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Jeff Gaines Mar 2018
OK Reader, I'm going to tell you a tale … with great trepidation. You see, this tale, well, it's kind of like telling someone that you've seen a UFO. They want to believe you, but … it's never really been proven scientifically. Not to mention the fact that most folks who believe in such things are often the tin-hat wearing types, written off as … lets be nice and call them “odd”. And, of course, the more you swear to it, the crazier you appear. It's an epic tale, spanning 30 years of my crazy life.

  But, It's a story I want to tell, because it happened to me. I can barely understand it myself, let alone explain it. So … I'm just going to launch into it and you take it any way you wish.

*  *  
Where Can You Be?

Where can you be?
Where can you be, my love?
Oh, can't you see?
You're not with me!

I'll search with gazes and I'll search with cars,
I'll search the cities and I'll search the stars, well …
I'm gonna find you, oh, wherever you are,
I'm gonna find you baby …  near or far, but …

Where can you be?
Where can you be, my love?
Oh, can't you see?
You're not with me!

I thought I'd found ya, but she wasn't you,
that girl she left alone and blue, well …
I know that's something that you'd never do,
your love has always been strong and true, but …

Where can you be?
Where can you be, my love?
Oh, can't you see?
You're not with me!

If you must settle for some other man
and deviate from our immortal plan, well …
I hope you realize I will understand
and I'll try and do the best that I can, but …

Where will I be?
Where will I be, my love?
Hoping the next life sees …
our destiny!


Where can you be?
Where can you be, my love?
Oh, can't you see?
You're not with me!

~Wednesday, April 1st, 1987
10:30 P.M.



  I was singing in a band back in those days and, as it happened, this was the last song I'd ever write for it. Just after this, as it does, it all came crashing down and the band was finished. But in those last days, they pondered this song, with great puzzlement. You see, it was unlike anything I'd brought them before. It wasn't rock … It wasn't a ballad … it wasn't even structured like a “normal” 80's rock song.
  
  No bridge, no solo, no loud grinding guitars, etc. It even had bits where I hummed, yes hummed, the melody, like a lullaby. As they read the lyrics and I described how it went, they all looked at me like I had three heads and asked where this had come from. It was nothing like anything I'd written before. I could only tell them when and where I'd written it, but had no explanation of what inspired it. It had just came to me, so I wrote it down. They didn't know what to make of it, or even what to do with it.

  One of them said it sounded like a late 70's or early 80's adult contemporary song or even in the vein of The Eagles. Another asked if it was about reincarnation … And I honestly, until that moment, hadn't thought of it that way, I didn't think like that at 24 … but then, one of them said it was “Haunting” …

  “Haunting”?

  “Wow”, I thought, I'd never had anything I'd written described as that before. When I asked him what he meant by that, he told me that it was haunting to think that this poor guy is desperately seeking a girl, that may or may not even know that he exists … in a world with billions of people in it. To top that off, he fears that she may off and marry someone else if he doesn't find her in time.

  This, along with the suggestion of it being about reincarnation made me rethink and rewrite the song. Well, a few lines in the last verse and chorus anyways. It actually made the song flow better and seem more complete. In a way, it actually made the song make more sense … to me and them. Sadly, we never did anything with it. There wouldn't be time. Ha … Time … how ironic. Over 10 years later, came this …


For Someone I've Never Met

Please save a place for me,
deep inside your heart.
Always know that I think of you,
as we both practice our arts.

Our worlds are full of temptations,
so very hard to resist …
and the good Lord knows
we're both far from,
sixteen and never been kissed.

Wealthy men with jaws divine …
Temptresses with looks so fine …
Paths that lead our hearts away …
Paths that surely lead astray …

They'll lead us there every time.
They'll leave us there … so  unkind.
Our hearts must shine,
night and day.
Through any darkness … they'll light our way.

If you never touch my face …
If I never look into your eyes …
We'll always have the comfort of sharing
the same
big, blue sky.

If I never smell your hair …
If you never kiss my lips …
Always know the search for your smile
has launched a thousand ships.

So, I hope you save a place for me
in your heart so sweet and kind.
Please, save a place for me …
Heaven knows you've one in mine.

~Thursday, September 9th, 1999
9 A.M.



“For Someone I've Never Met ” poured out of me in the midst of another breakup from the second, and last, girl that I wanted to marry. That emotion, never found me again. I looked at it on my computer screen and smiled, seeing “Where Can You Be”, in my mind, on my tattered old note pad that I called my “Song Book”. The memory of me writing it while sitting in my Z-28, looking out over the Gulf of Mexico as a beautiful heat lighting storm sent bolts across the sky, came flooding back; as did the debate of reincarnation I'd had with my pals in the rehearsal room all those years before. Here I was, again, writing about “someone” that I sensed, for lack of a better term, was out there … somewhere.

  Well Reader, do you believe in reincarnation? I was never really certain, but, as you can see, I had twice written pieces to someone I wasn't completely sure existed. I had always “sensed” someone out there beginning with the period after I wrote “Where Can You Be?” and thereafter. So, there they were, each written after losing someone I was deeply in love with. Each came out of nowhere, as they usually do. By the time I was in my 40's, I began to think I was either imagining it all (a side effect of being a hopeless romantic) or that I had just somehow missed this person and our “moment”.

  And then …



Epiphany

There was a place.
There was a time …
There, I stood … still unknowing
and everything seemed fine.

But there in that place …
at that moment in time …
the moment I saw the eyes,
I'd never believed I'd find.

Well, what could I say?
What could I do?
In a world filled with billions …
and there … was a you.

I'd always known you were out there …
even written of something amiss.
I never, ever stopped looking for you …
because my heart always said you exist.

My breezy Fall became harshest Winter.
My crazy life left my health running out.
I'd resigned myself that our moment had passed …
but this moment … it removed all doubt.

Well, what could I say?
Tell me, what could I do?
There we stood, staring … alone … in a city of millions …
yes, there … there was a you.

Oh, that mistress fate, she is just so cruel.
Frustration, a curse to be mine.
   I'd searched for you my entire life …
but now … my clock … knows a limit of time.

You see, I would never venture a love with you,
while knowing I'd have to leave you … hurt and alone.
I could only admire from afar … stoic and aloof …
while turning my heart into stone.

Nothing I could ever say and nothing I could ever do …
But now, at long last … at least I finally knew.

There, you stood … green seas, gazing up … into skies of blue.
My long-awaited revelation … become sorrow-laced realization.
There really is … a you.

~August 12th, 2009
  

  Typical of my life-long Charlie Brown syndrome … After being told in 2005 that I had “the lungs of an eighty-year-old man” and that I had “Six to Ten years” to live, I made a conscious decision in that Doctor's parking lot that I could never have another girlfriend and that I must face this alone. I don't see woman as objects. They are glorious creatures that are here to be our partners and friends and to make our lives amazing. I could never, ever knowingly let a woman fall in love with me, all the while knowing I was going to die and leave her. It's not in me to do such a thing, lonely or not.

  Yes, I'm still alive, I'm stubborn like that. But, some days are better than others and my new doctors say that they don't give people “time limits” anymore … because of people like me. I can't afford the lung transplant. So, as Bono so aptly put in one of his songs: “The rich stay healthy, while the sick stay poor”. It is what it is … and like the energizer bunny, I'm still going. Good for me.

  In the moment that I met her, the morning that followed, and the amazing speed of our nexus over the next several months combined with a string of synchronicities (Coincidences? Did I mention that she too, was a poet and writer?) that not only came after I met her on the sidewalk in front of the publisher we shared, but in those pieces I had written before and in several after; I was pretty much convinced I had actually found her. I have NEVER experienced anything like this, or her, in my entire life.

  So, after all this time, here she was … and there wasn't a **** thing that I could do about it. Besides, she was much younger than I and it probably would never have worked anyways. ****, the universe is rotten sometimes, huh? Maybe, if I'm lucky, things will balance out better in the next life. I can only hope. But I'm reminded, worryingly so, of the **** The Alarm song: “Collide”:

“All of these thoughts pounding in my head …
with the words I've wrote, in the letters I've never sent.
The distance in our lives may change …
Times that you can never erase …
But will our worlds collide?
Will our worlds collide, the next time?”



  Only time will tell.



  “Colors”, and a few others, were written about/for her. But, I could never show them to her. I would never endanger my friendship with her. I just wanted to keep her in my life. That, and that alone, was the only motive I'd ever had with her. I looked forward to seeing her marry, hearing her stories of her three kid's adventures; Hubby, all greasy, working on the car in the driveway, rabbits in her garden at night, eating her precious organic veggies or even about her new curtains. Just to know that she was alive, happy and doing well. I found a solace in her voice I could never describe and I was completely content to just have her in my life and watch hers unfold. Only I could end up in this odd position.

  I feared that she might get weird-ed out because I'd never displayed any romantic inklings toward her, so, to suddenly read these might make her feel a bit, lets say: uncomfortable. Actually, I didn't write them with any romantic intentions, per se; I just did what I always do … write what comes out. Still, there's no denying that they come across romantic. Again, so, so Charlie Brown. (long sigh)
  
  It is what it is. I also have to ponder the fact that maybe all those Charlie Brown moments in my life were preparing me for this one big, painful one. That does makes sense … ******' Universe.


Colors

Well when you're Green, I'll be your Brown.
Like the earth that loves the flowers,
I'll will be your solid ground.

And I'll be your Azure, when you are Verdigris.
We'll be thee most beautiful ocean
that eyes have ever seen.

And when you're Black, I'll be your White.
Mixing all of the colors … I'll make everything alright.

Now when you're Blue, I'll be you're Red.
If something should make you wanna cry,
I will feel your pain instead.

And I'll be your Orange, whenever you are Pink.
We'll be thee most amazing sunset,
that the sky could ever ink.

And when you're Black, I'll be your White.
I'll mix all of your colors … and make everything alright.

Should you be Violet, I will be your Beige.
Like a sleepy moonlit desert,
pasteled in dunes and sage.

And when you're Grey, I will be your Rainbow.
We'll be thee most soothing rainstorm
the world has ever known.

And when you're Black, I'll be your White.
I'll mix all of your colors … yes, I'll make everything alright.

With love on my palette, painting a glorious sunrise …
I'll color all your mornings with a smile and brighten up your skies.
If you should find yourself in sorrow from someones hate or lies …
I'll take the stars down from the heavens … and paint them in your eyes.

So whenever you are Black, I will always be your White.
I'll mix all your colors with a promise … everything will be alright.

Yes, I'll mix all of your colors with a promise … Everything's gonna be alright.

~  Winter 2012



  I wrote this after she had rang me up one afternoon lamenting about her life at the moment, troubled that her latest novel hadn't done as well as she'd hoped and now she had to be waitressing to make ends meet. I tried my best to cheer her up and assured her that she was strong enough to handle anything and that she must keep chasing her dreams. I wrote it as a poem, but I can't help but notice it looks like a song, though I've never heard music for it. Those repeated verses look just like choruses to me.

  Earlier in the day, I had been looking at a booklet of paint swatches. I guess, up there on my roof looking at the Manhattan skyline, her sadness and me looking at all those colors melted together somehow and, as happens, out came this piece. Even this, became another synchronicity as she would name her next novel “Show Me All Your Colors”. I remember seeing it in the bookstore and looking straight up … shaking my head at the sky. Was this the universe telling me to show and tell her all this?

  Well, if it was, I stuck with my gut and kept it to myself. My God, if you only knew how many of these synchronicities there were between her and I. It simply boggles my mind. I wanted to call them “coincidences”, but there were just so **** many of them … Each so unique, they just couldn't be called that. I don't want to tell them all here, because like I said, the more you swear to it, the crazier you sound. And I'm sure your questioning my sanity by now, aren't you? (Smirk)


  OK, OK … this one is definitely romantic. I wrote it one night, drunk to the bejeezus. I'd done what we called “The Crosstown Crawl” with my pal Tristan and a gaggle of assorted waitresses we knew. This involved starting at Brass Monkey on the west side highway in the Gansevoort District and ending at my favorite hookah bar, Karma, on the Lower East Side … Drinking in, and often being “asked to leave” (Read: Kicked out of) every bar that took our interest as we walked (Read: staggered) west to east, staying below 14th St.

  On my way home from the city on the J train, I thought about all the phone conversations we'd had while I was on this train crossing the Williamsburg Bridge. Being drunk, I guess, I caught a bout of sadness that I'd never get to tell her any of this or even how I felt about it all. Before I hit my elevator, this piece was swimming in my head. It's about as mushy a piece as I've ever written … if not thee most! Not the norm for me, but this is, after all, a lot to keep pent up inside you. I wouldn't wish this predicament on anyone.


For My Little Red-Haired Girl …


You …

My Love.
My Queen.
This Shining Light in my eyes.

My Laughs.
My Dreams.
My Soft, Contented Sighs.

My *****.
My Lavender.
My Dew Covered Rose.

My Smile.
My Cinnamon.
The Joy in my heart … ever inspiring my prose.

My Best Friend.
My Co-Star.
My Fearless Partner in Crime.

My Breath.
My Cohort.
My Side-kick throughout time.

My Snow-capped Mountain.
The Wind caressing my face.
My Vast Green Field.

The Ivy Covered Wall
that harbors my soul … ever refusing to yield.

In a different time ...

You … would have been my Life.

You … would have been my World.

You … would have been my Everything

and I will always love you for my own special reasons.

It is just a shame … and I'm so, so sorry … that you … must never, ever know.

Maybe next time.


~Charlie Brown




   When I came-to in the morning and read what I had wrote, I had to laugh a bit. It is borderline corny, very beautiful, very telling and very sad … all at once. I shook my head, laughing and told myself :

  “*******, Sam … yer losin' it. Get your **** together, will ya?”

  I guess in my stupor, I was imagining what it would have been like to write something for her. I don't know … There it was and I was stuck with it. I almost deleted it, but, my finger wouldn't press the key. As I told you before … I'd NEVER show this to her. She'd probably never speak to me again.

   As a sadder epilogue, that eventually happened. I still don't know why, but we haven't spoken in years. Maybe she sensed this emotion in me and ran away. Or maybe, just maybe … she thought I'd pushed her away somehow … but for whatever reason, we drifted apart. I guess I'll never know.  As you can see by reading this, that was never my intention. But, like I keep reiterating … It is what it is.

  One day, I called her number to catch up and shoot the breeze. I hadn't spoken to her in a few months as she'd been busy promoting her new novel and I didn't want to pester her. But … it was disconnected … I checked my emails … nothing. I'd never been so confused, she just closed me out. I didn't want to bother her. I was sure she had her reasons and if she wanted to reach out to me again, she would. She had my email and my phone number. But, for now … she was gone … and that was that.

  So, what do you think, Reader? Do I get the Tin hat … or a Badge of courage? Am I bat-**** crazy … or just eccentric? I'll leave it up to you to decide, because as I said, this all happened to me and there isn't a thing I can do about any of it. I just had to get it off of my chest. Thanks for letting me vent.

  Wherever she is … she will always mean the world to me. I can see her green eyes if I close my mine and look for them. Sometimes, on occasion, her face haunts my sleep. Still, I like to picture her, kids playing in a sprinkler behind her, digging in her garden, wearing gloves too big for her hands and a smudge of fresh dirt on her cheek … it makes me smile.


-Sam Webster
Brooklyn, New York
2013
OK, you can stop scratching your head. I'm sorry if you feel like I tricked you or was playing a prank … That was not my intention. This piece is experimental writing, of sorts. If you are wondering, it's titled “Somewhere … Out There”. But I didn't want to put a title at the head of the page, as that might have clued you in too early.

I also confess that “Sam” the narrator is, on no uncertain terms, based loosely on myself. But hey, what better way to string you along? Besides, as Stephen King said, you “Write what you know”. As far as I 'm aware, using poetry within a short story like this, or in this manner, has never been done before. Welcome to the future!

It really belongs in my “From Thee Edge” Collection with the rest of my Twilight-Zone-esque short stories. (You can now read some of these fiction short stories here, posted in my "NoPo@HePo" posts, along with some non-fiction essays. I hope you enjoy them.) But, because I pieced together several of my poems to not only tell the story, but as a vehicle to carry it along as part of it; I wanted to put it here on Hello Poetry just to see if I could convince you long enough to get you through the story … while having you believe it was me speaking to you and that it was all very real to me. Thus, making it feel real to you as you read it.

Was I having you along right up until it was signed by someone else? Or, at least until the narrator addressed himself as “Sam”?

If so, then I accomplished my mission. I'd love to hear your comments on it. If you've been reading any of my other posts, I'm sure you've figured out that I like to run wildly outside of the box sometimes. This was just, as I said, an experiment in a different way to tell a story … fiction or otherwise. As always, I hope that I took you on a journey and, more importantly, that you enjoyed it.

~Jeff Gaines
L.A.
(Lower Alabama)
2015
Kara Rose Trojan Dec 2014
My Second Letter to Allen Ginsberg
Dear Allen,
Almost five years ago, I wrote you a letter, and in
That letter, I purged my drunkenly woeful cries
That seem so first-world now and naïve –
The things I grimed over with luxuries I didn’t
Realize that rubbed against my plump limbs
Like millions of felines poised at the
Tombs of pharaohs.

Oh, Allen, I’m so tired –
These politics, and poly ticks, so many ticks that
Annoy my tics. Allen! I smear your name so liberally
Against this paper like primer because the easiest way
To coerce someone into listening to you like
A mother
or predator
tugging or nibbling on your ear –
Swatches of velvet scalped from a ****’s coat
Are you and I talking to ourselves again?
Candid insanity : Smoky hesitance.

Dear Allen, I’m so tired –
Yes, I love wearing my ovaries on the outside like
Some Amazonian soapbox gem glistening from beneath
The iron boots of what the newspapers tell me while
I cough at them with the hurdled delicacies of alphabet soup.
Give vegetables a gender and call them onions, Allen.
Sullied scratch-hicks pinioned feet from slapping
Society’s last rung on the ladder.
Ignore the swerve of small-town eyes.
Scapulas, stirrups, pap smears, and cervical mucus – now do you know who we are?

That fingernail clipped too short, Allen. We’ve all got AIDs
And AIDs babies, haven’t you heard? Hemorrhaging from the political
****** and out – they haven’t reached the heart.  
Since when have old white men given a **** about some
13 year old’s birth control? I’m riding on the waves of the
Parachute game and I swear this abortion-issue is just a veil outside Tuskegee University
Being further shove over plaintive eyes, swollen and black.
Pay up and
shut up.

I still remember my first broken *****, Allen.
Can you tell me all about your first time?
The vasodilatation that made veins rub against skin,
Delirious brilliance : unfathomable electricity.
I made love during an LSD experience, Allen,
And I am not sorry. I see cosmic visions and
Manifest universal vibrations as if this entire world is
A dish reverberating with textiles and marbles, and
All are plundering the depths of the finished wine
Bottle roasting in the sink like Thanksgiving Turkey.
The patience is in the living. Time opens out to you.
The opening, between you and you, occupied,
zoned for an encounter,
given the histories of you and you—
And always, who is this you?
The start of you, each day,
a presence already—
Hey, you!

Ah, Allen, if you are not safe, then I am not safe.
And where is the safest place when that place
Must be someplace other than in the body?
Am I talking to myself again?
You are not sick, you are injured—
you ache for the rest of life.

Why is it that I have to explain to my students that
sometimes what I'm spouting is prescribed by a pedagogical pharmacy --
but all they want to know is "what do the symbols on the television mean?"
I am completely aghast against the ghosts of future goners --
I am legitimately licensed to speak, write, listen like some mothers --
I am constantly cajoling the complex creations blamed on burned-out educators --
I am following the flagrant, fired-up "*******"s tagging lockers --
Pay up and
shut up.

Yes, and it’s Hopeless. Allen.
Where did we get off leaping and bounding into
The dogpile for chump change jurisdiction, policing
The right and the left for inherent hypocrisies when
Poets are so frightful to turn that introspective judgment
Upon ourselves?
We didn’t see it coming and I heard the flies, Allen.
Mean crocodile tears. Flamingo mascara tracks
Up and down : up and down: bow – bow – bow – bow
Buoyant amongst the misguided ******* floating around
In the swirlpool of lackadaisical introspection.
What good is vague vocab within poetry?
Absolutely none.
Would you leave the porchlight on tonight?
Absolutely, baby.

Dear Allen, would you grow amongst the roots and dirt
At the knuckles of a slackjawed brush of Ever-Pondering Questions
Only to ask them time-and-time-and-time-and-time-again.
Or pinch your forehead with burrowed, furrowed concentration upon those
Feeble branches of progression towards something that recedes further
And further with as much promise as the loving hand
Attempts to guide a lover to the bed?

Allen, I wish to see this world feelingly through the vibrations of billions of bodies, rocking and sobbing, plotting and gnashing like the movement of a million snakes, like the curves collecting and riding the parachute-veil.

Ah, Allen! Say it ain’t so! Sanctified swerve town eyes.
And everything is melting while poets take the weather
Too personally
And all the Holden Caulfields of the world read all the
*******’s written on the walls and all the Invisible Men
Eat Yams and all the Zampanos are blind and blind
And blind and blind and blind and blind
Yet see as much as Gloucester, as much as Homer,
As much as Oedipus.

Oh, Allen, do you see this world feelingly
and wander around the desert?
Colored marbles vibrating on the curtailed parachute paradox.
Lamentation of a small town’s onion. Little do we know, Allen,
That what you cannot see, we cannot see, and we are bubbling
Over in the animal soup of the proud yet weary. I can see,
However, how the peeled back skulls of a million
Workboots and paystubs may never sully the burden
Of an existential angst in miniscule amounts.
Pay up and
shut up.  

My dearest Allen, there is always a question of how
The cigarettes became besmirched with wax to complement
What was once grass, and
What was once a garish night drenching doorknobs.
The night's yawn absorbs you as you lie down at the wrong angle
To the sun ready already to let go of your hand
As you stepped, quivering, on to
The shores of Lethe.
Bus Poet Stop Sep 2017
the bus poets

we are the modern day chimney sweeps,
the ***** black faced coal miners of the city,
digging up its grit, toasted with its spit,
the gone and forgotten elevator operators,
the anonymous substitutable,
still yet glimpsed occasionally,
grunts of urbanity
provoking a surprised
whaddya know!

once like the bison and the buffalo,
we were thousands,
word workers roaming the cities,
the intercity rural routes and the lithe greyhounds
across the land of the brave,
free in ways the
founders wanted us to be
us, the stubs and stuff,
harder working poor and lower cases

we were the bus poets,
sitting always in the back of the bus,
where the engines growls loudest,
seated in the - the most overheated
in winter time, so much so
we nearly disrobed,
and then come the summer,
we were blasted with a joking
hot reverie from the vents,
but vent, no, we did not!

no - we wrote and wrote of all we heard,
passion overheated by currents within and without,
recording and ordering the
snatches and the soliloquies of the passengers,
into poem swatches;
the goings on passing by,
the overheard histories,
glimpsed in milliseconds, eternity preserved,
inscribed in a cheap blue lined five & dime notebook,
for all eternity what the eyes
sighed and saw

books ever passed
onto the next generation in boxes from the supermarket,
attic labeled, then forgotten beside the outgrown toys
with our names writ indelible with the magic of
black markers

if you stumble upon a breathing scripter,
let them be, just observe,
as they, you,
these movers and bus shakers,
as they, observe you

tell your children,
you knew one in your youth,
then take them to the attic
retrieve your mother's and father's,
teach your children
how to read, how to see,
the ways of their forefathers,
the forsaken,
the bus poets.
dedication: for them, for us, for me
V Oct 2018
we explored one another,
similar to that of how the seven sins
would explore their vices,
corrupting their virtues.

but that's what made the garden blossom,
grow with intense passion that radiated
with a melancholy glimmer, with a dipped
and ragged vine of sweat and sheen
arousal and desire.

  craving, begging, mewling, whining;

gluttony, craving for the excess
sloth, craving for moments of rest,
envy, craving for a bearing of arousal,
lust, craving for a touch, a sinful taste;
greed, craving the moans and swatches,
wrath, craving for sullen destruction,
pride, craving for the fall of a bereaved apology.


    our garden;
a place of virtues, a place of our vices.
you showed me the deepest things,
darkest epithets of what was to be explored,
blossoming a crimson rose of pure desire
in the pit of my abdomen, vines of thorns
wrapped firmly around my hips
and the soft ashen flesh of my wrists
soon to be accompanied around
the thin circumference of my ankles.
the shark divots soon finding their
way around the swells of my breast,
and the tremble of my inner thighs;
body arching, lips quivering,
ecstacy of your words,
your seed planted garden that
became a part of me.


I found the cardinal sins in
the dropping countenance
of your words, of your demands, and of your wishes,
and i bathed in it,
soaked myself up in the lavender of
your scent, the scratchiness of your thorns.

our garden was the place to cast our sins,
delve into them, and it ruined me,
but oh how I solely craved it.

our encounters, our actions, our experiences
putting even the seven deadly sins to same,
forcing them to turn when catching a glimpse
of us. The swells of their cheeks blossoming
with that of a rose tinted hue.
The piper coming from far away is you
With a whitewash brush for a sporran
Wobbling round you, a kitchen chair
Upside down on your shoulder, your right arm
Pretending to tuck the bag beneath your elbow,
Your pop-eyes and big cheeks nearly bursting
With laughter, but keeping the drone going on
Interminably, between catches of breath.



The whitewash brush. An old blanched skirted thing
On the back of the byre door, biding its time
Until spring airs spelled lime in a work-bucket
And a potstick to mix it in with water.
Those smells brought tears to the eyes, we inhaled
A kind of greeny burning and thought of brimstone.
But the slop of the actual job
Of brushing walls, the watery grey
Being lashed on in broad swatches, then drying out
Whiter and whiter, all that worked like magic.
Where had we come from, what was this kingdom
We knew we'd been restored to? Our shadows
Moved on the wall and a tar border glittered
The full length of the house, a black divide
Like a freshly opened, pungent, reeking trench.



**** at the gable, the dead will congregate.
But separately. The women after dark,
Hunkering there a moment before bedtime,
The only time the soul was let alone,
The only time that face and body calmed
In the eye of heaven.

Buttermilk and *****,
The pantry, the housed beasts, the listening bedroom.
We were all together there in a foretime,
In a knowledge that might not translate beyond
Those wind-heaved midnights we still cannot be sure
Happened or not. It smelled of hill-fort clay
And cattle dung. When the thorn tree was cut down
You broke your arm. I shared the dread
When a strange bird perched for days on the byre roof.



That scene, with Macbeth helpless and desperate
In his nightmare--when he meets the hags agains
And sees the apparitions in the ***--
I felt at home with that one all right. Hearth,
Steam and ululation, the smoky hair
Curtaining a cheek. 'Don't go near bad boys
In that college that you're bound for. Do you hear me?
Do you hear me speaking to you? Don't forget!'
And then the postick quickening the gruel,
The steam crown swirled, everything intimate
And fear-swathed brightening for a moment,
Then going dull and fatal and away.



Grey matter like gruel flecked with blood
In spatters on the whitewash. A clean spot
Where his head had been, other stains subsumed
In the parched wall he leant his back against
That morning like any other morning,
Part-time reservist, toting his lunch-box.
A car came slow down Castle Street, made the halt,
Crossed the Diamond, slowed again and stopped
Level with him, although it was not his lift.
And then he saw an ordinary face
For what it was and a gun in his own face.
His right leg was hooked back, his sole and heel
Against the wall, his right knee propped up steady,
So he never moved, just pushed with all his might
Against himself, then fell past the tarred strip,
Feeding the gutter with his copious blood.

*

My dear brother, you have good stamina.
You stay on where it happens. Your big tractor
Pulls up at the Diamond, you wave at people,
You shout and laugh about the revs, you keep
old roads open by driving on the new ones.
You called the piper's sporrans whitewash brushes
And then dressed up and marched us through the kitchen,
But you cannot make the dead walk or right wrong.
I see you at the end of your tether sometimes,
In the milking parlour, holding yourself up
Between two cows until your turn goes past,
Then coming to in the smell of dung again
And wondering, is this all? As it was
In the beginning, is now and shall be?
Then rubbing your eyes and seeing our old brush
Up on the byre door, and keeping going.
Cedric McClester Nov 2015
By: Cedric McClester

When Trump and Carson fall
And the foolishness ceases
Rubio will be there
To pick up the pieces
He’s salivating
As his chance increases
He’s now looking at curtains
And White House leases

When Trump and Carson fall
And the race is in shambles
He’ll bet his  house
You see. The man gambles
He’s not alone
Cuz there’s many other examples
Of men who’ve picked up swatches
And other samples

When Trump and Carson fall
And they look towards the rest
Rubio’s convinced
That he alone is the best
In fact he’s thinking
Nevertheless
It will be him and not the others
There’s no contest

When Trump and Carson fall
As inevitably they must
And Marco Rubio watches the others
Bite the dust
As they complain
Then spit and cuss
Marco will be the one
To lead the rest of us




Cedric McClester, Copyright © 2015.  All rights reserved.
Lauren Marie Oct 2013
I have this amputated vision of beauty
I feel I am supposed to be
A specific set of criteria
I am expected to meet:
Shaped perfectly
Delicate and light
Designed and idealized
Like a crystal champagne glass.

Gripped with only *******
And a pinky erectly raised
To signify elegance
An object with little weight.

People would want me;
They would press their lips
Against my rim
Taking a sip
Taking me in.

They would tilt their head back
Scoff and laugh
Gabbing about the day they had
Conversations over choosing paint swatches
“Lemon or cornsilk, the choice is too difficult."
God forbid they pick plain yellow.

Flashing fake teeth
Giving compliments they don’t mean
Over 30 and still gossiping.

Is that who I am?
Is that who I really want to be?
This idea of a human
Consumed with aesthetic beauty
A mere champagne glass
But made out of plastic.

I am not a champagne glass
I am in a different class.

I am a hand painted mug
Born in a ceramic painting store
Surrounded by various pottery
Cups, plates, figurines, galore.
In walks a girl with the desire to create
Make something beautiful
To love and adore.

Everything she is
Was placed into that mug
Favorite designs
Her inability to stay within the lines.
But these
Little intricacies  
Is what gives her beauty.

Perfect isn’t relatable
In fact, it’s unattainable.

I am a mug
Cold and heat tolerant
I can be roughly handled
Won’t break from a drop
Off a counter top.
Ask that of a champagne glass
Watch a breeze,
Have it fall to it’s knees
And shatter into pieces.

Thin
Breakable
And only seen
Under the hand of another’s command.
Put back when finished
Into my showcase
Until the next holiday
With only one purpose:
To be used for looks.

I am a mug
Not societies type
But does that make me ugly?
Say that to the little girl
Look in her eye
Watch her cry
Tell it to her face
Bring her to shame.

Why do we talk to each other this way?
We need acceptance
Not lessons
On how to have the best this and that.

I am not a champagne glass
So am I automatically fat?

Tell that to the little girl
Strip her of innocent purity
Give her insecurities
Distorted imageries
Of who she should be.

My mother believes
Her perception is the exception
“Be a lady”
“Be dainty”
“That dress isn’t very flattering”
“Do you hear me, Lauren Marie?”

I hear you mother
And all your opinions
But I am not open
To accepting any of them.

You love me entirely
But your words bully me
Like bullet in my chest
It’s hard to walk away
Feeling anything but less.
You’re in denial
Because you treat me like a child
I will never be
“Little Miss Perfect Lauren Marie”

I don’t want to be a champagne glass
Because I don’t drink
I’m not one for wine
I'd rather have tea.

Grab a mug, please mommy
We can cuddle together
And I’ll read my poetry.
But I see
You’re still reaching
For that crystal glass in me.

We own a kettle
One day you’ll want tea.
Caroline Grace Mar 2010
She saves swatches of fabric
pinked with special shears;
orders them in co-ordinated heaps
to keep her life fuss-free.
The finished quilt bubbles in her head.
She imagines it telling her bedtime stories
or lines of poetry to help her sleep -
"Better than sheep" she thinks.
She cuts card; stitches with rough tacking;
fantasizes downy feathers floating
between her patchwork story and
backing of silk slipping against skin,
then secures with neat tiny stitches
and strong coloured thread, to ensure
that her dream won't fall apart at the seams.
copyright © Caroline Grace 2010
Come, my darling, let us dance
To the moon that beckons us
To dissolve our love in trance
Heedless of the hideous
Heat & hate of Sirius-
Shun his baneful brilliance!

Let us dance beneath the palm
Moving in the moonlight, frond
Wooing frond above the calm
Of the ocean diamond
Sparkling to the sky beyond
The enchantment of our psalm.

Let us dance, my mirror of
Perfect passion won to peace,
Let us dance, my treasure trove,
On the marble terraces
Carved in pallid embroeideries
For the vestal veil of Love.

Heaven awakes to encompass us,
Hell awakes its jubilance
In our hearts mysterious
Marriage of the azure expanse,
With the scarlet brilliance
Of the Moon with Sirius.

Velvet swatches our lissome limbs
Languid lapped by sky & sea
Soul through sense & spirit swims
Through the pregnant porphyry
Dome of lapiz-lazuli:-
Heart of silence, hush our hymns.

Come my darling; let us dance
Through the golden galaxies
Rhythmic swell of circumstance
Beaming passion’s argosies:
Ecstacy entwined with ease,
Terrene joy transcending trance!

Thou my scarlet concubine
Draining heart’s blood to the lees
To empurple those divine
Lips with living luxuries
Life importunate to appease
Drought insatiable of wine!

Tunis in the tremendous trance
Rests from day’s incestuous
Traffic with the radiance
Of her sire-& over us
Gleams the intoxicating glance
Of the Moon & Sirius.

Take the ardour of my impearled
Essence that my shoulders seek
To intensify the curled
Candour of the eyes oblique,
Eyes that see the seraphic sleek
Lust bewitch the wanton world.

Come, my love, my dove, & pour
From thy cup the serpent wine
Brimmed & breathless -secret store
Of my crimson concubine
Surfeit spirit in the shrine-
Devil -Goddess -****** -*****.

Afric sands ensorcel us,
Afric seas & skies entrance
Velvet, lewd & luminous
Night surveys our soul askance!
Come my love, & let us dance
To the Moon and Sirius!
Ananyaa Kapoor Jul 2015
the air is heavy
with an unspoken desire
for his tanned skin
upon hers
a shady block
of warm breeze,
a dusty corner
and her back against it
- heaven.

gentle kisses that tasted like summer
now dot her memory
along with flashes of squinting
liquid honey coloured eyes
framed within lashes
that remind her of the sort of thing she'd like want to feel fluttering against her shoulder
first thing
on a sunny sunday morning;
a nose that she'd like to have nuzzled against the crook of her neck

all swatches of filtered sunlight
and unfamiliar hands
soft lips and hurried goodbyes
- imprints of a translucent yellow
Tupelo Apr 2015
Somewhere under your skin,
Has got me feeling all blue,
Those echoes of december,
Still strum their instruments,
The veins still are heavy,
And the visions still blur my eyes
the times still are rollin, and my belly is full
Verisi Militude Oct 2010
Oldest thing I ever did see,
Skin a mountain range of
Crumpled/crinkled crepe paper
Peaking in altitudinous pouches
Under his eyes, dragging with
Their weight dewlapp jowls
Down to a waddling,
Flabby neck, eyes camouflaged
Under light, fuzzy swatches of cotton,
Mouth slack and vacant, dribbling.
Hobbling with a stoop, knees bowed,
Back arched at an angle, a
Tilted arrow. He tottered over to me,
Inches, feet, miles, years too young,
Smiled brightly to reveal an empty,
Gummy mouth rimmed with
Birthday cake, pallid arms
Outstretched, head splotched with
A thin, wispy cloud of hair,
Half-full and forgotten baby’s bottle
On the carpet behind him.

How quickly they do grow.
Vivian May 2014
I always hated art.

as a kid, the forty-five minutes
every ******* Friday and Wednesday was
excoriating. even though
the other kids adored
fondling their fingers through paint
swatches, it just wasn't for me.
until I met you, my muse and my
canvas, your shuddering skin a
cream tableaux for my
lust to reimagine
pointillism cubism impressionism
le renaissance haut
in scratches and bites and
streaks of saliva criss-crossing
goosebumped skin.

I always hated art.
Chris Jun 2015
~

Silhouettes, shapes,
  clouds backlit
   by a distant sun
  rising slowly
      in the east,
   Cantaloupe swatches,
       painting introductions
    of a desirable dawn,
  drape the sky,
    illuminating my heart
       to another
          wondrous day
                *with you
Good morning Beautiful
A 70th Birthday Poem

My mother had a series of rules
     by which we lived
And by which I think I still do

For instance,
     to keep my brothers and I from fighting
         fighting to cause star-shaped pain,
two-dimensional and primary colored, like on Batman
         fighting to cause welts from
rising like tectonic plates heralding the end of Pangaea
         fighting to bring forth blood
     red blood
      red blood
       burgundy and green and iridescent blood
she said,
         “As long as you’re laughing when you hit them,
it doesn’t count,”
     and it became true
     as the forced, adrenaline-driven guffaws
           tumbled up and over one another
            like rocks shattering one another
              into pebbles exfoliating one another
                into sand
     white and soft and meandering
seaside to tomorrow and forever.
         Know what I mean?

My mother had a series of rules
     by which we lived
And by which I think I still do

For instance,
     to keep from clashing
in a fashionable/unfashionable dissonance,
it’s important to remember:
     “Just because two things are red,
doesn’t mean they’re the same,”
or blue or white or black
     that when held together like paint swatches
each holds a different value,
         and the painter tries to make the best choice
because a purple shirt can be pretty,
     but . . .
“Nobody wants to live in a purple house.”  
         Right?

My mother had a series of rules
     by which we lived
And by which I think I still do

For instance,
     housecleaning should be done to a polka,
or not at all
         joyfully or begrudgingly
as best suits the cleaner
         and the polka,
     because . . .
“Doesn’t a little accordian make everything better?”
         Well, doesn’t it?

My mother had a series of rules
     by which we lived
And by which I think I still do

For instance,
     today is the 31st anniversary
         of her 39th birthday
     just as it will soon be
            the 15th anniversary
         of my 29th birthday

Of *course, it is.
zb Oct 2018
i smear oil paint across your lips.

your face, outlined in pale brown and
robin's egg blue and
yellow-green,
rests gently in negative space.

part of me hurts
when i look at this part of you,
this part i am
so familiar with,
in an unfamiliar way.

the lines of your eyes
(eyes i've gazed into a thousand times)
betray my secrets and my soul;

the whisper of your hair
is the same as the quiet brush of mine
on the tops of my bare shoulders;

i reach out to touch you,
and my fingers touch dried oils
in shades of raw umber and cadmium lemon;
my paintbrush still dangles, wet,
from my other hand.

the creased wax paper on the table
carries swatches of color,
the potential energy of
my pigment-smudged hands;
you are still unfinished.

i am still unfinished.
Julia Oct 2014
Sat by the windows tall
Grey clouded light hazes through to illuminate the wonders
The irreplaceable structures, swatches, and swiping, scraping of a tireless hand
Surrounded by the obvious subject, yet unlike those who amble, I choose to see  
Paint pots and brushes of many men perch upon easels so used, a coins thickness of murky product builds its height, topped with splashes of clear reds, browns, and whites                        
Yet no art is to be fashioned from what has been once made, made again    
And so, my back in the dark of the pristine portraits and angels flying high, I see      
And what I see becomes my obsession
Frantic strokes upon a canvas rush to convey a fleeting moment of beauty
Colours so alive they cannot be restrained by careful handiwork, feelings so joyous they demand to be felt, untainted
And so I work as to appease them  
And though I live like the sky
Light flirting in and out, captivating my soul, only to hide recluse  behind the clouds and southern hemisphere  
I hope my labour keeps the skies of some souls clear
And that will be enough
Merry Aug 2018
I’m in love with the black leather lily
Sequin rose: she was looking so good
That rock’n’roll woman
Singing on a countryside stage
Doused in pink and blue light

I’m once bitten
But twice aggressive
I’m hungry and I’m craving
I don’t have a record
Of either the rock’n’roll
Or cell block persuasions
But I’ll be doing my time
Somewhere soon

Love bites on my neck
Imaginary and sensual
I know what I want
And I know how to get it
But I can’t seem to kick myself off
And there’s no one who clicks
And there’s no one who would meet
My tongue with their tongue
Let alone my voice, with their notes

I’m looking for something
I wouldn’t call it rare
But I’m questioning the scarcity
I want something stimulating
Intellectually and sexually
By the look in your eye
So clueless and vacant
I know that I’m not going to find it
Any time soon

There’s a feeling that I’m chasing
The humming and the strumming
Of a sanctified guitar
And the lips of a poet
Which aren’t mine
It’s electric and eclectic
A bohemian mind
But I’m stuck in suburbia

Lipstick swatches
On the back of my hand
A trio of matte hues
But the one I wear
With a virginal kiss
The colour’s called
Girl next door
But I haven’t been
The girl next door for a while now
I would like to dedicate this poem to the lead singer of the band, The Preatures.
Antony Glaser Feb 2016
The aconites are nowhere to be seen
but at least the crocuses are in bloom.
Regretfully the snowdrops weren't in clutching swatches
but were scenic like your smile.
A promise goes a long way,
shared interests and a taxi ride
to Chippenham.
Coupledom is everything.
We learn about one another
in seasonal guises.
Cody Edwards Feb 2010
When the patterns glide by
Comparing swatches of the "is" and the "could be"
It's easy to get caught in
Things that don't, couldn't exist:
Pressed and glossed but cut off completely
As by a film,
Just like the picture show.
A sallow barrier reducing profundity to charcoal etchings.

My eyes fog over with winter breath.
© Cody Edwards 2010
Lilli Sutton Apr 2019
1.
I spent most of the day on the train from Boston –
writing poems and thinking
of how to undo the mess. I still haven’t found the answer.
My uncle takes me to the Met for the first time –
so much art and so much time
forever onward. Upstairs
modern art canvases, big plain swatches
of bright color. I want to stare for hours
get lost in blues and greens, but it’s closing time
so we get dinner and go back to the apartment.
Beneath the red light and behind curtains
of the same color, I blow up the air mattress
but I don’t fall asleep for hours.

2.
I’m supposed to make breakfast
but they shut the water off. Left
to my own devices, I go to Union Square
and duck in and out of stores all day,
no one to keep me company. Bitter wind skims
off the pavement. I can’t even open my eyes
long enough to see the faces in the park.
Tuesday, when I came home early after cheap dinner
and felt guilty for not doing more. I tried to get ice cream -
one whole hour just to circle a few streets.
I realized – the only day we’ve gone without speaking
in over a year. It feels so good. Maybe it’s cheating
if you reach out and I just don’t respond. But the wound bleeds
every time I open it, and just once I want to give it time to heal.

3.
The long morning where we talk about silence
from people we used to love. Except it’s not sad –
I couldn’t be happier. You’re not joining the army
and I’m not staying in West Virginia. I make hardboiled eggs
before going to Chelsea. I spend hours alone in a museum
but this time I don’t hear the music. I overhear conversations
and write them down for safekeeping. Better than words
getting lost forever. We get pizza and ice cream
and talk about the past. Dad’s in the hospital – has been for a week,
no one told me. Suddenly the ice cream is sour instead of sweet.
Later I hear his voice and he sounds okay. We make plans for the weekend.
I break the silence after one day. Nothing’s changed – it’s worse now.
Whatever – we don’t have to talk. I get wine drunk in a basement
and laugh because everything is so absurd. We get dumplings
and I ride the wrong subway back, the one that makes too many stops.
I’m still trying to figure out the balance
between avoidance and acceptance. One day
I’ll get there. I feel like I’ve been dipped in boiling water,
skinned and left raw. Tomorrow I’m going home
and there’s not enough time. For what I’m not sure –
ever since I stopped wearing the watch on my wrist
it feels like the world is moving so fast I can’t notice,
an illusion of stillness. I shouldn’t have sent that last text –
I always say too much at the end. Always teaching myself
to trip over my own words.

4.
Mornings have become slow and still here.
I never used to linger like this, but maybe it’s a blessing.
Now I can take things in. Old haunts in a city
where part of me grew up. I make grocery lists
for the people I love. Maybe there’s a better way
to care for someone – but I like narrow aisles
and neon lights and people getting what they want.
If I’m alone I can do anything I want. Walk to Central Park
and sit in the sun. Or look at old books. So much time
looking and not reading – does it matter
if I never see the words inside? I wish I was a ***** fish
living in the gutters. I’d swim and swim until I lost my eyes.
I miss the simple landscapes of being home. But I’ll be back
soon. Trains like bookends. Movement like blinking.
Before I leave my uncle asks what I learned and I say
“that I’m capable.” He doesn’t ask of what –
I don’t have an answer. It’s like I used to say –
roll with the punches, or with the trains,
or just roll home.
03.14.19.
Robert Zanfad Nov 2009
Psychotic break stole
Sound mind with a dream
Escaped from the hole
Left by heart's loss.
Paste and paper seams
Meant to give gloss
To facades distressed
Unravel in time
And a life, no less,
Is bound to come loose
When built on old lies.
Lost to reality
In a new delusion
I watched a poor fool,
Arms flapping wildly
Certain they were afire
Set to flame by the embers
Of that brazier
Lit a life time ago,
Left hidden in past
Still aglow,
Time's slow drip
Yet unable
To put the coals to rest.
From poets,
Madman learns,
Salving fresh burns
With quenching words,
Delighting in their
Cooling flow,
A newfound remedy
For a primal malady.
Babbling in swatches,
Speaking of things
That aren't there
But maybe were.
Then lighting more matches,
Lest the glow extinguish
Its delirious illusions
Ease smoldering anguish,
But leave the room too cold
Miranda Mar 2014
I only know you, my lover, as the empty space between my arms where you laid that day for eight hours straight. I know you as the bitter cold and sweet dawn of a winter morning, and the pale moon hiding behind the blue of the sky.

You do not fit me; we are two different people, and I love that we choose to be together, regardless. We are color swatches, paint blotches: part of a bigger, more beautiful picture that I can only dream to achieve with your help.

And I think that is love: the fundamentals of kindness, separation, and coexisting.
For you, Elizabeth.
Jack L Martin Aug 2018
Swaggering daggers swaddling swatches
Winning spinning machine-like linnens
Having stabbing grabbing suits
Never ever silver-tounged seluths
On a journey? go to Deluth
Stop at Denny's, sit in a booth
Order a super bird, hot and delicious
Into my belly, full and malicious
Leave in a hurry, stand up then scurry
Back to the car but don't go far
Light up a spliff and head for the cliff
Jump just in time, land on a dime
Goodbye to my auto, is my new motto
Can't get back home, at least till tomorrow
Natalie Feb 2016
i'm a siren.
i'm not the sound of the ambulance, rushing to save you
i'm not going to sweep you off your feet, onto a stretcher
i'm not going to give you mouth to mouth beyond late night swatches of my lipstick on your lips
i'm not the iv drip filling your veins, or your heart
i make your heart flutter but i'm not your defibrillator
and with the electric shock comes burn marks on your chest, mimicking the burn marks i left on you
and i'm sorry that i'm a siren.
Molly Feb 2015
The black of your faded comforter
and grey walls with paint swatches in
tasteful shades of yellow
Against our timid skin
blushing with sun exposure
we have not seen in months
Dim rays slipping in between the blinds
and the rain
–in line segments–
makes its way down your window
We whisper so
the neighbors cannot hear us
pretending to make promises
Five past four
still too early
Ian Tishler Nov 2014
There's always been Louisiana Avenue and Menaul Boulevard; the same streets as Coranado Mall
right by where I'd transfer busses and had the worst luck.
Everything has changed, but those haven't.
Karma's built up from tagging ditches, not caring who'd see,
Staying at that house on Tennessee, or the hotel right down the street,
sneaking cigarette so I don't disappoint
my family and be less than they already think.

I don't want to go to college,
I don't want to live in the heat,
I don't want to move to California and be around the endless sea of people;
people scare me.
I don't want to live near family that can't see I want to live on the road and love the few people I hold close that I know will eventually grow to go away.

I want to be alone.
I want to steal seafoam green paint swatches from Walmarts across the United States,
and magic cards, too, though I know no one will play.
I've got a home on Wright Street, my old abodes on Clement and Austin,
even the apartments on Louisiana and Montgomery once held me
by the neck in my closet,
or in the tub when I was in-love with being strung out, ****** up and dumb.
Moving away doesn't numb your brain, same people different state, same problems, nothing's changed.
JSK Oct 2014
I am writing this to remind you
Of what used to be
And still is

There is still a light
At the end of the tunnel

Right now,
It's dark
Gone
Black
Non-existent

Maybe it's been 20 years without light
Maybe you've only ever seen
Small swatches
Shadows dancing on the walls
Only to look again
And see nothing but an
Empty
Dark plane
Void of anything
Especially happiness

But just because you can't see it
Doesn't mean it's not there
And what a shame it would be
To give up without ever knowing
How close you were
To the brilliant
Joyful
Saving
Light.
Katie Mac May 2013
what has my skin ever done to you?
has it sinned or lied or driven you mad?
it does to me, but to you?

what has my skin ever done to you?
besides existing in this world where the beholder is shot by firing squad and his eye spooned out for all to see, what?

we were wed in the summer some sixteen years ago, my skin and i,
those years of discontent.
i filed all the papers
but i think they got lost in the post.

still i sit here sewed into swatches of white
writing down this question:
what has my skin ever done to you?
Anne Oct 2017
There's familiarity within this young feeling.
Your hope is freedom I flourish on.

First hand held,
kiss stolen,
neck marked,
thigh bruised.

All is foreign to us both,
Yet I feel ancient in your arms.
You paint me in certain a light that can only be seen in the blackest of nights.

Yellow glow swatches your eyes with pure affection,
I feel you everywhere.
You drink me and suddenly my body is nowhere to be found.
The puzzle pieces are fitting quite nicely.
Through loving you,
I feel beyond loved.

— The End —