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"tawn" poems
Love, the world Suddenly turns, turns color. The streetlight Splits through the rat's tail Pods of the laburnum at nine in the morning. It is the Arctic, This little black Circle, with its tawn silk grasses - babies hair. There is a green in the air, Soft, delectable. It cushions me lovingly. I am flushed and warm. I think I may be enormous, I am so stupidly happy, My Wellingtons Squelching and squelching through the beautiful red. This is my property. Two times a day I pace it, sniffing The barbarous holly with its viridian Scallops, pure iron, And the wall of the odd corpses. I love them. I love them like history. The apples are golden, Imagine it ---- My seventy trees Holding their gold-ruddy ***** In a thick gray death-soup, Their million Gold leaves metal and breathless. O love, O celibate. Nobody but me Walks the waist high wet. The irreplaceable Golds bleed and deepen, the mouths of Thermopylae.
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Letter In November
Kausa, kaduha, maihap ra. Ang mga laag sa mag barkada. Ug kini napun-an na. Sa Bohol, diin sila milarga. Pageskwela ang gihinungdan Sabay silang naglayag. apan: Ang usa wala kakuyog kay nasakit. Duna poy wala, sa trabaho nasangit. Di man kompleto tuod, pero, Nagpakalingaw ang mga giro Kay panagsa ra tawn magsalo Pawala sa mga labad sa ulo. Busa unta kini masundan pa, Ug sa umaabot kompleto na.
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Sep 8, 2017
Sep 8, 2017 at 7:23 PM UTC
Barkada Trip
Nakit-an tika pagkagahapon, Nakita nako imong mahigugmaong paghiyom, Akong dughan sig ambak, 'di jud muhilom, Sa imong mga simpleng pag talidhay, Inday, akong dughan 'di jud tawn makalihay.
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Sep 21, 2019
Sep 21, 2019 at 12:09 PM UTC
Gahapong Nilabay
Akong iring nanglungkab ug bahaw, nganong 'di naman tawn ni siya maminaw, gilutuan na gani ug inihaw, nangita pa ug bahaw, 'Di man sad ganahan ug sabaw, ako na intawn mabuang ug mahimo'g amaw.
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Sep 20, 2019
Sep 20, 2019 at 12:37 PM UTC
My Cat Is Always Pregnant So I Called Her Borricat
The honey in the lion sounds like a delicious thing–– a gentle balm capable of subduing the cruellest of monsters. According to the stars and tattooed, you fancied yourself king of the jungle–– lazy in hot African afternoons. Golden and tawn with sleepy sun-gold eyes, shaggy mane, muzzle red with the blood of a gazelle. Did you think me such easy prey? Or was I so much fermented honey, only a sweet intoxicant. Sun warmth seeps from jungles of cold concrete. I mistook your gargoyle wings for those of a guardian angel’s. I overlooked your rough skin, your crooked hawk nose and your skinny ribs, and assigned fine things in you that didn’t exist. So duped, I acquiesced to your slimy kiss. Your mouth a neglected cemetery, teeth a row of mossy tombstones. Vampire. Incubus. Your seduction like grotesque death. You named me tempest in a teacup, but I was the eye of the storm. Until the night the eye was eradicated, and the storm blew in, striking me dumb with your sound and fury. But no spattered blood and no spreading bruise to be found in the pattern of the kaleidoscope. No cause for alarm. Today I am lost in a picture show, a beautiful world coloured by nostalgic past. Women’s lips the vivid red print of a velvet valentine. Head in the Clouds, I fantasize about a certain scene. Because you think violence is **** retaliation – ********** in my dream. Give me an eye for my eye, for all the eyes you plucked, from women and breadwinners. Give me blood running down your back, sweet as honey.
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Sep 22, 2016
Sep 22, 2016 at 5:37 PM UTC
The Honey in the Lion
The honey in the lion sounds like a delicious thing–– a gentle balm capable of subduing the cruellest of monsters. According to the stars and tattooed, you fancied yourself king of the jungle–– lazy in hot African afternoons. Golden and tawn with sleepy sun-gold eyes, shaggy mane, muzzle red with the blood of a gazelle. Did you think me such easy prey? Or was I so much fermented honey, only a sweet intoxicant. Sun warmth seeps from jungles of cold concrete. I mistook your gargoyle wings for those of a guardian angel’s. I overlooked your rough skin, your crooked hawk nose and your skinny ribs, and assigned fine things in you that didn’t exist. So duped, I acquiesced to your slimy kiss. Your mouth a neglected cemetery, teeth a row of mossy tombstones. Vampire. Incubus. Your seduction like grotesque death. You named me tempest in a teacup, but I was the eye of the storm. Until the night the eye was eradicated, and the storm blew in, striking me dumb with your sound and fury. But no spattered blood and no spreading bruise to be found in the pattern of the kaleidoscope. No cause for alarm. Today I am lost in a picture show, a beautiful world coloured by nostalgic past. Women’s lips the vivid red print of a velvet valentine. Head in the Clouds, I fantasize about a certain scene. Because you think violence is **** retaliation – ********** in my dream. Give me an eye for my eye, for all the eyes you plucked, from women and breadwinners. Give me blood running down your back, sweet as honey.
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Deep in the chalk of gloaming flame, The tawn and pale, of moan and loon, Where under leaves of forest shades, The crescent rails of the riding moon, Here is when the quick blood running Drains with shear seepings and looks, With eyes agape, small game stunned Over pines and green hemlock wood, The ferryman wings and clawing tears, Whose silent strike and low red raking Blasts unto an indifferent lane of peers, This is the house of apparition's name, A mages fugue, muffled muses reprise; The **** song which creeps as sun dies.
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Sep 10, 2013
Sep 10, 2013 at 3:42 PM UTC
Moon Harvest Under Wood
Deep in the chalk of gloaming flame, The tawn and pale, of moan and loon, Where under leaves of forest shades, The crescent rails of the riding moon, Here is when the quick blood running Drains with shear seepings and looks, With eyes agape, small game stunned Over pines and green hemlock wood, The ferryman wings and clawing tears, Whose silent strike and low red raking Blasts unto an indifferent lane of peers, This is the house of apparition's name, A mages fugue, muffled muses reprise; The **** song which creeps as sun dies.
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Jun 8, 2013
Jun 8, 2013 at 10:45 PM UTC
Moon Harvest Under Wood
Deep in the chalk of gloaming flame, The tawn and pale, of moan and loon, Where under leaves of forest shades, The crescent rails of the riding moon, Here is when the quick blood running Drains with shear seepings and looks, With eyes agape, small game stunned Over pines and green hemlock wood, The ferryman wings and clawing tears, Whose silent strike and low red raking Blasts unto an indifferent lane of peers, This is the house of apparition's name, A mages fugue, muffled muses reprise; The **** song which creeps as sun dies.
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Jun 29, 2014
Jun 29, 2014 at 2:59 PM UTC
Moon Harvest Under Wood
Deep in the chalk of gloaming flame, The tawn and pale, of moan and loon, Where under leaves of forest shades, The crescent rails of the riding moon, Here is when the quick blood running Drains with shear seepings and looks, With eyes agape, small game stunned Over pines and green hemlock wood, The ferryman wings and clawing tears, Whose silent strike and low red raking Blasts unto an indifferent lane of peers, This is the house of apparition's name, A mages fugue, muffled muses reprise; The **** song which creeps as sun dies.
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Apr 4, 2015
Apr 4, 2015 at 12:56 PM UTC
Moon Harvest Under Wood (Sonnet)
Deep in the chalk of gloaming flame, The tawn and pale, of moan and loon, Where under leaves of forest shades, The crescent rails of the riding moon, Here is when the quick blood running Drains with shear seepings and looks, With eyes agape, small game stunned Over pines and green hemlock wood, The ferryman wings and clawing tears, Whose silent strike and low red raking Blasts unto an indifferent lane of peers, This is the house of apparition's name, A mages fugue, muffled muses reprise; The **** song which creeps as sun dies.
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Nov 1, 2014
Nov 1, 2014 at 2:02 PM UTC
Moon Harvest Under Wood (Sonnet)
( Sonnet ) Deep in the chalk of gloaming flame, The tawn and pale, of moan and loon, Where under leaves of forest shades, The crescent rails of the riding moon, Here is when the quick blood running Drains with shear seepings and looks, With eyes agape, small game stunned Over pines and green hemlock wood, The ferryman wings and clawing tears, Whose silent strike and low red raking Blasts unto an indifferent lane of peers, This is the house of apparition's name, A mages fugue, muffled muses reprise; The **** song which creeps as sun dies.
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Nov 13, 2015
Nov 13, 2015 at 4:14 PM UTC
Moon Harvest Under Wood
Deep in the chalk of gloaming flame, The tawn and pale, of moan and loon, Where under leaves of forest shades, The crescent rails of the riding moon, Here is when the quick blood running Drains with shear seepings and looks, With eyes agape, small game stunned Over pines and green hemlock wood, The ferryman wings and clawing tears, Whose silent strike and low red raking Blasts unto an indifferent lane of peers, This is the house of apparition's name, A mages fugue, muffled muses reprise; The **** song which creeps as sun dies.
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Mar 25, 2014
Mar 25, 2014 at 1:04 PM UTC
Moon Harvest Under Wood
( Sonnet ) Deep in the chalk of gloaming flame, The tawn and pale, of moan and loon, Where under leaves of forest shades, The crescent rails of the riding moon, Here is when the quick blood running Drains with shear seepings and looks, With eyes agape, small game stunned Over pines and green hemlock wood, The ferryman wings and clawing tears, Whose silent strike and low red raking Blasts unto an indifferent lane of peers, This is the house of apparition's name, A mages fugue, muffled muses reprise; The **** song which creeps as sun dies.
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Feb 2, 2016
Feb 2, 2016 at 1:11 PM UTC
Moon Harvest Under Wood
On a back street in Mexico City meal sellers tend their stalls, dark faced men feed from ceramic bowls, menus are simple in black-board and chalk everything is flavoured with chilli and huddled shoulders reveal little small-talk. Street lamps throw more shadow than light and gas leaking from somewhere feeds the air with an acrid scent. I stop for a bowl of chilli-beans, beside me and one over at the bar a young man with matted hair and heavy eyes unwraps a stained cloth, takes a shard from a broken bottle and neatly incises a small vein in his wrist. He lets the blood drip evenly into a saucer beside him and in the other hand holds what seems to be a quill made from an eagle feather or some large winged bird. Dipping the quill in the gathering blood he begins to write in a leather bound book on tawn-coloured hand made paper. I watch every move. No-one seems to care or notice that he does this. He writes on and on, scratches a word, dips again - the blood flows more slowly; what has gathered seems sufficient, he spits in the saucer takes a shot of clear liquid (probably tequilla) and adds it to the mixture, I assume this is to stop it coagulating. My meal and appetite have gone cold watching this process. When the blood-ink is all but used he folds the book away, wraps his wrist in a stained cloth and walks into the street of shadow and meal sellers steam. The stall holder notices me and approaches: “Si signor this is Miguel the poet of the people. He is coming many times to write this way.” He smiles at me. I pay for the unfinished meal and he says, “The poetry for the people is in his veins amigo, is this not so in your country, are you also having such a poet?” I leave him. Return to my hotel room. Take out portable type writer and clean white paper And begin to write in blood blacker than ink. MChallis © 2015
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Jan 12, 2015
Jan 12, 2015 at 6:02 AM UTC
In the Gathering Blood
On a back street in Mexico City meal sellers tend their stalls, dark faced men feed from ceramic bowls, menus are simple in black-board and chalk everything is flavoured with chilli and huddled shoulders reveal little small-talk. Street lamps throw more shadow than light and gas leaking from somewhere feeds the air with an acrid scent. I stop for a bowl of chilli-beans, beside me and one over at the bar a young man with matted hair and heavy eyes unwraps a stained cloth, takes a shard from a broken bottle and neatly incises a small vein in his wrist. He lets the blood drip evenly into a saucer beside him and in the other hand holds what seems to be a quill made from an eagle feather or some large winged bird. Dipping the quill in the gathering blood he begins to write in a leather bound book on tawn-coloured hand made paper. I watch every move. No-one seems to care or notice that he does this. He writes on and on, scratches a word, dips again - the blood flows more slowly; what has gathered seems sufficient, he spits in the saucer takes a shot of clear liquid (probably tequilla) and adds it to the mixture, I assume this is to stop it coagulating. My meal and appetite have gone cold watching this process. When the blood-ink is all but used he folds the book away, wraps his wrist in a stained cloth and walks into the street of shadow and meal sellers steam. The stall holder notices me and approaches: “Si signor this is Miguel the poet of the people. He is coming many times to write this way.” He smiles at me. I pay for the unfinished meal and he says, “The poetry for the people is in his veins amigo, is this not so in your country, are you also having such a poet?” I leave him. Return to my hotel room. Take out portable type writer and clean white paper And begin to write in blood blacker than ink. MChallis © 2015
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