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Richard Apr 2013
corinth picked up the ball and tossed it up into the air as high as he possibly could. the energy it took for him to do so left him gasping and his muscles stung a little, but to watch the ball arc high above the sky, black against blue, was worth it. when the ball started to sink back down, he ran after it, bumping past athens who had been watching mere inches away.

the enclosure was a backyard to a white building surrounded by concrete walls that cut open hands when rubbed too hard or when scuffles turned sour. in the corner, there was a patch of green grass. the rest was stained yellow from lack of water or from too much sun.

sparta sat in the dust, his hands red with dirt and blood. the stains wrapped around his fingers and wrists and spiraled up to his elbows. he rubbed the pads of his fingers along the dirt, picking up small twigs and stones along the way, as he drew circles around the bird. the bird was dead, long dead, but its brown and grey feathers still stayed in its skin most of the time and the blood was drying so sparta’s hands wouldn’t be red for too much longer. the cracks of flaking blood opened like wounds on small boy's hands: palms big for holding bigger hands and fingers short to keep everything close. sparrow feathers and tears smeared comets into the dust while he cried for his mama even though his mama never came.

corinth ran after the ball, his breath short and his face glowing pink from exertion. as he ran, his hand running along the concrete wall, he started coughing. catching up with the ball started the initial coughing fit that turned into a rattler. he held his hand against the wall, clinging to it with white knuckles, as he hunched over to cough and cough so hard he could feel his throat start to stretch ragged, could feel lunch starting to come up. athens kicked corinth's foot gently before backing away a few feet while corinth continued to cough. when corinth's lungs and throat settled, he stood up straight, grabbed the ball, and threw it up again, this time out of anger rather than play. the ball went sailing backward and athens ran in order to try and get to the ball first, having had a head start. corinth was still faster and managed to shove athens away with a rogue elbow to the ribs in order to claim the ball again. athens didn't argue against the bone.

play continued until the sirens sounded. sparta stopped crying, corinth dropped the ball, and athens picked it up. all three of them hurried quickly and clumsily inside the bunker, shutting the door behind them. as they crawled down the narrow passageway, sparta started to hiccup, a leftover symptom of crying. corinth stopped and glared, and sparta murmured an apology before wiping his sniffles away with the sleeve of his shirt. corinth led the way until the three boys dropped inside the hollowed out room. it was round and the walls were mixtures of concrete, dirt, and chalk drawings. they each had to hunch, especially athens, as the ceiling

they sat in a practiced circle around the center of the room. after a few moments of quiet, hushed breathing, athens began the processions.

“we all here?”

the other two boys raised their hands. sparta’s fingers trembled while corinth raised his arm as high as it could possibly go. his ******* scraped against the ceiling in his earnestness. the three then began the tradition discussion of their names. sparta, forgetting conduct, almost gave away corinth's name, but corinth shut him up quickly. sparta apologized quickly and shoved his fingers in his mouth to keep from saying anything more. dirt and blood mixed with saliva in his mouth, and as he swallowed he ended up choking and gagging on the combination. he coughed and coughed, and corinth slapped him on the back. it didn't help, and the more sparta tried to stop coughing, the harder it lasted. eventually, he had to turn and face away from the other boys as hot bile slid up his throat and onto the floor with a small splat. athens grimaced and edged away.

"alright… show your lungs. everyone."

all three boys began the process of reaching under their shirts and pressing the smooth button under their ribs that unlocked the hatch. the hatch was a small door that ran from the bottom of their ribs up to their collar bone. when they found the smooth button, no bigger than the pad of their thumb, then a small click allowed them to open up their skin. underneath their torsos was a small plastic box that kept everything inside. it helped protect their bones, their heart, and, especially, their lungs. their lungs were frequent targets for doctors; they needed to be accessed quickly. fewer and fewer doctors came by to see the boys recently. corinth wiggled his shirt until he could shove most of it into his mouth, opening his body up and showing gray and green lungs that expanded and collapsed with every breath. his lungs were swollen behind his rib cage, and he experimentally reached in to poke in between his third and fourth ribs. the muscle that was there had been replaced by plastic, and had come loose when he'd pressed the button. his lung shuddered underneath his touch, but he felt the odd relief of pain swoop over him. two blue shirts tumbled to the floor as sparta and athens decided to take off their clothing and help each other find the buttons to unlock their hatches. the boys clung to the small moments of touch when the effects of their touh felt so alien, even after all those years after the surgery.

athens’ lungs were pink and perfect. he coughed and corinth couldn’t help but watch the way his diaphragm moved as he did so, and he felt jealousy pang in his stomach. sparta’s lungs were purple and blue, bruised and small, and they merely fluttered.

“lungs in order,” athens said quietly after a quick inspection of everyone’s insides. sparta immediately closed his hatch, flinching when his finger got caught initially between his inside and his outside, and started to put his shirt back on. corinth stole athens' shirt and slipped it on over the one he currently wore, his other hand slamming shut his lung hatch. athens blinked but let corinth stare at him greedily as he quietly shut his own hatch.

as they waited for the background noise of wailing sirens to disappear, corinth hugged his knees and athens started to draw people in the dirt with his forefinger.
There was an Old Person of Sparta,
Who had twenty-one sons and one 'darter';
He fed them on snails,
And weighed them in scales,
That wonderful Person of Sparta.
Q Apr 2013
I wake as your  friend                                     You wake as my lover
I speak as your lover                                       You speak as my friend
I act as your possession                                   You are my possesion
I rebel as your cover                                        A means to an end
I hurt for your compassion                             You live for my acceptance
I injure for your respect                                  Though it's never been withheld
I confide for your emotion                              You crave my direction
I give and you collect                                      Never will you rebel

This is madness                                               This is Sparta
This is insanity                                                This is the price of exellence
I can't be everything for you                          I am your everything
You can't be everything for me                     I am magnificence
You treat everyone the same                         I am fair and righteous
As a friend, yet as a lover                              And yet you seek more
And it's a cruel, cruel game                          Dare you grow capricious
From your twisted love, no one recovers     You'll become one I abhor

I am done                                                       You are confused
(I am never done)                                          And I will not calm you
I am sick                                                        As I am amused
(But I'm not tired)                                         As I drop little clues  
I will run                                                        You'l­l never leave me
(I won't run)                                                  But I'll abandon you
Because I love you                                        You'll always need me
(A better word is 'desire')                             And I'll never need you

Let me go!                                                    My grip is vice-like
(But you're not holding me)                       I'm not ready to let you go
Bring me back!                                            If I lose you, 'my dear'
(But I never left)                                          I must find yet another 'beau'
Love me only!                                             And I've not the time to put effort
(But you love equally)                               In little minions like you
Push me away!                                          I've not a care to give for
(Or bridge this rift)                                    You insects I never knew

Please, disappear                                       I am your torture
One day you'll understand                      But I am your salvation
That the twisted way you love                 I am your executioner
Could coax death from any human        And I am your redemption
Please, disappear!                                     You'll wish me dead forever
Though I'll weep when you're gone        You'll wish me dead I know
I know sanity will return                          And you'll wish yourself deader
And I'll eventually move on.                    *When away I finally go.
It is full winter now:  the trees are bare,
Save where the cattle huddle from the cold
Beneath the pine, for it doth never wear
The autumn’s gaudy livery whose gold
Her jealous brother pilfers, but is true
To the green doublet; bitter is the wind, as though it blew

From Saturn’s cave; a few thin wisps of hay
Lie on the sharp black hedges, where the wain
Dragged the sweet pillage of a summer’s day
From the low meadows up the narrow lane;
Upon the half-thawed snow the bleating sheep
Press close against the hurdles, and the shivering house-dogs creep

From the shut stable to the frozen stream
And back again disconsolate, and miss
The bawling shepherds and the noisy team;
And overhead in circling listlessness
The cawing rooks whirl round the frosted stack,
Or crowd the dripping boughs; and in the fen the ice-pools crack

Where the gaunt bittern stalks among the reeds
And ***** his wings, and stretches back his neck,
And hoots to see the moon; across the meads
Limps the poor frightened hare, a little speck;
And a stray seamew with its fretful cry
Flits like a sudden drift of snow against the dull grey sky.

Full winter:  and the ***** goodman brings
His load of ******* from the chilly byre,
And stamps his feet upon the hearth, and flings
The sappy billets on the waning fire,
And laughs to see the sudden lightening scare
His children at their play, and yet,—the spring is in the air;

Already the slim crocus stirs the snow,
And soon yon blanched fields will bloom again
With nodding cowslips for some lad to mow,
For with the first warm kisses of the rain
The winter’s icy sorrow breaks to tears,
And the brown thrushes mate, and with bright eyes the rabbit peers

From the dark warren where the fir-cones lie,
And treads one snowdrop under foot, and runs
Over the mossy knoll, and blackbirds fly
Across our path at evening, and the suns
Stay longer with us; ah! how good to see
Grass-girdled spring in all her joy of laughing greenery

Dance through the hedges till the early rose,
(That sweet repentance of the thorny briar!)
Burst from its sheathed emerald and disclose
The little quivering disk of golden fire
Which the bees know so well, for with it come
Pale boy’s-love, sops-in-wine, and daffadillies all in bloom.

Then up and down the field the sower goes,
While close behind the laughing younker scares
With shrilly whoop the black and thievish crows,
And then the chestnut-tree its glory wears,
And on the grass the creamy blossom falls
In odorous excess, and faint half-whispered madrigals

Steal from the bluebells’ nodding carillons
Each breezy morn, and then white jessamine,
That star of its own heaven, snap-dragons
With lolling crimson tongues, and eglantine
In dusty velvets clad usurp the bed
And woodland empery, and when the lingering rose hath shed

Red leaf by leaf its folded panoply,
And pansies closed their purple-lidded eyes,
Chrysanthemums from gilded argosy
Unload their gaudy scentless merchandise,
And violets getting overbold withdraw
From their shy nooks, and scarlet berries dot the leafless haw.

O happy field! and O thrice happy tree!
Soon will your queen in daisy-flowered smock
And crown of flower-de-luce trip down the lea,
Soon will the lazy shepherds drive their flock
Back to the pasture by the pool, and soon
Through the green leaves will float the hum of murmuring bees at noon.

Soon will the glade be bright with bellamour,
The flower which wantons love, and those sweet nuns
Vale-lilies in their snowy vestiture
Will tell their beaded pearls, and carnations
With mitred dusky leaves will scent the wind,
And straggling traveller’s-joy each hedge with yellow stars will bind.

Dear bride of Nature and most bounteous spring,
That canst give increase to the sweet-breath’d kine,
And to the kid its little horns, and bring
The soft and silky blossoms to the vine,
Where is that old nepenthe which of yore
Man got from poppy root and glossy-berried mandragore!

There was a time when any common bird
Could make me sing in unison, a time
When all the strings of boyish life were stirred
To quick response or more melodious rhyme
By every forest idyll;—do I change?
Or rather doth some evil thing through thy fair pleasaunce range?

Nay, nay, thou art the same:  ’tis I who seek
To vex with sighs thy simple solitude,
And because fruitless tears bedew my cheek
Would have thee weep with me in brotherhood;
Fool! shall each wronged and restless spirit dare
To taint such wine with the salt poison of own despair!

Thou art the same:  ’tis I whose wretched soul
Takes discontent to be its paramour,
And gives its kingdom to the rude control
Of what should be its servitor,—for sure
Wisdom is somewhere, though the stormy sea
Contain it not, and the huge deep answer ‘’Tis not in me.’

To burn with one clear flame, to stand *****
In natural honour, not to bend the knee
In profitless prostrations whose effect
Is by itself condemned, what alchemy
Can teach me this? what herb Medea brewed
Will bring the unexultant peace of essence not subdued?

The minor chord which ends the harmony,
And for its answering brother waits in vain
Sobbing for incompleted melody,
Dies a swan’s death; but I the heir of pain,
A silent Memnon with blank lidless eyes,
Wait for the light and music of those suns which never rise.

The quenched-out torch, the lonely cypress-gloom,
The little dust stored in the narrow urn,
The gentle XAIPE of the Attic tomb,—
Were not these better far than to return
To my old fitful restless malady,
Or spend my days within the voiceless cave of misery?

Nay! for perchance that poppy-crowned god
Is like the watcher by a sick man’s bed
Who talks of sleep but gives it not; his rod
Hath lost its virtue, and, when all is said,
Death is too rude, too obvious a key
To solve one single secret in a life’s philosophy.

And Love! that noble madness, whose august
And inextinguishable might can slay
The soul with honeyed drugs,—alas! I must
From such sweet ruin play the runaway,
Although too constant memory never can
Forget the arched splendour of those brows Olympian

Which for a little season made my youth
So soft a swoon of exquisite indolence
That all the chiding of more prudent Truth
Seemed the thin voice of jealousy,—O hence
Thou huntress deadlier than Artemis!
Go seek some other quarry! for of thy too perilous bliss.

My lips have drunk enough,—no more, no more,—
Though Love himself should turn his gilded prow
Back to the troubled waters of this shore
Where I am wrecked and stranded, even now
The chariot wheels of passion sweep too near,
Hence!  Hence!  I pass unto a life more barren, more austere.

More barren—ay, those arms will never lean
Down through the trellised vines and draw my soul
In sweet reluctance through the tangled green;
Some other head must wear that aureole,
For I am hers who loves not any man
Whose white and stainless ***** bears the sign Gorgonian.

Let Venus go and chuck her dainty page,
And kiss his mouth, and toss his curly hair,
With net and spear and hunting equipage
Let young Adonis to his tryst repair,
But me her fond and subtle-fashioned spell
Delights no more, though I could win her dearest citadel.

Ay, though I were that laughing shepherd boy
Who from Mount Ida saw the little cloud
Pass over Tenedos and lofty Troy
And knew the coming of the Queen, and bowed
In wonder at her feet, not for the sake
Of a new Helen would I bid her hand the apple take.

Then rise supreme Athena argent-limbed!
And, if my lips be musicless, inspire
At least my life:  was not thy glory hymned
By One who gave to thee his sword and lyre
Like AEschylos at well-fought Marathon,
And died to show that Milton’s England still could bear a son!

And yet I cannot tread the Portico
And live without desire, fear and pain,
Or nurture that wise calm which long ago
The grave Athenian master taught to men,
Self-poised, self-centred, and self-comforted,
To watch the world’s vain phantasies go by with unbowed head.

Alas! that serene brow, those eloquent lips,
Those eyes that mirrored all eternity,
Rest in their own Colonos, an eclipse
Hath come on Wisdom, and Mnemosyne
Is childless; in the night which she had made
For lofty secure flight Athena’s owl itself hath strayed.

Nor much with Science do I care to climb,
Although by strange and subtle witchery
She drew the moon from heaven:  the Muse Time
Unrolls her gorgeous-coloured tapestry
To no less eager eyes; often indeed
In the great epic of Polymnia’s scroll I love to read

How Asia sent her myriad hosts to war
Against a little town, and panoplied
In gilded mail with jewelled scimitar,
White-shielded, purple-crested, rode the Mede
Between the waving poplars and the sea
Which men call Artemisium, till he saw Thermopylae

Its steep ravine spanned by a narrow wall,
And on the nearer side a little brood
Of careless lions holding festival!
And stood amazed at such hardihood,
And pitched his tent upon the reedy shore,
And stayed two days to wonder, and then crept at midnight o’er

Some unfrequented height, and coming down
The autumn forests treacherously slew
What Sparta held most dear and was the crown
Of far Eurotas, and passed on, nor knew
How God had staked an evil net for him
In the small bay at Salamis,—and yet, the page grows dim,

Its cadenced Greek delights me not, I feel
With such a goodly time too out of tune
To love it much:  for like the Dial’s wheel
That from its blinded darkness strikes the noon
Yet never sees the sun, so do my eyes
Restlessly follow that which from my cheated vision flies.

O for one grand unselfish simple life
To teach us what is Wisdom! speak ye hills
Of lone Helvellyn, for this note of strife
Shunned your untroubled crags and crystal rills,
Where is that Spirit which living blamelessly
Yet dared to kiss the smitten mouth of his own century!

Speak ye Rydalian laurels! where is he
Whose gentle head ye sheltered, that pure soul
Whose gracious days of uncrowned majesty
Through lowliest conduct touched the lofty goal
Where love and duty mingle!  Him at least
The most high Laws were glad of, he had sat at Wisdom’s feast;

But we are Learning’s changelings, know by rote
The clarion watchword of each Grecian school
And follow none, the flawless sword which smote
The pagan Hydra is an effete tool
Which we ourselves have blunted, what man now
Shall scale the august ancient heights and to old Reverence bow?

One such indeed I saw, but, Ichabod!
Gone is that last dear son of Italy,
Who being man died for the sake of God,
And whose unrisen bones sleep peacefully,
O guard him, guard him well, my Giotto’s tower,
Thou marble lily of the lily town! let not the lour

Of the rude tempest vex his slumber, or
The Arno with its tawny troubled gold
O’er-leap its marge, no mightier conqueror
Clomb the high Capitol in the days of old
When Rome was indeed Rome, for Liberty
Walked like a bride beside him, at which sight pale Mystery

Fled shrieking to her farthest sombrest cell
With an old man who grabbled rusty keys,
Fled shuddering, for that immemorial knell
With which oblivion buries dynasties
Swept like a wounded eagle on the blast,
As to the holy heart of Rome the great triumvir passed.

He knew the holiest heart and heights of Rome,
He drave the base wolf from the lion’s lair,
And now lies dead by that empyreal dome
Which overtops Valdarno hung in air
By Brunelleschi—O Melpomene
Breathe through thy melancholy pipe thy sweetest threnody!

Breathe through the tragic stops such melodies
That Joy’s self may grow jealous, and the Nine
Forget awhile their discreet emperies,
Mourning for him who on Rome’s lordliest shrine
Lit for men’s lives the light of Marathon,
And bare to sun-forgotten fields the fire of the sun!

O guard him, guard him well, my Giotto’s tower!
Let some young Florentine each eventide
Bring coronals of that enchanted flower
Which the dim woods of Vallombrosa hide,
And deck the marble tomb wherein he lies
Whose soul is as some mighty orb unseen of mortal eyes;

Some mighty orb whose cycled wanderings,
Being tempest-driven to the farthest rim
Where Chaos meets Creation and the wings
Of the eternal chanting Cherubim
Are pavilioned on Nothing, passed away
Into a moonless void,—and yet, though he is dust and clay,

He is not dead, the immemorial Fates
Forbid it, and the closing shears refrain.
Lift up your heads ye everlasting gates!
Ye argent clarions, sound a loftier strain
For the vile thing he hated lurks within
Its sombre house, alone with God and memories of sin.

Still what avails it that she sought her cave
That murderous mother of red harlotries?
At Munich on the marble architrave
The Grecian boys die smiling, but the seas
Which wash AEgina fret in loneliness
Not mirroring their beauty; so our lives grow colourless

For lack of our ideals, if one star
Flame torch-like in the heavens the unjust
Swift daylight kills it, and no trump of war
Can wake to passionate voice the silent dust
Which was Mazzini once! rich Niobe
For all her stony sorrows hath her sons; but Italy,

What Easter Day shall make her children rise,
Who were not Gods yet suffered? what sure feet
Shall find their grave-clothes folded? what clear eyes
Shall see them ******?  O it were meet
To roll the stone from off the sepulchre
And kiss the bleeding roses of their wounds, in love of her,

Our Italy! our mother visible!
Most blessed among nations and most sad,
For whose dear sake the young Calabrian fell
That day at Aspromonte and was glad
That in an age when God was bought and sold
One man could die for Liberty! but we, burnt out and cold,

See Honour smitten on the cheek and gyves
Bind the sweet feet of Mercy:  Poverty
Creeps through our sunless lanes and with sharp knives
Cuts the warm throats of children stealthily,
And no word said:- O we are wretched men
Unworthy of our great inheritance! where is the pen

Of austere Milton? where the mighty sword
Which slew its master righteously? the years
Have lost their ancient leader, and no word
Breaks from the voiceless tripod on our ears:
While as a ruined mother in some spasm
Bears a base child and loathes it, so our best enthusiasm

Genders unlawful children, Anarchy
Freedom’s own Judas, the vile prodigal
Licence who steals the gold of Liberty
And yet has nothing, Ignorance the real
One Fraticide since Cain, Envy the asp
That stings itself to anguish, Avarice whose palsied grasp

Is in its extent stiffened, moneyed Greed
For whose dull appetite men waste away
Amid the whirr of wheels and are the seed
Of things which slay their sower, these each day
Sees rife in England, and the gentle feet
Of Beauty tread no more the stones of each unlovely street.

What even Cromwell spared is desecrated
By **** and worm, left to the stormy play
Of wind and beating snow, or renovated
By more destructful hands:  Time’s worst decay
Will wreathe its ruins with some loveliness,
But these new Vandals can but make a rain-proof barrenness.

Where is that Art which bade the Angels sing
Through Lincoln’s lofty choir, till the air
Seems from such marble harmonies to ring
With sweeter song than common lips can dare
To draw from actual reed? ah! where is now
The cunning hand which made the flowering hawthorn branches bow

For Southwell’s arch, and carved the House of One
Who loved the lilies of the field with all
Our dearest English flowers? the same sun
Rises for us:  the seasons natural
Weave the same tapestry of green and grey:
The unchanged hills are with us:  but that Spirit hath passed away.

And yet perchance it may be better so,
For Tyranny is an incestuous Queen,
****** her brother is her bedfellow,
And the Plague chambers with her:  in obscene
And ****** paths her treacherous feet are set;
Better the empty desert and a soul inviolate!

For gentle brotherhood, the harmony
Of living in the healthful air, the swift
Clean beauty of strong limbs when men are free
And women chaste, these are the things which lift
Our souls up more than even Agnolo’s
Gaunt blinded Sibyl poring o’er the scroll of human woes,

Or Titian’s little maiden on the stair
White as her own sweet lily and as tall,
Or Mona Lisa smiling through her hair,—
Ah! somehow life is bigger after all
Than any painted angel, could we see
The God that is within us!  The old Greek serenity

Which curbs the passion of that
Mateuš Conrad Aug 2016
^or the equivalent of the bushidō, i.e. way of the citizen: shimin dōro (shimindō).

it's truly electrifying watching the Olympics, the diversity of
bodies, it simply shames the football ballerinas
complaining about their tiaras
and fouls *****-whiskers tingling **** -
oh ooh oh god, the end of the world!
i finally find my body type,
Greco-Roman 130 kg wrestling,
or 105 kg weightlifting, no six pack...
you watch the Olympics long enough to
sterilise what's otherwise turkey-feeding
of image... i think the discus throwers
are hot, the archery from South Korean with
their porcelain pelicans shattering on the one touch...
the Croat beauty is atypical of
Slaven Bilić - itch - that's a diacritical mark
that's itchy - breve or acute... c̆ that alternative,
along with the c̆ech - Český Krumlov - chequers-ski -
Gucci and other associates of Milan did
a runner... we don't accept anorexic in the
Paraolympics... maybe we should enter old twiggy
daddy longshanks in the races... invent
Metaolympics...  so i found out where i'm designated,
130kg Greco-Roman wrestling and 105kg weightlifting...
that's my body... if i were to be tyrannised by
the dictatorial rule of volleyball and football
i'd be nowhere... no spectrum, no difference...
some like Twiggy Ramirez at the ping pong shoo
(**** **** ****... believe me,
non-purpose onomatopoeia usage is a replacement
of sensibility knocking, i use it when i just
want a sound, not necessarily an accessible
direction of finalising a meaning) -
but watching the Olympics is like watching
the Greeks under Roman rule... the marble genius
of the spectrum of sizes... and coerced differences
ploughed into one...
which had me bewildered about the other duality,
i always thought that the Spartan way of life
was about raw physicality... that all Spartans
had to be physically fit, ten potato sacks on their
shoulders running up Etna...
and that the Athenians concerned themselves
with aesthetics of the arts and clues...
it's not about athletics at all...
i'm a Spartan in that respect, sure, i donned
the long hair like any Spartan might,
men with long hair, women with a Niqab, whatever,
Satan's postbox as the crude English myth said it was...
i might go and see a ballet, but let me tell you,
any first act of ballet is tedious... you can't warm up
to liking any ballet in the first act...
it's all downhill during the second and third acts,
but the first act is horrid...
i realised that there was another dimension of
the Spartan life, it's not the physicality at all...
Spartans' physicality is about efficiency,
we have weightlifters in Sparta, but we have
bodybuilders in Athens, the former concerns itself
in pragmatic matters, the latter in aesthetic matters...
same in art... the Spartan way concerning mental
aptitude is to do with the basics, with very little,
a minimalism, a park bench, a few beers,
a conversation... otherwise? the Athenian reign on
ballrooms, cocktails, royal dinners, flamboyance,
degeneracy, and outright excess...
forget the Olympic plus, the variations of bodies...
footballers and anorexic catwalk models...
we're talking blubber fetishes of Rembrandt -
then into the psychic life of Sparta - simplicity,
twinning with the Japanese way of life...
over and over again... simple fulfils perfection
by not competing, so self-absorbed it is,
so solipsistic it will remain... and it is an art-form
the Spartan life, if i get my sleep,
have my tobacco, a bottle of whiskey and a few beers,
a white page... the end.
the Athenian model discounts what that famous
Spartan argued for: carpenters, plumbers,
better than the claims of being a "son of god",
he broke out, on the prescription that ****** him
by the authorities: deus ex machina -
try imitating him, it's harder than you think.
the Athenian model of the arts and impracticality -
the Spartan model of geometry and practicality -
the Olympics taught me that the Spartan way of life
is not solely concerned with physical exercises,
that the physicality of body be the sole concern,
that one is to perfect the body...
the Spartan way of perfecting the mind is just as rigid
as the body demands... the pentagon of an event,
how strained is your hearing, your eyes or your tongue?
it concern the simplicity of all things being perfected,
rather than the Athenian counter of the complication
of all things being unlearned and in pyramidal schematics
expected: courtesy of approaching a king...
the dinner arrangements, the starter fork, the main meal
fork, the dessert fork... a Spartan would just look at it
and say: they can use chop-sticks because the chef
knew how to cut into bite size... i'll forget the knife
and use the one fork throughout the meal...
she better be wearing that crown of hers throughout
the meal... otherwise she's no queen, i'll just watch
her slurp the soup with that Mt. Fuji balancing on her head...
**** the airs, and all of Jane Austen.
RAJ NANDY Nov 2014
Friends, in the Introductory portion we have seen how Herodotus
gave birth to the subject of 'History'. Now I conclude this true story
by quoting a poem by the English poet Edgar O' Shaughnessy, which
is very appropriate for my Story! Please take your time to read, there is no hurry! Thanks, -Raj Nandy.

        HISTORIANS  AFTER  HERODOTUS
Herodotus became the trail blazer with his narration
of History,
Inspiring several Greek and Roman chroniclers as  
we subsequently get to see!
There was Thucydides, Livy, Sallust, Xenophon, and
Polybius,
Not forgetting chroniclers like Julius Caesar, Tacitus,
and the oft quoted Plutarch!
The Roman scholar Cicero had called Herodotus the
‘Father of History’;
But later the Greek historian Plutarch criticized him
for his many hearsay inaccuracies!
Even though Herodotus had cautioned his readers in
his Historical narrations, -
About those hearsay accounts and doubtful portions!
Greek historian Thucydides, who was a junior and a
contemporary of Herodotus,
For his accurate historical rendering of ‘The
Peloponnesian War’ between Athens and Sparta, -
Was praised by later scholars very much!

CYCLIC AND LINEAR PATTERNS OF HISTORY:
Herodotus believed in Nemesis and a repetitive
pattern of History.
While Thucydides with his strict investigation drew
a line between myth and reality!
Thucydides viewed history as a political struggle
based on the nature of man;
And felt that since human nature does not change
often, -
The past events would reoccur once again !
The Greeks believed in this cyclic notion of History,
Also developed a prose style to narrate their stories!
Unlike the Greeks, Roman History did not begin in an
oral Homeric tradition,
But they had a ready-made Greek model for their
historical narrations!
Roman historiography began after the Second Punic
War against Hannibal of Carthage,
When Quintus Flavius Pictor wrote Rome’s History
in Greek, instead of Latin!     (around 200BC)
Cato the Elder, was the first to write in Latin Rome’s
History,
While the Roman Livy born in Padua in 59 BC, was
praised for introducing a ‘milky richness’ of style  
for narrating these true stories !
From Julius Caesar’s accounts we learn about the
Gallic Wars and events of those ancient days;
But he Romans had used History for propaganda
and self-praise !
Also to make the conquered world to look up to them
with wonder and admiration;
For the Romans were creating History with their
conquests in a steady progression!

CYCLIC VIEW OF TIME AND HISTORY
Perhaps the cyclic view of Time has influenced the
cyclic concept of History to a great extent,
Since this cyclic view was held by many of those
Ancients !
Ancient doctrine of 'eternal return' like the seasons
of Summer, Autumn, Winter and Spring, existed
in old Egypt, and the Hindu religion;
Also with the Greek Pythagoreans and Stoic
conceptions;
As well as in the Mayans and the Aztec Civilizations!
In the East, cyclic theory of History as succession of
dynastic rule developed in China,
While the Vedic Hindus developed their theory of
Cycles of Yugas!    (epoch or era)
Writing of Indian History had commenced with
the Colonial British initially,
Who had criticized India for its lack of a sense of
History and Historiography!
The ancient Hindus were more concerned with
religious philosophy, and the essence of existence,
Rather than getting absorbed with historical details!
The Hindus divide cosmic time into cyclic eras of
Satya, Tretra, Dwapara, and Kali Yugas;
With each era covering many thousands of our
human eras!
These Yugas or Cyclic segments of time is said to
repeat itself in a cyclic motion, -
Which had perhaps mystified their early views
of a clear Historical perception.
However, later Indian historians have corrected
the earlier British interpretations, -
By dividing Indian History into Ancient, Medieval
and Modern Periods,
Replacing the earlier Hindu, Muslim, and British
Periods as Colonial segregation!
And also by correcting the British Aryan Invasion
Theory as Aryan Migration;
Based on more accurate historical research and
better perception!

CHRISTIAN AND LATER VIEWS OF HISTORY:
St. Augustine during the 4th century AD, systematized
the Christian view of History, -
As a struggle between the City of God and the City
of Man, where the City of God gains victory, -
Establishing peace and prosperity!
The Christian view is therefore Linear with a
positive beginning and an end;
A providential view from the Creation of Adam
till the Day of Last Judgment!

THE RENAISSANCE: (14TH - 17TH CENTURIES):
During this period the theological view gradually
begun to fade, giving rise to the Cyclic concept of
History,
As illustrated by the decline and fall of the mighty
Roman Empire, immortalized by Edward Gibbons
in his narrated story!
This cyclic view was also maintained by Oswald
Spengler, Nikolai Danilevsky, and Paul Kennedy,
during the 19th and the 20th Centuries.

AGE OF ENLIGHTENMENT : THE 18TH CENTURY
This period advocated the use of reason to obtain
objective truth, when human beings made all the
difference freed from superstition and bigotry;
Which led to favoring a Linear and a progressive
view of History.
Voltaire symbolizing the spirit of this age had
supported human wit and education, -
Since only enlightened people could give History
a positive direction !
For Karl Marx Feudalism was followed by Capitalism,
and Capitalism by Communism.
History of existing Society as the History of Class
Struggle - was Karl Marx’s new concept!
For social material forces drove History, and this
‘historical materialism’ as a revolutionary view, -
many later Scholars did accept!

SOME MODERN CONCEPTS ABOUT HISTORY
Now I share the views of three of our renowned
Historians; the German Oswald Spengler, the
British Arnold Toynbee, and the American
Carroll Quigley,
To provide you with three different concepts
of History.
Oswald Spengler (1880-1936):
Spengler’s reputation rests on his work titled
‘Decline of the West’, considered as a major
contribution to social theory;
Where he rejects the ‘Linear’ view in favor of
definite, observable, and unrelated cycles of
History!
Rejecting the Eurocentric view of History and its
Linear division into ‘Ancient-Medieval-Modern’
Eras,
Spengler recognizes eight ‘high cultures’ which
evolve as organism, following the cycles of
growth, development, and decline;
And his views astonished the Western mind!
These high cultures were the Babylonian,
Egyptian, Chinese, Indian, Mexican ( Mayan&
Aztec), Classical (Greece& Rome), Arabian,
and Western or Euro-American!
Cultures have a life span of about a thousand
years each,
So the Western Civilization too shall decline one
day, - Spengler did teach!

Arnold Toynbee (1889-1975):
Toynbee’s 12 volumes on ‘A Study of History’
covers a wider spectrum of 23 Civilizations,
Where he rejects Spengler’s cynical theory of
growth and decline of Western Nations!
“Civilization is a movement and not a condition,
a voyage not a harbor”, Arnold said;
Like human beings Civilizations were free to chart
their own course with the capacity to ‘consciously’
choose its destiny, he had felt!
Arnold moves on to formulate his Theory of
‘Challenge and Response’, since by responding to
such challenges Civilizations could move on !
These challenges could be social or environmental
he had said;
The Greeks responded to their growing population
by taking to the seas and maritime trade,
And also prospered as their overseas colonies had
begun to spread!
Toynbee’s Civilization start to decay when they lose
their moral fiber,
He perhaps over emphasized the religious and
cultural aspects, ignoring those economic factors!
But his views were certainly more popular than
the cynical Spengler!

Carroll Quigley (1910-1977):
Quigley’s scientific trained mind could not accept
either of the above views,
So he created a synthesis of Spengler and Toynbee,
while paying History its dues!
Quigley laid down seven stages for the evolution
of Civilization;
Commencing with Mixture, Gestation, Expansion,
Conflict, Universal Empire, Decay, and Invasion!
His Civilizations are neither groups nor individuals,
But each is a system which share some common
traits.
In Quigley’s model each system come into being
adapted to their environment;
But since environment always changes, Quigley
states with some relish, -
Systems which cannot adapt themselves, must
necessarily perish!

WE ARE ALL LIVING PARTICIPANTS IN THE
  LONG UNFOLDING HUMAN STORY!
“Know Thy Self” said Socrates, and the Delphic
Oracle had pronounced that he was wisest of
the Greeks!
To know ourselves truly we must know about
our past,
For this evolutionary process shall continue as
long as the Human species last!
Today we remain as a living monument to the
past,
We continue to make History as long as humans
on this planet shall last!
Our planet earth is around 4.5 billion years old;
While the first ****-erectus emerged around
two million years hence - we are told!
By walking ***** the two hands became free to
develop,
With flexible fingers and the rotating thumb;
Which was crucial for shaping the destiny of
the Human species on earth!
Our Civilization proper dates back to about
five thousand BC,
Thus an emerging pattern we can easily see!
With the development of human consciousness
we have learned to delve inwards, -
To discovered within a vast macro world!
Now, I would love to conclude this narration by
quoting from the English poet Arthur William
Edgar O’Shaughnessy’s book ‘Music and
Moonlight’;       (1874)
Do try to follow the philosophical content relevant
to the Cyclic History of Mankind!

“We are the music makers,
And we are the dreamers of dreams,
Wandering by lone sea-brakers,
And sitting by desolate streams;
World losers and world forsakers,
On whom the pale moon gleams;
Yet we are the movers and shakers
Of the world for ever, it seems.

With wonderful deathless ditties,
We build up the world’s great cities,
And out of a fabulous story
We fashion an empire’s glory.
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And there with a new song’s measure
Can trample an empire down.

We, in the ages lying
In the buried past of the earth,
Built Nineveh with our sighing,
And Babel itself with our mirth;
And overthrew them with prophesying
To the old of the new world’s worth;
For Each Age Is a Dream That’s Dying,
Or One That Is Coming To Birth.”

Thanks my readers and poet friends,
Sincerely hope you will now appreciate
History better, and love its contents!
**ALL COPYRIGHTS ARE WITH THE AUTHOR
RAJ NANDY OF NEW DELHI
Friends, those who have read part one will find the concluding portion in this narration of mine, which I tried my best to simplify! Mentioned the two basic views of History, the Linear & the Cyclic views in my narrated Story! Hope you liked the poem quoted at the end by me ! Thanks, -Raj
LatteQueen Mar 2016
I'm tired of this death match
fighting for my place
amongst the scattered remains
of a
thousand
broken hearts

This is not Sparta
I am no gladiator
and            you            
are
no
prize
Matt Carter Nov 2015
In the year 480 B.C., King Leonidas of Sparta lead 300 Spartan soldiers to  the mountain pass of Thermopylae. They came face to face with over 200,000 Persians under King Xerxes of the great Persian Empire,
whose archers so multiple, their arrows blocked out the sun.
Bravely the Spartans fought, with no thought of surrender.
After three days of brutal fighting, tens of thousands of Persians lay dead,
yet the Spartans still remain. Then a local resident becomes a traitor, revealing to the Persians a mountain path that lead behind Greek lines. Surrounded, Leonidas sends Greek soldiers back to Sparta to tell of a great victory, that he knew would never be. Valiantly the Spartans stand by their king, and fight to the death. So today, even though the Greeks lost the battle, it is better known for the bravery of a Spartan king and his 300 soldiers.
Tell me, o muse, of that ingenious hero who travelled far and wide
after he had sacked the famous town of Troy. Many cities did he visit,
and many were the nations with whose manners and customs he was
acquainted; moreover he suffered much by sea while trying to save
his own life and bring his men safely home; but do what he might he
could not save his men, for they perished through their own sheer
folly in eating the cattle of the Sun-god Hyperion; so the god
prevented them from ever reaching home. Tell me, too, about all
these things, O daughter of Jove, from whatsoever source you may
know them.
  So now all who escaped death in battle or by shipwreck had got
safely home except Ulysses, and he, though he was longing to return to
his wife and country, was detained by the goddess Calypso, who had got
him into a large cave and wanted to marry him. But as years went by,
there came a time when the gods settled that he should go back to
Ithaca; even then, however, when he was among his own people, his
troubles were not yet over; nevertheless all the gods had now begun to
pity him except Neptune, who still persecuted him without ceasing
and would not let him get home.
  Now Neptune had gone off to the Ethiopians, who are at the world’s
end, and lie in two halves, the one looking West and the other East.
He had gone there to accept a hecatomb of sheep and oxen, and was
enjoying himself at his festival; but the other gods met in the
house of Olympian Jove, and the sire of gods and men spoke first. At
that moment he was thinking of Aegisthus, who had been killed by
Agamemnon’s son Orestes; so he said to the other gods:
  “See now, how men lay blame upon us gods for what is after all
nothing but their own folly. Look at Aegisthus; he must needs make
love to Agamemnon’s wife unrighteously and then **** Agamemnon, though
he knew it would be the death of him; for I sent Mercury to warn him
not to do either of these things, inasmuch as Orestes would be sure to
take his revenge when he grew up and wanted to return home. Mercury
told him this in all good will but he would not listen, and now he has
paid for everything in full.”
  Then Minerva said, “Father, son of Saturn, King of kings, it
served Aegisthus right, and so it would any one else who does as he
did; but Aegisthus is neither here nor there; it is for Ulysses that
my heart bleeds, when I think of his sufferings in that lonely
sea-girt island, far away, poor man, from all his friends. It is an
island covered with forest, in the very middle of the sea, and a
goddess lives there, daughter of the magician Atlas, who looks after
the bottom of the ocean, and carries the great columns that keep
heaven and earth asunder. This daughter of Atlas has got hold of
poor unhappy Ulysses, and keeps trying by every kind of blandishment
to make him forget his home, so that he is tired of life, and thinks
of nothing but how he may once more see the smoke of his own chimneys.
You, sir, take no heed of this, and yet when Ulysses was before Troy
did he not propitiate you with many a burnt sacrifice? Why then should
you keep on being so angry with him?”
  And Jove said, “My child, what are you talking about? How can I
forget Ulysses than whom there is no more capable man on earth, nor
more liberal in his offerings to the immortal gods that live in
heaven? Bear in mind, however, that Neptune is still furious with
Ulysses for having blinded an eye of Polyphemus king of the
Cyclopes. Polyphemus is son to Neptune by the nymph Thoosa, daughter
to the sea-king Phorcys; therefore though he will not **** Ulysses
outright, he torments him by preventing him from getting home.
Still, let us lay our heads together and see how we can help him to
return; Neptune will then be pacified, for if we are all of a mind
he can hardly stand out against us.”
  And Minerva said, “Father, son of Saturn, King of kings, if, then,
the gods now mean that Ulysses should get home, we should first send
Mercury to the Ogygian island to tell Calypso that we have made up our
minds and that he is to return. In the meantime I will go to Ithaca,
to put heart into Ulysses’ son Telemachus; I will embolden him to call
the Achaeans in assembly, and speak out to the suitors of his mother
Penelope, who persist in eating up any number of his sheep and oxen; I
will also conduct him to Sparta and to Pylos, to see if he can hear
anything about the return of his dear father—for this will make
people speak well of him.”
  So saying she bound on her glittering golden sandals,
imperishable, with which she can fly like the wind over land or sea;
she grasped the redoubtable bronze-shod spear, so stout and sturdy and
strong, wherewith she quells the ranks of heroes who have displeased
her, and down she darted from the topmost summits of Olympus,
whereon forthwith she was in Ithaca, at the gateway of Ulysses’ house,
disguised as a visitor, Mentes, chief of the Taphians, and she held
a bronze spear in her hand. There she found the lordly suitors
seated on hides of the oxen which they had killed and eaten, and
playing draughts in front of the house. Men-servants and pages were
bustling about to wait upon them, some mixing wine with water in the
mixing-bowls, some cleaning down the tables with wet sponges and
laying them out again, and some cutting up great quantities of meat.
  Telemachus saw her long before any one else did. He was sitting
moodily among the suitors thinking about his brave father, and how
he would send them flying out of the house, if he were to come to
his own again and be honoured as in days gone by. Thus brooding as
he sat among them, he caught sight of Minerva and went straight to the
gate, for he was vexed that a stranger should be kept waiting for
admittance. He took her right hand in his own, and bade her give him
her spear. “Welcome,” said he, “to our house, and when you have
partaken of food you shall tell us what you have come for.”
  He led the way as he spoke, and Minerva followed him. When they were
within he took her spear and set it in the spear—stand against a
strong bearing-post along with the many other spears of his unhappy
father, and he conducted her to a richly decorated seat under which he
threw a cloth of damask. There was a footstool also for her feet,
and he set another seat near her for himself, away from the suitors,
that she might not be annoyed while eating by their noise and
insolence, and that he might ask her more freely about his father.
  A maid servant then brought them water in a beautiful golden ewer
and poured it into a silver basin for them to wash their hands, and
she drew a clean table beside them. An upper servant brought them
bread, and offered them many good things of what there was in the
house, the carver fetched them plates of all manner of meats and set
cups of gold by their side, and a man-servant brought them wine and
poured it out for them.
  Then the suitors came in and took their places on the benches and
seats. Forthwith men servants poured water over their hands, maids
went round with the bread-baskets, pages filled the mixing-bowls
with wine and water, and they laid their hands upon the good things
that were before them. As soon as they had had enough to eat and drink
they wanted music and dancing, which are the crowning embellishments
of a banquet, so a servant brought a lyre to Phemius, whom they
compelled perforce to sing to them. As soon as he touched his lyre and
began to sing Telemachus spoke low to Minerva, with his head close
to hers that no man might hear.
  “I hope, sir,” said he, “that you will not be offended with what I
am going to say. Singing comes cheap to those who do not pay for it,
and all this is done at the cost of one whose bones lie rotting in
some wilderness or grinding to powder in the surf. If these men were
to see my father come back to Ithaca they would pray for longer legs
rather than a longer purse, for money would not serve them; but he,
alas, has fallen on an ill fate, and even when people do sometimes say
that he is coming, we no longer heed them; we shall never see him
again. And now, sir, tell me and tell me true, who you are and where
you come from. Tell me of your town and parents, what manner of ship
you came in, how your crew brought you to Ithaca, and of what nation
they declared themselves to be—for you cannot have come by land. Tell
me also truly, for I want to know, are you a stranger to this house,
or have you been here in my father’s time? In the old days we had many
visitors for my father went about much himself.”
  And Minerva answered, “I will tell you truly and particularly all
about it. I am Mentes, son of Anchialus, and I am King of the
Taphians. I have come here with my ship and crew, on a voyage to men
of a foreign tongue being bound for Temesa with a cargo of iron, and I
shall bring back copper. As for my ship, it lies over yonder off the
open country away from the town, in the harbour Rheithron under the
wooded mountain Neritum. Our fathers were friends before us, as old
Laertes will tell you, if you will go and ask him. They say,
however, that he never comes to town now, and lives by himself in
the country, faring hardly, with an old woman to look after him and
get his dinner for him, when he comes in tired from pottering about
his vineyard. They told me your father was at home again, and that was
why I came, but it seems the gods are still keeping him back, for he
is not dead yet not on the mainland. It is more likely he is on some
sea-girt island in mid ocean, or a prisoner among savages who are
detaining him against his will I am no prophet, and know very little
about omens, but I speak as it is borne in upon me from heaven, and
assure you that he will not be away much longer; for he is a man of
such resource that even though he were in chains of iron he would find
some means of getting home again. But tell me, and tell me true, can
Ulysses really have such a fine looking fellow for a son? You are
indeed wonderfully like him about the head and eyes, for we were close
friends before he set sail for Troy where the flower of all the
Argives went also. Since that time we have never either of us seen the
other.”
  “My mother,” answered Telemachus, tells me I am son to Ulysses,
but it is a wise child that knows his own father. Would that I were
son to one who had grown old upon his own estates, for, since you
ask me, there is no more ill-starred man under heaven than he who they
tell me is my father.”
  And Minerva said, “There is no fear of your race dying out yet,
while Penelope has such a fine son as you are. But tell me, and tell
me true, what is the meaning of all this feasting, and who are these
people? What is it all about? Have you some banquet, or is there a
wedding in the family—for no one seems to be bringing any
provisions of his own? And the guests—how atrociously they are
behaving; what riot they make over the whole house; it is enough to
disgust any respectable person who comes near them.”
  “Sir,” said Telemachus, “as regards your question, so long as my
father was here it was well with us and with the house, but the gods
in their displeasure have willed it otherwise, and have hidden him
away more closely than mortal man was ever yet hidden. I could have
borne it better even though he were dead, if he had fallen with his
men before Troy, or had died with friends around him when the days
of his fighting were done; for then the Achaeans would have built a
mound over his ashes, and I should myself have been heir to his
renown; but now the storm-winds have spirited him away we know not
wither; he is gone without leaving so much as a trace behind him,
and I inherit nothing but dismay. Nor does the matter end simply
with grief for the loss of my father; heaven has laid sorrows upon
me of yet another kind; for the chiefs from all our islands,
Dulichium, Same, and the woodland island of Zacynthus, as also all the
principal men of Ithaca itself, are eating up my house under the
pretext of paying their court to my mother, who will neither point
blank say that she will not marry, nor yet bring matters to an end; so
they are making havoc of my estate, and before long will do so also
with myself.”
  “Is that so?” exclaimed Minerva, “then you do indeed want Ulysses
home again. Give him his helmet, shield, and a couple lances, and if
he is the man he was when I first knew him in our house, drinking
and making merry, he would soon lay his hands about these rascally
suitors, were he to stand once more upon his own threshold. He was
then coming from Ephyra, where he had been to beg poison for his
arrows from Ilus, son of Mermerus. Ilus feared the ever-living gods
and would not give him any, but my father let him have some, for he
was very fond of him. If Ulysses is the man he then was these
suitors will have a short shrift and a sorry wedding.
  “But there! It rests with heaven to determine whether he is to
return, and take his revenge in his own house or no; I would, however,
urge you to set about trying to get rid of these suitors at once. Take
my advice, call the Achaean heroes in assembly to-morrow -lay your
case before them, and call heaven to bear you witness. Bid the suitors
take themselves off, each to his own place, and if your mother’s
mind is set on marrying again, let her go back to her father, who will
find her a husband and provide her with all the marriage gifts that so
dear a daughter may expect. As for yourself, let me prevail upon you
to take the best ship you can get, with a crew of twenty men, and go
in quest of your father who has so long been missing. Some one may
tell you something, or (and people often hear things in this way) some
heaven-sent message may direct you. First go to Pylos and ask
Nestor; thence go on to Sparta and visit Menelaus, for he got home
last of all the Achaeans; if you hear that your father is alive and on
his way home, you can put up with the waste these suitors will make
for yet another twelve months. If on the other hand you hear of his
death, come home at once, celebrate his funeral rites with all due
pomp, build a barrow to his memory, and make your mother marry
again. Then, having done all this, think it well over in your mind
how, by fair means or foul, you may **** these suitors in your own
house. You are too old to plead infancy any longer; have you not heard
how people are singing Orestes’ praises for having killed his father’s
murderer Aegisthus? You are a fine, smart looking fellow; show your
mettle, then, and make yourself a name in story. Now, however, I
must go back to my ship and to my crew, who will be impatient if I
keep them waiting longer; think the matter over for yourself, and
remember what I have said to you.”
  “Sir,” answered Telemachus, “it has been very kind of you to talk to
me in this way, as though I were your own son, and I will do all you
tell me; I know you want to be getting on with your voyage, but stay a
little longer till you have taken a bath and refreshed yourself. I
will then give you a present, and you shall go on your way
rejoicing; I will give you one of great beauty and value—a keepsake
such as only dear friends give to one another.”
  Minerva answered, “Do not try to keep me, for I would be on my way
at once. As for any present you may be disposed to make me, keep it
till I come again, and I will take it home with me. You shall give
me a very good one, and I will give you one of no less value in
return.”
  With these words she flew away like a bird into the air, but she had
given Telemachus courage, and had made him think more than ever
about his father. He felt the change, wondered at it, and knew that
the stranger had been a god, so he went straight to where the
suitors were sitting.
  Phemius was still singing, and his hearers sat rapt in silence as he
told the sad tale of the return from Troy, and the ills Minerva had
laid upon the Achaeans. Penelope, daughter of Icarius, heard his
song from her room upstairs, and came down by the great staircase, not
alone, but attended by two of her handmaids. When she reached the
suitors she stood by one of the bearing posts that supp
Raj Arumugam Nov 2011
Scene One



...some time in time... bare stage except for a square neon sign on left that reads: “Aged Care Home”...on right is a rectangular neon message display with full title of the play...Urgo and Burgo bring Raj Arumugam out on wheelchair...
*



Urgo: I am attendant 1. Often known as Urgo.



Burgo: I am attendant 2. Always known as Burgo.



Urgo:  You see this creature seated here
            in the wheelchair? 
Can you believe it?

            This creature once wrote poems
            
and its poems still inhabit cyberspace.


Burgo: Oh, this creature did that?


Urgo: Yes, this.


Burgo: I think I’ve read some.

             Not that I can remember any.
             
Not a word, not a title.
 But must have been pretty good, ha?
             
To write all those words, in verse...


Urgo: I don’t know about that.
           
It’s the girls who write. And sissies.
           
And for all that, you know
           
there’s just one word this creature can say.


Burgo: Really? Just one word?


Urgo: Yes.
All right, watch this.
           Come on, Raj-i.

           Hey baby...Burgo here wants to hear you.
           
Just one poem in your one word.
           
Come on, baby - or no soup for you tonight.



Raj: Baa, baa, baa

        Baa, baa, baa

        Baa, baa, baa

       Baa, baa, baa



(Burgo and Urgo clap)



Urgo: Baan-derful, Raj...
Now Burgo,
           let’s wheel the creature back in

           and dump him in
           his corner.



(Urgo and Burgo go out, Urgo pushing wheelchair with Raj in it)





Scene Two



...some time in time... bare stage except for a square neon sign on left that reads: “Aged Care Home”...on right is a rectangular neon message display with full title of the play...Urgo and Burgo bring Raj Arumugam out on wheelchair...






Urgo: Today, Burgo, is Exercise Your Vocal Chords Day.



Burgo: No problem - Ahhhhhhhhrrrrgggggooooaaaaa.....



Urgo: Not your vocal cords, Burgo.
           
It is Exercise Your vocal Cords Day
            
for our distinguished guest currently
            
on this wheelchair.



Burgo: Ahhh...I see...



Urgo: All right, Raj-i baby...
Exercise your vocal chords 

            and entertain us with your delightful voice...



Raj: Baa, baa, baa
        
Baa, baa, baa

        Baa, baa, baa
        
Baa, baa, baa



(Burgo claps)*



Urgo: OK - that’s enough exercise for the day!
           Let’s go






(Urgo and Burgo go out, Urgo pushing wheelchair with Raj in it)






Scene Three

...some time in time... bare stage except for a square neon sign on left that reads: “Aged Care Home”...on right is a rectangular neon message display with full title of the play...Urgo and Burgo bring Raj Arumugam out on wheelchair...


Urgo: Burgo!

Burgo: Sire!

Urgo: Sire? Where in the world
           did you get such a word?

Burgo: Sorry - I thought I was in a *****
             Shakespeare play.

Urgo: Have your head examined, Burgo.
            We’ll never make it there.
            All we have is this 3rd-rate one-act play.

Burgo: I understand. I’m just a little ambitious.

Urgo: Be realistic. Don’t be ambitious.

Burgo: That’s wise, Sire - I mean, Urgo.

Urgo: Well, this creature in the wheelchair,
            for example...It was ambitious...
            and it had a great fall...
            it never knew how to be realistic...
            But more of that, later - first, what Day is it today?

Burgo: It is We Tickle Your Foot Day, today.

Urgo: You learn fast, Burgo.

Burgo: Thank you, Urgo.

(Silence)

Urgo: Well?

Burgo: I’m very well, thank you.

Urgo: You idiot! I mean if you know it is
           We Tickle Your Foot Day, today -
           then what should you do next, you knave!?

Burgo: Oh. Ok.

(Burgo kneels before Raj, takes off Raj’s shoes and with a feather tickles Raj’s feet.)

Raj (laughing): Baa, baa, baa
                              Baa, baa, baa
                              Baa, baa, baa
                             Baa, baa, baa


(Burgo puts Raj’s shoes on again, and his feather back in his pocket and stands up.)



Burgo: You mentioned ambition
              and this creature that sits on the wheelchair.

Urgo: Yes, it is time to exercise my vocal chords.
           This creature forgot, like all creatures,
           we come alone, and we go alone.

Burgo: Ah, at last! - hints of a Shakespearean play
             albeit we’ll never make it into one.
            With ambition, loneliness and all the Lear madness.
            Will we have the lewd parts too
            and rich imagery of body parts?

Urgo: Perhaps...perhaps...but let us stick to the ordinary ...
           This creature was born in 1derLand
           but was washed ashore to foreign shores.


Burgo: Good, good...like Paris, son of Priam and Hecuba?
             O Paris, washed ashore to Sparta
             O so well-loved and nursed by Helen.

Urgo: Yes, except this creature is more akin to the Wanderer
            like Oedipus, or just the indistinct Mendicant,
            the Samurai with no master, a ronin,
             all cursed to wander the face of the earth...

Burgo: Oh - are we in Shakespeare yet?

Urgo: We are in deep ****! That’s where we are!
           We all are.
           Burgo - let us stick to the banal like hamburgers.
          This creature forgot that
          and dreamt of things like poetry, ideals -
          and therein is the moral of the story for you:
          we come alone
          and alone we go
          one at a time we come
          and each we own, and each faculty
          one at a time they go.

Burgo: So let us stick with the banal
             eat our burgers
             and pick our teeth after.
             Do they supply toothpicks at takeaways
             in your country, Urgo?

Urgo: No, we recycle them, Burgo.
           We just pick up discarded ones from the ground.
           Like some nations pick up cigarette butts
           from the bins.
           Waste not; want not.


Burgo: Oh, if this scene goes on any longer
             it might become Shakespearean, Urgo.

Urgo: Ergo - we must go.
          But let us allow Raj to have the last word,
           since this play is entitled
          “ Raj Arumugam, (a one-act tragicomedy)”.
          Idiot of a son! What kind of fool-writer will have a play
          with his own name as the title of his play?!

Burgo: So, Raj-i, you egocentric ******:
             You have the last word in this scene...
             You really put words into my mouth, you ****!

Raj: Baa, baa, ba
        Baa, baa, baa
       Baa, baa, baa
       Baa, baa, baa


Urgo: All right, Let’s go, Burgo.
           Bring him in -
           Let’s drop him in bed
           and may he drop dead!



(Urgo and Burgo go out, Urgo pushing wheelchair with Raj in it)




Scene Four



...some time in time... bare stage except for a square neon sign on left that reads: “Aged Care Home”...on right is a rectangular neon message display with full title of the play...Urgo and Burgo bring Raj Arumugam out on wheelchair...



*


Urgo: Burgo!


Burgo: Urgo!


Urgo: How long has it been since
           you started work here?


Burgo: 3 months, Urgo. Why?


Urgo: Well, show me a game...I’m bored...a new game...


Burgo: Well, have you played wheelie bin?


Urgo: No.
But Oh I love to delve into world culture.

           Show me.


Burgo: Well, let me show you.

             A wheelie bin is a bin with wheels
             and you put ******* in it
             
and you leave it outside on the kerb
             
and the garbage guy in his truck collects your *******.
             
So this is the game.



(Burgo pushes wheelchair round the stage and sings.)



          This is the way we 
wheel out our wheelie bins
           
this is the way we 
wheel out our bins
           
early every Thursday morning


           This is the way we 
leave our bins,
            our wheelie bins

            this is the way we leave our bins
            
out on the sunny kerb

            every Thursday morning



(leaves wheelchair on kerb)



           This is the way we empty our bins

           this is the way we empty our bins
           this is the way empty our bins
           every Thursday morning



(empties the wheelchair; Raj Arumugam  drops onstage)




Urgo
(joining in):
 This is the way we 
pick up our *******

                                  pick up our *******
                                  
this is the way we do it

                                  this is the way 
always we do it

                                  early Thursday morning!



(Urgo picks up Raj Arumugam and drops him in the wheelchair)



(Urgo and Burgo clap, applauding each other.)



Burgo:
And now, Urgo - for the ritual
             of 
Raj Arumugam’s final words in the scene...
Is that right?



(Urgo nods...)



Burgo:
  Sing, you Sir in the Wheelchair.



Raj: Baa, baa, baa
       
Baa, baa, baa

       Baa, baa, baa

       Baa, baa, baa




Burgo: Oh, you spoil the fun! Let’s go.






(Urgo and Burgo go out, Urgo pushing wheelchair with Raj in it)




Scene Five

...some time in time... bare stage except for a square neon sign on left that reads: “Aged Care Home”...on right is a rectangular neon message display with full title of the play...Urgo and Burgo bring Raj Arumugam out on wheelchair...


Urgo:
          Let's leave him here tonight;
         some fresh air might do him good

(Urgo and Burgo leave, leaving Raj on his wheelchair.)

(Long silence.)


Raj: Baa, baa, baa
       Baa, baa, baa
       Baa, baa, baa
      Baa, baa, baa



(Raj has a thought. His thought is broadcast as a message on the rectangular neon light display: “Hey guys, come back...Another word is coming back to me.”)

(Long silence)


Raj:
**** **** ****
**** **** ****
**** **** ****

(Raj has another thought. His thought is broadcast as a message on the rectangular neon light display: “Another one’s coming back...maybe my mind is coming back.”)


Raj:
**** **** ****
**** **** ****
**** **** ****

(Long silence. Lights fade. Darkness. Curtain...)
High in the midst, surrounded by his peers,
Magnus his ample front sublime uprears:
Plac’d on his chair of state, he seems a God,
While Sophs and Freshmen tremble at his nod;
As all around sit wrapt in speechless gloom,
His voice, in thunder, shakes the sounding dome;
Denouncing dire reproach to luckless fools,
Unskill’d to plod in mathematic rules.

Happy the youth! in Euclid’s axioms tried,
Though little vers’d in any art beside;
Who, scarcely skill’d an English line to pen,
Scans Attic metres with a critic’s ken.

What! though he knows not how his fathers bled,
When civil discord pil’d the fields with dead,
When Edward bade his conquering bands advance,
Or Henry trampled on the crest of France:
Though marvelling at the name of Magna Charta,
Yet well he recollects the laws of Sparta;
Can tell, what edicts sage Lycurgus made,
While Blackstone’s on the shelf, neglected laid;
Of Grecian dramas vaunts the deathless fame,
Of Avon’s bard, rememb’ring scarce the name.

Such is the youth whose scientific pate
Class-honours, medals, fellowships, await;
Or even, perhaps, the declamation prize,
If to such glorious height, he lifts his eyes.
But lo! no common orator can hope
The envied silver cup within his scope:
Not that our heads much eloquence require,
Th’ ATHENIAN’S glowing style, or TULLY’S fire.
A manner clear or warm is useless, since
We do not try by speaking to convince;
Be other orators of pleasing proud,—
We speak to please ourselves, not move the crowd:
Our gravity prefers the muttering tone,
A proper mixture of the squeak and groan:
No borrow’d grace of action must be seen,
The slightest motion would displease the Dean;
Whilst every staring Graduate would prate,
Against what—he could never imitate.

The man, who hopes t’ obtain the promis’d cup,
Must in one posture stand, and ne’er look up;
Nor stop, but rattle over every word—
No matter what, so it can not be heard:
Thus let him hurry on, nor think to rest:
Who speaks the fastest’s sure to speak the best;
Who utters most within the shortest space,
May, safely, hope to win the wordy race.

The Sons of Science these, who, thus repaid,
Linger in ease in Granta’s sluggish shade;
Where on Cam’s sedgy banks, supine, they lie,
Unknown, unhonour’d live—unwept for die:
Dull as the pictures, which adorn their halls,
They think all learning fix’d within their walls:
In manners rude, in foolish forms precise,
All modern arts affecting to despise;
Yet prizing Bentley’s, Brunck’s, or Porson’s note,
More than the verse on which the critic wrote:
Vain as their honours, heavy as their Ale,
Sad as their wit, and tedious as their tale;
To friendship dead, though not untaught to feel,
When Self and Church demand a Bigot zeal.
With eager haste they court the lord of power,
(Whether ’tis PITT or PETTY rules the hour;)
To him, with suppliant smiles, they bend the head,
While distant mitres to their eyes are spread;
But should a storm o’erwhelm him with disgrace,
They’d fly to seek the next, who fill’d his place.
Such are the men who learning’s treasures guard!
Such is their practice, such is their reward!
This much, at least, we may presume to say—
The premium can’t exceed the price they pay.
Thousand minstrels woke within me,
"Our music's in the hills; "—
Gayest pictures rose to win me,
Leopard-colored rills.
Up!—If thou knew'st who calls
To twilight parks of beech and pine,
High over the river intervals,
Above the ploughman's highest line,
Over the owner's farthest walls;—
Up!—where the airy citadel
O'erlooks the purging landscape's swell.
Let not unto the stones the day
Her lily and rose, her sea and land display;
Read the celestial sign!
Lo! the South answers to the North;
Bookworm, break this sloth urbane;
A greater Spirit bids thee forth,
Than the gray dreams which thee detain.

Mark how the climbing Oreads
Beckon thee to their arcades;
Youth, for a moment free as they,
Teach thy feet to feel the ground,
Ere yet arrive the wintry day
When Time thy feet has bound.
Accept the bounty of thy birth;
Taste the lordship of the earth.

I heard and I obeyed,
Assured that he who pressed the claim,
Well-known, but loving not a name,
Was not to be gainsaid.

Ere yet the summoning voice was still,
I turned to Cheshire's haughty hill.
From the fixed cone the cloud-rack flowed
Like ample banner flung abroad
Round about, a hundred miles,
With invitation to the sea, and to the bordering isles.

In his own loom's garment drest,
By his own bounty blest,
Fast abides this constant giver,
Pouring many a cheerful river;
To far eyes, an aërial isle,
Unploughed, which finer spirits pile,
Which morn and crimson evening paint
For bard, for lover, and for saint;
The country's core,
Inspirer, prophet evermore,
Pillar which God aloft had set
So that men might it not forget,
It should be their life's ornament,
And mix itself with each event;
Their calendar and dial,
Barometer, and chemic phial,
Garden of berries, perch of birds,
Pasture of pool-haunting herds,
Graced by each change of sum untold,
Earth-baking heat, stone-cleaving cold.

The Titan minds his sky-affairs,
Rich rents and wide alliance shares;
Mysteries of color daily laid
By the great sun in light and shade,
And, sweet varieties of chance,
And the mystic seasons' dance,
And thief-like step of liberal hours
Which thawed the snow-drift into flowers.
O wondrous craft of plant and stone
By eldest science done and shown!
Happy, I said, whose home is here,
Fair fortunes to the mountaineer!
Boon nature to his poorest shed
Has royal pleasure-grounds outspread.
Intent I searched the region round,
And in low hut my monarch found.
He was no eagle and no earl,
Alas! my foundling was a churl,
With heart of cat, and eyes of bug,
Dull victim of his pipe and mug;
Woe is me for my hopes' downfall!
Lord! is yon squalid peasant all
That this proud nursery could breed
For God's vicegerency and stead?
Time out of mind this forge of ores,
Quarry of spars in mountain pores,
Old cradle, hunting ground, and bier
Of wolf and otter, bear, and deer;
Well-built abode of many a race;
Tower of observance searching space;
Factory of river, and of rain;
Link in the alps' globe-girding chain;
By million changes skilled to tell
What in the Eternal standeth well,
And what obedient nature can,—
Is this colossal talisman
Kindly to creature, blood, and kind,
And speechless to the master's mind?

I thought to find the patriots
In whom the stock of freedom roots.
To myself I oft recount
Tales of many a famous mount.—
Wales, Scotland, Uri, Hungary's dells,
Roys, and Scanderbegs, and Tells.
Here now shall nature crowd her powers,
Her music, and her meteors,
And, lifting man to the blue deep
Where stars their perfect courses keep,
Like wise preceptor lure his eye
To sound the science of the sky,
And carry learning to its height
Of untried power and sane delight;
The Indian cheer, the frosty skies
Breed purer wits, inventive eyes,
Eyes that frame cities where none be,
And hands that stablish what these see:
And, by the moral of his place,
Hint summits of heroic grace;
Man in these crags a fastness find
To fight pollution of the mind;
In the wide thaw and ooze of wrong,
Adhere like this foundation strong,
The insanity of towns to stem
With simpleness for stratagem.
But if the brave old mould is broke,
And end in clowns the mountain-folk,
In tavern cheer and tavern joke,—
Sink, O mountain! in the swamp,
Hide in thy skies, O sovereign lap!
Perish like leaves the highland breed!
No sire survive, no son succeed!

Soft! let not the offended muse
Toil's hard hap with scorn accuse.
Many hamlets sought I then,
Many farms of mountain men;—
Found I not a minstrel seed,
But men of bone, and good at need.
Rallying round a parish steeple
Nestle warm the highland people,
Coarse and boisterous, yet mild,
Strong as giant, slow as child,
Smoking in a squalid room,
Where yet the westland breezes come.
Close hid in those rough guises lurk
Western magians, here they work;
Sweat and season are their arts,
Their talismans are ploughs and carts;
And well the youngest can command
Honey from the frozen land,
With sweet hay the swamp adorn,
Change the running sand to corn,
For wolves and foxes, lowing herds,
And for cold mosses, cream and curds;
Weave wood to canisters and mats,
Drain sweet maple-juice in vats.
No bird is safe that cuts the air,
From their rifle or their snare;
No fish in river or in lake,
But their long hands it thence will take;
And the country's iron face
Like wax their fashioning skill betrays,
To fill the hollows, sink the hills,
Bridge gulfs, drain swamps, build dams and mills,
And fit the bleak and howling place
For gardens of a finer race,
The world-soul knows his own affair,
Fore-looking when his hands prepare
For the next ages men of mould,
Well embodied, well ensouled,
He cools the present's fiery glow,
Sets the life pulse strong, but slow.
Bitter winds and fasts austere.
His quarantines and grottos, where
He slowly cures decrepit flesh,
And brings it infantile and fresh.
These exercises are the toys
And games with which he breathes his boys.
They bide their time, and well can prove,
If need were, their line from Jove,
Of the same stuff, and so allayed,
As that whereof the sun is made;
And of that fibre quick and strong
Whose throbs are love, whose thrills are song.
Now in sordid weeds they sleep,
Their secret now in dulness keep.
Yet, will you learn our ancient speech,
These the masters who can teach,
Fourscore or a hundred words
All their vocal muse affords,
These they turn in other fashion
Than the writer or the parson.
I can spare the college-bell,
And the learned lecture well.
Spare the clergy and libraries,
Institutes and dictionaries,
For the hardy English root
Thrives here unvalued underfoot.
Rude poets of the tavern hearth,
Squandering your unquoted mirth,
Which keeps the ground and never soars,
While Jake retorts and Reuben roars,
Tough and screaming as birch-bark,
Goes like bullet to its mark,
While the solid curse and jeer
Never balk the waiting ear:
To student ears keen-relished jokes
On truck, and stock, and farming-folks,—
Nought the mountain yields thereof
But savage health and sinews tough.

On the summit as I stood,
O'er the wide floor of plain and flood,
Seemed to me the towering hill
Was not altogether still,
But a quiet sense conveyed;
If I err not, thus it said:

Many feet in summer seek
Betimes my far-appearing peak;
In the dreaded winter-time,
None save dappling shadows climb
Under clouds my lonely head,
Old as the sun, old almost as the shade.
And comest thou
To see strange forests and new snow,
And tread uplifted land?
And leavest thou thy lowland race,
Here amid clouds to stand,
And would'st be my companion,
Where I gaze
And shall gaze
When forests fall, and man is gone,
Over tribes and over times
As the burning Lyre
Nearing me,
With its stars of northern fire,
In many a thousand years.

Ah! welcome, if thou bring
My secret in thy brain;
To mountain-top may muse's wing
With good allowance strain.
Gentle pilgrim, if thou know
The gamut old of Pan,
And how the hills began,
The frank blessings of the hill
Fall on thee, as fall they will.
'Tis the law of bush and stone—
Each can only take his own.
Let him heed who can and will,—
Enchantment fixed me here
To stand the hurts of time, until
In mightier chant I disappear.
If thou trowest
How the chemic eddies play
Pole to pole, and what they say,
And that these gray crags
Not on crags are hung,
But beads are of a rosary
On prayer and music strung;
And, credulous, through the granite seeming
Seest the smile of Reason beaming;
Can thy style-discerning eye
The hidden-working Builder spy,
Who builds, yet makes no chips, no din,
With hammer soft as snow-flake's flight;
Knowest thou this?
O pilgrim, wandering not amiss!
Already my rocks lie light,
And soon my cone will spin.
For the world was built in order,
And the atoms march in tune,
Rhyme the pipe, and time the warder,
Cannot forget the sun, the moon.
Orb and atom forth they prance,
When they hear from far the rune,
None so backward in the troop,
When the music and the dance
Reach his place and circumstance,
But knows the sun-creating sound,
And, though a pyramid, will bound.

Monadnoc is a mountain strong,
Tall and good my kind among,
But well I know, no mountain can
Measure with a perfect man;
For it is on Zodiack's writ,
Adamant is soft to wit;
And when the greater comes again,
With my music in his brain,
I shall pass as glides my shadow
Daily over hill and meadow.

Through all time
I hear the approaching feet
Along the flinty pathway beat
Of him that cometh, and shall come,—
Of him who shall as lightly bear
My daily load of woods and streams,
As now the round sky-cleaving boat
Which never strains its rocky beams,
Whose timbers, as they silent float,
Alps and Caucasus uprear,
And the long Alleghanies here,
And all town-sprinkled lands that be,
Sailing through stars with all their history.

Every morn I lift my head,
Gaze o'er New England underspread
South from Saint Lawrence to the Sound,
From Katshill east to the sea-bound.
Anchored fast for many an age,
I await the bard and sage,
Who in large thoughts, like fair pearl-seed,
Shall string Monadnoc like a bead.
Comes that cheerful troubadour,
This mound shall throb his face before,
As when with inward fires and pain
It rose a bubble from the plain.
When he cometh, I shall shed
From this well-spring in my head
Fountain drop of spicier worth
Than all vintage of the earth.
There's fruit upon my barren soil
Costlier far than wine or oil;
There's a berry blue and gold,—
Autumn-ripe its juices hold,
Sparta's stoutness, Bethlehem's heart,
Asia's rancor, Athens' art,
Slowsure Britain's secular might,
And the German's inward sight;
I will give my son to eat
Best of Pan's immortal meat,
Bread to eat and juice to drink,
So the thoughts that he shall think
Shall not be forms of stars, but stars,
Nor pictures pale, but Jove and Mars.

He comes, but not of that race bred
Who daily climb my specular head.
Oft as morning wreathes my scarf,
Fled the last plumule of the dark,
Pants up hither the spruce clerk
From South-Cove and City-wharf;
I take him up my rugged sides,
Half-repentant, scant of breath,—
Bead-eyes my granite chaos show,
And my midsummer snow;
Open the daunting map beneath,—
All his county, sea and land,
Dwarfed to measure of his hand;
His day's ride is a furlong space,
His city tops a glimmering haze:
I plant his eyes on the sky-hoop bounding;—
See there the grim gray rounding
Of the bullet of the earth
Whereon ye sail,
Tumbling steep
In the uncontinented deep;—
He looks on that, and he turns pale:
'Tis even so, this treacherous kite,
Farm-furrowed, town-incrusted sphere,
Thoughtless of its anxious freight,
Plunges eyeless on for ever,
And he, poor parasite,—
Cooped in a ship he cannot steer,
Who is the captain he knows not,
Port or pilot trows not,—
Risk or ruin he must share.
I scowl on him with my cloud,
With my north wind chill his blood,
I lame him clattering down the rocks,
And to live he is in fear.
Then, at last, I let him down
Once more into his dapper town,
To chatter frightened to his clan,
And forget me, if he can.
As in the old poetic fame
The gods are blind and lame,
And the simular despite
Betrays the more abounding might,
So call not waste that barren cone
Above the floral zone,
Where forests starve:
It is pure use;
What sheaves like those which here we glean and bind,
Of a celestial Ceres, and the Muse?

Ages are thy days,
Thou grand expressor of the present tense,
And type of permanence,
Firm ensign of the fatal Being,
Amid these coward shapes of joy and grief
That will not bide the seeing.
Hither we bring
Our insect miseries to the rocks,
And the whole flight with pestering wing
Vanish and end their murmuring,
Vanish beside these dedicated blocks,
Which, who can tell what mason laid?
Spoils of a front none need restore,
Replacing frieze and architrave;
Yet flowers each stone rosette and metope brave,
Still is the haughty pile *****
Of the old building Intellect.
Complement of human kind,
Having us at vantage still,
Our sumptuous indigence,
O barren mound! thy plenties fill.
We fool and prate,—
Thou art silent and sedate.
To million kinds and times one sense
The constant mountain doth dispense,
Shedding on all its snows and leaves,
One joy it joys, one grief it grieves.
Thou seest, O watchman tall!
Our towns and races grow and fall,
And imagest the stable Good
For which we all our lifetime *****,
In shifting form the formless mind;
And though the substance us elude,
We in thee the shadow find.
Thou in our astronomy
An opaker star,
Seen, haply, from afar,
Above the horizon's hoop.
A moment by the railway troop,
As o'er some bolder height they speed,—
By circumspect ambition,
By errant Gain,
By feasters, and the frivolous,—
Recallest us,
And makest sane.
Mute orator! well-skilled to plead,
And send conviction without phrase,
Thou dost supply
The shortness of our days,
And promise, on thy Founder's truth,
Long morrow to this mortal youth.
"Alexander son of Philip, and the Greeks except the Lacedaemonians--"

We can very well imagine
that they were utterly indifferent in Sparta
to this inscription. "Except the Lacedaemonians",
but naturally. The Spartans were not
to be led and ordered about
as precious servants. Besides
a panhellenic campaign without
a Spartan king as a leader
would not have appeared very important.
O, of course "except the Lacedaemonians."

This too is a stand. Understandable.

Thus, except the Lacedaemonians at Granicus;
and then at Issus; and in the final
battle, where the formidable army was swept away
that the Persians had massed at Arbela:
which had set out from Arbela for victory, and was swept away.

And out of the remarkable panhellenic campaign,
victorious, brilliant,
celebrated, glorious
as no other had ever been glorified,
the incomparable: we emerged;
a great new Greek world.

We; the Alexandrians, the Antiocheans,
the Seleucians, and the numerous
rest of the Greeks of Egypt and Syria,
and of Media, and Persia, and the many others.
With our extensive territories,
with the varied action of thoughtful adaptations.
And the Common Greek Language
we carried to the heart of Bactria, to the Indians.

As if we were to talk of Lacedaemonians now!
I am a swordsman of the mind. My blade, Language, and logic.

It’s purity glints in the sun. It’s truth, a razor edge.

With a deft flick of my tongue, crimson lines appear, blood beads.

The cut is skilled, rends deep.

This is not trolling. This is sparta.
We be Trollin'
RAJ NANDY Nov 2014
AN INTRODUCTION TO THE STUDY
OF HISTORY IN VERSE : PART ONE
              BY RAJ NANDY
              INTRODUCTION
The very mention of History brings to mind
many civilizations, its wars, with endless
succession of ruling dynasties and kings;
Its many dates and events, which appear to be
rather dull and boring!
“If history were taught in the form of stories, it
would never be forgotten”, said Rudyard Kipling!
So if a good teacher of History narrates those
events like a story within a broad chronological
frame work,
While skillfully linking the present in light of the
past;
Mentioning both important and lesser known
interesting facts to arouse the interest of his
class; -
History would be better appreciated by us!
Perhaps in its narrowest sense, History may be
viewed only as a chronological succession of
dates and past events!
But let me assure you that History is a dynamic
linear progression, adapting and evolving with
changing times,
As present recedes into the past all the while!
These changes could be environmental, socio-
economic, or political changes faced by mankind.
But we remain as a living part of History all the
while!
Yet while we live through History, we fail to realize
the impact we make upon history and time;
And this is perhaps the very magic and enigma of
History,
Which occasionally lends it a touch of mystery!
Our family album is a record of our history we
create and leave behind at the micro level;
Just as past civilizations have left behind their imprints
in their architecture, statues, literature, and works
of art at the macro level !
History breathes and speaks to us from the distant
past,
If only we could pause to hear its unspoken words,
As the Romantic poet John Keats had once heard!
Keats’  “Ode on a Grecian Urn” composed during
early 19th century, -
Harks back to the Classical Age of Greek History!
Keats waxes eloquent in his description of pastoral
scenes painted on the urn which lies frozen in time;
While Keats leaves behind his exalted and eternal
aesthetic message - ‘Beauty is Truth and Truth
Beauty’, - which shall outlive our mortal time!
So it is with History, like the Grecian urn the past  
remains eternalized in time with its lessons and
stories;
While it beckons us to unravel her mysteries!
For the historian, the architect, the geologist,
the anthropologist, scholars and the artist,
‘’History is a continuous dialogue between
the present and the past’’;
As observed by the English historian and
diplomat EW Carr.
Even though we cannot change the past, we can
surely absorb the lessons it has left behind for us!
The Spanish born American philosopher George
Santayana had said; -
“Those who cannot remember the past are
condemned to repeat it!”
The Dutch philosopher Soren Kierkegaard had
once remarked; -
“Life must be lived forward, but it can only be
understood backward.”
So let us learn from past History to create a
better future for humanity.
For the past gives us a sense of belonging
and an identity;
Since our very roots lie enshrined in History!
By the time you complete reading my entire
composition,
I hope to convert you into a Lover of History
by broadening your perception!

HISTORICAL BACKGROUND OF HISTORY!
Ancient Greece, the cradle of Western Civilization
during the 6th century BC, -
Saw the birth of Philosophy!
Thales of Miletus, Anaximenes, and Anaximander,
from the Greek colony of Ionia on the west coast
of Asia Minor,  (now Turkey)
Broke the previous shackles of all mythical and
superstitious explanations.
With their questioning mind and rational thinking
they sought,  -
To seek the real behind the apparent, and substance
behind the shadow;
By seeking natural and logical reasons for explaining
natural phenomena, -
Free from all previous religious and mythical
interpretations!
Thus, these Milesian School of thinkers in their quest
for truth with their intellectual lust, -
Gave rise to ‘philosophia’, Greek word for ‘love
of truth’, an early birth!
Subsequently, this newly born Greek Philosophy with
its progressive thoughts inspired scientific methods
of inquiry;
Along with Logic, trial by Jury, and the very concept
of Democracy!
The Greeks also inspired Literature, History, Tragedy,
Comedy, the Olympic Games, Astronomy, and Geometry!
Around 500 BC the Greek written script had stabilized,
going from left to right;
And the first addition of vowel letters by the Greeks
to the adopted Phoenician consonants, can never
be denied!
The first two Greek letters ‘alpha’ and ‘beta’ which
gave the name to our Alphabets forms a part of
early History.
Now Herodotus, during the 5th century BC, had
inherited this intellectual Greek Legacy!

HERODOTUS – ‘THE FATHER OF HISTORY’
Herodotus is said to have been born in the ancient
Dorian Greek city of Halicarnassus in south-west
Asia Minor, which is now Turkey;
During the latter half of 5th century BC!
During his days, the city was under the rule of Persia;
Since the Persians had captured the Greek colonies
in Asia Minor!
Frequent revolts by these colonies against the
Persians with help from Athens,
Made the Persian King Darius, and later his son
Xerxes, - decide to invade Athens!
The Persians also wanted to extend their Empire
into Europe across the Bosporus Strait, -
Which divided Asia from Europe in those days!

In 490 BC, when the massive Persian army of King
Darius landed at Marathon as assured victors;
The Athenian running courier Pheidippides ran
150 miles in two days, to seek help from Sparta!
Again later, he ran 25 miles from the battlefield
near Marathon to Athens, to announce that the
Greeks became the final victors!
This historic run by Pheidippides gave rise to the
discipline of Marathon, in our Olympic Games
later on!
Such Marathon runs are now held in many cities
of the world annually,
Thus we remain connected with our past as you
can clearly see!
Years later in 425 BC, Herodotus narrated these
invasions in his famous narrative ‘Histories’.
Cicero the Roman scholar, philosopher and orator,
Had called Herodotus the ‘Father of History’ many
centuries later!
Very little is known about Herodotus’ early life,
But from historical evidence which survive,
We learn about his stay in Athens, and his many
wanderings;
Visiting Egypt, Libya, Syria, Babylon, Susa in Elam,
Lydia, and Phrygia;
Collecting information which he called ‘autopsies’
or ‘personal inquiries’, and hearing many stories;
Prior to composing his famous ‘Histories’!

“THE HISTORIES”: HERODOTUS (430-425BC)
This was written in prose in the Iconic dialect of
Classical Greek,
Covers the background, causes, and events of the
Greco-Persian Wars between 490 and 479 BC.  
Scholars divided the entire work into 9 Books, with
each dedicated to a Greek Muse, - those goddesses
of art and knowledge,
Thereby the Homeric tradition they did acknowledge!
For example, Book-I was dedicated to Calliope, the
Muse of Epic Poetry, and Book-II to Clio, the Muse
of History.
Herodotus begins his narration with these following
words;-
“Here is the account of the inquiry of Herodotus of
Halicarnassus in order that the deeds of men not be
erased by time, and that the great and miraculous
works – both of the Greeks and the barbarians not
go unrecorded.”
Now Herodotus with his lucid narrative style, had
pioneered the writing of History with a specific
framework of space and time!
His style got emulated by later writers of History,
Who improved their narration with better authentic
source and methodology;
Thereby giving birth to the subject of ‘Historiography’.
(Historiography = critical examination of source & selection
of authentic material, synthesis of particulars into a narrative
whole, which shall stand the test of critical methods.)

HERODOTUS’ ‘INQUIRY’ GAVE BIRTH TO ‘HISTORY’!
The ancient Greek word “historia” meant ‘knowledge
acquired by investigation or inquiry’’, and the Greek
‘histore’ meant ‘inquiry’.  
It was in this sense Aristotle later used it in his ‘’Inquires
on Animals’’- during the 4th Century BC;
And this mode of ‘inquiry’ later became ‘History’!
The term ‘History’ entered English language in 1390
as a “record of past incidents and story”.
However, the restriction to the meaning “record of
past events” only, came during the 15th century.
But the German word ‘Geschichte’ even to this day,
Means both history and story, without making
distinction in any way!
Since the story element remains inbuilt in all historical
narrations,
And also remains as a tribute to its author’s creation!
CONCLUDING PORTION WILL BE POSTED LATER AS
PART-TWO. Thanks, - RAJ NANDY.
**ALL COPY RIGHTS WITH THE AUTHOR RAJ NANDY,
OF NEW DELHI
Friends, this is a short intro. to the subject of History in Verse, composed in a simplified form. The concluding portion will be posted later as Part Two. Hope you like the same! In case you like it, do recommend to your other friend! Thanks, -Raj
BLitZeD Feb 2016
EG TEN /V.S/ BLitZ3D

ROUND 1

EG TEN
For the second time around, I won't be too gentle.// You turds can't rhyme for *****, soft as a noodle.// Get rid of that shirt, Wordman, do us a favor.// It ain't bad at all, its just, one size too little.// Ill break you fools in half, straw snapping like a scarecrow// Cowardly lion come out, Monster Smashed you innuendo.// The reason why you got passed by the first time around// Like a girl post some pix up, cut my **** in half, now u goin down// You and Wordman teams up, who cares! a pair of freakin clowns//

BLitZ3D
let um start off first, either way ur a representation of a man in a hearse /hurt um real bad n rubbed his face in the dirt/the pics that I posted was just a ***** in a skirt/sskkirrt! on this *****, like who you ****** with nerd?/ that's a ****** sweater what u talkin bout shirt?/ an what exactly do you think you rhymed off ****?/ ******* from the start, pulled out and drove straight into the curb/ Asian drivers man, they'll never ****** learn/ a coward vs a lion I guess my warning wasn't herd/ why'd you delete the first battle? you coulda reread my words/ then you'd probly remember to go again would be absurd/ but everyone loves a under dog, makes emotion go reverse/ cause then when you go under dog , the wears not even worse/ an no one teamed up on you,/ I tagged in and hulk Hogan lumped a few/ American Dream, elbow jumped at you,/ then to your defense, in ran gorilla monsoon/ the way I see it, the joker popped both of you,/ a heist on ur thread but that's just my point of view./ sights locked retical red, not a sound with the front mount/ knights drop, clown with a crown, and a jester in bed./ leave um slumped out/ /roar/ I messed with his head/ take my advice and this cypher ...just jump out

Round 2

EG TEN
Let um start off first? Now what the **** was that?// Your no king of the jungle, but a little ***** cat!// A blissful of zits in your face a sign disgusting// BlitZed does not show off his face an ugly duckling// My rhyme is in verse, so fresh with multiple gears on my Hearse// You can't spit for *****, so your *** be going in reverse// A fan of hulkamania? That **** ain't real brotha!.// I bet your next line would be "Hakuna Matata!// You ain't no **** Mufasa, your like that fool Scar hangin out With them ugly *** Hyena// I laugh at you BlitZed, I ******, I flip the script with my skills// Your elbow dropped not fast enough a straight kick up your chest!// This is SPARTA!!!! So jump on out! off to the next round// Welcome to the Writer's Creed, A true MC battleground!//

BLitZ3D
if this is Sparta then ***** I'm Gannicus,/ two swords in my hand while u attack with some shallow ****/ your **** right I'm scar and ull still bow down to this/ u wont get to far hyenas surround in the mist/ Hakuna Matata but theres reason to worry kid/ shoot um point blank an laugh as he say the dots are blury miss/ from his stomach out leaks guts an curry strips/ no lines to connect, his souls in a hurry, drips,/ out his mouth like his mom as she dines in nutty bliss/ bust um quick like his dad, his sister we both miss/ a cute little thing, deaf dumb n blind, snitch/ I think not, i broke her fingers, a tight grip/ dropped her leg and screamed Hogan wins/ layed on top of her and counted to three/ donkey punched that ***** in the head an continued to proceed/ so ask her how much I give a **** about writers creed //

ROUND 3

EG TEN
You claim to be a Marvel-Super-Villain-God-Like / If you are Galactus" I'm Lactose - Bacilli / Fermented like Lactic Acids what I spit!/ A genus of original but your just a make belief/ BlitZed please! step it ^ up a bit higher/ Your dealing with an oldskool underground ****** / None of that Kindergarten *****' of entry level / My words may be shallow but yet sharp as a Razor / Your write- wrist slice the veins blood burst just like a geyser / My word plays undefeated so try a little Monster / I sMashed your Baked Potatoe with chives a little butter / On side some bits of bacon a Cub is now a Lion / If you don't understand, im at work im eating Lunch / Im on break and wasted half of my time you little punk/ But its cool It's all in fun and that's what its all about / In a place full of infected A cesspool full of talent / Respect to my opponent a true Warrior of Poets / A Monster Mash Creator, A Master of Salvation / The bad *** Mr. BlitZed, Will continue this ***** later-/ Here at Writer's Creed, or where ever else you pleased/

BLitZ3D
A mutant, a radioactive contusion./My ***, gave it gas, now im ******* moving./Onto the end, the finish line, a ******* shoe in./Im new an, your old news, news i knew and /screws im loosing, as we pretend this battle im loosing, wrap it up with a few loose ends, /confusing, a thriving city, up an left it in ruins./Black cloaked, hooded druid, IV fluids, /Gat broke, firing pin, out i chewed it, trigger squeezed now, told you id do it./Ten teeth marks on the barrel, yea EG blew it./Face on some blue ****, stiff Elmers glue tip, /sticky grip, stick um up, Richy Rich, Jackson upper cuts, a Rampage, no *****./Bomb on the stage, chickens with no cluck./Took a bomb on stage, chicken heads, my ***** well ******./Salmonella poisoning, chocked the chicken, she likes it real rough. /In an out, left and right, my blade keeps the feathers well plucked. /Goose and a swan, I recognize no duck, bad luck, body covered up in the back of the truck./One G, no UN, i see, just me..no pun./Mission complete, no fun, grey skies, trust me, no sun.. rains not done. /Bars run from bars, bring the heavens down from the stars, impacts bombard/even from behind bars locked cars explode far, gorilla tactics, no holds bared, reload the AR/Re-roll a new cigar, as i retold, another page from Scar/12 bubbles Gage the contents of this unmarked mason jar./I know your popping some corny something, but i wasn't listening./Busy kicking it with Popcorn Sutton, drinking an smoking **** in the kitchen./These lines must be glitching, space-time the fabrics ripping./Physics are ******, i need a new physician./Watch as my feet move, roots grew planted in a quantum position./Like Groot, stomp um like a twig, raging tunnel vision./A ton of incisions, a gun mixed with questionable decisions. /A life for a life, changes nothing, for both sides the death penalty still glistens./the only difference is the same as this blunt. *****, BLitZ3D is still hitting. /Next time i roar a warning make sure you ******* listen... /
battle?
Im already bored with you
.....
I pulled a gun
And a sword you drew
Now the gods were sitting with Jove in council upon the golden floor
while **** went round pouring out nectar for them to drink, and as
they pledged one another in their cups of gold they looked down upon
the town of Troy. The son of Saturn then began to tease Juno,
talking at her so as to provoke her. “Menelaus,” said he, “has two
good friends among the goddesses, Juno of Argos, and Minerva of
Alalcomene, but they only sit still and look on, while Venus keeps
ever by Alexandrus’ side to defend him in any danger; indeed she has
just rescued him when he made sure that it was all over with him-
for the victory really did lie with Menelaus. We must consider what we
shall do about all this; shall we set them fighting anew or make peace
between them? If you will agree to this last Menelaus can take back
Helen and the city of Priam may remain still inhabited.”
  Minerva and Juno muttered their discontent as they sat side by
side hatching mischief for the Trojans. Minerva scowled at her father,
for she was in a furious passion with him, and said nothing, but
Juno could not contain herself. “Dread son of Saturn,” said she,
“what, pray, is the meaning of all this? Is my trouble, then, to go
for nothing, and the sweat that I have sweated, to say nothing of my
horses, while getting the people together against Priam and his
children? Do as you will, but we other gods shall not all of us
approve your counsel.”
  Jove was angry and answered, “My dear, what harm have Priam and
his sons done you that you are so hotly bent on sacking the city of
Ilius? Will nothing do for you but you must within their walls and eat
Priam raw, with his sons and all the other Trojans to boot? Have it
your own way then; for I would not have this matter become a bone of
contention between us. I say further, and lay my saying to your heart,
if ever I want to sack a city belonging to friends of yours, you
must not try to stop me; you will have to let me do it, for I am
giving in to you sorely against my will. Of all inhabited cities under
the sun and stars of heaven, there was none that I so much respected
as Ilius with Priam and his whole people. Equitable feasts were
never wanting about my altar, nor the savour of burning fat, which
is honour due to ourselves.”
  “My own three favourite cities,” answered Juno, “are Argos,
Sparta, and Mycenae. Sack them whenever you may be displeased with
them. I shall not defend them and I shall not care. Even if I did, and
tried to stay you, I should take nothing by it, for you are much
stronger than I am, but I will not have my own work wasted. I too am a
god and of the same race with yourself. I am Saturn’s eldest daughter,
and am honourable not on this ground only, but also because I am
your wife, and you are king over the gods. Let it be a case, then,
of give-and-take between us, and the rest of the gods will follow
our lead. Tell Minerva to go and take part in the fight at once, and
let her contrive that the Trojans shall be the first to break their
oaths and set upon the Achaeans.”
  The sire of gods and men heeded her words, and said to Minerva,
“Go at once into the Trojan and Achaean hosts, and contrive that the
Trojans shall be the first to break their oaths and set upon the
Achaeans.”
  This was what Minerva was already eager to do, so down she darted
from the topmost summits of Olympus. She shot through the sky as
some brilliant meteor which the son of scheming Saturn has sent as a
sign to mariners or to some great army, and a fiery train of light
follows in its wake. The Trojans and Achaeans were struck with awe
as they beheld, and one would turn to his neighbour, saying, “Either
we shall again have war and din of combat, or Jove the lord of
battle will now make peace between us.”
  Thus did they converse. Then Minerva took the form of Laodocus,
son of Antenor, and went through the ranks of the Trojans to find
Pandarus, the redoubtable son of Lycaon. She found him standing
among the stalwart heroes who had followed him from the banks of the
Aesopus, so she went close up to him and said, “Brave son of Lycaon,
will you do as I tell you? If you dare send an arrow at Menelaus you
will win honour and thanks from all the Trojans, and especially from
prince Alexandrus—he would be the first to requite you very
handsomely if he could see Menelaus mount his funeral pyre, slain by
an arrow from your hand. Take your home aim then, and pray to Lycian
Apollo, the famous archer; vow that when you get home to your strong
city of Zelea you will offer a hecatomb of firstling lambs in his
honour.”
  His fool’s heart was persuaded, and he took his bow from its case.
This bow was made from the horns of a wild ibex which he had killed as
it was bounding from a rock; he had stalked it, and it had fallen as
the arrow struck it to the heart. Its horns were sixteen palms long,
and a worker in horn had made them into a bow, smoothing them well
down, and giving them tips of gold. When Pandarus had strung his bow
he laid it carefully on the ground, and his brave followers held their
shields before him lest the Achaeans should set upon him before he had
shot Menelaus. Then he opened the lid of his quiver and took out a
winged arrow that had yet been shot, fraught with the pangs of
death. He laid the arrow on the string and prayed to Lycian Apollo,
the famous archer, vowing that when he got home to his strong city
of Zelea he would offer a hecatomb of firstling lambs in his honour.
He laid the notch of the arrow on the oxhide bowstring, and drew
both notch and string to his breast till the arrow-head was near the
bow; then when the bow was arched into a half-circle he let fly, and
the bow twanged, and the string sang as the arrow flew gladly on
over the heads of the throng.
  But the blessed gods did not forget thee, O Menelaus, and Jove’s
daughter, driver of the spoil, was the first to stand before thee
and ward off the piercing arrow. She turned it from his skin as a
mother whisks a fly from off her child when it is sleeping sweetly;
she guided it to the part where the golden buckles of the belt that
passed over his double cuirass were fastened, so the arrow struck
the belt that went tightly round him. It went right through this and
through the cuirass of cunning workmanship; it also pierced the belt
beneath it, which he wore next his skin to keep out darts or arrows;
it was this that served him in the best stead, nevertheless the
arrow went through it and grazed the top of the skin, so that blood
began flowing from the wound.
  As when some woman of Meonia or Caria strains purple dye on to a
piece of ivory that is to be the cheek-piece of a horse, and is to
be laid up in a treasure house—many a knight is fain to bear it,
but the king keeps it as an ornament of which both horse and driver
may be proud—even so, O Menelaus, were your shapely thighs and your
legs down to your fair ancles stained with blood.
  When King Agamemnon saw the blood flowing from the wound he was
afraid, and so was brave Menelaus himself till he saw that the barbs
of the arrow and the thread that bound the arrow-head to the shaft
were still outside the wound. Then he took heart, but Agamemnon heaved
a deep sigh as he held Menelaus’s hand in his own, and his comrades
made moan in concert. “Dear brother, “he cried, “I have been the death
of you in pledging this covenant and letting you come forward as our
champion. The Trojans have trampled on their oaths and have wounded
you; nevertheless the oath, the blood of lambs, the drink-offerings
and the right hands of fellowship in which have put our trust shall
not be vain. If he that rules Olympus fulfil it not here and now,
he. will yet fulfil it hereafter, and they shall pay dearly with their
lives and with their wives and children. The day will surely come when
mighty Ilius shall be laid low, with Priam and Priam’s people, when
the son of Saturn from his high throne shall overshadow them with
his awful aegis in punishment of their present treachery. This shall
surely be; but how, Menelaus, shall I mourn you, if it be your lot now
to die? I should return to Argos as a by-word, for the Achaeans will
at once go home. We shall leave Priam and the Trojans the glory of
still keeping Helen, and the earth will rot your bones as you lie here
at Troy with your purpose not fulfilled. Then shall some braggart
Trojan leap upon your tomb and say, ‘Ever thus may Agamemnon wreak his
vengeance; he brought his army in vain; he is gone home to his own
land with empty ships, and has left Menelaus behind him.’ Thus will
one of them say, and may the earth then swallow me.”
  But Menelaus reassured him and said, “Take heart, and do not alarm
the people; the arrow has not struck me in a mortal part, for my outer
belt of burnished metal first stayed it, and under this my cuirass and
the belt of mail which the bronze-smiths made me.”
  And Agamemnon answered, “I trust, dear Menelaus, that it may be even
so, but the surgeon shall examine your wound and lay herbs upon it
to relieve your pain.”
  He then said to Talthybius, “Talthybius, tell Machaon, son to the
great physician, Aesculapius, to come and see Menelaus immediately.
Some Trojan or Lycian archer has wounded him with an arrow to our
dismay, and to his own great glory.”
  Talthybius did as he was told, and went about the host trying to
find Machaon. Presently he found standing amid the brave warriors
who had followed him from Tricca; thereon he went up to him and
said, “Son of Aesculapius, King Agamemnon says you are to come and see
Menelaus immediately. Some Trojan or Lycian archer has wounded him
with an arrow to our dismay and to his own great glory.”
  Thus did he speak, and Machaon was moved to go. They passed
through the spreading host of the Achaeans and went on till they
came to the place where Menelaus had been wounded and was lying with
the chieftains gathered in a circle round him. Machaon passed into the
middle of the ring and at once drew the arrow from the belt, bending
its barbs back through the force with which he pulled it out. He undid
the burnished belt, and beneath this the cuirass and the belt of
mail which the bronze-smiths had made; then, when he had seen the
wound, he wiped away the blood and applied some soothing drugs which
Chiron had given to Aesculapius out of the good will he bore him.
  While they were thus busy about Menelaus, the Trojans came forward
against them, for they had put on their armour, and now renewed the
fight.
  You would not have then found Agamemnon asleep nor cowardly and
unwilling to fight, but eager rather for the fray. He left his chariot
rich with bronze and his panting steeds in charge of Eurymedon, son of
Ptolemaeus the son of Peiraeus, and bade him hold them in readiness
against the time his limbs should weary of going about and giving
orders to so many, for he went among the ranks on foot. When he saw
men hasting to the front he stood by them and cheered them on.
“Argives,” said he, “slacken not one whit in your onset; father Jove
will be no helper of liars; the Trojans have been the first to break
their oaths and to attack us; therefore they shall be devoured of
vultures; we shall take their city and carry off their wives and
children in our ships.”
  But he angrily rebuked those whom he saw shirking and disinclined to
fight. “Argives,” he cried, “cowardly miserable creatures, have you no
shame to stand here like frightened fawns who, when they can no longer
scud over the plain, huddle together, but show no fight? You are as
dazed and spiritless as deer. Would you wait till the Trojans reach
the sterns of our ships as they lie on the shore, to see, whether
the son of Saturn will hold his hand over you to protect you?”
  Thus did he go about giving his orders among the ranks. Passing
through the crowd, he came presently on the Cretans, arming round
Idomeneus, who was at their head, fierce as a wild boar, while
Meriones was bringing up the battalions that were in the rear.
Agamemnon was glad when he saw him, and spoke him fairly. “Idomeneus,”
said he, “I treat you with greater distinction than I do any others of
the Achaeans, whether in war or in other things, or at table. When the
princes are mixing my choicest wines in the mixing-bowls, they have
each of them a fixed allowance, but your cup is kept always full
like my own, that you may drink whenever you are minded. Go,
therefore, into battle, and show yourself the man you have been always
proud to be.”
  Idomeneus answered, “I will be a trusty comrade, as I promised you
from the first I would be. Urge on the other Achaeans, that we may
join battle at once, for the Trojans have trampled upon their
covenants. Death and destruction shall be theirs, seeing they have
been the first to break their oaths and to attack us.”
  The son of Atreus went on, glad at heart, till he came upon the
two Ajaxes arming themselves amid a host of foot-soldiers. As when a
goat-herd from some high post watches a storm drive over the deep
before the west wind—black as pitch is the offing and a mighty
whirlwind draws towards him, so that he is afraid and drives his flock
into a cave—even thus did the ranks of stalwart youths move in a dark
mass to battle under the Ajaxes, horrid with shield and spear. Glad
was King Agamemnon when he saw them. “No need,” he cried, “to give
orders to such leaders of the Argives as you are, for of your own
selves you spur your men on to fight with might and main. Would, by
father Jove, Minerva, and Apollo that all were so minded as you are,
for the city of Priam would then soon fall beneath our hands, and we
should sack it.”
  With this he left them and went onward to Nestor, the facile speaker
of the Pylians, who was marshalling his men and urging them on, in
company with Pelagon, Alastor, Chromius, Haemon, and Bias shepherd
of his people. He placed his knights with their chariots and horses in
the front rank, while the foot-soldiers, brave men and many, whom he
could trust, were in the rear. The cowards he drove into the middle,
that they might fight whether they would or no. He gave his orders
to the knights first, bidding them hold their horses well in hand,
so as to avoid confusion. “Let no man,” he said, “relying on his
strength or horsemanship, get before the others and engage singly with
the Trojans, nor yet let him lag behind or you will weaken your
attack; but let each when he meets an enemy’s chariot throw his
spear from his own; this be much the best; this is how the men of
old took towns and strongholds; in this wise were they minded.”
  Thus did the old man charge them, for he had been in many a fight,
and King Agamemnon was glad. “I wish,” he said to him, that your limbs
were as supple and your strength as sure as your judgment is; but age,
the common enemy of mankind, has laid his hand upon you; would that it
had fallen upon some other, and that you were still young.”
  And Nestor, knight of Gerene, answered, “Son of Atreus, I too
would gladly be the man I was when I slew mighty Ereuthalion; but
the gods will not give us everything at one and the same time. I was
then young, and now I am old; still I can go with my knights and
give them that counsel which old men have a right to give. The
wielding of the spear I leave to those who are younger and stronger
than myself.”
  Agamemnon went his way rejoicing, and presently found Menestheus,
son of Peteos, tarrying in his place, and with him were the
Athenians loud of tongue in battle. Near him also tarried cunning
Ulysses, with his sturdy Cephallenians round him; they had not yet
heard the battle-cry, for the ranks of Trojans and Achaeans had only
just begun to move, so they were standing still, waiting for some
other columns of the Achaeans to attack the Trojans and begin the
fighting. When he saw this Agamemnon rebuked them and said, “Son of
Peteos, and you other, steeped in cunning, heart of guile, why stand
you here cowering and waiting on others? You two should be of all
men foremost when there is hard fighting to be done, for you are
ever foremost to accept my invitation when we councillors of the
Achaeans are hold
Now when the child of morning, rosy-fingered Dawn, appeared,
Telemachus rose and dressed himself. He bound his sandals on to his
comely feet, girded his sword about his shoulder, and left his room
looking like an immortal god. He at once sent the criers round to call
the people in assembly, so they called them and the people gathered
thereon; then, when they were got together, he went to the place of
assembly spear in hand—not alone, for his two hounds went with him.
Minerva endowed him with a presence of such divine comeliness that all
marvelled at him as he went by, and when he took his place’ in his
father’s seat even the oldest councillors made way for him.
  Aegyptius, a man bent double with age, and of infinite experience,
the first to speak His son Antiphus had gone with Ulysses to Ilius,
land of noble steeds, but the savage Cyclops had killed him when
they were all shut up in the cave, and had cooked his last dinner
for him, He had three sons left, of whom two still worked on their
father’s land, while the third, Eurynomus, was one of the suitors;
nevertheless their father could not get over the loss of Antiphus, and
was still weeping for him when he began his speech.
  “Men of Ithaca,” he said, “hear my words. From the day Ulysses
left us there has been no meeting of our councillors until now; who
then can it be, whether old or young, that finds it so necessary to
convene us? Has he got wind of some host approaching, and does he wish
to warn us, or would he speak upon some other matter of public moment?
I am sure he is an excellent person, and I hope Jove will grant him
his heart’s desire.”
  Telemachus took this speech as of good omen and rose at once, for he
was bursting with what he had to say. He stood in the middle of the
assembly and the good herald Pisenor brought him his staff. Then,
turning to Aegyptius, “Sir,” said he, “it is I, as you will shortly
learn, who have convened you, for it is I who am the most aggrieved. I
have not got wind of any host approaching about which I would warn
you, nor is there any matter of public moment on which I would
speak. My grieveance is purely personal, and turns on two great
misfortunes which have fallen upon my house. The first of these is the
loss of my excellent father, who was chief among all you here present,
and was like a father to every one of you; the second is much more
serious, and ere long will be the utter ruin of my estate. The sons of
all the chief men among you are pestering my mother to marry them
against her will. They are afraid to go to her father Icarius,
asking him to choose the one he likes best, and to provide marriage
gifts for his daughter, but day by day they keep hanging about my
father’s house, sacrificing our oxen, sheep, and fat goats for their
banquets, and never giving so much as a thought to the quantity of
wine they drink. No estate can stand such recklessness; we have now no
Ulysses to ward off harm from our doors, and I cannot hold my own
against them. I shall never all my days be as good a man as he was,
still I would indeed defend myself if I had power to do so, for I
cannot stand such treatment any longer; my house is being disgraced
and ruined. Have respect, therefore, to your own consciences and to
public opinion. Fear, too, the wrath of heaven, lest the gods should
be displeased and turn upon you. I pray you by Jove and Themis, who is
the beginning and the end of councils, [do not] hold back, my friends,
and leave me singlehanded—unless it be that my brave father Ulysses
did some wrong to the Achaeans which you would now avenge on me, by
aiding and abetting these suitors. Moreover, if I am to be eaten out
of house and home at all, I had rather you did the eating
yourselves, for I could then take action against you to some
purpose, and serve you with notices from house to house till I got
paid in full, whereas now I have no remedy.”
  With this Telemachus dashed his staff to the ground and burst into
tears. Every one was very sorry for him, but they all sat still and no
one ventured to make him an angry answer, save only Antinous, who
spoke thus:
  “Telemachus, insolent braggart that you are, how dare you try to
throw the blame upon us suitors? It is your mother’s fault not ours,
for she is a very artful woman. This three years past, and close on
four, she has been driving us out of our minds, by encouraging each
one of us, and sending him messages without meaning one word of what
she says. And then there was that other trick she played us. She set
up a great tambour frame in her room, and began to work on an enormous
piece of fine needlework. ‘Sweet hearts,’ said she, ‘Ulysses is indeed
dead, still do not press me to marry again immediately, wait—for I
would not have skill in needlework perish unrecorded—till I have
completed a pall for the hero Laertes, to be in readiness against
the time when death shall take him. He is very rich, and the women
of the place will talk if he is laid out without a pall.’
  “This was what she said, and we assented; whereon we could see her
working on her great web all day long, but at night she would unpick
the stitches again by torchlight. She fooled us in this way for
three years and we never found her out, but as time wore on and she
was now in her fourth year, one of her maids who knew what she was
doing told us, and we caught her in the act of undoing her work, so
she had to finish it whether she would or no. The suitors,
therefore, make you this answer, that both you and the Achaeans may
understand-’Send your mother away, and bid her marry the man of her
own and of her father’s choice’; for I do not know what will happen if
she goes on plaguing us much longer with the airs she gives herself on
the score of the accomplishments Minerva has taught her, and because
she is so clever. We never yet heard of such a woman; we know all
about Tyro, Alcmena, Mycene, and the famous women of old, but they
were nothing to your mother, any one of them. It was not fair of her
to treat us in that way, and as long as she continues in the mind with
which heaven has now endowed her, so long shall we go on eating up
your estate; and I do not see why she should change, for she gets
all the honour and glory, and it is you who pay for it, not she.
Understand, then, that we will not go back to our lands, neither
here nor elsewhere, till she has made her choice and married some
one or other of us.”
  Telemachus answered, “Antinous, how can I drive the mother who
bore me from my father’s house? My father is abroad and we do not know
whether he is alive or dead. It will be ******* me if I have to pay
Icarius the large sum which I must give him if I insist on sending his
daughter back to him. Not only will he deal rigorously with me, but
heaven will also punish me; for my mother when she leaves the house
will calf on the Erinyes to avenge her; besides, it would not be a
creditable thing to do, and I will have nothing to say to it. If you
choose to take offence at this, leave the house and feast elsewhere at
one another’s houses at your own cost turn and turn about. If, on
the other hand, you elect to persist in spunging upon one man,
heaven help me, but Jove shall reckon with you in full, and when you
fall in my father’s house there shall be no man to avenge you.”
  As he spoke Jove sent two eagles from the top of the mountain, and
they flew on and on with the wind, sailing side by side in their own
lordly flight. When they were right over the middle of the assembly
they wheeled and circled about, beating the air with their wings and
glaring death into the eyes of them that were below; then, fighting
fiercely and tearing at one another, they flew off towards the right
over the town. The people wondered as they saw them, and asked each
other what an this might be; whereon Halitherses, who was the best
prophet and reader of omens among them, spoke to them plainly and in
all honesty, saying:
  “Hear me, men of Ithaca, and I speak more particularly to the
suitors, for I see mischief brewing for them. Ulysses is not going
to be away much longer; indeed he is close at hand to deal out death
and destruction, not on them alone, but on many another of us who live
in Ithaca. Let us then be wise in time, and put a stop to this
wickedness before he comes. Let the suitors do so of their own accord;
it will be better for them, for I am not prophesying without due
knowledge; everything has happened to Ulysses as I foretold when the
Argives set out for Troy, and he with them. I said that after going
through much hardship and losing all his men he should come home again
in the twentieth year and that no one would know him; and now all this
is coming true.”
  Eurymachus son of Polybus then said, “Go home, old man, and prophesy
to your own children, or it may be worse for them. I can read these
omens myself much better than you can; birds are always flying about
in the sunshine somewhere or other, but they seldom mean anything.
Ulysses has died in a far country, and it is a pity you are not dead
along with him, instead of prating here about omens and adding fuel to
the anger of Telemachus which is fierce enough as it is. I suppose you
think he will give you something for your family, but I tell you-
and it shall surely be—when an old man like you, who should know
better, talks a young one over till he becomes troublesome, in the
first place his young friend will only fare so much the worse—he will
take nothing by it, for the suitors will prevent this—and in the
next, we will lay a heavier fine, sir, upon yourself than you will
at all like paying, for it will bear hardly upon you. As for
Telemachus, I warn him in the presence of you all to send his mother
back to her father, who will find her a husband and provide her with
all the marriage gifts so dear a daughter may expect. Till we shall go
on harassing him with our suit; for we fear no man, and care neither
for him, with all his fine speeches, nor for any fortune-telling of
yours. You may preach as much as you please, but we shall only hate
you the more. We shall go back and continue to eat up Telemachus’s
estate without paying him, till such time as his mother leaves off
tormenting us by keeping us day after day on the tiptoe of
expectation, each vying with the other in his suit for a prize of such
rare perfection. Besides we cannot go after the other women whom we
should marry in due course, but for the way in which she treats us.”
  Then Telemachus said, “Eurymachus, and you other suitors, I shall
say no more, and entreat you no further, for the gods and the people
of Ithaca now know my story. Give me, then, a ship and a crew of
twenty men to take me hither and thither, and I will go to Sparta
and to Pylos in quest of my father who has so long been missing.
Some one may tell me something, or (and people often hear things in
this way) some heaven-sent message may direct me. If I can hear of him
as alive and on his way home I will put up with the waste you
suitors will make for yet another twelve months. If on the other
hand I hear of his death, I will return at once, celebrate his funeral
rites with all due pomp, build a barrow to his memory, and make my
mother marry again.”
  With these words he sat down, and Mentor who had been a friend of
Ulysses, and had been left in charge of everything with full authority
over the servants, rose to speak. He, then, plainly and in all honesty
addressed them thus:
  “Hear me, men of Ithaca, I hope that you may never have a kind and
well-disposed ruler any more, nor one who will govern you equitably; I
hope that all your chiefs henceforward may be cruel and unjust, for
there is not one of you but has forgotten Ulysses, who ruled you as
though he were your father. I am not half so angry with the suitors,
for if they choose to do violence in the naughtiness of their
hearts, and wager their heads that Ulysses will not return, they can
take the high hand and eat up his estate, but as for you others I am
shocked at the way in which you all sit still without even trying to
stop such scandalous goings on-which you could do if you chose, for
you are many and they are few.”
  Leiocritus, son of Evenor, answered him saying, “Mentor, what
folly is all this, that you should set the people to stay us? It is
a hard thing for one man to fight with many about his victuals. Even
though Ulysses himself were to set upon us while we are feasting in
his house, and do his best to oust us, his wife, who wants him back so
very badly, would have small cause for rejoicing, and his blood
would be upon his own head if he fought against such great odds. There
is no sense in what you have been saying. Now, therefore, do you
people go about your business, and let his father’s old friends,
Mentor and Halitherses, speed this boy on his journey, if he goes at
all—which I do not think he will, for he is more likely to stay where
he is till some one comes and tells him something.”
  On this he broke up the assembly, and every man went back to his own
abode, while the suitors returned to the house of Ulysses.
  Then Telemachus went all alone by the sea side, washed his hands
in the grey waves, and prayed to Minerva.
  “Hear me,” he cried, “you god who visited me yesterday, and bade
me sail the seas in search of my father who has so long been
missing. I would obey you, but the Achaeans, and more particularly the
wicked suitors, are hindering me that I cannot do so.”
  As he thus prayed, Minerva came close up to him in the likeness
and with the voice of Mentor. “Telemachus,” said she, “if you are made
of the same stuff as your father you will be neither fool nor coward
henceforward, for Ulysses never broke his word nor left his work
half done. If, then, you take after him, your voyage will not be
fruitless, but unless you have the blood of Ulysses and of Penelope in
your veins I see no likelihood of your succeeding. Sons are seldom
as good men as their fathers; they are generally worse, not better;
still, as you are not going to be either fool or coward
henceforward, and are not entirely without some share of your father’s
wise discernment, I look with hope upon your undertaking. But mind you
never make common cause with any of those foolish suitors, for they
have neither sense nor virtue, and give no thought to death and to the
doom that will shortly fall on one and all of them, so that they shall
perish on the same day. As for your voyage, it shall not be long
delayed; your father was such an old friend of mine that I will find
you a ship, and will come with you myself. Now, however, return
home, and go about among the suitors; begin getting provisions ready
for your voyage; see everything well stowed, the wine in jars, and the
barley meal, which is the staff of life, in leathern bags, while I
go round the town and beat up volunteers at once. There are many ships
in Ithaca both old and new; I will run my eye over them for you and
will choose the best; we will get her ready and will put out to sea
without delay.”
  Thus spoke Minerva daughter of Jove, and Telemachus lost no time
in doing as the goddess told him. He went moodily and found the
suitors flaying goats and singeing pigs in the outer court. Antinous
came up to him at once and laughed as he took his hand in his own,
saying, “Telemachus, my fine fire-eater, bear no more ill blood
neither in word nor deed, but eat and drink with us as you used to do.
The Achaeans will find you in everything—a ship and a picked crew
to boot—so that you can set sail for Pylos at once and get news of
your noble father.”
  “Antinous,” answered Telemachus, “I cannot eat in peace, nor take
pleasure of any kind with such men as you are. Was it not enough
that you should waste so much good property of mine while I was yet
a boy? Now that I am older and know more about it, I am also stronger,
and whether here among this people, or by going to Pylos, I will do
you all the harm I can. I shall go, and my going will not be in vain
though, thanks to you suitors, I have neither ship nor crew of my own,
and must be passenger not captain.”
  As he spoke he snatched his hand from that of Antinous. Meanw
They reached the low lying city of Lacedaemon them where they
drove straight to the of abode Menelaus [and found him in his own
house, feasting with his many clansmen in honour of the wedding of his
son, and also of his daughter, whom he was marrying to the son of that
valiant warrior Achilles. He had given his consent and promised her to
him while he was still at Troy, and now the gods were bringing the
marriage about; so he was sending her with chariots and horses to
the city of the Myrmidons over whom Achilles’ son was reigning. For
his only son he had found a bride from Sparta, daughter of Alector.
This son, Megapenthes, was born to him of a bondwoman, for heaven
vouchsafed Helen no more children after she had borne Hermione, who
was fair as golden Venus herself.
  So the neighbours and kinsmen of Menelaus were feasting and making
merry in his house. There was a bard also to sing to them and play his
lyre, while two tumblers went about performing in the midst of them
when the man struck up with his tune.]
  Telemachus and the son of Nestor stayed their horses at the gate,
whereon Eteoneus servant to Menelaus came out, and as soon as he saw
them ran hurrying back into the house to tell his Master. He went
close up to him and said, “Menelaus, there are some strangers come
here, two men, who look like sons of Jove. What are we to do? Shall we
take their horses out, or tell them to find friends elsewhere as
they best can?”
  Menelaus was very angry and said, “Eteoneus, son of Boethous, you
never used to be a fool, but now you talk like a simpleton. Take their
horses out, of course, and show the strangers in that they may have
supper; you and I have stayed often enough at other people’s houses
before we got back here, where heaven grant that we may rest in
peace henceforward.”
  So Eteoneus bustled back and bade other servants come with him. They
took their sweating hands from under the yoke, made them fast to the
mangers, and gave them a feed of oats and barley mixed. Then they
leaned the chariot against the end wall of the courtyard, and led
the way into the house. Telemachus and Pisistratus were astonished
when they saw it, for its splendour was as that of the sun and moon;
then, when they had admired everything to their heart’s content,
they went into the bath room and washed themselves.
  When the servants had washed them and anointed them with oil, they
brought them woollen cloaks and shirts, and the two took their seats
by the side of Menelaus. A maidservant brought them water in a
beautiful golden ewer, and poured it into a silver basin for them to
wash their hands; and she drew a clean table beside them. An upper
servant brought them bread, and offered them many good things of
what there was in the house, while the carver fetched them plates of
all manner of meats and set cups of gold by their side.
  Menelaus then greeted them saying, “Fall to, and welcome; when you
have done supper I shall ask who you are, for the lineage of such
men as you cannot have been lost. You must be descended from a line of
sceptre-bearing kings, for poor people do not have such sons as you
are.”
  On this he handed them a piece of fat roast ****, which had been set
near him as being a prime part, and they laid their hands on the
good things that were before them; as soon as they had had enough to
eat and drink, Telemachus said to the son of Nestor, with his head
so close that no one might hear, “Look, Pisistratus, man after my
own heart, see the gleam of bronze and gold—of amber, ivory, and
silver. Everything is so splendid that it is like seeing the palace of
Olympian Jove. I am lost in admiration.”
  Menelaus overheard him and said, “No one, my sons, can hold his
own with Jove, for his house and everything about him is immortal; but
among mortal men—well, there may be another who has as much wealth as
I have, or there may not; but at all events I have travelled much
and have undergone much hardship, for it was nearly eight years before
I could get home with my fleet. I went to Cyprus, Phoenicia and the
Egyptians; I went also to the Ethiopians, the Sidonians, and the
Erembians, and to Libya where the lambs have horns as soon as they are
born, and the sheep lamb down three times a year. Every one in that
country, whether master or man, has plenty of cheese, meat, and good
milk, for the ewes yield all the year round. But while I was
travelling and getting great riches among these people, my brother was
secretly and shockingly murdered through the perfidy of his wicked
wife, so that I have no pleasure in being lord of all this wealth.
Whoever your parents may be they must have told you about all this,
and of my heavy loss in the ruin of a stately mansion fully and
magnificently furnished. Would that I had only a third of what I now
have so that I had stayed at home, and all those were living who
perished on the plain of Troy, far from Argos. I of grieve, as I sit
here in my house, for one and all of them. At times I cry aloud for
sorrow, but presently I leave off again, for crying is cold comfort
and one soon tires of it. Yet grieve for these as I may, I do so for
one man more than for them all. I cannot even think of him without
loathing both food and sleep, so miserable does he make me, for no one
of all the Achaeans worked so hard or risked so much as he did. He
took nothing by it, and has left a legacy of sorrow to myself, for
he has been gone a long time, and we know not whether he is alive or
dead. His old father, his long-suffering wife Penelope, and his son
Telemachus, whom he left behind him an infant in arms, are plunged
in grief on his account.”
  Thus spoke Menelaus, and the heart of Telemachus yearned as he
bethought him of his father. Tears fell from his eyes as he heard
him thus mentioned, so that he held his cloak before his face with
both hands. When Menelaus saw this he doubted whether to let him
choose his own time for speaking, or to ask him at once and find
what it was all about.
  While he was thus in two minds Helen came down from her high vaulted
and perfumed room, looking as lovely as Diana herself. Adraste brought
her a seat, Alcippe a soft woollen rug while Phylo fetched her the
silver work-box which Alcandra wife of Polybus had given her.
Polybus lived in Egyptian Thebes, which is the richest city in the
whole world; he gave Menelaus two baths, both of pure silver, two
tripods, and ten talents of gold; besides all this, his wife gave
Helen some beautiful presents, to wit, a golden distaff, and a
silver work-box that ran on wheels, with a gold band round the top
of it. Phylo now placed this by her side, full of fine spun yarn,
and a distaff charged with violet coloured wool was laid upon the
top of it. Then Helen took her seat, put her feet upon the
footstool, and began to question her husband.
  “Do we know, Menelaus,” said she, “the names of these strangers
who have come to visit us? Shall I guess right or wrong?-but I
cannot help saying what I think. Never yet have I seen either man or
woman so like somebody else (indeed when I look at him I hardly know
what to think) as this young man is like Telemachus, whom Ulysses left
as a baby behind him, when you Achaeans went to Troy with battle in
your hearts, on account of my most shameless self.”
  “My dear wife,” replied Menelaus, “I see the likeness just as you
do. His hands and feet are just like Ulysses’; so is his hair, with
the shape of his head and the expression of his eyes. Moreover, when I
was talking about Ulysses, and saying how much he had suffered on my
account, tears fell from his eyes, and he hid his face in his mantle.”
  Then Pisistratus said, “Menelaus, son of Atreus, you are right in
thinking that this young man is Telemachus, but he is very modest, and
is ashamed to come here and begin opening up discourse with one
whose conversation is so divinely interesting as your own. My
father, Nestor, sent me to escort him hither, for he wanted to know
whether you could give him any counsel or suggestion. A son has always
trouble at home when his father has gone away leaving him without
supporters; and this is how Telemachus is now placed, for his father
is absent, and there is no one among his own people to stand by him.”
  “Bless my heart,” replied Menelaus, “then I am receiving a visit
from the son of a very dear friend, who suffered much hardship for
my sake. I had always hoped to entertain him with most marked
distinction when heaven had granted us a safe return from beyond the
seas. I should have founded a city for him in Argos, and built him a
house. I should have made him leave Ithaca with his goods, his son,
and all his people, and should have sacked for them some one of the
neighbouring cities that are subject to me. We should thus have seen
one another continually, and nothing but death could have
interrupted so close and happy an *******. I suppose, however,
that heaven grudged us such great good fortune, for it has prevented
the poor fellow from ever getting home at all.”
  Thus did he speak, and his words set them all a weeping. Helen wept,
Telemachus wept, and so did Menelaus, nor could Pisistratus keep his
eyes from filling, when he remembered his dear brother Antilochus whom
the son of bright Dawn had killed. Thereon he said to Menelaus,
  “Sir, my father Nestor, when we used to talk about you at home, told
me you were a person of rare and excellent understanding. If, then, it
be possible, do as I would urge you. I am not fond of crying while I
am getting my supper. Morning will come in due course, and in the
forenoon I care not how much I cry for those that are dead and gone.
This is all we can do for the poor things. We can only shave our heads
for them and wring the tears from our cheeks. I had a brother who died
at Troy; he was by no means the worst man there; you are sure to
have known him—his name was Antilochus; I never set eyes upon him
myself, but they say that he was singularly fleet of foot and in fight
valiant.”
  “Your discretion, my friend,” answered Menelaus, “is beyond your
years. It is plain you take after your father. One can soon see when a
man is son to one whom heaven has blessed both as regards wife and
offspring—and it has blessed Nestor from first to last all his
days, giving him a green old age in his own house, with sons about him
who are both we disposed and valiant. We will put an end therefore
to all this weeping, and attend to our supper again. Let water be
poured over our hands. Telemachus and I can talk with one another
fully in the morning.”
  On this Asphalion, one of the servants, poured water over their
hands and they laid their hands on the good things that were before
them.
  Then Jove’s daughter Helen bethought her of another matter. She
drugged the wine with an herb that banishes all care, sorrow, and
ill humour. Whoever drinks wine thus drugged cannot shed a single tear
all the rest of the day, not even though his father and mother both of
them drop down dead, or he sees a brother or a son hewn in pieces
before his very eyes. This drug, of such sovereign power and virtue,
had been given to Helen by Polydamna wife of Thon, a woman of Egypt,
where there grow all sorts of herbs, some good to put into the
mixing-bowl and others poisonous. Moreover, every one in the whole
country is a skilled physician, for they are of the race of Paeeon.
When Helen had put this drug in the bowl, and had told the servants to
serve the wine round, she said:
  “Menelaus, son of Atreus, and you my good friends, sons of
honourable men (which is as Jove wills, for he is the giver both of
good and evil, and can do what he chooses), feast here as you will,
and listen while I tell you a tale in season. I cannot indeed name
every single one of the exploits of Ulysses, but I can say what he did
when he was before Troy, and you Achaeans were in all sorts of
difficulties. He covered himself with wounds and bruises, dressed
himself all in rags, and entered the enemy’s city looking like a
menial or a beggar. and quite different from what he did when he was
among his own people. In this disguise he entered the city of Troy,
and no one said anything to him. I alone recognized him and began to
question him, but he was too cunning for me. When, however, I had
washed and anointed him and had given him clothes, and after I had
sworn a solemn oath not to betray him to the Trojans till he had got
safely back to his own camp and to the ships, he told me all that
the Achaeans meant to do. He killed many Trojans and got much
information before he reached the Argive camp, for all which things
the Trojan women made lamentation, but for my own part I was glad, for
my heart was beginning to oam after my home, and I was unhappy about
wrong that Venus had done me in taking me over there, away from my
country, my girl, and my lawful wedded husband, who is indeed by no
means deficient either in person or understanding.”
  Then Menelaus said, “All that you have been saying, my dear wife, is
true. I have travelled much, and have had much to do with heroes,
but I have never seen such another man as Ulysses. What endurance too,
and what courage he displayed within the wooden horse, wherein all the
bravest of the Argives were lying in wait to bring death and
destruction upon the Trojans. At that moment you came up to us; some
god who wished well to the Trojans must have set you on to it and
you had Deiphobus with you. Three times did you go all round our
hiding place and pat it; you called our chiefs each by his own name,
and mimicked all our wives -Diomed, Ulysses, and I from our seats
inside heard what a noise you made. Diomed and I could not make up our
minds whether to spring out then and there, or to answer you from
inside, but Ulysses held us all in check, so we sat quite still, all
except Anticlus, who was beginning to answer you, when Ulysses clapped
his two brawny hands over his mouth, and kept them there. It was
this that saved us all, for he muzzled Anticlus till Minerva took
you away again.”
  “How sad,” exclaimed Telemachus, “that all this was of no avail to
save him, nor yet his own iron courage. But now, sir, be pleased to
send us all to bed, that we may lie down and enjoy the blessed boon of
sleep.”
  On this Helen told the maid servants to set beds in the room that
was in the gatehouse, and to make them with good red rugs, and
spread coverlets on the top of them with woollen cloaks for the guests
to wear. So the maids went out, carrying a torch, and made the beds,
to which a man-servant presently conducted the strangers. Thus,
then, did Telemachus and Pisistratus sleep there in the forecourt,
while the son of Atreus lay in an inner room with lovely Helen by
his side.
  When the child of morning, rosy-fingered Dawn, appeared, Menelaus
rose and dressed himself. He bound his sandals on to his comely
feet, girded his sword about his shoulders, and left his room
looking like an immortal god. Then, taking a seat near Telemachus he
said:
  “And what, Telemachus, has led you to take this long sea voyage to
Lacedaemon? Are you on public or private business? Tell me all about
it.”
  “I have come, sir replied Telemachus, “to see if you can tell me
anything about my father. I am being eaten out of house and home; my
fair estate is being wasted, and my house is full of miscreants who
keep killing great numbers of my sheep and oxen, on the pretence of
paying their addresses to my mother. Therefore, I am suppliant at your
knees if haply you may tell me about my father’s melancholy end,
whether you saw it with your own eyes, or heard it from some other
traveller; for he was a man born to trouble. Do not soften things
out of any pity for myself, but tell me in all plainness exactly
what you saw. If my brave father Ulysses ever did you loyal service
either by word or deed, when you Achaeans were harassed by the
Trojans, bear it in mind now as in my favour and tell me truly all.”
  Menelaus on hearing this was very much shocked. “So,” he
exclaimed, “these cowards would usurp a brave man’s bed? A hind
might as well lay her new born you
Signs point in different directions
Art>
<Science
History^
Oddities¿

Art:
Every memory of every sunrise
Every beautiful melody
Here.
And so many images of her.
Some sweet
Some candid
Some sad.
How can we revel in the joyful
Without knowing it's opposite?
Every delicate poem
Every lyric yelled
Every painting
Every sculpture
And in all of them,
Her.

Science:
Models of molecules
Diagrams of data
Sketches
(Where are the equations?)
Math is forbidden in this museum.
Lectures
Theories
All gathering dust.

History:
Names.
The greatest of men and women
Julius Caesar
Constantine
Marc Anthony
Cleopatra
Rosa Parks
Elinor Roosevelt
Patton
Churchill
Kennedy
MLK

Maps and charts
Famous cities of old
Sparta
Alexandria
The halls of Montezuma
Constantinople
Babylon

Oddities:
Phantom Kangaroos
Homemade Bazooka
"That made the news?"
And Bubblegum the Baluga

The Raven Empress
Flaming mattress
Sharks with lasers
Pandas with Tasers
What the heck just happened?
M Epperly Feb 2012
I am a man obsessed with perfection
No amount of smoke and mirrors will lead me to misdirection
Like an arrow I fly straight into my target, my goal
Falling short is not an option; I must accomplish my journey and feel whole
 
Although I feel as though I’ve been placed into the pit of Sparta
Punished for my greediness, looking up at the light of accomplishment, wondering how it’d feel on my skin
But that is only where I begin
Fore I shall climb from the darkness of the pit and become a martyr 

And I’ll do it with ease, if that’s what it takes
Give it everything I’ve got, know the stakes
I know this will one day consume me, ruin me, destroy me
But until then, I take who I am and display for everyone to see
 
I’ve struggled all my life and now I’m going to make it
This isn’t no ******, there’s no reason to fake it
Open up to show my true colours, for better or worse, rhythm or rhyme
Let the earth spin into darkness, I’ve got nothing but time
 
Knock me down, I’ll be returning like a mummy, bringing plaques and placing a curse
I’m only getting better, for my competition it’s bound to get worse
Nothing can keep me, down not even the weather
Like Icarus I’ll gather my feathers
 
Spread my wings wide and fly
Leave the sky
Go passed the moon and to the sun
Make it melt, bask in revenge and call it done
 
Fore I am a man obsessed with perfection
I am the juggernaut of progression
Although only I see myself continuing this momentum
Irrelevant, I will seek my destination running through shadows like a phantom
To Matthieu, my ex French boyfriend



I'm smoking my last
In an empty room
I will watch the past
Seal and shake my doom.

I'm breathing my last
As I crawl under
Under the thunder
Welcoming the blast,

I shall undergo
In an empty room.
And deeper I go
Deeper in the gloom

I'm looking around
Trudging on the ground
I have come to nuke
To repel and puke,

This mild monochrome
Displaying your smile
I will hate your isle
From Sparta to Rome

To grab your image
Your ****** leverage
Going far further
Than before earlier


The road down below
Is dangerous, I fell
Is painful and slow
The road out of hell

Will be bright and pure.
I did **** and mure
Your mild monochrome
And now to my home,

I shall soon return
Far from you lost love
Yes, is gone the dove
Your paper will burn

Ashes, melting fast
Burning monochrome
Blasted monochrome
I'm smoking my last

July 19, 2013
Chambéry, France
Mateuš Conrad Apr 2019
.with rob zombie's: ***** liquor in the background,
a man perched on windowsill,
              one foot tapping along,
                                 the other foot folded
and sat on...


    come to think of it,
                 why am i not bothered,
   not bothered by the neighbours?
well, one ****** tried it,
complained about me smoking out
of my window,
   and that one time i was making a b.b.q.
and he said: 'you should have warned
us!'               the ****?
            all beause he had been doing
his washing and was drying his clothes
on a washing line, 20 metres from my b.b.q.,
and now they're moving house.

the english,
     they always want a house with a garden...
in the vicinity?
    you know how many times i've
seen the english use their gardens?
              roughly 5 times per year...
they rarely even attempt to switch
the garden to a ******* venture when
the one toilet is occupied by someone
taking a shower...
                      for all the wants of a garden,
i haven't seen anyone around here
take to planting a cherry tree,
            or burrying their cremated cat...
i guess i must be the odd one out...
            i mean: i'll integrate up to a point,
but then... well there's just me,
               rumours...
rumours...
      apparently donald tusk got
the job as the president of the european
council, because he mingled
   with frau kanzler
   over the position...
                     **** me...
        27 prime ministers,
    but only 1 chancellor...
                  who said the stereotype
of jews being good with money,
never made it to the stereotype of germans?
   the rumour is...
   he got the job...
       only because his father was
in the wehrmacht...
             after all, he did write
a bestseller book about the city of Danzig...
no surprise there,
  given that Danzig was reminiscent
of a city-state akin to Athens or Sparta...
mind you, better than any movie
on a friday night,
   tuning in on the 66th minute
of Liverpool vs. Southampton...
                waiting for the 1 - 1 draw...
but the genius of jürgen jürgen (klopp)
came through...
                     funny that,
people with funny surnames...
             dialect distinctions...
      klop in western slavic implies
the ******* - ide na klopa -
      i'm going to sit on a toilet...
            ****** must have been a funny surname
before its notorious prominence...
but rarely do you get to see 28 minutes
of a football match of this sort of quality...
    wolverhampton wanderers...
they're playing a very interesting piece
of football this season...
very portugese barzilian-esque...
      everybody knows that
        italian football is boring
  (too many passes),
   and german football is just too predictable...
but how the hell did Liverpool
come up with 2 goals in a period of 28 minutes...
mind-boggling...
       i'm always there for the sport per se,
i don't really feel inclined
to have a vested interest in the sport
as to pick a side,
               what once was
          religion, now becomes infused
in sports... seriously...
  count me out of this secular take
on religiosity...
            i'll pay my dues: were deserved
dues are due...
                   that's probably i much
prefer the olympics to this coming farce
of a world cup...
   how many footballers are going
to drop dead, from heat exhaustion?
we must thank our camel cockey bwovers
for cracking up the heat
          in air-conditioned stadiums...
once upon a time, the arabs had,
enviable traits...
   now? with all that wealth?
                                         take a guess;
if muhammad was raised from
the dead?
                     you'd see a forest
of pikes, on top would sit, decapitated heads
of his own people...
         but that's a wild idea,
perhaps even he, couldn't avoid
the temptation;
nonetheless, is it wrong to say that some
sports are over-represented?
   well, d'uh!
                 olympics comes,
and i always look forward to classical
wrestling matches,
    archery,
                             ha ha... ping-pong...
sure... none of the tennis allure...
  but it's a welcome break from
mainstream sports...
                                 and this whole
team religiosity influence...
                  that **** bores me to death...
clearly religion didn't die,
it just morphed...
                oh, really? it's that time of year?
the one time of the year
where i become a gambler?
   what? it's the quiche thing to do
in england, a bit like sipping
                 pimm's and eating eaton mess
at wimbledon...
       the grand national...
   betting on a horse...
                     and just to prove i'm no
gambler - why would i dream about
going to las vegas?
                   that shitshow of a town?
all the best strip-clubs in the world:
but no brothel.
      eh?!
                 tiger roll (7 to 2)
is attempting to make history,
     by clinging to: two years in a row...
i only have 4 quid to spend on the bet...
   so 2 horses...
               2 quid each...
                         hmm...
                      'further rain would help
him to step forward'
             i checked the weather forecast
(the grand national happens somewhere
south of liverpool, i think)
                     rainy...
overcast...     step back (25 to 1)...
                         now a compensation
horse...
                          i'll need a few more whiskies
before i make this blind bet lucky hope...

i'm not betting on tiger roll (7 to 2) -
the odds are not wildcard enough...

mind you, not being a gambling *****:
i do know that rolling tobacco
needs to be fresh,
   slightly moist, in order to roll it,
you can still roll the dry tobacco,
but then you'd also require
obc cigarette tubes,
         and one of those "gizmos" /
machines, to pull off
             a perfect match...
no in a millions years will you get
out a perfect rollie
with dry, pall mall tobacco...
when no golden virginia is available...
point: but you're also
not going to **** dry the filter
with dry tobacco...
harder to roll,
               but an easier smoke...

anyway...
   back to the grand national...
look, i'm no dustin hoffman
rainman hack...
         i felt like ******* away
4 quid's worth on an event, sue me...

   1             up for review (25 - 1)
         'could relish this test;
      must be a contender'

2a            folsom blue  (50 - 1)
          'mud-lover; stays well
   but at veteran stage'

2b           general principle (40 - 1)
     'best not ignore this irish
national winner'

3            ramses de telilee   (25 - 1)
             'welsh national second;
               stays well and improving'

4   ballyoptic    (28 - 1)
   'scottish national second;
                   cannot rule out'

  5a       mala beach (50 - 1)
               'fresh; could suit;
              a lively outsider'

    5b go conquer      (33 - 1)
         'bids to give his trainer
a third national'

      5c     lake view lad      (14 - 1)
             'improving steadily and
this trip should suit'

   5d jury duty    (16 - 1)
     'should relish this trip.
         could get a positive verdict'

6 vieux lion rouge             (33 - 1)
     'has tried three times in
this; fourth time lucky?'

   7       bless the wings                (66 - 1)
              'would be the oldest winner
       since 1853'

so...
      gambling, fascinating,
   how there's no objectivity argument,
and all the sort of superstitions associated
with it... a truly, magnanimous,
secular age...
   football as a religion,
   gambling on horses as the trials
of fate / luck / whatever belief...

       truly... gratifying...
   and i don't imply that in any pompous
sense, i'm about to invest 4 quid
in the whole affair!

   my pick?
              step back 25 to 1 odds
first choice...
   so it's either between
the mud-lover folsom blue... 50 to 1 odds,
ah... i'll need more wizard like
uncertainty when it comes
to gambling,
repeating to myself:
   there's no such thing as luck,
there's no such thing as luck,
gambling is only subjective,
gambling is the reiteration
of a religious experience,
        it's the sensible option,
it's the sensible option, ****...
i'll just split the 4 quid over 4 horses
rather than bet 2 quid on 2...

per quid:
                      step back
                      jury duty
                      up for review
                      go conquer / folsom blue

****...
                   no wonder i never got
into gambling...
         i never fathomed the aspect
of winning
as much as i never fathomed
the aspect of losing,
   or how they're paired up
     and consecrated on the same
altar of, "thrill"...

    that cut               /
betweeen
       go conquer  and folsom blue...

horses have the oddest names...
          dogs?
                 probably the shittest names
in the whole of the kingdom...
oscar darshan...
                            quorus...
these being cat names...
                                           go figure.
Kris Learmonth May 2019
ACHILLES son of king PELUS of PHTHIA.
From near Thessalia not Sparta.
Born near where you parents married on mount Pelion.
Your mother Thetis a NYMPH known by AGAMENON.
King MENELAUS'S betrayal the Greeks all cross the Aegean.
Odysseus and PATROCLUS an armada some by passing the CRETAN.
Sons of Priam killed and only Odysseus escaped back to Ithica.
The BESIEGING of Troy in a wooden horse from Sparta.
Prince of the Myrmidon's to avenge PATROCLUS it's HECTOR you cut down.
All Troy did burn weak horse lovers they should have fled and in the RIVER STYX they would drown.
Greeks. Greek heroes. ACHILLES.
Brian Payamps Jan 2015
Is time to pay homage to those who paved a path for me. Had a "Dream with in a dream" like Edgar did. No kiss upon the brow, we shook hands and drank tea. Spoke about love and death and all its synonyms like I am to he. Did you kissed her because she died? Were the grain of golden sand that creeped through your fingers  from her broken hour glass? Is this life a reality or yet a dream? For the poor it must be a nightmare to sleep and not see reality. As he vanished right in front of me and left behind a black feather with ink as it came from a Raven's wing.

Pinched my self to wake up from this dream or nightmare. Scared of what might come next. I see snow flakes start to fall from the sky as if heaven is coming down towards me. I look up with my mouth open catching snow on my tounge. I hear a horse gallop and is getting close. He stops right before and asked if the woods are mine? He says, "I know he know he still has miles to go for promises he must keep before he sleeps." As the horse harness bell shakes he ask "before I depart how far I'll go before I sleep in the woods that are lovely, dark and deep. Remember my name Robert Frost, for when I sleep and arrive at your door but For now I must go I have promises to keep, I have promises to keep before I sleep." As he vanishes right before my eyes horse and all I hear the gallops far far away and a solid snow flake falls right between my eyes.

and I blink and I see 21st century man ask a stranger where am i? He smiles and sarcastically said "the land of the free" "we were named New Amsterdam but now is called Manhattan, this hear is Harlem. I'm Langston Hughes let's sit by the river. Asked him how's life? "Life is fine" "I was born for living as are you." "You'll be dogged if you let them see you die for love, so live. You'll make your mark I'll all come one night." Took the elevator to the 16 floor asked him if I was dreaming? He said "of course I died in 1967" as he jumped this time for the first time he yelled "don't let it dry up like a raisin in the sun, dream don't defer". Just like that he was gone.

As time moves back and forth between centuries. I hear murmurs, see things I can't understand stop please the voices are to much for me. Troy, Troy is it burned yet? Homer and William Butler Yeats discuss Odeysseu's journey, Helen and Menelaus king of Sparta.
Stop! Stop! Stop! As I fall from space in fear of my death. I wake up and see the sun beaming through the blinds. The smell of pancakes enters the room and in to my nose, glad is on my face. She said "How you sleep last night, bad dream again" As I eat with my left and write with my right. Time to pay homage i said. Time to pay homage.
Time to pay homage to those Poets I love the most.
Laura Slaathaug Apr 2017
I.
 So well, honest people make poor poets,
since they want dockyard receipts from Sparta
for how many ships Helen’s face launched there.

II.
Honest details make the best poetry.
Poets plant made-up gardens with real toads,
where clothing and china patterns are art.

III.
Poets write because they have things to say.
They write because they have things they can’t say,
and so, start with the sobs they can’t swallow.

IV.
Poetry is like life, being one big question
that you live until the answers arrive,
And emotion finds thought and thought find words.
National Poetry Month Day 8. Writing prompt: Repetition poem
TOD HOWARD HAWKS Jun 2022
LOVE AND LOVERS

by  

TOD HOWARD HAWKS


Chapter 16

Jon was reflecting on the Peloponnesian Wars between Athens and Sparta in ancient Greece that he had studied as part of Columbia College’s CORE CURRICULUM.

Plato’s interest in ethics and political philosophy was greatly affected by Athens's abuses of power against weaker people, the exile of relatives, the disintegration of democratic values, and the rise of the oligarchy. Athens was eventually defeated by Sparta.

So what has changed, for the better, Jon thought. Essentially nothing. If anything, things on Earth have gotten progressively worse. All in all, this was why he was so moved, so adamant in his, and Bian’s, shared desire to turn the world “right-side in.” A Herculean task? Of course it was! But, in truth, every endeavor worth undertaking was, in its own way, a Herculean task. And what better task was there than righting wrongs, than saving our only home and all creations upon it.

During these solemn, solitary interludes, Jon often found both solace and renewed fortitude by reading poems he had written. This was one of those moments.


WE HAVE MINED OUR MOUNTAINS

We have mined our mountains,
we have fished our seas,
we have felled our forests,
we have gathered our grains,
but we have not yet embraced
the infinite energy of our souls,
which is love.


EVENING

It will get dark soon.
The white, yellow, and pink
houses will turn grey,
then black. The cacophony
of car horns will turn into
the chorus of locusts.
Summer's night will lay
a sheet of tranquility over
a city harassed by exigent
matters that matter not.
Soporific silhouettes will
soften the cityscape,
allowing us to escape
the frazzle of the hot day,
exchanging the frenetic
for the peaceful, the welter
for a sense of the well-being.
The susurrus of the evening
breeze blows the exhaust
of our polluted lives into
a distant day. Children play
in yards back and front and
laughter wafts through
neighborhoods like the sweet
smell of barbeque, not the
fetid odor of finance and
foreclosures. There is a
sense of closure to this day.
As the sun sets, our eyelids
close, and we pray for the
soft rain of forgiveness.


ARE WE ALL NOT IDIOMS

Are we all not idioms,
peculiar to ourselves
in construct and meaning?
Are not all of us
syntactical anomalies?
Do we not all have elliipses,
lacunae, egregious gaps
in our beings? Lack of
parallel construction in
our lives, dangling like
participles, a pronoun
without its antecedent?
Are not our lives run-
on sentences handed
up by unconscious wishes
and unmet needs? Too
bad we could not be
more declarative and
less rhetorical or
imperative.


THOSE WHO RULE

We shall keep the poor poor.
We shall be on them like
a master's whip on the backs
of slaves;  but they will not
know us: we are too far and
too close. We shall use the
patois of patriotism to patronize
them. We shall hide behind our
flags, while we hold only one pole.
We shall have the poor fight our
wars for us, and die for us;  and
before they die, they will **** for
us, we hope, enough. In peace,
we shall piecemeal them, and serve
them meals made of toxins and tallow.
For their labor, we shall pay them
slave wages;  and all that we give,
we shall take back, and more, by
monumental scandals that subside
like day's sun at eventide. We shall
be clever, as ever, circumspect and
surreptitious at all times. We shall
keep them deluded with the verisimilitude
of hope, but undermine always its
being. We shall infuse their lives
with fear and hate, playing one
race against another, one religion
against a brother's. Disaffection is
our key;  but we must modulate our
efforts deftly, so the poor remain
frightened and angered, but always
blind and deaf and divided. And if,
perchance, one foments, we shall
seize the moment and drop his head
into his hands, even as he speaks.
This internecine brew we pour, there-
fore, into the poor to keep them drunk
enmity and incapacitation. Ah,
eternal anticipation! Bottoms up,
old chaps! We, those who rule,
shall have them always in our laps.
We are, as it were, their salvation.
Wild flight on flight against the fading dawn
The flames’ red wings soar upward duskily.
This is the funeral pyre and Troy is dead
That sparkled so the day I saw it first,
And darkened slowly after.  I am she
Who loves all beauty—yet I wither it.
Why have the high gods made me wreak their wrath—
Forever since my maidenhood to sow
Sorrow and blood about me?  Lo, they keep
Their bitter care above me even now.
It was the gods who led me to this lair,
That tho’ the burning winds should make me weak,
They should not ****** the life from out my lips.
Olympus let the other women die;
They shall be quiet when the day is done
And have no care to-morrow.  Yet for me
There is no rest.  The gods are not so kind
To her made half immortal like themselves.
It is to you I owe the cruel gift,
Leda, my mother, and the Swan, my sire,
To you the beauty and to you the bale;
For never woman born of man and maid
Had wrought such havoc on the earth as I,
Or troubled heaven with a sea of flame
That climbed to touch the silent whirling stars
And blotted out their brightness ere the dawn.
Have I not made the world to weep enough?
Give death to me.  Yet life is more than death;
How could I leave the sound of singing winds,
The strong sweet scent that breathes from off the sea,
Or shut my eyes forever to the spring?
I will not give the grave my hands to hold,
My shining hair to light oblivion.
Have those who wander through the ways of death,
The still wan fields Elysian, any love
To lift their ******* with longing, any lips
To thirst against the quiver of a kiss?
Lo, I shall live to conquer Greece again,
To make the people love, who hate me now.
My dreams are over, I have ceased to cry
Against the fate that made men love my mouth
And left their spirits all too deaf to hear
The little songs that echoed through my soul.
I have no anger now.  The dreams are done;
Yet since the Greeks and Trojans would not see
Aught but my body’s fairness, till the end,
In all the islands set in all the seas,
And all the lands that lie beneath the sun,
Till light turn darkness, and till time shall sleep,
Men’s lives shall waste with longing after me,
For I shall be the sum of their desire,
The whole of beauty, never seen again.
And they shall stretch their arms and starting, wake
With “Helen!” on their lips, and in their eyes
The vision of me.  Always I shall be
Limned on the darkness like a shaft of light
That glimmers and is gone.  They shall behold
Each one his dream that fashions me anew;—
With hair like lakes that glint beneath the stars
Dark as sweet midnight, or with hair aglow
Like burnished gold that still retains the fire.
Yea, I shall haunt until the dusk of time
The heavy eyelids filled with fleeting dreams.

I wait for one who comes with sword to slay—
The king I wronged who searches for me now;
And yet he shall not slay me.  I shall stand
With lifted head and look within his eyes,
Baring my breast to him and to the sun.
He shall not have the power to stain with blood
That whiteness—for the thirsty sword shall fall
And he shall cry and catch me in his arms,
Bearing me back to Sparta on his breast.
Lo, I shall live to conquer Greece again!
Mateuš Conrad Mar 2020
.a very prominent interlude of bitterness - something that needs to be drank as an antidote of the aftertaste of a brothel... bourbon - sickly-sweet bourbon of a brothel... otherwise the best beer on these isles: the original stout: st. guinness - second, 13... hop house lager by the same culprit... i don't know about you but a regular IPA doesn't float my boat... stale pale ale of 3 day old sputnik ***** excavation of bio-matter living off of iron shrapnel and termite ****... let's not go over-board with the bitterness of fenugreek seeds added to a curry... but... a hop lager is not an indian pale ale... because? well: because of the excited circumstance of extra bubbles! once upon a time that horrid absinthe period... last time i checked i became the st. peter of the drug details... ***** tells you too many truths come the moral-hangover the next day... but ms. amber in her guise of adele bloch-bauer by klimt: take her for a whiskey, take her for a bourbon... a chanel no. 5... or a brandy or a cognac... please excuse me from drinking the ales... goldwasser: athens, sparta, venice... dan dan Danzig... i'd call the genesis of world war II to be... that envy of the city-state... the little cosmopolitan high-heavens of a concentrated locum... of affairs of both tourism and the subsequent merchant class... that Danzig didn't belong to anyone: not really... does it even matter now? the current city-state model is... don't bother filtering the excesses... it has to become diluted... you'll find pockets of concentration near them... yes... homogenous... therefore solaced by that fact alone... only teasing incorporating outside influences... it's not going to be a replica venice or danzig... for that you'd need a window... st. peter designated the window into europe as a capital with an access to the sea... not land locked... even though i'm pretty sure that moscow has a river running through it... jump-start the window: a capital by the sea... hey presto! a window: the baltic sea into europe... words that become apparent: microcongestion of undigested souls... a schrödinger's cat... one foot in limbo... another foot in reicarnation... lob it or nutmeg the footie: it's a particle when observed and a wave when not observed... an orbit for the schematic... but a cloud when getting into the nitty-gritty details: specifics oblong... misnomer... if my ******* into a tissue, subsequently flushed... then a baptism of a shower... is not a genocide? then... bullseye... the ***** that made it into the ****... it's an abortion mid-week... i'd count that ****** come a certain count of months... otherwise... well... there's that cat of his... one foot in limbo and one foot in reincarnation... wasn't it the western exhausted theological mind: from that god of the omni- litany looking toward the budding-ha-ha? abortion... prized ***** makes it to the egg... ah... ****** from the argument of effort... me and the basic schematics of genocide... otherwise: schrödinger's cat... one foot in limbo... one foot in reicarnation... better still... Farinelli! drop the ******* don a niqab! the muslims and an eye-fetish... mind you... i do have a hand-fetish... "fetish"... i can count five of hers and only four of mine... fingers! unless she is a proper Arab bride with roots of synonyms in the Ukraine... and she has butcher's hands... hot-dog fingers... and a kardashian thick-*** that is just readied for a 12" dung-digger of ******... while at the same time... breaking the floral patterns of a porcelain geisha's... "missing tongue O"...

manícorona: peanut-crown!

               in between the hype and...
in between the trough...
and the happy pigglets of prop
and grandour...

little charlie little dervish of
a dar: gift...
                        win-win scenario...
i'm worried about...
constipation...
           terribly bothered...
                    
         but there's also the fact that
i haven't seen a dentist for...
a donkey can count a decade:
at least that's my hope...

my tooth filling has become lose...
having finished with yesterday's
etc. i tried to fall to sleep...

the pain came as a blunt object
in need of sharpening...
it wasn't a sharp object per se:
to begin with...

the radio was off...
the dream of falling asleep to the sound
of rain like it might be
a song off the cure's disintegration
album: lost...

                 i concluded:
it must be a dream...
how else explain this trivial pain
of a tooth when all the bones lay
intact in a body in an impeding grave?

to have been lullabied by a trivial
pain of a loose filling...
                   i'll give it until monday
to check a dental clinic...
i'll wait... because:
god only knows i am bound
to learn something new from
this crazed - infuriating pain -

          but at least that has
constipation covered...
    fear not: ****** **** of the golem heights!
no chelsea smile up your alley:
any time soon...

        the crown virus...
sooner or later: yes my liege...
yes my sire...
i'm sure the africans will... jump the queue...
we've been raising money for
a malaria vaccine...
i'm sure they'll be quick-on-the-mark
to raise money for the crown-virus
epicenter! europe!

oh... come come... komme komme, meine liebe!
it's true!
the europeans will be fundraising
money for malaria...
while the africans will be fundraising
money for the peanut-crown virus...

or... i like that one quote i heard,
"somewhere"...
   a stewardess asks a mother whether
or not her son would like some peanuts...
the mother says... he's allergic to peanuts...
he's allergic to maize... air...
glutten... ******* haribo gelatin and all...
he's allergic to hiccups...

                           there's a winking match
involving imitation chess between
the very sick psychiatrists
and the mildly sick schizophrenics...
a bilingual comes along into their foray...
and asks: who's multiplying
and who's in charge of division?
all a splendid metaphor... wouldn't you agree?
there... metaphor...
already the focus is gone... splinters...
some go to metaphysics,
some go to metaphors...
some go to orthography...
some go to: telepathy...
        some go down the para-
hello, my name is Norman...

         it's natural then... darwinism in action...
hold a peanut to a crowd of
people allergic to peanuts...
the joy of cashews...
the joys of pecans...
   cashews, pecans, brazilians...
macademians... hazels and waldorff's...

no other feeling...
like a ripe hop lager in between
a bourbon's drip drip drip...
      
                   horrid breaking up an already
comfortable ideology... isn't it?
when something like this speaks for itself
and the "lamm von gott" is brought before
the altar...
                           darwinism sings!
sings! like the brian jonestown massacre...
this is my body... my peanut...
brought to a cult of peanut-allergy-riddled
anemics and haemophiliacs...
        
the darwinian ideology fizzles out...
when it's not longer looking up through
the telescope of a primate's ***...
but looking through the form most primodial...
i've been gardening for the past week...
i've watched an earthworm here...
an earthworm there...
        life without eyes without ears
without music... but this idiotic god-given
impetus, imperative, "will": "freedom"...
virus... crown virus...

sooner or later we'll all be kings and queens,
sneezing and waiting for the entire
small intestine to come out of our noses
like glue: glut and gelatin pieces
wobbling where once bones stood
to be later broken...

a beer in between these slugs of bourbon
will do just that...
all good when it concerns
of apes and men...
           the similarity greatly helps...
but of course we'll borrow from other
skeletons...
                  no one ever heard of a headache
from having "too much"...
i.e. od przybytku: głowa nie boli...
o ale boli boli boli...

      constipation...
            the peanut crown virus...
and a loose tooth filling...
                ***** blondes and "how many"
light-bulb jokes it would take
for a tsunami of bleached ***** hairs to turn
into a happy cousin itsy-bitsy:
a spider cravat... what else?

otherwise history...
   either a wet-dream or a castration...
              or the bull wrestled by the horns...
or a dog wrestled by either kicking it in
the ******* or wrestling with its mandible jaw...
echoes of warriors...
warriors and pirates... the lesser muscles
of a farmer? a blacksmith?
              either a wet-dream or a castration...
lost avenues of "heroes":
all leading to: up my ***... otherwise known
as my original churchill's V...
the welsh longbow men: ditto the fwench...

such a shame that so much of history
is to be filtered when the children learn of it...
and whenever returning to it...
it's as stale as an antique's roadshow...
or it's: skimmed over...
whatever natural selection gave...
i don't know whether it's natural
to witness this historiological selection...

some would say:
too much of a congested toilet: n'est-ce pas?
too many of the dead are still haunting us...
natural selection contra:
historiological selection...
                             the ape versus the virus...
it is over-inflated...
where are the boils, the blisters...
the glutton spew of ****?
                              
                     this is... it?
panic riddled neurotics?
   so... so... twiddle-thumb-twiddle-toe...
where are all the psychotic:
airing of the soul examples?
smoke and mirrors...
   if i see a *****?
   i'll let you know!
          we'll huddle and watch
tom hanks win an oscar for
Philadeplhia...
                          show me a *****
******* a zombie...
         this, this grand disguise as flu...
it's almost a precursor
to a greater joke...
       of... phantom limbs that
had grenades worth of champagne
bottles being uncorked as
the origin of the demise of...
if only they named the ship Prometheus...
Titanic is so general...
     Atlas... Hyperion...
                  Oceanus...
                                   you can't expect
to keep an adjective as a noun: afloat...
or could have... could you?

but about time you listen to all the darwinists...
when the seas are: a'rough...
ask them about not looking up from
that telescope via a monkey's ****...
about the darwinism of a...
very original... very basic: a first...
first in line end result...
that might have been us...

                 tough luck bringing
no wine and no bread...
to the congregation...
nut-allergy riddled whisperers and soon-enough
to be drop-off counts of: the sieve...
the peanut! crown - and:
if only it was as simple as a reconquista
of what the goths left behind having
stalled spain's worth
and having died off in north africa...

now's the time to stop looking through
a darwinistic: famous detail of:
the peeled banana on the inner-sleeve...
the root or yellow...
teasing you unpeeled for all that was
the velvet, the velvet and the underground...
a very pushy bladder...
i mean: fickle bladder little gremlin
with a yappy-yappy for a mouth...
and it's not the sort of mouth that echoes:
hungry! hungry!
the sort of mouth, though...
give it the plumber...
                          
        how very pedestrian of me.
aar505n Oct 2014
How Strange.
You long for change,
but you are loath to redo.
And thus, loathe yourself.
And this loads on you,
on your coarse course.

Preventing the Metamorphose,
and forces you
into your torturous fortress.
A cocoon,
that protects against monsoons
but not the typhoon raging inside,
waking Typhon,
and blowing out
Prometheus's fire.

Oh how Oedipus Wrecks
the tedious good
until spiritless.
But never hopeless

Pandora's box is open
but Sparta's soldiers
will close it and guide you
from Tartarus to Olympus
and change, you will.

Shed your mortal grossness
for immortal happiness.
No common sense
that this recklessness
has consequences

When you do realize
What the Fates's foretold
it will be too late.
comments and interruptions welcomed!
Oh beloved Hyacinth, my sparkling youth so fine
More brilliant than all objects that shine
Fit for erecting a sacrificial shrine
Let my whole self be only thine

Harken all of you to Apollo’s Serenade for Hyacinth!

Oh citizens of Sparta, offer me your finest *****
In my arms his amorous body will never shrink
Never will he be placed on peril’s brink
His glorious soul under my care will never stink

Harken all of you to Apollo’s Serenade for Hyacinth!


Oh beloved Hyacinth, you will learn a lot in my guidance
For any man of the arts, this is the greatest chance
In music & sports, you’ll surely enhance
You can have the future the power to glance

Harken all of you to Apollo’s Serenade for Hyacinth!


Oh gods & goddesses, behold Hyacinth evolve better
His charming countenance will turn brighter
His adorable assemblage will go stronger
If you give him to me and no other

Harken all of you to Apollo’s Serenade for Hyacinth!

Oh beloved Hyacinth, in my lap you’ll have the greatest nourishment
I will keep you away from any predicament
My healing powers will safeguard you from ailment
Never will your body & soul be in torment

Harken all of you to Apollo’s Serenade for Hyacinth!

Oh mortals & immortals, you will never regret
Hyacinth will flourish if you make me your bet
From me so many he’ll know & get
To you I’ll unveil his being’s greatest secret!

-02/12/2015
(Dumarao)
*Hopelessly Immortal Collection
My Poem No. 335
Oh precious Hyacinth, in my eyes a jewel
In front of your radiance, my knees fell
You’re like a glistening pearl in a ****** shell
I am enamored by your enthralling spell

Listen everyone to Zephyrus’ Serenade for Hyacinth!

Oh King of Sparta, you bear the tastiest fruit
On the land he is the handsomest youth
This is for everyone a crystal clear truth
That’s why in my heart the arrows of Eros shoot

Listen everyone to Zephyrus’ Serenade for Hyacinth!

Oh precious Hyacinth, you have equaled the glamour of a god
Your face is fairer than any mortal lad
Your muscles are firmer than any man had
Because of such beauty, you make me feel glad

Listen everyone to Zephyrus’ Serenade for Hyacinth!

Oh King of Olympus, let me have this seductive mortal
For him my godly being turned carnal
The appeal of his flesh is oddly unusual
I want him to be mine for time eternal

Listen everyone to Zephyrus’ Serenade for Hyacinth!

Oh precious Hyacinth, under my wings you’ll never fall
Come to the West Wind’s most desperate call
To you I’ll reserve the prettiest room in my hall
The most romantic & blissful haven for all

Listen everyone to Zephyrus’ Serenade for Hyacinth!


Oh deities & humans, grant me this costly man
Boreas, Notus, Eurus, bring me this heavenly Spartan
Let our powerful Anemoi bequeath him from his clan
Turn him over to the Western Wind, his greatest fan!

Listen everyone to Zephyrus’ Serenade for Hyacinth!


-02/11/2015
(Dumarao)
*Hopelessly Immortal Collection
My Poem No. 334

— The End —