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Robert Andrews Feb 2017
He took her to his cabin up in the northern woods
so no one could hear her scream
when he tied her to the four post bed
to live out all his dreams

now she calls him Master
when he unbinds her from the bed
but still he makes her subject to
the whims inside his head

Now and then he lets her run
naked on a leash
but locks her in the spider hole
when it's time for him to teach

He knows she'll never get away
He'll make her love his hell
searching for what makes her smile
'neath his Stockholm syndrome spell

He F 'd her up and beat her down
until she finally came around
So beautiful in her black and blue
She whimpered "Master, I love you"
Then he knew
Her Stockholm love was true

He gently kissed her ****** face
and the bruises he so carefully placed
Held her in her broken disgrace
because her Stockholm love was true

Now they're always together
with their twisted violent love
He finally truly fell for her
and she can't get enough
Stockholm love!

He hits her with a rubber hose
She bites him on the thigh
scratching her name across his back
he slaps her 'til she cries
Stockholm love!

They love that they are lovers
profuse! profane! profound!
and when she finally got the chance
she tied her lover down

He loved her like no other
She understood his love
So she f 'd him up and beat him down
until they'd had enough

but he didn't comprehend
the depth of her Stockholm love
She blew him away with a shot gun blast
just so she could ***
Stockholm love!

Look out! Look out!
If you see her in your town
She won't be charmed
and she's always armed
so don't you stick around
She'll F ' you up and beat you down
Until she gets enough
Stockholm! Shot gun! Love!

Nat Lipstadt May 2013

Sleepless, Shuffling In Stockholm

Somewhere in my body,
A bifurcated clock ticks,
Two clock faces,
White on black,
Vice versa.

Mixed media messages,
Crazy train station internal,
Brain activity fevered,
Arrive/depart according to
Somebody else's schedule,
Somebody else occupying,
Every street of my body

Lying asleep,
Typing these words,
It is the middle of the night,
Bright daylight suffuses the room
What part of my metaphysical schema,
Ain't jet lagged legally,
And poetically entitled to be
Stockholm Syndrome Confused?

Times have really changed,
Oh my, when you propose,
Let's go to Stockholm,
Anything goes!

So my schedule reordered
In the land of either all
Light or Dark, twenty hours four,
I turn to my boon companion,
Who soothes at any hour,
My music, my Nano,
And I find myself, musically,

Shuffling in Stockholm.

Meatloaf and Piazzolla,
Muddy Waters and Purple Rain,
Marvin Gaye and Pink Martini,
Beethoven, Straight No Chaser,
Beatles, Stones, Bennett vs. Buble,
The lack of sleep a permanent fixture,
Courtesy of this Bach-us admixture,

So should you see a gappy, khaki, clad tourist,
Meandering o'er the islands of this charming city,
In Ingmar Bergman fashion,
Black and white erratic,
Alternating, swaying and shuffling,
No tongue clucking,
Nah, he's not drunken,
Just dancing while sight seeing,
In a sleep deprived manner,
Someday a movie to be,
Sleepless, Shuffling In Stockholm

June 30 ~ July 2, 2012
Stockholm, Sweden
Jean Rojas May 2015
Gentle Stockholm, in my mind
Tender city with its laid-back ways…
Sun-kissed, snow covered days
A sleepy lover’s eyes along its bays
There I was, a foreigner
Gasping at the breathtaking view
A beauty simple and true
Learning to walk through
Its cobbled streets….
Singing and humming
To its sensual beats…
Like a lover, it strums my body
It’s fingers knowing all the cords
To play……
And I pray,
I swear, I will return
To this unforgettable place…
That has invaded the space
Of my peace
Like its trees…
with leaves of,
Green, yellow and brown
Four seasons of  harmony
Boring holes through my senses…
It’s memory stored through the tenses…
Stockholm in the summer, winter season
Through the autumn’s rise and fall….
flowers bursting in bloom at spring's hall...
Always will I remember it’s
Echo’s call…..
Into my heart….
It will never part…

You broke the chains of
My sorrows…
Lending me the promise
Of many tomorrows,

Stockholm, gentle ,Stockholm
Sing to me your songs of life
Set me free
and make me see,
But never let me be…..
Stockholm, Sweden
September to October, 2005
Mateuš Conrad Mar 2020
.a grand biblical event could be happening, it could very well be happening... but then you could be like me, treating a toothache with cloves... sieving through the smiths' oeuvre (because when it came to 1980s music, it was always about the cure and depeche mode)... or getting your anaesthetic watching stockholm requiem... robotic or perhaps just zoological swedes treating the case of: unwanted... like a heart-attack is merely a murmur... i imagine the germans in concentration camps being burdened with their trained sadism... sickly sweet from the crescendo of inhumanity... anything but this swedish anemia... this "supposed to be human"... perhaps it should be called the Moebius-Stockholm Syndrome... no... i have no impeding wish to go back to visit Sweden... i'm sure to find more water in a rock... i'm sure to find more sunsets if i were to go blind... come summer and the air would drop temperature come the desired hours of the spectacle... i quiet fancy the nazis to have been burdened with too much of life, the mammalian hot-bloodedness... i can almost imagine them being unable to bypass their erectile-dysfunctions with those deeds of theirs... than these ivory pickles of men... not even an event of biblical proportions would wake these people if their thespians are so... morbidly without a grace of a statue standing over a grave... the facade of flesh... when i can peer at a necro-associated-sculpture and pave my way toward "imagining" something intent on life within it... if the swedish thespians are so... less rummaging... i can't quiet imagine the real-life swede... perhaps they're just autistic? or... let's be kind... solipsistic? well... if only being invaded was something of a cure... as Knausgård mentions... i wonder why there's this sudden rise in scandinavian romanticism: genesis... i would rather trace a backward "plan" from sanskrit and to the great mother siberia... daydreams and ineffectual markings of... these days words of most importance are more ascribed to... the sort of paper you will not write on... escape from sobibor... i can imagine being exhausted by having to perform so much sadism... rather than, say, calmly brewing a cup of tea... it must have been so tiresome to be trained as monsters... of course: exceptions... it's just tiresome through-and-through... buying mania... for shoes... for umbrellas... for obscure details that might allow any general improvement of life... singing lazily as morrissey... did... if the man is to become a pariah... hell: not as bad as a persona non grata: the guns of navarone only come out with the proper latin... the concentration camp "workers"... the salt-miners of the *****... of no affair to make a sympathy... but if you've just watched a swedish thespian production... in unwanted... stockholm requiem... more like a Moebius-Stockholm Syndrome... you'd turn to watch something of something clearly tortured... by torturing... from above: crisp clean napkins and all those anecdotes over dinner while ingeting champagne in flutes... there's no need to make this "look" good... this is still about morrissey, though... tired of the cure and depeche mode... the current craze for biblical sized proportion of events... apparently it's true: absolutely everything is MADE IN CHINA... well... at least no one's dying with boils, spores... weird mushrooms growing out of their armpits... or the leprechauns of leprosy taking a bite... point being... i don't think this current state of affairs proves that my fellow man... could stomach... very little these days... then again... i could get away with this: humanisation of concentration camp guards... because i feel completely robotic having watched swedish acting... i'm looking for the most worthwhile available alternative... when you can't just pet a cat... as william burroughs noted... you can keep a cat, feed it, pet it... but at the end of the month you need to gauge its eyes out to enter the ᛋᛋ... so uber... by the way... why is there no D in armanen runes? hard to make sense of a future language of: the man in the high castle with only 18 letters... that's 4 short of the hebrew alphabet... clearly *******... 24 in greek... 23 in roman... 26 in modern english... 41 letters in the glagolitic alphabet... yes: graphemes and all - all those diacritical passions... 32 in modern polish... early germanic had 24 letters... but the armanen runes? only 18... *******... so much for ***** von List or what the third ***** germans read... the wrong sort of neopaganism: esp. if you're about to... ******* about 6 letters... you can't exactly have a language with a bare minimum of... 22 letters... which is a lie... ha ha... the hebrews have 27 letters... but their vowels are like diacritical marks elsewhere... "hidden"... it's the basic prefix rule of o(mega) and e(psilon)... or for that matter a-lpha and b-eta... well... there's the ******* siamese adams (א) and (ע)... b(ב), g(ג), d(ד), h(ה), v(ו), z(ז), ch(ח), t(ט), y(י), k(כ), L(ל), m(מ), n(נ), s(ס), p(פ), ts(צ), q(ק), r(ר), sh(ש), "t"... so that's the ******* siamese adams and the timmy and timothy t(ט) and "t"(ת)... but there are five over letters... kametz (a), chirek (i), tzere (e) cholem (o) and shurek (u)... although... they're not treated as letters... but akin to the acute diacritical mark when s becomes ś... or when a c grows a cedilla and becomes ç... or when an A grows a tail and becomes Ą... in hebrew that's already exposed... sh(ש)in is a caron s (Š)... and ch(ח)et is a caron c (Č)... no... if you're looking at hebrew as i am... gobsmacked... because they're playing crossword puzzles by merely writing... how their vowels wear niqabs... and are "not included"... you can't have a functioning civilization without a bare minimum of 22 letters... which is a lie... the hebrews just treat their vowels are diacritical markers... they have 27... the standard was given by the greeks... 24... and of those that are, 24... you could say... ΦΘ: phi and theta: F... OΩ: omicron and omega: is that pop and ****? equivalent? there's you real 22 letter alphabet... which includes all the vowels... ξ(ks), χ(ch), ψ(ps) - otherwise the letter that makes π a patent surd... so ψ is the aesthetic variation of σomething else... only differentiated when written... not necessarily when spoken - so you could technically... let's leave it at that.

they're saying about ibuprofen -
whatever the science: how the virus is latching
onto it and is sustained by it -
quack-theory or a barking up the wrong
the tree -
                    last time i heard an ibuprofen
is best for a toothache -
                  if only life... could be more monumental
that living through this mass hysteria:
or lack of it thereof...
       with this most irritating pain -
          this loose filling... there's a pandemic raging
the supermarkets are running out of bread...
there's no sugar and no flower...
       no bread: no circuses of a football match...
no real gambling involving 22 ballerinas,
horses or dogs...
                                  and here i am...
more bothered with a toothache...
                           what remedy, what remedy?
last time i heard...
                   they use a base chemical ingredient
from cloves for all the anaesthetics in dentistry...
last time i heard...
   if you put a clove on the ill tooth...
                       gently bite down...
                    one down... slobbered...
                 the saliva will open up the remedy...
from this humble clove...
         well... so much for merely culinary
                                   indeed... a toothache
lessened... by a clove...
                        now for that whiskey disinfectant
to wipe clean the mouth...
         then some cheap ***** mixed with
aleo vera gel for that oh so precious disinfectant
that... evaporates when smeared onto
the hands...
                 i could be making money from this...
as i heard: bottles are selling for 60+ quid...
n'ah... i like being integrated for my already
miniature role of self with... integrity...
the knitty-gritty of honesty...
                                    who would have thought...
that cloves can alleviate toothache;
after all... there's that whale that swallowed
Jonah to fish for... in this current climate:
      of cough sneeze and woozy;
better still... an oeuvre of the smiths...
           because i never really got into them...
now's a good time like any other...
            girlfriend in a coma...
                            pretty girls make graves...
                     some girls are bigger than others...
            oddly... the music when watching
empty buses plough the streets -
             when empty streets become...
arcades for the winds...
                               and... they are not missing
those arthritis prone in-mid-life joggers...
              well... it's still the right sort of time...
to head on high... and find entertainment in thinking.
Julia Mae Nov 2016
i have this bad case of emotional abuse
honestly, all it does for me is serve to amuse
because have you ever let something so stupid happen?
all you can do is laugh at yourself for allowing it
i am the one hurting myself -
you you you
you've given me a bad case of emotional abuse
(and i let you)
cj Jul 2018
you are the eighth cigarette from my pack of marlboro lights i lit at 10:34pm
you are the fifth shot of whiskey i drink at a saturday night, alone
you are the chest and liver pains i no longer feel the sunday after
you are my metaphor for stockholm syndrome

you are the reason that i know how to type properly at midnight as the world around me spins ever-so fast
you are the reason why i mastered the art of scrolling through instagram without liking your post from six months ago
you are the reason every episode i had becomes less painful than before
you are the reason i no longer feel any pain from before
because i know you still keep me captive in you

it may be the mild psychosis caused by the eighth whiskey last weekend talking but i know you
you always come back for me
you always know how to keep me wanting more
you know just how to lure me back
even if you don't do anything
i keep running back to you

but now, as i puff the last cigarette and drink the remaining drops from my bottle of whiskey
i realize now that you are my stockholm syndrome
Nigel Morgan Dec 2013
A Tale for the Mid-Winter Season after the Mural by Carl Larrson

On the shortest day I wake before our maids from the surrounding farms have converged on Sundborn. Greta lives with us so she will be asleep in that deep slumber only girls of her age seem to own. Her tiny room has barely more than a bed and a chest for her clothes. There is my first painting of her on the wall, little more a sketch, but she was entranced, at seeing herself so. To the household she is a maid who looks after me and my studio,  though she is a literate, intelligent girl, city-bred from Gamla Stan but from a poor home, a widowed mother, her late father a drunkard.  These were my roots, my beginning, exactly. But her eyes already see a world beyond Sundborn. She covets postcards from my distant friends: in Paris, London, Jean in South America, and will arrange them on my writing desk, sometimes take them to her room at night to dream in the candlelight. I think this summer I shall paint her, at my desk, reading my cards, or perhaps writing her own. The window will be open and a morning breeze will make the flowers on the desk tremble.

Karin sleeps too, a desperate sleep born of too much work and thought and interruption. These days before Christmas put a strain on her usually calm disposition. The responsibilities of our home, our life, the constant visitors, they weigh upon her, and dispel her private time. Time in her studio seems impossible. I often catch her poised to disappear from a family coming-together. She is here, and then gone, as if by magic. With the older children home from their distant schools, and Suzanne arrived from England just yesterday morning, they all cannot do without lengthy conferences. They know better than disturb me. Why do you think there is a window set into my studio door? So, if I am at my easel there should be no knock to disturb. There is another reason, but that is between Karin and I.

This was once a summer-only house, but over the years we have made it our whole-year home. There was much attention given to making it snug and warm. My architect replaced all the windows and all the doors and there is this straw insulation between the walls. Now, as I open the curtains around my bed, I can see my breath float out into the cool air. When, later, I descend to my studio, the stove, damped down against the night, when opened and raddled will soon warm the space. I shall draw back the heavy drapes and open the wooden shutters onto the dark land outside. Only then I will stand before my current painting: *Brita and the Sleigh

Current!? I have been working on this painting intermittently for five years, and Brita is no longer the Brita of this picture, though I remember her then as yesterday. It is a picture of a winter journey for a six-year-old, only that journey is just across the yard to the washhouse. Snow, frost, birds gathered in the leafless trees, a sun dog in the sky, Brita pushing her empty sledge, wearing fur boots, Lisbeth’s old coat, and that black knitted hat made by old Anna. It is the nearest I have come to suggesting the outer landscape of this place. I bring it out every year at this time so I can check the light and the shadows against what I see now, not what I remember seeing then. But there will be a more pressing concern for me today, this shortest day.

Since my first thoughts for the final mural in my cycle for the Nationalmuseum I have always put this day aside, whatever I might be doing, wherever I may be. I pull out my first sketches, that book of imaginary tableaux filled in a day and a night in my tiny garden studio in Grez, thinking of home, of snow, the mid-winter, feeling the extraordinary power and shake of Adam of Bremen’s description of 10th C pre-Christian Uppsala, written to describe how barbaric and immoral were the practices and religion of the pagans, to defend the fragile position of the Christian church in Sweden at the time. But as I gaze at these rough beginnings made during those strange winter days in my rooms at the Hotel Chevilon, I feel myself that twenty-five year old discovering my artistic vision, abandoning oils for the flow and smudge of watercolour, and then, of course, Karin. We were part of the Swedish colony at Grez-sur-Loing. Karin lived with the ladies in Pension Laurent, but was every minute beside me until we found our own place, to be alone and be together, in a cupboard of a house by the river, in Marlotte.

Everyone who painted en-plein-air, writers, composers, they all flocked to Grez just south of Fontainebleau, to visit, sometimes to stay. I recall Strindberg writing to Karin after his first visit: It was as if there were no pronounced shadows, no hard lines, the air with its violet complexion is almost always misty; and I painting constantly, and against the style and medium of the time. How the French scoffed at my watercolours, but my work sold immediately in Stockholm. . . and Karin, tall, slim, Karin, my muse, my lover, my model, her boy-like figure lying naked (but for a hat) in the long grass outside my studio. We learned each other there, the technique of bodies in intimate closeness, the way of no words, the sharing of silent thoughts, together on those soft, damp winter days when our thoughts were of home, of Karin’s childhood home at Sundborn. I had no childhood thoughts I wanted to return to, but Karin, yes. That is why we are here now.

In Grez-sur-Loing, on a sullen December day, mist lying on the river, our garden dead to winter, we received a visitor, a Swedish writer and journalist travelling with a very young Italian, Mariano Fortuny, a painter living in Paris, and his mentor the Spaniard Egusquiza. There was a woman too who Karin took away, a Parisienne seamstress I think, Fortuny’s lover. Bayreuth and Wagner, Wagner, Wagner was all they could talk about. Of course Sweden has its own Nordic Mythology I ventured. But where is it? What is it? they cried, and there was laughter and more mulled wine, and then talk again of Wagner.

When the party left I realized there was something deep in my soul that had been woken by talk of the grandeur and scale of Wagner’s cocktail of German and Scandinavian myths and folk tales. For a day and night I sketched relentlessly, ransacking my memory for those old tales, drawing strong men and stalwart, flaxen-haired women in Nordic dress and ornament. But as a new day presented itself I closed my sketch book and let the matter drop until, years later, in a Stockholm bookshop I chanced upon a volume in Latin by Adam of Bremen, his Gesta Hammaburgensis Ecclesiae Pontificum, the most famous source to pagan ritual practice in Sweden. That cold winter afternoon in Grez returned to me and I felt, as I had then, something stir within me, something missing from my comfortable world of images of home and farm, family and the country life.

Back in Sundborn this little volume printed in the 18th C lay on my desk like a question mark without a sentence. My Latin was only sufficient to get a gist, but the gist was enough. Here was the story of the palace of Uppsala, the great centre of the pre-Christian pagan cults that brought us Odin and Freyr. I sought out our village priest Dag Sandahl, a good Lutheran but who regularly tagged Latin in his sermons. Yes, he knew the book, and from his study bookshelf brought down an even earlier copy than my own. And there and then we sat down together and read. After an hour I was impatient to be back in my studio and draw, draw these extraordinary images this text brought to life unbidden in my imagination. But I did not leave until I had persuaded Pastor Sandahl to agree to translate the Uppsala section of the Adam of Bremen’s book, and just before Christmas that year, on the day before the Shortest Day, he delivered his translation to my studio. He would not stay, but said I should read the passages about King Domalde and his sacrifice at the Winter Solstice. And so, on the day of the Winter Solstice, I did.

This people have a widely renowned sanctuary called Uppsala.

By this temple is a very large tree with extending branches. It is always green, both in winter and in summer. No one knows what kind of tree this is. There is also a spring there, where the heathens usually perform their sacrificial rites. They throw a live human being into the spring. If he does not resurface, the wishes of the people will come true.

The Temple is girdled by a chain of gold that hangs above the roof of the building and shines from afar, so that people may see it from a distance when they approach there. The sanctuary itself is situated on a plain, surrounded by mountains, so that the form a theatre.

It is not far from the town of Sigtuna. This sanctuary is completely covered with golden ornaments. There, people worship the carved idols of three gods: Thor, the most powerful of them, has his throne in the middle of the hall, on either side of him, Odin and Freyr have their seats. They have these functions: “Thor,” they say, “rules the air, he rules thunder and lightning, wind and rain, good weather and harvests. The other, Odin, he who rages, he rules the war and give courage to people in their battle against enemies. The third is Freyr, he offers to mortals lust and peace and happiness.” And his image they make with a very large phallus. Odin they present armed, the way we usually present Mars, while Thor with the scepter seems to resemble Jupiter. As gods they also worship some that have earlier been human. They give them immortality for the sake of their great deeds, as we may read in Vita sancti Ansgarii that they did with King Eirik.

For all these gods have particular persons who are to bring forward the sacrificial gifts of the people. If plague and famine threatens, they offer to the image of Thor, if the matter is about war, they offer to Odin, but if a wedding is to be celebrated, they offer to Freyr. And every ninth year in Uppsala a great religious ceremony is held that is common to people from all parts of Sweden.”
Snorri also relates how human sacrifice began in Uppsala, with the sacrifice of a king.

Domalde took the heritage after his father Visbur, and ruled over the land. As in his time there was great famine and distress, the Swedes made great offerings of sacrifice at Upsal. The first autumn they sacrificed oxen, but the succeeding season was not improved thereby. The following autumn they sacrificed men, but the succeeding year was rather worse. The third autumn, when the offer of sacrifices should begin, a great multitude of Swedes came to Upsal; and now the chiefs held consultations with each other, and all agreed that the times of scarcity were on account of their king Domalde, and they resolved to offer him for good seasons, and to assault and **** him, and sprinkle the stall of the gods with his blood. And they did so.

There it was, at the end of Adam of Bremen’s description of Uppsala, this description of King Domalde upon which my mural would be based. It is not difficult to imagine, or rather the event itself can be richly embroidered, as I have over the years made my painting so. Karin and I have the books of William Morris on our shelves and I see little difference between his fixation on the legends of the Arthur and the Grail. We are on the cusp here between the pagan and the Christian.  What was Christ’s Crucifixion but a self sacrifice: as God in man he could have saved himself but chose to die for Redemption’s sake. His blood was not scattered to the fields as was Domalde’s, but his body and blood remains a continuing symbol in our right of Communion.

I unroll the latest watercolour cartoon of my mural. It is almost the length of this studio. Later I will ask Greta to collect the other easels we have in the house and barn and then I shall view it properly. But for now, as it unrolls, my drama of the Winter Solstice comes alive. It begins on from the right with body of warriors, bronze shields and helmets, long shafted spears, all set against the side of Uppsala Temple and more distant frost-hoared trees. Then we see the King himself, standing on a sled hauled by temple slaves. He is naked as he removes the furs in which he has travelled, a circuit of the temple to display himself to his starving people. In the centre, back to the viewer, a priest-like figure in a red cloak, a dagger held for us to see behind his back. Facing him, in druidic white, a high priest holds above his head a gold pagan monstrance. To his left there are white cloaked players of long, straight horns, blue cloaked players of the curled horns, and guiding the shaft of the sled a grizzled shaman dressed in the skins and furs of animals. The final quarter of my one- day-to-be-a-mural unfolds to show the women of temple and palace writhing in gestures of grief and hysteria whilst their queen kneels prostate on the ground, her head to the earth, her ladies ***** behind her. Above them all stands the forever-green tree whose origin no one knows.

Greta has entered the studio in her practiced, silent way carrying coffee and rolls from the kitchen. She has seen Midvinterblot many times, but I sense her gaze of fascination, yet again, at the figure of the naked king. She remembers the model, the sailor who came to stay at Kartbacken three summers ago. He was like the harpooner Queequeg in Moby ****. A tattooed man who was to be seen swimming in Toftan Lake and walking bare-chested in our woods. A tall, well-muscled, almost silent man, whom I patiently courted to be my model for King Dolmade. I have a book of sketches of him striding purposefully through the trees, the tattooed lines on his shoulders and chest like deep cuts into his body. This striding figure I hid from the children for some time, but from Greta that was impossible. She whispered to me once that when she could not have my substantial chest against her she would imagine the sailor’s, imagine touching and following his tattooed lines. This way, she said, helped her have respite from those stirrings she would so often feel for me. My painting, she knew, had stirred her fellow maids Clara and Solveig. Surely you know this, she had said, in her resolute and direct city manner. I have to remember she is the age of my eldest, who too must hold such thoughts and feelings. Karin dislikes my sailor king and wishes I would not hide the face of his distraught queen.

Today the sunrise is at 9.0, just a half hour away, and it will set before 3.0pm. So, after this coffee I will put on my boots and fur coat, be well scarfed and hatted (as my son Pontus would say) and walk out onto my estate. I will walk east across the fields towards Spardasvvägen. The sky is already waiting for the sun, but waits without colour, hardly even a tinge of red one might expect.

I have given Greta her orders to collect every easel she can find so we can take Midvinterblot off the floor and see it in all its vivid colour and form. In February I shall begin again to persuade the Nationalmuseum to accept this work. We have a moratorium just now. I will not accept their reasoning that there is no historical premise for such a subject, that such a scene has no place in a public gallery. A suggestion has been made that the Historiska museet might house it. But I shall not think of this today.

Karin is here, her face at the studio window beckons entry. My Darling, yes, it is midwinter’s day and I am dressing to greet the solstice. I will dress, she says, to see Edgar who will be here in half an hour to discuss my designs for this new furniture. We will be lunching at noon. Know you are welcome. Suzanne is talking constantly of England, England, and of course Oxford, this place of dreaming spires and good looking boys. We touch hands and kiss. I sense the perfume of sleep, of her bed.

Outside I must walk quickly to be quite alone, quite apart from the house, in the fields, alone. It is on its way: this light that will bathe the snowed-over land and will be my promise of the year’s turn towards new life.

As I walk the drama of Midvinterblot unfolds in a confusion of noise, the weeping of women, the physical exertions of the temple slaves, the priests’ incantations, the riot of horns, and then suddenly, as I stand in this frozen field, there is silence. The sun rises. It stagge
To see images of the world of Sundborn and Carl Larrson (including Mitvinterblot) see
Mateuš Conrad Nov 2016
.i. if Kant could have his von Kleist... well... who else to juggle juggernauts if not me? as a task of redeeming that poor soul who succumbed to the terminator of all poetic ambitions, with his systematisation off-the-page, as eccentric and punctual as a sunset on a sundial at 16:11... and in case either the spring of sunrise, or the autumn of sunset... but so many hours after exacting a sunset... that gluttony of the eyes to stare at it... 16:11 is the zenith of a sunset in november the 15th... much prolonged when warmer... supersized sun when setting in summer, and all that whiskey-copper wiring for the eyes to stare at it: oh for goodness sake, who really cares for Ikea likened assembling of words... we're not putting together a coffee table, we're looking for Darwinistic entrapment, we're scared of the aeons and yawns... we're trying to create a Darwinistic entrapment saying what segregates us from apes! that's how anti-Darwinism works - if they can easily call you a poet and a technophobe... then that hardly makes you a merchant with a Quran... to encapsulate the language of our modernity we're doing everything against writing the onomatopoeia of our beginning... monkey ooo! monkey ooo ah ah! or a gorilla grunting and then snorkeling... we're encapsulating our language more and more... because beginning with ape and then looking at history, and then looking at the consensus of the contemporary: Darwinism's greatest enemy is not theology... it's history... Darwinism and history are not compatible... oddly enough Darwinism and theology are compatible, simply because they are dynamically equal for the case of furthering both arguments in debate... but Darwinism is an odd starting point to argue, given that physicists argue from the perspective of prior to dinosaurs, prior to all things formed.

how can i begin this? it will leave me having to
write it for two days,
the anti-narrative sketch first, then filling in
the gaps sober... just to get second opinions...
i might have to cook a quasi-Hungarian borscht
and fry up a few potato flattenings to a crispy
yum... first the narrator comes in to describe what's
in store, a bit like a translator comes in and says
of Joyce: that's Irish... well, yeah.
               hence the italic preface...
as some would say, the person who wrote these
sketches worked quicker that an algorithm in asking
and also quicker to copy & paste the required
atomic encoding... e.g. ч and ch
                   э and euro and epsilon...
      once upon a time there was nothing prior
to Copernicus, then the somersaults came,
    h ч y        what coordinates where?
    well of course perfecting the encoding of something,
if things weren't stated awry there would be
no optometrists either...
                  it's not hard to read, it's hard to
remember how to read, given that being literate reached
the omnipresent velocity, the new powers had to
include some new power struggle...
mingling Latin and Runes, Greek and Cyrillic...
     and the proto-Latin of additional diacritical marks...
they exposed the entirety of humanity to literacy
within the framework of post-industrial society,
after hitchhiking a ride on the 19th century donkeys
they suddenly had to reveal their power-secret of
being literate, and by the account of women:
corset bound and bored in salons...
      but something else appeared that didn't really fascinate
them: that over-complication of Latin with
punctuation marks above letters: or diacritical
distinction, crowns over letters, subatomic particularisation
of once favoured: universal applicability...
as a narrator? i have to make a complicated
introduction, the sketch lends itself to do so,
it suggests that not all writing can be as simple as
a nursery rhyme, not all writing can actually
    **** memory, not all writing desires being remembered,
not all writing can be remembered,
                in the mediation of the two chiral opposites
there's fiction, which is suspended in an armchair of
pleasurability... but on the opposite side of a nursery rhyme
or a well versed poem? writing akin to arithmetic...
  something truly painful for those competent with
lettering, but not really competent with ten digits...
      as a narrator who has already read the sketch,
i'm trying to not write a "filling in the gaps" to the sketch
like an art-critic might do to a painting deviating from:
brushstrokes were employed. well... d'uh!
variation of italics as in transcending the pause that
implies a condescending variation of taking a pause,
also excluded are: dot, comma, hyphen, semicolon
and colon.                         dot-dot-dot is not joining up
the dots: it implies a variation of how to anticipate
a punchline: drummed: tu-dum wet snare!
     i am actually a narrator who is trying to find
that other part of me that might digest this sketch properly,
     and return fully competent to pick up another
sketch... if ever there was a narrator in this sketch,
it has to be me, after the sketch has been scripted,
and i am left to suggest a need for a dot-dot-dot connectivity
of the strokes of the pen...
i warned myself: do not overdo the introduction in italics,
you know how picky people are...
whether pickled pineapple of cucumber...
i swear Turks invented pickling chillies...
         oh look! an inflatable gazebo filled with helium!
no one's laughing: only because i didn't mention vegina.
narrative puritanism? you get distracted a lot...
but this sketch is really a thesis for narration,
all i have to do is find the antithesis of narration in it:
an actual narrative!          it stretches for ~30 pages...
   well that's me turned archaeologist with a Grecian urn
with a snap of the finger... because that's how this
sketch looks like: ancient -
                         but understandably modern.
              so .  ,  - and ;
        were racing... out came the world record
             9.58(0)         the full-stop is the bracket-bound
0... i.e. it actually happened: hence the pinpoint...
or in Formula 1 a timed nonsense of ave. m/ph
     noted to three decimal points: 130.703...
                                    or chicane cha chicane cha cha!
as said, this is an actual representation of a narrator
encountering this sketch: so before you lose your head...
i've lost mine!
  look at the correlation though!
we've gone way past atoms with the atomic bomb
and encountered subatomic particles...
    we're not going to get beyond subatomic particles
because we're going to encounter the already apparent
reality of obatomic particle: namely our bodies,
   the perceived ******* (ob- is the antonym
                                                  prefixation of sub-):
             that's were the microscope adventure ends,
    and this is parallel to cutting up a second with
three decimal points, as the safetynet suggests:
                                                              π / 3.14;
yep, the obstructive - hence we can't spontaneously
combust... but then again Goethe's Werther did:
  out of love... down the spiral: you sweet little *******.

~ii. i'm actually too lazy to write the sketch and fill
in the blanks... so i'm going to fill in the blanks as i go along,
  or that's what's called the rebellious stance of narrator: mmm,
work in progress, could you see that coming?

ii. a beer in between glugs of whiskey - runes
combined in the ******* / sigma, variant of agliz or
the rune-zeta extended toward a dark shadow of the rebirth
of Ishrael: zoological enclosure; sigma *******
sigma ******* sigma *******, sigma *******...
rune-zeta... we cannot say there are ******
mathematicians and poets akin,
not then one optic encoding states
     a b c d e
         another states f u þ a r
yet another а б (ρ) в г
  α β γ δ:
for worth of gamma into a trill only because of
   a wave, that's ~ approx. on the side of the letter
   e.g. г & r.
   or rho upside down? what the ****?
did Voltaire write this? reading Candide,
i hope he ****** did!
you the problem is pixelated paper? if you know
how you enter a deciphering mode...
                    but you require a personal library to boot,
all that dos formatting,
                       well there's formatting in the humanity
outstretch of this white medium too...
after it isn't all ******* white when all the psychiatric
pills are white too... i have really found something better
than the Bermuda Δ...
       Greek, Latin, Cyrillic and Runes...
i could say neo or proto otherwise,
but i still haven't unearthed the sketch, that
is probably puzzling the Danes, with Cnut on the forefront...
                    but the arrangement of numbers is universal,
but it's not universal, given the particularity of
how language is encoded and why some people are
richer than others...
            but it's still a beer between glugs of whiskey that
makes more sense...
i said, retype the sketch and go to bed...
and i figured: that's probably the wisest of all possible
events stemming from this...
    that's ~27 pages of notes to retype... and i'm already
in a disclosure mode as to expect what's to be jargoned...

p. 1        cкεтч       /      σкεтχ
   necessity of                        (acute
a-       -the           (ism)
is that of language structure,
          only from the use of one's language does
a deity present itself: from within the noumenon
ground work, not the reverse, as in from
(pp. 2, 3)
                 a phenomenological exercise in
the use of language: Islam, Christianity, Buddhism, (etc.)...
       e.g. Islam is a phenomenon,
  it's not a noumenon: or a thing-in-itself...
  for the Islamic god to emerge from Islam's-in-itself
Islam will have to prevent itself from being-outside-itself...
or overpowering other in-itself contentions
but still: to no apparent success narrative of true intention
as satisfactory appropriation and hence lending itself
to a widespread nod of approval.
  challenging space: word compounding, or the space
between conjunctional deficiencies: nod-of-approval (e.g.).

p. 2    concussion (great film, Alec and Will, 2015, NFL)
concussion... Blitzkrieg Alzheimer's....
brain is fat.... dementia = attacking proteins...
  steroids... the noumenological use of language:
e.g. that ****** is an enigma,
therefore his views will not go viral,
and he'll not become fashion trendy...
it's not individualistic idealism, it's reality.
as will die sonne satan - orbis reach more than 5K
views... so... clap clap... clap, clap.
           what i meant about the a-     and -the
and the ism is following a sentence that sort of
does away with conjunctional fluidity,
apart from the big words, i treat all minor words as
categorically conunctional... and, the, a, is, to, too...
given the sentence: brain fatty *****,
brian organic giraffe wall... ******* hieroglyphic...
           stood above the rest, rest assured.
  dementia: invading protein cells
   (bulging prune of the opportune: purely
digestion?) no thought to eat or eat itself like,
cannibalistically. the brain is fatty...
not fat in muscle for mmm, schmile and flex
for the selfie. how about a protein inhibitor?
(by now, rewriting the sketch, i've lost the page count,
it's actually p. 5 of note paged toward 27).
how about the explanation that we're living in
times of post-industrialisation and thanksgiving
feminism? to me post-industrialisation has created
a class of meaningless white-collar workers
and no blues... it's what the Chinese blues call
the Amazonian nomads: ******* happy...
no amount of crosswords or sudoku will exert
your body to do things for others...
   no amount of mind games will actually tell your
brain to be equipped with: a bunch of hyenas... run!
dementia is a result of creating too many
white-collar jobs (thanks to feminism)
and exporting the blues to China (thanks to feminism
and: oh i broke a nail, can i get a Ching plumber to
fix my heating while i get a ****** to **** me up my
****?!) - maybe i'm just dreaming...
it's great to censor dreaming, i mean: you stop dreaming,
you get to see reality, and you don't even need to
read Proust on a ricochet.
  - so we have brain as fat, and invader cells as protein...
protein digests fat... and creates cucumbers out
of people... where do the carbohydrates come into play?
it can't be at the point of a.d.h.d., can it?
     i'm blaming post-industrialisation, the complete
disappearance of the blues (formerly known as the reds,
in the east) for the whites...
or that old chestnut of: my god you're goon'ah luv it!
   to till for worth from the sweat of yer brow -
funny funny funny... to earn your loaf of bread
you will toil...
                   and toil until you are physically assured
that not ghostly / mental life can enter your world /
books... that went well... didn't it?
   i should be tilling a potato plateau rather than
be bound to be writing this epic (by modern standards)
             but that's the curse of exporting all the blue
collar jobs to China, then importing mindless
white collar jobs to the west, what the hell do you think
would happen, not the pandemic of dementia?
if you do not exert the body, and then you do not
exert / exhaust the mind... do you think
you can secure a narrative with a post-industrial
westerner on the premise of that person simply being
able to solve a crossword? well... i believe in santa
claus too... but i don't believe in him giving out
presents... because to me, in my oh-so-called maturity
that's called an anagram of satan's clause: which is a legal
term for: i can turn civilisation into shrapnel
of what's said and what's to be said: and what's not to be
said. people can't expect to turn honest labour
for the recreational run on the treadmill in a gym...
and they can't expect photocopying in an office space
to replace Newton's curiosity, and then compensate
all this distraction with mind-games...
          can they? well... they did!

poets are gagged by writers of prose,
no wonder they write so sparingly,
      they are gagged in the sense that they write
as if asphyxiated: they need breathing room.

well sure, if he can revive the Polish steel industry
and i can go back to steel plates and pillars,
then the rust belt will get a polishing also.

or what's called: shrapnel before the waterfall of
narration: darting eyes, and poncy **** all the way through...

     muse... muse...

        well, how about we take the fluidity out of language?
declassify certain words into one grammatical broth,
say words like i and they
                              a  and the    are all conjunctions?
how about that? let's strip it bare, after all: what categories
of words exist for us to primarily speak (let alone think)?
     nouns, verbs, adjectives... adverbs?
       but all those words in between are so jungly classified
into a tangle that i'm about to sprout a handshake
          of a Japanese vine grip: and never let go...

an actual extract from the sketch:

      https that doesn't recognise UCS
                   and insists on IPA cannot be deemed

              i need runes for this! i need runes for this idea!
i don't need transliteration right now...
                but hey! that's an idea, etymological transliteration...
bugly term, sure, but the previous night i was thinking
  of transcendental etymology, as you do, likened to
carbohydrates... so it was transliteration after all...
but a dead end when it comes to geometry and Pythagoras...
    three words... and they are computerised (i guess you
have to buy a decent book to decode this), a bit like
buying paint in a d.i.y. shop...
       16DE (dagaz / d) 16DC (ingwaz / ŋ / grapheme of n & j)
                  16DF (ōþala / Valhalla / o / ō = oo),
in total d'njoo / d'nyoo - even i concede the fact that this
is a ******* mind-******... it's a ****** congregation of
four optic encodings of phonos... i moved away from
the ancient greek fetish for the logos... i'm looking at
the phonos... not the logos with Heraclitus et al.
               φº θ þ фª f

  ºcyrillic                ever see a prettier pentagram?
                      i haven't.

(false original title:
škic / cкэтч / φº θ þ фª f: thespian pandemic - pending)

looking at the phonos is painful, actually painful,
it's like reading a book with a myopic pair of glasses:
a ******* aquarium blurry right there, befor...

- - - - - - - - - - - - - - - - - - - -

'e'? were you: was i, looking for an 'e'?

i can say this much...
what do you get when you mix a shot
of whiskey with a shot of bourbon:
i'm moving between bottles...
it's nearing christmas eve and i'm a ripe
taoist... i.e. i better this world:
by not having the world mind me...
on the odd occasion: oh... you're still here?!

yeah... i'm still here... i have glued-to-fascination
with my shadow... i'm just waiting
for the atom bomb to relieve me of a body
but ensuring my shadow is kept intact...
as if it were a Monet signature on a wall...

but i lament... the momentum has vanished...
i don't even know why i'm so idiotic as
to presume that: from the hour 22:00GMT
to the hours 00:00 circa 00:30GMT...
something will land into my lap,
my lisp... my cranium the oyster shell
my tongue the oyster...

it will not... i can't simply **** anything into
an existence that doesn't want to exist...
perhaps lurking in a canvas of:
"lost luggage" in an airport...
perhaps "there"...
i could be excused my... lethargy...

when was this written? back in 2018?
so i was thinking about teasing cyrillic even then?
wasn't i?
sketch cкэтч or?

what do you get when you mix a shot of whiskey
with some bourbon?
a Burguandian whisker...
i am not going to sound witty...
Ron's key...

that's still a cyrillic "or"... isn't it?
шкиц: škic...

i'm... deflated... nothing "new" has come my way...
i would have thought that...
reading some Knausgård would have /
could have... invigorated me:
reading him was supposed to be my:
dialysis my transfusion!
my zombie-go-to-literature...
it has proven an exhaustive enterprise
to begin writing again:
i became too comfortable
in reading - i almost forgot
the agony of writing...

alas... a contemporary of mine...
and someone well adjusted to prose...

notably: who would have thought
that death in june - the calling (MK II)
was something to be recorded in 1985...
for one: i wouldn't...

but i did begin: back in november 2016...
begin what? to tickle the cyrillic alphabet...
which is way before i discovered my reply
to the runes... to the ancient greek...
and this... "ancient", ahem... still in use...
latin script...

that script that went into the molloch couldron
of being invested in to code...
pristine as the hebrews cited:
how many holes in it?
to write onto a canvas of 0?
q Q R O o p P A a D d g b B...
which leaves...
Z X C V N and M "out of the equation"...

škic / cкэтч / φº θ þ фª f: thespian pandemic (pending):
i better rename it as... circa 2016...
that's way before i even acknowledged
the cyrillic text applying diacritical markers...
i thought them too crude at the time...

beside borrowing outright from greek...
the already at hand oddities of glagolitic,
notably: Ⱎ...Ⱋ...

it's only a single word i'm using...
i have abandoned all notions of metaphysics
in favor for orthography...
i'm not going to burden myself
with: what's after the physics...
i'm after: what's now...
in the respective tongues...
2 tongue deviations from
the original latin and greek...

what came with the runes and what
came with the glagolitic scripts...
what was ****** and had to succumb
to inter-breeding...

come 2020... i will have one clarification
to base my existence on...
pronouncing the growth of my ****** hair...
i will hope to aim at a length of beard
that will forever hide the neck...
i will aim at... somewhere to the level
of my heart... when i will then manage
to turn my beard into an orchestra's
nieche of violins when i procrastinate with it...

since 2016...
i have identified russian in ******...
i've seen it... finally!
зъaрт... i.e. żart
and the "hard sign" becoming a "soft sign"
in źrenica: зьрeницa...

i still think the russian orthography
is... as... primitive as the western slavic...

after all... зъ = ż...
зь = ź...
the balkan slavs have a caron...
which is neither a hard or a soft sign / acute...

their caron is... ч (č) or cz...
CHeaper in english...
and their caron is ш (š) or sz...
or the two together...
and always шч (šč): szczekam...
i'm barking...

pu-shch-air... a rare example in english
of the puщair...
but then lookie lookie 'ere:

CZACHA... skull...

perhaps this is my "revenge ****" on russia?
hey! boris the kremlin mascoot...
come and 'ave a look...
with how i disect your orthography
on the / with the language that asks
too many metaphysical questions and no
orthographic curiosities!

i'll meet you in Warsaw... given that you're
probably moving from Novosibirsk...
and i'm either in Stockholm...
Edinburgh or the outskirts of London:
Warsaw will be halfway for both of us...
you don't have to like Warsaw...
i only like it when the Ukrainian smugglers
and the Mongols appear
in the West Warsaw coach station...

smart as who? i am discovering this for
the first time myself...
i was only teasing it back in 2016...
way before i found the right sort of accents
in mother russian...

i do know that that crescent oddity:
above the ja: йa... is what it is...
if you only cut off the head in english... ȷ...
again: it's я given that most russians
are pulled toward an anglophile world-view...
they all see the window to europe...
the baltic and st. petersburg is somehow...
London... and the atlantic...
like hell it is...

i guess i feel it was a waste of time to
have re(a)d Kant, simply because:
i'm not here for the schematics...
i want to know how my thought my labyrinth
building architecture is coming along...
but with no one to talk to about it?

i found the categorical imperative most
dissatisfying... i didn't want to abide by universal laws...
poetry is already shoved out of waiting room
of the republic...
if my "poetry" is not a categorical imperative...
and it's not quiet a a hypothetical imperative...
it needs to be sharpened on a thesaurus
and some grammar...

categorical (adjective)... imperative (adjective)...
well two adjectives never imply much
if there's no noun involved...
and i'm pretty sure that... if i sharpen
the next word i'll compound with categorical-
in that hyphen construct that's only
allowed in oxford dictionary english:
since it's not: propergermannonhyphenfaustian:
i.e. carboxylic (carbo-xylic) acidity...

poetry doesn't belong in either
the categorical imperative focus...
nor the hypothetical imperative focus...

i.e. i must write a poem... to feel better...
i must write a poem... to organise my thoughts...
no! a poem is not a maxim is not a categorical
imperative! a language of poetry is not
a language of morality: it's a language
of experience - or a lack / a lackey's "sentiment"...

i need a... categorical: impetus!
it's not enough to have read kant's critique of pure
reason... it must also involved
having re(a)d the: groundwork of
the metaphysics of morals...
but i'm a democratic reader...
i need to hear the other voices...
i can't be a kantian scholar...
a snippet 'ere, a snippet v'ere (funny how
THETA disappears when making the posit:
THERE - ver!)

who needs metaphysical absolutes...
when orthography (or a lack of it)
in english... spreads open its legs...
and the tongue remembers its tongue-brain-phallus
stage of co-existence in the oyster?!

i'm pretty sure that a categorical imperative
is by no means a categorical impetus...
this had to be written,
but it had to be written in order to disregard
anything a priori... prior to it...
a poem is a shady concern for action or inaction...
it's a deviation from the cartesian crux:
res cogitans (thinking thing)...
into the cartesian levy (res extensa)...
it's an action of inactivity...
as much as it's an inactive activity...
"the rest"...

impetus is not an imperative...
an impetus sources its meaning in a per se
investement... of itself - in itself - for itself...
an imperative?
in pronouns... impetus: i want... i will...
imperative? you want... you will...

an impetus is self-dictative...
an imperative is: indicative...
someone would rightly claim...
those that mourn indicatively...
will don the right garments for the process
of mourning...
which is indicative and devoid of
the per se manifestation of mourning...
it is an imperative when compared to
the impetus to mourn -
which is self-dictative...
which does now shallow itself in
grief by making a socially agreed to fiasco
of a very specific choice of wardrobe...

basically: however you like it...
the year is almost over and i want to break-off
the dust from the thoughts that fudge-packed themselves
as worthy of occupying the minor instance
of having to count a depth of:
not dead within the year of being written.
Liz Mar 2015
What are you still doing here?
I told you to go.
I told you I can't come back home.
But you're still here,
In my bones.
In every atom.
When I said I was addicted,
I meant I was enslaved.
I meant to say I was yours,
You took me captive unknowingly.
And now I can't let it fade,
The comfort of your embrace.
It held me with you,
It captured me willingly.
And I belong to you,
And I always will.
Arlene Corwin Apr 2017
After A Terror Deed
       (this time in Stockholm)

When terror deeds occur,
Him/her is wounded, killed,
Stay still.
You are in you and where you are,
Most likely far away
Watching the telly,
Shocked, the nightmare in your eyes.
You’re wise.
You stay collected.
Though connected you dismiss
The hate, the fear,
Your present now
To feel how it is in wholeness
And in peace.
The only answer.

But aware.
(Risk statistic in your favor).
Just remember,
You are always here
Inside your now.

After A Terror Deed (this time in Stockholm) 4.8.2017)
Our Times, Our Culture II;
Arlene Corwin
Staying calm and in the now.
Poetry At Most Oct 2016
Don’t let him use love as an excuse.
If he can’t love you without your knees on the ground and his hands on your neck,
then he doesn’t get to love you at all.
Candy Noire Sep 2014
It's worse when you trust them
They know just what to say
To make your ears bleed
"You owe me bae"
I laugh at your ignorance
You heartless pig
I don't owe you ****
I never did.

But this Stockholm syndrome
It always drags me back
I'm a ghost to your words
You're my present and past
"***** - say you're my *****"
Do you love me baby?
Cause it just doesn't mean ****.

I laid in the bed
And I know where he sleeps
I know all your obsessions
All your filthy dreams
But you're just a boy
You'll never be my man
Oh B. You never learn
I have the upper hand.
For B
Terry Collett Mar 2013
Outside Stockholm
in that base camp
having put up the tents
and unloaded the bags

and suitcases
from the top
of the truck
you walked with Moira

to the camp cafe
and order two beers
and burgers and fries
and looked out

the window
at the spread of tents
over the campsite
and Moira said

if I have to share a tent
with that Yank girl another night
I’ll go mad
her and her talk

and boasting
of how many men
she’s *******
and where she’s been

and what she’s done
and always wearing
that leather gear
all black and tight

showing her backside
and small ****
and so Moira went on
and you listened

half heartedly
wondering what Judith
was doing in Florence
and who she was with

and if she remembered you
and would bring you back
some gift like she did
from Amsterdam

that postcard
of a Chagall print
which you pinned
to your wall  

and if she so much
as boasts of her education
once more
I’ll break her

Moira said loudly
so that people nearby
turned their heads

and stared
your thoughts of Judith
blew away
and the image

of the Chagall print
pinned to your bedroom wall
maybe she’ll sleep elsewhere
you said

who else to sleep with?
she said
huh? who else is there?
what about that Yorkshire girl?

you asked
maybe she will
I’ll ask
Moira said

can only say no
and she sat
and thought
and sipped her beer

and the other people
looked away
and returned
to their conversations

and you sipped yours
taking note of her small hands
and plumpish fingers
and the small *******

pushing through
the tight tee shirt
and the small
silver crucifix

hanging down between
and her moving chin
and you wondered
how well she *******

but didn’t ask
you thought
rather rude.
Mateuš Conrad Sep 2018
.the English pronounce the Cornish town's name as: nookie... the **** is it, a Green Day album name, or a Limp Bizkit song? perhaps i'm too French in my pronunciation... quail... eggs... quay... qua-a... if i were Welsh i'd write you the name like so... newyddquaa... but no... but no, has to be nookie... like buggering a ******* chimp... quail eggs... see how language becomes mutated? nothing is apparently, certainly, stable... always the permutation of a flux... i must have ingested a little of the French concept of: je ne sais quoi when learning English... come one... nouveaucarrière: new quarry... nouveauquai... nookie?! seriously?! Q, Q... Quail eggs... quay... new... quay... maybe the usage of hyphenating words into compounds needs to be revised in the english sprechen... ******* mutation... nookie... ****** ******, + a ******* wookie, walking carpet ride worth the name Chew-a-Buck-back-up! i'd settle for: new-key... some sort of variant of a maritime honing device for locating ships sending distress signals during storms... but... no... but hey... it's authentically Welsh territory... Cornwall is, after all... a pre modern extension of Wales... nookie this: shotgun my *** while is spew rhetoric concerning the health benefits of applying feces instead of ****** cream for the benefits of: no one.

over 20 years spent living on these isles,
and i never made the connection -
Welsh nationalism could only work
if you included Cornwall -
   given that Cornish is very much:
a southern dialect of Çymru -

    i guess... i'm not sure...
    let's put it to the etymological filter...
beginning with primary words:

           du   (Cornish)
      du   (Çymru)

       rudh (Cornish)
      coch (Çymru)

          gwydn (Cornish)
gwyn (Çymru)
        i guess that's how etymology works,
a shared origins story...
etymology is best
  examined with primary words,
basic nouns / adjectives...

that was the adjective test...
now for the noun test:

          howl (Cornish)
  haul (Çymru)
   loor (Cornish)
    lloer (Çymru)...

               ebron (Cornish)
   awyr (Çymru) -
      now we see what becomes from
etymological deviation...
the sky has to have more
inherent connotations
of a religiosity as the resting place
of sort...

i'm sure that sea, earth, water,
and fire, are very much akin
or mountain...
but i could be wrong...

    mor (Cornish)
  môr (Çymru)
    dor (Cornish)
   ddaear (Çymru)

         dowr (Cornish)

          tan (Cornish)
    tân (Çymru)

   menedh (Cornish)
         mynydd (Çymru) -

ah... well then...
that explains the separatist movement
of Cornwall akin
to the Spanish Basque or
the Catalonia...

  white cross on a black flag...
they're ******* Welsh down
in Cornwall!
   i was eating a Welsh pasty
all along!
           oh... i see...
  that's why they're separatists
down there...
but there's one word that's
crucial in all of this,
given the emblem is
on the Welsh flag...

**** me!
       there's an etymological source
for the word in English...
and, it comes from?

   draig (Çymru)
  dragon... in ******* Cornish!
**** me...

what's... snake?
   serpont (Cornish)
    neidr (Çymru)...

   there are similarities though...
blatant ones...
which explains the separatist
sentiment of the Cornish people...
they are like
the Hindu corp
of the Urdu speaking Welsh...
high Welsh and low Welsh...

nice to know...
thank god i didn't make the brash
etymological decision to
find the long lost cousins
of a shared source
akin to "abstract" words,



       DUW | WUD

well... god is a universal word,
and it matches...
  duw is god in Cornish,
and in Çymru...
   as it is also Allah on Malta...
funny as the fact that Malta
and it's Knights Hospitaller
cross of St. John of

20 ******* years on these isles -
and only now i realize
why the Cornish are separatists...
they're Welsh...
   in disguise,
under the guise of a tourist
hot spot that's "nookie":
                       i.e. Newquay...

come to think of it...
    even though i'm living in England...
i interacted more with
the Welsh, the Irish and the Scots...
than i have with the English...
    i'm starting to think that...
if i don't make my way to
  or Newcastle...
then i lived in a country...
where the supposed countrymen
of said name... never existed!

well, in english you'd never really know
that Cornwall was once part of Wales,
given that Wales, isn't in the name
Cornwall: but that's in English...

in Polonaise?
        well... Wales / Walia (that double-u
  or rather, the double-v,
   since... erm: ωμέγα?)
      Cornwall / Kornwalia...
      probably the most beautiful part of
England you can begin to imagine...

   the current debate over "the pond" in
h'america... tuition fees, student debt...
as much as the h'americans love to gloat
and boast this that and the other...

i'm looking at myself...
    i went to university, studied chemistry,
and history...
   3rd year? 12 hours per week in
the laboratories...
three tiers of chemistry:
a.  physical - i hated physical chemistry,
it's so un-chemical...
   too much physics / mathematical
*******, so obviously i was weak at it...
b. inorganic chemistry...
    something that mingles with
   geology / metallurgy...
   eh... so so... it was o.k. and finally
c. organic chemistry...
   my strongest route, my faustian dream...
and so much like cooking,
so much so that... well: heston blumenthal...
maybe that's why i love cooking
so much, since it reminds me of
organic chemistry...
   anyways, i digress...
      back when i studied...
  and labour was in power with their:
education, education, education mantra?
that's what was still great
                  about britain...
the last stand as it were,
   ****, i still remember tha handing over
of hong kong...
    fee, per year? 1,250 quid...
                      that's it...
student loan, 3,000 quid per year...
   i actually did manage to live
             on the 3,000 with enough money
spare to do weekend away trips to paris,
stockholm, barcelona etc. - and god:
how i loved to travel alone,
bumping into strangers in hostels...
and the best part?
    i don't have to repay my loan until
i earn over 15,000 quid per year...
and since i'm not earning that...
                  the loan will be annuled after
30 years...
   mind you... a really **** year to go
to university and become a british citizen...
since... in scotland... e.u. citizens didn't
pay tuition fees!
      hence the massive surge of the polans
circa 2005...
                                 so: america, **** yeah!

but on a night like this,
esp. in the evening prior to the night itself,
there's that surge in electricity in the air...
you're walking to the supermarket
and the most mediocre magic happens...
sonny rollins' blues in your ears
you pass a street lamp and it gets switched
on by the grid...

                   it's only special because
your're listening to jazz and when you listen
to jazz and promenade...
you might as well be as content as if
walking a yorkshire terrier...
   while on the way back, instead of your
usual beer... you buy yourself...
a rowntrees ice lolly...
    and you eat that... smirking, feeling
                                                 like a badass.

p.s. the best thing i received from
the university wasn't even the degree...
a chance to play squash, mountain climbing
(glen coe was a beau)...
         a t-shirt...
since, once i left: a self-teaching discipline.
addy r Apr 2017
in loving you, every memory that i have of myself has dissolved into nothingness

coffee in the morning is no longer sufficient why

has my head become a globe that can barely balance on its tiny pedestals?

in my solipsistic dreams somehow i can see your silhouette

even in the solace of my slumber you still manage to penetrate my inner most and intimate thoughts

like a shadow
that strays from the light

particles that amass and then leave again

the daisy to my gatsby-esque ideals of romance and hope

shaky visuals brought on by a familiar melody that conjures a memory that has given me stockholm syndrome

you are the captor but i

i am a willing victim

if hannibal lecter could dine on his friends, you can have me as dessert

and it wouldn't matter, for my life

has till this moment, been devoid of the one thing everybody seeks

love, in all its permutations and essence.
wrote this after falling in love for the very first time and getting my heart broken because of it
Your poetry is like
Stockholm Syndrome,
I'll follow you 'til I die...
grumpy thumb May 2016
Lady flow
smother me smooth and warm
Stockholm syndrome
steel across sinew, muscle and bone
kidnap me in passionate momentum
rise, arch and fall and
and lips and teeth and tongue
and tips and talon tease
and burrow succulent deep
and long aching
primal currents
gravitational pull
to where we belong
submerged as one.
gone girl Dec 2015
What is it to be born into Stockholm Syndrome? You say one day I'll thank you, they say there's a 76% chance that children without love from a mother become serial killers; one day I'll **** you. One day I'll grow out of this fatal mold you've put me in, like the corsets you squeeze me inside because you're ashamed of what I've grown to be. Mold isn't the only way you can describe what you've made me the mildew inside of me feels like the last forgotten sock in the washing machine, you always did dampen the mood.

You say I'll never amount to anything, do you mean like your bank account? you can't stop buying ***** to try and bring yourself to slaughter the daughter you never wanted. she was poisoned 10 years ago by a mother that always had her hands around her neck but her face looking towards God. Just because the bible says you should taste the flesh of your sons and your daughters, doesn't mean you should actually do it. Never fall in love with your kidnapper, you're not worth her love.

You say that I look like a slob, but don't you know that being plastered off your own shame is a little messy too? I find it a little sloppy that when things don't go your way you throw objects around the room like your own chaotic thoughts, dents were always something you were good at. Will I ever fill your void mom?

You say to stop singing. You killed my little girl dream, the only thing I ever wanted was to be a singer, you turned my melodies into loathing; so I became a slam poet. Will my voice ever be loud enough to make you shutter mom!

You tell me to do the dishes but do you really think that scrubbing your leftovers will make me forget the years of going hungry? My hunger wasn't just for food, it was for a taste other than copper when sent to bed without dinner. Can you ******* decay mom?

You say that if I called myself pretty it would be a lie but didn't I come from you? but I think you're pretty too and if I told you that this poem was filled with hate that would be fabricated because I think you're jaw dropping, not in the sense that you've broken mine but you'll always be my kidnapper, why don't I hate you? The worst part is, I'll still say I miss you. I love you mom.
Look to the person on your left
And to the person on your right
And pull out your phone, and look at yourself through the reflection of your screen

Each one of you has been affected by toxic masculinity

If you looked and saw a woman,
You saw a victim, someone
Who's been tied down and told what to do
To stand in the kitchen and do the dishes
While the man stays in the other room with the TV
And has an affair with the sofa

I hear the two of them are happily married now,
In fact, the couch and the man are inseparable

The man becomes the couch, and the couch becomes the man
defiling that once holy entrance to that place you used to be able to call a home

When you were younger, you couldn't have known what the world would tell you you are
But now that you've grown up, you felt the pains and gained the scars
Now you know where the world wants you, and what role you play
On this stage, where the director's decrepit creaking hands come and defile you,
You holy sacred place.

He sits there and pays no attention to the hardwork going on adjacent to him
His thoughts are confined to whatever pretty colors and captivating sounds float across that screen
His eye lids shut only to keep from having a drought because he does not contemplate
He just sits there and waits for you to be done making his dinner for him

And what if he's working in the other room, and you can't see it, is there some sort of redemption for this man?
I cannot say, but he cannot expect to stand to the side of his life, pretending he has no emotions, teaching his sons that this is acceptable behavior,

Stop sinking into oblivion!

And when the woman speaks up and expresses these buried emotions, hurt ones, she is antagonized, like
Isn't this just another ***** with her crazy feelings?
Like shouldn't she be watching so that the chicken doesn't burn on the stove?
Like what happens if I let my guard down and let her in
And acknowledge that she is a human being?

The man says he can't do that
He can't lose his power in the situation
So he tells her those feelings she has are invalid
He makes her feel like the antagonist of the story of this man's life
And the only reason she stays with him is because she's developed Stockholm syndrome
And she doesn't want to be alone
And because if she's heterosexual, this version of a human being is the only one that's so readily available to her,
The kind that treats her like garbage, disposable, unable to have her damnable emotions redeemed

But a critique of something doesn't merit doubling down on that ideology you grew up with,
It merits its changing

Men in the room, hear me now

You are victims too!

You are told to keep it in, keep the tears back
To stand up straight, to provide, to not show any weakness,
But you are most strong when you acknowledge those weaknesses openly
And possibly discover that some of them aren't even weaknesses
They're just a part of being human

And this trend is so hard to break, so hard to crack through stone that was laid 22,000 years ago
But here we are
The buck can stop with us

We can stop antagonizing
We can start acknowledging
We can stop treating people as subhuman when they express emotion
We can start skipping in the streets and holding each other's hands

Because there's nothing masculine
About treating other humans like ****

We can eventually reclaim that word, but first it has to be exposed for all the harm it's done

Look to your right
Now look to your left
And look at your phone again

Each of one you can be a part of the solution
Not a part of the propagation of bad myths
This is the script to another talk poem that I wrote but never published.
Kayla Lynn Oct 2010
Smears of charcoal under my eyes
The white of my bones shines through my skin
Blood streams through the cracks in the floor
Horror behind me, horror above
Chained to the basement wall, ravenous
Awaiting my abductor, half curious
The door screams and creaks open
My body jumps, a frightened child
***** boots stomp slowly down the stairs
To the rhythm of my petrified heart

He bellows

My mousy chest no longer moves
Up and down
There is a sickening silence
Heart attack
Is there existence after this day?
No escape

He trudges closer, squinting at my shell
My once beautiful thin frame
Now resembling a Holocaust victim
Rib cage exposed, eyes locked

He sneers again,
I asked you a question

My voice box is being strangled
By the sadistic frog in my throat
The seconds tick as I find my words
Piece them together in my mind
And try my best to lock away my strength

You may be able..
To **** my body..
Steel toed boots
To slice me to bits..
But I promise you..
Another rib
You cannot..
I can ******* decay
*My essence..
© October 2010 Sarah Lynn
Venny Mar 2016
You are everything I don't need,  but grown within me like a crooked ****. If only I could find the key to unlock the shackles you've bound to me. The chains wrapped inside my bones and squeezing my soul. You are my disease that I'm never sure if I I want to cure. A love that makes my heart yearn but sore. I know inside I'm free to go but emotionally can't leave this sick freak show. You are my sickness and my fantasy. How can I leave so easily. My kidnapper, my lover, war,  peace, and my pain,  my calm and my storm. You've always said it'd be you and me. This is not true love,  just Stockholm Syndrome to me
Overwhelmed Mar 2011
I laugh behind my grim expression

I gaze back at a boy

his legs weak,
speech stuttered,
eyes diverted from
the woman standing
on top of him

her nails draw his blood,
her feet crush his bones,
and all the boy does is
smile his nervous smile,
for he is in complete

I shake my head

I laugh behind my grim expression

this is the only
way to deal
with tragedy:

keep it light or
keep it without

the trick is keeping it within your mind,
far away from your heart

I look back at the boy

I shake my head

I laugh behind my grim expression

I look at myself
lost in Stockholm

You’d call it
Wen Ao Long Nov 2014
Hello snorer, I hope you didn't sleep any poorer
when I stayed up all night typing this not-poem
I meant you no harm, but I had to stay up
Because I couldn't make music out of your obnoxiously loud cacophony of windpipe crap, er "music".  Time to not-pretend to absolutely hate your snoring under the guise of being perfectly okay with it for the sake of setting the tone a bit nicer to all who must hear it, so they can BEAR to, for otherwise it would be absurd.  Not as absurd as anyone hating to have aural drills applied to all their chakras all night, but still absurd enough to get a chuckle out of me (I hope it didn't wake your fine specimen here). It was never my intent, though it was always my ethical concern (if only everyone could be as reciprocal as you and I).   Oh, my not-pretend hatred is very thinly veiled.  I wasn't totally defeated by your snore-sound armies so that I couldn't type words, but I may have lost some of my desired effect due to the sometimes wincing distraction they caused to my piece of mind at this or that time when I needed it the most (even though I was awake, which is no crime if snoring at night and keeping me that way isn't).

Well, I did ask you if you'd mind if I typed,
I did tell you that you could tell me if its quiet purr of clicks would bother your precious sleep
But I never felt a need to be concerned, because whenever I
was typing, I heard you snore, and whenever I was in the heights of
some new discovery or epiphany, your sharp sudden thunderstroke of near death
corrugated metal vibrating in the torrent of some sudden gale force gust of wind.

These were signs to me of your restful sleep.  So I simply didn't worry about your sleep.  I was certain that my electronic beeps were every now and then music to your ears, just as they were to mine.  This is because in the midst of these I heard you snore, and when you snored, I took you to be asleep.

Ah but then again, then again, these are fanciful constructions which simply say that what is wonderful for me should be just fine and dandy with you, at a bare minimum, and on those grounds of very unsymmetrical attitude about right and wrong I would have to begin my music tirade of words as well.  But I don't view justice and propriety along such selfish lines as these.

What I see is that duplicity is your thesis.  I have anecdotal accounts which are marvelous to behold first hand, but the details of the absurdities cannot be done justice in the language of men, for the intensity of such insanity can only be borne lightly by the frailest frayed ends of my sanity for having lived through your acoustically maddening inanity.

You didn't ever admit to me that my noises were not music to YOUR ears.  Indeed  you claimed never to be bothered by them because you never voiced up against them.  I suppose you might as well voice up against them in the street as well if it turns out not all of you snorers-go-a-viking types like to hear my mouse clicking away like a tapping noises on a metal plate in your skull.  Sorry if it is another non-snorer-who-must-stay-up-late-and-so-be-occupied person whose nocturnal joys were misinterpreted as direct assaults on the dignity, spirit, or just basic mental viability of your wounded snoremonster troop of anti-late-stayer-uppers, because in fact, we used to be sleep-at-night-entities like you, but that was before you showed up, thoracic marching band in tow.  Marching bands are musical also, to some people.  And for some all hours of the night are perfect for a marching band.  Who am I to tell them otherwise.  

Well let me know the next time a marching band is given special permit to come through your neighborhood at night, and I'll be glad to point out to you the first Snorer'sville, because only they should be expected, in all justice to live with the macroscopic manifestation of their personal narcissistic paradises.

Let you all go to your own place and form your own nation, and see if you can consistently demand everyone else find music in your ****** and accursed racket!  But until then I expect some of you will have to take the damage returned by the growing number of people who are very much tired of living under the horrors of your infliction upon us, your demonic and evil tyranny of mind-crushing hate that is your ****** noise.  We will do yoga and breathe, and stretch, and some light calesthenics to relax and seek some focus and composure, whenever our spirits require, and this will be unchallenged by you so long as you are asleep, and it will be unchallenged by you so long as you are awake too.  For in the latter case you are already awake (and so still are we, usually) while in the former case it is far quieter than your snoring, both in its valleys and peaks.  And moreover it has not kept you up, but in fact I have noted that you wake yourself up with your own music when it reaches a certain crescendo.  

Unless you want to say that those crescendos are some sort of involuntary complaint about MY crescendos of spirit, when I start typing about 20% faster than normal, with perfect focus and accuracy while reaching an aesthetic pleasure approaching ****** as I realize that it is almost unerringly in the midst of such an experience that I hear your crescendo resound. And since it was no more intended to be a distraction for me, then surely my music must have also gone undetected by your ears, as well as your spirit. Or is it fairer to say it was the very cause of your crescendo, or at least its inspiration?

Therefore I needn't worry that it is I that is keeping you up, even if for only brief stints at a time, especially by comparison to my all-night vigils.  Not so, but it is you who are so enraptured by my occasional laughs or giggles as I edify my weary, sleep-deprived mind on some bit of morale boosting entertainment.  With headphones on of course.  It's also courteously plugged into the computer to prevent my favorite bit of Judas Priest from hurting your ear drums, or else overstimulating your music appreciation centers, which are verily attached to your ear-drums by a nerve bundle (and what nerve you all have there).  This means I've spared you too much distraction from any already-abundant music of the spheres effect you may be savoring which might have emanated from my bumbling around in the dark (to keep the lights out of course, after all people are sleeping).

Yes but that is a minority of you perhaps, who would lie about that and in fact who ought to say that our nocturnal emissions are not what you'd call restfully mind-relaxing crickets in the dead of night with an occasional hoot in the distance...  But they are a minority, the rest of you are so definitely in good faith.

But then why do I always run into those of your tribe who have strange and unethical habits, such as destroying others' lives by ruining their one perhaps most preciously personal and inalienable need second only to air and water, and that is sleep.  It is, in terms of acute necessity, in many ways more needed than food, though in the long term food catches up.  But food catches up only because not eating food is a  lot like not getting sleep, but just a lot more intense on the body when it drops to some critical point because we know from experience it is on raw nerves that we can go for a while in search of food, but if the food can't be found (perhaps because of our lack of sleep ruining our cognition in some way), then we will not eat, nor sleep, because we'll be dead.  

But either way, we'll be dead, for lack of sleep kills, both directly and indirectly, if suffered over a short time and/or in a diluted form over a long time.  That would be poetically commensurate to the sadistic similitude of the types of snoring sounds with the types of ways to die from being deprived of sleep according to two modes (acute and chronic), over many keys of incident, accident, lost opportunity and ill-stared fate, all of which can be mapped in some way back to that auditory persecution of our very souls of which your kind are in some swelling numbers quite proud.  Just think of all the car accidents, work accidents, altercations, fits of rage, inability to concentrate well or sometimes at all, and other life-damaging conditions of the mind, and also of the body, which accrue from lack of proper and healthy sleep at night!

Good thing for most of you though, right?  Because surely our music is also sweet, and I really hope I've inspired many to face this need for equality, and be on their guard against any unjust whining or groaning from those who seem in point of fact to value their sleep just a good deal more than they value anyone else's.  Not only because they really really love to get those zzz's but because they think that in the natural order of things, before people suddenly went mad and evil, people went to bed and slept well even partly BECAUSE of this brachio-esophageal orchestral lullaby.

But we'll be on our guard against those complaints, because we know you have plotted to take to the streets against us to defend your noisiness-all-night-every-night rights.  So we'll be on guard to defend ours, TO THE LAST FIBER OF OUR BEING.

Because you insufferable ******* are cruel, and cruelty no one should abide.  No one in my world, in my society of people, will be allowed to inflict cruelty on another person, nor be callously prejudicial in their own favor when injuries do occur because of their actions merely on the grounds that the damage it causes coincides with the fulfillment of a need on their own part, even while that fulfillment is of a need which is obstructed from satisfaction in the other part, and by THAT VERY SAME REASON, so that your sleep depends on keeping others awake.  UNLESS you can somehow con or coerce them into developing some form of Stockholm Syndrome and confuse the torment you inflict upon them with a sign of your love and wonderfulness to be around.

Yes, I know you hear me typing now, through your well-behaved proxy.  I feel it. If not he per se, then in a parallel universe not too far off, there's a version of him who does.  Perhaps not the one I know now, on day one of having moved into this room, but perhaps one represented in this universe by someone who has found himself in some sort of circumstances found later on during his stay, this mixed with the fact that familiarity breeds contempt... He'll start making some righteous demands of some kind, and I might not be in a such a good mood about that due to lack of proper sleep, and this will coincide with said contumacy against my own rights (such as to breathe, type, surf the net, or do other nocturnal things other than snoring which might keep others up).

As to that last point in parentheses, snoring is an activity which you perform in conjunction with your getting sleep, and it therefore means not well for your notion of fairness to say things as they are, and simply say the truth, which is that your getting sleep deprives others of theirs, but it can be logically deduced.

It can also be logically deduced that the don't give flying **** if you don't like the fact that we don't like your ear-**** night after night, which is a good name as any, but should perhaps at times be amended to body-demolishing soul-****** of a mortally sinful nature, and with an ethical incongruity to good character of a person to maintain it, all the more to sings its praises to us and call it "good poetry".
My tirade is intended to be expressive of a sincerely felt Truth, manifested in this which is only one of many forms, where things are never neutral, but divided neatly and perfectly into either Good or evil, so that no thought, word, or deed can be trivialized as mundane, neither in its innate import nor in its exported impact for others.  This is of the essence of ethics and has many metaphysical groundings which can be rationally demonstrated, but only to rational people.
Terry Collett Apr 2013
She spat out
a string
of four letter
abuse words

followed by American *****
you stood at the bar
at the base camp
outside Stockholm

sipping a beer
Moira stood beside you
in grumpy mood
her Glaswegian tones

still in the air
others in the bar
gazed your way

some giving
a small titter
if have to share a tent
with her one more night

I’ll suffocate her
with my sleeping bag
over her head
she said

you girls
don’t get on then?
you said
more expletives followed

after which she sipped
from her glass
of white wine
you lit a cigarette

all the time
watching her
listening to her
talking about

the American girl
the tour guide and driver
had picked up
in Hamburg

how she spent ages
in the shower
at base camps
across northern Europe

how she got her man
whom she slept with
and what she did
and leather

said Moira
her and her ****** leather
I know her sort
she added

you studied her
as she spoke
her short stature
her wild blazing eyes

her hair tight curled
her small ****
pressing against
her tee shirt

then she was silent
and leaned on the bar
sipping the wine

staring at the mirror
behind the bar
maybe we could swap tents
you said

you share
with the Australian bore
and I with the Yank girl  
that’s a case

from the frying pan
into he fire
Moira said gruffly
I’d rather share my tent

with a shaggy dog
with fleas
she said
I guess

you thought
taking in her tight ***
are hard to please.
Blythe Cassidy Jun 2014
In quiet, you sneak in.
The hairline fractures in my skull
let you in to your second home
and you graffiti your name
on the gray matter inside.

Your laugh ripples through the air
when I stand in the grocery store
because you know I counted the 16 items
the short lady in front of me carries
when the sign asks for a limit of 12.

States away, I pass you on streets,
eyes down and shoulders slumped,
your shaggy hair lifted by the breeze.
You vanish when I turn around,
but I always turn around.

If I am a raft, you are a gale.
Tremendous and gray
you engulf me and dash me on the rocks.
I can't escape because I crave
being lifted high by your waves
even though I know I will fall down again.

I am trapped in you.
I don't want any more nights of wanting you
or checking my phone for missed messages.
I want to breathe without your permission
and live without the bulk of seeing you again.
I want to wake up with the sun above me
and the stars below me
while not missing what I never had.

I want to give you up,
but I don't know if I can.
bobby burns Jan 2014
(i am my only captor)

i've missed possibility
and the 3.15 to ecuador
won't quit its wreckage
nor its descent, a mist,
wistful through glass
i'd rather shatter
in a fit of impulse
in a fit of anything
in the fit of a blue bottle in your hand
or mine (either way i'd feel concussive)
and the fit of a moldavite splinter
in the palm of the kneeling woman
accepting your absinthe-stilled rage
so her little ones' heels wouldn't

and every time you walk through my door
i'm tempted to say welcome home,
but the way you hit the pillow at night
itches my fingers to report abuse
and none is meted but to you,

so i write my greatest love-letter
upon your thoracic vertebrae
and whisper security through
your cell window pajamas,
and wait 'til hours before
first light to do it all again
when you wake.
Brooke Davis Mar 2014
My mind is being held ransom
by you darling.
and I can't help but revel
in the attention of my captor,
I'm not sure what this feeling is,
but I'm beginning to relish in
this Stockholm syndrome.
Call off the searches,
tell them to stop looking for me,
because I don't want to be found,
when being lost feels this great.
Tristan Keane Sep 2012
I recalled a memory today
that felt like a dream,
so distant from it was I
that I could have been freed,

Yet tied by a string
like a June-bug in May
I was compelled by
my visit to remain in

Kept right by your side
as you were tight in my
heart, but with all your
attention I could've sworn
we'd taken a trip to
Lima Bay-

but what was it you said
the night that you left-
"I'll love you always,"
still I'm the one who chose to stay.
Political discourse is divisive toilet-speech.
Political parties are corporate management teams.
Politicians do not live in the societies they shape.
Presidents are spokesmen for corporate interest.
Patriotism is the ****** of Stockholm Syndrome.
Advocacy for People cannot fight lobby money.
Millions upon millions of mouthpieces for Control,
Blind to the iron hands that crush us in their grip.
Talking points are hand-me-downs for sheep:
the arguments have already been had for you;
why think when you can simply bleat and repeat?

The only way
is OUT:
not citizen
but sovereign.
Participation in elections constitutes what, to my mind, is an unreasonable vote of faith for a system whose failure is confirmed by its rotten fruit.
Xan Abyss Apr 2015
I promise myself
you'll break
if I keep pushing hard enough.

You are an angel of liberation
How could you ever love **** so hateful?
It must be a lie, it must be fake
But I can make it true if I break you

Heavenly creature, let this creature come to you
Smother you and shovel all his wretched love in you
The way a golden goddess glows, mortals always follow
And only through destruction could she love a fiend so hollow

At your weakest, I strike
A predator in love
I convince myself you'll feel the same
If I damage you enough

I will teach you to love me
So that you can teach me why
What a Demon's meaning is
In an Angel's Eyes
A metaphorical self portrait of the obsessive, destructive, vile lunatic I am.
Nina JC Apr 2016
Poets say how beautiful it is
that the ocean refuses to stop kissing the shore
no matter how many times it is sent away

How chasing thunderstorms can make you feel so alive
that sometimes you forget you are in the path of a hurricane.

This is how we fall in love
This is how we fall apart

This is the burning flame
This is the burst balloon

This is saying “I love you”
and only hearing a siren song

This is feeling at home
even with your hands around my neck

Maybe I jumped knowing exactly where I’d fall
Maybe I held your heart so hard it exploded

If we are just two people playing with fire
Why am I the only one who gets burnt?

In sixth grade biology class they taught us
that the average human heart is the same size as a fist.
I didn’t know we would all grow up learning to use it like one.
Michaela Siaki Feb 2015
He means very little to me-
on a regular, uninterrupted day.
But when he talks to me,
he is maliciously welcoming.
He's toxically enduring
and determinedly warm.

It's possible Stockholm Syndrome,
it's definite injustice.
Sweet, sweet injustice.
Sweet interruptions.
My sweet bitterness to his sweet nonchalance.
And then;
sweet realisation that I may not be alright,
but merely distracted.
I always thought I was doing okay.
Stick with me, friend.
I’d like to make a distinction:
I revere writers but do not deify them.
My heroes and role models must be grounded,
Must have so-called feet of clay.
And there’s always something more in my craw,
Whenever I see scribblers carved in marble,
Glorified to the point of divinity and magic.
Because in my heart of hearts,
Reverence for writers,
Is an odyssey of disillusionment and

I fancy myself a man of letters,
Although “Humanoid of Keystrokes,”
Might be more apt; an appellation,
Digitally au courant.
I am a man on verbal fire,
Perhaps, I am of a Lost Generation myself.
And don’t you dare tell me to sit down, to calm down.
You stand up when you tell a story.
Even Hemingway--even when he was sitting down--knew that.
Let us go then you and I.
Moving our moveable feast to Paris,
To France, European Union, Earth, Milky Way Galaxy.
(Stick with me, Babaloo!)
Why not join Papa at a tiny table at Les Deux Magots,
Savoring the portugaises,
Working off the buzz of a good Pouilly-Fuisse
At 10:30 in the morning.
The writing: going fast and well.

Why not join that pompous windbag ******* artist?
As he tries to convince Ava Gardner,
That writers tienen cajones grandes, tambien—
Have big ***** too—just like Bullfighters,
Living their lives all the way up.
That writing requires a torero’s finesse and fearlessness.
That to be a writer is to be a real man.
Papa is self-important at being Ernest,
(**** me: some lines cannot be resisted.)
Ava’s **** is on fire.
She can just make him out,
Can just picture him through her libidinous haze,
Leaping the corrida wall,
Setting her up for photos ops with Luis Miguel Dominguín,
And Antonio Ordóñez, his brother-in-law rival,
During that most dangerous summer of 1959.
Or, her chance to set up a *******,
With Manolete and El Cordobés,
While a really *******,
Completely defeated & destroyed 2,000-pound bull,
Bleeds out on the arena sand.

Although I revere writers,
I refuse to deify them.
A famous writer must be brought down to earth--
Forcibly if necessary--
Chained to a rock in the Caucasus,
Their liver noshed on by an eagle.
In short: the abject humiliation of mortality.
Punished, ridiculed and laughed at.
Laughing himself silly,
******* on one’s self-indulgent, egocentric universe.
If not, what hope do any of us have?

Writing for Ernie may have been a divine gift,
His daily spiritual communion and routine,
A mere sacramental taking of dictation from God,
But for most of us writing is just ******* self-torture.
The Hemingway Hero:
Whatever happened to him on the Italian-Austrian front in 1918
May have been painful but was hardly heroic.
The ******* was an ambulance driver for Christ’s sake.
Distributing chocolate and cigarettes to Italian soldiers,
In the trenches behind the front lines,
A far cry from actual combat.
Besides, he was only on the job for two weeks,
Before he ****** up somehow,
Driving his meat-wagon over a live artillery shell.
That BB-sized shrapnel in his legs,
Turned out to be his million-dollar wound,
A gift that kept on giving,
Putting him in line for a fortunate series of biographic details, to wit:
Time at an Italian convalescent hospital in Milano,
Staffed by ***** English nurses,
Who liked to give the teenage soldiers slurpy BJs,
Delirious ******* in the middle of the night,
Sent to Paris as a Toronto Star reporter,
******* up to that big **** Gertrude Stein,
Sweet-talking Sylvia Beach,
At Shakespeare & Company bookstore,
Hitting her up for small loans,
Manipulating and conning Scott Fitzgerald—
The Hark the Herald Jazz Age Angel—
Exploiting F. Scott’s contacts at Scribners,
To get The Sun Also Rises published.
Fitzgerald acted as his literary agent and advocate,
Even performing some crucial editing on the manuscript.
Hemingway got payback for this friendship years later,
By telling the world in A Moveable Feast,
That Zelda convinced Scott he had a small ****--
Yeah, all of it stems from those bumps & bruises,
Scrapes & scratches he got near Schio,
Along the Piave River on July 8, 1918.
Slap on an Italian Silver Medal of Valor—
An ostentatious decoration of dubious Napoleonic lineage—
40,000 of which were liberally dispensed during WWI—
And Ernie was on his way.

Was there ever a more arrogant, world-class scumbag;
A more graceless-under-pressure,
Sorry excuse of a machismo show-horse?
Look: I think Hemingway was a great writer,
But he was a gigantic gasbag,
A self-indulgent *****,
And a mean-spirited bully—
That bogus facade he put on as this writer/slash/bullfighter,
Kilimanjaro, great white hunter,
Big game Bwana,
Sport fishing, hard drinking,
Swinging-****, womanizing,
*** I-******-Ava-Gardner bragging rights—all of it—
Just made him a bigger, poorer excuse for a human being,
When the chips were finally down,
When the truth finally caught up with him,
In the early morning hours,
Of July 2, 1961, in Ketchum, Idaho.
I can’t think of a more pathetic writer’s life than
Hemingway’s last few years.
Sixty electric shock treatments,
And the ******* still killed himself.

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So why am I still mesmerized by,
The whole Hemingway hero thing?
That stoicism, the grace under pressure,
That real men don’t eat quiche,
A la Norman Mailer crap?
I guess I can relate to both Hemingway the Matador,
And Hemingway the Pompous *******,
Not to mention Mailer who stabbed his second of six wives,
And threw his fourth out of a third-floor window.
One thing’s for sure: I’m living life all the way up,
Thanks to a steady supply of medical cannabis,
And some freaky chocolate chip cookies
From the Area 51--Our Products are Out of this World—Bakery
(“In compliance with CA prop 215 SE 420, Section 11362.5,
And 11362.7 of CA H.S.C. Do not drive,
Or operate heavy equipment,
While under the influence.
Keep out of reach of children,
And comedian Aziz Ansari.”)

So getting back to Hemingway,
I return to Cuba to work on my book.
During the day--usually in the early morning hours--
When “the characters drive me up there,”
I climb to my tower room,
Stand up at my typewriter in the upstairs alcove.
I stand up to tell my story because last night,
Everyone got drunk and threw all the ******* furniture in the pool.
By the way, I’m putting together my Nobel Prize acceptance speech.
I can’t decide between:
“I may be defeated but I’ll never be destroyed,” or
“You can destroy me but you’ll never defeat me.”
The kind of artistic doublespeak they love in Sweden.
Maybe: “Night falls and day breaks, but no one gets hurt.”
God help me.
I need to come up with a bunch of real pithy crap soon.
Maybe I’ll just smoke a joint before the speech and,
Start riffing off the cuff about literary good taste:

“In my novel, For Whom the Bell Tolls, for example, I had Maria tell Pilar that the earth moved, but left out the parts about Robert Jordan’s ******* and the tube of Astroglide.”

Stockholm’s only a month away,
So I’m under a lot of pressure.
Where’s Princess Grace under Pressure when I need her?
I used to work for the Kansas City Star,
Working with newspaper people who advocated:
Short sentences.
Short paragraphs.
Active verbs.
Those were the only rules I ever learned,
For the business of writing,
But my prose tended to be a bit clipped, to wit:
A simple series,
Of simple declarative sentences,
For simpletons.
I’m told my stuff is real popular with Special-Ed kids,
And those ******* that run
The International Imitation Hemingway Competition,
AKA: The Bad Hemingway Contest.
The truth is: I always wanted to get a bit more flowery,
Especially after I found out I got paid by the word.
That’s when the *** and **** proved mighty useful.
I live at La Finca Vigia:
My house in San Francisco de Paula,
A Havana suburb.
My other place is in town,
Room #511 at the Hotel Ambos Mundos,
Where on a regular basis I _
(Insert simple declarative Anglo-Saxon expletive)
My guantanmera on a regular basis.
But La Finca’s the real party pad.
Fidel and Che and the rest of the Granma (aka “The Minnow”) crew
Come down from the mountains,
To use my shower and refresh themselves,
On an irregular basis.
At night we drink mojitos, daiquiris or,
The *** & coke some people call Cuba Libre.
We drink the *** and plan strategy,
Make plans for taking out Fulgencio Batista,
And his Mafia cronies,
Using the small arms and hand grenades,
We got from Allen Dulles.

Of course, after the Bay of Pigs debacle,
You had to go, Ernesto.
Kennedy had the CIA stage your suicide,
And that was all she wrote.
And all you wrote.
Never having had a chance,
To tell the 1960s Baby Boomers about class warfare in America.
Poor pathetic Papa Hemingway.
Lenin and Stalin may have ruined Marxism,
But Marx was no dummy.
Not in your book.
Or mine.
Mateuš Conrad Mar 2019
.i'd call it as far as deciding upon: ethno-dysphoria... given that the lingua franca doesn't like to entertain hyphen "riddled" word compounds, and how german never bothered with the hyphen... i'm pretty much convinced that ethno-dysphoria exists... i guess only the jews are immune to this phenomenon, as... i'm pretty sure, the dutch are... i once overheard an american talk to a dutch girl before ******* her in some park in stockholm: who cares about the dutch? what? more the people, or the language? the english language doesn't give a **** about either language or the respective people utilizing it... oh i think ethno-dysphoria is real, more real than any gender-"dysphoria"... no ****-wit from the gender-"dysphoria" camp will **** you... but sure as pork-chops and potato crisps... an ethno-dysphoria case will, "somehow" become a jihadi.

oh sure, i'm all for "free speech",
until the time comes,
and it usually does,
around the same time,
that these advocates
                   are given a: script.
when they are asked to read
a "typo" interface...
               when the, said,
"freedom", is allowed to be
   under the barrage...
     of "mishandling" literacy...
most of these free speech advocates
do not welcome
printed words...
funny, this, "barometer"...
   you are given the freedon
to speak freely...
   let's see how free you are...
when being asked to:
     read "freely"...
      see the disparity?
   people don't have a freedom
of speech,
when they are exposed
to reading material...
    given that exposure to reading
          doesn't coincide
with the final statement
      of the ecclesiastical class...
relieving their literacy monopoly...
i'll take two examples...
both are instances
of a freedom of speech advocates...
one is given a script to read,
the other is not given a script...
just like Kierkegaard predicted:
some people are
just more concerned with
a freedom to speak,
                         rahter than think...
i'd say:
   as much freedom as your
reading ability entitles you
to entertain...
          this, "freedom" of speech...
i'm freely allowed to breathe...
this cul de sac of freedoms...
  different matter
when you hear the so-called
advocates of "freedom"
recite a draft of reading...
god-forbid they begin
entertaining diacritical markers!
yet you notice the differnece
between free speech: ignored,
and the same freedom,
coinciding with an ability
to read?
                  free speech was,
once upon time depicted
by joyce and the plagiarized sartre:

      never mind the
aesthetic constraints
of punctuation marks...
that's freedom...
breaking from aesthetic constraints
of encoded speech...
           you can hardly find
anything suspect,
within the concerns
of the pedantic community...

enlighten me...
   i'm pretty sure
the same assortment of freedoms,
associated with
the "confines" of a non-script,
would be missing,
should a script emerge,
and the whole lot of us
would be left,
with something,
akin to making a signature
akin to the X marker;

     who said anything about
stripping this freedom,
what i was implying was...
some of us care about
punctuation & conjunctions;
as free as you want to be...
point being:
this, "freedom" of speech...
infiltrated by written text,
being read (no variant
past participle spelling
variation outside of: red)...

    this "freedom",
is only a freedom,
when being freed from
reading, scripted, text;
now posit the same advocates
    a page of script...
freedom? what freedom?!
unless we all forget
to write,
     and join the simmering
**** of: the all of us,
in the blah blah parade...
maybe i'm being overtly
            a "freedom" of
speech would,
            no point
in clinging to scripted speech,
with a decision to
impose punctuation markers.
maggie W Apr 2014
You tied me up in this bed of yours,

your pile of books, your labyrinth

I tried to escape, but the rope only cuts in.

Deeper and deeper as my tears get sweeter and sweeter

I kissed you once on your lips

twice on your wounded soul

And you give me the carnal embrace.
LET us go out of the fog, John, out of the filmy persistent drizzle on the streets of Stockholm, let us put down the collars of our raincoats, take off our hats and sit in the newspapers office.
Let us sit among the telegrams-clickety-click-the kaiser's crown goes into the gutter and the Hohenzollern throne of a thousand years falls to pieces a one-hoss shay.
It is a fog night out and the umbrellas are up and the collars of the raincoats-and all the steamboats up and down the Baltic sea have their lights out and the wheelsmen sober.
Here the telegrams come-one king goes and another-butter is costly: there is no butter to buy for our bread in Stockholm-and a little patty of butter costs more than all the crowns of Germany.
Let us go out in the fog, John, let us roll up our raincoat collars and go on the streets where men are sneering at the kings.
Ashwin Kumar Oct 2017
You have no idea
What it's like, to be a woman
Everyday is a baptism by fire
As she walks on the street
Hundred hands appear
From nowhere, as if conjured
By a deft flick
Of a magician's wand
A magician who sends chills
Down the length of her spine
Chills that surpass even those
On a wintry night in Antarctica
Leaving her frozen
Till every bone stands still
As she is stripped of her dignity
Reduced to a shadow of her self

She strains every sinew in her throat
As she sends out a distress signal
Which fails to be intercepted
As the people look on
Some with fear
Some with sheer indifference
Some with a perverse interest
But none answer the call of duty
The call which is as basic
As the need for oxygen

You have no idea
What it's like, to be a woman
As she heads home
Seeking much needed solace
She is instead upbraided
For wearing a short skirt
For walking alone in the night
For not being a lady

As she fails to get support
From the family she holds dear
As a shipwreck survivor
Barely floating in freezing waters
Clings on to that piece of wood
Her self-esteem nosedives
Like that fateful Air India flight
That crashed at Mangalore
And shifts the blame onto herself
For not understanding the men
Who've brought her to this state
And succumbs to Stockholm Syndrome
Completing a vicious circle
Leaving men and the patriarchy winners
Winners who deserve the title
As much as a student
Who clears his trimesters
Using bits of paper
Tucked neatly inside his shoes
To all men who think light of the issues faced by women in everyday life

— The End —