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Hal Loyd Denton Nov 2013
For Veterans day

Milatary fire Milatary times



Will briefly pay honor to yesterday’s heroes it is good to think about our boys I think this will help first to a place that was home for
Eight months Fritichie air field over in back of fort Ord by Monterrey it was small but it had about three giant hangers and some of the
Guys had those roadsters the long one’s that they use parachutes to stop them they tested them on the tarmac then the Walters
crash truck this behemoth carried a driver and six man crew the tires were six foot high it had a water cannon on top swiveled three
Hundred and sixty degrees a four inch nozzle that shot water and with the flip of a switch a mixture of foam two hundred feet
And you would empty fifteen hundred gallons of water in fifty nine seconds but we turned it into a snow maker you had this back
Drop of California climate palm by the fire house fanned palms in the yard but we pulled up in front at the side and cut loose starting at
the farthest point in front of the wall that housed our sleeping quarters mixed with foam we laid foam four feet deep all the way out to
The tarmac there you go white Christmas it didn’t last long in the sun and heat but for a little while we had Christmas it was cool.

Our first hero was a returned medic from Nam this was after I was transferred to Hunter Liggett we were in the barracks he had his
Shirt off what I saw told the story four nasty bullet holes and the skin grafts it took to close them one who runs out in a fire fight
To tend the wounded and hears just kids crying out mama as they are dying the cong didn’t honor this medical angel of mercy just kept
Shooting him he was the same but he wasn’t he was damaged goods he had a quietness a sadness you couldn’t reach the real person
He used to be, he is part of the wounded brother hood I never suffered as the day now out of the service and back out in California I
Read a piece about a homeless vet living in Golden Gate Park next To Height Ashbury it cut me deeplyit was hard to get it out of my mind he couldn’t hold a job depended on family then the cold streets of Frisco and I knew the other hundreds hiding in Washington state in the forest their children with
Them I knew this because of the stories of how and what their children did to them if they this innocently walked up behind them and
Said daddy. This will give you a deeper knowledge of how long and deep this haunts all of our heroes after getting out of the service I
Stayed in Monterey worked in the church and worked as a painters apprentice in the painters union a painter was at the Presidio right
Above fisherman’s Warf this facility has many functions but one in particular is the study of linguistics so this naturally had many
Nationalities coming and going in this story Japanese was the problem one painter I guess bored walked up behind an older painter
Poked him in the back with his finger the older man whirled around with a four inch brush the metal part took half the guys front teeth
Out afterwards the old man apologized profusely he gave this even more scary account he told the man all day I have been back
In world war two fighting **** this is now nineteen sixty nine the older man said you are lucky you didn’t come up behind me two
Minutes before I was scraping with a six inch putty knife I would have cut your throat the man lost teeth he could have lost his life. This fighting for our freedom Doesn’t magically stop when they come home from battle fields please honor them and again the greatest warrior whose birth we
celebrate this month extol him and know we can never know how he suffered our hearts are not that big but he defeated
out mortal enemy we owe him our lives. Christ our great captain
katie Dec 2015
If I seem distant it's
because I am.
I abandon this city
like rain down gutters
trying to get back
to a home, a field, a shore,
no traffic, no smoke
where air is pure
& lungs breathe deep,
in a rhythm
untarnished by
tarmac & brick;
modernity's grip
that looks for life
& buries it, forgets
Earth has a pulse
a heart that beats
beneath us.
Reece Apr 2013
The women in Pakistan are all dead
Men are hungry,
butter their bread with lead

Cartel gang ****, death in Venezuela
Girls bleed, crying
Shadowed figure screams "Impale her!"

America hates women
Women love America

Generalisations of a generally confused man

Man jumps from UK office block
Painted tarmac,
because she refused to simply **** his ****

******* figure hangs from a tree in Japan
Aokigahara hikikomori,
The human condition destroyed this man

Single father, taking his daughter to a park
Accused by a stranger,
Jumping to a conclusion, rather dark

Hooded man runs the world
Masked by power,
Money is bigger than Jesus
Knowledge destroys prejudice
Rock. Paper. Scissors.
Àŧùl Jun 2015
Alone I stand to wait for my better part,
On the black tarmac road through the greens.

Even if I stood away from this work of art,
On my part independently I am beautiful & cute.

In my dream last night I saw my inamorata,
She was coming hopping on the tarmac road.
A spontaneous poem for a picture of a deer I saw on Facebook.

My HP Poem #885
©Atul Kaushal
Reece Nov 2013
Sick and cyclical memories linger, how unjust it seems
In somber city streets, her father's name she screams
When the fix is late and her body sodden and shaking
Her childhood recollections waking, every joint aching
Falling on tarmac, tearing stockings and fleshy knees
Through the distant mist it's a saviour that she sees
Marvin on a white steed, motorbike and leathers
To get her straight  he only requires her nethers
What difference could it make to such a worn woman
So little that her eyes glaze as he announces his comin'
And she's immediately put to work after initial transaction
All night shifts, ****** abstraction, customer satisfaction
Returning 'home' to Marvin where the earnings are counted
Giggling schoolgirl as playful stories of John's are recounted
And Marvin's insatiable perversions are compounded
****** cocktails and deviancy, her psyche confounded
The **** sleeps blissfully beside his new top girl
And through ****** daze, she examines her world
Ruth Boon Jun 2013
***
The sad eyes
the hopeful hands
wrapped in the ends of long sleeves
scales for fingernails
silver purple hues
axiom eye brows
proscenium arches
the eye lashes are curtains
stained black
the scent of whole milk in tea
a kind mistake
the sarcastic cries from singing speakers
like dogs at beaches
the **** of leaches
realistic vampires
in pools of waiting water
leaches on my eyes
salt on your fingertips
lost on mine
paper cuts from my own skin
Chinese Jim Carrey on my mind
not my idea
I just heard it and agreed
the sand mouth
scratching the roof
paper *****
origami
and Japanese ***
animated octopi
and ocean park aquarium blues
I’ve been equated with
spherical spaces on my palms
the pope preaches a phobia
and he is loyal to all of his children
except some
and accept cards when they are given to you
with nephews and nieces who can’t speak
yet still sign their names
the cold shoulder
I hope you think of me
in the shower
and when you drink beer
the naked alcoholic
is like a godmother to me
he brings me
experience
the fathers speech impediment is inconvenient
like parties we weren’t invited to
the brother is loyal
the mother is not
like candy floss
sweet to the tongue
then gone
like rose-coloured contact lenses
the modern age will die
like grandparents
the enthusiasm
falls like stars
and you make wishes
on coffee circles
she is going to India
(I am not)
I am going to rot in hell
such a stench they will kick me out
the boots
thick and black
shining in the sun
like tarmac
the big nose
snorting *******
with the small
fairies are real
and they ****** us all
The suicide hopeful
that breaks promises
like bread
back to church again
‘Let’s save the gays and make them straight! The prostitutes too’
As if they didn’t have enough problems already
The teenage ignorance
and underage rage
under-rated and staged
The attention seeking wave
if you want them to see
better you were a tsunami home wrecker
at the age of sixteen
than a ripple in the ocean before you were me
the attractive son-of-a-poet
***** trick
the hairy crotch with diamond juice
the one you love love love
the Starbucks umbrella you stole
the girl who loves horses
the drummer who can’t swim well
the secret lesbian
who I’m 95% sure fancies me
and the barber who cuts hair outside the school by the concrete
in the woods

Your sad eyes
make everything else
seem pointless
Reece Jan 2013
Sweet home, sweet home I shall leave you tomorrow
Tires that tumble across complex scars upon the Earth
Under lofty bridges, over the romantic river,
past the whole length of shops that litter the town
Every location, a memory stands

As I perch upon the benches,
of the Walter Parker VC memorial square
Observing this community of mine
The young mother with a brood in tow,
and the lonely old grubber, pondering as he strolls
O sweet symphony, the cars and the folk
A rhythm from the heart of a proletariat town
O ****** government, the backdrop and burden

Sweet old lady she mumbles sedately, filled bags and pulled up socks
The youngster creeps and hides his face, the crippled wolf he is
Human in profile alas, cold blooded so it seems
Falling from that rock of Bob's
Much in the same vein as his ambition years earlier

O lonely car park, treading upon your solid concrete
Roaming in circles
Reading aloud, the prose poems of Baudelaire
Reminiscing on childhood wonder,
and the park in which I used to play
Soviet in style before renovation
Set alight multiple times, the skate ramps,
vandalism is rampant in such conditions
The place in which I often witnessed true cinema

And the Methodists disembark from their church
Comforted and clean, their children squirm and pray for freedom,
and the red sandstone looms with pungent fields of livestock at it's foot
More cars, more cars, there are always more cars
Everybody headed some place
Converging at la Roche

Hemlock, Hemlock, curse you Hemlock
Your shadows cast are but stains on the town
The addiction is rampant, but nobody is addicted to life
Not anymore, not like they used to be
The Saxon stone cross too casts a shadow, cruel shadow
O forgive me dear prisoner,
the labour was cruel and the scars of your body remain
Plastering our land with tarmac flesh wounds

The wars were fought by the men of this town
Their names a reminder of futility and sadness
Vein, so very vein the way in which they were sacrificed
But as is the very nature of our fair surroundings
Death plays a vital role,
beginning with those behemoth brothers from two million years ago

The grandiose escape plan implemented
and the tank completely full
I say goodbye to ones I hold dear
and set sail to foreign lands
For tomorrow I shall wake as a new man
The cliche shall only work if I mourn my loss first

To ****** a man is abhorrent , suicide too

But to crucify one's own ego and to walk without pride and free yourself from judgement, to believe in the unity of the stars and to learn from every land near and far. To lay within the long grass, to speak with the sky, to fly, O to fly. To run wild, maddening, screaming for life, to hold each and every woman and call her your wife. To love every man equally and to play with every child, to sample every fruit and to use the earth to maintain a constant high. O too gaze into the distance with wonder and imagine every memory, the intricacies of the people you shall meet and beauty of the land in which you walk.
And to realise how perfect this life of ours is,
O my friend it's a beautiful thing.
nivek Sep 2016
concrete and tarmac
the hills deny mans encroaching habitat
stand stoic unmovable willing failure
to mans meddling.
the hills hold their secrets in silent demonstration
looking out toward the sea that great sister untameable too
they conspire together to stay true to a deeper truth.
LJ Chaplin Dec 2013
The car glides through the night,
The gentle roll between rubber and tarmac
Just inches beneath my feet,
Backseat dreaming,
And as each lamp post casts its amber
Gaze upon me through the fogged up window,
I begin to wonder how they stand there,
Through darkness,
Wind,
Rain,
Scorching heat,
Bitter cold,
And yet they still shine bright,
Throwing a luminescent sublimity
For hundreds of wandering souls
To find their way home,
To trace the tarmac veins of the city
Until they are nestled in the brick red hearts
of their homes,
And I sit here, a freight train of abnormally large
Thoughts passing through my fatigued and stretched mind
Whilst I am drifting under these street lights,
When I could be curled up in bed,
Sleeping through blissful dreams or stormy nightmares,
Eyes closed until another dawn spills over the horizon,
But then it occurred to me,

*I am a creature of the night.
Jamie King May 2018
Standing still
Crushed rampaged
  metals collide the face
  splashed with guts of the
      masses Massacras being
            routines in all routes the
                   scenes are blinding
                        as light flashes
                     before the eyes
                  like angry skies
                in  darker nights

           The day is reborn
      the face wiped with
  cloths of sorrow black
bags already gone but
  not forgotten, pardoned
     only when the bones have
           cracked and the body
           can no longer stand the
             pain, with holes deep
             enough to be filled
                    by the rain.
So there I was walking on the road and I'm thinking what does it feel like for people to step on you and walk all over you at every turn in your life.. and so I wrote this poem
A Mareship Sep 2013
Brushed-wet tarmac Tomcat

Coat,

Socks pulled up to the knee.

The sand went on for miles

Like pebble dash,

Ground to it’s golden *****

Decimals and

Packed tight between the

Bowed white legs of the cliffs,

Which stood with their feet

In the sea.

My Queen of Bracing Holidays,

Gemstone brooches, wet cafes.

Your face

Cut into coat of armour

Quarter colours,

Pink and white

And red and gold

Like a royal crest of sunburned summers.
Rapunzoll Apr 2016
I stay up for the moons
Quiet gaze
The light by the bedside
Carves shadows of you
Into my bare frame
The air itself is naked
Vulnerable of all scent.
I kissed you thrice,
One on the lips
For devotion,
One on the ribs of
Your teeth,
On the elbow of your
Favourite book.
As all writers do.
I created that arched frame
That pulled your
Tendons tight
To my inked sheets,
Shot you into blind space,
While I teethed on
The bow of your
Fingertips
Our skin tarmac,
There was roadworks
Of our bed.
Toes dancing morbidly
Between bursting stars
While night gulls
And ravens watched
Through the window
Waiting to peck
At the mangled carcass
Of our hearts.
© copyright
Thomas Newlove Sep 2015
In times of clarity, or perhaps
Moments of weakness
(Depending on one's perspective)
My greatest fear, I think,
Is that of dying without achieving
Anything worthy of mention.

The idea of being so ordinary
That your death
(or rather, your life)
Will be rapidly evaporated
from the earth's memory
Like light rain on a molten tarmac afternoon.

But you, at least on a mentally strong day,
Delude yourself with bursts of creativity:
Poetry, film, ideas of grandeur,
All of which persuade you that either
You will not die for a long time,
Or you will someday soon achieve.

This thought is comforting
And all is well.

Until one day you are having
A particularly busy teaching day,
And you rush to the usual spot
To grab a regular taste of Dublin life,
And order your chicken fillet roll:
Lifeblood of an Irish working-man's lunch,
And you eat while you walk -
Both briskly to save time before
Rejoining the rich children.

And the slobbering mouthful of
Delightful chicken baguette
Casts taco sauce from its grasp,
And dribbles down your pubey beard.

You stop and take a finger to it,
Knowing full well that the damage is
Done and that those hairs will grip
To the smell of taco sauce until
The drain tastes their defeat after
A particularly overzealous shower.

And it is in that moment,
With finger and beard stained with
The orange-tinged blood of a chicken fillet roll,
That your ordinariness and worthlessness become apparent
And it destroys you...
Because you always thought taco sauce was spicy.
Grey Davidson Aug 2014
When I was a girl I loved cars and Kim Possible
And green rocks I’d find in the pebble fillings of our school playgrounds,
Because they were rare and therefore special.
I read twenty books on gemstones and minerals and stared at the pictures for hours
Hoping one day I could be beautiful and solid and reflect the colours
You can’t see
If you burn your retinas looking directly at the sun.

When I was a girl I became a driveway because I thought
If I paved myself with tarmac or cement
I’d be hard enough to withstand the weight of everyone around my heart
And grounded enough to support myself,
But the construction workers forgot to check for groundwater
And I caved in when people decided
To unapologetically and unquestioningly park their ***** in the handicap spot,
Mistaking the importance of my handicaps for the importance of their egos.

When I was a girl I became an asteroid,
Seeking a gravitational pull around a star that would give me a name and meaning.
But instead I found a black hole,
And before I realised my mistake in universal direction
Her gravity obliterated me
And absorbed whatever the **** was left
Of the force I could have been.

When I was a person I became a tree,
Rooted to the earth rather than separate
And absorbing the light for sustenance.
I’ve forgotten what it means to be hardened,
But even my cells have walls around them
And now I’m as afraid of the ground as I am of the sky
And brave enough to reach into both
And just maybe find some answers in the crust or clouds.
Mateuš Conrad Oct 2016
i swear, the biggest anti-ageist
comeback missing
from the script of we **** the old way
lies with the scriptwriter's
phobia of o.c.d.,
                 i'm guessing he experienced
it personally,
              i wish he experienced dementia
clearer of his granddad
   succumbing: o.c.d. in old age?
it's not big deal... it's no big deal...
             enough botox and soon all that glamour
and paying your respects soon fades,
fattens up and chokes on the artistic
rubric: you need rich artists to
satire rich people... stop nagging
at Katy... be, *******, thankful,
you little cat-whiskers for a ******
moustache kitty-fiddler...
           ever **** at a girl taking a selfie?
let's say it's a blank canvas, and
you're working on it...
        how can this girl can become a
crown or the abhorred fling with
missing Welsh fetishes of excess
           ****** dangle-bits?
                       i have few entry points
i like i consider...
                 before she shaves the *****,
but did you know my godmother
           is a doctor and she doesn't shave
her legs?
                     i joked at that,
i joked for the simplicity:
              why do i have to don mine
and the theory of Darwinism is never
complete? because of aesthetics,
there's a natural instinct, a natural bound
contraband that IS NEVER, EVER TINGED WITH
CHRISTIANITY... **** Radio Maria and
Priest Rydzyk too along with
                John Paul the Tarmac Kissing Saint...
popes like pop-stars: the world's a stage:
better look the prettiest...
             thank Katy... she got cool and rich
enough to covert any criticism of wealthy kids
of Las Vegas...
                          if she wasn't here i'd be dead:
i don't love her like a girl might love
the next best: never-left high school bestseller
for young girls...
                                     my black horse is
quirky and still working on working smug
rather than donning a thong at a cat-walk...
                 but my point?
the comeback the gangsters should have served up
those ****** lips?
                                rapper movie
fakes never taught you how to shoot...
                the gun goes linear: shoot, vertical...
not cool-sly horizontal...
                         you're shooting with a blind spot...
rich girls' songs for poor girls to
cat-fight over who's the better gimmick
of impersonator...
                      but the old Hackney farts still
don't have the quick-snap-comeback...
                  the colts keep referring to E2...
a postcode...
                       the old ladies should have said:
i better move there, seems like a hot-spot
for the postcode lottery!
                           the colts keep referring
to the E2 club....
                             the crew, the gang...
i'm still thinking about these pensioners
nailing them to chairs and drilling through their
bones to the marrow for the Moscow ladies
acting out the faint in the hands  
                       of chevaliers of her retirement plans...
E2? is that a postcode lottery for
                 the losers?
and the "sad" story is? in Poland we all came from
a Communist housing estate...
            only peasants in semi-detached housing...
i guess all these smart-*** young folks
are pretending to be gangsters when all they're
all aspiring to is own a pair of shoes with hay sticking
out of them: and i.t.v. come november...
               well, the casting was smart,
the accents 10 out of 10...
                   but the final point of the accents
in talk?              slow math...
                            is      E2 designated as
the case for a joke about postcode lottery?
                 one thing they're loudmouths...
another that they're also foul-mouths...
                             can't be one and the other...
                  if you're going to be a prop'ah
foul-mouth, better be a slow-mouth
               or a shush-mouth...
                                  and if you're going to
be a loud-mouth, i'd prescribe you Southampton's
away-support choir: oh when the saints...
oh when the saints come marching in...
                                no wonder gang culture
never picked up from loud-mouth birthrights of
the suggested History X...
                               borrowing from History ***:
flash news! there are more things on
my head than just hair to play toothpicks with concerning
self-doubts and the easiest solution:
            a man was crucified...
                               some say we never perfected
democracy as the civilised peoples of the world
as the Jews never perfected plebiscites as the
              "backward" peoples of the desert...
           if race coordination can't be joked about
but getting offended at:
           i'd love the Irish potato diet and the
dates served for breakfast lunch and dinner in Israel...
or in better representation?
the Pig of God... Jesus stinking like a pig
                 before the perfumes of Pilate...
skew: north-by-northwest: a good Hitch reminder:
sheep up toward Scotland...
                           but pigs that north and east...
well: pigs...
                         or how to make words
holy and meaningless when talking about the price
of butter...
                     but that's beside the case for
a quick comeback about the postcode lottery...
           or the grit of Bronson - the film,
esp. the nurse scene...
                       no spoilers... you never know when
it's happening...
                                 the greater the film,
the more monologue orientated...
                                    claustrophilic -
                                                   so you wonder
shoving that **** into the craniums of little boys:
why are they making them do it...
                        and at what point is it legal in
the social realm of guessing at all the rainbow possibilities?
   my theory? most paedophiles had failed
relationships in their teens...
                                  and they never wanted to
experience the complexities of a woman who finally
realised: ****! daddy died! i'm not a princess!
                   it's not a fear of being inadequate,
it's the fear of an inadequate woman...
                  the most adequate woman is a woman
who still resolves to the idealistic world,
rather than the realistic world -
                                   i never understood the
criminal hierarchy...
                                       in the criminal ring it would
appear no moral superiority is akin
   to bullying in school...
                                              choose the easiest
loss of moral judgement and bash it into the head...
    or what Marquis de Sade taught me...
               for most men it's the pink elephant in
the room...
                              or a light-bulb...
****** and theft is still all Robin Hood, the instilled
   heroism: moral ambiguity...
               i don't see how the other crime isn't also
an ambiguity...
                              the *** of man is already displaced
from the *** of woman...
                      why wouldn't age by that ****** ambiguity
not be squared? and doubly unfathomable?
   what made me write this?
               standing at a bus stop...
a girl coming back from school...
                                                 what?
this is a cognitive ping-pong...
                                     what?
                                                   what?!
               i'd dare David the Naturalist come out
from his comfort environment of
                 two monkeys *******, gorillas
with harems and all that easy gesture...
                   man and woman? eyes.
     all the limbs and bones captured by the eyes...
it's not that i don't spend enough time among people
to start imagining these quirks...
                 it's that i spend enough time
                 among people to not start imagining
quirks.
Jonny Angel Dec 2013
The road of love-intentions
is paved with potholes,
major dips & cracked tarmac.

In fact, it is indeed
the slipperiest of slopes,
one of the highest
most lucid-rushes,
where one can drop
into the lowest of lows,
a pitched darkness,
feeling like a simple-ghost
repeating history.

It's the toughest habit to kick.
Every time I try, I feel
like a drugged-mule
crazed & stubborn,
kicking for a deliverance
but wanting more
of that good stuff.
Valsa George Dec 2017
Marooned in the island of loneliness
Shadows of delusion confront her
In a stormy sea, she got ship wrecked
And the sea had robbed everything from her

What unanticipated change comes over
When people let one down
What shocking realization it is
To know that there is nobody to care

She is now a drying brook
That has once been a river in spate
A deflated balloon, unable to soar high
A blind bird that cannot see a dawn
Nor sing a song to wake the sleeping world
She bears scars like deep cuts
On an ill maintained tarmac road

Vacantly she looks into the far horizon
When broken shards of moonlight
Paint pictures of dark demons around her
She screams in silence for someone
To come to her rescue, to lift her up

As a bird that with nightfall returns
To a tree to call out its solitude to the stars
She sits there alone, terribly alone,
Not knowing to whom she should call out!

Will the stars keep her company?

Tomorrow when another day of uncertainty breaks out
She wonders if she should wake up and greet the dawn
With the hope that her pain would go into remission
And her frozen inside would thaw by itself in time

Or end her life as soundless, as inconsequential
As a droplet let down from a blade of grass!
One of the greatest cravings of man is for love and companionship . Here I try to trace the feelings of one who feels utterly deserted in life!
Maggie Emmett Nov 2016
Harsh wind screaming
moaning
with the crisp bite of Autumn night

Dark shadows dancing
tossing
with the branches of bare grey Elms

The lanes are winding
uncurling
in the pale orange glow of headlights

Sudden hedgerows
green
edging the limits of the night

Power-cut darkness all around
silhouettes
strange in the headlight beam

No farm lights distant on the Tor
guiding
beacons of open field and place

Cottages shuddering their thatching
thrilled
chimneys smoking message-morse

Pub signs banging wildly
flapping
in a crazy dance
inside candles flickering
distorted
patterns in tiny panes of rounded glass

Old stone steeple steady
dull toned bell
catching
a ride on the wind to the copse

And still the lanes thread out
beam-born
a ribbon of pebbles and stone
stretching into the night
until they melt
into the flat black tarmac
of the motorway.
A poem written about Swallowfield, Berkshire
Cinnam Muscat May 2011
Stiletto** marks in the tarmac,
City's been so hot it melted.
Linen shorts replaced by less;
In the evening, it's cooler.

Black lights and black bras
Glowing tops and blue tongues.
*** on the beach; one drink
Too many. But it's worth it.

Tongue piercing and
Two Prince Alberts
Discovered in a hurry.
It rocked fast like the night.

*** on the beach. One more.
We did it again.
Spilt a little. Blue stain
To match her tongue.

It's a work out. Higher heels
That make no mark.
The tarmac is safe;
Can't get stuck.

Glow sticks and necklaces
To hide the stains.
Top's still glowing
And every smile shines.

Black light. Black light.
Black light. Blue tongue.
Blue stain. White top.  
Black hair. Black light.

Then Dawn arrives
Bringing a sobering breeze
And destroying the fake light.
It's time for linen again.
SassyJ Jan 2016
(G)
Life as a burden is decent
Treading in hatched up waterways
Swimming in the green brine ebbing tides
Drowned in emotive stances
A being intensified in rapid torrents
Ohh my…fickleness soaked in curiosity

(J)
Decent sounds pretty substantial
I lay acquainted to swampy lowlands
My footsteps have tasted salty waters
Stepped, wadding inside the muddy landscape
Inch by inch, halfway, fully submerged
Overloaded by the tide gasping for oxygen

(G)
Populaces catwalk with intellectual deficit
Footsteps bereft of creativity and eloquence
The grounds lay dry strangling the in-between
The desert begging to lose their sandy dry skin
The forest whispers with a revolt of transformation
The luscious green splash life sparking drones

(J)
Your analogy sways the natured array of trees
The inspiration stings the sun to radiate warmth
All patched in the blueness of bellowing skies
My lungs deflate even on intense inhalation
I tarmac on the passage of time, differently wired
Intermittently cyanosed in faded lived moments

(G)
For poetry and art scaffolds and shapes reality
It sparks life and eliminates the drone mentality
Artists arouse inspiration and boost human nature
It bridges the narrowing ledge of ( human diversity/ instead of/ diverse species)
It drives conversation and deepens basic pleasantries
Rotating notions, promoted to a present and active human

(J)
I object not, for human essence is essential
A foundation of humanity that inspires and frees
A deed that dips in the depth of a lush oasis
Most sunk and waving “a celebration of celebrities”
Falsified lionization, a control of master puppeteer
Amused by insight, the reciprocal contract of empathy

G= Graff1980
J=SassyJ
I am open for One a week collaboration till March 2016. Interested? Leave a comment or message me.

No 2. One a week series collaboration with Graff1980
Graff is an empath, we bled and worried about the notion of humanity and everyday existence. Where is it we came from? Where are we heading? We wake up every morning and trend in the swampy lowlands. We live in the ever recycled lives, the robotic existence. The drones depict "we". The lack of depth in human conversation can be frustrating.... Is it an intellectual deficit?

We mused about how we live up  lionising celebrities and looking up to them. In turn we forget about our authenticity, our passion, our desire,our freedom. We concluded that poetry and creative forms enables us to bridge that essence of humanity. We indulged in the lush of the oasis, the depth of curiosity.

Wow, working with Graff was evolutional and very mind engaging. The conversations I guarantee are not just a basic pleasantry.... they go right to the core.

Thanks Graff for working with me, I thoroughly enjoyed the energy and motivation to share this contract of empathy.

Please visit Graff homepage for some of his delicacies!
http://hellopoetry.com/graff1980/
I captured the near and the far
emptied the jam from the ***
and put them in the jar,
now I can watch and how will it go?,will
time slow down?
will they turn brown?
will they want to escape
to escape the jam jar of fate?

Distance is the captive and I
the jailer too,and
though I'm not in the jam jar ***,
I think of it an awful lot,
who's out there? who's that I see
who's watching,waiting,watching me?
Eddie Matikiti Aug 2015
Touchdown on that blessed tarmac
Longed for this moment for days
Thousands of seconds it took
Finally expectation faces reality

A new abode  made amongst strangers
My bed made in a foreign Place  
Unfamiliar faces surrounding me  
They speak yet I don't understand
Far from all that is home

The days moved
No longer did I feel estranged
The local tune turned sweet
Elements  embraced me
The mosquito befriended me  
Strange food acquainted  my belly

Alas as soon as I settled in
Thoughts of home came knocking with rage
Shattering my new found peace
A battle between present and home ensued
Home did present a strong fight

The heart became set anew
The mind followed suit
Home was best, we resolved
The present was just a fading moment

Time dragged it's feet  
The food lost it's appeal
Present beauties diminished
Sleep evaded me
The night was a dreaded ordeal
The eye fixated on the clock

The good day did finally dawn
It was a battle now settled
Aboard that distance machine  
The temporary fades far from sight
Images of home bright and real
Home is the sweetest place to be
1/08/2015 - Johannesburg
betterdays Aug 2018
i recall
with a fondness
blurred by years
the town of
my formative years

in the mountains
the heart of the table lands
dissected by a highway
it crouched, along the sides
of a shallow valley

i remember a greeness
that came from the trees
eucalypt and pine
most prominent
in my mind
and the grass that grew
lush and tall
only to be mown
each Saturday morn

i remember
churches and schools
the wide expasnses
of playing fields
and parks with
hurdygurdys and swings
i remember the pool,
that too turquoise
rectangle,
that glistened
with wet invitation
and on the highest peak
the stolid grey water  tower
lording it over all

i remember rough tarmac
under my feet, running from
light pool to light pool at dusk
and frost on picket fences
in early mornings,
like delicate sugar candy
solidier braving the early sun

our house, small on a large block
with hydrangea at the front
wisteria overtaking the fenceline
an at the back door a concrete slab
painted fire engine red,
but faded to overipe watermlon pink

poplar trees garding the back
and the smell of onions
burning on the grill
hill'*******with tennis ball
and pantyhose
standing  to silent attention


and in the forground
my brothers and clans
playing football, league
with passion and
burgeoning skill

all this comes to mind
on a cold winter's day
i may of come a long way
but my heart still
ties me to there
and the memories
make the knots
Arman Aug 2013
There is no dusk in this city
penetrated by the raging Potomac,
Night just crams itself in and
rapes the day dry -
lays her flat against the horizon.
Mothers and children run for covers
and put each other to sleep;
in a few hours
harlots and nighthawks will do the same.

Sweet Siren
You are this city
Petticoated and pretty,
Cunning and stunning
Winking and blinking
Red
Yellow
Green
eyes popping open like sunken headlights,
Ready for the night.

I hear your wailing
red-flashed and flaming
like an open heart,
piercing the black with it's plea.
I feel your pulse-pumping red corpuscles
thrusting me deep into
lusting for things forbidden and hidden
Somewhere inside this neon wonderland.

Sweet Siren,
Sing your teasing tunes for me
Deliver me from your shelters and streets,
Where infidels and angels
Fall at your feet.
Sweet Siren,
Deliver me to the
Trembling shelter of your sheets.

Liars and their lies
roam this concrete jungle
begging for love and razors
and other disposable items.
You go screaming passed them though,
determined to save at least one numb drunk ***
in some rain cleansed back alley of vices;
only to fool your own conscience
with the lithium laced smile of charity.

Sweet Siren
Quiet your angry shrill to a hush
The tarmac and taxis are tired of us
And your princes and saviors have fled this town.
Sweet Siren,
It's time for us to burn this city down
And leave the ashes
For the thieves and the clowns.
Lilli Sutton Apr 2019

Sometimes I think I can get through anything.
Wrong again – except, I made it to the city
with my patience still intact. I liked the early morning
best, deer in the wheat and crows in the corn.
Midday the sky turned blue and warm wind
rolled over the Ohio hills,
but I was too sick in the backseat to notice.
No matter. Indiana gas station as the clouds
start to roll in. Here the land is flat
and brown and empty. The sky
comes down to touch the earth and everything
goes gray. Finally I’m behind the wheel
and I wish it had been like this the whole way.
I can go fast on the highway and it feels
like traveling back in time, cruising in reverse
the way we came back from Utah years ago.
When the heavens open I’m not scared –
I’ve met god before, just like this – Midwest
melody of rain against the pavement,
or just the song of shutting eyes.

2.
But I didn’t sleep last night. I was too busy
thinking about all the songs I’ve forgotten.
When you’re old, music is supposed to help
you meet yourself again for the first time.
I wish that could happen now – so I pick songs
that matter. Missouri is warm and windy
and it takes all day before I can escape. The arch,
the Mississippi – portrait of a city
that I know must be so ugly on the inside.
Or maybe I like it here. I read O’Hara
in the hotel room alone – I don’t have words
to fill a city that way. The din of beautiful comfort
resonates within this bubble – I stay back,
linger by myself.

3.
What a long day – it’s only 10 in the morning
when Katharine convinces me to fly back.
So I picked out all those songs for nothing –
oh well. It’s not the first time
I’ve done something in vain. Puddles standing
on the sidewalks – it doesn’t matter
if my shoes stay dry. I am guilty
of the default answer – I don’t really want
to hear the question, I just want my voice
to be the most important sound in the room.
At the same time, I don’t like to be the center
of attention – I dissolve to the edges,
wait until I can slip through the cracks unnoticed.
Later we bond about Thursday’s drive –
how we were both afraid, but didn’t want to say it.
I can’t keep my eyes open on the plane,
but I also can’t sleep. Dusk comes faster
than it’s supposed to – we miss an hour.
On the tarmac in Virginia the wind is dry and hot –
it’s too warm for March, and I don’t know what
to make of it. I wait on a bench for my friends
and beside me, a woman cries, but I don’t say anything.
I’m always at a loss for words around strangers.
On the hour ride home we try to figure it out –
what we’re each saying in our coded conversations.
All weekend I heard words, but never the right ones –
for all the intricacies of human language,
it’s insurmountably difficult to tell you how I feel.

4.
So I’m not in St. Louis anymore –
but for the sake of consistency, let’s pretend.
I could have ridden back with the twins today,
flat farms giving way to the rolling hills of the east again.
Maybe that’s why today feels like an undeveloped dream –
I only have one side of what should be a full circle.
At the farmers’ market we eat jams and chocolate,
and Michelle pets every dog. The air is cold and sweet –
I notice the hint of green around the edges of the trees,
the bright yellow of forsythia and the crocuses.
We’ve arrived at the in-between: soon, I won’t remember
winter, but I have a feeling that what has followed me
the last few months might stick around.
03.31.19.
Ameliorate Jun 2015
Rising, like a Phoenix out of the ashes.
Burning  the skies strike a match to the tarmac.
Holy water, sprinkle a dose on your sins;
Remember not to let the poison win.
A short little blurb
Terry Collett Dec 2014
Janice adjusts
the red beret
on her fair hair
and pulls at the hem
of her dress
as she sits
on the wooden seat
of the swing
in the park.

I sit on the swing
next to her,
ready to kick off,
my feet on the tarmac,
my eyes glued on her.

She winces.

Gran spanked me last night
for saying
that four letter word
you taught me.

You weren't supposed
to tell your gran.

You never said
not to tell;
I didn't know
what it meant.

Sorry,
I should have
told you.

(I didn't know,
but I don't tell her that).

She pushes off
with her feet
and she's air borne;
her sandalled feet
high in the air
as the swing goes backward
then forward.

I push off, too,
holding tight
to the steel links
on each side of the swing.

Maybe your gran
should have washed
your mouth out
with soap
instead of a spanking.

I wish she had, too.

My old man's aunt
swears like a trooper;
I used to go
to Sunday tea with her
and her husband
and my Nan used to say:
that's enough
of that language,
there's children present.

What did did she say?

They don't know
what it means,
she used to say;
but Nan'd say, no,
but they might repeat it
to people who do.

And did you?
Janice asks.

No, at least not
if my parents
were around.

I am swinging higher
than her now;
my feet seem to reach
the nearest clouds.

She tries to swing higher,
but I am still higher,
by swinging backward
and forward on the seat
and the holding tight
to steel links each side,
I am up there
with the gods.

Have you ever
been spanked?

I look at her.

Once when I peed
in my toy box
and my cousin
told my mum.

She pulls a face.

How ***** of you.

Yes, I guess;
Mum thought so.

I feel a breeze
in my hair and face
as I ride high,
swinging back and forth
on the swing.

She's beside me
trying hard to reach
as high as I am;
her feet reaching up,
her legs swinging madly;
her body going
backward and forward;
her red beret,
clinging on
for dear life
on her head.

I reach my maximum height;
my feet touching
Heaven's gates
or so seems,
my body going
back and forth
as much as it can.

She’s almost there,
smiling,
the wind riding
through her flowing
fair hair.
A BOY AND GIRL IN 1950S LONDON IN A LOCAL PARK.
Bernice Helena Feb 2019
I've been still,
Caught in a sweet stasis,
Buried under the same, baseless
Candied gags, slippery hags, body bags ー
But I can't go back.
Haven't moved forward either,
So I still sit silent here.
Maybe I'll someday wither ー

Like dandelions as they scatter in the wind,
I will feel no more the weight of societal sins.
Staying awake in anticipation;
That feeling you get when you see a road blocked
and a wrecked car hoping it was an accident
Eventful; excitement to see that tar black
Crimson on tarmac
and those trampled, broken-pretty shells ー

I want to be a doll.
A pretty hollow pale porcelain
you still can't hurt when I slip through your hands,
Or when you let go and drop me,
Or smash me into the ground ー
It's all the same, isn't it?
You buy, bore, break, blame, build, rebuild
Rebreak, reblame, replace...

I remake real-fake love into stanza-sized stories
Just to rebrand them as poetry;
A molded part to inspire some abstract art.
They're better off that way,
Locked in and stationary;
Sweet standstill sanctuary.
And I'll stay to watch their models fail and break,
As they too, disintegrate ー fellow ******* degenerates

This time I was at your disposal,
But we're all just glorified disposables ー
Ever-hungry, hedonistic at heart.
Excuse her language.

"THOUGHTS"
Odd Odyssey Poet Jun 2022
You stay where I live—
no I live where I stay, as livelihood is doing in my head.
Girls with pictures—pictures with girls, so few
left in my phone. These are just running thoughts,
as I’m chasing dreams; as a working mind in them.
Skeleton hours; dead in the night, as it’s just another shift.
But it slips in these grinding gears, like winter rains slipping on
the road.

Under the cold whispering of previous night’s wind,
reminded of a cold world out there.
Be it truth to live by—amongst liars to speak such is dare,
and quite frankly rare. But I’m none impressed by trends,
tread your grounds carefully of where you walk.
Don’t slip up on your feet, bruising your knees on the
winter rains slipping on the road.

A side note of my love to rhyme...
by second nature to plan the ending word to second line.
Bringing it back this time to the starting rhyme,
and referring to the second rhyme by the fourth line.
Words slip easily off the tongue, dented like
winter rains slipping on the road.

This poem inspired was inspired by my walk
through shortcuts to work. Black wet tarmac,
holes in every direction. Back and forth, cars roam and go.
My breath visible in this morning cold. A sight in dilated
eyes; towards the sight of the winter rains slipping on the
road.

This winter is cold.
David Beltran May 2011
I am the vessel of my ship,
I am to wrestle a little twit.
Will you help me find my virginity?
I think I've lost it somewhere,
Or someone borrowed it.

I am a farmer of black beans,
I am the Tarmac at the airport,
Will you join me for coffee?
I think I'm seeding the soil,
I found purchase in this toil.

I hate traffic and sputnik,
I love triptychs and music,
Is it you, me and everyone we know?
I guess we can play monopoly,
Just lay down your weapons, I'm fun you see.

Of course you can trust me,
I'm not a wet black bean,
Can I sing the national anthem?
I speak ****** and some other lingo,
I read French and women undress.

On second thought I'll be a stallion,
And yes I'm part French-Italian.
How far does it go?
I'll tell you what, do you know the muffin man?
The one that lives on Drury Lane?
If you do open up, let Thomas the train do his run.
A hippopotamus would laugh at this,
These lines said with such a clever lisp.
It'd have to be high as a koala bear,
Eating eucalyptus leafs at the fair.

I couldn't be more assured of this,
I wouldn't be reimbursed to read miss.
Doesn't it hurt? Aren't you choking yourself?
No me feel no pain,
Cookies are like nova cane.

Last but not least,
It feels better than summer heat,
The question everyone is a critic for,
Are you happy?
If Lois Lane was a *****,
Cookie Monster a compulsive eater.
Then of course I'm sure.
neth jones Mar 2022
busy verbalizing my merchandise                                                      ­        
a display of teeth reefed behind my smile
                                                      becau­se merchandise is what i am after
                          and The Revels watch over me
                                and laughter drains down through sewer grates
i am watched over                                                             ­                             
my potential client walks away                                                                 
    but returns again with queries                                                          ­             
on this hot day                                                              ­                                   
a smell like burnt hair raises from the gutters                                            
and these are the streets that radiate                                                          ­  
on this hot day                    

an honest clash and not some some touchy bout
and here we are                                                              ­
the costly coil of pushing business together ;           
                                   a lively thrive
thrifty "*******"s and a dressing down       
circling the other and striking their buttons   
  
                   interlaced within is a genuine pressing
               toward each other goals  
this partnership                                                      ­                    
swiftly made                    
                                          has an extreme edge and chaotic balance          
the both of us must master or abandon our productivity             
shall we be served by this union
                                     or sever fighting ?

unfit                                                         ­            
  it swerves and suffers a pity                  
let's keep this one brief                                                     
we manage business
handshakes
and scowl away with our wares
each of us feeling equally scammed
(we've made useful enemies at best)

i break out laughing all the same-how
and howl because i feel
that feeling that this could go on forever
and business has roots in all my moods

i crouch at the curb       
the curb is abrasive               
              i sit
i look at the dry heat radiating off the tarmac
the slight greasy lime taste of the air passing
the roof of my mouth
the electric wires running hum into the buildings
the storm drains at the edges of the roads
where laughter siphons down to the magma of Hades

it is waning off now                         
and i feel vague
i stand and i scan for more players
i spot a vivid orange one
one that i may barter their aura of vigour
traded for my sketchy wares
Chloe Chapman Aug 2016
Roads stretch out, a lattice of scars etched into the land.
Asphalt and Tarmac rivers, crawling with lines of ***** machines.
Sectioning off nature.
I cannot hear the birds anymore.

A countryside blistered with towns, villages.
The sores of sprawling cities scattered across the earth,
Polluting the peace.
I cannot see the stars anymore.

Great factories spewing toxic smog,
Whilst mechanical beasts tear into the veins of the planet,
Ripping apart the landscape.
We are not blameless anymore.


We have ***** our world,
leaving in our wake:
War torn nations,
Plagued by starvation,
Human 'civilization'.
In progress. Any thoughts on improvement?
Kalesh Kurup Dec 2015
"Go Slow", I told my life in January
"I want to take this journey at your pace"
"I want to build those bridges again"
"I want to complete you as I would always want"

"Hello!” I heard a call from the near far.  
Was it really a response from the healing heart of February?!
"I hold the right to set your pace"
"I hold the right to bless you sleeps"
“I hold the right to curse you sleeplessness"
“I decide the right for you in everything"

Until the obscene April summer turned up,
It was not life; but the Cyclone’s desire to fell everything en route.
I learned; there might be things to cherish
But would not want to own again

Rains in Kerala carry the rhythms of life
I once again made those paper boats
At my pace, as the 10 year old,
And as July demanded
Life grew deeper within, in that rhythm of rains
Nursing the one who nursed me for long
I learned, there are only cycles in life,
There is only movement in life

The flight took off, despite the pedantic reasons thrown over the tarmac
In that morgue of frozen mummies, I felt the futility of expectations
My Wings of fantasies halted, on top of the panoramic Great Wall
In the arc lights of award night, I enjoyed the pleasure of losing
Walking alone the Washington streets, I found the walks of life...

November comes concealing a lot; it conceive sorrows
It grows a detached attachment within and around you
November reinforces the relativity in everything
Life, love, respect, trust and confidence

I like the reds in December, it's flamboyance
I like the irony of "hope" brought in by this very end!
There are only cycles in life, no gains or losses
There is only movement in life, some forward
And some stuck in the maze and not knowing which way.
I see you hiding beneath
Old shirts and memories
***** jeans and worn-out shoes
That have walked a saddening mile
Weakest armour of cloth
Ripped and torn by cruel adolescence
Cursed with hate or blessed with indifference
I see you in there

Surrounded by toys
Some broken, unneeded
I see you and I know that you want to play with them
But time seems to have withdrawn permission
Or maybe you're frightened
Of how happy they once made you
Reluctantly believing they will never again make you smile or laugh
For they have become little more than fodder for the garbage heap
You find yourself beneath

On the other side of the locked door
I bend to peek through the keyhole
Expecting no more than shadows on the wall
But I see you

I've watched you walk in...
(you didn't know I was there...sorry)
...and it broke my heart
To see how swiftly you ran to the door
To behold the look of relief on your face
That broke up and melted the death mask of grief
Saved by grace
When you stepped in and turned the lock
A beaten veteran getting off a plane, whose salvation is the tarmac beneath him
You kiss the ***** carpet and call this place "home"

"How can a man be born when he is old?
can he enter the second time
into his mother's womb, and be born?"
Behind a locked door
You found the answer
Discerning flesh from flesh and spirit from Spirit
From the crowded confines of  your mother's womb

I wanted so badly to see the look on your face when you emerged
Refreshed and ready to battle demons
Or downcast, crestfallen for another day
It would have been worth the waiting hours to bear witness
To the power of this basement haven
Alas, sleep was not as curious
I could not risk your discovering me
Where I was not meant to be
Fallen from my hands and knees
Best to settle for forbidden glimpses through a keyhole
Best you didn't know I'd stolen a tiny part of your soul

I see you there, hiding from the light
Books on shelves half read or dog-eared to the very ends
A hardback Bible, the binding cracked, it's pages would spill out on the floor if not for your curiosity
66 books held tightly in your grasp to hold them together
In order
Camus, King...Baldwin, Irving...tattered paperback
Koran, Augustine...Srimad Bhagavatam, L. Ron Hubbard...sturdy hardback, spines still cracking
Barnes & Noble books unnaturally pinched between mold smelling garage sale bargains and bulky Salvation Army bookends (Webster's Dictionary, Complete Works of Shakespeare, Bullfinch's Mythology, Asimov's Chronology of Science & Technology...anything thick and sturdy enough to squeeze in a row of lesser volumes)
I see all those books but I don't see you reading them
Still, I don't wonder why they are there

I only wonder of you
Why you lie like a skeleton
Beneath piles of junk

I only wonder how
You find comfort there
And not in the arms of the ones who love you
Tyrel Kriger Jan 2017
A moment is all it takes for you to
Walk away from it
Looking away, you wander
towards the busy street
Knowingly getting closer
Dismally walking with smile

Blissfully leaving behind that unkown
That burden of duty
That somhow kept it all from turning to ****
Holding it up and all togeather
As the bricks fell on your head
Knowing others walk by
Only from the sound of them spitting
behind your back

You could just walk away
And wander into rest
Half way there for oh so long
The deserts waiting to swallow you in sand
And besides, it could all fall apart anyways.

You want to leave
So you can dry out, and recover
Scorch your skin as you lounge
Lips pealing, eyes rolled back in bliss
On a decreped pool chair
Sunglasses so no one can see

Although eyes are only one of the dead give aways
Of a consciously dead human
Silently inviting others to join in
"I love that person, they're so care free"
Unburdened

only one who walks on shifting sands
And lets them ***** the fire of ones soul knows
what they see when they look inside.

Dust and bone
Insects and parasites wraped up like
cold, injured loved ones
Coddled and well fed on your dwindling substance,
Your time and attention
Your non renewable resources

They become you
Now a part, a collective
Then the desert throws you onto
An open scorched tarmac
No vehicles, no lines, just black, hot and sticky
Full of people pretending they're not thirsty
The myth of water
rattling their dry twine vocal chords
with laughter and belitlment
All crooked looks and beady eyes

They drag their boney blistered feet
Smiles painted on thier suffering faces
By some rogue hand connected only
To a voice they all hear
"keep walking"
"you can't die if your already dead"

Hotter and hotter as the miles drag
Slower and slower nobody collapses
Their skin now gloves for a hand to wear
Alive only inside
some want to turn back
Some want to stop and think
Some want to die
But the hand keeps them moving

You come, bones and skin
Rotten and stinking, finnaly
Alone,
To some shift
The hand leaves you
The sun is blocked by swirling clouds

You walk up to a mirage on the plain
not comprehending
The fog clouds all but this,
odd bouncing of light
You see a slumped figure tattered in rags
Grey and drooping
And you feel him
Staring back hollow
You stand vapidly gapeing
as a rain drop hits you
Looking at where the road stops to meet a..

The fog seeps back conciously
A very clear line on the ground
Where the tarmac stops
and this smooth plain stands
A surface the color of the receding fog
"Lift your gaze'
It says one more time
Strings cut and hand withdrawn you abide
You place your hand on the cool smooth surface
It starts to rain, washing your meak body

Your mind sharp and keen
for the first time since..
You look up
And you see a person
Holding up some structure
He Cannot look up or his strength will fail him
But he must hold this up
Should his attention turn elsewhere
Whatever it is will surely fall
He cant explain this need
This light, this warmth,
somhow sustained by the strain of his muscles and the exercise of his will
Against odds and favor
He is blind because he is focused
He is dumb because he believes
He is weak because he uses his strength only where needed

He cannot see what he is straining to uphold
But now the reflection peers back with such broad scope.
It is a Beacon blazing out
The warmth is here and the water runs ever on
It falls from the sky onto fertile ground
Those who have not rolled Thier eyes,
those with fire and warmth still inside,
Come, and make a world of it.
Come and be awake

It is a mirror
That is you
And that is what you have left
To walk in company
To be empty and smiling
To not care
Now you must suffer
In the knowledge of your new vantage

Your hand is in the mirror
The coldest cold you've ever felt
is pulling you in
All you can do is look into the reflection
or choose to step in
But one way or another, in you shall go
Into the motionless space
Where the rest you left to find waits.
Hooray for insomnia caused by mental trauma. It took me 4 hours to write this I hope somebody reads the whole thing lol.
Tis the season to be falling
Tis the season to be gay
Tis the season to be flying
Higher, farther, away ~

Chains loosened she calls to her mother
An earthy musk, grains of sand, mud on her face. A scruffy mutt laying listlessly on the tarmac, ribs rattling with the effort of each breath. She is home.

Muted flames thrashing in its cage, raging in the midst of civilization, a crucifixion of sorts. Tearing at its hair wildly, the masses trickling by, mouth agape in a silent scream. Ashes mixed into pieces of scalp, begging to be found.

Oblivious to a sound like thunder, clapping in one's ears. Strangled scream lost in translation, a language so old none could decipher. Fear wielding urgency, a disguise of desperation, depression.

Refusing to be still.
H L Godden Oct 2016
The fog unrolls itself from hill to tarmac
like winter blinds. It sinks behind hedges
and hovers, hawk-like, over the canal.

A streetlight winks from the path,
muffled by ***** white like a child
smothered in his new winter coat.

The trees have given up for the year
leaving mushy browns and crisp yellows,
sweet damp smell pushed up noses.

Morrison’s is open till ten now.
Piles of pumpkins watch in sorrow,
waiting for homes next to plastic spiders.
brian carlin Dec 2009
Another heady day blooms and gathers pace
Spring dawns at 5 a.m. with a gargle and spit in the dark

Big rain drops and falls
Soft blood red wet cherry stones of bath salts
Splayed across my ageing face
Autumn showers then walks

The spiderweb of ragged birdsong feathers and
Threads through the branches
Of just November trees
Autumnal hymnal
Singing through the dying darkness, whispering
Don’t capture the light

And walking jogs thought
Factoring rebuke as Information unwanted  
Proof then reproof
The tarmac fields of youth
Tilled by broken hands with
Broken men mending pipes and wires
Time leaves a presage- a butterfly mark
Autumn leaves their signals sending winter’s mark
Beauty colours death
Ignatius Hosiana Sep 2015
I wish we met when her tarmac road was still mellow
Then when she still danced to the Congolese tune "Mbelo",
I wish we met when she could not stare in the eyes
Right when she was too shy to tell any lies,
I wish we met when she was still under her Mama's apron strings
So innocent, when she still trusted human beings,
I wish we met when she did church each and every Sunday
And had no thought of bearing a guilty conscience someday,
I wish we met when she saw the world for her best, not her worst
When the balloon of her ***** wasn't yet burst,
I wish we met when her future was still blinding bright
Wish I'd seen her in the dawns of her life, not the nights
When she knew no whiskeys or beers but only Fanta and Sprite
So that she wouldn't get herself in trouble and drunken fights,
I wish we met when she still had dry “unkisssed’’ lips
When she thought kisses were an unhealthy swap of saliva,
I wish we met when she hadn't developed attractive hips
When she wasn't a depressed Heart-wreck survivor,
I wish we met when she still believed in fantasy and fairy tales
And had a honest fascination for cowry shells,
I wish we met when she flamboyantly wore her natural African hair
When she still thought herself naturally beautiful and fair,
I wish we met when studies hadn't corrupted her mind and stolen all her hours
When she still smiled at the sight of frail petals of red rose flowers,
Wish we met when the movie title that described her ******* isn't “Olympus
Has Fallen”
But probably “Hard Boiled”, “Only the Strong” or “Swollen”,
I wish we met when she had faith in things like weddings, when her soul was
a spring of hope
When she hadn't lost respect for such societal norms preferring to elope,
I wish we met when she still respected danger
And risked not accepting courtesy from every rich stranger,
I wish we met when she believed true love existed in the world
Maybe then she'd believe my each and every word,
I wish we met when she still honestly needed a friend
I’m sure I’d be there to love and care for her till the end.

— The End —