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"tagus" poems
Niccolo di bernardo di Machiavelli Ang taong may pera ngunit di makabili Ng mga bagay para sa kanyang sarili Inuuna parati ang bisyong pambababae Ngunit kelan ba ang araw na nagkaroon ka ng ***** Akoy nagtataka dahil Pogi ka naman di lang halata Nakikita kitang laging sawi, Ang sagot mo “sa susunod nalang babawi” Paulit ulit at parati, di ka nagsasawa laging may pili Niccolo, Niccolo, ang buhay mo man ay magulo May makapagbagbagbagbag damdaming kwento Tagus sa balat at sagad buto Hanep ang yong liriko, liriko Niccolo, Niccolo, ang isipan **** magulo Sa larangang paborito Kakaibang istilo mo, Niccolò Babangon Ilang beses man madapa, Ang pangarap mo ay makukuwa Pagkat ang sipag moy di matutumbasan Apak apakan ka man ng sino man, Walang kang pake alam, bastat deretso kalang At sa iyong pananaw, prinsipyong di maagaw Isip Di mababaw, pagkat ayaw mo ng hilaw Dahil.... Niccolo, Niccolo, ang buhay mo man ay magulo May makapagbagbagbagbag damdaming kwento Tagus sa balat at sagad buto Hanep ang yong liriko, liriko Niccolo, Niccolo, ang isipan **** magulo Sa larangang paborito Kakaibang istilo mo, Niccolò
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Nov 1, 2018
Nov 1, 2018 at 9:02 AM UTC
Niccolo di Bernardo di Machiavelli
The sun has long disappeared behind the stage I'm inspired and sweaty and feeling my age The amplifiers still ringing in my ears The smell of the Tagus draws in and I take my tired frame up winding streets The cafés are open. Piano music. Shoes on cobbles providing the beat Sat silently listening to the late urban shuffle, people appear from narrow openings between tired, tiled buildings Are the up late, are they up early? It's been a long day. A day of fleeting smiles. I think of you, and there's one more. This one lasts.
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Jul 16, 2019
Jul 16, 2019 at 8:06 PM UTC
Lisbon Now
I woke early this morning in Lisbon before the birds chirped the traffic shattered the silent room in the Sao Bento Guesthouse and the old tram struggled, groaned up the steep hill She stirred beside me even and measured breaths I turned on the white light and read Pessoa and Florbella Espanca poets of the past of the hilled city split poetic personalities the one she, the other, a killer of her self "Abre os elhos e encara a vida!"* advice not taken today we'll walk those hills ride those trams and eat seafood along the Tagus as we ignore the passing of our lives *open your eyes and face your life
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Dec 29, 2020
Dec 29, 2020 at 3:38 PM UTC
Quiet Morning in Lisbon
I walk my life, a subway station Where dirt consorts The air around. It pounds my nape, It flames my mind With sights and fates And sounds. Above, a tram goes up the alley Tinged with canary hue. Below, my wit: What void, what valley: It sank, in Tagus mused. I take a seat, doors screech behind. O, what wondrous whiffs? Of metal beams Attriting loudly Against metal wheels? To a halt it cuts my chain of thought, Rivals my dream, they brawl. 'Tis from the gallery Of broken hope The beggar man crawls. Intemperate horns his entry announce, Dysphoric scenes aground. He comes detuned Near clears his throat, Lethargic voice resounds: I beat my cane In wrongful rhythm, 'Cause wrongful Was my life. My voice hurts from All this singing: 'Twas morphed into A sigh. I longed, I longed For all my sinning Was ought to be repaid. Deserved so much, God took my Will, my sight, My love, my Name. So tell me, vagrant, What did He take? -Said I- Who has loved you? What is your will, What name did you go by? I used to be a man of soul Whose heart beat strong and dign, I used to write And then I died On the 10th before July. He took my coins for all my service At wars: At land At sea -The waves still have her, Laying there still, Waiting away from me!- Said he- I will my love, My fire, passion -My young Natercia!- Most darling of all nymphaea! So God is just after all, Replacing sin with grief. No need for me To pay the man: God has done the deed. The deadbeat coins of his cup Turmoil ever so slightly. I leave my dream, Doors shrill again: 'Tis time to end my journey.
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Mar 12, 2018
Mar 12, 2018 at 9:28 PM UTC
Begging For Lisbon
I walk my life, a subway station Where dirt consorts The air around. It pounds my nape, It flames my mind With sights and fates And sounds. Above, a tram goes up the alley Tinged with canary hue. Below, my wit: What void, what valley: It sank, in Tagus mused. I take a seat, doors screech behind. O, what wondrous whiffs? Of metal beams Attriting loudly Against metal wheels? To a halt it cuts my chain of thought, Rivals my dream, they brawl. 'Tis from the gallery Of broken hope The beggar man crawls. Intemperate horns his entry announce, Dysphoric scenes aground. He comes detuned Near clears his throat, Lethargic voice resounds: I beat my cane In wrongful rhythm, 'Cause wrongful Was my life. My voice hurts from All this singing: 'Twas morphed into A sigh. I longed, I longed For all my sinning Was ought to be repaid. Deserved so much, God took my Will, my sight, My love, my Name. So tell me, vagrant, What did He take? -Said I- Who has loved you? What is your will, What name did you go by? I used to be a man of soul Whose heart beat strong and dign, I used to write And then I died On the 10th before July. He took my coins for all my service At wars: At land At sea -The waves still have her, Laying there still, Waiting away from me!- Said he- I will my love, My fire, passion -My young Natercia!- Most darling of all nymphaea! So God is just after all, Replacing sin with grief. No need for me To pay the man: God has done the deed. The deadbeat coins of his cup Turmoil ever so slightly. I leave my dream, Doors shrill again: 'Tis time to end my journey.
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Winter in Lisbon Up rua Garret I walked and it is steep in baixa, the old heart of this grand city, past shops that sell lottery ticket, besides a shop that sells religious artefacts, and a shop that sells Cartier watches. If you win there is money enough to decorate your mother's grave and to buy a posh watch. At the top of the street of the street a café Brasilia, it used to be Fernando Pessoa's drinking den, now it is upmarket, suit and short hair place who drinks tea and eat pastry; their forefathers used to look down their noses at Fernando, now they are proud of him. Irreverent poets can go somewhere else to drink. The master poet is a statue outside his café in the rain, and tourists take picture of him, one wonders what he thinks of it all. There is also a statue of Antonio Ribero Chiado, a poet who lived in the sixteen hundred, the largo is called after him, he was bald and dressed like a monk. I could see the river Tagus where tug-boats ply their in grey waters, and remembered when I used to be a ****** The church across the street “Incarnacao”, where Antonio used to pray is beautifully restored, but his God had left by the back door the front door was too heavy but saw a woman weeping in front of a statue of Christos, ***** for the masses? Why not? It is getting dark the Portuguese suits are swallowed by the metro, and men with cardboard boxes look for a doorway to sleep in. Over this scene hovers Amalia Rodrigues the great Fado singer, born in poverty, she hums a song for the wretched.
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Aug 2, 2017
Aug 2, 2017 at 9:52 AM UTC
winter in Lisbon
Winter in Lisbon Up rua Garret I walked and it is steep in baixa, the old heart of this grand city, past shops that sell lottery ticket, besides a shop that sells religious artefacts, and a shop that sells Cartier watches. If you win there is money enough to decorate your mother's grave and to buy a posh watch. At the top of the street of the street a café Brasilia, it used to be Fernando Pessoa's drinking den, now it is upmarket, suit and short hair place who drinks tea and eat pastry; their forefathers used to look down their noses at Fernando, now they are proud of him. Irreverent poets can go somewhere else to drink. The master poet is a statue outside his café in the rain, and tourists take picture of him, one wonders what he thinks of it all. There is also a statue of Antonio Ribero Chiado, a poet who lived in the sixteen hundred, the largo is called after him, he was bald and dressed like a monk. I could see the river Tagus where tug-boats ply their in grey waters, and remembered when I used to be a ****** The church across the street “Incarnacao”, where Antonio used to pray is beautifully restored, but his God had left by the back door the front door was too heavy but saw a woman weeping in front of a statue of Christos, ***** for the masses? Why not? It is getting dark the Portuguese suits are swallowed by the metro, and men with cardboard boxes look for a doorway to sleep in. Over this scene hovers Amalia Rodrigues the great Fado singer, born in poverty, she hums a song for the wretched.
Continue reading...
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