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xmxrgxncy Sep 2015
Sitting home alone in my striped socks
Swinging my feet back and forth above my bedroom floor
There’s no one but me and my striped socks
Looking down over my bedroom floor.

Mommy died, Daddy went away,
Don’t have any friends that want to play
So I think I’ll build my very own castle today
In the middle of my bedroom floor.

It’s only me and my striped socks
Stacking pillows on my bedroom floor
I’ve found a friend for me in my striped socks
And our playground is my bedroom floor.

Lights out, flashlight on
We’ll keep playing till the break of dawn
Till all the last rays of sunlight are gone
In the windows shining over my bedroom floor.

I became royalty with my striped socks
Built a kingdom on my bedroom floor
Addressed all my subjects and my striped socks
In the dark on my bedroom floor.

So if you ever chance to open my bedroom door,
This is what you’ll find:
A fairy queen in glory on her courtroom floor,
Remembered in no one’s mind.

*She was left alone on the cold asylum floor,
With her striped socks on and far from fine.
Taylor Marion Feb 2012
Red tailed fox striped jewelry box,
but these jewels shine of coal.
I keep trying to feel,
but I got no hope
in my heart
or in my soul.

Red tailed fox striped jewelry box,
you sit next to the bearded elf.
Third from the right, seventh shelf.
I carry you around like a babydoll.
Ragged dress with a hooded eye;
you reek of destruction,
but like a prized possession
I'll carry you to my grave when I die.

Red tailed fox striped jewelry box,
may you spare me one key?
I beg of you to open up,
Please, please, please!
Shed some light for me.
Golden
Grown
Sewn
and
Shown.
That's how our hearts seem out to be.
Dripping wild, red cries of kerosine.
Their voice sounds of dusty rust
when they sing.
Tripping over the finish line
their broken back
CRACK
CRACK
CRACK
cracking.

Red tailed fox striped jewelry box,
but like a door
this box holds much more.
Much more than a box has held before.
The secrets that lie
rest behind
dark, evil crescent moons
like the sun reaching an eclipse.
Typhoon lips.
Untouchable kiss.
Half of a whole.
Red tailed fox striped jewelry box
shines of nothing
but a bunch of coal.
Frank Cotolo Dec 2013
Yellow striped apron
drapes her flesh
as the meat sizzles in the pan
My senses huddle
the view from behind
more appetizing a meal

Yellow striped apron
is a nightgown
made in Spain
in the heat of the afternoon
making siesta impossible
if she is the cook

Oh Jesus I drool
I thirst I crave
I want I yearn
for
the ingredients behind
Yellow striped apron
Jackie Mead Apr 2018
Between me and you, the day the Monkeys went wild in the Zoo,
was the best day I can remember, let me recall what I saw, at the Zoo on my birthday when I had just turned Two.

My Mum and Dad had taken me for the day, I sat in my pram with the perfect view, for a small person who had just turned Two.

Then came a loud high pitch shriek, from the cage that the three striped Night Monkey lived within.

The Zoo went very quiet, as my Mum would say, you could hear someone drop a pin.

The three striped Night Monkey would sleep all day, come out at night, woke up with a sudden fright.

He began to shriek and began to call, then he rolled over and bashed the cage, he was suddenly in a terrible rage.

His shriek woke up others too, that would normally sleep by day, a Bat-eared Fox, Bandicoot and Badger all woke up about the same time as each other.

The Monkeys in the next cage in sympathy with their kind picked up their food dishes and banged their bars, they weren’t going to be left behind.

I started to laugh at the Monkeys in the Zoo, it all seemed very funny to a small person who was only just Two.

From what I remember of that day the Gorillas chimed in next, they picked the fruit up off the floor and started throwing it at people stood by their door.

The Gorillas too banged their chest and let out a loud roar, as if to say, three striped Night Monkey it’s okay, we’ve got you today.

I ducked my head as a banana flew by and nearly caught my Dad in the eye, he didn’t think it was quite as funny as I, I spat out my dummy and began to shout, “come on Monkeys what’s it all about”.

The Orangutan woke from his very deep sleep, in the middle of the day, he was older than the rest and liked a nap from time to time, to keep sprightly and sound of mind.

He rose up from the floor, standing seven-foot-tall, made his chest twenty feet wide, banged with his very huge paws and shouted with a very loud roarrrrrr
“alright everyone what’s the fuss, why have I been woken up from my mid-day nap, what’s the problem, what’s the mishap?”

The Gorilla turned to the Chimpanzee, shrugged his shoulder as if to say, “any idea what’s happening today?”

The Chimpanzee had no reply, turned to the Bandicoot, Badger and Bat-eared Fox, as if to say “I haven’t got a clue what’s happened here, what about you the Fox with Bat-Ears?”

The Badger, Bandicoot and Bat-eared Foxed all turned to the three striped Night Monkey and said, “what’s up Night Monkey, why the rage, why did you start bashing your cage?”

“mmmm,” said the Night Monkey slightly embarrassed, “it’s not like I was being harassed, it’s just I don’t like spiders and one was hanging from the ceiling, I woke up with a dreadful feeling, that it was going to fall – that’s why I started to call”

I began to laugh even more “fancy a Monkey being scared of a spider, I’m much younger and I’m not scared of a tiny creature”.

My Mum and Dad saw the funny side too and began to laugh at the antics of the Monkeys in the Zoo.

The Orangutan was feeling happier he could now go back to his nap and the three striped Night Monkey he did say, “he would try to be more considerate of smaller creatures, as long as they didn’t try to nest in his handsome features”.

The Zoo began to return to normal and people went on their way.
I will always treasure, and it will always remain, the best day ever, the day the Monkeys went wild in the Zoo.
as i write this i am reminded of a time a gorilla threw a banana out the bars at me, one visit.
let's make
a tiny little place
a quiet shady spot
under a
striped umbrella
for you and me
to watch
the world go by
Mitchell Sep 2013
The retainer where she was put
Was made of concrete. My father told me they had
Dug the grave first, then poured the concrete in, waited for
It to dry and harden, then hammered in six
Circular spikes in the four corners, two on either side
Of the middle. They lifted the concrete cast out with a crane.
My dad was going to be charged 300 dollars a day for the rental,
But because of the circumstances, Home Depot let us have it for free.

-

Where was she?
Where had she gone?
Would I see her face again?
Would she want me to
Meet her on the other side of the river?

-

I answered my cell phone.

"Make sure to bring flower's."
She had been crying. Her voice wavered the way sun light
Does on moving water.

"Make sure to bring flowers," she repeated, "And
That you wear what your father and I bought you."

I nodded my head with the receiver pressed up against my ear.
We both let out a sigh. My mom hung up. I put my phone in my back pocket.

-

Lately, I had been seeing a shrink about repetition. He liked to use the word cycle.

"Everything is repeated," I would tell him.

"Life is a cycle," he'd disagree so to get me talking.

"Can cycles be identical?"

"Technically not. Some cycles are extremely similar, but no two cycles are
Completely the same. Are two people's lives ever exactly the same?"

"I wouldn't know. I don't know that many people. Maybe."

"You know lots of people, Camden. You have told me about many of your friends."

"Are we talking about the seasons?" I asked, changing the subject, "Like fall, winter, spring, summer? We are born, we live, we die, and we are born again?"

"That's a very natural way of looking at it."

"I know it is." I inhaled deeply, swallowing air and wondered what time it was.

"If you are so sure, why look for validation from me?" He liked this one, I could
tell. I imagined him shopping for clothes and then exploding in aisle 16 because of a sale on jeans.

"The word cycle is used by people too afraid to use the word repetition. Everything is
Repeated for the next generation, the next group, the next of the next of the next. We shift things
Around, give things to one another to shift life to make it look different, but, things remain the same. Everything contains the primal function we were all doing and living from the very beginning, only now, there is more of a separation. Music is still music, words are still words, paintings are still paintings, love is still love, death is still death, only done differently and more intensely."

"We are talking about man furthering technology because we, as people and creatures, are
Statistically more prone to flee than fight?"

"Why do you think it has caught on so quick?" I touched both
Corners of my lips with my tongue and suddenly realized I hadn't eaten breakfast.

"It is a theory," the psych nodded, "A theory with, I am sure, many
Palpable facts you could make a very nice report with to prove...something." He
Was at a lost for words and I felt guilty that my mom was paying him $75 an hour.

"We are very split. There are too many of us. Too many hands spinning the china."

"Who is we Harry?" The psych hadn't looked up from his pen and pad of paper, until now. I could
Tell he was annoyed with me either because he was making no progress or because the session
Had just begun and I was already digging into him.

"Culture. The government. You, me, my dad, my mom, the taco bell cashier, the geniuses at Apple computers, a paper weight, my dead sister. We're all apart of these shifts, all putting in a certain amount of energy and lies to keep the protection of the projection going. The question I keep asking myself is: do I want to use my strengths to be apart of this cycle or not?"

His eyes flared open for a moment like he'd swallowed a firefly, not at the question I had posed for myself, but from what I would soon see was from the mention of my sister. He had something.

"I was notified by your mother that you may not want to talk about your recently deceased sister. Is It O.K. if I ask you some questions about her?"

I was leaning forward on the couch with my hands clasped in between my legs. The psych had looked up at me now. He was sweating at the top of his thin hairline. Observing that I was staring at his building perspiration, he, trying to be nonchalant, took out a thin, white napkin from his grey shirt pocket and dabbed the top of his head. The napkin looked like cheap toilet paper. I'd have offered him some water, but I had no water to give and I didn't know where the sink and cups were to give him any. I figured he did - it was his office - so I asked him for some. He pointed me in the direction of the bathroom. I got up and found a stack of paper cups. I poured myself a cup and went back to the couch, but instead of leaning forward, I sat back, relaxed, and let the expensive leather couch take the weight I had been carrying away.

"So," the psych maintained cooly, "Would it be alright if we were able to discuss your sister?"

I lifted the paper cup over my head and the psych's eyes, after I poured the water over my hair, my face, and clothes, was a mixture of what my mom's eyes looked at the funeral, defeated, confused, and with a loss of faith and hope. My father's eyes had only held hate, anger and the need to lash out at someone, but the only someone that would have fit the bill would have been God.

"Sure," I answered, "Let's talk about my sister."

-

I finished drying myself in the car. The psych had let me keep the towel.
I leaned out the window to look at myself in the side mirror. I looked fine.
Presentable. Accountable. Like I had been through something where I had
Faced my soul. Like I had used and abused my emotions. There was comb in my glove compartment, so I took it out and rushed it through my damp hair. Slicked back. The sun
Was out, no clouds, burning up the inside of my car. That taste that comes after
Finishing something that's supposed to do you good didn't come. I was left with an unsure hand.
Putting my keys in the ignition, I turned them, and felt the engine rumble in front of my legs.
The sun sat in the sky like a lazy hand and I had nowhere else to go but home.

-

"Let's go to the river today," my dad said over coffee and two over easy eggs on top
Of burnt wheat toast. "I'll drive and you and your sister can sit in the back and sing."

I looked over at Ally. She was gazing into her fruit bowl she had prepared for
herself because dad didn't understand the concept or how to make it. The lamp light above us
reflected in the smooth apricot yogurt and the flecks of granola scattered on top
looked like beige, jagged rocks. My dad's offer hung in the air and neither
of us bit the lure. I had just woken up and was unable to speak clearly, a decent
excuse. Ally was simply choosing to ignore him.

"What you think there Ally?" I asked her. I sipped my coffee. It needed more cream. I got
U, got it and brought the carton to the table.

"We can take the truck down there and load the back with the fishing poles and tackle
And inner tubes. We haven't...done that...in a long time," he said, chewing his food as he spoke.

Ally poked her fruit bowl with her spoon, silent.

"What you think, Cam?" My dad was desperate. He knew I'd say yes.

"Sure. I've got no plans this weekend."

"No schoolwork?"

"It can wait till Sunday. Only math and some reading."

"Ally, what do you think?" my dad asked, leaning over to her. I could see he was
Trying to be as courteous and gentle with her as he knew how to. I felt bad for him.

"Sure," she muttered, "That sounds like fun." I could barely hear her, but somehow,
I could tell she sounded happy.

"Perfect," my dad smiled, "We'll pack the car up Friday,
Drive up Saturday morning early, camp one night, then get back Sunday afternoon." He
Took a long sip of his coffee and swished it around in his mouth, then dug
His fork into the dry toast and ran his small steak knife over the eggs. A silent pop came from
The egg and the light orange yolk spilled out. "Perfect," he repeated, "Just great."

Ally poked a grape from her fruit bowl and dipped it into the yogurt.
I took another sip of my coffee and looked up into the fan, spinning above us.
We were going to the river.

-

"Your sister turns five today," my mom told me, "And that means
I want you to be on your best behavior."

I nodded, unsure what the point of a birthday was. I had had one before, or at
least I thought I did, and all I remembered was that I got presents and the colorful balloons
and the cake we all ate with fire kind of floating and burning above it. Somewhere
in that moment I remember thinking that the cake was going to catch on fire, then they, everyone,
some that I knew and some people I had never seen before, yelled and shouted to
blow the fire out, so I quickly did, but not because it was for a wish, which I later found out it was supposed to be for, but because I truly thought the cake was going to catch fire and they wanted me to take care of it. At that point, I was unsure what it meant to be alive or why to celebrate it all.

"This is her day, Camden," my father told me, "So I want you to be happy for your sister."

"I am," I said. I was wearing my favorite white and blue striped t-shirt and
New shoes that my mom had bought me for the party.

"Sometimes you have to think of other people," my mother continued, "And today is one
of those days. I don't want any crying because you didn't get any presents or that none of your
friends are at the party. There are going to be a lot of Ally's friends there, but not many
of your's...do you understand?"

"Yes, Mom."

"Do you understand, Cam?" My father repeated. His skin was the color of a burnt
pancake and he smelt like stale sugar and sun tan lotion. He was in front of me and was
holding a thin magazine with a man in a boat holding up a fish on a line on the cover.  

"Yes, Dad," I said again. I was hungry. I wanted mac n' cheese, my favorite food.

I had been on the floor, laying on my stomach watching Ren and Stimpy. They were standing in front of the television and I remember trying to wish them out of the way. Behind them were two, large bay windows where three palm trees stood in a row like tropical soldiers. I could see there was no wind because the three of them stood still, as if posing for someone. Their leaves were bright green, a mixture of the neon green Jello I used to love to eat and the orange Jolly Rancher my dad would always have in a tiny tray in the middle of the dining table. My mother hated having them there because it always tempted Ally and I, but he never moved it until he moved out.

"Do you like your show?" my mom asked, turning to see what I was watching.

I nodded, absently. Ren was licking Stimpy's eye because he was complaining about having
an eyelash in there. Stimpy was completely still and smiling like he does - dumb and content.

"Interesting..." my mother trailed off. She walked to the kitchen behind the couch and
Opened up the pantry for something. "You hungry, Camden?"

"I'm starving," my dad said, "Let me go check on Ally in the bedroom. She should be up
from her nap."

I got up from my stomach and sat back on my legs, "Do we have mac n' cheese?" I asked.

"Let me check."

She reached up for the cabinet over the stove where I could never reach and
Opened it. I rose slightly up from where I was sitting to see if I could see the glorious dark blue and orange package, but wasn't able to see over couch. I hovered there, still like a humming bird.

"You're in luck," I heard her say, "We've got one box left."

"Yay!" I screamed and got up, running into the kitchen.

"But," she smiled, stopping me, "You'll have to share it with your sister."

"No! I don't want to! I always have to share."

"What did we just talk about Camden?" she said, lightly stamping her foot.

I tried to remember, but couldn't. I shrugged.

"You need to learn to share, Camden. You also need to listen better when your father and I are talking to you. You and your sister are going to know each other a very long time and I want you to learn how to share now, so you two can be happy in the future."

"The future," I asked, "What's that?"

She paused, then said, "It's a time," she paused again, "Ahead of us."

"Do we know where it is?"

"Not exactly," she sighed.

"What's it look like?"

"No one really knows. People can only imagine it."

"Is it very far away?"

She opened the top of the blue and orange mac n' cheese box and poured the dry macaroni into a large silver ***, lifted the faucet, and let it run inside for five or seven seconds. She placed the *** on an unlit burner and turned to look at me. Her eyes looked far away and right there with me.  

"Closer then you think," she said and turned the burner on.

-

I turned into the taco bell parking lot. There was something I was trying to remember that was in my trunk, but I couldn't recall the picture. A haze blew over the windshield that was a mix of heat and wind; I wished to be somewhere else, someone else, someplace else, but, there I was, sitting there underneath the sun, like everyone else. If I was able, I would have unlocked the door to my car and opened the door and walked out - but - there was something else lingering underneath my fingernails, something I couldn't name.

"Two tacos," I said into my hand, "And a water."

"Pull to the window," the voice buzzed over the muffled speaker.

"Yes," I said through my split fingers.

In front of me, over a patch of clean cut green grass and a yellow, red, and orange Taco Bell signature sign, was a fresh gas station with a willow tree *** near the front entrance. He had a sign that hung around his neck that read Juice Please - Very Thirsty. How I knew this was because I had seen it every time I had been asked to fill up my dad's car every other Sunday. I had never given the tree a dollar, yet, I felt that I owed him something. I tried to pull up to the window, but my clutch was grinding and a cloud slunk overhead. I was tired and only wanted to eat.

"That'll be a two twenty-five," the voice said through the thick, clear glass.

"Yes," I said to myself, digging into my wallet for three dollars.

I ****** the three onto the thick plastic platform. A quick sweeping plastic brush pushed the bills toward the asker, and the bills were gone. I had no food. I had nothing. My money was gone and all I had was a gurgling car in front of me and an empty front seat beside me. A pair of clouds waded by my front shield window. A shadow drew itself out in front of me like a **** model. A beep. Sudden and behind me. There was sound. I looked over my shoulder and a black  2013 Cadillac was sitting there, windshield tinted grey, the driver a shadow. I was unsure what to do...so I pulled forward six inches, hoping the offer would be enough. I wasn't in the best neighborhood.

The window to the left of me slid open. An arm erupted forward with a plastic bag,
"75 cents is your change."

The hand dropped three quarters next to the plastic bag. I grabbed the bag with the two tacos and three quarters and quickly wound up my window. The face in front of me was a dangerous blur: smiling, frowning, not caring either way what happened to me next. The hands had gobbled up the three dollars and I was happy to see it go. Who needed money? I tossed the plastic bag onto the passenger seat and sped off two blocks for my grandma's house. Salvation. The holy land. A place with free hot sauce and two dog's that were stolen without paper's. Eden.

-

"What are you learning right now?" I asked Ally.

She hesitated, then said, "Something to do with science." She paused," Lot's to do with rock's."

"Rocks?" I stammered, not remembering a time when I learned about rocks in school, "What kind of rocks?"

"I don't know," she grinned, looking up at me, "All kinds."

I laughed and kicked a stone into the river. The sun was out and reflected on the water like an unpolished diamond. We had grown up a quarter mile away, but still, it felt foreign to us.

"I like it. There's some things you could see that you would never think to read about it in books."

I had read plenty off books. Most, I took little from, but Ally, I could see, had taken plenty.

"What are you doing in school?" Ally asked me.

"What do you mean?" I
Cassie Aug 2013
i can't see **** when my fat black glasses slide down my
pale freckle kissed nose so i
squint my little blue eyes
the gold glows and i let one side of my face go
it rushes into a smile
arms wrapped around me
I'm whole
I know I'm what your future holds
and that holds me back from enjoying
who i am
what makes me tick
it's all so "dangerous"
has staying away from hallucinogens and the like
been my decision or my compliance with my
striped sweater
because the best time to wear you is all the time
wound up in you now i feel i'm in a bind
you hang past my exceptionally large ******* imitating folds of fat
burned off with a cool breath of menthol
by ****** fingers the flame lit
maybe i want to be seen
in your eyes
that is sin
i want someone to
illuminate me
because you're rubbing the color off of my wings
unknowingly
my tips singed
and I'd hate to tell you you're grasping too tightly
but I'd probably fly towards the light anyway, right?
I suppose I'll find solace in tapping at my case of preserved butterfly remains
laying on the bare hardwood floor in my baggy striped sweater, knees pulled close
Dani Dec 2012
We have the slow and stumbling walk of a desperately unified group,
handicapped by our own disjointed versions of reality.
Each with unbelievable wonder,
each with uneven gait.
It smells of smoke - all the colors.
Also trees and whiskey and freshly chlorinated hair.

There's a praying mantis in front of me. He's a big one.
A boy my age stands below,
controlling the methodical movements of the insect sage.
They reach and bow and pray and walk in a circle with a unique unity.
The giant mantis looks at me and I run.

I only realize how quiet it is in this behind-the-fence-world when I hear those distinctly friendly giggles.
I'm pointed by these giggling fingers in the direction of perfect clown love.
Two painted faces dripping devotion from their exaggerated eyes.
Two pairs of suspenders over the violence of two hearts.
Four gloved hands with no limits.
And one striped leg under one striped leg through one striped leg over one striped leg.
Lyra Brown Mar 2013
i was wearing a black and white
striped dress
one said i looked like beetlejuice
some said I looked like a mime
some said I reminded them of a prisoner
others said I looked like a barcode

i was all of those things
and none of those things
all
at
once
Chelsea Aug 2017
A forest-green & tan striped couch, littered with burn holes from forgotten cigarettes, serves as foreshadowing of what lies ahead for the forgotten flower lying upon it.

She curls up on this couch, as it's the best view to admire mom from across the room, mesmerized as she magically transforms eyelashes into feathers with the swipe of a wand.

Ignorant and innocent, she patiently awaits for her time to bloom; yearns for her petals to unfurl like mom's.
Flawless Perfection.

But gradually, mom's smokey cat eyes became dark shadows of hollow sunken ships, and bright rosy skin faded to washed-out colors, like those of the green-striped couch, stripped by sunlight year after year.

Now,
mom buried the bones of the delicate structure she built from inside her womb, and decades later her daughter's dismantled skeleton is nothing but scattered ruins of an abandoned sunken city, polluted by the rotten flesh of unwanted fruit; a weak foundation destined to be crumbled relics of an ancient past.

Never once did Mom leave flowers at the grave that she dug.

I imagine the sweetest sounds to a brand-new mother are the screams and wails of her newborn child, reassurance that it's vibrant life lights up the room as blindingly as the birth of a newborn star, a commanding presence louder than that star's explosive death.

On the contrary, the sweetest sound to her mother was the silence when she muffled the screams; from underwater, you cannot hear screams for help, or much of anything at all. 

Mom's solace was the peace felt when muddy water filled her lungs, the darkness found from deep within a drug-induced sleep, where you cannot hear a child weep.

I had mentioned the young girl always wanted to be like her mom. Like mother like daughter, all grown up, I tried ****** for the first time. I held true to mom every time the rush of warm blood filled the syringe, visual evidence that the blood was thicker than the bond mom and I shared.

Usually when a person's life is ruined by a parent's addiction they will stay an ocean's length away from drugs - but I am a curious cat, ignoring the fact that I do not have 9 lives, and so I welcomed this substance into my veins, into my brain.

The brown lady would wrap me up in her arms each night, then gently dip me in the familiar flame of a fire's flickering tongue. She became the only company that could never overstay its welcome.

And so, for a time I became my mother: "Flawless Perfection." I will admit, ****** is one hell of a drug, but STILL, I cannot see...how could ****** steal my mother's love?
Felipe Thomas May 2014
he was standing on the curb
a bearded man with a wool cardigan
a striped one, made for the winter
by strange hands and thrown away for him
to find it between pizza boxes in an alley.
now I know he was a beggar, but
at that time, when I was four,
he looked like a funny old man;
he blew the smoke from his cigarrette in the night air
and he glanced at me
as my family got inside the ice cream shop -
where the ice cream people are, you know.
I had fruit salad in a goblet
and laughed at my father's silly panama hat
and imagined what I'd be when I grew old.
my mother offered me her hand and we went to the car;
I kneeled in the backseat, staring through the rear view window
I saw the alluring lights of the city
and the leather-dressed people standing in front of bars
and the funny old man lying in a pool of tomato juice
in the same curb I saw him just before;
my sister yelled something I don't remember
and started crying as my father called the police.
I sat on the backseat covering my eyes with my hands
and hoped that those deafening sounds would stop
and felt so awkward and so thoughtful
for not understanding that completely.

today, I think about the funny old man
dressed in striped clothes lying in that curb
and realise that that was not tomato juice,
but the key to the understanding of my mind,
the only thing that could make a four-yeard-old kid
wonder about the death, simple as it is,
and about the things that made someone
stick a knife in a beggar's belly.
I've got a notebook filled with ideas for tales and poems concerning some girls I've been in love with, meaningful nonsense dreams I've had and some random thoughts that wander through my mind, most of which have no sense or meaning at all. One of these random thoughts was about a striped man. I remember when I wrote it in the back of a piece of paper used to organize the subjects I had to study, and it had no apparent reason to be written. I simply wrote it.

Yesterday, I was reading some texts I wrote and laughing at my silly poems when I found a little list of disconnected ideas, whose most curious one was that saying "the striped man", wrote using my father's old inkstand. I thought about it and found nothing at all, so I just kept reading other things. Later, when I went to bed, I had a misterious dream about the situation the poem portrays. When I called my mother this morning, she said this actually happened and told me the whole story.

The beggar was an old man, seventy something years old, and lived in the streets of the town where I live since I've been born. On that night, he was stabbed to death in the belly by some strange wanderer who was never found. Who would say my unconscious could surprise me this much?
ice
Cold, blue, wet, fragile, brittle, hard, steam solidified, water hardened, anger, fear, white, tensile,

steam solidified,
water hardened; you lie
in her wintered veins.

why?

"If she's awake, I'll **** you."
staccato words spoken
like a knife blade thrown...
...with malice and intent.

Her father's voice
from the bedroom next door
no sound of her mother.

The female child cowered
under her candy-striped sheets
their usual soft comfort
unnoticed

footsteps
door handle moving
light seeping into her sanctuary

her heart thudded
trying to escape her chest
as she held her breath.

"Please, please don't hear me."
a silent plea as
fear snatched her in its icy grip.

She could smell him
smell the cigarettes
smell his power.

She waited.

He backed out
returned to her mother
between her heartbeats
she heard the slap

"You are lucky this time,
*****. She sleeps."
Heavy footsteps down the stairs
punctuated by her mother's tears.

                            ~~~~~~~~~~~

The girl child had only ever blamed her mother
decades of anger and bitterness
the memory of this night buried deep.
Crazed hard ice beneath the tundra of her life.

In the third decade of the girl child's life
her mother died
alone
never forgiven for what she hadn't done
nor for what she had.

The ice remained in the girl child's veins
If anything, thicker...harder.

Then in her fifth decade this ice became water
as with the passage of life the tundra thawed
and rising with it to the surface
the truth.

Then what?

The girl child worked hard at staying warm
at keeping the ice at bay.
Not easy.

Nothing was ever said to her father.

In her sixth decade the girl child's father died
embraced in his daughter's arms
forgiven for what he had done
and for what he hadn't.

The woman had finally thawed
she was properly warm
her own love
finally able to flow
samasati Oct 2013
big sweaters, ghibli, acrylic paint, cafes, knit blankets and unplanned afternoon naps on the couch, gardens, bananas, vanilla almond milk, soft yarn to crochet into ****** scarves, candles after midnight, the big trees with bulky roots, patio furniture, pianos in random buildings, the internet, manatees, the boundless colours of nail polish, peanut butter & honey, rubber boots, pens that write well, fresh new notebooks, skylights, american netflix, mothers that understand, tête à têtes, one glass of sweet white wine, awkward eye contact that turns into comfortable kissing, airplanes, fresh air, baseball caps, the female collective, the really good dark chocolate, flowers, pumpkin spice lattes and ***** chai lattes, candid laughter, yoga, oceans, high waisted shorts, striped t-shirts, docile cats, playful pups, french presses, integrity, sunscreen, meerkats, penguins, chameleons, autumn leaves, fall fashion, ruby woo mac lipstick, osho, dynamic meditation, compassion, siblings, scrambled eggs, smart phones, garageband, metronomes, hot glue guns, quinoa, ferry boats, soft hands, bicycles, real people, fat snowflakes in ample, graceful *******, backpacks that don't hurt your shoulders, hair conditioner, multi-vitamins, soft sand under bare feet, people that own up to lies, clarity, samsara, satori, samasati, visions, echinacea, lavender oil and frankincense, ambrosia apples and ripe avocados, authenticity, Morgan Freeman's voice, good kissers, *******, iced tea on a hot day, curtains, the smell of beeswax, art galleries, hand massages and foot massages, reiki, plums, mild thunderstorms, soccer *****, good surprises, when birds don't **** on your head.
I wrote this with my momma one fine morning!
there is always so much more to add.
Karen Alexander Oct 2009
There’s no other choice but to wear them,
The drawer offered nothing but these.
An odd pair of socks might be quirky,
Odd sizes don’t normally please.

The one at my ankle was spotted,
The other was striped to the knee
The latter two sizes the smaller,
The former quite large by degree.

This mismatch I thought to keep secret
And cover the dissonant pair.
I chose from the wardrobe some trousers
And shoes, with considerable care.

My ruse would conceal the divergence
From prescribed social standards of dress
And none would be any the wiser
My discomfort I’d have to suppress.

Now, it’s harder to mask discomposure
When physical pain has attacked.
The small sock had cramped my toes tightly
That blood didn’t flow, was a fact.

My colleagues regarded me strangely
For they could see nothing amiss
But I could feel cold perspiration,
Anxiety I couldn’t dismiss.

It was then that I felt a strange itching,
The striped sock began to descend
And round my right ankle it wrinkled
And bulged at the trouser leg end.

Dismayed at my great consternation
But clueless to what was awry
My friends made comforting gestures
Need of which I could only deny.

The moral of this story’s transparent
Socks are always best worn as a pair
Their nature is in the relationship
Which provides a well-balanced air.

And take the trouble to remember
Be congruent in all that you do
For disparity will often bring discord
And that path, you’ll certainly rue.
Muse of my native land! loftiest Muse!
O first-born on the mountains! by the hues
Of heaven on the spiritual air begot:
Long didst thou sit alone in northern grot,
While yet our England was a wolfish den;
Before our forests heard the talk of men;
Before the first of Druids was a child;--
Long didst thou sit amid our regions wild
Rapt in a deep prophetic solitude.
There came an eastern voice of solemn mood:--
Yet wast thou patient. Then sang forth the Nine,
Apollo's garland:--yet didst thou divine
Such home-bred glory, that they cry'd in vain,
"Come hither, Sister of the Island!" Plain
Spake fair Ausonia; and once more she spake
A higher summons:--still didst thou betake
Thee to thy native hopes. O thou hast won
A full accomplishment! The thing is done,
Which undone, these our latter days had risen
On barren souls. Great Muse, thou know'st what prison
Of flesh and bone, curbs, and confines, and frets
Our spirit's wings: despondency besets
Our pillows; and the fresh to-morrow morn
Seems to give forth its light in very scorn
Of our dull, uninspired, snail-paced lives.
Long have I said, how happy he who shrives
To thee! But then I thought on poets gone,
And could not pray:--nor can I now--so on
I move to the end in lowliness of heart.----

  "Ah, woe is me! that I should fondly part
From my dear native land! Ah, foolish maid!
Glad was the hour, when, with thee, myriads bade
Adieu to Ganges and their pleasant fields!
To one so friendless the clear freshet yields
A bitter coolness, the ripe grape is sour:
Yet I would have, great gods! but one short hour
Of native air--let me but die at home."

  Endymion to heaven's airy dome
Was offering up a hecatomb of vows,
When these words reach'd him. Whereupon he bows
His head through thorny-green entanglement
Of underwood, and to the sound is bent,
Anxious as hind towards her hidden fawn.

  "Is no one near to help me? No fair dawn
Of life from charitable voice? No sweet saying
To set my dull and sadden'd spirit playing?
No hand to toy with mine? No lips so sweet
That I may worship them? No eyelids meet
To twinkle on my *****? No one dies
Before me, till from these enslaving eyes
Redemption sparkles!--I am sad and lost."

  Thou, Carian lord, hadst better have been tost
Into a whirlpool. Vanish into air,
Warm mountaineer! for canst thou only bear
A woman's sigh alone and in distress?
See not her charms! Is Phoebe passionless?
Phoebe is fairer far--O gaze no more:--
Yet if thou wilt behold all beauty's store,
Behold her panting in the forest grass!
Do not those curls of glossy jet surpass
For tenderness the arms so idly lain
Amongst them? Feelest not a kindred pain,
To see such lovely eyes in swimming search
After some warm delight, that seems to perch
Dovelike in the dim cell lying beyond
Their upper lids?--Hist!             "O for Hermes' wand
To touch this flower into human shape!
That woodland Hyacinthus could escape
From his green prison, and here kneeling down
Call me his queen, his second life's fair crown!
Ah me, how I could love!--My soul doth melt
For the unhappy youth--Love! I have felt
So faint a kindness, such a meek surrender
To what my own full thoughts had made too tender,
That but for tears my life had fled away!--
Ye deaf and senseless minutes of the day,
And thou, old forest, hold ye this for true,
There is no lightning, no authentic dew
But in the eye of love: there's not a sound,
Melodious howsoever, can confound
The heavens and earth in one to such a death
As doth the voice of love: there's not a breath
Will mingle kindly with the meadow air,
Till it has panted round, and stolen a share
Of passion from the heart!"--

                              Upon a bough
He leant, wretched. He surely cannot now
Thirst for another love: O impious,
That he can even dream upon it thus!--
Thought he, "Why am I not as are the dead,
Since to a woe like this I have been led
Through the dark earth, and through the wondrous sea?
Goddess! I love thee not the less: from thee
By Juno's smile I turn not--no, no, no--
While the great waters are at ebb and flow.--
I have a triple soul! O fond pretence--
For both, for both my love is so immense,
I feel my heart is cut in twain for them."

  And so he groan'd, as one by beauty slain.
The lady's heart beat quick, and he could see
Her gentle ***** heave tumultuously.
He sprang from his green covert: there she lay,
Sweet as a muskrose upon new-made hay;
With all her limbs on tremble, and her eyes
Shut softly up alive. To speak he tries.
"Fair damsel, pity me! forgive that I
Thus violate thy bower's sanctity!
O pardon me, for I am full of grief--
Grief born of thee, young angel! fairest thief!
Who stolen hast away the wings wherewith
I was to top the heavens. Dear maid, sith
Thou art my executioner, and I feel
Loving and hatred, misery and weal,
Will in a few short hours be nothing to me,
And all my story that much passion slew me;
Do smile upon the evening of my days:
And, for my tortur'd brain begins to craze,
Be thou my nurse; and let me understand
How dying I shall kiss that lily hand.--
Dost weep for me? Then should I be content.
Scowl on, ye fates! until the firmament
Outblackens Erebus, and the full-cavern'd earth
Crumbles into itself. By the cloud girth
Of Jove, those tears have given me a thirst
To meet oblivion."--As her heart would burst
The maiden sobb'd awhile, and then replied:
"Why must such desolation betide
As that thou speakest of? Are not these green nooks
Empty of all misfortune? Do the brooks
Utter a gorgon voice? Does yonder thrush,
Schooling its half-fledg'd little ones to brush
About the dewy forest, whisper tales?--
Speak not of grief, young stranger, or cold snails
Will slime the rose to night. Though if thou wilt,
Methinks 'twould be a guilt--a very guilt--
Not to companion thee, and sigh away
The light--the dusk--the dark--till break of day!"
"Dear lady," said Endymion, "'tis past:
I love thee! and my days can never last.
That I may pass in patience still speak:
Let me have music dying, and I seek
No more delight--I bid adieu to all.
Didst thou not after other climates call,
And murmur about Indian streams?"--Then she,
Sitting beneath the midmost forest tree,
For pity sang this roundelay------

          "O Sorrow,
          Why dost borrow
The natural hue of health, from vermeil lips?--
          To give maiden blushes
          To the white rose bushes?
Or is it thy dewy hand the daisy tips?

          "O Sorrow,
          Why dost borrow
The lustrous passion from a falcon-eye?--
          To give the glow-worm light?
          Or, on a moonless night,
To tinge, on syren shores, the salt sea-spry?

          "O Sorrow,
          Why dost borrow
The mellow ditties from a mourning tongue?--
          To give at evening pale
          Unto the nightingale,
That thou mayst listen the cold dews among?

          "O Sorrow,
          Why dost borrow
Heart's lightness from the merriment of May?--
          A lover would not tread
          A cowslip on the head,
Though he should dance from eve till peep of day--
          Nor any drooping flower
          Held sacred for thy bower,
Wherever he may sport himself and play.

          "To Sorrow
          I bade good-morrow,
And thought to leave her far away behind;
          But cheerly, cheerly,
          She loves me dearly;
She is so constant to me, and so kind:
          I would deceive her
          And so leave her,
But ah! she is so constant and so kind.

"Beneath my palm trees, by the river side,
I sat a weeping: in the whole world wide
There was no one to ask me why I wept,--
          And so I kept
Brimming the water-lily cups with tears
          Cold as my fears.

"Beneath my palm trees, by the river side,
I sat a weeping: what enamour'd bride,
Cheated by shadowy wooer from the clouds,
        But hides and shrouds
Beneath dark palm trees by a river side?

"And as I sat, over the light blue hills
There came a noise of revellers: the rills
Into the wide stream came of purple hue--
        'Twas Bacchus and his crew!
The earnest trumpet spake, and silver thrills
From kissing cymbals made a merry din--
        'Twas Bacchus and his kin!
Like to a moving vintage down they came,
Crown'd with green leaves, and faces all on flame;
All madly dancing through the pleasant valley,
        To scare thee, Melancholy!
O then, O then, thou wast a simple name!
And I forgot thee, as the berried holly
By shepherds is forgotten, when, in June,
Tall chesnuts keep away the sun and moon:--
        I rush'd into the folly!

"Within his car, aloft, young Bacchus stood,
Trifling his ivy-dart, in dancing mood,
        With sidelong laughing;
And little rills of crimson wine imbrued
His plump white arms, and shoulders, enough white
        For Venus' pearly bite;
And near him rode Silenus on his ***,
Pelted with flowers as he on did pass
        Tipsily quaffing.

"Whence came ye, merry Damsels! whence came ye!
So many, and so many, and such glee?
Why have ye left your bowers desolate,
        Your lutes, and gentler fate?--
‘We follow Bacchus! Bacchus on the wing?
        A conquering!
Bacchus, young Bacchus! good or ill betide,
We dance before him thorough kingdoms wide:--
Come hither, lady fair, and joined be
        To our wild minstrelsy!'

"Whence came ye, jolly Satyrs! whence came ye!
So many, and so many, and such glee?
Why have ye left your forest haunts, why left
        Your nuts in oak-tree cleft?--
‘For wine, for wine we left our kernel tree;
For wine we left our heath, and yellow brooms,
        And cold mushrooms;
For wine we follow Bacchus through the earth;
Great God of breathless cups and chirping mirth!--
Come hither, lady fair, and joined be
To our mad minstrelsy!'

"Over wide streams and mountains great we went,
And, save when Bacchus kept his ivy tent,
Onward the tiger and the leopard pants,
        With Asian elephants:
Onward these myriads--with song and dance,
With zebras striped, and sleek Arabians' prance,
Web-footed alligators, crocodiles,
Bearing upon their scaly backs, in files,
Plump infant laughers mimicking the coil
Of ******, and stout galley-rowers' toil:
With toying oars and silken sails they glide,
        Nor care for wind and tide.

"Mounted on panthers' furs and lions' manes,
From rear to van they scour about the plains;
A three days' journey in a moment done:
And always, at the rising of the sun,
About the wilds they hunt with spear and horn,
        On spleenful unicorn.

"I saw Osirian Egypt kneel adown
        Before the vine-wreath crown!
I saw parch'd Abyssinia rouse and sing
        To the silver cymbals' ring!
I saw the whelming vintage hotly pierce
        Old Tartary the fierce!
The kings of Inde their jewel-sceptres vail,
And from their treasures scatter pearled hail;
Great Brahma from his mystic heaven groans,
        And all his priesthood moans;
Before young Bacchus' eye-wink turning pale.--
Into these regions came I following him,
Sick hearted, weary--so I took a whim
To stray away into these forests drear
        Alone, without a peer:
And I have told thee all thou mayest hear.

          "Young stranger!
          I've been a ranger
In search of pleasure throughout every clime:
          Alas! 'tis not for me!
          Bewitch'd I sure must be,
To lose in grieving all my maiden prime.

          "Come then, Sorrow!
          Sweetest Sorrow!
Like an own babe I nurse thee on my breast:
          I thought to leave thee
          And deceive thee,
But now of all the world I love thee best.

          "There is not one,
          No, no, not one
But thee to comfort a poor lonely maid;
          Thou art her mother,
          And her brother,
Her playmate, and her wooer in the shade."

  O what a sigh she gave in finishing,
And look, quite dead to every worldly thing!
Endymion could not speak, but gazed on her;
And listened to the wind that now did stir
About the crisped oaks full drearily,
Yet with as sweet a softness as might be
Remember'd from its velvet summer song.
At last he said: "Poor lady, how thus long
Have I been able to endure that voice?
Fair Melody! kind Syren! I've no choice;
I must be thy sad servant evermore:
I cannot choose but kneel here and adore.
Alas, I must not think--by Phoebe, no!
Let me not think, soft Angel! shall it be so?
Say, beautifullest, shall I never think?
O thou could'st foster me beyond the brink
Of recollection! make my watchful care
Close up its bloodshot eyes, nor see despair!
Do gently ****** half my soul, and I
Shall feel the other half so utterly!--
I'm giddy at that cheek so fair and smooth;
O let it blush so ever! let it soothe
My madness! let it mantle rosy-warm
With the tinge of love, panting in safe alarm.--
This cannot be thy hand, and yet it is;
And this is sure thine other softling--this
Thine own fair *****, and I am so near!
Wilt fall asleep? O let me sip that tear!
And whisper one sweet word that I may know
This is this world--sweet dewy blossom!"--Woe!
Woe! Woe to that Endymion! Where is he?--
Even these words went echoing dismally
Through the wide forest--a most fearful tone,
Like one repenting in his latest moan;
And while it died away a shade pass'd by,
As of a thunder cloud. When arrows fly
Through the thick branches, poor ring-doves sleek forth
Their timid necks and tremble; so these both
Leant to each other trembling, and sat so
Waiting for some destruction--when lo,
Foot-fe
CK Baker Apr 2017
Willets cull the seawall
snapper on the grill
rock ***** swoon
in shallow lagoons
long boats pass
under quiet
palm shade

Plovers dance and flutter
handrails frayed and torn
graffiti spots
at lovers rock
frigate-birds fall
from a high
noon sun

Thatched roof on a mud wall
fish flags settle score
anchors arch
in front line march
pillar cracks form
under rust brown scars

Elegant tern and grebe
watchmen fall in cue
children play
on crested waves
whimbrels and notchers
perch above Tentaciones

Striped pelícanos
the bandits of the sea!
merchants grow
in steady flow
siblings jostle
in a tide cooled sand

Heerman gull and boobie
durango smoke in yurt
boiler shrimp
and puffer blimp
castle buckets and scrapers
under a dusk light cheroot

Six pulls on a lead line
painted toes in sand
shearwater run
in a rainbow sun
the portly mexicano
flaunts his tacos
and wares

Rooster house for swordfish
bamboo shoots and sails
broken shells
and ocean swells
rise
on the
perfect
La Ropa bay
Bergen Franklin May 2015
zebra geebra
striped like an amoeba
or maybe like a striped cloth
thrown over a horse
but you don't race zebras
or amoebas
just a horse
but if the horse
had a striped saddle
it'd be a zebra
but not an ameba
but amoebas did evolve into zebras
and horses
Oct 21, 2005
Sharon Talbot Apr 2022
Admiration is the cousin of envy,
as I learned long ago in Austria.
I knew a girl from a village in the Tirol.
I don’t remember her face,
Except for the placid smile
on her berry red lips.
She was not beautiful, but pretty
in a Mägdlein sort of way,
"smelling of crushed daisies and sweat".
But her long, butter-yellow hair,
seemed to have fallen from the sun.
She wore a black, Dirndl vest
that hugged her torso, a white blouse,
and a long. striped, pink skirt.
Even her legs were beautiful,
With tiny, blonde hairs that glistened.
I wished I could be like her:
Simple-seeming, unaware, unquestioning.
I watched her stand on a rocky ledge,
On a little mound like a pedestal
That overlooked an green-blue alpine valley.
She was a poem or an imagined girl
From a fairy tale or an ad for Priumula.
She was  a goddess escaped
from the the netherworld
of dairy barns and milking cows.
I thought that she might never return
there from her lofty peak at the world..
But another girl stood beside her.
A spartan sort with round glasses
And a face like a Pug dog.
She seemed to stand guard,
In a sexless, violent way,
Threatening those who might approach.
I fantasized about pushing her off the cliff,
Just to rid us of her presence.
The altitude was spinning my thoughts,
Wondering what would happen
To this Hummel Fräulein someday.
Would she follow the other youth to Vienna,
Smoke and drink espresso in a café,
Or come back to her alpine home
And milk goats while her children played?
The next day, as if still drugged,
I strolled across the bridge to Germany
And the river path to Freilassing.
There I bought a new, blue blouse
With a heart shaped neck
And brown, corduroy slacks.
It was the best I could do then
And Dirndls were not cheap.
So I spent the summer
As an ersatz Austrian,
No longer an American with jeans.
My freedom was almost euphoric,
Including dodging classes
About Bertolt Brecht, Kurt Weill,
Die Dreigroschenoper,
Those overrated poseurs!
(Except for Mack the Knife.)
I even attended Mass at various cathedrals,
just to hear Mozart or Schubert dance
up in the arches with cherubs,
or in front of ancient, colored glass
in the gloom of medieval stone.
I accepted that The Tyrolean Girl
And her antique, sunlit style
Were as inaccessible as
Gentian and columbine, mist-shrouded
on high peaks wrapped in clouds.
I once ran to see some up close
And nearly passed out.
But knowing that, I felt their charm
Had descended from the heights
To entice us in the valleys,
With pink striped cloth, gold hair
And amethyst flowers.
They flee past us like time,
Swift as the rivers in Spring.
Jaanam Jaswani Mar 2014
he got them in a box, over Christmas
and he wore them everyday that week
the pyjamas, they were blue and white
oh how cozy he was each night

at age eight, the world was his oyster
and he dreamed of hanging bridges
the pyjamas, they made him fly
oh how, how he soared so very high

he tucked them away, as the flowers grew
and away they were kept year by year

the boy still closed his eyes, though
he was led into a world, by himself
the pyjamas, they were catching dust
this world, a place oozing with lust

he glanced at them, as the flowers wilted
and glanced at they were, year by year

it started a crack in the boy's voice
Peter Pan was now fictional
the pyjamas, were still there for him
but he, took each day with more grim

he opened the box in his closet, as the flowers grew again

it was a metamorphosis
you could even tell by the hair on his face
the pyjamas, they no longer fit
and now he, had a reputation of grit

he tucked them away, as the flowers grew
and away they were kept year by year

his son received something similar, over Christmas
the little boy hoped for a video game
the pyjamas, still blue and white
held less significance at night*




it was time to throw his pyjamas away
he burnt his child-like innocence, as
his memories - slowly - became dull, and grey
written for TJ.
Lady, your room is lousy with flowers.
When you kick me out, that's what I'll remember,
Me, sitting here bored as a loepard
In your jungle of wine-bottle lamps,
Velvet pillows the color of blood pudding
And the white china flying fish from Italy.
I forget you, hearing the cut flowers
Sipping their liquids from assorted pots,
Pitchers and Coronation goblets
Like Monday drunkards. The milky berries
Bow down, a local constellation,
Toward their admirers in the tabletop:
Mobs of eyeballs looking up.
Are those petals of leaves you've paried with them ---
Those green-striped ovals of silver tissue?
The red geraniums I know.
Friends, friends. They stink of armpits
And the invovled maladies of autumn,
Musky as a lovebed the morning after.
My nostrils prickle with nostalgia.
Henna hags:cloth of your cloth.
They tow old water thick as fog.

The roses in the Toby jug
Gave up the ghost last night. High time.
Their yellow corsets were ready to split.
You snored, and I heard the petals unlatch,
Tapping and ticking like nervous fingers.
You should have junked them before they died.
Daybreak discovered the bureau lid
Littered with Chinese hands. Now I'm stared at
By chrysanthemums the size
Of Holofernes' head, dipped in the same
Magenta as this fubsy sofa.
In the mirror their doubles back them up.
Listen: your tenant mice
Are rattling the ******* packets. Fine flour
Muffles their bird feet: they whistle for joy.
And you doze on, nose to the wall.
This mizzle fits me like a sad jacket.
How did we make it up to your attic?
You handed me gin in a glass bud vase.
We slept like stones. Lady, what am I doing
With a lung full of dust and a tongue of wood,
Knee-deep in the cold swamped by flowers?
Amanda rodeiro Dec 2014
I tell you My body aches to leave this room, see what is beyond these four striped walls.

You say that all I need is in here, there’s no reason to go
.
I tell you I feel like a bird in a cage, let me out so I may sing
.
You say my voice sounds fine in here, so sing on.
I tell you my eyes are turning to dust from whirling around in circles trying to find something unfamiliarly new.
You say stop rolling your eyes
.
I tell you my limbs feel heavy attached to me, that my shoulders can not bear the weight of my discombobulated thoughts anymore.

You say then solve the puzzle.

I tell you I need to remove a piece of the puzzle for it to be complete.
You say then remove it and move on
.
I gently open the door and see past the four striped walls.
Anthony Williams Jul 2014
It was always going to be black and white
that's the typeface on my preference of late
defining day and night with your choice of tights
those fine dividing lines on your partnered limbs
wrapped tall in belts daring as a Lara Croft climb
a silky striped raggedy ann gone neat sensuous
tight strapped to a two striking sinuous princess
committed to lodge sins inside my Loveland challenge
hemmed in round towers together to never-never unhinge

at home we horse around and rub along together
boosted by the interplay between cotton twill gathered
pulled low one side then canter balance riding high
as you level up to a line up of outbound thigh
saddled with a lovely leg stirrup over here
and a lean waist wobble to match up there
eyebrow lifts to starch arrowroot attention
over the swings and sway of every action
so swift I play catch-up each morning
delayed by fumbling for ones gone matching
it's a wonder you don't just wander away
in a daze from my one legged hopping display

then I would travel far as a bee
long-legged as stilts could be
to sing to your nails and feet
and be spun free flaunting
our google
a red white and blue
pair of giggles unfurled like flags
in your slim line dancers' legs
dangling ideas like fair weather socks
to goggle one direction behind your back
unique like nobody else contains within
thin licked then rolled back ciggie skins
so I pinch holes in the bacci parts
sinking into slats like leaky wooden boats
your avoiding tiptoes gadfly and curl in return
my feet undoing knits with swats and swirls
toeing tinkling notes like piano keys
undertones pink tinged with tingling knees
and when a jukebox plays
my coins are there always
for I've got your pop socks in motion
your vox populi's united under my skin
with impressive pulled tight bands
embedding imprint elastic rings
inky red slinking down
leaving parallel links


ignore my pins and needles
alone in dead of night
longing for your leggings
luminous stripe tights
today it's all me put on the spot
today it's music you might hate
biographies of people you don't like
subtitled movies too deep to bother
blue jeans dull dyed against your garter belt
a one man team can't DIY a drill majorette
spiralling shafts that come to a threaded point
enthralling with alternating knee bend bit pants
so pretty poly soft I'm pulled up like a fool
fully mixed up by your weaving cotton wool
wave me down in your way of sweet patter feet
a patterned cakewalk for you to catwalk sock it
to me in a stand in posey kind of way
this way to stand outs knitted to fancy
uncross your legs and cross-stitch
my path with gaited kisses
closely
by Anthony Williams
The yellow aura
spiraled my night elf hunter avatar
as the DUN-DUMM
of false accommplishment
incited my addiction to
instant gratification.

I had just Leveled up.

The quest giver
gave me a choice

****** boots
Or
a less ****** Dagger

I took the ****** boots
because
**** the system
they looked cooler.

I was going to stomp cave spiders anyway,
what's the point of relinquishing
looking **** fine.
for an extra Attack Point?

****** Boots.

****** boots ALL Day long.

A naked human avatar
dances
facing a naked gnome
Named: "Buzz Lightyear"
He is Also dancing,
at crotch height.

This is Typical starting zone
foolery

I stayed up
watching Toonami all night
Naruto, Bleech, Inuyasha.
I could tell the sun came up
not because there was a window in my Kitchen,
there wasn't.

Tom and Jerry came on.
everyone knows
when Tom and Jerry came on
you were no longer pulling an
"all nighter."
You're pulling a
"Drink enough Soda
to get through the rest
of the day-er"

My entire diet
these past two days
has consisted of Gushers & Vault
because
Clearly Coca-Cola is superior
to Pepsi.

Therefore, Vault
was superior to Mountain Dew.
Which is the typical choice drink
of my internet brethren.

I don't know why I dyed my hair black nobody online could see it
But it made me feel
more
like my Night Elf Avatar

I wanted long white hair
I realized that's impossible
in 6th grade
So I Bought & Settled for Black
At least I could be like
"L" from death note,
Long sleeve white shirt, jeans
with no shoes.

I could also be
any other black-haired charecter
From any other angsty Anime
Because of course I loved angsty Anime
Because I held my cell phone like "L"
From Death Note.

I always dreamed
of this singing venus fly trap.

A Fuzzy Memory with a lost Origin
I realized seven years later
the Singing venus flytrap in my head
was AUDREY 2
from Little Shop Of Horrors.

Netflix reunited us in College
Audrey 2 finally Serenaded Me.
I listened with Voyeuristic Intentions
As memory saprilings grew
into the full songs
relieving the void in my soul
Lingering for a Man to be attacked
by a singing venus fly trap
in his own kitchen.

But only once,
Because I firmly beleived
movies should only be seen once
until I stopped
dyeing my hair black.
Despite watching Space jam
more times than any kid born in 1995 Should have
but still
all the kids born in 1995
watched space jam
more than any of them should have
because they were born in 1995.

Apparently
when I first saw little shop of horrors
it aired just before osmosis jones.

I love osmosis jones
almost as much as I love
Buzz lightyear, of Star Command

Buzz lightyears robot companion XR
reminded me of Cyberchase
and to this day Cyberchase
is the best show to watch
when you have no idea
who Gilbert Godfrey is.

Zoombinis is better
than oregon trail.
and also better
than Tom and Jerry.
but not better
than leveling my night elf Hunter.
Named:
"FEED ME A PIZZA!"

I think I spent more time
getting my Zoombinis
to look just right
then I Spent deciding
what outfit to wear

Routine
Black striped Hoodie
Unwashed and worn every day
Grey skulls all over it, because
of course it had grey skulls all over it.
Black pants.
Black socks
No actually, THESE black socks.
Okay, got gushers
and my Coca-Cola.

I now take as much time
to choose my outfit as
designing the perfect Zoombini.
however I have yet to replace
my legs
With
a skateboard.

I think that every grade before sixth grade is fourth grade
and 6th grade is basically 7th grade
which is to say my memory skips them both
to remember ending eighth grade

I miss being cool on the Internet
Whilst lame and forgotten in real life.

like black sock
wasn't quite as good
as that other Black sock.

I wanna go back.
To the seperation
Of who we pretend to be
Vs. who we actually are.
To be dramatic again.
incomparable.

An ideal self on the internet
Who is obviouslly not the real you
is decades more comforting
than Some Characatureized
Facebook Profile.

Today I was offered a choice

Work A minimum wage job
or
continue my useless college degree.

I decided to write a poem, because
**** the system.
If I am to Decide where to respawn from
Let it be poetry.

There is no spiraling Yellow aura
or DUN-DUMM

Sometimes there is snapping though.
Or a lost memory
of A singing venus Fly Trap.

I am a pretend person.
An avatar
just now, I have skin.
You can touch me
I breath without a Macro
or even pressing any keys.

I cannot bring myself to
Watch Space Jam again.
I can Identify Gilbert Godfrey's voice.
I will buy my children zoombinis
And it will collect dust
When all they want
Is to watch the fifth Toy Story movie
Way more than any kid born in 2020 should.
And all the kids born in 2020
Will Watch the fifth Toy Story Movie
Way more than they should
because they
will have been born
in 2020.

And I will rant
about the Missing LGM
and Warp Darkmatter
betraying Buzz Lightyear
By joining Evil Emperor Zurg
So Buzz was forced
to get three new Partners
Princess Mira Nova
Audrey 2
and Osmosis Jones.
because I will have Forgotten
Booster & XR.
Because Booster and XR
Never made a ******* Facebook Profile.

Nobody exists anymore.
We are all represented by our avatars
holding ourselfs up to the standards
of our photoshopped reflections

Being disappointed and overwhelmed

I Take pills to forget that I am
Acting Like myself
but can't find any evidence of Existing.
Besides these memories
of who i used to be.

I want my internet persona
to be nothing like me
So that I may focus on myself
in the real world coherently.

I want thick black lines
dividing mental Venn diagrams

I want Tom and Jerry
To signal me
That it is morning, again.
Sam Hawkins Apr 2013
What we have named Fire Escape
(an ordered, angular tangle of ladders and rail)
had made picture geometries in my west window
well-framed and flat--set foreground and background
in two dimensions, as the sun hid,
and my round eye opened.

What we have named Fire Escape
was flaked-paint brown orange, as if
first it had been born of a flame
and then had taken up living as metal--
tempered itself into usefulness,
which I should trust now, in case of the yelling
and the engines.

What we have named Fire Escape
was happy Jungle Jim or Jungle for Jane
for the sparrows I saw this morning
which flitted and wildly played
within, rising up
arched and back again.

Made of the square pairs of ladder rungs--
a tunnel entrance or ducking posts,
or highway bridges to clear;
the birds like small plane, daredevil pilots
each following each, going under.
No sparrow would ever crash.

And what is this I remember now?
How one bird eased its engine and perched there to stay?
As if to offer me, with a little turn of head gesture--
a thank you, for the bread I'd left on the sill? Or to say  
I'd better shut the curtain and make my exit?

Either prideful guess gets me nowhere fast.
Failed even is speaking in any sparrow languages
from my recline stuffed chair; again, but now imagined,
to draw beady eyes to fix on me, telling me much less.

That morning, with the very last sparrow gone,
I remember that nothing in my sight moved,
save an American flag at a distance in the wind,
with its one red-white striped wing
waving toward the cold north,
as the white church spire,
framed in open quadrilaterals,
held its position.
written and posted a few hours before the Boston Marathon Bombing, Monday April 15th, 2013
Beth Ivy Sep 2014
Dancing at my windowsill she calls,
black bottomless eyes and a jagged smile
tug me from sleep with a broken-glass laugh.
Beckoning, this pixie traces softly across my jaw--
fingertips so slightly ***** the skin.
Wordless but for laughter she pulls at me until
charmed I rise to follow where she leads.

Open evening air greets my night-dressed body
with cool wakening breezes and wild sounds.
Stumbling through rocks and over roots
I chase through the wood behind my manic guide.
Toes grip at undergrowth, slip, falling to arrive
on my knees
scraped and panting slightly
in a clearing otherworldly,
aglow with fey light.

A curious night-shine looms--yet Luna's face is hidden.
All attentions focus now on this central luminescence.
From its core jangles sweet, unearthly music
twisting its way into my heart
teasing at the edges of my fragile mind.
Compelled forward I follow sound--
my waker cannot outstrip me as we hurtle on.
Before our eyes the glow casts shadows
forming structure in this mystifying vision
eyes drink in your very first glimpse:
The Carnival.

Light and shadow compose sweeping tents
striped ebony and ivory, seeming strong as each
element yet smooth, sculpted by a master's hands.
Leaping black flames skip along their summits,
performing their nocturnal dance,
illuminating darkness, engulfing light.

Revelers' song soars and forms carouse,
                                                  lively­--but shadows only--to the eyes outside.

The air bears heady perfumes, enticing scents:            
rich, melting creams and toasting sugar
enveloping baked warmth and intoxicating spice.
Last, encircling all this wonder,
cries of mirth and sights to amaze:
an unadorned, unflinching iron fence.

Drunk with sound and smell and scene
wildly spinning through the breeze,
my rousing sprite whirls ahead
bound as if in a trance
her body flinging against
the forbidding blackened gates--
                                        her laughter only extinguished
                                                         as her delicate form dissolves into smoke
                                         holding momentarily the blue of night
                                                         her wasted shape, lost to the barrier.


But Curiosity will blind
eyes far more chaste than mine,
and Allure sings only such songs
that no heart suffers long.

Heedless mortal as I am, I grasp the solid frame
decay crumbles rough against my palms.
Bodies of other spirits caked by time
or the innocent work of oxidation
I do not pause to wonder,
merely vault myself over the fence
and brush from my hands
the black dust of portentous iron.

Inside the gate, vibrant figures flood my vision
ornately costumed in gowns of orange, violet, green
arrayed in shirts and trousers dazzling in spectrum.
These gorgeous apparitions loop around me
peddling beauty, selling fame.
They mesmerize  the eye with stunning wares:
an emerald beast to carry your heavy burdens
sapphire wine to cool your burning tongue
the music of a thousand crystal seas
kept in a bottle to drown your babbling mind.

                "What do they cost?"
                            "Not a dime, not a dime!
                              Just your Now, just a Moment,
                                                         ­                  only Passing Time."

Wandering deeper into the mysteries of night
a band of revelers swing beside and catch me
laughing, bear my bewildered form in arms
and deposit me into a large tent, wherein I find
a man at a canvas the size of a wall
before which are seven stone bowls.
He dashes his brush before the amazed,
and the canvas remains blank
until my companions urge me closer.
Couching myself upon a cushion shapes appear:
Here is a man who will paint your heart's desires
so vivid you can lose all you have
so intimate you fear to move,
lest any see the embers of your fire.

Spin and turn, the Revelers never stay long,
nor draw too near to any one spectacle,
but only joy for new tents, new delights.
No passion was left to grow cold,
no enchantment to lose its power.

Spin
See the girl of flawless grace,
her body painted like the stars--
                                                  the stars the carnival hid
painted like the stars and lithe as the air
ethereal in her arts,
ascending the pole, traversing the rope!
See her twine around stakes and over fire,
dive through hoops and drop
through that needle-loop in your eye.

Spin
Step up to the tent of glistening blue
the fountain that gushes without source.
Marvel at its lucent clarity, it's chilling foam!
Fill your goblet to the brim and drink!
Drink deep, imbibe sweet forgetfulness.
Long for nothing, cleanse your heart.

Spin
Take the carousel with its living beasts to ride.
Make merry with all on board and erase
any care your heart can hold.
Let the furious pace speed on from you
all that would trouble for a thought.

Spin
A honeyed apple pressed against your tongue.
                                         Just a taste! Just a bite!
See the glistening on the skin
made from the dreams of the greatest hearts
unrestrained and unrequited.
Fresh Desire--they're all the more enticing.

The apple glitters golden, its red flesh shines beneath.
Something familiar, a darker red, flecked across the finish.
I bite down and reel--
Something wondrous, but something queer.

Faithful attendants grab me quickly, dance me
into the mouth of a dark velvet tent.
It swallows me as I fall, waiting for the teeth---

        White mist surrounds with a shimmer
         and I have found the ground.
A Voice, deep as the sea enfolds me
gentle, heavy as with sleep--yet all aware.
It invites me closer, sit nearer
rest from the night's fantasies.
Lulled, I make for the figure hooded in brilliant gold.
He leads me to his table.

Heavy, strangely empty I seek sanctuary.
He offers instead a great promise--
power over my weariness, my desires met.
He offers joy unending,
pleasure without regret, without shame.
A haven promised here, mine alone, if only--
--if only I will stay.

But something tastes metallic in those words
promises that cannot be kept.
No tent could hold so much.
This voice, so warm and pleasing,
cannot mask well a lie,
and the gentle hand holds equally a threat.
                                                         ­                                                             run­
                Awake once more I fly from the shroud
bursting blind into the alley.

But back in the tent, left a piece of my heart
and my eye rolls away into a peddler's cup
blistered bits of my soul flake off, scorched
by fire-eaters food. What's left? Who am I?

                             What did it cost?
                               Not a dime, not a dime!
                                          Just a piece of your heart,
                                                                ­  just a piece of your mind.


Retching, the last of my still beating heart
squelches into my waiting hands.
I gag and sob out the gore, disbelieving
this small bit of flesh is all that is left
of all that I have been.

The blood draws the eyes of comrades
now changing from lovely to grotesque.
Ravenous, their teeth elongate
Eyes darken and colors fade
What was vibrant now decayed.
Sweet cream curdles in my mouth.
Rich meats, choice fruits turn sour--
the apple rots.

A hoard unrecognizable
of starved beasts and hideous beings
bears down for my final offering.

But I must know who I am
and what there was beyond this place!


Sprinting barefoot from the mob
clutching the vital treasure to my chest--
though to there it may not return--
I look now for mercy from the black gate.

Elegant porcelain fingers produce monstrous claws.
What once caressed my wondering skin
now sinks in for blood with crushing force.
A hopeless last attempt, a dead man's prayer:
I fling my body on the gate---


                                                       ­                                I am over. I am free--



Iron that once kept me out, now holds them fast within.

Bedclothes torn, all my purchased raiment turned to ash,
I limp, clutching a fragment heart.
Staggering from the Carnival's screams,
its dissonant music now all trick and terror.
Putrid garbage wafts from its walls.
Press onward, never looking back, through the wood.

So long ago--how long?--a little one led me here.
Her death was her own, but could have been
my salvation, a warning dearly paid.
Cheaply received.

My mind swims.
A body with its heart outside cannot last.
There are many things not of the Carnival
that would have my final scrap.

Faltering feet stumble and tripping find
a mere clear and still: a mirror for the moon.
And Luna's face does shine down
all her attendants watching on
as my naked form collapses beside its calm.
I cannot deserve this resting place,
could not discern a trap if one here lay.
All I can and have and am I offer up to Mercy,
and dip what's left of my broken life
into the cleansing pool.
first legitimate narrative piece.
a proof that no one can have an original idea. listening to showbread's 2004 album, *no sir nihilism is not practical.* definitely some inspiration from erin morgenstern's *night circus*, although her book is quite a different and lovelier thing. recently reading *undine* by friedrich de la motte fouqué (translated. i'm not that classy). recently struggling with those things that most often try to ensare a heart.

this is undoubtedly going to be one of those pieces i am never happy with.
At the beginning the oldest man sat on the corner
      of the garden wall by the road under a vast
walnut tree known to have been there always
      he came back in the afternoon to the cave of shade
in his broad black hat black jacket the striped gray
      wool trousers once worn only to church in winter
with a cane on either side resting against the stones
      he said when your legs have gone all you can do
is to sit this way and be useless I believe God
he said that is what I am doing I am thinking
      and things come to me now when nobody else knows them
he was visited by the dazzling of accidents the boy
      who caught his hand in the trip hammer and it came out
like cigarette paper the man with both crushed legs
      dangling and the woman murdered and his father the blacksmith
forging the iron fence to put around the place
      out on the bare ***** where she had fallen I could never
be the smith my father was as he always told me
      I was good enough you know but I never had
the taste needed for scythe blades sickles kitchen knives
      we preferred to use carriage springs to make them from
in the forge outside the barn there and his were sought after
      oh when he had sold all he took to the fair the others
could begin I still have the die for stamping the name
      of the village in the blade at the end so you could be sure
Paolo C Perez Oct 2012
His Funeral was today.  Well, his wake rather.  It was in his old colonial home on Elm Street, a bought of irony that Paolo would never get.  Anyway, it was an odd set up at his house. Family and friends downstairs in the living room, acquaintances and honorable mentions meandering through the hallways clearly more interested in the intricate little floral patterns that adorned the wallpaper than how his family was holding up.  The company of the house was split, everyone either legitimately full of sorrow, or completely full of ****.  In everyone’s grasp either handkerchiefs or hand grenades it was as if the invitation read “Come see it to believe it!” In the study across the hall a small memorial was set up.  Big cards, tons of photos, some flowers, anyone who actually cared stayed there and stared at his once happy face, who knew what it looks like now.  
He had died of some sort of overdose, one that destroyed his heart, so he would have looked fine in an open casket.  The doctors say it was *******.  I don’t believe them.  Paolo had his fun in college, ***, *****, sure, but coke?  There’s no way.    The services weren’t to take place for another two hours, so his family rolled him onto the second floor balcony.  It was actually his dad’s decision, something about a “disgrace” and not wanting to look at his face.
Apparently his mom had felt bad letting her dead son chill on the porch for a few hours, so she rolled him across the hallway to his own room him and kind of laid him out on the bed, as if letting her baby boy take his eternal sleep where he’d have had most of his shorter ones.  
Picturing him lying up there was the first negative connotation I ever had with the image of him on that bed.  He had that kind of headboard that when we started getting at it the bed would hit the wall with each rhythmic movement.  Steady and almost tribal as our bodies danced to the ever increasing beat of a talking drum.  Our clothes off and our skin glazed with sweat it was like my own personal method for getting high. Now don’t get the impression that our relationship was based purely on a physical connection, we’d been dating for three and a half years, the love was there all right.  
We had met in the strangest of ways, through a mutual friend that I was kind of, almost, sort of, but not really having a “thing” with, you know?  Cisco was his name.  So we were together one day and he, being the adorable spaz that he was, had forgotten that his own birthday party was that same night.  He asked if I didn’t mind tagging along, it was a celebration for him and two friends whose birthdays followed his in sequence.  
This had been going on for several weeks, and I know we weren’t dating but I still had a feigning interest in the guy.  So we arrive to this girl, Cristina’s, house and I noticed this other boy almost immediately.  In a backwards cap and pair of boot cut jeans he was jumping around, tossing his arms, right in the middle of reciting some hilarious anecdote to any of his friends who hadn’t heard it yet; even those who had seemed riveted.  He was so full of charisma and with such assurance.  Besides that he was kind of cute so, though pathetically, I tried flirting with him for the rest of the night; he didn’t really catch on.  We left that night without having exchanged more than ten words between each other, I thought I’d never see him again, turns out I was wrong.  
“Broadway CAREols.  Show others that you care by enjoying a night of with your favorite blend of Christmas ditties and Broadway biddies” And before you ask, Yes, I did come up with that title, I think it was great and it was at the top of each flyer in big red and green letters and if you asked me “If you could do it again…” I would do it the same each and every time don’t judge me.
It was a show I had to direct for a community service project and of all people he played the piano for my show.  Only me and several other girls made up the cast, and I knew how easy it was to mistake a positive attitude for flirtation when it comes from a handsome young man.  He ran the music over three or four times individually with each cast member before the night of the show, but when Paolo and I worked that night he stopped me and just sang. For me.  
Each night after rehearsal I had to give him a ride home, I was a year older and thus had my license a year sooner.  I’d never mind allowing myself more time to bask in the glow of his perfectly understated confidence, so I was happy to oblige.  Technically Connecticut state imposed a law forbidding new drivers under the age of 18 to be on the roads past 11 at night.  My mom, being a government employee, really stressed this one.  His house was a solid ten minutes drive from our rehearsal spot, and my mom often warned me to allow myself enough time to get back home before 11.  What started as me beginning to drive faster and faster during the trip home ended as a routine each night, where I would finally allow him to step out of my car just as the clock read 11:00 PM.  
Our first kiss was in that car, my first uncontrollable breakdown was in the car, hell the first time he told me he loved me was in that car…right at the lip of the driveway.  I learned to ride my brakes perfectly to the point where I could park just beyond the edge of the sidewalk yet just before the point where the porch light would flash on, reminding his mother that his son is out past ten on a school night.  It was so warm.  I’ll never forget the cadence of his laughter as it trailed off, seamlessly merging with that next statement “Anna, I love you”.  I could have sworn the porch light went on.  

Now I know it may seem like I don’t care for his being dead right now, but the thing is, I did something.  I did something really bad.

You see, I had mentioned that he was up in his room, right?  Still, stiff, simply waiting to be brought down in a few hours as the catalyst to another round of tears.  Now don’t get me wrong, I did my share of crying the night before.  He’d been in the hospital for only a few days and when they told us he was dead…God, he was just so young, two years into college, the friend you have who was chasing his dreams down with a brand new pair of sneakers.  That kid the whole town knew because of the multitude of silly town functions he attended.  He would always insist.  Every other weekend was one silly thing or another “Oh you’re gonna love this.  Two words – ‘Poetry showdown’.  If you can’t take the heat, don’t stay in the kitchen”
The day of the funeral I just had to see him.  I snuck up the two floors to his room on the third floor.  As I neared his door at the top of that final flight of stairs each creak of the floorboard seemed to resonate through the house, followed by the hollow silence of my stillness.  I paused with each step as if stepping in larger spans of time would make what I was doing seem less suspicious, should someone hear me.  Upon touching his doorknob I felt an immediate chill. I couldn’t tell whether it was some ghostly feeling of being in the presence of a dead person, or the fact that the thermostat had been turned down to keep his body prime for viewing.
I held my breath as I opened the door, and blinked a couple times when I saw him.  He was wearing what everyone else was in downstairs, black tuxedo and a dark tie.  I know he would have scowled had he known he was going to be buried in a constricting penguin suit.  We had a conversation about it, you know?  Out on Academy Hill, right in the middle of a picnic. We were in enough shade that his transition lenses were only half tinted, and when he sat up, it was abruptly.  Pushing my head off his chest he kind of leaned in to the cemetery in the distance and pointed out how sad it is that no one really ever gets the chance to choose how they want to spend the rest of eternity dressed in.  He would have preferred his puma sneakers, still white after seven months, his striped green and blue socks, his only pair of ripped designer jeans and that express shirt he loved so much because it showed off his natural physique.  
I moved closer, inching toward him at first, then quicker as I broke through a place where I just relaxed, and for a moment he wasn’t dead.  For a moment he was just sleeping, all ready in his fancy get up simply waiting for me to wake him up.  I found myself sitting next to him, my eyes cast downward, half expecting his gaze to meet mine, and while stroking his hair I got an idea.  It happened quickly, and I kind of have a problem with acting upon my impulses, it’s something he used to criticize me on that and I never really improved.  Without thinking I threw open his drawer and pulled out what I knew he’d have wanted to be dressed in, should he have gotten the chance to create a will concerning his death-wear.  As I pulled of his starchy shirt my hand brushed against his chest, chilled as the room was, eerie as nothing else.  I finally got him down past his pants and saw, of all abominations, that he was outfitted in a fresh pair of tighty whities.  God, it’s as if the funeral home was asking to be haunted by his tormented soul.  I found his single pair of silk boxers and reassembled him in the way I knew he’d have wanted to be.
So great, now everyone will think I’m a loon for having desecrated his body.  Well what do they know; I’m the only one who ever really knew him! But how the hell would I explain it to his parents when the pallbearers march in and there he is, laying face up in his street clothes?  
This wasn’t right.  He didn’t belong here, he needed to be somewhere comfortable, someplace he enjoyed, not sitting upstairs in a suit with the lights off and the air blasting.  He hated the cold!  Certainly he would have hated a hundred people staring at his dead and lifeless shell, and he would, without a doubt, hate being six feet under, pushing daises at the Nichols Road cemetery.
I wrapped my arms around him, and as the building adrenaline made my breaths deepen I inhaled several moments of ecstasy off his clothes that still clung to his musty scent.  I lowered him gently to the floor and took care as I dragged him across the carpet to his door.  After fumbling, for what felt like several minutes, on his door handle I got him onto the awning introducing the stairs.  I even made it down the first flight of stairs without freezing up at the tiniest creak when I heard someone coming my way.  ******, they must need to use the bathroom, why couldn’t they just use the one downstairs like any normal person?  Without hesitation I throw open up the window near bottom of the stairs, heaving myself and him, sending us tumbling onto the garage roof.  Ignoring my probable bruises I spring up and slam the window behind me while taking special care to hide us both as far away from the bathroom window as possible.
Sitting up there, my heart racing, I felt his hand in mine and it was probably because my palms had gone clammy but I swear for a span of time he was alive again.  I closed my eyes and felt the breeze in my hair and was transported to a place where I spent a single moment in each day we ever shared.  Each beach side sandcastle, each afternoon spent cloud gazing, those same afternoons turning into evenings of star gazing, each and every night spent utterly and irrevocably lost with this silly boy that chose to love me.  
I was torn from my oasis as I heard the bathroom’s occupant exit and continue downstairs.   Knowing that my van was parked on the other side of the street I pushed his body as close to the edge of the roof as I could without his falling off and let him be. I hopped back inside and ran downstairs, but not before flying through the doors of the memorial and interrupting his mothers eulogy.  In an act of sheer brilliance I mustered a few tears and tore out the back door.  Everyone figured I was just so taken away by his death that I couldn’t stand to be there anymore.  Who knew anxiety could be mistook for remorse so easily?
I ran down the driveway, losing the grace I had composed in my dress in high heels the moment I slammed that door.  I jumped into Emmet, my van, because only crazy people drive around in un-named vehicles.  
I pulled out of my spot, nearly ruining the paint job on both my and his Uncle Ed’s car.  I flew my trunk door open and set the third row down, the general idea being his landing securely in my back seat.  I reversed up the driveway with the precision of a surgeon and the speed of a leopard right back to the edge of the garage where I had tossed his body.  I jumped out of my car nearly forgetting to put it into park before I shut off the engine.  I barely got halfway around my car before becoming transfixed on his hand, hanging off the gutter as if reaching for mine to grab hold and pull him to sweet salvation.  I jumped up a few times, unsuccessfully before I took off my shoes and got a good running start.  I flew up, grabbed his arm and ****** towards the car in a sideways downward motion.  He nearly cracked his head on the pavement coming down, he would have too if it wasn’t for my body breaking his fall.  I got up, too distracted by the sheer volume of my own heart to realize the pain I felt.  I shoved him into my back seat, slammed the trunk, stumbled into the car, stuck it in reverse and stepped on gas without even putting my shoes back on.

I told you I had done something bad.
This is a first draft, please, I welcome your critiques.
Kali Aug 2010
It'll be like a constant hug, A constant piece of you
Held close to me, Held by my heart, by my scars
It'll help me too, help me through
All this stuff I'm going through, Walk in front of cars

It'll be the warmth I hide behind on the first day of the thirtieth day of school.
It'll be the stripes that camoflauge me against taunting peers.
It'll be like you're here with me...

Arizona is new to me.. to our kind..
We're freaks, admit to this, they won't hurt as bad if you already know.

So I'll wear it with pride.
I'll have a lightness in my downtrodden stride.
I'll have you and your love.
As close as it gets.

With your, striped sweater.
Shanna gave me an amazing sweater today.
King Panda Jan 2016
I walk through campus wearing
black leggings and those faded, leather
boots. I’m even wearing an
infinity scarf I bought full price at
Anthropologie and a pair of tiger-striped
cat eye sunglasses. ****, I look good.

On top of it, I’m smoking a Parliament
menthol, my red-lined lips whipping
smoke into the dead air, creating
a grey cloud that some would call cancerous and
others, ****.

But no one notices me, and, candidly, I
am okay with that because I notice me, and
I am a big red dance button that demands to
be pushed. So, I push myself and
groove down the brown brick road all the way
to classroom 114 in the science building.
judy smith Apr 2015
With designers like Iman Ahmed, HSY and Sania Maskatiya all showing, it was standing-room only at the venue. Many of the crowd of fashion insiders and socialites ended up sharing seats, with the chivalrous Zaheer Abbas giving his seat to Iman Ahmed after her show and sitting on the floor himself. So much for designer egos!

It was an evening that lived up to its billing.

Iman Ahmed may not be a designer who makes her clothing easily available, but in fashion terms she reaches heights that few other designers can reach. Her “Sartorial Philology and the New Nomad collection” was breathtaking.

The best fashion shows have a narrative — the clothes, styling, music and progression of the outfits blend seamlessly into a whole that portrays the designer’s artistic vision.

It’s hard not to gush about Iman Ahmed’s show last night because it was exactly what a fashion show should be.

Starting with a series of outfits in white and gradually adding tribal colours, Iman used fringing, embroidery and a range of fabrics to great effect. From the inspired detailing to the juxtaposition of texture and silhouette, this was a class act. The tribal white-dotted makeup and beaten silver accessories added further depth to Iman’s stunning layered ensembles.

Levi’s uninspired showing of their new 501 jeans and other stock provided the audience with a pause to process the previous collection. It’s difficult to make a interesting fashion week presentation out of high street wear and something that Levis struggles with.

They used better music than they did at their autumn show but the styling was still painfully lacking. They did manage to make everyone sit up and take notice at the end of their show though — Wasim Akram walked the ramp as their showstopper amid cheers from the admiring audience.

Somal Halepoto was next, with collection that looked distinctly amateur. She seemed to be aiming for a bright kitschy collection but ended up looking merely tacky. The shiny, synthetic-looking fabrics and gaudy embroidery were particularly woeful. Somal’s digital neon animal prints and some of the harem pants were funky but the rest of the collection had little to recommended it.

YBQ’s LalShah collection, meanwhile, was in a different league. An ode to 3 Sufi Sindhi saints, the collection was as much about the artistic impression it made on the ramp as it was about the clothes. The distinctly theatrical presentation relied on the slow beat of sufi music and plentiful accessories for much of its impact.

YBQ sent his models down the ramp in huge pagris, holding flags on poles and garlanded with prayer beads. He used only three colours - red depicting rage, white for peace and black for mourning. Most of the outfits were draped red jersey tunics or gowns with white lowers, braided belts and black turbans.

Rubya Chaudry wore a black gown with red roses but otherwise the outfits were all about subtle plays with drapery and cut. From jodhpur style chooridarsto asymmetrical draping, the outfits had interesting touches but needed all that heavy styling to make an impact. HSY was YBQ’s showstopper and added glamour to the theatrical presentation that he had choreographed.

Wardha Saleem was first up after the break and her Lotus Song collection showed how this talented young designer has been upping her game over recent years.

She used digital flamingo prints, 3D embroidery, gota embroidery and lasercutting in a pretty formal fusion collection. The detailing on the collection was simply stunning. Wardha used gota in delicate patterns that gave her outfits shimmer and paired this with three dimensional embroidery. The outfits featured flowers, fish, elephants and birds picked out in silk thread and beads.

She showed a variety of shift dresses, jackets, saris, capes and draped dresses. The styling was also great fun – the models wore shoes featuring spikes and 3D flowers while the multi-talented Tapu Javeri provided some gorgeous jewellery and music for the show. While there was nothing groundbreaking about her silhouettes, this was a beautiful collection that showed skill and artistry.

Sania Maskatiya, who presented her luxury pret on Day 1, now showed her lawn collection for AlKaram. As far as designer lawn goes, this is something of a dream collaboration.

Textile and print are Sania’s forte and she uses print extensively in her luxury pret. In this collection for Al-Karam she has taken print elements from her pret collections throughout the year including the Sakura, Lokum and Khutoot collections.

The prints are different from those used in her Luxe pret but are based on the same principals. She’s even used the paint splash embroidery from this season’s Khayaat collection in one of the outfits. Designer lawn should be affordable way to wear a designer’s aesthetic and this Sania Maskatiya Al Karam collaboration certainly is.

As for the show itself, showing lawn is always tricky on the ramp. Sania pulled it off with an upbeat presentation using fast music and trendy cuts, throwing a few conventional shalwar kameez in the mix. She fashioned the lawn into jackets, kaftans and draped tunic, using the sort of cuts that are a hallmark of her pret. It’s not how most people wear lawn but it was a great way to show off the prints on the ramp.

Naushaba Brohi’s Inaaya burst onto the fashion scene last year with a spectacular collection. Following up on a dramatic debut is difficult but Naushaba proved that she is not a one hit wonder with this collection. Inaaya’s SS15 collection continued with the theme of using traditional Sindhi crafts in contemporary wear. Naushaba used both touches of Rilli and some stunning mirror work in her collection.

What makes Inaaya noteworthy is the way that she takes unsung traditional crafts that we’ve seen badly used and gives them a high fashion twist. Standout pieces included a bolero with unusual mirror work and a rilli sari that glittered with tiny flashes of mirrors.

Although the collection included many beautiful outfits, there was a lack of focus. The simple tunic with a rilli dupatta didn’t work with knotted purple evening wear jacket. The inability to make a definitive statement let down an otherwise accomplished collection.

Naushaba added a characteristic touch at the end of her show. She’s committed to social responsibility and supports local craftswomen with her brand. Accordingly, Inaaya’s showstopper was Mashal Chaudri of the Reading Room Project along with Naushaba’s daughter Inaaya. She held up a plaque saying “I teach therefore I can” while Inaaya wore a T-Shirt with the slogan “super role model”.

HSY brought the evening to a close with a high-speed presentation of his Hi-Octance menswear collection. The unusual choreography featured the models zipping along the catwalk, pausing briefly on their second round. The energetic presentation complemented a collection of sharp suits and jackets, leavened with quirky polka dot shirts and bold stripy ties.

There was the requisite shirtless model in distressed jeans and an ice-blue jacket but also some appealing suiting fabrics. HSY used only Pakistani fabrics and included solid colours as well as self-checked and striped suits. This was wearable, classy menswear presented creatively.

Day 3 was undoubtedly the best day of TFPW so far. Iman Ahmed undoubted takes the laurels but she was ably supported by HSY, Wardha Saleem, Inaaya, Sania Maskatiya and YBQ.Read more here:www.marieaustralia.com/formal-dresses | www.marieaustralia.com/short-formal-dresses
emma jane Jan 2016
My frail glass bones shattered with the windows.
We walk on yellow striped tightropes and dance
with impossibility until his grasp becomes to tight.
I fell into a river of metal droplets wheels rolling as
Mr. Impossibility connected two infinities.
Glass fingers tapped on a glowing glass screen.
Metal clashed, my scream was lost with sirens into a
echo of blue and red lights.
There was a silence that pulled me into the casket that
sat open in the passenger seat.
This is kind of all over the place but I needed to write something. I was in a car accident yesterday that has me quite shaken up.
Paul Hardwick Feb 2014
When I come on here
sometimes i feel striped
of all words
naked as the day I was born.

Then sometimes I feel hollow and naked
giving to those
that follow.
Surreal yes but sorry that's ME  Regards Paul
emily c marshman Oct 2018
I’m not allergic to bee stings – I never have been, I probably never will be – but I am more afraid of bees than anything else. More afraid than heights, than fire, than opening up to others, than death by drowning. I have been stung more times than I will ever be able to count. My skin has since grown thicker, but I remember when it was soft, and I was small. I used up the entire allowance of pain I was given for life in less than four minutes.
Perhaps I should specify that it’s not bees that I am afraid of, but wasps.
When I was nine years old, much younger than I am now, I stepped on a yellow jacket nest. My bare foot went into the hole and came out covered in their little striped bodies. There was this buzzing noise that at the time I’d thought was normal, but I now know that it was the sound of the wasps that were in my ears. They had been trying to crawl down my ear canals. I wonder if they had mistaken my canals for their burrows, and had been trying to get back to their queen, but were disappointed to find my ear drums, instead.
My sister – the same age – covered in wasps alongside me, screamed and screamed, but I made no noise. By the time I even thought to cry, I had been stung so many times it would have been pointless to weep for my swollen, red toes. I remember being unable to feel the wasps’ venom running through my veins because I couldn’t even feel my veins. If I would have cried for anything, it would have been for fear that, being unable to feel them, I might have lost track of my tiny feet. They could have walked away without my body and I wouldn’t have known. They could have walked to school and back without me.
Of course, my feet could barely walk. After my initial disgust, I watched my sister run away from where we had been standing and I knew that I should run, too. I could still feel the wasps crawling, clamoring, on my skin, in my clothes, in my hair. I remember the feeling of these bees crawling around among the roots of my hair, making themselves well-acquainted with the tender skin of my scalp. I remember being unable to get them all out of my hair before I walked into the house.
I knew that I should run, and so, balanced precariously on my numbed feet, clambered after her.
I followed my screaming sister down to our farmhouse, past my stepmother who was also screaming, even louder than my sister. I don’t remember where my father was that day.
We ran down the dirt road that led from the barns to our house, removing our shirts as we went and stopping to strip down to our underwear on the front porch. I remember the honks from cars as they passed by. I remember not knowing why they were honking, but knowing that I was angry with them for honking, for ogling, rather than stopping to help. I remember not knowing how they would help, just knowing that I needed help, desperately.
The irony of our stings is that my sister, a year later, was cast in our school’s operetta, and ended up playing the part of a yellow jacket, a sort of elementary-school-gangster, part of a group of them, who wore – you guessed it – yellow jackets and stole other bugs’ lunch money. I would say that, if the wasps that attacked me had been human, they would definitely have been after the money I used to buy Little Debbie Oatmeal Crème Pies in the lunchroom.
If I had been stung even three years later, I would have been big enough to know that one doesn’t run around in untrimmed grass with no shoes on their feet for precisely this reason. If I had been stung three years earlier, I would have been too small, and dead. So I am grateful for even the smallest of coincidences, the tiny droplet of fate that had given me those stings on that day, at that age.


I would like to talk about pain transference. In your body, nerves often run between parts of yourself you never thought would be connected. If something hurts in your elbow, it wouldn’t shock you to find that your fingers hurt as well, but if your elbow hurt and so did your lower spine? You’d be a little confused.
This is pain transference.
It’s a form of generalized pain; you can locate the pain, it’s just not coming from any one place. You can feel the pain in more than one part of your body, though there’s no reason for anything other than your elbow to ache. This is also your body’s way of protecting you from pain. It’s not that this pain is more manageable, but that it is easier to understand. Your elbow might be more hurt than the ache lets on, but you can’t tell, because your lower back is throbbing.
Now imagine your body as a hive of wasps. Imagine each of these wasps as a nerve inside of said hive-body. Imagine the queen as this hive-body’s brain. What is your body’s goal? To protect the brain. What is a hive’s goal? To protect the queen. Each wasp is born with an instinctual dedication to the queen. They must protect this individual at all costs. Your body, on the other hand, does everything it possibly can to protect the part of you that makes you so unbearably you.
Yellow jackets are social creatures. Each wasp has its own purpose in the hive, and the three different ranks within this hierarchy are the queen, the drones, and the workers. The queen (who is the only member of the colony equipped by evolution to survive the winter; every other wasp is dispensable) lays eggs and fertilizes them using stored ***** from the spermatheca. Her only purpose is to reproduce. Occasionally the queen will leave an egg unfertilized, and this egg will develop into a male drone whose only purpose is also reproduction. The female workers are arguably the most important part of the hive. They build and defend the nest.
Only female yellow jackets are capable of stinging, and wasps will only sting if their colony is disturbed. This fact is new and interesting to me. I remember thinking that it would make so much sense if the only wasps in the colony who could sting were the females. Females have a motherly, nurturing nature about them, but they are protective and willing to make sacrifices as well. Lo and behold.
The females are the nerves. They transfer the pain from the queen to themselves (and then, if disturbed, to the third-party individual who has disturbed them).
Psychics view pain transference as the transferring of pain between bodies rather than the transferring of pain between separate parts of the same body, but it works in a very similar way. Different types of energy vibrate at different frequencies; loving energy vibrates at a higher frequency than dark energy, therefore they transfer between people at different rates. Pain is simply dark energy that holds a fatalistic power over us.
According to psychics, energy can be transferred through the mind, the body, and the spirit, but pain is mostly transferred through physical touch. To transfer pain to another human being, you must touch them in a way that is not beneficial to their own or your spiritual growth.


I would like to talk about smallness. I was nine when I was stung by these yellow jackets. I was nine and the first time I’d ever been stung was at a friend’s birthday party at maybe the age of seven, behind the knee, and it’d swelled up so large I couldn’t bend my knee for two days. I knew the dangers of disturbing wasp nests; I’d watched my friends all through elementary school getting stung on the wooden playground on the premises. I, myself, stuck to swing-sets and splinters.
I was always so careful. I never went near trees if I saw a nest in its branches. My teachers had told me that I should stay away from the part of our playground made up of tires, because the hornets liked to nest in the rubber. I was terrified of being stung again after that first time because all the mud in the world didn’t seem to make a difference. The wasp’s venom, even after drying up pile after pile of soft, wet dirt, made my limb stiff and sore. I was always so careful; it seems appropriate that the one time I’d been careless, I’d been stung enough times to make up for all the times I had avoided wasps as if my life had depended on it. Maybe it had.
I was small enough when I was nine. If I had been stung at six, or three, I would have been in a lot more trouble. I would have been in a lot more pain. At nine, my stings required calamine lotion and mud for the venom, and ice baths for the swelling. At six, they might have required a trip to the hospital. At three, they would have been much more alarming, considering I had never been stung by a bee by that age.
I was careless. It was summer and I was old enough to wear denim shorts and I had kicked off my flip flops so I could feel the grass under my feet and I was careless and I was punished for it. Now I watch my cousins and my niece play outside and I have to hold my tongue, remember that I am not responsible, that I cannot prevent their being stung, their stings, no matter how badly I want to.
I would like to talk about fate. I would like to talk about how, if I hadn’t been running barefoot, I wouldn’t have gotten stung so badly. I would like to talk about how if my father had been around to tell me not to run barefoot, at least my feet would have been safe. How, if I hadn’t been too stubborn to listen to my stepmom, too, I probably would have had shoes on. How, regardless of all of these things, I probably would have been stung no matter what.
In a world where people are stung by hornets every day – where people are stung by as many as I was, at once – I would like to say that I know now that this experience is not as unique as I had previously thought it to be. I know more people than I thought I did whose trauma involves insects smaller than their pinky finger but together cover their whole body, and venom. I know people who, when I tell them I was stung by hundreds of yellow jackets at the age of nine, shrug and say nonchalantly, “Hey, me too.”
I would like to talk about smallness, and fate. I would like to talk about not only physical smallness, but the smallness one feels when they are in pain.
Belittled might be the word I am looking for. My pain wasn’t belittled, per se, but my pain belittled me.
My pain made me feel small. My pain made me feel small when I was stripping my clothes off on my front porch, cars racing by on the state highway that ran past my house. When I was running my fingers through my hair under the faucet in my kitchen sink because my sister was older and always got first dibs on the shower. As these wasps that hadn’t suffocated under my hair stung my fingers, too, until they were as swollen as my toes. My pain made me feel small when it made me pity myself.


I would like to talk about standing up for yourself as an act of causing pain.
Honeybees, when they sting, are defending themselves and their queen, but they don’t know that when they sting, it will become lodged underneath the skin of whomever they sting and it will pull them apart and they will die.
I imagine the first time a wasp stings to be a sort of power trip. Female wasps can – and will – sting repeatedly to protect the colony. I also imagine they don’t know that their relative the honeybee dies after it stings, but it must be strange for them, nonetheless.
Have you ever seen a video of a woman protecting herself and those she loves? She’s vicious. She won’t stop until the perpetrator has retreated.
When a woman stands up for herself, though, it’s as if she’s tearing herself in half.
A woman standing up for herself is a dangerous thing, both dangerous for her and for those around her. It is an act of bravery and defiance and saving grace all in one.
A few weeks ago, I overheard someone equate being female with being terminally ill, as if we have no place to go but down. As if we are dying creatures, on our last leg of life, with no will to fight for what we want.
As if the pain of the world is being transferred into us all at once.
I would like to argue that it is the exact opposite. There is nothing more alive and breathing than femaleness.I am inseparable from my femaleness. I am inseparable from the that leaks from me when I think of all of the times I have been harmed But I am not inseparable from the pain that I have caused others. I cannot forget that.


I like to imagine sometimes what my stings would have been like if I had gotten them ten years later, as well. I am much bigger. I am much stronger. I am much more capable of handling pain than my nine-year-old counterpart.
I wish I could have been the one to have to handle that pain. I wish my nine-year-old self had known better than to let her foot fall into a yellow jacket nest. I think it’s unfair that, at such an early age, I had to deal with something so terrifying and painful and traumatic. My extremities were swollen for over a week. I couldn’t write, I could close the zipper on my backpack, I couldn’t turn the pages of a book. I couldn’t go to school, and I couldn’t read in bed, so it might be enough to say that the week I was kept out of school to elevate my legs and let the swelling go down was the most boring week of my entire life.
Sometimes I look at my ankles, swollen from blood flow, from standing too long or from sitting too long or from doing anything except elevating them, and I’m reminded of this time when my ankles were much thinner and I watched them on the end of the couch, my toes pointing toward the ceiling. I remember how terrified my mom was. I imagine that phone call must have been harrowing for her – Hi, Michelle, Em’s been hurt. No, she’s fine. Just a few bee stings is all. – and for her to see me for the first time, red and splotchy and itching myself like mad must have been even more so.
I think about my father’s reaction, how I hadn’t been around to see it, but how he must have been heartbroken at knowing he wasn’t there to protect me, to prevent the bees from attacking me. I believe, however, that there was no protecting me, that there was no preventing these wasps from defending their home against me, an infiltrator. I had stepped inside of their burrow and was instantly seen as a threat. Anything I see as a threat to myself, I instantly want to rid myself of.
This is the way of the world: we see something, we determine it to be good or bad, and we either bring it into our lives or defend ourselves from it depending upon which it turns out to be. I happened to be the ultimate evil in these wasps’ lives. They were simply protecting their queen, without whom their hive would no longer exist. I was dark energy, vibrating in a way that spoke to them as threatening. I was transferring pain to them when my foot stepped into the hole, and they were transferring it back to me when they stung me. I transferred energy into the ground as my feet thumped against it. Water transferred energy into me as it helped me rinse wasps out of my hair.
From pain to protection to pity, back to pain. From bee stings to womanhood to sadness and back again. One shouldn’t be afraid to introduce the things they’ve lost to the things they’ve loved, or the things they love to the things they’re afraid of. And I am afraid of wasps. Petrified, even. The other day, driving in my car, I rolled the window down and in, immediately, flew a yellow jacket. I watched as it she flew past me and then around the back of my head. I heard her and was immediately transported back in time. I wondered what she was doing in my car, so far from her queen. I wondered what was in my car that she possibly could have wanted. But I knew that she wasn’t there to hurt me, because I hadn’t invaded her home. I hadn’t made an attack on her queen. I knew there was no sense in panicking, so I didn’t. I didn’t panic.
I am afraid of things even though they won’t **** me, but I have watched myself face these fears. I have stumbled onto a Ferris wheel and then walked confidently off. I have left candles lit without standing to check on them after every episode of The Office I watch. I have loved people I never thought I would, and I have seen the other side.
“And such bees! Bilbo had never seen anything like them. If one was to sting me, He thought, I should swell up as big again as I am!”
      -The Hobbit, JRR Tolkien
The uniVerse Oct 2018
In bed, I lay
upon my cushioned existence I stay
but outside the world's at play
birds swimming in the sky
and trees that gently sway
dancing the day away
and I continue to lie
the distant sounds
of yawning grounds
two parched lips
as the Earth does rip
let the rain come
so we may take a sip
heavens nectar
falls upon a discarded deckchair
striped like candy cane
blotched with the rain
scattered upon sandy dunes
could this be a monsoon
ironically late
but still worth the wait
paid patience admission at the gate
one ticket to wet wet wet
this is what patience gets
just need a raincoat
so I can appear in the matrix
how can you hate this
a neopolitan sky
dripping with colour
if I were a scholar
I could espouse on its many virtues
instead, I turn up my collar
and tip my hat
a little milk won't hurt you
an umbrella swung round a lamppost
and now I'm Gene Kelly
still wearing a raincoat
but dancing
romancing the moonlight
for night has snuck in the back door
like an absent teenager
but this too shall pass
soon the dunes turn to grass
and I too return to task
a new day
at play.
This is what happens when you don't get up straight away.
https://www.instagram.com/p/BylHKJZnHBA/
NUMB, half asleep, and dazed with whirl of wheels,
And gasp of steam, and measured clank of chains,
I heard a blithe voice break a sudden pause,
Ringing familiarly through the lamp-lit night,
“Wife, here's your Venice!”
I was lifted down,
And gazed about in stupid wonderment,
Holding my little Katie by the hand—
My yellow-haired step-daughter. And again
Two strong arms led me to the water-brink,
And laid me on soft cushions in a boat,—
A queer boat, by a queerer boatman manned—
Swarthy-faced, ragged, with a scarlet cap—
Whose wild, weird note smote shrilly through the dark.
Oh yes, it was my Venice! Beautiful,
With melancholy, ghostly beauty—old,
And sorrowful, and weary—yet so fair,
So like a queen still, with her royal robes,
Full of harmonious colour, rent and worn!
I only saw her shadow in the stream,
By flickering lamplight,—only saw, as yet,
White, misty palace-portals here and there,
Pillars, and marble steps, and balconies,
Along the broad line of the Grand Canal;
And, in the smaller water-ways, a patch
Of wall, or dim bridge arching overhead.
But I could feel the rest. 'Twas Venice!—ay,
The veritable Venice of my dreams.

I saw the grey dawn shimmer down the stream,
And all the city rise, new bathed in light,
With rose-red blooms on her decaying walls,
And gold tints quivering up her domes and spires—
Sharp-drawn, with delicate pencillings, on a sky
Blue as forget-me-nots in June. I saw
The broad day staring in her palace-fronts,
Pointing to yawning gap and crumbling boss,
And colonnades, time-stained and broken, flecked
With soft, sad, dying colours—sculpture-wreathed,
And gloriously proportioned; saw the glow
Light up her bright, harmonious, fountain'd squares,
And spread out on her marble steps, and pass
Down silent courts and secret passages,
Gathering up motley treasures on its way;—

Groups of rich fruit from the Rialto mart,
Scarlet and brown and purple, with green leaves—
Fragments of exquisite carving, lichen-grown,
Found, 'mid pathetic squalor, in some niche
Where wild, half-naked urchins lived and played—
A bright robe, crowned with a pale, dark-eyed face—
A red-striped awning 'gainst an old grey wall—
A delicate opal gleam upon the tide.

I looked out from my window, and I saw
Venice, my Venice, naked in the sun—
Sad, faded, and unutterably forlorn!—
But still unutterably beautiful.

For days and days I wandered up and down—
Holding my breath in awe and ecstasy,—
Following my husband to familiar haunts,
Making acquaintance with his well-loved friends,
Whose faces I had only seen in dreams
And books and photographs and his careless talk.
For days and days—with sunny hours of rest
And musing chat, in that cool room of ours,
Paved with white marble, on the Grand Canal;
For days and days—with happy nights between,
Half-spent, while little Katie lay asleep
Out on the balcony, with the moon and stars.

O Venice, Venice!—with thy water-streets—
Thy gardens bathed in sunset, flushing red
Behind San Giorgio Maggiore's dome—
Thy glimmering lines of haughty palaces
Shadowing fair arch and column in the stream—
Thy most divine cathedral, and its square,
With vagabonds and loungers daily thronged,
Taking their ice, their coffee, and their ease—
Thy sunny campo's, with their clamorous din,
Their shrieking vendors of fresh fish and fruit—
Thy churches and thy pictures—thy sweet bits
Of colour—thy grand relics of the dead—
Thy gondoliers and water-bearers—girls
With dark, soft eyes, and creamy faces, crowned
With braided locks as bright and black as jet—
Wild ragamuffins, picturesque in rags,
And swarming beggars and old witch-like crones,
And brown-cloaked contadini, hot and tired,
Sleeping, face-downward, on the sunny steps—
Thy fairy islands floating in the sun—
Thy poppy-sprinkled, grave-strewn Lido shore—

Thy poetry and thy pathos—all so strange!—
Thou didst bring many a lump into my throat,
And many a passionate thrill into my heart,
And once a tangled dream into my head.

'Twixt afternoon and evening. I was tired;
The air was hot and golden—not a breath
Of wind until the sunset—hot and still.
Our floor was water-sprinkled; our thick walls
And open doors and windows, shadowed deep
With jalousies and awnings, made a cool
And grateful shadow for my little couch.
A subtle perfume stole about the room
From a small table, piled with purple grapes,
And water-melon slices, pink and wet,
And ripe, sweet figs, and golden apricots,
New-laid on green leaves from our garden—leaves
Wherewith an antique torso had been clothed.
My husband read his novel on the floor,
Propped up on cushions and an Indian shawl;
And little Katie slumbered at his feet,
Her yellow curls alight, and delicate tints
Of colour in the white folds of her frock.
I lay, and mused, in comfort and at ease,
Watching them both and playing with my thoughts;
And then I fell into a long, deep sleep,
And dreamed.
I saw a water-wilderness—
Islands entangled in a net of streams—
Cross-threads of rippling channels, woven through
Bare sands, and shallows glimmering blue and broad—
A line of white sea-breakers far away.
There came a smoke and crying from the land—
Ruin was there, and ashes, and the blood
Of conquered cities, trampled down to death.
But here, methought, amid these lonely gulfs,
There rose up towers and bulwarks, fair and strong,
Lapped in the silver sea-mists;—waxing aye
Fairer and stronger—till they seemed to mock
The broad-based kingdoms on the mainland shore.
I saw a great fleet sailing in the sun,
Sailing anear the sand-slip, whereon broke
The long white wave-crests of the outer sea,—
Pepin of Lombardy, with his warrior hosts—
Following the ****** steps of Attila!
I saw the smoke rise when he touched the towns
That lay, outposted, in his ravenous reach;

Then, in their island of deep waters,* saw
A gallant band defy him to his face,
And drive him out, with his fair vessels wrecked
And charred with flames, into the sea again.
“Ah, this is Venice!” I said proudly—“queen
Whose haughty spirit none shall subjugate.”

It was the night. The great stars hung, like globes
Of gold, in purple skies, and cast their light
In palpitating ripples down the flood
That washed and gurgled through the silent streets—
White-bordered now with marble palaces.
It was the night. I saw a grey-haired man,
Sitting alone in a dark convent-porch—
In beggar's garments, with a kingly face,
And eyes that watched for dawnlight anxiously—
A weary man, who could not rest nor sleep.
I heard him muttering prayers beneath his breath,
And once a malediction—while the air
Hummed with the soft, low psalm-chants from within.
And then, as grey gleams yellowed in the east,
I saw him bend his venerable head,
Creep to the door, and knock.
Again I saw
The long-drawn billows breaking on the land,
And galleys rocking in the summer noon.
The old man, richly retinued, and clad
In princely robes, stood there, and spread his arms,
And cried, to one low-kneeling at his feet,
“Take thou my blessing with thee, O my son!
And let this sword, wherewith I gird thee, smite
The impious tyrant-king, who hath defied,
Dethroned, and exiled him who is as Christ.
The Lord be good to thee, my son, my son,
For thy most righteous dealing!”
And again
'Twas that long slip of land betwixt the sea
And still lagoons of Venice—curling waves
Flinging light, foamy spray upon the sand.
The noon was past, and rose-red shadows fell
Across the waters. Lo! the galleys came
To anchorage again—and lo! the Duke
Yet once more bent his noble head to earth,
And laid a victory at the old man's feet,
Praying a blessing with exulting heart.
“This day, my well-belovèd, thou art blessed,
And Venice with thee, for St. Peter's sake.

And I will give thee, for thy bride and queen,
The sea which thou hast conquered. Take this ring,
As sign of her subjection, and thy right
To be her lord for ever.”
Once again
I saw that old man,—in the vestibule
Of St. Mark's fair cathedral,—circled round
With cardinals and priests, ambassadors
And the noblesse of Venice—richly robed
In papal vestments, with the triple crown
Gleaming upon his brows. There was a hush:—
I saw a glittering train come sweeping on,
From the blue water and across the square,
Thronged with an eager multitude,—the Duke,
And with him Barbarossa, humbled now,
And fain to pray for pardon. With bare heads,
They reached the church, and paused. The Emperor knelt,
Casting away his purple mantle—knelt,
And crept along the pavement, as to kiss
Those feet, which had been weary twenty years
With his own persecutions. And the Pope
Lifted his white haired, crowned, majestic head,
And trod upon his neck,—crying out to Christ,
“Upon the lion and adder shalt thou go—
The dragon shalt thou tread beneath thy feet!”
The vision changed. Sweet incense-clouds rose up
From the cathedral altar, mix'd with hymns
And solemn chantings, o'er ten thousand heads;
And ebbed and died away along the aisles.
I saw a train of nobles—knights of France—
Pass 'neath the glorious arches through the crowd,
And stand, with halo of soft, coloured light
On their fair brows—the while their leader's voice
Rang through the throbbing silence like a bell.
“Signiors, we come to Venice, by the will
Of the most high and puissant lords of France,
To pray you look with your compassionate eyes
Upon the Holy City of our Christ—
Wherein He lived, and suffered, and was lain
Asleep, to wake in glory, for our sakes—
By Paynim dogs dishonoured and defiled!
Signiors, we come to you, for you are strong.
The seas which lie betwixt that land and this
Obey you. O have pity! See, we kneel—
Our Masters bid us kneel—and bid us stay
Here at your feet until you grant our prayers!”
Wherewith the knights fell down upon their knees,

And lifted up their supplicating hands.
Lo! the ten thousand people rose as one,
And shouted with a shout that shook the domes
And gleaming roofs above them—echoing down,
Through marble pavements, to the shrine below,
Where lay the miraculous body of their Saint
(Shed he not heavenly radiance as he heard?—
Perfuming the damp air of his secret crypt),
And cried, with an exceeding mighty cry,
“We do consent! We will be pitiful!”
The thunder of their voices reached the sea,
And thrilled through all the netted water-veins
Of their rich city. Silence fell anon,
Slowly, with fluttering wings, upon the crowd;
And then a veil of darkness.
And again
The filtered sunlight streamed upon those walls,
Marbled and sculptured with divinest grace;
Again I saw a multitude of heads,
Soft-wreathed with cloudy incense, bent in prayer—
The heads of haughty barons, armed knights,
And pilgrims girded with their staff and scrip,
The warriors of the Holy Sepulchre.
The music died away along the roof;
The hush was broken—not by him of France—
By Enrico Dandolo, whose grey head
Venice had circled with the ducal crown.
The old man looked down, with his dim, wise eyes,
Stretching his hands abroad, and spake. “Seigneurs,
My children, see—your vessels lie in port
Freighted for battle. And you, standing here,
Wait but the first fair wind. The bravest hosts
Are with you, and the noblest enterprise
Conceived of man. Behold, I am grey-haired,
And old and feeble. Yet am I your lord.
And, if it be your pleasure, I will trust
My ducal seat in Venice to my son,
And be your guide and leader.”
When they heard,
They cried aloud, “In God's name, go with us!”
And the old man, with holy weeping, passed
Adown the tribune to the altar-steps;
And, kneeling, fixed the cross upon his cap.
A ray of sudden sunshine lit his face—
The grand, grey, furrowed face—and lit the cross,
Until it twinkled like a cross of fire.
“We shall be safe with him,” the people said,

Straining their wet, bright eyes; “and we shall reap
Harvests of glory from our battle-fields!”

Anon there rose a vapour from the sea—
A dim white mist, that thickened into fog.
The campanile and columns were blurred out,
Cathedral domes and spires, and colonnades
Of marble palaces on the Grand Canal.
Joy-bells rang sadly and softly—far away;
Banners of welcome waved like wind-blown clouds;
Glad shouts were muffled into mournful wails.
A Doge was come to be enthroned and crowned,—
Not in the great Bucentaur—not in pomp;
The water-ways had wandered in the mist,
And he had tracked them, slowly, painfully,
From San Clemente to Venice, in a frail
And humble gondola. A Doge was come;
But he, alas! had missed his landing-place,
And set his foot upon the blood-stained stones
Betwixt the blood-red columns. Ah, the sea—
The bride, the queen—she was the first to turn
Against her passionate, proud, ill-fated lord!

Slowly the sea-fog melted, and I saw
Long, limp dead bodies dangling in the sun.
Two granite pillars towered on either side,
And broad blue waters glittered at their feet.
“These are the traitors,” said the people; “they
Who, with our Lord the Duke, would overthrow
The government of Venice.”
And anon,
The doors about the palace were made fast.
A great crowd gathered round them, with hushed breath
And throbbing pulses. And I knew their lord,
The Duke Faliero, knelt upon his knees,
On the broad landing of the marble stairs
Where he had sworn the oath he could not keep—
Vexed with the tyrannous oligarchic rule
That held his haughty spirit netted in,
And cut so keenly that he writhed and chafed
Until he burst the meshes—could not keep!
I watched and waited, feeling sick at heart;
And then I saw a figure, robed in black—
One of their dark, ubiquitous, supreme
And fearful tribunal of Ten—come forth,
And hold a dripping sword-blade in the air.
“Justice has fallen on the traitor! See,
His blood has paid the forfeit of his crime!”

And all the people, hearing, murmured deep,
Cursing their dead lord, and the council, too,
Whose swift, sure, heavy hand had dealt his death.

Then came the night, all grey and still and sad.
I saw a few red torches flare and flame
Over a little gondola, where lay
The headless body of the traitor Duke,
Stripped of his ducal vestments. Floating down
The quiet waters, it passed out of sight,
Bearing him to unhonoured burial.
And then came mist and darkness.
Lo! I heard
The shrill clang of alarm-bells, and the wails
Of men and women in the wakened streets.
A thousand torches flickered up and down,
Lighting their ghastly faces and bare heads;
The while they crowded to the open doors
Of all the churches—to confess their sins,
To pray for absolution, and a last
Lord's Supper—their viaticum, whose death
Seemed near at hand—ay, nearer than the dawn.
“Chioggia is fall'n!” they cried, “and we are lost!”

Anon I saw them hurrying to and fro,
With eager eyes and hearts and blither feet—
Grave priests, with warlike weapons in their hands,
And delicate women, with their ornaments
Of gold and jewels for the public fund—
Mix'd with the bearded crowd, whose lives were given,
With all they had, to Venice in her need.
No more I heard the wailing of despair,—
But great Pisani's blithe word of command,
The dip of oars, and creak of beams and chains,
And ring of hammers in the arsenal.
“Venice shall ne'er be lost!” her people cried—
Whose names were worthy of the Golden Book—
“Venice shall ne'er be conquered!”
And anon
I saw a scene of triumph—saw the Doge,
In his Bucentaur, sailing to the land—
Chioggia behind him blackened in the smoke,
Venice before, all banners, bells, and shouts
Of passionate rejoicing! Ten long months
Had Genoa waged that war of life and death;
And now—behold the remnant of her host,
Shrunken and hollow-eyed and bound with chains—
Trailing their galleys in the conqueror's wake!

Once more the tremulous waters, flaked with light;
A covered vessel, with an armèd guard—
A yelling mob on fair San Giorgio's isle,
And ominous whisperings in the city squares.
Carrara's noble head bowed down at last,
Beaten by many storms,—his golden spurs
Caught in the meshes of a hidden snare!
“O Venice!” I cried, “where is thy great heart
And honourable soul?”
And yet once more
I saw her—the gay Sybaris of the world—
The rich voluptuous city—sunk in sloth.
I heard Napoleon's cannon at her gates,
And her degenerate nobles cry for fear.
I saw at last the great Republic fall—
Conquered by her own sickness, and with scarce
A noticeable wound—I saw her fall!
And she had stood above a thousand years!
O Carlo Zeno! O Pisani! Sure
Ye turned and groaned for pity in your graves.
I saw the flames devour her Golden Book
Beneath the rootless “Tree of Liberty;”
I saw the Lion's le
(To Marcel Schwob in friendship and in admiration)

In a dim corner of my room for longer than
my fancy thinks
A beautiful and silent Sphinx has watched me
through the shifting gloom.

Inviolate and immobile she does not rise she
does not stir
For silver moons are naught to her and naught
to her the suns that reel.

Red follows grey across the air, the waves of
moonlight ebb and flow
But with the Dawn she does not go and in the
night-time she is there.

Dawn follows Dawn and Nights grow old and
all the while this curious cat
Lies couching on the Chinese mat with eyes of
satin rimmed with gold.

Upon the mat she lies and leers and on the
tawny throat of her
Flutters the soft and silky fur or ripples to her
pointed ears.

Come forth, my lovely seneschal! so somnolent,
so statuesque!
Come forth you exquisite grotesque! half woman
and half animal!

Come forth my lovely languorous Sphinx! and
put your head upon my knee!
And let me stroke your throat and see your
body spotted like the Lynx!

And let me touch those curving claws of yellow
ivory and grasp
The tail that like a monstrous Asp coils round
your heavy velvet paws!

A thousand weary centuries are thine
while I have hardly seen
Some twenty summers cast their green for
Autumn’s gaudy liveries.

But you can read the Hieroglyphs on the
great sandstone obelisks,
And you have talked with Basilisks, and you
have looked on Hippogriffs.

O tell me, were you standing by when Isis to
Osiris knelt?
And did you watch the Egyptian melt her union
for Antony

And drink the jewel-drunken wine and bend
her head in mimic awe
To see the huge proconsul draw the salted tunny
from the brine?

And did you mark the Cyprian kiss white Adon
on his catafalque?
And did you follow Amenalk, the God of
Heliopolis?

And did you talk with Thoth, and did you hear
the moon-horned Io weep?
And know the painted kings who sleep beneath
the wedge-shaped Pyramid?

Lift up your large black satin eyes which are
like cushions where one sinks!
Fawn at my feet, fantastic Sphinx! and sing me
all your memories!

Sing to me of the Jewish maid who wandered
with the Holy Child,
And how you led them through the wild, and
how they slept beneath your shade.

Sing to me of that odorous green eve when
crouching by the marge
You heard from Adrian’s gilded barge the
laughter of Antinous

And lapped the stream and fed your drouth and
watched with hot and hungry stare
The ivory body of that rare young slave with
his pomegranate mouth!

Sing to me of the Labyrinth in which the twi-
formed bull was stalled!
Sing to me of the night you crawled across the
temple’s granite plinth

When through the purple corridors the screaming
scarlet Ibis flew
In terror, and a horrid dew dripped from the
moaning Mandragores,

And the great torpid crocodile within the tank
shed slimy tears,
And tare the jewels from his ears and staggered
back into the Nile,

And the priests cursed you with shrill psalms as
in your claws you seized their snake
And crept away with it to slake your passion by
the shuddering palms.

Who were your lovers? who were they
who wrestled for you in the dust?
Which was the vessel of your Lust?  What
Leman had you, every day?

Did giant Lizards come and crouch before you
on the reedy banks?
Did Gryphons with great metal flanks leap on
you in your trampled couch?

Did monstrous hippopotami come sidling toward
you in the mist?
Did gilt-scaled dragons writhe and twist with
passion as you passed them by?

And from the brick-built Lycian tomb what
horrible Chimera came
With fearful heads and fearful flame to breed
new wonders from your womb?

Or had you shameful secret quests and did
you harry to your home
Some Nereid coiled in amber foam with curious
rock crystal *******?

Or did you treading through the froth call to
the brown Sidonian
For tidings of Leviathan, Leviathan or
Behemoth?

Or did you when the sun was set climb up the
cactus-covered *****
To meet your swarthy Ethiop whose body was
of polished jet?

Or did you while the earthen skiffs dropped
down the grey Nilotic flats
At twilight and the flickering bats flew round
the temple’s triple glyphs

Steal to the border of the bar and swim across
the silent lake
And slink into the vault and make the Pyramid
your lupanar

Till from each black sarcophagus rose up the
painted swathed dead?
Or did you lure unto your bed the ivory-horned
Tragelaphos?

Or did you love the god of flies who plagued
the Hebrews and was splashed
With wine unto the waist? or Pasht, who had
green beryls for her eyes?

Or that young god, the Tyrian, who was more
amorous than the dove
Of Ashtaroth? or did you love the god of the
Assyrian

Whose wings, like strange transparent talc, rose
high above his hawk-faced head,
Painted with silver and with red and ribbed with
rods of Oreichalch?

Or did huge Apis from his car leap down and
lay before your feet
Big blossoms of the honey-sweet and honey-
coloured nenuphar?

How subtle-secret is your smile!  Did you
love none then?  Nay, I know
Great Ammon was your bedfellow!  He lay with
you beside the Nile!

The river-horses in the slime trumpeted when
they saw him come
Odorous with Syrian galbanum and smeared with
spikenard and with thyme.

He came along the river bank like some tall
galley argent-sailed,
He strode across the waters, mailed in beauty,
and the waters sank.

He strode across the desert sand:  he reached
the valley where you lay:
He waited till the dawn of day:  then touched
your black ******* with his hand.

You kissed his mouth with mouths of flame:
you made the horned god your own:
You stood behind him on his throne:  you called
him by his secret name.

You whispered monstrous oracles into the
caverns of his ears:
With blood of goats and blood of steers you
taught him monstrous miracles.

White Ammon was your bedfellow!  Your
chamber was the steaming Nile!
And with your curved archaic smile you watched
his passion come and go.

With Syrian oils his brows were bright:
and wide-spread as a tent at noon
His marble limbs made pale the moon and lent
the day a larger light.

His long hair was nine cubits’ span and coloured
like that yellow gem
Which hidden in their garment’s hem the
merchants bring from Kurdistan.

His face was as the must that lies upon a vat of
new-made wine:
The seas could not insapphirine the perfect azure
of his eyes.

His thick soft throat was white as milk and
threaded with thin veins of blue:
And curious pearls like frozen dew were
broidered on his flowing silk.

On pearl and porphyry pedestalled he was
too bright to look upon:
For on his ivory breast there shone the wondrous
ocean-emerald,

That mystic moonlit jewel which some diver of
the Colchian caves
Had found beneath the blackening waves and
carried to the Colchian witch.

Before his gilded galiot ran naked vine-wreathed
corybants,
And lines of swaying elephants knelt down to
draw his chariot,

And lines of swarthy Nubians bare up his litter
as he rode
Down the great granite-paven road between the
nodding peacock-fans.

The merchants brought him steatite from Sidon
in their painted ships:
The meanest cup that touched his lips was
fashioned from a chrysolite.

The merchants brought him cedar chests of rich
apparel bound with cords:
His train was borne by Memphian lords:  young
kings were glad to be his guests.

Ten hundred shaven priests did bow to Ammon’s
altar day and night,
Ten hundred lamps did wave their light through
Ammon’s carven house—and now

Foul snake and speckled adder with their young
ones crawl from stone to stone
For ruined is the house and prone the great
rose-marble monolith!

Wild *** or trotting jackal comes and couches
in the mouldering gates:
Wild satyrs call unto their mates across the
fallen fluted drums.

And on the summit of the pile the blue-faced
ape of Horus sits
And gibbers while the fig-tree splits the pillars
of the peristyle

The god is scattered here and there:  deep
hidden in the windy sand
I saw his giant granite hand still clenched in
impotent despair.

And many a wandering caravan of stately
negroes silken-shawled,
Crossing the desert, halts appalled before the
neck that none can span.

And many a bearded Bedouin draws back his
yellow-striped burnous
To gaze upon the Titan thews of him who was
thy paladin.

Go, seek his fragments on the moor and
wash them in the evening dew,
And from their pieces make anew thy mutilated
paramour!

Go, seek them where they lie alone and from
their broken pieces make
Thy bruised bedfellow!  And wake mad passions
in the senseless stone!

Charm his dull ear with Syrian hymns! he loved
your body! oh, be kind,
Pour spikenard on his hair, and wind soft rolls
of linen round his limbs!

Wind round his head the figured coins! stain
with red fruits those pallid lips!
Weave purple for his shrunken hips! and purple
for his barren *****!

Away to Egypt!  Have no fear.  Only one
God has ever died.
Only one God has let His side be wounded by a
soldier’s spear.

But these, thy lovers, are not dead.  Still by the
hundred-cubit gate
Dog-faced Anubis sits in state with lotus-lilies
for thy head.

Still from his chair of porphyry gaunt Memnon
strains his lidless eyes
Across the empty land, and cries each yellow
morning unto thee.

And Nilus with his broken horn lies in his black
and oozy bed
And till thy coming will not spread his waters on
the withering corn.

Your lovers are not dead, I know.  They will
rise up and hear your voice
And clash their cymbals and rejoice and run to
kiss your mouth!  And so,

Set wings upon your argosies!  Set horses to
your ebon car!
Back to your Nile!  Or if you are grown sick of
dead divinities

Follow some roving lion’s spoor across the copper-
coloured plain,
Reach out and hale him by the mane and bid
him be your paramour!

Couch by his side upon the grass and set your
white teeth in his throat
And when you hear his dying note lash your
long flanks of polished brass

And take a tiger for your mate, whose amber
sides are flecked with black,
And ride upon his gilded back in triumph
through the Theban gate,

And toy with him in amorous jests, and when
he turns, and snarls, and gnaws,
O smite him with your jasper claws! and bruise
him with your agate *******!

Why are you tarrying?  Get hence!  I
weary of your sullen ways,
I weary of your steadfast gaze, your somnolent
magnificence.

Your horrible and heavy breath makes the light
flicker in the lamp,
And on my brow I feel the damp and dreadful
dews of night and death.

Your eyes are like fantastic moons that shiver
in some stagnant lake,
Your tongue is like a scarlet snake that dances
to fantastic tunes,

Your pulse makes poisonous melodies, and your
black throat is like the hole
Left by some torch or burning coal on Saracenic
tapestries.

Away!  The sulphur-coloured stars are hurrying
through the Western gate!
Away!  Or it may be too late to climb their silent
silver cars!

See, the dawn shivers round the grey gilt-dialled
towers, and the rain
Streams down each diamonded pane and blurs
with tears the wannish day.

What snake-tressed fury fresh from Hell, with
uncouth gestures and unclean,
Stole from the poppy-drowsy queen and led you
to a student’s cell?

What songless tongueless ghost of sin crept
through the curtains of the night,
And saw my taper burning bright, and knocked,
and bade you enter in?

Are there not others more accursed, whiter with
leprosies than I?
Are Abana and Pharphar dry that you come here
to slake your thirst?

Get hence, you loathsome mystery!  Hideous
animal, get hence!
You wake in me each ******* sense, you make me
what I would not be.

You make my creed a barren sham, you wake
foul dreams of sensual life,
And Atys with his blood-stained knife were
better than the thing I am.

False Sphinx!  False Sphinx!  By reedy Styx
old Charon, leaning on his oar,
Waits for my coin.  Go thou before, and leave
me to my crucifix,

Whose pallid burden, sick with pain, watches
the world with wearied eyes,
And weeps for every soul that dies, and weeps
for every soul in vain.
Andrew T Jul 2016
Backstory: A Memoir

For Vicki

By AT

5

While I was downstairs, folding laundry in the basement, I heard my sister Vicki stomping upstairs to the room that used to be mine, slamming the door, and locking it shut.

I was a ****** older brother. And Vicki learned that action from me.
Then, I heard more footsteps. Louder stomping. And I knew, with certainty, it was Mom coming after her.

I'm not an omniscient narrator, so I don't know what Vicki does when the door is locked.

But I do imagine she is reading. Vicki’s been using her Kindle that Mom got her for Christmas. She adores Gillian Flynn and Suzanne Collins. She's starting to get into Philip Pullman which is swagger. I remember reading His Dark Materials when I was in elementary school.

The Golden Compass ***** you into that world, like during June when you're hitting a bowl for the first time and you're 17, late at night on Bethany beach with your childhood best friend, and the surf is curling against your toes, and the smoke is trailing away from the cherry, and you begin to realize that life isn't all about living in NOVA forever, because the world is more than NOVA, because life is bigger than this hole, that to some people believe is whole, and that's fine, that's fine because many of our parents came here from other small towns, and they wanted to do what we wanted to do, which is to pack up our stuff into the trunk of our presumably Asian branded car, and drive, drive, until they reach a destination that doesn't remind them of the good memories and the bad memories, until memory is mixed in with nostalgia, and nostalgia is mixed in with the past.

Maybe I'm dwelling on backstory, maybe you don't need to hear the backstory.

But I think you do.

Life isn't an eternity,
what I'm telling you is already known, known since there was a spider crawling up the staircase and your dad took the heel of his black dress shoe and dug his heel into that bug. And maybe I'm buggin’, but that bugged me, and now I'm trying to be healthier eating carrots like Bugs. Kale, red onions, and quinoa, as well. Because I want to be there for my sister, Vicki my sister. All we got is a wrapped up box made from God, Mohammad, and Buddha.

Soon, I heard Vicki’s door handle being cranked down and up, up and down.

Mom raised her voice from a quiet storm to a deafening concerto.  
Then, there was silence, followed by a door slamming shut.

Welcome to our life.
Later on that night, Vicki sped out of our cul-de-sac in her silver Honda Accord—a gift from Mom to keep her rooted in Nova—and even from the front porch of my house, I felt a distance from her that was deep and immovable.

I sank deeper into my lawn chair and lit a jack, but instead of inhaling like I usually did, I held it out in front of me and watched the smoke billow out from the cherry.

I always smoked jacks when she was not there, because I didn’t want her to see me knowingly do this to myself, even as I was making huge changes to my life. It’s the one vice I have left, and it’s terrible for me, but I don’t know if she understands that I know both things. Maybe instead of caring about what jacks do to my body, I should care about what she thinks about what I’m doing to myself. This should be obvious to me, but sometimes things aren’t that obvious.

4

As we grew older Vicki and I forged a dialogue, an understanding. She confided in me and I confided in her, sharing secrets, details about our lives that were personal and private, as if we were two CIA agents working together to defeat a totalitarian government—our tiger mom.

But seriously our mom was and still is swagger as ****—rocks Michael Kors and flannel Pajama pants (If I told you that last article of clothing she'd probably pinch my cheek and call me a chipmunk. Don't worry I'm fine with a moderation of self-deprecation).

The other day Mom talked to me about Vicki and explained that she was upset and irritated with Vicki because of her attitude. I thought that was interesting, because I used to have the same exact attitude when I was my sister’s age and I got away with a lot more ****, being that I'm a guy and the first-born. I understood why she would shut the front door, exit our red brick bungalow, and speed away in her Honda Accord, going towards Clarendon, or Adams Morgan, spending her time with her extensive circle of friends on the weekdays and weekends.

Because being inside our house, life could get suffocating and depressing.
Our Grandparents live with us. Grandpa had a stroke and is trying to recover. Grandma has Alzheimer’s and agitates my mom for rides to a Vietnamese Church. Besides the caretakers, Mom, Dad, Vicki, and I are the only ones taking care of my grandparents.

Mom told me that she believes that Vicki uses the house as a hotel. Mom didn't remind me of a landlord, and I believe that Vicki doesn’t see her as that either.

I didn't believe Vicki was doing anything necessarily wrong.

She had her own life.

I had my own life.

Dad had his own life.

Mom had her own life.

I understood why she wanted to go out and party and hang out with her friends. Maybe she was like me when I was 21 and perceived living at home as a prison, wanting to have autonomy and freedom from Mom because she was attempting to make me conform to her controlled system with restraints. But as Vicki and I both grow older I believe that we see Mom not as an authority figure; but, just as Mom.

Vicky and Mom clash and clash and clash with each other, more than the Archer Queens of The Hero Troops clash with the witches of the Dark Elixir Troops.

They act like they were from different clans, but they're both on the same side in reality.

The apple does not fall far from the tree. And in this case the tree wants to hang onto the apple on the tip of its rough, and yet leafy bough.
Because the tree is rooted in experience and has been around for much longer than the apple.

But the apple is looking for more water than the tree can give it. So the apple dreams about a summer rain-shower that will give it a chance to have its own experience. A similar, but different one, to the darker apple that hangs from a higher bough, an apple that has been spoiled from having too much sun and water.

3

During Winter Break, Vicki scored me tickets to a game between the Wizards and the Bucks. From court side to the nosebleeds, the audience at the Verizon Center was chanting in cacophony and in tempo. Wall was injured. But Gortat crashed the boards, Nene' drained mid-range shots, and Beal drove up the lane like Ginsberg reading Howl.

Vicki and I both tried to talk to each other as much as we could; unfortunately, Voldemort—my ex-gf—sat in between us and was gossiping about the latest scoop with the Kardashians.

Nevertheless, Vicki and I still managed to drink and have an outstanding time. But I should have given her more attention and spent less time on my smartphone. I was spending bread on Papa John's Pizza and chain-smoking jacks during half-time, and even when there were time outs. When I would come back and sink into my plastic chair, I'd feel bloated and dizzy.
And I'd look over at Vicki and either she was talking to Voldemort, or typing away on her smartphone. I didn't mind it at the time, but now I wished I had been less of a concessions barbarian/used-car salesman chain-smoker, and more of an older brother. I should have asked her about her day and her friends and her interests.

But I didn't.

Because I was so concerned about indulging in my vices like eating slices of pepperoni pizza and drinking overpriced beer. There's nothing wrong with pizza or beer. But as we all know the old saying goes, everything is about moderation.

Vicki scrunched her nose and squinted her eyes when I would lean forward and try to maneuver around Voldemort, trying to talk to her about the game and the players in it. I imagine that when she smelled the cigarette smoke leaking away from my lips, that she believed I was inconsiderate and not self-aware.

After the game, we went to a bar across the street from the Verizon Center, and bought mixed drinks. Voldemort was D.D., so Vicki and I drank until our Asian faces got redder than women and men who go up on stage for public speaking for the first time.

I remember this older Asian guy was trying to hit on her.
I took in short breaths. Inhaled. Exhaled. I cracked my shoulder blades to push my chest forward.  

And then, I patted him on the back and grinned. The Asian guy got the message. You don’t **** with the bodyguard.

Vicki had and still has a great boyfriend named Matt.

I guided Vicki back to our table and laughed about the awkward situation with her.

The Asian guy craned his head toward me and did a short wave. And then he bought us coronas. Either, you’re still hitting on my sister, or it’s a kind gesture. She and I better not get... Or am I overthinking it?

But seriously, I wished I had been the one to spend money on her first—she had bought the first round of drinks. Because at the time, my job was challenging and low-paying. Or maybe I just wasn't being frugal enough and partying way too often.

I still remember the picture that a cool rando took of us, drinking the Coronas, and how I was happy to be a part of her life again. Our eyes were so Asian. I had my lanky arm around her small shoulders, like a proud Father. She had her cheek propped up by her fist, her smile, gigantic and beaming, as though she had just won Wimbledon for the first time.
I was wearing a white and blue Oxford shirt that she had gotten me for Christmas with a D.C. Rising hat. She had on a cotton scarf that resembles a tan striped tail of a powerful cat.

My face was chubby from the pizza. Her face was just right like the one house in Goldilocks. The limes in the Coronas were sitting just below the throat of the bottles, like old memories resurfacing the brain, to make the self recall, to make the self remember how to treat his family.
Or maybe this is just a brand new Corona ad geared towards the rising second-generation Asian American demographic? I'm playing around.
But end of commercial break.

Vicki pats me on the back and we clink bottles together. Voldemort is lurking in the background, as if she's about to photobomb the next picture. Sometimes I don't know if there's going to be a next picture.
Either we live in these moments, or make memories of them with our phones. And like sheep following an untrustworthy shepherd, we went back to our phones. She made emails and texts. I went on twitter in search of the latest news story.

2

Before Vicki and I opened each other's presents, I remember I blew up at Mom and Dad, and criticized everyone in the family room including Vicki. It was over something stupid and trivial, but it was also something that made me feel insecure and small. I was the black sheep and she was the sheep-dog.

I screamed. Vicki took in a deep breath and looked away from my glare, looked away to a spot on the hardwood floor that was filled with a fine blanket of dust and lint. I chattered. She rubbed her fingers around the lens of her black camera and shook her head in a manner that suggested annoyance and disappointment. I scoffed. She set the camera down on the coffee table and pressed the flat of her hand against her cheek, and glanced out the window into the backyard that was blanketed with slush and snow.
Drops of snow were plunging from the branches of the evergreen trees and plopping onto the patches of the ground, plunging, as though they were little toddlers cannonballing off of a high-dive.

She turned back and looked at me straight in the eye, so straight I thought she was searching for the answer to my own stupidity.

I cleared my throat and said, “I need a breath of fresh air.”

Vicki bit her bottom lip, sat down, and put her arms on her knees, a deep, contemplative look appearing on her face.

I stormed into the narrow hallway, slammed the front door back against its rusty hinges, and trundled down my front driveway, the cold from the ice and the snow dampening the soles of my tarnished boots. I lit a jack at the far end of the cul-de-sac and counted to ten. I watched the cigarette smoke rise, as the ashes fell on the snow, blemishing its purity and calmness. I inhaled. I exhaled. I could feel it in the pit of my stomach that Vicki knew I was having a jack to reduce my stress, stress that I had cause all by myself. I ground the jack against the snowy concrete, feeling the cold begin to numb my fingers that were shaking from the nicotine, shaking from the winter that had wrapped itself around me and my sister.

When I came back inside of the house, I told Mom and Dad I was being an idiot and that I didn’t mean to be such an *******. I turned to Vicki and put my hand on her shoulder, squeezed it, and smiled weakly, telling her that I didn’t mean to upset her.

She nodded and said, “It’s okay bro.”

But her soft and icy tone made me feel skeptical; she didn’t believe me. I didn’t know if I believed my apology. Minutes later, I gave my present to her.

Her face brightened up with a smile. It was a gradual and cautious smile, a little too gradual and a little too cautious. She hugged me tightly, as though my earlier outburst hadn’t happened.

She opened the bank envelope and inside was a fat stack of cleanly, pressed bills that totaled a hundred. Being an arrogant, noob car salesman at the time, I thought it was going to be a pretty clever present. I could have given her a Benjamin, but I thought this would make her happier, because it showed my creative side in a different form.

I remember seeing her spread the dollar bills out, as if the bills were a Japanese Paper fan. Vicki told me not to post the picture I had taken on insta or Facebook. I smiled faintly and nodded, stuffing my smartphone back into my sweatpants pocket. I understood what she wanted, and I listened to her, respecting her wishes. But I also wasn't sure if she was embarrassed and ashamed of me. And maybe I was overthinking it. But again, maybe I wasn’t overthinking it. Social Media, whether we like it or not, is a part of life. And in that moment, I actually wanted social media to display this a single story in our lives. I wanted to show people that Vicki was the most important person—besides my parents—in my life. Because I was so concerned with how people viewed me and because I lacked confidence, lacked security, and lacked respect for myself

Vicki's present to me was a sleek and blue tie, a box set of mini colognes, and refreezable-ice-cubes. I think she called it the car salesperson kit. But I knew and still know she was trying to turn me into an honest and non-sketchy car salesman. And you know what, I was genuine, but I also couldn't retain any information about the cars features—to reiterate my Grandma has Alzheimer's, my mom writes down constant notes to remember everything, and I forget my journal almost every time I leave the house.

After Christmas I wore the tie to work a few times, but the mini colognes and ice-cubes never got used by me. They stayed in the trunk of my Toyota Avalon. I should have used the colognes and the ice-cubes, but I was too careless, too self-involved, and too ungrateful.

1

Back in the 90’s, when we were around 3 and 6 years old, Vicki and I shared the same room on the far left end of the hallway in our house. She had a small bed, and I had a bigger bed, obviously, because at 6 foot 1, I was a genetic freak for a Vietnamese guy. I read Harry Potter and Redwall like crazy growing up, and I would try to invent my own stories to entertain her. Every night she would listen to me tell my yarn, and it made me feel that my voice was significant and strong, even though many times I felt my voice was weak and soft, lacking in inflection, or intonation.

I had a speech impediment and I had to take classes at Canterbury Woods to fix my perceived problem. I wanted to fit in, blend in, and have friends.
Back then Vicki was not only my sister, but my best friend. She used to have short, black bangs; chubby cheeks, and a dot-sized nose—don't worry she didn't get ****** into the grocery tabloids and get rhinoplasty. She wore her red pajamas with a tank top over it, so she looked like a mini-red ranger, and her slippers
Dedicated to my baby sister, love you kid!
Tessa F May 2013
Scars of tear-streaked shame
Or proud tiger-striped strength.
Which are they?
Tonight let's flip the coin.
Self love or self loathing,
Which shall it be?

— The End —