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"tartan" poems
Moonup, shades of sangria hazed in mothwing dust motes. We wrap in flannel, tartan Seattle warmth accompanied by smudging sticks. Batteries never charged- defibrillator shock. Flatline. You said no violets (you didn’t mean it). Moondown takes time- scores of swaying shadows to arc the parsecs. Inherit starlight, bank it, never blink; wet stones echo in the noise of stars.
0
Feb 27, 2015
Feb 27, 2015 at 2:58 PM UTC
No Violets
Masticated Ectoplasm to Lance Corporal Tom Masticated Ectoplasm to Lance Corporal Tom Bumming your fat knobs and insert your helmet naked and unashamed Masticated Ectoplasm to Lance Corporal Tom Kicking off kick-off, cyborgs brought face to face Tartan sunstroke and may Mumbo Jumbo's **** all lie among you Nine, eleven, seven, thirteen, six, quinquereme, ******** ********* Tweedledum and Tweedledee, unsocial person, erectoffensive! This is Masticated Ectoplasm to Lance Corporal Tom You've really ****** the naval officer And the hatchet faces want to know whose blouses you abuse Now it's time to evacuate the ******* if you have a free hand This is Lance Corporal Tom to Masticated Ectoplasm I'm fancy dress dancing through the cat—flap And I'm groping inside a swollen grotesque sailor And the plums look gigantically unusual nowadays Ergo from Land's End to John o' Groats am I piddling in a crumpet slammer Telescopic hindward the lump Uranus Arsenic is scatological And there's sweet **** all I can have ****** *********** with With the proviso that I'm Ichabod celibate centipede sextillion heads I'm fondling vigorously paparazzo And I think my sputnik knows which direction to **** Tell my ballbreaker I ****** her vigorously for England, she bonks Masticated Ectoplasm to Lance Corporal Tom Your menstrual cycle's kaput, there's oojakapivvygizmo spleen Can you smell me, Lance Corporal Tom? Can you get to the bottom of me, Lance Corporal Tom? Can you delve into me, Lance Corporal Tom? Can you... From Land's End to John o' Groats am I vibrating ring my crumpet criminal lunatic asylum Telescopic hindward the groupie Uranus Arsenic is scatological And there's sweet **** all I can have ****** *********** with
0
Mar 27, 2010
Mar 27, 2010 at 4:22 PM UTC
******* Type Transvestite
Masticated Ectoplasm to Lance Corporal Tom Masticated Ectoplasm to Lance Corporal Tom Bumming your fat knobs and insert your helmet naked and unashamed Masticated Ectoplasm to Lance Corporal Tom Kicking off kick-off, cyborgs brought face to face Tartan sunstroke and may Mumbo Jumbo's **** all lie among you Nine, eleven, seven, thirteen, six, quinquereme, ******** ********* Tweedledum and Tweedledee, unsocial person, erectoffensive! This is Masticated Ectoplasm to Lance Corporal Tom You've really ****** the naval officer And the hatchet faces want to know whose blouses you abuse Now it's time to evacuate the ******* if you have a free hand This is Lance Corporal Tom to Masticated Ectoplasm I'm fancy dress dancing through the cat—flap And I'm groping inside a swollen grotesque sailor And the plums look gigantically unusual nowadays Ergo from Land's End to John o' Groats am I piddling in a crumpet slammer Telescopic hindward the lump Uranus Arsenic is scatological And there's sweet **** all I can have ****** *********** with With the proviso that I'm Ichabod celibate centipede sextillion heads I'm fondling vigorously paparazzo And I think my sputnik knows which direction to **** Tell my ballbreaker I ****** her vigorously for England, she bonks Masticated Ectoplasm to Lance Corporal Tom Your menstrual cycle's kaput, there's oojakapivvygizmo spleen Can you smell me, Lance Corporal Tom? Can you get to the bottom of me, Lance Corporal Tom? Can you delve into me, Lance Corporal Tom? Can you... From Land's End to John o' Groats am I vibrating ring my crumpet criminal lunatic asylum Telescopic hindward the groupie Uranus Arsenic is scatological And there's sweet **** all I can have ****** *********** with
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33
Little girl in a blue snow globe. Pressed white shirt and tartan skirt. Hair slipping out of a ponytail or braid or something like that. Laughter like a current to be lost in by a boatman. Her first time at the beach. Writing childish saltwater sonnets in the sand with her toes. Paper-plane sky kisses sea brimming out of its seams. Singing, on-off key, school choir tone, 'Never Let Me Go'. Who needs, she needs nothing but the horizon cupped in outstretched palms. Innocence stored in jagged-shiny shells waiting to be buried in hot, bare sand. Time comes to shore, oceans grow warmer, shallow. No more of kid braids but a woman in azure. Her whole life having been a half-moon run out of deep, dry wells in search of, in search of... in search of what, but hope. Cracking oyster shells looking for pearls. Time again comes to shore. Cigarette pants for tartan skirt, in a blue-almost-black. Staring out at water lapping before her, before her, after the sky. Before, after. The horizon is a pretty picture she wants to hang on the wall of her heart. But she, schoolgirl trapped in snow globe, remembers textbook phrases like 'Humans are made up of 75% water.' So we are drowning every moment, she thinks dryly. Water within, inevitable. Maybe her skin or nerves or vocal cords sensed it all those years ago in the schoolgirl's snow globe. Like crying, like love, like fearing, like dying. Shifting, receding, flowing in and out. Could emotions be tides she dares, dares not row, row, row through? Where did it all leak away? Was it in the salt running down her face? If she is 75% water, where has it drained to leave the heart parched, and her tartan days a distant drought of memory? Snow globe melts away. Wade in, wade in, have your fill, until skin is slick with better pain. You told the ocean years ago, you sang in schoolgirl choir tones, never, never, never let me go. Now it never will.
0
Jul 26, 2015
Jul 26, 2015 at 1:34 PM UTC
Seaside
Little girl in a blue snow globe. Pressed white shirt and tartan skirt. Hair slipping out of a ponytail or braid or something like that. Laughter like a current to be lost in by a boatman. Her first time at the beach. Writing childish saltwater sonnets in the sand with her toes. Paper-plane sky kisses sea brimming out of its seams. Singing, on-off key, school choir tone, 'Never Let Me Go'. Who needs, she needs nothing but the horizon cupped in outstretched palms. Innocence stored in jagged-shiny shells waiting to be buried in hot, bare sand. Time comes to shore, oceans grow warmer, shallow. No more of kid braids but a woman in azure. Her whole life having been a half-moon run out of deep, dry wells in search of, in search of... in search of what, but hope. Cracking oyster shells looking for pearls. Time again comes to shore. Cigarette pants for tartan skirt, in a blue-almost-black. Staring out at water lapping before her, before her, after the sky. Before, after. The horizon is a pretty picture she wants to hang on the wall of her heart. But she, schoolgirl trapped in snow globe, remembers textbook phrases like 'Humans are made up of 75% water.' So we are drowning every moment, she thinks dryly. Water within, inevitable. Maybe her skin or nerves or vocal cords sensed it all those years ago in the schoolgirl's snow globe. Like crying, like love, like fearing, like dying. Shifting, receding, flowing in and out. Could emotions be tides she dares, dares not row, row, row through? Where did it all leak away? Was it in the salt running down her face? If she is 75% water, where has it drained to leave the heart parched, and her tartan days a distant drought of memory? Snow globe melts away. Wade in, wade in, have your fill, until skin is slick with better pain. You told the ocean years ago, you sang in schoolgirl choir tones, never, never, never let me go. Now it never will.
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97
So the school bags are gone. Summers sweet songs, sweeps through the village, the Sports Day is on. The egg and the spoon, the three legged race, Mrs McGinty ends up on her face. The children delight a comical sight, her legs in the air those old tartan tights. Those days, that simplicity, the little things, that stay with me. Those clear skies, I remember still, the easiness and sweet free will.
0
Jul 31, 2014
Jul 31, 2014 at 7:49 PM UTC
Sports Day.
Often alone I think of you rolling mountains covered in a purple haze both in highlands and lowlands too running water so pure sparkling bright making our whisky a natural delight Caledonia - the land of my dreams I hear music played from the heart oh' the sound of pipes and drums heart racing hairs standing on end poetry filling my eyes with tears recited at suppers year after year in celebration of bards no longer here Caledonia - the land of my dreams Men wearing tartan skirts with nothing underneath dancing between swords at highland gatherings playing games testing their manhood eating haggis a pudding often misunderstood porridge,shortbread, salmon and oatcakes quality food that is for sure Caledonia - the land of my dreams History remembered with pride Mary Stuart, Bonnie Prince Charlie Wallace, Culloden and Nessie too some myths, some true castles, lochs, bridges and glens places where lassies are called hen where houses are often **** un bens people answering with ah' ken Celtic blood running through my veins makes me glad I am alive and living here Caledonia - the land of my dreams
0
Nov 30, 2010
Nov 30, 2010 at 5:44 AM UTC
CALEDONIA - THE LAND OF MY DREAMS!!!!!
I live in Moshi,Tanzania, As a child,one day I got lost, A maasai took me to his home. He lived at the foothills of the majestic Mt.Kilimanjaro, His home was a kraal (hut) made of  stone,sticks and cow dung. I cried for my parents, So he fed me milk and blood from a cow, He pierced a hole in the cow's neck, He put a bamboo and told me to drink the blood, It was warm but I vomited, Gradually, I got used to it. The maasai's  way of life is communilism, Hunting,gathering and raiding neighbours cattle. Theirs is an age set system for men, The children look after the herd, I joined them having fun, No  school, no lessons or homework. Then,there were the Morans,the youths, They wore black **** cloths, Carried a spear in one hand, Their faces were painted with white ochre. They protected the clan and the cattle, From predators and other tribes. They lived in a circle of huts called manyatta. After being circumcised the Morans were taught the art of warfare The bravest warrior got to wear the feathers of an ostrich. The senior morans could marry and settle down, The Moran who jumped the highest got the best girl. The Laigewenanis trained the morans to be warriors, My maasai was a laigwenani, Like all maasais, he was tall and lean, He wore a bright red shuka cloth with black stripes, A red tartan blanket was slung on his shoulder, He always held a long bladed stabbing spear, His long hair was tightly braided, He had ochre painted on his body, He had no children and treated me like his son, He would take me to teach the morans about warfare. But,he had to take the permission of the chief, the Laibon. The Laibons were the chief religious leaders, They settled disputes, They decided when and on whom to attack. Luckily,after two months my maasai and I had gone to a game reserve for hunting, A game warden found me. He alerted the police and I was taken home safely. But,I missed my maasai and their pastoral way of life.
0
Apr 17, 2018
Apr 17, 2018 at 5:12 PM UTC
Maasai Way Of Life
I live in Moshi,Tanzania, As a child,one day I got lost, A maasai took me to his home. He lived at the foothills of the majestic Mt.Kilimanjaro, His home was a kraal (hut) made of  stone,sticks and cow dung. I cried for my parents, So he fed me milk and blood from a cow, He pierced a hole in the cow's neck, He put a bamboo and told me to drink the blood, It was warm but I vomited, Gradually, I got used to it. The maasai's  way of life is communilism, Hunting,gathering and raiding neighbours cattle. Theirs is an age set system for men, The children look after the herd, I joined them having fun, No  school, no lessons or homework. Then,there were the Morans,the youths, They wore black **** cloths, Carried a spear in one hand, Their faces were painted with white ochre. They protected the clan and the cattle, From predators and other tribes. They lived in a circle of huts called manyatta. After being circumcised the Morans were taught the art of warfare The bravest warrior got to wear the feathers of an ostrich. The senior morans could marry and settle down, The Moran who jumped the highest got the best girl. The Laigewenanis trained the morans to be warriors, My maasai was a laigwenani, Like all maasais, he was tall and lean, He wore a bright red shuka cloth with black stripes, A red tartan blanket was slung on his shoulder, He always held a long bladed stabbing spear, His long hair was tightly braided, He had ochre painted on his body, He had no children and treated me like his son, He would take me to teach the morans about warfare. But,he had to take the permission of the chief, the Laibon. The Laibons were the chief religious leaders, They settled disputes, They decided when and on whom to attack. Luckily,after two months my maasai and I had gone to a game reserve for hunting, A game warden found me. He alerted the police and I was taken home safely. But,I missed my maasai and their pastoral way of life.
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47
Lazy afternoon rays shaft      Through Spring's full trees; The wind cuts laterally      Leaving the sea. Through deck lattice      The grass weaves A tartan plaid.      Electric lines,      Chimney tops,      Blossoming crops. I hold out my hands, Stringing fingers Through thinning hair. The artisan Wove and weaves. This is the basket, The rug, My coat. Entwine our fingers; Weave a basket. Collect your thoughts.
0
Jun 10, 2015
Jun 10, 2015 at 10:53 PM UTC
The Weaving
hello skies charcoal haired stewardess i know you the sun arrives over your shoulder sending your hair into maple and molasses flames just above ocean blue and white tartan this escapes you: get out the lead, lover but i’m occupied like a green “IN USE” bathroom door handle i hear country music radio white women singing Billy Joel my heart turns gold my veins, silverado i know there’s a highway in the air and it’ll come alive get out the lead, lover get out the lead.
0
May 28, 2013
May 28, 2013 at 10:55 PM UTC
Dwarf Lake Iris (Flying)
Och! Airn an' Thwndir! An' Urquhart's Wae Verra Hel! Great Warlike Glamis' Firey, An' Hwmyd Loch Doon's Orrah! Downe! Downe! tae thad howch owre miserable! Ye a' swithe hame, hame! wae ma Airn *** An' weile 'yont yondir Suthron! Waefu', waefu' heyre Ah! War-Ironclad heyne Ȝell, Wae burr-thistle’s Gowlin’ Storne Micht! Frae ma verra, verra! Ah ageyne! Tae the Cauld Enraged Wynde Unco! intae Æternall Battle Scorchin' Towardis Moorlan Chain Mail-Bosom o' mine! O'er an' o'er IT! increasingly thro' Force returnin', Wae ma verra Blacklyn Tartan o' War heyne, An' Silvery Brooch, wi'in yondir Lone Sceadewe! Unco! wae the Rubye Stane deep-shimmerin' Naixt tae Carham's Gory Landis, an' the Targe-Hell, Thro’ nowe Tune Martial, stick-an-stowe Ȝell! Airn-Curse Core-Firey, Hye-Flamin' IT! Heyne unco rychte Airn-Moorlan o'er ye a'! Ah, bye nowe the FEUDAL OWAR-MANN! 'Yont thad Auld Whunstane Tower-Shrine Togider wae Lang Titanium-Claymore, Airn-Dazzlin' An' ne'er, ne'er, IT! stick-an-stowe tae wane! Wi'in theis Bluish Fyre syne! Verra War-Swaird Rairan IT, Intae Thae Hringiren Æternall, Thwndir-Devastatin' o' mine! QVOAD FEODALE MEA CVM RVBRA SPATHA ET RELVCENTE HOC SCVTO AC FVLMINE NIVEO SCOTORVM INTRA HANC TEMPESTATEM MAGNAM QVÆ FLOS IGNEVS EST TONITRVO NOMINE ALTO NEMO GELIDO HOC LOCO IMPVNE ME LACESSIT.
0
Oct 1, 2020
Oct 1, 2020 at 4:42 AM UTC
Gowlin’ Storne
*"A lightning flash... then night! Fleeting beauty By whose glance I was suddenly reborn, Will I see you no more before eternity?”* -Charles Baudelaire, "To a Passerby" The material of the scene burns and grays, burns and grays in my mind: City soot in the frost. Cracked plastic. Broken glass. Cheek creases where you said your name. Salt stains on a denim cuff. Scruff. Tartan scarf. Navy wool. Feather down, laces, leggings, a buckle. Teeth, fleece, a crumpled hotel matchbook. No heat lamp here, where we wait and meet, wait and meet on the windiest night. Would you scoff if I said "Love is two strangers trading fire.” Smaller matter, now, an Altoid tin of cherished ashes. I have it, and it murmurs your lines to me, when I crave that kind of burn. A familiar ice cube down the back of the neck. These thoughts have sunken—a bag of pennies in my gut like a phantom step on a dark staircase, or the imitation of death in a dream. Saying something about the lateness of the 16, You cupped your hand, to shelter the flame. I try to remember the melody. The harp strings at the nape of my neck sang mid-shiver, and you said something else, which I couldn’t hear over the choir under my hat. This missing line is my mind’s one sound conception of Infinity. And that’s enough for flint. A lightning flash…then night! A flame frustratingly lit, but profoundly felt. A gasp, a gust like a god's grace, like a song. Like just enough time for a quick addict’s fix, like the length of a single, ****** matchstick. Will I see you no more before eternity? And do you by chance have a light?
0
Oct 22, 2014
Oct 22, 2014 at 5:04 PM UTC
Trading Fire
*"A lightning flash... then night! Fleeting beauty By whose glance I was suddenly reborn, Will I see you no more before eternity?”* -Charles Baudelaire, "To a Passerby" The material of the scene burns and grays, burns and grays in my mind: City soot in the frost. Cracked plastic. Broken glass. Cheek creases where you said your name. Salt stains on a denim cuff. Scruff. Tartan scarf. Navy wool. Feather down, laces, leggings, a buckle. Teeth, fleece, a crumpled hotel matchbook. No heat lamp here, where we wait and meet, wait and meet on the windiest night. Would you scoff if I said "Love is two strangers trading fire.” Smaller matter, now, an Altoid tin of cherished ashes. I have it, and it murmurs your lines to me, when I crave that kind of burn. A familiar ice cube down the back of the neck. These thoughts have sunken—a bag of pennies in my gut like a phantom step on a dark staircase, or the imitation of death in a dream. Saying something about the lateness of the 16, You cupped your hand, to shelter the flame. I try to remember the melody. The harp strings at the nape of my neck sang mid-shiver, and you said something else, which I couldn’t hear over the choir under my hat. This missing line is my mind’s one sound conception of Infinity. And that’s enough for flint. A lightning flash…then night! A flame frustratingly lit, but profoundly felt. A gasp, a gust like a god's grace, like a song. Like just enough time for a quick addict’s fix, like the length of a single, ****** matchstick. Will I see you no more before eternity? And do you by chance have a light?
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40
my neighbour came over, quick impromptu into the dog collar and you have your murderer and the priest; guilt ridden as if by small pox she sat on my bed: no ulterior motive, no auxiliaries of conscience to back-up now; a clear would-be **** victim... jewish so i had to stress my fascination with the jewish mysticism of kabbalah; and i did so in all earnest asking whether i said i am eh yeh correctly: also the whole bit of original interpretation the secrecy of the rabbinical aHa aHe males as rigid as consonants women as fluid as vowels ******** missing accents on eden's language of globalization that's short of tartan english of glasgow with key stress punctures of trans-punctuation crafted for either serious distinction on consonants, or ridiculous aesthetics when given to vowels of parisian stilettos: fancy ah fancy nah fancy a mistress in fishnet leggings? yes? no? maybe? undecided i see. trophy wife material... next!
0
Dec 31, 2015
Dec 31, 2015 at 10:59 PM UTC
it feels like: http://tiny.cc/pm0r7x
I walk across to Hannah's flat in Arrol House and knock at the door Mrs Scott opens the door and stands there she's a short thin woman with a face of granite with a slit where her mouth is whit is it? she says her Scottish accent rough as stone is Hannah home? I ask I dunnae kinn she replies HANNAH she bellows over her shoulder Benedcit is haur fur ye she adds scowling at me jist coming Hannah replies from back in the flat yoo'll hae tae bide Mrs Scott says and walks back inside leaving me on the red tiled step I look into the interior of the flat and smell breakfast having been cooked I look back into the Square kids are playing near by on the pram sheds and over by the wall girls are doing handstands their feet against the wall dresses falling over their heads showing underwear sorry about Mum she has a mouth on her Hannah says where we going? she asks thought we'd go to the South Bank see the Thames and boats and have ice cream I say do I need money? she asks just about 2/- I say for bus fares and ice cream I'll ask Mum for a handout but wait for the answer Mum have you 2/- I can have? Hannah asks fa dae ye hink Ah am Rockerfeller? nae Ah huvnae her mother replies no problem I say to Hannah I'll have enough for us both are you sure? yes don't aggravate your mother more than you have to so Hannah gets her coat and we walk off through the Square she's like that sometimes Hannah says she's as tight as a wing nut we walk down the slope and up Meadow Row I ask her how her father is she says he's Ok but in the doghouse more often as not with Mum but he's a softy to Mum's hardness but Mum says he's soft in the heed but he's lovely really Hannah says -I know her old man he's English and a bit simple after helping to empty out Belsen camp in 1945 where some he told me were more dead as alive- we wait at the bus stop she with her dark hair pony tailed with a tartan skirt and white blouse and me in blue jeans and white shirt and quiff of brown hair and hazel eyes she with a budding beauty with her mother's touch of tongue who if roused could give words full lung.
0
May 26, 2015
May 26, 2015 at 3:25 PM UTC
MEETING WITH HANNAH 1960.
I walk across to Hannah's flat in Arrol House and knock at the door Mrs Scott opens the door and stands there she's a short thin woman with a face of granite with a slit where her mouth is whit is it? she says her Scottish accent rough as stone is Hannah home? I ask I dunnae kinn she replies HANNAH she bellows over her shoulder Benedcit is haur fur ye she adds scowling at me jist coming Hannah replies from back in the flat yoo'll hae tae bide Mrs Scott says and walks back inside leaving me on the red tiled step I look into the interior of the flat and smell breakfast having been cooked I look back into the Square kids are playing near by on the pram sheds and over by the wall girls are doing handstands their feet against the wall dresses falling over their heads showing underwear sorry about Mum she has a mouth on her Hannah says where we going? she asks thought we'd go to the South Bank see the Thames and boats and have ice cream I say do I need money? she asks just about 2/- I say for bus fares and ice cream I'll ask Mum for a handout but wait for the answer Mum have you 2/- I can have? Hannah asks fa dae ye hink Ah am Rockerfeller? nae Ah huvnae her mother replies no problem I say to Hannah I'll have enough for us both are you sure? yes don't aggravate your mother more than you have to so Hannah gets her coat and we walk off through the Square she's like that sometimes Hannah says she's as tight as a wing nut we walk down the slope and up Meadow Row I ask her how her father is she says he's Ok but in the doghouse more often as not with Mum but he's a softy to Mum's hardness but Mum says he's soft in the heed but he's lovely really Hannah says -I know her old man he's English and a bit simple after helping to empty out Belsen camp in 1945 where some he told me were more dead as alive- we wait at the bus stop she with her dark hair pony tailed with a tartan skirt and white blouse and me in blue jeans and white shirt and quiff of brown hair and hazel eyes she with a budding beauty with her mother's touch of tongue who if roused could give words full lung.
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124
Dedicated to Beverly & ?? [&c., &c., &c.] [this poem contains multiple characters;    I didn't write any of it, but strangely, it's all true]      She was wearing black leather ankle boots      & torn                              fishnet stockings;                     The top was black and sleeveless,                       w/ fishnet covering her stomach up to the frayed hem of the fabric of the shirt; All around the room there was a buzz of voices, all the people seeming a whirl of fishnet stockings,                         bright makeup & colorful costumes;              Strutting across the stage removing fishnet stockings,              her long silky legs drawing all the attention;              She was wearing a black tank top, red tartan mini-skirt w/ fishnet tights & black leather, knee high boots;  Her hair was long & deep purple & her short skirt revealed a shaved snooch & gorgeous legs clad in fishnet stockings; The black fishnet top, and the tight t-shirt with the skull on it were quite perfect for the occasion; I opened my eyes and found myself staring up at the pair of legs in knee high boots & red fishnet stockings beneath a red and white schoolgirl skirt [the woman wearing them old enough to be my grandmother]. PVC, fishnet, rubber, Lycra, velvet & lace      were worked into corsets,                            coats & masks;                                   Finally she settled on a black corset dress, her skull necklace   & black combat boots that went up to her shin & black fishnet tights; She stomped her way across the room, grabbed me painfully by the arms          w/ her black fishnet sleeves & ruffled collar shirt & planted a kiss on me;   she wore black fishnet stockings & stilettos that wobbled underneath her feet as she stepped;           She then stepped into a long black skirt, and w/out much effort, managed to get into her black fishnet stockings; I pulled out a black long dress, black fishnet stockings & see-through undershirt; but she was already dressed in a short denim skirt, black fishnet stockings and high red sandals, &        she was wearing a blood red tank top,    black miniskirt & fishnet stockings; She was fairly small, about 5 ft. even, appearing only slightly tall in sling-back stilettos & fishnet stockings w/ a red tube top                 w/ black mesh on top of it;                          I looked down at her short tartan skirt & bare feet in fishnet stockings, her black nail polish looking good,          so was her ripped black tank top: I gathered the long dress in one hand, pulling the material up as far as her waist,                    revealing the black fishnet stocking tops
0
Sep 2, 2018
Sep 2, 2018 at 1:33 AM UTC
found ode on black fishnet stockings
Dedicated to Beverly & ?? [&c., &c., &c.] [this poem contains multiple characters;    I didn't write any of it, but strangely, it's all true]      She was wearing black leather ankle boots      & torn                              fishnet stockings;                     The top was black and sleeveless,                       w/ fishnet covering her stomach up to the frayed hem of the fabric of the shirt; All around the room there was a buzz of voices, all the people seeming a whirl of fishnet stockings,                         bright makeup & colorful costumes;              Strutting across the stage removing fishnet stockings,              her long silky legs drawing all the attention;              She was wearing a black tank top, red tartan mini-skirt w/ fishnet tights & black leather, knee high boots;  Her hair was long & deep purple & her short skirt revealed a shaved snooch & gorgeous legs clad in fishnet stockings; The black fishnet top, and the tight t-shirt with the skull on it were quite perfect for the occasion; I opened my eyes and found myself staring up at the pair of legs in knee high boots & red fishnet stockings beneath a red and white schoolgirl skirt [the woman wearing them old enough to be my grandmother]. PVC, fishnet, rubber, Lycra, velvet & lace      were worked into corsets,                            coats & masks;                                   Finally she settled on a black corset dress, her skull necklace   & black combat boots that went up to her shin & black fishnet tights; She stomped her way across the room, grabbed me painfully by the arms          w/ her black fishnet sleeves & ruffled collar shirt & planted a kiss on me;   she wore black fishnet stockings & stilettos that wobbled underneath her feet as she stepped;           She then stepped into a long black skirt, and w/out much effort, managed to get into her black fishnet stockings; I pulled out a black long dress, black fishnet stockings & see-through undershirt; but she was already dressed in a short denim skirt, black fishnet stockings and high red sandals, &        she was wearing a blood red tank top,    black miniskirt & fishnet stockings; She was fairly small, about 5 ft. even, appearing only slightly tall in sling-back stilettos & fishnet stockings w/ a red tube top                 w/ black mesh on top of it;                          I looked down at her short tartan skirt & bare feet in fishnet stockings, her black nail polish looking good,          so was her ripped black tank top: I gathered the long dress in one hand, pulling the material up as far as her waist,                    revealing the black fishnet stocking tops
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53
Basically I'm broken, shattered, pulled apart and torn to pieces, shards of sharp shimmering glass amass into a clump of crunching sounds. Crush. crack. Crunch and crumble. My whole innards begin to tumble, whirr around like clothes in a dryer. Pockets not  checked, so their contents are set. Set to begin a cycle of being flung from side to side, swishing around, drowning in a swirl of cleanliness which should of course, ease the pain and wash away those steeped in stains and cleanse a spirit that's been pulled apart. Like a cotton thread. Slowly being pulled away from a wooley jumper as its caught. Okay, it's caught on a zipper. from an old pair of jeans. Whose paths have crossed many times in outfit combos but now tumbling around together they no longer meld, together. They clash like; tartan and polka dots and conflict each others path to rightful cleanliness. Basically I'm broken, shattered, pulled apart and torn to pieces, shards of sharp shimmering glass amass into a clump of crunching sounds. Crush. crack. Crunch and crumble Alas, the thread is now long and wearing thin. It has lost its shape and would have to begin again. Once aired out to dry its a mound of mess, a cotton bundle looking all distressed. It tried its hardest to fight the emotion, the tug, of its strings to maintain its strength; but bowed down to defeat when knowing full well that it was beat. How could it now go on in life when it's torn. Torn to pieces and now ceases to exist in a form that would generally state: It! Exists! Exists as a life form and a living part, how can things continue to breathe without a beating heart. Thump thump, beat beat, thud thud. It starts. Thump thump, beat beat, thud thud. My heart. Trying to mend the cracks with this battered ***** Mangled with regret and forlorn with spite, how can this reassess itself until it is right. Thump thump, beat beat, thud thud. It starts. Thump thump, beat beat, thud thud. My heart. It takes time to mend a broken ticker. Time passes by and memories become bitter, tainted with a brush that's tarred, marred with the longing for those moments to still occur. Not for your mind to now blur. Blur those memories you once held so dear, remembered with a chuckle or a wry little smile. How can you comprehend these again for a while?! You can't. You shouldn't. You couldn't. So don't. Thump thump. Beat beat, thud thud. It starts. Thump thump, beat beat. Thud thud. My heart. broken, shattered, pulled apart and torn to pieces, shards of sharp shimmering glass amass into a clump of crunching sounds. Crush. crack. Crunch. Reassemble
0
Mar 17, 2015
Mar 17, 2015 at 11:34 AM UTC
Reassemble
Basically I'm broken, shattered, pulled apart and torn to pieces, shards of sharp shimmering glass amass into a clump of crunching sounds. Crush. crack. Crunch and crumble. My whole innards begin to tumble, whirr around like clothes in a dryer. Pockets not  checked, so their contents are set. Set to begin a cycle of being flung from side to side, swishing around, drowning in a swirl of cleanliness which should of course, ease the pain and wash away those steeped in stains and cleanse a spirit that's been pulled apart. Like a cotton thread. Slowly being pulled away from a wooley jumper as its caught. Okay, it's caught on a zipper. from an old pair of jeans. Whose paths have crossed many times in outfit combos but now tumbling around together they no longer meld, together. They clash like; tartan and polka dots and conflict each others path to rightful cleanliness. Basically I'm broken, shattered, pulled apart and torn to pieces, shards of sharp shimmering glass amass into a clump of crunching sounds. Crush. crack. Crunch and crumble Alas, the thread is now long and wearing thin. It has lost its shape and would have to begin again. Once aired out to dry its a mound of mess, a cotton bundle looking all distressed. It tried its hardest to fight the emotion, the tug, of its strings to maintain its strength; but bowed down to defeat when knowing full well that it was beat. How could it now go on in life when it's torn. Torn to pieces and now ceases to exist in a form that would generally state: It! Exists! Exists as a life form and a living part, how can things continue to breathe without a beating heart. Thump thump, beat beat, thud thud. It starts. Thump thump, beat beat, thud thud. My heart. Trying to mend the cracks with this battered ***** Mangled with regret and forlorn with spite, how can this reassess itself until it is right. Thump thump, beat beat, thud thud. It starts. Thump thump, beat beat, thud thud. My heart. It takes time to mend a broken ticker. Time passes by and memories become bitter, tainted with a brush that's tarred, marred with the longing for those moments to still occur. Not for your mind to now blur. Blur those memories you once held so dear, remembered with a chuckle or a wry little smile. How can you comprehend these again for a while?! You can't. You shouldn't. You couldn't. So don't. Thump thump. Beat beat, thud thud. It starts. Thump thump, beat beat. Thud thud. My heart. broken, shattered, pulled apart and torn to pieces, shards of sharp shimmering glass amass into a clump of crunching sounds. Crush. crack. Crunch. Reassemble
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21
This was written for Tim Burris. My best friend. Happy Birthday, Warchief. The sky will break open. Meeting shades of red, black, and white, as the sun settles into the void. This is his brow. Anvil hands. He marks the moving beneath, like earthen plates in shift. Affecting change. Symphonic strokes. War is on his breath. Hidden behind a smile that shines like pax. Don't dare him or he'll ask you to look down. Heed the drums. The warchief comes. Your victory is written in the fabric of his kilt. Gilded in the golden thread of kith and kin. He was watching. He is always watching. And though the black steed has gone gray, He snorts storm clouds into the valley he looks down upon. The tides ripple beneath his skin. His chest swells in pride and laughter. Alpha. Hands curled in furious fists of might and mirth, Trained for love and war and so much more. Heed the drums. The warchief comes. His hug a phalanx. His word, unbroken steel. His hands. Anvils. His history, legendary. Mighty. He is the spirit horse. He is the edgewalker. He is the vibration playing across the drum skin. Carrying outward on wind. Settling peace in the hearts of his own. Heed the drums. The warchief comes. We will stand beside him. For we are mighty too. We that tie our spines together, like coursing veins. We that are family, not of blood. But spirit. We that match our heart beats as one powerful rhythm. Pounding off canyon walls. Ringing in ears. Shaking the fabric of the never forgotten. We that are woven together. A tartan of our own. We that stand as one to love. And laugh. And revel. And fight. We that never run. But run like blood. We that are bound with him. Storm clouds. A phalanx. A fabric. A family. A drum beat. We are the drums. We are the drums. Look to the horizon. The warchief comes.
0
Aug 4, 2011
Aug 4, 2011 at 11:29 AM UTC
Warchief
This was written for Tim Burris. My best friend. Happy Birthday, Warchief. The sky will break open. Meeting shades of red, black, and white, as the sun settles into the void. This is his brow. Anvil hands. He marks the moving beneath, like earthen plates in shift. Affecting change. Symphonic strokes. War is on his breath. Hidden behind a smile that shines like pax. Don't dare him or he'll ask you to look down. Heed the drums. The warchief comes. Your victory is written in the fabric of his kilt. Gilded in the golden thread of kith and kin. He was watching. He is always watching. And though the black steed has gone gray, He snorts storm clouds into the valley he looks down upon. The tides ripple beneath his skin. His chest swells in pride and laughter. Alpha. Hands curled in furious fists of might and mirth, Trained for love and war and so much more. Heed the drums. The warchief comes. His hug a phalanx. His word, unbroken steel. His hands. Anvils. His history, legendary. Mighty. He is the spirit horse. He is the edgewalker. He is the vibration playing across the drum skin. Carrying outward on wind. Settling peace in the hearts of his own. Heed the drums. The warchief comes. We will stand beside him. For we are mighty too. We that tie our spines together, like coursing veins. We that are family, not of blood. But spirit. We that match our heart beats as one powerful rhythm. Pounding off canyon walls. Ringing in ears. Shaking the fabric of the never forgotten. We that are woven together. A tartan of our own. We that stand as one to love. And laugh. And revel. And fight. We that never run. But run like blood. We that are bound with him. Storm clouds. A phalanx. A fabric. A family. A drum beat. We are the drums. We are the drums. Look to the horizon. The warchief comes.
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61
The North calls her. Siren song echoing across baron fen. Pulls at the tartan, Begs her home again. That Highland jig, She remembers with a whistle, Longs her to return, To the land of the thistle.
0
Jan 9, 2015
Jan 9, 2015 at 4:19 PM UTC
Lassie
chiaroscuro moment molten chords in golden glow titian ringlets cascade from linen shoulders as your hands bring liquid color to idle black and white chorded words of three parts Not easily broken Ebb and flow as breath over water a shift in timbre resonant teak fettered in silver *heady scent of resin and balsam reeds echoed drones the cantored dance begins Taking flight the quiet arias rise coursing low over open moors Eyes veiled green a fog shrouded shoreline We leave transient prints In damp sand... Sonorous notes From kilted pipers A flash of tartan on thistled field Drummers pulse the motion of life You raise the standard This ancient song is yours and mine. Open eyes to desert sky Burning blue and empty As fresh pages fall un-inked on thorny ground Only the ache of a melody remains Lost refrains broken notes in my DNA Inspiration drifts away *I used to have a recurring dream of me, and two other friends - in a recording studio with the complete sheets of music in front of us - which we were singing...and when I wake up...I can never remember the song. 03/2008 © 2008 TL Boehm
0
Oct 12, 2013
Oct 12, 2013 at 6:00 PM UTC
Chiaroscuro Moment
english is called a salad in irish / hardly Gaelic, but worded for a toast, and the poor treat the poor as might be a drowning traveller on the titanic without pearl or a four-leaved clover. and might not be the tears of haka forbears be the light worth sharing when the europeans that looked stupid in bleached worth a colouring in foreign culture they thought it was worth being televised; salad / sushi wording... you immigrant? you irish? no? oh well... you dodo? the end! idiot pole didn’t outsmart the irish muscle or potato! gave way to mash and tartan of lamb mince... and still the irish "communicated" leaving the poles and engaging with ******* to be cheap in terms of worthy slavery: two patron saints an Irish... one **** marley one irish double with rye bread... then there's Ulster, half of Dublin might mind, and a percentage of Poland under russia prussia or austria... you ******* leprechaun! hey! mediocre me with a ceilidh: make that ireland on the rocks... the queen of the e.u. where the rainbow where u2 where the *** of gold? in iraq... or so i'm told.
0
Jan 29, 2016
Jan 29, 2016 at 11:11 PM UTC
question... facts! facts! facts! / you ******* leprechaun!
--To D. F. I watched you saunter down the sand: Serene and large, the golden weather Flowed radiant round your peacock feather, And glistered from your jewelled hand. Your tawny hair, turned strand on strand And bound with blue ribands together, Streaked the rough tartan, green like heather, That round your lissome shoulder spanned. Your grace was quick my sense to seize: The quaint looped hat, the twisted tresses, The close-drawn scarf, and under these The flowing, flapping draperies-- My thought an outline still caresses, Enchanting, comic, Japanese!
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1.3k
Back-View
I rolled my own tobacco tightly, lips pursed through a gormless grin, As he, the idle Gean Canach, warming up, kisses a lonesome gin, This dream as told to be his tonic - the bitter slice - so I begin... Musing over beauty, his admirable hair, warholic an' fitted to wear, Of Tartan-clad men whose ghosts have chequered stares, An' Art, Free Speech, Faith, dipped in batter - much to his despair, Of people, prickened purple as they blow a silent whistle, To how the sun beams through heather-fields of shared pistols, An' those scattered morsels of society, left to nothing but the gristle, To how more questions than answers affect his whispered speech, Yet he stirs mulling over youth and language receded to their peak, '...Come, I'll walk you back to your hiding place – safely out of reach...!' Back home to talk of MacDiarmid and McFarlan, to agree and feel solemn, As he explains that a poisoned bee carries but only poisoning pollen, An' how a love of our country, for its freedom, is all we have in common, He tells of the tears from the Nationalist, nation-less, who lives in arrears, Of the ink further dried on the receipt of forced union; of some 400 years, An' that of my friend the leprechaun; ****** on the burnt grass that he shears, An' now he exclaims - '… Swallow the pound..! Gulp on its hardened flesh..., ...We are as separate - the reluctant strawberry atop this eton mess..., The majesty of our homes, as one, forever in a state of undress, ...We shall squander fortunes on entire pleasures dear to empty minds, The resources of our country fixed to the crown with no benefit in kind, Computerised Tesco's an' ****** at the BBC is all that we will find...' It is time to take our leave; he has risen sharply an' yet crumbles into a seat, The fires of the red sun burn for independence with stomping feet, My dream recited, I wander still, and turn to the fools an' scoundrels on the street.
0
Dec 30, 2013
Dec 30, 2013 at 11:11 AM UTC
A Dream Recited
I rolled my own tobacco tightly, lips pursed through a gormless grin, As he, the idle Gean Canach, warming up, kisses a lonesome gin, This dream as told to be his tonic - the bitter slice - so I begin... Musing over beauty, his admirable hair, warholic an' fitted to wear, Of Tartan-clad men whose ghosts have chequered stares, An' Art, Free Speech, Faith, dipped in batter - much to his despair, Of people, prickened purple as they blow a silent whistle, To how the sun beams through heather-fields of shared pistols, An' those scattered morsels of society, left to nothing but the gristle, To how more questions than answers affect his whispered speech, Yet he stirs mulling over youth and language receded to their peak, '...Come, I'll walk you back to your hiding place – safely out of reach...!' Back home to talk of MacDiarmid and McFarlan, to agree and feel solemn, As he explains that a poisoned bee carries but only poisoning pollen, An' how a love of our country, for its freedom, is all we have in common, He tells of the tears from the Nationalist, nation-less, who lives in arrears, Of the ink further dried on the receipt of forced union; of some 400 years, An' that of my friend the leprechaun; ****** on the burnt grass that he shears, An' now he exclaims - '… Swallow the pound..! Gulp on its hardened flesh..., ...We are as separate - the reluctant strawberry atop this eton mess..., The majesty of our homes, as one, forever in a state of undress, ...We shall squander fortunes on entire pleasures dear to empty minds, The resources of our country fixed to the crown with no benefit in kind, Computerised Tesco's an' ****** at the BBC is all that we will find...' It is time to take our leave; he has risen sharply an' yet crumbles into a seat, The fires of the red sun burn for independence with stomping feet, My dream recited, I wander still, and turn to the fools an' scoundrels on the street.
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28
17 feb: offbeat I couldn't stop thinking about grey tartan and gin and soft pink skin. Cigarettes and typewriters, drops of ink on the paper leading away from the word "desperation." But there it was. "I'm leaving for the afternoon. Your choice is to prune the bushes or to water them." What was I to do? I liked them full and so did you. You were frantic. As though you'd misplaced something when really you were just searching for a fishing net. "Look at the sunset." Oh but it's gone, it's over, I'm sorry. [Friend, friend do not cower or back down from this but know that I am listening for you, to you, always.] Left to rot, built to spill, one of us was always ill. I was waiting for you to come home-- I have not touched the bushes yet.
0
Feb 17, 2015
Feb 17, 2015 at 5:49 PM UTC
offbeat
I went with a numbness, and sense of doubt Dropped at the doors of strangers But pleased to have been asked. We all gave our presents to the birthday child Watching the discarded paper fall and the pile Fill out the large cushioned arm chair. Not coming from wealth my present simple style But always liked, it appeared, much as any other; Coats taken and placed upstairs. A quick glance at the other children’s party attire Mine often a cream jumper and tartan pleated skirt, Brown leather Clark’s sandels, sensible. The chocolate game was my favourite Eating with knife and fork, As many pieces as able, real fooling about. Then there was musical chairs that Put me in despair, as some one always out And lots of standing about along the wall. Not very good at general knowledge so forfeits Left me in tears. But Oh! for pass the parcel Always fun had here. Then to the tea table we went With eyes bigger than tummies. All that blamange and strawberry jelly Sparkly fairy cakes with silver ***** Discarded plates of uneaten sandwiches Crusts scattering the floor, dropped, Lastly, milk chocolate fingers galore And a tiny decorated craker to take home. The End Love Mary
0
Aug 17, 2018
Aug 17, 2018 at 6:18 PM UTC
Party