I'm strolling, strolling
Strolling, strolling
Turned the other way
Still strolling, strolling
Strolling, strolling
I'm walking in the other direction, because
I don't need to know what you're doing
To close my eyes at night
Don't want to know what girl you're *******
I think I'll get by fine

So I'm strolling, strolling
Strolling, strolling
To get you out my head
I'm strolling, strolling
Strolling, strolling
To show that I know myself
Because I won't chase
After you anymore
We can't lean on each other
Like before

Because I'm strolling, strolling
Strolling, strolling
Into my destiny

Like a psychotic docent in the wilderness,
I will not speak in perfect Ciceronian cadences.
I draw my voice from a much deeper cistern,
Preferring the jittery synaptic archive,
So sublimely unfiltered, random and profane.
And though I am sequestered now,
Confined within the walls of a gated, golf-coursed,
Over-55 lunatic asylum (for Active Seniors I am told),
I remain oddly puerile,
Remarkably refreshed and unfettered.  
My institutionalization self-imposed,
Purposed for my own serenity, and also the safety of others.
Yet I abide, surprisingly emancipated and frisky.
I may not have found the peace I seek,
But the quiet has mercifully come at last.

The nexus of inner and outer space is context for my story.
I was born either in Brooklyn, New York or Shungopavi, Arizona,
More of intervention divine than census data.
Shungopavi: a designated place for tribal statistical purposes.
Shungopavi: an ovine abbatoir and shaman’s cloister.
The Hopi: my mother’s people, a state of mind and grace,
Deftly landlocked, so cunningly circumscribed,
By both interior and outer Navajo boundaries.
The Navajo: a coyote trickster people; a nation of sheep thieves,
Hornswoggled and landlocked themselves,
Subsumed within three of the so-called Four Corners:
A 3/4ths compromise and covenant,
Pickled in firewater, swaddled in fine print,
A veritable swindle concocted back when the USA
Had Manifest Destiny & mayhem on its mind.

The United States: once a pubescent synthesis of blood and thunder,
A bold caboodle of trooper spit and polish, unwashed brawlers, Scouts and      
Pathfinders, mountain men, numb-nut ne'er-do-wells,
Buffalo Bills & big-balled individualists, infected, insane with greed.
According to the Gospel of His Holiness Saint Zinn,
A People’s’ History of the United States: essentially state-sponsored terrorism,
A LAND RUSH grabocracy, orchestrated, blessed and anointed,
By a succession of Potomac sharks, Great White Fascist Fathers,
Far-Away-on-the Bay, the Bay we call The Chesapeake.
All demented national patriarchs craving lebensraum for God and country.
The USA: a 50-state Leviathan today, a nation jury-rigged,
Out of railroad ties, steel rails and baling wire,
Forged by a litany of lies, rapaciousness and ******,
And jaw-torn chunks of terra firma,
Bites both large and small out of our well-****** Native American ***.

Or culo, as in va’a fare in culo (literally "go do it in the ***")
Which Italian Americans pronounce as fongool.
The language center of my brain,
My sub-cortical Broca’s region,
So fraught with such semantic misfires,
And autonomic linguistic seizures,
Compel acknowledgement of a father’s contribution,
To both the gene pool and the genocide.
Columbus Day:  a conspicuously absent holiday out here in Indian Country.
No festivals or Fifth Avenue parades.
No excuse for ethnic hoopla. No guinea feast. No cannoli. No tarantella.
No excuse to not get drunk and not **** your sister-in-law.
Emphatically a day for prayer and contemplation,
A day of infamy like Pearl Harbor and 9/11,
October 12, 1492: not a discovery; an invasion.

Growing up in Brooklyn, things were always different for me,
Different in some sort of redskin/****/****--
Choose Your Favorite Ethnic Slur-sort of way.
The American Way: dehumanization for fun and profit.
Melting *** anonymity and denial of complicity with evil.
But this is no time to bring up America’s sordid past,
Or, a personal pet peeve: Indian Sovereignty.
For Uncle Sam and his minions, an ever-widening, conveniently flexible concept,
Not a commandment or law,
Not really a treaty or a compact,
Or even a business deal.  Let’s get real:
It was not even much in the way of a guideline.
Just some kind of an advisory, a bulletin or newsletter,
Could it merely have been a free-floating suggestion?
Yes, that’s it exactly: a suggestion.

Over and under halcyon American skies,
Over and around those majestic purple mountain peaks,
Those trapped in poetic amber waves of wheat and oats,
Corn and barley, wheat shredded and puffed,
Corn flaked and milled, Wheat Chex and Wheaties, oats that are little Os;
Kix and Trix, Fiber One, and Kashi-Go-Lean, Lucky Charms and matso *****,
Kreplach and kishka,
Polenta and risotto.
Our cantaloupe and squash patch,
Our fruited prairie plain, our delicate ecological Eden,
In balance and harmony with nature, as Chief Joseph of the Nez Perce instructs:
“These white devils are not going to,
Stop ****** and killing, cheating and eating us,
Until they have the whole ******* enchilada.
I’m talking about ‘from sea to shining sea.’”

“I fight no more forever,” Babaloo.
So I must steer this clunky keelboat of discovery,
Back to the main channel of my sad and starry demented river.
My warpath is personal but not historical.
It is my brain’s own convoluted cognitive process I cannot saavy.
Whatever biochemical or—as I suspect more each day—
Whatever bio-mechanical protocols govern my identity,
My weltanschauung: my world-view, as sprechen by proto-Nazis;
Putz philosophers of the 17th, 18th & 19th century.
The German intelligentsia: what a cavalcade of maniacal *******!
Why is this Jew unsurprised these Zarathustra-fueled Übermenschen . . .
Be it the Kaiser--Caesar in Deutsch--Bismarck, ******, or,
Even that Euro-*****,  Angela Merkel . . . Why am I not surprised these Huns,
Get global grab-*** on the sauerbraten cabeza every few generations?
To be, or not to be the ***** bullgoose loony: GOTT.

Biomechanical protocols govern my identity and are implanted while I sleep.
My brain--my weak and weary CPU--is replenished, my discs defragmented.
A suite of magnetic and optical white rooms, cleansed free of contaminants,
Gun mounts & lifeboat stations manned and ready,
Standing at attention and saluting British snap-style,
Snap-to and heel click, ramrod straight and cheerful: “Ready for duty, Sir.”
My mind is ravenous, lusting for something, anything to process.
Any memory or image, lyric or construct,
Be they short-term dailies or deeply imprinted.
Fixations archived one and all in deep storage time and space.
Memories, some subconscious, most vaporous;
Others--the scary ones—eidetic: frighteningly detailed and extraordinarily vivid.
Precise cognitive transcripts; recollected so richly rife and fresh.
Visual, auditory, tactile, gustatory, and olfactory reloads:
Queued up and increasingly re-experienced.

The bio-data of six decades: it’s all there.
People, countless, places and things cataloged.
Every event, joy and trauma enveloped from within or,
Accessed externally from biomechanical storage devices.
The random access memory of a lifetime,
Read and recollected from cerebral repositories and vaults,
All the while the entire greedy process overseen,
Over-driven by that all-subservient British bat-man,
Rummaging through the data in batches small and large,
Internal and external drives working in seamless syncopation,
Self-referential, at times paradoxical or infinitely looped.
“Cogito ergo sum."
Descartes stripped it down to the basics but there’s more to the story:
Thinking about thinking.
A curse and minefield for the cerebral:  metacognition.

No, it is not the fact that thought exists,
Or even the thoughts themselves.
But the information technology of thought that baffles me,
As adaptive and profound as any evolution posited by Darwin,
Beyond the wetware in my skull, an entirely new operating system.
My mental and cultural landscape are becoming one.
Machines are connecting the two.
It’s what I am and what I am becoming.
Once more for emphasis:
It is the information technology of who I am.
It is the operating system of my mental and cultural landscape.
It is the machinery connecting the two.
This is the central point of this narrative:
Metacognition--your superego’s yenta Cassandra,
Screaming, screaming in your psychic ear, your good ear:

“LISTEN:  The machines are taking over, taking you over.
Your identity and train of thought are repeatedly hijacked,
Switched off the main line onto spurs and tangents,
Only marginally connected or not at all.
(Incoming TEXT from my editor: “Lighten Up, Giuseppi!”)
Reminding me again that most in my audience,
Rarely get past the comic page. All righty then: think Calvin & Hobbes.
John Calvin, a precocious and adventurous six-year old boy,
Subject to flights of 16th Century French theological fancy.
Thomas Hobbes, a sardonic anthropomorphic tiger from 17th Century England,
Mumbling about life being “solitary, poor, nasty, brutish and short.”
Taken together--their antics and shenanigans--their relationship to each other,
Remind us of our dual nature; explore for us broad issues like public education;
The economy, environmentalism & the Global ****** Thermometer;
Not to mention the numerous flaws of opinion polls.



And again my editor TEXTS me, reminds me again: “LIGHTEN UP!”
Consoling me:  “Even Shakespeare had to play to the groundlings.”
The groundlings, AKA: The Rabble.
Yes. Even the ******* Bard, even Willie the Shake,
Had to contend with a decidedly lowbrow copse of carrion.
Oh yes, the groundlings, a carrion herd, a flying flock of carrion seagulls,
Carrion crow, carrion-feeders one and all,
And let’s throw Sheryl Crow into the mix while we’re at it:
“Hit it! This ain't no disco. And it ain't no country club either, this is L.A.”  

                  Send "All I Wanna Do" Ringtone to your Cell              

Once more, I digress.
The Rabble:  an amorphous, gelatinous Jabba the Hutt of commonality.
The Rabble: drunk, debauched & lawless.
Too *****-delicious to stop Bill & Hilary from thinking about tomorrow;
Too Paul McCartney My Love Does it Good to think twice.

The Roman Saturnalia: a weeklong **** fest.
The Saturnalia: originally a pagan kink-fest in honor of the deity Saturn.
Dovetailing nicely with the advent of the Christian era,
With a project started by Il Capo di Tutti Capi,
One of the early popes, co-opting the Roman calendar between 17 and 25 December,
Putting the finishing touches on the Jesus myth.
For Brooklyn Hopi-***-Jew baby boomers like me,
Saturnalia manifested itself as Disco Fever,
Unpleasant years of electrolysis, scrunched ***** in tight polyester
For Roman plebeians, for the great unwashed citizenry of Rome,
Saturnalia was just a great big Italian wedding:
A true family blowout and once-in-a-lifetime ego-trip for Dad,
The father of the bride, Vito Corleone, Don for A Day:
“Some think the world is made for fun and frolic,
And so do I! Funicula, Funiculi!”

America: love it or leave it; my country right or wrong.
Sure, we were citizens of Rome,
But any Joe Josephus spending the night under a Tiber bridge,
Or sleeping off a three day drunk some afternoon,
Up in the Coliseum bleachers, the cheap seats, out beyond the monuments,
The original three monuments in the old stadium,
Standing out in fair territory out in center field,
Those three stone slabs honoring Gehrig, Huggins, and Babe.
Yes, in the house that Ruth built--Home of the Bronx Bombers--***?
Any Joe Josephus knows:  Roman citizenship doesn’t do too much for you,
Except get you paxed, taxed & drafted into the Legion.
For us the Roman lifestyle was HIND-*** humble.
We plebeians drew our grandeur by association with Empire.
Very few Romans and certainly only those of the patrician class lived high,
High on the hog, enjoying a worldly extravaganza, like—whom do we both know?

Okay, let’s say Laurence Olivier as Crassus in Spartacus.
Come on, you saw Spartacus fifteen ******* times.
Remember Crassus?
Crassus: that ***** twisted **** trying to get his freak on with,
Tony Curtis in a sunken marble tub?
We plebes led lives of quiet *****-scratching desperation,
A bunch of would-be legionnaires, diseased half the time,
Paid in salt tablets or baccala, salted codfish soaked yellow in olive oil.
Stiffs we used to call them on New Year’s Eve in Brooklyn.
Let’s face it: we were hyenas eating someone else’s ****,
Stage-door jackals, Juvenal-come-late-lies, a mob of moronic mook boneheads
Bought off with bread & circuses and Reality TV.
Each night, dished up a wide variety of lowbrow Elizabethan-era entertainments.  
We contemplate an evening on the town, downtown—
(cue Petula Clark/Send "Downtown" Ringtone to your Cell)

On any given London night, to wit:  mummers, jugglers, bear & bull baiters.
How about dog & **** fighters, quoits & skittles, alehouses & brothels?
In short, somewhere, anywhere else,
Anywhere other than down along the Thames,
At Bankside in Southwark, down in the Globe Theater mosh pit,
Slugging it out with the groundlings whose only interest,
In the performance is the choreography of swordplay and stale ****** puns.
Meanwhile, Hugh Fennyman--probably a fellow Jew,
An English Renaissance Bugsy Siegel or Mickey Cohen—
Meanwhile Fennyman, the local mob boss is getting his ya-yas,
Roasting the feet of my text-messaging editor, Philip Henslowe.
Poor and pathetic Henslowe, works on commission, always scrounging,
But a true patron of my craft, a gentleman of infinite jest and patience,
Spiritual subsistence, and every now and then a good meal at some,
Sawdust joint with oyster shells, and a Prufrockian silk purse of T.S. Eliot gold.

Poor, pathetic Henslowe, trussed up by Fennyman,
His editorial feet in what looks like a Japanese hibachi.
Henslowe’s feet to the fire--feet to the fire—get it?
A catchy phrase whose derivation conjures up,
A grotesque yet vivid image of torture,
An exquisite insight into how such phrases ingress the idiom,
Not to mention a scene once witnessed at a secret Romanian CIA prison,
I’d been ordered to Bucharest not long after 9/11,
Handling the rendition and torture of Habib Ghazzawy,

An entirely innocent falafel maker from Steinway Street, Astoria, Queens.
Shock the Monkey: it’s what we do. GOTO:
Peter Gabriel - Shock the Monkey/
(HQ music video) - YouTube//
www.youtube.com/
Poor, pathetic, ******-on Henslowe.


Fennyman :  (his avarice is whet by something Philly screams out about a new script)  "A play takes time. Find actors; Rehearsals. Let's say open in three weeks. That's--what--five hundred groundlings at tuppence each, in addition four hundred groundlings tuppence each, in addition four hundred backsides at three pence--a penny extra for a cushion, call it two hundred cushions, say two performances for safety how much is that Mr. Frees?"
Jacobean Tweet, John (1580-1684) Webster:  “I saw him kissing her bubbies.”

It’s Geoffrey Rush, channeling Henslowe again,
My editor, a singed smoking madman now,
Feet in an ice bucket, instructing me once more:
“Lighten things up, you know . . .
Comedy, love and a bit with a dog.”
I digress again and return to Hopi Land, back to my shaman-monastic abattoir,
That Zen Center in downtown Shungopavi.
At the Tribal Enrolment Office I make my case for a Certificate of Indian Blood,
Called a CIB by the Natives and the U.S. Bureau of Indian Affairs.
The BIA:  representing gold & uranium miners, cattle and sheep ranchers,
Sodbusters & homesteaders; railroaders and dam builders since 1824.
Just in time for Andrew Jackson, another false friend of Native America,
Just before Old Hickory, one of many Democratic Party hypocrites and scoundrels,
Gives the FONGOOL, up the CULO go ahead.
Hey Andy, I’ve got your Jacksonian democracy: Hanging!
The Bureau of Indian Affairs (BIA) mission is to:   "… enhance the quality of life, to promote economic opportunity, and to carry out the responsibility to protect and improve the trust assets of American Indians, Indian tribes, and Alaska Natives. What’s that in the fine print?  Uncle Sammy holds “the trust assets of American Indians.”

Here’s a ******* tip, Geronimo: if he trusted you,
It would ALL belong to you.
To you and The People.
But it’s all fork-tongued white *******.
If true, Indian sovereignty would cease to be a sick one-liner,
Cease to be a blunt force punch line, more of,
King Leopold’s 19th Century stand-up comedy schtick,
Leo Presents: The **** of the Congo.
La Belgique mission civilisatrice—
That’s what French speakers called Uncle Leo’s imperial public policy,
Bringing the gift of civilization to central Africa.
Like Manifest Destiny in America, it had a nice colonial ring to it.
“Our manifest destiny [is] to overspread the continent,
Allotted by Providence for the free development,
Of our yearly multiplying millions.”  John L. O'Sullivan, 1845

Our civilizing mission or manifest destiny:
Either/or, a catchy turn of phrase;
Not unlike another ironic euphemism and semantic subterfuge:
The Pacification of the West; Pacification?
Hardly: decidedly not too peaceful for Cochise & Tonto.
Meanwhile, Madonna is cash rich but disrespected Evita poor,
To wit: A ****** on the Rocks (throwing in a byte or 2 of Da Vinci Code).
Meanwhile, Miss Ciccone denied her golden totem *****.
They snubbed that little guinea ****, didn’t they?
Snubbed her, robbed her rotten.
Evita, her magnum opus, right up there with . . .
Her SNL Wayne’s World skit:
“Get a load of the unit on that guy.”
Or, that infamous MTV Music Video Awards stunt,
That classic ***** Lip-Lock with Britney Spears.

How could I not see that Oscar snubola as prime evidence?
It was just another stunning case of American anti-Italian racial animus.
Anyone familiar with Noam Chomsky would see it,
Must view it in the same context as the Sacco & Vanzetti case,
Or, that arbitrary lynching of 9 Italian-Americans in New Orleans in 1891,
To cite just two instances of anti-Italian judicial reach & mob violence,
Much like what happened to my cousin Dominic,
Gang-***** by the Harlem Globetrotters, in their locker room during halftime,
While he working for Abe Saperstein back in 1952.
Dom was doing advance for Abe, supporting creation of The Washington Generals:
A permanent stable of hoop dream patsies and foils,
Named for the ever freewheeling, glad-handing, backslapping,
Supreme Commander Allied Expeditionary Force (SCAEF), himself,
Namely General Dwight D. Eisenhower, the man they liked,
And called IKE: quite possibly a crypto Jew from Abilene.

Of course, Harry Truman was my first Great White Fascist Father,
Back in 1946, when I first opened my eyes, hung up there,
High above, looking down from the adobe wall.
Surveying the entire circular kiva,
I had the best seat in the house.
Don’t let it be said my Spider Grandmother or Hopi Corn Mother,
Did not want me looking around at things,
Discovering what made me special.
Didn’t divine intervention play a significant part of my creation?
Knowing Mamma Mia and Nonna were Deities,
Gave me an edge later on the streets of Brooklyn.
The Cradleboard: was there ever a more divinely inspired gift to human curiosity? The Cradleboard: a perfect vantage point, an infant’s early grasp,
Of life harmonious, suspended between Mother Earth and Father Sky.
Simply put: the Hopi should be running our ******* public schools.

But it was IKE with whom I first associated,
Associated with the concept 1600 Pennsylvania Avenue.
I liked IKE. Who didn’t?
What was not to like?
He won the ******* war, didn’t he?
And he wasn’t one of those crazy **** John Birchers,
Way out there, on the far right lunatic Republican fringe,
Was he? (It seems odd and nearly impossible to believe in 2013,
That there was once a time in our Boomer lives,
When the extreme right wing of the Republican Party
Was viewed by the FBI as an actual threat to American democracy.)
Understand: it was at a time when The FBI,
Had little ideological baggage,
But a great appetite for secrets,
The insuppressible Jay Edgar doing his thang.

IKE: of whom we grew so, oh-so Fifties fond.
Good old reliable, Nathan Shaking IKE:
He’d been fixed, hadn’t he? Had had the psychic snip.
Snipped as a West Point cadet & parade ground martinet.
Which made IKE a good man to have in a pinch,
Especially when crucial policy direction was way above his pay grade.
Cousin Dom was Saperstein’s bagman, bribing out the opposition,
Which came mainly from religious and patriotic organizations,
Viewing the bogus white sports franchise as obscene.
The Washington Generals, Saperstein’s new team would have but one opponent,
And one sole mission: to serve as the **** of endless jokes and sight gags for—
Negroes.  To play the chronic fools of--
Negroes.  To be chronically humiliated and insulted by—
Negroes.  To run up and down the boards all night, being outran by—
Negroes.  Not to mention having to wear baggy silk shorts.



Meadowlark Lemon:  “Yeah, Charlie, we ***** that grease-ball Dominic; we shagged his guinea mouth and culo rotten.”  

(interviewed in his Scottsdale, AZ winter residence in 2003 by former ESPN commentator Charlie Steiner, Malverne High School, Class of ’67.)
                                                        
  ­                                                                 ­                 
IKE, briefed on the issue by higher-ups, quickly got behind the idea.
The Harlem Globetrotters were to exist, and continue to exist,
Are sustained financially by Illuminati sponsors,
For one reason and one reason only:
To serve elite interests that the ***** be kept down and subservient,
That the minstrel show be perpetuated,
A policy surviving the elaborate window dressing of the civil rights movement, Affirmative action, and our first Uncle Tom president.
Case in point:  Charles Barkley, Dennis Rodman & Metta World Peace Artest.
Cha-cha-cha changing again:  I am Robert Allen Zimmermann,
A whiny, skinny Jew, ****** and rolling in from Minnesota,
Arrested, obviously a vagrant, caught strolling around his tony Jersey enclave,
Having moved on up the list, the A-list, a special invitation-only,
Yom Kippur Passover Seder:  Next Year in Jerusalem, Babaloo!

I take ownership of all my autonomic and conditioned reflexes;
Each personal neural arc and pathway,
All shenanigans & shellackings,
Or blunt force cognitive traumas.
It’s all percolating nicely now, thank you,
In kitchen counter earthen crockery:
Random access memory: a slow-cook crockpot,
Bubbling through my psychic sieve.
My memories seem only remotely familiar,
Distant and vague, at times unreal:
An alien hybrid databank accessed accidently on purpose;
Flaky science sustains and monitors my nervous system.
And leads us to an overwhelming question:
Is it true that John Dillinger’s ******* is in the Smithsonian Museum?
Enquiring minds want to know, Kemosabe!

“Any last words, *******?” TWEETS Adam Smith.
Postmortem cyber-graffiti, an epitaph carved in space;
Last words, so singular and simple,
Across the universal great divide,
Frisbee-d, like a Pleistocene Kubrick bone,
Tossed randomly into space,
Morphing into a gyroscopic space station.
Mr. Smith, a calypso capitalist, and me,
Me, the Poet Laureate of the United States and Adam;
Who, I didn’t know from Adam.
But we tripped the light fantastic,
We boogied the Protestant Work Ethic,
To the tune of that old Scotch-Presbyterian favorite,
Variations of a 5-point Calvinist theme: Total Depravity; Election; Particular Redemption; Irresistible Grace; & Perseverance of the Saints.

Mr. Smith, the author of An Inquiry into the Nature
& Causes of the Wealth of Nations (1776),
One of the best-known, intellectual rationales for:
Free trade, capitalism, and libertarianism,
The latter term a euphemism for Social Darwinism.
Prior to 1764, Calvinists in France were called Huguenots,
A persecuted religious majority . . . is that possible?
A persecuted majority of Edict of Nantes repute.
Adam Smith, likely of French Huguenot Jewish ancestry himself,
Reminds me that it is my principal plus interest giving me my daily gluten.
And don’t think the irony escapes me now,
A realization that it has taken me nearly all my life to see again,
What I once saw so vividly as a child, way back when.
Before I put away childish things, including the following sentiment:
“All I need is the air that I breathe.”

  Send "The Air That I Breathe" Ringtone to your Cell  

The Hippies were right, of course.
The Hollies had it all figured out.
With the answer, as usual, right there in the lyrics.
But you were lucky if you were listening.
There was a time before I embraced,
The other “legendary” economists:
The inexorable Marx,
The savage society of Veblen,
The heresies we know so well of Keynes.
I was a child.
And when I was a child, I spake as a child—
Grazie mille, King James—
I understood as a child; I thought as a child.
But when I became a man I jumped on the bus with the band,
Hopped on the irresistible bandwagon of Adam Smith.

Smith:  “Any last words, *******?”
Okay, you were right: man is rationally self-interested.
Grazie tanto, Scotch Enlightenment,
An intellectual movement driven by,
An alliance of Calvinists and Illuminati,
Freemasons and Johnny Walker Black.
Talk about an irresistible bandwagon:
Smith, the gloomy Malthus, and David Ricardo,
Another Jew boy born in London, England,
Third of 17 children of a Sephardic family of Portuguese origin,
Who had recently relocated from the Dutch Republic.
******* Jews!
Like everything shrewd, sane and practical in this world,
WE also invented the concept:  FOLLOW THE MONEY.

The lyrics: if you were really listening, you’d get it:
Respiration keeps one sufficiently busy,
Just breathing free can be a full-time job,
Especially when--borrowing a phrase from British cricketers—,
One contemplates the sorry state of the wicket.
Now that I am gainfully superannuated,
Pensioned off the employment radar screen.
Oft I go there into the wild ebon yonder,
Wandering the brain cloud at will.
My journey indulges curiosity, creativity and deceit.
I free range the sticky wicket,
I have no particular place to go.
Snagging some random fact or factoid,
A stop & go rural postal route,
Jumping on and off the brain cloud.

Just sampling really,
But every now and then, gorging myself,
At some information super smorgasbord,
At a Good Samaritan Rest Stop,
I ponder my own frazzled neurology,
When I was a child—
Before I learned the grim economic facts of life and Judaism,
Before I learned Hebrew,
Before my laissez-faire Bar Mitzvah lessons,
Under the rabbinical tutelage of Rebbe Kahane--
I knew what every clever child knows about life:
The surfing itself is the destination.
Accessing RAM--random access memory—
On a strictly need to know basis.
RAM:  a pretty good name for consciousness these days.

If I were an Asimov or Sir Arthur (Sri Lankabhimanya) Clarke,
I’d get freaky now, riffing on Terminators, Time Travel and Cyborgs.
But this is truth not science fiction.
Nevertheless, someone had better,
Come up with another name for cyborg.
Some other name for a critter,
Composed of both biological and artificial parts?
Parts-is-parts--be they electronic, mechanical or robotic.
But after a lifetime of science fiction media,
After a steady media diet, rife with dystopian technology nightmares,
Is anyone likely to admit to being a cyborg?
Since I always give credit where credit is due,
I acknowledge that cyborg was a term coined in 1960,
By Manfred Clynes & Nathan S. Kline and,
Used to identify a self-regulating human-machine system in outer space.

Five years later D. S. Halacy's: Cyborg: Evolution of the Superman,
Featured an introduction, which spoke of:  “… a new frontier, that was not,
Merely space, but more profoundly, the relationship between inner space,
And outer space; a bridge, i.e., between mind and matter.”
So, by definition, a cyborg defined is an organism with,
Technology-enhanced abilities: an antenna array,
Replacing what was once sentient and human.
My glands, once in control of metabolism and emotions,
Have been replaced by several servomechanisms.
I am biomechanical and gluttonous.
Soaking up and breathing out the atmosphere,
My Baby Boom experience of six decades,
Homogenized and homespun, feedback looped,
Endlessly networked through predigested mass media,
Culture as demographically targeted content.

This must have something to do with my own metamorphosis.
I think of Gregor Samsa, a Kafkaesque character if there ever was one.
And though we share common traits,
My evolutionary progress surpasses and transcends his.
Samsa--Phylum and Class--was, after all, an insect.
Nonetheless, I remain a changeling.
Have I not seen many stages of growth?
Each a painful metamorphic cycle,
From exquisite first egg,
Through caterpillar’s appetite & squirm.
To phlegmatic bliss and pupa quietude,
I unfold my wings in a rush of Van Gogh palette,
Color, texture, movement and grace, lift off, flapping in flight.
My eyes have witnessed wondrous transformations,
My experience, nouveau riche and distinctly self-referential;
For the most part unspecific & longitudinally pedestrian.

Yes, something has happened to me along the way.
I am no longer certain of my identity as a human being.
Time and technology has altered my basic wiring diagram.
I suspect the sophisticated gadgets and tools,
I’ve been using to shape & make sense of my environment,
Have reared up and turned around on me.
My tools have reshaped my brain & central nervous system.
Remaking me as something simultaneously more and less human.
The electronic toys and tools I once so lovingly embraced,
Have turned unpredictable and rabid,
Their bite penetrating my skin and septic now, a cluster of implanted sensors,
Content: currency made increasingly more valuable as time passes,
Served up by and serving the interests of a pervasively predatory 1%.
And the rest of us: the so-called 99%?
No longer human; simply put by both Howards--Beale & Zinn--

Humanoid.

He was casually walking one evening in a bustling place called New Orleans in the year of 1845. Nonchalantly strolling down Bourbon Street, a street lined with beautiful homes; graceful verandas; elegant parlors, and... Marie Laveau.

His name was Moine Baptiste. He was a black, French Creole. A man who lived for his music, Quadroon *****, the blues, jazz, and  places where he and Charlie would play their rip-roarin' music in the place called "The Big Easy".

Charlie the sax, was Baptiste’s long, time friend, since he first started playing the 'sax' at the young age of eight.

Moine Baptiste, Plessy Ferguson and all the guys played their Cajun, jazz and blues music at clubs like, 'Antoine’s Bar',  'The Maison Bourbon Jazz Club' and 'The Funky Pirate', all which were popular clubs in the French Quarter on Bourbon Street in New Orleans.

In those days dusky stable hands would lead horses around the stables engaging in desultory conversation that went something like this:
"Hey where y'all goin' from here?" they'd query. "From here we're headin' for the "Big Apple", one would offer in reply.  "You'd better fatten up them skinners or all you'll get from the apple will be the core," was the quick rejoinder.
Resulting in the assigned name, Those Big AppleYears".

Close by on another beautiful, tree lined street was 'Esplanada Avenue'. It was the most elegant street of all in the French Quarter.

Esplanada Avenue claimed fame to a somewhat elusive, secret Bordello called LaBranche House where all the affluent or wealthier men would frequent.

Baptiste was very familiar with LaBranche House. That was where he met all his women and spent most of his money.  

The French and Creole children casually roamed the town, sometimes walking down by the graveyard near Bayou Street. They had been told many a time to steer clear of Bourbon Street, a street with a sordid reputation of burlesque clubs, all night parties and…Marie Laveau, the Voodoo Queen of   New Orleans!  

When Baptiste was taking his walks he'd always watch out the corner of his eye. Something he learned to do when strolling along the sidewalks in New Orleans and in particular Bourbon and Bayou Streets in Congo Square. You see he’d had a few encounters with Marie Laveau.

Oh he had a great deal of respect for Marie Laveau... along with a healthy amount of fear.

This Creole woman, often used her Voodoo  to manipulate, acquire power and upon occasion bless those she liked with good luck and prosperity. She  was also quite adept in conjuring up her many powers in matters of the heart.

Her hair was long and black. She was both feared and respected. Ms Laveau had olive colored, Creole skin. Her black, piercing eyes were sharp as a razor’s edge. Almost magnetic, if she stared at you for very long.

Baptiste had called upon the Voodoo Queen a few years back when he was down on his luck..... and down on his luck with women.

It was almost to the point, that he’d all but given up on the possibity of being happy and contented.

Baptiste was a man with a robust charisma of Creole and French charm. Yet he had an air of reserve and dignity, with a bit of naughty that shone brightly in his chocolate, brown eyes. He was remarkably handsome with dark brown, wavy hair; a well chiseled bone structure in his cream colored face, full lips and a well toned body.

His main problem was, he liked too many women. Too many all at the same time. He spent too much of his money on his women which left him broke,  lonely and dissatisfied.

One night while strolling down Bourbon Street he happened upon Marie Laveau. He’d just finished playing a ‘gig’, with his old, friend Charlie his beloved sax and a few of the guys. Baptiste was feeling a bit light headed and a tad drunk from the ***** that flowed and poured so freely in that part of town called The Big Easy. It was a part of New Orleans steeped in history, lore and many mysterious legends.  Baptiste was feeling slightly tipsy from all the Whiskey he'd drank.

When Baptiste saw Marie Laveau walking towards him down on Bayou Street, he boldly said:

     "Well, Ms. Laveau”,  said he as she walked on by
      She looked piercingly at Baptiste, stared straight at him right through to his eyes.
      She was the famous Queen of mysterious curses
      She carried potions and spells in her bags and purses
      She was a famous legend in New Orleans where all the black trees grow

      This Black, Creole Lady lived in the dark, murky swamps all alone
      She carried black cat’s teeth and eerie Mojo bones
      She had three legged dogs and one eyed snakes
      A mean tempered hound she called  Big Bad Jake    

      He said, “Ms. Laveau you Voodoo Witch
      Please cast your spells and make me rich”!
      Marie started mumbling and shook her magic stones

      Why it scared Ole’ Baptiste right down to his skinny ole' bones!
      She cast aVoodoo Spell and spoke some eerie incantations
      Promised him wealth, true love and a big plantation!
      There’s many a story told of men she’d charmed
      But Ole’ Baptiste, he wasn’t too alarmed

      They strolled through the graveyard down on Bayou Street
      Where all Marie's ghouls and ghosts and spirits meet
      There lived a big, black crow where she held her ritual scenes
      She spoke powerful Voodoo words and cast her magic in between
      She held Baptiste’s hands tightly in her large, black hands
      She promised him love and riches and lots of land
      From that day forward Baptiste had more than his share of luck
      He had the love of a beautiful woman and lots of bucks


      But Baptiste always remembered that piercing look in Ms. Laveau’s stare
      An admonishing, cautionary warning they always shared
      If you ever walk the streets in New Orleans....
                                   Beware....
      You just might meet up with Marie Laveau... "The Bayou Voodoo Queen"
__________________­_________
"Marie Laveau (September 10, 1794 – June 16, 1881[1]) was a Louisiana Creole practitioner of Voodoo renowned in New Orleans. She was born free in New Orleans.
Marie Laveau a legend of Voodoo down on the Bayou. This well known story of this
Voodoo Queen who made her fortune selling her potions and interpreting dreams...
all down in a place called New Orleans!

the mind is its own beautiful prisoner.
Mind looked long at the sticky moon
opening in dusk her new wings

then decently hanged himself,one afternoon.

The last thing he saw was you
naked amid unnaked things,

your flesh,a succinct wandlike animal,
a little strolling with the futile purr
of blood;your *** squeaked like a billiard-cue
chalking itself,as not to make an error,
with twists spontaneously methodical.
He suddenly tasted worms windows and roses

he laughed,and closed his eyes as a girl closes
her left hand upon a mirror.

There strolls another father,
Scrolling while his daughter
Rides her stroller as they stroll.
He really oughtn't scroll,
She's awake as they stroll;
It's a stroller, not a scroller.

The purpose of a stroll,
Is to walk and talk the prattle,
The speach that infants rattle
While strolling in their stroller.

Sing to your child,
Stroll all the while,
Hum or whistle,
Mumble……..Grumble;
But don't silently scroll on,
While strolling with the stroller.

Recall childhood rhymes, if you can,
Say the ABCs or count to ten;
Talk of little piggies and brazen toads,
Meaningful memories,
And yellow brick roads.

Enjoy your strolling.


Enjoy your scrolling.

It was only the other day you fell asleep in your old chair
The one that was in your front room decades ago
You didn't see Andy Murray lose but you didn't care
You’d eaten well and heavy eyed you dozed

I’m sorry but when I lost the house it had to go
I know throwing it out was a bit wrong
But if chairs go to heaven though
At least you’ll have something there to sit on

I wish I’d never told you off for smoking by the pump
You looked so sad that I’d made you feel a fool
But imagine how you would have made those people jump
As they were all engulfed by a massive fireball

Enjoy your new lungs and try keeping them clean for a few hours
Enjoy your time with Granddad it’s been thirty years too long
Enjoy strolling through those heavenly gardens with all your favourite flowers
But in heaven, please don’t bag cuttings; I’m sure up there it’s wrong!

There once was a young man named Feste, and he was not a very good young man.
He was a thief, and a sneaky one at that. He would go to all of the stores in the market and steal anything that he pleased.
He loved to steal from the baker and the butcher especially.
He would go to his hiding place in the forest after his deviousness and eat away his stolen treasures, brooding on what a “clever little boy” he was.
The baker and the butcher knew though. They noticed him coming in most days and leaving in quite a hurry. They could not actually catch him in the act, but they knew beyond a doubt what he was doing. They were having drinks together one night though when they devised a clever scheme to stop him from stealing ever again. The butcher carved up a juicy ham, and the baker baked up a delicious pie, but they added a little something extra to it…

The butcher made sure to quite a bit of alcohol into the ham, and the baker did the same with his pie. They both set their two traps in the store, right when the spoiled thief Feste came strolling into the market with his eyes gleaming.
The baker watched him walk into his shop,the pie disappeared.
The butcher watched him walk into his shop, the ham disappeared.
They both smiled and went about their work.
Feste rushed to his hiding place and devoured his stolen goodies so fast that he didn’t even realize how peculiar it seemed to taste...
Not long after, he started to feel strange. Numb and stupid. He ran towards the village, acting a buffoon. The villagers stared and laughed at Feste acting so odd. His mother found him though and brought down the fury.

“Feste! Why are you acting like a **** fool?" She demanded.
He threw out a few words in a drunken stupor and swayed in place.
"Wait.. have you been drinking!?” She screamed.

“Noe maum! Allll Ie had todae is pie and haam!” He stammered in a drunken sway.

“And where exactly did you get those!?” She inquired.

Feste had a look of terror on his face and grew silent.
He was found out to be the no good thief and was punished severely, because his mother thought he stole the alcohol as well as the pie and ham, and he couldn’t prove otherwise.
Feste never stole again and he even apologized to the butcher and baker, though they still do have a laugh now and then…

The End

Peeing: to ***; to urinate; to release the body of its liquid toxins; to pass or discharge *****; characteristically yellow- the strength of the color depending on the body’s hydration.
People have strange habits when peeing; urinating; releasing the body of their liquid toxins. Some people procrastinate it to the last minute and rush to the bathroom, barely yanking their pants down in time and shuddering in relief. They are those who habitually whip in and out, even when they don’t really need to. There’s the common usage of an escape from boredom in classes or meetings. Perhaps it even causes a slight blushing in the cheeks of painfully shy woman at hearing rushed tinkling so close by. And of course, they are also the people who love to leave surprises for the next person who uses the bathroom.
All in all, peeing seems to mean not much to people – a small part of life; but a very, very necessary part.  

                                 *                 *                    * .

The rain poured furiously outside the window as Emily sat, straining her brown eyes against the whiteboard flashing images of trigonometry from Mr. Well’s laptop, trying hard to concentrate. She was sitting in her usual seat in class, and also her favorite. It was a solitary table with a chair, away from the clusters of tables and the chattering children, and the only chair by the window. She liked to look out the window, even if it distracted her from Mr. Well’s loud explanations. The booming of “SOHCAHTOA” in her ears became distant as the wind’s movement caught her eye. She gazed out on sheets of rain flapping across the sky like giant teary spirits and pressed her fingertips on the glass. Cold.
Absent-mindedly, she pressed her cheek against the coolness and felt it absorb her body warmth. Her imagination kicked in and the glass became a panel of energy, ******* a little life from all those who touched it, vibrating with a strange purple light until it was so filled with energy the particles of the glass would explode and she would be the first to die from the sharp shatters that would spray across the room, causing droplets of blood to-
Ahem.
Mr. Well coughed meaningfully at her dreamy face. The class exploded into laughter and the bell rang. A skinny girl smiled at her but she was so lost in her own world, she forgot to smile back as she slung her bag on her shoulder and ran out. Maybe that’s why she didn’t have too many friends.
The dark skies were pouring furiously as only Bangkok in Monsoon weather can.
A walk home or a motorbike ride? A motorbike ride would be a little dangerous in this flooding… and with that reasoning she waved up a motorbike. The seat was soaked and so was the driver, whose brown leathered feet struggled to keep red flip-flops on as they sloshed through the flooded Sois.
Fat water bullets pelted her skin and the wind blew them ferociously into her face till her eyes stung. The motorbike swerved in and out of the cars stuck in traffic (slightly floating), the bottoms of their wheels immersed in ***** water.
The pockets of her school shorts were hastily rummaged through and she pulled out a soggy green twenty-baht note bank before running into the shelter of the lobby, dripping over the marble floor and completely drenched. The building-maid widened her eyes, and watched her horrified; knowing it meant extra work mopping and drying up the lobby floor as soon as Emily vanished into the elevator.
The plastic button with the circular metal piece glowed orange. It was strange how she was shivering with cold but her touch was still warm enough to light up the elevator buttons.
The usual itchy, impulsive, restlessness was building up inside her from the wet motorbike ride. Thunder roared and crackled through the lobby’s swinging glass doors and they vibrated slightly. Another flashing image of splintering glass splashed across her mind and in the split-second, she saw the diamond shards pierce the eye of the lobby’s guard and splinter across the floor-
She shook her head. This was what happened when she had too much pent-up energy. She had to do something- something reckless and fast and dangerous… now! A bolt of lightning went through her as a familiar wide open space came into her mind… the rooftop of her thirty-five floored building.
The elevator ride up was slow, much too slow for the fast pacing of her heart and she hit the metal doors with wet fists. Tearing out of the doors when it finally jolted to a stop, she climbed up to the top, running up the stairs two steps at a time and caught her breath. It was flooded up to her ankles and violent gusts of wind made her steady herself.
Emily’s Dad often told her stories of when he was child. “The winds in my home during Monsoon season were so strong we could lean into it with our fully body weight and we wouldn’t fall. It was almost as good as flying.”
Her lids squinted shut and the sensitive skin was immediately exposed to the pebbles of the rain and whipping wind; and in almost dream-like state, she leaned into the howling wind.
There was a comically slow fall and her bony knees hit the concrete flooring with a dull thud. She burst into tears of laughter in her own stupidity at thinking the wind could hold up against her gigantic frame and rubbed her ***** knees sorely. Reaching up to wipe her tears with muddy fingers, she laughed to herself again. There was no point in wiping away tears. They were so trivial in comparison to the current weeping of the skies.
Against the thick opaqueness of the wind, she could see how the view towered over a jungle of buildings as far as the eyes could see, with snaking concrete roads and skinny black canals. Slums scattered around nearby swanky hotels of the rich. The buildings faded into small dark shapes in the distance. Bangkok.
No matter how tall and industrial it tried to become, everyone ran for cover under this blinding rain.
Up here, completely a victim to nature’s power, she felt exposed; naked; real. The animalistic instincts inside her swelled up. Humans weren’t meant to wear these annoying pieces of material or shoved inside skinny architectural designs. With aggressive tearing motions, a pile of soggy clothes half lay, half floated on the flooded floor beside her and she stood there bare… and completely naked. Laughter spilled out from the depths of her naked chest with the two tiny hints of possible womanhood; it was louder than thunder. Screaming, laughing and gasping she stumbled around – climbing over objects and feeling the beautiful dizziness: a sweet, sweet dizzy. She stood up on a random block a meter high; spread her arms wide as her wet body shone with raindrops. The rain threatened to push her over, her soaked hair twitching heavily on her neck.
She ****** in her breath, ready to yell so that the heavens could hear but instead, the voice that came out was controlled with a shaky undertone of joy,
“I need to ***.”
And then she did.

                                                *         *            *.

His eyes are brown. Dark chocolate brown – a simple, solid color. Simple and solid like him.
Because he was so simple, people enjoyed his companionship. Though he was simple, he was not boring. Rather he was sharp-mouthed, quick on his feet, witty and observant speaking bald truths about people that either provoked them to scandalized laughter or humiliated fury.
What some people forgot to recognize was that he didn’t really love anyone. Plenty called him a close friend, but so absorbed were they in their own world; they seldom realized the fact that most of his thoughts were concealed. Kept in a little box of surprises in the back of his mind, and hidden so well nobody knew they existed.
He could spend months with a friend traveling in a different country, and return back home with no feelings of attachment. He could care for a friend while they were here and not really miss them while they were gone.
Most of the time his eyes were neutral and observing and they would sparkle amusedly when he had provoked someone with his words. This was how remained to almost everyone; everyone but one person. The one person that could turn his normally calm face even more still, the dark brows would rise slightly and a quick flash of fire would shoot through his eyes- and for a long while, they would burn slowly like two twin coals; the one person who could cloud his eyes dreamily; the one person who could make them glint wetly.  
He reached over and grabbed her hand. Emily turned smiling eyes at him.
A group of teenagers were strolling down the closed roads, armed with water guns, pasted in thick white powder, thoroughly drenched in the hot, dry weather and skipping over puddles (except for Emily who splashed into them).
Songkran in Bangkok: celebrated in the middle of April where temperatures reach forty-degrees Celsius, Thailand’s New Year and a time to pay respect to the elders in the family, but as most traditions, they became really just an excuse to enjoy oneself and in this case, one-year-olds to eighty-year-olds roamed the ***** streets splashing ice-cold water from hoses and water guns and smeared each other with chalk in buckets.
The street they were being shoved along was crowded with slick, drunk bodies. The heat of the afternoon sun shone down on their backs. The sign that introduced excited people in was sprayed by a passing pick-up truck filled with screaming locals. “WELCOME TO SOI COWBOY” printed the red letters.
Red-faced fat foreigners held in each arm a tiny ******* with their bright lace bras showing through the wet see-through shirt and their black eye shadow playing havoc with their cheeks.  Country-side Thai music blared in its jumpy, quirky manner with the over done sound effects. Those nasal voices of dark skinned women with their skins covered with make-up to an ashy white whined out of the stereos. A man with the head of a buffalo mask sauntered past. It was a mark of how wild things got at Songkran that eyes merely flickered over the shirtless buffalo briefly with a quick laugh. Transsexuals clad in diamond-studded flip-flops, wet white tank tops and mini jeans shorts the size of underwear danced to the blasting music from the open pubs down either side of the road. Their surgically-made ******* were all-too visible in the white shirts, their dark ******* poking out as they grabbed the crotches of good-looking men and boys that passed by, squealing and rubbing their bodies against white men especially. Most of these white foreigners had a look of bewildered pleased ness... for only a few realized that underneath that squeaky voice was a very deep rumble, and underneath those lacy thongs lay a very big surprise indeed.
One of the better-looking boys in the group, his green eyes and pointed chin drawing the fancy of many hookers, was pulled off by four pairs of wet skinny arms touching him and yelling in broken English, “Oh so handsome! You so handsome! I love you! What your name! You tell me your name, handsome boy!”
The handsome boy proceeded to manage some sort of scream for help while laughing until his stomach ached. It was Songkran; it was a merry time, and he knew he was good-looking. Kat, who held a secret crush on him laughed amusedly at his yelping.
Emily stumbled after him with Kat and parted through the crowd of ladies in time to see a tiny little ****** trip on her squeaking flip-flops and fall beside a sprawled figure, face down in the ***** road with a massive bag of ice on top of him.
“Hey! Are you alright?” Emily cried, half-amused and half-concerned, lifting the heavy ice bag off his shoulders.
Kat rushed forward, laughing but compromising her concern with furrowed brows and helped him up. “You okay Tom?”
He whimpered in pain and put a hand on his neck, rubbing it sorely. “That ice bag was ******* heavy.” The girls decided to make no note of his skinny arms.
They walked back to their group of friends who turned around and saw a limping green-eyed boy and roared with laughter. The noise caught the attention of predators searching for a good target and they were hosed down with water pipes.
Suddenly Emily felt a huge body lift her up and swing her around while hands plastered her with wet chalk.
“Emily!”
She felt safe hands grab her and looked up into the pair of dark chocolate eyes. They were a little annoyed as they flickered over the fat drunk man who released her heavily but it was Songkran, and he managed to laugh at her bewildered expression.
Just then they passed a horde of prostitutes and she felt him being ripped from her. “I like this one!” screeched a passing market lady who rushed in to jump on him. “I like this one! Let’s keep this one!” They dunk his head in a bucket of white goo.
She screeched with laughter and even at something that silly, felt protective of him. “Brad!”
He was too busy being attacked. “Brad!” she tried to reach in and he opened his mouth to call out to her. That was a big mistake, he realized, as he received a handful of powder in his mouth. Spitting, coughing, and trying to breathe through nostrils blocked with powder he managed to wipe his stinging eyes clean. The prostitutes released him but not before a huge ******* screamed with glee at his straight nose and thin red lips, and reached forward giving his crotch a good grab. He screeched in genuine disgust and fear, had a moments feeling of guilt in case he had offended the ******* which was immediately wept away as he, no she, no it, yelped joyfully and massaged his **** before trotting off to his, no her, no its next victim.
Where was Emily? With his height, he managed to see a brown head that stuck above the other dark-haired and light-haired heads being jostled out of the street by the moving crowd. He ran to catch up and grabbed Emily’s hand as the group of teenagers tripped out of “Soi Cowboy”.  
They stood for a moment catching their breath. Zoey, a tiny little girl with a chest that threatened to put her out of balance, pushed her brown curls out of her face. A red glow was starting to spread over her cheeks.
Kat laughed scornfully, her wide smile spreading generously over her face. “Sunburn?! You white girl!”  
They had all been out around the streets since early morning and it was late in the afternoon now. Rose’s cheeks were flushed and the tip of Kat’s nose was a little pink herself. The rest of them, with their darker skin, had tanned slightly but unnoticeably. They laughed at Zoey for a short while. It was an interesting group of friends: all of them of mixed heritages from around the world with different backgrounds that became common in the world of International schools. It was alright to tease Emily’s honey skin; it was funny to crack jokes about Stefan’s hairiness; it was hilarious when Zoey tried to tan.
Emily shot a picture of everyone laughing: their clothes wet, their faces scrunched up, eyeliner smudged (Kat and Rose had lined their eyes with water proof kohl that of course wasn’t really waterproof), their cheeks and chin caked a crumbly white.
Kat and Zoey clambered over her shoulders, peering at the little digital screen of the water proof camera. “Ew! Gross!” yelled Kat who was only used to pictures of her lips rosy from lipstick, camera at a flattering angle with a bright flash from her professional equipment that made her black-lined green eyes sparkle like emeralds.
“Delete! I look sick!”
Even Zoey, who admired Kat’s photogenic ness to a great extent, could find no words of solace except to say, “Me too! I look gross! Delete! Now!”
Emily just laughed and said, “No you don’t.” Of course it wasn’t a type of picture they’d profile on Facebook, but all the same it was beautiful with their wild-looking and uninhibited faces and un-posing body shapes, curled up in laughter.
Zoey snatched the camera from her and they fiddled with the buttons till the picture was deleted. It was regretful, annoying, but not unexpected.
Emily rubbed her sore knees and noticed how Tom was still rubbing his neck sorrowfully with Stefan laughing at him, shaking his head wearily. Brad was holding onto her arm a little tiredly, Kat and Zoey had their arms wrapped around each other’s shoulder for leaning support and Rose and Emily’s younger brother, Jason, were standing together, staring absen

Strolling, wistful, through a thousand lives,
across the chasmed centuries gone past,
he calls her name; it never quite arrives
to fall upon her ear.  Just at the last,
she leaves the hall, or shutters windows closed.
The fading echoes rebound, fall, despair
upon the careless earth, alone who knows
how many times he's haunted up her stairs
and stood before her door, unwilling hand
hung limply at his side. The heavy years
passed by them both again; he hadn't planned
that they would not meet. This chance disappears  
to speak the truth he knows she knows as well;
two ancient souls in broken bodies dwell.

Two ancient souls in broken bodies dwell,
a karmic double-helix twists through time.
They spiral 'round, attracted and repelled
by cosmic force, the space between defined
as two arms' lengths apart. Their fingertips
will brush by chance; the spark that generates
ignites the kindling lust, the heated lips
which speak the wildfire words of love. The fates
dictate the places, times where their paths cross;
circumstances, consequences feed
the choices made.  They've chosen fire, the loss
of reason, stoking starving naked need,
dance with abandon, passion, without pride;
they trip light-years fantastic side by side.

They trip light-years fantastic side by side.
The pas de deux began in ancient court
of some small city-state.  He is a knight
sent by his Queen, a diplomatic sort
of mission.  At a dinner hosted by
the local King, the knight, while taking in
who might be helpful or a hindrance spies
a shaken mane of gold, blue eyes within
her stunning face, struck slack with ennui
until she meets his eyes.  An eyebrow lifts,
a corner of her mouth curls up, unseen
by all save the old man beside.  He shifts,
and stands to pound his staff. The hall is still;
bound by an angered mage's curs'ed spell

Bound by an angered mage's curs'ed spell:
"Your burning gaze, Sir Knight...your smile, milass;
returned. You want each other?  Very well!
So mote it be; I'll have it come to pass.
She will be linked to you, eternally
yours, to have, to hold and never love;
to consummate and quench your lust will be
your death. And you shall lust, by Jove above!
I hereby mate your everlasting souls;
condemn you with a love like Hades' fires,
passion's heat incinerates you whole.
You'll take him, child, and **** him with desire.
You'll die for her; she'll bring you to her knees
across uncharted lands, bedragoned seas."

Across uncharted lands, bedragoned seas
uncounted years of wandering, he seeks
asylum from the memory of her eyes.
The softest skin, most gently blushing cheeks,
wildest fingers raking skin from back,
ever-changing hips which ****** and thrash;
the tavern *****, the courtesan, all lack
whatever power it would take to smash
his crushing need.  An aching pilgrimage,
life spent in shameless chase to slake the lust
imposed by jealous wizard in his rage.
Now weak and old, he walks alone through dust
and sandstorm, seeking solace, final rest
in desert's scalding carborundum breath

In desert's scalding carborundum breath
she oversees construction of her tomb.
Her father started it; upon his death,
she left the mage to build the solemn room
of memory. The waves of slaves pour sweat
in rivers onto stones, their muscles scream
and ripple in the undulating heat.
Mirage becomes a staggering man, unseen
by all but her. She mounts and rides to bring
some water, some relief.  When their eyes meet,
their souls enmesh, their spirits start to sing,
his failing body falls about her feet.
They're found again, and still there's no release;
not even end of life can bring surcease.

Not even end of life can bring surcease;
she lived another twenty years beyond.
His final glance of longing gave no peace,
but chained her in the everlasting bond
of arcane condemnation. Her ****** heart
is pierced by passing seconds, every one
a blunted needle, mildly poisoned dart
not strong enough to stop her pulse's run.
The mage's gift to her: the agony
of life remembering her lover's kiss,
then a death too short to set her free.
It sends her toward another fatal tryst,
spun round again the universe's width;
their love a measured minuet with death.

Their love a measured minuet with death,
a dance with destiny.  They wake again
to unfamiliar bodies, unknown paths
meandering across the haunted plain
of time.  A muddy pasture, half a million
blissful stoners join in raucous song:
"...and you make it hard". Among the hills run
****** lovers who can do no wrong,
all sharing bodies, needles 'til the smack
runs out. Her shaking arms strapped 'cross his chest;
he huddles close, awaiting the next stack
of Methadone. He shivers; breathes his last.
She cries and rocks his body, they will spoon
throughout the summer's thundered afternoon.

Throughout the summer's thundered afternoon
as heavy clouds erupt on thirsty soil,
cooler air meets skin on fire, a boon
to Magdalene and lover.  The sweet oil
washes off, the rain obscures the sound
of marching feet.  Centurions approach
and ****** him from her side. "So now you're found
beside this one, whose last ride gave us such
an evil time.  We strung him up, but now
his body's gone, and you were seen beside
the tomb. You'll die just as he did, and how."
She watched another man be crucified.
Supported by her love, he passed in peace
suspended in expectant spring's embrace.

Suspended in expectant spring's embrace,
the royal courtyard at Versailles in bloom
is laid out for the party.  Every face
is rouged, each powdered wig precisely groomed.
The hundred soldiers stand down, raise a toast,
Vive le roi!  One teasing courtier
seduces a queen's guard to leave his post.
Behind a hedge, they make love unaware
of peasants, women milling through the gate
in search of bread and royal blood, not cake.
He runs to save the Queen, and seals his fate;
the mob will **** for revolution's sake.
The oaks a silent witness to his doom
in autumn colors, reds and golds festooned.

In autumn colors, reds and golds festooned,
the twin moons rise and set, reflecting sun
upon the biodomes.  Earth shines down, ruined
by man's neglect, what could not be undone.
The population by law zero sum;
resource conservation held above
the joy of new life.  Parents here must come
to know the anguish of requited love.
She bears his child; they knew too well the chance
they took.  The court will force a choice be made:
the father or the child. A tear, a glance
as he's locked out. She watches as he fades
in cryogenic punishment, life lashed
to winter's icy shackles holding fast.

To winter's icy shackles holding fast
her soul, she proffers prayer, slogs through the sleet
toward her cloistered cell.  One chilling blast
wraps habit 'round her, knocks her off her feet.
The heavy, sodden cloth, the wind prevents
her gaining purchase on the frozen ground.
From monastery cot, the monk could sense
distress.  In thin burnoose he dashed and found
her, cold as stone, yet breathing; swept her up
and rushed her to the hearth.  His warm embrace
brings on familiar heat.  Their pasts stirred up,
relived, decision made within a trace:
"'Tis best this time we live, and never start."
Their minds attuned, yet cleft by broken heart.

Their minds attuned, yet cleft by broken heart;
the aching need grows stronger day by day.
He tends her failing health without regard
to duty, vows.  Her weak voice strains to say,
"I will be gone before you this time. Hear
me out; this may be what we need to break
our curse.  Stay with me as my time grows near;
and love me as the Reaper comes to take
my soul, and finish with me after I
have left.  God will forgive sins we'll commit
for man alone has ****** us.  We must try
or curse ourselves, continue to submit
to endless pain, remain just as we are:
connected, blessed, and doomed to be apart."

Connected, blessed, and doomed to be apart,
they cling to every moment here and now;
the priceless beating of her failing heart,
his passions roil out in unending flow.
He gazes deep in her eternal eyes
as they glaze over, looking past his face
into the hollow stare of death.  She lies
suspended between life and time and space,
to hear an old, familiar voice sound in
her ears.  "To dance with death before him
as you rut...how clever!  Most astounding
that you'd carry out this futile whim.
He dies; you'll live, just as the curse defines;
strolling, wistful, through a thousand lives."

Strolling, wistful, through a thousand lives
Two ancient souls in broken bodies dwell.
They trip light-years fantastic side by side
Bound by an angered mage's curs'ed spell.
Across uncharted lands, bedragoned seas,
In desert's scalding carborundum breath
Not even end of life can bring surcease;
Their love a measured minuet with death.
Throughout the summer's thundered afternoon,
Suspended in expectant spring's embrace,
In autumn colors, reds and golds festooned,
To winter's icy shackles holding fast;
Their minds attuned, yet cleft by broken heart:
Connected, blessed, and doomed to be apart.

This desolate road seems forever long
And my worn feet will carry me through the ruin
All alone, but if you had heard my song
You might just understand why I’m doing
Maybe I’m the strongest person of us all
Maybe you’re used to me being alone
But that doesn’t mean that when I take a fall
I can survive, live on my own

Noticing someone else’s suffering is hard
Wrapped up in your troubles, with an aching heart
But if you open your eyes, you’ll see a man apart
If you can call me a man, I guess

Walking round with an unchanged expression
Ducking and keeping away from the deed
You might think it’s all to get attention
And you’re right, but that’s what I need
I knew a group of people whom my heart held dear
I loved them, and I love them still
But they weren’t there for me in my time of fear
Now I’m not gonna bend my will

How many days of quiet can I keep?
How hard will the blade into my mind seep?
How long can I hide away and weep?
Before you realise I’m not at best

So it’s time to say fare thee well
Don’t know where I’m strolling in my daze to
Just gonna follow my path down the well
See if it’s someplace new
So I’ve thought it through and through again
No pleading will make me change my head
Maybe, before, if I had a friend
But now, it’s too late to hear what I’ve said

The love I have for you will always burn
But my back’s to you, and I’ll always turn
If you haven’t figured it out, you’ll never learn
I want a hug, but I’m drowning in my sleepiness

STROLLING OUT OF TUNE

When the wind blows round it swirls and sweeps memories of what was once there, thoughts of an old song take longer and longer to repair

Began toe tapping almost adding in the clapping but would rather arise maybe explore to find a new prize

Stuck in a cerebral gap this tune may take a map,keeping digging in try to place that gorgeous groove

Set off out the door to not be a bore, soon found myself pacing in time to some hidden rhyme ,waiting for it to arise

Birds and buses beginning to chirp and hum adding their part, as I try to pick up more clues

Taking it in stride feeling this may be a long stroll,that unknown elegy will be a nice surprise

Rambling again, smooth echoes entering my mind hopefully helping to harmonize my next muse

Making the next strut to remove muzak from that rut, picking it up a key or two will surely bring brightness to my eyes

Lost lyrics lingering ,slowly letting go of that *******,  guitar maybe a banjo or dobro waiting with a new lick to diffuse

Back to the trail humming along listening to the sky's to drop that song,so will this shuffle bring a new ruffle or just be for the exercise

Again set to travel as the sonnets unravel,  hoping that bebop will be part of the hop desiring the dancing, breaking into upbeat prancing finally finding that new melody will be the best news. R..C.

Orpheus, Orpheus
How you could charm the sun into rising,
How your father Apollo breathed fire into your divine mortal hands and watched with pride as you learned to make it sing,
They said that with a few strums of a lyre you could create life where there was only silence,
That you could move the trees to dance, the hills to laugh, the water to hum, the air itself to sway in sublime ecstasy,
I could forgive you then,
For thinking you could melt the frozen hearts of gods,
Pluck your love from the jaws of death,
And wake the dead to join you in song,

Eurydice, Eurydice
I know how you must have felt, swept up into something so glorious and beautiful,
To be entranced so completely you’re willing to ignore the warning signs, the prophesied doom and the hubris of men,
You lost yourself in those songs,
And they were all for you, every note he played bore your name and the whole world could only stand in envy
They said you were beautiful, a muse of the purest order,
And when you loved, you loved hard enough to shake the heavens and force them to pay attention,
I could forgive you, then,
For never seeing it coming,
The perfection shattered by the fangs of a snake,
Who has time, after all, to watch the ground,
When your heart has taken to the sky?

Orpheus, Orpheus,
How brave you must have felt, how romantic, strolling through the gates of the underworld with only your lyre and your heavy heart,
Confident that it was enough, that all the gods and monsters of this world could be bowed by the sheer force of your love and your melody,
And they were, Orpheus,
You drew tears from the burning gaze of Hades himself, as Persephone sighed in longing,
But you had a lesson to learn, Orpheus,
That the gods are cruel and men imperfect,
You were weak then, Orpheus, as we all must be weak,
Just steps from the light, you looked back to see your love ripped back into the world of shadows,
She had been your shadow all along, Orpheus
For all your beauty, all your power, you wavered in your faith, and doomed the both of you forever,
You, wandering the world eternal with your haunted heart and your mourning songs,
And she, trapped as a phantom too soon in the kingdom of the dead, always wondering why you couldn’t do it, why you couldn’t have just a little more faith,

Orpheus, Orpheus,
I know why you couldn’t do it,
I am just like you,
Held in the grip of fear, uncertain and desperate,
We’re all born that way, I think
Nervous energy faced with insurmountable odds,
Some of us ascend, overcome it all through supreme will and conviction,
Some of us descend, meet our devils where they live and lose the games they play,
But we all falter somewhere,
Even once, even one small mistake,
Sometimes that’s all it takes,
Orpheus, I can forgive you, then,
There’s not a soul alive who wouldn’t have looked back

Strolling beside a stream
On a crisp Autumn day
The water frothing like cream
Getting drenched from the spray.
I see a Kingfisher further ahead
Perched on an old Oak twig
Its breast a bright brick red
To offset his very blue wig.
The blackbirds sing to me
A sweet tune they know
They are high in the tree
The Kingfisher thinks it’s time to go.
The leaves crunch underfoot
Delicate veins being crushed.
Like Mother Nature’s put
Down stuff to be brushed.
But the wind blows them to a pile
Neatly arranged by the bank
In colours in single file
Like soldiers in their rank.
The stream flows with vigour
Taking no prisoners, no stone turned
The force,  compelling rigour
Another penny earned.

I once thought there wasn't any life outside of this town,
but I was okay with that because it had everything I needed.
But what do I know?
We are all so young,
running through parks,
climbing up mountaintops.
Strolling past all the shops
and driving around this town going nowhere in particular,
I thought that it simply could not get better than this.

We loved each other like the stars
I thought that nothing could separate us.
We were sure to last,
but little did we know
that all these days will belong to the past,
and everything that we always did
now live on pages on thousands of papers
and in pictures tucked away in a box of old things.

Happiness was in the air that day
when we all were together once again.
The moon shined bright that night,
lighting the path that we once drove down every day.
This city just seems so small now that I have broken all its walls.

I drive past all the places we left marks on in this city.
The now vacant houses that once held so many memories,
the lunch table where our love blossomed,
the midnight drives to the movies,
getting excited over slushies,
and the lakes we learned to float.
I look back on all these places
and think about all the things we ever did,
I simply thought that it could not get any better than this.

Setting the new year on fire.
Dancing to the sounds of Grease.
Picking peaches in celebration of spring.
Watching all the bands we ever loved.
I would forget all my stress and worries thinking about it all.
Can it get any better than this?
                                                                  
I want to thank this town for all the stories I wrote.
All the times we felt like children.
All the times we rose with the sun.
All the times I felt loved by all the people that were my stars.

As I'm driving through this town and watch it grow smaller in my eyes,
I imagine a time when I was not alone.
I know getting older can seem quite strange at times,
but what do I know?
All I know is that there is just so much to see,
and sometimes the grass isn't always green as it used to be.
But as long as I have these memories,
it couldn't get any better than this.

It’s not My will, but Thy will,
Let Me die on the cross for their sins,
And My blood pave way to eternity;
Yet My Soul is sorrowful unto death.
Abba, take away this cup from Me;
Yet if it’s Thy will, and not My will.
Father, Thy promise Thou made with the serpent
That Thou would put enmity ‘twixt him and a woman,
And I should bruise his head;
Nevertheless he should bruise My heel.
For this is Thy eternal promise for man
Who been formed in Thy image;
But been smashed himself with the deceiver.
Flesh is weak and tempting;
Yet the spirit is willing and godly,
For Me too passed thro’ the way of the tempter;
Yet cursed him with Thy Eternal Word.
Unfelt agony runs into My soul,
When I bear the sins of the world,
And who on earth knows it,
Except Thou and Me, Who are ONE?
Do men know Me, Who is in Thee,
And Thou in Me, hath stripped off Glory
And hath become a servant to them,
And made in their likeness with all humbleness
Carrying the cross of shame and abuse?
My sweat is as it were great drops of blood
And Gethesmene I pray turns red.
Who knows but Thou ought ought to reveal
That My blood be shed on the cross
Which is the symbol of the new covenant?
Father, in the beginning I AM,
And all things made by Me and for Me
Who hath come unto earth as the Light,
And I AM Thy Glory, full of grace and Truth.
My Father, here come My betrayer,
For his time hath come to strike Me
As he has to bruise My heel,
And I should then bruise his head,
For it’s Thy Eternal plan of mystery.
Here comes he with the spirit of darkness
Carrying lanterns and torches and weapons
Of unrighteousness and ungodliness.
Father, let Me finish Thy work,
But strengthen Me with Thy Spirit.
Now the betrayer hath sneaked  unto me.
Look, he kisses Me amidst the mob.
Am I his beloved for his kiss?
Yet he is My beloved.
He hath dipped himself in My cup of blood.
It’s Judas kiss bought for thirty silver.
He hath sold his soul to the roaring lion
Which devours the sons of Adam.
I made Judas My apostle;
But he  made himself the liar’s instrument.
The night I am put in chains in the realm of darkness
And I am left alone with none to share mine.
Where are My apostles, My disciples?
I remember Peter’s words
That he said he would go with Me,
And I know the rooster should crow
After his denial of Me thrice to go.
He is a mere man who knows not
That things written be accomplished in Me.
They drag Me, kick Me with their boots of sins,
I am chained by their unrighteousness,
And am whipped by their blasphemy of My Father,
For when I am rejected My Father is rejected
As My Father and I are ONE,
And who hath seen Me hath seen My Father.
My people spit on Me all the way
Where blood from My body sheds.
The thorny whips tear My flesh;
Yet I rejoice in My Father’s will,
But their sins sadden My soul.
I am dragged unto the high priests
Who’ve been awaiting My trial.
Even My disciples have forsaken,
And left Me alone, but My Father in Me.
Am I held ‘midst people of the law
Which was the schoolmaster awhile
Until I finish it with My blood.
Their trial with Me hath begun with bitterness.
And Peter is seen with a mob at the fire.
False witnesses spewed on Me, yet contrary,
Whose arrows stuck on My statement
That I will destroy the temple,
And in three days I will build one.
Behold, And they’re spiritually blind and deaf.
They spit on Me blindfolding My eyes,
And play prophecy of hide and seek.
Each spit on Me is a sin of  theirs
And their hurt in not on My body but soul.
They kick Me with their boots with spikes,
And the unrighteousness of My people bruises.
My soul bleeds not of Me but of their doom.
The father of lies mocks at My Eternal plan.
The liar can bruise but My heel,
And his head is already beneath My heel.
My people strike Me with the palms,
And they slap on  My cheek with prophecy;
Yet I hold peace to defeat the liar.
No man is found to paint the pallor on My face.
I am denied thrice as of My mysterious plan.
I am tried till the sun sinks at the horizon,
And I become the laughing-stock of My people.
I thirst, but not a drop of water I ’m offered,
Where found midst earthly meals the disciples of the liar.
To liars My Truth seems blasphemy
For professing themselves to be wise and godly,
They’ve turned scoffers strolling in lusts.
I’m ‘gainst the mighty liars,
Who’ve forgotten I AM Almighty
Having denied the Power of the Most High
Whose Eternal plan of salvation is for them
Whose trial against Me is vain;
Yet satan in disguise kicks My heel.
My angels were struck in pride in Heaven,
And so were drained off into hell
With their filth and lust in darkness.
They spit on Me Who is the Lamb.
The trial ‘ere Pilate take its roots,
And no roots of earth are of Mine,
For My Father breaks off every branch
That beareth no fruit in Me.
For they wear attires of pomp and pride
With no clothes of righteousness.
Hidden in the mask of flattery
Pilate hath no way to mark justice;
Yet it hath been the Eternal plan of salvation
In Me Who is the Lamb of sacrifice.
Who knows My kingdom is not of this world?
I’ve come down to speak the Truth
That hath made the governor question Me:
‘What is Truth?’
And who believes I AM the Way, the Truth and the Life?
For all have eaten the forbidden fruit
Which hath set free the son of peridition
Who is the father of lies of all ages.
And Pilate sets free a convict as is the custom
Which hath a way in the Passover.
Truth sets free the blessed souls from Death;
But falsehood sets free sinners from Life.
I’m whipped in flesh to bleed;
But I  am whipped in spirit by their sins.
I’ crowned with thorns and twigs:
The metaphors of sins and iniquities.
They throw around Me a purple robe
And cry against Me in sarcasm
That I would live long as the King of the Jews
Whose minds are darkened by worldly wisdom,
For My kingdom is not of this world.
They slap Me on the cheek with arrogance,
I remember Judas’ kiss on the same cheek
Who hath drowned in the lust of silver.
I make neither complaint nor not of repulsiveness,
For it’s My Father’s will to bear the cross.
Back to the porch of the palace
I’m made the season with withering leaves.
Their crown and robe on Mine are their hypocrisy
Who cried against Me riding on a colt.  
Their crown and robe on Mine are their hypocrisy
Who carried against Me riding on a colt,
They threw their cloaks of praise and shouts
Across the way I trotted upon on the colt,
They laid branches cut from trees,
And I knew they were clothed with filthy attires.
Their praises and shouts now turned to curses  and abuses.
I’m now thrown into the hands of disciples of the liar
Who is a like a roaring lion to devour.
Their faulty law plays in their hands
And laughs at My Father’s Rock of Salvation.
But I laugh at the liar’s defeated victory on Me,
For in My resurrection Death hath no victory.
Who knows death took its roots since first transgression
In Eden with the consumption of the Forbidden Fruit;
Yet in Me Life is sealed in Him to Eternity?
I’ve longed for Judas’ godly sorrow like the prodigal son,
But he was bitten by the serpent on the Tree
Where the betrayer tasted the Fruit and died.
He took himself to the tree of death
For the taste of the Fruit turned bitter to him.
Power of this world hath blinded Pilate’s conscience
Whose power hath been predicted over Me
With My self-will hidden in the Most High.
The Eternal plan of salvation hath tied Pilate.
Who washed himself in his self-righteousness
And throws Me out for want of  pomp and pride.
Now I’m in the arms of thorns and bushes
Laden with the cross of the world set out;
Yet My journey thro’ human darkness is for a while,
For the Reward of Eternity is awaiting Me
And the ones who are rooted in Me.
Each whip lashed on Me is the multiple sins of the world,
And the spikes of the whips tear My flesh,
And I bleed with the agony of lost souls,
Whom I’ve made for Glory with My Father.
Behold! A toll strikes this hour
When I hear the hellish roar at a distance,
And I know the traitor hath flung the silver
Which have no price for his destiny.
I shed tears for him but he’s lost
For his death is certain in My Eternal Plan,
And who could change it but Me;
Yet it’s all My plan of mystery in the Father?
They hit Me with a stick o’er the head,
And mock lat Me saying ‘Long live the King of Jews.’
A scepter of stick ****** into My palms,
A game of mockery is played  ‘gainst Me;
Yet I am as innocent as a lamb led to the slaughter,
As writ in the Scriptures with the design of My Father:
I’m oppressed, and afflicted down to death on earth;
Yet I open not My mouth to charge complaints,
I’m brought as a lamb to the slaughter,
And as a sheep before her shearer is dumb.
All the way I’m kicked to fall on the stony path.
Look! My knees bruised and torn for you,
Still are there moments of repentance from hypocrisy.
**! Here am I fallen on the thorny twigs.
Behold! My clothes are torn with blood flowing out.
They tilt Me with their pompous boots.
I try to lift Myself but laden with the cross.
Pity of sacrcasm plays in their hearts
And in turn a man from Cyrene is laid with the cross.
I carry the sins of the world for crucifixion;
But he’s made to carry the wooden cross behind Me.
Is it My Word that says unto you:
‘Take up your cross everyday and follow Me?’
Nay, but to forsake the world of sins
Be My doctrine with the love of My Father.
You cannot carry the cross I bear;
Yet you can carry yours beside Me.
Shouts of abuses thunder into My heart
Amidst the cry of lamentation across the way.
They hook Me up with scornful epithets
And the liar of the world bruised My heel;
Yet I walk the path of obedience to physical death
That My death on the cross shows Way to Eternity.
I hear the cry of My people,
Why do they cry with wailing?
Do they mourn over My trial on earth
Or o’er their sinful attires.?
Who knows, but I know?
They shed tears of emotions,
And who knows their sins crucify Me?
Behold! I hear the Nightingale’s song ‘cross the stormy breeze.
Is it the song of melody unto My people
For they murmur Nature too mocks at My trial?
But I know My creations are under My power.
They’ve painted the day’s sky with glooms
As their pilgrimage on earth smeared with sins.
Back on Me the cross is ****** and I’m knocked down,
And My face dashes ‘gainst rocks on the way.
The spiky rocks tear My skin to bleed,
I bleed and bleed till the last drop.
Little children kiss My bleeding cheeks
And they take the mark of My sacrifice.
The sun soars higher and higher
And each phase of My journey is of My Father’s plan.
I scale ‘gainst the steep hillock with lashes on My back.
The fiendish serpent laughs at Me,
And strolls with the exotic steps drowned in hellish dirt.
And I know he bruises MY HEEL:
But he ‘knows’ not I’ll bruise his head.
My disciples walk apart with arms tied,
For none can break the design of My Father.
The sun strikes the altitude and I reach the slaughter.
They drag Me unto the ‘place of the skull’.
Who’ve thought I would sleep ‘neath the grave
Which hath no future for death is once for all.
Their conscience is buried in darkness by the liar,
Like dried-up springs and clouds blown along by a storm,
Their thoughts and deeds lie in vain of glory,
All bundled in filthy rags of lusts,
Whose promise of freedom is spoken by the father of this world,
The mighty trap hidden with baits of freedom of slavery.
Who knows but My Father of My destruction of the Temple;
Yet be rebuilt in three days in glory?
Behold! They strip off My clothes to naked.
The serpent sneaks onto the Forbidden Tree
With a cynical comedy of errors;
Yet it bruises My heel with its bitten fang.
My Father drove out Adam and Eve from Eden
Who had turned unholy committed themselves to the liar.
Now the liar, he thinks, drives Me out into the grave.
But I will destroy him with My dazzling presence.
My garments  they part and share ‘mongst themselves,
And My robe made of single piece of woven cloth
With no seam found in it, thrown at dice.
Do they know it’s of the Scriptures foretold?
They lay Me on the cross down on the earth.
I recall My infancy couched on the manger:
How I was cared and nurtured by My human parents.
I was in the safe arms from bitter cold;
But now I lie sans comfort and in blood.
My arms are stretched across to be nailed,
Lost of strength My legs are pulled along.
My people watch the gory sight of crucifixion.
They nail My palms and feet ruthlessly.
How I healed My people from diseases
How I fed My people from starvation!
How I walked to listen to My people’s sorrows!
But they watch Me now lying on the cross.
Do they know of My death on the cross?
The nails are pierced deep into veins and nerves,
Streams of blood flow down unto My people;
But they kick My blood splashed ‘cross My face.
Unfelt agony and untold miseries crushed My spirit,
For they repent not of their sins but die
Forsaking My Father’s promise unto those who believe Me.
When nails are pierced Mine My Father strengthens Me.
I bear the pain for the promise of My Father.
They raise Me nailed on the cross.
Curses and abuses lashed on Me,
And they shout they’ve cut the root of the tree.
Alas! They do not know what  they do;
Yet My Eternal Plan of  these shall happen.  
I look at My disciples at the Cross
Whose darkened hearts I perceive.
Full of heaviness with a doubting hope
Of what will happen to Me and them.
They’re petals turned pale in the evening,
They’re the garden of Fall with no fruits bearing,
Like distant stars with faded light they look
My people fling upon Me mockery:
‘He saved others; let Him save Himself
Who claimed the Son of God!’
Not to save Myself is My advent to the world;
But it’s My Father's Eternal Design in Me
That salvation is for mankind in My Father’s likeness.
It’s written above My head of the Kingship:
‘This is the King of the Jews’
Who know not of My Eternal Kingship,
Not of this world, but of the Heaven.
Behold! The criminal on My left hurls at Me:
‘Are You the Anointed One?  Save Thyself and us!
Is he the son of Cain who turned a fugitive?
Is it not like “am I my brother’s keeper?
The convict on My right is another prodigal son
Whose sorrow of his filthy rags turns his blessed.
‘Lord! Remember me in Your Kingdom!’
My promise unto him hath crowned his a hope of glory:
‘This day shall you be with Me in Paradise.’
It is the prime of the day with beams of fire splashed across:
The sun is in its meridian lashing unforgiving rays.
Behold! The sun is darkened by the clouds of glooms,
It’s day but turns night as a premonition
What happens to the creation in My Day in Glory.
The temple of the city trembles at My Word’
And the curtain is torn in the middle,
Yea, Moses’ law turns unto rags with no price,
For I make the New and Eternal Law of love in Me.
Nightly day survives until My Last Cry’
Troubled with the heaviness of My people’s sins:
‘My God, My God, why have You forsaken Me?
‘Yet it’s finished. Thy work on earth is done,
Father, here I commend My spirit unto Thee’.

She was cold
My mind
She was bored
She put on her boots
Took her cigarette
And went out
Strolling among stony faces
No face could wear a wrinkle
No ear could bear a ring
There were lots and lost of smiles
Some pink some red
unused and still brand new
all over the streets
She touched her lips to make sure she's wearing them
She had rings too
and so many wrinkles
then there were some smiles piled up in a puddle
She bent to take off her boots
and let her toes touch some
they were cold and wet
She started a vague monologue
to make her bear the city
she was bored with
She wanted to leave
she let other smiles
took her cigarettes
suddenly she realized
a sad face there was
a stony face but he was sad
as if he was not made of stone
with no smile but with a mask
She detected a slight wrinkle under the mask
and a monologue to bear the city too
she told to herself oh God we would make more and more wrinkles
and bear the city till the train comes

A lady in blue.



In a purse

unzipped,

A coral pink lipstick

A rose blusher

A bronzed eyeshadow

A fuschia eyeshadow

A black eyeliner

A mascara

A compact powder

A lipgloss.



Strolling in a park,

The purse

clutched.



Poised.

Protected.

****** affliction of a lack of affection companion
Hand and hand strolling greater than syrupy plunging
and even sometimes buddy shrugging over wooden noisemakers
We whistle with their metal strings
and through the pasta soft ones in our throats
but no nest colored mares seem to hear
our flamboyant feather calls for future fondling
So I scribe slight implied short letters
invites to drink joints and nature jaunts
All too well thought out
hoping your advanced technology cannot trace
the time I spent to type
The overanalysis of our psych: her and I’s
wondering why she doesn’t have an inkling
for a cute fall date where we attempt to bake apple pies
It’s all too contrived, I know
I’ll strive for delusion
Accept a useful interpretation for our chemical inflammation
and let sparks pass it by
Like itsy bitsy flies laying eggs in a wound
for stagnant water maggots
They’ll eat away the thought well
where all my cranial zaps seem to dwell.

I feel relaxed
When I think of
The ocean foaming
And the sound of the waves.

I remember who we were
Strolling in the beach
And playing under the sheets.

You were quick to forget
But I still remember
The ocean.

This remembrance somehow still makest me guilty;
in every minute of it I feelest tangled, I feelest unfree.
I loathest this less genial side of captivity,
but still, 'tis ironically within my heart, and my torpid soul;
ah, I am afraid that it shall somehow becomest foul,
and I wantest very much, to endear my soul to liberty,
but so long as I hath consciously loved thee,
My confidence remaineth always too bold-
But I promisest that this shall becomest my last sonata,
Should thou ever findest, that thou desirest it to be;
whilst my incomplete song shall be our last cantata.
Ah, this series shall but never end,
Should I approachest and befriendest it,
but to confess, more I thinkest of it, the more my heart is pained;
No coldness shall it feelest, nor any beat of which, shall remaineth.

To thee whom I once loved, and now still do,
To thee whom my soul once gratefully honoured,
To thee whom I then endorsed, and magnified,
My heart, ah-my poor heart, is still restricted, and left within thee,
And amongst this dear spring's shuffling leaves, still blooms,
And shall bloomest forever with benevolence,
and even greater benevolence, as spring fliest and leavest
Just like thy sweet temper, and ever ostentatious laughter,
Thy voice and words, that are no longer here for me,
But still as clear, and authentic like a piece of gospel music, to me.

To thee whom I once loved, and now still do,
To thee whom my soul once gratefully honoured,
To thee whom I then endorsed, and magnified,
My pleasurable toils, and consummation still liest in thee-
as forever seemest that I shall trust thee, and thee only,
For the brief moment we had was but grand-and pleasant,
All the way more enigmatic, though frail, and exuberant
than I couldst perhaps rememberest,
But as I rememberest them, I shall also rememberest thee,
For those short nights are always fond and stellar to my memory,
As thou pronounced me lovely-and called myself thy lady,
As thou lingered about and placed thy sheepish fingers on my knee.
Ah, thee, whose heart is so kind and ever gently considerate,
From the moment thou stared at me I knew thou wert my unbinding fate.
And thy scent-o, thy manly scent, too calming but at times, poisonous;
Was more than any treasures I'd once withheld in my hand.

To thee whom I once loved, and now still do,
To thee whom my soul once gratefully honoured,
To thee whom I then endorsed, and magnified,
My enormity liest in thee, and so doth every pore
of my irrevocable, consolable sense;
Thou awakened my pride, thou livened up my tense,
Thou disturbed my mind, thou stole my conscience.
And with thy touch I was burning with bashfulness,
meanwhile my mind couldst stop not
ringing within me, unspeakable thoughts.
Ah, thee, thou made me shriek, thou slapped me awake;
And thou steered me away from any cruel dreams, and lies
these variegated worlds ought to make.
But still I hatest myself now, for leaving all of which unspoken,
Though plenty of time I had, whilst walking with thee, by the red ferns;
And every now and then, their branches ******* terrific sounds-
But not loud; benign and soft as heartfelt murmurs in our hearts.
And those dead leaves were just dead,
Over and under the gusty tears they had shed,
And their surfaces had been closed,
But as we stormed busily with laughter, along their dead roots,
All came back to life, and polished liveliness, and guiltless temperance.
Ah, thy image is still in my mind-for it is my ill mind's antidote,
With all the haste and loveliness and ardour as thou but ever hath,
Thou art loved, by me and my soul, more than I love myself and the earth,
Thou art more handsome even, than the juicy unearthed hearth yonder.
Ah thee, my very own lover and drowsy merriment at times,
Thou who keepest fading and growing-
and fading and growing over my head,
Thy image hauntest my sleep and drivest all of me crazy,
For justice is not justice, and death is not
death, as long as I am not with thee,
And I shall accept not-death as it is,
for I shall die never without thee,
For I am in thy love, as thine in mine,
And dreams shall no longer matterest,
when thy joys are mine-and fiercely mine,
I am blinded by urgent insecurity,
That occurest and tauntest and shadowest me
like a panoramic little ghost,
Massively shall it address me,
Painstakingly and, in the name of justice, ingloriously,
And shall them address my past and destroy me,
For I hath carelessly let thee fade from my life,
And enslavest and burdenest my very own history,
For in which now there is no longer thy name,
ike how mine not in thine.

To thee whom I once loved, and now still do,
To thee whom my soul once gratefully honoured,
To thee whom I then endorsed, and magnified,
Still thou art gentle as summer daffodils,
Thy image slanderest me, and its fangs couldst ****.
Thou owneth that sharpness that threatens me,
Corruptest and stiflest me, without any single stress,
And charming but evil like thy thirsty flesh.
Ah, still, I wishest to be good, and be not a temptress,
though all my love stories be bad, and
endest me and shuttest up in a dire mess.
I feelest empty, and for evermore t'is emptiness
shall proudly tormentest and torturest me,
Stenching me out like I am a little devil,
Who knowest but nothing of love nor goodwill,
I needst thee to make everything better, and shinier,
In my future life, as later-in my advanced years,
As death is getting near, for more and greater
shall my soul hath accordingly stayed here.

To thee whom I once loved, and now still do,
To thee whom my soul once gratefully honoured,
To thee whom I then endorsed, and magnified,
Thou art my summer butterfly and beetle,
I shall cloakest thee with sweet honey and sun,
And engulfest thee safely and warmly
under the angry sickly moon.
I am thankful for thee still, for thou hath changed me,
For thou made me see, and opened my flawed eyes
Thou enabled me to witness the real world;
But everything is still, at times, beyond my fancy,
For they keepest moving and stayest never still,
Sometimes I am, like I used to be, astonished
at the gust of things, and the way they grossly turned
Their malice made my heart wrenched, and my stomach churned
What I seest oftentimes weariest my *****, and disruptest my glee
And still I shall convincest myself, that I but needst thee with me,
Thee to for evermore be my all-day guide and candlelight,
Thee who art so understanding, and everything lovable, to my sight.

To thee whom I once loved, and now still do,
To thee whom my soul once gratefully honoured,
To thee whom I then endorsed, and magnified,
If thou wert a needle then I'd be thy thread,
If thy rain wert dry then I'd makest it wet.
But needst not thou worry about my rain;
For 'tis all enduring and canst bear
even the greatest, most cynical pain.
Ah, and thus I'd be thy umbrella,
Thou, whose abode in my heart
is more superfluous, and graceful-
than my random, fictitious nirvana;
Oh, thee, thou art my lost grace,
And everyone who is not thee-
I keepest calling them by thy name,
How crazy-ah, I am, just like now I am, about thee!
Ah, thou art my air, my sigh, and my comfortable relief,
And in my poetry thou art worth all my sonnets, my charm,
and forever inadequate, affection!
And only in thy eyes I find my dear, effectual temptations,
As under the hungered moonlight by the infuriated sea,
Who standeth strenuously by the peering strand of couples,
Thou evokest within me dangerous eves, and morns of madness,
Thou makest me find my irked melody, and vexed sonnet,
Thou made, even briefly-my latent days gracious,
Thou made me feelest glad and undistant and precious.
Thou art a saint, thou art a saint, though thy being a human
intervenest thee and prohibitest thee from being so;
ah, and whoever thinkest so is worthy of my regrets,
and the worst tactfulness of my weary wrath;
For thou art far precious, more than any trace
of silverness, or even true goldness,
Thou art my holiest source of joy,
and most healing pond of tears;
Thou art my wealth, ****** trust,
and my only sober redemption;
thou art my conscience, pride, and lost self;
Thou art indeed, my eternally irredeemable satisfaction.

To thee whom I once loved, and now still do,
To thee whom my soul once gratefully honoured,
To thee whom I then endorsed, and magnified,
I adorest thee only-my prince, my hero, my pristine knight;
Ah, thee, thou art perfect to my belief and my sight,
Thou who art deserving of all my breath and my poetry;
Thou who understandest what kindness is, and desires are,
Thou who made me seest farther but not too far.
Thou who art an angel to me-a fair, fair angel,
Thou who art beguiling as tasteful tides
among the sea-my courteous summer sea,
Thou who art even more human than
our fellow living souls themselves;
Sometimes I think thou art courage itself-
as thou art even braver than it, the latter, is!
Thou art the sole ripe fruit of my soul,
And my poetic imagination, and due thought;
Thou art the naked notes of my sonata,
And the naughty lyrics of my sonnet,
Thou art everything to nothingness,
As how nothingness deemest thee everything;
Thou makest them shy, and dutifully-
and outstandingly, changest their minds;
Thou art a handsome one to everything,
Just as how everything respectest, and adore thee.

To thee whom I once loved, and now still do,
To thee whom my soul once gratefully honoured,
To thee whom I then endorsed, and magnified,
By whose presence I was delighted, as well my breath-dignified,
Ah, my love, now helpest me define what love itself is;
For I assumest it is more than fits of hysteria, and sweet kisses
Look, now, and dream that if death is not really death
Than what is it aside from unseen rays of breath?
For love is, I thinkest, more handsome than it doth lookest,
For in love flowest blood, and sacrifice, and fate that hearts adorest
But desiccated and mocked as it is, by its very own lovers
That its sweetness hath now turned dark, and far bitter;
Full of hesitations engulfed in the best ways they could muster;
O, my love, like the round-leafed dandellions outside,
I shall glancest and swimest and delvest into thy soul;
I shall bearest and detainest and imprisonest thee in my mind,
But verily shall I care for thee,
ah, and thus I shall become thy everything!
Let me, once more, become obstinate-but delirious in thy arms;
let me my very prince-oh, my very, very own prince!
Doth thou knowest not that I am misguided,
and awfully derogated, without thee!
Ah, thee! My very, very own thee!
Comest back to me, o my sweet,
And let me be painted in thy charms,
o thee, whom I hath so tearfully,
and blushingly missed, ever since!

To thee whom I once loved, and now still do,
To thee whom my soul once gratefully honoured,
To thee whom I then endorsed, and magnified,
I loveth thee adorably, and am fond of thee admirably,
so frequent not outside when all is dark and yon sky is red,
For I hatest justification, and its possibly hidden wrath;
I hatest judging what is to happen when our hearts hath met,
but how canst I ever knowest-when thou choosest to remaineth mute?
Then tearest my heart, and keepest my mouth shut
O thee, should this discomfort ever happenest again;
Please instead slayest me, slaughterest me, and consumest me-
And lastly let me wander around the earth as a ghost.
Let me be all ghastly, deadly, and but penniless;
Let me be breathless, poor, imbecile, and lost-
For in utter death there is only poverty,
And poverty ever after-as no delicacy nor taste,
But I shall still dreamest as though my deadness is not death,
for I am alone; for I am all cursed, without thee.

To thee whom I once loved, and now still do,
To thee whom my soul once gratefully cherished,
To thee whom I endorsed, and magnified,
My heart, ah-my poor heart, is still left within thee,
Just how weepest shall the leafless autumn tree,
Waiting for its lost offspring to return,
and be liberated from its pious mourns;
And as I hearest their shaky, infantile chorus,
I shall but picturest thee again, thus;
Thy cordial left palm entwined in my hand,
Strolling with me about the leafy garden.
A joyed maiden having found her dream man,
a loving man swamped deeply with his love, for his loyal maiden.

Are you brave enough to follow me,
     To foreign places and dreams.

To stretch the human limit,
     And rip reality at the seams.

Would you dive into unknown waters,
     To follow my crazy trail.

Or stand with me through a hurricane,
     And bask within the gale.

Could we walk beside a lion,
     Strolling hand in hand.

Could we ride the backs of desert horses,
     Flying free across the sand.

Or maybe we could lay quietly,
     In fields of rolling green.

Fingers entwined, legs tangled up,
     A quiet, peaceful scene.

Would you let me sleep beside you,
     Stroking my still face.

Would you do all these things…
…am I worth the chase?

“You’re the elephant in every room now. I used to think you were the monster under the bed, but you’re not supposed to fall in love with the monsters. Not even when they kiss you like they mean it. I’m lying down in a field of apologies for you, and they all sound the same. I’m sorry this felt like a flying through a windshield. I’m sorry I didn’t stay to clean up the mess. I’m sorry all we had to show for this was a crime scene love affair. I’m sorry you stopped touching me. You’re living in my head for now, and we treat each other better this time. On the bad days, I think I see you in the supermarket or strolling down the sidewalk or in a car speeding by, and then I realize for a second that it’s still about you. Even when it isn’t, it is. Even when I’m not thinking about your name, everything around me is still singing it. Like a song I can’t get rid of. Like a song I want to unlearn. Like a song that will always belong to my voice no matter how hard I try to burn it away.”

The great hanging weak **** of India
on the map

The Fingernail of Malaya
The Wall of China
The Korea
Ti-Pousse Thumb
The Salamander Japan
the Okinawa Moon Spot
The Pacific
The Back of Hawaiian Mountains
coconuts
Kines, balconies, Ah Tarzan-
And D W Griffith
the great American Director
Strolling down disgruntled
Hollywood Lane
- to toot Nebraska,
Indian Village New York,
Atlantis, Rome,
Peleus and Melisander,
And

swans of *****

Spots of foam on the ocean

Brush strokes caress the canvass, coating it with colors
magenta-cyan-purple-seafoam-gray-and-orange-like

-beyond those colors-

This painting is a story drawn from the choices of the artist
sad scenes, happy times, blatant in the backdrop(the mural)
each choice, stroke, and color morphs the painting
into what the artist wants to see

As an onlooker watches, in kaleidoscope glasses,
the onlookers experiences shape that gazed upon

What makes this painting a masterpiece is not the color choices
not the strokes,
not the canvass,
not the onlooker,
not the artist...
but the image of you
energizing happy times and transforming sad scenes in the mural

Scenes of young love,
strolling the park hand-in-hand,
strolling the park with younger us's,
strolling the park as we mature and ripen,
together as two grapes left on a stem,
always by my side,
always by your side

-a thought of you is a thought of me-

Even as we age and crumble (bonded like ancient clay)
we will always hold together,
like ancient clay

One pair of people,
two seeds in an apple,
our union is that of leaf and tree,
honey and bee,
just as you and me,
we're one thought on all minds in this...
unfinished masterpiece of our life.

This Day, two Biped Ponies each of you ride,
Strolling along the lane Lovers enjoy
To watch this Sweet Scene from way far behind,
A Cheque I'd like to cash-in this Friday
Yes, for Pence-Tales of Romance and Success
Thinking to Follow is easy enough
How many, do those Squirrels squeak at-less
The Time which Currency states on the Rough
I guess Luck's Fair in Friendship does depend
On a Brisket-List sorted in custom
To where each of you in Common does spend,
Well, better than sulk out of sheer boredom.
The Bullseye's paid, admitting my Defeat,
Licking my own Fab's whilst hugging the Street.

One, two, three, two, five, seven
Rhythmless feet clad in branded shoes
Adventurous, brazen fingers strolling on wide, voluptuous stalks
Towering sunflowers with wide, voluptuous stalks
Pristine dandelions enticing pairs of hands
Pristine dandelions enticing my pair of hands
And I give in, and I willingly give in
Summer petals weaken the gullible heart
The summer petals abandon the gullible heart
One, two, three, two, five, seven
Rhythmless feet now bare
Adventurous, brazen fingers now dormant

One, two, four, six, eight, ten
Rhythmless feet clad in cheap shoes
Curious fingers strolling on wide, voluptuous stalks
Towering white daisies with wide, voluptuous stalks
Pristine dandelions spring once more
Pristine dandelions enticing my pair of hands
And I give in, yet again I give in
Winter petals capture the derelict heart
The winter petals emulate mirrors after caressing the ramshackle heart
One, two, four, six, eight, ten
Rhythmless feet once again bare, now calloused
Curious fingers now cautious

One, two, two, two, two, two
Rhythmless feet hesitating to be covered
Vacillating fingers mapping the wide, voluptuous stalks
Pristine dandelions surface once more
Pristine dandelions displaying subtle coquetry
And I stall, for heaven's sake, I stall
Fall petals demonstrate its desire to the heart
The fall petals fall but the bitter heart hangs on a silk thread
One, two, two, two, two, two
Rhythmless feet discovers a rhythm
A rhythm so unpleasant, so abhorrent
Vacillating fingers now curl
Curl into the palm in resistance

The progression of Huntington's disease often leads to the need of a wheelchair. My husband resisted using a wheelchair for many years, even though his poor balance and tiredness meant he was prone to falls. I didn't exactly pressurise him into using one. To be honest it was not just because it was another sign of loss of independence, but it would have been harder for me too in many respects.

What I wasn't prepared for, when the time came, was the social stigma attached to wheelchair users insofar as becoming a kind of non-entity! In a weekly blog I wrote in 2008 I wrote about the first time I took my husband out in a wheelchair. It angered me how peoples’ attitudes seemed to change overnight.

Walking down the High Street,
Hand in hand like lovers,
The couple blend into the crowd,
No different from the others.

As the years go by though,
His body having changed,
Has sadly meant a wheelchair,
Has had to be arranged.

Strolling down same High Street,
The woman now behind,
Her lover needing pushing,
Steep pavements so unkind.

Entering the bar now,
With awkward navigation;
People jump to open door,
Aware of situation.

“Thank you” says the man in chair,
When wheeled into the place;
“Welcome” say the helpers there,
But all avoid his face.

Carer gets the “Welcome” mouthed,
No looks with him they share;
Let’s treat this fellow human being,
As if he wasn't there.

It was only a legend, my dears,
A normal town, living in fear,
There were fat feral urban virgins here,
Hell bent on their pleasures, cheers!
"Down with boys' daks, get here!"
A whole town living in fear,
Was it all an urban myth, my dears?
Urban virgins strolling the streets,
Battleships waiting for boys to meet,
Immaculate conception, each miss,
Having divine parthogenesis,
Yes, real fat funster chicks,
It was all about *******,
For each little Horatio,
Or was it a fantasy of bliss,
From an  urban ****** miss?
Did urban virgins wander away?
Normal town, not a normal day,
A normal town, living in fear...
It was an urban legend, my dears.

Walking up the stairs
out of my new apartment,
I think
I am an early riser,
so I walk
out of the door,
and see the soft pink glow
of the sun
before it rises,
and turn at the road,
strolling up to High Street,
where I cross the road
and walk back
to my apartment,
without having
a cigarette,
even though
I was prepared.

in the middle of nirvana, ashima wakes up
she doesn't know how she reached this sphere
full of silver lights and black silhouettes
everyone she knows seems to be present

greyly shimmering leaflets are floating
through the air, gently, like mist
and red fireflies are clapping their wings
the crowd of shadows is starting to sing:

"ashima, you have come a long way to us
we are the voices of nirvana, listen
nirvana is the deep core of your soul
the land of your most secret wishes

sometimes, in your dreams, you reach out
when you are waiting for a train and the
rays of the sun are reflecting your thoughts
you never find us but we know where you are

you may call us your wishes, we belong to you
as ****, as branko and your mom do
are you the imitation of your dreams, ashima?
or do your dreams imitate you, our girl?

certainly, you will become the thing you dread
we know that you took revenge recently
when you were slashing the *******'s throat
as his blood was slowly flowing into the sheets"

in the middle of her apartment, ashima wakes up
she becomes aware of a crinkled and dark leaflet
it is more than twenty years old, informing about
something that ashima can not read anymore

the letters on the leaflet have become dust
ashima is taking a deep breath and sighs
her pitbull branko is strolling towards her
his wet tongue, ashima thinks, feels cute

I'm head starting the challenging life
12th grade decides my future strife.
Herein lies the mystery of tomorrow
Destiny of the mighty ship in my carefull row.

Not asking for incredible flourishing results
But delivering support for my stupendous work.
Not asking for imaginative unreachable marks
But holding my hands to provide the best of myself.
Not asking to pour elixir for hardwork devoid outcome
But strolling me through the gates of earnestness.
Not asking for your substitution in me
But to confront me with your intrepid grace.
Not asking for grade ten replica
But lending me the same earnest virtue.

Help me ignore the incompatible watchers,
To provide the least hope of comparing
Falling in despair in other's successful fruits.
But to help better and improvise my solitary results
And shelter me in your house of modesty.
No beneficial ranks but the submissive marks
that lends a hair to my cognitive efforts
To grant me light in the death of night.

Let me blossom as tranquily as the sunflower
Yet not vanish in the glory of jubliation
But gradually offer me petals
And extend the reliance day by day.
Mindful and heeding my compatible hardwork
Finally, let me conquer the glamorous colour
Of my utmost individuality.
Rehabilating the small hopes intro pristine reality
Aware of the hunger turning to lime light
To strike a chord for my year before.

Take me on your hands, float me through
legitimate mistakes, rip me apart in the wave
of unquenchable thirst and finally wrap me out as
a champion badge of jaded grade twelve.

Finally,
Bless me God, provide eternal marvels
Bless me God, honour the righteous path
As the testimony of your judicious grace
Bless me God, I'm starting life (grade twelve)

I wanted a pen
to write my dreams
to silence my screams
to dwell in imaginations den

I looked at the sky
head in the clouds
asked out loud
a plaintive cry

I forgot my request
got on with life
lived through strife
survived the test

I entered a contest for fun
drew a quick sketch
third prize I fetched
oh my, a sky pen, I won

I took it as a sign
to rekindle my fire
this victory inspired
me to pen a line

I’ve found a lost love
a forgotten joy
a much adored toy
a gift from above

It fulfills a need
feeds the soul
makes me whole
I’ve planted a seed

It grows and grows
can take over
I’ll never recover
from poems I sow

I’m soaring, floating
following my pen
escaping reality again
sweetly, softly, drifting

My wings are stretched
I’m travelling worldwide
nothing can hide
nothing’s too far-fetched

Dilly-dallying my day away
strolling down fantasy lane
with my pen I’m playing
brain and hand gone astray

Am I like Dumbo with his feather?
Can I pen without this pen?
if it broke, what then?
Could I even write a letter?

Firing words from pen
shooting from the hip
no risk of punch in lip
safely hidden in my den

Writing stops many a row
it’s a release
iron’s out many a crease
to it’s power I bow

Freedom is anonymity
let emotions speak
coming out, not for the weak
it brings accountability

My pen has the loudest voice
speaks over my own
doesn’t need a microphone
to listen, I’ve no choice

On day’s pen’s not working
I await listlessly
eyeing it continuously
ideas, hovering, lurking

This pen is now an obsession
an all consuming need
I’m overcome with greed
interrupting can cause agression

My time is no longer my time
it’s now ruled by pen
I’m let of now and then
but frequently called back to rhyme

I’m skimming the stars
for inspiration
battling frustration
wish I could traverse on Mars

On make-believe’s loom I weave
today I want to celebrate
pen and I co-operate
it’s absence I’d grieve

I’m living in cloud cuckoo land
this writing lark is easy
and never makes me queasy
everything, today, is grand

Pen has a quirky way of being
some days very liberal
wouldn’t want to take it literal
problems invisible, I’m not seeing

Today pen writes in language of love
expressing itself from the heart
roses and kindness it imparts
fits me snug, like a glove

Whispering sweet nothings in my ear
making me write all twee
writing cute and pretty
causing my dog to leer

Your like a pringle
once I pop, I can’t stop
you make my feet bop
my senses all a tingle

I’m your willing slave
marvelling in your ways
writing in a blissful daze
your company I crave

Now your just being rude
everything you write is naughty
getting me all prim and haughty
I’ll have to work on your attitude

I need to go to sleep
rest my weary head
your inkwell, your bed
don’t want to hear you, not a peep