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Dave Hardin Oct 2016
Tacking

Keel laid long ago, deck
where we stand at night
naming stars, worn salt
smooth and clocked
by the shadow of the mast
our ship trailing
veils of memory, smartly
parting swell, tacking
true from high up in the rigging
where I mend sails
with the thread of a tune
while you pitch
seams, humming
something old and familiar.
There are sleeping dreams and waking dreams;
What seems is not always as it seems.

I looked out of my window in the sweet new morning,
And there I saw three barges of manifold adorning
Went sailing toward the East:
The first had sails like fire,
The next like glittering wire,
But sackcloth were the sails of the least;
And all the crews made music, and two had spread a feast.

The first choir breathed in flutes,
And fingered soft guitars;
The second won from lutes
Harmonious chords and jars,
With drums for stormy bars:
But the third was all of harpers and scarlet trumpeters;
Notes of triumph, then
An alarm again,
As for onset, as for victory, rallies, stirs,
Peace at last and glory to the vanquishers.

The first barge showed for figurehead a Love with wings;
The second showed for figurehead a Worm with stings;
The third, a Lily tangled to a Rose which clings.
The first bore for freight gold and spice and down;
The second bore a sword, a sceptre, and a crown;
The third, a heap of earth gone to dust and brown.
Winged Love meseemed like Folly in the face;
Stinged Worm meseemed loathly in his place;
Lily and Rose were flowers of grace.

Merry went the revel of the fire-sailed crew,
Singing, feasting, dancing to and fro:
Pleasures ever changing, ever graceful, ever new;
Sighs, but scarce of woe;
All the sighing
Wooed such sweet replying;
All the sighing, sweet and low,
Used to come and go
For more pleasure, merely so.
Yet at intervals some one grew tired
Of everything desired,
And sank, I knew not whither, in sorry plight,
Out of sight.

The second crew seemed ever
Wider-visioned, graver,
More distinct of purpose, more sustained of will;
With heads ***** and proud,
And voices sometimes loud;
With endless tacking, counter-tacking,
All things grasping, all things lacking,
It would seem;
Ever shifting helm, or sail, or shroud,
Drifting on as in a dream.
Hoarding to their utmost bent,
Feasting to their fill,
Yet gnawed by discontent,
Envy, hatred, malice, on their road they went.
Their freight was not a treasure,
Their music not a pleasure;
The sword flashed, cleaving through their bands,
Sceptre and crown changed hands.

The third crew as they went
Seemed mostly different;
They toiled in rowing, for to them the wind was contrary,
As all the world might see.
They labored at the oar,
While on their heads they bore
The fiery stress of sunshine more and more.
They labored at the oar hand-sore,
Till rain went splashing,
And spray went dashing,
Down on them, and up on them, more and more.
Their sails were patched and rent,
Their masts were bent,
In peril of their lives they worked and went.
For them no feast was spread,
No soft luxurious bed
Scented and white,
No crown or sceptre hung in sight;
In weariness and painfulness,
In thirst and sore distress,
They rowed and steered from left to right
With all their might.
Their trumpeters and harpers round about
Incessantly played out,
And sometimes they made answer with a shout;
But oftener they groaned or wept,
And seldom paused to eat, and seldom slept.
I wept for pity watching them, but more
I wept heart-sore
Once and again to see
Some weary man plunge overboard, and swim
To Love or Worm ship floating buoyantly:
And there all welcomed him.

The ships steered each apart and seemed to scorn each other,
Yet all the crews were interchangeable;
Now one man, now another,
--Like bloodless spectres some, some flushed by health,--
Changed openly, or changed by stealth,
Scaling a slippery side, and scaled it well.
The most left Love ship, hauling wealth
Up Worm ship's side;
While some few hollow-eyed
Left either for the sack-sailed boat;
But this, though not remote,
Was worst to mount, and whoso left it once
Scarce ever came again,
But seemed to loathe his erst companions,
And wish and work them bane.

Then I knew (I know not how) there lurked quicksands full of dread,
Rocks and reefs and whirlpools in the water-bed,
Whence a waterspout
Instantaneously leaped out,
Roaring as it reared its head.

Soon I spied a something dim,
Many-handed, grim,
That went flitting to and fro the first and second ship;
It puffed their sails full out
With puffs of smoky breath
From a smouldering lip,
And cleared the waterspout
Which reeled roaring round about
Threatening death.
With a ***** hand it steered,
And a horn appeared
On its sneering head upreared
Haughty and high
Against the blackening lowering sky.
With a hoof it swayed the waves;
They opened here and there,
Till I spied deep ocean graves
Full of skeletons
That were men and women once
Foul or fair;
Full of things that creep
And fester in the deep
And never breathe the clean life-nurturing air.

The third bark held aloof
From the Monster with the hoof,
Despite his urgent beck,
And fraught with guile
Abominable his smile;
Till I saw him take a flying leap on to that deck.
Then full of awe,
With these same eyes I saw
His head incredible retract its horn
Rounding like babe's new born,
While silvery phosphorescence played
About his dis-horned head.
The sneer smoothed from his lip,
He beamed blandly on the ship;
All winds sank to a moan,
All waves to a monotone
(For all these seemed his realm),
While he laid a strong caressing hand upon the helm.

Then a cry well nigh of despair
Shrieked to heaven, a clamor of desperate prayer.
The harpers harped no more,
While the trumpeters sounded sore
An alarm to wake the dead from their bed:
To the rescue, to the rescue, now or never,
To the rescue, O ye living, O ye dead,
Or no more help or hope for ever!--
The planks strained as though they must part asunder,
The masts bent as though they must dip under,
And the winds and the waves at length
Girt up their strength,
And the depths were laid bare,
And heaven flashed fire and volleyed thunder
Through the rain-choked air,
And sea and sky seemed to kiss
In the horror and the hiss
Of the whole world shuddering everywhere.

Lo! a Flyer swooping down
With wings to span the globe,
And splendor for his robe
And splendor for his crown.
He lighted on the helm with a foot of fire,
And spun the Monster overboard:
And that monstrous thing abhorred,
Gnashing with balked desire,
Wriggled like a worm infirm
Up the Worm
Of the loathly figurehead.
There he crouched and gnashed;
And his head re-horned, and gashed
From the other's grapple, dripped ****** red.

I saw that thing accurst
Wreak his worst
On the first and second crew:
Some with baited hook
He angled for and took,
Some dragged overboard in a net he threw,
Some he did to death
With hoof or horn or blasting breath.

I heard a voice of wailing
Where the ships went sailing,
A sorrowful voice prevailing
Above the sound of the sea,
Above the singers' voices,
And musical merry noises;
All songs had turned to sighing,
The light was failing,
The day was dying--
Ah me,
That such a sorrow should be!

There was sorrow on the sea and sorrow on the land
When Love ship went down by the bottomless quicksand
To its grave in the bitter wave.
There was sorrow on the sea and sorrow on the land
When Worm ship went to pieces on the rock-bound strand,
And the bitter wave was its grave.
But land and sea waxed hoary
In whiteness of a glory
Never told in story
Nor seen by mortal eye,
When the third ship crossed the bar
Where whirls and breakers are,
And steered into the splendors of the sky;
That third bark and that least
Which had never seemed to feast,
Yet kept high festival above sun and moon and star.
There’s always been a counter-culture.
And by counter-culture
I do not mean the CPAs or CEOs,
Or those money **’s at Goldman-Sachs,
Nor do I conjure up a ****** of Brooklynese,
Some De Niro or Pacino, or
Bobby-come-lately Cannavale--
This decade’s guinea strunz--
Standing on the back of the truck
Checking his hand full of dollar--
As in Almighty Dollar--bills.
Another hour’s pay & time to
“Count duh money.”
Nor do I mean Harvey Korman
In his greatest film role:
“Count De Monet,”
Part 1 of Mel Brooks’
History of the World:
Harvey as French fop, 1789,
And we may as well throw a
Sop to Cerberus with nary a
Bean Counter around, to be found.
And if you are with me thus far,
You may as well stick it out to the end.

What one word defines the counter-culture?
For me: RESISTANCE,
Any kneecap reflexive swim against the tide.
For Count DeMonet:  La Résistance.
When hair is short,
They grow theirs long,
Or shave their heads,
Pierce their tongues & *******,
Inka-dinka-dooing their epidermis,
Mere skin-deep commitment to Liberté,
Always the least tangible of
French tripartite banner slogans.
The French:
As always, putting up a good show,
Masters of illusion & flexibility
When it comes to ethnic integrity,
Captain Louie Renault, Vichy stooge,
Exemplar extraordinaire,
Double shocked to find gambling
Going on at Rick’s Café,
His morality to the wind,
Tacking strategically,
Playing it safe, as always, a
Fickle-finger to the weather.
The French: girlie men, bent over
Presenting bidet-puckered rectums,
For *** and Viet Cong humiliation,
Once again, declaring victory,
While slipping out the back door,
Wearing nothing but their socks.
But I digress.

The Counter-Culture,
A mile wide and a centimeter deep,
Putting up a good front,
A Potemkin still life,
In it for appearance sake,
Like Billy Crystal doing Fernando Lamas:
“It's better to look good
Than to feel good.”
Looking marvelous, of course,
All the girls want to be
The Dragon Tattoo girl,
Haunted & smart,
Solitary & suspicious,
Cybercrime wealthy.
Cashing in, raking in affluence;
The guys all with Bobbitt night sweats,
***** shriveled, shrunken ball-sacks,
Count De Monet
Counting duh money.
mark john junor Jan 2014
but it was only the old man
sitting there on the dock
his weathered smile and dancing eyes
when he spoke it was a rough sound
like cadence of seafarers raising sail
in the long rays of summer eve setting sun
off the ancient shores celebrated in song
he spun me a tale of uncharted lands
and beautiful maidens in tropical forests
wild nights in some forgotten port
*** and the dancehall glow in memory
they are the stories shared on the long voyage
they are the smile in this old mans memories
the scent of salt and the rhythm of
the waves breaking on the shore
surround as he weaves his story
with the years flowin like the waves neath the prow
tacking east to a rising sun
it seems like a living breathing dream
as alive as the sea herself
as alive as the sparkling beauty in the memories
of an old man
weaving his tale
by the seaside
I will tell you what he told me
in the years just after the war
as we then called
the second world war

don't lose your arrogance yet he said
you can do that when you're older
lose it too soon and you may
merely replace it with vanity

just one time he suggested
changing the usual order
of the same words in a line of verse
why point out a thing twice

he suggested I pray to the Muse
get down on my knees and pray
right there in the corner and he
said he meant it literally

it was in the days before the beard
and the drink but he was deep
in tides of his own through which he sailed
chin sideways and head tilted like a tacking sloop

he was far older than the dates allowed for
much older than I was he was in his thirties
he snapped down his nose with an accent
I think he had affected in England

as for publishing he advised me
to paper my wall with rejection slips
his lips and the bones of his long fingers trembled
with the vehemence of his views about poetry

he said the great presence
that permitted everything and transmuted it
in poetry was passion
passion was genius and he praised movement and invention

I had hardly begun to read
I asked how can you ever be sure
that what you write is really
any good at all and he said you can't

you can't you can never be sure
you die without knowing
whether anything you wrote was any good
if you have to be sure don't write
Terry O'Leary Dec 2013
Flings and wings and rings rejected…
Cupid’s arrows fly deflected…
“It clearly is too late” she signed, “to love, adore or pay me mind”

Penciled lines drew cruel conclusions
mocking mirror’s cracked illusions…
Sometimes, in time, I hang awhile, reflected in her parting smile

Drifting wan, below unheeding
worried, wounded suns a’ bleeding…
Struck dumb by night, no way to say “Let’s sound the stars another way”

Shaking sands frame distant smokestacks,
shanty towns, forsaken oak shacks…
Pursuing dusk, collapsed and dyed, the docile dolphin deftly stride
beyond behind the ebbing tide, towards One-Way Ships of sunken pride


Gypsy dreamer in denial…
Sleep and slumber standing trial…
I never really ever slept inside the cryptic walls she kept

Martian moons provoke the oceans…
Strange enchantments stir the potions…
The mutant molten purple skies ignite subconscious fireflies

Voiceless echoes feigning laughter…
Crushing quiet screaming after…
Vague vagaries pretend to sleep, my conscience crumbles in a heap

Startled stars at dawn are slacking…
Still her tempest sail is tacking…
In fractured dreams sere silhouettes blow foghorns, trumpets, clarinets…
Discarded glowing cigarettes tinge One-Way Ships with pale regrets


Cold cathedral clocks upended…
Frozen second hands suspended…
Beneath the gauze of time I try to while away somewhere nearby

Ticking-tocking time’s a’ tolling…
Cruel eternity’s cajoling…
The future, tattered, calls bereft, with nothing but her shadows left

Brigantines skim gated grottos…
Distant divas voice vibratos…
Though eons pass, then intermix, I’m trapped ’tween time’s untallied ticks

Conquered candles flicker faintly…
Braided tresses quiver quaintly…
Demystified, untamed in time, her face is traced in puppet mime…
Amorphous tongues of jangled rhyme hail One-Way Ships that glide sublime


Bolts of lightning flash unkindly…
******, alone, I huddle blindly…
I drain another dram and bray “she’s far too far too far away”

Twisted waterwheels a’ thirsting…
Flaming flower buds a’ bursting…
Adrift, I stagger far below their unchained magic rainbow glow

White crowned wave crests break unbounded…
Shackled seashore sands lie pounded…
Unleashed, beyond the bridled world, her silver sails, cut loose, unfurled

Captive bluebirds nest in baskets…
Morning glories cover caskets…
Wee ballerinas swirl and spin while giant jokers smirk and grin
and, wasted, I withdraw within carved One-Way Ships in flasks of gin


Hungary hounds harangue the highlands,
howl at skies and desert islands…
Below, unfettered carbon crows conceal the parting path she chose

Lighthouse lamps and lanterns lolling…
Mute abandoned fleets are calling…
The shallow shadowed portholes vaunt dim traces of the past that haunt

Curved magnetic curtained faces
yearn contorted brief embraces…
Her fairy-tale like tattoo touch was serpentine but soft as such

Coffee cups and spoons corroding…
Mystic tea leaves, visions boding…
A cabaret calls, standing bare, beneath a splintered footloose stair,
vain vapors drape her vacant chair in One-Way Ships beyond repair


Splattered days are dripping dreary…
Shattered nights are wearing weary…
Without her footfall at my side I steal away within to hide

Fancies flame, persist to flaunt her…
Wanton whispers hiss I want her…
Hyenas, haggard, held at bay, still gnaw on bones of yesterday

Graveled graveyards grey and ghastly…
Apparitions pacing past me…
The answers to my whys and sighs have veiled her limpid pale blue eyes

Lurid figments storm the valleys
****** the helms of spectral galleys…
The coughing phantoms at the wheel, they make it all seem so unreal…
Rebounding cracks of thunder’s peal, shake One-Way Ships while seagulls squeal


Yesterday’s unsung, unspoken…
Bygone paths fold, draped and broken…
The weary winds of winter cling to voiceless nightingales and sting

Desert blossoms growing colder…
Drifting sand dunes pause, enfold her…
An arctic kiss and blush revealed forbidden pipe dreams flung afield

Weeping willows’ wilting snow drops
drip on tips of tiny toe tops…
Their opal fires bleed and fade while suns explode in icy jade

Jagged hours hangin’ heavy…
Footsteps pace the barren levee…
While pros and cons and kings debate, acclaim and blame and fame equate
the ruin’s remnants left to fate with One-Way Ships that fail to wait


Blazing blades of love surrender…
Memories and thoughts transcend her…
The Persian gazer’s crystal shows I’ve truly lost my ruby rose

Buried deep in evening’s embers
dust forgets what flesh remembers…
The bitter taste of farewell’s haste has laid the ****** skies to waste

Ruffled ravaged ravens ranting…
Churlish ancient churchmen chanting
resounding what she told me true “There’s nothing more that you can do”

Trial adjourned by judge and jury…
Freed, she flees, absolved of worry…
Remaining runes and relics burn to feed the ashes of the urn…
Six seers, wiser, soon discern the One-Way Ships of no return
Francie Lynch Jul 2019
You can be a boulder,
Unmoveable, hard, stoic;
But every stone is permeable,
And the water gets in
To make the rock sand...
Soft, malleable,
With indistinguishable grains.

I know others who swim
Against adversity to spawn in the current.
They believe destination is destiny;
Focussed, driven with tunnel vision.

Some face adversity like a roller-coaster.
When things are going north, all is good;
But they throw up their arms and scream
When going south.

I will catch the west wind,
Change course if necessary,
Tack across the white caps of roiling waters.
I will steer the rudder towards my East.
love runs deep
and true like the Isar

flowing as an
amorous stream

immersing lovers
in the surge of
golden currents

its thrilling
buoyancy
lifting the
beloved

reaching sanctuaries
on soft grassy banks

finding solace
in trickling eddies

sustaining the
most hungry
of hearts

Isar springs
from a far off
continental
pinnacle

tipping from the
mystic peaks of
mythical Valhallan
tables

royally set to feast
the unabashed love
of Tristan and Isolde

she
pours
as an
ambrosial
libation
brewed
by master
Brewmeisters

coursing through
the veins of all
Bavarians
she sweeps across
lush Alpine meadows
anointing the water
with nectarous
edelweiss fragrance
and budding sprigs
of mountain laurel

generous streams
gently cascade
down the Alp’s,
sloping through
picturesque
valleys,
sustaining the
blue on white
Maypoles of
busy hamlets
crafting the
things of life

the glacial melt
of Spring swells
the flows of
a rising Isar

bringing new things
from far off places
heralding arrivals
revealing epiphanies
washing the
deepest stains
carrying away
the unholy flotsam
of loved
starved souls

proclaiming fidelity
tributaries are joined
in a holy union

once submerged
hidden doubts
yearnings and
unrequited
longings
are banished
in a mornings
lifting mist
charting new
courses for
companionship

summer reveals
sparkling waters
winding its way
through beds
of polished stones

during the
easy season
the river offers
respite from
pressing heat

clear waters
invite bathers
to dip a toe,
wade deep or
fully submerge
oneself in pools
of rejuvenation

British Gardens
offer spectacle
of self affirmed
nudists and
surfers tacking
atop waves,
while spectators
marvel from
protected alcoves
yearning to
peel off
extraneous
layers of cloths
to experience
the joy of naked
freedom

during gay times
carefree summer
lovers intoxicated by
the sweet scent of
blooming tulip trees
rendezvous in
hidden glades

breathlessly
relishing the
intimate reveries
of seclusion
embracing
renewed
discoveries of
fathomless desire

along canals
laborers find
the recompence
of a well earned
day of rest

families lay blankets
to define the space
where circles of trust
are assembled,
where identity
is sculpted
and family folklore
is handed down,
entrusted to the  
guardianship of
a new generation

the boughs of
broad leaf trees
seat heralds
of songbirds,
gracefully shading
the resting with
a welcomed lullaby
while shielding loungers
from the remorseless
hum of a busy city

water and
love unite
forming a base
compound element
nurturing companionship
gleaned on the gentle ebbs
of a green river calling  
its estuaries to rejoin
its fluxing host

in Autumn
the foliage of
the glorious season
paints a Monet
masterpiece
a life of love
has wrought

dazzling
watercolor portraits
are splayed onto the
glass surface of her
magnificent face

revealing
the depth
and dimension
of loves full
pallet of life's
seasons
beheld
in living
color for all
to behold

enthralled we
marvel at the
wondrous
portraiture
nature
composed
urging us to wade
into the golden pools
baptized by the grace
of reconciliations from
the dislocations of
expired seasons

as the hard times of winter arrives
serrated edges of ice floes creep
across the snow laced stones
reminding us how jagged
seasons may be

the gray steel water challenges
the warmest hearts of love

but elegant bridges
crowned with
statuesque keystones
arch across the water
joining the river walkways

the knowing statuary
of a city's mythic guardians
are ever watchful
assuring the Isar’s flow
remains unimpeded
and uncorrupted

the beloved of
Munchen sleep well
during the harshest
Bavarian nights
knowing the Angel of Hope
gleams through the darkness
her fluttering wings
sounding surety
to the faithful

her protective pinions
sprinkle gold upon the frozen river
planting the hopeful seeds of spring
whispering reassurances that
love will never be extinguished

Music Selection:
Bette Midler, The Rose

Composed for the marriage
of Maxine and Glendon McCallum
Munchen
7/4/14
Composed for the marriage
of Maxine and Glendon McCallum
Munchen
7/4/14
Caroline Grace Mar 2010
She saves swatches of fabric
pinked with special shears;
orders them in co-ordinated heaps
to keep her life fuss-free.
The finished quilt bubbles in her head.
She imagines it telling her bedtime stories
or lines of poetry to help her sleep -
"Better than sheep" she thinks.
She cuts card; stitches with rough tacking;
fantasizes downy feathers floating
between her patchwork story and
backing of silk slipping against skin,
then secures with neat tiny stitches
and strong coloured thread, to ensure
that her dream won't fall apart at the seams.
copyright © Caroline Grace 2010
judy smith Sep 2016
WHEN Kylie Minogue began the process of tracking down 25 years of costumes and memorabilia for an exhibition on her (literally) glittering stage career, she had one crucial call to make.

“There were a few items the parentals were minding,” laughs Minogue. “I, too, do the same thing as everyone else: ‘Mum, Dad, can you just hold onto a few things for me?’ It’s just lucky they weren’t turfed out from under their watchful eye.”

Kylie On Stage is the singer’s latest collaboration with her beloved hometown’s Arts Centre Melbourne. She’s previously donated a swarm of outfits to the venue, going all the way back to the overalls she wore as tomboy mechanic Charlene on Neighbours.

This new — and free — exhibition rounds up outfits starting from her first-ever live performances on 1989’s Disco in Dream tour. Still aged just 21 and dismissed by some as a soap star who fluked a singing career, Minogue found herself playing to 38,000 fans in Tokyo, where her early hits “I Should Be So Lucky”, “The Loco-motion”, “Got To Be Certain” and “Hand On Your Heart” had made her a superstar.

“From memory, I was overexcited and didn’t really know what I was doing. I just ran back and forth across the stage,” says Minogue of her debut tour.

Disco in Dream also premiered what would become a Kylie fashion staple: hotpants. “Those ones were more like micro shorts, not quite hotpants, but they started it,” she admits. “There were also quite a few bicycle pants being worn around that time, too, I’m afraid.”

That first tour stands out for one other reason: Minogue officially started dating INXS’s Michael Hutchence at some point during the Asian leg.

“I had met Michael previously in Australia, but he was living in Hong Kong [at the time] and I met him again there. The tour went on to Japan and he definitely came to visit me in Japan.”

Fast-forward from Minogue’s very first tour to her most recent, 2015’s Kiss Me Once, and the singer performed a cover of INXS’s “Need You Tonight”. She remembers first hearing the song as a teenager. “I don’t think I really knew what **** was back then,” notes Minogue. “But that’s a **** song.”

Before the Kiss Me Once tour kicked off, the Minogue/Hutchence romance had been documented in the hit TV mini-series Never Tear Us Apart: The Untold Story Of INXS. Minogue said then it felt like Michael was her “archangel” during the tour — “I feel like he’s with me.”

Her “Need You Tonight” costume was also deliberately chosen to reflect what Minogue used to wear when she was dating the rockstar. “It was a black PVC trench coat and hat,” she says. “I loved that. It just made so much sense for the connection to Michael. I literally used to wear that exact same kind of thing, except it was leather, not PVC.”

By 1990, Minogue’s confidence had grown, something she’s partially attributed to Hutchence’s influence. Before her first Australian solo tour, she performed a secret club show billed as The Singing Budgies — reclaiming the derisive nickname the media had bestowed on her. It would be the first time her success silenced those who saw her as an easy target. Next year marks her 30th anniversary in pop; longevity that hasn’t happened by accident.

Minogue’s career accelerated so quickly that by 1991 she was on her fourth album in as many years and outgrowing her producers, Stock Aitken Waterman, who wanted to freeze-frame her in a safe, clean-cut image.

On 1991’s Let’s Get To It tour of the UK, Minogue welcomed onboard her first major fashion designer — John Galliano. He dressed her in fishnets, G-strings and corsets; the British press said she was trying too hard and imitating Madonna at her most sexed-up.

“Of course those comparisons were made, and rightly so. Madonna was a big influence on me,” says Minogue. “She helped create the template of what a pop show is, or what we came to know it as, by dividing it up into segments. And if you’re going to have any costume changes, that’s inevitable.

“I was finding my way. I don’t think we got it right in some ways, but if I look back over my career, sometimes it’s the mistakes that make all the difference. They allow you to really look at where you’re going. I’m fond of all those things now. There was a time when I wasn’t.

“Now I look back at the pictures of the fishnets and G-strings I was wearing ... Maybe the audience members absolutely loved it, maybe they were going through the journey with me of growing up and discovering yourself and your sexuality and where you fit in the world.”

As the ’90s progressed, Minogue started experimenting with the outer limits of being a pop star, working with everyone from uber-cool dance producers to indie rocker Nick Cave.

Her 1998 Intimate And Live tour cemented her place as the one thing nobody had ever predicted: a regular, global touring act. Released the year prior, her Impossible Princess album had garnered a credibility she’d never before enjoyed. But more credibility equalled fewer record sales.

The tour was cautiously placed in theatres, rather than arenas. Yet word-of-mouth led to more dates being added — she wound up playing seven nights in both Melbourne and Sydney, and tacking on a UK leg. All received rave reviews.

The production was low-key and DIY: Minogue and longtime friend and stylist William Baker were hands-on backstage bedazzling the costumes themselves. The tour’s camp, Vegas-style showgirl — complete with corset and headdress — soon became a signature Kylie look, but it was also one they stumbled across.

“I remember the exact moment: the male dancers had pink, fringed chaps and wings — we’d really gone for it. I was singing [ABBA’s] “Dancing Queen”. I did a little prance across the stage and the audience went wild. I thought, ‘What is happening?’ That definitely started something.”

Then came the “Spinning Around” hotpants. Minogue couldn’t wear the same gold pair from the music video during her 2001 On A Night Like This tour — they were too fragile — but another pair offered solid back-up.

“That was peak hotpant period,” says Minogue. “Hotpants for days.”

After the robotic-themed Fever 2002 tour (featuring a “Kyborg” look by Dolce & Gabbana), 2005’s Showgirl tour was Minogue’s long-overdue greatest hits celebration.

Following a massive UK and European run, her planned Australian victory lap was derailed by her breast-cancer diagnosis that May. Remarkably, by November 2006, Minogue was back onstage in Sydney for the rebooted Showgirl: The Homecoming tour.

“I look at that now and I’m honestly taken aback,” she admits. “It was so fast — months and months of those 18 months were in treatment.”

Minogue now reveals her health issues meant she had to adjust some of the Showgirl outfits: “I was concerned about the weight of the corset and being able to support it. I was quite insecure about my body, which had changed. For a few years after that I really felt like I wasn’t in my own body — with the medication I was on, there was this other layer.

“We had to make a number of adjustments,” she adds. “I had different shoes to feel more sturdy ... It was pretty soon to be back onstage. But I think it was good for me.”

The singer’s gruelling performances involved dancing and singing in corsets, as well as ultra-high heels and headdresses that weighed several kilos.

“A proper corset, like the Showgirl tour one, is like a shoe,” she explains. “It’s very stiff when you first put it on. By the end of the tour it was way more comfortable. The fact it made it quite hard to breathe didn’t seem to bother anyone except for me. But it was absolutely worth it. I felt grand in it.

“It took a while to learn how to walk in the blue Showgirl dress,” she continues. “I had cuts on my arms from the stars that were sticking out on pieces of wire. You’re so limited in what you can do. You can’t bend your head to find your way down the stairs.

“Whether it was the Showgirl costume or the hotpants, or the big silver dress from the Aphrodite tour [in 2011] that was just ginormous, they all present their own challenges of how you’re going to move and how you’re going to do the choreography. There are times the costume can do that [figuring out] for me; other times I really have to wrestle with it to do what I need to do.

“But you’re not meant to know about that,” she adds, “that’s an internal struggle.”

Minogue has spent much of 2016 happily off the radar, enjoying the company of fiancé Joshua Sasse, 28. She gets “gooey” talking about her future husband, whom she met last year when she was cast opposite him in the TV musical-comedy series Galavant. He proposed to Minogue last Christmas.

Just like the “secret Greek wedding” that was rumoured but never happened, reports of summer nuptials in Melbourne are also off the mark.

“I hate to let everyone down, but no,” she says. “People’s enthusiasm is lovely, we appreciate that, but there are no wedding plans as yet. I’m just enjoying feeling girly and being engaged.”

Minogue will be in Queensland next month filming the movie Flammable Children. The comedy, set in 1975, features her former Neighbours co-star Guy Pearce and is written and directed by Stephan Elliott (The Adventures Of Priscilla: Queen Of The Desert ).

“It’s Aussie-tastic,” laughs Minogue. And she is also planning a sneaky visit to check out her own exhibition when she’s back in Melbourne.

“I’ll probably try to move things around the exhibition,” she says. “And they’ll probably tell me off: ‘Who’s that child playing with the costumes?’”Read more at:http://www.marieaustralia.com/formal-dresses-sydney | www.marieaustralia.com/formal-dresses-2016
Nat Lipstadt Sep 2014
The Godfinger has not yet
colored-come this far south
from up in the North,
but soon inexorable, marchingly quietly
to finger paint reds and golds
that are calendar scheduled to arrive

the idea of them, their visual,
burrowed  but easily retrieved,
for in the poet's mind's eye
he foresees their forthcoming blaze,
smells them in the not-quite-autumn
sea breeze

colors welcome for many,
for they serve to awaken and ravish
inattentive-to-nature wooly brains,
distracted by new work projects
diluted multi-tacking senses,
back burnt by responsibilities,
**** deadlines,
term papers, too soon due

full well knowing fall colors incipient,
this summer man piety engorges on
the embering remains of his beloved season,
His Summer Surround Sound Environment,
reflecting on his insignificance,
the seasonality of life,
the sad-always finale for grownups
that is the year ending
December,
no longer a far away,
inconceivable concept

these robust leaf colors, product of
chlorophyll properly chilled,
signal mark
all hope lost for the summer warmth,
the life force of this
poet's body and soul's
his sun tan lotion ****** cleanser, restorative,
all sold out, no longer on the store's shelf,
and a new conceptual,
2015
low growling while on the prowl

but for now,
it's still land-greens and water-blues,
though tarnished are the hues,
the grass, an admixture of
ugly straw yellow and a sickly green,
the bay green blues darker, uninviting,
the surface sun glints duller, less charming,
but close enough to the
real thing
for him to embrace passionately

he thinks bemusedly, out loudly,
writes smilingly, out loudly,
for he is in his trademark chair,
adorned in summer garb,
t-shirt and shorts,
holding on for as long as he can,
grabbing errant sun rays,
breathing salted bay air that's
cleaner now, for the summers sailors
all gone ashore to dry dock ports

while his woman, sensible ever,
acknowledges the frosty wind that
necessitates blanket, a full dress uniform,
complete yoga outfit and anorak,
the dress code de rigeur for combat
against
the September brilliant and undeniable chill

Springsteen and Cassidy hum his
melancholy perfectly and he wonders
about the ifs and of's his chosen life,
about the why's and wherefore
of his poetry that he sometimes writes
under assumed names

these contradictions,
me, summer,
she, cloaked in wool,
these natural nature inconsistencies,
even though unrealized,
the inevitability clashing sounds of vibrant colors
overtaking greens wilting,
all to be winter-denuded,
mark the day,
mark the man,
his poem,
mark this moment of
inconsistent colorations
September 20, 2014
mark john junor Mar 2014
she turned the questions in her eyes aside
and stealing away in the quiet
of the pine forest winters day
the taste of wood smoke was tangible on the sharp cold air
and his eyes hunted the ridge crest for sing of flames
as they hurried their steps along the rough hewn track
she carried the child whos silent contemplation
showed his understandings of the gravity of this flight
the bundle of possessions on his shoulder
weighed upon his mind
counselling himself not to regret casting it all aside should need arise

the woman and child so fragile and dear to his heart
mean so much more than mere trinkets of gold
he would surrender without pause life and limb to spare them
she was a smoky version of bobby dylan
complete with winged snakes in each hand
complete with a crown of jewels
and the thousand words dance
he was a seafaring man

they reached the shore of the sea
and found the wreckage of a sailing ship
her fine line speaking clear of her swiftness
and her appointments show without shyness
that she was of the finest portugal shipyards
they spent days making her seaworthy
laying up in the harsh tropical sun
neath the palm trees drinking *** from her stores
they put to sea in the birth of the new year
singing 'goodbye spanish ladies'
the three of them on the skiff tacking up-channel
trying to determine latitude by sighting
but a fog rolls in off the coast of grande bahama
as dawn breaks

man woman and grown child
the miles and the treasures cast aside
each wore on open hearted face
but neath the weary of sea miles
was their joys in the true riches
of eachothers soft hand entwined as they sailed into
a golden dusk
of a lesser throne
a kingdom of the sea
(Viana Castelo shipyard to be precise)
http://www.youtube.com/watch?v=d_2g_kNTBek
Madisen Kuhn Jun 2018
i’m not sure how artists have the patience
to sculpt marble slabs into gods
or why they feel it’s worth their time

but i do know that
the nights i stay up until 3 a.m. are usually the worst
and the mornings i wake up at 8 a.m. are usually the
best

and that it’s worth the money to buy a decent mattress
instead of losing sleep on fiscal responsibility
and i feel grown-up having wrapping paper in my closet
and extra birthday cards in my desk

and i might always be crazy
always holding on to pieces of the past
tacking them to my bedroom walls
and pretending it’s okay that i still think about it all

but i won’t forget that some people are brave enough
to put on big white suits and fishbowl helmets and leave
their families to go walk on the moon
or that i flew on a plane by myself even though i was
absolutely petrified of being alone in the sky
or that spring exists,
and that winter cannot, and will not, last forever
from my book, 'please don't go before i get better'
read here: http://bit.ly/pdgbigb
Robert C Howard Jul 2022
for Mark Richards

It was a spur of the moment thing -    
     One message freed us from Tuesday’s calling -
The next offered a morning's sailing.  

So rather than spray water for Rocky's plants,  
     We skimmed over Carter Lake’s, crystal waves
With steady and ample winds at our backs.

Boaters and tubers speckled the waters
      While verdant foothills smiled assent
From every shore and horizon.

Captain Richards skippered his Flying Scot    
     Toward the far off shore before tacking our
To and fro way back to the mooring ball.

In years past Mark had captained the Health works    
     For all the good folks of Pennsylvania,
But this morning he guided a much smaller tiller.

So we sailed and sailed under fairest of skies    
    In a swift and charmed little craft
Mark chose to call, Spur of the Moment.

Robert Charles Howard
Brandon Barnett Apr 2012
snowy skies dusk blue split in two by a sun and a moon
divided, I'm constantly chasing the light to the horizon line, looking for proof
to finally let go or to continue, hanging on, clinging onto
the thing I hold so dear, my small precious piece of you

my small precious piece so dear to me, the soft light from a warm flame I still stoke
my smallest, but cherished memento of perfect days
ephemeral but preserved, the time you were near to me before these sheets were cold
the candle lit rooms behind locked doors where our love met when even the walls would breathe hard and sweat
we were close like the edge of a day and the start of a night, close as threads stitched together tight
fingernails in backs like squeezing a first crush, eating up the deafening hush of saying nothing much
the coils of us two twisted up in ways lovers never forget, like a first touch meant
before the toils of dismemberment when even I could still remember what forever meant
but with every new sun and moon "ever" never arrives and tomorrow arises again too soon

I was trying to hang pictures of us, of kisses and smiles and of affection's glow
by tacking nails into the glass walls I built, I know
but before the "should've knowns", before I knew, there was pure, ethereal You
a truth in an innocence actually held true, unbroken and unabused, belief that two could be infused, that I still have to latch onto
so short those times, so dear, my precious small piece and so wasted the time since, without pursuit
trinkets of the mind but like treasures polished by going over them again and again with affection
thoughts never forgotten because they meant just the perfect connection, a protection not misused or askew
because of my love for my dear, small, precious, treasured piece of you

I want it back, I want you back, I want it back so badly more than I love or lust or envy
but it's damning every time I begin this again, it begins to be the ending of me
the dismantling of all sanity, the self fulfilling prophecy, the ending of an infinity
it comes running the haste of it, craving just a taste of it, moving backward through days never erasing it
never a hope for looking forward, no interest in a face in the crowd, no want for replacing it
too late or too soon split between a sun and a moon retracing it
yes
this endless chase the breadth of it stretches farther than me it's bigger than worlds and smaller than sands
wider than the sides of the dreamscapes inside of me and too small for grasping hands
it's smaller than subconscious whispers of confidence and bigger than screams of insecurities
it's deeper than black oceans, a void no light could fill
it's too small to keep, smaller than a second past by, and then smaller still
the size escapes me, unattainable it will always be painful in ways that deepen with age
now the chill of this winter is warmed only in how many blank white blankets I fill
writing it out to throw it away, feeling only that the next page is empty still
yes, yes
I feel so empty still and I do try to fill the silence between words and the lines between poems
and the loneliness between smiles on a face growing old
yes I feel so empty still because I know only you can give the missing feelings, gone missing for me
with the one thing I've kept unchanged inside of myself since it was inside of us two

my dear
small
precious
piece of you
As I take in my surroundings
I cannot help but remember the insanity that had flown
The laughs the cries the bonds
Such madness that I shall forever cherish

But now that those who have brought the insanity
Are gone to their own path
It is time that I follow suit
It is time I chase a world that has been tacking my every move
A world that reality is altered
As if entering a realm far beyond Earth
With my peeks into its jungles
Discoveries appeared that no one else has seen
Yet so much more is in store

As destiny gleams brighter
Something holds me in place
With binds ever so tight it keeps me from walking any further
What is it that holds these chains?
Is it a fallen friend?
Is it a lost brother or sister?
Could it be an ill elder?
No
I look back to see what holds the chain
To my wonder that what was really a who
And that who will leave those in wonder with a what held in their lips

When I first gave her a glance
There were nonexistent thoughts of romance
Truthfully I have never taken the chance
To dig into those grounds to see what treasure was buried under the surface
But something happened
Something that made me stumble through a crooks work which opened a door
That door
Allowed for me to enter a chamber
Of knowledge thought forgotten from the ancients

I took my time observing the sight
Every stroke of the brush
Every change of color
Trying to understand each story that it held
And to my surprise
Each story only reveals another sight
A goddess in disguise
One of such beauty
Men who dared enter her presence
Are driven insane by the essence
I guess it is a good thing I am already insane

None the less I cannot help but admire
The sweet smile that eases my heart
Her emotion is so driven it is hard to imagine
What could hold that wheel
I stretch my arm out to a catch a ride
When the rails of the chariot
Smack my palm, I swing on board
For a rider faster then ever before
Who knew that it was possible
To have a giant wonder at this speed

Untapped potential lies in us both
Everything we try is passed with ease
No boundaries are placed in our flight
Never has many seen such might
We may have been born a world apart
Yet we are not so different

My hope is that someday when we are closer
That our journey is ignited
And we are able to shoot past the moon
Past the stars
And further away from the galaxy
To explore the vast distances of the universe
While learning about the trials of our own planets
Who knows what we may uncover
The mysterious pasts of my Starlight Princess
with the cloak of her Shadow Giant
Can write a history
Even more frightening then horror

Yet when we are at peace
Music is always at flow
Her voice always at play
With mine blooming the roses of her cheeks
If I am soon to lay at rest
I will be without a mortal pest
Or if I am able to live a century more
A regret shall not peek
JJ Elias May 2014
Whisper, whisper but I can still hear you.
Your eyes tell it all.
You don't even know me and you don't even care. It's people like you who ****** onto me a two ton weight that kept me from walking tall all these years.
It's people like you that ignited a feeling of torment for the unrelenting realization that I will never escape people’s stares.
Days like these I wonder why, friends aren't friends and everything seems like a lie.
“I never asked to exist”, (words that echo through my head every time someone falls from exceptional to unbearable) .
You don't have the courtesy to talk behind my back, instead you boldly break me with your tacks; tacking your words onto my skin, until my pride and self-worth wears thin.
That’s why on weekends I would sometimes cage myself in my room because though I was not free, I was at least free from your gazes, and though I was not living, at least I was alive.
I stayed inside because outside there were wolves and I refused to be a meal. I've seen what they do to their prey, cornering, growling in order to strike fear, battling with their eyes, and then they consume them until all that is left, are bones.
This is what they do,
and many of us can attest to their brutality.
Waverly Nov 2011
Today there were two
people talking too much
and too loud
in the library.


Guy says,
looking down
nose moving with his eyes
over the Times New Roman legs
of a book.

"He broke up with her because
her ***** smelled like ****."

The girl across from him
has tiny fingers with no knuckles,
fingers that make tacking noises
on her Macbook.

She smiles,
in aquamarine
as the screen dazzles her pale
face.

"She probably had a yeast infection,
or something."

There are too many people talking,
but what rights do I have?

The right to laugh with them,
to be a part of it,
to be a comrade
to be mad because they're talking
while I'm pretending not to listen
and agree?

I broke up with a girl
because her ***** smelled like
an *******.

There are too many people
full of double-entendres
and irony.
Scott Sinnock Nov 2014
I watched some crows this very eve,
Play upon a blustery, early November breeze.
Wave upon wave of those corvid beasts,
Now going west, now going east.
Now rising up, now darting down,
Now racing east,
Now tacking west.
No sailor on the seven seas
Can tack so well as one of these.

Now up, now down
Now left, then down.
One flies north
Another south, then darts east.
Yet flock drifts by despite these feats.
Another joins in synchronous dance
Then up, then down, then back again
Waving together till parting perchance.
Then each alone, up,
Then down, then back again.

Some stall for several ***** and blows,
Remaining still to trees below,
Then a feather's twitch
Banks into the wind

And soar, ...... soar, ..... soar,
Soar away.

Down a ***** only birds can know
Racing faster than the wind
Above the trees below.

*It seems so wasteful, this fighting of the wind,
Futile and vain as a skein does not.
It's not hunting, I think, nor ***,
Except perhaps for showing off.
But I suspect play at play.
Jonathon Seagull's desire, it seems
Infects these playful playing memes.

Perhaps I see play where there is no play,
Projecting wishes onto senses.
But corvids do play, it seems.
Do you too so seem?
Perhaps they even dream.
I have a special affinity for corvids. I watched a raven preen and strut for 5 minutes in Canyonlands, then looked me right in the eye as if to say, "Aren't I beautiful!". But perhaps he just said, "What? No treats after that great show?" In either case, off he flew without looking back. He was definitely aware, as I suspect these crows out my window are.
Nat Lipstadt Sep 2023
The Hardest Forgiving Slant

<|>
9:19am Fri Sept 22 2023 ~ 8:02am Fri Sep 29 2023
commenced during the Ten Days of Awe

<|>

we debase our language daily,
robbing the spectacular majesty [example]
of awe with the common overusing
vernacular of “awesome”

especially forgiveness is degraded,
we utter “I’m sorry” trippingly,
costless, less than cheap, with even the
snap-on veneer (1) of sincerity discarded,
but move on to the next rudeness

but today I will not permit myself
an easy letting-off-the-hook, no shifting
of blame to anonymity, or fast forward to tomorrow,
when we can obfuscate our intrepid
dishonesty one more time…again

to forgive those who have injured us,
not that hard, or the judging deities,
who silently wink and nod, but offer
no certitude beyond trying, itself a
maybe, maybe not, truly tiring this
trying tacking the constant requests

so first an etymology explication on
the tension inherent that very word,
f o r g i v e

As a word, as a sensed,
intuitively-
it is a
Perfect Continuous Infinitive! (2)

to
forgive is
perfect,
to forgive is
continuous,,
to forgive is
infinite!

what a marvelous, perpetual
past, present and always futuristic
word (alas)

The Hardest Forgiving?


to forgive oneself
so nearer to impossible,
the first responders doing triage,
leave people like me for last,
as it a unconditional condition
with no cure that can be effected

indeed, by our very affect,
they instant diagnosis seeing our
very gestures, body language, or ****** expressions,
all reveal the hopelessness of
the never-to-be-given-grace,
among us

for a thousand years,
I have tried and failed to forgive myself
for the worst I’ve done,
and there is no sword or club,
blood-letting,
that can dispatch the onerous burden I carry

so I write poetry,
a salve that offers
temporary relief,
while I write,
imposed a
momentarily distracting,
a kind of dusting of self~spin,
that chills myself
just until
the, this!
poem is finished,
the slant is drawn


<§>

Tell all the truth but tell it slant —

BY EMILY DICKINSON
Tell all the truth but tell it slant —
Success in Circuit lies
Too bright for our infirm Delight
The Truth's superb surprise
As Lightning to the Children eased
With explanation kind
The Truth must dazzle gradually
Or every man be blind —
(2)
Perfect Continuous Infinitive
The regular present perfect continuous tense structure follows the “to” and makes it perfect continuous infinitive - “to + have + been + Present Participle.” The sense of continuation is added to the perfect infinitive without the obligation to state the time frame as in the perfect continuous tense structure.

(1)
Snap-on veneers are removable plastic trays that cover tooth imperfections. Also known as reusable, fake, clip-on, or pop-on veneers, snap-on veneers are relatively cheap and available without a dentist.Jan
Sailing the mystic omnipresent seas,
on a craft made of dragonfly's wings.
Tacking across the magical breeze,
caused by songs that the sirens sing.

Weathered and worn by infinite tides,
holding lines made of eternal foible.
The warrior's blade like a rudder she rides,
in a sheath made of filigreed sable.

Virulent flow of futurity's pandemic,
vibrant waters fertile subtle surreal.
Ephemeral beings translucent endemic,
purveys omnipresent augur's appeal.

The starlit sky imbues waterfall's mist,  
myriad creatures seek eternity's mantra.
Vivid delineations of artistry's gist,
seeking virile omnipotent yantra.

Celestial heights where eagles traverse,
soaring and gliding we learn to fly.
Must life be terminal we say of terse,
whilst composing music to make angels sigh.
Edward Coles Apr 2017
Lived the life of an artist
long before I became one.
Pressed to guitar strings
until my fingers were numb
to all exposed skin
that was not my own.

Listened to one thousand sad songs
over and over
until the pointless chords
clamoured over one another,
psalms of living
fall on deaf ears.

Trawled archives of *******.
Lauded aristocrats of cheap whiskey nights
and black coffee mornings.
Garnished my days with addictions carried
by better men
in love with real women.

Grew thin, moved about the apartment
in the graveyard hours
tacking songs to the walls.
In the absence of chains and ***
I fixed myself with neon lights
and cigarettes.

Spilt paint over undeserving paper
beneath the halogen bulb
to colour radio silences
of past friendships,
mountains I should let recede
like a ship in the night.

Stood alone in crowds
to witness the onset of a moment,
openings and closings of mouths and doors;
each one to allow another person in.
I go home alone
and sleep with my thoughts.
C
judy smith Sep 2015
Horses are the love of your life, right? So it's only natural that if you are planning on getting hitched to the other love of your life, you'll want to include your horse in the big day itself. You could go the whole hog and have your horse carry you and your betrothed down the aisle and stand beside you at the ceremony - but that isn't the easiest feat to pull off, even with the quietest of mounts!

Luckily, there are lots of other ways to feature your equine passion at your wedding; whether it's just for the photo shoot itself, or by subtle touches at the reception.

Photographers Peter and Rosemary Morris from Photoshoot in West Auckland adore working with horses and have captured several horsey weddings. They say planning a wedding with horses is not all that different from doing anything else with horses – you need to have a well thought-out plan, but must be prepared to change that plan at any stage if problems arise.

"Try to keep things simple. Don't be too ambitious and plan to a level you are confident and familiar with, not beyond," advises Peter. "There is a lot to consider actually, more than most people realise. We've had a few horse weddings where the horses were eventually dropped from the day due to the extra logistics involved."

One of the prime considerations is transport. Most brides have enough trouble getting themselves to the wedding on time, says Peter. You'll need to call in some favours, and have somebody to prepare and transport your horse, which of course includes loading which sometimes is a challenge on its own. "Try and get your best and most trusted horsey friends involved to help sort transport, grooming and tacking up," says Peter.

Another key point is the bombproof-ness of your horse. How will he or she react to a large, rustling dress and windblown veil, a crowd of people who may be nervous around horses, and a different handler? Then there is the music, clapping and flapping decorations to consider, along with the added tension and emotion the big day brings.

"Will your horse be at the ceremony, or will you arrive on the horse and have it taken away afterwards? Do you plan to have your horse take part in the whole day, including the arrival, ceremony and photos? Are you riding ******* or in a saddle? Can you actually ride your horse in a dress?" queries Peter. "There really is a lot more to prepare and organise once you commit to having your horse as part of your wedding day."

Of course, if you can manage it, Peter says horses make a great addition to your wedding photos and this is the easiest and most fun part of the day. "The bride is relaxed, the crowd disperses and what you get in the photos is just a split-second, so even if all it not going so well you should still expect to get one or two amazing shots to last a lifetime.

"This is where 'horsey' photographers can help out, knowing how to get the horse's attention and even helping to lead and pose the horse or assist with mounting and dismounting if necessary."

Run through the entire day in your mind and think about how you want the day to unfold. Try to anticipate any pitfalls, so you can address these before they become a problem.

- Always have a Plan B. Have the ceremony at or close to a stable, where you are guaranteed shelter or at least a venue for the photos after the ceremony, if nothing else. Arrange this with a friend, local club or racetrack.

- Consider wind! The beach can become unsettling for horses very quickly, so bear this in mind when making wedding plans.

- If it's a beach wedding, be sure to check access and tides. High tide may limit access and only give you soft, dry sand to work with. Low tide and wet, hard sand offers the beauty of reflections if photos. If part of your day involves walking tracks and streams, have someone check the day before to make sure they are accessible and not flooded or muddy.

- Most importantly: keep the focus on yourself and make your wedding memorable for all the right reasons.

read more:www.marieaustralia.com/short-formal-dresses

www.marieaustralia.com/formal-dresses-brisbane
neth jones Apr 2022
His :

i make my travel
reseeding you
                my dear heart
                      into a compact unit of storage

i relieve from our nesting comfort
dismiss our established downey base of cooperation
                                   cleave from our snared compromise

instead to bed and thieve an unshared atmosphere
guilty joy followed by joyful normality
no stale thing

unravelling light
  lifted
(secure
  that I've a capsule world
  when i turn
  toward our lap again)

goodbye of you i am mended
made completely free
                    on the first turn of a corner


& Hers :

you leave me
      on your travels (you-were-my-travels)
you leave me susceptible
my heart alters to become
       a weak permeable tissue of easy tamper
       membership structure is dissolved
         returned to the vital spill
           welcome fluent contamination
               villainess and godless vibration
                  of the goddess confession

dress hooked up past my waist
i'll power-**** away my morality on day one
each day following shall be made easy
  ushered along in brutalities slip steam
                        and the prom of eddies

back in time i've been working on something..
       i'll call it The ****** List
criminal joys and tasks of double self daring
committed
     (not folded over
       or veloped in the knicker drawer)
           it operates as a basking lurk
                               tucked discreetly
                                 correct behind the eye
                      a charm feature of the unconscious
when released
   it's something melkish and larking with energy
   tacking harm to my activated mischief
      kinetic value and uncontrollable spur

in your absence
     i am permissionless
abyssless
i account for nothing

nooks of the apartment
the memory of us quickly forms a ***** coral
i've stopped washing to suit this mode
my body, a journal of stains and earned bruises
i holla and bay at mementoes of our brace
and then stop at the near point of the neighbours tolerance

time has crushed in on its own thesis
become gummy and tenseless
skipping about in haphazard spasms
  backstep, bow and reversal
     now
          observably organic in motion
           and proud of its many personalities

Oh, You're Back Again !
    no, it is your ghost
is it a spy ? ... i doubt you knew you even had it
it threads in and out of my company
seeming baffled and far from its comfort zone
did i put you there ?
i don't call you
the physical you
because you said 'no phones'
              and 'only in emergencies' (is-this-urgent ?)
Is This Urgent ?!
i restrict where i live in here
     keep the windows widowed and veiled
it makes for an unreal canvas
i'm weeding for a correction
sensual precarious highs
violate
in a spate
with this time alone
i'll make our home a vile space
a defication
and i can make no sense assessment of it any
i fight against digestion within these premises
i stay still long enough i am softened and palped
            by a dense atmosphere and salivations of contact
and outside..

the streets are exhausted
and i've quite the nasty reputation
violence, baiting and thievery
inebriation and toxic language
i shall soon be policed
no doubt i've lost my job
for now our place is a dare for vandals
             when i am an insensible heap
                 and perspiring over you in delirium
                    they devalue the exterior

unearthing
i'll find my creative sprite
that is good
i had missed it
now this is urgent (this-is-mine-was-always)
i take up a notebook and puke it full
i take sticks in my mitt and scrawl my charcoal visions
the blood visions
   the primal mud
  on all our walls

can i piece back our home by your return ?
can I sufficiently correct the blurring history I've smutted ?
do i care to ?
no more fading into 'partner'
lease is up
you'll not find me here destroyed
or waiting
    naked but an apron with my hands cupped and mouth open
i'll have ravelled myself up tight
- having stoked my inhuman malady -
     i'll mate my own travels

                                                        ­             - aborted
Sailing the mystic omnipresent seas,
on a craft made of dragonfly's wings.
Tacking across the magical breeze,
caused by songs that the sirens sing.

Weathered and worn by infinite tides,
holding lines made of eternal foible.
The warrior's blade like a rudder she rides,
in a sheath made of filigreed sable.

Virulent flow of futurity's pandemic,
vibrant waters fertile subtle surreal.
Ephemeral beings translucent endemic,
purveys omnipresent augur's appeal.

The starlit sky imbues waterfall's mist,  
myriad creatures seek eternity's mantra.
Vivid delineations of artistry's gist,
seeking virile omnipotent yantra.

Celestial heights where eagles traverse,
soaring and gliding we learn to fly.
Must life be terminal we say of terse,
whilst composing music to make angels sigh.
Stephen E Yocum Jul 2017
Pull in the sheets,
trim the tiller,
shifting to the other rail,
light airs prevail, the
sails they luff.

Seeking the wind,
Cat's paws to Starboard
Hard-a-lee tacking to Port,
the breeze she comes,
boom shifts, helm heels
over, sails crack and fill.
Reef in the Jib, slack off the main.
She digs in, laying her rail
into the water, riding on the
seas thin knifes edge again,
the keel rises, steadies her passage.
We fly!

Ah, fair winds, sailors delight,
pleasant sailing, safe harbor ahead.
No greater joy than to sail and muck
about in boats on blue water.

Freedom achieved, intensely felt.
Rob Rutledge May 2014
Rigging taught and water bilged,
Sails snap stubborn in the face
Of Gaia's force.
Sailors gripped in terror forlorn,
Sailing round Tierra del Fuego,
Cape Horn.

Limes are long since rotten
And the *** is watered down,
At least three men overboard
Shot to depths where all will drown.

The captain stands to lose his crown
Cursing into the storm.
Cursing at the ocean wall
And the day that God was born.
Tacking starboard long into the dawn,
He releases rudder and draws his Sword.
As if the world his steel had hindered
He grabs the wheel and turns to windward.
vircapio gale Oct 2015
nescient of origins,
                   roaring narrow views--
a wend of finite specieshood
                           collides around a pond-shore
                                                      ­   dreamt in colors algae soft.

car sized turtles sink
                glow into the liquid cool
                              while stegosauri billow bottom silt,
their diamond spine-points
         tacking to my gaze an oil depth.

time slows in,
         viscous under water  sun
                                  silent evening stomp.
sipping breath above,
               bone-dry families
                                coo their brittle nests
while scaly giants
          skinny dip.
ripples red and gold
             darken black as tar
as yawning maws,
                eyedrop lashes
                               squeezed,
feel the draw of kismet
             gravely wink in jetsam
                           at their young,
who, tugging tail-end games
                       despite a brooding storm
                                                        ski­tter jubilance.
i dive in stasis
          nudely arched
                       above my shadow
as other apex mouths
           arrayed in awe
                              foresee
Sailing the mystic omnipresent seas,
on a craft made of dragonfly's wings.
Tacking across the magical breeze,
caused by songs that the sirens sing.

Weathered and worn by infinite tides,
holding lines made of eternal foible.
The warrior's blade like a rudder she rides,
in a sheath made of filigreed sable.

Virulent flow of futurity's pandemic,
vibrant waters fertile subtle surreal.
Ephemeral beings translucent endemic,
purveys omnipresent augur's appeal.

The starlit sky imbues waterfall's mist,  
myriad creatures seek eternity's mantra.
Vivid delineations of artistry's gist,
seeking virile omnipotent yantra.

Celestial heights where eagles traverse,
soaring and gliding we learn to fly.
Must life be terminal we say of terse,
whilst composing music to make angels sigh.
omnipresent omnificence.
Rob Atkinson Oct 2013
It rained the whole time when you were away,
not all the time but at least once a day.
Rain drops made quick bubbles as they hit the ground,
small short lived air pockets I was surrounded around.
While others cascaded along the windows,
guided by air that softly would blow.

The tick tacking and pidder padding,
The smell of the breeze and it's cleansing.

The rain is an unspoken season of it's own,
some play outside while others hide at home.
More often than summer, it comes and it goes,
evoking emotions like the winter's snow.
Yet still helps the withered, all dried up and cracked,
but can't save the dead in hopes to bring back.

And that brings us back to where I'm sitting at,
without you around it feels more like an attack.
Attacking the loneliness and memories of,
The joy we had found from the rain falling above..

..But you're not around and then, only then
Does the rain take the shape of a foe,                        no longer a friend.
With you I found joy when it poured from the sky,
but now I'm alone and would rather stay inside.
©RCA
Jayme M Yaroch Oct 2011
I wish this life were simple
An ever constant breeze
In which to cast a sail
An end to the tacking
No more catching the tide
Or having it leave without you
Less work, more speed
Smoother seas to sail

Of course such a life
Would be simple indeed
Everything the same
Which would be very boring
A wind to carry you everywhere
And it never stops
Perhaps that sounds more
Like a nightmare
A journey that always passes
Your destination.
g clair Apr 2014
this body of poetry lacking
drafted white, out of sight on this backing
and oh such a wallflower it has become
and it's author, a nut for the cracking

the content within, also slacking
each sentence seems more like attacking
defensive it's true, and she won't let it through
so the message is lost in the packing.

she knows this in spite of her yacking
to reach you requires skillful tacking
to find you or bust, she'll say what she must
with dis gust in da sails, words are smacking.

A ***** in her mind needs some tightening
'twas loosed by emotional lightning
as for what she won't say, her heart gives away
but it's lost in the frost of this whitening.
without much to say I have done nothing again.
Caroline Grace Jan 2014
My dream takes me on a journey- big dream, big sky,
sea all around. Silent as a galaxy.

Flying is easy- I have simply to think it.
I rise weightless into a wilderness of imagined blue,
hovering over the wrinkled beach of my bed,
my mind a white butterfly,

And there I find you, dizzy with excessive light,
floundering at the sky's edge, head in the clouds
looking for silver.

Drawing me close, I fall into the net of your arms,
that safe place you've always made for me,
your hands tightly clasped behind my back.
We feed from each others breath,
aware of the sudden gravity between us.

But you are not as I remember.
Your face smoothed of all detectable emotion,
your eyes, not as they were, but exquisite diamonds
piercing through wads of cotton cloud,
until you become part of them-
a neat trick!

Shuddering, wounded,
lightly I descend into weeping,
I spread the sails of my arms,
tacking on a downward draught
until I find my feet anchored,
eased into familiar sheets.

A new light dawns on me,
wipes dry the lids of my eyes.
The clock reads four,
acid, luminous,
and there you are, in the kitchen,
slurping coffee from a chipped cup,
your free hand rattling the slats of the window blind.

I reach out for you, but your image dissolves
like paper in rain.
Aware of the mind's deception,
I remain wreathed in sleep,
and though this is still a dream,
you will always be a part of it.


copyright © Caroline Grace 2014
Cole Silvers Dec 2013
Each absolute delt,
suit blurs and my hand folds into a smirk.
Swept under the rugged folds of throat.

Red and black to black and white,
placed violence at benevolence.
Ink stains indelible, only while the cut's fresh
Rewritten in medium of hope and asterisk.

Astral risks, they've got more value then ever kid,
tacking down the gray skips, (hypocrite) can't imagine the mix.
I tale freezing leaves six feet from the ground as practice.

© Cole Silvers
beth winters Jan 2011
**
i am a thing dug of poetry,
labeled *****,
and mangled into death masks
for the tortured,
burnt, and drowned.

if i slept, i would sleep
between your fingers,
then twithe down to the padded
things that hold your words,
bend them in a kiln
fired hot by the breath of
my hellos.
if i were to eat,

i would consume the entirety
of your vision, swallow
the rods and cones
to curl in your tear-ducts
and taunt by holding
back the curtain
just long enough for us to smile.

if i drew, i would outline
myself on your forehead,
as a stamp, swim under your skin
and carve each bloodcell's
name into their limp, cracking
foreheads. if i breathed,
i would

breathe in your humanity,
and char it, exhaling
only the cinders to
gift on the outstretch of my palms.

i am the death that
encapsulates some,
only weighing
in the mouths of others,
tacking their days on my body
for a high. i am
more tired than you,

but i will be around for longer.
hillary litberg Jul 2019
it’s fresh sticks of vanilla deodorant,
cap’n crunch going on sale,
ladies selling mangoes in midtown,

it’s the pictures of baby cows,
the most specific dream tattoos,
documentaries about unsolved ******,

it’s an oxymoronic vegan cheeseburger,
striped shirts with a graphic one layered on top,
the clear memory of pacific air,

it’s all of robert smith’s hair,
prodigy kids on cooking shows,
stinging sunburns quickly fading,

it’s the perfume of onions and garlic sautéing,
smooth sidewalks where mom’s back is safe,
well-loved shoes that used to be white,

it’s an avocado perfectly ripe,
girls riding skateboards alongside boys,
rings that don’t turn fingers green,

its bras that won’t make memory foam of me,
jars full of change -- saving for something,
still going strong senior couples,

it’s an anthem that came up on shuffle,
the last clean socks without a hole,
chipped tooth smiles, snaggled ones too,

it’s just the word hullabaloo,
three new albums in a day,
someone else’s king sized bed,

it’s the **** pieces of loaves of bread,
an empty train after a long night,
dog tails that are just teeny nubs,

it’s sour candies and numb tastebuds,
weezer’s ever expanding discography,
end-of-day hair thrown into a bun,

it’s cobalt.
it’s b flat.
it’s twenty one.

it’s whistling.
it’s goosebumps.
it’s serendipity.

it’s getting out of the sound of the city,
untangling tiny necklace knots,
reuniting with my long distance cats,

it’s tongues to the tune of soundcloud rap,
learning a language even a little,
finally seeing real lighting bolts,  

it’s tourist dominoes when the train jolts,
finding keys -- being able to leave,
breaking in the most stubborn shoes,

it’s the empty after puking up *****,
flirting with customers and getting paid,
knowing every word and singing along,

it’s not breaking my friends’ bongs,
still doing cartwheels because i still can,
getting a thirty but taking an hour,

it’s waking up first, getting the warmest shower,
cutting my own hair, well, when it goes well,
having an umbrella when it starts to rain,

it’s getting out a demon stain,
taking pens from work, they don’t pay me
enough,
walking in to no lines at trader joe’s,

it’s picking things up with my toes,
learning the chord i’d been looking for,
tacking knick knacks on the walls,

it’s loitering in suburban shopping malls,
frosting cookies during christmas,
laughing for the first time in a while,

it’s getting told someone likes my style,
feeling a heartbeat other than mine,
sneaking in a second to breathe,

it’s witnessing every single thing,
picking through the good and bad,
and letting the little guys win,

it’s seeing.
it’s living.
it’s taking it in.
RWDean Jan 2011
I know you’re in there,
Hiding behind my eyes,
Filling the hollows in my head,
Making me wonder
Just who decided that I needed
More love.

Show yourself,
It’s okay,
I know you’re in there.

It’s not like I haven’t lived
With somebody else’s hands
Working the sheets,
Tacking back and forth,
Down the channel,
Trying to miss the stink *** drivers
Who can’t see passed the beer cans
In their fat, sweaty, hands.

Oh, I’ve sat at the helm,
Listening to the tactician whisper,
“Stand on, stand on, ready to come about.”
Waiting for the shout,
“Hard a’lea.”
Cutting over ‘til the compass reads
North by northwest,
Then standing on,
Standing on.


But this is different.
The whispers didn’t have a voice,
Just a presence behind my eyes,
And the call to tack came before
I was ready.
But I turned the helm,
And the sails swung to port.

There,
Sitting on the rocks,
Singing their silent, beckoning songs,
Their blue-green eyes
Flashing behind the tendrils of their
Foam, blonde hair,
Sat the Sirens of my life,
Smiling their bow-lipped, ruby smiles,
Laughing because they know
There’s no way in hell
That I won’t run a course
Straight into their laps.

You must think it’s funny,
Watching this,
Laughing at how a sailor can’t
Tell the difference between a siren’s lap,
And the Fiddler’s Green,
Laughing at me,
Behind my eyes,
Tempting me with
More love.
Kenna Apr 2019
Gentle muzzle
velvet soft
lipping at my palm
searching for the treats,
sugar and molasses
a rich combination
only a good horse
earns.


Supple leather
worn smooth
over years of dedication
and application
that comes from
this sport.
Nights
already promised ahead of time,
three months earlier,
hauling to deserted fairgrounds
a dusky sky setting the tone
for lead ropes
threaded
through stock trailer slats
cow dogs
running
up down sideways
trailing owners between horses legs and rusty pickups.

Tacking up
underneath floodlights
set to the soundtrack
of jangling spurs
and soft nickers.
Younger kids
hanging on the arena rails
drinking syrupy sweet
soda
a tradition
root beers before your run
good luck
in our community.

Foot in the stirrup
old braided reins in hand
leather,
broken into submission,
pliable
under years
of use.

Slapping hands
with other riders
who already went
horses,
slick with sweat
foaming at the mouth
ready to go again
with rippling muscles
still taunt in the sticky summer night,
aching for one last run.
three turns
and a gallop home,
don't care about the money
unless you beat your last time-
your only competitor
is
yourself
and
the
clock.

Hard packed dirt
pounded down by hooves,
tails swishing at flies
as you wait
for your turn.
Adrenaline and happiness,
an addictive cocktail,
these are the nights
I
love.

— The End —