I

He did not wear his scarlet coat,
  For blood and wine are red,
And blood and wine were on his hands
  When they found him with the dead,
The poor dead woman whom he loved,
  And murdered in her bed.

He walked amongst the Trial Men
  In a suit of shabby grey;
A cricket cap was on his head,
  And his step seemed light and gay;
But I never saw a man who looked
  So wistfully at the day.

I never saw a man who looked
  With such a wistful eye
Upon that little tent of blue
  Which prisoners call the sky,
And at every drifting cloud that went
  With sails of silver by.

I walked, with other souls in pain,
  Within another ring,
And was wondering if the man had done
  A great or little thing,
When a voice behind me whispered low,
  “That fellows got to swing.”

Dear Christ! the very prison walls
  Suddenly seemed to reel,
And the sky above my head became
  Like a casque of scorching steel;
And, though I was a soul in pain,
  My pain I could not feel.

I only knew what hunted thought
  Quickened his step, and why
He looked upon the garish day
  With such a wistful eye;
The man had killed the thing he loved
  And so he had to die.

Yet each man kills the thing he loves
  By each let this be heard,
Some do it with a bitter look,
  Some with a flattering word,
The coward does it with a kiss,
  The brave man with a sword!

Some **** their love when they are young,
  And some when they are old;
Some strangle with the hands of Lust,
  Some with the hands of Gold:
The kindest use a knife, because
  The dead so soon grow cold.

Some love too little, some too long,
  Some sell, and others buy;
Some do the deed with many tears,
  And some without a sigh:
For each man kills the thing he loves,
  Yet each man does not die.

He does not die a death of shame
  On a day of dark disgrace,
Nor have a noose about his neck,
  Nor a cloth upon his face,
Nor drop feet foremost through the floor
  Into an empty place

He does not sit with silent men
  Who watch him night and day;
Who watch him when he tries to weep,
  And when he tries to pray;
Who watch him lest himself should rob
  The prison of its prey.

He does not wake at dawn to see
  Dread figures throng his room,
The shivering Chaplain robed in white,
  The Sheriff stern with gloom,
And the Governor all in shiny black,
  With the yellow face of Doom.

He does not rise in piteous haste
  To put on convict-clothes,
While some coarse-mouthed Doctor gloats, and notes
  Each new and nerve-twitched pose,
******* a watch whose little ticks
  Are like horrible hammer-blows.

He does not know that sickening thirst
  That sands one’s throat, before
The hangman with his gardener’s gloves
  Slips through the padded door,
And binds one with three leathern thongs,
  That the throat may thirst no more.

He does not bend his head to hear
  The Burial Office read,
Nor, while the terror of his soul
  Tells him he is not dead,
Cross his own coffin, as he moves
  Into the hideous shed.

He does not stare upon the air
  Through a little roof of glass;
He does not pray with lips of clay
  For his agony to pass;
Nor feel upon his shuddering cheek
  The kiss of Caiaphas.


II

Six weeks our guardsman walked the yard,
  In a suit of shabby grey:
His cricket cap was on his head,
  And his step seemed light and gay,
But I never saw a man who looked
  So wistfully at the day.

I never saw a man who looked
  With such a wistful eye
Upon that little tent of blue
  Which prisoners call the sky,
And at every wandering cloud that trailed
  Its raveled fleeces by.

He did not wring his hands, as do
  Those witless men who dare
To try to rear the changeling Hope
  In the cave of black Despair:
He only looked upon the sun,
  And drank the morning air.

He did not wring his hands nor weep,
  Nor did he peek or pine,
But he drank the air as though it held
  Some healthful anodyne;
With open mouth he drank the sun
  As though it had been wine!

And I and all the souls in pain,
  Who tramped the other ring,
Forgot if we ourselves had done
  A great or little thing,
And watched with gaze of dull amaze
  The man who had to swing.

And strange it was to see him pass
  With a step so light and gay,
And strange it was to see him look
  So wistfully at the day,
And strange it was to think that he
  Had such a debt to pay.

For oak and elm have pleasant leaves
  That in the spring-time shoot:
But grim to see is the gallows-tree,
  With its adder-bitten root,
And, green or dry, a man must die
  Before it bears its fruit!

The loftiest place is that seat of grace
  For which all worldlings try:
But who would stand in hempen band
  Upon a scaffold high,
And through a murderer’s collar take
  His last look at the sky?

It is sweet to dance to violins
  When Love and Life are fair:
To dance to flutes, to dance to lutes
  Is delicate and rare:
But it is not sweet with nimble feet
  To dance upon the air!

So with curious eyes and sick surmise
  We watched him day by day,
And wondered if each one of us
  Would end the self-same way,
For none can tell to what red Hell
  His sightless soul may stray.

At last the dead man walked no more
  Amongst the Trial Men,
And I knew that he was standing up
  In the black dock’s dreadful pen,
And that never would I see his face
  In God’s sweet world again.

Like two doomed ships that pass in storm
  We had crossed each other’s way:
But we made no sign, we said no word,
  We had no word to say;
For we did not meet in the holy night,
  But in the shameful day.

A prison wall was round us both,
  Two outcast men were we:
The world had ****** us from its heart,
  And God from out His care:
And the iron gin that waits for Sin
  Had caught us in its snare.


III

In Debtors’ Yard the stones are hard,
  And the dripping wall is high,
So it was there he took the air
  Beneath the leaden sky,
And by each side a Warder walked,
  For fear the man might die.

Or else he sat with those who watched
  His anguish night and day;
Who watched him when he rose to weep,
  And when he crouched to pray;
Who watched him lest himself should rob
  Their scaffold of its prey.

The Governor was strong upon
  The Regulations Act:
The Doctor said that Death was but
  A scientific fact:
And twice a day the Chaplain called
  And left a little tract.

And twice a day he smoked his pipe,
  And drank his quart of beer:
His soul was resolute, and held
  No hiding-place for fear;
He often said that he was glad
  The hangman’s hands were near.

But why he said so strange a thing
  No Warder dared to ask:
For he to whom a watcher’s doom
  Is given as his task,
Must set a lock upon his lips,
  And make his face a mask.

Or else he might be moved, and try
  To comfort or console:
And what should Human Pity do
  Pent up in Murderers’ Hole?
What word of grace in such a place
  Could help a brother’s soul?

With slouch and swing around the ring
  We trod the Fool’s Parade!
We did not care: we knew we were
  The Devil’s Own Brigade:
And shaven head and feet of lead
  Make a merry masquerade.

We tore the tarry rope to shreds
  With blunt and bleeding nails;
We rubbed the doors, and scrubbed the floors,
  And cleaned the shining rails:
And, rank by rank, we soaped the plank,
  And clattered with the pails.

We sewed the sacks, we broke the stones,
  We turned the dusty drill:
We banged the tins, and bawled the hymns,
  And sweated on the mill:
But in the heart of every man
  Terror was lying still.

So still it lay that every day
  Crawled like a ****-clogged wave:
And we forgot the bitter lot
  That waits for fool and knave,
Till once, as we tramped in from work,
  We passed an open grave.

With yawning mouth the yellow hole
  Gaped for a living thing;
The very mud cried out for blood
  To the thirsty asphalte ring:
And we knew that ere one dawn grew fair
  Some prisoner had to swing.

Right in we went, with soul intent
  On Death and Dread and Doom:
The hangman, with his little bag,
  Went shuffling through the gloom
And each man trembled as he crept
  Into his numbered tomb.

That night the empty corridors
  Were full of forms of Fear,
And up and down the iron town
  Stole feet we could not hear,
And through the bars that hide the stars
  White faces seemed to peer.

He lay as one who lies and dreams
  In a pleasant meadow-land,
The watcher watched him as he slept,
  And could not understand
How one could sleep so sweet a sleep
  With a hangman close at hand?

But there is no sleep when men must weep
  Who never yet have wept:
So we—the fool, the fraud, the knave—
  That endless vigil kept,
And through each brain on hands of pain
  Another’s terror crept.

Alas! it is a fearful thing
  To feel another’s guilt!
For, right within, the sword of Sin
  Pierced to its poisoned hilt,
And as molten lead were the tears we shed
  For the blood we had not spilt.

The Warders with their shoes of felt
  Crept by each padlocked door,
And peeped and saw, with eyes of awe,
  Grey figures on the floor,
And wondered why men knelt to pray
  Who never prayed before.

All through the night we knelt and prayed,
  Mad mourners of a corpse!
The troubled plumes of midnight were
  The plumes upon a hearse:
And bitter wine upon a sponge
  Was the savior of Remorse.

The **** crew, the red **** crew,
  But never came the day:
And crooked shape of Terror crouched,
  In the corners where we lay:
And each evil sprite that walks by night
  Before us seemed to play.

They glided past, they glided fast,
  Like travelers through a mist:
They mocked the moon in a rigadoon
  Of delicate turn and twist,
And with formal pace and loathsome grace
  The phantoms kept their tryst.

With mop and mow, we saw them go,
  Slim shadows hand in hand:
About, about, in ghostly rout
  They trod a saraband:
And the ****** grotesques made arabesques,
  Like the wind upon the sand!

With the pirouettes of marionettes,
  They tripped on pointed tread:
But with flutes of Fear they filled the ear,
  As their grisly masque they led,
And loud they sang, and long they sang,
  For they sang to wake the dead.

“Oho!” they cried, “The world is wide,
  But fettered limbs go lame!
And once, or twice, to throw the dice
  Is a gentlemanly game,
But he does not win who plays with Sin
  In the secret House of Shame.”

No things of air these antics were
  That frolicked with such glee:
To men whose lives were held in gyves,
  And whose feet might not go free,
Ah! wounds of Christ! they were living things,
  Most terrible to see.

Around, around, they waltzed and wound;
  Some wheeled in smirking pairs:
With the mincing step of demirep
  Some sidled up the stairs:
And with subtle sneer, and fawning leer,
  Each helped us at our prayers.

The morning wind began to moan,
  But still the night went on:
Through its giant loom the web of gloom
  Crept till each thread was spun:
And, as we prayed, we grew afraid
  Of the Justice of the Sun.

The moaning wind went wandering round
  The weeping prison-wall:
Till like a wheel of turning-steel
  We felt the minutes crawl:
O moaning wind! what had we done
  To have such a seneschal?

At last I saw the shadowed bars
  Like a lattice wrought in lead,
Move right across the whitewashed wall
  That faced my three-plank bed,
And I knew that somewhere in the world
  God’s dreadful dawn was red.

At six o’clock we cleaned our cells,
  At seven all was still,
But the sough and swing of a mighty wing
  The prison seemed to fill,
For the Lord of Death with icy breath
  Had entered in to ****.

He did not pass in purple pomp,
  Nor ride a moon-white steed.
Three yards of cord and a sliding board
  Are all the gallows’ need:
So with rope of shame the Herald came
  To do the secret deed.

We were as men who through a fen
  Of filthy darkness *****:
We did not dare to breathe a prayer,
  Or give our anguish scope:
Something was dead in each of us,
  And what was dead was Hope.

For Man’s grim Justice goes its way,
  And will not swerve aside:
It slays the weak, it slays the strong,
  It has a deadly stride:
With iron heel it slays the strong,
  The monstrous parricide!

We waited for the stroke of eight:
  Each tongue was thick with thirst:
For the stroke of eight is the stroke of Fate
  That makes a man accursed,
And Fate will use a running noose
  For the best man and the worst.

We had no other thing to do,
  Save to wait for the sign to come:
So, like things of stone in a valley lone,
  Quiet we sat and dumb:
But each man’s heart beat thick and quick
  Like a madman on a drum!

With sudden shock the prison-clock
  Smote on the shivering air,
And from all the gaol rose up a wail
  Of impotent despair,
Like the sound that frightened marshes hear
  From a ***** in his lair.

And as one sees most fearful things
  In the crystal of a dream,
We saw the greasy hempen rope
  Hooked to the blackened beam,
And heard the prayer the hangman’s snare
  Strangled into a scream.

And all the woe that moved him so
  That he gave that bitter cry,
And the wild regrets, and the ****** sweats,
  None knew so well as I:
For he who lives more lives than one
  More deaths than one must die.


IV

There is no chapel on the day
  On which they hang a man:
The Chaplain’s heart is far too sick,
  Or his face is far too wan,
Or there is that written in his eyes
  Which none should look upon.

So they kept us close till nigh on noon,
  And then they rang the bell,
And the Warders with their jingling keys
  Opened each listening cell,
And down the iron stair we tramped,
  Each from his separate Hell.

Out into God’s sweet air we went,
  But not in wonted way,
For this man’s face was white with fear,
  And that man’s face was grey,
And I never saw sad men who looked
  So wistfully at the day.

I never saw sad men who looked
  With such a wistful eye
Upon that little tent of blue
  We prisoners called the sky,
And at every careless cloud that passed
  In happy freedom by.

But there were those amongst us all
  Who walked with downcast head,
And knew that, had each got his due,
  They should have died instead:
He had but killed a thing that lived
  Whilst they had killed the dead.

For he who sins a second time
  Wakes a dead soul to pain,
And draws it from its spotted shroud,
  And makes it bleed again,
And makes it bleed great gouts of blood
  And makes it bleed in vain!

Like ape or clown, in monstrous garb
  With crooked arrows starred,
Silently we went round and round
  The slippery asphalte yard;
Silently we went round and round,
  And no man spoke a word.

Silently we went round and round,
  And through each hollow mind
The memory of dreadful things
  Rushed like a dreadful wind,
And Horror stalked before each man,
  And terror crept behind.

The Warders strutted up and down,
  And kept their herd of brutes,
Their uniforms were ***** and span,
  And they wore their Sunday suits,
But we knew the work they had been at
  By the quicklime on their boots.

For where a grave had opened wide,
  There was no grave at all:
Only a stretch of mud and sand
  By the hideous prison-wall,
And a little heap of burning lime,
  That the man should have his pall.

For he has a pall, this wretched man,
  Such as few men can claim:
Deep down below a prison-yard,
  Naked for greater shame,
He lies, with fetters on each foot,
  Wrapt in a sheet of flame!

And all the while the burning lime
  Eats flesh and bone away,
It eats the brittle bone by night,
  And the soft flesh by the day,
It eats the flesh and bones by turns,
  But it eats the heart alway.

For three long years they will not sow
  Or root or seedling there:
For three long years the unblessed spot
  Will sterile be and bare,
And look upon the wondering sky
  With unreproachful stare.

They think a murderer’s heart would taint
  Each simple seed they sow.
It is not true! God’s kindly earth
  Is kindlier than men know,
And the red rose would but blow more red,
  The white rose whiter blow.

Out of his mouth a red, red rose!
  Out of his heart a white!
For who can say by what strange way,
  Christ brings his will to light,
Since the barren staff the pilgrim bore
  Bloomed in the great Pope’s sight?

But neither milk-white rose nor red
  May bloom in prison air;
The shard, the pebble, and the flint,
  Are what they give us there:
For flowers have been known to heal
  A common man’s despair.

So never will wine-red rose or white,
  Petal by petal, fall
On that stretch of mud and sand that lies
  By the hideous prison-wall,
To tell the men who ***** the yard
  That God’s Son died for all.

Yet though the hideous prison-wall
  Still hems him round and round,
And a spirit man not walk by night
  That is with fetters bound,
And a spirit may not weep that lies
  In such unholy ground,

He is at peace—this wretched man—
  At peace, or will be soon:
There is no thing to make him mad,
  Nor does Terror walk at noon,
For the lampless Earth in which he lies
  Has neither Sun nor Moon.

They hanged him as a beast is hanged:
  They did not even toll
A reguiem that might have brought
  Rest to his startled soul,
But hurriedly they took him out,
  And hid him in a hole.

They stripped him of his canvas clothes,
  And gave him to the flies;
They mocked the swollen purple throat
  And the stark and staring eyes:
And with laughter loud they heaped the shroud
  In which their convict lies.

The Chaplain would not kneel to pray
  By his dishonored grave:
Nor mark it with that blessed Cross
  That Christ for sinners gave,
Because the man was one of those
  Whom Christ came down to save.

Yet all is well; he has but passed
  To Life’s appointed bourne:
And alien tears will fill for him
  Pity’s long-broken urn,
For his mourner will be outcast men,
  And outcasts always mourn.


V

I know not whether Laws be right,
  Or whether Laws be wrong;
All that we know who lie in gaol
  Is that the wall is strong;
And that each day is like a year,
  A year whose days are long.

But this I know, that every Law
  That men have made for Man,
Since first Man took his brother’s life,
  And the sad world began,
But straws the wheat and saves the chaff
  With a most evil fan.

This too I know—and wise it were
  If each could know the same—
That every prison that men build
  Is built with bricks of shame,
And bound with bars lest Christ should see
  How men their brothers maim.

With bars they blur the gracious moon,
  And blind the goodly sun:
And they do well to hide their Hell,
  For in it things are done
That Son of God nor son of Man
  Ever should look upon!

The vilest deeds like poison weeds
  Bloom well in prison-air:
It is only what is good in Man
  That wastes and withers there:
Pale Anguish keeps the heavy gate,
  And the Warder is Despair

For they starve the little frightened child
  Till it weeps both night and day:
And they scourge the weak, and flog the fool,
  And gibe the old and grey,
And some grow mad, and all grow bad,
And none a word may say.

Each narrow cell in which we dwell
  Is foul and dark latrine,
And the fetid breath of living Death
  Chokes up each grated screen,
And all, but Lust, is turned to dust
  In Humanity’s machine.

The brackish water that we drink
  Creeps with a loathsome slime,
And the bitter bread they weigh in scales
  Is full of chalk and lime,
And Sleep will not lie down, but walks
  Wild-eyed and cries to Time.

But though lean Hunger and green Thirst
  Like asp with adder fight,
We have little care of prison fare,
  For what chills and kills outright
Is that every stone one lifts by day
  Becomes one’s heart by night.

With midnight always in one’s heart,
  And twilight in one’s cell,
We turn the crank, or tear the rope,
  Each in his separate Hell,
And the silence is more awful far
  Than the sound of a brazen bell.

And never a human voice comes near
  To speak a gentle word:
And the eye that watches through the door
  Is pitiless and hard:
And by all forgot, we rot and rot,
  With soul and body marred.

And thus we rust Life’s iron chain
  Degraded and alone:
And some men curse, and some men weep,
  And some men make no moan:
But God’s eternal Laws are kind
  And break the heart of stone.

And every human heart that breaks,
  In prison-cell or yard,
Is as that broken box that gave
  Its treasure to the Lord,
And filled the unclean *****’s house
  With the scent of costliest nard.

Ah! happy day they whose hearts can break
  And peace of pardon win!
How else may man make straight his plan
  And cleanse his soul from Sin?
How else but through a broken heart
  May Lord Christ enter in?

And he of the swollen purple throat.
  And the stark and staring eyes,
Waits for the holy hands that took
  The Thief to Paradise;
And a broken and a contrite heart
  The Lord will not despise.

The man in red who reads the Law
  Gave him three weeks of life,
Three little weeks in which to heal
  His soul of his soul’s strife,
And cleanse from every blot of blood
  The hand that held the knife.

And with tears of blood he cleansed the hand,
  The hand that held the steel:
For only blood can wipe out blood,
  And only tears can heal:
And the crimson stain that was of Cain
  Became Christ’s snow-white seal.


VI

In Reading gaol by Reading town
  There is a pit of shame,
And in it lies a wretched man
  Eaten by teeth of flame,
In burning winding-sheet he lies,
  And his grave has got no name.

And there, till Christ call forth the dead,
  In silence let him lie:
No need to waste the foolish tear,
  Or heave the windy sigh:
The man had killed the thing he loved,
  And so he had to die.

And all men **** the thing they love,
  By all let this be heard,
Some do it with a bitter look,
  Some with a flattering word,
The coward does it with a kiss,
  The brave man with a sword!

The first thing I saw early this morning
When I pulled back the light green curtains
Was a hectic blue 'n orange butterfly
Wavering in the fair sun of my garden -
'tween the enclosed well and the laurel tree.

On a sidewalk, red and radiant,
Strutted two maidens together,
A turquoise skirt wore the one,
A chocolate T-shirt the other.

Jubilant they were together,
As the cadence of their laughter
Waved in the air like Tunisian silk.

No harvest did my screen display today,
No mountain range did loom far in the distance;
All that was shown were a laughing sidewalk,
And a quivering sun in a small garden.

(c) LazharBouazzi

The first thing I saw early this morning
When I pulled back the light green curtains
Was a hectic blue 'n orange butterfly
Waving in the fair sun of my garden -
Between the enclosed well and the laurel tree.

On the red radiant sidewalk,
Two damsels strutted together;
A turquoise skirt wore the one,
A chocolate T-shirt the other.

Jubilant they were together,
As the cadence of their laughter
Waved in the air like Tunisian silk.

No harvest did my screen display today,
No mountain range did loom far in the distance;
All that was shown were a laughing sidewalk,
And a quivering sun in a small garden.

(c) LazharBouazzi, April 21, 2016

The raven strutted into view-
Dissembling crows
Peered from the tangled grass lashed
Into solemn silence.
The raven assumed a coal-black authority
Driven by its coal-black soul.
Its beak stabbed out automatically
Bleakness of past; spectral futures
Like echoes. Its eyes were cruel drops
Of impenetrable night.
The raven possessed everything in
The imperious manner of a cut-throat-
Killing without fear, without conscience.
It ruled like the destroyer.

He strutted down the hall with confidence.
His crooked smile reverberated goosebumps along my bare arms.
His deep soothing laugh drew me to the heaven light.
His blue grey eyes held secrets of pain that made my heart scream for him.
His foolish jokes made my frozen frown thaw.
It was not till his warm hand brushed mine that I knew I had oblivious eyes.
I had fallen for this gorgeous human being without knowing.

-Susan

One badass chick,
she strutted like a peacock
all the way down the block.
Men craned their necks
just to catch a glimpse
of her,
flicking her cigarette,
shaking her wares.

She walked right on by me
& winked,
had a little smirk
on her precious puckered-lips.
Geez, what a head of hair.

And though it made me sick,
I kind of giggled
to check out her aftermath.
Guys just stood there in awe,
dumbfounded,
bug-eyed
& I counted
no less than
six hanging-tongues
drooling.

Funny how we woke up in the morning
and pretended that tomorrow never happened—
strutted naked in mirrors celebrating our youth,
laughing, knowing suns and moons couldn’t do the same.

We borrowed our arms from the fridge
and peddled bicycles with bad breath—
trading war stories ‘cause we knew
if we came back alive
life would still be the death of us.

In memoriam
C. T. W.
Sometime trooper of the Royal Horse Guards
obiit H.M. prison, Reading, Berkshire
July 7, 1896

I

He did not wear his scarlet coat,
For blood and wine are red,
And blood and wine were on his hands
When they found him with the dead,
The poor dead woman whom he loved,
And murdered in her bed.

He walked amongst the Trial Men
In a suit of shabby grey;
A cricket cap was on his head,
And his step seemed light and gay;
But I never saw a man who looked
So wistfully at the day.

I never saw a man who looked
With such a wistful eye
Upon that little tent of blue
Which prisoners call the sky,
And at every drifting cloud that went
With sails of silver by.

I walked, with other souls in pain,
Within another ring,
And was wondering if the man had done
A great or little thing,
When a voice behind me whispered low,
‘That fellow’s got to swing.’

Dear Christ! the very prison walls
Suddenly seemed to reel,
And the sky above my head became
Like a casque of scorching steel;
And, though I was a soul in pain,
My pain I could not feel.

I only knew what hunted thought
Quickened his step, and why
He looked upon the garish day
With such a wistful eye;
The man had killed the thing he loved,
And so he had to die.

Yet each man kills the thing he loves,
By each let this be heard,
Some do it with a bitter look,
Some with a flattering word,
The coward does it with a kiss,
The brave man with a sword!

Some **** their love when they are young,
And some when they are old;
Some strangle with the hands of Lust,
Some with the hands of Gold:
The kindest use a knife, because
The dead so soon grow cold.

Some love too little, some too long,
Some sell, and others buy;
Some do the deed with many tears,
And some without a sigh:
For each man kills the thing he loves,
Yet each man does not die.

He does not die a death of shame
On a day of dark disgrace,
Nor have a noose about his neck,
Nor a cloth upon his face,
Nor drop feet foremost through the floor
Into an empty space.

He does not sit with silent men
Who watch him night and day;
Who watch him when he tries to weep,
And when he tries to pray;
Who watch him lest himself should rob
The prison of its prey.

He does not wake at dawn to see
Dread figures throng his room,
The shivering Chaplain robed in white,
The Sheriff stern with gloom,
And the Governor all in shiny black,
With the yellow face of Doom.

He does not rise in piteous haste
To put on convict-clothes,
While some coarse-mouthed Doctor gloats,
and notes
Each new and nerve-twitched pose,
******* a watch whose little ticks
Are like horrible hammer-blows.

He does not know that sickening thirst
That sands one’s throat, before
The hangman with his gardener’s gloves
Slips through the padded door,
And binds one with three leathern thongs,
That the throat may thirst no more.

He does not bend his head to hear
The Burial Office read,
Nor, while the terror of his soul
Tells him he is not dead,
Cross his own coffin, as he moves
Into the hideous shed.

He does not stare upon the air
Through a little roof of glass:
He does not pray with lips of clay
For his agony to pass;
Nor feel upon his shuddering cheek
The kiss of Caiaphas.

II

Six weeks our guardsman walked the yard,
In the suit of shabby grey:
His cricket cap was on his head,
And his step seemed light and gay,
But I never saw a man who looked
So wistfully at the day.

I never saw a man who looked
With such a wistful eye
Upon that little tent of blue
Which prisoners call the sky,
And at every wandering cloud that trailed
Its ravelled fleeces by.

He did not wring his hands, as do
Those witless men who dare
To try to rear the changeling Hope
In the cave of black Despair:
He only looked upon the sun,
And drank the morning air.

He did not wring his hands nor weep,
Nor did he peek or pine,
But he drank the air as though it held
Some healthful anodyne;
With open mouth he drank the sun
As though it had been wine!

And I and all the souls in pain,
Who tramped the other ring,
Forgot if we ourselves had done
A great or little thing,
And watched with gaze of dull amaze
The man who had to swing.

And strange it was to see him pass
With a step so light and gay,
And strange it was to see him look
So wistfully at the day,
And strange it was to think that he
Had such a debt to pay.

For oak and elm have pleasant leaves
That in the springtime shoot:
But grim to see is the gallows-tree,
With its adder-bitten root,
And, green or dry, a man must die
Before it bears its fruit!

The loftiest place is that seat of grace
For which all worldlings try:
But who would stand in hempen band
Upon a scaffold high,
And through a murderer’s collar take
His last look at the sky?

It is sweet to dance to violins
When Love and Life are fair:
To dance to flutes, to dance to lutes
Is delicate and rare:
But it is not sweet with nimble feet
To dance upon the air!

So with curious eyes and sick surmise
We watched him day by day,
And wondered if each one of us
Would end the self-same way,
For none can tell to what red Hell
His sightless soul may stray.

At last the dead man walked no more
Amongst the Trial Men,
And I knew that he was standing up
In the black dock’s dreadful pen,
And that never would I see his face
In God’s sweet world again.

Like two doomed ships that pass in storm
We had crossed each other’s way:
But we made no sign, we said no word,
We had no word to say;
For we did not meet in the holy night,
But in the shameful day.

A prison wall was round us both,
Two outcast men we were:
The world had ****** us from its heart,
And God from out His care:
And the iron gin that waits for Sin
Had caught us in its snare.

III

In Debtors’ Yard the stones are hard,
And the dripping wall is high,
So it was there he took the air
Beneath the leaden sky,
And by each side a Warder walked,
For fear the man might die.

Or else he sat with those who watched
His anguish night and day;
Who watched him when he rose to weep,
And when he crouched to pray;
Who watched him lest himself should rob
Their scaffold of its prey.

The Governor was strong upon
The Regulations Act:
The Doctor said that Death was but
A scientific fact:
And twice a day the Chaplain called,
And left a little tract.

And twice a day he smoked his pipe,
And drank his quart of beer:
His soul was resolute, and held
No hiding-place for fear;
He often said that he was glad
The hangman’s hands were near.

But why he said so strange a thing
No Warder dared to ask:
For he to whom a watcher’s doom
Is given as his task,
Must set a lock upon his lips,
And make his face a mask.

Or else he might be moved, and try
To comfort or console:
And what should Human Pity do
Pent up in Murderers’ Hole?
What word of grace in such a place
Could help a brother’s soul?

With slouch and swing around the ring
We trod the Fools’ Parade!
We did not care:  we knew we were
The Devil’s Own Brigade:
And shaven head and feet of lead
Make a merry masquerade.

We tore the tarry rope to shreds
With blunt and bleeding nails;
We rubbed the doors, and scrubbed the floors,
And cleaned the shining rails:
And, rank by rank, we soaped the plank,
And clattered with the pails.

We sewed the sacks, we broke the stones,
We turned the dusty drill:
We banged the tins, and bawled the hymns,
And sweated on the mill:
But in the heart of every man
Terror was lying still.

So still it lay that every day
Crawled like a ****-clogged wave:
And we forgot the bitter lot
That waits for fool and knave,
Till once, as we tramped in from work,
We passed an open grave.

With yawning mouth the yellow hole
Gaped for a living thing;
The very mud cried out for blood
To the thirsty asphalte ring:
And we knew that ere one dawn grew fair
Some prisoner had to swing.

Right in we went, with soul intent
On Death and Dread and Doom:
The hangman, with his little bag,
Went shuffling through the gloom:
And each man trembled as he crept
Into his numbered tomb.

That night the empty corridors
Were full of forms of Fear,
And up and down the iron town
Stole feet we could not hear,
And through the bars that hide the stars
White faces seemed to peer.

He lay as one who lies and dreams
In a pleasant meadow-land,
The watchers watched him as he slept,
And could not understand
How one could sleep so sweet a sleep
With a hangman close at hand.

But there is no sleep when men must weep
Who never yet have wept:
So we—the fool, the fraud, the knave—
That endless vigil kept,
And through each brain on hands of pain
Another’s terror crept.

Alas! it is a fearful thing
To feel another’s guilt!
For, right within, the sword of Sin
Pierced to its poisoned hilt,
And as molten lead were the tears we shed
For the blood we had not spilt.

The Warders with their shoes of felt
Crept by each padlocked door,
And peeped and saw, with eyes of awe,
Grey figures on the floor,
And wondered why men knelt to pray
Who never prayed before.

All through the night we knelt and prayed,
Mad mourners of a corse!
The troubled plumes of midnight were
The plumes upon a hearse:
And bitter wine upon a sponge
Was the savour of Remorse.

The grey **** crew, the red **** crew,
But never came the day:
And crooked shapes of Terror crouched,
In the corners where we lay:
And each evil sprite that walks by night
Before us seemed to play.

They glided past, they glided fast,
Like travellers through a mist:
They mocked the moon in a rigadoon
Of delicate turn and twist,
And with formal pace and loathsome grace
The phantoms kept their tryst.

With mop and mow, we saw them go,
Slim shadows hand in hand:
About, about, in ghostly rout
They trod a saraband:
And the ****** grotesques made arabesques,
Like the wind upon the sand!

With the pirouettes of marionettes,
They tripped on pointed tread:
But with flutes of Fear they filled the ear,
As their grisly masque they led,
And loud they sang, and long they sang,
For they sang to wake the dead.

‘Oho!’ they cried, ‘The world is wide,
But fettered limbs go lame!
And once, or twice, to throw the dice
Is a gentlemanly game,
But he does not win who plays with Sin
In the secret House of Shame.’

No things of air these antics were,
That frolicked with such glee:
To men whose lives were held in gyves,
And whose feet might not go free,
Ah! wounds of Christ! they were living things,
Most terrible to see.

Around, around, they waltzed and wound;
Some wheeled in smirking pairs;
With the mincing step of a demirep
Some sidled up the stairs:
And with subtle sneer, and fawning leer,
Each helped us at our prayers.

The morning wind began to moan,
But still the night went on:
Through its giant loom the web of gloom
Crept till each thread was spun:
And, as we prayed, we grew afraid
Of the Justice of the Sun.

The moaning wind went wandering round
The weeping prison-wall:
Till like a wheel of turning steel
We felt the minutes crawl:
O moaning wind! what had we done
To have such a seneschal?

At last I saw the shadowed bars,
Like a lattice wrought in lead,
Move right across the whitewashed wall
That faced my three-plank bed,
And I knew that somewhere in the world
God’s dreadful dawn was red.

At six o’clock we cleaned our cells,
At seven all was still,
But the sough and swing of a mighty wing
The prison seemed to fill,
For the Lord of Death with icy breath
Had entered in to ****.

He did not pass in purple pomp,
Nor ride a moon-white steed.
Three yards of cord and a sliding board
Are all the gallows’ need:
So with rope of shame the Herald came
To do the secret deed.

We were as men who through a fen
Of filthy darkness *****:
We did not dare to breathe a prayer,
Or to give our anguish scope:
Something was dead in each of us,
And what was dead was Hope.

For Man’s grim Justice goes its way,
And will not swerve aside:
It slays the weak, it slays the strong,
It has a deadly stride:
With iron heel it slays the strong,
The monstrous parricide!

We waited for the stroke of eight:
Each tongue was thick with thirst:
For the stroke of eight is the stroke of Fate
That makes a man accursed,
And Fate will use a running noose
For the best man and the worst.

We had no other thing to do,
Save to wait for the sign to come:
So, like things of stone in a valley lone,
Quiet we sat and dumb:
But each man’s heart beat thick and quick,
Like a madman on a drum!

With sudden shock the prison-clock
Smote on the shivering air,
And from all the gaol rose up a wail
Of impotent despair,
Like the sound that frightened marshes hear
From some ***** in his lair.

And as one sees most fearful things
In the crystal of a dream,
We saw the greasy hempen rope
Hooked to the blackened beam,
And heard the prayer the hangman’s snare
Strangled into a scream.

And all the woe that moved him so
That he gave that bitter cry,
And the wild regrets, and the ****** sweats,
None knew so well as I:
For he who lives more lives than one
More deaths than one must die.

IV

There is no chapel on the day
On which they hang a man:
The Chaplain’s heart is far too sick,
Or his face is far too wan,
Or there is that written in his eyes
Which none should look upon.

So they kept us close till nigh on noon,
And then they rang the bell,
And the Warders with their jingling keys
Opened each listening cell,
And down the iron stair we tramped,
Each from his separate Hell.

Out into God’s sweet air we went,
But not in wonted way,
For this man’s face was white with fear,
And that man’s face was grey,
And I never saw sad men who looked
So wistfully at the day.

I never saw sad men who looked
With such a wistful eye
Upon that little tent of blue
We prisoners called the sky,
And at every careless cloud that passed
In happy freedom by.

But there were those amongst us all
Who walked with downcast head,
And knew that, had each got his due,
They should have died instead:
He had but killed a thing that lived,
Whilst they had killed the dead.

For he who sins a second time
Wakes a dead soul to pain,
And draws it from its spotted shroud,
And makes it bleed again,
And makes it bleed great gouts of blood,
And makes it bleed in vain!

Like ape or clown, in monstrous garb
With crooked arrows starred,
Silently we went round and round
The slippery asphalte yard;
Silently we went round and round,
And no man spoke a word.

Silently we went round and round,
And through each hollow mind
The Memory of dreadful things
Rushed like a dreadful wind,
And Horror stalked before each man,
And Terror crept behind.

The Warders strutted up and down,
And kept their herd of brutes,
Their uniforms were ***** and span,
And they wore their Sunday suits,
But we knew the work they had been at,
By the quicklime on their boots.

For where a grave had opened wide,
There was no grave at all:
Only a stretch of mud and sand
By the hideous prison-wall,
And a little heap of burning lime,
That the man should have his pall.

For he has a pall, this wretched man,
Such as few men can claim:
Deep down below a prison-yard,
Naked for greater shame,
He lies, with fetters on each foot,
Wrapt in a sheet of flame!

And all the while the burning lime
Eats flesh and bone away,
It eats the brittle bone by night,
And the soft flesh by day,
It eats the flesh and bone by turns,
But it eats the heart alway.

For three long years they will not sow
Or root or seedling there:
For three long years the unblessed spot
Will sterile be and bare,
And look upon the wondering sky
With unreproachful stare.

They think a murderer’s heart would taint
Each simple seed they sow.
It is not true!  God’s kindly earth
Is kindlier than men know,
And the red rose would but blow more red,
The white rose whiter blow.

Out of his mouth a red, red rose!
Out of his heart a white!
For who can say by what strange way,
Christ brings His will to light,
Since the barren staff the pilgrim bore
Bloomed in the great Pope’s sight?

But neither milk-white rose nor red
May bloom in prison-air;
The shard, the pebble, and the flint,
Are what they give us there:
For flowers have been known to heal
A common man’s despair.

So never will wine-red rose or white,
Petal by petal, fall
On that stretch of mud and sand that lies
By the hideous prison-wall,
To tell the men who ***** the yard
That God’s Son died for all.

Yet though the hideous prison-wall
Still hems him round and round,
And a spirit may not walk by night
That is with fetters bound,
And a spirit may but weep that lies
In such unholy ground,

He is at peace—this wretched man—
At peace, or will be soon:
There is no thing to m

We went to a play last week

Actors strutted around

Among a set of tall buildings

Made of actual stone of grey

And billowing smoke

And noises

And crowds.


Upon the great stage they talked

About their ancient ideas

Like wars

And politics

And freedom.

In one scene an actor yelled

and swung a mighty hand

and struck the other man!


And though we knew

It was really just acting

The idea that one

Could hit another

Shocked all of us in the audience
So powerfully

And a few people even left

The theatre

In tears.

But there were funny bits too

In the play that night.

A character said he had a car.

His Own. 
Personal. 
Car!

And together they were to drive

Both of them

Off to an aeroport.

Like with all the steering,

And foot pedals,

And everything.

And in a very sad part

Someone treated someone else badly

And called her names

Because of the colour

Of her skin

And because she had come

From somewhere else.

And all our eyes were wet for a while.

One man used a device

Which was an ancient komputer.

Two flat parts with a hinge

And it opened upon his lap

And one side glowed brightly

To illuminate his face

And he presses a bunch of button-keys

To spell words and things

Because that’s how they told the

Komputer

What to do.

And we all laughed.

when it was over a bunch of us asked the man that was hit if he was okay was he really okay it looked terrible and did they really have to do that awful thing in the play and was the other actor a bad man and he said no, it was alright and the other actor was a nice man and that it didn’t hurt at all and he said he was sorry that it scared us but it was the violence of the time and the people of that time and we said we kind of understood.

And we all felt better


But one lady

Still needed to hug him.

And his eyes

Were a little wet too.

Remember that day of the phony "Mission Accomplished"
day, when thinking people viewed him in that jump suit with that extra crouch stuffing, and when your face turned
so red you felt liking ducking under anything available?
Well, here comes my writings about it, READY?...be brave...
be very brave...

You strutted on Lincoln steel;
not knowing what lay behind that thin-lipped-corporate-gah-gah-smile

Offshore a fool's victory you did declare
A vulture's feast you ushered in
as many sulfur dances engulfed both air and skin

What rooster pride you strutted on Lincoln steel,
while bulbs exploded in heated flare

How I remember you took that flight,
with a pseudo-manly-stuffed-buldge you said, "I 'm all right!"

In nightmares I see your faking smiling grin, as houses crashed
and innocent died, as flames created a reddened sky

Halloween-cowboy, flyboy-suit, a monster lurked on Lincoln
steel
And so, bulbs exploded in heated flare to land upon a nothing stare, to land upon a nothing stare,
to land...upon...a...nothing...stare

Across the width of the shiny railings
a wooden stick was dragged.
Beneath the beady eye of the peacock
quite a lot of skin sagged.
Through lack of sleep.
The peacock wished he had a penny
for every time he was awoken.
he longed for a decent nap
without the pattern broken.
All he wanted was sleep.
So he became an angry peacock
and showed his venom in his tail
Out shot each and every eye on the feather
a picture of beauty to unveil.
He wanted peace and quiet.
The children delighted in this act
and thought he was putting on a show.
They dragged their sticks furiously
Little did they care or even know.
So the peacock refused to sleep
slumped in a corner forever and a day.
Then came along a peahen dull as dishwater
the peacock was excite, didn't know what to say.
She is dull but I will compensate for that
He shook his feathers to impress.
The little lady strutted by oblivious
thought he was in fancy dress.
Well.

Sometimes you see her admiring herself
In the mirror that's hanging next to the shelf.
And when she does it, oh, how she shines!
Is that, dear cat, how you practice your lines?
She seems not to care if we pay attention,
But maybe right here I ought to make mention
That being an actress, she's disinclined
To always reveal what's going on in her mind.
And she'll never, never tell you her age--
Aphrodite, the cat of the stage.

She says, "You know…I'm not one to cuss,
But when I am hungry, I WILL make a fuss."
Yes, she can certainly put on a scene
And act as though she's an importunate queen.
She says, "My dears, if I'm weak or mild,
I'll never drive the audience wild."
That critical scene is repeated each night--
A regular tour de force all right.
Yes, it's best to try to assuage
Aphrodite, the cat of the stage.

Her eyes were surely her greatest feature;
She THUS scoured the town for a drama teacher,
"Who," she says dolefully, "told me one night he
Could make me a star. ME: Aphrodite!"
But as it turned out, ol' Mr. Mittens
Made her instead a mom of eight kittens.
"But," she says, "THAT'S between you and me.
You know how I like my privacy."
It's good to always be on the same page
With Aphrodite, the cat of the stage.

One thing you learn is for her it's the norm
To act a bit slighted when asked to perform.
She must be totally in the mood
Or else she behaves in a manner subdued.
And heaven help you if you are neglectful
Of if her audience is disrespectful.
She'll exit the room like a "cat" out of hell,
And you may not see her for quite a long spell.
You never want to see her rage--
Aphrodite, the cat of the stage.

She sighs and says, "It's such a shame that
Few playwrights write good roles for a cat.
My friends say--when they see me upset--
'Commercials might be a better bet.'
My talents, however, as you might have guessed,
Best fit the stage. But now I must rest."
With that she lifted her nose in the air
And strutted out of the room with great flair.
It's always nice: advice from a sage
Like Aphrodite, the cat of the stage.

-by Bob B (1-24-20)

Teen model Shonali Khatun strutted the catwalk as the audience cheered at a fashion show in Bangladesh's capital.

But Shonali is no ordinary model, and this was no ordinary show.

She and the 14 other models are survivors of acid attacks, common in this south Asian country, where spurned lovers or disgruntled family members sometimes resort to hurling skin-burning acid at their victims.

The fashion show, held Tuesday night in Dhaka and attended by fashion lovers, rights activists and diplomats including the US ambassador to Bangladesh, aimed to redefine the notion of beauty while calling attention to the menace of such attacks.

For 14-year-old Shonali, the event was nothing short of empowering. She was attacked just days after she was born amid a property dispute involving her parents, and was left with burn scars on her face and arms. She spent nearly three years in a hospital and underwent eight operations. Her attacker has never been caught.

"I am so happy to be here," she said. "One day I want to be a physician."

The models, including three men, walked the catwalk, dancing and singing and showcasing woven handloom Bangladeshi designs. The show was choreographed by local designer Bibi Russel.

Organisers said they hoped to highlight the fact that acid victims, too often overlooked, are a vital part of society. They deliberately chose to hold the event on the eve of International Women's Day.

"We are here today to show their inner strength, as they have come a long way," said Farah Kabir, country director of ActionAid Bangladesh, which organised the show. "I often take inspiration from them. Their courage is huge."

Bangladesh has struggled to deal with acid attacks in recent decades, and has instituted harsh punishments for the perpetrators, including the death penalty. The country has also trained doctors to treat such sensitive cases and attempted to control the sale of acid, but has failed to eliminate the scourge entirely.

In 2016, some 44 people were attacked with acid in Bangladesh - an annual number that has remained relatively stable.

"I am ashamed of having such things in the country," Kabir said. "Unfortunately, in Bangladesh we do have acid victims because of either gender discrimination or violence, or because of greed. And we want to remind everyone the kind of injustice that has been meted out to them."Read more at:http://www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses

Elise
and
Romeo
got on the bus.

Elise carried a cake
with a thousand red
ribbons
dripping like
loose ***** lips,
or so they appeared to Romeo.

Romeo came on with
a hard-on
on his face,
or so it appeared to Elise.

"I don't want
any other man
over at my
house,
I don't care if he's your cousin,
you hear me?"

Elise let out a silver snarl.

"I'm not playing with you
woman."

Elise's whispers
wavered between razor-thin roses
and soft spikes.

"I love you
Romy,
but you're on some
other,
I ain't seen a man
in a while,"

The roses that break the skin,
the spikes
that blunt the pain.

"Oh that's how it is?"

"It has to be."

Elise
carried the cake off.

Romeo
got stuck with the cart
full of groceries,
and three wheels missing,
just dragging
the thing.

Elise strutted like fat *******
strut.

Romeo called after her
about other men,
other men,
other men
that had been in his house
without him knowing,
he hated and loved her,
dragging all the sustenance
in the world
behind him.

Elise loved him too,
loved him
even when she was with
other men,
and that's the thing
he couldn't figure
out.

Love is a hard thing
to deal with
for anybody.

I watched you today;
I admired your strutting decadence
Unruly, dishevelled bird of jagged honesty
Ruffled, disrespectful feathers that shine
And reflect your begging, squawking call

You and four of your friends,
Dragged down a helpless potato I
Left out for you;
Pinioned it to the ground
With strutted abandon

Oh bird much maligned;
Bird of ungainly beauty
Hobo, derelict, winged, caller
When you murmur the
Shaking stirred skies
With your flocks,

The noise black swirled and reckless
Never fails to make us catch our breath
That such flock - formed beauty could come
From a ragged kingdom call
Makes my own wings;
Take Flight

She was wicked
because
she strutted through my kitchen barefoot
my glasses perched upon her nose
in a t-shirt
that was incredibly ****
though her dancing
resembled a frog.
She was wicked
because
my heart didn't break
it shattered
and the cruel fate of my love
is to continuously retrieve the pieces she tampered with
weld them together
because
I refuse to let go
of the memories.

She was twisted
in a way
we were practically intertwined
our bodies felt right
our minds were in tune
She was twisted
in a way
that I misunderstood
because she said she'd leave
but her laughs kept ringing
until I forgot the sting
in every way that I could
of those words
that meant
I'm leaving for good.

I am such
a *******
******.

Been fanning the flames
of my flamboyant faggotry
since April 1990
when I strutted from the caverns
of my mother's....
nevermind,
I'm never touching one of those.

My childhood is exemplified
by late-night espionage treks,
sneaking through my sister's side
of our bedroom
maximized by youthful perspective,
each step of mine garnering more
taut gravity than the next,
finally reaching the Holy Grail:
her Barbie collection.

In the fourth grade, I drew
my interpretations of those
beautiful, diamond-infested drag queens
that rained feathers and sequins
upon one drought of an existence,
the adults framing my tolerance
as a ****-stained abomination.

Now people ponder
why I'm so overt
with my gaydom.

Why argue with your
nostalgia-hemmed family friend
over the cultural significance
of the Barbra Streisand Album,
or gladly sit through marathons
of 1980s ****** camp classics?

It's the kid in me.
Something lost for an era
in a washing tub
of middle school torture tactics,
heavy breathing
over hiding something
so natural.

And a few years of that
are **** stifling enough
for this gigantic ******.

In the crowds of colourful birds that sat in the tallest trees, every one of them prettier than the rest across seven seas. Metaphors and similes of their beauty, made the cracks on the pavement lay at ease.

One of them remained low because you can’t fly with wings made of gold in the garden of wild unruly souls. Like the bird whose wing is broken, you are the one that couldn’t follow the motion. You can’t fly like the others or blend with their feathers.

She sat in the roar of society, keeping to herself invisible to the quietly.
A part of her died accepting that she can’t fly,
that she liked it down here and being different.
But at times she just wondered why,
what is it about her that made her insignificant that she had to lie.
Broken wings cannot fly though I’ve seen more brokenness fill the skies.

With an aroma of anticipation and she waited there for her signal, the other birds strutted their formation and blamed her for her lack of imagination.

“Go ahead feathered soul”, he said. His feather shimmering gold, she lived in denial that this new stranger fell in love with her aura of survival.

It's not until I don't have you around that I realize how much you mean to me

Every day went by wasted telling each other lies.

Trust me, you are not all fine and dandy every day, so you don't have to say that you're doing well if you're not
because I'm probably not fine ether

I really don't like how you kept things to yourself because I don't have a lot to look back on

But I guess that means I cherish every tidbit of your life that you've told me
Every sentence about your past is another puzzle piece you have given me

But I have begun to realize that this puzzle will always have some missing pieces

I used to be part of your future and in that singular moment I was a part of your present, but then I quickly became part of your past

I wanted so badly to become your friend-your partner in crime

You were hesitant, a little on the shy side

But now all we have to do is look at each other to understand each other's thoughts and feelings

I used to hide behind an imaginary shield because I thought there is no way someone like you would be friends with me
But then you slowly peeled away my shell and left me bare for you to take care of and I thank you for that

When you strutted into my life, your poise and properness took me by surprise because there aren't too many people in this society who still say yes mam and no sir to their parents

You taught me that it's not what's on the outside that counts
It's what's buried deep within your  heart that only shows it's true colors every once in a while
Before a race
After a long practice
Or maybe in the middle when all you want to do is laugh

It's these irrelevant moments when your true self shows

You signed onto osu today
I have been secretly wishing for this moment ever since you were applying to colleges
I am now reassured that our relationship won't end when states roll around this season
You promised to come to my meets at osu and I promised to visit whenever I see my sister

Your name means blessed and it fits your personality perfectly
You never take anything for granted

But don't ever be afraid because no matter what happens we will always be cheering you on from behind

I will always be here to cheer you up when you're down

When you leave and have to place to go I will welcome you into my home

I want hold onto your sunshines and save some for later and give them back to you when the rain falls hard
Because I've seen the best of you and the worst of you and I choose both

When we grow old and you are gone and the only memories I can remember are your smiles
I will always keep them in my heart forever

Because it's not until you're gone that I realize how much you mean to me

An ode to the raggedy starling

I watched you today;
I admired your strutting decadence
Unruly, dishevelled bird of jagged honesty
Ruffled, disrespectful feathers that shine
And reflect your begging, squawking call

You and four of your friends,
Dragged down a helpless potato I
Left out for you;
Pinioned it to the ground
With strutted abandon

Oh bird much maligned;
Bird of ungainly beauty
Hobo, derelict, winged, caller
When you murmur the
Shaking stirred skies
With your flocks,

The noise black swirled and reckless
Never fails to make us catch our breath
That such flock - formed beauty could come
From a ragged kingdom call
Makes my own wings;
Take Flight

Just written :-)

Emilia

What a beauty I saw
as you strutted on past me
Singing a 70's tune on the sidewalk
looking absolutely classy
Your hair was long
and your skirt, kinda flashy
your eyes were set free
from your cute little glasses
your voice was like a blade
you sliced me like an apple
you were a glowing caramel latte
in a crowd full of *******
I remember your presence
luminescent as the moon
over a castle in the forest
and how you light up every room
you're in my blood like we're one body
I rep you proud with a tattoo
there's not a day that I don't miss you
or a minute wishing I didn't have to

The first thing I saw early this morning
when I pulled back the blue-sky curtains
was a hectic white and orange butterfly
waving in the fair sun of my garden -
between the enclosed well and the laurel tree.

On the scarlet, bright sidewalk,
two damsels strutted together;
a turquoise skirt wore the one,
a chocolate T-shirt the other.
Jubilant they were together,
for the cadence of their laughter
waved in the air as Tunisian silk.

See?
No harvest did my screen display today -
no mountain range loomed far in the distance -
all that was unraveled were a laughing sidewalk,
and a quivering sun in a small garden.

(c) LazharBouazzi, April 21, 2016; revised, August 17, 2016

the caffeine is crucial
for this day-time creature,
the low-lit room an optional feature
for my attempted artistic-flair
paint brushes discarded on the floor
i took up drawing, graphite stained hands
and red eyes in the light of morning's sun
through the cracked window
of my old apartment-turned-studio
it was that morning i realized
the faces on paper would never
come to life
or serve a greater purpose than
good looks and candy-to-the-eye
it was that moment, i realized,
there was much more than re-creation
remixing and redoing
redundant copies of someone else's idea
and in that moment, when i realized,
talent is subjective and in the general eyes
of the artistic world, i was **** on the side
of the street where van gogh and picasso
strutted their dead-man's artistic *****.
and now i know that there's got to be something
more than staying up all night drawing from a
photograph a classmate gave to my sight
and earning ten dollars for every hour spent
dragging pencils across leaf-thin skeletons of
plants that could have grown to serve better.
and now i know i was made for something more
than sitting on my **** cold bedroom floor
and replicating the eyes of a sixteen-year-old
spanish self portrait photographer.
in the western world, the people want me as
an artist making prints of their faces and loved ones
but for the rest? my hands are needed to build homes
for those who have not had the privilege of holding a
pencil or seeing their faces on a mere piece of paper.

sure, the romance, they are the new gods,
     Paris, Rome, Barcelona (don't ask me about Madrid,
                                                       too royal),
a Venetian mask i would don, and become the quixote fighting treadmills rather than windmills -
although to Rome i have not walked
                for my footsteps to encounter the pave,
but in the Venetian pirate lair, plunderers of Byzantium
i have set foot on, at the same time to have learned
of the number 613 near a synagogue and heard the shofar.
Paris (not the Trojan) is the cliche synonym of Eros -
elsewhere Gemini: St. Petersburg as the Amsterdam
   of the north, and Edinburgh as the Athens of the north.

well, such a verse does indeed desire
                                                 more translation of Horace,
as in nimis ex vos, sed non satis ex "ego",
  yes, "ego" the abstract component of you that's
free from the three tier psychoanalytical *******,
what superego, what id? forget it! there's only you
and only "you" - work with me:
               too much out of you, but not enough
               from your alter (synonym of "ego" -
               Jungian shadow porridge);
but as promised, yet more Horace

               deus inmortalis haberi dum cupit Empedocles
               ardentem frigidus Aetnam insiluit.
               sit ius liceatque perire poetis:
               invitum qui servat, idem facit occidenti.
               nec semel hoc fecit nec, si retractus erit,
               iam fiet **** et ponet famosae mortis
               amorem. nec satis adparet, cur versus factitet,
               utrum minxerit in patrios cineres an triste
               bidental moverit incestus: certe furit ac velut
               ursus, obiectos caveae valuit si frangere clatros,
               indoctum doctumque fugat recitator
               acerbus; quem vero arripuit, tenet occiditque
               legendo, non misura cutem nisi plena
               cruoris hirudo.

but of course i'll translate, but prior in dogmatic proposals...
keep the book of revelation of the Ιωαννης,
discard the rest... the four primers are a parody of
the tetragrammaton - so gentle in his own land
yet such a vicious serpent in Egypt? which one's the fraud?
messiah of just hanging, standing still,
40 years in the desert or 40 hours on the cross?
and all that iconoclasm and modern too via narcissism?
"bring out the selfie shtick! oh wait... my hands are
nailed to a ******* crux!" and this persistent 2000 year old
negation - and being spared, the Romans, or
rather the alphabetum, Roma est mort but you
can still ask the italians of a cappuccino - Chino and
Khaki elsewhere with the Lombardy League ponce
rubbing shoulders with Saxons... Chino Versace
whistle at a Bella... you can still see c b g long after
and the coliseum in ruins... it wasn't swallowed up!
i too though the second H in the tetragrammaton was
intended as a déjà vu - it would sit perfectly with
anti-, the concept, but not the man as such,
and indeed the Y would make a perfect tree of Golgotha
in that tweaked geometric, then W and seas
and continuance - Roma alphabetum, sole constructor
of computer robot? maybe... but you see, the H
is a slippery *****, it's silent, like in Khaki... or
as is the usual case in Hindu - Dhal... it's not so much
déjà vu but silence - a necessary surd to make spelling
pretty... dyslexics think spelling is a bit like arithmetic...
it's actually an aesthetic, but they do find it as hard as
arithmetic, and that's why they're genius at numbers...
but the aesthetics is missing, so they cling to numbers
and the aesthetic is missing, and everything associated
with money... well, it's a bit ugly, isn't it?

... (postponed translation)... yes, London is Hades...
    doom and gloom.

but indeed the Gemini in the tetragrammaton,
but first the principle of three-dimensional space (Y) -
just look into one of the corners of a cube (yes
the room you're sitting in),
and lastly the principle of waves, whichever,
sine or cosine as you will, looks better that way
than mediating the ad infinitum of 1, 2, 3 etc.,
sea and constant fluxes (fluctuations),
pin-point the opposite, the principle of one-dimensional
space (a definite coordinate, rather than three-dimensional
space and that ****** indefinite coordinate) and
subsequent ripples, which aren't necessarily waves:
my tools? a-       and -the            and every other ism
that might act as an auxiliary attaché - time (W).
but indeed the anti- implementation that serves as
direct Gemini chiral-ism: the latter serves no close
resemblance to be guided to Golgotha,
hence guided toward Megiddo, and a crucifix also there?

**** such religiosity twice over with its vortex,
as promised the Horace translation

       Empedocles, desirous of godliness in being so,
       having icily strutted toward old age and by
       old age near frozen, was prophesied to jump
       into flaming Etna. as they want, let the poets
       have a right to a death (of their choosing).
       who whomever against his will saves,
       twice-over rattles the suicide's intentions.
       it hasn't been the first time, it's not that easy
       to say it: i am human. he wants to immortalise
       himself, fame posthumously. he writes poems.
       why? maybe he urinated on his father's grave,
       maybe in a place basked by throngs he took
       from it the vices and in solitude became
       desolate with inherited uncleanliness of urbanity?
       like a bear with scars, prison bars he breaks open,
       scares off the wise and the foolish, such
       the adamant nature of compulsive poetic labour,
       whoever he grasps with recitations he
       finishes off, the leech attached to his skin will
       not fall off, until satiated with enough blood.

**dicam Siculique poetae narrabo interitum.

Techno-blurts bleed between neon corners.
And she walks among the flashing lights,
an illuminated epidemic.

His name is Arthur Brunswick,
or so the rumor goes and goes.
Art. Artie. God of Death.
With a hand on a gun,
the other on the pulse of America --
redundant --
his eyes slide up and down
her shimmers of symmetry.

If there's another place, somewhere,
he said bedding tobacco behind lip,
Let me know. Hell, let yourself know.
There would be no greater shame
than becoming a mystery,
even to yourself.

Whether or not she is nameless,
she strutted around body of the room,
untouched by the God of Death.
Stopping, her stare turned towards his,
Your name isn't Arthur Brunswick.
I know this, you know this.
Whether or not, you say my name,
you know who I am.
No matter who you say you are,
I have known what you are
since we were created
to be in this room.

They both turned their heads towards the ceiling,
waiting for the author to acknowledge them.
But he couldn't -- wouldn't -- for whatever reason
he told himself over and over and forever.

He grinned, Arthur of course, before saying,
This may not be entirely original, but you
cannot, will not be saved. Even by him.
There are a thousand girls like you,
nameless, an object of a wanna-be
pseudo-provocative, pretentious, poem --
Too many P's, big guy; let's tone it down.

Listen, this ******, he said as he pointed up,
wants to be David Foster Wallace;
all soft-spoken, trying too hard to be smart --
which came effortlessly to Wallace, not him --
but I can tell you what he doesn't want to be:
The person that saves you. Your messiah.
Are we using any words correctly, yeah?


Either way, he doesn't want to save you.
You are meant to die -- you're going to die --
know how I know that? Because. Because he...
He, Arthur pointed towards the ceiling,
He is telling me what to say, and these words
are leaving my mouth. You die, I die -- **** --
I die... I don't want to die, but we die.
Maybe you could have all of this dialogue,
but it's common for his males to, well,
you know, be interesting and somewhat developed.

Her body, pearl and on the verge of objectification,
had glimmers swim across her moon-crater-pores.
Looking up, as she had throughout her
line-by-line life, she asked the creator what next.
And, before she was given another breath,
the neon of the lights dissolved into her skin,
burning her alive, eating her alive;
her body falling apart, disintegrating.
Fatty rain drops of blood, bile, and memory,
gathered at the danced-upon tiles.

Arthur, frozen in the now disco heat,
swung his face towards the stripped away ceiling,
a lava sky staring back at him, waiting to choose.
He said *******, He said Just ******* do it,
and, at first, he was to live, out of spite,
but the temptation of choosing death over life
was too great for the author.

Arthur's skin flew across the room,
in differing shapes and sizes,
clinging onto the lights, revealing
the God of Death: the reader,
the absentee father, the scarred brother,
the crooked teeth heart-breaker,
the author, himself.

The pearl girl woke up, next to the author,
in a place in a space in his head,
telling him that she had the strangest dream.

1.

I’m told it’s a “living thing”, a given thing and, moreover, is a terrible thing to lose. ‘Nuff said, ‘kay?

2.

What was she doing at the reception? Why was she so envious of his riches? How many drinks under her belt since she started on that glass of wine she‘s holding in her hand right now? So possessive.

I always seem to run into her at the drug store. I wonder what kind of medication she takes. Some incredibly strange desire to know this floats through my ghost. Some generic anti- depressant or maybe something stronger, along the lines of thorazine or haldol. A bizarre sense of arousal consumes me as I fantasize about popping those pills with her. I don’t care what kind they are…if they cure what ails her then they’ll probably take care of what’s wrong with me.

I remember…it was just a week or two ago. Once again I bumped into her at the drug store. She was looking good. Real good. The prospect of reading the labels on her medicine bottles was overpowering, finally knowing the names of the many prescriptions she had filled once every month.

My plan was thwarted, however, when she ordered a soda. I never did find out those drug names, but I learned something which I felt could very possibly change the odds of she and I hooking up. And that is this: her favorite flavor is cherry red.

I don’t think she has a boyfriend, but there is this guy who is always coming around for no real reason. He seems to think that he’s her old man. I often pretend that I believe it as well. One night the three of us went to a karaoke bar. I got just drunk enough not to care if I made a fool of myself having fun. The other two in our party had no problem nominating me for the opening act.

I walked behind the booth and introduced myself to the DJ.

“Yo, yo,” he said, after I told him my name and shook his hand. “I’m DJ Crackhead. Steady chillin’ and ill feelin’, I got the wax and the tracks if you got the crack, Jack. Now get off my back ‘less you got somethin’ you want to karaoke to.”

“Actually, I do have a request. Do you see that hot little red head in the ******* tank top? The one sitting next to the pimply faced weasel? Well, I’m wantin’ that dame for my own and I need to lose him. I need to shout out respect to my ***** and be dissing this dweeb at the same time. Can you play some Stones? I’m thinking ‘Satisfaction’ or maybe ‘Get Off Of My Cloud’?”

“Gee, G! I can float them joints easier than the pope be funny dressed. ‘Get Off Of My Cloud’, baby?”

“Only seems fitting. Let’s do this, Rider!”

As the short, sharp beats of the song bring down the house, to thunderous applause I strutted to the microphone. “People!!! All 6 of you! That’s not counting the bar tender or the wait staff, so we can’t really count this as the largest crowd we’ve ever had attend one of our shows. But I’m gonna tear the rood off this sucka’ with a brutal Rolling Stones tune I’m gonna send out to my gal’s old man, Jimmy!”

I wailed the hell out of that song. Jagger would have been proud of me, that’s for sure. He would have invited me back to the limo to maybe mainline a little smack with him. Everyone in that place was getting into it, but not Jimmy. Oh no, not Mister Jimmy. You could tell he was getting into the song itself, but not the singer.

As the song faded out I returned to our table, sweat dripping off of me like raindrops that fell into her wine glass. Wiping myself with a napkin, I turned to her and asked, “Did you like that one, babe? Did that spectacle turn you on?”

She replied, “O God, yeah! Yeah on both counts!” She leaned towards me and whispered in my ear, “You know, if we could ditch Jimmy I would sure be up for some kink-a-dee-kink. All the time you sang about “not hanging around” and how “two’s a crowd” on your cloud, I could only think of this leach. You’ve got to help me, sweetheart, you’ve just GOTTA!”

“I’ll do what I can,” I said quietly, then turned to Jimmy. “ Well Ol’ Jimmy, Ol’ Jimmy “ Boy, what did you think?”

He looked me square in the eye. I knew he meant business. You could tell by the squint in his eyes. He blinked once and said one word…”Dead”.

3.

Did we really count to one hundred? Why were we counting and perhaps even more important, WHAT were we counting? Why did the object being counted need to be counted to? Was 100 the exact count? Could we count further than 100? Did we have to keep counting even if there are only 79 units in total? Can you explain? I can’t.

4.

You got a big mouth. You know that’s an undisputed fact. When it comes to informing the town about the fine details of my alcohol problem…well that‘s where I draw the line. You are one hypocritical, self-serving, self-righteous biddy who doesn’t know when to shut up.

Everyone knows I’ve been drinking and foolin’ around. The Lord knows I’m sinning and God knows sinning ain’t right. But we’re gonna chat it up tonight, and if you want to see a change of attitude and tone, well I suggest that you stick a sock in it.

5.

Chewing on a piece of grass.
Walking down the road.
Wishing on a falling star.
Waiting on the early train.
Aging with time
Alligator lizards in the air…

Interlude.

All is quiet, save the ringing in the ears. The darkness envelopes me completely, I’m lying in it’s arms. Insatiable demands we’ll make against the wisdom of the Overlords. Who see it through those eyes that criticize all they don’t understand. They don’t understand me or you. You or me.

6.

Sometimes I just like to sit back and take in a good nostril or two of pungeant skunk stank. Years have come and years have gone but one thing has remained…I ain’t a-offended o’ the smell o’ Pepe LePew.

I don’t know but that my opinion might change if one o’ them little rascals were to saunter up to me and spray his stench on my leg. The buck will probably stop there.

But anymore that stuff just reminds me of the killer bud.

7.

The wolves ain’t the only critters howlin’ at the moon tonight.

That’s what she told me as inspiration swirled down the drainage ditch into the vat of apathy.

“Jump in, Jim, let’s go for a swim.”

She took off her clothes and I couldn’t help but stare.

One.
We passed a notable check mark.
The swirly twirly pieces of manipulated metal would put a smile on Buddy the Elf's face.
Their fabrication mirrored ours.
We swirly and twirly.

Two.
We thought smoking green at the **** recreation would be the least originated pun to occur. Notable check mark unflagged.

Three.
This temporary home has me craving for permanence.
I desire for your voluptuous voice to kiss my ears for a sense of familiarity.
Your printed face will be engulfed in flames.
I am a lady and we behave best under cliches.

Four.
It's the first night we won't video chat here.
The first day I will introduce myself as single to strangers and old acquaintances.
Your voice box will not be directed towards me tonight.
The first night I will not have to leave the room in order to be enchanted by your melody.
The air is stale with living mates and stories of home.
My story of home was our ending.
The room drew to a pinhead silence.
The voice of light cracking came from everyone's chests.

Five.
Socrates is impossible to pay attention to when the argument being presented is the dispute you and I. Who in the end is more wise?
Who has won this butterfly bullet shoot me in the face one more time so I remember what sensation against one's heart is like.

Six.
I saw two of them struggling, holding onto dear life.
She ran to him and gave him a passionate kiss.
They mirrored us, trying to sew up the stitching while it was being unraveled at the other end.
They needed to keep the needle and thread poking up and over up and over.
It was love's final desperation.
Final desperation of holding on.

Seven.
Mother was right, at my age my hormones just race just like my emotions.
It's been over a month since we've heard each other's voices.
The word "poljubac" came in as he went in for a kiss along with that your voice.
You loved kissing me.
At the end, they stopped meaning anything.
Your kisses, their electricity was diminished.

Eight.
I ran into Brian.
His sunglasses gave the same luminescence they did on nightly drives getting high and high and higher and higher until we were floating above Lake Shore Drive.
The green line brim on his hat matched the color.of the lights that showed during Christmas time.
It was a time for cheer. Oh ** ** ** the cheer.

Nine.
Looking through these pictures makes me sick.
I miss you.
Can we fall in love for one more night?
Have you call me duso and lay on the lawn chairs and only speak with our eyes?
Can you show me the hidden parts of the city one last time?
One last time.
Your fingertips need to be removed from my body although their prints have already formed scars.
I cut my hip because that was your favorite part of my body to touch.
I sliced it.

Ten.
I suggested that we get matching tattoos, so when you did leave that there would be a physical print of my being.
My physical touch of an idea to stay together forever would be inked in your skin.

Ten.
I'm about to embark on a spiritual journey.
My first lecture will consist on preaching of the Christian god.
Today is day one of this spiritual journey.

Nine.
I'm lying ****.
I lay on the floor and I'm **** as I sit on the floor and lie.
It was the first consistent kiss without you.
I'm lying ****.
I have time to find myself and instead I am shaking hands with my deviling unconscious greeting it with open arms.

Eight.
I have paved a path in the snow.
The bus ran over and rerouted my path.
I'm still lying.
I'm still ****.
I have lost the art of loving thyself and discovering my fullest potential.
I am a hypocrite.
I preach about the belief of discovering thyself as I bury myself in the snow and underneath these lies. The snow angels I made had horns on them.

Seven.
I lost sense of my personality when my phone was not glued to my hands and when I boy was not hanging from my lips, I lost sense of myself.

Six.
They called me into the room.
I was hoping you would be in the doorway as I strutted down the hall way.
Oh please, your grace to surprise me would fill every gaping hole in this heart of mine.
The ones that you left behind, learn to clean up after yourself.
Learn to clean up your ******* mess.

Five.
I cleaned up my ******* mess.

Four.
I'm learning day by day by day.
Today is our first month without the other.
It takes 21 days to break a habit.
I'm starting to stop thinking about you every day.

Three.
This heart of mine is torched, the pieces have melted together.
For once, I feel whole.
I asked of you last night, as bruises were forming from tackle football.
Our mutual friend said you've been better, and I asked him to make that happen.
He promised he would do his best.
The bruises were forming, they felt wonderful as the blood rushed to my skin, the blood rushed to my brain and heart it felt good to be alive.
It felt good to feel the flow of the blood against my skin as I gracefully stroke my hands across.
I discovered why you loved being in my arms because I fell in love with the feeling of being in my own ******* arms.

Two.
I fell in love, Emmett.
I fell in love with my skin the way it chaps when harsh winds beat it.
I'm in love with the way my nose wrinkles when unpleasant stories are told.
I'm in love with my spontaneity, for once I see it as a blessing.
I'm in love with my tongue rolling verbatim every time I have an opinion that needs to be preached.
I am finally my own preacher.

One.
The swirly twirly pieces of divergent thoughts in my head would put a smile on Buddy the Elf's face.
The notable check marks have been unflagged.
The pieces of shattered heart have melted together.
My skin is now my permanent home.
The tears that are now shed are for reasons I consider joyful.
You are no longer on my mind.
You are a check mark.
One that I shall pass when nostalgic.
You are the one that I wish best upon. I am the one that is best left,
now untouched.

I. Solitary Men
GOD: "I am."
MOSES: "Me too."
SOCRATES: "So what?"
ALEXANDER: "What's next?"
CAESAR: "Why not?"
JESUS: "Watch this!"
MUHAMMAD: "Watch this, or else."
SHAKESPEARE: "Dream."
NAPOLEON: "Out of my way."
WASHINGTON: "On my signal and forward."
LINCOLN: "On my example."
******: "Love is cowardice."
FDR: "Justice finds a way."
GHANDI: "This is how."
KENNEDY: "Turn the page."
KING: "Wake up and believe …


                                                 II. The Lost
I saw the best minds of my generation caged by the fears of their parents, organized for meaninglessness, and watching too much ****.
I saw you all around me kneeling to the angry God of television, and I knelt down with you.  
I saw the flames of our shared future burning down The Church, we held hands and danced around it, spun the bottle, and finally told the truth.
I saw myself lost and lonely among you, excusing myself for a cigarette.
I saw the aisles of the shopping center as the gateways to our dreams.
I saw twelve airplanes on the horizon, the disciples of a new race.
I saw the boys and girls of my generation staring at screens learning always learning that the world isn’t real.
I saw the sun rise like ribbons to burn The Poet. Sad, she laid her eyes upon the rocks, let the river flow and finally felt the wet climbing up from her knees.
I saw you Little Girl, the night you found me, and took me out into the trees.

I heard you say, “Brave Boy, this is a good day but we'll find better days than these.”
I heard a Man sing about a thousand tongues broken, a newborn baby with wild wolves around it, and a mystery *****. He asked me "how does it feel?"
  
I heard The Nun shouting the slogans we are afraid to write on signs.
I heard Caesar shouting from the other side of the Rubicon.  I was late and he wasn’t pleased.
I heard the sound of Your Daughter ******* to the rumble of the unswept highway, the trucks the men the steel on steel, the knife, the lime, the tequila, and two sweat wet pillows.
I heard The Preacher in a lab coat and a **** star that was preaching the income gap.  Both conversations were boring.
I heard The Radio play Mozart to the smell of burning wood.
I heard The Night fall down.

I met the Devil by The Lake and I laughed my *** off as he pontificated on his role in History. We tied the rope swing on a rotten limb and swung out high above the clear blue water, let go,  and fell in deep.
I met The Martyr that is trying to **** me.  He was such a sweet old man, so wise, so kind, his hand trembled involuntarily as he squeezed off a round.
I met The Politician that represents the deepest recesses of my conscience, and he ****** me just how I like it, but just a little different every time.
I met The Warrior at sunrise, chose a weapon, and died fighting for land that would never be mine.
I met The Lover on her barstool, laughed at her jokes, typed in her number, and strolled home smiling at the strangeness of her mind.
I met The Leader under his podium where he was hiding watching shoes.  He assured me everything i could see from there was part of a larger plan.
I met The Follower on an airplane.  We shared are snacks and watched the window, and discussed the name’s of strangers we wanted to be.
I charmed a Dancing Princess, laid her out like Ophelia in the river, bought her Mom a fancy car.
I scared The Fish out of the pond with a Mardi Gras mask and a six pack of beer.  They walked out of the water and hitch hiked to the nearest theater.
I lied to The Farmer when I told him I smelled rain.
I told the truth to The Doctor.  He just shook his head and made me wait.
I interviewed The Emperor on his way home from the office.  He squinted at me through the smoke and asked what I knew about moral philosophy.
I answered The Judge’s questions.  He asked about the birds above and the blood dripping from my eye, he asked what the final equation was, and whether I wanted to die.  I remained silent.
I forgot that Life is fragile, but wasn’t made to pay the price.
I learned that sooner or later God will **** us all, but I touched **** and *** with soul.

I stole privilege from the Gods of Mercy.
I gave The Girl a flower I picked along the way.
I burned the statue, but I saved the books.
I built a slick Death Temple for the ghosts of hermits and Marines.
I danced knowing I would never remember.

I lay down determined to forget it all, and rise the next day baptized sparkling clean, a child of forgotten violence, a leader of forgotten men.
I bought the last secret, and I bought the last machine too.
I sold the secret to the enemy so I could buy their loyalty.
I saved the Old Man from himself, all his frightening well learned ways, and I carried him up the mountain, and left him warming by the fire.
I killed The Child just because she was barking at the moon.
I was an animal lost on a race track.
I was like a little boy lost, like my world could not be yours.

I saw blood smeared on the mirror of the penthouse bathroom and I heard a child scream, the help won't be here until Tuesday, we need the number for Mr. Clean.
I saw a college girl hitch hiking up I95, she was sad about her boyfriend, but she walked and walked and found another world.
I fell in love with a *****, and she fell in love with me back, and we held hands by the River and laughed about the Sorcerer who snored in his sleep.
I ran from the apartment, found a bar with a backyard, and disappeared into the New York City night, got lost in the subway and emerged street side less whole, more lonely, more aware, less alone.
I bargained with The Queen Of Hearts, but she would not bargain back. She just took my belt and shoelaces and assigned me a number.
I sweat through my dreams so I hung my shirt to dry above the Boardwalk in the morning, as shade for passers by.  I sat down to watch them walk, feel the sadness in their eyes.
I felt the breeze bang up against my brain like ice cream on the sand.  I groaned, vomited, put on my sunglasses, and took a stutter step no one could see.

I saw a wedding dress on the Internet balanced on a beam.  The hemline was appropriate.
I saw your husband on Facebook.  I didn’t like what I saw.
I asked Darwin to guess what exactly is in my pants.  He said he had never studied human beings.
I asked Darcy what was in her glass, she said she didn’t know but I could taste.
I asked Georgie if it was such a great idea to drop acid before he played football, he grinned and shook my hand.
I told Bobby his sneaker was untied, but he said the getaway went well.
I told Jerry I’d like to soothe his soul, but he said he does all the soothing now.
I told Mickey I was on my way, tumbling like a dry cycle that rips the chord, humming like a drunken hummingbird.
I took the shortcut all the way downtown to the black end of the street, strutted shyly to the corner of the bar, ordered expensive whiskey with three cubes of ice, sipped it slyly, pulled my piece, and shot that dumb ******* in the face.
There is no Love in an empty room, just like there is no God in space.
There is only your senses, what you hide beneath, your luck, and the path you make.
Death and Salvation have always been the same, do the math and take a drink. Whoever is coming is angry, and She is coming sooner than we think.
I hid in my car in a parking lot on a rainy afternoon, closed my eyes and thought of her, the way she thought, and moved, and laughed.
I lit a cigarette and laughed to myself, “things can’t really be this bad.”

The Sun, The Moon, The Stars, The Snake seem to be part of the same thing.
But The River answers with a song about the tricks of destiny.
Dear God, I will never bow to thee until you get on your knees for me.
My hands are rough my feet are tired my Soul is full of hatred for The Sun.
When You turn around and see nothing there you will know that I am done.

                                       III. The Saint In The City
Hello America,
I think I'll try to burn the candle down.
I know you know my story
We share our secret shames and glories,
I am the Saint In The City.
I am a river of tears.
I am the questions of a clown.

Save my seat sweet thing,
You know I shall return.
The first cut is the deepest,
The second night is the sweetest,
But the third time you see my face,
I'll try to love again ...

Police told me,
They're looking out for my best interest,
Just what might I remember?
What can I reassemble?
Why can't you fix your broken mind with your broken mind?
Please answer true or false.

I put the gloves on,
Drove up through the North Country hills,
Took a left on I90 west towards The Plains,
Crossed the Mississippi before I could explain,
Why I was running away, or how intend to pay,
I got one last joke left, it better ****.

Hamlet laughed hysterically
At the prisoners working in the fields.
He said, “The weight the sword wields,
Weighs the same before the flesh yields.
Like the stars that burn bright in your coldest nights.
They were dead 'for thine eyes were a babes."

I stepped outside the bar,
And met a lady, made a deal on her Mercedes,
The brakes were ruined, but the tires were new.
If they force you to live like an outlaw,
You better make them pay for it.
You better keep it like a secret,
Now that its you verse the machines.

But I'll tell you what I know young ladies,
I'll walk you past the dark end of the road,
We'll be bouncing like bunnies rejoicing for air,
Working for a living, living on prayers.

I couldn't answer what the old man asked,
I guess that was his point.
He asked for water from the nursing home sink,

I went out for air air after I passed him the joint ...

The glitz and glamour of the fashion world descended on the city once again as Oxford Fashion week returned for its 10th season.

Models strutted their stuff on the catwalk at the Town Hall on Friday evening as the crowd saw shows from 12 designers.

Champagne flowed at the after party, where a raffle and silent auction were held in support of Oxfordshire Youth – the county's charity for young people.

The show was intimate, with just three rows of seating surrounding the catwalk.

Carl Anglim, the director of Oxford Fashion Studio, said: "Oxford has its own character and charm and we try to bring that to every show we do."

Anya Conlon, the face of this year's fashion week, modelled a dress at the after party which was donated by famous designer Omar Mansoor.

Many of the models attending the party wore their looks from the runway for guests to more closely see the intricate designs.

The 6pm show featured independent collections and ready to wear designs from high street boutiques and retailers.

Highlights included shows from two masters graduates sponsored by Jericho fashion shop Olivia May – Constance Blackaller and Katie McGuigan.

The 8pm show was titled Concept + Couture and displayed eccentric collections from prominent local designers.

Dumpster Design created a dress made entirely of discarded materials from Oxfordshire Youth while Caterina *******debuted her colourful Homage to Camouflage collection for her Kraken Counter Couture studio.

Ms *******incorporated her 'K sizing system' in to her designs, which is uniquely tailored to transgender individuals.

She said: "To me it didn't seem new. I felt like somebody should be doing it.

"Its something that I'm very proud to do – I have many friends and family in the LGBT community."

Gender fluidity was a theme throughout the night as the Crease show sent several male models down the runway in women's coats and dresses.

Model Luka Nikolic said: "I think 2016 is the year for gender fluidity.

"If you're a man wearing women's clothing or a woman wearing men's clothing you can't say that's wrong."

A surprise attendance was made by designers Dylan & Izzy, who are featured on the BBC show All Over the Workplace.

The show, hosted by Alex Riley, shows children the inner workings of different workplaces and this week the children tried their hand at fashion design.

The Town Hall extravaganza marked the end of fashion season, with fashion weeks in New York, London and Milan starting again in early 2017.

Mr Anglim said: "Many of our designers will go to London, New York and Paris, but our favourite thing to do is come home to Oxford."Read more at:http://www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses