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Solent in Expiationem Animarum

Saint John the Apostle says: “Zefián, the computer of the Duoverse of the Verthian world, indicates the order of his creation of the world, according to the transcendental plant living matter, in the interstices of time itself that exists within sidereal time. Noting that matter and time, is governed by all mythological beings in a compartment with monotheism, will be defined by atavistic laws, which are the deity of the intense hiding place of procreation, endowing great contextual residences, for habitat and a world in which larger non-residential scales, which go from passerby between the lines of time, and cosmological phenomena, which in the Duoverse face vicissitudes of the stars and their physicality added to the arcs of memory and emotions. Thus the main task of how the structure of experience surpasses consciousness, to novelize the orthogonal movements of the Universe, but in a Vernarthian world with great explorations of matter, which are quantified and volatilized in the field of its ethereal existence. The laws will be governed by your Zefian computer, describing codes that will verify the fulfillment of pivots in the reactions of the universe, but with refractions when reasoning about the consummate phenomenon. Starting from here in the experienced biology that will overcome the laws of physics, since its value is above the limits that allow the bold line of gravity that bounces in the lines of time, and its distances promoting more discretion when resisting threats. of a possible tiring case, a product of some relative dominance not included in all worlds with each other, in some case that does not rescue us from loss of links of some omitted sidereal reminiscence, attracting us to a universe governed by hemicycles of merely material particles, and not existential biological ones. The dimensions emerge from the beginning of the same universe, but more delayed from the interval and the second limit of the space that rests, to inaugurate the one that comes. Being the orbit of translation twice rotating towards the sun, but nth times rotating on itself, to go out to another stellar dimension not present. Its geometry will be from the intendancy of the resumption of Cinnabar in Tsambika and Helleniká, to later cancel each other out, making their integration in Patmos, on the coast of Skalá, with curvatures that validate the nullity of successive expirations of material lives, between spiritual expirations alive.


Duoverso is born and will be reborn, every time the years are subject to the loss of everything quantifiable and not, under the light that will be lit on all the darkness, Zefián being, in paronymy in which they lack to appropriate the support and merit of to have it absorbed in the tabernacle of Vas Auric, in the privilege of nothingness itself and nobody, adding itself in what is preserved of the physical support of itself. For just sidereal speed, in which it will have to travel on its same axis of rotating time on itself, in paradoxical of the One-dimensional Beams, these coexisting with the same low and high universes, reconverted into angelic vital luminances, creating orbits and optics in the visions of Christian temporality. By empowering them to enable them in the overexcited that derive disorders of intermittency of memory and physics of time, to reinsert themselves in the sequence that inhabits the residual of the speed of the Beam, as a Theo-Philosophical entity, of cellular multiplicity or cells of seasonality. of retrograde times, for the independence of temporality, under the regime of the past made up of an unbelievable yesterday. Overcoming the conserved immediacy of conviction in the One-dimensional Beams (Kafersesuh), it is observed denser when every mortal admits to being due to integrating and later brooding, dissecting organic matter into inorganic matter, suspended in the richness of a world of Faith and Prayer, of the most anti-gregarious desert and lost in the world, but supported by hollow walls, which do not exist in Vernarthian emotional matter.

The movements being physical, they take us on conjectured layers to discern their magnitude, emphasizing the rigor of their measurement on us, instead, the ambivalence of Zefian, delivers in both chromatic the Dark and White Duoverse, under the reference of the behavioral alternations of the Diospyros, source of the arboreal, for the procreation granted in the hands of Leiak. Relying on this equational exercise, with less time to design for its genealogy, but rather on its apocalypse, reinstalled in abolished primary unknown spaces, to have it once again in the light of consciousness, recognized as an inert matter of the past, but living off the immanent eternity of nebulae that personalize the earring of the Caltrop, taking temporality, but not snatching any hand to tear it from his own.

Vernarth says: “In the rhetoric of the Universe-Duoverse theorem, it is worth noting the past with entity, present and future also, connected to the time of Verthian inspiration, Holderlin-Heidegger, on issues of physical habitability, as a complement to the entity, which anticipates the present/future in the vicinity of death in the past and future, but tangentially in lively whims of existentialism-mortality, for a way of being rented out at death, as a way of being, dwelling in death itself and in the act of embodiment having existed, but with its own mandate after having been rented. The Vernarthian World appears in this current, prolonging existence from non-existence, granting complementarity of more past existence, before an unlived death. Ontologically, This theory stems from the One-Dimensional Beams of Kafersesuh, in Ein Karem. Essentially Christian, as the matrix of existence between Ein Karem (Nativity of the Messiah) and Gethsemane, as an interconnection of materiality in metaphysical reflections, a product of the immaterial of life not lived, as an urgent sacrilegious death, and of the anticipated dimension of the life process- death-life of Christian Messianism.

Vernarth says: "with the slaves in my disparate hands, one picked up what the other was carrying. With my right hand, I took the Duoverso, and with the other my porter; I held my reins on the maxims of Elpenor, before falling to the cliff. One naughty day but with the worst pain in my chest, I went to see him in his room, and I structured him as an immortal, at the time of forming the world, "knowing not even being part of an identity" favoring him to be part of me. combustion and ignition due to the friction of the Universe on the Duoverse. Such was that fearlessness and affordability that it decorated me with unexpected tears of belonging by imprisoning me with superfluous boastfulness. But his courage will be mine, and he will have to anticipate being in the middle of grace, as in Gaugamela wounding my two hearts, one deleterious and the other not..., verbatim saying:

Says the Carrier: “I have to agree to your mandate my lord Vernarth, I have arranged my emetic knights to take him to the empyrean, more remote at nightfall. I know that my own death will also take him, for we are double lives loving death, which falls on a night given to the seventh Falangist soldier. In the midst of souls already disheartened by the misfortune of life, in the figure of eternal death that refuses to receive us discouraged "

Vernarth says: "I do not know if I am or will be brave, because I have forgotten to die, rather I do not know what it is ?, but in the midst of the horses and the hosts of the block, from the anvil of Gaugamela that I have not felt it again..., which is death after feeling my hands and legs severed, but not felt when appropriating some amputee. I know that among the Hypaspists we used umpteenth arrows to mobilize their war apparatus 665, but from the wasteland jump we gathered the delirium of the Falangist command in the Seleucid 666 row, rather detached from every man, in a substantial way in favor of the Alexandrian life, "Of course he was already in the hands of eternity, which hurts more than the tip of an arrow, even being unfaithful to his mortality"

and not in the Universe chained to its fractality, rather of its present-present of the new universe for those who make it negative of itself, towards a clone and neatness, granting it recklessness, who continues to sweep its entity, its dimension, its space, the distances, the matter to receive it in their being. Vernarth, besieges the discursive thinking, under the tides of the tenements and the fears of late emotionality, changing to all the best heroics of the follow and all the experiences of harassing flat lights of the target, in the necropolis that speak resurrected, not being chimera in the best leisure districts live, but immortal of a district..., with steps to constitutive slogans of "succumbed cities, but..., with eternity", connoting after all abolished transference, in eternity present between two beings of mortal rank, the Carrier and Vernarth, Vernarth and Heidegger, but here the last one bringing him the closest radiogram between expiration and eternity, with significant death (End and chaos) and eternity (creation), in the limbo-purgation ratio, as the source of the potion. His total contention and affinity in Heidegger's dialectic, passing through a moment that marks his reincarnation, in the rambling of finite eternity, moving away from Vernarthian ontological and metaphysical reasoning. It was attached magnetic in the Universe, feverish kiss in ambitions of the temporal Being, as substantial of perpetual objectivity towards the unworthy survivor of the Vernarthian theories. So far no similarity is compared to whoever wants it or not, it is part of any estimate or spreadsheet of a complex Duoverse, Within the emerging frontis of progeny, there are ranks derived towards the first to form compound swaths of shelters in the Camels Gigas, who from Jerusalem escorted them with their plantar consciences to Ein Karem, then returning to Gethsemane, to finish in the port of Jaffa. Originally arranged by the children of Israel and the strongholds; Vernarth, Saint John the Apostle, Eurydice, Raeder, and Petrobus with animality, Etréstles, and Kanti, to finally mention King David, who goes to his catafalque before leaving for Jaffa, to return winds to Patmos. Of this primogeniture, the legatee is Vernarth, being presented as co-first-born by giving his portion to Saint John the Apostle, for trust assets of the benefit of a third party for both, and granting the patriarchal and reimbursement to each of his inheritances, being of expeditious aim the liberation of the world that lodged them not authentically in the mediocrity of ascendant ancestors. This prerogative will be decisive to define the dimension of the Duoverse and the One-dimensional Beams as consanguinity, simultaneous nascent and mortal worldview, to radiate them in the beams that support the universe, and from this same, they are transferred to the vision of child-man, child-cherub., for the purpose of defining the Universe-Duoverse physically composed of four areas of its consistency. Time, Being, Divinity and the Four Wings of the Cherubim, as a concept of biodiversity in Lepidoptera, Bumblebees, Bees, Wasps, and Fireflies as tetra-winged animal entities, originating the warnings and impositions in cardinals and poles of their primogeniture, rising from chaos, up to now as mandatory Duoverso, constituting the alpha world, rising of the Animalia and the intermediate visions of the heights that guide the material essences of the imperishable spiritual elemental and structural physics. Being ineffable matter, in the stars that prostrate itself, before each pause of advent and of creations that ****** other creative flashes, in pursuit of a gnoseological doctrine, as a slavish instant, ending in another for the study of the meaning of conceiving in the diligently part of a new world, on the borders of the unknown and of repelled nothingness, suspecting itself in the living artery of nihilistic nothingness, without leaning towards nonexistence that endorses it, or perhaps from a twin Duoverso univitelino in the chaos of unfertilized nature..., rather empowered to the first heir by the law of the Messiah district. Allow yourself, in this way, in the face of this premise and history, to continue and be part of an establishing whole, looking for God in a new world and universe as well..., but shaking before the nothingness that sustains it, as a basic knowledge of value and of immobile Faith. The hypothesis Prosapy-Centric, defines blood lineage unifying the Duoverso as follows:

a)Eternal Existentialism:

He talks about how compassionate creation is and its factotum, that it will be better that way. At the entrance to the Vernarth mouth, within its buccal cubic meters, the Zig Zag Universe, the promoter that caused the Duoverse, broke out. Here your thoughts of eternity are born; not from your brain and discernment, psyche or mind. It exists in a present that will be distributed without end or beginning, in the holistic of the anticipated existence of the being itself, so that everything holistically arises from the mouth of Vernarth, becoming the light of his luminance-ejector thought, being in some way the Zigzag universe that emerges from the outgoing access of its mouth and that manifests itself in some change of quantum physics in a state of hyper-connectivity and always present. The Zig Zag, coexists in eclectic variability of angles, creating regularities in its time and displacement. For the sake of results and translational parallelism as a promoter of the Duoverse, based on the holistic that brings together the effect of the word-fact, but eminently aimed at the morphology of extra language of intellect, rather in the kinetics of the language of human zigzag and physical-material, typical in various line segments of lightning and space storms, resembling his lost and bleeding soul in full battle at the site of Arbela. The other meaning is his salvation from the Council of Patmos, being already Installed in the Eclectic and invisible portal of the Evangelist of Saint John, levitating in his sacred basaltic cavern in Katapausis, in the Patmos archipelago (Koumeterium Messolonghi, Chapter 16 / page 114. Editorial Palibrio- USA). They would find themselves in communion with the archaean clan, which would resemble its proper ectoplasm; thus each one forming a unique part in the masonry dictated to redirect them towards their messianic labors at this stage of the ascension. Vernarth; is aware that he will have to enter the cave, after having ceased his work on standby for three months. He continues to fester in myriad wars and parapsychological regressions, he will remain in a daze to dedicate himself to the beautiful landscapes open towards a horizon..., a neighbor to Palaeolithic and astronomical painting. In the flashes of mathematical prayer, you will capture the spiritual intensity that inspired Saint John to build the temple near his cave of the Apocalypse on the island of Patmos. The saint appears only on certain days looking at him from afar to encourage him in his progress..., Portal Eclectic and invisible is the facet of the face of light, after the invisible that manages to be appreciated with the principle of transferring its connectivity of the immaterial with the material, but done in the finished quality of "Merciful", deriving everything in what supports the splendor of the facts and their objective analysis, by no means the same, because the Zigzag universe, originates theory or thoughts from the perspective of external language and integrally unites it through the optimal results, always imponderable and categorical to follow them and attract them to eternal spiritual good. Being exhaustive of the fact of action, although it is subdivided into executability..., it will continue to be timeless, therefore eternal, in the hands of a universe of thick eternity and stationary death.

The final communion of Zig Zag with the Duoverse, will make this key momentum to replace the Universe of the former Vernarthian world, for inflections of the continuous present, more in the distance of the limits that have to originate than by a simple gesturing stupidity of disbelief, abounding more than a universe that is created in eternity, and that will never again resurface as a physical dimension. The successive potentiality of this theory of holism subtracts actions and not facts, since it always culminates in the limit of infinity, always beginning and never-ending, to then restart in a present that is reintegrated into the access of the oropharyngeal and non-cerebral embouchure, since it has of limiting itself in its shock and subsequent confusion of language-emotion and feeling, to change all eternal emotion, always going hand in hand with the unequivocal and assertive light,

b) Being Universal multi-evocation:

Over Rhodes the auroras could be seen retreating, to attract the new luminances crossing between the atmospheres of the ancient worlds, with stars that were ordered among others, descending at great speed from the Universe, fascinating all Greece, coming from celestial bodies that brought from great Relative distances and proximity between the Duoverso and its satellite widening, allowing to grant subsistence, and routes to the nascent species of the Vernarthian sub-mythology. The Sabbath energy Light is overbreathed repair; here Saint John the Apostle influences through the conduit of the Cinnabar towards the Light of the Mashiach, with the intemperance of life on drops of crystallized water as gifts of Taphoric Light, with synoptic signs of transformation of all the green grass growing like a beard on the slopes of the Willows, where Saint John the Apostle goes back to prayer prayers; so such in repetitive sentences and prayers towards the Universe, which were falling as it was on Mount Tabor in the Transfiguration. All this in the fervor of the willow chins that fell from the galaxies, with their cascades one after another in orderly colophons of fervor making the sky a great source of Moshaic and Elijah voices. (Moses and Elijah) to Christianize the holy oils of the radiant glory of the Universe that was complemented by the Heliac Ortho that was appreciated in different coefficients according to this new position of the parameter of Greece, observed from the Constellation of Pisces, being symbolized as piece as SOS, since Eratosthenes tells us about the fish that saved Derceto (Goddess of Assyrian mythology), after falling into a large lagoon. Seeing therefore in the sky as Fum Al Samakah, Arabic for “snout of the fish” (or Fomalhaut star from the Greek translation). Pisces being bright and of the great dimension to mold it as a whole iris, which was rooted from the formal pelagic accent, towards a spectral affinity of the Duoverse, like leaves of Willow temperatures, on the reflection of the Multi-evocation. For antithetical referendum of the Pleiades between light-years that diminish behind the stars of the magnetic field and its exo-planet. It is necessary to consider that in the wisdom of God, there would be his ordering conscience, on each constellation, and then detach itself before each other that guards each one in centuries of light-years, and in each one of the children as light-years of millions, but of numerical present time quantum; that is to say, all translation on average over ups and downs of spatiality and in remote ages, to zero or from null numerals in the integrality of millions of non-existent light-years, but accumulated and equidistant between the Universal Being and Multi-evocation. An example of cartographic observation shows us Greece at Latitude 39.074208 and Longitude 21.824312, influencing the Duoverse as a complement to the rise of Greece with the latitude of the Heliac Ortho, being Sirius eleven days after the Ekadashi and eleven days before the other at 10 °, Maximizing the light herbalism of the unconscious, to systematize the rise of the Universe imbuing Greece. Refulgent and small electromagnetic systems, led by the Divinity, are freeing themselves of all the units that bind in the minimal Units that can expand with the apostolic energy, rather than a trans-human receiver, in blocks of circulation of waves, related to a Defined spatiality, divine and with its own energy of opening of small worlds of provision of light, and radiation emitted by the deleterious convex of invisible essences in properties that are released from overflowing stagnations of creation, and from the skylights that are more distant than the wavelengths than from a breath of Demiourgy in the chemistry of all multidimensional hyper-existential between frequencies of energy widely displaceable by lines of how many..., in static energy of rest. Ultra colors intensify on the coasts of Rhodes, as a sulfur photoelectric effect of Cinnabar, formalizing mechanics in those sedimentary particles, which undulate in anticipation of the precise amalgamation of both universes, evolving towards the matrix of origin of physical and non-biological state and period, but of eternal divine inspiration, from the mouths of Vernarth, as a resurrected Being electro vigorous, dwelling spacious and sinuosities of curvature and psychic spiraling, The Vernarthian nature will call this phenomenon the Son, since it is the similarity of the halo in the Taphoric Light and in its effect of the baptismal of this Christian Universe called Duoverse, in accordance with the presence of Saint John the Apostle light, among the attending raptor niveous. strangers, arrival-departure and between the nebula of pendency in the nimbus gaseous clouds of fields that mutually heard each other recognizing each other..., leaving only Saint John the Apostle in the perfection of the sky as a universal and Duoversal shadow, first of all being of light being baptized, crucified and risen-ascended, in the metaphysical transfer of his body, as a universal body, as a quantum point between the earth and the sky, between the universe and the Duoverse as a complement of gaseous and spiritual atmospheric earth. Ministering in the judicious and prophetic occlusion, being a juridical part among the myriad bundles of Constellar Pisces that supported the transfigured and converted prophets, before a brand new universe, "Duoverso", witness to the amazement at the proximity of the multi-evoked Universal Being.

c) Reflection space (Light-matter)

The Duoverse having been pulled from its entrails from Vernarth's mouth, and objectual free fall is noticed after disengaging from the quantum Universe, rather than an elusive cacophony that unfolds separated from their bodies in all dimensions, except Vernarthian time, Alluding to the stoning him so that he ignores himself in agony and returns to look for him to revive him as Space-Light, in the presence of matter reflected from himself, which will unfold throughout the Hellenic Panagias, from Kímolos to Tsambika, to make the curves the direct passage that once again bends time towards a fragmented dimensionality. Barefoot was the apostle with Vernarth in the three quarters of the axioms and algorithms, where the conceptuality would overcome the low calculation of what was already ministered by them. Creating space for lapses in dreams of the Stairs, with steps of Topaz, in this particular case of Saint John the Apostle, "seeing open skies and angels of God go up and down on the son of man." Here some sidereal Solar gleams are illuminated that have nights for a sunny day, Vernarth resting on the side of the Monastery with a stone on its head and dozing to dream like Etréstles in the Hexagonal Baptistery of the Shepherds in Ein Karem, but of the compact sweetness of the famous luminous Cinnabar ascending vertically where the Yahvic Being, who was presented to him as the Abrahamic patriarchate nexus. Endowing him with celestial dreams about stones that inherit west and east towards the north noon, in space of hallucinations of Jacob's subconscious, for the satisfaction of the luminous pictorial ligament. Thus, a timid but decisive reflex pointer of space and reflection is detected, which includes fragments of spectrum and tonalities of a machine unconscious, to raise the Duoverse in a depressive day of the scathing moment.

d) Physical energy (molecular entropy)

From the bases of Theoskepasti, the physical system emerged in two sums after the movements of the pendular censers that exceed the elliptical of the Cinnabar and the potential of the ejectable force field, for ductility of its forces that emanated from the triad with the archpriest, helping him Etréstles and Kanti, who would take them to the Hellenika Necropolis. They make of their golden bodies the ephemeral speed mechanized in the originality of the homily system, to break in the guardian friction of the gravitational axial of the body of Light of the cinnabar, which received the sulfur kinetics of the defective organic matter that was wrapped in a bizarre alloy of sulfur light, and in all the forces gathered, not rubbing with the cinnabar obelisk, already invaded by the energy that made it superficial, between the shell of the Panagia Theoskepasti covering and the strange normality that made them physical-organic. No scrubbing would continue the movement of the fleeting angle of the anvil of Hephaestus, but the static on the surface, lay unchanged before the forces of the back and forth of the molecules that sank late, shooting from the pendular area of his bowl and then starting with full power for new angles that will take advantage of the mechanics of the forge and the friction clean and **** before the joint, and the resistance of the reactivation of the second period of the movement, to forward them to Tsambika in the response signal. Quantifying later between the inferiority and the intangible shock reaction in the light radiosities of the cinnabar re imparted towards Rhodes, forming resistance, but with immanent entropy, with a high degree of fineness, in such a way that once the conservation rays are fired, the response to Rhodes will come from Kímolos with the particles and combustions of sulfurous gas and mercury, generating entropy of two quantum and physical times between the Dodecanese and Cyclades, knowing that the inert matter is inactivated alive, thus envisioning the contingent presence of iron in the geology of both islands, with more than eighty percent, and of gravitating oxygen for the Vas Auric and its materialization, as a ****** impression reducing its physical dimension and enlarging its water content in pelagic beings of the Aegean. This would suggest the homogeneity of both island territories, appease the conception of substitutions that frolic from north to south, to break their normal balance, depleting what is island land towards oceanic land. In this way they will be mixed entropically for a new generation of fertile life that balances in chaos, already in the hands of Saint John the Apostle and Vernarth, in the main nave of the Monastery that seemed to oscillate atomized and vanished, but then atomically restructured, slyly dividing the canons of traditional entropy, and making it disproportionate to the biodiversity ordering of the sterile and the fertile, reordering itself as a mutable force excluding the reality of act-effect, invested in the integrity of life-death-life, as a molecular target in a double physical dimensional unit, making the prospective universe by splitting from any other format, to become another and another physical dimension. Universe-Duoverse, they shake like two spheres, almost joining each other, but separating into heterogeneous classics, as a panegyric, under the invocation of Conviction and Faith. The universes self-recomposed and redistribute themselves before our eyes, but before the consistent devotion of this homily, it makes them astonishing and phenomenal (everything that happens is recomposed - if the tree fractures, but then it straightens re-fractured, before our eyes being recomposed). Thus the chaos of the Universe is resolved, appropriating a new sequence of continuous creation, starting from the same creative property, but of molecular entropy, almost in adverse defect, but of constriction of the yielded body, to be incorporated into the Cinnabar beam of light. dynamic, generating ignition at the ends of each part of the structure obelisk, in order to release and stimulate on the absorbent..., of the Hexagonal Birthright in Tsambika,

e) One-Dimensional Beams

From the hexagon, everything is dimensioned on the peaks that can be seen in the starry nights from the curved kilometers of Bethlehem. Everything goes on top of the desert mountains and valleys, above the vagaries of climatic heights, and landslides of an entire believing community and its followers. In twelve advancing camels, of which the first six are exclusive to the Birthright, and then the seventh Giga camel is from King David of Bethlehem.

The beams are the architectural support portion of the physical-ethereal God and of his ethereal-physical word, supposedly of advent in grazing of the hardwoods, and the secret anomalies of a new Aramaic message, anticipating the vigor of insects and birds that were grouped together. in the journey that goes back and forth. The Beams are stars of heaven sustained by the Cherubim and the Archangels, through the paths of conversion and the support of the Christian time; haughty and implacable hegemony for the propaedeutic of phylogeny, but more on the very chemistry of creation carrying its winged Lepidoptera tetra, pheromones, and the obfuscation of an elemental nascent child in his own evangelical philosophy from an inter-sword dimensionality, and of the gloom of a manger shouted Kafersesuh, before compendiums of two pyramidal landmarks of inflection of his word in created animals, in the affinities of the world and the Animalia, personalizing shepherds carriers of pollinations, totalizing the generational of the language that is concealed so far, as well as the turns in the musks, and their legitimacies from the Baptistery of the Shepherds in Ein Karem, parabolizing their nomenclature and Polygonia of a child made man, already coexisting! but representing himself as a lifeless man in the fullness of a child of a distinguished canon. and his legitimacies of the Baptistery of the Shepherds in Ein Karem, already coexist! but representing himself as a lifeless man in the fullness of a child of a distinguished canon, that followed him towards the superlative moment of the bending near him, twisting and changing squeezable pressure in the cords that forged his path, towards the cornices and trusses of the upper celestial vault, where the shed of doubts was next to the Cherubs. Giving mechanics to the prism that arched the beams in the horizontal lines, taking them towards the amplitude of other lines, which remained solid before the variation, suspecting mutating to one of sudden two-dimensionality. The sections of the timber framework, which looked fatigued before the primary classification, which showed the attitude of the little Messiah, taking out effulgence from its beams, and rolling on other pillars, postponing the vectors of the tangential, contributing bits in rhomboid specialties, that blurred the cylinders of amplitude and field of vision of all those who remained in their nativity. Making diametrical glances so as not to be distracted and adore him with a broad and rectilinear heart, in transversal visualizing for all, the one-dimensional crossed wood, which in its geometry schematized letters and numbers of kabbalah, which differ in dissimilar resistance of Christic ambivalence, as a forerunner of martyrdom. on the wooden cobblestone of Golgotha. This presaged capacities to read them in the Torah and Zohar, gathering everything in a whole, in those vivid tormenting lapses that he felt in advance, as reversible entropy, turning their substance to prepare them for the day of an abolished martyrdom. Making diametrical glances so as not to be distracted and adore him with a broad and rectilinear heart, in transversal visualizing for all, the one-dimensional crossed wood, which in its geometry schematized letters and numbers of kabbalah, which differ in dissimilar resistance to Christic ambivalence, like the anticipation of martyrdom on the wooden cobblestone of Golgotha. This presaged capacities to read them in the Torah and Zohar, gathering everything in a whole, in those vivid tormenting lapses that he felt in advance, as reversible entropy, turning their substance to prepare them for the day of an abolished martyrdom. which differ in dissimilar resistance to Christic ambivalence, like the anticipation of martyrdom on the wooden cobblestone of Golgotha? This presaged capacities to read them in the Torah and Zohar, gathering everything in a whole, in those vivid tormenting lapses that he felt in advance, as reversible entropy, turning their substance to prepare them for the day of an abolished martyrdom, pigeonholed him towards a pre-existing Hellenistic aspect in characteristics of patronage as a representative figure of a male, and a lady of Ptolemaic Egypt in great iconic religiosity, coexisting as a priestess of a female order in the Greek protocols with him. Becoming inseparable in the preeminence of mother and son, as unilateral gender, and of substantial element for the social and political order that reigned in the ancient era. Laying here the unilateral gender indispensable for the social and political order, which is substantiated at the dawn of the empires of all the time, and the patriarchal society? Symbolically Joshua in this cogitabundant providence, adds the feminine value in the society in the Kafersesuh's outlet of the Judah manger, dispensing mainly to women, A great Zohar light, gathered all towards a whole in those errors that Joshua felt in advance, as reversible entropy, giving back his wise existence to prepare them for the day of his sacrifice. Pre Existing in catharsis and substance of divinity connected with the phylogenetic species, classifying up to an Aramaic pontificate of pheromones settled in the lithospheric site of Gethsemane, in a biological sense and in close coincidence in lapse wading, or the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in characters of the vibrational timbre of the Beams, and its atavistic pedestal, readapting in evolutionary ellipticals of winged tetra species. Allowing to change the ancestral linguistic accouterments in processes of redesigning the divine genetic historical tree and increasing anomalies in the human earthly culture, and not human anthropomorphic in a reviving profanity of fruitive frequency amplitudes, for those who resort to it, monopolizing and synchronous in diachronicity of their specimens. The lights of Joshua's gazes are the Light of Christian Life and Time, in the entity of Joshua born and bloodless from the nature of Child-Man, but of mortal design in the same compulsion to see the luminescence of life in the manger Kafersesuh and only incorporeal unity. Being in exemption from Ego with its structure of living child and dead man, he rushes rebellious and ostentatious in the architecture of the One-dimensional Beams, yielding the glimpse of the aforementioned progenitor "Eye versus Eye", seeing himself like this..., son hovering in the arteries of a Universal-Duoversal life, from a single dimension of cyclical one-dimensional length, encompassing conjecture and biological, the symbolic-allegorical conception of extreme co-divinity, as an exclusive precept of the delicate infinity of the Being of a Messiah, with paraphrases or glosses of Aramaic exegetical affinity, tracing from a linguistic period. Here are the contortions of the Olive Tree Berna, transfigured into everlasting orality and refractory syllable, to incubate eternal rabbinic gifts of perpetual reluctance, beyond the reach of the ego-annihilating will and of apathetic, inert ultra-affections and of miraculous phenomena.

f) Hexagonal Birthright

Civilization has an arched inflection in its regency at the head of the favorable family caste in the blessing, whose hiding place will have to be entrusted to a clan, having to make inquiries that formerly only related to consanguineal minorities from the same family trunk, thus protecting the pantries and accessories in warfare to consolidate the economy, and invigorate its commercial coffers. The land would be and would be an essential partition insignia for the legitimate transmission of epochs and inter-seasons, which received them from its descendants for representation of geomorphological heraldry, given in its regional condition. In the noise of the seventh seal, heaven was silent for half an hour and the seven angels stood before God, and they gave seven trumpets, the other is to appear in front of the altar with a golden censer, to compile it in other prayers in all the saints, on the golden altar that was in front of and in front of the throne - And from the hand of the angel the smoke from the incense with the prayers of the saints - And the angel took the censer, and filled it with the fire of the altar, and threw it to the earth; and there was thunder, and voices, and lightning, and an earthquake - And the seven angels who had the seven trumpets got ready to blow them - The first angel sounded the trumpet, and there was hail and fire mixed with blood, which were thrown upon the earth ; and a third of the trees were burned up, and all the green grass was burned up - The second angel sounded the trumpet, and like a great mountain burning with fire it was hurled into the sea; and a third of the sea was turned to blood - And a third of the living creatures that were in the sea died, and a third of the ships were destroyed - The third angel sounded the trumpet, and a great star fell from heaven, burning like a torch, and it fell on a third of the rivers, and on the springs of the waters - And the name of the star is Wormwood. And the third part of the waters became wormwood, and many men died because of those waters because they became bitter - The fourth angel sounded the trumpet, and the third part of the sun, and the third part of the moon, and the third part of the stars were smitten, so that a third of them would be dark, and there would be no light in the third part of the day, and also at night - And I looked, and I heard an angel fly through the midst of heaven, saying with a loud voice: !!

"Being in six instants at the Golden Gate of Jerusalem with Saint John the Apostle, they reordered the majority for a protected subordination in the minor family descended from the eldest son, for the purpose of sustaining them to reach the possession of their theological morphology, in this door, being the only one that will remain closed…, until the second coming of the Messiah. The scheme of the camelids in their osteometry tells us that their heads before Advent! Distorted their calypso lights on the surface of their skeletons, locking the jaws of other camelids, thus bypassing the Apostle's strap, which through the foramen of the supraorbital, thickened the strides that pretended immobile before the opening of the Golden Door. Of course, they were prisoners of their self-denial for the length of their footsteps to the rhythm of the sensitive skulls, In the fourth camel Raeder, he cleared the margins that allowed them to increase their attempts to withdraw them from the golden doors, but the dislocation of the orbits of their ocher eyes, denoted their holes in the condylar fossa, distancing the vicinity of the Tehillim advocated by King David in the Seventh Seal of a stuck Giga Camel. The metric form innovates them of ubiquity, for omnipresence in the camels before the gates, and after the gates, thus leaving the site of the eighth gate, deserting the camels behind the gates and arcades pointing to the old cemetery. of the prophecies that Elijah holds, and in procuring generational stoning of inter camelids, which would be channeled into twelve plus another dozen, but behind all, appearing to be six, later joining King David, who would provide the parallelism of the Seventh Seal. This caravan was numbered from one to six, saving the vertices of the Golden Gate that joined modestly at the odd vertices, under the odd cross of the same vertex, which made the equilateral coherent according to the three angles where Vernarth and Etréstles went, and then joined other pairs of vertices in a crucified chain in the flat and secondary complementarily of the seventh angel, but with epilogue character of the Seventh Seal. Thus it would be numbered according to the Gigas Camels, the Golden Gate, governing them for a family of six family angles and a seventh seal, for the performance of the family sustenance of primogeniture in the reinsertion of Saint John the Apostle, since he was banished by Emperor Domitian. Making themselves succulent of the gold of the Seventh Seal, on the collective unconscious of the first-born, for the good of the sub-genitor son. Here the indication goes for the purpose of populating the consecration of granting greater goods to those who second and could lead forces of abandonment and secular sedentary, for the need to welcome sacrifices of goodness and preferences of lay annoyance and earthly secular strengthening. The kinetics would move the six numbered over the vertices of the Sun in three bevels, joining the pairs in vertices covered in the circumscribed mesh of vehemence, which is impacted with the solid Golden Gate of Jerusalem, depositing the concentric radii of the polarized magnet on the struts of the camel of the central ram, for the affinity of the contraption of a trajectory for all Judah, in six predestined latitudes to Ein Karem, in the Hexagonal Baptistery of the Shepherds".

With symmetrical scrupulousness at a certain time, the rounded bisector of the psychic lines of the peritoneum fold of the solitary flanks of the Camels Gigas, towards a vocal peritoneum set six times more than a seventh, was estimated, in the apothem of the two-dimensional figure of the Febo hexagon angel, with less centrality, for the foundation of the Apostle and Vernarth, regulating them by points and sides, on the perpendicular bezels, prostrating towards a more orthodox and straight line, mutinying with radials phases on the bisector..., giving a quotient of odd numbers, which cut the first round of anointing, among all those that were retained in the daydreams of catching them for involuntary deaths. From Gaugamela's stratagem, three thousand muscular Hetairoi descended, towards the implantation of heart nuclei in the camelids, on the Susa Gate and the oblique break marching towards the war site, creating a fissure between camels, and the sphinx of Alexander the Great breaking into the Left-wing of the Golden Gate. This was the casuistry of Vernarth's psychic advance impetus, who once was at the precise moment of stalking, hypnotizing the gap of the Achaemenides, but unaware of that mechanical moment, persists in going after the Giant Camels. He guided them with his right hand to both sides, equipped with heart irons that exorbitated the whispering of his pectoral canals, interrupting the dawn of the Cinnabar, with the antigen readjusting the hinges of the door before falling untimely. Vernarth, with his sinister, calls upon the Hindu family who tried to open the breach of Alexander with his Macedonian baggage, thus preventing him from lying in the reliquary in contrition towards Vernarth himself. The infamous moment must have passed through the swords of some who resisted when fleeing from the held Golden Gate, giving up the rear of Vernarth with the camels recovered and saved from the abandonment of their afflicted hearts, resigning themselves with empty hands and with an outpouring of victory, but with two units confronted in his Portal of Imagination.

g) Reflection temporality

In cavern series, the lava was converted into cations of hydronium, in underground pits that glowed in Tsambika's temporality when the homily was officiated. Some pieces and calcareous boulders rotated random by the humid and dark narrowness of the subterranean reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. The speculative rock icons expired of the symptoms, with albuminous cliffs of the genetics of the Theoskepasti chapel, Etréstles carried under his arm the expiration contract of the Universe, to deliver it with his signature, for the dimensional transfer will. Everything flourished with attractive mineralization systematizations, under an astral posology, In the cognitive, Kanti memorized his wanderings in Crete, imagining his physical body united with his mind on the paths of the shoulder of his ancestry, with batches of clockwork that went and passed through his physiognomic, bathing with the piece wind, but also with the hard shoulder that came straight towards him, showing him new encephalic pathways, which surrendered in epistemological globes, but levitating in excess of the hard shoulder and the unknowns, for states of temporality that became mentalized in pursuit of a supra desire..., disease or typologies long-standing who used the supposed ontological formalization, gave functioning the property of body with the memory of advanced towards a new Duoversality. The officialization of Ars Choralis, is solemnized for processes of emotional property; In this way the cave of Being and its Temporality is made haughty, self-isolating for intra-cave investigations, as corollaries and agility in those who yearned for identity, being able to attach themselves to deities in dozens of epicenes, which would be from tens to ten, thus being seventy tens and a half, which would be seventy-five of the seven tens, and of the unconscious of the syntagm that Etréstles carried away, separating the syntactic of the Vas Auric hypothesis, so that they coexist..., although the pestilential decays before the rolled-up syntactic of Kanti's head. Untreated and conscious-unconscious to his instinct, resorting and harassing the procedural bars, of the Ergo Sum parameter. The temporality of reflection, In momentum ac Diadem, it shone from the third trumpets of the Seventh Seal to the potential of the twilight corrodes and their regions that made the shoulder of the shoulder the awareness of temporality reflected in required dismayed collectivities, to transcribe exhortations to the behavioral pattern of the temporality of love Faust. Little remains immobile, little drive when two masses of consciousness withdraw to the storehouses of the Universe, already advantageous of their exhaustion, but inheriting them in precipitous emotions towards the pre-consciousness factors in the heights of the mountains of Crete and Kímolos.

Kanti the steed says: “Deus Nostri Pontificatus Annis et ad eum, God is my pontificate and my way to Him…, Adonis in the relative absence of credit, before Ephebos with absolute deafness, surprising me here in the Diospyros and neuro archetype flight. I ride farther than my physical-emotional, contributing in the micro-fusions of the tubules, in quantum, and interacting with the fineness of the minuscule substance, within themselves. Almost injuring the storms that vibrate in the mine of a risk prop of a steed, in pursuit of a trance that only ends up being the architect and augur of knowledge..., of when and where it agonizes more than once, but within the limit of the Duoverse crushed at his own peril, continually evaluating himself to transfer a genetic force into my hooves of solid steel, but ornamental and of Reflected Temporality.


h) Expansion and Aramaic Taxonomy

Organic taxonomy, as a pre-ordering order, classifies the harmlessness of language before the invasion of Alexander the Great. Although there were implosions of the Greek language, its transboundary taxonomy would be shifted towards Judea. Pre cited is its variant pharyngolaryngeal tracheo, in this assertiveness and occasionality, it predisposes emphasis on orthographic rather than phonetic incidents, citing Galilea as a precursor of the Aramaic and taxonomic thesis of Gethsemane, prior to its expansive conventionalism of enrapturing her in her differentiation, and in the expansive hotbeds necessary to channel the basic axons of commerce, between antiquity under the prerogative of supplied ethics and pre-classified inputs, such as food and geographic furnishings of economic arts, as well as, the syntax of words that could have curvature and geometry in the forms or linear designs of the time. Any letter could be interpreted as a physiognomic form or as tools of manifest imperialism, coexisting execrable or blessed as languages or keys of immunological communication, with symbolisms of languages spoken in rituals of systematization, and of obfuscation of a metaphysical Messiah, always an angel, for when this is the case. In other words, the water speaks to him in dialects and adults with an oriental language, appearing cryptic in the appointments that are related to the language of the great Extra Universal heritage.
Vernarth's Aramaic is an ***** composed of valuation graduation and generational expansion, opening evolutions combined with the matrix of “Ethereal Spatiality”, towards a channel or rib with a common end in what is done on the margin of Faith. and it is predestined on the basis of object and substance, as a regulatory organism, for groupings of species within the biological language or not, as well as in the fissure of a Cladia of lichen fungi, forming the optics of expression as spelling and not as a utilitarian concept. Amplifying what a camel is; this is how it is importunate, being its **** consensus with the "S" backward in a perfect camelid, the "T" also being a perfect Cobra approaching the three S's of the Syriac Aramaic alphabet. The “Y with L fused” of the Aramaic alphabet with a large elephant, and finally the “H” as a pelican simile, like the pelagornithids or Pelagornithidae, fossilized in the emotional collective of rock tribes, progressing from elephants, camels or pelicans in the search for a literate language and consonant shapes that are attributed to their jaws and pharyngolaryngeal substrates..., observing long vowels, as in the language of an organic universal alphabet. The matrix is timeless, branching out of the mechanics of natural and phenomenal selections, if it is metaphysical or is contributing Demiourgy on the infinity of the encodings or depending on the size of its geo-referencing, it will contribute energy exchanges with predictive purposes of information of orders, and adaptations of the calcified scientific space, Vernarth, dives into the ponds or Naídes of the Aegean and survives, just when the networked volcanoes were swallowing all the seas in the world. It braced being only part of the laps of the sea, tattooing with its gaze the chthonic nymphs, before envious and backsword ogres with gills, which multiplied more than any myth-poetic. Its power of convergence is inhibited by the poetic myths of primordiality and of cosmology as a natural branch in nautical miles traveled by its arms, without knowing who crossed them, survivor, in its advance, and treasuring the arm plunges on and under the scalded clay objects, perhaps as implantation of the muddy and hyper-flood lexicon, empowering itself in its translation from Syria to Patmos, and from linear B Mycenaean to Syriac Aramaic languages,


i)Sub - Verthian Mythology (Camera Obscura)

Adhered to the ancient parallels of the cult, the mythology of Horcondising lashes out. Stale and axiomatic source of pragmatic and rational earth that emanates from this constrained fusion of the Universe in the metamorphosis of Duoverso-Horcondising. Social and genealogical plates date more than seven hundred years from Lombardy and northern Venice in Italy, Spain, and France. The mission of the Horcondising is the transhumant myth, and Chaos of the ancestral family cenacle, in view of a family rule, succeeding in continuous litanies that consecrate rites beyond genetic archaeological death. The consolation of souls will revive and will be under the edict of the Sub-mythology in repose landing in successive parapsychological regressions, which will speak of deaths suffered at the edge of their test tube lives, Under the mythology, there is the sub-fable, prone to boundaries where the statement innovates the entire structure of hermeneutics, as a written notification and complacent verb, for lords of the grass and granaries of granaries, narrating myth-stories in messes of revived verbality. Thus in Rhodes and Patmos, Andronicus of  Rhodes will guard the doorway of his hobbies again, so that these disciplines are conducive to sponsorships of words under reasons of a nature concerning Saint John the Apostle risen in flesh and spirit, in contrast to the conclusions of the reason to leave breathless the destiny that the just cheer and disapproval of diction of not certain science, under ships that cover the commendable salvation in exegetical storms that go from a liberated shelter, as well as in what differs from the et Grammatica institutione arithmetica in that each one writes what it understands, and adds what humanistically makes existence in a biblical alphanumeric dimension, from the imaginary in some of its leaders such as Zefián, Borker, Leiak, Kaitelka, in Hyperdisis and the Zig Zag Universes. Making the mythical an ensemble with deities that rule the infinite, achieving more secular religiosities than in a radius of religion, founded by characters that are already pagan mythology. This is the raison d'être of the sub-mythology, which springs from one already narrated and rationalized, but in the contradiction of what underlies under the very observance that unites itself, forging itself creditor of very new myths within others, with characters that have never been or have been parasitizing on another source of cognition. Thus becoming extensive and prolonged in its passage liers sumptuousness of other arcane myths, within the same ones that inhabit the mythological lie, without blemish from veracity belonging to the living-lie in pursuit of a dead-truth. Even if it is in this way or hermeneutic method, continue to beat and go to meet the Castellar Imaginary del Horcondising and the Camera Obscura, which always live and revive in the sub-imagination, but from a mythical truth in a regime of multitudinous voice. and myth-poetics.

From the sooty Camera Obscura the spindle was obtained over the diameters of each edge, Vernarth of the same chaos, converged from the square but not the spherical world, from this sooty box together with his master Zefián, who polished and shot vines of light over the projection of the same box, and of the quantum ark on the acropolis of Leiak, simulating entelechy in its projection with the ultraviolet light of light similar to the earth, but not square, rather appearing to be a square sphere. After repeated intervals, Vernarth opened the slits of his hands, also hollowed, here other globules appeared but not spheroids, rather quadrilaterals at the end of the third phase in the last three series that showed the complete reflection of a tiny world, that just clamored for amnesty as a matter that had been beginning to form with another factor on a large scale, from this fractality that would appear as Vernarthian sub-mythology. Camera Obscura, in a combination with twelve atomic masses, stands out starting in the irradiation of sexagesimal nomenclature; imagining fractionality between sixty microseconds to sixty in the hexagonal polygon of the Primogeniture and the Baptistery of Ein Karem. Being used in the elevations of the stars and the Heliac Ortho of dawn, which would find the black box that was nailed in its twelve apostolate angles. The whole times were divided into more exact numbers that surrounded him in his Camera Obscura doing trigonometry with other rectangles of three equilateral, making multiples of twelve on the line of the hypotenuse of sixty, dividing by the hexagonal, which is the angular line of the six sides of progression of the Duoverse becoming a spheroid square, for an analogy of Hexagonal Birthright with the multiple of twelve for the sake of the Giant Camels, leading them to the obfuscation of the Horcondising fused with the Duoverse, by means of Pi (π), in the diameter equidistant between the Universe and the Duoverse disintegrated in two by the concentric radius of both geometric units. In the same way, Vernarth multiplied the existence of his new sexagesimal world in nths by sixty followed by infinite numbers of zeros, canceling the radical time of the masses of anodyne particles. The corondels or watermarks, overflowed with all the irregularities of the system, showing the decimal after the comma.


j)Verthian Apostolic Conception - Kashmar

Vernarth, was in Sardinia in the megalithic complexes Nuraga when he conceived his apostolate as a messenger, biologically entrenched in the taxonomic stasis, with a merely profane and urban framework. Whose classification he would transmit to his relatives after long periods in Macedonia, sailing and doing his falconry and philosophical avant-garde chores with Aristotle, in a laxity that invited him after long rejoices to record and sculpting messages with the doves of his village. Near Pella, in the central region of Macedonia, where his general Alexander the Great resided, south of the Axio River, his abode was nomadic and was on a hill near the lakes and mountains surrounded by Greco-Barbarian inhabitants, tracing the Chalkidian league., after the Peloponnesian War. He was in great campaigns in the former Pella, His will as an artist is precisely to be an apostolate of a thought that would intersect with the Yahwist gift to an apostolate of the Apostle Matías, whose connection would provide his transliteration of the post-mortuary link of the Jesus of Nazareth, replacing Judas Iscariot, due to his apostasy. Vernarth, distressed by this episode, became Commander of Alexander the Great, lying already primitive in his ranks of Hetairoi, transcending over the scourge of Judas Iscariot, to face in the arena of Pella. In a reverie near the Thermaic Gulf, he genuflected under the sacrosanct trees near some illustrious Kashmar Cypresses, channeling his furious and tramontane spiritual into the gulf, to take him out of a banal summer in the transition of an immolated soul, and make him walk for thirty days barefoot, without sweet potatoes in his hands to ego stone him, only naming him slavish stubble of the crops in the deleterious nesting places of the Ravens of Kashmar, bidding him so that his blood is ****** by the heels of the rooted trees of Thor forest, usurping his "Gift of Iahvé ”In dishonor of its Hebraic appellation, for the onomatopoeic of its rhetoric, resulting from the feckless roar of black lineage, which will emanate from the mouth of the Aulos, whistling inside the Cobra. In the aforementioned link, the group of twelve was recomposed, being in the gulf and in the incidences of the re-indoctrination of the twelve apostolates, he is with his prayer and atonement in the mystical character for the community worshiping the Kashmar; which roots hardened towards the silent immolation portent as Judas entered the black night, for excessive twists of the bifurcations, intertwining with the Beams of the Thermaic cliff, like a lynx observing the height and its prominence in that of Judas dwindling over the stained areas of hell..., thus its remains were scattered by the synod of bustard birds in the sprayed sky of globular creation, faded by conclusive hordes of the late Neolithic Druid and by the deity Belinus, with ingots of sooty petrified poplar from Hecate boiling in the Underworld. We shoveled over the holm oak groves and their trees, sacralizing their factotum after the ritual of the sanctuary of the thus his remains were scattered by the synod of bustard birds in the sprinkled sky of globular creation, faded by conclusive hordes of the late Neolithic Druid and by the deity Belinus, with ingots of Hecate's sooty petrified poplar boiling in the Underworld. We shoveled over the holm oak groves and their trees, sacralizing their handyman after the ritual of the sanctuary of the thus his remains were scattered by the synod of bustard birds in the sprinkled sky of globular creation, faded by conclusive hordes of the late Neolithic Druid and by the deity Belinus, with ingots of Hecate's sooty petrified poplar boiling in the Underworld. We shoveled over the Holm oak groves and their trees, sacralizing their handyman after the ritual of the sanctuary of the Dodona, in uniformity towards a murmur in the leaves from oak in the spell of man towards an oracle, to consummate it with the mendicant count of the Ziziphus Spina-Christi; hawthorn of the crown of Jesus but with implants of Kashmar, on the crown of Judas already immolated.

Vernarth walked alone through the inlet of Skala, on Patmos, when he had to undertake a trip to Judah, even so, he also walked bi-location in the inlet of Sardinia, after being in the megalithic complex Nugarhe, Vernarth, Etréstles, and Walekiria, they approach matching Tuscany. Once they were instantiated in Sardinia, a coastal sailboat transported them in the middle of a stormy day, it was a great happy day to arrive in La Spezia. Here they parked at night following the Liturgy, standing out those that coincided with Lent of Holy Week, where one day they were seen talking with Petrarca and Laura de Noves. The olive trees keep pietism with the phantasmagoria of the Kashmar, who made the double murmur of the spell of the Duoversal man. Always in Tuscany, the tracks below the garden have been occupied, which has a distant view of the roofs and towers of Florence. The monumental fountain set on a steep hill on a side flank of the garden terrace has a seated god flanked by lions in relief of stucco from a niche decorated with pebble mosaics and padded masonry. " Here at the Verbena of a long feast day, all together with Vernarth get drunk with Corinth Wine, which they brought and did not stop swinging to the rhythm of the music that made them foresee multi-existence beyond limitless sensibilities, turning their role closer to from the instigated destiny to Patmos in the hands of the original Duoverso with translation, rotation and Duoversal Theurgic orbit, for the spell-dogmatic invoking ultra-sensory powers of angels and gods, in order to signify with his country land near Pella,

k)Fractality and Spirit-Cinnabar Dynamics

In the black camera obscura, certainly connected blues made other dark holographic areas that were enlarged super connected to the optical perspective, conceiving of the infinity of a luminescence that was fractalized, the black-blue pre-existing towards the Z pattern = Exp (Z / OB ^ 4), what is the equivalent to the set of the Bernese Olive Tree Rapa, on the border of its Lipogenesis, which would appear in the chromatic version and final maturity of the olive tree, for the fractal exponential of Z =; where all the points of the complex plane Z = (OB, iy) are iterated in the corresponding function Olives Berna in a set of IY, and in all the iterations where an arbitrary constant (Cx, iCy) is added Cinnabar in lines of orthogonal sets X and Y, in such a way that the choice of the constant "seed" will determine the unique shape of the profile and the color of the fractal, once the chromatic pattern has been defined. In the paradigms shown in this continuation, a constant has been chosen, as it will only produce divergence and will have been qualified with the escape velocity algorithm, to contract exact self-similarity stratagems in this, which is the most restrictive type of car. -similarity; requiring the fractal to appear identical at different scales.

The holistic spórtula of the Cinnabar in some pecuniary exercises, are impelled for a tacit and absent society, in Every night beginning at dawn, everyone retreats and the Cinnabar appears like a kaleidoscope apostolizing in glorious joy, where the Aramaic synergy between the Garden of Olives and Gethsemane, is concatenated with the entirety of the Phylogenetic species with the homily in Tsambika and Theoskepasti, such as the new relationship of the link between species that were improper and endemic to the region near the stable in Bethlehem de Kafersesuh, to be inter-inseminated in the banks of the slopes of Gethsemane, in such a way, that the linguistics would begin to be absorbed in Joshua, and it would go for a closer shortcut towards the classification of the traditional and omnipotent variants, which migrated through the Olives to renew and preserve the Aramaic or Aramaic languages, from a shared origin now, for the omnipotent salvific languages that were to be addressed in Gethsemane. Once starting the splendor in the city of the eight gates, and from such interference, involve the Lepidoptera taxon, inseminating the populations of organisms related to lexicons to shed life and language,

l)Vas Auric – Cinnabar (Φ)

The pecuniary prerogative of spórtula, makes the Vas Auric and the Mandylion its residence, tending towards an algebraic sense of the two diametral in a cross by the perpendicular, towards the tension of the shortest segment by the long, tracing a circumference of radius and a half. Homologating in the interposed eclipse of the golden or golden number, for the divine proportion in consequence of irrational fractioning numbers. Shortening the passage of the algebraic numbers with the infinite decimal towards the Cinnabar with seven arches in parentheses reflecting in the partition of the apse in both temples of the homily, making the period of antiquity, files registered in mega center of the quantum memory of Cinnabar, before disrupting the genesis of the Duoverso.

The First Treatise of the Vas Auric fell into the hands of Vernarth, one day of heavy plutonium sheets en masse of the golden number. The vertical avalanche was segmented when the dichotomy of another line that collided with the segments was not altered, or rather omitted by certain temporary blindness of the Duoverso world that it just boasted. Compositions of number Z are made, and subdivision in its cinematographic optics, divided into two slow shots of a small element that became part of the controversy of Vas Auric as a medallion and Auric as Mystic Gold, with distribution laws.

"Zeus wakes up shaky, full of headache saturated in Pro-headache Herbs
Jophiel is speaking this time in the Kabbalistic Torah language...
with its golden commoner and super zone of Organikon Sorousliston Papadikon….
secular music that supplies Zeus with protein albumin,
to make him more human... Zeus accepts Jophiel placing him in his discernment
over the house of Jophiel; divine island to throw cartomancy...
bring the second ray to the Sahasrara on his crown,
pacified love that is the suspicious and risky loser of everything...
risk in the head, especially when condemnation is born!

And the floristics, over the stolon of the veins, moves synchronously with the prolongations, speeds, and acceleration of the emancipated leaves of the first order of the upper crown, up to the lower ones, thickening the golden spirals of a certain type of inflorescence, confining the umbilical zones of Vernarth, and the plantar area of its feet between three and more than a hundred steps that come from certain metamorphoses, creating peduncular areas, acting as a support for Vernarth and its Elder areas, brought from the Bumodos stream, after a string therapy, creating psychic supports to endorse globalized neuralgic. Understanding that the line of his neuralgia oscillates the greater analog of the Messiah in the cross pierced by the Hastae Praetorian, in the most remote of the elliptical of pain, reduplicated by accumulated energy, almost like mystical suffocation. On the part of the growth of the tangent in growth and of the evolution of the reflection, where the attenuation of the opposite effect is unleashed, allowing convalescence zones in signs of propeller blades around the Vas Auric, crossing vertical and horizontal beams of lights, in search of Light Angled and refractory solar, for the palfrey of the Kanti Steed, abstracted from excessive rain, which uncrossed the tempos of the aura of the organic and aerial underground, towards the duplicity of curves of the multi-cloned numbers and angered by their industrious dynamics of skewed movement, towards the effective solar..., tending to the effects of successive trends of the vaporous numeral of Vas Áurico Cinnabar.

m) Psychic Trisomy

The species and somatic acquired deposits of DNA spirals, given their characteristics, will make transformations in more than one cellular taxon for a homologous pair. Here Kaitelka the whale down from Sub-Mythology, will circle in the Baltic Sea, compromising neuralgia in it as a superfluous essence due to its trisomy, making a comparison with psychic trisomies that Vernarth suffered at least four times a month, from the first and eleventh day, after his parapsychological regressions when he sailed over abysses and anesthetized zones on glacial plankton in the North Sea. Kaitelka individualized her cellular regressions, becoming a prehistoric cetacean and when she lagged beyond or before her creation, she transferred psychic trisomies due to her twenty-one chromosome. Kaitelka's karyotype was directed towards the crease of her eyes, due to an infection in the area of her basal inter fins, which disturbed her heart rate in a short interval where Poseidon magnified her coefficient in high amplitude, after being inseminated in a tempered state and gifted as a Super Goddess. Kaitelka in nativity in the transversal valleys sailed in the air atmospheres of Hyperdisis, and she was always seen in the company of Leiak; the omnipresent and vague spirit of the watery ductile dancer, living on the liquefied element with his astringent slimy chin..., seeing him with his grotesque back-breaking swampy lines between knuckles, and hedges of tricks collected before the first station, in one of the first of the three Remaining nights before reaching Joshua de Piedra del Horcondising volcano, that upset her heart rate in a brief interval where Poseidon magnified her coefficient in high amplitude, after being inseminated in a moderate state and gifted as a Super Goddess. About seven hundred meters high she becomes Kaitelka Down godmother, adding the psychic chromosome twenty-two that contracts in the connection with Vernarth, in the extravagant massifs when in the autumn afternoons they collect Ceratocystis fagacearum Fungi, and irradiating them with insects such as the borers. When   Kaitelka recovers its chromosome by detraction in the natural selection of Trisomy, express is spilling on the dry and gelatinous Laurus leaves of all its dead cells, which are promptly seeped from the retracted membranes in frank adhesion, causing regeneration of the disease. After wanderings and ringed symptoms of lesson in the atmosphere of the ecstatic Horcondising, the wooly will be magnanimous and challenged from the chromosome spilled in the emulsion, is contained in the alpha proteins in the transverted Vernarth genome, as a warned whole and abundantly diploid, before reaching the lethal processes of reciprocal adversity, both as a zoo-anthropoid or a triple zoo-anthropoid-botanical effect. Pre-Existing Kaitelka Down with forty-two chromosomes (22 pairs) and the Lepidoptera Agrodiaetus (134 pairs), in its haploid, that is, half remains vitalizing between two species of the sub-mythological world, and in its psychic cellular compound, and later implant it in germ cells for the effect of Venarthian ambivalent psychic transmission and vice versa. By discard, there are four fewer chromosomes than the hommo sapiens and 222 less than the Lepidoptera Agrodiaetus, for a meta sense of flourishing with the power of Poseidon, brother of Zeus, Meta sense and discernment, encephalic they will be cogitated by conscious where their sensory cognitive is interrupted, towards an unconscious through the photons of hypocaloric temperature, to define in the prehistoric psychological memory of their psychic, more than random brain, coexisting of habeas corpus content and remote brain energy, before the magistracy and power of Poseidon that confines him. Graduated from southern impassable seclusion, their memory is isolated in their E-Cloud. Namely; stored in electromagnetic and electrophysiological stimuli, incontinent and weighted in the square miles of floating Poseidon outbursts, in the category of super cetacean down, with only four meager chromosomes from the remnants of the human procedural genome. The trisomy field, On the fourth of August of the year of the Lord, 1617, when Klauss Rittke was cleaning the main stained glass window of the Cathedral of Avignon, he heard heated dialogues between a Friar and a Gentleman, who was once an assistant to the clergy. Klauss could come closer and listen to their conversation more clearly, until the Friar Andrés Panguiette, babbling, demanded of Raymond Bragasse indulgence or one or the other. (Compendium of Marielle Quentinnais). Relating in its narrative evolution, about some Albigenses of this work set in Avignon, time of the Antipopes, crossing with the psychic waves that have just been mentioned, and of prophecies of who precisely Guillaume Bélibaste was born into a Cathar family. Having noted that 1321 in 296 years apart from Marielle Quentinnais, it takes place in Carcassonne on the same day as Bélibaste was executed, given his licentious life breaking Cathar dogmas, incriminating himself with civilians from the region, marrying women in exile, etc., was condemned by the Holy Inquisition, where many were purged for the sole fact of holding biblical books in their abode. Among the flames of his bonfire the prophecy of the laurel will be homologated, whose shadow will fall on the centuries to come. Note the coincidence 3, 700 years ago, where the first signs of life were appreciated on our planet and in the Hylates Forest in Cyprus (700, 000 thousand souls) in the imprint that unifies the Christian scrolls, blowing gold dust on Walekiria's hair..., and being liberated, as a tantric body of physicality. No one spoke, not even the 700, 000 thousand souls who also claimed to be liberated (Vernarth, page 313 - paragraph 2). And finally the seventh portion of the sea, with Poseidon. Here the Psychic numeral of Vernarth and Kaitelka coincide, who appears with the laurel of Guillaume de Bélibaste after almost seven hundred years, facing the unification of the prophecy of the Laurel, whose shadow will hover over the centuries to come. Templars, perfect bone Hommes and Cathars meet, in this historical feat, through the secret path safe from traitors and conspirators thanks to the most surprising allies. Bélibaste's fast-paced story will allow us to get closer to the most unknown ceremonies and rituals of his confession, showing us his revelations in the flames and turning green in the Laurel of 1321 in sync with 2021. Given the little and nothing that exists of the revealing enthronement and the psychic environment, it should be noted that historical facts fly like pollen, with the waves in their same vibrations of the aeolian autogyro. This entails physical vibrational material, which is in every corner of existentialism, without beginning or end, only rewinding through the infinite axon of karma and samskara, for physical-ecological convulsed means and intermediates, in revealing semblances of the primitive psychic field before us, like the Aspís Koilé, as a shield or as an omnidirectional parabolic antenna, bringing us events after events that strangely interchange phases, and intertwined efforts over time in quantum physics and subsequent biophysical changes in the genome chain, especially in its Psychic Trisomy.

to be continued...
DUOVERSE
heather mckenzie Apr 2018
i’d rather write about the freckles on your back than think about all of the ways in which you quite possibly don’t love me.

i feel sick at the very thought of you picking me apart the way you did; fingers grabbing and stroking in a catastrophic symphony of skin and vulnerability.

let’s read between each other’s lines; share my sentences and punctuate my paragraphs with your mouth; because i can breathe easier on the mornings where i wake up wrapped around you.

because my moods change like the ******* seasons and the spinning in my head doesn’t want to stop.
                                         you tell me that i should probably get a therapist because no one that thinks about all the ways in which they could **** themselves has an ounce of mental stability.
                                          i tell you that i have been to four.
                                          names faded into a blur with hazy snippets of conversation remaining.
20mg.
                    30mg.
you tell me that trust issues and scars aren’t endearing and i tell you that neither is counting up the potential number of pills needed to dissolve your body into the living room carpet.

let me sink inside your skin and make a home in your flesh;
i tell you about the nights where i lay awake in the bath turning the water red.
                       tragic, isn’t it.

you tell me that this isn’t how my head should work and i tell you that i already know. everything you could possibly tell me i already know.
i know that 400 calories a day isn’t normal, and my hands shouldn’t shake all the time.
                                             i know.
please let me stitch myself into you, even just for a while; until i no longer feel dizzy and my world stops spinning.
i don’t need you to tell me that it will be okay, because honestly i don’t think it will be and, that in itself, is okay.
                                                                ­                 let me stitch myself into you, because my own skin can’t take it anymore.

let me call you back when my voice stops wobbling and my vision straightens out, but honestly, i’m terrified that it never will. what if this is it. headaches and tears and shaking and blood.
                                             and the debilitating, gut-wrenching feeling of pure and euphoric emptiness.

                                              tragic, isn’t it.
Rebecca Gismondi Apr 2012
I know that I will never marry Jimmy Fallon or Donald Glover or Joseph Gordon-Levitt.
I know that despite the myths, Brussels sprouts taste awesome.
I know that one too many tequila shots will automatically turn you into a philosopher.
I know that the sun sets in the East and rises in the West (or is it the other way around?)
I know that I am most happiest when I'm surrounded by amazing friends in the unseasonably warm March sun and a banjo is playing.
I know that a smile straightens everything out.
I know that although you can't forget the past, you can't let it dictate your future.
I know that having *** for the first time is weird, and so is ****.
I know that my hair is golden, my eyes are blue and I will never be stick-thin as hard as I try.
I know that there are 24 hours in a day, 7 days in a week and 12 months in a year. But it never seems to be enough time to figure out who you are.
I know that people come and go but those that love and care for you will stay glued next to you no matter what.
I know that as much as it hurts, you will get over love.
I know that I will never have the courage to rap publicly.
I know that Kim Kardashian's *** is most likely not real.
I know that travel truly broadens the mind.
I know that I'm insecure and over analytical and anxious and easily frustrated.
But I know that I'm also passionate and determined and a hopeless romantic and a picky eater and a restless sleeper.
And above all:
I know that when I look at you I see past your eyes.
I know that when you're around I smile wider and laugh louder and flip my hair more often.
I know I dress nicer to remind you how beautiful you think I am.
I know that I forget to inhale and that the butterfly on my shoulder has to fly up to my ear and remind me to breathe.
I know that I care about you more than anyone.
I know that I let you into every pore of my body, every opening: my heart, my head, my...
I know that I am willing to jump in with my whole body and risk being drenched in water for you.
I know that I can make you as happy as you make me
But I know that you're scared and vulnerable and hurt
But if I'm sure of anything (and mind you, I'm not sure of much)
I know that I will hurt and be afraid and breathe with you to make you love me.
Max Hale Aug 2013
Camping out is an experience everyone should have
The cool grass in the morning and the birdsong
Timeless air keeps you alive, energises the soul.
Freezing feet and nose is inevitable as blanket or sleeping bag
Don't quite make the grade
The hard ground or undersheet has a smell that remains
In your nose and in your memory
Bringing the place back to you in your latter years.
Once breakfast is cooking everything seems OK
The worst part is the transition of night into day
Then day into night,
It's easy, stay up and just look upwards
No light pollution, no clouds, no sound
Drink in the inky blackness as Orion's three winking lights
Demonstrate how wonderful life is
But more importantly how small we are
Tiny dim orange lights glow in the tents and vans
Muffled noises diminish as the occupants climb
Into their cosy beds and roll themselves up
To keep out the cold, the inevitable insects
One by one the darkness becomes complete
Until no more music can be heard or
Voices, rustling sounds or whimpering children
Wanting their teddy bear or comfort blanket
Mummies and Daddies soothing
The silence is deafening save a cool breeze
Just flapping the tent canvas, small cracking
Sounds as it rolls and then straightens.
Rolls then straightens gently, gently, gently
The guy ropes straining a little then relaxing
Another night comes to the campsite
Enveloped in darkness all are safe and inside
Their little tent or van
Goodnight campers, sleep tight.

Max Hale
Sprawled on her twin bed, hungover, this story’s sad and true,
She is an early morning Whippoorwill, I an impotent worm,
The sheets, satin blue; her shower, comforting and warm,
She shakes and shivers the dust from her wings, I rediscover my underwear.

She is an early morning Whippoorwill, I an impotent worm,
Through bloodshot, insomnia riddled eyes, I glance at her,
She shakes and shivers the dust from her wings, I rediscover my underwear,
She straightens her hair, her visage all aglow, unusual at this hour.

Through bloodshot, insomnia riddled eyes, I glance at her,
She stares into her vanity, vainly she catches my gaze,
She straightens her hair, her visage all aglow, unusual at this hour,
Her smile sings Frere Jacques, her lips wet with French kisses.

She leaves for work, I stretch for the package of Reds, our vice in my hand,
The sheets, satin blue; her shower, comforting and warm,
Suddenly an invalid, blind, holding two cigarettes for just one lonesome man,
Sprawled on her twin bed, hungover, this story’s sad and true.
This is a Malaysian form of poetry called a pantoum, the only form of poetry that gets more fun the more times you say it.  There's a repeton joke in there somewhere
Liz May 2015
Cold, unforgiving.
My soul froze in time.
I gave love its last chance,
And clocks stopped.

The big hand contorted,
To mock my closing veins.
The small just pointed
And laughed in my face.

So I shattered all the timepieces,
Forbidding me to count the seconds alone.
In an hourless world,
I lost faith in hope.

The walls as my best friend.
My bed the only lover.
I'm content in waiting
For my torturous life to be over.

But you found me
Wrapped in passing seconds.
Prisoner to tic tic
Pacing in my head.

Where my skin
Tasted of decay.
And my claws retired
From scratching at the gates.

Given up on fighting,
Satisfied with thousand pound lungs.
A half timed beating,
Beneath my hollow ribs.

My souls began to thaw,
Clocks began to move.
All from your touch,
All from your air.

The big hand straightens.
And the small silences itself.
Opening my veins.
No more comically mocking my pain.

Your gentle hands piece together,
All the pieces I shattered.
Back to counting
All the seconds I'm alive.

My walls become acquaintances.
You replace my bed.
I'm not waiting,
This life won't end.

No longer bound
By the song of passing time.
Free from "tic toc",
It's a little less crowded in my head.

Warmth returns to my skin.
My hands click awake.
Not ready to scratch,
But to create.

There is no fight to give up.
Air quickly lifts my lungs.
There's a full paced beating,
Inside my glowing chest.

All because you touched me.
You kissed me.
With a calm fear,
You woke me from my sleep.
LeeAnn Sep 2013
Ugly is a strong word.
More often than not, I find myself feeling unpretty.
There are times when I feel gorgeous, but then I look in the mirror: and feel unpretty.
My hair doesn't hang right, that zit popped up overnight, and God, my glasses: wouldn't I **** for better sight. I am unpretty.
I suppose I could handle being unpretty if my roommate was not pretty.
But she is.
And I am not.
And I sit here as the unpretty one.
Her hair is long and thick, curls to perfection, and straightens upon command.
It's pretty.
She's pretty.
And I sit here as the unpretty one.
Knock Knock Knock
There's a guy at the door! I open it: "is your roommate in?"
No.
Bu I'm here. why not come in and wait for her. Talk to me for a while, even if I am the unpretty one. "No, that's okay, tell her I came by."
Okay.
Will do.
Not like I wanted to talk to you.
I wish it were just the guys who notice that I'm the unpretty one.
No.
It's the girls too.
My entire floor flocks to my door, wishing it were my roommate more
than me.
I answer the door and faces fall; can't they just pretend to be happy at all
to see me?
No.
I guess not.
It's a side effect of being unpretty- the unpretty one.
I am not ugly.
I used to not even feel unpretty-not until I became the unpretty One.
Life used to be so flirty and fun- now I am the unpretty one.
Life is a comparison, I guess: and now I'll always be second best.
I am the unpretty one.
An Uncommon Poet Sep 2014
When my world crumbles
And the birds no longer sing
Their innocent morning melodies
I think of you
And where you’re going
It reminds me that no matter what
The sun will bring light to your eyes
The oceans waves will flow freely
And the world is still spinning
But, My head is still spinning
My stomach is still turning
My blood is still flowing
So fall asleep
Smiling and at ease
Knowing you were able to conquer
The anchored stubborn mind of a man
Who could not resist your perfected charm
Beautifully free
Secured from the worlds bitter harm
And for the rest of your life
You’ll be able to inspire all that I admire
I’d say that’s a treat
But my minds still spinning helplessly on
So when my world crumbles
And the Canadian winds no longer blow
The autumn leaves to the dusk
Of the white blanket approaching
I think of you
And your largest love
It reminds me that no matter what
The bears will roar
the French will still speak of Amore
the business men will march civil suited
As you admit you adore me
My heart cramps
And the monarch twists my stomach
Bringing upon my corny sweat of panic
So fall asleep
Smiling and at ease
Knowing you were able to conquer
The anchored stubborn mind of a man
Who could not resist your innocent smile
Beautifully free
Its such a relief that we’re compatible
And for the rest of your life
You’ll be able to inspire all that I admire
Id say that’s a treat
But my stomach is still turning
So when my world crumbles
And the queen falls
The golden state is 10 feet under
And people forget the Hollywood ways
I think of you
And your love for those of disabilities
It reminds me that
No matter what
Flowers will bloom in spring
the willow will creak with every gust of wind
and our lives continuously change
our love remains tightened by a bind
my cheeks crimple
my finger tips tingle
my spine straightens
So fall asleep
Smiling and at ease
Knowing you were able to conquer
The anchored stubborn mind of a man
Who could not resist your **** mind
Beautifully free
Love would admit we are intertwined
And for the rest of your life
Youll be able to inspire all that I admire
Id say it’s a treat
And when my head no longer spins
My stomach no longer turns
And My blood no longer flows
I want to watch the world come to a stand still
Standing six feet small
Beside my precious love
You are everyone I ever wanted
Let this thought haunt you
Falling deeply in love with me
My world can crumble before my eyes
But it would not be enough
To break the anchor of this stubborn man
I shall go away
To the brown hills, the quiet ones,
The vast, the mountainous, the rolling,
Sun-fired and drowsy!

My horse snuffs delicately
At the strange wind;
He settles to a swinging trot; his hoofs ***** the dust.
The road winds, straightens,
Slashes a marsh,
Shoulders out a bridge,
Then --
Again the hills.
Unchanged, innumerable,
Bowing huge, round backs;
Holding secret, immense converse:
In gusty voices,
Fruitful, fecund, toiling
Like yoked black oxen.

The clouds pass like great, slow thoughts
And vanish
In the intense blue.

My horse lopes; the saddle creaks and sways.
A thousand glittering spears of sun slant from on high.
The immensity, the spaces,
Are like the spaces
Between star and star.

The hills sleep.
If I put my hand on one,
I would feel the vast heave of its breath.
I would start away before it awakened
And shook the world from its shoulders.
A cicada's cry deepens the hot silence.
The hills open
To show a ***** of poppies,
Ardent, noble, heroic,
A flare, a great flame of orange;
Giving sleepy, brittle scent
That stings the lungs.
A creeping wind slips through them like a ferret; they bow and dance,
answering Beauty's voice . . .

The horse whinnies. I dismount
And tie him to the grey worn fence.
I set myself against the javelins of grass and sun;
And climb the rounded breast,
That flows like a sea-wave.
The summit crackles with heat, there is no shelter, no hollow from
the flagellating glare.

I lie down and look at the sky, shading my eyes.
My body becomes strange, the sun takes it and changes it, it does not feel,
it is like the body of another.
The air blazes. The air is diamond.
Small noises move among the grass . . .

Blackly,
A hawk mounts, mounts in the inane
Seeking the star-road,
Seeking the end . . .
But there is no end.

Here, in this light, there is no end. . .
And the trees about me,
      Let them be dry and leafless; let the rocks
      Groan with continual surges; and behind me
      Make all a desolation. Look, look, wenches!


Paint me a cavernous waste shore
  Cast in the unstilled Cyclades,
Paint me the bold anfractuous rocks
  Faced by the snarled and yelping seas.

Display me ****** above
  Reviewing the insurgent gales
Which tangle Ariadne’s hair
  And swell with haste the perjured sails.

Morning stirs the feet and hands
  (Nausicaa and Polypheme).
Gesture of orang-outang
  Rises from the sheets in steam.

This withered root of knots of hair
  Slitted below and gashed with eyes,
This oval O cropped out with teeth:
  The sickle motion from the thighs

Jackknifes upward at the knees
  Then straightens out from heel to hip
Pushing the framework of the bed
  And clawing at the pillow slip.

Sweeney addressed full length to shave
  Broadbottomed, pink from nape to base,
Knows the female temperament
  And wipes the suds around his face.

(The lengthened shadow of a man
  Is history, said Emerson
Who had not seen the silhouette
  Of Sweeney straddled in the sun.)

Tests the razor on his leg
  Waiting until the shriek subsides.
The epileptic on the bed
  Curves backward, clutching at her sides.

The ladies of the corridor
  Find themselves involved, disgraced,
Call witness to their principles
  And deprecate the lack of taste

Observing that hysteria
  Might easily be misunderstood;
Mrs. Turner intimates
  It does the house no sort of good.

But Doris, towelled from the bath,
  Enters padding on broad feet,
Bringing sal volatile
  And a glass of brandy neat.
Castiel Apr 2014
There is a girl
on a bench in the park
at the edge of the town.
She is young.
Little ringlets of copper brown
frame her delicate face.
Wide eyes of the purest sky blue
scan the trees.
She is looking for something.

She stands up
and straightens her skirt.
Her legs shiver,
and her socks grow heavy with water.
Nobody is around to question her,
about why she's out in the snowstorm.
She wouldn't answer anyway;
she's too focused.
She is looking for something.

Cautious steps now.
The ground is slippery with ice.
Her boots do not hold
because they are too worn from walking.
Finally she reaches it,
the edge of the sidewalk.
She peers intently into the grove.
Her blue eyes narrow.
She is looking for something.

All is silent,
except for the flurries of snow.
Before long there is a blanket on the ground.
It is thick powdery snow.
It collects in her boots and on her scarf,
and she shudders as the ice
presses against her porcelain skin.
But she is silent, focused.
She is looking for something.

After a moment,
she steps back and sighs.
There is a slight smile on her lips.
Her nose is red and drippy with cold.
Still, she is silent,
though not by choice.
She has no one to talk with.
It's barren.
She has found what she was looking for.

What it was I can't say.
Either I don't know,
or it's not my place,
or you could ask her yourself.
But there is a girl
on a bench in the park
at the edge of town,
and she is happy.
Me again, this time with what I think is a pretty satisfying long one that I'm really proud of.
Maybe another of Ignis's? I don't know. I'm too tired to figure anything out. Gahhh.
Addy Jean May 2014
Oh Muse! endow my verses like the
grease
which in a pliable state, straightens
the choppy motion.
Dear Apollo! enlighten my words like
the hell fire
that light gives, yet a sharp gaze
broils the eggs.
Oh wretched Hydes! weep but one
more time for me
for the constellation bears rain no
more.
Oh Jove! rain the one pacific upon me
for I will to drown myself today.
Ah flora! the color of spring has
blanched away
for the pompoms bloom ashen
Lovely Aurora! why you withhold
yourself from me?
She's glum with me, why trying you
too be?
Eye some Aphrodite! take care of and
preserve the winsomeness.
for the lass
* knows no value, it has to
me...
*eggs: eye *****
**lass? my beloved
Hold hard, these ancient minutes in the cuckoo's month,
Under the lank, fourth folly on Glamorgan's hill,
As the green blooms ride upward, to the drive of time;
Time, in a folly's rider, like a county man
Over the vault of ridings with his hound at heel,
Drives forth my men, my children, from the hanging south.

Country, your sport is summer, and December's pools
By crane and water-tower by the seedy trees
Lie this fifth month unskated, and the birds have flown;
Holy hard, my country children in the world if tales,
The greenwood dying as the deer fall in their tracks,
The first and steepled season, to the summer's game.

And now the horns of England, in the sound of shape,
Summon your snowy horsemen, and the four-stringed hill,
Over the sea-gut loudening, sets a rock alive;
Hurdles and guns and railings, as the boulders heave,
Crack like a spring in vice, bone breaking April,
Spill the lank folly's hunter and the hard-held hope.

Down fall four padding weathers on the scarlet lands,
Stalking my children's faces with a tail of blood,
Time, in a rider rising, from the harnessed valley;
Hold hard, my country darlings, for a hawk descends,
Golden Glamorgan straightens, to the falling birds.
Your sport is summer as the spring runs angrily.
Classified Nov 2014
Attention
Affection

These are the things She strives for

Perfection to get attention to gain affection

But what is perfection?
She starves so She can be skinny, even when She's told She has a **** body
She cuts to punish Herself for eating, yet sees Her scars as imperfections
She puts on make up so She can be pretty, even though She is told She is beautiful
She straightens Her hair to look perfect, even though She is told She looks pretty anyway.

When will She be perfect?

She dresses up,
dumbes it down,
changes Herself
but is let down.

When will She be perfect?

She tries to capture the attention of men and and gain their affection,
But shys away from affection, emotion and the human touch.

When will She be perfect?*

Maybe She will be perfect when she changes Her definition of 'perfection'
It doesn't bother me that I'm told I'm perfect.
It bothers me that I am not my definition of perfect.
Andrew T May 2016
In Northern Virginia, for the ladies of wealth, Sunday mornings begin with a hangover, a Virginia Slim, and a Xanax. The day transitions to brunch at Liberty Tavern: one mimosa and one ****** Mary; an omelet with green and red peppers; and another round of mimosas and another ****** Mary, because: why in the world not?

For Thu—a Vietnamese American—Sunday mornings always begin with a different routine.  

She comes downstairs to the dining room, steps around the bundle of adult diapers, and pulls back the curtain that leads to her parents.

There, on the far right corner, her Dad lays on an electric bed, his eyes sleepy as if he had drunk too much whiskey from the night before. His mouth agape, he has a face of a man who has lived for many years. In fact he has, 80 something years in fact. His arm hangs over the railing, blue veins protruding from the skin.

Thu pulls the blinds and light comes seeping through the window.

Her Dad smiles as the sunlight warms up his face.

Thu lifts him out of bed and into his wheelchair and travels with him, looping around the house in a circle: starting with the dining room, then the foyer, through the hallway, out the kitchen, and then back to the dining room. She tries to make him walk at least three rounds. Sometimes he makes it, sometimes he doesn’t.

He grunts and curses in Vietnamese, his walker scraping against the marble and hardwood floors. He moves the walker, using the little strength he has in his biceps and the muscles in his right leg.

Two years ago, her Dad had a stroke, leaving the right side of his body impaired and aching. Ever since then, he’s been trying to recover. He spends his time watching soccer and UFC on a television with a line running across the screen. He has caretakers who assist him with going to the bathroom and showering.

His wife is the only thing that keeps him going. She has Alzheimer’s and at random times in the night she’ll open up the refrigerator and search for food, because during the day she hardly eats a bite. She walks around in a cardigan and cotton pants, a toothpick jutting out from her mouth. She enjoys lying on the sofa and making phone-calls to her friends.

But she often misdials the numbers, startled when she hears a voice of a stranger on the other end of the line. She tells the stranger she doesn’t know English, shutting her eyes before trying to dial another number.

Thu has lived in Northern VA for many years, 18 years to be exact. She’s a Hokie. She’s an avid watcher of Criminal Minds. And she enjoys apple cider with a side of kettle-corn. Despite having to cook and look after her parents, she never complains. Never gets upset. Never says that life is unfair.

Later on in the day, she’s wearing a blouse dotted with blue flowers, a pair of gray sweatpants, and open-toed sandals.

When her daughter Vicki walks into the kitchen, she makes a remark about her posture. Vicki scoffs, no longer trying to seek her approval, but when Thu’s back’s turned, she straightens out her posture. Thu never makes a comment about her boyfriend. That’s a lost cause in her eyes. Once Thu doesn’t approve on a relationship that’s the end of it. She wants the best for her daughter, pushes her to be the best at what she does.

Thu used to live in Saigon. When the war ended, she had fallen in love with a boy who lived next door to her. He was her first love. He would write love poems to her. Sometimes they would hold hands. Once they had shared a kiss.

They were young and deeply in love. But as the war finished up, they moved on from each other. The boy went to live with his family in Australia, while she moved to America. After they broke up, Thu would still think about him. He was the one who dumped her.

The breakup crushed her heart. But she didn’t let it mar her dignity. Time passed by, Thu moved to Virginia and she went to high school in Fairfax County. The letters started pouring in from the boy. But she had too much pride and she didn’t respond until one day.

That was the day that John Lennon was murdered in cold blood.

She was heartbroken like every other person in the world. Yet, she also thought of the boy and how much he loved John Lennon.

Thu remembers reading the newspaper, seeing John Lennon’s face on the front page of the paper. She took a pair of scissors and cut a square around John’s face. Then she wrote a letter to the boy. And then she sealed the newspaper clipping and the letter in an envelope and begged her mom over the phone to send the letter to the boy. Her mom was still in Saigon and somehow she made contact with the boy and gave the letter to him.

A month later, she opened the mail and there was a letter from the boy.

She read the letter, stifled a cry, and then proceeded to write. The next day she sent the letter. Thu was happy to read his words. It was as though she could hear his voice through his sentences. Like he was there next to her, looking at her, speaking to her spirit.

Days passed. Weeks passed. And then after a month she realized he wasn’t going to respond back to her letter. She couldn’t believe that he didn’t give her a response.

“And that’s the end of the story,” Thu said to her son.

“What do you mean that’s the end of the story? That can’t be the end!”

“Well you’re the writer, right? Think of an ending.”

Okay. So here it goes.

Thu smiles, her eyes grow sleepy, and her head slumps over. She starts to snore, very loudly in fact. But it’s cute and you’re hoping that she’s dreaming, dreaming about something relentlessly lovely.
Zemyachis Mar 2013
The cheery, bronze bell heralds our coming--
A stout, brown man, a happy Buddha wearing my father’s vest
And his diminutive daughter, a caramel girl with inquisitive eyes
Marveling over the lush painted settings
The tapestries of women with slanted eyes,
Sitting precariously on rocks, surrounded by wild ocean-foam
Mermaid mistresses I imagine
With long golden nails,
A holy temple atop each brow, an adorning crown

Past the multicolored, patterned elephants
And silk orchid flowers,
Gliding across dark, cherry-chocolate wood
Lacquered, glossy as her watching eyes
As if all were coated with amber honey-sap

They take their thrones.

The windows are draped in lace and purple
The color of monarchs, even the plump, crystal glasses
Shine pale maroon, like African violets, in their elegance
And a Bengal Sugar Sweet Tiger, swims in each cup
Dusky orange, as a faded sunset
Belly up he is curled, exposing white soft cream…

And florescent rice crackers
Lie popped in a porcelain dish
Stiff and bright,
Like skeleton jellyfish, frozen
In mid-propelled undulation,
About to escape
Before they are dipped and broken
In sticky pepper, gold-gilded sauce

Rich curries; satay, with alien names
Are laid before them, feast upon feast
Savory meats and vegetables soaked in vinegars;
A parade of colors and textures and tastes
Every plate garnished, an artwork…

And while she surveys this domain,
In all its tiny grandeur, a feeling of
Dignity creeps down her shoulder, straightens her spine
To think that part of her is from such a kingdom
Though she might never see it
To still feel like royalty,
The Queen of Siam.
describing a particular Thai restaurant
Adellebee Mar 2016
I am hopeful now
Walking the seawall straightens me out
The clouds and the waters
One foot in front of the other

Walking the seawall
To my day to day
The choices I've made

One foot in front of the other
Dogs on leashes
Babies in strollers
Or on daddies in front

The seawall
Windy and peaceful
One foot in front of the other

Birds eat
Fresh crab meat
The circle of life
Tug of war
One foot in front of the other

Runners run.
Cyclists, bike
Childs play

The walk to work
One foot in front of the other
my walk to work
Nico Reznick Mar 2016
They don't speak, all the long,
winding bus journey.  They are
strangers, with nothing in common
besides the No 50 route
and the free travel passes
afforded to them on account
of their quietly advancing years.
She sits in the seat in front of him.
Their eyes never lock.  His myopic
gaze through thick NHS lenses
rests neutral on the back of her head,
her softly blue-rinsed curls and the collar
of an eminently sensible overcoat.
They sit, both silent, as
- outside the foggy bus windows -
winter has one last chew on
time's bony old carcass.
She has a slight stoop which
she's doing her best to hide, and his
shaking hands make his liver spots blur.
They stand - the bus stopping at their
mutual destination - shuffling sideways
into the aisle, and something
unexpected
happens.
The bus jolts suddenly forwards,
then lurches to a startled halt,
and she falls backwards
into his arms
and he
catches her.
For a second,
strange gravities assume control.
There's a moment,
governed by different laws of
physics and chemistry
and half-forgotten, half-remembered biology.
She flushes, infused with something
warm and thirst-whettingly girlish, and he
surges with a newfound potency,
standing taller, the woman he's supporting
somehow lessening the burden of his age.
Her spine straightens, and
she laughs.  His face, smiling, youthens.
His hands hold her unstooped shoulders and
don't tremble.
Sun breaks through cloud outside the window.
They remember it's spring out there somewhere.
Based on an incredibly cute event I witnessed on the bus today.
Kurt Carman Dec 2016
The Dream Stream

I transfer the rods energy from slack to a hell bent back cast stroke,
The line straightens, teeth clenched…..I push the casting arc forward.
My delivery is spot on, dead drift fly traveling the same pace as the current,
The trout’s jumping rise brings on a grin and the caddis hatch is on.

I look up stream and catch a glimmer of another heavy hatch of Caddis,
Grandpa’s eyes search for mine and finding them he flashes a toothy smile.
“Having Fun?"He shouts….I nod my head emphatically and give him a thumbs up.
And we keep it going until darkness prevails and the hatch finds sanctuary.

We walk and talk all the way home and I can’t remember a better time.
And now I have the honor of teaching my own son this gift.
Generation after generation it’s our duty to pass down our experience & know-how to the next.
And just before I close my eyes tonight, I recall this quote…

“It is not flesh and blood but the heart which makes us fathers and sons”. F. Schiller
- K.E. Carman  2016
Riley R Jun 2015
You are my sword and shield
you are my suit of armor
you are the helm upon my head,
the feather in my hair.
You smile and my spine straightens
my shoulders broaden
my muscles swell.
Someone tries to tell me that
your love is a sin
and my laughter is a spear
and the memory of your hand in mine
turns my heart to a weapon.
I am Achilles
and David
and Joan of Arc
I am Hua Mulan.
You kiss me and your breath
turns my lungs to billows,
your blood is in my veins
and not a drop will spill.
I can fight anyone
I can do anything
if it’s done in the name of you.
Lucas Oct 2018
Trees always have to go out with a bang, don't they
explosions of bursting color
freeze-framed fireworks of fall
bursting and cascading,
leaving ashes and hot coals to cool in soft grass

...I used bursting twice, didn't I?
alright, let me go open up my thesaurus...
blast? pop? rupture?
just replace it with one of those and call it good.
Back to the poem:

my popped-collar peacoat straightens my back
gotta match my posture to the pompous portrait
black wool on an over-scratched scratch paper
might as well just pick it all off
allow the color some room to expand
(I don't even own a peacoat, I just like the metaphor and imagery)

you could set the sentinel alight for the same effect
a more smokey atmosphere, sure,
but the color would be a little brighter
and I'd have the mushroom of smoke to match my coat

I've substituted my earbuds with the crunch crunch crunch
of leaves
crunch crunch crunch crunch crunch ––––
shoot that one looked good but it just flattened
crunch crunch crunch
invariable sound
back to my Beats by Dr. Dre

The arrow of geese points south
...
that's really all I have to say about that
some sort of metaphor about flapping my arms and following them?
I like jacket weather though
better stay grounded
hands in pockets; arms in long sleeves

insert some connection to death to match nature's descent into winter

Gosh, this season is too good to stand for something so sad
let's go jump off the roof into a pile of leaves
drink hot soup and get cuffed
watch steam and frost paint picturesque mornings
read in a dogpile of blankets
Winter may be coming
but so is spring ya goof
get off your melancholic horsey
I don't even own a peacoat :/
feeling irreverent but poetic...
Its ByrnByrn Nov 2013
It's the same dull presentation every year.
Her friends all aware.
She stands out today,
but then again,
not really.

She is of the few who remembered,
the occasion that is.
Simple black dress.
Black boots.
Poppy ablaze on her heart.
She is quiet today.

The Marlboro-huffing voice,
crackles over the P.A.,
telling students to report to the cafetorium.
She rises out of her seat,
smoothes her dress,
and straightens her poppy.

She is first to hand in the annual
"I Will Remember..."
slip of paper.
Along with her older brother's name.
Not looking back as she leaves.

Everyone files into their seats,
their bland, identical, mauve-coloured seats;
fidgeting before they even sit.
The "populars" in front of her,
texting and tweeting life away.
Insanity.

She silently studies the band, bitter as can be.
All there for extra cred, or to get out of class.
"Delinquents reading sheet music"
Printed on white, crisp new paper,
only to be forgotten about,
or thrown out tomorrow.

The anthem is played,
she loses control.
Tears tearing a path down her face.
Nothing but a scratchy wool sleeve to help;
all the while,
not without a stiff upper lip.

And as soon as it started,
the entire thing is over,
and everyone files out of their seats.
While she and a friend quietly duck into a bathroom,
seeking refuge from the common calm.
She cries.
Then quickly collects herself and walks back alone.

She enters class,
late with bloodshot eyes; daring anyone to speak.
Smeared makeup like warpaint.
Catching the eyes of her classmates,
as well as those of her teacher,
who now understands.

Though it's a silent knowing,
of course;
because nobody enjoys talking about,
nor remembering,
the day of the assembly.
-November 11th, 2012
Leah Vee May 2012
first words
she heard me

first steps
she was right beside me

first day of school
she was in the class next door

we’re two halves in a whole
we’re twins

sharing practically everything
from clothes to crooked smiles
big feet to best friends

some might say we’re the same
and they couldn’t be further from the truth

our shared genes
could never cross the gap
between friends and strangers
stuck in the middle

speaking to her in the morning
is like walking through a minefield
dangerous and unpredictable
never knowing if she’s in a bad mood
or worse
usually moody
rarely happy
always dramatic
at least
she is around me

i wake her up
she takes a shower
straightens her hair
puts on liquid black eyeliner
to show off green eyes
the same color as mine

she stands tall
always  over
me
suffocating
casting a shadow
with broad shoulders

she can’t find the energy
to give me a compliment
ever
however she
continues to
point out my flaws
at six in the morning

i’m tired

i can count on one hand
the number of times she really hugged me
the number of times she really felt my pain

when Ton died
when Grandpa passed
when Dad screamed i was a failure

that’s it

i wish you would try to understand

through the
hair disasters
bike rides
movie nights
recitals
adventures
walks
runs
deaths
crashes
tears
laughs­
screams
you were there

yet when i feel alone
when i need you
you’re gone
talking to some guy on the phone
you ignore me
you don’t know
you don’t understand
and i have to rely on someone
who doesn’t know me like you do
because
******
my sister isn’t here
Graff1980 Jul 2015
There is fire in the dance. The head of a candle burning and flickering in time to the dancer’s movement. The flame sways to and fro, responding to the dancer’s energy. Then the candle disappears.  

Blisters begin to bubble up upon the dancer’s skin; then fully formed explode with liquid fire. Screams of agony reverberate across her tortured flesh. Her cries go silent as the pain slowly fades.  The dancer becomes a living flame.

So, she dances.  Each step scorching the soft ground, leaving little fires in their wake. Her legs ascend at an angle and descend in a spin. Hands clasped and rising upwards as her feet return to the earth. The fire trailing her movements like living echoes.  Enflamed arms opening and closing with billows of smoke expanding around them. The ground burns beneath her feet as she leans her head back slowly.

Her face consumed by the flames fury; she attempts to howl. Instead of sound, rivers of crimson liquid explode from her lips. Jets of blood red water congeal into shiny flesh. First, impressions of a face form in the flat flowing puddle of scarlet goo. Then, a neck, next something akin to limbs takes shape.
The red rawness is evident but not painful, as she spews the last bits of the red liquid. Drips of crimson drops from the newly formed figure fall on the flaming dancer. The droplets sounding a soft beat and sizzle in rhythmic fashion like a drum snare; T sss T sss T sss T sss. The flaming dancer shudders in pleasure. The flames, encouraged by the dark moisture, recede then rise, as rouge vapors smoke off its’ figure. The fluid form expands further forming sinuous strands of cerise liquid hair.

Pirouetting in a whirlwind fashion the dancer continues her ballet. Her leg rises again as she leans back. Her head, inches from the ground, drops liquid fire. Then she straightens her tiny flaming frame. Behind her the red watery body slides its hands across the ground, calming the flames, and leaving only scorched and sticky earth in its wake.

So it goes with each movement the dancer lights the earth afire, and behind her the flames are doused. Each minute passing the fire weakens and shrinks as does the scarlet body. Until at last they embrace. The dancer’s arms rest upon her sides as the crimson liquid figure envelopes her.
One more red stroke across the canvass and the figures blend perfectly. One color fading and bleeding into the next in perfect abstraction. The month long dance finally finished. The brush is rinsed then ceremoniously placed in its spot. The artist sighs, there is a slight sense of relief, for this dance is finished, but an echo of sorrow remains for this dance is finished.
Terry Collett Nov 2013
Having washed her doll
Battered Betty in the baby
bath, Helen dries it in an
old towel her mother gave

her, rubbing it with her
childish motherly attention
to detail. That done, she
dresses Betty in some doll's

clothes her father brought
home from a  junk shop
on his way home one Friday.
She wraps Betty in a fading

shawl, and goes to the front
door. Where you off to? her
mother asks. Taking Betty
out for a walk, she replies.

Where abouts? probably
to Jail Park, Helen says.
Watch out for strange men,
her mother says. I'm with

Benedict, Helen says. O,
well that's OK then, her
mother says, relieved,
pushing damp hair from

her lined forehead. Helen
goes out the front door
and walks along to the
railway bridge next to the

Duke of Wellington pub
where Benedict said to
met him. She pats the doll's
back as she walks, tightens

the shawl to keep the doll
warm. Benedict is waiting
by the pub wall; his cowboy
hat is pushed back, 6 shooter

gun is tucked in the belt
of his short trousers. Helen
sees him before he sees her,
she prepares herself: licks

fingers to dampen down her
hair, straightens her thick
lens spectacles, wipes her
nose on the back of her hand.

Am I late? she says as she
approaches him. He pushes
himself from the wall, his 6
shooter quickly out of the belt,

he blows the end. No, he says,
just thinking of the Billy-the-Kid
I saw at the cinema the other day.
Got shot. Died. I wouldn’t have

done that, I'd not have turned my
back on the marshal whatever
his name was. Helen rocks Betty
in her small arms. Given Betty

a bath, she says, nice and clean now.  
Benedict gives the doll a glance,
puts his gun away in the belt.
Good, he says, can't have our

kid *****. Helen smiles, no, we
can't, can we, she says. Mum
says to look out for strange men,
she adds as an after thought.

Benedict pats his gun, no strange
man will get to you or Betty,
he says determinedly. Just as
Mum says, Helen says quietly,

looking at the cowboy beside
her, his hat now pushed forward,
his hazel eyes focusing, on her
and the doll. Let's go walk, he

says, I'll give you and Betty
a push on the swings and
roundabout. So they walk up
Bath Terrace, she telling him

about a boy at school calling
her four eyes, and he musing
of putting a couple of slugs in
the kid's head: BANG BANG,

the caps will go, just smoke,
no holes, no death, or if he chose,
maybe a good sock in the nose.
BOY AND GIRL IN 1950S LONDON.
Nat Lipstadt Nov 2015
~~~

the wind of correction

*those invisible currents
for which we create labels
like most everything,
comes in shades of vagaries,
colorations of fierce and gentil

some bear the names of hurricanes,
gale forces, and those, the knotted stiff ones,
welcomed by man's power mills and sailing ships,
and the softest of summer breezes,
caressers of my isle sheltered,
for which I must winter~survive,
that have far too short a half-live,
those summer winds that rejuvenate my sinking soul

but the wind that gets no acclaim,
is the wind behind us that straightens the hunched,
the wind that has no illustrations of its un-famous name,
'tis the wind of correction
that lifts
the wings of the becalmed,
the bewitched, and the downtrodden,
the one that lifts chin from chest,
the one that energizes,
cures the curvature of our spines
to make us sally forth, clear eyed and optimistic,
leaving behind the residue of debris of destruction

when blown off course, be patient,
for a course correction by a kinder kindred force
will set you aright, push you into flight.,
for this wind comes to everyone,
someday, sometime

you do not know the wind of correction?

unfamiliar where and when it blows?

perhaps you call it something else?

I have heard it said,
that its other,
more
correct,
truer name is
love
For TMR
Mitchell Aug 2013
Strange
How when all is going
According to
Plan

The record stops in spin
Clouds turn to black
And the round back straightens

I'm awake here
Seeing bare
Attending to cares
But unfulfilled

There is a liar amongst us
She smells of raw fibs
I run my palm
Across my bare chest
Feeling ribs

We are bones
And meat
With a mind we can never fully

Control

A mystery
To myself

Born again
Dying again

Re-living
Nothing

Attending
To
No one

There's a white envelope on the nightstand
With a sum of unmentionable dreams and desires
The shelf stands *****, but I am crooked
Burning a candle in the twilight of midnight
Reminds me that a gift is also fire

And then there is the fact of movement
Evolutions only prime device
There are no tricks
There are no riddles
There is nowhere you can tinker or fiddle

Overtime, we only get better

Move her
Admit him
See that I
Am inside every syllable
Etching a private universe
To perfection so whomever
May choose to enter
May re-live and experience

Matters of Heaven and Hell

Closed off
Sending smoke signals
To
Irritable Gods

Bunk beds with religion
We amass our hatred
For one another

Then play chess with jazz playing in the background

Red oyster shell wrapped around
A ghost white finger
Music tiptoes under my doorway
And the mailman is late with my paycheck

When I worked
As a paperboy
I enjoyed
Riding the bus to school

Because of late night snacking
I now have anxiety
About free breakfast luncheons

A next step for mankind
Seems like a lot of work
And very little pay off for the rest of us

Why are buses designed so poorly
And have no Maximum Occupancy?

Say goodbye to late night friendship
With snapskypefaceinternaboutfacecreditreport.com

She moved her hand
Over her eyes to block out
The sun. The brightness
Comforted her, but, being
An only child, she disapproved
Of anything resembling comfort.

A new noon is upon us
I speak for anyone with a pulse
A new moon has arisen
Any speakers of tongues shows false

Anonymous fortunes
Have arisen between the black and white
Bed sheets are randomly bursting into flames
And grandma weeps regularly

When love dissolves
Like the first fog of dusk,
The sun burning through
Mists futile efforts to shroud we dead men,
Put your ear to the ground
Hold to not make a sound

Witness the frost break
As the business men cut their steaks
See the poor out on the gutter
The addict trip and sputter
Change is not around the corner
The lies are as thin as the coroners smile

This kind of place
Smells of dry skin and regret
Dead brush and a unforgiving sun
Love takes off
Its always on the run

Sometimes
I don't know the difference
Between me and you
Sometimes
You try to tell me something
That I know just isn't true

White cut on the hem of her dress
She says something to me
But I can already tell that she's in distress

"Let me in your taxi," she squealed,
The bangs of her hair bouncing over her face,
"I'll tell yah something. I'll show yah' some lace."
I opened the door with a stone hand
And as she sat next to me I looked over
To see she was holding a beat up tomato paste can

Whispers of truths only turn into bigger lies
A butler coughs as he adjusts his tie
"The body needs to be washed up around the thigh,"
It explained, a shadow under each of the mans eyes
"There is no instrument man can trust to rely,
Other then that of God and his belief in the upside."

A road
Dispelled

A life
Cut short

A boat
Drfiting
Into Port

At last the fog has burned away
So we can decide
Whether you go or you stay
april w Apr 2018
She wakes up each morning
Looks in the mirror

She puts an oversized hoodie over

Straightens her hair
Like every other girl in her school
Oh no
She burns her finger

Covers her imperfections
With powders
That suffocate her skin

Coats her eyelashes
With sticky black goop
That crusts when it dries

Her mother calls her down for breakfast
“I’m not hungry”
She says
She hasn’t been hungry for two weeks

You know what they say
Beauty is pain

She goes to school
Why is everyone else so skinny?
And beautiful?
And perfect?
She wishes she were them

But what she doesn’t know
Is that
Those skinny, beautiful, perfect girls
Wishes they were her
This poem isn't about me, it's just something I've noticed about teenagers. Remember, you're beautiful and perfect the way you are <3
eileen mcgreevy Feb 2010
Stumble, try to get up.
Fail, fall again.
Try, get up,
Fall once more.
Come on! Think of what you stand to lose!,
Raise your head.
You look it right in the eye,
Something takes over,
You can do it.
You get up,
Stumble, but stay up.
Stronger, quicker, you respond,
It's all coming back,
Becoming clearer,
Your back straightens up,
Almost there, almost,
There! There ya go,
Sanity restored, energy back.
Yes. back. . . . . for now!!
LC Apr 2021
as her glass heart beats,
it cracks little by little
as her chest caves in.
she closes her eyes.
her deep, slow breaths
restore her aching body
as her chest straightens.
the cracking suddenly stops.
her soul glues the cracks
and her heart is whole again,
stronger than ever before.
#escapril day 20!
bcg poetry Mar 2015
"You aren't supposed to step on the cracks, I'll tell on you," I stick my tongue out at his comment and he laughs. I saunter closer to him on the street as we close in on our destination and he wraps his arm around me. We are just about to the pet store when Peter pulls on my hand and stops on the sidewalk. I turn around confused, "What's wrong? Having doubts?"
"No, I just want to make sure you aren't."
"I'm fine, I want to do this. I'm ready, I promise."
"Do you think we're going to fast?"
I laugh and he smiles sheepishly, "I don't want you to get scared again, I don't want to rush you."
"Trust me, Peter, I'm ready for this. Let's get engaged."

We walk hand in hand into the pet store and pick out our little puppy, our ring, and our promise to each other. He's more playful than the others and his right ear won't stay upright. I like his dopy looking half smile and Peter likes his boundless energy.

After we leave the store with our new family member, Peter bends down to look eye to eye with Marshal. I watch him whisper something in his ear and it almost looks as if Marshall nods. I giggle as Peter straightens up and ask him what he had said. Peter turns to me and smiles the same kind of dopy grin Marshall had and says, "Oh I just warned him not to step on any cracks, as I am very fond of this back."

He places his hand on the small of my back and we walk down the street like everything that was meant to be, was being, and we were at the center of it all.

-bcg (we always talked about getting a dog as an engagement ring)
Kylie R Aug 2013
I am,
I am,
I am
what lies between the folds of the bedsheet
that my mother washes every week.

I am a bundle, lost in between each and every
crevice of the sheet.

I grasp onto the loose folds
becoming one with the fresh, lemony scent of the
crisp white sheet.

I cling onto what's left of me.

Crumpled;
but your mother
straightens you out.
Dana C Sep 2013
My heels bite the pavement,
the cadence of Monday through Friday;
My shoulders are stressed
In spite of ergonomics.
The strangers who pass me,
eyes glossed with similar fatigue,
beat a shuffling rhythm:
the melody hypnotizes.

That's why I don't notice.
Walking just the same,
a pace not unlike the teller
or the lawyer in front of me.
They speak of a repast,
old haunts, new places,
television and sports.
Another measure, no sign of caesura.

When I find myself unsure,
uncertain of the cool ground beneath,
of the muffled grumblings
and the scrapes on my knees,
it feels like a dream.
“I'll wake up soon, I'm at home.
I've fallen asleep to the T.V.,
a wacky dream bred from the same.”
The breath on my neck is so hot.

Once my head straightens up,
the world once again standing still before me,
the weight against my body multiplies.
The floating sensation of sleep,
The feeling of a shell within a shell,
It dissipates and my insides are knots,
molten lava, churning against its crust
and my skin screams in tune.

The grunting and the pawing,
brusque lips are sinking ships.
There's not enough sandpaper
in the world to compare.
Those heels are dust,
their teeth broken and rotted;
Percussion takes a rest.

I am trapped inside my clothes.
Twisted like a snake around my body,
I want only to be free of them--
in any other situation but.
“Here let me help you with that.”
The words slither, covered in mold.
My every wish in that single moment
Answered, a betrayal; trite axioms abound.

Suddenly the weight lifts, is suspended,
a chance accorded to a plain old girl.
But my limbs are heavy, fear looms,
Justifications swarm my panicked mind.
“Don't be stupid. Give them what they want;
They'll leave you alone. Go to another place.
Return with some piece of mind:
no matter how fractured your body, you heal.”

But there's a light on overhead.
The unmasked man stares lustfully at my lips.
His uncharted groping is fervent, fearless--
his desire to be soon bestowed upon him.
Consequences do not glaze his feverish eyes,
and worry lies dormant, sets off no warnings.
The cage was set, the trap precisely executed
and there's no spoon to help me out of here.
Sept 13, 2009; Portland, OR.
C S Cizek Dec 2014
8:30 A.M.

She wakes him up with breakfast
on the night stand.
Two eggs over-easy and lightly burnt
on the bottom so the yolks don't run,
two pieces of sourdough toast cut
diagonally, and a cup of coffee /
no sugar, no cream / brewed
at 8:15, two hours after
she got up to clean the house.
She mopped the floors twice,
tied the trash bags and set
them at the curb. She tested, dusted,
and retested the stagnant ceiling fans.
She vacuumed the rugs and wiped
down all wood, granite, and steel
surfaces.

She lemon Pledges allegiance to him.

While he's at work, she cleans his laundry.
She clean-presses his button-ups, making
sure to cut any stray threads and neatly
mend any loose seams. She irons a firm
crease in his pants and shines his all-black
wingtips.     She doesn't use Kiwi. Something high-class
                      that I've never heard of.
When he comes home and sets his briefcase
near the furnace vent to sulk in his leather
chair, she consoles him. She pulls the lace hem
of her sundress to her waist and ***** his ****
until he comes to his senses.
You look like a billion-dollar, gold-plated
monument feeding the world rosegold birdseed
from your immaculate palm binding my hair
like a Dutch Warmblood's tail, darling.

She dabs the corners of her mouth trying
not to smudge her lipstick, straightens
her dress, and hurries off to wash
his car.
This can be read two ways. Choose wisely which.
Richard Riddle Mar 2016
He is older-
taller
athletic
celloist

She.....
beautiful
red hair...green eyes
infectuous giggle


He wears a tuxedo(orchestra)
she straightens his tie,
picks the lint from his collar-
a kiss on his cheek


As the orchestra plays
he plays for her
she sits in awe...
Watching.....
Listening
......

"The Duet"

Evan and Emily

My Grandchildren

richard riddle: 03-17-2016
Evan is 15, Emily is 12,  They always provide me with new subject matter.
Nat Lipstadt Mar 2023
1:38pm Sabbath Mar 25 2023


it was in no vast eternal plan, no signed signal,
that this day, this moment, this infusion of
a hymn would I compose, lyrics praiseworthy,
to my god, my creator…my single life-long companion.


mine hymn of tribute, hymn of mystery,
words of uplift suffusing, abundant abide within,
music straightens my back, eyes tear-glisten,
how come this joy unconstrained, so affecting?


the wonder of this mystery, the wander of soul,
how be it all that troubles retreats, a waving-bye tide taken,
both emptied and fulfilled, in simultaneous simplicity,
I am confirmed, ascertained, relieved, even revived!


at the intersection of rising divinity, insistent human frailty,
at the crossroads of pure perfection, permanent imperfection,
the impermanence of this meeting quickens, gladdens, knowing
a glancing touch of god’s finger both enlivens and yet blankets.


my entire substance, composition, neath a comforter of good,
in a calming restfulness, with the knowing grace that this will pass,
my hymn marks my forehead permanent, that just once I moved in a place, not twixt, not tween, but a perfect firmament nearer my god

Terry Collett Apr 2012
She enters the room
where you’re making up
the old men’s beds and

creeps up behind you
and puts her arms around
your waist and breathes

on your neck. What do you
want Sophie? I have work
to do and if Matron finds you

here there’ll be trouble.
She puts her hand over
your mouth and says well

shut the **** up then what
do you expect if you’re pushing
out the words as soon as I get

near you. You smell her hand
near your nose feel her skin
next to yours. You move her

hand away and say do you have
to use that kind of language?
She pulls a face and falls back

on the made up bed and says
what if Matron comes in now eh?
What you going to tell her? Get

up you can’t lay there like that
you say trying to pull her off the
bed. She pulls you down on

top of her and holds you there
as you struggle to get away. Calm
down you ******* ****** boy

I won’t hurt you and she laughs.
You smell peppermint. Her
tongue licks you. Her lips

press on to yours. She pushes
the kiss right into you. You
want to breathe need breath.

She releases you and you get
off the bed and tidy yourself up
and say get off the bed God

knows what the old boys will
think if they come in now and
see you lying there like a *****.

She pokes out her tongue and
says at least they are men and
know what their penises are for.

Come on Sophie give me a break
you say gazing at her there her
uniform rising up her thighs.

Ok ****** boy she says and she
gets off the bed and straightens
out the bedcover and pillows and

then stands gazing at you and says
it’s not every girl who’ll give that kind
of chance. You say nothing and go to

the window and peer out at trees and
bushes in the ground. Then she’s gone.
The room’s silent when you turn around.

— The End —