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Antoinette G Oct 2015
Just because the color of my skin
I somehow never fit in
With all of those girls
The ones with the pale skin and springy curls
Whose eyes are brilliant shades of the rainbow
Unlike my natural hair
Eyes dark brown, and skin unfair
I can sit in the mirror and stare
Wondering why people like me aren't on the magazines
That I read
Or on the commercials I see on T.V.
Thinking some days that I'm not pretty
Because I'm not like them
Those girls who I see everyday
Who will never know the way it feels
To be a black girl
Have people say
You're pretty for a dark girl
Like my skin tone affects my beauty
How I am suppose to look
I'd date you if you weren't black
So when did being attractive become a matter of race?
When did I not become enough
All due to the color of my face?
But they don't understand
The one that hurts the most
Worse of all
Worse of all
Is
YOU DON'T ACT LIKE A BLACK GIRL
Oh
Excuse me for having class
Not shaking my ***
Having decorum
And speaking my mind; politely
My mother raised me right
To act right
Showing me that life would
be tough for girls like me
Girls who didn't fit into the stereotypes of our race
Girls who dressed modestly
Talked properly
Girls who didn't fight
Girls who acted white
But I always thought I was just acting right
But no one ever saw
That I was just being me
Because you see
I may be a black girl
But a black girl isn't all I'll ever be
This is from personal experience. I feel like society looks down on girls with darker skin and I have always thought that due to my skin color I am undatable.
“Nullus enim locus sine genio est.”

  Servius.

“La musique,” says Marmontel, in those “Contes
Moraux” which in all our translations we have insisted upon
calling “Moral Tales,” as if in mockery of their
spirit—”la musique est le seul des talens qui
jouisse de lui-meme: tous les autres veulent des
temoins.” He here confounds the pleasure derivable from
sweet sounds with the capacity for creating them. No more
than any other talent, is that for music susceptible
of complete enjoyment where there is no second party to
appreciate its exercise; and it is only in common with other
talents that it produces effects which may be fully
enjoyed in solitude. The idea which the raconteur has
either failed to entertain clearly, or has sacrificed in its
expression to his national love of point, is
doubtless the very tenable one that the higher order of
music is the most thoroughly estimated when we are
exclusively alone. The proposition in this form will be
admitted at once by those who love the lyre for its own sake
and for its spiritual uses. But there is one pleasure still
within the reach of fallen mortality, and perhaps only one,
which owes even more than does music to the accessory
sentiment of seclusion. I mean the happiness experienced in
the contemplation of natural scenery. In truth, the man who
would behold aright the glory of God upon earth must in
solitude behold that glory. To me at least the presence, not
of human life only, but of life, in any other form than that
of the green things which grow upon the soil and are
voiceless, is a stain upon the landscape, is at war with the
genius of the scene. I love, indeed, to regard the dark
valleys, and the gray rocks, and the waters that silently
smile, and the forests that sigh in uneasy slumbers, and the
proud watchful mountains that look down upon all,—I
love to regard these as themselves but the colossal members
of one vast animate and sentient whole—a whole whose
form (that of the sphere) is the most perfect and most
inclusive of all; whose path is among associate planets;
whose meek handmaiden is the moon; whose mediate sovereign
is the sun; whose life is eternity; whose thought is that of
a god; whose enjoyment is knowledge; whose destinies are
lost in immensity; whose cognizance of ourselves is akin
with our own cognizance of the animalculae which
infest the brain, a being which we in consequence regard as
purely inanimate and material, much in the same manner as
these animalculae must thus regard us.

Our telescopes and our mathematical investigations assure us
on every hand, notwithstanding the cant of the more ignorant
of the priesthood, that space, and therefore that bulk, is
an important consideration in the eyes of the Almighty. The
cycles in which the stars move are those best adapted for
the evolution, without collision, of the greatest possible
number of bodies. The forms of those bodies are accurately
such as within a given surface to include the greatest
possible amount of matter; while the surfaces themselves are
so disposed as to accommodate a denser population than could
be accommodated on the same surfaces otherwise arranged. Nor
is it any argument against bulk being an object with God
that space itself is infinite; for there may be an infinity
of matter to fill it; and since we see clearly that the
endowment of matter with vitality is a principle—
indeed, as far as our judgments extend, the leading
principle in the operations of Deity, it is scarcely logical
to imagine it confined to the regions of the minute, where
we daily trace it, and not extending to those of the august.
As we find cycle within cycle without end, yet all revolving
around one far-distant centre which is the Godhead, may we
not analogically suppose, in the same manner, life within
life, the less within the greater, and all within the Spirit
Divine? In short, we are madly erring through self-esteem in
believing man, in either his temporal or future destinies,
to be of more moment in the universe than that vast “clod of
the valley” which he tills and contemns, and to which he
denies a soul, for no more profound reason than that he does
not behold it in operation.

These fancies, and such as these, have always given to my
meditations among the mountains and the forests, by the
rivers and the ocean, a tinge of what the every-day world
would not fail to term the fantastic. My wanderings amid
such scenes have been many and far-searching, and often
solitary; and the interest with which I have strayed through
many a dim deep valley, or gazed into the reflected heaven
of many a bright lake, has been an interest greatly deepened
by the thought that I have strayed and gazed alone.
What flippant Frenchman was it who said, in allusion to the
well known work of Zimmermann, that “la solitude est une
belle chose; mais il faut quelqu’un pour vous dire que la
solitude est une belle chose”? The epigram cannot be
gainsaid; but the necessity is a thing that does not exist.

It was during one of my lonely journeyings, amid a far
distant region of mountain locked within mountain, and sad
rivers and melancholy tarns writhing or sleeping within all,
that I chanced upon a certain rivulet and island. I came
upon them suddenly in the leafy June, and threw myself upon
the turf beneath the branches of an unknown odorous shrub,
that I might doze as I contemplated the scene. I felt that
thus only should I look upon it, such was the character of
phantasm which it wore.

On all sides, save to the west where the sun was about
sinking, arose the verdant walls of the forest. The little
river which turned sharply in its course, and was thus
immediately lost to sight, seemed to have no exit from its
prison, but to be absorbed by the deep green foliage of the
trees to the east; while in the opposite quarter (so it
appeared to me as I lay at length and glanced upward) there
poured down noiselessly and continuously into the valley a
rich golden and crimson waterfall from the sunset fountains
of the sky.

About midway in the short vista which my dreamy vision took
in, one small circular island, profusely verdured, reposed
upon the ***** of the stream.

So blended bank and shadow there, That each seemed pendulous
in air—

so mirror-like was the glassy water, that it was scarcely
possible to say at what point upon the ***** of the emerald
turf its crystal dominion began. My position enabled me to
include in a single view both the eastern and western
extremities of the islet, and I observed a singularly-marked
difference in their aspects. The latter was all one radiant
harem of garden beauties. It glowed and blushed beneath the
eye of the slant sunlight, and fairly laughed with flowers.
The grass was short, springy, sweet-scented, and Asphodel-
interspersed. The trees were lithe, mirthful, *****, bright,
slender, and graceful, of eastern figure and foliage, with
bark smooth, glossy, and parti-colored. There seemed a deep
sense of life and joy about all, and although no airs blew
from out the heavens, yet everything had motion through the
gentle sweepings to and fro of innumerable butterflies, that
might have been mistaken for tulips with wings.

The other or eastern end of the isle was whelmed in the
blackest shade. A sombre, yet beautiful and peaceful gloom,
here pervaded all things. The trees were dark in color and
mournful in form and attitude— wreathing themselves
into sad, solemn, and spectral shapes, that conveyed ideas
of mortal sorrow and untimely death. The grass wore the deep
tint of the cypress, and the heads of its blades hung
droopingly, and hither and thither among it were many small
unsightly hillocks, low and narrow, and not very long, that
had the aspect of graves, but were not, although over and
all about them the rue and the rosemary clambered. The
shades of the trees fell heavily upon the water, and seemed
to bury itself therein, impregnating the depths of the
element with darkness. I fancied that each shadow, as the
sun descended lower and lower, separated itself sullenly
from the trunk that gave it birth, and thus became absorbed
by the stream, while other shadows issued momently from the
trees, taking the place of their predecessors thus entombed.

This idea having once seized upon my fancy greatly excited
it, and I lost myself forthwith in reverie. “If ever island
were enchanted,” said I to myself, “this is it. This is the
haunt of the few gentle Fays who remain from the wreck of
the race. Are these green tombs theirs?—or do they
yield up their sweet lives as mankind yield up their own? In
dying, do they not rather waste away mournfully, rendering
unto God little by little their existence, as these trees
render up shadow after shadow, exhausting their substance
unto dissolution? What the wasting tree is to the water that
imbibes its shade, growing thus blacker by what it preys
upon, may not the life of the Fay be to the death which
engulfs it?”

As I thus mused, with half-shut eyes, while the sun sank
rapidly to rest, and eddying currents careered round and
round the island, bearing upon their ***** large dazzling
white flakes of the bark of the sycamore, flakes which, in
their multiform positions upon the water, a quick
imagination might have converted into anything it pleased;
while I thus mused, it appeared to me that the form of one
of those very Fays about whom I had been pondering, made its
way slowly into the darkness from out the light at the
western end of the island. She stood ***** in a singularly
fragile canoe, and urged it with the mere phantom of an oar.
While within the influence of the lingering sunbeams, her
attitude seemed indicative of joy, but sorrow deformed it as
she passed within the shade. Slowly she glided along, and at
length rounded the islet and re-entered the region of light.
“The revolution which has just been made by the Fay,”
continued I musingly, “is the cycle of the brief year of her
life. She has floated through her winter and through her
summer. She is a year nearer unto death: for I did not fail
to see that as she came into the shade, her shadow fell from
her, and was swallowed up in the dark water, making its
blackness more black.”

And again the boat appeared and the Fay, but about the
attitude of the latter there was more of care and
uncertainty and less of elastic joy. She floated again from
out the light and into the gloom (which deepened momently),
and again her shadow fell from her into the ebony water, and
became absorbed into its blackness. And again and again she
made the circuit of the island (while the sun rushed down to
his slumbers), and at each issuing into the light there was
more sorrow about her person, while it grew feebler and far
fainter and more indistinct, and at each passage into the
gloom there fell from her a darker shade, which became
whelmed in a shadow more black. But at length, when the sun
had utterly departed, the Fay, now the mere ghost of her
former self, went disconsolately with her boat into the
region of the ebony flood, and that she issued thence at all
I cannot say, for darkness fell over all things, and I
beheld her magical figure no more.
Cyril Blythe Oct 2012
“…the grandfather’s camera with the last pictures of the youngest Colorado theatre shooting victim was stolen and the family’s sorrow has compounded…”*

Veronica, why did you love Anne Hathaway
And why did you not go refill the popcorn,
Veronica? You ate it all during the previews
Though I warned your stomach would hurt.

Sweet Veronica, how did you know to hate Bane
And why did you not go to the bathroom,
My dear. The hand-dryer’s scream is loud
But it dries, unlike your wetting, red screech.

Veronica, why did you insist that you were old enough
For this fate? And how could I have agreed,
Cold Veronica. Pigtails were meant to be springy,
Not limp with blood, Pepsi, and regret.

The Bullets.
The Cape.
The damning shot
Would have slapped
Even Batman
Dead.

Young Veronica, why is the memory of you
And your innocent flesh fading fast,
To red Veronica? Wet too young and too alive
For the four-foot long coffin we buried.

Yesterday.
Cop lights.
My camera with
The last shots of you
“Stolen, sir.”

Wail, Veronica from the camera screen
In the hands of this thief, oh, convince him,
Stab, Veronica, with your pixilated smile
Until the guilt brings your smile home, to my eyes.
Stanley Mungai Jun 2012
My hair stood on end
And I strongly felt my pride bend
I was afraid you could hear
As my poor heart beat frantically with fear
That I would not please you
That you would overlook me
On that first day I saw you.

Walking in springy steps like a fairy
And wearing a smile that melt my heart
Met in a handshake,
Felt the tender touch
I still couldn’t out make;
“Aren’t you hugging me?” Ouch!
On that first day I saw you.

Hoped that the handshake
Will go above the elbow
Felt my mansion of desires going loose
My submarine of hopes going afloat
My dove of love on the shove
On that first day I saw you my love.
Kyle Kulseth Oct 2012
7:05, it's late September
     and mid-continent can't decide
     on a season
     if it's Summer, Winter
     or some patchwork in between
     but I've
Decided
   Falling on confusion's
not the same as hitting Springy grass
because I've seen

   How hard December
   clamps its jaws
on those Midwest city streets
   --With famished eyes
      and with breath howling
      tries to find ways into me

So, clothed in shivers, one might stumble
   Between bars, snowflakes, and friends

And cloudy skies and clouded glasses
  tell you, "you'll never be young again!"

11:30, Minneapolis--
     you're sure your ride is late.
Trudge through snow, and mud and asphalt
while skies thicken purple-grey.

And things are much the same in Bismarck
And much the
      same in Winnipeg.
Thrusting frigid hands in pockets
   restore some blood to aching legs.

"And it's another Midwest winter."
  What more is there to say?

Respond to yourself and keep walking
Still miles away from home
Still a decade until morning
Another New Year's spent alone
    --and growing old--

Now you remember last September--
It was still 80 degrees!
Now you're caught in Midwest winters--
Release a breath and watch thoughts freeze.

So just wait until next Summer
Your floor heater warms your toes
And it's wait until the next drink
to thraw your throat out: so it goes.

So it goes...

And goes and goes.

But you'll never be young again.
echo Aug 2013
the beauty of Spring
the flowers you bring

go out your door
and your eyes turn to love

you pick a flower
and give it to your love.

:} :P
My fantastic (and somewhat romantic) little brother wrote this poem!
Nine years old... its probs better than some of mine haha :)
enjoy
fisharedrowning Jan 2014
We line up in two parallel columns, me at the front of the first column and you beside me on the other.
You flash me a challenging grin. I smile back, accepting your offer.

The coach blows the whistle and we start to sprint across the hall towards the line of hurdles.
We match each other's pace, leaping across the hurdles of increasing height in perfect synchronization.

We reach the final and tallest hurdle.
You briefly turn your head towards me and mouth something.
I can't hear what you're saying - you're too soft. Or maybe my heart is too loud.

I shift my focus back to the last hurdle and heave my springy legs up, confident I can at least break even in this match.
But even before my right ankle was on the same level as the hurdle, my line of sight plunges, and I crash head-on into the embarrassing mess of defeat.

I tilt my head up in time to catch you flawlessly hop across what's become of my failure, your posture lacking any hint of looking back at me.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
*Till now, you haven't looked back.
And I still can't get over that last hurdle,
the same way I haven't gotten over you.
[Addressed to Charles Lamb, of the India House, London]

In the June of 1797 some long-expected friends paid a visit
to the author’s cottage; and on the morning of their arrival,
he met with an accident, which disabled him from walking
during the whole time of their stay. One evening, when they
had left him for a few hours, he composed the following
lines in the garden-bower.

Well, they are gone, and here must I remain,
This lime-tree bower my prison! I have lost
Beauties and feelings, such as would have been
Most sweet to my remembrance even when age
Had dimm’d mine eyes to blindness! They, meanwhile,
Friends, whom I never more may meet again,
On springy heath, along the hill-top edge,
Wander in gladness, and wind down, perchance,
To that still roaring dell, of which I told;
The roaring dell, o’erwooded, narrow, deep,
And only specked by the mid-day sun;
Where its slim trunk the ash from rock to rock
Flings arching like a bridge;—that branchless ash,
Unsunn’d and damp, whose few poor yellow leaves
Ne’er tremble in the gale, yet tremble still,
Fann’d by the water-fall! and there my friends
Behold the dark green file of long lank weeds,
That all at once (a most fantastic sight!)
Still nod and drip beneath the dripping edge
Of the blue clay-stone.
                                   Now, my friends emerge
Beneath the wide wide Heaven—and view again
The many-steepled tract magnificent
Of hilly fields and meadows, and the sea,
With some fair bark, perhaps, whose sails light up
The slip of smooth clear blue betwixt two Isles
Of purple shadow! Yes! they wander on
In gladness all; but thou, methinks, most glad,
My gentle-hearted Charles! for thou hast pined
And hunger’d after Nature, many a year,
In the great City pent, winning thy way
With sad yet patient soul, through evil and pain
And strange calamity! Ah! Slowly sink
Behind the western ridge, thou glorious Sun!
Shine in the slant beams of the sinking orb,
Ye purple heath-flowers! richlier burn, ye clouds!
Live in the yellow light, ye distant groves!
And kindle, thou blue Ocean! So my friend
Struck with deep joy may stand, as I have stood,
Silent with swimming sense; yea, gazing round
On the wide landscape, gaze till all doth seem
Less gross than ******; and of such hues
As veil the Almighty Spirit, when yet he makes
Spirits perceive his presence.
                                             A delight
Comes sudden on my heart, and I am glad
As I myself were there! Nor in this bower,
This little lime-tree bower, have I not mark’d
Much that has sooth’d me. Pale beneath the blaze
Hung the transparent foliage; and I watch’d
Some broad and sunny leaf, and lov’d to see
The shadow of the leaf and stem above
Dappling its sunshine! And that walnut-tree
Was richly ting’d, and a deep radiance lay
Full on the ancient ivy, which usurps
Those fronting elms, and now, with blackest mass
Makes their dark branches gleam a lighter hue
Through the late twilight: and though now the bat
Wheels silent by, and not a swallow twitters,
Yet still the solitary humble-bee
Sings in the bean-flower! Henceforth I shall know
That Nature ne’er deserts the wise and pure;
No plot so narrow, be but Nature there,
No waste so vacant, but may well employ
Each faculty of sense, and keep the heart
Awake to love and Beauty! and sometimes
’Tis well to be bereft of promis’d good,
That we may lift the soul, and contemplate
With lively joy the joys we cannot share.
My gentle-hearted Charles! when the last rook
Beat its straight path along the dusky air
Homewards, I blest it! deeming its black wing
(Now a dim speck, now vanishing in light)
Had cross’d the mighty Orb’s dilated glory,
While thou stood’st gazing or, when all was still,
Flew creeking o’er thy head, and had a charm
For thee, my gentle-hearted Charles, to whom
No sound is dissonant which tells of Life.
wichitarick Mar 2018
SOUNDS SPRINGY

Popping of tulips ,daffodils dancing, so many things waiting to be green

Rustle of branches or bushes caught in the hustle,warming winds grow louder

Ice cracking, snow mashing, unfolding the last of winters rigid freeze

Silence broken with voices of mens machinery needed to keep it all  pristine

Mower growling,tiller rattling, street sweepers swooshing, necessary noises for the devotees

Howling of hail is mother nature's scowl, Lightning in flashes & crashes,thunder belches to undo the serene

Finally familiar slamming of screen doors brings noisy neighbors  out like escapees

Poets & singers seem to unite on the bounty of springs delight,Popular muse for them to ignite ,coming  together in a green scene  

Migrations have begun, early bird has more fun,doing their best to build a  nest soon their new families tweets will fill the trees

When the air warms brings the restless out in swarms, whooping it up as they play or buzzing for their new queen

The proud sounds of birds making their rounds,flying surrounded by chirps or cackles once again as she offers her new delight we are appointed as trustees .R.C.
A few thoughts or sounds of the upcoming spring .
Thanks for reading your thoughts are helpful. Rick
Kelly Selvester Dec 2009
One of these days I will endulge in the delight
that only the sweetest dare to sample.
The soft texture of the sponge,
springy to the touch, layer upon layer.
The sweet smell of the strawberry filling the nostrels,
warming the tastebuds to the point of explosion.
The creamy filling lingers in the middle,
complimenting each beautifully, a delight to eat.
But yet I will never indulge in that special delicasy,
as my lips never open to the word 'cake'
Bailey B Dec 2009
I step towards the pool.
You look at me like each step is the end of my life.
I swing my leg on the side.
You flinch.

I laugh at your expression.
You didn't find it quite so funny.
I guess it's really not that funny to you,
how your mouth puckers into a straight line when you hear me laugh,
like the picket fence outside the house you were born in,
only the stark white boards of that fence don't curve downwards at the ends.

There's a fine line of difference between us,
the difference being "don't", "won't", "can't"
and other four letter words, such as "fear", "play", and "lame".

I stifle my laughter and try again to coax you to the edge, the edge of the earth.
You frown, and back away, mumbling like that one Muppet.
Beaker, right?
"Come down!" Beaker cries. "You're being crazy!"
Meepmeep.
The thought of this causes me to laugh again.
You. A Muppet.
You would die if you knew.

I take another step, another, another, further away from you,
up the metal rungs to the top of the world.
The ground slaps beneath me, resilient and springy like summer grass.
I remember your face, panicked, frantic.

I dove.
You claimed you couldn't.

From the bottom of the pool, the world is crisp and clear,
like a vat of liquid nitrogen biting at my skin.
When I resurface it becomes blatantly evident.

I dry off and walk away through the counter.
Don't try to follow me.
I tried.
You didn't.
Maybe I AM crazy.

The bottom line is
even though I'm afraid of heights,
I still climbed that ladder.
Lisa Neu Feb 2015
I am Lisa*
Youth is a good thing I guess,
unless --
It becomes the lens
through which you are seen.

Then --
Your ambitious ideas are
youthful, not wise
Your wittiness is
immaturity, not humor
Your springy-step is
young bones, not joy in living.

Youth is a good thing I guess,
but better, *authenticity
.

I am who I am, 20 or 60.
My age affects me,
but my age isn't me.
I am who I am.
Brett Houser Apr 2013
Brown oak leaves underfoot, last year's sodden
reminders that newness always ends. But
not today

while the creek, silent in summer, chortles
about last night's rain, full of spring vigor
far below

the limestone bluff edge where
I stand, chert nodules and fractals
peeking through

springy new undergrowth, broke down
limbs, leaf litter and dark soil.  I came
for morels


but it's too early, too chill yet. Tomorrow's
predicted sun may bring them out. Early
mayapple

sprouts fool me, draw me to admire other
understory plants: trillium, maidenhair fern,
spring beauty,

johnny jump-up and more whose names
I knew once but forgot. I came alone and
I don't need

names. Names mean nothing without
voices and other ears. I love the silence
I bring here.
Hands Mar 2010
Hypocrite,
Hypocrite am I.

Cruel nature
plays the harshest games,
the fire-on-the-Cuyahoga,
****-splatter brain busters.
The city is cooled by her
harsh and horrifyingly
Maternal touch.
Snow falls attractively
on the dying city below,
picaresque and perfect
in this last-winter scene.
The two sky scrapers
pierce through winter's
frozen cocoon,
though envelop will be the
less threshed land.
Slums are ravished in snow,
spoiled by the cold
cold cold crying
of a maiden not warm.
I am buried beneath
layers of snow,
reddened when paled,
angered by my cooling.
Numbing comes with this
frenzied freeze,
like the kids down the street
who grow out their beards
even though they can't
grow their *****.
I am numbed
despite the fact that
Feeling is fruitful;
cruel nature does not wish
for such connections
to fall upon me.
Perhaps it is love,
and I would love to believe so,
that causes her to covet-
no, hoard me so.
Perhaps it is love,
and it so clearly is ringing in this numb numb numbness,
that causes her to bury me
in mountains of snow.
I am counting down the time
til my melt down,
as spring is not so long away.
Perhaps it is love,
and the rising flowers whisper it like jealous children oft do,
that she has always been
so deathly afraid of.
This is the spring of our love,
But we are not as springy as we should be.

Hypocrite,
Hypocrite am I.
Kyla Sherry Jun 2014
Hopscotch,
Joyful, Springy,
Hopping, Skipping, Jumping,
Avoiding drawn lines on concrete,
Concrete
Curtis Matthews Nov 2014
Acting is carried away and the dazed, wise boy is alone smoking viceroys. Without a word or a day to change the things that should be running down the shower drain. Wipe the sweat off his face and he could shave to the grain to make himself okay. Putting his act in place, but his special place is forevermore changing.

Sweet tastes of likely lead to an addiction for a boy who always runs blindly, but when the ground gets icy, the boy will break through ever so lightly and even after hopping the fence, love and lovely still has a big difference. So, the boy will keep on filling his bed, forgetting the age of his existence.

Maybe he is just homeless, scouting out a place to live. Jumping couches with people he loves and people he knows love him. Hardwood floors and springy couches aren't enough to break his back, but when the time comes he'll have to choose and face the facts. Business and opportunities can still make you homeless and the fact there's no love makes you almost boneless. This boy is bright and clever and will be able to rise up whenever, but without cutting off the extra cartilage, he may never find a home because home is where the heart is.
beth winters Dec 2010
stars are dying, not becoming supernovas, or hurricane eyes, just collapsing to sleep, shh, tiny bodies flickering over the outstretched palms of children with wide eyes and feet that won't stop moving, even when holding hands as nets to catch the quiet light of sprinkles, little cake sprinkles that fall from the sky.

the flowers are bending their heads to the ground, trying to hear the singing of the fauns as they dance around pre-formed groves in the forest to your left, the vibrations are travelling and amplified, if you listen carefully, so carefully, a wondering song of delight without words could reach you, stand so very still.

the rain-drops are soft, caressing the ground hesitantly, asking its permission to tread on the springy moss and look for bubbles to choreograph marches for, complete with full brass band, and pixies combing hairs into a fountain of wheat coloured spoken word.
We began with doubts in the dark night-
Everything that came under the sky of night-
The noiseless stars -that were just flickers
In the crisp air of a deep night and crickets
That creaked from dark and thorny bushes.
We thought of sultry bears that came down
From the hills for ripe sugarcane in fields
On windy nights when we were sleeping
On the river bank, with a long stick safely
Sleeping beside us on a springy string cot.
The dogs sculpted their own long protests
At the howling wind and  bush rat’s scrawl .
There in the sketchy bushes of darkness
The lizards slept fitfully wary of night snakes.
Outside, the fireflies tantalized the country.
Our doubts persisted through the night ,
Going on unabated in sleep and dreams.
At the ****'s crow they dissolved in sleep.
Zulu Samperfas Aug 2013
They smile, and they attend social functions and are in pages of
a city's social diary, a mockery of a democracy
the Hearsts and the Bloombergs  and the others rolling in it
so their aging women can have too much plastic surgery
because time happens to the elites, too, and cancer and unhappiness
and the smiles hide the discontent and the slow death
and they are afraid of us, can't bear to be with us, this other species we are
and once, with my now X, at a fundraiser for his elite boarding high school
I listened to a pretentious speech that was so intolerable
underneath the canopy of a white tent in the middle of a gigantic field
with every grass blade evenly spaced and the same height, and the soil
filled with nitrite.
And the speech ended and the applause served as cover, like brush and I ran
out into the open air and flattened the springy grass
and I walked away because I could take no more
Mikaila Nov 2015
It is dark,
And I feel your heat beside me vanish
But a second later soft hands pull the covers across my back
Tuck them in above my shoulders.
I drift
Feeling you there with none of my senses but all of them at once
Or perhaps that beyond sort of sense
The one that really matters
The one that tells us
Where we belong.
The shower murmurs from the other room
And I let the warmth of sleep take over again
And then all of a sudden there's your feet padding along the carpet.
I smile but don't open my eyes.
I listen
Instead
To you starting your day.
Your towel hits the floor softly
And I hear the rustle-whisper of clothes on skin,
The little thuds and crinkles as you move about the room,
The cascade of clinking as you rummage through your bag to find makeup,
The little tune you hum for a moment but don't realize.
I am greedy for the sound of you,
And I listen hard.
I hear you pause and look at me,
Decide I'm still asleep and turn on the light in the hallway with a click
Leaving the one nearest to me off.
I hear you sit down before the mirror cross legged
Like you do every day
And begin the rituals of preparing to meet the world.
I picture you
Don't let myself look yet
There in your leggings and t shirt
Your long hair falling wet and heavy over your shoulders
And little springy curls of it into your eyes
Your clear green eyes
The purposeful way you line them with black
Like the artist you say you aren't.
I picture the glow of the lamp kissing your face
And releasing the soft radiance your skin always seems to hold like a secret.
I long to open my eyes and gaze at you,
But not yet.
I turn, tangled in blankets,
Blindly shifting towards the sound of you.
The song you make by being.
The melody of your existence.
And when I lose the battle with myself and look up at you
You meet my eyes in the mirror and give me that small fond smile
The one that fills me up with light
And I feel the answering grin spread across my face like the sun breaking through clouds.

Good morning, love,
You sound like home.
"I celebrate myself, for every atom belonging to me as good belongs to you."
"The song of me rising from bed and meeting the sun."
Walt Whitman
Derek Yohn Oct 2013
A thousand gods
under the cricket moons
couldn't even save one little bit...
     (salvation is the enemy of
      a violet world)
the same lame-*** gods
that made us educated
and civilized.

Why not a cosmic birdbath
or eternal blissful garden
that happy children frolic
in amongst springy damp
Bermuda grass and Birch
trees that shine like a
trillion flawless diamonds,
almost as beautiful, at dawn
when lightly frosted?

Regardless,
days like these i wake up
full of vigor, dreamy-eyed,
complacent, full of longing,
but still glad our gods
are dead.
Jayanta Nov 2014
Searching for a treasure
....  since the childhood to youthful
Now in the stage to depart.....  !

Searching .....
in the wooded forest......
..... yellow paddy field.......
..........crystal water of river......
........rugged terrain of mountain.......
...........Springy coast ...........................
......... in the head, heart and hand of man and women ....
...... in the street .... in the houses.....
....... in the houses of decision makers .....
.... in the policy paper.......
..... in the papers of plan and model....
....... in the balance sheet .........
.... for a fixed as well as liquid asset... !

Searching for the
Treasure ........
Full with kindness ...........
.....  broad brotherhood ......
...... nuptial of peace and humanity...
....... Sparkling smile........ !
*


But, in this quest....
before now worn-out year after year.......
Only smog, dust, distrust..........
Spread over......
Snuffle of ocean spill over .......;
Albeit..........
Searching for
Our cache of happiness...
to make this world..........
Pulsate with smiles!!
happiness, kindness, peace, smiles, quest, searching,
ciannie Nov 2015
her dress is made of molten ore
silk against her springy skin
her eyes are pressured pebbles of summer core
nine hundred lives from wearing thin
the scarf she wound around her hips
softer than a lamb
the teeth behind upturned boat lips
smile graceful and pre-planned
she extends her long, slender wrist
coaxes us all into one mineral
a tender jewel, a pretty twist
worn until her funeral
ehh
Within his paw
smeared bloodied red
by a deliberately mocking thorn
sat a
blanched ripple-y
guarachera strip of cloth
confined narrowly
between the love and the life lines.

TWO ROADS!

what remained of her
remained of the underthings
beneath

fluffing rows of silk
the heavy skirt had been raised
above the ankles
the creases no longer hidden in shadow,
one leg hoisted over the back,
the reigns held expertly.

Hey Beauty!
As it happens, the card numbered Eight is
Strength (also Lust)

She had surely fled
She has surely flown
through the trees and away
Not on foot at-all
while the three saw her pass.
great speed.
The two sisters
with that prince vulgaris looking on
curiously
Three daemon goblins watching from a distance
a disturbance
a smallish crashing
and afterwards
a scrap, sleepy and unfurled, relaxed
within the leaves that shudder
and give up the delicacy, slyly
into stubby fingers

Lovely
Dark
Deep
The Woods are Laughing!
Did you notice any scent?
Did it linger between
the thumb and the ring?
the remnant of her flowers,
Petals flouncing, swirling
in odorous potentiality.
a scrap, yes
a deep seated souvenir
Can we re-fabricate the whole from this little thing, you think?

we want her.
there are things that we want to do with her.

dangerous, they lean in close, nostrils flaring slightly
searching for the ambergris or the sticky  jasmine
sweet,
settling instead to gaze upon
the still clutched
still a little springy
sprightly, o! the remnants of her liveliness
and ***** and yet
No memories

3: at least let us show you the stage that we’ve built
with a clean sheet for the curtain,
paper cut-outs
and some sticks.
it’s called acting.
the wine and the wafer.
hidden in the trees’ darkening
‘the mattress’ lays where
the leaves will crumple

meanwhile, he’s petulant:
- why, if you’d just get off of that high horse!
- how long are you going to resist?
- are you STILL angry?
- why won’t you just let me stick it in you?

she telegraphs her response, cough:
‘you do know that in this
particular scenario
(fingers pointing downward and across
as if to suggest
that the scenario
had a specific location)
You are the wolf, right?
The wolf...

I, the girl,
am in the forest with my basket and
I have got a
cute little
blood red
crushed velvet
swing coat
With matching hood and a single task
And YOU
(with those other two *******) have decided
to bore ME with this ****?
Daresay slow ME down?
Of course I will get rid of YOU.
Wait, who am I talking to?

Let me also add that
there never has been any
high-stepping on my part,
nor ankle twirling,
no mandate to impress a stale balcony,
no sign of gaslit
illuminated
pink bows
that lay down flat
perfectly upon the straps
that snap
perfectly at the thigh,
NOT to be slid off a buttock (mine)
NOR crumpled into a dubious ball, ripped and torn
and yet I know that
that determined creature,
a hairy monster
more faithful than Argos,
is prepared
to wait a lazy eight
at grannie’s cozy house
in a sickly corner
over-eager and overwrought with
pandered fantasies
and explosions of once sort or another, irrelevant to me.

What I WILL admit to is
that the touch of those grubby fingers
transubstantiated at my waist
invisible
approach
as usual from behind
impatient and
impractical,
always too quick to make himself a beast
to rid himself of being a man

knowing how way
leads onto way
but I doubt if I should ever come back’
In shape and life more like a monster, than a man. - Edmund Spenser, The Faerie Queen
Anonymous Freak Dec 2016
The grass was overgrown,
And stubbornly fought
Against the clean sheet we layed
On it.
I made you paint,
And the floating haze in the air
Stung my eyes.

I knew something was wrong,
We all did.
We saw your emotions
Doing backflips
And pirouettes.
We saw your sleep
Running away from you,
We saw the music clouding up
Your thoughts
So they couldn't hurt you.

But none of us knew
How wrong it was.

I took two terra-cotta
Flower pots
In hand,
And declared it a lovely day.
You deemed it dismal.
I waltzed into the yard,
With bottles of bright paint,
And soft brushes.
I made you sit
In the oppressive sunshine,
With insects
Whizzing around our ears
To paint flower pots.

On a long dog walk at midnight,
You finally told me half of the truth.
That you were having problems.

The grass was still lively
And springy,
It was after the drought.
You dribbled paint
In pretty patterns,
And I tried to convince myself
This was good for you.

It was the small early hours
Of the morning,
Lit with fairy lights,
And your humidifier
Puffing in the corner,
That you told me the whole truth.

You had given yourself until September.

Printed an expiration date
On your forehead.
And I wish I could say
In that moment I knew what to do.

It's been a while now,
I'd like to think
I don't have to worry anymore,
But I do.
So in case I should,
I love you.

I love you,
And I promise to never make you
Sit in the sun
And paint again.
how a glutton hearty turns a hermit lean
a bully back thumping to a sage hand folded
unresting motor mouth to an understanding silent
busy brain frenzied to a deep contemplation calm
mentality moronic sick to a pool placid of balm
springy intent violent to a relaxed peace uncoiled
hates grey many undefined to one love united
mind monkeys warring to peaceful doves flying
a black heart fissured now encompassing all open
O divinity fill me till I'm nothing of here anymore!
Catherine Graham Jun 2015
Bed is the target
Not my bed
That's on the floor
And its a bit mishapen

Its covered in fur
And its got hidden biscuits
And a bone I put there
But can't get out now

No, my bed isn't the target
Its YOUR bed that's the target
The one with the douvet, the pillows
and fluffy, fluffy sheets

Its got a big springy mattress
And it looks nice sometimes
When its all covered in
MY paw marks

But it doesn't smell nice, though
Its smells of flowers
I would like it better
If it smelled of fox poo

But after I roll in the fox poo
You never let me on the bed
So how am I going to get it
to smell nicer

That's what I think about
When we're out on a walk
And you throw the ball
And I ignore it, and go for a roll

I roll in squirrel poo
Not as nice fox poo
But I make it nicer
by jumping in the river

You think a quick shower
with the garden hose
Will dissipate all these lovely smells
But you forget the shampoo...and I WIN

I get in the house
Dry myself on YOUR dressing gown
But still I smell
absolutely lovely

Like lamp posts, and drains
And bins
And that really nice smell
When I've been running in the wind

And no one's locked the bedroom door
So I run and I jump
And I roll and I roll
On YOUR bed

For five whole minutes
Then I hear you coming
Slowly stepping up the stairs
So I jump off your bed

Then jump into mine
Then wait and wait and wait
Then suddenly you jump up
And leave

I've no idea where you go all day
No idea, at all
But you've got a sneaky idea
Where I am

You know I'm on your bed
You know I'm making it smell lovely
Just for you when you come home
Hope you appreciate it.
Lots of Love From Your Dog
This is a poem about a dog who likes beds and smells.
b for short Apr 2014
Grumpy, middle-aged woman at work,
I wonder if you see me staring in your direction.
I, once again, notice your big hair,
tousled and littered with springy grays.
I, once again, notice your blouse,
dribbled with escapees of your breakfast and lunch.

You’re tapping your foot
to an eighties ballad on the radio—
the same one that we hear twelve times a day,
and each time, I grit my teeth and
begrudgingly swallow the godfather of all expletives.
But you? You love it, don’t you?

No qualms with the world
as you grip that vending machine Klondike Bar
like it’s your only saving grace.
I can’t even manage to blink
as I watch you peel back its thin layer of foil,
exposing the poor chocolate shell
that will soon fall victim to such a savage mouth.  
I shudder at the thought of what you would do
for a Klondike Bar.

Your eyes are wide, black, and merciless
as you crunch into that innocent little square.
Flecks of dark brown fly in every direction,
as you writhe in some sort of hokey ecstasy
straight out of a grocery store mom-erotica.
I can just hear you grunt, “Waste not, want not!”
as you individually finger up
each tiny piece off your keyboard.
I hear your lips smack with every satisfying victory—
and I cringe.

I want to tell you your ice cream is melting,
but I’m too busy watching it drip
down the sides of your hand.
In no time, this Klondike Bar
becomes your own personal rescue mission.
You must desperately save each and every sticky streak
with your unforgiving tongue.
Now and then you’ll slip in a satiated moan
and I can’t help but feel bad for your imprisoned dessert.
Unfortunately, this vicious cycle continues with each bite,
until you become the resident hot mess of Cubicleville,
smeared with melted chocolate and covered in a sugary sheen.

Despite the spectacle, it’s nice to see you happy for once.

It ends when you finally notice my gawk.
That quickly, you’re grumpy again
and demand to know what I’m staring at.

“Nothing,” I reply,
but not without a smile so coy
it gives me away.
© Bitsy Sanders, April 2014
this all could have been mine
geometric shape wallpaper
and dashes, dots on my sheets
mom making my bed
smoking non-filtereds
and staring in the direction of
old globes and stuffed squirrels
posters of campuses i should i have attended

shirt no pants
no shirts
scribbling something partially worth reading
legs crossed
listening to that song for the fiftieth time
ashing on the floor
waiting by the phone for you and only you

but this isnt home
i didnt grow up here
i slept here
i embraced those who meant something
i giggled till tears
dripped into my oil paints
but even watered down they were made of use

a spring in this bed is
right the **** up my ***
springy is what they call me now
ill scrape those stickers off
a six inch blade till dawn
and i would be no closer

to those days where i cheesed
where you begged for me
where i began to loose myself
where i became less of a person
and more of a character to you all
cartoonish

no
my home is not here
and if you try to get me to own
a single element of it all
ill decry it
i know its not healthy
but i was thinking
that i could make up the difference

in my bedroom
not only with my hands on you
a gentle graze
or light and deserving
application of the pucker
but with my pen to pulp
and a gush to the world
so that a secret might
be known to us all
not just me
firm bedding
Kiernan Norman Mar 2015
I never really notice the color of people's eyes but
I can tell you that the way you hold a pen makes me think
the words twisting inside of you
are streaming and surging and sharp;
a deafening waterfall I can't chase.
They're throwing themselves into the dips of your eyelashes and demanding to be set on fire-
they're screaming to be loaded into a barrel,
cocked and aimed at the crosshairs of your moleskine-
You're hunting wild words for the thrill of the ****.

I don’t remember your license plate
so each passing pick-up,
(cobalt, clean, too high to just step in) sends me reeling.
As winter fades, the memory of rushing heat
that struck bare shoulders and spider-scurried
in deep, mascara-laced blinks from your passengers seat vent
to the base of my spine replays sweetly-lonely,
it echoes tightly-comforting.

I tread sensory smiles because spring can't get here fast enough.
My boots are always drying.
My thoughts are always climbing.
I'm craving a day that has shriveled up
and blown away; giddy on these too-tough
March ghosts and gales-
being tangled in it feels almost safe to me now.
In a certain moonlight rejection resembles refuge.
No border tries to contain me;
I burned my passport.
I'm growing out my hair.

These light-and-sweet iced coffee, round-tummy, solid-thigh days
find me a galaxy away from the springy, sinewy nights of us-
the nights when I didn't slouch
and I had hands worth holding.
My shoulders aren't the smooth golden brown;
(shea-butter-softened, an amber, wrinkled velvet

that demanded your caress, 
that confused my heritage,)

they were when you were driving me places-

They're thicker now;
thick and full and that yellowy,
greenish kind of pale that pulls drum-tight over dewy purple veins.
Veins that weave and sprout in every direction;
that bottle Mediterranean blood across leaky night lectures
and fevered weekends.
An arrangement of flesh that smiles the picture of pretty health
and tired vigor with a vineyard tan;
but limps sickly sallow when dodging the sun.

I'm flipping through notebooks and turning out
coat pockets. I'm looking for any little bit
of my autumn daydream to slip out
and remind me that it was so much better
inside my head. The receipts have faded
and we didn't take enough pictures-
fingers clutch my memory’s b-roll negatives,
the soundtrack a roughly translated laughter
in a knotted, almost-vocabulary.

My hands are full of crumpled words
and the small, neon lighters
that I liked to buy and forget about
at midnight October gas stations.
There are words hiding in other places too-
words I've strung up
like Christmas lights and dubbed poetry,
the frozen solid words you held
which I begged for but could never extract,
and the noble, solid words you offered me
like a fireman's blanket while we both sat upright and facing forward
from opposite ends of the same couch.
The words that detailed, in no uncertain terms,
all the ways in which I was not enough.

I think, if I ever fall again,
I will let the dressed-up details
coarse through my veins first.
The descriptions, the elaborations,
the tacky garnishes-
they can bloom in my memory void of language.
I'll let the tiny bits that do nothing for me
perch on my sternum,
then, sweet as a mockingbird,
call out, sing to and mirror back the lives
and centuries and twisted roots
of migration and exploration within me.
My birth certificate is lying-
I've been biting my nails and humming
across six thousand years.

I'm still learning;
now I know the shade of your eyes,
the make of your car,
the cds in your glovebox;
they're fine details I can shoulder
through the winter and won't imitate
bullets the way words seem to
when it's time to hibernate inside my skull.

Maybe by next spring
I'll shake off the novels my thoughts
are dripping with and writhing on the floorboards in reaction to.
Maybe by next spring
I won't wake to find my finger on the trigger
of a loaded paperback gun,
its howling muzzle aimed toward the sky.
figuring it out.
Silver Hawk Jan 2015
We all want to fit people into boxes -
big boxes, small boxes, green boxes,
sometimes wooden boxes
or even cake boxes.
And then quickly scribble short
mental descriptions on the memo pad of the brain
to save 3 months of getting to know them.

So when I saw her, sleepy lost eyes,
the escorts to a head of black hair,
contrasting with light brown skin,
it stirred primal curiosity.

She spilled over when I put her in a plastic box.
Then she was too springy to fit in the Pringles can.
So I tried to fit her in a wooden box,
one with wrought iron hinges.
But she came out of the bottom.

I have since come to accept
that she doesn't fit in any box
or receptacle for that matter.
That is what tempts you to take a little peek,
to look into the depths of her composition:
smell her fear, taste her happiness,
rub your hands through her shyness
to see how they make her eyes look down.

All I know is, when she spends hours
talking to you,
and brings you thoughtful gifts
that create restore points of happiness
somewhere in your brain,
that is her saying "I like you".

I might never discover the taste of her lips,
nor the warmth of her athletic body.
But whenever she smiles, pure and innocent,
I think of a box, wrapped with shiny blue paper,
whose contents are unknown
waiting to be opened.
RH 78 Feb 2016
I never fell for you.
I jumped!
I wore springy shoes.
That night we ******!

I wanted more.
You gave a smile.
It got serious.
You ran a mile!

Another lost love.
A memory lingers.
The thing I miss most...
Your healing fingers!
Lost love! Just a blur.... Moved on!
Nigel Morgan Jul 2013
By this pool at the tide’s edge I’m happy to sit and wait. Just surrounding myself with natural things is enough for today: I am mesmerised with the to and fro of ripples.

Opening the cottage door I can be on the dune in a few steps; then I’m crossing the sand and soon stood standing at the water’s edge. Always returning, hour upon hour, I study the detail of diurnal change, my body’s clock making a difference to what I see, to what I feel. With bare toes in a still-cold sea, I cast off my cares like the sandals I left by the porch step. I have walked barefoot on the springy grass and the still-wet sand. I bring my imagination to bear on what is real.

With intent I watch these ripples. Who knows where they will turn, and when they will fold and flow? At every blink their confluence adjusts. Here is a ripple forming: moving backwards, shimmering forwards it plays with its own reflection. Suddenly, a jagged, infinitely thin line of light flickers out of nothing . . . and is gone.

Once on a different shore I filmed such ripples passing over indentations of sand, across underwater dunescapes washed by water and an ever-present wind. Watching this film, I could hardly believe that what I saw was what I’d seen. It held a continuity I’d craved to record, to fasten down with layerings of print on paper textured by tea and rust. Then with needle and thread, I would stitch a journey over and between these naturally sculptured forms. It would become a gentle vision of wonder - gathered from those shallow pools left by a retreating tide.

But now, let me be returned by the mind’s miracle to my tidal pool, sheltered round by rocky arms, its water rippling constantly from the pull and push of the tide. Sometimes, and beyond all reason, the ripples still themselves; they re-group. It is as if a sudden silence falls on this northern shore, and the tidescape before me holds its breath . . .
The uniVerse Feb 2016
Melon Collies
Mashed Potato
Lemon Lollies
Aspect Ratio

Burnt Toast
Green Crisps
Dry Roast
Scratched Discs

Missed Calls
Cigarette Smoke
****** Fools
That Annoying Bloke

Headaches
Nightmares
Bed Shakes
Bus Fares

***** Hands
****** Hairs
Flirty Grans
Bruised Pairs

Unwashed Pots
Dented Tins
Acne Spots
Overflowing Bins

Living Beyond Ones Means
Benefit Cheats
Being Obscene
Anger In Defeat

Long Ques
Cutting In Line
Being Rude
Wasting Time

Self Service
Disc Error
Being Nervous
Ugly Mirror

Discarded Wrappers
Paper Cuts
Hardened Slappers
Naked *****

Bad Taste
Sore Throat
Sad Face
Raw Goat

Smelly Feet
Missing Socks
Unclean Sheets
Talking *******

Flat Tires
No Ink
Tangled Wires
Loo Stinks

Muddy Puddles
Cracked Pavement
Minor Scuffles
Black Enslavement

Tax Returns
***** Glass
Chinese Burns
Half Mast

Fingerprints on Screens
Points that are Moot
Friends that are Really Fiends
Two Finger Salute

Melted Ice Cubes
Third World Poverty
People Being Rude
Unjust Sovereignty

Unpaid Fines
Hasty Follies
Doing Lines
Nasty Bullies

Mold on Bread
Lumpy Custard
Off My Meds
Cheeky *******

Painful Splinters
Dead Batteries
Rainy Winters
Springy Mattresses

Filled With Dread
Slow Divorce
Cold Bed
No Remorse

Saying Goodbye
Not Wanting to Part
No Reply
Broken Heart
Originally Written: 01/02/2014
Dana C Sep 2013
I am going to be a strict machine;
Amongst screws and bolts will be the blood of me.
With some twists and turns that carry through,
I will take control of all you knew.

For a head I will have a bowling ball,
A fixture so round, smooth, opaque, and small;
Holes to carry me, sleek surface to move,
A variable mass with headstrong dreams to prove.

My eyes will hold all to be seen around
That counts for more than even sky or ground,
Than sun or rain, than death or life:
Than pleasure and pain balanced with strife.

I'll elect to locate naught for an ear
To replace with silence the sounds of fear.
Instead I shall have a decorative lace
For all the good  it would do in its place.

Holding my innards will be a strong steel,
A robust cage built to withstand repeal.
It won't buckle nor bruise, fracture nor fall;
Its strength shall prove aspiration for all.

My foundation, the base on which I stand
Shall be something springy for when I land.
Smoothly mobile and long in stride,
They alone will be the source of my pride.

Discarded and buried, left to rot
Are all the scars and wounds you wrought.
Pieces spoiled,  marred beyond reason
I surrender to yield life in another season.
Original written Feb. 22, 2005; Revised Sept. 4, 2013

— The End —