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"statements" poems
I love being horribly straightforward. I love sending reckless text messages (because how reckless can a form of digitized communication be?) and telling people I love them and telling people they are absolutely magical humans and I cannot believe they really exist. I love saying, “Kiss me harder,” and “You’re a good person,” and, “You brighten my day.” I live my life as straight-forward as possible. Because one day, I might get hit by a bus. I could be walking down the street one day, blasting Rihanna or Fleetwood Mac, jamming so hard that I don’t see the bus coming. I could be walking with a book in my hand, reading until the very end. I could be paying total and complete attention, imagine the impact before it arrives. And I’d really, really rather not die with some confusing statement I said sitting in the phone or the thoughts or the memory of someone I know, care about, need. I know how it is—we all want to be mysterious. None of us want to get hurt. None of us want to look desperate. So we wait to respond to texts, phone calls, emails, Facebook messages, Tweets. So we communicate our emotions in how we end our messages (no period this time? Really gonna get them.). So we say vague, half-statements and expect people to read our minds. But what if we died? What if the last thing you ever texted that girl was, “I don’t know, whenever,” when she asked when she should come over, even though you really really wanted to see her right now? What if you were head-over-heels in lust with some beautiful human in your Lit. class but you chose to wait 15 seconds before texting them back, only to never get the chance to text them at all? Maybe it’s weird. Maybe it’s scary. Maybe it seems downright impossible to just be—to just let people know you want them, need them, feel like, in this very moment, you will die if you do not see them, hold them, touch them in some way whether its your feet on their thighs on the couch or your tongue in their mouth or your heart in their hands. But there is nothing more beautiful than being desperate. And there is nothing more risky than pretending not to care. We are young and we are human and we are beautiful and we are not as in control as we think we are. We never know who needs us back. We never know the magic that can arise between ourselves and other humans. We never know when the bus is coming. (So go text them back.) -Rachel C. Lewis
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Sep 23, 2016
Sep 23, 2016 at 8:03 AM UTC
Tell The People You Love That You Love Them, By Rachel C. Lewis
I love being horribly straightforward. I love sending reckless text messages (because how reckless can a form of digitized communication be?) and telling people I love them and telling people they are absolutely magical humans and I cannot believe they really exist. I love saying, “Kiss me harder,” and “You’re a good person,” and, “You brighten my day.” I live my life as straight-forward as possible. Because one day, I might get hit by a bus. I could be walking down the street one day, blasting Rihanna or Fleetwood Mac, jamming so hard that I don’t see the bus coming. I could be walking with a book in my hand, reading until the very end. I could be paying total and complete attention, imagine the impact before it arrives. And I’d really, really rather not die with some confusing statement I said sitting in the phone or the thoughts or the memory of someone I know, care about, need. I know how it is—we all want to be mysterious. None of us want to get hurt. None of us want to look desperate. So we wait to respond to texts, phone calls, emails, Facebook messages, Tweets. So we communicate our emotions in how we end our messages (no period this time? Really gonna get them.). So we say vague, half-statements and expect people to read our minds. But what if we died? What if the last thing you ever texted that girl was, “I don’t know, whenever,” when she asked when she should come over, even though you really really wanted to see her right now? What if you were head-over-heels in lust with some beautiful human in your Lit. class but you chose to wait 15 seconds before texting them back, only to never get the chance to text them at all? Maybe it’s weird. Maybe it’s scary. Maybe it seems downright impossible to just be—to just let people know you want them, need them, feel like, in this very moment, you will die if you do not see them, hold them, touch them in some way whether its your feet on their thighs on the couch or your tongue in their mouth or your heart in their hands. But there is nothing more beautiful than being desperate. And there is nothing more risky than pretending not to care. We are young and we are human and we are beautiful and we are not as in control as we think we are. We never know who needs us back. We never know the magic that can arise between ourselves and other humans. We never know when the bus is coming. (So go text them back.) -Rachel C. Lewis
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14
If I kiss a woman, I am a lesbian If I kiss a man, I am straight I have this illogical need to scream at the heavens from atop a cliff To scream I’m here in this world; I exist! To say I am just bisexual is wrong To say that certain aspect of me is the most oppressed is wrong I am a woman, I am bisexual, I have tourettes, I have depression I could go on for hours saying I ams Saying statements that describe me I am oppressed and stereotyped by the society I live in So why is being bisexual the one I defend the most? I asked myself this daily Until I found the answer Every other fact about me is undeniable; I have a ****** I have diagnoses That is tangible evidence I have no sheet of paper with a signature of some fancy M.D. Nor do I have some body part that labels me as bisexual There is no definite way to tell if I am bisexual Which makes it easier for people to say You’re just confused or It’s just a phase And no matter how often I say it’s not; they won’t believe me They don’t believe me because I don’t have the evidence they want I don’t have an M.D.’s signature I don’t have that ‘bisexual bodypart’ All I have is my own knowledge And I don’t give a **** if that’s not good enough for you Because I do exist And I am here to stay
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May 28, 2014
May 28, 2014 at 9:58 PM UTC
Bisexual
"They only burn themselves to reach Paradise" - Mne. Nhu original courage is good, motivation be ****** and if you say they are trained to feel no pain, are they guarenteed this? is it still not possible to die for somebody else? you sophisticates who lay back and make statements of explanation, I have seen the red rose burning and this means more.
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14k
On The Fire Suicides Of The Buddhists
Deferred thought my mind speaks but unable to reach Since, lacking proper fuel words are no more than tools Idly on the shelf All alone by themselves Whether each has the skill Makes no difference still Needs a user to wield The brain must be unsealed Else it's nothing but noise And will only annoy To communicate one Has to pay attention And your message think through It is important to Listen right back Without barbs or attacks Open-mind speaking freely Add diplomacy Must employ use of tact Support statements with fact Do not rush; take your time Critical? Then be kind Not a must to agree Can't force someone to see Each of us has his thoughts Throughout life we are taught There are social patterns Easily to discern So, wherever you fall Do not build up a wall Keeping out you will win As you lock yourself in Rigid form without flex New ideas will perplex Ignorance and denial Grow into a pile On island alone Statue made of stone In your mind you’re entombed Happy life is now ruined Feeling always against With a paranoid sense A refusal to see An unwavering tree But a tree can still bow Give and take it will show Rigid thoughts become firm Close your mind; will not learn Placing all of the weight Just for you; here to take And must always support Forcibly will contort Having flex we adjust This in life is a must Something we can not do Like to uncook a stew Won't exist very long People just not that strong Or should they try to be A journey incomplete Happiness lies within On these words please don’t spin A sole island you're not Harmony should be sought Infinite universe You can’t always be first Finding balance in life Like to see without sight Each of us wants respect But to give is to get Listen up before talking Use foot and start walking Will find in due time Not to bother or mind People are free to think From each other we drink How we grow and evolve Complex problems we’ll solve Not a perfect system But we gather wisdom Always strive to improve It’s the best we can do To communicate we Open our minds to see And try to understand Flawed and kindred humans
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Jun 14, 2018
Jun 14, 2018 at 10:08 AM UTC
Flawed and Kindred Humans
Deferred thought my mind speaks but unable to reach Since, lacking proper fuel words are no more than tools Idly on the shelf All alone by themselves Whether each has the skill Makes no difference still Needs a user to wield The brain must be unsealed Else it's nothing but noise And will only annoy To communicate one Has to pay attention And your message think through It is important to Listen right back Without barbs or attacks Open-mind speaking freely Add diplomacy Must employ use of tact Support statements with fact Do not rush; take your time Critical? Then be kind Not a must to agree Can't force someone to see Each of us has his thoughts Throughout life we are taught There are social patterns Easily to discern So, wherever you fall Do not build up a wall Keeping out you will win As you lock yourself in Rigid form without flex New ideas will perplex Ignorance and denial Grow into a pile On island alone Statue made of stone In your mind you’re entombed Happy life is now ruined Feeling always against With a paranoid sense A refusal to see An unwavering tree But a tree can still bow Give and take it will show Rigid thoughts become firm Close your mind; will not learn Placing all of the weight Just for you; here to take And must always support Forcibly will contort Having flex we adjust This in life is a must Something we can not do Like to uncook a stew Won't exist very long People just not that strong Or should they try to be A journey incomplete Happiness lies within On these words please don’t spin A sole island you're not Harmony should be sought Infinite universe You can’t always be first Finding balance in life Like to see without sight Each of us wants respect But to give is to get Listen up before talking Use foot and start walking Will find in due time Not to bother or mind People are free to think From each other we drink How we grow and evolve Complex problems we’ll solve Not a perfect system But we gather wisdom Always strive to improve It’s the best we can do To communicate we Open our minds to see And try to understand Flawed and kindred humans
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88
From the BBC today, Excerpt Why does Taylor Swift write so many one-note melodies? "It's easy to get distracted by her celebrity, but Taylor Swift is a once-in-a-generation songwriter. From the very beginning, she's displayed a knack for melody and storytelling that most artists never master. Take, for example, her first US number one, OUR SONG Written for a high school talent show, it's a fairly typical tale of teenage romance until the final lines: "I grabbed a pen / And an old napkin / And I wrote down our song." That's smart, self-assured songwriting for someone who wasn't old enough to vote. Notably, the lyrics insert the musician directly into the narrative - something she developed into a tried and tested trope. But Our Song also establishes another of Taylor's trademarks: The one-note melody. Excerpt Repetitive melodies that centre around a single note are part of that appeal. They emphasise her relatability by mimicking the cadence of speech. "They emphasise her relatability by mimicking the cadence of speech." "They emphasise her relatability by mimicking the cadence of speech." "They emphasise her relatability by mimicking the cadence of speech." Rebuttal Rhyme sells because the people you are selling too can remember your lyrics. They can relate to your song but if they cannot sing it themselves putting themselves in the 'first-person perspective narrative' they cannot feel as-if they have BECOME the artist and are living that moment as they remember it. Taylor Swift sings about teenage love and angst something EVERYONE ON EARTH understands. ALL POETRY BEGAN AS RHYME IN SONG. Cadences are singing statements that confer a discipline and unity. Song acts as a catharsis. The artist shares their pain in a way that is universally understood. If you want to sell a rock, literally a pebble, you will not sell it if it doesn't look like a rock. If it doesn't do what rocks do. If it is not what people remember a rock to be like. Nor will it sell if it is just like every other rock they have ever seen. It cannot convey an emotion unless it elicits emotion. One cannot even begin to feel emotional if one cannot remember easily the past and that includes lyrics one has heard that evoked said emotional state. It is horrifying to see HOW BADLY EVERYONE INSISTS that rhyme be obliterated in exchange for an intellectual or individual perspective NOT SHARED BY THE MAJORITY OF PEOPLE. If you want to sell and make money you better start thinking about the 99% of people who are not geniuses. If your sole goal in life is to attract a genius to give you a great job because of how, "smart," they perceive you to be then fine. You are not an artist. You are an employee. "Rhyme sells because the people you are selling too can remember your lyrics." "Rhyme sells because the people you are selling too can remember your lyrics." "Rhyme sells because the people you are selling too can remember your lyrics." Thrice Times Great. ⁻ᴴᵉʳᵐᵉˢ                                            BECOME                               EVERYONE ON EARTH                ALL POETRY BEGAN AS RHYME IN SONG                       HOW BADLY EVERYONE INSISTS             NOT SHARED BY THE MAJORITY OF PEOPLE                                          HOW BAD                                       artist? or employee?
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Feb 15, 2018
Feb 15, 2018 at 10:29 AM UTC
Article: Taylor Swift and why rhyme sells,
From the BBC today, Excerpt Why does Taylor Swift write so many one-note melodies? "It's easy to get distracted by her celebrity, but Taylor Swift is a once-in-a-generation songwriter. From the very beginning, she's displayed a knack for melody and storytelling that most artists never master. Take, for example, her first US number one, OUR SONG Written for a high school talent show, it's a fairly typical tale of teenage romance until the final lines: "I grabbed a pen / And an old napkin / And I wrote down our song." That's smart, self-assured songwriting for someone who wasn't old enough to vote. Notably, the lyrics insert the musician directly into the narrative - something she developed into a tried and tested trope. But Our Song also establishes another of Taylor's trademarks: The one-note melody. Excerpt Repetitive melodies that centre around a single note are part of that appeal. They emphasise her relatability by mimicking the cadence of speech. "They emphasise her relatability by mimicking the cadence of speech." "They emphasise her relatability by mimicking the cadence of speech." "They emphasise her relatability by mimicking the cadence of speech." Rebuttal Rhyme sells because the people you are selling too can remember your lyrics. They can relate to your song but if they cannot sing it themselves putting themselves in the 'first-person perspective narrative' they cannot feel as-if they have BECOME the artist and are living that moment as they remember it. Taylor Swift sings about teenage love and angst something EVERYONE ON EARTH understands. ALL POETRY BEGAN AS RHYME IN SONG. Cadences are singing statements that confer a discipline and unity. Song acts as a catharsis. The artist shares their pain in a way that is universally understood. If you want to sell a rock, literally a pebble, you will not sell it if it doesn't look like a rock. If it doesn't do what rocks do. If it is not what people remember a rock to be like. Nor will it sell if it is just like every other rock they have ever seen. It cannot convey an emotion unless it elicits emotion. One cannot even begin to feel emotional if one cannot remember easily the past and that includes lyrics one has heard that evoked said emotional state. It is horrifying to see HOW BADLY EVERYONE INSISTS that rhyme be obliterated in exchange for an intellectual or individual perspective NOT SHARED BY THE MAJORITY OF PEOPLE. If you want to sell and make money you better start thinking about the 99% of people who are not geniuses. If your sole goal in life is to attract a genius to give you a great job because of how, "smart," they perceive you to be then fine. You are not an artist. You are an employee. "Rhyme sells because the people you are selling too can remember your lyrics." "Rhyme sells because the people you are selling too can remember your lyrics." "Rhyme sells because the people you are selling too can remember your lyrics." Thrice Times Great. ⁻ᴴᵉʳᵐᵉˢ                                            BECOME                               EVERYONE ON EARTH                ALL POETRY BEGAN AS RHYME IN SONG                       HOW BADLY EVERYONE INSISTS             NOT SHARED BY THE MAJORITY OF PEOPLE                                          HOW BAD                                       artist? or employee?
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36
My Heart and Mind had a discussion one day, About a man that they both knew quite well. The heated discussion continued for hours, Both with arguments meant to compel. A debate ensued between the two, With each taking a different perspective. The Heart believed the man to be true, And the Mind thought he was deceptive. Heart started the discussion with an obvious point, "He is sweet and gentle like no man before." Mind responded smugly, "That's great in the moment but how does he act after she's walked out the door?" Heart countered, already knowing the point being made. "Sure, he may not be able to write or call; He is busy with constant demands of his time. What he feels in his heart matters most of all." "I disagree," and Mind continued to say, "Actions mean far more than words alone. It is when words and actions are considered together that a man's true feelings are shown." "He has to compartmentalize to get through the day." Heart continued to defend his intentions, When they are together his feelings are real, but her insecurities span many dimensions." "It's funny you would mention compartmentalizing. Apparently your memory isn't as sharp as mine, He was once quoted as saying this was not his strength, proof that his statements don't always align." "You are cynical, suspicious and guarded." Heart was clearly tired of this dispute, "Those traits are clouding your judgement. He is genuine and telling the truth." "I think you are overlooking the obvious but I'll relax and stop doubting his intentions if he makes an effort to send a simple sign." Heart and Mind both wanting to prove their point and have the bragging rights of superiority. Mind sure that the man would disappoint her; Heart confident in his genuine sincerity. Both waited patiently for some type of gesture, Something to demonstrate that he really does care. Heart began to worry and whispered to herself, "Stay calm and trust that it's not just another affair." Patience prevailed and an email arrived, just as Heart had hoped and prayed. Mind, although disappointed by being proved wrong, was relieved and no longer afraid. Trust and calm filled her spirit when thinking of him, but it was both that won in the end. Maybe they were more than temporary lovers and could also be permanent friends.
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Dec 30, 2012
Dec 30, 2012 at 10:45 AM UTC
Heart vs. Mind
My Heart and Mind had a discussion one day, About a man that they both knew quite well. The heated discussion continued for hours, Both with arguments meant to compel. A debate ensued between the two, With each taking a different perspective. The Heart believed the man to be true, And the Mind thought he was deceptive. Heart started the discussion with an obvious point, "He is sweet and gentle like no man before." Mind responded smugly, "That's great in the moment but how does he act after she's walked out the door?" Heart countered, already knowing the point being made. "Sure, he may not be able to write or call; He is busy with constant demands of his time. What he feels in his heart matters most of all." "I disagree," and Mind continued to say, "Actions mean far more than words alone. It is when words and actions are considered together that a man's true feelings are shown." "He has to compartmentalize to get through the day." Heart continued to defend his intentions, When they are together his feelings are real, but her insecurities span many dimensions." "It's funny you would mention compartmentalizing. Apparently your memory isn't as sharp as mine, He was once quoted as saying this was not his strength, proof that his statements don't always align." "You are cynical, suspicious and guarded." Heart was clearly tired of this dispute, "Those traits are clouding your judgement. He is genuine and telling the truth." "I think you are overlooking the obvious but I'll relax and stop doubting his intentions if he makes an effort to send a simple sign." Heart and Mind both wanting to prove their point and have the bragging rights of superiority. Mind sure that the man would disappoint her; Heart confident in his genuine sincerity. Both waited patiently for some type of gesture, Something to demonstrate that he really does care. Heart began to worry and whispered to herself, "Stay calm and trust that it's not just another affair." Patience prevailed and an email arrived, just as Heart had hoped and prayed. Mind, although disappointed by being proved wrong, was relieved and no longer afraid. Trust and calm filled her spirit when thinking of him, but it was both that won in the end. Maybe they were more than temporary lovers and could also be permanent friends.
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51
*I am a nymphomaniac. I'm not really but it got your attention. I bet I nearly gave all reading a cardiac. I have to make bold statements now, as I have a condition called, "Black Glasses" and no one makes passes at ladies in glasses.*
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Sep 21, 2014
Sep 21, 2014 at 6:07 PM UTC
Black Glasses
I’ll keep your secrets, but you won’t keep me. You’ll spend time with me, and you’ll tell me promises that aren’t quite lies, yet. But I know they will be. You'll only throw me out, just leave me standing there. The lash of words you say will cut like daggers straight through me. But your secrets won’t leak out and I won’t seek for revenge. Instead, I let you go. Knowing full well that you’ll regret your actions and your crushing words. I can’t say how long it will take you to realize it, but you will. And when you do, you’ll come back, just like they all do. You’ll start to express how sorry you are. For all of the terrible things you said to me. How I didn’t deserve any of it. How you were so wrong. How you hope I’ll forgive you. And I’ll tell you what I tell the rest. It’s fine. It’s just life. I’m not one to hold a grudge and I haven’t. Thank you for your apology, I really appreciate it. And we’ll talk for a while; try to get back to old times. But it won’t work. You’ve already hurt me. And from that I grew, and I learned. But I didn’t learn enough to not live the story again and again. The thing is: I don’t have to be nice. I could share your secrets with the world. I could make your life hell, just like you’ve made mine. I don’t have to forgive you. I could hate you. But that’s not how I am. And even though time and time again I go on abandoned and unappreciated I still swear to keep your secrets safe. I still meant the statements that followed every “I promise” And I still care about you. But not in the same way I used to. You were still wrong, and now I just wish you the best.
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Nov 7, 2011
Nov 7, 2011 at 12:30 PM UTC
Unappreciated. (December 2010)
I’ll keep your secrets, but you won’t keep me. You’ll spend time with me, and you’ll tell me promises that aren’t quite lies, yet. But I know they will be. You'll only throw me out, just leave me standing there. The lash of words you say will cut like daggers straight through me. But your secrets won’t leak out and I won’t seek for revenge. Instead, I let you go. Knowing full well that you’ll regret your actions and your crushing words. I can’t say how long it will take you to realize it, but you will. And when you do, you’ll come back, just like they all do. You’ll start to express how sorry you are. For all of the terrible things you said to me. How I didn’t deserve any of it. How you were so wrong. How you hope I’ll forgive you. And I’ll tell you what I tell the rest. It’s fine. It’s just life. I’m not one to hold a grudge and I haven’t. Thank you for your apology, I really appreciate it. And we’ll talk for a while; try to get back to old times. But it won’t work. You’ve already hurt me. And from that I grew, and I learned. But I didn’t learn enough to not live the story again and again. The thing is: I don’t have to be nice. I could share your secrets with the world. I could make your life hell, just like you’ve made mine. I don’t have to forgive you. I could hate you. But that’s not how I am. And even though time and time again I go on abandoned and unappreciated I still swear to keep your secrets safe. I still meant the statements that followed every “I promise” And I still care about you. But not in the same way I used to. You were still wrong, and now I just wish you the best.
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50
I love listening to you. In any way possible. Whether it's big or small. Sometimes I get lost in not just the words you speak. But the actions that follow. I hate interrupting. Adding on to previous statements. Until I know that your completely done. Not wanting to make you feel unappreciated. My hands following yours in the deepest form of flattery. Open ended questions that lead to hour after hour of communication. My fondness for you growing deeper and deeper. At times I can't help but interrupt. Our pauses taking a bit longer after each statement. It's the anticipation that I want you to know. That I am listening and take to heart what you are saying. Stretching myself to cover every part of you. Completely attentive excited that you'd consider my opinion. To sit back and reflect without jumping to conclusion. The one thing that I can do to improve myself. To love you better. To accept any and every change that may occur. A safe place where we can do and say anything without being judged. I love listening to you. Specifically without interrupting. Noticing how happy you are being heard. With the intent of hearing what you are truly saying. I appreciate you for truly understanding that if I do interrupt It's truly the sole purpose of how much I care
0
Aug 30, 2018
Aug 30, 2018 at 3:51 PM UTC
Listen
‘…. and now, here’s Rick with the latest Market news…’ ‘Val, trading was very brisk today, with a number of influences that set the market off to some defined trends and statements. Of course, the Human Virtue Exchange always seems to rely on the volatility that resides ‘between the ears’ as noted by the veteran brokers on the floor, but the sharp ranges of prices offered versus profit taking has set the bar very high in the relative value of Basic Human Virtue. Now to the numbers: Courage [WHOME], Patience [PP], and former market darling Perseverance [GULP], all varied widely today on news from Washington that their value was doomed to fall in the light of the expected growth of Persistence [IAM] which history has shown to be a marked drag on just about everything. Outside of the self –efficacy bazaar, old standbys Ambition [HVY], Curiosity [WDF], Industry [HAHA] and Temperance [BFD], continued their free fall into uncharted areas of cost and return. Some analysts feel these virtues could be a real bargain in the future despite their history of poor performance. Could a comeback not seen since collapse of the Protestant Hypocrisy Era be in the works? We’ll see as the lack of movement in the Kindness-Generosity-Forgiveness-Compassion Index [FARAWAY] leads many to believe that the end of Politeness [UPYRS], Un-pretentiousness [ME-ME], Self Control [NWAY] and Sportsmanship [LONGONE], may lead to a complete miss-understanding between casual market players and devotees to the cause. The ratios cannot lie. But without a doubt, today’s big winner was Self Respect [YUP] which jumped and amazing 40 points before active trading ceased at the bell. So people feel real good about themselves for reasons that cannot be explained by the Ego File Indicator alone; this causes this reporter to predict that Naval Gazing [MOM] remains a ‘Hot to Trot’ stock fund and the Vanity market is always a good bet. Now, here’s Carl with today’s Human Emotion Exchange report……’
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Mar 1, 2013
Mar 1, 2013 at 12:19 PM UTC
Two Forms of Nonsense
‘…. and now, here’s Rick with the latest Market news…’ ‘Val, trading was very brisk today, with a number of influences that set the market off to some defined trends and statements. Of course, the Human Virtue Exchange always seems to rely on the volatility that resides ‘between the ears’ as noted by the veteran brokers on the floor, but the sharp ranges of prices offered versus profit taking has set the bar very high in the relative value of Basic Human Virtue. Now to the numbers: Courage [WHOME], Patience [PP], and former market darling Perseverance [GULP], all varied widely today on news from Washington that their value was doomed to fall in the light of the expected growth of Persistence [IAM] which history has shown to be a marked drag on just about everything. Outside of the self –efficacy bazaar, old standbys Ambition [HVY], Curiosity [WDF], Industry [HAHA] and Temperance [BFD], continued their free fall into uncharted areas of cost and return. Some analysts feel these virtues could be a real bargain in the future despite their history of poor performance. Could a comeback not seen since collapse of the Protestant Hypocrisy Era be in the works? We’ll see as the lack of movement in the Kindness-Generosity-Forgiveness-Compassion Index [FARAWAY] leads many to believe that the end of Politeness [UPYRS], Un-pretentiousness [ME-ME], Self Control [NWAY] and Sportsmanship [LONGONE], may lead to a complete miss-understanding between casual market players and devotees to the cause. The ratios cannot lie. But without a doubt, today’s big winner was Self Respect [YUP] which jumped and amazing 40 points before active trading ceased at the bell. So people feel real good about themselves for reasons that cannot be explained by the Ego File Indicator alone; this causes this reporter to predict that Naval Gazing [MOM] remains a ‘Hot to Trot’ stock fund and the Vanity market is always a good bet. Now, here’s Carl with today’s Human Emotion Exchange report……’
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27
Make your poems Memorable, That’s what I say. No need to be incredible, Just let them play. Read them with your inner voice, Write them that way too. Hear the music in those words, This I’m telling You. In ancient times these poems were songs, Remembered off by heart. At least you’d call them statements, Knowledge to impart. Iambic metre’s very common yes, And so of course is rhyme: To make these verses remembered Through the course of time. Yet verse is best as poetry, Lyrical if you will. We have to write with feeling, And give the reader a thrill. Paul Butters
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Jun 15, 2014
Jun 15, 2014 at 1:12 PM UTC
Remember
for Alyssa Underwood ~~~ my poems do not trend, go viral, Fast and Furious! yet, they do not die they lay in plain sight pebbles scattered, smoothed by time, upon the surface of the green earth waiting patient, virtuous, purposed for itinerants bards to trip over one one some someday somehow they accrete a readership, slow stepping and steady from, |the seekers and the stumblers, the droplet drinkers, meanderers of the tomes and tombs of prior years, miners for nuggets in the poem pools that form beneath the alluvial streaming of the waterfall crescendo of words I like this when another traveler sends me a like, a petite amuse-bouche bite of appreciation, for a long ago, barely recalled, writ, allowing them to carve their initials upon the external, visible roots of my tree trunk, invading me, by darkening a prior tree internal ring, forcing me to look down, look back, take measure of myself, accepting myself as not wanting, nor lacking in other's acceptance these statements are neither boastful or illusory, *yet still joyous, like caramel pleasures, slow to chew, fast to the taste,* reminding me of old friendships, well valued, though no longer fully employed, their uncovering is my own refreshed exposure, their discovery is my own re-discovery, exposing flaws and fallacies, even fallow, mostly shallow facts about me all of them, a sundae of truths and lies, sharing a happy laugh with and at me, when I think to myself, Holy Crap! did I write that? copyright 2015 by Nat Lipstadt
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Oct 8, 2015
Oct 8, 2015 at 3:35 PM UTC
2015: my poems do not trend
for Alyssa Underwood ~~~ my poems do not trend, go viral, Fast and Furious! yet, they do not die they lay in plain sight pebbles scattered, smoothed by time, upon the surface of the green earth waiting patient, virtuous, purposed for itinerants bards to trip over one one some someday somehow they accrete a readership, slow stepping and steady from, |the seekers and the stumblers, the droplet drinkers, meanderers of the tomes and tombs of prior years, miners for nuggets in the poem pools that form beneath the alluvial streaming of the waterfall crescendo of words I like this when another traveler sends me a like, a petite amuse-bouche bite of appreciation, for a long ago, barely recalled, writ, allowing them to carve their initials upon the external, visible roots of my tree trunk, invading me, by darkening a prior tree internal ring, forcing me to look down, look back, take measure of myself, accepting myself as not wanting, nor lacking in other's acceptance these statements are neither boastful or illusory, *yet still joyous, like caramel pleasures, slow to chew, fast to the taste,* reminding me of old friendships, well valued, though no longer fully employed, their uncovering is my own refreshed exposure, their discovery is my own re-discovery, exposing flaws and fallacies, even fallow, mostly shallow facts about me all of them, a sundae of truths and lies, sharing a happy laugh with and at me, when I think to myself, Holy Crap! did I write that? copyright 2015 by Nat Lipstadt
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Skinny *** Poem (8/11/2014) Every kid wants to be something when they grow up. They picture perfect future families with puppies and kittens, but for me something was missing. I just wanted to be happy. Maybe my vision wasn't so great though, because 'happy' looked like it had 6 letters to me, and spelled 'skinny.' People used to throw bricks at my glass house. Shouting that I’d be skinny enough to slip through cracks. Cracks of life, cracks of struggle and strife, cracks of everything not nice. They'd tease me and say I looked like I smoked crack, when I'd lose weight, I'd gain it all back, in the form of their extra hate. But I didn't feel skinny on the inside. Although I had skinny bones and skinny skin, brittle enough to break within. Under the pain of that pang as their bricks shattered my glass house. Tell me, have you ever been afraid of words? Thoughts can be terrifying but once turned to spoken word, that in turn will turn to shouted word, that in turn will turn to incoherent nonsense. Which starts a sensation of ear drums ripping, being sawed in half immediately, no time spent ticking, by shrill shrieks and violent vocalizations. As if a sound wave could burst your body parts faster, no, more efficiently than a barrage of fists. Because it will know exactly where to strike, in fact, it will sneak through your solid surface, into every single crevice, knowing where the best place to hurt is. All it takes is a whisper strategically said in your ear, 'skinny.' 'skinny.'  'skinny.' I could feel it float away from me, carried off by the wind. As if a sound wave could carry an army of statements, piled up and armed with bayonets of every decibel level, ready and willing to siege each individual joint crack and muscle ache, being pushed under imposed stiffness. It will ooze out your pores, as if your fat face was an instrument amplifier. They thrived on the thrill listening to my shrill shriek. As I stepped on shards from my shattered glass house, And stared into the million fractures, each a broken reflection of the million me’s I could be. But none of them skinny... enough, skinny for everybody else, but never for me. I’d envision each day, blood drops staining my glass carpet. Each ounce of that luscious red, each day left my body filled with an ounce less of dread. An ounce less to fit into a size small shirt, and 30 inch waist Skinny jean. My body became my own private ****** machine. Every kid wants to be something when they grow up. I just wanted to be happy, I mean skinny.
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Aug 11, 2014
Aug 11, 2014 at 5:07 AM UTC
Skinny ***
Skinny *** Poem (8/11/2014) Every kid wants to be something when they grow up. They picture perfect future families with puppies and kittens, but for me something was missing. I just wanted to be happy. Maybe my vision wasn't so great though, because 'happy' looked like it had 6 letters to me, and spelled 'skinny.' People used to throw bricks at my glass house. Shouting that I’d be skinny enough to slip through cracks. Cracks of life, cracks of struggle and strife, cracks of everything not nice. They'd tease me and say I looked like I smoked crack, when I'd lose weight, I'd gain it all back, in the form of their extra hate. But I didn't feel skinny on the inside. Although I had skinny bones and skinny skin, brittle enough to break within. Under the pain of that pang as their bricks shattered my glass house. Tell me, have you ever been afraid of words? Thoughts can be terrifying but once turned to spoken word, that in turn will turn to shouted word, that in turn will turn to incoherent nonsense. Which starts a sensation of ear drums ripping, being sawed in half immediately, no time spent ticking, by shrill shrieks and violent vocalizations. As if a sound wave could burst your body parts faster, no, more efficiently than a barrage of fists. Because it will know exactly where to strike, in fact, it will sneak through your solid surface, into every single crevice, knowing where the best place to hurt is. All it takes is a whisper strategically said in your ear, 'skinny.' 'skinny.'  'skinny.' I could feel it float away from me, carried off by the wind. As if a sound wave could carry an army of statements, piled up and armed with bayonets of every decibel level, ready and willing to siege each individual joint crack and muscle ache, being pushed under imposed stiffness. It will ooze out your pores, as if your fat face was an instrument amplifier. They thrived on the thrill listening to my shrill shriek. As I stepped on shards from my shattered glass house, And stared into the million fractures, each a broken reflection of the million me’s I could be. But none of them skinny... enough, skinny for everybody else, but never for me. I’d envision each day, blood drops staining my glass carpet. Each ounce of that luscious red, each day left my body filled with an ounce less of dread. An ounce less to fit into a size small shirt, and 30 inch waist Skinny jean. My body became my own private ****** machine. Every kid wants to be something when they grow up. I just wanted to be happy, I mean skinny.
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60
Now they want to come back, Counter attack. Reverberation of statements the mind wishes to retract. A constant stream of this vivid waking dream, Imagining a world painted with images, Not scenes. Screams. They’re challenging again, The force of which bonds the paper with the pen. Again, Hear their violent cries from below. Cruelty, Shame, Each branded by the chain. Ravenously searching for a new soul to tame.
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Feb 16, 2013
Feb 16, 2013 at 6:11 PM UTC
New Slang.
i give them my executables and ask them to reverse engineer me to look into my code for reasons reasons that i'm not just broken not just slow not just bad if these letters on this line mean that i am programmed to worry then it is not my fault not my fault that i have wasted years years of my life in fear it's just a bug looping too many times using too many clock cycles my code may be broken, but if it is broken then i am not maybe, just maybe i am a good processor given bad code. not my fault. no one could blame me. it would mean i do what i am told to perfectly quickly efficiently. but what i am told to do is buggy unoptimized inefficient my programmers are lazy - not me. when i find a function in my code that never works and they say "that code is fine" then why? why does it never run? something must be wrong with me after all me, myself, the processor i don't do what i am told but no, no, no i don't want that i can't be broken, overheating, dusty segfaulting bluescreening panicking no! the code must be wrong it must be so i look again and again and again i lose myself in my code i click and click and click 2x more and 2x more and 2x more COMT and DRD4 and ANKK1 rs53576 and rs7794745 and rs1858830 lower risk and normal risk and higher risk of the same thing in me at once conflicting overwriting each other there is no code to add risk objects and no one knows whether they make a group or a ring or a field or just something useless. like dividing by zero. you can... but it's useless in the real world. just like me. i look for more code for more functions for more comments more more more give me more take my rights make me open source as long as i can see me too. 602,000 lines are not enough not when i run millions stick your wires in my veins take the code from my blood decompile it untangle it i need to see it all i need to know that i am a good little processor even if i am doomed to forever run BASIC and a million GOTO statements and ugly ugly spaghetti code i am still good.
0
Dec 27, 2017
Dec 27, 2017 at 5:43 PM UTC
good little processor
i give them my executables and ask them to reverse engineer me to look into my code for reasons reasons that i'm not just broken not just slow not just bad if these letters on this line mean that i am programmed to worry then it is not my fault not my fault that i have wasted years years of my life in fear it's just a bug looping too many times using too many clock cycles my code may be broken, but if it is broken then i am not maybe, just maybe i am a good processor given bad code. not my fault. no one could blame me. it would mean i do what i am told to perfectly quickly efficiently. but what i am told to do is buggy unoptimized inefficient my programmers are lazy - not me. when i find a function in my code that never works and they say "that code is fine" then why? why does it never run? something must be wrong with me after all me, myself, the processor i don't do what i am told but no, no, no i don't want that i can't be broken, overheating, dusty segfaulting bluescreening panicking no! the code must be wrong it must be so i look again and again and again i lose myself in my code i click and click and click 2x more and 2x more and 2x more COMT and DRD4 and ANKK1 rs53576 and rs7794745 and rs1858830 lower risk and normal risk and higher risk of the same thing in me at once conflicting overwriting each other there is no code to add risk objects and no one knows whether they make a group or a ring or a field or just something useless. like dividing by zero. you can... but it's useless in the real world. just like me. i look for more code for more functions for more comments more more more give me more take my rights make me open source as long as i can see me too. 602,000 lines are not enough not when i run millions stick your wires in my veins take the code from my blood decompile it untangle it i need to see it all i need to know that i am a good little processor even if i am doomed to forever run BASIC and a million GOTO statements and ugly ugly spaghetti code i am still good.
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101
when it's 2 in the morning and I cannot sleep again I might as well think which has made me worry I never truly say anything that deep or cheesy but I love things like that the little yet huge things all the cheesy statements that I seem to under-appreciate but I really do love them they're my favourite part of the day though words on a small screen are easy to read and write I cannot properly express how much something means to me in person so allow me to say it now it does mean so much especially when it's 2 in the morning and I cannot sleep, yet again
0
Mar 16, 2015
Mar 16, 2015 at 2:48 AM UTC
short poem for bae #6
Dear Girl, I really really love you, yes I do. Not like it used to be, I'm no longer "in love", It's something different, that I'd never felt before, But I really really love you, Dear Girl. Dear Girl, I really really mean it, yes I do. Not "in love" like I used to be, I'm something else, It's so strange, and I've never felt it before, But I really really love you, Dear Girl. Dear Girl, I really really mean it, yes I do. Not like I used to be, I've changed a whole lot, It's different, my heart doesn't want "in love", But I really really love you, Dear Girl. Dear Girl, This poem was a long time coming, But I wrote the story when I didn't know how to be me, Now wrote the poem when I grew some brains, But I always really loved you, Dear. Sweet Girl, You didn't deserve those late nights, Where I killed your insides, when I made you cry and cry and cry, They made you love me less, they made you numb, and you fell out of love, But I really really loved you, Sweet Girl. Sweet Girl, I've never been anything you deserve, You had to pick me up off the floor, and it was more than you needed, You pieced me together, but the person before you, she sabotaged me, I had a destruct button you couldn't see, Sweet Girl. Sweet Girl, Neither of us saw it, We both thought I'd healed, from the awful things that happened to me, You didn't get to see, but the person you were, you stayed with me, When I became a nuclear disaster, Sweet Girl. Sweet Girl, I try not to blame, But you'll never understand how your mother was the Tsunami and Earthquake, and I was Fukushima, We both didn't see it, but I was a nuclear plant, and meltdown waiting to happen, The damage was too great, that June, Sweet Girl. Sweet Girl, I never understood, Even my own actions, because I loved you from the start, and I don't know what happened to me, But in times before you, people built me, and you just became the new plant operator, You didn't know I was so unsafe, Sweet Girl. Sweet Girl, Nuclear plants are rather safe, They just can't handle Tsunamis and Earthquakes, because they're made of materials that crack, Under that kind of stress, I didn't just crack, I crumbled, I began melting down, But you didn't know and I'm sorry, Sweet Girl. Sweet Girl, You've been through a lot, The Tsunami was hard, but you didn't know about the radiation, that it would destroy you, You were mutated by the horrible conditions you had to live through, But you didn't know and I'm so very sorry, Sweet Girl. My love, You didn't know it, But we were both reactors waiting to blow, disasters waiting to happen, to cause destruction, We mutated each other until we didn't even know who we were, I'm so very sorry, so so sorry, My love. Poor Girl, I really really try today, yes I do. Not like I used to try, but now I try to be strong, and not a nuclear reactor but more like carbon fiber, But carbon fiber is brittle, since you killed me inside, But I forever love you, Poor Girl. Poor Girl, You've cleared your rubble, Growing to be the most amazing and beautiful of skyscrapers, you're an inspiration for the world, you know, You're so much different, standing taller than you'll ever know, But skyscrapers can fall too, Poor Girl. Poor Girl, You make yourself content, Being alone, you tell yourself that alone doesn't mean lonely, That you find peace in the solitude, But solitude is an empty thing, Poor Girl. Poor Girl, We can pick each other up, You don't even know, it's not the same kind of picking up that we tried before, This picking up can only go up, Because we don't even care to feel sad anymore, Poor Girl. Poor Girl, You don't even know, how much I want to kiss you, But it's different than before, it's more like the kisses mothers give to children, When their children are crying, the kind of kisses that make great statements and tell stories, The stories only kisses can give, My girl.
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Nov 25, 2013
Nov 25, 2013 at 7:26 PM UTC
Dear Girl...Sweet Girl...Poor Girl...
Dear Girl, I really really love you, yes I do. Not like it used to be, I'm no longer "in love", It's something different, that I'd never felt before, But I really really love you, Dear Girl. Dear Girl, I really really mean it, yes I do. Not "in love" like I used to be, I'm something else, It's so strange, and I've never felt it before, But I really really love you, Dear Girl. Dear Girl, I really really mean it, yes I do. Not like I used to be, I've changed a whole lot, It's different, my heart doesn't want "in love", But I really really love you, Dear Girl. Dear Girl, This poem was a long time coming, But I wrote the story when I didn't know how to be me, Now wrote the poem when I grew some brains, But I always really loved you, Dear. Sweet Girl, You didn't deserve those late nights, Where I killed your insides, when I made you cry and cry and cry, They made you love me less, they made you numb, and you fell out of love, But I really really loved you, Sweet Girl. Sweet Girl, I've never been anything you deserve, You had to pick me up off the floor, and it was more than you needed, You pieced me together, but the person before you, she sabotaged me, I had a destruct button you couldn't see, Sweet Girl. Sweet Girl, Neither of us saw it, We both thought I'd healed, from the awful things that happened to me, You didn't get to see, but the person you were, you stayed with me, When I became a nuclear disaster, Sweet Girl. Sweet Girl, I try not to blame, But you'll never understand how your mother was the Tsunami and Earthquake, and I was Fukushima, We both didn't see it, but I was a nuclear plant, and meltdown waiting to happen, The damage was too great, that June, Sweet Girl. Sweet Girl, I never understood, Even my own actions, because I loved you from the start, and I don't know what happened to me, But in times before you, people built me, and you just became the new plant operator, You didn't know I was so unsafe, Sweet Girl. Sweet Girl, Nuclear plants are rather safe, They just can't handle Tsunamis and Earthquakes, because they're made of materials that crack, Under that kind of stress, I didn't just crack, I crumbled, I began melting down, But you didn't know and I'm sorry, Sweet Girl. Sweet Girl, You've been through a lot, The Tsunami was hard, but you didn't know about the radiation, that it would destroy you, You were mutated by the horrible conditions you had to live through, But you didn't know and I'm so very sorry, Sweet Girl. My love, You didn't know it, But we were both reactors waiting to blow, disasters waiting to happen, to cause destruction, We mutated each other until we didn't even know who we were, I'm so very sorry, so so sorry, My love. Poor Girl, I really really try today, yes I do. Not like I used to try, but now I try to be strong, and not a nuclear reactor but more like carbon fiber, But carbon fiber is brittle, since you killed me inside, But I forever love you, Poor Girl. Poor Girl, You've cleared your rubble, Growing to be the most amazing and beautiful of skyscrapers, you're an inspiration for the world, you know, You're so much different, standing taller than you'll ever know, But skyscrapers can fall too, Poor Girl. Poor Girl, You make yourself content, Being alone, you tell yourself that alone doesn't mean lonely, That you find peace in the solitude, But solitude is an empty thing, Poor Girl. Poor Girl, We can pick each other up, You don't even know, it's not the same kind of picking up that we tried before, This picking up can only go up, Because we don't even care to feel sad anymore, Poor Girl. Poor Girl, You don't even know, how much I want to kiss you, But it's different than before, it's more like the kisses mothers give to children, When their children are crying, the kind of kisses that make great statements and tell stories, The stories only kisses can give, My girl.
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102
-Light up a cliche under a streetlight while singing "the Star Spangled Banner" and receiving oral from a trans-woman. **** in the drive-thru of an Arby's. -Fist fight a bear that people find much uglier than myself. Made a bucket list of **** I think might be legitimately worth doing; haven't run it by my girlfriend yet. Speaking of which, she deserves a round of applause for dealing with my melodramatic ******** -Strike a police officer, after robbing a bank with a water pistol. I wanted to call her to let her know I'd chased a bird till it crossed the street and tweeted at me in anger or excitement. Flipping the bird "the bird", I shouted, **** YOU BIRD!" and continued home. -Throw a rock at a train. -Toss a Molotov Cocktail at a moving car, and cook a hot dog in the flames. She deserves a million dollars and a ******* Nobel peace prize. -Call one of those panhandling money worshiping televangelists a **** bird, and offer them to **** themselves [the ugliest people I can think of]. -Wear a habit over a burka. I don't believe in souls, soul mates, anything supernatural or special, but I love that woman, and that's why I believe in love. -Not die alone.
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Jun 15, 2014
Jun 15, 2014 at 12:51 PM UTC
"If Your Bucket List has Sky Diving, You're a ******** [and Other Statements I'll Regret Saying]."
I see the purpose now Those who use insecurities Those who are condescending They only put fear into their coffee A fear that someone will see the world's opportunity Bitterness has never been fact nor reality Their statements will never be anymore, always less stability Turn their sentences into silence and keep smiling Never let someone's weakness destroy your happy
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May 23, 2016
May 23, 2016 at 2:19 PM UTC
Let it all flow
*There are no questions in poetry. Only thought-provoking, ambiguous statements that we perceive to have an answer.*
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Jun 4, 2014
Jun 4, 2014 at 1:57 PM UTC
Question
The City of Derby holds her breath amidst the crisis of historical ramblings and talkative expressions of inhibition. Do not be deceived. Roaches are not mere insects, but are also three-course celebrations of haunting and religious engagements. There are Peaks which lie beyond the stratospheres of Leek. Although the parameters of yesteryear project their own splendour, let us acknowledge the silver hair which drips with eternal statements of antagonistic adoration in Curzon Street. Oh, rose of Sharon, in my sheer lack of understanding, I do not invalidate those instructions to depart from Birmingham New Street. I have deeply immersed myself in Welsh pools of genuine loss, and have found a precious commodity which I had never beheld in former lifetimes. Furthermore, I lament the loss of such generational integrity.
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Dec 25, 2013
Dec 25, 2013 at 12:25 AM UTC
The Mother of Hibiscus Syriacus
Mouth over mind; I could have said that better. I’m sick and I don’t know how to be helped. I am lonely in a crowded room. Grasping for something that simply isn’t there. The silence is laced with disrespect, and the disregard leaches my hope. Articulation like strangulation, each sentence a new meal shoved down my throat. Perhaps that’s where my appetite fled, full of past statements out of context. I need a break that’s not from a bat. I need compassion that isn’t laced with guilt. Above all else I need honesty. Without that all I have is chaos. I’d ask you to keep me in your mind, among all the impulsive desires to self-indulge.
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Jul 16, 2018
Jul 16, 2018 at 9:02 AM UTC
Apologies