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L B Mar 2017
This is a three-part, longer narrative poem, seen
as old photographs that follow the main character, My Aunt, Lillian Goldrick, across two decades.  It was written 30 years ago*
______

“Hey Kid!”     Part I

Photographs aren’t fair
stopping the soul where it’s not
in rectangular guffaws
surrounded by serrated edges, pickets, teeth?
to fence and stab in yellow, soft-covered booklets
with designated floppy phrase
“Your memories”

Happier than she could ever be...

A black and white day at Salisbury Beach, NH
hung over his hammock
Private pin-up girl
tilts her head against silver sheen of shoulder
Hair, dark chignon
except for a few wispy curls about her face
freed by wind
bleached by sun

Stopped

...for three decades
Legs slightly bent—long extended
that could stop trains, stop traffic

Stopped

Modest bathing suit, probably peach
cannot hide (not that she would)
the undeniable
And if there were question left
you could look at her smile—and love her
posed by he message scrawled in sand:

“Hey Kid!”

What kid? Where?
In the foreground?
In the camera’s eye?

In the background—
a Ferris wheel, a billboard
and  r-i-g-h-t  there—Can’t you see it?
Look again—behind her eyes
You can barely see it, but it’s there.
Remember?

The Depression
Only ten years before
It was April
Stroke, heart attack
Both of them gone, a year apart!
The priest came
Last Rites for mortally stricken
Candles, crucifix, the Catholic containment
of holy water that dams the tears

Kneeling around the bed
they said the Rosary

——————————

After VJ Day he came
to the house on the corner
of Commonwealth Ave.
She knew he was coming
but she could not be ready today
nor tomorrow
nor next week—or ever...

“Lill! Will ya come to the door?
She’ll be ready in a minute.
Hey Lill! Hurry up, will ya!
They’re waitin’ fer us!”

Upstairs in the dark hallway
her door clicks shut....
________


"Hey Kid"    Part II


The clock at Joe Rianni’s read 20 minutes to 12...

Crowd from the Phillip’s Theater—gone
though laughter lingers
in a Friday mood
in high-backed booths
where only an hour ago swinging free
were high-heeled shoes
legs crossed at knees....

Now on tables abandoned
deserted fields of French
fries lie cold in salt flurries

Only female straws wear lipstick
as do Luckys bent in ashtrays
Males, uniformly flattened
as powder burned, as mortar might
shells, casings—the evidence of war
Among explosions of tickled giggles
one was taken broadside...

listing     toward      stars
_______

...The clock read 20 minutes to 12

when she walked in--
And Rhea stopped swabbing black mica counters
long enough to absorb late-customer hate
and envy that such beauty can arouse
In voice hoarse and weighted like a trucker’s

“Whadaya have, Lill?”

“coffee”

The small answer settled at the soda fountain
and slowly struck a match...
She was falling from the slant
of her black felt hat
dripping off the point of pheasant feather
Gray gabardine suit
tailored from angle of shoulder
to dart diagonally
toward such a waist!
Turned to skirt hips
that arched and dove toward slit—
then seams that run the round of calf

that seem to flow
to ankles of naught—
...and all that seems

Black     high-heeled     above it

Coffee— cold, stale
Gray glassed-in stare
searches air and random walls
of coat hooks, menus, mirrors...
while lips ****** exiled words— replies

Dragging a demon from her Camel
slowly     purposefully
she exhaled a burly arm of smoke
that rose and laid its hand
against the ceiled atmosphere of embossed tin
Then leaning over her shoulder
in roiling emission of shrugs and sneers—

“Lill—There’s no way outa here!”
________


“Hey Kid!”    Part III

After kneeling backwards on their chairs
after nuns, catechism recited
After—
Five of them scuffed through leaves and litter
along the curbing
spotting cars that counted—
Bugs, beach wagons, flying bathtubs
A slower way home of hunting
shiny chestnuts and muddy finds
rare match book covers
and bottle caps that win ya things!

One breaks from bunch
and trials off to where
dimes turn to candies!
...at a dingy luncheonette...Joe Rianni’s
____

Here—behind smeary wall of glass
pleasure leers while holding back
those grimy fingers, lips that long
for jelly fish, gum drops, lollies
holding back the company
of Baby Ruth, and Mary Jane
O Henry or Bazooka Joe!
For less money but the same salivation
there were colored dots to chew and ****
from strips of paper that last forever!
For a little more, plus the sweet struggle
of desire denied
a kid could be proud owner
of a pea shooter or trading cards!
While in the mouth
were golden imaginings—
the chocolate foil of coins
and the candied pretense of cigarette adulthood
_____

Rhea didn’t see her in the line...

Only grownups with wallets and purses
Only grownups get waited on...
...because Rhea was a Gypsy!
Kids could tell!
by her big red lips and hair to match
by the nasty way she chased them out—
“****** kids!”
Only grownups get waited on....
_______

And the clock read 20 minutes to 12

While a child waits—
time stirs in a ceiling fan
   There’s a drift in attention
      along deepening endless walls
         toward a line of sleepy booths
              carved with

“I was here—in such and such a year”

Her aunt—at the last stool—like always
Their names too close
Confused too often

A little girl wonders
about the sight behind the sightless stare
loafers, ankle socks, the ‘40s hair
the gathered skirt that gathers ashes
as they fall from cigarette
held in yellowed fingertips
Tremors crimp the smoke that climbs—

              ...a strobing pillar

“Whataya want, girly?”

              ...the only movement

“Hey! What’s it gonna be!”

              ...in a shot—

“HEY KID!”

              Snapped
There are photos that go with this. I'll try to post them together on Facebook.
judy smith Dec 2015
Although not an official list of most searched beauty queries, these trends were searched way more in 2015 than they were last year. You might be tardy to the party, but finally figuring out these makeup and skincare hacks will take next year's selfies to a whole new level — at least until 2016 when these trends are ditched. Till then, get your contour and strobe fixations worked out while it's still in style.

-How to contour

An old trick in any makeup artist's arsenal, contouring steadily gained attention in 2014 before exploding this year. Nowadays high-end and low-end contouring kits are widespread, with both cream and powder options popular for slimming faces. To contour, take a matte brown shade darker than your natural skin colour and buff it into the hollows of your cheekbones. Then blend until it matches seamlessly with your skin, creating a natural-looking shadow. To make the effect more dramatic, use a shade lighter than your skin colour on the high points of your face. You'll look clownish for a hot second, but the effects can be dramatically glam or subtle improvements.

-And how to strobe

Contouring's luminous cousin, strobing, took highlighting to the next level. Instead of creating shadows with contours, strobing illuminates the parts of the face where light hits. You'll want to apply a highlighting product to the centre of the forehead, the bridge of your nose, your Cupid's bow, and above your cheekbones.

-How to beard balm

Mane maintenance went below the chin in 2015, with artisanal ****** hair products going through a boom. Among them was beard balm, a pomade made of nourishing conditioners for making face fuzz soft and silky.

-How to put box braids into a bun

Long-lasting and low-maintenance, box braids are a style that always looks good — especially piled high into a bun. To get a top-knot bun, tie hair into a ponytail, twist around, and then tuck loose braids in. Bobby pins will be your best friend for this.

-How to wear matte lips

Popularised by the Kardashians, the matte **** lip made a comeback in 2015. To mattify any lip, apply a light dusting of face power to your lips (but not so much that your lips dry out). Or buy a matte lipstick, which come at luxe and drugstore prices.

-How to do the Kylie Jenner Lip Challenge

This digital dare inspired by the youngest of the Kardashian/Jenner clan had those aspiring for fuller lips ******* on shot glasses. Suction created by the cups cause a temporary swelling reminiscent of Jenner's pout. However, it might not be a good idea to jump on this long-gone bandwagon now — the challenge inflicted swelling, bruises, and drew controversy that Jenner herself spoke out against.

read more:http://www.marieaustralia.com

www.marieaustralia.com/plus-size-formal-dresses
DJ Goodwin Jun 2012
He writes words on walls and
toilet doors.

Looping black texta with
measured precision.

Emptying out his importance in
tomes of acrid, sickly-sweet-smelling lapses
into hope.

Cascading the loneliness with litanies
of somewhere else
that pulses with a joy unfound.

Tales of intermittent dreams
and dalliance with beauty.

Strobing in translucent beams,
the light leaks through his
poorly-sewn seams

onto the toilet door.
copyright 2012, David J. Goodwin
Jun 16, 2012
Poetry by MAN Mar 2015
Wake you every day with kisses all over your body
As we lay..cuddle...Hmm we start to feel naughty
Play a game of footsies under the sheets
Probing bodies strobing generating heat
Tickle your treasure..show me where it feels good
As sure as Sun rises so does my morning wood
Juices flow..******* wet
Anticipating pounding you are about to get
Massaging thighs staring deep in eyes
Inhibitions fly nothing we don't try
Comfort between us there is no fear
Nibble whisper **** talk in your ear
Bodies connect perfect piece of a puzzle
Sip slow at first then take a big guzzle
Pleasure pulsates vibes run through body
Touch you in places where signal is spotty
Caressing scars hit maximum bars
Stroke for stroke till seeing stars
Passion strums like a song that's sung
Twisting..tasting..tangled tongues
Birds and Bees..Smoking trees
Slowly...Tantric..trigger..squeezed..
Buck with every shot push to last drop
Contort vibrate from ******* shock
****** rubbed right grant all your wishes
Mine to wake you everyday with Morning Kisses..
M.A.N 2-3-15 I wrote this one for my **** blog..Here is a bonus line I didn't use cause its cheesy.^_* Cook you food do the dishes as long as I can have your Morning kisses..♏️
Nico Reznick Jan 2016
(In response to "Howl" by Allen Ginsberg)

I have seen the best minds of my generation destroyed by sanity,
seen bold new visionaries resign themselves to clinical long-haul deaths,
drug-numbed to their own suffering, and everyone else’s;
seen raving revolutionaries give up, retire to minimalist Swedish-designed armchairs,
and never move again;
seen the horizon dim and draw ever closer,
and the tenacious lunatics with the wanderlust to stray beyond
become fewer and further between.

There are uglier destructive forces than madness:
Consider cognitive rehabilitation.
Consider absolutely nothing immeasurable.
Consider utter rationality.

Ritalin, lithium, risperidone, duloxatine. [I thought I heard a man speaking in tongues,
then I realised he was simply reading out loud from a pharmaceutical directory.]
Imagine a generation of loan brokers and loss adjustors;
Hicks gone these past seventeen years and Leary still alive;
sharks floating in formaldehyde;
all true human significance lost in pretentious symbols,
and repetition
and repetition
and repetition,
and no one raging.
No one raging for real.

Where are Plato’s maniacs now?
Where are their lunatic songs?
I hear only the steady, rational tapping of the accountants’ calculators,
occasionally, some lost and lonely *** crying out for one more shot,
and the PA system calling the next patient through, the doctor will see you now,
or asking would the owner of a light blue Honda Civic please move their vehicle,
as it’s blocking in a black Lexus full of lawyers with an ambulance to chase.

Is there really nowhere between here
and the bellow and buzz, the shiver and shriek of the asylum?
Someplace between this sterile, static, silent, windowless room
and the fizzing frenzy of the electroconvulsion suite,
there must be somewhere we might have paused and breathed and set up shop,
where we could have been happy – if we’d wanted to be –
and no more or less sane than we chose.

Dr Thompson saw it coming: the dawn of this new Age of Equilibrium.
He knew that football season was over, for good this time, and made his ballistic decision
to go stalk peacocks and hound Nixon through the Kingdom Hereafter,
assuring us, ‘Relax – This won’t hurt’.
He was right.

Safe and stable and sanitized, we can no longer follow your desperate, ***** verse.
Straitjacketed by reason, we perceive our world only in terms
of quantum and co-efficiency, of the logical and logistical,
of what can be conjured in the duration of the average commercial break,
of what can be computed to at least two decimal places.

We are the chemically castrated.
We are lobotomised by mutual consent.
We are the perfect ones: regular and moderate and so healthy, so functional.
We are the white strobing smiles of the toothpaste ads,
the poster children for good mental hygiene,
the footsoldiers of no more conflict.

We have lost our skill for the alchemy
that once distilled genius from the seething crucible of lunacy.
We medicate those whose vision would otherwise put our own to shame,
leave them as myopic and blinkered as the rest of us,
the breadth and depth and distance of their sight no longer a worry to anyone.

Give us back our madmen: we need them.
Give us back our crazed anthems, our burning shrouds, our leprous one-man-bands.
Give us back the fire and the filth and the fornication that kept us howling through
those endlessly polluted nights of Windscale and Watergate, McCarthy and motorcades, Hanoi and Hiroshima.

Please.  Give us back our madmen.
I have seen the best minds of my generation destroyed by sanity.
This poem is featured in my collection, "Over Glassy Horizons", available here: > tinyurl.com/amz-ogh
Ezra Apr 2015
Pressing buttons,
Hitting switches,
Flashing lights,
Strobing sounds,

"Decorum! Decorum!" she cries,

No use. They are all within His spell.
DJ Goodwin Jul 2012
You smile black-eyed as
the city belches blue neon
through its steel-glass canyons;
a cobalt factory of lumen, pulsing
through dendritic labyrinths
of sapphired circuitry.

Diodes of cerulean fire,
spreading with virulent sophistry
amid the glittering obsidian dark,
like pale horses of light that
leap from pane to inky pane,
like a Pentium’s ******;
God’s own seething fireworks
watched in reverse
as they float in through my car window,
strobing blue against your freshly
washed hair.
copyright 2012, David J. Goodwin
Jun 25, 2012
Chaotic Melodic Aug 2010
Listen to you with your lip-synch promises
You kiss me and take a bite with acid tongues
Spiked with sugary smiles
Your words are liquid lead
Your letters bleed loudly through their envelopes
Bubbling like broken dreams
How do you know what you seem to know?
It is a black skinned paperclip globe
A slow ticking suffering sickly
Strobing life

Watch you with your face of clay and prosthetic eyes
You stroke me and scratch with a headless finger
Sliding in my heart to lay your egg sac
Whenever you speak
Your words are biting back laughter
How can I take you seriously?
You hair in black chains
With synthetic singing locks
Double tracked and prerecorded
Sensual loops
© Cory McQueen
Nic Burrose Nov 2011
blurred through the mumbling atomic cafe
i thought i heard you say
i am become deaf
destroyer of words
but you were breath
become butterfly effect
spiraling within the stereophonic white-noise drone
of a static radio station
tuned to the music of the silent colossal rotation
of the planets, stars, sun and moon
behind the drawn curtain of a vanished polaroid

still these beating hearts to a murmur
slow these breathing lungs to a whisper
and attach the cello strings of your bloodstream
to that glittering confetti cloud of satellites
strobing, circling the sphere of our atmosphere
strung out on geo-synchronicity
the turning tunnel of the tides
the aeon-spanning volcanic swirl of magma
subsonically writhing
beneath the magnetic pull of the ocean floor
and just...listen...

can you hear the flaming  crackle
of the fire burning in our bellies?
if we slit our stomachs open
the flames that spill from our hari-kiri'd entrails
will fill the darkness in the corner of our closet
and burn it to ashes

in a dream
i saw us laughing together many years from now

when the blast-furnace of our blood, sweat, tears and acid dreams gapes wide
we will laugh in it's face
at the absurdities
of death and taxes

and as the years push through
we will laugh
as we go blind in our old age
growing brighter than the glow
from within the dollhouse home we assembled
from sticks n stones

and we will grow gray together
and fill the soles in our shoes
the holes in our soles
with the dirt, rust, ash, concrete and angel dust
of these city streets

and we will laugh like pyromaniacs
as we **** on burial plots
soil our own graves
and erase our fingerprint smudges
from the blueprints
of our jailbreak escape plan

flames will erupt from the holes in our heads
consume us
spread in a tectonic shock-wave
and lick the pale toes of angels and dreaming junkies
hovering on ghost clouds of ***** soot
just above the foot of our bed

the outlines of our bodies will liquify, disintegrate
and reform as the jagged teeth of a cityscape skyline
crowned crookedly upon the head of a crippled pigeon
ascending in a stuttering climb
towards a heaven
that does not exist
for us

shaking ash and bone-dust from twisted feather
our flames will spread further
devour prehistoric forests
**** roots and tree trunks to bare bone
and march in a coronation parade
upon the city gates
behind a revolutionary brigade
of angry red army ants

finally, those flames
will surround a broken boombox
lost behind a landfill-mound
of moth-chewed cardboard moving boxes
containing the soft stains of dream and memory
tagged, painted, and graffitied
in white out, in sharpie
duct tape peeling from perforated speakers
the flashlight-sized battery compartment
an empty coffin

i didn't cry the day you died. i'm sorry. the reality that you had passed away at barely twenty-five didn't really hit me, even at your eulogy and that still haunts me. they say that denial is the first stage of addiction but I assumed that you knew that death was a possible side-effect of your prescription. about two weeks after your wake, it hit me like a train. i was riding the n judah to the end of the line at ocean beach when I passed a throw-up piece that you had painted a few years before in the train tunnel near haight and cole. it was a big letter "a" in lowercase with an exclamation point next to it. i once asked you what it meant. you shrugged and said, "i just like the shape of it," and something clicked. it was then that i realized (that)

the flames of our light, love and laughter
move faster than the speed of life
and those flames pass us by in the blink of an eye
if we're not quick enough to catch 'em
and return the letters like stars
we borrowed, typed, stole, scribbled and scrawled across the pages of the sky
back to the sprawling library of the night
where they belong    
where we belong
Alan McClure Oct 2013
Grim grey day
starts in the dark,
grumbles, glowers
shoulders hunched
Everyone in bitter agreement -
"Miserable!"
Rain driven against windows,
streaming pavements,
shoe-squelched curses
cast at baleful sky.

Travelling home at last,
raincoat defeated
tricklebacked discomfort,
Windscreen wipers ten to the dozen
under sopping sorrowful trees,
headlights strobing relentless rain

And -

Those aren't leaves.
What are they?
Tumbling across the road,
crisscrossing parabolas
of peculiar joy

Frogs!

I stop:
I have to.
The night is alive
with manic delight
as secret creatures fling caution to the wind
and bound into sight,
into frantic celebration,
unphased by cars, by foolish bipeds
who thought this planet was theirs -

Open mouthed and uninvited
I gaze, displaced and foolish
for not knowing
It is,
it is the most beautiful night
that could possibly be imagined.
Chasing a statue, and it's getting away.

Waiting for the sun in some desert lands
as the weightless yacht sails through the sands.

My mind has gone rouge
and it's taken me hostage.

Wave to the slaves,
You've nothing better to do.
Give me your mouth,
I've something to show you:

Strobing images flow
to form a sea of subtly,
veracious emotion;
The black and white chequered tile floor,
In a baby's pupil, iris and more.

We are the greatest threats
to the fabric of society:
Terrorists, drug dealers, hackers and poets.
The drones of humanity tremble at the mention of our true profession.
Are they alive
or merely undead?
The difference struggles to comprehend.

Paper bullets fly through the air like locusts
as a torrent of words enfolds upon us.
"Did you think to **** me?
There's no flesh or blood within this cloak to ****.
There is only an idea. Ideas are bulletproof."
Love the feeling as it falls apart;
When the chaos breaks into a line and gives birth to art.
Quotes:
-Line Twenty Four, Twenty-Five and Twenty-Six from V For Vendetta by Alan Moore.
Vylette Jan 2015
I stay awake
Staring at the darkness
Long into the hours of the night
Dreams are fleeting
To the restless mind
Intangible goals
Can't be unreached
No point to being rested
When the bottom is the peak


And I'm headed there
The end is the beginning
I will cry a sea of tears
And jump in
Not knowing if I will sink or swim
Because I'm not a sailor
Only in my imagination
And not my memory
Do I know the sea
mikarae Oct 2018
the lights are buzzing
and my ears are stuffed with pollen
yet i can still hear the hive of bees in the ceiling.

the lights are buzzing
strobing against walls of alabaster and tiles of ***** white
neon and drunk off of the ticking of the clock.

the lights are buzzing
they carve out slivers of eyelashes
and slide flickering fingers to rest along the chin of despondency.

the lights are buzzing
their uneven beat is perfect melody
to the crying in the hall, outside waiting room 23.
they keep me numb, an empty shell with twitching fingers and vacant eyes.
JV Beaupre Sep 2019
Strobing flashes in the clouds,
Thunder rolling through the hills.
Dust puffs with the first drop--
The promise of grass and prairie flowers.
Cecelia Francis Aug 2015
Ten fingers
went to tend her
garden of buttons:

The right hand kisses cheeks
with Mr. **** and then greets
The Twins with a tender twist,
as the **** on the door when

He comes,
and we lay atop each
other to be a team—of beams
of light strobing across some sheets
of ice, maybe—with steadily raised stats
I think I've been reading too much #bernadettemayer
the brightest star
of that well-known
oft mistaken
constellation
disfigured and disguised
by the shifting
of Rorschach’s clouds
the temporary flair
of an unremarkable
astral body
burning through
the upper atmosphere
forgotten immediately
as it fades
along with
any accompanying wish
the strobing beacon
of wingtip
or undercarriage
marking the distance
needed for safety
moving through turbulence
restlessness and discomfort
watched with
ill-considered envy
in this overcast
night sky
those twinkling lights
will often go
unnoticed or
simply ignored
Robert McKinlay Nov 2009
Bitter.

Tangy.

Chest poking,
distress...
anxiety.

An orange peeled.

A tomato congealed.

Acid rising,
distress...
anxiety.

laughter.

disaster.

911 on the line,
distress...
anxiety.

Please stay on
until we arrive.

strobing lights.

harrowing ride.

11 hours of machines
distress...
anxiety.

1 year to a MRI.

1 year to live or die?

A Canadian health care story
distress...
anxiety.

Take some of these pills,
and call us in 5 years,
distress...
anxiety.

Quacks.
Waddles.
Going south.


http://www.robross.ca
(c) Robert W.G. Ross 2010
mark soltero Dec 2021
strobing images flash inside
your body out of sight
you’re temporary love in his arms
his body is now your throne
your home away from me
a shrine to his transgressions
in the dark you lie to them
and you love it too
pretending the shackles you don are for him
Riptide May 2014
I hope my words
Cauterise all your scars
Strobing light your way
I don't think strobing is an actual word but I'm utilizing my poetic license.
Bes



It's high midnight and I'm up to my old tricks again.
Bes came by my apartment last night, ostensibly to see why I've stopped answering everyone's calls but harboring more ulterior motives than a presidential charity event. I let her in, mumbling some vague, ******* excuse about how I'd simply been busy. She stood in my living room, her hands demurely folded in front of her as her eyes swept the scene, a quick appraising glance that took in the leaning towers of paper and rows of empty bottles, the rings under my eyes and the cheeks grizzled with god knows how many days of growth, and when at last they met mine they seemed to ask what exactly it was that I had been busy doing. Her lips said no such thing though, held in check either by innate tact or single-minded purpose. Instead she smiled, that old, slanting smile that was more a twitching of her cheeks than an actual moving of her lips, and asked if I liked her dress. It was the first time that I'd seen her dressed in anything but jeans, and the change was as unexpected as it was becoming. The dress was short, black, simple and elegant in its simplicity. In the expected places it clung to her curves and invited you to do the same, but elsewhere it hung in loose folds, folds so deep that she seemed almost lost in them, and when you did catch a glimpse of her body -the delicate line of her collarbone, the thin ridge of a rib- the force of the contrast struck home with calculated, bewildering power. She looked incredibly fragile yet fraught with danger, like broken glass swaddled in a black flag. I gave her an exaggerated once-over, then said, "Do you really need me to answer that?" She laughed, her voice high and breathy, and dropped me a theatrical curtsy. "What's the occasion?" Her eyes narrowed, and the ghost of a smile twitched its way back onto her face.
"We're going out tonight."
"We are? And why are we doing that?"
"It's ladies' night at Stoa, and that means free drinks."
"Free drinks for you, kiddo. I doubt that I could pass as a lady, even in that ****-hole."
"For me, yes. But if I were to get those free drinks and then decide that I didn't want them, well, what would happen to them? It would be wrong just to waste them, after all. I suppose I should have to give them away, perhaps to a good friend?"
"If you should change your mind." I said flatly.
"Of course. Woman's prerogative, you know."
"Are you trying to bribe me with free liquor?"
"Well, if that isn't enough I could always throw in a 'please'. Limited time offer, though, non-negotiable and nontransferable."
"Unlike the drinks, you mean."
"Rules are like bodies; they aren't meant to be be broken, but sometimes it's fun to see just how far you can stretch them."
"Far be it from me to tell a pretty girl no when she says please."
"Pleeaazzee?" She batted her eyelashes at me, lower lip stuck out in a burlesque pout.
"Okay."
"Put on a fresh shirt and grab your coat, I'll get a cab."
"Yes'm," I said, snapping off a quick salute before about-facing toward my bedroom. She laughed again as she left, the soft chuckles punctuated by the click of her heels on the concrete steps outside. I dressed quickly, taking roughly three minutes to apply fresh deodorant, sniff-test and shrug my way into a shirt with marginally less wrinkles than your average nursing home and grab my keys. I walked out the front door to find Bes ready and waiting for me, having snared a cab with the same brisk efficiency with which she had beguiled me into escorting her. She stood at the curb, toe of one black pump tapping impatiently as the taxi idled next to her, engine panting like some exotic animal brought to heel. The ride there was silent. The cabbie was one of those garrulous specimens of his trade who seem always to have something to offer his customers in addition to the transportation for which they had paid; some tidbit of folksy wisdom, or a sage prediction of the weather, no doubt buttressed with countless examples from the days of yore. He brought out several of these chestnuts for us, but after a few failed gambits even he lapsed into what for him must have passed for a taciturn state, contenting himself with humming along to the radio, albeit loudly. He had sloughed tunelessly through several songs and a commercial break by the time we arrived, and had begun to sing under his breath, apparently unaware that he was doing so. This unwitting serenade had been steadily growing in volume, and he was working himself into a rather heartfelt rendition of Black Velvet as we disembarked.
It was just past eleven, relatively early for a nightclub, but the line was already stretched ten yards from the door. It wound around the side of the building, surprising me in spite of myself. I really hadn't been out in a while, and had forgotten all about waiting outside, that desultory purgatorial period where people shifted restlessly from foot to foot and chain-smoked, anxious for admittance, though in all likelihood less concerned with being able to dance or mingle (which they could have probably done just as well out here) than they were with losing the buzz they had brought with them. Some of the people had clustered into loose groups and those who had looked more sanguine, almost serene, and no doubt there were a few water bottles filled with ***** stashed in their purses and jacket pockets. I started toward the corner, intending to join the rest of the sad-sacks at the back of the line, but Bes grabbed my arm, giving me a slight shake of her head. She walked directly toward the entrance, deftly sidestepping the little pockets of people and putting on a smile of almost predatory brilliance. She sauntered up to the bouncer posted at the door, one of any number of interchangeable drones whose charge is to prevent just such flouting of protocol as she undoubtedly had in mind. She said something to him and he shook his head. She spoke again, raising up on tip-toe and looking directly into his eyes, and when she spread her hands in a comely now-do-you-see gesture he looked around furtively then nodded. She waved a hand at me and he nodded again, though more apprehensively than at first, and the hand pointed in my direction now wiggled its fingers in a come-hither gesture. I walked up and looked a question at her but she merely shook her head again, though this one was accompanied by a slight smile that said nothing and hinted at everything. She took my hand, dragging me forward like a she-wolf dragging a rabbit into her den, and as we passed into the club she favored the sentry with another smile, so warm that I could have sworn I saw him blush.
The interior was dark, cavernous and redolent of a thousand mingled perfumes, a heady, dizzying blend spiced here and there with the dank odor of marijuana. As soon as we were past the bouncer, Bes stopped and pivoted on her toes like a ballerina, spinning so quickly that I almost stumbled into her. She said something to me then, but despite the sudden and shocking proximity of her body to my own her voice was lost in the car crash of voices from the dance floorahead. I cupped a hand to my ear in the commonly understood signal for deafness, and she responded by cocking her head at a questioning angle and forming an elongated y with her thumb and pinky finger, tilting them toward her lips in the universal gesture for drinks. I nodded my assent and she took my hand again, pressing it gently as she threaded her way through the tumult of writhing flesh on the dance floor. We found seats in the corner of the bar, the one place where you could actually sit with your back to the wall instead of the rest of the club, a place that I privately thought of as Paranoiac's Cove. I dug out my pack of Lucky's and set to work on trying to find my lighter as she flitted away, returning moments later with a pair of highball glasses, each filled to the brim with a curiously green concoction that was so bright that it seemed almost as though the glass was filled with liquid neon. She handed me one, her fingers momentarily brushing mine as I accepted it, visions of the cauldron from Macbeth flashing briefly through my mind. That smile twisted its way onto her face again as she offered a silent toast, raising her glass toward me with an oddly solemn gesture. I raised mine in return, noticing the way her eyes sparkled in the shadows, green and impossibly bright, almost lambent, bright like the drink though her eyes were a deeper, truer green, closer to jade than to the grassy color we held in our hands. We touched their rims together, the clink almost inaudible in the howling bedlam of the club. She threw her drink back at a single draught, surprising me into a laugh and I followed suit, barely tasting the liquor as it ran down my throat. What I did taste was a rather poor attempt at artificial apple, cloying and somehow thick, like melted jolly ranchers. It was saccharine sweet yet bitter, a harsh undertone that matched the crisp tang of a real granny smith about as well as the sweetness did, which is to say not at all. Not that this bothered me; alcohol and bitterness have always gone well together for me.
She leaned over to me, fingertips resting lightly on my shoulder, breath tickling confidentially in my ear as she asked, "Dance with me?"
I demurred, not bothering to waste words but simply waiting until she pulled back to look at me and then shaking my head. She didn't lean in again, catching my eyes instead and mouthing the word with an exaggerated care that was almost comical. "Okay." She hesitated momentarily before adding, "Maybe later." She didn't wait for a response, instead sliding off her stool with easy, doe-like grace and disappeared into the throng. I stayed at the bar for some time, an hour perhaps, drinking steadily and watching the growing chagrin of the woman behind it as she realized that I had not intention of tipping her no matter how drunk I got. Bes reappeared periodically, staying long enough to grab each of us a free shot and steal one of my cigarettes before vanishing again. I whiled away the time by counting the necklaces that came bobbing and heaving up to the bar. The vast majority were crucifixes, their forms and sizes as varied as those of their bearers, but there was a smattering of other ikons as well; Celtic knots and stars of david, pentacles and hammers, and once, nestled incongruously in the ample and expertly showcased cleavage of its wearer, a crescent moon and star. The owner of that particular pendant also happened to clutch a drink in one hand, and while it may have been a shirly temple or club soda, the glassy eyes above it and the boneless, disjointed movements that arm described in the air spoke to a more potent brew. I wondered what they meant to the people who wear them, those chains of devotion donned voluntarily. A symbol of their faith, they would probably say, though it's a faith betrayed by virtually every action that they take, and if there's one thing that I've learned about people it's that their vows and promises may be lies, but their betrayals never are. Even a virtuous act, an act of unequivocal good in the face of overwhelming temptation, even that can be a lie. It is concealment, a denial of the temptation, of its reality, of the fact that the desire for what tempts us exists. But in betrayal, in succumbing to temptation, people reveal themselves, for they are true to their desire and desire is the most accurate mirror, the truest reflection of who we are. Most people wear masks to cloud that mirror, false faces that sometimes fool everyone and sometimes fool no-one. But truth always asserts itself and so most people betray; others, causes, even themselves. But even the betrayal of self is also an act of honesty, the final acknowledgement of who we really are.
There was a time, of course, when these signs and symbols of faith were a business of deadly seriousness, when their betrayal would have begotten swift and sure punishment, when the mere display of one's allegiance was both a pledge and a challenge, but no longer. Now they are carried as casually as their wearers carry the name of some obscure fashion designer on their underwear, and given the reverent attention paid to the latter and their blasé hypocrisy regarding the former, one has to wonder which is really more important to them. Yet the symbols persist even when the meaning has been forgotten, and the majority still carry signs of fealty formed from counterfeit gold and beaten nickel, sigils that flash quicksilver in the strobing lights, leading the way like the wooden maidens which adorn the prows of ships. I used to have one of them, you know, a rough loop of rawhide the carried three little trinkets, a bunny a book and a small golden heart. It's gone now, of course, and fittingly so, the heart having fallen after the bunny down the rabbit-hole, and the book remaining unwritten, though I suppose if your reading this, that if these disjointed ramblings ever manage to make it onto the printed page, refugees finally transplanted from the wilted notebooks or the cocktail napkins that I even now sit scribbling madly on, it has been written after all and you're reading it. You poor *******.
I realized my thoughts were drifting, meandering on their own down paths that I have expressly forbidden them to tread, rambling like unsupervised children in an amusement park at sundown. I gathered them up, scolding them, trying to exert some authority in my own mind, telling myself to just take a deep breath and shake it off. I can't though, and for once it's not because I can't quiet the thoughts but because I can't seem to take a breath that is deep enough. I realized that I was panting, well nigh hyperventilating, my breath coming in quick, shallow gasps that seem to crystallize in my longs like spun glass. I take stock of myself, trying to assure myself that I'm not going to have a heart attack or a ******* stroke, noting with some alarm that my hands are shaking and my vision has narrowed into a twisting, undulating tunnel. I closed my eyes and concentrated on breathing, the darkness behind my eyelids streaked with purple and red, and gradually I became aware that those explosions of color are rhythmic, recurrent. They happened not with the pounding of my heart, as I would have expected, but in time with the music, sunbursts of color appearing each time the bass kicked. The panic diminished, replaced by curiosity, and I realized that without the shrill yammering of panic in my ear and the terror of impending death in my mind, the combined sensations are not only pleasant, but oddly familiar. It's then that I realized what happened, belatedly doing the mental arithmetic and realizing that unexpected invitation, the free drinks and the first's oddly bitter taste, the secretive smile with which it was delivered, that it all added up to a single thing. She drugged me, of course, spiked my drink with something and I didn't even notice, naive as a sorority pledge at a keg party, and oh **** was I high. I stayed at the bar, knowing from hard experience that there was no sense in fighting it, and so giving in to it. If you can't put out the fire you might as well feed it, feed it all that you can, because the sooner the fuel runs out the sooner the fire dies. So I stayed there, focusing on my breathing and letting my thoughts spiral out, catching the waves in my head as they rose and fell, finally learning to float on their crests, in some semblance of control. Calmer now, I pulled out my cigarettes and lit one, the process taking an eternity, empires rising and falling in the time between the moment when the spark caught and the flame exploded into life and the one when it reached my lucky. I breathed out a plume of smoke, a pillar of cloud that also seemed to go on forever, and as it cleared there was Bes, materializing out of the smoke like a Cheshire cat.
"Ready to dance?"
I looked at her, unable to speak for a moment, not the drug this time but something entirely, a thing that came surging up from some unsounded depth within me and caught in my throat, because when I looked in her eyes, wide and wet with excitement, her pupils telescoped into pinpricks that told me she was in the grip of the same I saw myself. Because she was looking at me the way I looked
Tragedy
I trained my gaze to turn a blind eye
To the incessant strobing wheedling away

Weeping willow tears, burrowing footsteps
Needling the swell of pure panic

When you said to me "The anxiety's
Bad at the mo", I became heavy with

The suffocation of 'What to do'....for you
My race to the winning post to

Grab the prize. the cure of all cures
The potion that'll dilute the multiplying

Butterflies grabbing onto your
Worry beads, slung around your neck

Should you forget their existence
A never ceasing adornment lines

Your palms with moistured intensity
Slips your grip on life, where once was peace
beth Jan 2019
bitter air pours through cracked windows at sixty miles per hour
dashboards turn to focal points turn to the only sight i'll keep from these days
and the nighttime pitch black glosses over moments of eyes glazed
the week's exhaustion turns each of us up, empty and dour

we work through our days and leave the waking hours to devour
sprawled over small couches and cold basement floors, always dazed
we come alive to mood music and greasy food at odd hours, forever unfazed
we make each spontaneous saturday night, uniquely and quietly ours

the clock in the dash reckons 3:46am in a thin, strobing green
he blinks hard, weary eyes and overworked body, fighting against the morning
and the neon signs of the little old marketplaces, oh, how they sing

we wire ourselves and electrify our moments with caffeine
we crash and burn and forget every night, ignoring our own warnings
and the sleepless sacrifices for each other's wonder, oh, the upswing.
some memories from last winter. for bg, io, kd, and eg. thinking of you with every freezing midnight. (22:00 - 05/03/18)
Emma Sep 2012
I.

Tick, tock.
Snakes on the clock. Brains. Skin. Air. Hair. Coils of fabric, and teeth.
Oxygen reeks. Stales. Pales and contracts.
Breathe nonetheless
Pull on a dress. Pull on a vest.  Step outside. Feel the wind.
Oh, the days I’ve spent-
Instantly forget.
Put on my face
Roses in a vase
Feelings cased in the closet
Filling space

Seems sometimes we’re just filling space
What a waste



II.

Deep breath
Rose-scent fills her head

This could be it, she said
You’re too pretty for that, he said
Black and white embroidered with red
The cold air stung her lips as she read
This stone is where I’ll lay my head
The ground is made of bones
She’s alone



Steps on gravel, sounds awake the night
Jump into the abyss? She might

Memories of childhood fights
Initial dislikes
Periwinkle paint sets and tights
Once, learning to draw a rose
Once, hanging onto a hose, drenching strawberries
With brother in backyard
Family is a golden memory
At least there are pictures



Boy
The first one she kissed on the lips.
It was a dare. Fleeting but his eyes dripped sweetness. Twelve years young? She can’t remember. She ****** the same boy, drunk, four years later. He wasn’t the first, though.
And he still seems innocent



Hovering tensely
At the half-open door
She’ll never feel loved again.
She said.
Aches. Heavy ferocity ready to tumble. Dread.
Wake-up song every morning in her head.
The ground is made of bones.
She’s alone.
I’ve come this far. Revs up the car. Tears down her cheeks.
Runs over herself repeatedly in the street.



Why so gray?
His lips hold secrets
Autumn hay-stack drenched in dryness
Cool but bright, he’s a working man with a voice made of sunshine
Her eyes twinkled hello at his fingertips’ first brush-by
Smiled and walked away
Perhaps another day



III.

...

Rain soaks my skin.
I was walking, computer and books weighted on my shoulders,
Lightning crossing my path
Relax
I’m visualizing math

The air is cool. The wind rolled darkness in on its back.
The storm is roaring and strobing the sky
I’d like to derive your kind
and the rhythm of my mind
From the grains of sand left behind

,

And listen to the song of the sea

.

And float in the lingering breeze
As the storm dies down
The night’s dying down
I’m counting for now,, and "you"
Are a ghost of an idea, wispy but fresh but

Unformed
Much like the memory of yesterday’s storm

...

As I was drenched in the shower I could only think about taking pictures of my memories and tearing them into a storm
A catastrophe -
I'd laugh.
I'd call it art.

This storm is ******* beautiful.
Francie Lynch May 2015
Today is the first day
Of Spring in Ontario
After an arduous winter.
We have waited with
Northern patience.
I cruised my Shadow
Along Lakeshore Rd,
The sun strobing through
Leafless, budding limbs.
The smell of Spring clean-up,
The burning of leaves and wood;
An invisible, invading aroma.
That one assault held the force
Of all my Springs,
Before I worried over CO2's.
Our rabbit tails flicker
on the edge of the heat-rush
like making love,
a viciously tender blush.
Here we are, Running,
from useful death;
our needed kindnesses.

Nature’s necessary provocation,
starts the ride,
ensuring death for an ensuing life.
Our blood is fast and heated,
releases and builds the tension,
in ligaments, Quick enough
but strobing the scut.

We are also the foxes
and so forwards we must follow it,
just as the time follows
the seeping wisps on the horizon
of the un-risen sun.
Come live with us and dine,
so we may die, when we need to.

There is a reason for your greed.
Follow those sparking tails
pinpointing life
in the living grasses.
Smell the heat
through the dewy stems
and be what must be done.

Feed your children of every description
to end, a forgotten bone milestone
but with endless input.
Become the prey of your own actions.
The grass takes your meat,
fluffs it up with sun,
for the rabbits
each and every time, it’s time to.
Andie Lately Feb 2011
Perfect synergy
Can you feel it?
Pulsing through the ground
Strobing lights blinding me
Electricity in the air
Hands in the air
I feel love
Do you feel it?
Songstress on the stage
Dancing on her own
Joseph Simmons Jun 2013
After each honey-dipped dispute the hapless toddler bounces on a squatter’s mattress,
Teething and drooling like an adorable zombie, gormlessly tossing chewed toys and causing a mess.
On a drenched bed drifting in a flooded car park, the infant paddles towards a collapsed lamppost using a G.I.JOE.
Strobing, the broken light dances in the gloomy water and animates the odd objects below.

Inquisitive, the primal child scales the desecrated metallic obelisk with caution.
Oily and perverse the rain-greased pole requires instinctive body contortions.
Briefly understanding the enormity of the ordeal the naïve kid starts to scream and clings,
Prays for mum, for help and repents for all the bad things,

He thinks he has done. He loses his grip and slides down, landing on his grimy float,
Skimming like a stone across the charged lake, he bounds over used nappies and punctured plastic bags in his boat,
And settles like a fallen petal. He is safe and apologetic.
Though he finds his feet and jumps ignorantly again. His capacity to learn is pathetic.
John Hosack Apr 2010
Glimpses of the light
as the shadows echo into a land of perpetual darkness.

Where blackness is a habitat,
imagination fabricates strobing illusions;
portraying future as the inevitable apprehension
of

impossible

answers.

From within, this truth is known,
and though this light is but a delusion-
it remains a solitary hope.

Lies- the remnants of lives
in this dire day.

Deserving of life...
when it is nothing,
a gift cordially received.
Lexy Jul 2015
Stare at a television for too long,
and you're sure to find it becomes a difficult task...
training your eyes to adjust to reality.

This crisp world morphs into a mirage,
seen through the revolver of a machine gun
infinitely strobing between what is and should.

Like a child trying to blink back tears that seem more like a tsunami.

The **** finally cracks.

Reminiscent of those summer days spent at the pool,
staring at the world through a rippling glass wall.

I've always been interested in new perspectives.
Kite Oct 2013
It was nice to be invited, but now I regret agreeing to this.

The light in here is too artificial; the vibrant pink almost strangles the dark blue before transforming into an eerie green. It is strobing, spinning, scanning, pointing, observing the rapid decline of morality around the room. It's not even comforting like light should be, it is assaulting the senses and coaxing for trouble.

The floor is sticky, lined with a layer of spilt drinks and the trash the bottom of shoes bring in; cigarette butts, chewed gum, ***** and hopelessness. The walls are plush but I don't want to touch them- I don't understand why they are sticky too...perhaps one too many drinks thrown at ****** guys?

The roof is low, caving in on everyone inside. The room has about 400 more people than it can hold, and I am being smothered by un asked for touches and nudges, pulls and pushes. I can feel someone thrusting into the back of me while the couple in front (who don't know each other) almost fall on top of me in a desperate attempt to show the room that they have no cares- they will have *** right in front of you if they have to.

The music is way too loud. And not the fun sort of too loud that's often cranked up at parties or in the car, but shatteringly loud, drowning out any attempt of speech. Why should these people care? They don't care who they let under their clothes, or what their name might be. And why am I not like that? Why am I the only one in this God forsaken night club not throwing my body at someone. I mustn't be normal.

The girls in the bathroom are smoking **** and swallowing pills- they aren't even trying to be secretive about it- the sink is filled with all types of substances. I can't find a corner to go and just be until it is time to leave.

I don't understand why I am the only one like this. I tried my best to look pretty tonight. I poured hot wax on my skin, layering paper on top to latch onto my hair and rip it out. I used expensive products, layer after layer just to cover my spots. Even though I am allergic to it, I took a pencil to my eye lids and pulled my lashes with a mascara brush. I didn't eat so as to not smudge my lipstick. I squeezed myself into the only dress I own, the one I can't breathe out in. I forced myself to wear shoes with sticks supporting them. I can't walk in heels, but if I don't I am ridiculed and stand a head shorter than the rest of the room.

And now I'm here, and do you think anyone gives a ****** **** how long it took me to get ready? Do you think anyone cares that the wire of this bra is cutting into my flesh? No. I know why, too, because I am not wearing anything like everyone else. I am the only one who's dress gathers at my knees, and as far as I can tell, the only one wearing a bra. I don't care if other people want to dress like that, good for them, but it'd be nice to know that people actually want to know you for other reasons than *** with a blind face to brag about later.

I am watching girls do anything, no matter how uncomfortable they feel, to please their companions. If this is what I have to look forward to as being a young adult, I don't like it. At all.
Recounting the time I went to a night club. Never again.
RandleFunk May 2021
Sun bleached
Shadow soaked
Strobing days
Thirst choked
Thrumming sands
Screaming hush
Words lost
In the hues of dusk
neth jones Feb 2022
attendance                                                  
fumb­ling my entrance               array                                      
passionately late            i pull off my tie          
               and crashing      here without apology
                 all-ready     a crowd sweated room
                                  low ceiling   candy glass munching underfoot          
the senses are rushed upon   fuming                                          
                ­          lit up and strobing    with the chaotic humour                
                                     and tumorous smells
furious ingestion                                            
     swellings       and releases    
  pelling and girling     with the dances         
hectic music    making hero's of uz all
a steaming sot lady  lands before me laughing
        she climbs me  till her bare feet find ground
      naked   from the waist up  
her dress has fallen  into a trampled magpie tail      
         doughy  features unfocused
    my heart is gurning with ruckus      
                installed with an addicts engine      
   it caves and puffs for attention
   these are my people  
these are my people                                                
                                now that they're reached their peak
of ******* inebriation          
     and raving chorus
i am drawn imediate     into the density
HB Oct 2010
Let me lean into your hair and breathe in your warm, clean scent.
Tackle me with tickling fingers, knock me over, make me squirm.
I'll nibble on your neck a bit, and make a ***** joke.
You'll drag me up and down the block, till we've searched out every coffee shop, and reading nook, and weird demented new-age store,
With scary guys with scary hair leaning over the counter offering you 'Fairy Dust' for good luck, or maybe this book about trolls?
Then I'll drag you back down a different block, and through the city and all the buildings.
Looking up and up and up.
Falling over our own four feet as we race the dusky-shadowed building monsters from one end of the bay to the other.
Exhausted by our chase, we stumble into yet another hole-in-the-wall to steal some warm recuperation.
You wrap me up in arms and drink, while telling me all about your life.
Then you **** me for details of things I never talk about, and make it seem like no big deal. I mean, hey, it's only you after all.
Next you grab your camera in one hand, and my hand in the other, dragging me back out the door, already clicking fast the shutter.
But it's night! So what? It's the city, there's light.
So you keep right on clicking and posing and grasping at figments, air where you think you might best find a shot, that would hold me to you on the screen later on.
You keep clicking and clicking, till I finally get tired. Then you, sensing me, make up for my sudden lack of enthuse, and drag me further to a club strobing with lights.
We dance there for hours, till the club's shutting down, catch a yellow-topped cab, rumbling and slow. You hang up your camera, I hang up my coat.
Time for a movie and popcorn, hot chocolate in bed. I'll fall asleep, wrapped in comforter, my pillow still breathing. You might wake me up, after the movie is finished, just in time for a few pre-dawn kisses.
A few hours sleep, my head tucked under your chin. Dreaming separate dreams, together.
Our limp-tangled limbs greet the shade-prying strips of sunlight with unconscious aplomb.
K May 2013
In the Beginning, you were given:

Two eyes - to see the universe
Two ears - to hear the TARDIS song
Two feet - to dance among the stars
Two hands - to bring your friends along
Two lips - to speak in tongues so sweet
Two hearts - to love all you meet

Then you grew old, and these are what you have:

Two eyes - that can see naught but hate
Two ears - that ring with screams of fear
Two feet - that flee the Storm innate
Two hands - drenched with blood and tears
Two lips - that taste of ash and smoke
Two hearts - mangled, shredded, broke

Then you met a girl who saved you -
and these are all the things she gave you:

Two eyes - to see again the light
Two ears - to hear her laugh and rave
Two feet - to dance with her all night
Two hands - to hold and keep her safe
Two lips - to speak of life again
Two hearts - to trust once more in men

Then she was gone, and this is what is left:

Two eyes - like ice that burn with pain
Two ears - that ache to hear her speak
Two feet - that run as if they're lame
Two hands - that can't touch what they seek
Two lips - again taste only ash
Two hearts - again like shattered glass

You gain a friend, you lose a friend,
Over and over, and in the end:

Eyes
(How often were they renewed? How many times did the blackness recede and return?)
- too tired of the strobing dark and light -

Ears
(How often did screams overwhelm laughter? How many times did you lose a precious voice?)
- almost deaf to cries of delight -

Feet
(How many miles have you run? How often did you flee the disasters you have caused?)
- blistered, bloodied, endless flight -

Hands
(How many did you hold, then cast away? How many did you condemn rather than forgive?)
- merciless in the unending fight -

Lips
(How many names did you speak into life? How many more did you speak into death?)
- speaking words that will never heal the blight -

Hearts
(How often did you break? How many pieces did you leave scattered through time and space?)
- shattered -
(Was there ever a time when they were whole?)
- broken -
(It's been so long)
- torn -
(I can't remember)
- shredded -
(Did I perhaps start out with one?)
- and never made right -

Hearts
Do I have two or four or ten
after breaking again and again?
T R S Apr 2018
Lately I've alienated the amicable bit of my being.
It's like looking, like seeing through shriveled shades.
I've abraded my non-brooding gregarious being.
I've leaned on pretension and obscene half-hearted concession.
It's a lesson I'm learning that's burning holes in my midnight blanket.
I thank god I can say I don't die everyday.
That I say that I pray that I'm thankful.
PK Wakefield Dec 2010
scream absolute violet
the vehement throat of night
blisters insanity
                               and some little reds
what talk like death
      wriggling skulls
full of strobing darkness   &

              angry blood

scarleted in superficial heat
                                                      a thrombosis
aligned rickety knees knocking
      weak lipped fire
                                   ,        at sonorous clouds waspish dint
resting aggressively supine starlight
  in crusts of vibrant tears
   spotting ardently the quavering note of black

— The End —