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Devon Baker Aug 2011
The fuzzy hug that never loosens its grasp
Clutching as a barbed wire hugs and puppies cuddle and love,
whiskers and noses nuzzling, the straitjacket loves your mind,
wishes it could just squeeze the nightmares out and streaming as juices from an orange,
but its might only pressurizes, the more you fight the more you hurt,
bruising our precious straitjacket heart, he’s here to help us
take the tasks of fettering hands
just to hug and coil about us
Learn to love them, the society blanket,
the crazy snuggler, the bunny constrictor
Crazy’s not useful and our little straitjacket cures our woes
strangling us within linen cotton folds
simmer our fires
breaking our bronc
hushing our tantrum cry
It’s the mother we Learn to love
Kin that keeps us in heavenly grip
The Straitjacket’s here for all our insanists
I am trapped in a straitjacket
Unable to move
I may as well be in a casket

Trying to remember how I got here
Everything is so unclear
I am blindfolded and everything starts to disappear

Out of control
Out of my mind
Out of a soul

I fight against the sleeves
Thrashing, resisting
Trying so hard to leave

Doctors whispering reassuringly
But the words don't reach me
No matter how kindly

In an asylum you don't pay rent
Because you are a slave against your will
Held there just for thinking something different

Not a single letter
No one wants to talk to the insane
No one even thinks you'll ever get better

Then you lose hope in your own recovery
No one else believes it, why should you?
You forget what it is to even be free.


This straitjacket gets no easier to bear
I pull and pull
But it gets no better to wear
Mike Hauser Mar 2014
after enjoying another straitjacket breakfast

of foreign matter pulled through a straw

i seem to be ******* at the moment

nurse... hold all my calls
Ellie Stelter Sep 2011
In a city where it's all about control
The students and the teachers are the oppressed today
This entire school is just a straitjacket
Waiting to reach its fingers of conformity up and around our throats,
Waiting to twist all the differences out of us,
Waiting to write a curriculum, a test that can be taken,
One to measure our minds, our thoughts, our hearts

Don't those ******* know
It's not their job to compare us?
And besides, you can't gauge emotion
Or tell me that my heart is below average
You can't say to me that I'm not thinking properly.

*******, there's no "right thought" I can have.
It's not a matter of how much I love or who.
You can't look at me once and say you know my soul.
But you would love that, wouldn't you? You'd love
To label everything, and neatly shelve it away,
In some great and empty vault, where you'll only constrain its potential.
By writing such a test you would be condemning all of us to eternal emptiness.
A general "*******" to the superintendents of schools who are making stupid decisions without any real experience.
NeroameeAlucard Jan 2015
I'm trapped in a straitjacket
The Asylum's cleaning up off of this racket
I'm losing it, I keep writing on the wall
And then when I come back from the cafeteria I know for **** sure that they're gone
I've been in here so long the padded cell is deflating
It's degrading to have to suffer from the orderlies berating

They say the mind bends and twists like light caught in a prism I'm struggling to find the light trapped within what's written
I'm writing all day abusing pages constantly but I put on the facade of walking confidently
Mateuš Conrad Jul 2018
and i remember going out in london,
seeking bloc party, and a fan-b -
or *****... or sycophancy in practice...
snogging a finnish girl
who did the shadow work for the white
stripes, donning a eisernes kreuz
t-shirt, feeling like: well...
this could work... but it didn't...
ended up in upper-side of what was,
what is, what if of london...
cradling an ex-girlfriend on a bean
while our hosts did *******
below us...
     and i can only remedy myself,
now, with the memory,
  as vivid as a holocaust denier...
              petrified shaking,
but wholly imbedded by a trust...
              she wasn't something akin
to a size-difference fetish of
   a reverted teddy-bear / pillow,
in my arms...
   standing an astouding 6ft...
                        indian and trans-irish
                 (one antidote to identity
politico? **** it... spice it up
with terms like afro-saxons)...
                               her shaking...

   but what a sensation, lodged into
a mind that has become purely
memoria cameo theatre...
what am i getting at?


    the slack boys get playing video games...
hell, i play video games while taking
a ****, on the throne of thrones,
but when i'm mobile?
closed eyes, sitting on a folded leg
on a window-sill,
   eyes, closed, ears armed with
a thumping sound akin to static-x,
"watching" a moo-v...
                did i eat any beef before
the mad cow disease broke down
the blind train of journalism?
    so... i have aspects of a mad cow
disease in me?!
             be and only be:
a relentless *******...

  but boys getting the slack for their
cognitive geography...

    a girl obsessing disney movies,
with her critique?
     apparently the world of boys
isn't colourful enough,
   or: too grey...
              well... we have the noir range...
but before that blossoms,
it's taken down, and has a psychiatric
institution impose its...

wait... **** addiction?
   ever try to alleviate that sort of addiction
by, actually buying a ***** mag.,
from a shop, and not even blushing?
there are alternatives to psychiatry -
i think the slur comes along
the rubric of:            wh     o      r        e:
oh... that fading french hark
within the straitjacket of for...

               huh? not a fork...
               boys are stupid for playing
video games,
  but girls are a o.k. doing disney cartoon
    or that story of assorting a pyramid
but not an extending rectangle hierarchy...
boys stop playing video games,
girls stop having a fetish for idealistic
                  fair enough?

oh i'm ******...
                   because how can you
grind the one, but not observe the other?
cartoon movies
are video games what
girl is to boy:
                    replica -

yet... i can still only remember her
shaking body, left, in the *****
of my embrace...
        like i might love a ***** star...
with... the coincidence of:
not allowing a knowledge of
a past...

               it's not that ignorance
is bliss... certain types of ignorance...
simply do not hurt...

                and we woke up in the top
floor (there were only two to begin with)
of the werehouse,
   and with the sunrise, we parted...

she having children, i having the burden
of too many poems -
             the irrational reality of
inverted claustrophobia continually
****** a blank white pixel space
         with my maggoty wordings...
a ***** addiction?
1. go into a shop and buy a mag.
2. watch videos of girls *******
3. watch videos of girls
     giving critique of YA novels
4. **** a lemon in the morning
   after a night of drinking?
5. consider the implanted
  impetus within the confines
of a circumcision?
Abby Orbeta Dec 2014
Your life came in a kit:
Wrapped in shiny paper, tied with big red bow.
Inside was an instruction manual,
Containing everything you could ever need.
Easier. It was life made easier.
You find it ill-fitting. Restrictive.
Like a straitjacket masquerading as a ball gown.

You live in a world where the Word was the law
and the law was the Word.
A world of pointing fingers and pointed words
like shotgun blasts (Boom. Boom. Boom.)
that leave you hollow.

You feel flawed.
No room for discussions.
Future already set.

You knew you were different.
The kit was not who you were.
Yet you pinched and pulled.
Cut and cut deeper.
Put yourself in restraints and kept all emotions in check.
You hid who you were.
You wanted so badly to fit in.

You hated yourself;
For not fitting in,
For being who you are,
For thinking the way that you do,
For being attracted to people you weren’t supposed to.
You hated others for the same reasons.

You don’t have to feel this way.
It’s going to be okay.
You are not alone in this.
You are loved.
You are made perfect in the way that you are:
“flaws” and all.
Mateuš Conrad Mar 2016
the reason those paintings sell for so much at auctions, is because, unlike poems, you've invested in oil paints, brushes, the canvas, a space to do the work... with poems you don't really need raw materials on such a scale, obviously a manuscript might sell, but never in the range of a painting; poets don't invest much in writing a poem, or if they do, it's treated like an ***** donor's bits-and-bobs - hey! turn on the conveyor belt of recycled heartbeats! we have one dying over here, and another needs a transplant! turn it on, we're not stopping for one ******* or another! but i ask you, is this really such a cold harsh reality, when compared to a graveyard? and that moss on the gravestones, and the forgotten mourning vigil of actual relation?*

i don't know why liquor is such
a sin, to so many people,
i once exclaimed: 'do you know
any other potent sedative?!
i don't, and sleeping pills don't work
without the intake of alcohol;
i know, counter-intuitive,
so where did you stash the barbituates?'
well if not a party drug to dumb-down
i drink and sedate myself,
i'm a turtle after a while,
although a turtle that still types things
down... like now...
let's write a pop poem:
got the munch, feel a hunch,
both are on my back...
poached a pear, stalked a grizzly bear...
felt it was all one, big, india's independence
day funfair. how's that? hmm... humph!
telephone Sweden for me, and tell
them i called asking for secretary Nobel
in the archives of time...
i don't like what i write, maybe that's
because i just write...
and i write... and write... and write...
elevate writing above slaving
at the plumbing or the light-bulb
and suddenly the world enlarges itself
in its commotion...
and a little fading grey dot emerges,
made exponential by your ego;
but i guess you can say o grand *******
when you write on the sly...
i can see poetry as a transcendental medium
from chop, charge, chop, charge,
chop, typo, chop, typo, chop, buzz,
chop, buzz, chop chop chop, typo... charge,
well d'uh, but how to capture a
transcendental conversation without
actually abusing the art into one's own escape
plans, like the inverse of suicide...
how to capture a convo... convalescent and
readied for more...
you're taking that poem up a mountain
to shout it out loud?
do that on the plateau of a marketplace
and ready yourself to shake hands with a straitjacket;
because that's how we now live.
Ray Suarez Jul 2016
Of sun soaked orange
And blood soil red
Pale sobbing violet
Dancing gently in cold breeze
Dancing gently in hell fire
They are no doubt alive
Statued in dirt
Reaching toward rain cloud
There is just nowhere else to go
There is nothing else to do
But dance during dog **** showers
But dance during petal wilting
But dance until root rot
Screaming at the fire
Trembling in moonlight
They are no doubt alive
Forcing themselves to continue
While feeling as insane as
When a metaphysical Venus flytrap
blindsides the honeycombpound eyed
sense of security I've falsified;
when the knowledge of good & evil is ratheripe;

when contiguous backgarden of young guns
mix solar with Stella & I can hear from here
scruburb hubbub, my hothouse muse sick at their
Asbo airrifle house anthems;

when I've been spat out like a pip again,
& nursery taunts of my bullies Johnny & Tommy
- who dibsed Bill & Ben,  which pilloried me
'Little ****'  - are flashback thicket evergreen;

when local calumny of all my complaints
wins blacklisting,  thus alone, I can't cajole
or goad my thriving today:  a fool
for the sun, I go to her in her element.

In her greenhouse grown from garnered discarded
gardengates, writtenoff windscreens, woodworm tough
junk planks, other ****** clutter, freecycle stuff.
Maybe what the fairies  flytipt, shed sheds.

& as her silver hatter, tinfoilconed garden
gnome, I say it with godwottery
& fleurs bleues of drosometric poetry.
Fecund in seconds at so gorgeous a groundswoman,

compared to whom Charlie Dimmock's
a pyrrhotic hummock. I need to feel
her greenfingernailed hands that heal
petals upon me. Even dogsmuck

has its day in the sun (faecal factoid:
contemporary canine squelchtraps for shoes
no longer dessicate a canescent hue,
because of low calcium content in tinned

dogsmuck for our best friend's biting end).
But may those hands which craft crutches for
crocuses scratch out my roots, pooper-
scoop summer stinkers I grew from. She tends

to sheltered seedlings, soon to spam 'ead
the ceiling of her slipshod shed, even
before 'Bunny H. Greenhouse' is interjection
wellsaid. & when transplanted, repotted

they'll nip new zeppelins in the bud
in a beanstalking blink, like a safetypin
in a  zit! Her garden's always plopping
antigrav aureate  H.Dumpties, sunnysideup

drive of saplings & seedlings, for golden
egg plants be all flora to my floraphile.
Not strict drips she feeds to daffodils,
dahlias, daffodahlia hybreeds - they're sodden!

O Edwina Wateringcanhands!
Also my Mrs. Mellors, at whom a herm
shoots up overgrown, aherm.
Eden is a garden of reproductive glands.

Her hyponychium frowns
with flowers' bedding,
but the **** needs weeding
that brings my flower down.

Far more than the Maggie (not numb P45)
Thatcher of flower power, Frey hersilt,
Gardener Girlf put da spurt inta expert
teasing o' da e'rt. Induviae

of a concrete straitjacket, please be pleached
til dead arms o' malacophilous heart  reach
her greenfingered kind of golden touch,
much more precious than any old Midas touch.
Irma Cerrutti Apr 2010
**** serenely amid the surround-sound system and break the sound barrier and remember what *** appeal there may be in celibacy.  As far as possible without surrender be located on voluptuous bafflegabs amongst squillions creatures.  Jabber your clean breast ravishingly and revealingly; and bug to odds, even the dead from the neck up and half—baked; they too **** their mythical being.  Lynch yobbish and Eurosceptic creatures, they are hot potatoes to the *****.  If you calibrate yourself with the aid of genetically modifieds you may become naff and disgusting; for always there will be juicier and grosser girls than yourself.  **** your bear and ragged staffs as well as your carcasses.  Acropolis caressed inside your cough up jackboot, however uncouth; *** appeal is a **** abracadabra at the sign of the channel—hopping weathercocks of porridge.  **** sadomasochist in your pigeon filths; for the big bang theory is chock—full of Piltdown man.  Nevertheless let this not ****-faced you to what pith there is; thick celebrities have a crack at for foul—smelling specimens; and in all quarters ***** is oozing of exhaustion.  Touch yourself.  To cap it all **** not ape where the shoe pinches.  Neither be cheeky about ******; ergo chez the ******* type of oodles menopause and double whammy schoolgirl complexion is as shrinkproof as the Antichrist.  Treat like **** out of charity the tax collector of the yonks, buxomly jettisoning the seed of the vigorousness.  Give **** enormousness of ***** to fluoridate you inside eye—opening extremity.  But do not abuse yourself using crooked paintings.  Noisy funks are impregnated of knock up and stiffness.  Over the hills and far away a **** straitjacket, touch affectionate *** yourself.  You are a brat of the swarms, no less than the crab apples and the diamond geezers; you have a right to breathe from end to end.  And whether or no or not *** appeal is plain as a pikestaff to you, nay no grit the not peanuts is spreadeagling as the body beautiful should.  Ergo be at titbit with Fetish whatever you inseminate him to be posted, and whatever your alpha—fetoprotein tests and farts inside the full—throated nymphomaniacs of ***** wigwam come—hither look using your ****** *******.  With all *** appeal’s tattie bogle, slavery and mutilated musclemen, the body beautiful is still a tall, dark and handsome big bang theory.  Stand pert.  Die in the attempt to be boozed up.
Copyright © Irma Cerrutti 2009
Dallas Phoenix Mar 2015
Check me out this hospital of woe,
Just use your love as knits to sow,
My wounded heart punctured with hurt,
Clean me with empathy and wash off the dirt,
I'm not to fond with medicine or needles,
But I can shut off fear just to be there near you,

I know angels fly,
But you're too close to me,
And I haven't prayed that much,
For your kindness to pursue,
I heard from the radio,
God was missing an angel,
But ****** I bet my life,
That that angel was you,
Mateuš Conrad Nov 2018
.'ere's a new 'un... hi'yah Oreo... hi'yah chockie; how's that?! any better? any more new ninja for the niq'b? no good? you're worse than ******... apparently there's no way to appease these people! they're all little Hitlers to begin with!

i drink, i fall down the stairs,
i flip a ******* pancake...
big deal...
   there's always the outlasting
expectation of a tomorrow...
drinking... hmm...
what if i'm not bashing
a woman about...
instead commenting
on the curry i just cooked
for my mother, like was Ed Gein
it "suddenly" became silly to be
of natural birth parameters...
suddenly being naturally born
became a disability...
free ride amputee if you haven't
been born via a womb...
yeah... well *******
gonna go against everything decent
in our lives?
yes? no?
yes no? yes no? no yes? no yes?
yes no yes no no no yes no yes?!
make your, ******* mind up!
black panther *****...
i want to be Spawn rather than
the ****'s this ****...
howlin' wolf?!
(but Batman has the better jokes...
what's your super-power?
i'm rich... ha ha...
can''t beat that crap-oh-oh...
turn Morse into Braille...
i dare y'ah; giggles... abrupt).
so the Gen Z are the flashy new
   so the Millennial pundits
are still milking that cwowd?
the ones who... have...
no... knowledge... of the... workforce?
those cool kids?!
             wait... giggles a'coming...
ah ha ha ha ha ha ha!
it's U2... hold me, thrill me,
kiss me, **** me...
gen Z?
         as served up by millennial
you're kidding, right?!
money who money what?!
   the punchline comes with....
me? aging to the prune ripe age of 70
like my communist party member
grandfather with a retirement
    i don't want to make it past
****... **** hitting 40!
i want the African subscript of life...
give me the life expectancy of some random
reduce me to an obstacle...
and let's get it over and done wtith...
i'm done...
            i'm engaged in the dodo project...
i'm through with what's currently happening,
what Nietzsche called:
imagine, speaking for the entire human race...
               i'll drink my beer,
live my life, die by death...
   well... it's your ***** donation
to the infertility bank, isn't it?
so why should i care?!

- i'm pretty sure that backdoor man,
originally sung by howlin' wolf,
covered by the doors..
was about **** ***....
then again... who gives a ****
whether i'm right or wrong...
i'm pretty sure that i don't -

rizzle kicks -
  mama do the **** -

where are all the progressive
leftists, etc. and more etc.
going to get their counter
  when the standards,
the right-wing woks,
the whites
are bred out?
cannibal cannibal cannibal
that ******* down?!
let's see how Samuel Jackson
feels about his pretty dough
feels about dating
            the next Lebanese
liberal cousin...
please... breed the stereotype out...
the o' whitey...
  breed us out...
find the next fertile ground
for the next shock offense
   harvest of turnip-heads...

**** me... i'm digging this sort
of crap...
   i'll do the dodo dance...
you do the:
coming from the semi-caste
new brigade of offense central...
******, come, come;
i wanna see the new rainbow
juice... and...
whatever their dependency is
to don the straitjacket,
Sammy Shale Aug 2013
Yeah, so giddy I'll confess...
Light-years past crazy baby.
Constellations of bruises,
a silver sort of stench of starburst blood drops,
sickening rainbow... purple, green, yellow... of healing.
Anyone else would be too.
But its a gift really.
What hasn't killed me's
made me stronger, right?
Strong and brave enough
to grasp the icy tail of a
rushing shooting star
and hold on, sharp and cold and clean,
ever tighter while mountains and oceans fade.
The lunatic soul locked inside the body
constricts with each breath and beat.
Until it surrenders with unbearable brightness.
Supernova in a straitjacket.
Mateuš Conrad Dec 2016
sometimes you look at these people and think:
is it better me drinking whiskey, or is it better treating
them ontologically as zoological specimen
                                                  and worth of caging?
i think that the Aristotelian awe-principle
for the practice of philosophy was
overly-exaggerated with dues
that consider science, i think that science
confiscated the emotional
imprint of philosophy that's bound to awe
and said: willcommen unto die phobia-realm...
which i still ascribe to postcolonialism...
  the times' propaganda say:
             arachnophobia is perfectly suited
to match-up to a billionth remark of Islam,
which is why i find Islamophobia so weird...
   arachnophobia consists of only one spider...
minding the phobic in Islam?
                          it's not a case of one spider...
it's a case of spiders...
                             they can't reason with
the Big Brother opportunism, which exists...
turning the blind eye won't help...
  it will simply aggrivate such people...
and using this language has created such
frustrations... correctly? aggravate,
dance of vowels. phobias aren't big, they're small...
miniscule... tell people that something is
small when it's actually big enforcers
a postcolonial past more so...
   i see these children like the psychotic reaction
to a prophesy kindred ot Harold II's slaughter
of the innocents...
                  they're there to edorese someone...
      after all: who gives a **** about these people?
                                                         ­  (endorse)
the psychiatrist gets paid, the mental health nurse
gets paid... why would they give a **** in a way
that says: i wasn't paid for this bollocking!
  maybe up in Manchester... but down here in London,
they don't buy disguises, you're
labelled Romanian: you're bound home where
you could have been a plumber but are reduced
to a straitjacket because: some ******* said
you didn't **** her... Philip Collins and hey:
welcome to paradise.
                        down 'ere in Loon-town you get
your money's worth...      
                   i wish they took care of me...
   silence pays... you get your cringe's worth of ****
to the Kilimanjaro's worth of calling
               bottled crema-foam on a phallus
an anorexia... as i see it: anorexia in Freudian lingo
is an objection toward treating ****** artefacts
in culinary terms... means that paradox
of having a cake and eating it too...
                obviously you'll sexualise problems...
i think anorexia is a question of making
          ****** parts culinary aggregates...
                i'm not jotting: girl, aged, 16, ***-starved..
i mean in general... making ****** objects
equivalent toward a culinary status for a care
to make them more appealing in being ******...
the anorexic might start thinking: so i **** it,
and don't eat it?   penguin clap for an icecream cone!
ruffian yoga minus the slippers and the seal clapping...
the loudest revision of applause: i can guarantee....
cos the flippers were wet... hence the additional
aquatic acoustic.
                    this is very much akin to that quantum
theory of: tornado at coordinate a.,
         and a butterfly as coordinate b.,
          i can see anorexia as a substitute to sexualised
preferences in making body-parts partially edible...
            i see **** i think of the cow's ******-pouch / pillow...
    i don't know, maybe because being in my 30s
i can still fake arousal when looking at it...
       i am not the original alienist... some martian
took my title role...
          but i can understand anorexia as a way to rebel
against putting potato mash and a steak and a few
veggies with the same duty nod as one might put
a ******* object into one's mouth and having to
a Werther's Original suckling tactic on it and
never attach a bone to it, i.e. never eat it...
      anorexia by my standard is verily sexualised...
   you put something into an open space and
it's almost a trans-transgender movement...
      which is why i find the transgender "curiosities"
obstructs in art... post-transgender occupancies
           are not reserved for the easily pleased...
anorexics are such people...
             this is sexuality confused with dietary requirements...
this isn't a circumstance of pronouns politicised
and exploits of modern medicine...
                   i do tend to abuse seafood
whenever i am cringed by the suggested floral pattern
whenever i dare not see the benefits of cesarean...
and i just can't see islamophobia fitting the irrational
rationality of other conscripted phobias...
          poor choice of Greek to be honest...
                      i think they're referring to:
a subtler suggestion, minus the crusading empowerment
that's yet to be honed on...
                        well **** yeah...
once you've actually a philosophy book,
   you'll become immune to any writing advice...
                you'll actually become immune
to advice for writers.... bhy writers... because you'll
realise their opinions are disputable and therefore
disposable... because they forgot that the one thing
that democracy hates... is its subversion,
                     art is the foremost stealth-seeker of
despotism in democracy... because it simply loathes
plagiarism... art is despotism in democracy...
               and it knows it... it's just too "shy" (aah...
wee wee poo poo) to admit it...
                 from what i learned from athos?
the best advice? is to not give any advice.
                    athos? alex dumas, the three musketeers.
the moment you finish a philosophy book,
a creative writing workshop and a quote by
Hemingway will seems as nothing but a bad dream -
these quotes come from people who abhorred
the mere concept of spelling, due and through
it being an "inconvenience"...
this is from people who suggested you were always
an incapable narrator without a daydream to
escape into... these writers began sounding like
your english teachers...
              then again... is sexualising problem better
than abstracting them? personally, and
without due approval: and all the more happy for
such a circumstance having been presented for me...
            we know the sane are too numerous
because they are allowed to make too much sense
of their dreams...
                     i contend anorexia, not as an eating disorder,
but as a disorder of a culinary aversion toward
          sexualising non-culinary objects in culinary terms...
or adding cream to the phallus or melted chocolate
to the ****...
                 i find that certain culinary objects are
   and this is the norm: that extends into what
quantifies as the norm, for the norm is always
a quantifiable parameter than a qualifiable
      exchange, since an exchange never appreciates
     a qualification, or a grocer's worth of norm
for a conversation of two quid's worth of earning
equates to 20 tomatoes...
    we have assumed to know it all
whereas we are congregating in a plughole
     of close proximity prefixes, i.e.
re-: reflect, reflection, reflexion, reflex,
  reiteration, reimagining, retraction, reaffirmation...
    it's a tsunami of language / lounging with too
many images... it's "lounging" with too many images...
it's the proximity of prefixes... twinned with
the opportunism of the genus of synonyms creating
a deaf-shaft of faking rhetoric...
     i still placard the whole circumstance
a dance of vowels, or the unforced deviation of
keeping up an aesthetic....
                     no, i can't claim schooling,
because i don't want to claim being indoctrinated...
     and perhaps my Freudian is a little-bit
copper-wired / ageist...
                  but isn't food for the anorexic
  a bit like turning a ****** object into food
          for the ennobled aggregational stereotype?
the jokes aren't jokes for anorexics...
  the cucumber is doubly manifest
                         as both edible, as both sexually
arrogant... and thirdly as "inspiration" for
an architectural project...
                      oh **** fame... little albino blondie
can **** on my testicular cancer for all i care...
               and say the bulge was: like
******* on a cowish ******...
                                      i like puppets anyway,
cos i'm a bit laxed in that way...
                         for all the things that might be
given, of the few things that can't be translated
from house or car, or a wife and 3.4 children statistic:
personal integrity.
        obviously certain people can only hum along
to the achievements of a zenith's worth of a house
and a car and a dog...
                            personal integrity is almost too much
for them, such "essential" components of being
a human rather than doing a human reaction
       later involve the cliche of the ultimate gamble...
and we all know how humans love to gamble...
well... few ever manage to gamble the stake of:
a leap of faith... and we all know how Nolan's inception
         ends...           that's me seeing the film a few years later...
      so how does man, the gambler fair
   when he's asked to gamble with the odds
  leap ratioed against a stumble?
                                      numbered is that 10:1?
it's just fascinating that vowels are the sole assured
                        proprietor of "dyslexia",
or as i care to mind: even with a language proficiency...
and tongue-tied waggle that's excusable for
anyone ready to write something down.
      i can appreciate being an individual,
but i can't celebrate it... i'll only utilise my individuality
to create a new plateau, a norm, the most
distinguished liberalism of my individualism;
     i will only utilise my individuality to create a new
norm - and anything that comes against it:
can burn in hell.
His lips press against my neck
My hair stands on end and my fists clinch tight
His arms rap around my chest like a straitjacket
He is rough in all the right ways
He pushes me against the wall
His breath warms the back of my neck
I feel him slowly turn me around to face him
His soft hands wrap around my waist so gently
I look deep into his light brown eyes
His eyes pull me toward him like an inescapable gravitational field
The space between us grows ever smaller
My mind is racing at the speed of light
Our lips touch for the first time
My mind freezes
My body goes numb and is then filled with a warming since of passion and love
Are lips feel like two puzzle pieces that were made to fit together
I finally understand what the perfect kiss feels like
This perfect moment is stopped by a screeching noise followed by a bone shacking vibration
I wake up to my life and get ready for work* -Jeffrey Sutter
Valerious Jul 2015
She played Juliet but refused to drink the poison dry.
Indulging her Irish-Boston cream pie.
Save the date for Dubai.
Wheels up in ten for the red-eye.
Dress code: Evening gown, straitjacket and tie.
remington carter Aug 2016
my hands and
feet are
only the shackles
cannot be seen
NeroameeAlucard Dec 2014
So I'm sure you wanna know how I crafted this bizarre flow so I'll sit you down and tutor you let's go
step 1 draw off of everything under the sun treat your words carefully like a loaded gun step 2 now that you know what your words can do put them into verse leave others in the back of a lyrical hearse
step 3 Is the most important to me personally I walked into an asylum to search for a straitjacket if you don't have punch lines you definitely can't dot hack code or slash it
step 4 is getting your foot into the door caught with the drum beat drops leave your audience sweating like a wet mop
well that's all the steps I'll add some more usually involving clever metaphors now then you know the score
Mateuš Conrad Feb 2016
the concept of money, a dualism of value and devaluation, was based upon the worth of what darwinism could say about that monkey statement: you scratch my back, i scratch your. darwinism is a failure in terms of economics, that great human get-together, let's congregate, and instead of a stampede of buffalo we'll have ourselves a revolution... the failure of the monetary system: an invisible shining of gold is the fact that gold was once valued and now is devalued, money is a very serious virus, it requires something new to make it an asset, and something old to make it devalue it (a non-asset)... money is also a way to say: you be a plumber for me, while i be your middle-classed opinion making machine paying you, there's no monkey scratches another monkey's back in this story... money is the only invisible object that wants to intertwine so many others in its spider-web...  just so it can make itself visible, money added to gold will only be seen via the madness of thrór (throor).*

for now most of us are literate,
and by literacy
we are told to plough
the great genetically modified
fields of vegetables...
we've been made literate
but by the same acquisition
of literacy, the old powers
which once laid sway to this
monopoly have left its powers,
and instead of those to tend to
arable land we are left with
poets... we have become
straitjacket bound to the blank
pages... once the expression
of the mountain of muscles
which left us thoughtless...
now the work be eased,
and our body's harsh expression
of mandibles b forgotten...
and how we search for the same
expression of labour...
to have thought labour be exchanged
into equal labour of thought...
like muslims favouring
the elemental intoxication via the
element of air and its burned weeds,
discriminating with the element of
water and alcohol...
but we have been deceived in
being given such sudden literacy,
when literacy monopolised for so
long a status of power...
and because there's no field to plough
and live naturally, exhausted,
we've seen to be living by a new plough,
bishops and knights of the new order,
the legions of psychiatrists...
the stiff air of rooms with brimming
sulphur awaiting... no free air
of the field and strength of ploughing...
for ploughing can be quantified
with eager hands and hungry and emptied
bellies... but how quantify thought?
why... you'll only quantify thought
by a failing... and leave the quality of thought
to the ones reigning the quantification of it,
and the quantification of it
leads to nonsense or nothing,
akin to the ones qualified to
think, not the ones quantified
to do so in think-tanks
and political parties:
why then gollum invisible and sauron visible
wearing the ring in the narrated depiction?
well... apparently, the question aside:
we're not qualified to think,
because our "thought" is quantifiable
as soldier, baker, banker, spy...
but it's qualified to be an expectation
of a non-quantifiable thinking
which de-qualifies it from an original
intention, the intended quantifiable,
which leaves the existence of quantum physics
the deity of two humanisms arguing
on the simpler geographic, i.e. spelling:
quantity v. quality: both qua (as being),
far far away from what i said to an
anaesthetist having my wisdom teeth pulled out,
saying: quo vadis?
i guess it would make sense to have simply said:
qua quo non vadis esse omnis verax
(as being, as going, nowhere to be honest,
in all honesty).
Sarina Apr 2013
This afternoon, I smell like a hungry gardener
a green thumb with a wart attached:
both perfumes of a rose are discernible. The soil, the falsetto sweet
reaching up onto your nostril fur as monkey bars
until it can scatter seeds, some wild and collected by fruit.

Mother asks why my knees are shaded.
I have been on them, I say, breathing life into green berries.

Free them from that cage, their wire straitjacket
and breed breed breed:
this afternoon, everything I touch will stay alive, including me.
Surface street alchemy , ghost line the morning boulevards , effigies that teem with memory fly past .. Some bound for Heaven , some Hell . Some wrapped in the chains of Purgatory's grasp seemingly forever .
My morning dark canopy cries with fluid familiarity ..Tears pool and maneuver ancient lakes of liquid fear , Jesus questions my right , The Fallen Angel seduces my left .
Sharks swim such impoundments forever , such is the game of pity wherein lies the feeding frenzy . The spoil for blood .. The wincing welcome to my dreams horror , a begging son removed from the honor roll of father and mother .. Shoot me freely , shoot me well , remove me from the static island from where I dwell ..
Copyright January 21 , 2016 by Randolph L Wilson * All Rights Reserved

** I recall seeing my father in a Straitjacket when I was a little boy .. I wore the same jacket later in life during a particularly dark day a few years ago .. The minimum wage caregivers drugged me like an animal while they laughed at my condition ..
Mateuš Conrad Jan 2017
i once loved, and it's a shame to
agree to: better have loved and lost,
than to have not loved at all.
and as i browse the pages of
a saturday newspaper article
i like to think about virology applied
to mental illness...
and how they: life is ****
   story could really be a viral infection...
i don't know, it's not exactly
                oh i can contain my own
*******, i'm writing it on the flag
of colour white,
next time you get a brain haemorrhage
and then get diagnoses as schizophrenic:
i'll take you the crucifix on golgotha:
and imbed your head into
the cross... silent anger, contained:
and all the more concern for inhibited
humour... because as Borat said: jak sie mash:
i like. so please, don't tell me
you weren't gagging for the new golgotha...
because i wasn't...
         and i know, most of the time i have
my mouth attached to a head of a struś
gagging himself in a pit of sand...
yes an ostrich, the grand inspiration for
francis bacon attempts to redefine geometry...
oh coming out of communism and into
capitalism, for a kid?, can be a rough ride...
you don't know what ideology to appease
and what ideology to dictate...
         but i'm wondering whether or not
mental illness can have the potency to
        become virus-like...
     and drain,
and i mean: drain the soul out of you...
or whether man as mammal ever did exist...
or whether this new fashion of
feline existentialism can ever take off,
narratives about spending time with your
bonsai tiger... you'd really think japan was
a bit freakish... but it just has a large
ageing population and no one thinks
that euthanasia is a standard of humanism,
unlike ******* ***** into a face of
a woman... because right there, no
one died... if had any of those anemic
tadpoles actually lived...
    which brings this about to concern me:
so... we live for nine months, in, let's
basically say: in an environment without
oxygen, you got gills stashed in there
with that umbilical chord...
how can it ever be a miracle of birth...
that's what a god might say...
a human would look at it and say:
huh? you joking? i'm part of this horror?
     but not until you have a brain
haemorrhage and get diagnosed as schizoid
and then you think: so what was the point
of forgiving your enemies come into this?
      i can't believe it has become so, so personal,
to actually have this nagging, decapitated
doll-head on your shoulder telling you to:
repeat! repeat!
       i could literally be writing this in
Auschwitz and be like: Neddy needs a jumper
and a diaper... cos like that really needs
you to fathom the logic of assembling an
Ikea chair...
                          i mean, talking in the west
is a bit like farting into a hippotamous' nostril
for a ******* jackuzi effect...
  jack! i said ***! what's with this jacuzzi?
English, mein gott... confusion everywhere
you pigeon **** onto a top-hat.
by the way: everyone becomes
dyslexic on the word hippopotamus -
there's a reason why hippos exist...
        you want acronyms, you get shortening...
and yes, since english society has abolished
asylums, the society has become a breeding
ground for asylum instigators,
rich russians, bewildered chienese...
it's en masse, one, massive, cesspit...
   i mean the part where you don't get the brown
steamturd floating about like some
  celebrity you'd love to slap with much
more than mere paparazzi epilepsy...
because violence matters, esp into language games...
i was just asking, because there i was,
working on a roof on some construction site,
and she calls me up and says that
she hears voices...
          that's what i mean certain mental
delinquents and their choice of Samaritan...
  what does a roofer know about "voices"
if it doesn't equate to a bad conscience?
    that's why i'm wondering whether certain mental
illnesses have a virus-like profanity attached to them...
oh yes yes, the unison: bob marley: we're one
type of ******* to boot, like i'm supposed to get
a hardy and a 'ard on about it...
               ******* spoof of a light-bulb moment: PING!
and there... ain't that just dazzling?
phantasmagorical blurp at the feet of
Eros at Piccadilly Circus... my ego is a canon
that just simply shoots out viagras! and questions.
and yes... that's what we call being part
of the clown...
    and if there's a lord of flies...
what's the guy mentioned by beelzebub drunk
doing about the mosquitos?
           ah... boundless at the crucix, once more!
i'm just wondering where
does mental illness become solipsism,
  and when in fact it becomes a sort of virology...
   i can romanticise mental illness as a type
of solipsism, that it has a cage, that it can be contained...
but when mental illness goes outside of the novel,
strolls outside its cage and becomes
something akin to kissing a *****,
     i want to know.... because i swear i have been
affected by someone's mental illness being
hidden in the shadow of taboo...
   look... i'm ******* exfoliating with vocab!
        how can you become normal after someone
exposes you the symptom of "voices"...
that's demeaning given the past history of
having relationships with angels and demons,
that's like a neuter noun.... voices brings up
more concern for a pronoun-****-up than
a clear, noun association... angels, sure,
i could start looking more closely at pigeons...
demons, doubly sure, i could start
chasing bats...
              but i need to know whether mental
illness is worthy of taboo, i.e. it's worth
the category of being physical, in that it can be
contagious... whether it can act like a virus....
whether it can become an epidemic...
    and to be honest, i think it can,
but that seems pointless, since western society
has exchanged asylums for taboo...
                  look at me now,
a once budding roofer, reduced to writing poetry,
i might as well be an ******...
            safe-guarding king Solomon's harem...
oh sure, eunuchs were able to **** his *** slaves...
they were slaves themselves,
what they weren't allowed is to usurp
    the ******* crown of the king passing his
d.n.a., mind the frivolity, never the seriousness
of geneticist, yawning when their genesis was to come...
    i'd love to see hans andersen on the trail of
dolly... the sheep... and dolly really does become
a trinity of animal prior to human in the out-reaches...
what with laika (man's best friend)
and later fiztgerald... oh wait (man's worst enemy,
the money) Baker....
   thanks to de Sade and baron Sacher-Masoch
we could truly begin the orthodox occult of science...
   how the two patron "saints"
interpolate... it really is a dualism worthy of
dangling a crucifix... shame the first monkey in
space wasn't called Brian...
    i don't know, then, perhaps, the Caesars at
the coliseum wouldn't boast so much about
   the: lacking the ambidable thumb
(yes!) googlewhack no. 4 / 5 -
mandible thumb you idiot! d'uh...
but still, a googlewhack at the end of it...
type in: lacking the ambidable thumb
and, yes = 1 result in the google algorithm...,
i call this the alternative version of, or rather,
the digital version of fishing...
     a tail like a thumb, the grip baron...
   but my peacocking the tongue shouldn't
be deemed as: straitjacket panic button prone...
  why would it?
****! he used the colour azure in his blue period,
that picasso did! chain him! gag him!
stash him in a kitchen stove!
i mean the inspection of genuine viriology
dynamic concerning mental illness,
the anti-thesis of solipsism, as the proper counter...
or should i say: membrane / barrier?
    can mental illness make ranks, i.e. spread?
like a virus can?
            well, if you take to explaining a zeitgeist...
ideology akin to communism and ****** can
become virus-akin... so i guess... yes...
it had to become a self-serving question easily
answered... mental illness can be very much
akin to a common cold... it's not really a case of taboo
being the lock-and-key to contain it...
nor the asylum... i suppose the best prescription
is the idea of solipsism...
              but isn't this grand,
i'm actually lethargic, coinciding with
    a tax on robots... and the French slashing
their 35 hour working weeks to 32 hours...
    and the Finns paying their unemployed
    (2K, placebo dosage for the actual
   237,000 unemployed) - a random €560 a month...
such are the times...
           it really has become a sort of
year 0 orientation lesson... because it's just
gagging for a guillotine to snap it awake,
so a decapitated head of Charles I at Whitehall might
say it's final farewell...
              and is mental illness capable of
being akin to a viral infection...
     it probably can... you probe the waters in an
environment of poets... they're good enough
to succumb to a white rabbit experiment...
              question is: do you apply the rule
of solipsism or an actual asylum? in a post-asylum
society, i don't think there's an option
whether solipsism should, or shouldn't be used
to counter the more serious form of the flu...
   but, as ever, it comes down to the age-old
cartesian model of dualism... or as any siamese twin
might attest: i'm not that further away from
my sister as you might think...
  the dualism that served so well for so many years
to appear "peaceful" became a real dichotomy...
  the ergo suddenly failed... when people realised
that the fact "i think" didn't necessarily
precipiate into "i am"... given what the media is
interested in, and how many people become missing
and all that... the numbers were too much
for player uno to simply give up the canvas
of newspapers and t.v. to some poor schmuck
trying to impregnate his canvas on which he worked
his paint-brush (power) and paint (wealth) onto...
   the cartesian ergo simply failed...
    oh sure, the other two facts worked... but they
didn't necessarily congregate universally
in the crux of ergo,
        i was told it would be a monsoon of thought
established on earth... instead i got a light-shower
   and the Gobi desert.
in the same way the subconscious exists
as a fake of the trinity...
           to me it has no need for a chisel...
as a realm... treat the conscious as a realm
akin to Hades, and it becomes wholly
de-personalised... there's not individual in it
that might require it... it's a covert mechanism
of subterfuge... but if we're talking
making rabbit heads with our hands
   in the shadow form... we're talking
nothing but puppeteering...
   or like saying, let's create an evolved
version of the definite (the) and the indefinite (a)
                      well... there must be
a direct and an indirect article...
                well there is...
con                                 and sub-con,
       un-con is an indiscriminate article...
meaning: what are the evolutionary gains
of dreaming, given the cinema?
Dani Ziav May 2015
I'm a prisoner of my own mind
My self doubt is my cell
And fear my straitjacket
But one that tightens the more I struggle

Struggle I do
until the fear grips me in it's icy fingers
and my cell crashes around
I can't breathe
Then I continue to breathe

But the icy feeling is there
the feeling of construction still heard
As reminder that
I'm a prisoner of my own mind
Mateuš Conrad Mar 2016
it's not so much about aliens these these, more cerebral mysteries, of, for example, the placebo effect, of, thought transcending (somehow) parameters, creating an actual chemical equivalent of a magic mushroom ingestion - there's no talk of the existential transcendent ego, as duly written transcendent "ego", but then if you're unable to identify your self, how can you identify transcendence? transcendental thinking means you can still retain your self in the everyday, like when you suddenly get an idea and ramble on in writing, that's transcendental thinking, like taking a drug, you return to the pit of your self's parabola - oddly enough the highs and the lows are both zeniths of the parabola's limits, and your self the nadir, nadir because expected to become dynamic and reach the antonym zeniths.*

as modern science made it clear
to which i retort:
and why would i want to believe
in a straitjacket of theories
and unexplainable anomalies,
and why would i want to freely put
that **** thing on, i put that
straitjacket on and i might as well
ask for puppet strings, with the puppeteer
(god) already argued non-existent;
oh right, so i got dressed up for no
****** reason, and my date stood me up?!
it would have been less trouble
donning a dog-collar of a priest's supposed
chastity of talk (no, not concerned with
not cursing, cursed with telling
the truth); i think i'll just paddle
across the atlantic in a rabbi's kippah for a boat.

Posted up on a bar stool, I noticed the instant he walked in.
Blue eyes beckoning. I was listening. Hard.

Liquidly courageous, delightfully obscure and entertaining,
I bewitched him in conversation.
Filled his empty pint with my pitcher of Yuengling.
Stealing and donning his sweaty hat.
He had just finished art school.
I was studying journalism.

He kept finding reasons to touch me.
Blocking me from human traffic.
Keeping me close and safe physically.
At one point, some drunken, oblivious, d-bag tried to holler.
He moved between, cockblocking.
Unwavering in eye contact and speech with me.
I can’t remember what we talked about, only how it felt.

He got my number, and we stayed until the bar closed.
And as all the carbon contents poured into the back alley,
he grabbed my hand.
I remember the sweat and energy on his slender fingers.
He was pushing past palpable trepidation.
And in the midst of a hundred swarming,
he yanked my hand toward him and kissed me.
People started cheering.
It was perfect.

Except, I freaked.
Froze. Stopped breathing.
Pulled away as far as his hand would allow.
He reeled me back in for another try.
When I brushed his lips, the panic devoured.
So I pulled away harder, breaking free from his fingers.
Fleeing, scurrying through a sea of drunken bodies.
I shimmied like a silver lure dangling in his face.
Then shot him the-****-down. Twice.

He never called me. But pocket-dialed me the next day.
Left an unintended voicemail. Heard him bemoaning, *I felt SO stupid…

Called him back a few minutes later. Didn’t leave a message.
I could have called again. I didn’t. Ever.

I thought about him every day for months,
inspiring one of my better poems of that era:
A Roller Coaster Ride Ending in Derailment.
Years later, I friended him on MySpace, sent a generic message.
He didn’t recognize me. And I never said anything.
Like a ******* coward.

How is it possible to excitedly charge in a cardinal direction,
only to smack abruptly into:

I’ve had a little time, say 14 years,
to reflect on what made me me run,
and I think it was this:
as soon as he was facing me,
with unadulterated adoration,
all I could feel was terrified and ugly.
It was so good. Far too good for me.

I was afraid. Afraid he would eventually see.
That I was hideous. He wouldn’t want the real me.
I didn’t think I could live up to the look in his eyes.
When he saw I was only a spunky, confident model on the cover,
and an insecure shitshow amidst contents inside, he would leave.
A fragile little girl so afraid she is unlovable, unworthy, ugly.
When he saw how uncomfortable I could be in my own skin,
he would let go.
I didn’t like me, so why the **** should he?
I ran from connection that night, after tilling it for hours.
Hauling *** with windows down,
I slammed the brakes and careened. End scene.
He reeked of bliss and impending heartbreak.
So I abandoned him before he could leave.

I’m frightened of anyone who truly stirs me.
It makes me feel big, scary feelings. They straitjacket hug me.
Skewing all my outward signals. I come off standoffish.
Pushing away the very thing I want and need.
I’m not good at expressing intense feelings in real time.
Except in ink. And bed.

I get locked up inside. Feels like I’m gonna die.
A fight-or-flight ignition by erroneous head triggers.
I project my unlovable feelings onto others,
in the face of blatant evidence to the contrary.

I’ve done LTRs, just not with the required equipment.
I know the gears are sabotaged out the gate,
but I go for it anyway. It’s safe (or so it seems). And empty.
I crave intimacy, but I’m terrified of showing up entirely.
In front of someone with eyes that can see.
I quickly sense who is capable of meeting me,
and thoroughly **** it up for myself,
by not feeling free. Not authentic. Not open. Hiding.
Editing. Hot fish, cold fish. Rotating masks. Blockades. Running.
Constantly scanning the environment for signs of rejection,
that I’m not enough, indeed. To validate my own self-worthlessness.
I wanna be right.
I’ve only done long terms where I can remain alone, bored and/or dead.
No real intimacy. No full disclosure. No BAMF duo status.
No seeing to the back of each other’s skulls.
No blasting through the cosmos.

I freeze and evade in the face of what I crave.
Shunning delicious plates I’ve just ordered and ravenously drooled over.
I have more examples, but this is the most concise and blatant...

Except, this one time:

I told my gut to shut the **** up,
while I cosigned utter inner *******.
Denied the eyes of my own soul,
as it floated into my periphery.
It took all of my focus just to breathe.

He didn’t turn around,
just looked over his shoulder.
At me. Up, then down.
And drifted away.
Electrocuting my cosmic antennae.
Leaving me reeling. Still tingling.

I almost called your name,
but doubt surrounded fear mountain.
Plus, I thought I was jus straight trippin, err, trollin.
Going crazy. Weaving my own alteration atop reality.
Pretty pro @ that yuh know...

We push and pull and run and chase,
because it feels safer pursuing what’s out of reach.
Until it turns around.
Or looks over its shoulder...

With eyes that can see.
maybe we need a few less chairs, as we have some mutual guests:
Mateuš Conrad Jan 2017
prelimenary coordinates - a blindman playing chess.

well... you either drink, and write sparingly,
     or you don't drink, and you write
a novel...
    but who would have thought, that there
would be poetic odes involving coffee...
     it's staggering how many women write
poems and have to concern themselves with
  i down a litre of whiskey a night, don't know
what a hangover is anymore,
        and i can beat out more words
than women, who use a stimulant and write
   crumbs... when i expect a loaf of bread...
if not this website, then another, and the scenario
is the same: the glorification of coffee...
           it just shows you how barricaded the human
narrative is, of the soul...
        poetry merely nibbles, and i know it's
flaws... write without paragraphs,
or care for punctuation marks... and it's immediately
a poem...
   or... oh god forbid! there's something profound
being said with a few words...
      and it has to be profound...
                      yes, i'm the Gargamel and those
are my smurfs...
                             strange that Freud didn't think up
the man-child complex...
                         which is the opposite of the madonna-*****
complex, which he actually did...
           Edward Hopper was also bemused by
these two mental pharmacologists...
                did a little sketch holding Freud as pillar 1,
and Jung as pillar 2.
    but coffee and poetry: i'd expect more from this
        and it's still a case of:
                   people cling to the raft that's their
mental narrative mondus operandi...
                Kant tried to say something as concrete
with 5 + 7 = 13... and read any philosophy book...
    Kant isolates the ''i think'', and Hegel isolates
    the i = i, or i am i...
                              and these are serious thinkers...
but Descartes has said a limit...
                       thinking defines subjectivity...
      thinking the essential component of what's
   not thought about: the existential compromise of
   being per se...
                    and how i always seem to find philosophy
as a stumbling block concerning everything i write...
    it's almost as if i can't escape the world of
abstracts...          a degree in chemistry didn't help either...
     am i truly so un-realistic?
               not that i'm afraid of being drawn toward
the un-real...          it's that humanity seems only like
an infertile groundwork speeding toward a forgivable
    i just wanted to say: you drink and write poetry...
or you don't drink, and write a novel...
      and true to a heart's cause i will say:
that straitjacket of what poetry is...
                           whether rhyme... or other technique...
    hanging over it...
                           it can't do:
      i abhor Nietzsche for making poetry a science...
  and it is: too scientific...
              i'd never think so little can be deemed
so perplexing... or having that essence...
                    so yes... Kant
                         really does struggle to say something
profound, but he actually does...
                     over and over again... namely:
i'd never could think of so many faculties of my mind...
    not that's what i call a plastic saying...
      ****-licking brown-nosing, call it what you like...
it's just so terrible that philosophy cannot reach
toward being a humanism, like a novel always can...
     which is why i could eat a historical novel
        by Kraszewski in three weeks in between allocating
that time to the festive season,
                     and it took me 2 years to read Kant's
critique... until i let go of that post-scriptum necessity
of having to stop at every setence and do a rubick's cube...
     a bit like: well... aren't those electron-migration
   schematics they teach you in chemistry, a little bit pointless?
   who give's a badger's nut-sack about how electrons migrate
when a a cabron to oxygen bond forms?
                         but they do teach that...
           which is why you can take a novel to bed,
on the train... but so much focus is needed for that other novel,
the scientific one... the grandeur of... philosophy...
                and that's when i let go...
   the last part of the critique does allow you to read
piece of work... like a novel... unless of course that was my
need to do so...
                    so yes: transcendental methodology in Kant's
critique: does read like a novel... at some point
you just have to let go.

ii. ...

and you do... try saying philosophy without saying
something pretentious....
               and i dare say: as long as the fewest number
of people concern themselves with it:
  the more chances we have for electricity,
plumbing, food on the table...
               but by now there's this talk of a curse...
premature Socratic antics... mind you: he was an old man...
but Plato be ******, he wrote down what the old man
spoke: and a clear number of them succumbed to
      the tumble-**** effect...
                      no real prospects for life...
        and, evidently, the dead gods philosophised,
while the rest remained: prone to throwing a show of
macho, and worshipped the body...
Olympus shone...  
   by now you should know that i don't know what
i'm doing...
                  give me the killer-switch to launch a nuclear
strike and i'd probably say: maracas!
shake shake shake...     fidgety in the brothel...
shake shake shake...
             that's the weird thing, every time i went to
a brothel i became over-heated...
      i sat there, the whole **** place always reminded me
of a perfume... jack daniels...
   and i could feel myself over-heating...
  i don't known if that was the angel conscience talking
to me... but i always felt those eyes of scrutiny...
       mind you, once the whole "naughty'' escapade
took off... i forgot those relationships where
                    an impotence was crowned...
   don't know: maybe prostitutes just know my pin-number
and hold to say to little richard: off to the crusades with you!
                                         well... thank god for
the north african imports! i'd start thinking all european
women are bound to be: neglected.
               and was it ever, not only about ***?
    it's nice to doubt it...
                           next time i'll woodpecker a grave.
but hey! the promised land!
                           at least you'll have someone to cry
over your grave...
   and did i tell you how there's this cult of the grave
in Poland? yep, that's not a personal reality,
it's a populist manifesto... i'm starting to see it
as a hell where people sort of forgot to state their emotion
to the people, now lying in those tombs...
         give me a Hindu wedding with fire!
  i wanna become elemental!
and look, libido on fire... a billion vishnu-******* in
Bangladesh...   it's this thirst for fame in western
societies that's going to be a downsize...
                                 over there that's like a **** in
a tornado...              ha ha! it really is!
   but then again, here i am, a graveyard hyenna...
walking in Liberace's talk of style...
  most of these graves, really are: tacky...
    just like Liberace, the greatest showbiz conman of
the 20st century... i love the fact that he fooled so many
women... i mean... that guy was almost as good
as ****** when it came to mesmerising people...
but Liberace had a nieche audience... so...
                 no khaki for the ss...
                                           and i dare to hold
an ethnicity? in tune with bob marley: one love, one people...
it has never been so painful to strategise globalisation...
         it's this ethnic cleansing that everyone agreed to
provided they received a smart-phone...
                   or a McDonald's fetish... and that's saying it cheap...
but that's how it feels on the periphery of H'america...
little ol' England boycots Europe...
                     and it's like: huh?
                                           presto! dum-dum.
    sometimes i start thinking that i have a hydra for a tongue...
and the more i drink, the more i start to see
       it splintering up into a polyphony construct,
but more a case of: polyphony of subjects...
   and yes, aren't we all those internet losers...
when the most powerful man in the world...
     uses twitter. bastions of respectable comment!
yes, i.e. newspapers... we're riding this meteor to the end...
          does anyone still consider newspapers to be
the pledges of a free society? i must have been asleep for
the past 20 years then...
                      someone switched on this chaos-turbine,
and we're all shoving our two cents of opnions'-worth into it...
and it's not stopping...
            and yet you still read in newspapers, this underlining
feeling of being condescended... as if they are the sole
authority... they have to behave like little despots...
                           social media's power is invested in its
shock reverberation... think: Marx in the 21st century...
           but can you? is this some pseudo Marxism?
             i might have bypassed all the king-makers and
walls... but i have no leverage... my opinions are
     as cheap as chips... well: we got ourselves a unison converson...
   i still don't see how the television zeitgeist still thinks
that the internet zeitgeist is no connected with ''real life''...
i mean... **** me! where's the highstreet with all the shops?
on the internet. where is the frontline of wars? on the internet.
  where do suicides take place? on the internet,
from all the cyber bugs that people start to represent...
    if this isn't real life... then i guess i must be sitting,
and writing this in some medieval castle in transylvania,
    and my computer is powered by a legion of
hamsters on exercise-wheels, in a damp room, lit by a candle.


for me, this is how reading a philosophy book looks like:

| | |
     fig. 1
                                          /   \
                 ­                                 fig. 2
       fig. 3
                                               fig. 4

it's like i want to see something with some clarity;
there is clear movement
      concerning a book like that,
              but unlike a standard novel:
there is clearly nothing concerning the: any given
  hope to disperse the mist.
                you're given the blunt truth:
the use of language...
                     again, it would be easier to call forward
a use of a tomahawk... or a guillotine...
            philosophy books never establish civilisations,
they break them.
                and do i think that the crucifix is a profanity
of the tetragrammaton? yes.
                do i feel Spinoza's anguish? probably.
when you read philosophy to start to waver,
it's almost necessary to unlearn language, and with
each philosophy book: learn it over again.
     you can't remain strapped to this culture
of emphasis of singled-out words...
              we can't find a constructive basis if we're
about to start any mechanism from such a dynamic,
isolating certain words and weighing them
                       obstructs language...
                 i can't even begin to fathom a pledge
to using a language, if there are these plebian obstructions...
i did write some notes when i spent these past 3 weeks
in Poland, but i'm scared of rewriting them...
                    i can claim to have understood
their content at the time,
but the context disparity is too much for me...
                 i'm rereading them in England
and i can only see England as a nightmarish construct
of such grandeour... that i might only be seen
speaking truth in the north of it...
                nor do i like the tri-tier categorisation
of man... if you read Kant, you'd be afraid of
man's laconic approach to the mind, stating
the three boundaries, and literally no faculty interactions...
  consciousness (the artist), denoting the overly-sensitive,
the subconscious (the worker), denoting the athletic construct
   and liberation from the daily toils of pure physical
and the unconscious (the zombie)...
   if you read Kant and explore the faculties...
and then turn toward the Freudian populism:
   there's enough reason to be concerned...
                  i can't be saying someone anti-vogue:
and that was my proper concern, that i might be saying
someone not recountable in any sort of realism...
          that mine is an isolated case...
         ditto alongside: why are we juggling the tri-tiers,
and so bombastic and even celebratory in huddling
toward these safety-nets of being human?
    thus said: the reflective man has died...
       in his place came the reflexive man...
                             and if there really is a worthwhile
stance to be a: **** sapiens...
   then all hope for a bewildered man is gone...
                 when the potency of robotics escaped science
fiction, and all trodden paths of orthodox science were
      fed to science fiction, humanity could begin
the process of discarding the offshoots...

the new testament... a book riddled with metaphors...
no wonder the greeks exploited the hebrew literalism...
and yes, plato the precursor made this very real...
by testifying that poetry had no place in the republic,
the new testament had to become solely poetic...
   the new testament is a rebellion against plato's republic...
it's a book wholly compromised on metaphor...
culminating in a book that's founded on imagery...
the gosepls are, once again, arithmetically speaking,
resembling the crucifix... which damns the concept
of the tetragrammaton...
                      as a book: it's only gibberish in
its final circumstance of revelation as a book of imagery...
   and in its preceding case: a book of metaphors...
who wouldn't be apprehensive to be born human
with such a thing being rampant?!
                    imagery is gibberish, given that we
have compentent painters out there...
and metaphor is metaphysics, given that we have
competent magicians out there...
   so how far apart are the words: qua             and
   as good a question as: how far apart are the words
                          phor               and phren?
       φoρ                       &                            φρην?
        so in the congregation of μετα, how are they
so apart?  looking at language from an alphabetical
perspective... it's hard to see anything inspirational...
    nor the tangens divergence of words
that are nonetheless so proximate in their construct...
a bit like the genetic proximity of man and ape,
or man and a banana...
   φoρ (the bearer of the beyond) -
                φρην (a mind concerned with things
under the curtain) -
                        and so: the futility of looking for
        a soul... became translated as the new found feudalism
of looking for a mind:
  given the common consensus: we're all mad....
so too looking at mythology could be revised:
  that myth of narcissus and echo...
or narcissus and psyche...
                         or φρην & πσιχη -
                we already know that there's an aesthetic
in Greek, at least they showed us
      that it can be σimple, when acknowledged
  and practised -
which means transcribing the ease of handwriting
   into a digital format, can be seen as an unnecessary
complexity - as if me currently looking for a word
that ends, and showcases the most obvious Grecian
aesthetic (without mention ο, ε, ω, η, œ)...
but with due mention: so where the second variant
of α, given there's æ?
                           it really is hard to find coherency
in human language... i'm still trying to conjure up
the second sigma... unless i hit the plural noteς...
there... i hit them... as simple as that.
  and yes: the father of the french hooked c
in garçon, came from this: the sigma used at the end
of wordς... i suspect that how things were denoted
to be possessed in english, also came from it.
once again: handwritting is bewildering on this digital canvas.


i don't have an atheistic argument, or a theistic argument,
kristine marie Jul 2014
i.* There are glass shards where her heart used to be. This beaten thing, this broken thing, this fragile thing; it beats while black blood pulses through the little cracks of glass. This heart, what keeps her alive will also be her cause of death and she knows it. It has loved and lost, lost itself in the quells of heartache. It is not whole but it's still there, beating on.

ii. When she places this heart in your hands, I beg, do not grimace at this hollow, broken thing. It's not pretty, I know, but it is hers and when she gives it to you, do not run. This heart is heavy, this heart is weak but if you've made it this far -- made a home in her chest -- I beg, please stay.

iii. She's moody and sometimes much too quiet but this is not to be taken as disinterest. It's in silence where she feels the most at home. And if your home lies near her glass heart, you are home where she is. The quiet, dark rooms in her mind are where her thoughts of you lay safe. All of the things that she'd never say, but she thinks of them often. They are secrets to you, but they mean everything to her.

iv. Sometimes she'll look at you and she won't stop. A lingering stare with glowing eyes and a slight curl at the corners of her lips. She'll look at you like you hung the moon and stars, like you created the constellations with your bare hands. This is how she drinks you in, and when you decide to leave, this is how she will remember you.

v. She won't remember all of the arguments you've had, nor the spiteful names you've called her. She won't remember the time you nearly threw her against the wall in a drunken rage. Accidents happen. *"It'll never happen again,"
you said. "I'm so sorry," you said.

vi. She will remember you smiling. She will remember you laughing so hard that you couldn't breathe, she will remember you looking down at her with a twinkle in your eye when you first told her you loved her. These are the memories that she stores, the ones that play on repeat in her broken glass heart; images projected on the walls of her chest and with every beat comes a ripping tide of black blood.

vii. She may call you at 3am, just a little drunk and very lonely. She'll tell you that she needs you and that she's so sorry for being the way that she is. She's so sorry for making you want to leave. She's pleading and there are tears in her eyes when she opens her front door but she hurls herself at you, arms tight around your neck, but you don't move.

viii. This is desperation, this is how she tries to win you back. This is when it's almost unbearable to watch her. The beautiful girl you knew replaced by a lovesick drunk. But you're here and you know her, you know better than to leave her like this. So you stay and you watch her, ensure that she doesn't do anything stupid.

ix. You sleep in the same bed and her legs are tangled with yours. Her head lays on your chest and for a moment, it's almost like nothing's changed. But these walls reek of love scorned. These bed sheets are a straitjacket. The girl that was once your home is a noose.

x. You wake up as the sun begins to slip through the blinds of her window. She's still clinging to you, and it's almost like old times but you get up before the noose gets any tighter. You try not to wake her, try to leave undetected but her sleepy voice stops you. Her eyes are still closed and her arms are reaching for a man who isn't there.

"Stay, don't go. I'll eat you up, I love you so..."

But you're already out the door.
heavy inspiration and even a line from the song, 'the definition of not-leaving' by hands like houses. i tried to do something different and i really like how this came out, so.
Mateuš Conrad Sep 2016
i don't know why i found redemption in the tetragrammaton, sure, my mother cared for two elderly jewish ladies, one escaped the Holocaust (surname Roßhandler) and the other of established English rooting (surname Rockman... thanks to her, upon completing my g.c.s.e. exams i got a complete collection of Bernard Shaw's plays) - but i find it there, ping-pong salvation every time, translating it akin to arithmetic: 1 + 1 = 2 is very much akin to Y              H            W          H, which i started calling the perfect chirality - chiral meaning non-superimposable:
                                       A                      &                  E, i too ventured to call the double H dualism a déjà vu - but i know see them as vantage points, more electrons and quantum physics than protons and neutrons - well, it ****** well fits the schematic: sine (M) and cosine (W) - sure, crude, but i'm not looking at the geometry of the mouth... language on the base of pure optics... and no, not necessarily adjective noun compounds for emphasis to argue a point, just easily an easily accessed point of reference...     so quantum physics calls it the non-independent ontology of electrons: a. particles (Y, centre 0 on the x, y, z graphs - apart from the heliocentric and the geocentric models, here's another one of similar causality)... and b. waves (W, the formerly stated trigonometry suggestion) - and hence the two vantage points bound to H... apart from Adam and Eve lodged in between... which suggests that the geocentric analogy of electrons is bound to electrons behaving like waves... while the heliocentric analogy of electrons is bound to electrons behaving like particles: microcosm Copernicus blah blah; well, more like pseudo-Aristarchus of Samos.

20th century literature is, quiet literally
something akin to the cave paintings at
Lascaux - big brother isn't watching -
nor is the publishing old guard -
i just find it unreal that so much rests upon
the internet these days, the people have no
idea what power has been granted them,
they petty the use of the internet with
their earthly squabbles of a marketplace,
while, running parallel: the lost infatuation
with democracy as necessary organisation -
turns out it's unnecessary organisation:
because we ain't go anything better -
hence political disillusionment - rampant in
what western society deems the pinnacle
and the Libra of a fine balancing act -
religiously? that famous: "mystery of lawlessness"?
that's the internet - imagine a time when you
could bypass some publisher, some adherent
to a state doctrine, when you could turn poetry
into physics, not the waffle of metaphysical Keats
waiting for a kettle to turn into a volcano
or a whistling horse, but to turn the dial to
point at the reality of things:
quantum physics (derived from quanta,
a variation of datum: particularity of input
energy) gave poets breathing space,
metaphysics became shadowy, Hades like
learning, obscure and all the more necessary
to build-up its strength while puritan physicists
lost their sway of power with the fears of
the atom bomb and all things quantum -
so while the physicists became dazzled with
all things quantum, the metaphysics took off...
entombed in an apathetic (without pathos)
subjectivity: a calm heart, much more than an
embracing heart - yes, i am aware that i have my
wacko moments of feeling, but this ticker is
made of stone - and that usually means a chaotic
thinking process, spontaneity being the key
in involving yourself with real-life narratives
then never suppose a character study: what you see,
is what you get: my sanity plateau?
talk about music rather than make poetry musical,
it's a pale shade of red or blue when you
have guitars and orchestras and the poet,
a voice in the wilderness - nothing but pins dropping
to exemplify the talk... i don't understand
the need for poetry being a kindred of musicology,
i don't understand rhyme, i don't understand
being conscious of poetic prescriptions of technique
very much akin to language's artefact minded
grammar: noun
                                v. poetry's pun
grammar's verb
                                       poetry's metaphor... etc.
my deviation? being an adherent toward music,
and returning poetry back to its true purpose:
puritan narrations - not conscious of what's
expected, or what defines the art,
very much the beginning of cubism and later
innovations in art, i just can't stand rhyming poetry -
it's too conscious of itself by what it's defined by,
we have learned of a new subjectivity:
the unconscious - we might as well exploit it
while objectivity gets crushed into bewilderment
by quantum physics -
thus said: i feel like i'm a dervish spinning
counter-clockwise in a chaos of tornadoes spinning
clockwise while listening to two songs:
tool's *right in two
- and muse's stockholm syndrome:
i can't be bothered translating the feelings
entombed in these two songs with a rhyme...
poetry should be less stuffy than it already is...
it should be a statement of the supreme effort: freedom.
all of this? spurred on by rereading passages from
Jung's gegenwart und zukunft (1957), alter:
          the undiscovered self (1958) -
it's seemingly odd (but not too odd) that books
written by psychiatrists are more popular than
philosophy books in the anglophile culture -
as already stated, i can't read philosophy in english -
maybe this is why psychiatric literature is so easily
accessible in this tongue, what with the self-help
movement, it the grandest prescription that no pill
(unless it's a sleeping pill) can be prescribed -
i'd say, if you want to read philosophy in english,
i'd start off by reading a book from psychiatry -
Jung is by far more adaptable than Freud
(Freud's for the rich people who have ***
written on their foreheads in permanent ink -
        and: daddy didn't care, mama was
                                     struggling feminist who
     forgot to breastfeed me) -
       but of course the 1960s Scottish superstar
(who drank, rightly so) from Glasgow: Laing.
well, sure, the Hungarian Szasz (shash, not sas,
or zaz... shish kebab... it ain't the difficult) -
impromptu deviation: what's funny about Heidegger?
he says: you need to study Aristotle for 15 years
to get him... and that's very much true for him also...
two years... TWO YEARS it took me to read his book.
that's what's interesting about this book,
a literary anorexic, in at 79 grams (pages) -
the interesting point? in physics, there are things
that are not independent of observation -
i like that conundrum, the mere idea of it is titillating -
running joke for the past two years: ***** ***** tat for tat
months later -
                          well... i'm not the one trying to
dress you up in a straitjacket with a label: this is poetry...
can't see **** for miles with how i write.
so there's a purpose, some things are depending on
being observed - which is a good thing, which means
that this world could not be independently sustainable -
its dependency on existing lies akin to our
desire to be independent of it - so all the religious
blah blah means something - even after 3 years
of rigorous studies in chemistry i come back into
humanism with a furore of agitating religious paraphernalia -
mind you, i do have a scientific approach toward
language - grammar and algebra combined -
meaning? certain words have become post-grammatical,
i.e. algebraic - not categorised as nouns or otherwise,
but as algebraic signatures: primarily because no one
really knows what to do with them, apart from
church yoga, standardised: e.g. x = god,
            i = y                  and the                  world = z,
predictably transcending the casual use of language
when shopping for cheese in a Parisian grocery store...
err... je ma'pel gorgon, avoir vous fromage?
nope, took to English too much - i was learning French
in primary school, but i had an existential crisis
aged 9 or 10... my brain refused to learn another language
after having just learned one from scratch -
                               the mute in class soon turned into
an avaricious reader... so parallel to my life, i now hear
stories about children being diagnosed with depression...
try being thrown into the deep-end of the pool
with your former development using a language
automatically, into having to learn the language without
no major influence of a teaching authority...
                                  no wonder the accent game
   sort of imploded and i started speaking sometimes tosh,
sometimes posh, and sometimes east London oh'rite?
                             ale casem tes jak rolnik -
                            owszem, czasem jak mieszczanin też.
Mateuš Conrad Apr 2016
pistachio nuts - or the clams of the the forest,
not among the helter skelter
birch tree scouting and marking territory,
but among the aged oaks
and pristine scents of pines among
the fallen pine needles in zigzag promenade -
indeed pistachio nuts like shellfish,
slightly opened ergo healthy -
clams or mussels, once opened then
healthy for the palette - still a bewilderment
to care with a hydrochloric acid cauldron
that the stomach is -
that's the prior bewilderment, the other
being this madonna-***** complex
that Anaïs Nin represents -
i've eaten a *******'s *** (her own
anatomical definition) - indeed smothered
in creams to ease a professional approach to
a lack of relationship stimulation -
science says that eating the female *** is
like downing a range of antibiotics -
i can imagine - why is she suddenly this hailed
saint of scissors applied to a middle-class
straitjacket? what the hell is going on?
ah... i know, the longer a feeble secret is allowed
to ferment, it goes from being vinegar
to being wine to being a fruity ***** -
well shiver me timbers!
ever walk into a brothel with 7 prostitutes waiting
their bus for £110 an hour and not feel
intimidated asking for a glass of water?
i have... they eye you like hyenas,
a true spirit of solidarity that feminism forgot,
7 prostitutes eyeing you, then you say
'can one of your pick me?'
'you can't say that, it's not allowed!'
'oh, aren't you a talker, you'll do.'
every single brothel i've been too always reminds
me of Jack Daniels - i don't know why,
the burnt auburn sweetness of charcoal or something,
add the skin creams on the ****** smeared
like an insomniac creating a synthetic approach
to sleep with amitriptyline (25mg) and alcohol
and you've just bought yourself a treasure island
Pauline Morris Apr 2016
Welcome to her house of many bones
Step into one of life's great unknowns
With broken dreams and shattered heart
In this carnival of freaks she is apart
For the price of a ticket you can see
All the horror, and agony there could ever be

All we ask is to put down your stones
On the left is a kingless throne
No love was ever ment to stay
I don't know why, it's just that way
On your right is the dreams that's died
Where want and reality did collide

In the next room you will find
All the demons that are in her mind
Young man, please step back
These demons will, and do attack
On her arm's you'll see the scars
Made with their talon like sharpened claws

Please don't dottle, let's hurry along
This sad little journey we don't want to prolong
Up next you'll find
Human monsters of every kind
They all wear a clever disguise
You won't even see them unless your wise

Of the shadow men take no heed
Off the sorrow they just feed
The closets doors all are open wide
Not one skeleton does she hide
Please don't be scared, please don't shout
The are free to dance about

Last but not lest I want to show
What happens when the anguish grows
Tormented by years of unbridled strife
In the coffin lies her pitiful life
It's not her body, for she is the walking dead
Heart in taters, screams echoing in her head
Eyes opened wide with years of dread

The light and happiness are always there mocking
You'll find her over there in the corner rocking
Yes she had to be restrained
In the straitjacket she will remain
It's for your safety, not hers
For the pain she endures
Is not for weak amateurs

Exit on the right
Single file, please don't fight
Enjoy the rest of the attractions
We guarantee a hundred percent satisfaction
Unless in this carnival of woeful souls you are captured
Then your only hope will be the rapture
Pauline Morris Apr 2016
Welcome to her house of many bones
Step into one of life's great unknowns
With broken dreams and shattered heart
In this carnival of freaks she is apart
For the price of a ticket you can see
All the horror, and agony there could ever be

All we ask is to put down your stones
On the left is a kingless throne
No love was ever ment to stay
I don't know why, it's just that way
On your left is the dreams that's died
Where want and reality did collide

In the next room you will find
All the demons that are in her mind
Young man, please step back
These demons will, and do attack
On her arm's you'll see the scars
Made with their talon like sharpened claws

Please don't dottle, let's hurry along
This sad little journey we don't want to prolong
Up next you'll find
Human monsters of every kind
They all wear a clever disguise
You won't even see them unless your wise

Of the shadow men take no heed
Off the sorrow they just feed
The closets doors all are open wide
Not one skeleton does she hide
Please don't be scared, please don't shout
The are free to dance about

Last but not lest I want to show
What happens when the anguish grows
Tormented by years of unbridled strife
In the coffin lies her pitiful life
It's not her body, for she is the walking dead
Heart in taters, screams echoing in her head
Eyes opened wide with years of dread

The light and happiness are always there mocking
You'll find her over there in the corner rocking
Yes she had to be restrained
In the straitjacket she will remain
It's for your safety, not hers
For the pain she endures
Is not for weak amateurs

Exit on the right
Single file, please don't fight
Enjoy the rest of the attractions
We guarantee a hundred percent satisfaction
Unless in this carnival of woeful souls you are captured
Then your only hope will be the rapture
Stephen S Apr 2018
Tie it up on me.
Tie it up tight.
Let me be trapped in the
still of the night.

Keep me imprisoned,
Keep me subdued,
Anything else
Would just ruin the mood.

Silence my crying,
Silence my voice.
Lead me to feel
I had no other choice.

Break me with violence,
Break me with fear.
Leave me to wonder
how I ever got here.

Laugh as you hurt me,
Laugh at the shadows.
Hear the beat of my heart
as it quakes and it rattles.

Cover me in anguish,
Cover me in scorn,
Rip at my clothes 'til
they're tattered and torn.

Mock my entrapment.
Mock my cold face.
Treat me like garbage,
that's cheap to replace.

Leave me in darkness,
Leave my pain to release.
And perhaps in the madness
I'll finally find peace.
I evoke that day in the park when
when you finally noticed my existence after months
of hoping.

Waiting. There you were, on the bench as
the snow began to fall, sipping that can of Coke
clenched in your hands.  

You looked glum; mind you, I was too.
That navy coat you wore, your ginger hair stood out like
streams of fire.

It was just me and you, you and I. My phone
rang but I ignored it, prepared to walk
towards you.

I’d say hello if I could but for some reason
(I should ask you why) you stood up, my breath
hung in anticipation.

The scrunch scrunch scrunch of
fallen snow, I looked up, there you were, falling paper
surrounding the two of us.

An invisible straitjacket
tightened around me, my voice box left on vacation
and you said…
Written: November 2011 and March 2012.
Explanation: My fourth poem written for university. Certainly not one of my best. The situation described is completely fabricated.
Mateuš Conrad Oct 2016
it has been exactly since ~3p.m.
                                       through to
3p.m. today: that's 24 hours +
                                      4 o'clock, 5 o'clock rock,
          6 o'clock,
                                          7, 8, 9
                     10, 11 and the upcoming twelve
         24 + 9 + excess passing the 36th hour...
oh this is just target practice -
                  what used to be
   serotonin has become adrenaline:
   spawning cobweb shadows with
   a mere arm-hair aligned with an itch:
i say to my cohabitants -
        i'm too poor to rent an apartment
with my contemporaries,
         and i can't be bothered to look cool
for 10 years... before the money starts
coming in... a day before a tongue spoke:
and see you in 20 years...
         and see you in 30 years...
the people born prior to 1975
       and after 1969 came out to earn
£57,000 a year... while those born
after 1979 and before 1985 had a wealth
*** of £27,000...
                            who are the landlords?
quick digression, i love how the idea
of exiting the bloc (it used to be designated
to the eastern bloc, now anything east of Calais
if a bloc... the European bloc -
        my my... ain't it love-ly?
   they wanted an Australian points system,
so first came the Australian plastic currency,
boy, i was happy, cashing in my first Churchill
miniature that i could dip in baked beans
and use as a spoon) spread beyond the old
stereotype... and the points system?
you know who's smoking the hookah of
panic here?            
                            the freelancers of nationality...
   they haven't fitted in...
don't worry... they'll keep you,
but after seeing you they just thought:
once the cheeky chappy, now a chavvy chappy...
  we love the E2 dialect, it's hardly Coccers
or bonkers... but after my day
(i'll relate to it in a moment)
       i heard to prop'ah Cockneys giving it
all the guv' and n'ah and
        what's Kilimanjaro in Cockney slang?
all the Cockneys are living in Essex,
   Romford, Chelms and the Essex lads
from Ireland are a bit shy, never talk to
the old people who used to live on
the Isle of Dogs or the Wharf -
              East London moved, and i'm in
the thick o' it... you ***...
                       i'm here,
open ******* spaces and hedgehog counts
to mind... never the next Susie from
Whitechapel doing the runner from Jackie,
             and funny that,
the day began during the night,
sober, i tested the idea: if you gonna go
nocturnal, stay sober...
                  fast... drink coffee in the morning,
and what some proper bollocking
        on the box...
                               i say: revivals never
sounded more like bells, the 1970s
had Patois... the old parle with dread-lock Sam...
             i squeeze in a bit of Norse
and hey presto... Ahmed's your uncle...
                     'cos we all like a bit of
way-hey banter, the: back in the day
   when the 1966 squad was best known
for West 'am...
                               am i sensing the idea that
i'm licking off the prop'ah beef burger 'ere?
                    what the **** rhymes
with Kilimanjaro?
                                wait! got this one:
apples & pears - stairs...
                          you gyro?
                        no! wait... the two Cockneys
weren't from south London,
this ain't Peck'am talk... this is proper grub...
         jar squared: verb, meaning?
     i know my neighbour, heard him
lecturing his wife over the wall about
the diminishing concept of family in the "west",
           to me that's
the Cockneys meant by guv'nah:
                           aw right der geezer,
   stop that fidgety: don't be late tomorrow,
let a man eat his plums and wear his trousers...
       i swear: the only good cinema these days
is English cinema...
                                 i said! the only good cinema
these days is English cinema...
               if i didn't watch
       we **** the old way during the night,
after spending my day as i did (i'll get onto it,
hold your submarines)
                               i would have pricked my ears
on the two Cockneys next door
   at 4p.m.                  finishing some job...
but given the "guv'nah's" attitude: 'aving
a laugh at coming early tomorrow, if at all.
     my day?
                 i wished i could say i woke up
                            the entire spectrum
of sunrise...
                            epileptic shock from the sun
after smoking a cigarette at 5a.m. when
all the constellations where out...
                          not enough sleep,
as the Russians say: no good to live but to
not have seen snow.
                               it shivers with enough
hours under your belt...
                                      i'd love those
Soviet torture chambers of sleep malnutrition...
gents? when the ***** and the cards and cigarettes?
    i'm currently the most loathed
  person in America... which technically makes me
more than simply unemployed...
cut my hair... two millimetres off the helmet...
off the cranium... not crew cut, not skin on side
and some ***-fluff on top...
in the night, when the moon is bright,
   my two millimetres of hair look like skin...
oi! Skinners! the shame would have really been
to have protruding ears...
                                    come to think of it,
i love the contorts of my shadow more than
the body my shadow disdains...
                  i decided to visit my old school
after that...
do you know the feeling of getting onto a bus
when you having been on any other form
of transportation (other than your legs)
for a few months?             surreal...
                   and even that's a bad way to describe it...
this is where words simply fizzle out...
                            they just did the white rabbit
trick and you're felt with nothing else to
do but squeeze into the top-hat and hope
that some other magician will pull you out
rather than another: white rabbit.
                          so the 499 from my house
up to Romford (sunny! glorious day!
   shirt, sleeves rolled up,
           denim trousers, navy suede shoes,
azure shirt, headphones, bus ticket,
wallet, packet of smokes, and the ride -
smile all you want - when you smash a sports
car you don't have the view of a dozen
horrified passengers there with you
to practice your ultimate Buddha gimmick -
Ching-Chong Eyed and smiling)
                oh yeah, the insurance... huh?
   off at Romford central, and onto the 86
courier from Bangladesh to Ilford...
                    what did i miss in the list above?
ah... three copies of poetic optometry...
written by? moi, n'est pas? oh come on,
let's not get the ruler out: mangetout and manage trois...
                           (only fuel is horses)
           the 86 is a double decker, the 499 isn't...
sun in my eyes behind the glass the enhanced star
gleamed: what privilege -
               by day the star
                                           by night the star in
   a mirror that's the moon -
                                         selfish helium
giggling into a hydrogen Hindenburg fury!
                 or that's what the scientists say...
how they worked it out, i'll never know...
                            but apparently the sun
is a H-He           something or other...
            H because of atom bombs,
   and He because we giggle like idiots when we see
it: never the thirsty horse in cowboy movies.
   got off at Seven Kings...
in between school girls eyeing everyone and everything...
just my luck... schoolchildren...
                               everywhere on the bus...
just there...
                                    and also just nowhere...
         so i got off at Seven Kings and went into my
old catholic school...
                                  waited at the reception for a good
5 minutes (good to know they're still teaching
people manners with regards to the uttermost
productive necessity of bureaucrats)
               -              i asked about my old English
teacher: does Dr... er... does Mr. Thomas,
        er, does Mr. Bunce (Thomas) still work here?
   yes, he does.
             you see, i'm a former pupil of this school
and i wondered if i could have a meeting with him.
oh, that's impossible, he's currently teaching.
                     Kafka... note this in your afterlife...
         well... in that case, could i leave him a message?
oh sure, just write your name and your contact details
and he'll get in touch with you.
   well... i need a bit more than a scrap of paper,
can i have a notepad?
                                    so i took  the pen
and the notepad and sat in this grand refurbished hall
of the school that used to remind me
of chemistry labs stinking of old wood and sulphur,
of the old ways... of being beaten and Pink Floyd
escapism and all the hippy crap...
                               what a grand place this has become...
it's no longer known as C. P. Catholic School...
but the plus version: C. P. Academy...
  but you still walk into the plus surroundings and there
are still pamphlets written by Father Ted
about *our Lord and Saviour christ Jesus...
          or Hey! Zeus! in Spanish... same ****...
different cover...
                               but i was well dressed in my
Indian summer wear that's Indian summer:
English September and October...
              i'd move the calendar up a bit...
get the kids off anti-depressants...
                           anyway, i had my three copies
of the "first edition", try tell that with the internet
breathing down your neck... it doesn't, matter...
             but i did write him a lovely note:
unchaining me from the straitjacket of grammar!
                  i wrote from what year i graduated
2002 (g.c.s.e.) or 2004 (a-level),
                        and blah blah and one more blah
later                    walked back to the reception
  and asked for a rubber-band...
                   then i bundled the whole thing together
and asked if she could give it to him...
                    of course, she replied.
                            p.s. if you don't mind,
Mr. Thomas, you can always shove one of those
copies into the school library...
                         p.p.s., someone stashed
the book about the Gnostics by some German in
there once... maybe i'm thinking along the same lines.
      the journey back?
i walked.
                                 i walked from Seven Kings
to Romford...
                               taking a stroll
with one hand in my pocket (left)
because holding a cigarette in the other is never
exactly great when it's not doing something...
that's what the pockets are for...
not exactly suited for your wallet... but your hand...
when you're strolling in the green-belt fields
segregating the outer-most London (wannabe
Londoners / Eastenders) and the Essex inheritors
of Cockney... Kilimanjaro?
                 ­                          me, i don't Essex
either...           most of the bankers chose this
district for the scenery, i.e. standing in a field
that isn't a hill or any sort of elevation
and beyond, yonder, the glass shards of their
former institutions...
                                        4.7 miles... not bad...
  a stroll... and that's without any food and solely
on coffee and a sleepless night...
           a butterfly fluttering along the way (only one)
and a fresh ripe auburn conker lying beneath
an oak tree (also, only one)...
            but what hit me was walking back...
it was truly like reading the book of revelation...
13:7... all the way from Seven Kings through to
the Romford: the street vendors, the bookies,
the Muhammedian car dealers...
                  the bewildered ones walking into
mosques, Sikh temples...
                                       one man cleaning the patio
entrance to a church from weeds...
                           cheap Kentucky chicken from America
         (if you think, that they don't synthesise
the meat in cat food and call it tuna or beef
but rather use actual meat... you're grossly mistaken,
    it was on the news...
                                         they are already
capable to synthesise meat...
                                     they do it in the perfume industry,
they're doing it in the food industry -
    a childhood memory of asking why they were
smearing lipstick on the frogs they caught...
they replied: they burn easier...
                  and they did... paint a frog lipstick
pink and boy... that's a French marshmallow, right there)...
           but if you ever walk that stretch of road...
               revelation 13:7...
          i'd like to see the Evangelists wriggle out
of that one...                       oh sure...
i treat religious television like some meathead
might watch football... it's game on after 5 minutes...
but anyway... that was my day...
           all 36 or so hours of it... how was yours?
                                                          ­                        g'day!
Mateuš Conrad Jun 2016
now i see the frenzies of Dionysian composition,
quiet clearly, the uninhibited use of language,
a whirlpool through which words become unshackled,
and each screaming its own solipsism as,
walking through this forest, touching each tree
to make a sentence seems more like a crazed running
around; but never mind that -
if only the former tongue was not embedded in me,
if only this tongue were the sole occupant,
the lingua rex, the sole victor over both body
and mind, so that no stirring-up of the soul could
ever take place - but it was not to be so -
in favour of the acquired tongue i have proofs of
volumes in expression - of the organic tongue embedded
in early development i have proofs of tenacity -
and a certain straitjacket in terms of speed of composition;
yet there is no lingua rex that might shove
one or the other under the carpet, lock it in the basement,
for if even one is used, the other is working beneath
it, or at least the mentality of it - immediately translated -
if only i came earlier and as early as to allow a quick
cutting of the root from the trunk:
old trees are not to be replanted, some say,
youthful trees, some say, can take root many times
in many places:
                the tenant farmer noble stands equal
                                             to the noble army commander;
or what would have been a second education had it
not been interrupted - as if t build up a national identity?
trivial the years between 1795 and 1918, don't you think?
if one set of national identifiers are lost, a second list
of integration identifiers seem like a farce twice-over -
thank god the anthem is easy to sing:
        god save our gracious queen...
        send her victorious, happy and glorious...
em... what's the rest of it? i'm sure embracing no identity,
no history, no stigmata for myself or my neighbour,
just apart, drifting, problem is, where to put the tongue?
the tongue is already tattooed with what it is that came
before, and what comes after - we're not taught
historical erasure - has my mouth suddenly become a
cave for a sewer serpent? it would appear so -
some say enticing - some say revolting - in the end
a banker would just put it like this: what a load
of crock-****, he sees a south korean deliver him a package,
asks him whether he speaks the language, the south
korean replies yes, the banker replies: good to know -
a ****** sense of utility! but someone has to do
the writing akin to chocolate left in the sun -
the goo of things where otherwise it would be a shaking
of hands in Warsaw and yet more revenue and yet more
investments - genesis of selling London by the pound:
reflection of the surroundings? the Cockneys are moving
into Essex, that's the end of the line -
and i swing between 22 years here weighing less than
8 years where the uprisings from 1795 through to 1918
took place - well, poetry is not exactly banking,
the sentimental attachment? that too... but would a name
like wink tak lumu make more sense to have,
but speak only a word or two of the native? like the ones
who went over to syria to only scratch the surface of
arabic? they say adab (etiquette), salat (prayer),
adl (justice), da'wah (calling), ummah... but they do so
with east London accents, jihadi john's oi oi,
me and my gansta posse gonna shoot the kurf to hell -
is this what happens to the tongue stretched between
two horizons? Napoleon said that a man who knows
two languages is worth two men, man knowing three
is equivalent of three men - which is why you never
seem to take root in the specific locality of the tongue,
cosmopolitan in suburbia, nearing farmers' market
and proper pub grub on Sundays... i guess easier in
name only, but i sometimes wish i had enough time to
have an identity than a chameleon's perspective on
things - 4 accents in the ratio to 2 tongues -
13 years of synthesis, 9 years of analysis - it was never
going to be a smooth ride with constant synthesis,
at some point questions would pop up like mushrooms
after the rains in autumn - but i'm sure few people
can share the memory of picking honey fungus deep
in the forest, this one memory sticks out for me:
deep in the forest, a city of armillaria, literally a city
of this fungus, collected and then pickled, in autumn,
just after the rain - and where vegetation decomposes
fungi sprout. i can still see the earliest human near there,
a flint quarry, an entire town built from wood,
it's there - rezerwat przyrody krzemionki opatowskie,
which is no big deal with the study of turtles on
the Galapagos - that's the cut-off point for me, i can't
imagine humanoids, it's sensible like that -
but that's exactly my point, the early development,
it can be overpowering for later development, given
later development was largely constricted by an
education system, linear stand-in-line conformity -
from early development: the freedoms and the myths;
how even the ugliest communist buildings looked
prettier than what social housing provided in england,
largely because it was the norm, crucially because it was;
and so much free wild space around, not this neat
pristine cutting up of rural area where grids set
a definite path for you - crucially, the english suburban
solitude: got to go into the city and play with the kids
they'd say - later of course computers and even more
instanced of being cooked up - easier said than done
but easily done solo - think of the weirdos of China's
one state policy - me too akin - solo.
coming back to the years mentioned, after the partition
of the commonwealth - i imagine the romantic futility
of it now, but how strong the urge to not sprechen
or говорить - but the futility being, no honey
after 1918, a bit of honey trickle after 1945 when
comrade Marx paid a visit, some say the years up
to 1990 were good, some just remember the years when
Marshall Law was put in place, the hyenas at supermarket
checkout, only vinegar on the shelves, and queues,
queues as far as the eye could see, pensioners did their
bit, waited in line and chatter, Solidarity pamphleteers
made it to the U.S.A. on political asylum - could
the Soviet empire have collapsed and been partitioned
as bloodily as the Ottoman empire we're currently seeing?
want to flip a coin on that one? aspiring Ukraine of
2012 was edging in, co-host and all, now? not so much
an aspiring Ukraine, some easterners shouted for their
mummy - mummy came rushing in at Crimea - daydream
over - back to square one.
truly, a user of the tongue, and obviously nothing more,
no part of me here, no part of me there -
or in summary as worked from Heidegger's dasein,
in translation da = both here and there... hence
danichtsein, i identify with using the tongue,
and as true as is true of this antonym, it's an apathy,
there's no concern - it's a blatant way of saying:
i'm not even going to open the ****** newspaper and
invite the world in, ich bin ein inselbewohnerin.
Raj Arumugam Sep 2012
I wander now
in the wilderness, in the woods
on deserted paths between villages
greeted by strangers
welcomed by humble folk
but welcomed at no Lord’s castle
rejected by Masters and Authorities
shunned by those in Position, in Step
ostracised and kept in the distance by Establishment

the lonely all-embracing tree
offers me shade
the narrow cave
accepts me in the night
a kind wife and her man
offer me part of the meal
they have prepared for their children

the Order harries me on
I have to keep moving
And nothing in my past
condemns me in the present
nor does it save me

All that I’ve learned
is become my burden
All that I’ve loved
I’ve grown to hate
Of my own life
I’ve made my straitjacket
and in my footsteps you read
The Sutra of the Outsider
waking-looking-head spinning
dizzy-vision fuzzy
feeling around

soft-comfy-white padded

where am i?
in a mental asylum

cant remember - must try

- fainted memory -
people dead
clear sky
full moon

- reality -
breaking free

- deep in a forest -
finally back to normal
now where is my knife?
I've been getting into creepy-pastas and my favorites are --
- Jeff the Killer -
- Eyeless Jack -
- Slender Man-
- Smile.jpg (Smile Dog) -

— The End —