passion flushed
Strikes his wild lyre, whilst listening dames are hushed?
’Tis LITTLE! young Catullus of his day,
As sweet, but as immoral, in his Lay!
Grieved to condemn, the Muse must still be just,
Nor spare melodious advocates of lust.
Pure is the flame which o’er her altar burns;
From grosser incense with disgust she turns
Yet kind to youth, this expiation o’er,
She bids thee “mend thy line, and sin no more.”

For thee, translator of the tinsel song,
To whom such glittering ornaments belong,
Hibernian STRANGFORD! with thine eyes of blue,
And boasted locks of red or auburn hue,
Whose plaintive strain each love-sick Miss admires,
And o’er harmonious fustian half expires,
Learn, if thou canst, to yield thine author’s sense,
Nor vend thy sonnets on a false pretence.
Think’st thou to gain thy verse a higher place,
By dressing Camoëns in a suit of lace?
Mend, STRANGFORD! mend thy morals and thy taste;
Be warm, but pure; be amorous, but be chaste:
Cease to deceive; thy pilfered harp restore,
Nor teach the Lusian Bard to copy MOORE.

Behold—Ye Tarts!—one moment spare the text!—
HAYLEY’S last work, and worst—until his next;
Whether he spin poor couplets into plays,
Or **** the dead with purgatorial praise,
His style in youth or age is still the same,
For ever feeble and for ever tame.
Triumphant first see “Temper’s Triumphs” shine!
At least I’m sure they triumphed over mine.
Of “Music’s Triumphs,” all who read may swear
That luckless Music never triumph’d there.

Moravians, rise! bestow some meet reward
On dull devotion—Lo! the Sabbath Bard,
Sepulchral GRAHAME, pours his notes sublime
In mangled prose, nor e’en aspires to rhyme;
Breaks into blank the Gospel of St. Luke,
And boldly pilfers from the Pentateuch;
And, undisturbed by conscientious qualms,
Perverts the Prophets, and purloins the Psalms.

  Hail, Sympathy! thy soft idea brings”
A thousand visions of a thousand things,
And shows, still whimpering thro’ threescore of years,
The maudlin prince of mournful sonneteers.
And art thou not their prince, harmonious Bowles!
Thou first, great oracle of tender souls?
Whether them sing’st with equal ease, and grief,
The fall of empires, or a yellow leaf;
Whether thy muse most lamentably tells
What merry sounds proceed from Oxford bells,
Or, still in bells delighting, finds a friend
In every chime that jingled from Ostend;
Ah! how much juster were thy Muse’s hap,
If to thy bells thou would’st but add a cap!
Delightful BOWLES! still blessing and still blest,
All love thy strain, but children like it best.
’Tis thine, with gentle LITTLE’S moral song,
To soothe the mania of the amorous throng!
With thee our nursery damsels shed their tears,
Ere Miss as yet completes her infant years:
But in her teens thy whining powers are vain;
She quits poor BOWLES for LITTLE’S purer strain.
Now to soft themes thou scornest to confine
The lofty numbers of a harp like thine;
“Awake a louder and a loftier strain,”
Such as none heard before, or will again!
Where all discoveries jumbled from the flood,
Since first the leaky ark reposed in mud,
By more or less, are sung in every book,
From Captain Noah down to Captain Cook.
Nor this alone—but, pausing on the road,
The Bard sighs forth a gentle episode,
And gravely tells—attend, each beauteous Miss!—
When first Madeira trembled to a kiss.
Bowles! in thy memory let this precept dwell,
Stick to thy Sonnets, Man!—at least they sell.
But if some new-born whim, or larger bribe,
Prompt thy crude brain, and claim thee for a scribe:
If ‘chance some bard, though once by dunces feared,
Now, prone in dust, can only be revered;
If Pope, whose fame and genius, from the first,
Have foiled the best of critics, needs the worst,
Do thou essay: each fault, each failing scan;
The first of poets
valencia May 2019

from dust and broken glass, from silver and stone, an army arises from their shallow graves. and to this day, no one can remember that this is how it all began.

demons run when a good man goes to war.
that’s what they have always told me. there haven’t been any good men here for a while then, because I can still see demons lurking around corners like shadows.

there have always been things in my life I have learned not to question. you do not doubt the stars in the sky, the ground beneath your feet, or the strength of the northernland. we do not question the northernland.

i like to ask myself questions-
after the sky fell, who gathered it all up and put it back in the sky?
they won’t tell us in school.
when the sky fell, what did the stars taste like?
i think it would taste like fire and pain and sugar, like drinking lighting hot lemonade in the summer.
we don’t ask in school.


there has never been enough. money, food, water. in school, they teach us about the war. the war has no name, it is just the war. maybe it will someday. no one dares to name it. you do not name the devil.

we bow to the throne of the northernland, unaware that is was born of lies. the cameras are our leader now. they are all we have ever known.

on Sundays we go to church and pray. the crosses will never hang right and are always turning upside down and the priest is always looking pale. we all look pale, now. the cloud of dust from northernland blocks out the sun most days.

I went to Lou's house today. she has a red front gate and ivy growing in her garden. we kicked a deflated kickball around for a bit, but she kept looking over her shoulder. she pretended to drop the ball behind her but couldn't bend down to grab it because her arm is broken, so I went over. tears were hiding beneath her eyes, but she did not say anything. then her dad came out and watched us play. i didn’t like his smile, it was too wide.

when i wanted to go home, he offered to walk me home. i said i could do it by myself. wouldn’t want you to get into trouble he said, somehow smiling wider. lou made herself laugh and smiled too, but it wasn’t a real smile. as we walked home, he didn’t turn his head away from me, even to cross the street. i looked deep into his pupils, which were so wide they covered the colored part. i swore i could see someone behind them, watching. i didn’t say anything. after i went into my house,
he stood out front for a long time, watching. then i heard. shout from the basement but the door was locked as always so i got scared about that instead and when i looked out front again he was gone.


today in school i fell and skinned my knuckles. the blood that came was strange, reddish-orange. teacher grabbed my hand and bandaged it right away before i could get a good look at it. she said you mustn’t tell your mother.

teacher doesn’t know that mother went to go live in the White Building, a place for people who hear voices and don’t like the government and have to be restrained so they don’t hurt people. i don’t say any of this, i just nod my head ok.

sometimes i worry, about alistair. he’s a gravedigger and everyday when he comes home he looks so empty. he won’t tell me why he’s so sad but once i heard him tell canary that the graves just get bigger everyday and then after a long time he said but there are always to many bodies

i tried to listen more but he found me behind the wall and when i asked him why there were so many bodies he said there’s a sickness, that’s all
then after that teacher made us all wear cottons masks that are itchy and make it hard to breathe.


on the telly today the man in the suit announcer we had another victory but i don’t understand how we can have victories without winning the war. the man in the suit tried to show a picture but all we saw was a blurry mess because alistair said sometimes things can’t be shown on the telly but i don’t know why. i doesn’t make sense why they would restrict anything anymore. we now what it looks like. a flat landscape paved with bodiesaccented with blood.
we aren’t supposed to know about that though.

in school, teacher tells us there have been no casualties of the war. but only when principal is watching. when he’s not she’s stuffs our coats beneath the crack and the door and tunes the telly to a different station- one that’s fuzzy that she has to hold a hanger to in order for us to see anything. and she’ll flip back and forth between leader of the northernland and say this is propagandam  and then turn the **** back to the man in the suit, and then say this is the truth

i don’t know why teacher tells us these things.


listen- do you hear it? i can hear planes buzzing overhead. teacher says to ignore it. teacher says we aren’t supposed to hear.
alistair never lets me go in the basement. he keys the key round his neck, even when he’s sleeping. he says it’s dangerous down there. but i’ve always been too curious- that’s what principal says. he looks at me with those stern different colored eyes and says curiosity killed the cat every time ms. hoth brings me to his office for doodling. i still have no idea what a cat is. cardeully, he erases my drawings and put the paper neatly into his desk. we waste nothing here. go home is all he says. but i know what he means. walk home in silence and do not ask questions, do not look behind curtains and do not wander off.

today mari has her birthday party. her mum wasn’t there. i can tell lou noticed because her eyes were scanning the room all strange, but she didn’t say anything. i didn’t ask. mari looked all scared and the camera of the ceiling fan hadn’t moved from her in a long time. i wondered who was watching her.

later, mari pulled me beneath her bed. i tried to say something but she covered my mouth with her hand. they’ll take me for telling you
was all she said.
but i have to tell someone.

i knew the feeling.
after a long time she took her hand off of my mouth and said mums in the garden

while she opened her presents, the mandatory ones from the northernland that are no fun, i tried to look out the window to see her mum. the only thing i could see in the garden was a pile of freshly turned earth. lou caught me looking and grabbed my wrist. she said you mustn’t look.

when i come home there is a woman sitting at the kitchen table, and with her there are four ravens. she is royal, i can feel it in the way she sits and breathes and just exists. she looks at her hands and then at me. but this lady is not a guardian angel, like the kind canary says is always looking out for us. i am not an angel. she says. she is not from the northernland, but not from here either. i know is all i say, because i am not alarmed that she is here and that there are cameras and that she does not belong. i know she is not real. and she says i am a godess. i do not doubt her. she sits up, and puts the ravens about her in her hair and on her shoulders and the like. this is an omen. i nod, because why else would a goddess be at my kitchen table? and then she is gone because she was never really there, and i wash my face and make sure i am no longer seeing people that are not there, because i don’t want to go live in the White Building like mum.


they are always watching us at recess- we mustn’t stand or walk anymore. we have never been allowed to run. there are cameras everywhere now, too. they see everything like a great waking monster that never sleeps. i thought i would feel safe with the cameras, but the back of my neck feels prickly like there’s somebody standing behind me and when i spin around and look the mushroom is empty except for me.

the only place there aren’t cameras is under alistair bed. i go and hide there sometimes, just to forget the feeling of being watched. that’s where i read the stories that alistair’s written. in them, he talks about a sky as blue as the ocean.
i have never been to the ocean. i remember the sky used to be blue, but never really. now it is a sickly grey.
canary caught me looking at the sky once and pushed my head down. she said don’t let them catch you looking or they’ll put cameras in your eyes.
i believe her.


today we went to mandatory meeting, where they passed out rations. there is always less and less then there was last time. while we were there they made us watch a video where the leader of the northernland talked about how well we were doing in the war and how this would almost be over soon. he also reminded us that if we were past curfew there would be serious punishments.
for rations we got a red powder called kool-aid that you mix with water to make juice. we also got a loaf of white bread, a browned banana, circular crackers and a warm jacket. alistair took the jacket and left for work.

canary always looks worried. ever since mom went bonkers i haven’t seen her not wearing her worry lines. i can’t believe she’s only six years older than me. to alistair that doesn’t seem like a long time. to me, six years is an eternity. as long as a war.

canary watched alistair go at the window for a long time, long after he disappeared into the fog. then, all of a sudden, she turned around and said i’ll help you with your homework. i didn’t tell her that i knew how to multiply fractions. mom always used to say that if you were busy you weren’t worried. canary made me a cup of red juice and her hands shook so much she dropped the glass.
pity, that was our last one. it seemed to shatter in slow motion, and i could see every piece break slower and slower.

the day seemed to go by slowly, the cold sleeping into my bones and making me sleepy. i wa so thirsty, so thirsty. i wasn’t allowed anymore water till friday though. if you drink to much of it at once you get sick. i begged canary to let me drink from the stream in the garden but she wouldn’t. it’s black and thick, and smells like nail polish.

the last time i punted my nails was for dads funeral. i remember canary used her last bottle of nail polish to paint my fingers black, so as not to have anybody see the dirt under my fingernails. it didn’t matter, in the end. we were the only ones who attended.

canary is flying together the pieces of the glass with tacky glue. i can’t bear to tell her that all the glue in the world would never be enough. the shards are too small. she’s fills it back up with red juice and fora moment all is well, but then the glass can’t take it anymore and collapses with force into her hands. kool-aid runs down her fingers like blood. intermixed is real blood, from the cuts the glass left. she looked at it for a long time, letting the blood run down her fingers like that.

then she said what a waste


alistair is sick. principal gave us ibuprofen but all it does it make him feel empty. he begs us not to give him more but it’s the only things that will take his fever down. he thrashes in bed and screams ****** ****** and i worry he is going to be like mom, always seeing things and hearing things. maybe he can go live with mom in the White Building. mom would like that, if she could remember alistair.

i have been sleeping at school, because canary doesn’t want me to get sick. the dorms are cold and empty and heavily sanitized. i miss canary and i miss alistair but canary won’t let me come home. i don’t know what she would do if i was sick. so i stay. and every night, i say to myself i hate the northernland i hate the northernland i hate
but i say it in my head,  because i am worried they will come for me.
sometimes i worry about canary getting sick. she says promise i wont, sunshine but i know she never worries about herself. teacher gave me flowers to send to alistair. the card says “get well soon” it has been a long time since i have seen real flowers. most are fake, like the ones teacher sent alistair. i don’t mind. it’s the sentiment that is important.


today at church preacher said and let us pray for our sick
they have stopped re adjusting the crosses. the remain upside down and no one looks. except me. i was looking, while we were supposed to be praying, but canary pushed my head down and said  pretend you can’t see them.
that’s  when i knew she sees things too.

i remember when i came home from school and found mum. there was paper all over the house, because she’s been doing her drawings. it was on the walls and floor and crinkled up under the boxes, all pictures of the northernland and the pastor and everything. and she said there is no god. there is no god. there is no god. alistair covered her mouth but it was too late, the northernland men were already here. she drew here pictures more violently scribbling and slashing with my art pencils. she drew alistair and canary and father, but not me or her. there was lump in my throat. she picked a new piece of paper and drew god, above us all, but she kept saying there are no gods there are no gods there are no gods, and she slashed and scribbled at the paper, and the northernland men were knocking, watching us through the cameras, and mum pulled me down next to her. i could see blood beneath my skin she held me so tight, and she had. a thousand stars in her eyes that were all spinning, saliva dripped down her chin and  she did not look my my mum anymore. she looked lost. she said the gods have abandoned us.

after the northernland men took her to live in the White Building, her drawings were left on the floor. alistair gathered them all up and threw them in the basement and locked the door. then he put the key around his neck. at least, i think that’s what’s in the basement. i have never told alistair, but i took the last drawing she did, of me and her and a boy. i stuck it with glue to the very back of my dresser drawer, so no one will ever find it. in the picture, my lips looks like there are sewn together with greenish yarn. this has always scared me. mums mouth is open and she is screaming, but there is no tounge inside her mouth. the boy looks normal, and he is holding my hand. this boy is not alistair. this has always scared me. this has always scared me. this has always scared me. it’s only a picture.


i keep finding myself in that moment-
when canary broke the glass and cut her hands, spilling red juice and blood like lines on her hands. she sat there for a long time, just looking. maybe it’s stuck with me because she was just looking, when we’re never supposed to look.

the clocks tick slower and slower everyday.


teacher wasn’t at school today. instead we have a woman with blinding hair and an accent from the northernland. nobody asked where teacher went.
we don’t want to know. the hanger and the telly were gone, too.

when i got home i was feeling really sick with tears. i told alistair they’ve taken teacher. his eyes widened and he ****** his head toward the camera. canary dig her fingernails into my arm. of course they haven’t was all he said. that’s silly.

then he looked off into nothing for a long time. i just looked straight into the camera.


at recess the northernland woman was acting real strange. she sat with us on the pavement and when the camera tune we it’s invasive x-ray eyes away she whispered your teacher has been taken by the northernland.

nobody said anything. nobody says anything, anymore. i think if we even spoke to many of us would cry. and then the cameras would look at us. so we just stared into space.
in our hearts, we already knew. but i still wanted to scream.


today was idyllic. sun came through the smoke and lit the sidewalk up orange. the woman from the northernland asked us what we would want if we could have any powers. almost everyone said healing. i said flying. maybe it’s because i’m selfish, all i want to do is fly away. but maybe it’s because i’m honest. i’m getting tired of not hearing the truth.

just to see if i could do it i ran all the way home. my feet seemed to leave the ground, its was as if i was actually flying every time i took a step. but then i landed and took off again.
i hadn’t run in a long time.
my chest seemed to hurt with a good  pain, if pain can be good.
i wanted to tell alistair but canary wouldn’t let me see him. i just need to you to get warm was all she said. over and over. but i’m boiling he said. it was quiet for a long time. it’s going to be alright. she said it again. twice. three times.

you know that feeling when you feel sick to your stomach, not because of disease but of fear. and mixed up in that sickness are tears and realization and you feel weak and helpless.  that’s how i felt when they took mum. that’s how i feel now.

i don’t know why, but a sudden hatred for the northernland boils up in my stomach. i think i am going to be sick. i turn around and run, run as fast as i can until i am at a strange gravel alleyway hidden behind some trees. i rest there for a long time, looking into the darkness after the cliff face. i know where i am. i am in the abyss, a place forbidden so long ago by alistair i had never thought to come here. i don’t break rules, i just ask questions. but i am here. at the abyss. where nobody should ever be.

death is a sense. just like touch or smell, death is a feeling. i could feel it in my heart. in my bones and in my veins. it crowded about our house like fog in the summer. and all i wanted in the world was for it to go away.

teacher today told us about the northernland, how it was kind and safe and loved it’s people. the lie seemed to cuddle in her throat. nobody has ever gotten kindness from the northernland. the northernland started the war and has starved and survieled us to no avail. i know there was a time before, but i do not understand how that could have been. but i still haven’t  made peace with the cameras.

the abyss is where people go to go crazy. your screams bounce off the walls of the hole, but you cannot see them because it does not have edges. you cannot see the bottom or the sides of anything, just darkness. then the northernland men in the gas masks come in their yellow trolley and take you away. the abyss is where the devil lives, in a bottomless hole to the middle of the world.


i met a boy who lives in the abyss. he is made of sunshine and glitter, and plastic and paint and peace and everything that is beautiful.

but he is not really there. instead, he is almost see through. sometimes he is there and sometimes he is not. i know he isn’t real, just an imaginary friend. i am not like mum, who saw imaginary people and thought they were becoming real.

i did not say much to enyo, instead i said the only thing i was thinking. saying it made me feel sick.

i think alistair is going to die.

as i said it, it echoed off the walls of the cliff.
suddenly it was all too much. i was all too much. my heart started beating fast and my mouth felt dry and i stood up. i didn’t mean to cry but i did, big wet tears the dried my skin. i don’t want him to die. i said over and over.
my words echoed against the cliffs, i didn’t  sound like me.

i woke up a long time later next to enyo. i looked into the void that filled the space between the cliffs and the beyond. i wonder of that’s where heaven is i said. i pointed into the nothingness that felt all consuming. enyo said nothing. he looked as empty as i felt.
a long silence later i said he’s not going to die is he? enyo looked me in the eyes for the first time and i realized his were a beautiful black, layer upon layer of black and brown. he said what do you fear more, the echo or the answer

but enyo was not there at all. he is only imaginary.


preacher came again to the house and said that alistair is better. that his fever had broken. i didn’t know fevers could break. i asked him about what being sick feels like, and he took me outside to the garden and we sat on the piles of rubble that used to be the neighbors. he said that your brain gets confused, and everything seems fuzzy and mixed up. i can’t help but think that must be awful for alistair, he was always orderly.

today mari has her birthday party. her mum wasn’t there. i can tell lou noticed because her eyes were scanning the room all strange, but she didn’t say anything. i didn’t ask. mari looked all scared and the camera of the ceiling fan hadn’t moved from her in a long time. i wondered who was watching her. i know who was watching her.


i go down to the cliffs, but enyo isn’t there. schools closed for sanitization, so i have nothing to do.  i swing my legs off the edge for a long time. i don’t dare say anything, i hate how it echoes back. i look deep into the bottom but i can see nothing.  it is only darkness. something at the bottom feels like is calling to me, tugging at me to come. i turn my back.
was this before or after the preacher came? i am trying to remeber in order, tell you this story radially like teacher says.

i go home and canary’s there waiting at the window. she says here i’ll help you with your homework. no, no, no NO NO NO NO NO NO. that did not happen after, that happened before.

i can hear the ticking of the clock in my ears, slowing down.
maybe i’m going crazy.

i’m sitting on a bench, but i cannot remember where. enyo is beside me and he is talking. in my chest i feel something strange, like it is moving and jumping. i feel queasy but it also feels nice.
i look over and he’s bleeding, golden blood from his eyes and mouth running down his chest. i want to scream but it stops in my throat. enyo puts a finger to my lips and the scream goes away.

he isn’t bleeding anymore. we’re holding hands. are we holding hands? teacher tells us not too, it will make us sick. but enyo is different. enyo doesn’t go to school. i feel as if my hands are sweating but it doesn’t matter, he doesn’t say anything.

i wake up cold. it felt so real, it all felt so real. my arms feel heavy.
i’m alone on a bench by the abyss. smoke fills the air and makes it hard to breathe.

mari wansnt at school today. i know the northernland took her, broken bones and all. i remebemer becaus lou told me while alistair was sick. but that was days ago. i am sorry, it’s just so hard to tell the story in the proper order. my head hurts.

i’m sorry if i cross out bits, it’s just that as i understand more i change the words. doctor says to stop doing this, but i want you to know the truth. the clocks are going slower and slower lately. alistair can’t work anymore, the preacher said so. i was going to tell him about enyo, how he is real now, not imaginary, but i didn’t know how. there aren’t words to describe him. looking at him makes crows beat their wings beneath my ribs, but i don’t know why. I sit with alistair after class but i can’t think of much to say. he doesn’t seem like my brother anymore, just a body lying on the floor.

doctor says i am defamilirazing myself, telling the story like it did not happen to me. telling it in all the wrong bits. i will try and tell it in the right order, but my head hurts. my head hurts so much. doctor won’t tell me why i need to explain, what the tape recorders are for or the make i have to wear the mask or why i’m here, what happened to my family. he won’t tell me why every time i say it like it was in the past and not happening right now he checks me for a fever. all he tells me is to start at the begging.

the blonde woman from the northernland has a ring in her nose, but i do not know why. when i ask her she doesn’t seem to understand. she doesn’t talk anymore, either. just points at things on the board. i dreamt that she had her tounge cut off, but that was just a dream. the northernland would never do that to someone.

alistair is dead.
preacher says the disease took him, but i do not know which. the real sickness or the brain washing of the northernland. i think it was both, because the sickness made his brain weak so the mind-poisoners could break in. it’s okay, he wasn’t my brother anymore. doctor says that i never loved him.

church has ended and we are walking home, just arrived when our door opens. i wonder who would w at to come to this house, where the walls smell like death. the northernland woman is at our door, standing in the place the cameras cannot see her. she is smart. canary opens it and the northernland woman opens her mouth. there is no tounge or teeth, and the sides of her throat are black. i scream, so loud and shrill that i cannot believe that i am making this noise. my heart is in the center of the earth, fear running through my brain and i am screaming. canary covers my mouth. it doesn’t matter, the cameras were already looking.

canary pushed me to the floor and dragged me under the bed. i could feel the cameras following us the entire way. when she sat up, her pupils looked strange, the ways moms did when she ways seeing the people in the walls. anger seemed to hide in her voice, she was trying not to be loud but to me it felt like she was screaming, she had never thrown words that hit me like knives before. she told me never to scream or else the men behind the spying eyes of the camera would come for me. what would i do without you she yelled, but it wasn’t yelling it was crying. she help me close to her chest and i could feel her breathing and her heart beating, sparratic and short. she cried into my hair, until it was soaking wet with tears. this was when i knew canary was lost.

enyo is in the void, just there. he is very pale today, and he doesn’t say anything for a long time. we have gotten to holding hands now. i have never held hands with anyone, and my fingers feel strange and clumsy. tecaher used to say that touching was against the rules, but i am so sick of rules that i am now glad to break them.
all at once, it occurs to me that there could be cameras here. there are cameras everywhere. i don’t know why this has never occurred to me before. suddenly i dont care, i want them to see. i stand up and scream as loud as i can.

after i screamed, no one came for me. even when i go back, i don’t feel safe anymore. i ruined the only place i felt safe.

enyo is gone. i go everyday and yell for him, but he left when i screamed. he is still missing. i’m worried for him, but at least i know the northernland has not taken him. a sick feeling in my stomach asks me if enyo was ever real. i know he was. but it is still there, pulling at my head. of course he was. i felt his skin, rough and broken. imagination can’t conjure up real people.
but then i think of mom. how her fever got so high she started to see people that weren’t there. my head hurts so much, like someone is trying to break out of jail in my skull. i am angry, for the first time in my life. enyo was my only friend, the only one who could see through the blanket of the northernland skies. i scream for him ENYO ENYO ENYO ENYO ENYO ENYO, but i am not mad, i am crying and crying so much and loud that someone puts their hand over my mouth, but there is no one there. i am suffocating. i turn around and i can’t breathe, my vision is tunneling into the abyss.
i am sick.

someone is holding my body, but their skin is cold. i open my eyes but i can only see shapes. i am on the gravel and the sun is orange, just like always. i am alone. but can feel someone’s tears, touching my cheeks. i sit up as fast as i can, and i am seeing stars but i just need to look. we are never supposed to look but i am going to see.

the northernland is punishing me.
enyo is making me sick.

enyo is there beside me, crying. i have never seen him cry and something rises inside me, and all i want to do is put my arms around him, so i do. slowly he gets warmer and feels more solid. let the cameras watch, let them see.

im running, running by the tips of my feet and pushing me off the ground, i’m flying. i have to get home.  i think of the first time i ran, letvthe cameras watch, talked to enyo. all the times i’ve broken the rules. i has always hated the northernland, but i had witnessed something better. i had talked to enyo, heard stories of what it was like before. a hatred so strong curcdled beneath my ribs and made me want to punch someone. i ran and ran and ran and ran, shouting HE CANT DIE
i shouted. HE CANT DIE HE CANT DIE HE CANT DIE HE CANT DIE HE CANT DIE HE  CANT.     he is going to die.

i saw a raven in the wire pole today. it was big against the grey sky and he watched me as i walked into the house. i hadn’t seen a raven in a long time, so i turn to enyo to tell him he looks like a raven. he smiles, but he is. if there. enyo was never there.

alistair has gone back to work, though i think he shouldn’t have. he tells me the symptoms of the disease when he gets home. headache,seeing things, bleeding from your insides. i play with the ring on my finger, trying not to ask if that’s what happened to mom. i open my mouth but a rock lives there, and i cannot move it without crying.

doctor tells me to get off the floor, that i can stand now. i stand up and he puts me on the table. he is old and pale, with shiny grayish eyes. tell me what happened to alistair he says. i do not understand. what happened to alistair?

mari wansnt at school today. i know the northernland took her, broken bones and all. i remebemer becaus lou told me while alistair was sick. i go home alone, and cold. i feel like there is a little green man in my lungs running a garden hose. i think back to the time when i ran, the first time i broke the rules. nobody came for me.
i can’t run anymore, my arms feel heavy and when i cough thick red bloods comes out of my mouth. it must be the smoke. I go home, and canary is at the window. she is crying in reckless abandon, shamshing on the door with her fists. two men from the northernland are holding her back, and one hits over the head with a black stick. alistair is being carried out on a stretcher.
look what the northernland has done to my family. all for the sake of this stupid war. i can’t remember who we’re fighting and yet my sister and my brother have died for the cause.
enyo says they are not dead. but enyo is not there, he was never there.

i screamed again. i know canary told me not to, that cameras would look into my eyes and into my head. but i saw the northernland man coming up the street in his yellow trolley, straight for lou’s house. when the door opens she is wheeled out on a stretcher. so i screamed, because lou is dead and the war with no name had killed her. the devil had killed her.

canary grabbed me as the camera looked at me, as every camera in the house was trained on me. there was a disturbance in her eyes i had never seen before, like she was not all there. she grabs my arms and is much stinger than she should be. she opens the basement door and i scream again, because now i know what’s in the basement.

more northernland men than i have ever seen are in the basement, and when the door opens they look up. somebody take sme from canary and i scream and writhe and kick, but they pull at my body until my skin tears.

when i wake up, i am holding very still, and i cannot move if i want too. doctor says this is called  paralysis. there is a very bright light and a searing pain, it’s hurts so much my body is burning. cascades of blood come down into my mouth, and someone is sticking my lips with pins. this hurts more than anything that  has ever happened to me. it hurts in a deep ache, not just on the surface, and my entire body wants to shudder. my lungs are filling up with blood, because it hurts to much to breathe.

when i wake up i am in my bed, in my house. more relief than i have ever felt washed over me, because it was just a nightmare.

i used to have nightmares where there was a man in my room, saying numbers out of order. but then preacher says that if i talk to god before bed and make sure my blood is pure of doubt for the northernland, then i will not have nightmares. this is why i have had this nightmare, because i was disbelief the northernland. i do not care, because it was only a dream. i will never hail the northernland.

my lips hurt, and i wonder if in the night i bit my lips because of the dream. that happens sometimes. i dress and get ready for school, and catch myself in the mirror before i go. i turn fully toward it to make sure i am not hallucinating. in the great horror of it all, i try to scream, but it stays in my throat. i cannot scream, or make any sound at all.

my lips are sewn shut with green thread.

everyone at school is quiet. anna covers her mouth and big wet tears fall on the ground. mrs. hoth takes her to the office, and the cameras follow them all the way there. we say our pledge and do our arithmetic, but i cannot say anything. i hate the northernland.
i hate it, i hate it. and i realize this is why they have silenced me.
the northernland woman is gone, and a man in a yellow coat teaches us arthimatic.
the clock on the wall is barley ticking now.
lou sits at the desk in front of me, her hair greasy and skin pale blue. she turns round, just like the old days, but isstead of telling me what the answer is or who’s the cutest or any of the normal things, all she says is run. her mouth makes an o and she closes her eyes and rests her head on the desk.

when i blink, she is not there. i am alone in the classroom.

i go to church by myself, because i havent seen canary since she sewed my mouth shut. she is not my sister anymore, and i pretend i don’t care what happens to her in that basement.

when i get there preacher is not there, there is nobody there except the northernland woman. she comes and sits next to me and runs her fingers across the stitches. we pray together, even though we can’t say anything and there is no sermon. when we walk outside there is an officers car, and she is handcuffed an put in the back. the man who has taken her gives me a sticker, with a little white cloud on it. it says trust in the northernland. i do not trust the northernland. i do not trust anyone.
i run away as fast as i can and throw the sticker into the ground, but it still seems to follow me inside my head. trust in the northernland. trust in the northernland. trust in the northernland. trust in the northernland. trust in the northernland. trust in the northernland. trust in the northernland.

enyo is at the abyss, waiting. he says i am killing you. and i understand, it all makes sense now. but he is all i have now. if the only thing worth living for is killing me, that is what doctor would call dramatic irony. i do not feel dramatic, i feel used. the northernland has used me and used my family.

doctor says that when telling a story i need to define who is the antagonist and the protagonist. the antagonist is someone who antagonizes people. doctor says this means evil. this is hard for me to understand, because everyone is evil. this is not a story, and it does not have characters. the peoples i have met in my life are all complex and strange, evil and good and unpredictable. doctor says ok and that we will try again tomarrow.

mari wansnt at school today. i know the northernland took her, broken bones and all.
mari wansnt at school today. i know the northernland took her, broken bones and all.
mari wansnt at school today. i know the northernland took her, broken bones and all.


enyo is at the abyss, waiting. he says i am killing you. and i understand, it all makes sense now. but he is all i have now. if the only thing worth living for is killing me, that is what doctor would call dramatic irony. i do not feel dramatic, i feel used. the northernland has used me and used my family. doctor says to be thankful of the northernland, that they did not use me. i turn away from enyo because even though i love him, i am loyal to the northernland.
i am thankful to the northernland.
i am thankful to the northernland.
all hail, all hail.

love alistair
fire element
exposing government secrets
enyo gets more real as he is dying.
preacher dies.
alistair goes crazy, then dies.
something in basement.
Very low IQ but the only one smart enough to see
enyo is a ghost
canary goes crazy and sews our mouth shut.
fall in love with enyo.
not told radially
told in sgememgs like cross cross
deep symboling
Marymay21 Mar 19
468 days till I'm out of this place
468 days till I graduate
468 days till I'm out of this space
468 days till I escape

This place that brought me rules to follow
This place that brought me expectations to exceed
This place that brought me wishes to fulfill
This place that brought me dreams to give up

This place that consistently tells me that I must act prim and proper
This place that consistently tells me that I must have perfect grades
This place that consistently tells me that I must be involved in activities
This place that consistently tells me that I must stand out

Stand out
Stand out but not in bad way
Let your voice be heard, but don’t speak too loud
Show your curves, but not too much because that degrades you
Be smart, but don’t be nerdy, dorky or quirky

This place that brought me tests every other week
This place that brought me heartaches and headaches
This place that brought me back stabs and betrayal
This place that brought me all nighters to makeup for my lazy group mates

This place that consistently tells me that I must not ***** up
This place that consistently tells me that I must not waste my time
This place that consistently tells me that I must not have too much fun
This place that consistently tells me that I must not have infatuations

Infatuation is just an observation with a cost
Love your friends but don’t get too close
Have hobbies but don’t waste too much time doing them instead of studying
Befriend everyone but not with any guys

This place that brought me tears
This place that brought me fears
This place that brought me cries
This place that brought me lies

But i might miss this

468 days till im going to miss this place
468 days till i graduate
468 days till i miss this space
468 days till i miss this place i underrate

This place that brought me inside jokes and goofy smiles
This place that brought me song lyrics and theater performances
This place that brought me fundraisers and field trips
This place that brought me late night conversations on calls

This place that constantly reassures me that I am not useless
This place that constantly reassures me that I am not what others define me as
This place that constantly reassures me that I am not unworthy of what i tried so hard to achieve
This place that constantly reassures me that I am doing well for someone who’s only seventeen

Seventeen might be too young
Too young but i know what i feel is real
All the nights talking about everything about nothing
The birthday gifts we shower each other with

This place that brought me happiness
This place that brought me those brown eyes and freckles on his smile
This place that brought me boys now we call ex
This place that brought me valuable lessons

This place that constantly reassures me that I don’t need man to be happy
This place that constantly reassures me that I am beautiful no matter what others think
This place that constantly reassures me that I will be alright
This place that constantly reassures me that I will be ready for when I leave

All we ever talk about is leaving
Run away, as far away from home
Can’t wait to get out, but soon I would look for every excuse to return
Just wanna run away but keep coming back to this place

This place

This place that brought me memories
This place that brought me laughter and joy
This place that brought me friends and love
No other place like this
my submission for a poetry slam <3
RAJ NANDY Aug 2018
Dear Poet Friends, I conclude this series on The Enigma of Time by mentioning few important features about the concept of Time according to Modern Philosophy and Science. I have used a
simple format, and also tried my best to simplify the concepts for your kind appreciation. Unfortunately, there is no provision on this Poetry Site to show Diagrams to elucidate! If you like this one, kindly repost the same for wider circulation! Thank you, Raj Nandy, New Delhi.
                      PART THREE – BY RAJ NANDY

UNREALITY Of TIME : Mc Taggart’s ‘A’ and ‘B’ Series:
Now skipping through the pages I come to Modern Philosophy, with Mc Taggart the British philosopher of the 20th Century.
He had acquired a substantial following with his 1908 paper on the ‘Unreality of Time’ initially.
With his quibbling argument he states, that moments in his ‘A’ Series of Time are either of past tense, present tense, or of future tense.
It is all about human perception, since we experience the past through our memories;
Become aware of the present through our senses, while future is pretty unknowable.
Here time appears to be flowing through us, as nothing remains stable around us!

In his ‘B’ Series of Time Mc Taggart expresses differences in moments of time as either Before or After,
Without using the tenses used in his ‘A’ Series of Time.
All parts in time can be expressed equally as points along a time line, in the absence of past, present, and future tense;
While here we appear to be flying through time in a metaphorical sense!
Thus in the ‘A series’ time appears to be flowing through us, but in ‘B series’ we seem to be flying through time on a timeline created by us!
Therefore, Mc Taggart finds both the ‘A’ and ‘B’ Series describing Time to be inadequate and also contradictory;
And he finally concludes that Time is unreal and does not exist in reality!

How Mc Taggart’s Theory Was  Updated :
Modern Philosophers have re-casted Mc Taggart’s theory in term of findings of Modern Physics.
His A-Theory is updated into ‘PRESENTISM’, which holds that only thing that is real is the ‘present moment’.
In ‘Presentism’ time has no past or future, and time has no duration either!
All things come into existence and drop out of existence, and past events no longer exist;
And since the future is undefined or merely potential, it too does not exist!

His B-theory is re-formulated into ‘ETERNALISM’ or the ‘Block Universe’, influenced by the later Theory of Relativity.
‘Eternalism’ holds that past events do exist even if we cannot immediately experience them, and future events also exists in a very real way.
The ‘flow of time’ we experience is just an illusion of consciousness.
Since in reality, time is always everywhere in an eternal sense!

Theory of Growing Block Universe:
It was proposed by the Englishman CD Broad in 1923, as an alternative to ‘Presentism’ where only the present exist;
And also as an alternative to ‘Eternalism’ where past, present, and future together also exist.
In ‘Growing Block Universe’ only the past and the present exist, but not the future.
Since the growing of the block happens in the present, with a very thin slice of space-time continuously coming into existence;  
Where consciousness as well as the flow of time are not active within the past,  
But they can occur only at the boundary of this ‘Growing Block Universe’!
Few scholars this concept did criticise, saying that in this theory the word ‘now’ can no longer be used to define Time!

But according to Einstein, this perception of ‘now’ that appears to move along a timeline, creating the illusion of ‘flow of time’, arises purely as a result of human consciousness;
And the way our brains are wired due to our evolutionary process, enabling us to deal with the world around us in a practical sense.
“People like us, who believe in Physics, know that the duration between the past, present, and the future is only a stubbornly persistent illusion,’’ said Einstein.

A poem on ‘The Paradox of Time’:
Now to lighten up my Reader’s mind, I present only the first three stanzas from ‘’The Paradox of Time’’, composed by the British poet Austin Dobson:
  “Time goes, you say? Ah no!
   Alas, Time stays, we go;
      Or else, were this not so,
  What need to chain the hours,
  For youth were always ours?

  Ours is the eye’s deceit
  Of men whose flying feet
     Lead through some landscape low;
  We pass, and think we see
  The earth’s fixed surface flee,
     Alas, time stays, we go!

  Once in the days of old
  Your locks were curling gold,
     And mine had shamed the crow.
  Now, in the self-same stage,
  We’ve reached the silver age,
  Time goes, you say? - ah no!
       Alas, time stays, we go!”
Brief Background:
I commence with quotes from the ‘Book of Genesis’ - Chapter One, along with my thoughts about Light and Time,
Before concluding this series with Albert Einstein’s concept of Space-Time.

“And God said, “Let there be light,” and there was light. God saw that the light was good, and he separated the light from the darkness. God called the light “day,” and the darkness he called “night.” And there was evening, and there was morning—the first day. ……And God said, “Let there be lights in the vault of the sky to separate the day from the night, and let them serve as signs to mark sacred times, and days and years, and let them be lights in the vault of the sky to give light on the earth. And it was so.”
                                                      - BOOK Of GENESIS Chapter One.

Since ancient days, Light had acquired a religious and a spiritual significance.
Since Light became associated with goodness, intelligence and ultimate realty;
Light accompanies transcendence into Nirvana of Buddhist religious philosophy.
In due course the Sun began to be worshipped as an important live-giving deity.
As seen in the symbolic form of Egyptian Sun God Ra, and the Greek gods Helios and Hyperion as the Sun god and god of Light respectively.
In Hindu mythology Surya is the Sun god, and Ushas the goddess of Light.
Huitzilopochti, both the Sun god and god of War of the Ancient Aztecs was kept pleased with human sacrifice!

Plato, during the 5th Century BC said that God was unable to make the World eternal, so gave it Time,  - “as the moving image of eternity.”
While some seven hundred years later St. Augustine in his ‘Confessions’ said,
That when God created the universe out of darkness with light, “the world was also created with Time, and not in time.”
Thus along with light, time also began to flow, while our scientists discovered a connection between the speed of light and time, few centuries ago!
To understand this connection between light and time, we must first understand something about the properties of light.
Light is the visible part of the electromagnetic spectrum* which can be perceived by our human eye.         (See Notes Below)
As seen in the red, orange, yellow, green, blue, indigo, and violet colors of the Rainbow in the sky,
When water droplets acting like countless prisms break up white sunlight!
Now this electromagnetic spectrum also contains the ultra violet and infra red spectrum which our eyes cannot see.
But this entire electromagnetic spectrum contains Photons, which are discreet packets of zero mass less energy.
In a vacuum light photons travel at 186,000 miles for second, which Einstein declared as the cosmic speed limit, and as an universal constant.
When a photon strikes the eye, it is turned into electrical energy that is transmitted to the brain to form an image which we call sight.

NOTES : Gama-rays, X-rays, Ultraviolet lights, have shorter wave lengths & more energy than Visible light. But Infrared, Microwave, Radio waves, with larger wave lengths are less energetic than the Visible spectrum of light. Sir Isaac Newton using a prism had discovered the spectrum of visible light, & used the word ‘spectrum’ for the first time in his book ‘Optick’ in 1671.

In his Special Theory of Relativity of 1905, he stated that nothing can move faster than speed of light which is 186,000 miles per second.
This speed of light always remains the same, irrespective of its source and frame of reference.
Now the mass of an object would double if it travels at 90% of light’s speed.
But if the speed of light is reached, mass of an object would become infinite!
Since photons, the quantum particles that make up light have a zero mass, they move at the speed of light.
Even inside the World’s Largest Particle Collider (LDC), located near the French-Swiss Border,
Experiments are carried out only around 99.99% of Light’s speed, in accordance with the Laws of Physics.
Einstein had also shown mathematically that on reaching Light’s speed, Time will come to a standstill!
And should this Light’s speed be exceeded, then Time would start to travel backwards, which becomes a mind boggling concept!
Here we enter into the realm of science fiction, which has been described by HG Wells  in his popular novel ‘The Time Machine’.
But to become a time traveler shall always remain our cherished desire and dream!

NOTES: Only mass less particles like the photon can travel at light speed, photons experience no time, they do not age. Objects with mass cannot reach the speed of light since in that case its mass will become infinite. Also, one cannot see the fourth dimension because of Lorenz Contraction, which is also related to stopping of time, for at the speed of light an object will shrink to zero length! Also, particles interact with the Higgs' Field present all around to pick up mass, excepting photons which do not interact with this Higgs' Field.

Now Einstein’s theory of 1905 is called ‘Special’, because it explains how space and time are linked for objects that are moving in a straight line at a greater speed but which is constant.
Time moves relative to the observer, and objects in motion experience ‘Time Dilation’.
Meaning, time moves slowly when it is in motion, as compared to one who is standing still, -  a relative comparison.
This can be further explained by the ‘Twin Paradox’, where a 15 year old travelling in a spaceship at 99.5% speed of light for a period of 5 years,
Returns back to Earth to find himself to be only 20 years old.
But to his surprise he finds, his twin brother on Earth who was left behind, has reached the ripe age of 65 !

Limitations of Special Theory of Relativity:
It was confined to non-accelerating bodies only, and after ten years of deliberation,
Einstein added gravitational force field, space-time curvature, and acceleration, -
To formulate his General Theory of Relativity with satisfaction.

Isaac Newton during the 17th Century spoke about 'absolute time' and 'absolute space', accordance to the understanding of science of his Classical Age.
Space was the arena where the drama of the universe was played out, and this arena was passive, eternal, and unchanging no doubt.
Time too was absolute with an independent existence, and continued to beat independently like the heart beat of Space!
Newton also gave us the Laws of Motion, and Gravity, with more massive objects exerting more Gravity than a less massive one in reality.
Now one aspect of Special Relativity is that space and time are merged into a four-dimensional space-time entity,
They do not exist as separately as envisaged by Newton and Descartes during the 17th Century.
Some 250 years later Albert Einstein, defined Gravity as a curvature of Space-time.
Einstein also tells us that gravity can bend light, which travels along the curvature of this space-time.
Gravity is flexible, it could stretch like a fabric warping of space-time caused by objects present within it, in fact Gravity is the shape of space-time itself!
The Moon rolls around the curvature created in space-time fabric by the heavier object the Earth,
Just like the massive Sun which creates the depression and curvature around it for the planets of our solar system to orbit round the Sun. *

Einstein’s space-time has been likened to a stretched out vast rubber sheet,
Where heavier the planet, more depression it creates on the fabric of space-time along with its own gravitational field.
Einstein’s Space is not passive like that of Newton, but has a dynamic presence.
Interwoven with Time, Space tells Matter how to move, while Matter tells Space-Time how to curve - in this dynamic presence!
The constant speed of light at 186,000 miles per second, is just a measure of space of something which travels over time;
But both space and time had to adjust themselves to accommodate the constant speed of light!
Thus space, time, and the speed of light are all unified in the General Theory of Relativity,
We owe all this to Albert Einstein, one of the greatest scientists of our Century.
NOTES: **Planets orbiting the Sun do not fall back into the void of space due to the attraction of gravity, and also due to their individual speed of acceleration maintained in orbit as per Kepler's Second Law of Planetary Motion. Mercury has the fastest orbital speed of 48 km per second, Venus at 35 km per sec , and Earth at 30 km per sec. as their orbital speeds. Planets further from the Sun require lesser orbital speed.

During his later years Einstein was secretly working to find a ‘Theory of Everything’,
Which would ultimately replace the erratic tiny micro world of Quantum Mechanics.
His Theory of General Relativity had dealt with the functions of gravity at the greater macro level of the universe only.
So he hoped to extend this theory to find an all embracing Unified Field Theory.
For at the subatomic quantum level, as the Englishman Thomson discovered in 1897,
The electrons inside an atom at times behaved in an alien fashion and were very unstable!
This world of the subatomic particles is a wondrous world where time becomes chaotic;
Where the position of the electrons cannot be predicted with certainty!
Einstein called this unpredictable and unstable behaviour of electrons as "spooky action at a distance"!
In the ‘double-split experiment’ it was seen, that the light photons behaved both like waves and as particles, -
Even though the speed of light remained constant.

Now despite Einstein's dissatisfaction with Quantum Mechanics it is rather ironical,
That the Nobel Prize in Physics was awarded to Einstein for his work on the ‘Photoelectric Effect’ at the Quantum level;
Which for the first time had suggested that Light travelled in Waves and also as Particles ( i.e. as photon)!
This observation led to the development of electron microscope, solar panels, night vision devices, at a later date.
Since his Special and General Theory of Relativity considered as ‘The Pillars of Modern Physics’, was still being examined by the Scientific Community;
And they could be proved and accepted only subsequently.

During the 1970s the proponents of ‘String Theory’ had claimed, They found a Theory of Everything, following Einstein’s quest.
They claimed that micro vibrating open and closed looped strings gave rise to some 36 particles at the subatomic level;
But also required 10 dimensions for this 'String Theory' to operate!
In our Standard Model of Physics we have only 18 particles as on date, therefore due to lack of scientific evidence,
There was no Noble Prize for those ‘String Theory’ proponents!
Efforts are on to find a Unified Theory of Everything, and to understand the mysteries of God’s infinite universe, -
We finite humans have just made a beginning!

Now, to reduce the length of my composition I conclude with a short verse by the famous novelist and poet DH Lawrence, -
Who had shocked Victorian England with his explosive ****** novel “Lady Chatterley’s Lover”,
Which later inspired Hollywood, and a film got made.

“I like relativity and quantum theories
because I don’t understand them,
and they make me feel as if space shifted about like
a swan that can’t settle,
refusing to sit still and be measured;
and as if the atom were an impulsive thing
always changing its mind.”  – DH Lawrence.

Thanks for reading patiently,
‘All Copy Rights Are With The Author Only’, - Raj Nandy of New Delhi.
Silence Sep 2015
He tells me he doesn't like relationships.
But maybe it's just with me.
He tells me he doesn't like commitment.
But maybe it's just me.
He tells me he doesn't like being tied down.
But I cut the ropes.
He tells me doesn't like titles.
But he told me a book is defined by theirs.
He tells me I'm beautiful.
But he didn't make me believe it.
He tells me he loves me.
But maybe he doesn't.
Becca Lansman Nov 2015
When he tells you he is sorry, do not hand him the feast.
Do not make him dinner like he never tore the tablecloth out from under the dishes.

You are not a menu item.

remember that his love is not a reward.
You are not a reward.

You are dinner for one.

Remember how you pulled yourself up on shore. Taught yourself how to breathe again.

You are no longer drowning.

you are the beach, you are the lifeguard, remember how you saved yourself.

Remember to say no.
Say it in the dark, whisper it in his ears, remember your body is not a love letter; it is not a vacation home.

When he says, “ I love you.”
 Do not mistake his lust for affection.

Remember how he ate pieces of your heartbeat one at a time? turned you into a carcass?

Made you believe you were road ****.

Remember how you put yourself back together? Mending each stitch carefully. Embroidering your heartbeat back one lull at a time.

You are still sewing.
You are still making dinner but it is ok.
It is ok to eat dinner by yourself.

It is ok to say no.

Tell him, you only made enough for one tonight.
Ellen Joyce Oct 2013
A pregnant pause
Breath bated at thirteen
No line, check again, no line, check again, no line
And breathe
Just breathe through your nose it’s all fine
And seethe
***** rising, eyes streaming, toilet splatter splash back
Lack of self-worth self-respect at the end of a fist smack
My mouth bled from the depths of my womanhood
Then stopped.

And I was only thirteen
And then the doctor tells me I'm only sixteen
Then only eighteen, twenty one, twenty five, twenty eight
And the weight of dismissal in the onlys
Is the heaviness of my shameful heart.

A pregnant pause
Breath – shallow, quickens
as the doctor, in his superior tongue tells me I have a shot in hell
Hell – that’s what this is
A pit of horrors where a man who spread me wide, looked inside and saw nothing
Dried his hands, and sent me on my way
to drown in a sea of bumps and gurgling infants to see a man who tells me
fertility treatments have improved.

A pregnant pause
Swallowing Clomid to the tune of the patter of stomach cramps
And the dampening of hot flashes searing through my empty *******.
Then came two laparoscopies - and a new suction of hope from my heart
Teeth bared to the penetrating needle of the appropriately named Pregnyl
Poured into my body till I ache and bloat.
Nothing positive to note so he takes the Follistim and pushes it in
Till the weight of reality anchors in to my hips and spreads
Taking hold of my lungs, rasping my breath
And I call time.

A pregnant pause
tears abruptly erupt whilst singing nursery rhymes to my nephew
I hand him to my mother and pour out the truth.
She says nothing.
She then tells me she has a friend whose niece’s best friend was infertile
And then one day BAM pregnant.
And there was no discussion only false hope.
As friend after friend tells me of some distant hopeless case that came good.
And my (insert obscure relation here) couldn’t have children but then
BAM a boy
BAM a girl
BAM twins
BAM triplets
BAM a ******* maternity ward filled with unlikely sprogs.
And still

A pregnant pause
A crushing aching longing that beats in rhythm with my heart
A longing that cannot be told as it is, for what it is
Because what it is, is what it is.
Xander King Jul 2015
My lover introduced me to a girl named Ana today.
She is an emancipated horror who I am scared to know.

My lover told me he introduced all his exes to Ana, Ana will help our relationship grow
I ask if he thinks I'm fat
All he says is to get to know ana and Things will be better.

I shake hands with Ana and her voice Is intoxicating but I refuse to become addicted
She promises to let me be, only see me when I truly need.
Little did I know her fingers were crossed.

My loved coaxes me to meet with Ana more often
Run with her before school and sit with her at lunch
I hope she joins me for dinner tonight.

My lover praises me and tells me I'm becoming beautiful
But I wonder
Is he praising me or Ana
She's the beautiful one
And I am still fat

My lover tells me Ana made the *** better
As I screamed his name over and over again
In attempts to forget mine
And he loves that I no longer want the lights on when we do the deed
Praying the dark will hide the layers of chub clinging beneath my skin

My lover expects Ana to be with us at all times
I get angry at her and push her away breaking all her rules
And feeling guilty
I hope she'll take me back I learned my lesson
I crawl back to Ana

My lover introduces me to Mia
Says she'll be there for me when Ana fails me
Mia has scars on her knuckles and thin hair
But she promises what Ana denied me
And I gladly wrap my arms around her

My lover tells me ana and Mia are the only friends I'll ever need
I have to agree
My others have left me
My true friends tell me
It was because I was skinnier than them
But now I'm the fattest friend again

My lover is proud of Ana Mia and I
Tells me they've made me perfect
I can finally stop meeting them
I agree
And later that night the three of us rendezvous in the bathroom
To test the scale
And my gag reflex

My lover is angry at me
I've betrayed him with my meetings
He tells me if I don't leave them he'll leave me
Is tired of waking up to find me with my head passed out on the toilet seat

My lover is no longer mine
Left me for a curvy girl
Well that's fine with me
My only true loves are Ana and Mia
And I know they'll never leave me.

My new lovers make me pretty
And tell me I'll soon be perfect like them
I feel beautiful every time I lose the weight
But they make me feel useless when I don't follow their commands

My lovers tell me not to talk to a boy
Explain I'm not thin enough yet
Tell me to **** in my stomach when he looks at me
But I sense no judgement in his eyes
I tell them this is what they've prepared me for
And they scream that I'm not ready and he'll take them away from me
I'm scared to lose them
But I still meet him when I've managed to keep them at bay with leaf

My lovers are suffocating me
Shoving their fingers down my throat and slamming my wrist to the table when I pick up a fork
I'm scared they'll never let me be
Their eyes are hallow
And I can't find their compassion

My lovers are no longer beautiful
I see them as they are
Emancipated lifeless things
Praying for me to join them
They hold out their skeletal hands
Begging me to take them
Their lips are blue and voice raspy
And I want nothing more to run away but I'm stuck in place

I've left my lovers
They're still screaming
Clinging to my back with surprising weight
Hair falling out onto me
Whispering sweet nothings
Then screaming when I don't so as they say

My lover
Is a boy who sees me without fear
Does not scare away when he sees the girls clinging to me
Or the way my ribs jut out when I don't eat for a day
And I trust him every time he tells me
I'm beautiful
Even though the girls are whispering in ashen voices
***** I make you beautiful
Please come back and I'll make you drop dead gorgeous.
But I don't want to be gorgeous if it means being six feet under.

My old lovers are shrinking
Voices drying up every time I sip cream filled coffee
Arms weakening every time I lift the bite of cake to my lips.
They are dying with every meal I eat
Their voices getting quieter the longer I go without listening.
I only hope one day they do die
So that way I don't.

One lover introduced me to a horrendous disease. I'm not going to call them Ana and Mia anymore Because naming them is just a sad way of trying to control them
As if by personifying them We make them less dangerous Like a game or child's story. But this is a disease that killed thousands and almost killed me. One in five girls with an eating disorder die. I was one of the lucky few Don't be the one. Get help.If I can defeat this You can obliterate it. It won't be easy But it'll be more than worth it. Throw away the scale Burn the tape measurer You are more than a number You are beautiful. Don't let anyone tell you different. not a lover Or society Or yourself. Love yourself And others will follow suit. And in case you need to hear it I love you. Beat this I'll be here, Never be afraid to ask for strength. I don't have much But I'll give you all of it. If only to see you wake up in your bed instead of on the floor of the bathroom Stuck to the tile by sweat. To weak to sit up To tired to breath no matter who you are or what you've done No matter your lowest or highest weight Or how many ribs I can see No matter if I even know your name I love you. And if you ever need it I'll be here Just a message away And I promise I will give you all the strength I have just to help you get through a meal. Even if what you need is someone to sit and hold your hand and encourage you to take every bite or someone to tell you that you are beautiful when you can't bring yourself to fully believe it.
So please help yourself and Don't listen to others say "nothing tastes as good as skinny feels" because so many things do.
Fresh donuts with coffee on days you don't want to face the light of morning
Pizza with friends while playing ****** video games and watching even ******* rom coms
Thanksgiving turkey
Christmas ham
Hot cocoa with a lover who sees stars in your eyes
But most of all
Life tastes better than any number.
suicide self harm sad eating disorder
he tells me peaches are purple
he tells me the sky is black
he tells me veins are green
he tells me people are blue
he tells me he is fiery in love
and i'm too shy to ask
"in who"
Matthew James Apr 2016
Poem 3
How to raise kids

How can you raise kids that are in good health when you don't see the lies that you're selling to yourself?

I got into to teaching to make a difference,
To add some joy to a kids existence,
I knew, so well, the hurt and pain
That kids in secondary school sustain
The tears and the fears and the dread and the...
"Ahahahaha! Look at his Nicks!! He thinks he's got Nikes but he's wearing Nicks!"
And how it switches you off and makes you not care,
Because you just don't want to go back there.
So, you wander into town to HMV
Til your parents feel let down when you only got an E
Until you failed Art and Graphics and Literacy
But at least you got an A in history...
Because academic subjects are "more important"

How can you raise kids that are in good health when you don't see the lies that you're selling to yourself?

So I left 6th form and I needed change
And wanted to go to somewhere strange
(And new)
Somewhere away from all the drama
At 19 I went by myself to Ghana
"God bless our homeland Ghana
And make our nation great and strong,
Vow to defend forever
The cause of Freedom and of Right"
And I taught
Maths and English
With no books
And no training
And no observing
And I was ******* at it... Really bad
But somehow, i felt the change
Just because I cared and they cared

How can you raise kids that are in good health when you don't see the lies that you're selling to yourself?

A few years later I started teachin.
GTP, hands on, straight in.
My teaching mentor was called Mr Hickey,
He smoked a pipe and drank down whiskey
(In school)
My first proper job was Bradford inner city
It was a bit rough and the buildin was ******
There we had a guy who was a lazy old ****
And he had kids tracing instead of learning Art
When I first got there I was overwrought
These weren't like the training lessons that I taught
These kids had opinions. They needed to engage...
To be taught in a way that suited kids of their age
I nearly gave up, because I felt so scared
But at the end of the day, I knew that I still cared

How can you raise kids that are in good health when you don't see the lies that you're selling to yourself?

In my 3rd year I had this year 11 class
They wanted a good lesson and they wanted to pass
But they needed convincing and I nearly cried
So I tried and I tried and I tried and I tried
To listen
And react
To change
And Adapt
And those kids made me better
And for 3 years I got better
Our grades were sky high
The kids wanted to try
They wanted learn, they wanted to know "why"
But I got to the top and I needed to fly
Because I needed somewhere that I could ask the "why"

How can you raise kids that are in good health when you don't see the lies that you're selling to yourself?

You have those moments sometimes in life, where you know that a decision is important, but you don't know why and you don't know which way is the right way to go with it. This was that point for me. Sat in the interview, saying I wanted to pull out but letting them convince me to stay. That was the point, I think where everything changed.

2010. New job. New government.

How can you raise kids that are in good health when you don't see the lies that you're selling to yourself?

I was head of Art and I got noticed
Within a year I got promoted
Faculty leader of creative skills
This is the part where it really kills
What do you do when you just aren't wanted
When people are angry that you're there
When all of your decisions seem to be haunted
By the ghost of a culture where they just don't care
Where nastiness and gossip always bite
Resting in the coffin of a lost tradition
Kids so bored they're turning white
Beaten down to bored submission
And everyone seems to have given up the fight
But they're still convinced that their way's "right"

How can you raise kids that are in good health when you don't see the lies that you're selling to yourself?

After so much pain, we were getting through it
We realised there was much more to it
No more easy working out of booklets
(The teaching equivalent of rhyming couplets)
But every time you made a shift
The goal posts seemed to start to drift
And this all caused a further rift
The final one I couldn't lift

How can you raise kids that are in good health when you don't see the lies that you're selling to yourself?

Gossip and lies caused by others stress
Creates a catastrophic mess
Turns people's lives upside down
Gives off the sense that they're a clown
They're trying. They're just really down
Simply trying not to drown
Marriage ending
Friends unfriending
Children's lives are slowly bending
House and finance are up-ending
Mediation sessions need attending
Everything seems to need mending
And the pain seems to be never-ending

How can you raise kids that are in good health when you don't see the lies that you're selling to yourself?

Professional life vs Personal life
Professional strife = Personal strife
Personal wife goes through professional strife
Personal strife =

"I understand what you're going through, but we need to think about the learners."

Stress in teaching is the expectation
Work life balance has no correlation
The pressures of a confused nation
Makes teachers into the poor relation

Goodbye btec, goodbye vocation
Hello Gove and his minds creation
Goodbye Gove and hello Morgan
Hiding behind a gritty slogan
Creating the pressure of pointless change
For teachers to correct and rearrange

How can you raise kids that are in good health when you don't see the lies that you're selling to yourself?

But here's the thing. It's not their fault.
Sure, they've no idea MPs
They've less common sense than a piece of cheese
But all MPs really do is set
Some criteria that need to be met
A league table
It's nothing new. They've always done it
But it's given to schools to interpret
We don't lose money, we just get judged
We need conviction that can't be budged
We need to get a message out
To every parent, round about
And what this message needs to say
Is "we aren't doing extra maths today,
We're going to go outside and play
Because whatever MPs say
We'll do what's right for the kids
And here's why it's right you know
Cause we want to see your children grow
We're not just for levels, grades, progress
We're also here to relieve stress
We're also here to make your child feel
That happiness is something real
That in spite of all the crap you see
You can become head of art when you failed gcse."
Learn People skills
And empathy
It's not an easy sell I know
You can't measure how people grow
You can't report or give a grade
But they're qualities that are heaven made
And maybe think the same for teachers
We're all very caring creatures
We care about how kids are raised
We don't need to be constantly appraised
Default 100%?!?
Like energy is heaven sent
Like when your kids are down with flu
You just man up, there's work to do
When you've got a quality person who just needs backing
Why give pressure and then threaten with sacking?

How can you raise kids that are in good health when you don't see the lies that you're selling to yourself?

School - this week mark all your books
I need them up to date so I can look

Teacher - I've got to take my daughter swimming
I've got to see my son try winning

School - read through your teaching standards mate
And leave your children at the gate

End of the week the books are done
But head and deputies are overrun
"We'll have to put these books aside
To push our children down the slide"

And good for them. They work really hard. It's not a job to take lightly and they deserve to be there. But they don't have the time to step back and think "big picture"

Let's flip it round and just imagine

Teacher - I'm sorry, I'm afraid I'm ill
School - you can't be ill the learners will fail
Teacher - I need some patience, I need some time
School - the kids need work which is sublime
Don't they deserve that? Don't you think?
Do you really want your learners to sink?

And there it is. The teacher guilt.
Because that's the way that we've been built
We care too much
We try too much
We give too much
We work too much
And we lose too much
We get ideas above our station
About how this job is a vocation
When we stop and look around
The evidence just can't be found
Someone tells me what to teach
Someone tells me how to teach it
Someone tells me how to plan
Someone tells me when to plan it
Someone tells me how to mark
Someone tells me when to mark it
We work to targets, get appraised
Residuals to get profiles raised
It's industry. I rest my case.

How can you raise kids that are in good health when you don't see the lies that you're selling to yourself?

Or, put it another way.

I just think that teaching has lost all its common sense. And it's kindness. It behaves like an industry which is about getting results and meeting targets. There's nothing that measures people's happiness or how deeply moved or affected someone is by what they've learned. It just checks that they learned it. And we are given this guilt trip. That it's about children and that we are affecting their lives if we don't meet targets. We give up more and more because "teaching is a vocation"  "it's about kids", and yet schools use cover supervisors, cut subjects, limit choices etc to save money and get results. So the profession behaves like an industry but the teachers have to give their lives to it like its a vocation. It's not a vocation. At all. It's a job.

How can you raise kids that are in good health when you don't see the lies that you're selling to yourself?
Xander Apr 18
My brain has become my worst enemy, it tells me I’m worthless, and I know it’s true.
It tells me all I do is make people’s lives harder, and it’s right.
It tells me that I’m the **** of the earth and I know it’s true.
it tells me that the world would have been better without me, and it’s right.
It tells me that everything I do, I do wrong, and it’s right.
It tells me that other people don’t care, and they don’t.
It tells me not to get them involved, but I try anyway. And when it fails I’m not surprised.
It tells me what if, what if I was never born, what if I just vanished, what if, I was better.
To answer those questions, the world would be better, no one would care, and I need to be.
But my best isn’t enough. And I’m told I will never be enough, and I know it’s true.
it’s not me, except it is entirely me, it tells me I’m a failure and I know it’s true.
What if, what if, what if I could do something right, no, anything right,
then maybe, just maybe, it wouldn’t be true.
Because it tells me I’m worthless and I know it’s true.
guy scutellaro Jul 2018
Bob O Malley's Wedding Reception - part one.

The front door of the Wagon Wheel bar explodes open to Ziggy Pop's "You Got a Lust for Life." Jack steps over the curb and vanishes into the dark doorway.

"HEY JACK, JACK DELLETO, the lanky bartender shouts over the din.

Delleto makes his way through the crowd over to the bar, extends his hand. They shake hands. "How the hell have you been, Snake?" Jack asks.

"Just great," Snake says. "Hey, you're lookin pretty fucken good for a dead man. I heard you fell off of a mountain."

"Who did you hear that from?" Jack wonders.

The bartender points across the room to where a man dressed in a pin stripped suit is swinging from one of the wagon wheel lights hanging from the ceiling.

"George! ****, I heard he was in jail."

Snake hands Jack a shot of tequila. The men touch glasses and throw down the shots.

"How's the other George?" Jack asks.

"AA." Snake tells him.

"How about Tommy? You see him anymore?"


"What about Robby?

Snake refills the glasses and they drink them. "He's livin in a nudist colony in California and he's got two wives and six children"

Jack looks across the room and sees a drunken Bob O'Malley trying to adjust the rose in the lapel of his black tuxedo. Satisfied it won't fall out O'Malley looks up at the man swinging from the lamp. "Quick, George, name man's greatest inventions!"

George shoots back, "Alcohol, tobacco, and the wheel."

Bob smiles and then suddenly jumps up on top of the bar, and although he is over six feet tall and weighs two hundred pounds, he demonstrates the grace and dexterity of a ballerina as he pirouettes  around and jumps over the shot glasses and beer bottles that clutter the bar.

Wedding guests lean back in their chairs as strangers, fearful of his gyrations, ****** their drinks from the bar. Bob fakes a slip as he dances along but he is always in control and never falters. Forty three year old Bob O'Malley is Jim Brown who dodges danger to score the winning touch down.

When he reaches the end of the bar, he jumps to the floor, pulls to aluminum lids from the ice box, and with one in each hand smacks them together like cymbals.

Some people clap but the bemused just stare.

In the back of the room at the wedding table the father of the bride leans over and whispers into his crying wife's ear, "If I had a terminal illness, I'd shoot Bob."

The bride raises a glass of champagne into the smoke filled air and Bob takes a bow but then heads for the kitchen at the other end of the room.

"Hey Bob," Jack Delleto shouts to the groom over the music.

O'Malley stops under a wagon wheel lamp and turns as Delleto steps into the dim circle of light. "Congratulations, you're a lucky guy, Bob. I mean that." Delleto offer his hand and they shake hands.

"Thanks, Mister Cool. You must be a rock star."

Jack takes off the sunglasses.

"TWO black eyes," Bob says astonished. "You know your nose is bleeding. What happened?" Bob wants to know.

Jack takes a handkerchief  from his back pocket, puts it over his nose, and squeezes tightly. "It's broken."

"What happened?" Bob asks again.

"Bill Wain."

"He turned pro didn't he?"

"He's 5 and 0. Felix thinks he a natural but he's nothing special. He out weighs me by 20 pounds. Hell, he couldn't even knock me down."

O'Malley shakes his head and then just smiles.

"She's beautiful," Jack tells Bob.

"Thanks Dell." O'Malley puts his hand on his friends shoulder and squeezes affectionately. He looks across the room at Theresa. "Yes, she is." Theresa's mother has stopped crying. The father just stares into the void.

"I 'm feeling real happy today." Bob O'Malley tells Delleto and then he looks away from his bride, passed the archway that divides the poolroom from the bar, and into the dark poolroom. With the light bulbs from the lamp above his head gleaming in his eyes, Bob seems to see something fleeting in a far distance. Slowly, a peculiar half smile forms showing his white uneven teeth.

Curious, Delleto turns his head to look into the darkness of the poolroom, too.

Bob looks down at Jack. "What are you starin at? " O Malley wonders.

"Do you hear them, Bob? Jack asks.

"Hear what?

"The shadows."

Puzzled , O'Malley asks, "What are you hearing, Jack?"

"Nothin," Delleto  succinctly tells his friend. "Nothin."

"A concussion," and Bob shakes his head. "You've probably got a concussion."

Now, Jack doesn't understand, but it does not matter because for a brief moment the two men have shared the same corner of darkness.

Bob says something to Paul Keater and Keater smiles broadly. He slides the rim of his Giant baseball cap to the side of his forehead and the two men disappear through the swinging kitchen door.
The Broken Poet Jun 2015
After 3 years of being her friend
I finally asked her why she doesn't wear her turban
She laughed with sadness in her eyes
You mean a Dastaar?
I blushed in embarrassment
Wondering if I should keep going
She tells me she doesn't wear it because she used to get bullied
She's trying to blend in with us
I imagine a church of millions in colorful turbans and dastaars
I say tell me about your church
She says it's a mosque
I say tell me about your God
She tells me Muhammed and the prophet Allah
I say tell me about your Bible
She says it's called a Quran
She says what's it like to get baptized in your religion
I say unlike other churches we don't get baptized into a a religion
We get baptized with the Father, and the Son, and The Holy Spirit
The Holy Trinity might one say
She says tell me about Jesus
I say that God sent his only son to be crucified for our sins when he has done no wrong
She sings Jesus Take The Wheel
But she is not Christian
Other religions and cultures have always fascinated me
I say tell me what's wrong
She says her grandparents really don't like her as much
Since she's running out of time and can't pray the obligated times
People say she's Hindu
People say she's from The Middle East
People say she's a million things
But to me she is the best bud, a human, like you and I
I want to be in combat, as well as she
I want to be in the Marines, she wants to try Army
She tells me my father wanted to but he couldn't because of his vision
She tells me the same might happen to her
But it's the thought
I told her I wanted to go to the Middle East before I join the Marines
She said I'll go with you
I say why?
She says because you need someone to protect you
I say okay we'll add that to the many states and countries to visit after we graduate
She tells me I've been in the middle of war before
I say what do you mean
She tells me she just happened to be in the wrong place at the wrong time
She tells me you know it's not a bad place in the Middle East
I smile and I say I know
It's not the country itself but the people within it
She has relatives in India
But was born in Richardson, TX
She is Muslim
I have relatives In America
I was born in Denton, TX
I am Christian
Hatred is not simply taught.
Willard Wells May 2015
When I write
When I photo shoot
When I ride my Bike
When I fly a kite

My brain tells me what to write
My brain tells me what to shoot
My brain tells me where to ride
My brain tells me when to take flight

My brain tells me up
My brain tells me down
My brain tells me right
My brain tells me left


I do these many things
As I sort for things
Some are found things
Some are lost things

I get advise
I don't give advise
I like advise
But it's my brains DEVISE

Sometime I want to drive???? Please???

But I have to remember
Which is Left
Which is Right
She tells me
She wants to explore,
To be free,
To enjoy the thrill of life,
To laugh at death's face.
She tells me life is short.
She tells me make the best of it.
She tells me to move on.

I guess I was never enough for her.
Harold r Hunt Sr Sep 2014
NOBODY tells me to take down my flag.
I will die to keep it flying high.
We don't tell them to come here.
They come with changes on their mind.
We would be gun down if we went there with telling them what to be done.
So nobody tells me to take it down.
Nobody tells me just what to eat.
Beacon and eggs are just the start.
I'll **** a pig for Sunday dinner O, what a joy.
That is because nobody tells me what to do.
ash Jun 2019
She is reminded she isn't good enough everyday.
"You can't do by yourself, you need a man," they say.
No one tells her she is beautiful just the way she is.
No one tells her that she belongs to herself, she is not 'his'.
She is taught to hate her body by them.
She is told how unworthy she is by them.
No one tells her about the fierce fire burning in her heart.
That she too could be someone's glowing light in the dark.
No, she is only told how she needs to change.
She is overlooked and underappreciated at every stage.
So she just writes her story down.
As a reminder of who she was before she let her real self drown.

— The End —