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"suite" poems
Sunday sermons are spilling on the inner city streets through the green heaps and brown bags through the downtown whisperers and sage solitude souls Army bands prepare for march (their trench members filling packs with canister and cane) the high command and tricked militia head pinned quick on the look for splinter, lorry and skuttle Traffic patterns change at the COP connect camouflage bearers break formal stride battle men slip between colorful floats unsuspecting slumlords (vein pricked and weary) grin in their second suite dying rooms Twitching men and rubbernecks sit discreetly on the corner wall JJ and the chief revere a 21 gun salute holy rollers raise cheer (in a moment of silence) chess men hold steady with ivory cues Flames belt from the distant foundry streets come alive with crackle and dust members of the attic group glance down from their perch an elderly man in a straight jacket (happy in the now) sits solemnly with a cold reflective stare It’s not far from the steely mud holes from the flying fragments and sharp broken dreams from the arsenal digs and madmen (who quietly turned the ***** the ivy trellis and flowing white gown are a nocturne fit for this elevated rolling highland
0
Apr 19, 2017
Apr 19, 2017 at 8:33 PM UTC
James Street Parade
Supposing that we lit some candles. One for each person on this earth, we would blow one out at a funeral and light one up at a birth. The world would grow darker every time we lost a fighter but with every new born baby it gets just that bit brighter. If you travelled into a city that was dark and gritty you'd know that they didn't have many in their committee. But.. If the light was brilliant and bright it would send a beaming message throughout the night. Saying "We are here! And we are alive!" Not wanting to be alone we endeavor to collide and form one giant, shining beacon that burns so fierce we're sure it can't weaken We sparkle and crackle and bend nature to our whim the mighty fire so strong it just had to gave in. With it we forged iron and buildings, cars and computers and lit paths of lives to guide commuters We lit up the universe as far as we could see Improving our lives greatly with technology obsessed with our professed fixture on practicality we completely forgot about morality Our fires forged weapons which we aimed next door In one swift movement we saw the effects of war 6,000,000 candles extinguished over arguments on which light is most distinguished So fixated on this light we blinded our eyes and the candle smoke filled the skies. We thought candles were good, they elevated us higher but now all we have is thick smoke and fire. The fire consuming all in its route the root of our lives follow suite. It's eating the oxygen and burning the grass the sand is melting and forming to glass. The glass it shatters into a thousand pieces more candles are lighting, the temperature increases The resources decline, as do the candles buried in ash a hundred thousand scandals. Now only a few lit candles remain as they slowly melt and fade away.
0
Nov 8, 2012
Nov 8, 2012 at 1:39 PM UTC
Supposing that we lit some candles..
Supposing that we lit some candles. One for each person on this earth, we would blow one out at a funeral and light one up at a birth. The world would grow darker every time we lost a fighter but with every new born baby it gets just that bit brighter. If you travelled into a city that was dark and gritty you'd know that they didn't have many in their committee. But.. If the light was brilliant and bright it would send a beaming message throughout the night. Saying "We are here! And we are alive!" Not wanting to be alone we endeavor to collide and form one giant, shining beacon that burns so fierce we're sure it can't weaken We sparkle and crackle and bend nature to our whim the mighty fire so strong it just had to gave in. With it we forged iron and buildings, cars and computers and lit paths of lives to guide commuters We lit up the universe as far as we could see Improving our lives greatly with technology obsessed with our professed fixture on practicality we completely forgot about morality Our fires forged weapons which we aimed next door In one swift movement we saw the effects of war 6,000,000 candles extinguished over arguments on which light is most distinguished So fixated on this light we blinded our eyes and the candle smoke filled the skies. We thought candles were good, they elevated us higher but now all we have is thick smoke and fire. The fire consuming all in its route the root of our lives follow suite. It's eating the oxygen and burning the grass the sand is melting and forming to glass. The glass it shatters into a thousand pieces more candles are lighting, the temperature increases The resources decline, as do the candles buried in ash a hundred thousand scandals. Now only a few lit candles remain as they slowly melt and fade away.
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42
It’s 6:15pm. Peter, Anna, Sophy and I are studying in the common room of our suite. “We need to get serious,” Peter whispered, but there was no subject in the declaration, so I was left confused and uncommitted, “about getting serious,” he clarified. “I’m not sure I can get serious about a guy who doesn’t separate whites and darks in the laundry,” I say, gently. “No,” he said, shaking his head in brief vibration, “we need to get serious about DINNER.” “Oh!” I said, maybe a little too relieved. “Ha!” He chortled, “YOU overthink everything!” He said, nodding his head up and down to prove it was true. “And speaking of laundry,” he continued, seeing me start to open my mouth, “the other night YOU asked me if your pastel purple ******* should go with the whites or darks - so I must be an EXPERT!” I laughed at the idea of his laundry expertise, sailing in from out of the purple like that, it was haywire. “Well,” I said, becoming introspective, “I didn’t know you’d hold onto that question like a grudge,” I said, in quiet, wounded accusation, “from now ON, maybe you should stay as far away from my ******* as possible.” “What are you two grousing about NOW?” Anna asked, looking up from her computer. “You guys are like an old married couple.” “True THAT.” Sophie said, like a judge right before knocking her gavel to finalize a ruling. “We weren’t arguing!” I said, looking around confusedly. I looked at Peter, who was smiling broadly, “Were we?” “Nope,” he said, wrapping his arm around me in a bearhug, “we were flirting.”
0
Sep 22, 2022
Sep 22, 2022 at 2:43 PM UTC
pastel purple
It’s 6:15pm. Peter, Anna, Sophy and I are studying in the common room of our suite. “We need to get serious,” Peter whispered, but there was no subject in the declaration, so I was left confused and uncommitted, “about getting serious,” he clarified. “I’m not sure I can get serious about a guy who doesn’t separate whites and darks in the laundry,” I say, gently. “No,” he said, shaking his head in brief vibration, “we need to get serious about DINNER.” “Oh!” I said, maybe a little too relieved. “Ha!” He chortled, “YOU overthink everything!” He said, nodding his head up and down to prove it was true. “And speaking of laundry,” he continued, seeing me start to open my mouth, “the other night YOU asked me if your pastel purple ******* should go with the whites or darks - so I must be an EXPERT!” I laughed at the idea of his laundry expertise, sailing in from out of the purple like that, it was haywire. “Well,” I said, becoming introspective, “I didn’t know you’d hold onto that question like a grudge,” I said, in quiet, wounded accusation, “from now ON, maybe you should stay as far away from my ******* as possible.” “What are you two grousing about NOW?” Anna asked, looking up from her computer. “You guys are like an old married couple.” “True THAT.” Sophie said, like a judge right before knocking her gavel to finalize a ruling. “We weren’t arguing!” I said, looking around confusedly. I looked at Peter, who was smiling broadly, “Were we?” “Nope,” he said, wrapping his arm around me in a bearhug, “we were flirting.”
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11
These words they cannot be rewritten to bright beat the minds of pop culture fiends Against the steel wall of the infinite Hollywood signs, dripping blood, Until the creative mind is bled dry. Then working the street corners to pay the corporate copies far too much for a strip tease by a fat transvestite, night after night; But we never realize there is no end, No end to the ***** **** being shoved down our throats — Though we think there will be a ***** at the end; Except there's just ***** hair stuck in our teeth, And along the way we've forgotten what it is like to have an empty mouth, Without **** coming out of our mouth and ******* Such that now it feels right. Look up at the man in a suite holding the camera, Like the attention you get from the broken world.  One man ass-fucks another then gets ass-fucked himself; Then bumped further in by a third, Till the world is united by **** and *******
0
Dec 6, 2013
Dec 6, 2013 at 4:24 PM UTC
**** & *******
Narrow single fall-out bedroom fear, Four poster dreaming fantasy love, King size suite is playing-field empty, Twin queens wondering if just for queens. Hard or soft, big or small, no fun alone. These sleepless thoughts caused, By ever increasing jetlagged jetlag, Which now feels more like hangover, But incurable with a walk or hair of the dog.
0
Nov 25, 2012
Nov 25, 2012 at 9:22 AM UTC
Bedroom
My happiness ... it comes from the smallest things, as it flows into the clepsydra the grains of sand. My happiness ... is the thought of using my wings, my warm soul that surrounds you with its hand. My happiness ... is the rainbow after a big storm, is the fragrant, beautiful scented flower, like a lip balm. My happiness ... are your eyes as a color spell in uniform and you embrace me all in your comforting palm. My happiness ... is the song humming your name under the burst of tender kisses of a guitar on fire. My happiness ... is your vibrant glance in a frame, your touch on a bear fur, like a hot desire. My happiness ... is my smile in which you mirror in the night, your face is dear heaven in my humble garden. My happiness ... is faith in love and in what is right, it's the flame burning, without asking for a pardon. My happiness ... is the sleep you will watch for me with fine caresses on my long raven hair. My happiness ... is the starry sky where I feel free, our bathing in the great spiritual love, like a prayer. My happiness ... is coffee in two until we're much older, when the sunrays brings us to life without any risk. My happiness ... is the sea breeze on our naked shoulder, spring suite appears, warmed by the heavenly yellow disk. My happiness ... is to be happy even if I'm sad and on my knee, for you have the power to raise me up and wipe my tears away. My happiness ... is to swim against the waves of the sea, for you are expected, loneliness has announced its delay.
0
Jul 22, 2018
Jul 22, 2018 at 6:59 AM UTC
HAPPINESS IN SMALLEST THINGS
My happiness ... it comes from the smallest things, as it flows into the clepsydra the grains of sand. My happiness ... is the thought of using my wings, my warm soul that surrounds you with its hand. My happiness ... is the rainbow after a big storm, is the fragrant, beautiful scented flower, like a lip balm. My happiness ... are your eyes as a color spell in uniform and you embrace me all in your comforting palm. My happiness ... is the song humming your name under the burst of tender kisses of a guitar on fire. My happiness ... is your vibrant glance in a frame, your touch on a bear fur, like a hot desire. My happiness ... is my smile in which you mirror in the night, your face is dear heaven in my humble garden. My happiness ... is faith in love and in what is right, it's the flame burning, without asking for a pardon. My happiness ... is the sleep you will watch for me with fine caresses on my long raven hair. My happiness ... is the starry sky where I feel free, our bathing in the great spiritual love, like a prayer. My happiness ... is coffee in two until we're much older, when the sunrays brings us to life without any risk. My happiness ... is the sea breeze on our naked shoulder, spring suite appears, warmed by the heavenly yellow disk. My happiness ... is to be happy even if I'm sad and on my knee, for you have the power to raise me up and wipe my tears away. My happiness ... is to swim against the waves of the sea, for you are expected, loneliness has announced its delay.
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28
Dinner table, Bowls of light, Stage fright, lilies, No appetite, Dark absences nibbling Right through my eyes Like black rabbits pulled Out of Truman Show skies, Provoking the question From those sat up front – Is this a trick you’re pulling - Is this one of your stunts? But no amount of smiling Will do – Nod all you like. They’re onto you. Christmas Eve, Sister’s house, Black eye, Ulcerated mouth. Divinely tickled- By Miss World! A pinecone and mistletoe Christmas hurled Down en suite toilets Porcelain pink, My face makes love To the bathroom sink. The most squalid Little Lord In the county, me, Summer blooms hold No charms for me, So I try to apply my Favourite smile And travel a few more Country miles To a chemist that doesn’t Know my face. I browse a bit (Condoms, spectacles case) Then I try to Convince the pharmacist That I need two Bottles of Gee’s Linctus. The cruelest boyfriend I ever had Gives head to a toilet roll And his fingerpads Are bordello yellow From greased nicotine, This ******* in Primrose Exhales smoke in a stream, And I try to remember what Buttercup said, His baby’s breath whispers Wilt in my head, Something about purity Something about loss Something about cleanliness Something about God Something about something That I should tick off as regrettable, But one flower can make everything So ******* Forgettable.
0
Oct 4, 2013
Oct 4, 2013 at 2:49 PM UTC
just one flower
THE SAXOPHONE STORY BY RAJ NANDY The Saxophone is perhaps the most expressive instrument next to the human voice. Was made by Adolphe Sax, a Belgian, through a deliberate choice! He wanted to offset the tonal disparity, - Between the string, wind, and brass instruments, with musical clarity ! He felt that the strings ones were overpowered by the wind instruments. While the wind instruments got overblown by the brass ones instead ! Now what would happen if the best qualities of these three instruments types, Could in a fusion blend and coalesces into a single instrument type ? So finally at the age of 20 years, in March Eighteen Hundred and Thirty Four, Adolphe Sax created a magical instrument for the World to hear and adore! It had the power of the brass, the flexibility of the strings, and the woodwind’s variety and tone; Which got christened after Adolphe Sax as the SAXOPHONE ! Adolphe’s famous composer friend Hector Berlioz in Paris City, Gave this new instrument wide publicity! In 1844 the Sax was presented in the Industrial Exhibition at Paris; And subsequently got patented on 20 March 1846. It soon got adopted by the Bands of the French Army. Making other instrument makers to become green with envy! The Sax was 80 years old when it became part of the musical instruments of the Jazz Band. A small bore mouth piece was created to suite the varying tonal qualities required by Jazz. Initially, 14 different sizes of Sax was created by Adolphe. Today only five types are in use for us to hear and see; The Soprano, Alto, Tenor, Bass and the Baritone Saxophone. They now form a part of our Jazz music's backbone! - By Raj Nandy FOOT NOTES : Adolphe Sax (1814-1894) , son of famous musical instrument maker Charles Joseph Sax of Belgium. Woodwind Instruments = Flute, Clarinet, Bassoon etc. Brass Instruments = Trumpet, Tuba, Cornet etc. String Instruments = Violin, Guitar, Harp, Banjo etc. The Saxophone today has become the very backbone of Jazz Music! ** ALL COPY RIGHTS ARE RESERVED BY: - RAJ NANDY **
0
Apr 10, 2016
Apr 10, 2016 at 11:06 AM UTC
THE SAXOPHONE STORY
THE SAXOPHONE STORY BY RAJ NANDY The Saxophone is perhaps the most expressive instrument next to the human voice. Was made by Adolphe Sax, a Belgian, through a deliberate choice! He wanted to offset the tonal disparity, - Between the string, wind, and brass instruments, with musical clarity ! He felt that the strings ones were overpowered by the wind instruments. While the wind instruments got overblown by the brass ones instead ! Now what would happen if the best qualities of these three instruments types, Could in a fusion blend and coalesces into a single instrument type ? So finally at the age of 20 years, in March Eighteen Hundred and Thirty Four, Adolphe Sax created a magical instrument for the World to hear and adore! It had the power of the brass, the flexibility of the strings, and the woodwind’s variety and tone; Which got christened after Adolphe Sax as the SAXOPHONE ! Adolphe’s famous composer friend Hector Berlioz in Paris City, Gave this new instrument wide publicity! In 1844 the Sax was presented in the Industrial Exhibition at Paris; And subsequently got patented on 20 March 1846. It soon got adopted by the Bands of the French Army. Making other instrument makers to become green with envy! The Sax was 80 years old when it became part of the musical instruments of the Jazz Band. A small bore mouth piece was created to suite the varying tonal qualities required by Jazz. Initially, 14 different sizes of Sax was created by Adolphe. Today only five types are in use for us to hear and see; The Soprano, Alto, Tenor, Bass and the Baritone Saxophone. They now form a part of our Jazz music's backbone! - By Raj Nandy FOOT NOTES : Adolphe Sax (1814-1894) , son of famous musical instrument maker Charles Joseph Sax of Belgium. Woodwind Instruments = Flute, Clarinet, Bassoon etc. Brass Instruments = Trumpet, Tuba, Cornet etc. String Instruments = Violin, Guitar, Harp, Banjo etc. The Saxophone today has become the very backbone of Jazz Music! ** ALL COPY RIGHTS ARE RESERVED BY: - RAJ NANDY **
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50
Drifting softly, Like a cloud in the sky, Going with the flow, Feeling extremely fly. No destination, Just passing by, No obligation, Not even a suite or tie. Following the wind, Following the rain, Just keep moving, Ignore the pain. So what? You're alone, There's no need to feel shy, Don't look back now, There's a chance you might cry. Endlessly drifting, Does that mean you're alone? Forever moving, Never to meet someone. Maybe staying wouldn't hurt, There's a chance at a life, Having a home, And maybe becoming a wife. Drifting is nice, But only for awhile, It then becomes lonely, And you can't walk another mile. In the end, Find a place to call your own, Look for your own castle, And make yourself a throne.
0
Feb 1, 2015
Feb 1, 2015 at 9:23 PM UTC
Drifting
All this — was for you, old woman. I wanted to write a poem that you would understand. For what good is it to me if you can’t understand it? But you got to try hard — But — Well, you know how the young girls run giggling on Park Avenue after dark when they ought to be home in bed? Well, that’s the way it is with me somehow.
0
4k
January Morning: Suite 15
** ** ** ** ** ** We think Santa smells! We think Santa smells. And he smells like hell It's not to laugh 'cause Santa needs a bath! Yes, we think Santa smells. Sweating day and night, in his suite so tight. Stop this debate 'cause it's too late. Yes we think Santa smells. We have had about enough of this stinky man. We must surely formulate a bathing plan. Santa's gone too long and the odor's strong. Don't be a dope and grab that soap! 'Cause we think Santa smells. (Instrumental) We've an urgent job to do so our eyes won't tear. Every time to us Santa Claus comes near. We think Santa smells. And he smells like hell. It's not to laugh 'cause Santa needs a bath. Yes we think Santa smells. ** **
0
Dec 22, 2016
Dec 22, 2016 at 4:19 PM UTC
We think Santa Smells (Sung to "We are Santa's Elves)
Flamingos aren't naturally pink But not for the reason most think They preen and they dye And they leave it to dry Before rinsing it off in the sink The magpies send me into fits The ducks have me losing my wits The crows are a blight And they crow all night But I do enjoy watching the **** Vanessa McRafferty-Fryer Set alight to the **** of her squire She took a few shots Of his privatest spots And then laughed as he ****** out the fire A penguin called Panama Pete Had no love of the snow on his feet So he stayed for a spell At the polar hotel With a pool and Jacuzzi en suite I met a quite curious swan By a lake I was boating upon It tickled my *** And insulted my mum With a flurry of wings, it was gone I know of a Gerald McFitz Who arouses himself when he sits For his favorite chair Is the shape of a pair Of voluptuous wobbly **** and one for that special someone... Your pancreas really is grand Tis a thoroughly marvelous gland You've a cute little spleen Though it's seldom seen And a nose growing out of your hand **
0
Jun 23, 2013
Jun 23, 2013 at 12:31 PM UTC
Limericks Naughty & Nice
Set the cheetahs on the loose There's a thief out on the move Underneath our legion's view They have taken Cleopatra Run run run, come back for my glory Bring her back to me Run run run, the crown of our pharaoh The throne of our queen is empty We'll run to the future Shining like diamonds in a rocky world A rocky, rocky world Our skin like bronze and our hair like cashmere As we march to rhythm On the palace floor Chandeliers inside the pyramid Tremble from the force Cymbals crash inside the pyramid Voices fill up the halls The jewel of Africa What good is a jewel that ain't still precious? How could you run off on me? How could you run off on us? You feel like God inside that gold I found you laying down with Samson And his full head of hair Found my black queen Cleopatra Bad dreams, Cleopatra Remove her Send the cheetahs to the tomb Our war is over, our queen has met her doom No more she lives no more serpent in her room No more it has killed Cleopatra Big sun coming strong through the motel blinds Wake up to your girl for now, let's call her Cleopatra I watch you fix your hair Then put your ******* on in the mirror, Cleopatra Then your lipstick, Cleopatra Then your six-inch heels Catch her She's headed to the pyramid She's working at the pyramid tonight Working at the pyramid Working at the pyramid tonight Working at the pyramid Working at the pyramid tonight Working at the pyramid Working at the pyramid tonight Working at the pyramid Working at the pyramid tonight Pimping in my convos Bubbles in my champagne Let it be some jazz playing Top floor motel suite twisting my cigars Floor model TV with the VCR Got rubies in my **** chain Whip ain't got no gas tank But it still got woodgrain Got your girl working for me Hit the strip and my bills paid That keep my bills paid Hit the strip and my bills paid Keep a ***** bills paid She's working at the pyramid tonight You showed up after work I'm bathing your body Touch you in places only I know You're wet & you're warm just like our bathwater Can we make love before you go The way you say my name makes me feel like I'm that ***** But I'm still unemployed You say it's big but you take it Ride cowgirl But your love ain't free no more But your love ain't free no more
0
Nov 18, 2013
Nov 18, 2013 at 12:23 PM UTC
Pyramid's pt.1
Set the cheetahs on the loose There's a thief out on the move Underneath our legion's view They have taken Cleopatra Run run run, come back for my glory Bring her back to me Run run run, the crown of our pharaoh The throne of our queen is empty We'll run to the future Shining like diamonds in a rocky world A rocky, rocky world Our skin like bronze and our hair like cashmere As we march to rhythm On the palace floor Chandeliers inside the pyramid Tremble from the force Cymbals crash inside the pyramid Voices fill up the halls The jewel of Africa What good is a jewel that ain't still precious? How could you run off on me? How could you run off on us? You feel like God inside that gold I found you laying down with Samson And his full head of hair Found my black queen Cleopatra Bad dreams, Cleopatra Remove her Send the cheetahs to the tomb Our war is over, our queen has met her doom No more she lives no more serpent in her room No more it has killed Cleopatra Big sun coming strong through the motel blinds Wake up to your girl for now, let's call her Cleopatra I watch you fix your hair Then put your ******* on in the mirror, Cleopatra Then your lipstick, Cleopatra Then your six-inch heels Catch her She's headed to the pyramid She's working at the pyramid tonight Working at the pyramid Working at the pyramid tonight Working at the pyramid Working at the pyramid tonight Working at the pyramid Working at the pyramid tonight Working at the pyramid Working at the pyramid tonight Pimping in my convos Bubbles in my champagne Let it be some jazz playing Top floor motel suite twisting my cigars Floor model TV with the VCR Got rubies in my **** chain Whip ain't got no gas tank But it still got woodgrain Got your girl working for me Hit the strip and my bills paid That keep my bills paid Hit the strip and my bills paid Keep a ***** bills paid She's working at the pyramid tonight You showed up after work I'm bathing your body Touch you in places only I know You're wet & you're warm just like our bathwater Can we make love before you go The way you say my name makes me feel like I'm that ***** But I'm still unemployed You say it's big but you take it Ride cowgirl But your love ain't free no more But your love ain't free no more
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74
Veasna Ta Kvak recording playback over Chinatown cafe again while recounting recent events to journal pages muddled from frequent exchanges bag to bag (Been to Taipei airport, Bali, Vancouver, most recently) blind fate blind fate shower me with Indian daisies and photographs of Railway New Delhi! Hanoi Old Quarter/ Vietnam monsoon/ evening on balcony/ Darjeeling water boiled and filtered anti-malaria golden drink for honeylungs and spring-soul morningtide under moonlight canopy of Avalokiteśvara the fruitful Bodhisattva! English lessons and future hourless comely chimera in sleep phenomenon Benares phantasmagoria YELLOW (near Mata Anandamai Ghat) speaking to Aghori prophecy Kala Bhairava FIERCE ILLUSORY APOCALYPSE FAMILIAR WHERE IS YOUR NOOSE? the Ganges is full of lice and flowers candlewax melted into holy water sickness equal to harmony & jubilant eyeclose and mouthcurl. The future mysteries in Mexico City poorboy $2 mystic orb jade green reflective underneath dirt now in North American bottom white four floor house basement suite coffee table. Visions indivisible from the Viridian roundly haze but surefire in their accuracy I'm absolute and universally formed for the next few cacophonous decades!
0
Jun 22, 2015
Jun 22, 2015 at 1:47 AM UTC
Early Rest in the Chinatown Cafe
It is so measured that rising arpeggio, only to fall and rise again in quicker values, through the dominant seventh to the heartache moment of that minor ninth, a very apogee of dissonance. Then it goes higher still to the fifth, holding to that Phrygian harmony before returning to the tonic minor and a measured fall in the bass. This is a deliberate descent to the sub-mediant, and Bach’s touch of magic, the equivalence with the dominant minor ninth. But then he gives us hope: an extended and joyful play through sequences that rise and fall within each bar, to rest finally on the mediant’s echo of that opening, that measured rise and the quickening fall. We have hardly smiled with relief when Bach pulls us back into the insecurity of the dominant of the subdominant, that V of IV acting like a bridge to a long, long discourse in the dominant, a pedal E holding firmly to itself whilst rising arpeggios and falling decorations and sequences pull and pull through innocently related keys. Longer and longer play the rising passages until short motives of imitation interrupt, treble to bass, tenor to alto, until:  a first inversion arpeggio of the dominant seventh measures out the opening rhythm. This happens twice in short succession, as though holding the progress of the music to account. A questioning perhaps before a four-fold sequence asserts the dominant and a chorded caesura. There is a pregnant, though faintly resonant silence as Bach spins the dice of tonality and chooses the subdominant to bring the music towards a waiting Allemande. The music moves through a play of subdominant to dominant, minor to major, the mix of flattened fifth and flattened ninth. It is those intervals that determine Bach as the father of ambiguity in the 20C school of jazz harmony, Arpeggio then a falling scale, and repeat and repeat again, but moving ever higher by sequence. At last five chords – merely a shorthand for closure via the expectation of a right display of the performer’s improvisatory prowess. They prepare us reverently for the tonic minor before the stately Allemande leads the music into the elegant steps of its walking dance.
0
Jan 5, 2013
Jan 5, 2013 at 3:13 AM UTC
On playing the Prelude from Bach’s Second Suite for Violoncello
It is so measured that rising arpeggio, only to fall and rise again in quicker values, through the dominant seventh to the heartache moment of that minor ninth, a very apogee of dissonance. Then it goes higher still to the fifth, holding to that Phrygian harmony before returning to the tonic minor and a measured fall in the bass. This is a deliberate descent to the sub-mediant, and Bach’s touch of magic, the equivalence with the dominant minor ninth. But then he gives us hope: an extended and joyful play through sequences that rise and fall within each bar, to rest finally on the mediant’s echo of that opening, that measured rise and the quickening fall. We have hardly smiled with relief when Bach pulls us back into the insecurity of the dominant of the subdominant, that V of IV acting like a bridge to a long, long discourse in the dominant, a pedal E holding firmly to itself whilst rising arpeggios and falling decorations and sequences pull and pull through innocently related keys. Longer and longer play the rising passages until short motives of imitation interrupt, treble to bass, tenor to alto, until:  a first inversion arpeggio of the dominant seventh measures out the opening rhythm. This happens twice in short succession, as though holding the progress of the music to account. A questioning perhaps before a four-fold sequence asserts the dominant and a chorded caesura. There is a pregnant, though faintly resonant silence as Bach spins the dice of tonality and chooses the subdominant to bring the music towards a waiting Allemande. The music moves through a play of subdominant to dominant, minor to major, the mix of flattened fifth and flattened ninth. It is those intervals that determine Bach as the father of ambiguity in the 20C school of jazz harmony, Arpeggio then a falling scale, and repeat and repeat again, but moving ever higher by sequence. At last five chords – merely a shorthand for closure via the expectation of a right display of the performer’s improvisatory prowess. They prepare us reverently for the tonic minor before the stately Allemande leads the music into the elegant steps of its walking dance.
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1
Je suis exatlé de voir dans ce ciel de nuit, Auquel je dois cette plaisante fortune. En compagnie d’étoiles clignotantes, Subjugué par ce spectacle, j’admire ma Lune. Lave-moi dans ton eau argentée, translucide. Sois près de moi lors de mes blanches nuits. Veille sur moi tel un garde sans faille. Enveloppe-moi de murmures, un calme répit. Ô comme tu guides les flots ardents de mon âme! Baisse les yeux, les eaux abordent ma plage… Érode le fardeau qui étouffe mes écueils brûlants, Des sables noyés, oppressé, tendres otages. Peu de nuits à présent… Épris alors que tu t’en vas. Des brins épais et sombres de cheveux en cascades, Dissimulent ton visage d’une manière séduisante. Il n’en reste qu’un croissant, qui s’efface dans le noir. Les nuits s’écoulent… Maintenant la lune se délite M’en laissant qu’une moitié; la nuit le veut ainsi. Reste encore, plus longtemps; ne pars pas si tôt, Je ne me sens pas prêt à être anéanti. Je lève la tête sans dire un mot, alors que les nuits passent. J’ai vu mon amour lunaire se dissoudre dans l’espace. My coeur, aussi, déchiré bout par bout… Enfin, elle était partie; partie, sans laisser de trace. Depuis, chaque nuit abonde de vide et de souffrance. Je supplie les étoiles d’apaiser le vide en moi… Mais ils se contenteraient de briller, indifférents… Même suite à tous mes appels, mes émois. Desormais je suis incertain sur le nombre de passages. Les nuits n’amenèrent que l’assaut des étoiles moqueuses. Cependant je joue des promesses celestes, Pour le retour de ma folle quête amoureuse. Je sais que c’est frivole de penser que je suis le seul… C’est vrai, ils languissent; ma souffrance est la leur. Mais c’est moi qui désire le plus ton fameux regard, Car nos coeurs ont chanté dans toutes les couleurs. Ma détresse à son zénith, emplis, presque brisé, Lorsque soudain j’entends une belle chanson, lointaine. Une chanson pareille à celle que l’on prononçât, Encore garnie d’argent translucide, je soupire avec peine…, “Te voilà....”
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Nov 23, 2014
Nov 23, 2014 at 7:16 PM UTC
Lettre de ton Astronome
Je suis exatlé de voir dans ce ciel de nuit, Auquel je dois cette plaisante fortune. En compagnie d’étoiles clignotantes, Subjugué par ce spectacle, j’admire ma Lune. Lave-moi dans ton eau argentée, translucide. Sois près de moi lors de mes blanches nuits. Veille sur moi tel un garde sans faille. Enveloppe-moi de murmures, un calme répit. Ô comme tu guides les flots ardents de mon âme! Baisse les yeux, les eaux abordent ma plage… Érode le fardeau qui étouffe mes écueils brûlants, Des sables noyés, oppressé, tendres otages. Peu de nuits à présent… Épris alors que tu t’en vas. Des brins épais et sombres de cheveux en cascades, Dissimulent ton visage d’une manière séduisante. Il n’en reste qu’un croissant, qui s’efface dans le noir. Les nuits s’écoulent… Maintenant la lune se délite M’en laissant qu’une moitié; la nuit le veut ainsi. Reste encore, plus longtemps; ne pars pas si tôt, Je ne me sens pas prêt à être anéanti. Je lève la tête sans dire un mot, alors que les nuits passent. J’ai vu mon amour lunaire se dissoudre dans l’espace. My coeur, aussi, déchiré bout par bout… Enfin, elle était partie; partie, sans laisser de trace. Depuis, chaque nuit abonde de vide et de souffrance. Je supplie les étoiles d’apaiser le vide en moi… Mais ils se contenteraient de briller, indifférents… Même suite à tous mes appels, mes émois. Desormais je suis incertain sur le nombre de passages. Les nuits n’amenèrent que l’assaut des étoiles moqueuses. Cependant je joue des promesses celestes, Pour le retour de ma folle quête amoureuse. Je sais que c’est frivole de penser que je suis le seul… C’est vrai, ils languissent; ma souffrance est la leur. Mais c’est moi qui désire le plus ton fameux regard, Car nos coeurs ont chanté dans toutes les couleurs. Ma détresse à son zénith, emplis, presque brisé, Lorsque soudain j’entends une belle chanson, lointaine. Une chanson pareille à celle que l’on prononçât, Encore garnie d’argent translucide, je soupire avec peine…, “Te voilà....”
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I have discovered that most of the beauties of travel are due to the strange hours we keep to see them: the domes of the Church of the Paulist Fathers in Weehawken against a smoky dawn—the heart stirred — are beautiful as Saint Peters approached after years of anticipation.
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January Morning: Suite 01
The pavement neath my pad pawed feet is sometimes rough (They seldom Sweep) I tour my little concrete Fief with a boy on a chain dragged off his feet. I sniff and check each rock and tree to find which dogs have stopped to *** I roll a growl deep in my throat if I see rivals here about. If perchance, Fifi I meet I wag my tail and act real sweet. She's French you know, and , when in heat, worlds can collide and blend tout suite.
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Dec 7, 2011
Dec 7, 2011 at 9:42 PM UTC
The Pug
For Madison Grace   So nice to know you play the cello, such a fine upstanding instrument this. It holds itself so firm to the floor, but needs the knees to keep it still.   That resonant rich bottom C, it never fails to move me. So when at the end of Bach’s Fifth Suite, the music dances its gigueing way to that low tessitura, it’s an open string end san pareil.
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Jan 4, 2013
Jan 4, 2013 at 3:04 AM UTC
The Cello
I remember you like a famous brachiosaur, ensconced in the terrible street lamps of west county apartment block row. That swaying bronze gate to your three flat two room apartment. Skinny legs for the couch, the backroom bedroom, and the bunk beds in the master suite. We studded me for excellent squeeze; one trident pull switching time against a baited lock. "I'll swallow you whole," you brushed off into my ear while I passed your cheek with my lips, braising your skin with dew drops of our rushes and sweat. Even for April this was alright. Your brother had already moved out, and listening to Hall and Oates and going fishing was all you wanted to do. So I made us two root beer floats with Almond Milk ice cream, and settled into you for five hours and forty-five minutes. It was before 5:00a.m. when you turned to the night and spilled the last ounces of your naked body out to me beneath the satin sheets. I pressed my lips hard against your nose and whispered I'd be leaving soon. Still I do not recall if I woke you when I left, but I remember that next day when you questioned if I had.
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Apr 26, 2014
Apr 26, 2014 at 5:36 AM UTC
Untitled
The Belle Rang His Bell night sweets for knight tiptoeing into her suite his horse's beat, turning her hoarse red as a beet please my boughs, she pleas then bows he rode the road, horse's rose to red rows as waves mete, cries of more amore for their meet Logan Robertson 5/18/17
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May 18, 2017
May 18, 2017 at 5:10 PM UTC
The Belle Rang His Bell
I always get up early. Early, early, early and it’s Saturday morning. So I scooted over to “Donut Crazy” and got myself 12 sugar donuts (and a selection of treats for my suitemates - I’m NOT suicidal.) At 8am, I’m in the suite common area, on the couch, binging “Ladybug and Cat Noir” on my iPad and I realize that Leong, one of my suitemates, is sipping her coffee and staring at me like I’m a bad pet. I look around to find myself sitting in a shower of confectioners’ sugar speckles. “In my defense, I was left unsupervised.” I disclaim.
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Oct 30, 2021
Oct 30, 2021 at 11:13 AM UTC
donuts
**Long brown dream her legs akimbo apex flushed dark arms bowed at hip ******* accusing Breathless, the ******* seesaw tight curls crown angry beauty teeth blaze hot golden eyes spit hate spinning slowly left proudly curved bending exposed face framed a toppled heart lips lick entice three rising paces the suite bar long fingers reach the glass held waist high pivoting back all swift motion a somersault roll landing grinning ******* bouncing a silent scream lashes out blinding red wine** *All loves promises tumbling bouncing emotion an ****** spite* **leaving me naked rivoletto sashed red seeing blurred ghostly negatives of forever young screaming bouncing ******* I say “Goodbye true love” to the tall glass on the bar my coat and open door to the clothe strewn bedroom** *Clothed party act a pint spinning somersault quaffed down brim full*
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May 14, 2010
May 14, 2010 at 5:11 AM UTC
Spite Akimbo
Arthur McKnight was a powerful man and New York was his playground.  Not that he ventured out anymore at night now that he had met Evangeline.  The long days of mind-numbing numbers he crunched managing Wall Street hedge funds had taken their toll on him over the years, but becoming intimate with Evangeline had saved him, had changed him in ways so fundamental that for him she was all that mattered.      Arthur no longer noticed these subtle differences.  He daydreamed by the dim LCD light of stock tickers, craving the touch that only his woman could bestow upon him.  He had surrendered completely to her bliss.      These days when he woke to her already gone from his Upper West Side apartment all that was left of her presence was a lipstick kiss on the mirror and a bottle of Sally Hansen Tangerine Orange nailpolish.  The quiet was deafening, but that bottle of Sally Hansen left on the bathroom counter held the promise of Evangeline's return.      It was just after 7 p.m. when Arthur made it home and he could already sense her.  She was coming.  He strode with purpose to his master suite, spying the black thigh-highs and silky red dress he had laid out for her arrival.  The waiting was unbearable, and Arthur finally broke, needing Evangeline so badly he could smell her perfume, could taste her in his throat.  It was time; no more waiting.      "You look lovely tonight, Evangeline," Arthur croaked aloud as he pulled the first of the thigh highs onto his shaven legs...
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Jan 8, 2014
Jan 8, 2014 at 11:08 PM UTC
Arthur and Evangeline
Arthur McKnight was a powerful man and New York was his playground.  Not that he ventured out anymore at night now that he had met Evangeline.  The long days of mind-numbing numbers he crunched managing Wall Street hedge funds had taken their toll on him over the years, but becoming intimate with Evangeline had saved him, had changed him in ways so fundamental that for him she was all that mattered.      Arthur no longer noticed these subtle differences.  He daydreamed by the dim LCD light of stock tickers, craving the touch that only his woman could bestow upon him.  He had surrendered completely to her bliss.      These days when he woke to her already gone from his Upper West Side apartment all that was left of her presence was a lipstick kiss on the mirror and a bottle of Sally Hansen Tangerine Orange nailpolish.  The quiet was deafening, but that bottle of Sally Hansen left on the bathroom counter held the promise of Evangeline's return.      It was just after 7 p.m. when Arthur made it home and he could already sense her.  She was coming.  He strode with purpose to his master suite, spying the black thigh-highs and silky red dress he had laid out for her arrival.  The waiting was unbearable, and Arthur finally broke, needing Evangeline so badly he could smell her perfume, could taste her in his throat.  It was time; no more waiting.      "You look lovely tonight, Evangeline," Arthur croaked aloud as he pulled the first of the thigh highs onto his shaven legs...
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