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"sui" poems
Your contentious, Ditzy, Air-Headed, Very sui generis, You are my best friend.
0
Nov 25, 2014
Nov 25, 2014 at 2:36 AM UTC
Bestfriend!!
so happy so happ so hap so ha so h so s su sui suic suici suicid suicida suicidal
0
Jan 21, 2018
Jan 21, 2018 at 8:08 PM UTC
what do you know?
Aa ab laut chalein apne ghar Aa ab laut chalein apne ghar Bht lamba hogaya yeh safar Jaha teri shetaniyon ka manzar tha Jaha pyar ka samndar tha Jaha thak kar sona ata tha Jaha har kona muskurata tha Jaha beeta har din yadgaar tha Jaha ka har pal suhana khwab tha Aa laut chalein apne ghar ab bht taay kar liya yeh safar jaha khul kar tu bhi hansti thi jaha muskura mein bhi leta tha jaha teri badmashiyo mein bacha me bhi bann leta tha jaha naachti tu thi aur jhumta me tha jaha bachon si ladhai aur dil ka mehal tha jaha na kabhi dur hone ka dar na adhuri koi aas thi jaha sath beshumar tha aur poori har saans thi jaha rote rote hans dete the hum na koi fikar ki bat thi jaha ghanton batein karte the hum ghadi ki sui na humare sath thi Aa laut chalein apne ghar Bht lamba hogaya yeh safar Jaha tera kam se ana tha Phr mujhko gale lagana tha Jaha teri bematlab ki baton me Mera kahn gum hojana tha jaha har sapna jee rahe the hum jaha nahi thi kisi ki koi sharam jaha dikhawa koso tak na tha har jagah tha bass pagal pan Aa laut chalein apne ghar Bht lamba hogaya yeh safar jaha jhagde bhi suljhe se the jaha ansun bhi uljhe se the jaha hothon pe muskan bhi thi jaha ankhein kuch naadan bhi thi jaha nanhe kadmon ki awaz bhi thi jaha lori ki chankar bhi thi jaha ghungru si tumari payal bhi thi jaha kangan ki awaz bhi thi jaha hansta hua tera chehra bhi tha jaha ghurti meri ankhein bhi thi jaha band woh darwaze bhi the jaha do **** ek jaan bhi the Aa laut chalein na apne ghar waqai bht lamba ** gaya yeh safar.... waqai bht lamba hogaya yeh safar..!!! ..
0
Oct 29, 2020
Oct 29, 2020 at 10:05 AM UTC
Aa ab Laut chalein apne ghar...!!
Aa ab laut chalein apne ghar Aa ab laut chalein apne ghar Bht lamba hogaya yeh safar Jaha teri shetaniyon ka manzar tha Jaha pyar ka samndar tha Jaha thak kar sona ata tha Jaha har kona muskurata tha Jaha beeta har din yadgaar tha Jaha ka har pal suhana khwab tha Aa laut chalein apne ghar ab bht taay kar liya yeh safar jaha khul kar tu bhi hansti thi jaha muskura mein bhi leta tha jaha teri badmashiyo mein bacha me bhi bann leta tha jaha naachti tu thi aur jhumta me tha jaha bachon si ladhai aur dil ka mehal tha jaha na kabhi dur hone ka dar na adhuri koi aas thi jaha sath beshumar tha aur poori har saans thi jaha rote rote hans dete the hum na koi fikar ki bat thi jaha ghanton batein karte the hum ghadi ki sui na humare sath thi Aa laut chalein apne ghar Bht lamba hogaya yeh safar Jaha tera kam se ana tha Phr mujhko gale lagana tha Jaha teri bematlab ki baton me Mera kahn gum hojana tha jaha har sapna jee rahe the hum jaha nahi thi kisi ki koi sharam jaha dikhawa koso tak na tha har jagah tha bass pagal pan Aa laut chalein apne ghar Bht lamba hogaya yeh safar jaha jhagde bhi suljhe se the jaha ansun bhi uljhe se the jaha hothon pe muskan bhi thi jaha ankhein kuch naadan bhi thi jaha nanhe kadmon ki awaz bhi thi jaha lori ki chankar bhi thi jaha ghungru si tumari payal bhi thi jaha kangan ki awaz bhi thi jaha hansta hua tera chehra bhi tha jaha ghurti meri ankhein bhi thi jaha band woh darwaze bhi the jaha do **** ek jaan bhi the Aa laut chalein na apne ghar waqai bht lamba ** gaya yeh safar.... waqai bht lamba hogaya yeh safar..!!! ..
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52
Profile: Yuwen Chengdu is the son of Yuwen Huaji, who was a general of the Sui dynasty. He is a warrior of Sui, only secondary to Li Yuanba, who is naturally super powerful. As recorded, he was as tall as ten feet with strong waist and body. In the appearance of golden face, long beard and thick eyebrow, he often hold a weapon as heavy as 350 pounds. Introduction of ****** makeup: ****** makeup, or Lian Pu, refers to ****** designs for Jing and Chou roles. It originated from daily life experience, describing such changes of expression as white for fear, red for shyness, dark for suntan, and sallow for illness. Most ****** designs attach great importance to the eyes.  The ****** designs for the Jing roles are made by painting, powdering and coloring in the basic forms of Zheng Lian (keeping the basic face pattern), San Kuai Wa Lian (three-section face) and Sui Lian (fragmentary face). These types are widely used to represent generals, officials, heroes, gods and ghosts. The Chou actors can be recognized by the patch of white in various shapes painted around the eyes and nose. Sometimes these patches are outlined in black, hence the term Xiao Hua Lian (partly painted face). The Chou roles fall into the following two categories: Wen Chou and Wu Chou. Features: ****** makeup bears three main characteristics. Firstly, it is the unity and contradiction of beauty and ugliness. Secondly, it is closely related to the personality of the characters. Lastly, the patterns are stylized. Beijing opera is one of the most popular drama widely welcomed and loved, no matter home and abroad. It is now acknowledged as a sign of Chinese traditional culture. The photos of ****** mask can be found on large buildings, product packages, various porcelains and clothes. It has gone beyond the stage, from which we can see the deep influence of ****** makeup. More and more foreigners have interest in it and begin to explore the secret of ****** makeup. http://www.toywill.com
0
Aug 26, 2013
Aug 26, 2013 at 3:02 AM UTC
Opera Mask Pendant Yuwen Chengdu
Profile: Yuwen Chengdu is the son of Yuwen Huaji, who was a general of the Sui dynasty. He is a warrior of Sui, only secondary to Li Yuanba, who is naturally super powerful. As recorded, he was as tall as ten feet with strong waist and body. In the appearance of golden face, long beard and thick eyebrow, he often hold a weapon as heavy as 350 pounds. Introduction of ****** makeup: ****** makeup, or Lian Pu, refers to ****** designs for Jing and Chou roles. It originated from daily life experience, describing such changes of expression as white for fear, red for shyness, dark for suntan, and sallow for illness. Most ****** designs attach great importance to the eyes.  The ****** designs for the Jing roles are made by painting, powdering and coloring in the basic forms of Zheng Lian (keeping the basic face pattern), San Kuai Wa Lian (three-section face) and Sui Lian (fragmentary face). These types are widely used to represent generals, officials, heroes, gods and ghosts. The Chou actors can be recognized by the patch of white in various shapes painted around the eyes and nose. Sometimes these patches are outlined in black, hence the term Xiao Hua Lian (partly painted face). The Chou roles fall into the following two categories: Wen Chou and Wu Chou. Features: ****** makeup bears three main characteristics. Firstly, it is the unity and contradiction of beauty and ugliness. Secondly, it is closely related to the personality of the characters. Lastly, the patterns are stylized. Beijing opera is one of the most popular drama widely welcomed and loved, no matter home and abroad. It is now acknowledged as a sign of Chinese traditional culture. The photos of ****** mask can be found on large buildings, product packages, various porcelains and clothes. It has gone beyond the stage, from which we can see the deep influence of ****** makeup. More and more foreigners have interest in it and begin to explore the secret of ****** makeup. http://www.toywill.com
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8
I've always been in place, in situ Maybe (just maybe) ... I'm sui generis? When my lifeline intersected with spacetime on this continuum I found myself moving toward a collision course with duality and non-duality Moving towards a zero-point What are we talking about? Nothing (Rafelski & Muller, 1985) As a geographer, the mimetic expression was dualistic As one plane flowed through another; as fiat lux flowed through Medicine Rock I found wisdom I further explored the duality @ this place (also known as University of Lethbridge) The U of L is an interesting duck It walks like an Albertan university It talks like an Albertan university But one of these things is certainly not like the other The U of L got its chops as a house of learning for the Liberal Arts Follow those roots and you'll see conduits to another spacetime known as UCBerkley U of L memetics share material memories from the birth of the Free Speech Movement (1964) And as Arthur Erickson drafted up his plans for Canada's centennial gift to the Province of Alberta, I'm sure he would have been partaking in the pleasures of this particular spacetime I'm sure at the very least that he was listening to Hendrix wax on about Castles As Erickson designed this modernistic monolith called University Hall There were influences such as Arthur C. Clarke and his novel 2001: A Space Odyssey (1968) He was certainly knowledgeable of the Blackfoot stories of the Old Man And of course as an architect he would be versed in gravity and how built structures on a slope tend to creep toward base-level Strange but true, Erickson's first degree was in foreign languages So what I see is Canada's premier architect wrote a poem for us in 1968 In a foreign language And that poem would be expressed over the next forty to fifty years Some of those primary poetic elements were: Berkley, California Hippie Movement Creep (or gravity) Base level Blackfoot creation stories of the Old Man Jimi Hendrix poetry and his savage musical genius "and so castle's made of sand melt into the sea, eventually." So let's reinterpret that line to be more U of L centric (through my glossy apertures) "and so monolith's made by man melt back into god eventually." ........ ....... ...... ..... ..... .... ... .. . zero~point . .. ... .... ..... ...... ....... ........
0
Oct 3, 2014
Oct 3, 2014 at 10:33 AM UTC
Towards an Indigenous Science
I've always been in place, in situ Maybe (just maybe) ... I'm sui generis? When my lifeline intersected with spacetime on this continuum I found myself moving toward a collision course with duality and non-duality Moving towards a zero-point What are we talking about? Nothing (Rafelski & Muller, 1985) As a geographer, the mimetic expression was dualistic As one plane flowed through another; as fiat lux flowed through Medicine Rock I found wisdom I further explored the duality @ this place (also known as University of Lethbridge) The U of L is an interesting duck It walks like an Albertan university It talks like an Albertan university But one of these things is certainly not like the other The U of L got its chops as a house of learning for the Liberal Arts Follow those roots and you'll see conduits to another spacetime known as UCBerkley U of L memetics share material memories from the birth of the Free Speech Movement (1964) And as Arthur Erickson drafted up his plans for Canada's centennial gift to the Province of Alberta, I'm sure he would have been partaking in the pleasures of this particular spacetime I'm sure at the very least that he was listening to Hendrix wax on about Castles As Erickson designed this modernistic monolith called University Hall There were influences such as Arthur C. Clarke and his novel 2001: A Space Odyssey (1968) He was certainly knowledgeable of the Blackfoot stories of the Old Man And of course as an architect he would be versed in gravity and how built structures on a slope tend to creep toward base-level Strange but true, Erickson's first degree was in foreign languages So what I see is Canada's premier architect wrote a poem for us in 1968 In a foreign language And that poem would be expressed over the next forty to fifty years Some of those primary poetic elements were: Berkley, California Hippie Movement Creep (or gravity) Base level Blackfoot creation stories of the Old Man Jimi Hendrix poetry and his savage musical genius "and so castle's made of sand melt into the sea, eventually." So let's reinterpret that line to be more U of L centric (through my glossy apertures) "and so monolith's made by man melt back into god eventually." ........ ....... ...... ..... ..... .... ... .. . zero~point . .. ... .... ..... ...... ....... ........
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44
I think I've procured myself again The word 'filth' comes to mind (For lack of a better word) Yeah, I'm a ***** Unmetalled in the interface It took yet another 'kind' word Or should that be 'false' word To realize what they think of me To think With their mangled good looks Ubiquitous in psyche Like they ever gave a chocolate-flavoured **** Soon they'll all have had a go with me And i'll become How do you say? Sui generis? Numb betwixt the thighs I 'detest' myself (For lack of a better word) And I stare at the periwinkle To find relief And that's still no relief Because I'm jealous of periwinkle The capita thinks it's 'beautiful' And of course 'I am no periwinkle' (For lack of a better understatement) For lack of a better me.
0
Feb 1, 2010
Feb 1, 2010 at 4:06 PM UTC
For Lack Of A Better Me
Mama woke me up She embraced me sobbing and stumbled down the stairs in my arms, and I stumbled down the stairs in her arms, to daddy in the kitchen, arms around each other we were crying but I had to go back, see how I was breathless on my bed still warm as if I was asleep, oh you are thirteen don't go, stay here with me Paramedics arrived They put me in a bag and carried me away leaving me behind
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Apr 12, 2023
Apr 12, 2023 at 3:54 AM UTC
#sui #1
We were reapers in a past life I was the cape and you were the scythe We pulled the wool over their eyes And made their dreams death in disguise Wrapped up lilies reaching for shade, a familiar tragedy, even they cannot bear the sun's gaze Wretched. Reaching for the wool and the knife In the heaven-less night Where the shades of confessions danced, we walked But, I was not there to get them to talk The Reverend and the pew Never did what they were meant to Tangled lilies reluctantly reaching for shade Ashamed to accept the slight--decaying hope and disparate daydreams Reaching for the cape and the scythe For the heaven-less sight Here lies a city Of flowers-the lilies In the dark its clarity profoundly makes A sunlit city dreary And, we were reapers in our last life I, your loveless lover, you with another spouse Drove me into despair, dragging the night-sky into our love made-up of lies So, we perfunctorily made death a heaven-less guise Death, made out of dreams and lies Be careful, of love's cape and scythe, If you're to keep your life. ***Sui Caedere translated from Latin, "of oneself **** " Suicide in a Sunlit City."
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Aug 22, 2013
Aug 22, 2013 at 1:23 PM UTC
Sui Caedere in a Sunlit City
in this other side air took other color forms emphasizing details, scanning asymptotes, like hearts burning on pristine snow, of winter coming in october already, even in the sun, in the sun above all, almost red, like the air that took your form, hiding walls and faces, of concealed rooms you make insomniac and abruptly clear away, as you pour them in sealess salt —————————————— Italian version from “Chieti, Scalo”, 2014: asintoti obliqui in quest’altra parte l’aria prese altre forme di colore, insistendo sui dettagli, scandendo asintoti, come cuori bruciati sulla precocissima neve, dell’inverno che viene già di ottobre, anche nel sole, soprattutto nel sole, quasi rosso, come l’aria che ha preso forma di te, celando volti e pareti, di segrete stanze che componi insonne e sparecchi di colpo, versandole in un sale senza mari
0
Oct 25, 2014
Oct 25, 2014 at 5:22 PM UTC
Oblique Asymptotes
Quando la sera scende sulle nostre spalle come un manto che non avremmo voluto portare, non chiedermi di cercarti, non chiedermi d'amare. Quando la sera ci inietta nelle vene la droga che ci fa tremare, come una carezza perduta, l'amore che avremmo dovuto amare, lasciami vagabondare per le vie in salita, lasciami sbattere la testa contro un muro, lasciami insicuro, ubriaco, contento di sbagliare. Quando la sera scende sulle nostre spalle in un minuto nel quale non ci saremmo voluti tuffare, non chiedermi di tornare. Lascia che come volute di fumo, come esalazioni nerastre, le tenebre mi avviluppino e mi s'offuschi la vista. Che come un cane fiuti la mia pista e con la morte giochi a scacchi la mia partita. Che un tossicomane m'abbagli, che una prostituta o un pederasta m'accostino, che una donna che credevo morta mi chieda aiuto dall'oltretomba, da un'altra vita. Quando la sera scende sui nostri sbagli come dita che sentiamo chiudersi in una stretta, come il viaggio che non avremmo voluto fare, come le cose a cui abbiam dovuto rinunciare troppo in fretta, come tutte le altre sere, come ogni sera, la stessa fitta, la stessa febbre, un'euforia smarrita... Quando la sera come un manto scende sulla nostra vita, lascia che questo manto io non lo sopporti, lascia che cerchi di scrollarmelo di dosso, lascia che a più non posso io mi metta a gridare.
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Mar 31, 2010
Mar 31, 2010 at 12:43 PM UTC
Quando la sera scende sulle nostre spalle...
You may believe in your fictitious destitution, You may be adrift in your false desolation, You may be wandering a path of solitude, And you may be drowning in ignorance. I am occasionally condemned as such. Our isolation like a xerox. Synonymous of withdrawal into one's self. Not uncommon, even cherished. Individuality becomes enveloped. Becoming our own worst enemies, Among a sea of monochromes. Exposed complexion, Defined blush, Vulnerable iridescence. Recognize a promise to identity.
0
Sep 30, 2013
Sep 30, 2013 at 1:43 AM UTC
Sui Generis & Cherished
Nevica a Parigi sugli alberi di carta, sugli addobbi di Natale sgonfi, sui bambini di plastica e sui castelli di latta. Nevica a Parigi una neve fiacca che s’incolla ai cappotti della gente che si trascina per strada con aria distratta. Nevica nei caffè, attraverso i vetri, sui boulevards deserti e sui nostri sguardi tetri. Si colorano di bianco la cupola dell’albergo di lusso, il tettuccio dell’edicola senza giornali, il carretto delle castagne arrosto, il marciapiede su cui scivola una dama e cerca un cantuccio il barbone. Nevica a Parigi, senza ragione, sulle donne e sugli uomini. *** Nevica nei grandi magazzini, nelle chiese vuote e nelle nostre stanze. Sulle autostrade inondate di fango che corrono sopra la città, sulle scarpate coperte d’immondizia e sulle nostre frasi lasciate a metà. Nevica a Parigi sulla terra del parco in cui non attecchirà più l’erba, sulla nostra visione acerba delle cose. Nevica a Parigi come per illusione. *** Nevica perché non ha nessun senso che nevichi, perché siamo in inverno ma non è detto che torni il bel tempo. Nevica sul cemento di chi ha avuto il coraggio di costruire i grattacieli per i grandi e le cabine di comando per gli uomini d’affari dagli occhi stanchi. *** Nevica sui ghetti e sulle città satelliti, sulle lampade al neon dei luna park abbandonati. Nevica, in televisione e al cinema, per i negri, i bianchi, le persone sole e gli alcolizzati. Nevica e le cose si perdono in un pulviscolo. Da un vicolo sbuca un autobus senza autista, da un altro una carrozza trainata da elefanti. In un carosello di fiocchi di neve impazziscono le immagini. Nevica a Parigi sui camposanti. *** Nevica nei bordelli e nelle bettole, nei salotti alla moda, nei negozi degli antiquari e nei quadri che i pittori non hanno fatto a tempo a terminare… Nevica sugli operai stanchi di non lavorare, sulle matrone che si abbandonano alle braccia dei drogati. Nevica sugli ospedali e sugli ammalati. *** Nevica sugli aeroplani e sulla notte, sulle navi e sul vento, sull’eco delle stragi, sul pianto dei feriti e sul rantolo dei moribondi. Nevica a Parigi sul tempo che finisce in un’esplosione di secondi. *** Nevica sulla neve e nevicherà ancora. E’ una neve che a tratti ci sferza e a tratti ci ignora. E’ una neve che spazza via tutto, una neve spietata. Perché a Parigi da oggi nevica nella nostra mente annebbiata.
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Dec 2, 2010
Dec 2, 2010 at 3:04 PM UTC
Nevica a Parigi...
Nevica a Parigi sugli alberi di carta, sugli addobbi di Natale sgonfi, sui bambini di plastica e sui castelli di latta. Nevica a Parigi una neve fiacca che s’incolla ai cappotti della gente che si trascina per strada con aria distratta. Nevica nei caffè, attraverso i vetri, sui boulevards deserti e sui nostri sguardi tetri. Si colorano di bianco la cupola dell’albergo di lusso, il tettuccio dell’edicola senza giornali, il carretto delle castagne arrosto, il marciapiede su cui scivola una dama e cerca un cantuccio il barbone. Nevica a Parigi, senza ragione, sulle donne e sugli uomini. *** Nevica nei grandi magazzini, nelle chiese vuote e nelle nostre stanze. Sulle autostrade inondate di fango che corrono sopra la città, sulle scarpate coperte d’immondizia e sulle nostre frasi lasciate a metà. Nevica a Parigi sulla terra del parco in cui non attecchirà più l’erba, sulla nostra visione acerba delle cose. Nevica a Parigi come per illusione. *** Nevica perché non ha nessun senso che nevichi, perché siamo in inverno ma non è detto che torni il bel tempo. Nevica sul cemento di chi ha avuto il coraggio di costruire i grattacieli per i grandi e le cabine di comando per gli uomini d’affari dagli occhi stanchi. *** Nevica sui ghetti e sulle città satelliti, sulle lampade al neon dei luna park abbandonati. Nevica, in televisione e al cinema, per i negri, i bianchi, le persone sole e gli alcolizzati. Nevica e le cose si perdono in un pulviscolo. Da un vicolo sbuca un autobus senza autista, da un altro una carrozza trainata da elefanti. In un carosello di fiocchi di neve impazziscono le immagini. Nevica a Parigi sui camposanti. *** Nevica nei bordelli e nelle bettole, nei salotti alla moda, nei negozi degli antiquari e nei quadri che i pittori non hanno fatto a tempo a terminare… Nevica sugli operai stanchi di non lavorare, sulle matrone che si abbandonano alle braccia dei drogati. Nevica sugli ospedali e sugli ammalati. *** Nevica sugli aeroplani e sulla notte, sulle navi e sul vento, sull’eco delle stragi, sul pianto dei feriti e sul rantolo dei moribondi. Nevica a Parigi sul tempo che finisce in un’esplosione di secondi. *** Nevica sulla neve e nevicherà ancora. E’ una neve che a tratti ci sferza e a tratti ci ignora. E’ una neve che spazza via tutto, una neve spietata. Perché a Parigi da oggi nevica nella nostra mente annebbiata.
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92
Humble beginnings To the bitter ends Frantic boot heels Optical illusions The **** of a joke Last but not least Whatsoever Then again Telegram a trigger word Dangle from an umbilical chord   Eat the placenta As the deadlines fluctuate And the ambivalence Is sealed in a canopic jar It's experimental Mental experiences It's elemental exemplary mentality It's explicit To solicit The illicit And go ballistic        -Tommy Johnson They're so generous To call me and my work sui generis I'm just inter-being To learn from ignorance By my own volition To achieve total consciousness   "Of all the nerve you sure got a lot of some of it" Coming from oblivion Ideas composing The appreciation Imagination turn into materialization Expand and contract The sensation of feeling We crave and we cling Becoming, we're born A phase, we age Sickness and death Cessation, ratify or deny Die gratified These are the type of things we discussed in the Agora, all those times ago        -Tommy Johnson
0
Jan 11, 2015
Jan 11, 2015 at 6:55 PM UTC
Independent/Dependent Variable Arising
We shall not ask for the precious pearl of the Duke of Sui, nor for the priceless jade disk of Master ** We merely ask for the recent news of our homeland. The Palace of Spiritual Illumination must be still there, surrounded by desolation. What's happened to the stone statues buried deep in the grass, still guarding the Imperial tombs? Is it true that our people left behind in the occupied territories are still planting mulberry trees and hemp? Is it true that the rear guard of the Barbarians only patrols the city walls? This widow's father and grandfather were born in Shantung. Although they never held high office, their fame spread far and wide. I remember when they carried on animated discussions with other scholars by the city gate. The listeners were so crowded that their sweat fell like rain. Their offspring crossed the Yangtze River to the South many years ago. Drifting in the rapids, they mingled with refugees. I send blood-stained tears to the mountains and rivers of home, And sprinkle a cup of earth on East Mountain. I imagine when Your Lordship, His Majesty's envoy, upholding the Imperial spirit, passes through our two capitals, K'ai Feng and Lo Yang, Thousands of people would line the streets and present tea and broth to welcome you.... Announce that the Emperor's heart aches for the suffering people--- they are his own children. Let them understand that the Will of Heaven remembers all living beings. Our sagacious Emperor offers his trust which is as brilliant as the sun. There is no need to negotiate many times after the long chaos of the years.
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1.8k
To Lord Hu
We shall not ask for the precious pearl of the Duke of Sui, nor for the priceless jade disk of Master ** We merely ask for the recent news of our homeland. The Palace of Spiritual Illumination must be still there, surrounded by desolation. What's happened to the stone statues buried deep in the grass, still guarding the Imperial tombs? Is it true that our people left behind in the occupied territories are still planting mulberry trees and hemp? Is it true that the rear guard of the Barbarians only patrols the city walls? This widow's father and grandfather were born in Shantung. Although they never held high office, their fame spread far and wide. I remember when they carried on animated discussions with other scholars by the city gate. The listeners were so crowded that their sweat fell like rain. Their offspring crossed the Yangtze River to the South many years ago. Drifting in the rapids, they mingled with refugees. I send blood-stained tears to the mountains and rivers of home, And sprinkle a cup of earth on East Mountain. I imagine when Your Lordship, His Majesty's envoy, upholding the Imperial spirit, passes through our two capitals, K'ai Feng and Lo Yang, Thousands of people would line the streets and present tea and broth to welcome you.... Announce that the Emperor's heart aches for the suffering people--- they are his own children. Let them understand that the Will of Heaven remembers all living beings. Our sagacious Emperor offers his trust which is as brilliant as the sun. There is no need to negotiate many times after the long chaos of the years.
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29
Standing on the intersection of a Monet, a van Gogh, and a Picasso Nice piece of real estate! Water lilies ~ Charrette de boeuf ~ Tete d'homme Let's start with the lilies: I'm impressionable and I gaze lovingly into the pool I see my reflection slowly unfurl in the shimmer of the pink petals As in a dream ... I float on The watchmaker sends an instruction: rotate clockwise Now an ox cart: I seem to be walking in Poe's imagination Crows flitting about as the ox champions His burden on a drafty day Another instruction from the watchmaker: continue clockwise And now Tete d'homme ~ cubism: My world deconstructs Line by line, shapes and forms Fracture into the subterranean unconsciousness of my mind Leading to another instruction: close your eyes Shift Your Perspective Watchmaker says: open your eyes Uncentre Misalign Unhitch Watchmaker says: ens causa sui: 'a being that causes itself' Now I've got Dali giving me niggling doubts about the nature of time Sartre with a side of Darwin and I'm being and nothingness Ground yourself Mullin! Open your eyes ... this is reality There's Rodin in a battle of good versus evil Munch and no screams! This is good Gaugin sharing his garden view I'm in my happy place again ... That's better And here's Cezanne, Degas, Renoir, and Pissarro Bringing me back into a recognizable reality My eyes and my mind are in alignment here But I can feel that watchmaker winding me back up My iris constricts and my pineal widen Third eye ain't blind Hope someone is around to catch me No worries, I'm sailing with Renoir and I've found A Muse (Constantin Brancusi) Ain't life a musing?
0
Nov 12, 2014
Nov 12, 2014 at 10:34 AM UTC
Triangulation
Standing on the intersection of a Monet, a van Gogh, and a Picasso Nice piece of real estate! Water lilies ~ Charrette de boeuf ~ Tete d'homme Let's start with the lilies: I'm impressionable and I gaze lovingly into the pool I see my reflection slowly unfurl in the shimmer of the pink petals As in a dream ... I float on The watchmaker sends an instruction: rotate clockwise Now an ox cart: I seem to be walking in Poe's imagination Crows flitting about as the ox champions His burden on a drafty day Another instruction from the watchmaker: continue clockwise And now Tete d'homme ~ cubism: My world deconstructs Line by line, shapes and forms Fracture into the subterranean unconsciousness of my mind Leading to another instruction: close your eyes Shift Your Perspective Watchmaker says: open your eyes Uncentre Misalign Unhitch Watchmaker says: ens causa sui: 'a being that causes itself' Now I've got Dali giving me niggling doubts about the nature of time Sartre with a side of Darwin and I'm being and nothingness Ground yourself Mullin! Open your eyes ... this is reality There's Rodin in a battle of good versus evil Munch and no screams! This is good Gaugin sharing his garden view I'm in my happy place again ... That's better And here's Cezanne, Degas, Renoir, and Pissarro Bringing me back into a recognizable reality My eyes and my mind are in alignment here But I can feel that watchmaker winding me back up My iris constricts and my pineal widen Third eye ain't blind Hope someone is around to catch me No worries, I'm sailing with Renoir and I've found A Muse (Constantin Brancusi) Ain't life a musing?
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All I see in this community is pain and suffering and disunity Lift your head up! Believe in me, you have been fed up It doesn't matter: Looks Size Skill Age Anything. Especially the latter For you, it may be wise to find the strength to compromise Just take that head full of lies and know that you are special You, myself, and the crow
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Aug 20, 2014
Aug 20, 2014 at 11:24 PM UTC
Sui Generis
Art is a hell of a ******* drug, I tell you it surreptitiously creeps into you in a way that is utterly indecipherable, and lures you deep; deep into it as the void above... For the eye loves what it sees, and what's been seen by the eye is rather fascinating to the soul, Amidst all these Overwhelming emotions, a harmonic converge between the eye and the soul is created, Fostering a sui generis ecstatic rhapsody!
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Jan 8, 2019
Jan 8, 2019 at 10:31 AM UTC
The manifest'o'
Adesso, nella calma, si vedon muovere i pali della luce, i fogli di carta sui recinti di legno dei cantieri. Un’altra volta c’era stato il commento degli arabi, dei negri. In un vecchio vano della casa, le povere braccia, le gambe lunghe e magre legate, incominciano i racconti. E si urtano gli oggetti finiti sul fondo della strada, mentre, per errore, un fruscìo dei rami avverte chi vi cammina o da una griglia esala ancora l’odore tiepido dell’umidità. Si dissolve il colore dalle pianure disegnate nel sonno dell’umanità. Le creste delle piante viste d’improvviso da un punto oscuro ravvicinate, mute, perché si possieda in alto qualche luce della quiete?
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Dec 25, 2010
Dec 25, 2010 at 1:29 PM UTC
Adesso, nella calma...
Un vischio, fin dall'infanzia sospeso grappolo di fede e di pruina sul tuo lavandino e sullo specchio ovale ch'ora adombrano i tuoi ricci bergére fra santini e ritratti di ragazzi infilati un po' alla svelta nella cornice, una caraffa vuota, bicchierini di cenere e di bucce, le luci di Mayfair, poi a un crocicchio le anime, le bottiglie che non seppero aprirsi, non più guerra né pace, il tardo frullo di un piccione incapace di seguirti sui gradini automatici che ti slittano in giù….
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1.6k
Di un Natale metropolitano
Oh, how silly all of us mere humans are! Preoccupied with having big houses and shiny cars. How lost we have all become! Consumed in ourselves, compelled by our wants. Is it more money that will melt your heart? Is it immense success or limitless power? Is it all matter of materialism? A new toy with every passing hour? Perhaps it's lust that you try to slake? Or you try to quench your thirst with alcohol? Maybe you seek your solace in drugs? But do you really expect to find true happiness in that at all? Silly humans, sweet and lost, weren't you every taught? The sui generis thing about happiness is that it cannot be bought. So stop seeking for it in things you purchase, or *** or drugs. And instead, seek for it in something free, perchance, seek it through love.
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Jul 31, 2014
Jul 31, 2014 at 2:14 AM UTC
Silly Humans
Money can buy you the best proof taken amid all this rest! Next taken is to experience et! Dream about it, Think about it, Living it, That's the problem spotting et... When love takes its chance, Football when football teams a family with Kids and a dog, Utopia raises its curtains, God breaths a certain light on a table we had been risen, Money can buy you the best, Missile box sui generis, Of its own kind, Summa *** laude! In all of its trenches, Moolah lie deep and it stench es, But dreams you may find et.... Cry me on silver, Lime, dime and a sapphire glass river, Streams a strengthen nugget gold, Work hard, watch as it sieves, watch as it pours and watch as it gives, Some where plays and draws you out a revealing point! It Scratches a sale to a victory, I like to see it, Short cut luck no more staring into the abyss buck, Seeing that face and still believing it, Hard change knuckle of hours, A super match set in sky mystery, Finish off your money to be thy very best O'Reily mystery! Messi Mason living life in some spiritual occasion, Still breathing on average abundance of work smiles an ironed shirt and no creases as he plays, Just don't stop till you've had enough! Enough, Enough and Enough... O'Reily@18082014
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Aug 18, 2014
Aug 18, 2014 at 7:11 PM UTC
Money Can Buy You The Best(Enough)
Which part of me would choose? For it is cold in my mind and warm in my heart If only I knew what goes on within your mind So perfectly flawed I could crawl into your brain... The simple masterpiece of all I've seen- " pure beauty" is a mere insult to the magnitude of its indescribable wonder Peering through the amygdala I'll see your past in awe- At how it's brought you here, A creature so wonderfully subtle with tongue And bold in nature: Sui generis. I'd love to journey through the thoughts of you Through and through I'd wander And wander always turns to wonder To be electrified by your synapses And burnt into oblivion- A million pieces of me Becoming blended within Something wholly powerful Is but a dream Locked behind The gazing brown puddles Reflecting the moonbeam
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Nov 20, 2015
Nov 20, 2015 at 9:34 PM UTC
"Like waves within you drown me, shouting"
Il bacio appena sognato in una notte di tradimenti, dove tutti consumano amplessi che non hanno profumo, il tuo bacio febbricitante, il candore delle tue labbra, somiglia alla mia porta che non riesco ad aprire. Il bacio è come una vela, fa fuggire lontano gli amanti, un amore che non ti gela che ti dà mille duemila istanti. ** cercato di ricordare che potevi tornare indietro, ma ahimè il tuo bacio è diventato simile a un vetro. Io come un animale mi rifugio nel bosco per non lasciare ovunque il mio candido pelo. Il pelo della mia anima è così bianco e così delicato che persino un coniglio ne trema. Tu mi domandi quanti amanti ** avuto e come mi hanno scoperto. Io ti dico che ognuno scopre la luce e ognuno sente la sua paura, ma la mia parte più pura è stata il bacio. Io tornerei sui monti d'Abruzzo, dove non sono mai stata. Ma se mi domandano dove traggono origine i miei versi, io rispondo: mi basta un'immersione nell'anima e vedo l'universo. Tutti mi guardano con occhi spietati, non conoscono i nomi delle mie scritte sui muri e non sanno che sono firme degli angeli per celebrare le lacrime che ** versato per te.
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1.5k
Il bacio
#      You are blessed by God      and that blessedness      leaves me breathless; But..... aw.. ****  love.. The shame didn't come from me and neither did the all-consuming condemnation..      *yet my direct words to you  make you feel      as though I am the author of both* Love,  infused with truth is a language all its own but you can't do it.. can you You are wholly unable to see yourself as someone truly Loveworthy You can't see it, and so it is my words to you that you attack      and then run from      and then run to and then fall in love with      *And then  you rage      and then  you hide      as it churns*       ***as it churns      as it churns***      And you think its from me      And you think I am the author  of both *But it was   i n   y o u   before we ever met and because of that,  I lose everything*.. because I won't stop doing what it is  that I do. *Love is different than what it sometimes feels to you* #
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Sep 22, 2021
Sep 22, 2021 at 9:08 PM UTC
dissertatio de amore et sui iudicii