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judy smith Apr 2015
The Pakistan Fashion Design Council in collaboration with Sunsilk presented the fourth and final day of the eighth PFDC Sunsilk Fashion Week. Indeed the 8th PFDC Sunsilk Fashion Week marked the twelfth fashion week platform initiated by the Pakistan Fashion Design Council [with eight weeks of prêt-à-porter and four of bridal fashion] and was a direct manifestation of the Council’s commitment to sustainability and discipline within the business of fashion and the facilitation of Pakistan’s retail industry. Indeed #PSFW15 endeavoured to define and present trends for 2015, focusing specifically on fashion for the regions’ long hot summer months. Day-4 featured High-Street Fashion shows by the House of Arsalan Iqbal, Erum Khan, Chinyere and Hassan Riaz and designer prêt-à-porter shows by Sana Safinaz, Republic by Omar Farooq, Syeda Amera, Huma & Amir Adnan, Sania Maskatiya and HSY.

Speaking about the PFDC Sunsilk Fashion Week platform, Chairperson of the PFDC, Sehyr Saigol said: “With the 12th iteration of our critically acclaimed fashion weeks, the PFDC is always working to streamline our prêt-à-porter platform to make the PSFW experience more beneficial for all stakeholders in terms of show experience, exposure and ultimately, retail value. To that end, each year we look inward to find the best possible formats and categories to benefit the very trade and business of fashion. In this vein, we introduced 3 separate categories for Luxury/Prêt, High Street and Textile at PFDC Sunsilk Fashion Week, giving each entirely separate show space, times, audience exposure and viewing power. Our High Street fashion brands had been given a standalone show time on two separate days as early evening shows and Textile brands a separate dedicated day for Voile shows on Day 3 of PSFW 2015, a measured step to further highlight Pakistan’s textile prowess and high street fashion strength which are of significant importance to national and international fashion markets. As per past tradition, we continue to work closely with all our emerging designers and mainstream brands to help hone their collections for the runway through mentorship by senior PFDC Council members and with retail support through the PFDC’s own stores and network. We are grateful for the committed support of our sponsors and partners which provides us the stimulus to further enhance our fashion week platforms and put forth the best face of Pakistani fashion on a consistent basis.”

“The Sunsilk girl is an achiever, with an air of enthusiasm and positivity. Great hair can give her the extra dose of confidence so with Sunsilk by her side, she is empowered to take on life. Fashion is very close to this aspirational Pakistani girl making the PFDC Sunsilk Fashion Week a highly valued platform for us. We recognize PFDC’s efforts to promote the fashion industry and experienced and upcoming talent alike. Sunsilk has been a part of this fantastic journey for 6 consecutive years and continues to shape aspirations, taking contemporary fashion directly to the homes of consumers and encouraging them to script their own stories of success” said Asanga Ranasinghe, VP Home and Personal Care for Unilever Pakistan.

On the concluding day of #PSFW15, the Chairperson of the PFDC Mrs. Sehyr Saigol also made a special announcement on behalf of the Council and its Board Members, where she shared the Council’s plans to establish Pakistan’s first ever craft based Design District, a multi-purpose specialized facility that would assist in developing and enhancing the arts and crafts industries, which are an integral part of Pakistan’s rich cultural legacy. In addition to being a centre for skill improvement and capacity building, the Design District would also house a first of its kind Textile Museum.

The official spokesperson of the PFDC, Sara Shahid of Sublime by Sara also announced the official dates for the Council’s next fashion week, PFDC L’Oréal Paris Bridal Week 2015 which is scheduled to be held from 15th September to 17th September 2015.

Indeed the success of PFDC Sunsilk Fashion Week continued to prompt private sector associates to grow in their engagement of the platform to launch new marketing campaigns and promotional activities. To this end, the PFDC’s evolving partnership with Sunsilk grew exponentially this year whereby in addition to their title patronage; Sunsilk also took over the coveted PFDC Sunsilk Fashion Week red carpet and the Green Room/Backstage, as sponsors. This extension of their support is indeed a manifestation of the brand’s belief in and commitment to the platform. Also in continuation of their support for the platform, Fed Ex – GSP Pakistan Gerry’s International returned to PSFW as the official logistics partner, offering the PFDC a special arrangement for international designer consignments.

PFDC Sunsilk Fashion Week 2015 was styled by the creative teams at Nabila’s and NGENTS. Light design, set design, sound engineering, video packaging, choreography and show production from concept to construction was by HSY Events, front stage management by Maheen Kardar Ali, backstage management by Product 021, Sara Shahid of Sublime by Sara as the official spokesperson for the PFDC, logistics and operations by Eleventh Experience and photography by Faisal Farooqui and the team at Dragonfly, Hum TV/Hum Sitaray as the Official Media Partners, CityFM89 as the Official Radio Partners with all media management by Lotus Client Management & Public Relations.

High-Street Fashion Shows

The House of Arsalan Iqbal

The afternoon High-Street Fashion Shows on the final day of PFDC Sunsilk Fashion Week 2015 were opened by leading fashion brand The House of Arsalan Iqbal, who showcased a collection titled ‘Devolution Chic’. Inspired by street art across the world by various artists, European high-street trends and technique of quilting, Arsalan Iqbal garnered personal portfolios of graffitists from myriad urban cityscapes such as London, New York, Tokyo, Barcelona and Cape Town, juxtaposed with some unique in-house created patterns including those of Pac-man, calligraphic flourishes and aqua and tangerine bands and circlets. Based in chiffon, the ensembles were molded into voluminous structured silhouettes including draped tunics, edgy jumpsuits and wide palazzos dovetailed with off-white and ecru charmeuse silk jackets created with a revolutionary quilting process. Along with menswear pieces, the collection also included in-house footwear and jewellery made in collaboration with pioneering Karachi-based street artist SANKI.

Erum Khan

Designer Erum Khan followed next and made her PFDC Sunsilk Fashion Week debut with ‘The Untainted Shine’. The collection took its inspiration from the sparkle of twinkling stars, a walk on pearl dew in the morning and the enchanted glow which is produced when “a magic wand” is waved around the body, making it glow in a pearlescent white and exhibiting a jewel themed lustre on the body. With neat and straight structured cuts, Erum had used fabrics such as organza combined with silk, 3D flowers, patch work and antique katdanna in a collection which was based in a white colour palette. Trends highlighted in the collection were high waist skirts to button up pants and sheer long dresses. Acclaimed Pakistani musician Goher Mumtaz and his wife Anam Ahmed walked the ramp as the designer’s celebrity showstoppers.

Chinyere

Following Erum Khan, fashion brand Chinyere showcased its Spring/Summer 2015 High-Street collection ‘Mizaj-e-Shahana’ at PFDC Sunsilk Fashion Week 2015. An ode to the era of the Mughal royalty and their imperial aesthetic, the collection comprised of modern silhouettes and traditional embellishments with organza skirts paired with cropped tops, angarkha-peplum tops with embellished cigarette pants, sheer knee-length jackets paired with structured digital printed bustier-jumpsuits, diaphanous wrap-around boot-cuts and embellished boxy sleeves with soft A-line silhouettes. Chinyere also showcased ten menswear pieces comprising of waistcoats, jodhpurs, knee-length sherwanis paired with gossamer sheer kurtas. The colours used had been divided into a collection of distinctive Mughalesque pastels and jewel tones. The pastels included the classic marble ivory-on-ivory, the bold black, saffron, gold and ivory. The colour segments also included metallic gold and grey sections, with accents of bronze and black. The jewel tones included jade, emerald, ruby and sapphire.

Hassan Riaz

The concluding High-Street fashion show of PFDC Sunsilk Fashion Week 2015 was presented by Hassan Riaz who showcased his ‘Contained Shadows’ collection. Inspired by the diverse facets of the human soul that explore both the dark and light sides of human nature, taking into account yearnings, desires, and anxieties that make us distinctly human, Hassan had based the collection in summer twill, organza and summer denim in shades of blue and white with a gold accent to reflect upon his inspirations. ‘Contained Shadows’ made use of structured and drifting silhouettes, cage crinolines with corsets and bustiers with distinct trends featuring cropped tops, nautical accents, experiments with transparency and patchworks of metal mixed & matched with flowers.

Designer Showcases

Sana Safinaz

PFDC Sunsilk Fashion Week 2015’s evening [rêt shows on the fourth and final day was opened by premier designer label Sana Safinaz. Sana Safinaz’s PFDC Sunsilk Fashion Week collection was inspired by monochromatic structured looks with pops of color. The collection was based in luxe fabrics such as kattan, silks, fine silk organza and dutches satin in a colour palette majorly based in black and white with strong vibrant pop infusions.
Key trends being highlighted were the oversized T, constructions-clean lines, simplicity of cuts and effective embellishments.

Republic by Omar Farooq

Following Sana Safinaz, acclaimed menswear brand Republic By Omar Farooqshowcased a collection titled ‘Que Sera, Sera!’ (whatever will be, will be!). Omar Farooq had used a variety of luxe fabrics such as suede, linen, chiffon, cotton, cotton silk and wool silk. A collection for all seasons, the ensembles built upon the label’s signature aesthetics while providing a new take on contemporary menswear. Acclaimed media personality Fawad Khan walked the ramp as the brand’s celebrity showstopper.

Syeda Amera

The third Prêt show of the final day of PFDC Sunsilk Fashion Week 2015 was presented by designer Syeda Amera who made her ramp debut with ‘The World of Sea’. Inspired by love for the enchanting underwater, the collection was based in premium quality organza, jersey, nets and silks with delicate cuts and embellishments consisting of beads, sequins and feathers to reflect the collection’s aquatic theme. ‘The World of Sea’ featured a palette of aqua marine, scupa blue, powder pink, grey blue, tequila sunrise yellow, orange and lagoon green with trends that employed skirt layering, frills and ruffles and flared pants.

Huma & Amir Adnan

Following Syeda Amera, Huma & Amir Adnan showcased a joint collection for the first time at a fashion exhibition. Both Huma and Amir feel that as a couple they share their lives and draw synergies and their collection ‘Symphony’ was an epitome of how two people can revolve around the same concept in harmony, while maintaining their individual distinction. Showcasing both menswear and women’s wear at PSFW 2015, Huma and Amir had used a mix of fabrics, textures and embellishments with a complex collection of weaves, prints and embroideries in silk, linen, cotton and microfiber. The color palette included midnight blue, emerald green, wet earth, aubergine, ivory, old paper, turmeric, leaf and magenta. Key trends highlighted in the collection were long shirts, double layered shirts, printed vests and jackets, textured pants, colored shoes for men and layers of multi-textured fabrics, tighter silhouette, vests and jackets for women.

Sania Maskatiya

Designer Sania Maskatiya showcased the penultimate Luxury/Prêt collection of the evening at PFDC Sunsilk Fashion Week 2015. This S/S ’15, Sania Maskatiya took audiences on a fashion journey to ‘Paristan’ – a place of fairytale whimsy at PFDC Sunsilk Fashion Week. With a colour palette ranging from the softest shades of daybreak to the deepest hues of nightfall, ‘Paristan’ was a collection of playful, dreamlike prêt ensembles. Featuring luxury fabrics like silk, organza, charmeuse and crepe, the pieces followed the brand’s signature silhouettes, both structured and fluid. Beads and sequins embellished varied hemlines and multiple layering, all set against captivating scenes of mirth and magic. Motifs ranged from the sublime to nonsensical; friendly mice and naughty elves, clocks and teapots, flowering fields and star-filled skies, princesses and ponies.

HSY

Day-4’s finale was presented by acclaimed couturier HSY who showcased a collection titled ‘INK’; a collection inspired by Asia and specifically HSY’s journeys to The Land of the Rising Sun. INK represented the essence of Langkawi, Indonesia, Nagasaki, and Yunnan with natural and indigenous yarns, hand-woven to perfection. The collection featured the traditional dyeing techniques of Shibori from Nagasaki, Batik from Indonesia, and Gara from Sierra Leone infused with mackintosh, saffron, aubergine, eggshell, rosette, indigo and ochre. Created with the scorching sub continental summer in mind, INK channelled versatile hemlines to suit a diversity of younger, older, working men, women and homemakers alike.Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-brisbane
Tom McCone Mar 2014
dunedin. friday, three, afternoon.
set from home under a blue sky
with full& prepared pack,
a somewhat empty stomach,
and a necessity to get away from the city.
hiking boots tread asphalt down to the depot,
where, in thirty-seven minutes punctuated
by plastic seats grafted to a wall
and a mildly disjunct group of small or
big-time travellers, the naked bus
pulled in, a hematite centipede
crawling into the lot. it was a bus,
no complaints. all others' bags
stowed, twenty seven bucks outta pocket
and swung into the front-right-window seat,
bid a farewell to the beat-down
pub across the road and onto the one-way
merging into a highway and outta
town the dark bug skittered, on
schedule or something resembling it.
behind the driver, the sun came through
around the beam in the window. warm patterns
laid on skin, the countryside's broad expanse:

cylindrical bales of hay scattered about
paddocks, dark late-autumn florets of flax
on roadsides, plumes of white smoke from
bonfires in townships as small as a thumbnail,
hedgelines of eucalyptus, pine; russet streaks
through bark of single gum trees stood
off-centre in fields. sticky-wooded hillsides
punctured by fire breaks roll almost forever
and back. the rushing sound of passing cars
through the 3/4-golden ratio of the driver's
ajar window; twenty-first century mansions
verging on out-of-place. saplings emerging,
bracketed, through verdant grass patches.
museum abbatoirs. toitoi like hen's plumage
lining drainage ditches. another Elizabeth st-
(how many could be counted out by now?) tidy
front yards and milton liquorland through this
small town. an everpresent tilting sun. fields
of flowered nettle. s-bends through pancake layers
of hills. a delapidated gravel quarry at stony
creek. deer farms, sheep farms, bovine farms, alpaca
farms (favourite); another bonfire seen down a
long gulley; a power substation, all organized
tangles. a two-four 300m before the bridge into


balclutha. 4.40pm.
across the road into the i-site
two friendly ladies circle locations
to make (got a car) or try to make (on foot),
offering a ride in half an hour,
leave it to chance.
across another road, drifter's emporium
(that's the name, no joke) got a knife
to open up cans- bought no cans, brought
no cans, still nice to have one anyway.
down the road, 200ml from unichem, waste
no time, turn ninety degrees, cross a
railway, then outta town in a sec. first
photo: half highway, half clutha river. fine
shot. sit down, watch the water couple mins,
head down the road. red-black ferns radiate
under willows down the riverbank. metal
bumper-bars keep legs on, the road rolls
gentle turns, diverges from the river. stick
to the former, faster that way. no intentions
of hitching. just wanna walk. and walk. and
walk. guy yells out a car window. envy,
likely. who cares. apple tree hangs over
a dry ditch. pick a small one, gone in
a minute. probably ain't sprayed. been
eating ice-cream dinners more often'n
not the last coupla weeks- isn't much
the stomach won't or can't handle anymore,
anyway.

odours of decay from the freezing works.
seagulls sound out nearby.
typical.

down the road, the reek of death fades
out. back to grass. sit in some of the
tall stuff, under a spindly tree. put down
some ink, a handful of asst. nuts. 'bout
thirteen fingers of daylight left. no idea
if the coast is further than that. little
care. down the road the land flattens out,
decent sign. the junction was a fair bit
past reckoned, though. flipped a chunk
of bark (too lazy to get a coin out) to
figure whether the coast was worth it. bark
said no, went out anyway. gotta see the sea,
keeps you sane. past a lush native
acre or two- some lucky ******'s front lawn-
changed mentality, slung out a thumb (first
time). beginner's luck, kid straight outta
seventh form pulls over in a mustard-yellow
*******' kinda beach-van. was headin' out
to the coast, funnily enough. had been up
in raglan (surf central, nz), back down with
the 'rents now, though. out kaka point, only
one of his age, he reckoned, no schoolhouse
there, just olds. was going to surf academy,
pretty apt. little envious.

the plains spread out and out, ocean just
rose up out of a field. there's nothing
more perfect. gentle waves stroke the sands,
houses stare intently out at the mingling of
blues. one cloud hovers so far away it doesn't
even exist. down the other end of kaka point,
back on solid ground, walking into a gorge, laments
about not choosing the coastal route. but owaka
is the new destination, bout 11ks, give or take
(5ks later, sign says another 15.. some give). nothing
coulda beat that sight anyway, stepping outta
a van onto that pristine beach.

entry: gorge route to owaka. seven.
late light painted the tops of hills absolute
gold. thought maybe this way ain't so bad. beside a
converging valley, phone got enough reception
for dad to get through. said in balclutha coulda
got a room with a colleague. too far out now. lost
him in the middle of a sentence about camera film.
surprised to have even got that far. road wound
troughlike through the bottom of the gorge, became
parallel to a cute little stream. climbed down chickenwire
holding the road in place, ****** in it (had to).
clambered back up, continued walking as the occasional
campervan rolled on by. took a photo of the sun perched
on a hilltop, sent it to mel. dunno why. anxieties
over the perfect sunrise picture came frequently,
a goal become turmoil. the gorge flattened out,
and soon in countryside my fears allayed. round
a corner in picturesque nowhere, found my shot.
sat in long grass. stole it. sighed. ate a handful
of nuts. moved on. {about eight}

dark consumed the surrounding gentle-rolling hills,
nowhere near owaka, which was probably the tiny bundle
of lights nestling a little below the foot of a
mountain in the distance (not too far off, in
reality). near the turnoff to surat bay (was heading
there, plans change) a ute honks. taken as friendly.
a right turn instead of a left, farmsteads lit
up in fireplace tones, the sound cows make at
dusk. it got colder. would one jersey be sufficient?
hoepfully. stars began pinpricking the royal blues of the
night sky in its opening hues. eight-fourty-ish slugged
back about 3/4 of the syrup, along with half of a box
of fruit medley (so **** delicious), in light of dull
calf aches becoming increasingly apparent. needed
to walk a helluva lot more. ain't one for lettin'
nothing get in the way of that. lights in the distance
became the entry sign for a camp-site. no interest,
head on. past another farmhouse, stars came out in
packs. three cows upon a slight hilltop. next junction
pulled left a good eighty degrees and was on the
straight to owaka. less than two minutes later,
a dog-ute pulled to a halt and offers up a ride down
most of the stretch. didn't say no.

still stable, as two pig-hunters tell
of their drive back from picking up a couple
pig-dogs somewhere north. they were heading
out bush to shoot, thought they'd seen
another guy they'd picked up a couple weeks
ago, who'd taken 'em out somewhere they
couldn't remember. paranoia grips, but
the lads are fairly innocuous. they say it's
dangerous out here, gotta be ballsy walking
middle of the night, no gun, no dog,
all by yourself. wasn't worried, got nothing
to lose anyway (still, this sets helluva
mood). by a turnoff a k outta owaka, dropped
off. said probably all that'll be open there
is a pub, if that. bid luck and set their way.
above, the whole sky is covered with shining
glitter. down a dip and turn, **** in the
middle of the road. an ominous sign indicating
the outskirts of

owaka. approximately 9.40pm

my head loosens as i approach. the lights
form across a small valley i can't verify
exists or not between dog barks i mistake
for the yells of drunkards and lights
pirouetting from cars behind me. i slow
down i don't want to do this.

owaka is terrifying. plastic.

the street corners thud like cardboard. i
walk past a garden of teapots, a computer
screen inside the house glares through the
window pane bending breathing outward. there
is nobody here, still there is a feeling
like there's people everywhere, flocking
in shadows. a silhouette moving in a
distant cafe doorway. the sound of teeth,
of darkness fallen. thick russian tones
sound from a shelf of a motel. eyes
everywhere, mostly mine. i stop only round
a bend and down near a police station, yet
feeling no more safe, sitting in a gutter to
send mel my plans, to tell myself my plans.
i want to be nowhere again. i am soon nowhere.


out of breath, out the other end of owaka,
the sick streetlights fade into comforting
dark nestled between bunches of indistinct
treelines. the feeling of safety lasts but
twenty minutes, where another dip in the
road leads through a patch of bush, in which
gunshots ring periodically and laughter and
barking rings through. breaking down, it takes
five minutes to resolve and keep going. ain't
got nothing to lose, anyway. boots squeak like
diseased hinges all down the road. hadn't
noticed beforehand, the only thing noticed
now. an impending doom hangs thick like fog,
the thought of being strung up like an
underweight hog. walking faster and
not much quieter, the other side of the
bush couldn't have come sooner. the fear
lasts until the gunshots are distant nothing.
still alive, still out of breath, still
fairly ****** up, there's no comfort like the
sound of nothing but the occasional insect's
chirp. vestiges of still water came around
a corner and just kept coming as the golden
moon sung serenity all over. finally, a peace
came to rest over the landscape. sitting by
the road with a clear view of the moon's light
sheathed in the waters, the stars above wreath
a cirrus eye to watch over the marshland
plants leading into the placid waters of

catlins lake, west. ten fifty-one.
crossing a one-way bridge over a river winding
its way into the lake, another turning point
decision arose: continue down the highway
along the river, or head straight out and
toward the coast again. having resolved to
make it to a waterfall by dawn, and the latter
offering a possibility of this, the decision
made itself. turning back around the other side
of the lake, the road wound a couple times
up a gentle ***** out and up from the valley
at the tail of the lake, and into a slightly
more elevated valley. the country roads ran
easily and smooth, paved roughly but solid.
not a car came by for kilometers at a time.
lay on the road past a turnoff for quarter
of an hour letting serenity wash over, the
hills miniscule in comparison to home, the
sky motionless, massive thin halo about the
moon. walking on, night-birds called from
time to time (no moreporks, though. not until
dawn), figuring out how to whistle them back.
a turnoff to purakaunui bay strongly
considered and ultimately ignored; retrospectively
a great call, considering the size of the detour.
hedgerows of macrocarpa, limbs clearly cut
haphazard where once they'd hung over the
road. occasional 4wd passing, always a 4wd,
be it flash new or trusty old. you'd need
one out here. have no fun, otherwise.
monolithic pine-ish hedge bushes, squatting
giants. once, a glimmering in the sky, a
plane from queenstown (assumedly) almost
way too far to make out. the colossus of
the one human-shaped shadow cast down
from the moon to my boots. how small
a thing in this place. swamped out by
the beauty of this neverending valley.
breathless.

the road turned, not quite a hairpin,
but not entirely bluntly, a welcome
break from the straight or gentle
sway, and five minutes turned to dirt.
had to lay down again- legs screaming
by this point for rest. still, they
had nothing against pressing on. dad
taught me to just keep going. that's
the thing about walking. stop for a
little bit and you're good to go
again. pushing for the fall was probably
overkill, but no worry now. dirt road
felt so right after a good 20+ks of
asphalt, only infrequently punctuated
by roadside moss or thin grass. it
was as if beginning again (well,
kinda, if only with as much energy).
having downed only a litre of water
(leaving only half a litre more), a
litre of fruit juice and about 100
grams of assorted nuts since more
than twelve hours ago by this point,
it should have been a shock to
still be going by this point. don't
really need that much anyway, though.
gone on less for longer. hydration,
anyway, was the least of all worries,
the air being thick with water, ground
fog having been laid down hours ago.

up the dirt track, more cows. they make strange
sounds at night. didn't know anything yet,
though. that's still to come. a ute swang past
going the other way, indiscriminate hollers
from the passenger-side window. waved back
cheerily. so far from anything to be anything
but upbeat now. not even the heavy shroud of
tiredness could touch that, yet. the track wound
on forever. was stopping every half-kilometer
to stand and stretch, warding off the oncoming
aches. the onset was unwieldy, though. didn't
have long. past a B&B;, wondered whether anyone
actually ever stayed there (surely would, who'd
not revisit this place over and over once they'd
discovered it?)- certainly would've, having the
cash (apparently parts of "lion, witch and the
wardrobe" were filmed here. huh). further on, the
road turned back to seal, unfortunately, but
with small promise- surely, at least fairly
close by this point. turning a corner, a small
and infinitely beautiful indent against the bush,
a small paddock bunched up against it, stream
wound against the bases of trees, all lit by
the clear tones of a now unswathed moon, sat
aside the road. it was distilled perfection.
it was too much, just had to keep goin' or
risk shattering that image. next turn was
a set of DOC toilets, an excellent sign. must be
basically sitting on the path entry now. searched
all 'round the back for it, up the road, nothing.
not entirely despondent but bewildered, moved
forward and found a signpost. the falls were now
behind? turned around and searched even more
thoroughly, quiet hope turning to desperation
by the silent light of the moon. finally,
straight across the road from the toilets,
was the green and gold sign, cloaked in
darkness under clustering trees, professing
a ten-minute bushwalk to the

purakaunui falls. saturday. 1.32 am.**
venturing into the bush by the dull light
of a screen of a dying phone, the breeze
made small movements through the canopy. it
couldn't have been any more tranquil. edging
way through the winding cliffish track through
dense brush, the sound of a trickling stream
engorged into a lush symphony of water. crossing
a single-sided bridge across an unseeable chasm,
twinkling from the ferns behind became apparent.
turning off the dull light, the tiny neon bulbs of
glow-worms littered the dirt wall risen up about
half a metre, where the track had been cut out.
my heart soared. all heights of beauty come
together. continuing down the path, glow-worms
litter the surroundings and the rushing of
water comes to a roar. at a look-out platform
above the falls, nothing can be seen save a
slight glisten. down perilous steps (wouldn't
be too bad if you could actually see 'em) the
final viewing platform lay at level with the
bottom of the falls. they stood like a statue
in the dark, winding trails of thin white wash
through the shadows hung under trees. left
speechless from something hardly made out, turned
around and back up the stairs to where the
glowing dots seemed their most concentrated.
into the ferns above, clambered through and
around moss-painted tree trunks and came to rest
a couple hundred metres from the trail, under
a fern, under a rata. packed everything but
a blanket from nan into the bag, laid it out
on curled leaf litter and folded up into it,
feet too sore to remove 'em from boots, curling
knees up into the blanket and tucking a hand
between 'em to keep it warm. only face and
ankles exposed, watched the moon's light trickle
through canopy layers for a few hours, readjusting
tendons in legs as they came to ache. sleep (or
something resembling it) set in, somewhere
around four.

some time slightly before six, the realisation
that my legs had extended and become so cold that
they'd started cramping all the way through hit,
coupled with the sounds coming through the bush.
thank you, if you made it all the way through :>
Joseph S C Pope Feb 2013
I

Wonderlandia, torn off the submerged lung
of a daydream diary.                   Reoccurs
as she does with silver eyes, weary Alice
during tea time--bullets burning past her
                                     like flowing nations.
Everyday similar tsunamis fund
                                     the lack of 20/20.
Nose to tail--the surge of angry engines
splits the ends of her blonde strands.
    Each one the last witness to maddening hospitality
--utopia never sweats as it talks and withers.
Amnesia blots,
new aspirin machines
vaporize apples and ***
on the other end of spectrum,
                                                     trans-positional labels--

Guillotine gargling teapots
       have no patience
         to the bushes of Olympus opiates
                                      bound in yellow barrier tape,
                     five o' clock traffic
               welcomes her back to what we are facing.


II


Dreary weather of late fall                       and her beautiful,
              powdered face

great mouth of atomic hell,
         when she speaks--80,000 deficiencies boil alive
                                                   --Trinity's teething test
                                                           on the tired bones
                                                   of a story-teller's raspy cards--

"None the wiser," she speaks,
                                "during the transition of ships
                   vermin turn into krakens culturing
                               on the surface of a raindrop.
    Heroes, villains, animals frozen together
                 after now eating for four days.
     The transition of one genocide
                                                        ­  to the other,
                the delineation of cat-and-mouse,
   mingle too long
   with the dead
   and its necrophilia."

                 Blind Alice wanders off the highway,
leaves her brewed cup of steamy static
on top of the unimportant saucer, sticks pins in her *******,
             and enjoys the sound of Cleopatra
             rolling over in reincarnation.


III

      Dear Alice smells
sunbathing, studded tangerines
                      assimilating liquor within the vast,
       empty, glowing nausea that is--
                        the warm germ

Oil                                    and                 ­          water
               rippled glass too silly for skulls
              made humid by distant salt water,

blood, acid, enzymes,
cheating probability
that runners with drunk kids
have blood between their toes.
                                                      Death­ to the distillation within
                                                    --the chronic diamond too polished
                                                       in *** to see the roses in her *****
    She curses these wood songs,
             heritage patriots with the pelts of wild lions
             with antlers over their heads,
                                                  faces advertising war paint
                                                applied by gargoyle hands
                    --sad memoirs always drink people
                                                  that use God as a cookie jar.


IV


  Gorgeous names
  on graffiti institutions give her a home
                                                         a market
                                                         a nickname
           still                  Alice only accepts Alice.

Grace periods where she misses tyranny
                  rise and fall like endorsed breathing.
    Now Alice feels her dress fall off,
                                  extinct years message future occupancy
                                  about what to wear.
New era, this era, past eras plead guilty
in a      clinic museum
             of forcing demons
              down the medical
              throats
of first graders. Court adjourns at 9:01 PM, Saturday

             The populus can sleep now,
                          but not her.
                 No one gave her clothes
                 to cover up the drained monochrome.


V

Instead she celebrates her flesh,
                                        the broken glass,
   and quakes and leads off to expose
           others to its potential vital prosperity.

         Instead
                     headlines like bumper cars read
                     about the beheading of weeks,
                     failing rescue missions,
                     and debates on teenage tolerance.

Nicotine intoxication points Alice
to over-extended memories--wards of music
sequenced to point out the extinction of marble tigers.
                        Only 550 expected to understand
                         tethered to millions able to survive.

  Flood waters look at moral standards, a mean hurricane
                                   that collapses the death toll
     all patented 50 states
     have a dating service
     and huff paint as a way
                              to pray to art.
                                                      Double­-canvas faces
                                                      dyed in pixel     hope
                                                       that the media levees hold,
             but volunteer to herd sheep into poppy seed fields.
                                            She refuses to stay,
                    to watch the long night
                    of castration on men with mud-covered ankles.
                                      Television says eunuchs want
                                       to be prodigal's children,
                                       everyone wants to come back home
                                       to mom and dad, safe zones, away
                                       from themselves.
                                                     ­                 It says our ancestors want
                                                            ­          this for all of us. They worked
                                                          ­            so hard to tie up the hair
                                                            ­          out of Aphrodite's face.

                                     They treasure the silver eyes of Alice,
                                          but call them blue,
                                                  they issue her high cholesterol
                                          but pump sweet ****** into he stomach,
                                                  they tell her to put down the drill,
                                            so she can finish their orchestra--

her lightning
    is
     a
  string
     of
  souls



VI


     She decides to depart Sunday,
to discover the ordinary beginning,
                        painting WHY? on its delirium.
re-arrangeable viewers become
                      inserted sounds under percussion and piano.

       Caging various important charts
                                          undetermined
   ­                           as finished attention.
                                                      ­              Three movements in flux
open end the people                     vacuuming
                            craftsmanship blocks
                   from                                dogs and zen.

                                                 The
                                 suspended letter               is happening in 1951
   drenched in existential white                                            spacing
        ­                                                   the viewer
                        from integrated architecture.

Down
the
bell is a structure called
"the quarantined wheelchair."
                               Dead ignorance changes pattern
                               after six movements of the second hand.
Alice speaks, "To you all, know
                                       that this is an un-dramatic situation.
          Everyday windows with the same
           participants have girls drinking
                                                     orange juice, activate fluid,
                    both exist as objects
                    and caught propaganda."

                                                   ­                      Six tunnel
                                                          ­      audiences are watching
                                                        ­        drown in the plastic silk
   her                                                       built by the motorized collage
                                                         ­                                        spider.

          Alice, a kinetic mannequin pop star
                        is limp in the glass point.
             Rhythmic flux is objectified war torture
                         censored in fitness magazines
by simple toilet literature.

                                        Six tunnels worth of eyes
                                 latch to the *******
                                           as a way to bury **** protesting.
                                  A coat of pepper spray
                                   works in front of the exhibition.
This stage is shaded by moans.


VII


      Alice the female, has a door-to-door friend
                                                          ­    over the sea
of the cathedral's ceiling               who died of disemboweled
pulchritude             at the mutilated nuclear other-place.
                     Her friend was a synthesized example
                     of staged catastrophes. Her friend is her, silver-eyed
                                                     ­                                             Alice.

            ­                     She performs herself and herself
                                 but they are played by polished, scored poets.

Everyone of them incorporates the events
                                 of a dancing gunshot. Everything rests
                                                           ­ at an intermission

               but after fifty minutes of pondering,
          the lost audience remembers
         her name is Alice.
                   So it comes back on with a shower of sweat
                  and this clear
                                  substance
               ­                                 called
                         ­                              patience.
       This composing, peering vulnerability
                        psychologically destroys the flux tension
              like analog genocidal dictators.
                                   Ultimately this is dream liquor

     commentating war to the war tree
      using trauma and chairs as humor.



VIII


               Patience on the water level lives translucent
                                            on networks that brand flesh
                                            with displaced identity.
Alice convinces us all that pickled ***
                                                             ­               takes eight years
                     to ****** and we accuse it
                                         of being fake. Afterwards, her character dies
in confident silence.


IX


     Not majestic, but she does cough
                  to mock the earth.
        The seeds of Alice are ripe,
                        harvested early, and now her children come out and dine
        like speaking tongues on gibberish.
                          The room is fat with hair

and kindness. Feeble, mundane hands chew on each other,
                                                         feet stand proud.
We even call her Alice or "the beautiful *******,
                                             a black cloud feasting
                                             in orange."
                       Everyone feasts on the nectar
                                                         she has, but never the rye
which makes her round. Juice is squeaking and her children laugh
                         as in competition.

     It's a distinguishable game as the mixed
                                                           ­      couple up front
              begin to play whistles as
                                         everyone eats
                   the pride of the silver-eyed Alice's children.


X

                                                ­ The children's souls
                                                       bow and say
                                           "Thank you for barely growing."
                                                   and dissipate after five minutes.

          "Curiouser                                   ­                                      and
           Curiouser"                                                       ­                   they
           say                                                              ­                        as
           they                                                             ­                       leave
           this                                                             ­                         homage.
                  The decimal backbone
                     of each of sweet Alice's
                                   blonde strands
                   divorced by the gust/ of a green light's/ allowance.


XI Epilogue*


  The day crawls away
                   a vigilant pest
     of the nocturnal project
                   --suns beam down still, like
                  stomachs of grinning felines
                           at Valentine's day.

toxic-dyed fingers
                        soldered
to bodies pittering across rainy streets

--legionnaires with hearts on stones
                         we are waiting for her orders,

     thistled-teeth clench,
                                         but did she
                                          actually
          ­                                ever come?
ivy jubjub May 2013
do they sell emotions
in teapots by the street
i'll take the blue and white one
checkered like a dorothy dress-

could i buy emotions
to pour them out in porcelain
what's the cost? a penny apiece
for the teapots by the street-

drink them up, for an hour
maybe i'd feel love
recipt, madam? yes please
i'll take my penny-bought tea-

i would buy emotions
in teapots by the street
here you are, love- take it please
one less teapot by the street
Lily May 2018
In Grandma’s kitchen,
There’s the old raggety rocker,
The one that always tips back too far
And my heart skips a beat as I
Secretly enjoy the thrill.
In Grandma’s kitchen,
There’s the mounds of old recipes on
The counter, yellowing with age, being
Ripped from ancient editions of
House and Home magazines.
In Grandma’s kitchen,
There’s the constant pleasant aroma of
Cookies, chocolate chip and oatmeal raisin
And snickerdoodle, the presence of cookie
Jars that are quickly ransacked by us.
In Grandma’s kitchen,
There is the collection of teapots on
The shelf, the daily weather forecast that
Grandpa writes out every day on the table,
The forest of palms and tiger lilies in the center.
In Grandma’s kitchen,
Time seems to stand still, and everything
Is perfect, familiar, right.
Even when the room itself doesn’t belong to
Her anymore, it will always be to me
Grandma’s kitchen.
Ken Pepiton Oct 2018
Thursday, October 25, 2018
1:33 PM History records my state of mind:

Pure thought projects zoom in and out of focus,
Political integrity, personal honesty, good medicine, bad medicine

Whose hell imagined itself transfigured int-energ-
emagically into
the set of NULL?

Mine.
Imagine that. Pure thought experiment, unjudgeable, fret not.

Puritans lack the pineal insight to see the light in the forest.
Horus eye in the middle of the brain?
I just saw that, too. Pineal reality.

The light in the forest?

The man in black lingered there, according Hawthorne,

or did old Nate mock the man in black and laugh at the idea of

good medicine, bad medicine, goody two-shoes
holds it in her holy socks. She's a witch.
stupid.

That was a McLuhanwaderyadoin joke. You don't have to laugh.
We no longer know of his work.
Have to is a stupid saying.
say waht it means, spellt out have, et to.
I have
breath,
blood, spit, eyes, ears et cetera

but to, have to, what? can to having have meaning with no do:
to what end have I any thingable thought to what?
Stupid language, nothing is ever clear.

Ought we explore our relationship, you and me, I mean,
when I say we. We are intimate, dear reader.
As close as two minds may be, with permission, assumed.
My insane, in your brain, is not my insane in mine.
A little like leaven, if you ever bake.

No con querity con cerns us here, we filtered those before.
CERN's discerning of the matter making
thing, bosonic tonic device,
that led us to line our tinfoil hat with lead,
just in case Higgs ups happen and stutters start.

Hold your breath. We both have one to hold, but not for long.
And so it goes, I do enjoy a vintage Vonnegut thought
floating by on a breeze.

Imagine me a Virginia Wolfe trust fund child gone wild,
un gentled, sent down t' Tobbacca Road
in a hot rod Lincoln,
t' find a bride.

Some said something in the water, flouride, petrafied
pineal glands and blinded a generation,
to the sins of their father's
legions of liars,

hired to progressively teach us to work in factories
which vanished
right before

the beans vanished from our ears and we heard the rush
of the rolling tide lifting boats big and small.

Remember being accused, in your mind, of only wanting to be on the side that's winning?

That hot rod Lincoln, Thunderword road, remember the environ?
Pure
Moonshine, melts that petrafied flouride away,

a whole generation o' peasants
turned on.
Holler Hi dee **, burns the tummy, doncha know but

epigenetic application of pure moonshine in the ac-company-ment,
companion, accuse amigo,
same bread, same leaven,
com panion we be
joined.

Jesuits, that was the idea,
formed in Xavier's fever wracked brain
as his medievally medicated flesh fought for every
breath.
Heroic. Hagiographic. Stale, smoke filled acacia incense maybe

We have gone to havings
whence such bread is said to become the an-ointed, magi know, knew, expected, fore told for if ever forever begins,
as far as mortal peasants may be concerned with such high mindedness.

The leader is a liar and the people feel free to follow him.
When the twisted rule the ruled twist, too.

Solomonic wisdom, that is. Oil on the water. Pass the torch.

This was 2018, Donald Trump was President.
how come this to be
to have to be
held.
Who still,
can imagine war?
None.

No reflection,
lack of humility,
proud noble rare-ified re-ified de-ified

Charming fellow, though, can't you admit
his charm is a luring, tempting thing, temporary testing,
is he
an enemy,
donchaluvem? Life is the test. It is that simple. Right, Mr. Perot?

No distraction action condemns a man here, we have none.
Condemnation, none of that here. My reality, you know.

Tempests in teapots, fersher. Command zed, eh.
Fold it up, put it away. New idea. New everything.

People and political servants. No more leaders, no more war.
imagine that.
People and servants serving to govern the emerging
situations
as time rolls out the barrel with the single rotten apple,

and we, the people, feed that rotten apple to the pigs,

who were addicted to pearls,
during the confusion
as mankind lost its mind

we never doubted the need for men to be born.
again, we knew not what we believed born again may be.

Taste, good medicine is bitter more oft than not,

Sugar blues on a global level, those never justify the cost,
of making the medicine go down.

Sweet desire deprived, that is poison.
Dainty appetizers, served in the rich man circus,
stolen by servants racked with guilt,

shame and blame arise,

emergency action, a reason, why are those dainty meats so alluring,


ask the fisherman. Watch for his hook.
Someday, I don't want anyone to gues where I stood concerning Donald, I never met the man and never liked the mask.
This is my favorite time of year
The one thing I live for
Is getting my annual invitation
Hand delivered at the door
It says "Dear Occupant"
or sometimes "your name here"
"We would like this chance to ask you"
"to see what's new this year"
"Please come to this year's Psychic Fair"
"We hope you will attend"
"Please RSVP by Tuesday"
"We'll see you soon...our friend!"
Dear occupant...how did they know
I'm unlisted in the book
My identity is secret
You can't find me if you look
I guess that's why they're psychics
They know exactly where I'm at
They know I'm waiting for my invite
They just KNOW....and that is that
Each year it's at the same place
Off the highway, past the mall
They always set up lots of tables
But, they never fill them all
This year's ad had promised
This year would be better than the last
So...I sent them back my rsvp
And I got it to them fast
I showed up in line on Friday
Not too early ....not too late
The fair began next morning
The ad said...doors open at eight
I sat outside and waited
Had my blanket, pillow too
I was there for oh....six hours
Before I saw occupant number two
"****" he said when he pulled in
"I was hoping to be first in line"
"Now, I'm gonna miss the real good stuff"
"I may as well have come at nine"
I sat there and ignored him
Knowing deep down that he was right
Then I settled down to sleep a bit
And help to pass the night
At seven ten I woke, all set
To get into the fair
I looked around and saw no one else
Just the two of us were there
I didn't mind, I thought...so what
I'm still the first one in
the others, just can eat my dust
Though the crowd, looked kind of thin
At eight o'clock the doors went click
The lock had been released
From somewhere in the building
By a switch inside the beast
We went inside and looked around
Two hundred tables on display
My heart was just on fire
This would be a special day
Tarot cards, divining rods
crystal ***** and magic wands
Harry Potter robes, more tarot cards
Crystal light strips for your ponds
Readings, Writings, images
Pictures written in the stars
They even had some dream catchers
You could hang up in your cars
I went up to the first booth
I met a psychic there named Joe
He asked me what I wanted
If he was real..then he would know
I saw comics, mind drinks
astrolgers, and saw lots of things to buy
But, every single psychic
Seemed a fraud to me...but why?
I picked up a blue crystal
Was told it would swing and show me things
It would help me to get centered
Good luck to me...it'd bring
I held it and I chanted
It just hung there on my chest
I said "This thing's not full of magic"
He said "It's just having a rest"
I tried again, with thirty more
they all just hung there like dead weight
He said "they all were swinging yesterday"
"give them time....just wait"
An hour passed, my neck gave out
They all fell to the floor
He said "don't leave..I've got a special one"
"Please try this one rock more"
I said that I would try it
But this one would be the last
I'd noticed more folks coming in
And a lot of time had passed
Again, it just ...well, hung there
Nothing happened...but just then
I sneezed and yes ...you guessed it
Nothing happened once again
I left and found a reader
One who said he'd tell me all
I just had to pay him twenty
He said the cards would make the call
A simple deck of tarot cards
All dented and all marked
Were laid out front before me
So in the seat I parked
He turned over the devil
Followed by the jester and the moon
I asked what these three cards meant
"He said, you might be dead by noon"
"or, they could mean something else"
"We'll let the cards decide
"they also might mean that you spent
Last night sleeping outside"
the next three cards turned over were
"A castle, queen and wreck"
He said that these tell me
"My kids have used my deck"
I left him there and moved along
I would give them one more chance
I tossed a coin to pick with who
I would dance the psychic dance
I made my choice and walked on to
A psychic known as Rosie
She was dressed in jeans, and tunic shirt
Just sitting kind of cozy
"I know just why you came to me"
she said as I sat down
"But, you don't have that much trust in me"
"You think I'm just a clown"
"Without belief the things I say"
"will not mean one **** thing"
"without belief you'll waste my time"
"and the knowledge that I bring"
I told her I would listen first
and make my mind up later
I liked the way she came across
I didn't want to hate her
She didn't ask to touch my hand
Didn't even ask my name
She said she picked up my vibrations
That way it wasn't just a game
She told me things I never knew
Some things I'd heard before
But when she told me about children
I then passed out and hit the floor
she told me I'd get married
that I was precise and very giving
She asked if I had teapots
in my house, where I was living
I told her yes I had some pots
and then I asked her why
She said each *** inside my house
Meant one child born for I
This is when I hit the floor
I got a bump that was quite large
I told her "I made tea pots"
"I have a kiln inside my garage"
I said "each *** is one new child"
she said yes that much is true
It was then that she passed out
I said my house held ninety two!!!
Tommy Johnson Dec 2013
Lectures by the river side
My my, my poor unfocused mind
Lost in the summer sun
Why, why do you run

Falling falling
Dynamic falling but into what and where

Too big to small
It’s locked
Flood the door

Weather the storm
3 seagulls
And ones extinct
Yelping from the ocean floor

Nautical and aviated creatures
Spinning, singing
Joining the jig
Go by the prophecy

Getting drowned
Getting dry
The rodent
Is out of time
The twins

honking paradox
stories missing their plots
lungs give out
as you give in

how do you do
that’s manners
pudding, pudding
who’s got the pudding?

tales of greed and trade
tales of gluttony and shame
fabrications of a hard days work
cabbages and kings

take a walk
we’ll share a talk
follow follow
into the dark

a loaf of bread
to bide his time
while I devour
you are mine
weep for you
oh I could sing
broken promises
of cabbages and kings

oh Mary Ann
she isn’t home
but she would be
but she can't

the gloves are lost
as she grows large
cant believe shes back again

the lizard
slithers down the chimney
shrieks in fear of her size

smoke the monster out
toast the *******
spark the fuse
so misunderstood

back to small
it still comes
the flower bed
over run

roses daises daffodils
an astonishing scheme of bright colors

tulips joining the 4 part harmony
in the golden afternoon
music to my ears
growing dying seconds and years

morning glories and butterflies
taking up my time
but I don’t mind
ill sit and smile

no pedals
no stem
no seeds
I’m a common ****

sit and relax
vowels and syntax
Smokey interrogation
caterpillars transformation

I see what grace meant
Looking back on it again

I’m three inches high
Now goodbye

One bight can only take you so far
The consumption
Of a mushroom
And its spores

Now that’s right
But what is left
No where to go
But some where to get…to

Striped and smiling feline
Seems like he’s hiding something
Knows something
I don’t

Points me in all directions
For no way is bad
But every which way
Is surely mad

364 days that aren’t mine
But I"ll cherish them like they are
But why
Because I can

A loon, a hare and a rat
Teapots and party hats

Blowing the candles out
Making your wish come true
Feed your head it’s the thing to do

I never got to sip my tea
What a pity
Speak in riddles
Tease in rhymes

A few tears here
A realization there
Do I ignore
Or continue to care
The roses are faux
So that she wont know
Oh the color red
Spilled blood of the dead

A place where they hail a crown
A place where heads roll around
A nonsensical monarchy
In a vast world of anarchy

Of with my head
Put me on trial
So ill be dead
In awhile, good

Wake up
Wake up
Nothing but a dream
Yes yes but what could it mean

Day dream of silliness
A place where somethings amiss
I dare not go back again
Gaze through the looking glass
To see the wonderland
Alexandria Hope Nov 2014
Resting is never easy, with the stirring of empty thoughts, like clanging little bells and spilling mold from teapots. I sit and drink of folly and greet my guests there, for I’ll never get to resting if I don’t have my fair share. Though the poison may eat me up, I tie wonderland’s ribbon round my neck, and jump the spout into the drink to take my given due. Again I kiss the teacup’s lip and mumble “I love you."
Our life puts the "Sh..." back in
"Chicago."

This pulse could race, slow to a dull thud or stop and curdle like the residents of a container of milk who've been left out, and still you will never love me.  

Gobs of waiter phlegm we never detect in our bowls of soup and teapots beg our forgiveness and howl for our affection, and are invisible.

But where is the crime in not loving
when we are not loved?
How could there be a crime in not loving,
when we are loved poorly?
Loved so poorly we cannot afford
to ask ourselves where is the crime,
thus implying innocence.

We put the "mice" back in
"monogamous."

tip-toeing, silent but for mere squeaks, nearly inaudible whispers,
furtive looks, and how we run away, screaming,
or, like mice and Chicagoans all, we freeze.

Aquiver with fear, iced up in the Polar Vortex, hands raised in the policeman's spotlight.

But where is the crime in not loving
when you are not loved, or loved poorly?
Loved so poorly we cannot afford to stand up straight,
We scurry close to building walls,
trying not to be seen or see each other as we curse our fate.

Where is the crime in not loving those whom we hate?

There is no crime, but still, not loving is the heart of all crime.
To feel so deeply unloved we wish to destroy ... you name it.
Blot out, ruin and erase them; our enemies, our families, lovers, and even the world herself.

Jab a knife into her verdant hide and twist until black blood flows.
Gouge out mountaintops seeking iron for our towers.
Remaking her grace to build our graveyard.

These vibrant phosphorescent tombstones, overpopulated pillars of mutual isolation reach up into the clouds.
Announcing to the universe, we trumpet a loneliness as profound as it is absurd and ugly.
If I could write my thoughts
You may not quite understand
For the words we are stapled with
Seem ridiculously bland

Music flows like colours to beat
Hypnotising my soul, sparking my senses
Controlling my body I'll jump to my feet
Unimportance of visuals like seeing through lenses

If emotionally moved why not be 'fantabulous'
Eyes closed I see clearer and all is so peachy
Bisto relates to Sunday but life is better gravy
Grey Monday's depress but not 'Grey..You get me?

Just separate your instincts of colours and such
Words are just letters You'll see in a bit
Brains installed with viral fake mush
Some never stray from the path of life's Pit

So blasphemy like '*******, **** and ****
Bad letters because swearing is ...wrong?
The four letter 'C' word the worst though admit
Cos **** is just letters made worse for too long

Sue is my name all over the world
Yet Mum can be Mom, Dad, Pa, Pere
If taught **** for Mum wisdom are not pearls
Red is not hot blue is not cold transparent unclear

So simply my mind see's what's gone so wrong
To un -train what's been taught like losing a limb
People are 'Crazy' to not follow and conform!
Don't get the page yet? read on its no sin

Fantabulously individually Humans
My DNA matches no others so why  march to the tip TOP beat
How beautiful we are 'ALL' Races of humans, Us
The recent power crazed gave racism a ******

****, Racism, diets, Religion
War, Rich, Poor, just made up words
Humans empathetic risers to imagine
No hate, selfishness, Malice in Humans that's Absurd!

Do we find Racial abuse amongst Dogs, Cats and such
So many species but a ***** is a ***** regardless of colour
Rabbits in the wild don't live in a hutch
Straying the point lets try to mull over

From born colour coded, numbered and named
Associated colours, Pink Girls, Blue Boys
Lemon and white if scans are waylaid
Colours are just preferences or visual noise

Taught to be the best you can be
Strive to the top, the higher, the best
Already are wedging the You and the Me
Hang on..Oh look.. I come from the 'West'

How hard to be taught to embrace our uniqueness
Respect, Love and cherish the short time we're here
Selflessly love, change this bare rotten bleakness
Humanity release this dark You enslave

No rich or poor just balanced and happy
Heinz not for me still love store brand
Caviare Hallooga Ballooga, Whatever, Really?
If not jisting my drift now... You're not of this land!?...


All I'm saying is we are all unique so live life to the full, embrace love and happiness, help others where you can, be selfless, respect costs nothing as does a smile, no need for fad dieting, embrace your unique self, let's strive to make Humans be the best we can be but embrace the journey together, life is not a competition or a race, beauty can not be visualised or bought, true beauty 'can' be the ugly ducling surrounded by selfish nasty swans.  Feel the love in all Humans globally.  The one's who lead us at the tippedy top have been hypnotised by some othre in-humane greedy, selfish sub species, who I shall name the darkness and unknown fear we only feel, because remember to visualise is irrelevant to our existence , it's through our feelings, fears and thoughts they attack first, causing panic amongst the trustworthy of our so called Governments.  If they all wanted the best for us then by al means pull together as ONE Government, but to diminish the value of money is just a way of controlling us, keeping the rich rich and richer and making the poor the lowest, ,maybe now homeless **** in society we all feel uncomfortable around?  If all houses cost the same, all wages paid the same rate and no unnecessary taxes to park a vehicle, drive the vehicle, toll costs when in the same country and no tax on wages...What they spending that **** on? We already pay tax on the area we live, yes roadworks, police, fire crews, New Homes even, street improvements have to be funded by tax to pay wages... fair enough.  No taxing us on our hard worked, underpaid jobs that we lose blood sweat and tears over and lets face it 3/4 of that goes back into the government with tv licence, overpriced food, tobacco, extortionate fuel companies conning you out ya money with standing charges and charging you more kw for the £ on the ever gracious £5-8 emergency they put on pre payment machines.  Then If your lucky enough to have worked and lived an average life you can buy your own house which you pay of untill your pension years.... god forbid you need residential care if u lose your mind or you can kiss your financial future for your kids cos that care don't come under the good old NHS.... and is soooooo over priced and understaffed by mostly aliens of society that the government take the house and money to pay for their care???? ******* rediculous.  And of course when U die you have to pay a % of the value of that house to the government.....for?? Yea what the **** for? My house? Go **** yourself!...The free bus pass don't cut it, the discount priced fish and chips DON'T cut it!!

You know the thing that grates me the most? TV Advertisements, e.g Washing powder ads.... 10 years ago it removed 'all' stains and made whites whiter than white... now 10 years on and Fantabulously new and improved with colour protection and stain, bomb, bullet proof...Yes you have guessed it, makes whites 'even' whiter! ha.. white is white it don't get whiter.....all scams for money....stick a trusted celebrity in the ad....and you could sell chocolate teapots to the masses...

My Motto..... Eat well, live life, embrace our imperfections cos perfection is unreachable, unachievable and installed into us to get more money, more power, more **** knows?  Don't be ruled by the soldiers and the puppets of society, believe in what you like and respect that others may not always agree with you but we are entitled to our opinion, not everyone is going to agree, that's what makes us different, never seen a war starting over country A likes coffee Country B likes Tea....lets go to war to battle it out....Make war against the law... would solve asylum seekers, ad that god dam racism word, bring back golly Wogs and baa baa black sheep...ridiculous...my childhood was when thatcher was in reign.... oh how the man 'o' species let 1 woman come into power and claim she ****** it..... anyway straying again...Wake up People Freedom is lost,  lets not let them take our souls too!!
The upland flocks grew starved and thinned:
  Their shepherds scarce could feed the lambs
Whose milkless mothers butted them,
  Or who were orphaned of their dams.
The lambs athirst for mother's milk
  Filled all the place with piteous sounds:
Their mothers' bones made white for miles
  The pastureless wet pasture grounds.

Day after day, night after night,
  From lamb to lamb the shepherds went,
With teapots for the bleating mouths
  Instead of nature's nourishment.
The little shivering gaping things
  Soon knew the step that brought them aid,
And fondled the protecting hand,
  And rubbed it with a woolly head.

Then, as the days waxed on to weeks,
  It was a pretty sight to see
These lambs with frisky heads and tails
  Skipping and leaping on the lea,
Bleating in tender, trustful tones,
  Resting on rocky crag or mound,
And following the beloved feet
  That once had sought for them and found.

These very shepherds of their flocks,
  These loving lambs so meek to please,
Are worthy of recording words
  And honor in their due degrees:
So I might live a hundred years,
  And roam from strand to foreign strand,
Yet not forget this flooded spring
  And scarce-saved lambs of Westmoreland.
sabrina paesler May 2015
if you need to talk,
call the scrap yard.
ask for the girl
who sifts through debris
and finds spare parts
that can try to replace
your failing ones.

I will answer
to whistling teapots
and accumulated newspapers
if you don’t have time to call;
drinking gasoline so I don’t fall asleep,
and oil for stability.

if the things I find
cannot help,
I will relinquish my function
so I don’t fail you too—
the sum of my parts
could never make a whole
as lovely as yours, anyway.
Robert Ronnow Aug 2015
Exercising belief about unknowns.
Makes sense to take your best guess.
Using history, numbers, extrapolation.
Getting the trajectory right for re-entry.
Few dissenters left for climate change, evolution.
Nuclear power brings a process to earth
that occurs only in space. Dangerous
but necessary? Not a risk-averse weasel.

One among many mammals is the weasel,
not known for its consideration of unknowns
but, for its extreme caloric needs, considered dangerous.
My wife says in England violent gusts
forced a locomotive off its tracks. One interpretation
might reasonably be that the mother, earth,
has stopped mothering man. We're entering
a period of unknowns and must evolve.

What might this involve
and what adjustments are possibly feasible?
Walking rather than riding to the subway entrance,
using less electricity until more is known,
preserving agricultural soils and forest land,
buying fewer plastic contraptions.
My brother's washing his pajamas less often.

None of this may make the slightest difference
in how the earth and the sun and universe revolve.
But we are human and addicted to action,
the probable less attractive than the possible.
Also, there's no percentage in respecting death
unless it's imminent. Better to remain centered,
focused on food, child-bearing, war and the poem.

All driveways plowed, all lawns mowed.
Just in time before the first snow, I raked our leaves.
Two eight hour days. What percent of all time is that?
Draw a ray with point A the first pile of leaves
extending to the extrapolating end of universe.
.01 of Aaron. Zero of Zach.
Hawks playing, hunting, mating, canaries in the mine.

Having been too many places to count.
*** bars, infant formulas, fire crews, last rites, permanent
      jobs, traffic tickets, judges'chambers, out houses,
      wedding banquets, boiling teapots, frantic centuries,
      ****** tissues, presumed innocent, clear intentions,
      stainless steel.
Spiderweb glove. Deerfly earring. Daddylonglegs
      seeingeyedog.
Memorized songs. Privatized loans.
You cannot know what you're doing until you've done it.
Erudite sweep the floor. Articulate make the bed.
Infrared town hall. Crab nebula. Your last crap.
Eye of the tropical January sun. Slouching toward temperate
      zone.
www.ronnowpoetry.com
Mosaic Mar 2015
You hate (them)
like electric teapots
and you wish you could stop
Stop the screaming

All I want to do
is make those fevered lights
fade
Make you the only creature in my world
And I try

But I can't

Stuck in this liminal timefold
              Rabbit Hole
Tommy Johnson Sep 2014
The Couch Potato is glued to the screen with his tin foil hat on
He sees tailor made charades being played for keeps
Superficial calling cards being dropped into mailboxes
Gravy trains being engineered by some guy subject to temper tantrums and growing pains
Window shoppers searching for second hand teapots, swear jars and unofficial other halves

To him it's all real
Is he wrong?

Put on your dunce cap and ponder that

       -Tommy Johnson
Tom McCone Jul 2013
the sky was on fire this
morning. the whole world
stood still, ablaze.
i was asleep, though. asleep
and dreaming of missing you.
like i usually am.

in the interim time periods
amidst two
weeks
too
late resolutions i
always say it's always too late i
think i'm going or gone insane;
asleep and over hills
and hills and
hills that don't exist, how
can the world still spin with
its one glimmering turning point so
far away?

i let the birds open up
the window, let
choke my lungs on
clean air, choke me from
tender clouds, all cutapart endings,
rusty-hinged doorways.
from dreams i never wanted anyway.
dreams of your wet eyes.

i'm not drunk though. just a mess.

*and you know how i love you,
too. in quiet frequencies and
teapots and cold mornings, in
birdsong and my slow
anxieties.
but you already know that.
dawn slowly
drips out
from fissures
between pinpointed
light, glaciers
circulating in
backlit skies.
preservationman Aug 2023
Dreams of entertainment
Full of amazement and surprises
Take a back seat Beauty and the Beast
We are a standalone being our feast
The music being for us both
Together we took an oath
A Teapot and cup and saucers are the ones who know
We will carry the show
Just follow the flow
Song and dance and perhaps a sketch
You the audience will have to catch
Creating the right effect
We don’t want the audience to reject
We will not be mean only lean
You won’t see much of a pour
Only our total performing galore
Our story our very own and it will be full blown
Teapot became a theory
Cup and Saucers a mystery
We were always sitting on a shelf or convent
Barely used or not used at all
We were considered a prop
I always had to accept like it or not
It was simply “NOT”
Disney thought they had it right
We took it as a plight
We were determined to show our talent
We refused to be silent
When the curtain rose and the spotlight was on
First the teapot went through the audience and asked, “Do you want some tea?”
The audience didn’t know exactly in how to respond other than laugh
The music started and that’s entertainment
Then the cup and saucers with their enchanting voices stating we are Cup and Saucers best
You are our guest
But we have only one request, “Don’t expect us to serve”
We are entertainment and that is what you deserve
Let’s go back into Teapot and cup and saucers time
On the table a teapot and cup and saucers that was always there
Alone with barely a touch
That doesn’t sound much
The table of beauty being a setting and we were decorative
Being objective
There was a party and the Teapot and Cup and Saucers were the highlight
Ready to fulfill
At will
Determined
There was some pour and detail
But without fail
Beautiful friendship
Pleasure to be your acquaintance
Music still playing enchanted
The stage is now full of dancers
Flashing lights
Teapot and Cup and Saucers dancing in delight
We shall dance
Suddenly the beast appeared being angry and upset
The duo of Teapot and cup and saucers had an effect
The question came up from the beast in why he wasn’t invited?
The response, Teapots and cup and saucers are the entertainers and you are only the prop when needed
It was on with the show
We put the beast finally in the know
The finale being an encore, the teapot and cup and saucers together a team
The audience stood up and applauded and the curtain came down
It was a teapot and cup and saucers with a pouring spirit
You have to give them merit
That’s entertainment the way it was meant to be
Encore
Sarina Mar 2013
This hotel serves green tea on golden platters
I bite into it like liquid has a spine,
circular piston cradling a ladder to my tongue
the giant beanstalk, I sleep here and awake
somewhere else with morning meals
already stomached in a stasis –

just how ****** lucidly bled the rugged hand
he forcefully bled under her summer dress:
I am here, I am her with you
as I hike teapots and escape each new room.

For the next, it has squeaky cots –
you heave me to the breakfast bar prior to sun
so I do not whine when heat hits my face,
there is not tea here, bottles of Coke are okay:
a slow content because they’ll hear if we churn.

And unlocking the stall from an exterior view,
it is the wall that looks attractive for one
lollylike little girl, the old man warm & ugly,
insomnia only goes when he wants to fly south.
Zachary Dubien Apr 2014
My nose is my enemy,
Gathering ammo from the very air,
To be fired with an echoing report.

“God bless you!”

Pets, grass, space heaters, soap, the sun.
When I fight; it only becomes stronger.
If I take the defensive; it awaits an opening
like a samurai.

“God bless you!”

I give offering of exotic scents and tissues,
Of drugs and strange teapots,
Though these are but momentary distractions
As it plots my demise.

“God help you.”
An 5 minute attempt to write a "funny" poem. How wonderful.
Joseph Yzrael Nov 2013
look for me
in the incandescent
noise of the
rush hour crowd

hear me
in the scent
of whistling teapots
and unfinished books

find me
in unwritten words
and silenced thoughts

sink into my mind
and weigh down my
battered eyelids

sleep
visit me soon
for I fear
it may be
too late
epictails Aug 2015
#18
I am wine in a jack-in-a-box cellar
Wonderlands, neverlands propelling in a boomerang war
Exalting stubborn as weeds in the gardens of well-tended graves
As far off as the most withered waves

I'll drop my roses of singularity
And let the world leap topsy turvy


Eyes turned upside down like folded floral peels before a fallen angel
Rubbing errant pointed brushes against an airy easel
The teapots are now dancing round rainbow tornadoes
Clocks reverse themselves in a scourge of a prose

I'll drop my roses of singularity
And let the world leap topsy turvy


Singing horses dallying kings and queens with whips of cod
Skinny, scorned nutcrackers lolly gagging for a later maraud
Spoons racing Jack and Jill down a spiny valley of prats
I'd shut them off, they come alive with vicious spats

I'll drop my roses of singularity
And let the world leap topsy turvy


My trappings with all things mad
Wafted me ajar a silvery smoke of sad
I breathe the clouds of my helter skelter
As if in every catatonic whir it flutters rises an answer

*I'll drop my roses of singularity
And let the world leap topsy turvy
Yasss jfc finished it huhu. A decent poem for me after many days huhu.
Anonymous Freak Oct 2018
It was always a joke,
“I couldn’t make it”
Was always just a game,
You were always there anyway,
You always came,
It felt like magic.

You wove your way into my every day life,
You took over the small private comforts
That I used to stay alive,
Teapots,
Work gloves,
Scarves,
Mugs,
You pushed yourself into my existence.

Every time the world was destroying me,
Every time it was too much,
Every time I couldn’t handle it all,
You were suddenly there,
Like magic,
Like my own little miracle.

Please just give me one more tiny miracle...
Don’t do this to me.
betterdays Apr 2015
the old pine table,
was scrubbed daily
with a mixture of bleach and salt,
and then sluiced
with clean ice cold well water.
it had a felted softness to it,
a wonderful tactile memory
i am still unable to explain.

sat out upon the balcony,
overlooking the beaches
and whale island.
caught both the days sun
and a short substantial breeze.

it was an oval behemoth of a thing, would easily sit twelve adults,
at a christmas feast.
but now just one or two,
excepting when we arrived,
on vacation, then a half dozen neat.

and on most mornings,
big broadsheet papers.
spread out, anchored down,
by oranges and bannanas,
sea shells and driftwood,
teapots and coffee cups,
whatever was to hand,
scattered haphazardly about.
the rule was if you took a bit of fruit, or whatever,
you had to supply a new anchor.
so as the morning wore on,
fruit became books and toy trucks, teddy bears and cricket *****.
all presided over by granda,
as he worked his way
around the news,
spread before him,
like the hands of a clock.
changing seats, irregularly,
with a sigh and a plop.
muttering to himself,
or calling out to gran,
news of suggested import,
or the "specials"of the day.

that old pine table held,
the world spread out,
for intelligent disection.

i still can feel, it's surface,
like rolling, polished pearls.



.....no still not explaining it,
at all well.
The kind of people that make songs up about this time of the day,
want putting away.

'..and once more the dawning...'
has me yawning
I
need to get some more sleep under my belt.
Pretty girl Dec 2016
The light in her eyes twinkles like teapots and chiped  china
She is chiped china
She comes from a little town where bad things sometimes happen
Like double rainbows draining and dripping down to meet the land
Trickling hearts and minds into reality
You see... that's never where she wanted to be
So she made a casket called home
That's where the broken dolls go so they can rest in peace
Broken down dolly faces
Pouty lips now in different places
crevices and deep spaces
Spiderwebs in the glass that was once whole
Glass Crums licked up by demon babies with tongues ten feet long
Her tears are snow globes
Moisture containing storms of emotion
Like a dresser drawer filled with ocean
...Yes
Her eyes were once stars and shined with curiosity
But it burnt out long ago
Now her seeing tunnels are stained glossy
The world she cannot unsee
the days pass by silently without giving me much time to turn around and watch them and when i sit inside my room i am once again greeted by that old, familiar chill of winter

teapots full of emotions are being boiled over a stove that is clearly not warm enough to warm my whole body, but it keeps on burning regardless, and i notice that no one thinks much of anything unless it concerns themselves

i get this chill when the nighttime slows down that things are going to end, that everyone is going to vanish like the snow that tries in vain each year to stay forever, but then my thoughts leave as fast as the warmth of spring

winter is that old friend that you love to see but hate to keep you company when he opens his mouth about the things that used to be, about how you used to look out your window and see him fall behind tears, sparkling eyes, and disappointments and trust me, i get enough headaches nowadays to block out those memories but i can't forget dates in december that shaped who i was in january

if there's a piece of advice i would give someone, someone full of loneliness and desolation, full of the contents of despair, enough so that they feel they could burst, that they feel no matter what they do there will always be a dead end, that feel that they don't even want to write the tragedies they think and experience down in a journal because god forbid someone would ever open it, so they just stay bottled up

if there's one piece of advice i would give to them, it would be let your thoughts pour out like the way old winter brings them back; one night, just cry and let it drain you from any more tears; let that old, hideous, beat down, torn, broken, revolting chill freeze your mind, so that you finally get a *break
Emma Cooper Sep 2017
You were always shocked
when I would ask questions
that to you were seemingly
unnecessary,
trivial,
purposeless,
by your harsh definition.

Like you favourite colour.
Orange, you said.
When I wanted to know if your preference
leaned more towards sunsets
or fire
or tamer things,
you told me to stop asking so many questions.

It was orange, that was all.

When you bought flowers
I was surprised to see that they were pink.
It might not have mattered, but it got me thinking
about how much you don’t care to know.
Little things speak volumes,
but you disregard them.
Because it is easier to fall in love
on a superficial level,
but I crave depth.
So here I am in small pieces:

I take my coffee black.
I like to do crosswords in the paper like an old person,
and I can’t finish most of them.
I have terrible vision but refuse to wear glasses.
In quiet moments, I talk with myself like an old friend
and it is a strange illusion.
I collect business cards,
stones,
feathers,
teapots,
and strangers.
I like fridge magnets
and no sound can ****** me
quite like a good song can.
I cry when I'm angry.
I write bad poetry.
I love to laugh.
I’m a terrible swimmer.

I hate the colour pink.

You should have known that much.
At the very least, you should have wanted to.
When it comes to love my dear,
you have a lot to learn.

-Emma Cooper
betterdays Mar 2014
the old pine table,
was scrubbed daily with
a mixture of bleach and
salt,
and then sluiced with clean
ice cold well water.

it had a felted softness
to it,
a wonderful tactile
memory i am still unable
to explain.

sat out on the balcony,
overlooking the beaches
and whale island.
it was an oval behemoth of
a thing,  
would easily sit
twelve adults
at a christmas feast.
but now just one or two.
excepting
when we arrive to vacation,
then a half dozen neat.

and on most mornings,
big broadsheet papers.
spread out, anchored down
by oranges and bannanas,
sea shells and driftwood,
teapots and coffee cups,
whatever was to hand,
scattered haphazardly about.

the rule was
if you took a bit
of fruit, or whatever,
you had to supply a new anchor.
so as the morning wore on,
fruit became books and toy trucks, teddy bears and cricket *****.

all presided over by granda,
as he worked his way
around the news,
spread before him,
like the hands of a clock.
changing seats,
iregularly,
with a sigh and a plop.
muttering to himself,
or calling out to gran,
news of suggested  import
or the specials of the day.

that old pine table held,
the world spread out,
for intelligent dissection.


i still can feel,
it's surface,
like rolling,
polished pearls.
.....no
...still not explaining it
at all well.
Third Eye Candy May 2017
sprouting from the damp earth
we trod from the muck into the sun
and were glad in it.
we found there, the space to waste time in
and more space to explore with our riveting lives
boiling in the womb of all wombs.
we stride to the heavens undisclosed to religion.
and on approach , we find gods in teapots
steeping the illusions we crave
over hot coals on a sinking
barge.

we are happy as we will the suffering to continue.
but as a flock of flaming gulls
we singe the night sky and the ocean below.
they both burn as we commit to our purpose.
each a sovereign fool
and an angel
shackled to a
spot -

on the Sun.
m Mar 2020
Purple radiant heat
Reverberations of
Exclamations
Horrific holograms
Reality has received;

Testing teapots and
Tourmaline jewelry
Shattered on the wood floors
Fluorescent firecrackers
For days upon hours;

The nape of the neck
Where yours should be
Sheds blood
Pulsating the prophetic
Paralyzing truths;

Home is a verb, the
Truly inspirational
Deception of defeat
And the drip drip drip
Of disillusioned ichor
Universe Poems Feb 2022
1500
early teapot,
purple sand ***
distinctive sand clay
local Jiangsu province,
plentiful earthenware at play
vessels fair
17th century,
teapots made an entry,
to dare
British public,
were Introduced,
green tea with spices,
and other exotic foods
from Asia,
teapots became a major

© 2022 Carol Natasha Diviney
thank god for tea
thank god for whistles and steam and milk and honey and mugs
thank god for teabags
and warmth and sweet and bitter and soft and sleep and mornings
thank god for kettles
and quiet and windows and pillows and jars and an absence of tears
thank god for tea
because i get cold
and my hands shake without something to hold
and my brain quakes when it isn't told something
anything to do
outside of itself so
thank god for tea
and grandmas and books and kittens and libraries
thank god for teapots
and sunsets and toothpaste and thermoses and treetops
thank god for soft chairs to sit in and sip
crisscross applesauce with a mug at your lips
because i get frightened
and i get cold
and if the only thing that's bold
in this house is this strong cup of tea
and not me
i'll take what i can get
Hoshi Nov 2020
I am a story. An unfinished novel, if you will. I'm full of half-forgotten bedtime stories of faraway lands, dry sugar cookies that are still my favourites, brown and green eyes, constant piano playing, seeing my siblings' art hung up on the wall - covering up my own. I'm drowning in teapots, unorthodox backyard camping, off-brand root beer, and sneaking out of windows to dance in the rain.

I'm a torn up piece of paper with the words 'hold on' scribbled in different colors of pen covering every surface.

I'm a bullied, neglected, broken, half of a story. I'm experiencing the second act first. The part where everything's ******.

Waiting, waiting, waiting, until it gets better. Somebody let me know when I can come out from underneath the blankets.

— The End —