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"synthesis" poems
The belated summer sky is alive with a  D r a g o n f l y ballet Beneath,.. the rain parched sod lay sullied, cracked open by an unsated thirstiness awaiting the painted autumn days and the cleansing rain's renewal A lace-winged hatch rises skyward — meandering  airborne — drifting upwards like a burst of dust dissipating in an invisible cloud of eventide's silent breath Darting shadows hover above a seeker's curiosity     just this side the   softening sunset backdrop A synthesis of fluid motion   – darting kinesis –     swift agile fliers steal away over the thirsty pond; their mesmerizing beauty enchants as the dimming dusk falls silent —- embellishing the unrelenting ending    another summer's  imminent curtain call; reminding how inexorable-time is only a contrived human notion, a recurring extrapolation   of passing  seasons Heightening awareness: how we too are only passing through these unholdable moments    coming to know     we cannot stop    how life unfolds The raindrops will quench the pond's aching thirst again one fall someday...   — hereafter — there will be another beauty of dragonflies some other eyes will see preying on another burgeoning gossamer-winged hatch           and another beckoning autumn when the dragonflies hover below the gazing totems      in the treetops Jesse Stillwater ... September 2018                                                 .
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Sep 19, 2018
Sep 19, 2018 at 12:52 PM UTC
Ballerinas in the Waning Summer Sky
The belated summer sky is alive with a  D r a g o n f l y ballet Beneath,.. the rain parched sod lay sullied, cracked open by an unsated thirstiness awaiting the painted autumn days and the cleansing rain's renewal A lace-winged hatch rises skyward — meandering  airborne — drifting upwards like a burst of dust dissipating in an invisible cloud of eventide's silent breath Darting shadows hover above a seeker's curiosity     just this side the   softening sunset backdrop A synthesis of fluid motion   – darting kinesis –     swift agile fliers steal away over the thirsty pond; their mesmerizing beauty enchants as the dimming dusk falls silent —- embellishing the unrelenting ending    another summer's  imminent curtain call; reminding how inexorable-time is only a contrived human notion, a recurring extrapolation   of passing  seasons Heightening awareness: how we too are only passing through these unholdable moments    coming to know     we cannot stop    how life unfolds The raindrops will quench the pond's aching thirst again one fall someday...   — hereafter — there will be another beauty of dragonflies some other eyes will see preying on another burgeoning gossamer-winged hatch           and another beckoning autumn when the dragonflies hover below the gazing totems      in the treetops Jesse Stillwater ... September 2018                                                 .
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51
From Alan Lomax to the commercial art and now the money machine. At the turn of the century; when sound recording 1st became available to the masses, recording a song was an opportunity for folk to reach out; and tell the world something up front and personal. It meant that people were able to put themselves on “The record” A way of leaving a permanent audio statement, an epitaph, an audio sound bite immortalising ~ life, mood, emotion captured and bottled for all eternity. (A medium that conveyed messages from artists and storytellers of all kinds) A recording was also a great addition to "The family album" something more tangible, a window to a real person, with a real life, a message and a point of view; a legacy, a blast from the past. Few people expected sound prints to be re-designed, homogenised, formulated, copied, repackaged and that art and the message would be played over and over again by new artists in the form of "cover music" or that the style of the messages would become secularized, seperated into distinctive groups, or constrained by an elite clique or commercial genre. Labelling and streamlining art & music mostly benefits the commercial art & music industry; and no longer the artists and creators. I've no problem with good business, or the multi-billion pound industrys that have gained commercial success. However the process of mass homogenisation, product synthesis, marketing, streamlining and then packaging fashion, sound and synthetic culture to sell a product, leaves very little room for creative people to just be creative. A medium originally open to many for self expression, a historical record, an archive, a voice, a personal message; Is now just a vehicle for advertising and perpetuating a genre of nonsense, so much so that there is now more white noise immortalised than messages. To re-cap ~ I Think that creativity and expressionism; like story telling conveys moods and messages from the present and past! Artists and musicians should have the opportunity to create and produce more information than they copy; thus creating a richer more colourful tapestry, whilst not devaluing the message of their predecessors! Purcy Flaherty.
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Jan 9, 2018
Jan 9, 2018 at 10:38 AM UTC
The media machine and its lack of authenticity
From Alan Lomax to the commercial art and now the money machine. At the turn of the century; when sound recording 1st became available to the masses, recording a song was an opportunity for folk to reach out; and tell the world something up front and personal. It meant that people were able to put themselves on “The record” A way of leaving a permanent audio statement, an epitaph, an audio sound bite immortalising ~ life, mood, emotion captured and bottled for all eternity. (A medium that conveyed messages from artists and storytellers of all kinds) A recording was also a great addition to "The family album" something more tangible, a window to a real person, with a real life, a message and a point of view; a legacy, a blast from the past. Few people expected sound prints to be re-designed, homogenised, formulated, copied, repackaged and that art and the message would be played over and over again by new artists in the form of "cover music" or that the style of the messages would become secularized, seperated into distinctive groups, or constrained by an elite clique or commercial genre. Labelling and streamlining art & music mostly benefits the commercial art & music industry; and no longer the artists and creators. I've no problem with good business, or the multi-billion pound industrys that have gained commercial success. However the process of mass homogenisation, product synthesis, marketing, streamlining and then packaging fashion, sound and synthetic culture to sell a product, leaves very little room for creative people to just be creative. A medium originally open to many for self expression, a historical record, an archive, a voice, a personal message; Is now just a vehicle for advertising and perpetuating a genre of nonsense, so much so that there is now more white noise immortalised than messages. To re-cap ~ I Think that creativity and expressionism; like story telling conveys moods and messages from the present and past! Artists and musicians should have the opportunity to create and produce more information than they copy; thus creating a richer more colourful tapestry, whilst not devaluing the message of their predecessors! Purcy Flaherty.
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14
1241 The Lilac is an ancient shrub But ancienter than that The Firmamental Lilac Upon the Hill tonight— The Sun subsiding on his Course Bequeaths this final Plant To Contemplation—not to Touch— The Flower of Occident. Of one Corolla is the West— The Calyx is the Earth— The Capsules burnished Seeds the Stars The Scientist of Faith His research has but just begun— Above his synthesis The Flora unimpeachable To Time’s Analysis— “Eye hath not seen” may possibly Be current with the Blind But let not Revelation By theses be detained—
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The Lilac is an ancient shrub
Purple is often misunderstood 
 People confuse it with pink or blue 
 They cannot comprehend change
 The synthesis of something new Purple has been picked to pieces
 Analyzed with Pantone paint chip cards
 The public is vexed, this defiance of ***
 Twirled around by color guards They say that violet delights have violent ends
That from this “choice,” there’s no return
 But they’re the ones who set us aflame
 And we, in their triumph, burn
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May 24, 2015
May 24, 2015 at 10:10 PM UTC
A nonbinary poem
Twelve o’clock. Along the reaches of the street Held in a lunar synthesis, Whispering lunar incantations Dissolve the floors of memory And all its clear relations, Its divisions and precisions, Every street lamp that I pass Beats like a fatalistic drum, And through the spaces of the dark Midnight shakes the memory As a madman shakes a dead geranium. Half-past one, The street lamp sputtered, The street lamp muttered, The street lamp said, ‘Regard that woman Who hesitates towards you in the light of the door Which opens on her like a grin. You see the border of her dress Is torn and stained with sand, And you see the corner of her eye Twists like a crooked pin.’ The memory throws up high and dry A crowd of twisted things; A twisted branch upon the beach Eaten smooth, and polished As if the world gave up The secret of its skeleton, Stiff and white. A broken spring in a factory yard, Rust that clings to the form that the strength has left Hard and curled and ready to snap. Half-past two, The street lamp said, ‘Remark the cat which flattens itself in the gutter, Slips out its tongue And devours a morsel of rancid butter.’ So the hand of a child, automatic, Slipped out and pocketed a toy that was running along the quay. I could see nothing behind that child’s eye. I have seen eyes in the street Trying to peer through lighted shutters, And a crab one afternoon in a pool, An old crab with barnacles on his back, Gripped the end of a stick which I held him. Half-past three, The lamp sputtered, The lamp muttered in the dark. The lamp hummed: ‘Regard the moon, La lune ne garde aucune rancune, She winks a feeble eye, She smiles into corners. She smoothes the hair of the grass. The moon has lost her memory. A washed-out smallpox cracks her face, Her hand twists a paper rose, That smells of dust and old Cologne, She is alone With all the old nocturnal smells That cross and cross across her brain.’ The reminiscence comes Of sunless dry geraniums And dust in crevices, Smells of chestnuts in the streets, And female smells in shuttered rooms, And cigarettes in corridors And cocktail smells in bars.’ The lamp said, ‘Four o’clock, Here is the number on the door. Memory! You have the key, The little lamp spreads a ring on the stair, Mount. The bed is open; the tooth-brush hangs on the wall, Put your shoes at the door, sleep, prepare for life.’ The last twist of the knife.
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Rhapsody On A Windy Night
Twelve o’clock. Along the reaches of the street Held in a lunar synthesis, Whispering lunar incantations Dissolve the floors of memory And all its clear relations, Its divisions and precisions, Every street lamp that I pass Beats like a fatalistic drum, And through the spaces of the dark Midnight shakes the memory As a madman shakes a dead geranium. Half-past one, The street lamp sputtered, The street lamp muttered, The street lamp said, ‘Regard that woman Who hesitates towards you in the light of the door Which opens on her like a grin. You see the border of her dress Is torn and stained with sand, And you see the corner of her eye Twists like a crooked pin.’ The memory throws up high and dry A crowd of twisted things; A twisted branch upon the beach Eaten smooth, and polished As if the world gave up The secret of its skeleton, Stiff and white. A broken spring in a factory yard, Rust that clings to the form that the strength has left Hard and curled and ready to snap. Half-past two, The street lamp said, ‘Remark the cat which flattens itself in the gutter, Slips out its tongue And devours a morsel of rancid butter.’ So the hand of a child, automatic, Slipped out and pocketed a toy that was running along the quay. I could see nothing behind that child’s eye. I have seen eyes in the street Trying to peer through lighted shutters, And a crab one afternoon in a pool, An old crab with barnacles on his back, Gripped the end of a stick which I held him. Half-past three, The lamp sputtered, The lamp muttered in the dark. The lamp hummed: ‘Regard the moon, La lune ne garde aucune rancune, She winks a feeble eye, She smiles into corners. She smoothes the hair of the grass. The moon has lost her memory. A washed-out smallpox cracks her face, Her hand twists a paper rose, That smells of dust and old Cologne, She is alone With all the old nocturnal smells That cross and cross across her brain.’ The reminiscence comes Of sunless dry geraniums And dust in crevices, Smells of chestnuts in the streets, And female smells in shuttered rooms, And cigarettes in corridors And cocktail smells in bars.’ The lamp said, ‘Four o’clock, Here is the number on the door. Memory! You have the key, The little lamp spreads a ring on the stair, Mount. The bed is open; the tooth-brush hangs on the wall, Put your shoes at the door, sleep, prepare for life.’ The last twist of the knife.
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A widespread condition related to nutrition is lactose intolerance that is in essence the inability to digest and assimilate the milk sugar-lactose-the substrate that is acted upon by lactase- the specific enzyme over a period of time. This may happen suddenly and generally at any age most unexpectedly. Lactose intolerance is caused by the absence of the enzyme lactase that breaks down lactose to the simple sugars- glucose and galactose. The condition may be secondary,  congenital, or developmental. Secondary lactose intolerance invariably has its occurrence related to a gastrointestinal infection and its disappearance is linked to the causative factor’s correction. This type of intolerance- (certainly a nuisance) is reversible if we are a bit careful. Congenital lactose intolerance, an inherited form of intolerance, is a rare genetic  abnormality that one can unearth soon after an infant’s birth. This need not cause any fear as it lasts only half a year. Developmental lactose intolerance also known as primary  intolerance is one wherein the enzyme synthesis is progressively less during childhood and this persists into adulthood. Gita Ashok 24/10/2011, 2 pm
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Oct 24, 2011
Oct 24, 2011 at 4:58 AM UTC
Lactose Intolerance
~wherever, whenever and forever for Sally B.~ "Don’t urge me to leave you. "If I could, then I would To turn back from you. I'll go wherever you will go Wherever you go, Way up high or down low I will go, I'll go wherever you will go And where you stay, Run away with my heart I will stay. Run away with my hope Your people will be Run away with my love My people I know now, just quite how And your God My life and love my God. Might still go on Where you die, I will die, In your heart, in your mind There I will be buried." I'll stay with you for all of time" (Book of Ruth 1:16) (Charlene Soria Lyrics) Let it be writ, Let it be sung, All should know, This I swear, Where you are, So, I shall be too. Your hope, my hope. Your heart, my heart. Life and love, But one. Where you run, I'll shall follow. Now, today, Forever, If our bodies apart, If our hands cannot Grasp each other, Yet, still, In your heart, In your soul, I will be, I cannot leave. Where you are, So, I shall be as well, within from the without
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Feb 21, 2014
Feb 21, 2014 at 3:56 AM UTC
Wherever (Synthesis)
The shortest distance between two points of travel. The fastest method for achieving a result. Quickest answer for a resolution. Marrying equals.   All terminology meaning essentially the same thing; synthesis. That is what the two-party system is meant to be doing. It is the point of checks and balances. A check is a stopgap. A balance is a measure.   No one wants to ban personal firearms. No one wants mentally-ill people to own them. No one advocates violence by school teachers to assuage future potential violence. No reasonable person wants children to grow up in a police state school system. No American believes that State and Federal government can agree on what should be done in all states.   We will not be arming teachers. Nor will we be banning guns. There will never be armed guards at public schools. States and the Federal government disagree on so many levels there will never be consensus on change when it comes to this issue. So, change the issue in a way that offers a stopgap as a measure.   The President of The United States issues a proclamation that all land directly adjacent to the front of all public schools will be bought by the federal government at today's market price. That price will be fixed provided the states do two things. Use state eminent domain laws(every state already has them) to file a claim on said properties and assess the value thereof for the federal government.   Secondly, establish police precincts on said property.     Ask yourself; "How many children would die if the local police were directly across the street from the school at the time of the shooting?" And, "Would Conservatives or Liberals be against this proposal?"    Also, We should all remember that these shooters plan their attacks and would have to plan around the police being there immediately after they begin one.   Problem solved...                              ...and no one touched a gun(right) to do it.
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Feb 23, 2018
Feb 23, 2018 at 3:04 AM UTC
A Gun Essay
The shortest distance between two points of travel. The fastest method for achieving a result. Quickest answer for a resolution. Marrying equals.   All terminology meaning essentially the same thing; synthesis. That is what the two-party system is meant to be doing. It is the point of checks and balances. A check is a stopgap. A balance is a measure.   No one wants to ban personal firearms. No one wants mentally-ill people to own them. No one advocates violence by school teachers to assuage future potential violence. No reasonable person wants children to grow up in a police state school system. No American believes that State and Federal government can agree on what should be done in all states.   We will not be arming teachers. Nor will we be banning guns. There will never be armed guards at public schools. States and the Federal government disagree on so many levels there will never be consensus on change when it comes to this issue. So, change the issue in a way that offers a stopgap as a measure.   The President of The United States issues a proclamation that all land directly adjacent to the front of all public schools will be bought by the federal government at today's market price. That price will be fixed provided the states do two things. Use state eminent domain laws(every state already has them) to file a claim on said properties and assess the value thereof for the federal government.   Secondly, establish police precincts on said property.     Ask yourself; "How many children would die if the local police were directly across the street from the school at the time of the shooting?" And, "Would Conservatives or Liberals be against this proposal?"    Also, We should all remember that these shooters plan their attacks and would have to plan around the police being there immediately after they begin one.   Problem solved...                              ...and no one touched a gun(right) to do it.
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17
Silver skies, tranquil nights Gently gazing down from afar Silver rooftops, twinkling lights Buried deep among the stars Silver memories paint silver portraits Hung from my interior walls Silver melodies, not unfortunate I hear, my name, it calls Silver teardrops stain my cheeks Making melancholy of innocence Silver snowstorms, heartache's peak An evocative and celibate synthesis Silver dreams, silver eyes Meet silver nights, tranquil skies
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Oct 17, 2018
Oct 17, 2018 at 5:42 AM UTC
A Very Sonnet
Deathbed Words spill beneath breath- promise or threat? Doesn’t matter. synthesis A deathbed-machine mourns, briefly- before it’s switched off.
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Nov 6, 2011
Nov 6, 2011 at 9:49 AM UTC
Deathbed / synthesis
Assigned by angels to be the vessel of your opal eyes I don't mind These days all I want to see is the radiance you bring forth a tranquil break in the folds streaming through me As I stand in regard with the threads of yours wrapped around mine a spatial interlude long glimpses at your blueprints in my sights the daybreak of my existence the gleaming brilliance of yellow the daring cosmos of nights’ sky Those night skies its expanse I clear with no expense I only hope for you for you to notice the bones of mine that bloom after you a synthesis so sweet as I see you glance back to me as we dance across this field as I tread light a nimbus and a kite the vessel of your opal eyes a contract laced with gold dusted with your breath.
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Jun 1, 2018
Jun 1, 2018 at 8:52 AM UTC
Breathless.
The world is an oyster with pearls hidden within Feeling the intense beauty that moves one to tears when one become the infinite as it is within An eternity of seeking truth, while all along it’s been inside of one Energetic synthesis, eternally limitless; came as a seed to grow, the sun and moon to know
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Sep 1, 2014
Sep 1, 2014 at 7:18 AM UTC
Energetic Synthesis
The lotus calls another time; right now, just bring your lips to mine— a congress of the simplest kind, yet steeped in fever, still divine, this tangled frame of skin and breath  urged onward to its little death on rolling seas of hands and hips; the synthesis of fingertips— my shaking legs, a testament to a winter's afternoon well spent.
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Jul 27, 2011
Jul 27, 2011 at 2:26 PM UTC
Venus Observa
I am the eccentric lovechild of a mother frondescent and a father evanescent Sprouted through corrupted soul Fed from the fish delivered free from a sea of blood and oil Uprooted I drift in sunlight towards an amiable oasis nurtured by scribes Roots form synthesis with a surface void of story My blooms entail alternative motions ranging from the aspect of a chaotic notion and the transcendent shiver given with ceremonial moments Traces of my lingering expanse traverse and terraform galactic sound gardens bursting at the seams with Gaia’s seeds Wither, decay, destined to resume once in full bloom Meandering with solar rays bonded by ebb and flow The remnants of the last sun ray plague the wanderer who was born of sunflowers
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Oct 14, 2012
Oct 14, 2012 at 5:59 AM UTC
Sprout
I am somewhat perplexed at the clash between neutrality and expectation, as we genuinely present our being on the field of open vulnerability. I seek to find synthesis in this very moment, between emotional thesis and antithesis. Oh, my literary companions of global interconnected and eternal being, I beseech you by the power of respiratory arrest: dare to surpass the line of expected mediocrity, where few will ever tread. I am hungry. Let us acknowledge that "authority" is a questionable truth and let us resonate with the awareness that truth is an infallible authority. The character of perceived vulnerability is steadfast in the face of assumed evidence.
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Dec 31, 2013
Dec 31, 2013 at 3:41 PM UTC
Metaphysical Fields
For Helen who wrote it first, who wrote it better, and in doing so, makes me see more clearly the why ~~~~~~~~~ no poem should ever be untitled- every face needs a name- every poem needs just one read for completion but more than that, it is a orphan still, deserving of the due, the entitlement to be titled, a parenting of sorts what was the thought that born it- what was the emotion that conceived it- what was the sight that demanded sharing? this is the age of summary and synthesis, 140 and not one more, so give direction, enable me to make snap judgements, with so much on my plate, we must predigest your concepts, my multi-tasking slowed to levels unacceptable, so I can adjudge you, you worker poet, before or never reading after all, why read anything untitled? more than this however, for the few who chew each morseled vowel, ken each constant consonant, celebrate stanzas that halt the breathing and then, god bless the whole child, flaws and all, they more than anyone deserve your consideration in return for the title is the essence spark of you- and all the more so, of what you have chosen to share,   your essentials honored
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Feb 11, 2015
Feb 11, 2015 at 6:33 AM UTC
No Poem Should Ever Be Untitled (Feb. 2014)
a toast to the gods of self preservation twenty one with plenty coming allowing to pound sounds within the crown aroused voided a founders of it’s bruises spells hold the fold, I’m coasting with the best resting in the east so I sleep with blinds low the comfort zone is far from solitude my molecules have aptitude to channel Jupiter seatbelts are useless wastes of matter, excuse me just a minute so you can miss me with that individuality your calloused grip on reality impairs the singularity old school, gold noose, silver lined diamonds Jesus pieces reaped the seeds that teach your blind lids came back with scabbed knuckled and heart scars hustled the portal of pretension ever so ethereally inner synthesis purged the day the plague hit on the courts or the graves, you name the slaves the game slayed the day the chains changed hands
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Nov 8, 2013
Nov 8, 2013 at 2:20 PM UTC
solace
[sweet pungent synthesis] always with dank hysterical women demonstrating the distilled liquid elixir of their many years in isolation. they are the nitrogen-rich followers of an ultraviolet shrine, such is a photosynthetic life-form, reacting/enacting/enhancing. they reach for holes in the moon & on four-legged fumes carbonize seeds into sons and daughters. birth/ life. all flowers ache forth to display color and/or their varietals of hairy oil content. to dip psychotropics, thus the worship of brain frequency and light. fresh progress, the sugar crystal compounds impacting, intact, and swollen. trichomes, like huddled little masses of grandbabies bowed upon the ridge. she drips in dance and derives her form from properties plucked by time, by moms, and pops. to discover is to find purity in a moment. pure travel/ pure death. this growing force, this apparition of sound within me. organics. organisms bound by great beauty and failure. sense not the vivid panic, or the shock of last black, but hold true to an inner joyous/outer motionous, tessellation that is, this fluttering of us. us suit of hearts. suit of leaves. the fusion of two bodies far beyond substantial pressure.
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Aug 11, 2015
Aug 11, 2015 at 7:35 AM UTC
cannabacchanalia
when everything everywhere whispered in irresistible languages *hey you there stop resisting* i began to surrender was flowing free stretching wings flapping toward the unknowable inside experimented with ditching body as identification name as identification personal history as identification faded off mad word searching explaining  justifying reiterating too much information i loosened my squeeze grip on intellectualism tell-me-how-to-be spiritual books whatever the famous someone said once then got bronzed over i surrendered to universal unity where i lavishly decorated my living changing dream with my own snap choices i was flowing with fresh synergetic synthesis returned outside to pedestrian streets where angelics mixed in wore transparent disguises i began to flow forgiveness out and in skipped a light fandango splashing puddles was answer to inclement weather i set wooden faces to smiling after i switched my own i rolled on through perceived stop signs of the everlasting no incinerated all my karma with nownownow wonwonwon made myself stock still experienced yes yes relaxed awareness breathed emptiness opened all my hands
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Feb 1, 2016
Feb 1, 2016 at 2:16 PM UTC
surrender
She asks me “what do you think of me?” I stop; Reflect upon what just happened, When a complexity of a girl Asks a simple guy What he thinks about her. She asks me “what do you like about me?” I’ll tell you what I hate; I don’t hate your eyes, Like round circles we used to make With our dancing bodies In preschool playgrounds. I don’t, Hate your lips; They could be traced From a million miles And they curve so beautifully. I don’t hate your smile, The semi grins you keep Before the flashes, Before the posts; I don’t hate your eyes, Like bullets entering the soul With an insertion of dopamine. She asks me “do you really think I am worth your troubles?” You are not. You deserve my delight; You deserve my green days and blooming flowers, You deserve my watering mouth Nourishing the vines underneath your tongue, You deserve the sunrises in my playlists And sunsets in the warmth of my jackets; You are not worthy of my troubles I am not worthy of my troubles. She pushes me away, The walls are too tight And the stares, They scrape on our throats. The girl is lonely, Her social circle spreads wide enough To leave a gap; Her friends walk next to her And not on her side; Her smiles- Electronic cigarettes that look genuine, But the smoke never rests On the teeth, Just a vapor that fades away. She’s anchored to her reality Her ships are not meant to sail Just yet. She asks me “what do you think of me?” You’re a concept; You’re a fusion of vivid elements Wired with secret buttons Hidden in your desires. You’re an emotional rollercoaster That we ride You and I, When I think of you You’re just a white canvas That whispers into my soul The true meaning of art. She asks me “is this your real answer?” She ask me “is this your real answer?”
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May 7, 2014
May 7, 2014 at 6:44 PM UTC
Synthesis of disbelief:
She asks me “what do you think of me?” I stop; Reflect upon what just happened, When a complexity of a girl Asks a simple guy What he thinks about her. She asks me “what do you like about me?” I’ll tell you what I hate; I don’t hate your eyes, Like round circles we used to make With our dancing bodies In preschool playgrounds. I don’t, Hate your lips; They could be traced From a million miles And they curve so beautifully. I don’t hate your smile, The semi grins you keep Before the flashes, Before the posts; I don’t hate your eyes, Like bullets entering the soul With an insertion of dopamine. She asks me “do you really think I am worth your troubles?” You are not. You deserve my delight; You deserve my green days and blooming flowers, You deserve my watering mouth Nourishing the vines underneath your tongue, You deserve the sunrises in my playlists And sunsets in the warmth of my jackets; You are not worthy of my troubles I am not worthy of my troubles. She pushes me away, The walls are too tight And the stares, They scrape on our throats. The girl is lonely, Her social circle spreads wide enough To leave a gap; Her friends walk next to her And not on her side; Her smiles- Electronic cigarettes that look genuine, But the smoke never rests On the teeth, Just a vapor that fades away. She’s anchored to her reality Her ships are not meant to sail Just yet. She asks me “what do you think of me?” You’re a concept; You’re a fusion of vivid elements Wired with secret buttons Hidden in your desires. You’re an emotional rollercoaster That we ride You and I, When I think of you You’re just a white canvas That whispers into my soul The true meaning of art. She asks me “is this your real answer?” She ask me “is this your real answer?”
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65
To be taken silently with violence Not to utter a salutation Just the cracking of a door hinge And a look that indicates that stopping your desires would be laughable An absurdity not to be pondered! The jolting sound of head cracking against metal And wrist yearning to be ground to the bone After hours of furtive clutching The kind on nail bending fervor that just takes the taste right from bread Grabbed into a cranium synthesis Im am forever enslaved in the darkest corridor of your existence I doubt I will ever be able to leave this lighting wasteland The eagerness pounding through the point were skin meets weapon I am infiltrated like a shanty filled village A real slum filled valley Hopeless against tracking systems and torture methods You plunder my underdeveloped hospitality Like Jesus to a farm boy As I scream **** you Mongoloid I am gasping into your filth A sacrificial lamb Bliss by the slaughter wells Mouthfuls of disgust As your knees jab deep into skid row Grinding the forgotten and the deserted Until they are flattened corpses ****** dry of the water holding them together You are pleased The phantom has been fed and to ask for seconds would only tease the lamb As I lay gushing organs with a smirk Broken bent and emaciated I feel alive and it is wondrous.
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Nov 30, 2010
Nov 30, 2010 at 9:02 AM UTC
Cannibalism in the laundry mat
I've never felt But I'll tell you how it feels Her hips will sway, his eyes will undress He will sip his drink, she will ****** Muster up the courage to ask for a dance **** eyes She will touch, but he will touch more Moving with the beat, hands will roam He went too far, she redirected Not now she says; the night is too young Love and passion will grow, if only for one night It will feel real, their eyes will question And they will lean in closer Lips will collide, heat and *** will ensue It will end in the dark of night With naked bodies in synthesis Two lovers, entangled in the sheets
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Sep 8, 2010
Sep 8, 2010 at 6:01 AM UTC
Two Lovers Seduced
Traffic lights spread across the Opal sky He held my face His gentle, warm palms, magnetic on my skin Fervorous glow embraced my chest Beat to beat, my heart bled into the fog. Leaning his forehead against mine, I felt my thoughts blending with his skin. A synthesis of feelings, an ocean of colours. his lips find mine and heat ripples across my face Cloudy breaths caressed my skin This time, the sky didn't blend with tears. This night, the lights were dry.
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Jan 29, 2019
Jan 29, 2019 at 7:44 PM UTC
dry lights